WEBVTT - Jeff Goldblum

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<v Speaker 1>Welcome to River Cafe, Table four, a production of iHeartRadio

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<v Speaker 1>and Adami Studios.

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<v Speaker 2>Can you hear me?

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<v Speaker 3>I can hear you, Darling? Can you hear me?

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<v Speaker 2>I can Darling.

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<v Speaker 3>Tonight, I'm talking to my friend Jeff Goldbloom.

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<v Speaker 2>I'm in LA and my closet with a couch.

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<v Speaker 3>You know I don't have a closet with a couch,

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<v Speaker 3>but I'm going to get one tomorrow. Yeah, note to self.

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<v Speaker 2>I recommend it.

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<v Speaker 3>We're miles and miles apart, but through food, through movies,

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<v Speaker 3>through politics, through memories, we're really close.

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<v Speaker 2>Let's start. Let's not waste any of this magic, and

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<v Speaker 2>let's let's start the Let's turn on the chef. Are

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<v Speaker 2>we starting? Are we?

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<v Speaker 3>Yeah? We could start the only thing. I'm a chef

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<v Speaker 3>and I have a restaurant. But I may not be

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<v Speaker 3>the best interviewer. So you can say, Ruthie, you're doing

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<v Speaker 3>a bad job. Start all over again.

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<v Speaker 2>Okay, you're already an excellent interviewer and you can't possibly

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<v Speaker 2>make a mistake more to a bad job. I think

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<v Speaker 2>you're fantastic.

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<v Speaker 3>So I'm going to ask you if you would read

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<v Speaker 3>the recipe that you've chosen.

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<v Speaker 2>Oh should I should? Kick it off with it. I

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<v Speaker 2>certainly will. So I've got this book in front of

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<v Speaker 2>me and I've turned to I've dog heared the slow

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<v Speaker 2>cook fennel. Well, there's not much to reach. It's like

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<v Speaker 2>a high coupe. I see, ready, here's my You don't

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<v Speaker 2>like it, you can say, take take two. Well wait,

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<v Speaker 2>I haven't taken one yet. Just a second. Okay, here's

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<v Speaker 2>take one. You know how many takes Stanley Kubrick would

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<v Speaker 2>do sometimes for a movie, No, tell me famously eighty seven?

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<v Speaker 2>What if I wish I would have worked with him. I

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<v Speaker 2>love his movies, and he made movies around your neck

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<v Speaker 2>of the woods there.

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<v Speaker 3>Yeah, okay, come on, read the recipe.

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<v Speaker 2>You are a good interviewer. I like when the interviewer

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<v Speaker 2>claps your hands and says, come on, get come on there. Okay,

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<v Speaker 2>here it goes. Slow cooked fennel serves six six fennel bulbs,

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<v Speaker 2>five tablespoons olive oil, five garlic cloves peeled. That's it.

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<v Speaker 2>That's as much as I have on the page. Is

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<v Speaker 2>that it.

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<v Speaker 3>You've just read the ingredients. Now go down to the method.

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<v Speaker 2>Oh okay, okay, okay, so so far, so good.

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<v Speaker 3>And also I think it says, fennel cut into eighths, doesn't.

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<v Speaker 2>It No, I pride myself on my reading skills. It says,

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<v Speaker 2>serve six six fennel bulbs.

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<v Speaker 3>Okay, your reading skills are really good. Now just go

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<v Speaker 3>down to the method.

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<v Speaker 2>Here's what it says. Well, here's what it says on

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<v Speaker 2>the rest of the page. Says in the River Cafe kitchen,

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<v Speaker 2>we all have an opinion on the color of the fennel,

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<v Speaker 2>brown or pale, but we agree on the classic rule

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<v Speaker 2>that they should be cooked long enough so that you

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<v Speaker 2>can cut them with a fork. New paragraph. Cut each

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<v Speaker 2>fennel bull vertically into eighth So here we go. This is.

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<v Speaker 2>Keep the olive oil in a large saucepan, add the fennel, garlic,

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<v Speaker 2>and some sea salt and black pepper, and cook over

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<v Speaker 2>a medium heat, stirring occasionally, for about ten minutes, or

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<v Speaker 2>until the fennel begins to brown. Add sufficient boiling water

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<v Speaker 2>to come barely one quarter of the way up the fennel.

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<v Speaker 2>Then lower the heat simmer uncovered until the fennel is

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<v Speaker 2>very soft, which will take twenty to thirty minutes. Stir

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<v Speaker 2>occasionally and add a little more boiling water if necessary,

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<v Speaker 2>but there should be no liquid at all when the

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<v Speaker 2>fennel is cooked. End of page and the recipe. What

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<v Speaker 2>do you think of that?

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<v Speaker 3>I think it's beautifully red and very clear. Why of

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<v Speaker 3>all the recipes and all the books did you choose

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<v Speaker 3>the cook fedel. It's one of my favorite things to eat.

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<v Speaker 3>But I'm interested as to why you chose it.

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<v Speaker 2>I'm you may not know this about me. I'm easy

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<v Speaker 2>to please. This is all the height of cookery, and

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<v Speaker 2>this is all the most delicious things in the world.

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<v Speaker 2>But I'm easy to please, and I like all food.

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<v Speaker 2>There's anything I kind of haven't tried, wouldn't try and enjoy.

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<v Speaker 2>It looks great to me. Look at that. My mouth

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<v Speaker 2>is watering as I look at this picture. How'd you

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<v Speaker 2>come up with this? This your recipe?

