WEBVTT - Ask Francine *ALMOST* Anything: EXTREME Fan Questions

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<v Speaker 1>Hey, everyone is between of the stream crem scene and

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<v Speaker 1>you are listening to Eyes up here with screen Scene

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<v Speaker 1>on the iHeart Radio network or wherever you get your podcasts.

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<v Speaker 1>As always, I am joined by the Chadster. What up?

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<v Speaker 1>Feel tired as hell?

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<v Speaker 2>Oh I'm exhausted, but I am I'm trying to bring

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<v Speaker 2>the energy back. I'm tired as bad as tired is

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<v Speaker 2>gonna get. But I'm trying to bring the energy up

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<v Speaker 2>to the Chadster level.

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<v Speaker 1>Yeah, I'm tired today too. I'm not supposed to have

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<v Speaker 1>caffeine anymore because of the seaboat, but today I cheated

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<v Speaker 1>and I went with cafine because I was dragging a

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<v Speaker 1>little bit. I don't know. I had a very weird dream.

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<v Speaker 1>I'll tell you about it really quickly, because you know,

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<v Speaker 1>usually I don't remember my dreams. This one was so vivid.

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<v Speaker 1>It woke me up, and it woke me up for

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<v Speaker 1>the day and I was freaked out. So I had

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<v Speaker 1>this dream that I was at this convention but it sucked,

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<v Speaker 1>and it was like, you know, one of those conventions

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<v Speaker 1>where there's like a million vendor tables, and for some

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<v Speaker 1>reason during the convention, I decided this sucks. I'm gonna

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<v Speaker 1>go take a shower, and I ended up walking through

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<v Speaker 1>the convention into I think it was a relative's house.

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<v Speaker 1>This is so bizarre. And I go and I take

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<v Speaker 1>a shower in the house and no one's home, right,

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<v Speaker 1>And I'm thinking to myself, Okay, I'm gonna take my shower.

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<v Speaker 1>Then I have to proceed back to my table in

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<v Speaker 1>order to continue to on my merchandise. But I get

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<v Speaker 1>out of the shower and I'm in a towel and

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<v Speaker 1>I'm walking in my towel and it's pitch blackness and

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<v Speaker 1>I can't see a thing, and I'm like, I can't

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<v Speaker 1>find the lights, and I'm like, how the hell am

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<v Speaker 1>I going to find my table? And I'm in a towel,

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<v Speaker 1>and then someone starts rubbing me and rubbing my skin

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<v Speaker 1>in the dark, and I'm going, who's that? Who's that?

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<v Speaker 1>Who are you? Where am I? And I woke up,

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<v Speaker 1>Oh my gosh, is that the most bizarre?

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<v Speaker 3>That a super bizarre.

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<v Speaker 2>When did Francy never have a blackout?

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<v Speaker 1>I was in a room that had no lights, in

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<v Speaker 1>a towel, trying to get back to my table to sign,

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<v Speaker 1>and then I woke up thinking, oh my god, is

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<v Speaker 1>this man gonna it was in a man Is he

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<v Speaker 1>gonna attack me? Who is the person? Who is the

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<v Speaker 1>mystery person in my dream?

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<v Speaker 3>I don't know a storyline.

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<v Speaker 1>They caressed my arm and then my leg and my

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<v Speaker 1>thigh and I was like jumping and I'm like who

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<v Speaker 1>is this? And then I woke up day and I

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<v Speaker 1>was like, Oh, that freaks me out. Man.

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<v Speaker 3>I was like, this is so weird.

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<v Speaker 2>Not only was the convention slow, but now we have

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<v Speaker 2>a predator that's lurking around at this convention. You decided

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<v Speaker 2>to take a shower at that your relatives was conveniently

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<v Speaker 2>located right inside of or right next.

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<v Speaker 1>To the convention center.

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<v Speaker 3>Such a freaking weird dream. I wake up from.

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<v Speaker 1>These dreams and they feel like they really happened, like

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<v Speaker 1>it's real life, and then I'm freaked out all day.

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<v Speaker 1>I was like what triggered this? I don't know, but

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<v Speaker 1>it was bizarro world and I don't know who it was.

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<v Speaker 1>The lights never came on. I just opened my eyes

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<v Speaker 1>and I was like, oh, thank god, that was a dream.

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<v Speaker 2>Well, if you're a relative of Franccene and you'd like

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<v Speaker 2>to book her for a convention, it's that ECW Dva

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<v Speaker 2>Franccene on Twitter.

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<v Speaker 1>You're connected to a big convention center and let me

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<v Speaker 1>know we can work something else. Why would I leave

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<v Speaker 1>to take a shower?

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<v Speaker 2>Well, that that joke kind of writes itself if you

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<v Speaker 2>want to talk about certain fans.

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<v Speaker 3>But I'm not going to go.

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<v Speaker 2>That's low hanging fruit and it's way too early in

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<v Speaker 2>the show to start going there.

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<v Speaker 1>So I was like, I was schemed out because I'm like,

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<v Speaker 1>who's rubbing me? And then I was freaked out because

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<v Speaker 1>I'm just like, Okay, what is happening. I just thought

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<v Speaker 1>i'd share that, right, Yeah, Yeah, that's that's weird. H

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<v Speaker 1>It's a very weird, very bizarre and very I'm baffled.

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<v Speaker 1>It's baffling to me because I don't know where it came,

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<v Speaker 1>where it's stemmed from. So I know I have anxiety

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<v Speaker 1>about you'll hear this after the fact, but I have

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<v Speaker 1>anxiety about getting to West Virginia this weekend coming up

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<v Speaker 1>and we'll go into a recap like when it's over.

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<v Speaker 1>Because I'm sure it's lovely. I'm sure I had a

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<v Speaker 1>great time and the show was fantastic, But it's Sandman

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<v Speaker 1>and I and we only have like a forty two

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<v Speaker 1>minute layover, and it's Charlotte, and Charlotte is a big

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<v Speaker 1>ass airport for those of you who don't know, Like,

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<v Speaker 1>if we're not lucky enough to be in the same

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<v Speaker 1>vicinity when we got off the plane, we're screwed. And

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<v Speaker 1>you know, he's old and he can't run, and so

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<v Speaker 1>he's gonna make me run and say hold the plane,

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<v Speaker 1>which they're gonna be like, lady, no way, we gotta go.

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<v Speaker 1>And so I have really been anxiety about these flights

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<v Speaker 1>coming up, and you think it would be easier to

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<v Speaker 1>get to a place like West Virginia, but it is

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<v Speaker 1>a royal pain in the tukist like it's the worst

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<v Speaker 1>flight in the world. So I don't know. I'm major

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<v Speaker 1>anxiety over it.

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<v Speaker 3>That part of West Virginia pain in the neck again.

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<v Speaker 2>That's why I'm not I'm not going to visit, you guys,

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<v Speaker 2>way too far now the other side, closer to where

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<v Speaker 2>I am. It is right over the Virginia line, like

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<v Speaker 2>where Winch Remember you were in Winchester, remember that about

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<v Speaker 2>a year and a half ago written and I.

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<v Speaker 1>Drove eighty seven thousand hours. I don't even know.

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<v Speaker 2>Well Winchester Virginia where you did an appearance probably maybe

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<v Speaker 2>two years ago. At this point, it's like right over

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<v Speaker 2>the line there, and that's how close it is to

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<v Speaker 2>where I am. But then where you are is like

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<v Speaker 2>that's on the Kentucky border, so that's while you're doing it.

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<v Speaker 1>I found out I'm going. I called Moose and I

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<v Speaker 1>was like, hey, can I just ask you, like what

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<v Speaker 1>is happening with this schedule? And he's such a doll.

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<v Speaker 1>He just sent me everything. He goes, listen, when we

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<v Speaker 1>get off this phone call, I will send you everything

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<v Speaker 1>you need to know. When he did, he sent me

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<v Speaker 1>a full itinerary. And that's another thing. I think. I

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<v Speaker 1>have to like be dressed. I only have an hour

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<v Speaker 1>once we get off the plane, get to the hotel,

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<v Speaker 1>and then we have to like get ready really quick

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<v Speaker 1>and jump in the purse. I was like, I'm probably

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<v Speaker 1>gonna have to get ready at home and just be

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<v Speaker 1>ready to go just in case there's a delay coming in.