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<v Speaker 3>Well interesting because the recipe came for somebody who really

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<v Speaker 3>influenced my cooking and my partner rose in the River

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<v Speaker 3>Cafes cooking. Richard's mother, daughter Rogers, who came from Trieste

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<v Speaker 3>and from Florence, came to London just before the war

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<v Speaker 3>Second World War, and she kept her cooking tradition really

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<v Speaker 3>close to her and taught many many people how to cook.

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<v Speaker 3>And one of the interesting things about the way she

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<v Speaker 3>cooked was the way she cooked and weigh Italians cooked vegetables,

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<v Speaker 3>cooking the feedle slowly and olive oil and garlic, but

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<v Speaker 3>then adding water makes it all melt and absorbed the

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<v Speaker 3>juices intensifies a flavor. So I learned this recipe from

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<v Speaker 3>my mother in law, Dada Rogers.

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<v Speaker 2>What's her first name.

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<v Speaker 3>Her name was Ermine Garda, but they called her data.

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<v Speaker 3>So who does the cooking? Do you cook for your children?

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<v Speaker 3>Do you cook?

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<v Speaker 2>Well, that's funny. My wife now Emily, with whom I've

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<v Speaker 2>been for about ten years. She was Emily Livingston. We

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<v Speaker 2>got married four years ago. She's now Emily gold Bloom.

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<v Speaker 2>She's from Canada. Her mom is French from nant and

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<v Speaker 2>she's very close to her mom. Her mom is a

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<v Speaker 2>kind of wonderful cook, you know, makes creps and all

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<v Speaker 2>kinds of things. She prides herself on her cooking. And

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<v Speaker 2>they love their food over there, and that family loves

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<v Speaker 2>their food. And Emily, she was in the Olympics. She

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<v Speaker 2>early on got the bug to be a gymnast, and

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<v Speaker 2>she studied some Bulgarian coach star and took her to

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<v Speaker 2>Russia for most of the years between eleven and sixteen,

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<v Speaker 2>much to her mother's anxiety, but she wound up being

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<v Speaker 2>the Pan American champion and then she was in the Olympics.

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<v Speaker 2>And now she has taken the cooking and learning some

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<v Speaker 2>of her mom's recipes. She's been cooking, baking bread craps

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<v Speaker 2>and croked monsieur and croke madam and so she cooks.

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<v Speaker 2>We had breakfast this morning and she cooked some scrambled

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<v Speaker 2>eggs with cheese in them, and then she made oatmeal.

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<v Speaker 2>See I I'm easy to please. I can have this

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<v Speaker 2>every day. It was kind of sweetened with maple syrup.

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<v Speaker 2>And she has this French butter that she likes to

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<v Speaker 2>put a little in and had some cheese seeds in

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<v Speaker 2>it like that. That's what why I had this morning.

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<v Speaker 3>Did you grow up what did your parents cook? What

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<v Speaker 3>was food like at home?

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<v Speaker 2>Well, that's funny. I grew up in Pittsburgh. My dad

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<v Speaker 2>was I think like your dad was. Wasn't your dad

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<v Speaker 2>a doctor?

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<v Speaker 3>Yeah?

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<v Speaker 2>My dad was a doctor also, and his parents were

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<v Speaker 2>from Russia and my mom's parents, her dad was from Austria.

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<v Speaker 2>My dad's dad was named Kavartsik and changed it to

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<v Speaker 2>gold Bloom anyway, in our house, we had four kids,

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<v Speaker 2>the doctor and Missus Goldblum, and she used to cook. Yes,

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<v Speaker 2>this is the fifties sixties in America, so this is

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<v Speaker 2>meat loaf time. There was, you know, canned vegetables that

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<v Speaker 2>were popular at the time. They even introduced us to

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<v Speaker 2>one nights that they went out to Swanson's TV Dinners.

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<v Speaker 3>TV Dinners.

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<v Speaker 2>Yeah, Swiss steak and all that stuff. But she would

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<v Speaker 2>make things. I remember this. She had a recipe for

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<v Speaker 2>potato salad. My mouth is watering now and I'm getting

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<v Speaker 2>a little nostalgic about it. She used to make it. It

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<v Speaker 2>was her own thing. It was mayonnaise and potatoes and

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<v Speaker 2>celery and olives. She had these green olives, the kind

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<v Speaker 2>of you get with pimentos in them. I love that.

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<v Speaker 2>But she would make also this spaghetti. I'll tell you,

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<v Speaker 2>I love this thing. It was spaghetti, now that I

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<v Speaker 2>know it. I don't think she called it this bolonaise.

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<v Speaker 2>I think she said, with meat sauce. And she put

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<v Speaker 2>it in a great big kind of translucent green bowl,

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<v Speaker 2>dark green bowl. Geez. I loved that so much. That

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<v Speaker 2>was great. And then we got a barbecue outside. They

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<v Speaker 2>liked to put steaks on the grill, and they went

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<v Speaker 2>on cruises and stuff. You can imagine, the doctor and

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<v Speaker 2>they went to Las Vegas for some you know doctor,

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<v Speaker 2>you know, getaways and cruises and that kind of stuff.

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<v Speaker 2>Come back from Haiti with a couple of items, you know,

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<v Speaker 2>and they paid in a shuffle board court on the

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<v Speaker 2>cement in our backyard. Can you believe it? I was

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<v Speaker 2>the only you know, it was a blue collar neighborhood.