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<v Speaker 1>Like I need to be ready so I might have

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<v Speaker 1>to wear like a funky outfit on the plane and

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<v Speaker 1>cover up. I don't know, I'm stressed. Man.

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<v Speaker 2>If if you run through the Charlotte Airport with Sam

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<v Speaker 2>man yelling hold the plane, please turn your camera around

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<v Speaker 2>and start filming it.

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<v Speaker 3>No, all the plane.

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<v Speaker 1>Yeah, well he's got a bad hip, bad knees, like

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<v Speaker 1>he's a mess. I wouldn't be surprised if he didn't

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<v Speaker 1>need a wheelchair, you know, just for me to get

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<v Speaker 1>him from A to b like wherever we I please,

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<v Speaker 1>just the airplane, Gods, just let it be the terminal

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<v Speaker 1>next to us. That would be like ideal, and then

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<v Speaker 1>we could just relax. I don't want to miss the

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<v Speaker 1>flake because then I'll miss my appearance.

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<v Speaker 3>And I don't want that.

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<v Speaker 1>I'm stressed. But anyway, I'm sure it's lovely and we

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<v Speaker 1>had a great time and we'll talk about it, but

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<v Speaker 1>right now freaking out.

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<v Speaker 2>I do have some questions that I've been saving in

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<v Speaker 2>my database from submissions. If you'd like to dig into

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<v Speaker 2>those for the rest of this lovely holiday that we're

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<v Speaker 2>recording together.

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<v Speaker 1>Okay, well, I will try, and you know, my memories

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<v Speaker 1>like shop, but I will try to answer them as

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<v Speaker 1>best I can and as strictly as I can, because

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<v Speaker 1>I'm an open bookcare on ies up here.

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<v Speaker 2>As that these questions kind of stretch across different planes,

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<v Speaker 2>you know, they're they're they're pretty good.

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<v Speaker 3>I gotta say so.

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<v Speaker 2>Your memory will go to the test, but your memory

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<v Speaker 2>will also.

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<v Speaker 3>Have to think a little bit. You know, You're You're

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<v Speaker 3>gonna be a little introspective here.

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<v Speaker 1>Okay, sometimes something triggers me and I can remember, So

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<v Speaker 1>maybe these will be good. So I'll do my best.

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<v Speaker 3>All right, here we go.

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<v Speaker 2>First question is from Matt a little Bett.

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<v Speaker 1>Hey, Matt, in which.

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<v Speaker 2>Directions does franc And see the wrestling industry needing to

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<v Speaker 2>go in order to flourish and grow the fan base

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<v Speaker 2>both nationwide and internationally.

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<v Speaker 1>Like back to where it was when wrestling was super hot.

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<v Speaker 3>That's what I'd assume.

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<v Speaker 1>Yes, I feel like the problem that I think professional

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<v Speaker 1>wrestling has encountered, and this is something that I had

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<v Speaker 1>mentioned before. I feel like as people get older, as

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<v Speaker 1>fans get older, some of them tend to grow out

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<v Speaker 1>of it, and they're not as devoted to the business

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<v Speaker 1>or to you know, their fandom as they once were.

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<v Speaker 1>I went through a time where all I could think

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<v Speaker 1>about was wrestling. I had to watch every single program,

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<v Speaker 1>I had to know every single thing that was going on.

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<v Speaker 1>I think not only because I was in the business,

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<v Speaker 1>but I loved the business so much, and it went

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<v Speaker 1>beyond ECW for me, and I was, you know, at

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<v Speaker 1>one point, I was just watching everything. I was just

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<v Speaker 1>a fan of the products. A lot of people tell me,

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<v Speaker 1>I just don't watch it anymore, you know, I kind

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<v Speaker 1>of grew out of it and I got other things

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<v Speaker 1>going on in my life and blah blah blah. A

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<v Speaker 1>lot of people tell me it's the storylines and the

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<v Speaker 1>characters that are portrayed. Today, I feel like no one

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<v Speaker 1>is really knocking talent because there's so much talent out there,

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<v Speaker 1>And you know, just by watching WW or AW or

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<v Speaker 1>any of the other brands, because there's so many brands

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<v Speaker 1>out there, but those are the top two, you can

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<v Speaker 1>tell that these guys and girls are very, very talented

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<v Speaker 1>and can put on a hell of a match. A

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<v Speaker 1>lot of people these days are turned off by the

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<v Speaker 1>direction that the company is going, particularly AW and I

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<v Speaker 1>hate to pick at them because we seem to pick

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<v Speaker 1>at them a lot. But that's you know, I read

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<v Speaker 1>a lot. I don't watch a lot, but I do

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<v Speaker 1>read a lot on X and on Instagram, and I

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<v Speaker 1>read what fans are saying, and that is the consensus

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<v Speaker 1>that they're not happy with the product, not talent, you know,

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<v Speaker 1>not due to the talent, but due to maybe storylines

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<v Speaker 1>or just the lack of a push for certain people,

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<v Speaker 1>And that kind of can turn somebody off from watching.

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<v Speaker 1>And if you compare the numbers these days to the

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<v Speaker 1>numbers like in the nineties, I know it's you know,

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<v Speaker 1>you have to move on and times change. I understand that,

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<v Speaker 1>but the numbers were so much higher back in the day.

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<v Speaker 1>Millions and millions of people were watching wrestling, and now

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<v Speaker 1>in a week some companies can't even break the million

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<v Speaker 1>viewer point, you know what I mean. So there's something

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<v Speaker 1>missing in the product that is turning the world off,

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<v Speaker 1>and no one can seem to pinpoint it. Now, WWE

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<v Speaker 1>kind of turned in the right direction, and you know,

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<v Speaker 1>they're they're breaking Like I think I saw something like

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<v Speaker 1>two point five million at one point for like a

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<v Speaker 1>raw or SmackDown. I'm not really sure which one it was.

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<v Speaker 1>I think that's like the highest ife might have seen

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<v Speaker 1>in a really long time. But when you used to draw,

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<v Speaker 1>you know, one company five six seven million, then the

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<v Speaker 1>other company six seven eight million, the other company two

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<v Speaker 1>three four million. Something's missing collectively, not just with one company,

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<v Speaker 1>it's with the whole sport. Why don't we have that

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<v Speaker 1>audience that we used to have. I don't know.

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<v Speaker 2>Interesting, you know, I think about like Cornette's argument about Russo.

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<v Speaker 2>When Russo was writing the shows is that he wrote

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<v Speaker 2>the Howard Stern, the Jerry Springer style program, right, and

0:12:58.679 --> 0:13:02.079
<v Speaker 2>that's what he watched go back to the nineties, and

0:13:02.120 --> 0:13:05.560
<v Speaker 2>that's what millions of people were watching and listening to

0:13:06.160 --> 0:13:08.080
<v Speaker 2>every day. So it was easy to kind of bring

0:13:08.160 --> 0:13:12.360
<v Speaker 2>that audience over to watching something like wrestling. Now, if

0:13:12.400 --> 0:13:14.520
<v Speaker 2>you kind of bring it over to what people are

0:13:14.559 --> 0:13:17.200
<v Speaker 2>watching and you were going to relate it to programming.

0:13:17.280 --> 0:13:19.959
<v Speaker 3>I think that's why people were so invested.

0:13:19.600 --> 0:13:22.600
<v Speaker 2>In this bloodline storyline over the last year or so,

0:13:22.720 --> 0:13:27.200
<v Speaker 2>because it was very episodic and how they presented their

0:13:27.320 --> 0:13:30.319
<v Speaker 2>segment every week for a year and a half or

0:13:30.320 --> 0:13:33.800
<v Speaker 2>two years however, how long they were together as a group.

0:13:34.720 --> 0:13:37.680
<v Speaker 2>Is that something they have to kind of borrow from

0:13:37.720 --> 0:13:43.560
<v Speaker 2>our similar popular storyline formats from pop culture again, like

0:13:43.600 --> 0:13:46.160
<v Speaker 2>how Russo did it with the WWF, and that's how

0:13:46.400 --> 0:13:47.480
<v Speaker 2>they kind of took off.