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<v Speaker 2>All the other kids in school were kids of steel workers.

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<v Speaker 2>I was a fish out of water already, a very

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<v Speaker 2>strange boy in a strange family. I think. Then they

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<v Speaker 2>had a little wet bar, I remember, and every couple

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<v Speaker 2>of weeks they would have the chair news come over

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<v Speaker 2>to play bridge, and I would listen from my upstairs bedroom,

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<v Speaker 2>you know, just hear sounds going on. We were supposed

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<v Speaker 2>to be asleep.

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<v Speaker 3>But it is interesting that food and memory so are

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<v Speaker 3>memories of our childhood. You're remembering the costain the green ball.

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<v Speaker 3>You remember it was in a green bowl, and you

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<v Speaker 3>remember the is very strong for all of us, is

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<v Speaker 3>the memory of our child is listening to our parents dinners,

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<v Speaker 3>you know, when we're supposed to be in bed wondering

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<v Speaker 3>did they eat different food for their grown up friends

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<v Speaker 3>as opposed to what beate around the table. When did

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<v Speaker 3>you start becoming aware of other cultures, other food and

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<v Speaker 3>rest Did you go with two restaurants with your pre

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<v Speaker 3>That must be being a bad interview When did you

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<v Speaker 3>become aware of other food culture?

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<v Speaker 2>You're a very good interviewer. I like that multipart question.

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<v Speaker 2>I'm going to answer all of them. I can.

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<v Speaker 3>I was about to ask a multi part question.

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<v Speaker 2>I'll give you a doctor's excuse. You're doing very well.

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<v Speaker 2>So here's your multipart question. And the first part that

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<v Speaker 2>I want to talk about is the restaurants we went

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<v Speaker 2>to in Pittsburgh, and there weren't many, but we would

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<v Speaker 2>go to well this is of course the beginning of

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<v Speaker 2>you know, fast food stuff. And I remember there's a

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<v Speaker 2>place called Eaton Park that we used to go and

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<v Speaker 2>get some stuff and eat in the car. And they

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<v Speaker 2>had chipped ham that people from Pittsburgh will know that.

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<v Speaker 2>We used to come home and make kind of sloppy jos,

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<v Speaker 2>but with this chip ham that we put barbecue sauce

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<v Speaker 2>with his stuff that was kind of delicious. Then there

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<v Speaker 2>was this pizza place on Saturdays we watched scary movies.

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<v Speaker 2>Chili Billy, Cardilly and my older brothers they were starting

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<v Speaker 2>to drive, and they would go to this place called

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<v Speaker 2>the Junction and Pizza and bring back this square cut pizza. Man.

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<v Speaker 2>I loved that. And then we would all go out

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<v Speaker 2>to Tambalini's restaurant, an Italian so called restaurant. I remember

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<v Speaker 2>that's the first time I tasted this thing called a

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<v Speaker 2>caesar salad. There was some hard boiled eggs in it,

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<v Speaker 2>and I thought that was spectacular. And then we would go,

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<v Speaker 2>wait a minute, wait a minute, go there was this one.

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<v Speaker 2>There must have been others. There was one Chinese restaurant.

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<v Speaker 2>I think it was bill Uns, and you know, we

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<v Speaker 2>would go on a once a month or something like

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<v Speaker 2>that on a Sunday night and it was I think

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<v Speaker 2>Cantonese and just you know, very kind of standard fair.

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<v Speaker 2>But I thought that was great too, you know, like

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<v Speaker 2>I say, every eating adventure was great. And then we

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<v Speaker 2>went on vacations. We would go to getting a station

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<v Speaker 2>wagon and all go to Atlantic City and get that

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<v Speaker 2>saltwater taffy on the boardwalk. And we went to New

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<v Speaker 2>York City once. That was in fourth grade, and we

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<v Speaker 2>went to Grantwich Village at the time, and had our

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<v Speaker 2>pictures done, our portraits done by some artists, you know,

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<v Speaker 2>beat nick artist on the street.

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<v Speaker 3>On the street. Hey, the first person I've ever met

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<v Speaker 3>that had one done on the street. Oh no, I

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<v Speaker 3>had one in the Piazza Navona once.

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<v Speaker 2>Yeah, it was.

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<v Speaker 3>It wasn't sophisticated at all. Do you know what, Jeff.

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<v Speaker 3>It's so similar to kind of my growing up because

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<v Speaker 3>my father would take us from upstate New York once

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<v Speaker 3>a month, and what we would do is we would

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<v Speaker 3>go see the big ships in the harbor at a

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<v Speaker 3>docked like the Queen Elizabeth. Then he would take us

0:11:47.000 --> 0:11:50.400
<v Speaker 3>to a musical in the afternoon, and then we would

0:11:50.400 --> 0:11:53.520
<v Speaker 3>go to sam Goodies do you remember that music store,

0:11:53.960 --> 0:11:57.440
<v Speaker 3>and we would buy the record from the musical. So

0:11:57.559 --> 0:12:00.280
<v Speaker 3>if it was I don't know, West Side Story, whatever

0:12:00.280 --> 0:12:02.400
<v Speaker 3>it was, you'd buy the record and then we would

0:12:02.520 --> 0:12:04.840
<v Speaker 3>we would have a restaurant meal, and then we would

0:12:04.880 --> 0:12:06.880
<v Speaker 3>go home and then we would just play the record

0:12:06.960 --> 0:12:09.480
<v Speaker 3>over and over and over until I knew every single song.

0:12:09.360 --> 0:12:12.000
<v Speaker 2>You're talking about now. We did grow up similarly. My

0:12:12.120 --> 0:12:14.240
<v Speaker 2>parents both sort of flirted early on in their youth

0:12:14.280 --> 0:12:16.840
<v Speaker 2>with a theatrical career some kind before it was going

0:12:16.880 --> 0:12:18.480
<v Speaker 2>to be a doctor. Da da da, And so they

0:12:18.520 --> 0:12:20.480
<v Speaker 2>were fans of the arts. They used to go on

0:12:20.520 --> 0:12:23.040
<v Speaker 2>their own to New York and see Broadway shows and

0:12:23.120 --> 0:12:26.480
<v Speaker 2>come back with the records, the cast albums of West

0:12:26.520 --> 0:12:28.680
<v Speaker 2>Side Stork and Fiddler on the Roof and My Fair

0:12:28.760 --> 0:12:31.880
<v Speaker 2>Lady and all those things. Yes, and I would listen

0:12:31.920 --> 0:12:35.720
<v Speaker 2>to it over and over learn it. But yeah, very similar.

0:12:35.840 --> 0:12:38.080
<v Speaker 2>In New York, we went to this place called the Cattleman.

0:12:38.400 --> 0:12:41.320
<v Speaker 2>I think it was a touristy kind of steak restaurant.

0:12:41.520 --> 0:12:43.320
<v Speaker 2>We'd get take home and they'd wrap it up in

0:12:43.360 --> 0:12:45.920
<v Speaker 2>some aluminum foil thing in the shape of a swan

0:12:46.080 --> 0:12:48.360
<v Speaker 2>or something. I remembered. I thought that was unusual.

0:12:48.600 --> 0:12:50.880
<v Speaker 3>Do you take your kids to restaurants? Because I think

0:12:50.920 --> 0:12:54.040
<v Speaker 3>it's the image of restaurant now so different for me,

0:12:54.520 --> 0:12:57.600
<v Speaker 3>my parents eating out in the restaurant was a special occasion,

0:12:57.720 --> 0:13:00.280
<v Speaker 3>and now I just see the way my kids and

0:13:01.040 --> 0:13:03.760
<v Speaker 3>kids and families eat out like all the time. Do

0:13:03.800 --> 0:13:05.360
<v Speaker 3>you take your kids to restaurants?

0:13:05.480 --> 0:13:07.600
<v Speaker 2>I agree, it's probably too much. And I'll bet with

0:13:07.640 --> 0:13:11.160
<v Speaker 2>your sensibility. You love the home style cooking and I

0:13:11.240 --> 0:13:14.000
<v Speaker 2>do too. And especially during this last COVID period, it's

0:13:14.080 --> 0:13:17.240
<v Speaker 2>forced us to eat less in restaurants. We weren't doing

0:13:17.280 --> 0:13:19.480
<v Speaker 2>it much before. We have a nice home life and

0:13:19.520 --> 0:13:22.800
<v Speaker 2>a nice culinary home life. I like meals with the kids.

0:13:22.840 --> 0:13:24.560
<v Speaker 2>I love breakfast with the kids, and we have dinner

0:13:24.600 --> 0:13:27.120
<v Speaker 2>with the kids. It's really great. But before that, we

0:13:27.160 --> 0:13:29.360
<v Speaker 2>had gotten together with my sister and gone to a

0:13:29.400 --> 0:13:31.560
<v Speaker 2>restaurant and I'll bet you would like here. Maybe you

0:13:31.600 --> 0:13:33.720
<v Speaker 2>know it in Los Angeles, Musso and Franks, but we

0:13:33.720 --> 0:13:35.720
<v Speaker 2>would go there. It's a kind of traditional restaurant. They

0:13:35.720 --> 0:13:37.640
<v Speaker 2>say it's the oldest restaurant in Los Angeles. And we'd

0:13:37.679 --> 0:13:39.640
<v Speaker 2>go with the kids and my sister. They have a

0:13:39.640 --> 0:13:42.480
<v Speaker 2>menu that doesn't say sorbet. They still call it Sherbet,

0:13:42.640 --> 0:13:44.760
<v Speaker 2>you know. And then we would go to a couple

0:13:44.800 --> 0:13:47.360
<v Speaker 2>other places, but not many. But things are just opening

0:13:47.440 --> 0:13:50.320
<v Speaker 2>up now. And we went just this last weekend with

0:13:50.400 --> 0:13:53.240
<v Speaker 2>the kids for the first time in a long while

0:13:53.360 --> 0:13:56.840
<v Speaker 2>to Craigs, who kind of built an outdoor place and

0:13:56.840 --> 0:13:59.840
<v Speaker 2>they're kind of Italian and this and that, and they

0:14:00.080 --> 0:14:03.240
<v Speaker 2>had a good time there. But the kids like food.

0:14:03.280 --> 0:14:05.800
<v Speaker 2>It's so interesting to see the kids eat and what

0:14:05.880 --> 0:14:06.439
<v Speaker 2>they like.

0:14:06.960 --> 0:14:09.559
<v Speaker 3>You know, did you ever work in a restaurant?

0:14:10.000 --> 0:14:11.880
<v Speaker 2>I never, did you know? I was so lucky. I

0:14:11.880 --> 0:14:14.480
<v Speaker 2>have an unusual story. As soon as I decided to

0:14:14.480 --> 0:14:16.280
<v Speaker 2>become an actor, I went to New York, lived there

0:14:16.320 --> 0:14:19.440
<v Speaker 2>four years, studied with Sandy Monizer, and then as soon

0:14:19.440 --> 0:14:21.720
<v Speaker 2>as I finished school, even before I started school, I

0:14:21.800 --> 0:14:25.520
<v Speaker 2>kind of happened into work and started to work, and

0:14:25.560 --> 0:14:28.040
<v Speaker 2>have worked steadily for these last four decades or so

0:14:28.240 --> 0:14:32.680
<v Speaker 2>without ever having to take another straight so called job,

0:14:32.760 --> 0:14:35.480
<v Speaker 2>except for one week I sold pens and pencils on

0:14:35.520 --> 0:14:37.960
<v Speaker 2>the phone, but I'm too sensitive for that. I wound

0:14:38.000 --> 0:14:40.840
<v Speaker 2>up in the hospital. I don't know, maybe related or unrelated,

0:14:40.840 --> 0:14:43.200
<v Speaker 2>but anyway, that was the last time I did something

0:14:43.680 --> 0:14:45.480
<v Speaker 2>not having to do with that or music. You know,

0:14:45.520 --> 0:14:47.440
<v Speaker 2>I played music these days and go out and they

0:14:47.440 --> 0:14:49.360
<v Speaker 2>give us some money for playing music. But I do

0:14:49.400 --> 0:14:51.120
<v Speaker 2>all of it just because I love it. That's why

0:14:51.160 --> 0:14:52.000
<v Speaker 2>I ever did any of it.

0:14:52.080 --> 0:14:55.680
<v Speaker 3>Now because restaurants, I just think that actors do gravitate

0:14:55.880 --> 0:14:59.680
<v Speaker 3>to working in restaurants because they are theatrical, aren't they? Restaurants?

0:14:59.760 --> 0:15:01.480
<v Speaker 3>Even and if you're in a bad mood, you have

0:15:01.520 --> 0:15:02.960
<v Speaker 3>to be in a good mood, or if you don't

0:15:03.000 --> 0:15:05.120
<v Speaker 3>like the customer, you have to pretend you like the customer.

0:15:05.480 --> 0:15:08.240
<v Speaker 3>And also dramatic things happen in restaurants. I always say

0:15:08.280 --> 0:15:11.400
<v Speaker 3>people do very private things in a public space. And

0:15:11.440 --> 0:15:14.800
<v Speaker 3>Michael Kaine said he never ever did a movie without

0:15:14.880 --> 0:15:17.480
<v Speaker 3>doing the deal first in a restaurant. He said, all

0:15:17.520 --> 0:15:20.280
<v Speaker 3>the movie deals were always made over lunch. But did

0:15:20.320 --> 0:15:23.600
<v Speaker 3>you find that or is your generation different with restaurants

0:15:23.640 --> 0:15:26.880
<v Speaker 3>for you working lunches, or is it always just pleasure?

0:15:27.240 --> 0:15:29.680
<v Speaker 2>It's been many different things. It has been a lot

0:15:29.680 --> 0:15:34.280
<v Speaker 2>of business. There's a hotel near here near my house.

0:15:34.280 --> 0:15:36.200
<v Speaker 2>I've been in the same house for thirty five years,

0:15:36.240 --> 0:15:38.440
<v Speaker 2>and there's a hotel near here that has a very

0:15:38.520 --> 0:15:43.080
<v Speaker 2>nice place, and I've had many meetings there with people

0:15:43.240 --> 0:15:45.720
<v Speaker 2>on movies that I'm going to do and projects that

0:15:45.760 --> 0:15:47.520
<v Speaker 2>I'm going to do, or just to meet people or

0:15:47.560 --> 0:15:52.160
<v Speaker 2>talk about things. And yeah, that's happened a lot and

0:15:52.400 --> 0:15:55.560
<v Speaker 2>private things. And I like kind of you know, restaurants

0:15:55.640 --> 0:15:58.320
<v Speaker 2>that are casual in a way where you feel very

0:15:58.360 --> 0:16:01.800
<v Speaker 2>free for you know, and counter a human encounter that

0:16:01.920 --> 0:16:06.080
<v Speaker 2>can be freewheeling, isn't so stuffy, you know. I like that.

0:16:06.560 --> 0:16:08.840
<v Speaker 2>But I'd love to come now and see you and

0:16:08.880 --> 0:16:09.760
<v Speaker 2>go to the restaurant.

0:16:09.880 --> 0:16:12.120
<v Speaker 3>You know what, we could put a piano in the

0:16:12.240 --> 0:16:14.440
<v Speaker 3>River Cafe and we could play the piano and say

0:16:14.880 --> 0:16:16.880
<v Speaker 3>we have a beautiful place for a piano.

0:16:17.640 --> 0:16:20.200
<v Speaker 2>I would love to because I know you opened Sylvia's

0:16:20.200 --> 0:16:21.800
<v Speaker 2>and you've got live piano music there.

0:16:22.120 --> 0:16:23.800
<v Speaker 3>Yeah, we just closed Sylvia's.

0:16:26.280 --> 0:16:27.200
<v Speaker 2>Why what happened?

0:16:27.240 --> 0:16:29.320
<v Speaker 3>It's a long story, but it was just a small

0:16:29.360 --> 0:16:31.720
<v Speaker 3>little space that they gave us for a short time.

0:16:31.760 --> 0:16:34.920
<v Speaker 3>The landlord's It's sweet. It was named it after my mom.

0:16:35.200 --> 0:16:36.040
<v Speaker 2>Oh, Sylvia.

0:16:36.320 --> 0:16:36.520
<v Speaker 3>Yeah.

0:16:36.640 --> 0:16:40.600
<v Speaker 2>He was also an was Shirley. My mom was Shirley.

0:16:40.680 --> 0:16:44.080
<v Speaker 3>Shirley. That'd be a nice name for a little restaurant, Shirley's. Yeah.

0:16:44.120 --> 0:16:46.360
<v Speaker 2>So Sylvia's won't be your cooking there. And you took

0:16:46.360 --> 0:16:48.000
<v Speaker 2>the piano that you were using there and you may

0:16:48.040 --> 0:16:48.520
<v Speaker 2>put it back.

0:16:48.600 --> 0:16:51.720
<v Speaker 3>I'm going to maybe move it into the River Cafe.

0:16:55.720 --> 0:16:58.480
<v Speaker 3>I just wanted to ask you about well, first of all,

0:16:58.800 --> 0:17:02.320
<v Speaker 3>movies and food. When you're working, do you stop for food?

0:17:02.360 --> 0:17:04.640
<v Speaker 3>Do you care about what you eat on set? When

0:17:04.640 --> 0:17:06.760
<v Speaker 3>you're in the theater, do you eat before the play,

0:17:06.880 --> 0:17:09.879
<v Speaker 3>after the play? What's the relationship between food and more?

0:17:10.920 --> 0:17:14.000
<v Speaker 2>Very interesting, Well, I think I have a system like

0:17:14.040 --> 0:17:17.479
<v Speaker 2>a hummingbird in some way myself. So I if anything,

0:17:17.520 --> 0:17:20.679
<v Speaker 2>I can run out of steam. I need foods. So

0:17:20.880 --> 0:17:22.879
<v Speaker 2>on the set these days, and there's a lot to

0:17:22.920 --> 0:17:25.879
<v Speaker 2>talk about it, different kinds of cruise and places you

0:17:25.920 --> 0:17:28.280
<v Speaker 2>shoot movies where they have different things. You know, in France,

0:17:28.280 --> 0:17:30.240
<v Speaker 2>I've made movies and they have a bottle of wine

0:17:30.240 --> 0:17:33.080
<v Speaker 2>on the table and they take a nice leisurely lunch.

0:17:33.160 --> 0:17:35.040
<v Speaker 2>But in this thing I just did, I did the

0:17:35.080 --> 0:17:38.359
<v Speaker 2>thor thing. And in Australia and they have a walking lunch,

0:17:38.480 --> 0:17:41.480
<v Speaker 2>meaning nobody takes a break, and there's food that comes

0:17:41.520 --> 0:17:44.480
<v Speaker 2>around and you just eat as you go. But these days,

0:17:44.520 --> 0:17:46.959
<v Speaker 2>I like, you know, when I'm acting, I need fuel

0:17:47.000 --> 0:17:50.280
<v Speaker 2>and the best kind of fuel. So I'm still experimenting

0:17:50.280 --> 0:17:52.760
<v Speaker 2>with you know, whole grains, carbs and.

0:17:54.280 --> 0:17:55.440
<v Speaker 3>Thank you's outside.

0:17:55.640 --> 0:17:57.480
<v Speaker 2>I know I'm in my backyard. Did you see that?

0:17:57.480 --> 0:18:00.800
<v Speaker 2>You saw it on radio? Here's my backyard.

0:18:01.240 --> 0:18:02.760
<v Speaker 3>Do you grow vegetables there? No?

0:18:03.200 --> 0:18:06.400
<v Speaker 2>Well, you know, I wish I was like you. I'll

0:18:06.400 --> 0:18:08.800
<v Speaker 2>bet or my friend ed Begley Junior and had a

0:18:08.840 --> 0:18:12.879
<v Speaker 2>whole garden and could really eat just from his backyard.

0:18:12.880 --> 0:18:15.520
<v Speaker 2>But no, what we've got is I'm walking you back?

0:18:15.640 --> 0:18:19.080
<v Speaker 2>Is I want to show you this low quat tree.

0:18:19.160 --> 0:18:20.600
<v Speaker 3>Yeah, I know about low quots.

0:18:21.680 --> 0:18:24.440
<v Speaker 2>That's an orange tree that there's nothing.

0:18:25.640 --> 0:18:27.360
<v Speaker 3>Now now it's cutting in and out.

0:18:27.400 --> 0:18:30.840
<v Speaker 2>That's good. Hey, you know what I came upon speaking

0:18:30.880 --> 0:18:33.400
<v Speaker 2>of that fennel recipe, you know, tell me, I came

0:18:33.520 --> 0:18:38.560
<v Speaker 2>upon a poem by Longfellow from eighteen forty two called

0:18:38.600 --> 0:18:41.720
<v Speaker 2>The Goblet of Life that has a little snippet about fennel.

0:18:41.760 --> 0:18:43.600
<v Speaker 2>You want to hear. It's just a few lines. It

0:18:43.600 --> 0:18:47.679
<v Speaker 2>goes like this, above the lower plants, it towers the

0:18:47.720 --> 0:18:52.520
<v Speaker 2>fennel with its yellow flowers, and in an earlier age

0:18:52.560 --> 0:18:57.719
<v Speaker 2>than ours, was gifted with the wondrous powers lost vision

0:18:58.400 --> 0:19:01.080
<v Speaker 2>to restore. How about that?

0:19:01.480 --> 0:19:04.840
<v Speaker 3>Oh? Well, fedel is a very romantic It is because

0:19:04.840 --> 0:19:08.119
<v Speaker 3>it has these incredible leaves. You can have a fedal herb,

0:19:08.280 --> 0:19:11.000
<v Speaker 3>you have the bulb of fenel, you have the stalks

0:19:11.000 --> 0:19:14.800
<v Speaker 3>of fennel. It does feel long fellow ish. That's interesting.

0:19:14.880 --> 0:19:17.720
<v Speaker 2>But food is romantic, I mean it is talking is romantic.

0:19:17.760 --> 0:19:20.440
<v Speaker 3>When you were talking about Kubrick, I was thinking about

0:19:20.560 --> 0:19:24.080
<v Speaker 3>food in movies, you know, and I was thinking about, Okay,

0:19:24.119 --> 0:19:26.439
<v Speaker 3>this will put me in my generation. But the kitchen

0:19:26.480 --> 0:19:29.480
<v Speaker 3>scene and the big chill and the scene around the table,

0:19:29.840 --> 0:19:34.119
<v Speaker 3>and also this is a multi question question, but also

0:19:34.320 --> 0:19:38.960
<v Speaker 3>the Budapest Hotel is about eating and sleeping and food

0:19:39.000 --> 0:19:42.440
<v Speaker 3>and the politics and it's just it's all fits, doesn't it.

0:19:42.440 --> 0:19:43.439
<v Speaker 3>It's so interesting.

0:19:44.080 --> 0:19:47.280
<v Speaker 2>I love movies about food. I'm thinking about Tom Popol

0:19:47.400 --> 0:19:49.320
<v Speaker 2>off the top of my head. You ever see that movie? Yeah,

0:19:49.440 --> 0:19:52.639
<v Speaker 2>But West, of course is a person like you, of

0:19:52.920 --> 0:19:57.280
<v Speaker 2>terrific sophistication. And during the filming of Grand Buda Post Hotel,

0:19:57.520 --> 0:20:00.200
<v Speaker 2>he had a chef come in and we all it

0:20:00.280 --> 0:20:04.320
<v Speaker 2>took over this one kind of picturesque, spectacular little hotel

0:20:04.480 --> 0:20:08.000
<v Speaker 2>and we had these lovely meals with a candelabra and

0:20:08.119 --> 0:20:10.800
<v Speaker 2>d D every night that he did invite us to.

0:20:11.480 --> 0:20:13.840
<v Speaker 2>Can you imagine? And the movie itself, of course, is

0:20:13.880 --> 0:20:17.520
<v Speaker 2>about provision of services, including food for you know people.

0:20:17.520 --> 0:20:19.960
<v Speaker 2>It's it's delicious and romantic.

0:20:20.080 --> 0:20:22.959
<v Speaker 3>Yeah, And that's the thing. But whether it's in cinema

0:20:23.119 --> 0:20:25.639
<v Speaker 3>or in real life, when you sit around a table

0:20:26.280 --> 0:20:30.520
<v Speaker 3>and movies where there is food and there's language and

0:20:30.760 --> 0:20:35.080
<v Speaker 3>sentiment and tears around the table in the kitchen, that's

0:20:36.200 --> 0:20:37.320
<v Speaker 3>it's so important.

0:20:38.320 --> 0:20:41.840
<v Speaker 2>So it's so important in all our lives, oh my gosh.

0:20:42.160 --> 0:20:45.800
<v Speaker 3>And food is also political, you know, it's also social,

0:20:45.880 --> 0:20:49.720
<v Speaker 3>and it's unfair, and it's you know, poverty and wealth

0:20:49.840 --> 0:20:53.480
<v Speaker 3>and particularly now sustainability and how we're going to feed

0:20:53.520 --> 0:20:54.000
<v Speaker 3>the planet.

0:20:54.160 --> 0:20:57.000
<v Speaker 2>Sure, food has everything to do with who we are,

0:20:57.200 --> 0:21:02.280
<v Speaker 2>how we situate ourselves in the community and figure out

0:21:02.320 --> 0:21:05.480
<v Speaker 2>how to make this world work for every single one

0:21:05.480 --> 0:21:09.560
<v Speaker 2>of us, including every single creature on the planet, how

0:21:09.600 --> 0:21:14.200
<v Speaker 2>to coexist with every other creature without exercising brutal dominion

0:21:14.600 --> 0:21:18.040
<v Speaker 2>that we imagine we may have the right to over

0:21:18.119 --> 0:21:21.760
<v Speaker 2>other creatures, and figure out how to peacefully and more

0:21:22.440 --> 0:21:26.400
<v Speaker 2>beautifully coexist with each other. So it's a big challenge

0:21:26.480 --> 0:21:29.040
<v Speaker 2>and we must do it. And as you know, there's

0:21:29.080 --> 0:21:33.400
<v Speaker 2>no reason why the planet is generous and ample, and

0:21:33.600 --> 0:21:36.680
<v Speaker 2>it's only our political will and mismanagement that allows us

0:21:36.920 --> 0:21:39.600
<v Speaker 2>not to figure out how to make it work for everyone,

0:21:39.640 --> 0:21:42.439
<v Speaker 2>and especially how to get everybody fit. And like speaking

0:21:42.440 --> 0:21:45.920
<v Speaker 2>of Grand Budapest Hotel, it's besides figuring out how to

0:21:46.040 --> 0:21:50.359
<v Speaker 2>share the food with everybody. Just offering things and cooking

0:21:50.400 --> 0:21:56.280
<v Speaker 2>in a way that's gracious, elegant, artful and loving is

0:21:56.560 --> 0:22:01.760
<v Speaker 2>an effective and high class political statement, isn't it in

0:22:01.760 --> 0:22:04.600
<v Speaker 2>that movie which is about you know, fighting fascism and

0:22:04.640 --> 0:22:08.040
<v Speaker 2>all that stuff. You know, just sweetness and elegance, you know,

0:22:08.280 --> 0:22:10.080
<v Speaker 2>is an act of politics.

0:22:10.320 --> 0:22:13.000
<v Speaker 3>I think so. And I think that food is as

0:22:13.040 --> 0:22:17.080
<v Speaker 3>you say, it's about love, it's about protection, it's about

0:22:17.119 --> 0:22:24.400
<v Speaker 3>generosity and consciousness, memories, memories, memories, and it's also about comfort.

0:22:24.600 --> 0:22:27.320
<v Speaker 3>We want to give other people comfort, so we feed them,

0:22:27.400 --> 0:22:30.520
<v Speaker 3>and there's times when we need comfort, so we feed ourselves.

0:22:30.560 --> 0:22:32.880
<v Speaker 3>So I guess my very last question, and I hate

0:22:32.880 --> 0:22:35.880
<v Speaker 3>to leave you because I love you. What would be

0:22:36.280 --> 0:22:39.399
<v Speaker 3>your comfort food when you need comfort? Is there something

0:22:39.440 --> 0:22:40.800
<v Speaker 3>that you would go for?

0:22:41.160 --> 0:22:44.080
<v Speaker 2>Trying to be disciplined because I can be comforted by

0:22:44.200 --> 0:22:47.000
<v Speaker 2>all sorts of food. Food does comfort me, and a

0:22:47.040 --> 0:22:49.560
<v Speaker 2>lot of food could comfort me at a lot of moments.

0:22:49.560 --> 0:22:54.240
<v Speaker 2>But if I had to show, and this is this

0:22:54.320 --> 0:22:58.080
<v Speaker 2>is going to sound very primitive, I like cold cereal.

0:22:58.240 --> 0:22:59.560
<v Speaker 2>You know, if I get up in the middle of

0:22:59.600 --> 0:23:05.640
<v Speaker 2>the night, give me a bowl and give me some

0:23:06.440 --> 0:23:09.720
<v Speaker 2>milk or milk substitute, it doesn't matter. I experiment with

0:23:09.760 --> 0:23:11.720
<v Speaker 2>all those different kind of milks and stuff like that,

0:23:11.960 --> 0:23:14.800
<v Speaker 2>and cereal, and they're all kind of different cereals. You know,

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<v Speaker 2>I try to stay low on the sugar, so I

0:23:17.240 --> 0:23:19.360
<v Speaker 2>like to let them get a little soggy. I'll take

0:23:19.359 --> 0:23:21.600
<v Speaker 2>that first couple of bites of when it's a little crisp,

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<v Speaker 2>but when it gets not too soggy, but just medium soggy,

0:23:25.359 --> 0:23:28.440
<v Speaker 2>I'm very happy about that. And I like a ball

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<v Speaker 2>of cereal.

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<v Speaker 3>I think that's a beautiful answer. And we'll have your

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<v Speaker 3>Mom's bull easy, we'll have meat, love even, we can

0:23:39.160 --> 0:23:42.160
<v Speaker 3>have whatever we want, and we'll have cereal together. So

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<v Speaker 3>we're just waiting for you in London and waiting for

0:23:44.680 --> 0:23:45.240
<v Speaker 3>you to come.

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<v Speaker 2>I want to I'm going to take you up on that.

0:23:48.000 --> 0:23:48.760
<v Speaker 2>I can't wait to see you.

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<v Speaker 3>And give you a piano in the River Cafe. We'll sing.

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<v Speaker 2>We'll play and sing all night.

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<v Speaker 3>This holiday season. If you can't come to the River Cafe,

0:23:59.680 --> 0:24:03.639
<v Speaker 3>the Cafe will come to you. Our beautiful gift boxes

0:24:03.720 --> 0:24:07.200
<v Speaker 3>are full of ingredients we cook with and design objects

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<v Speaker 3>we have in our homes. River Cafe, olive oil, Tuscan chocolates,

0:24:11.760 --> 0:24:16.199
<v Speaker 3>Venetian glasses of Florentine, Christmas cake made in our pastry kitchen,

0:24:16.600 --> 0:24:20.720
<v Speaker 3>and more. We ship them everywhere to find out more

0:24:20.920 --> 0:24:25.000
<v Speaker 3>or to place your order, visit shop the Rivercafe dot

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<v Speaker 3>co dot uk.

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<v Speaker 1>River Cafe Table four is a production of iHeartRadio and

0:24:32.359 --> 0:24:37.560
<v Speaker 1>Adamized Studios. For more podcasts from iHeartRadio, visit the iHeartRadio app,

0:24:37.720 --> 0:24:40.679
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.