0:13:48.320 --> 0:13:53.439
<v Speaker 1>Yeah, I don't know, because, like I said, the times change,

0:13:53.720 --> 0:13:58.000
<v Speaker 1>you know, decades have gone by, but it's like we

0:13:58.120 --> 0:14:03.280
<v Speaker 1>haven't been able to capture the magic of Like the

0:14:03.280 --> 0:14:07.439
<v Speaker 1>the nineties era in wrestling, there were so many big

0:14:07.559 --> 0:14:11.200
<v Speaker 1>stories going on on TV, especially in the Big two

0:14:11.360 --> 0:14:15.160
<v Speaker 1>that you know WWF or WWE when whenever they transitioned

0:14:15.200 --> 0:14:20.560
<v Speaker 1>in WCW and like the nWo DX, like the Attitude era,

0:14:21.040 --> 0:14:25.280
<v Speaker 1>there were so many things that were cool and hip

0:14:25.520 --> 0:14:30.480
<v Speaker 1>and like you look at wrestling today and seriously, what

0:14:30.720 --> 0:14:34.240
<v Speaker 1>stands out is like the cool hip factor right to

0:14:34.400 --> 0:14:38.000
<v Speaker 1>draw those people in. You know, I could sit there,

0:14:38.120 --> 0:14:40.320
<v Speaker 1>like you know, last night I was watching the King

0:14:40.360 --> 0:14:43.600
<v Speaker 1>and Queen of the Ring pay per view Saudi Arabia.

0:14:44.240 --> 0:14:46.320
<v Speaker 1>I said to my husband, the crowd's hot. They're not

0:14:46.440 --> 0:14:50.360
<v Speaker 1>They're not a French crowd. The French were like the

0:14:50.440 --> 0:14:52.560
<v Speaker 1>number one crowd that I've ever seen in my life.

0:14:52.680 --> 0:14:55.560
<v Speaker 1>But they were hot in Saudi Arabia. They were a

0:14:55.600 --> 0:14:57.880
<v Speaker 1>good crowd to work in front of the building, looked

0:14:57.880 --> 0:15:01.360
<v Speaker 1>great and from what I've seen, I mean, the guys

0:15:01.360 --> 0:15:06.880
<v Speaker 1>and girls gave it. They're all and tremendous workers. But

0:15:09.560 --> 0:15:15.040
<v Speaker 1>there's something missing. I want something to want to bring

0:15:15.120 --> 0:15:18.760
<v Speaker 1>me back every week and say that makes me want

0:15:18.800 --> 0:15:23.360
<v Speaker 1>to watch raw or I have to DVR SmackDown. I

0:15:23.480 --> 0:15:27.800
<v Speaker 1>want to be captivated. I want to be sucked into

0:15:27.840 --> 0:15:31.160
<v Speaker 1>the product again. And right now, I'm a casual fan.

0:15:31.920 --> 0:15:35.720
<v Speaker 1>I watch when I can. I don't DVR shows. You know,

0:15:35.800 --> 0:15:40.320
<v Speaker 1>We're not a channel that reports on every little segment

0:15:40.360 --> 0:15:42.320
<v Speaker 1>that goes on because you and I just are too

0:15:42.320 --> 0:15:45.640
<v Speaker 1>busy and we don't watch every single you know, wrestling

0:15:45.680 --> 0:15:50.200
<v Speaker 1>match that they haven't. Me could, But I would like

0:15:50.320 --> 0:15:53.200
<v Speaker 1>to be that kind of fan again who wants to

0:15:53.280 --> 0:15:56.320
<v Speaker 1>watch it and it's not a chore to sit down

0:15:56.440 --> 0:15:59.520
<v Speaker 1>and watch eighty hours of wrestling a week, you know

0:15:59.560 --> 0:16:03.480
<v Speaker 1>what I mean. But I'm not there, and that makes

0:16:03.520 --> 0:16:08.080
<v Speaker 1>me sad because I once was there. Right, it was everything.

0:16:08.160 --> 0:16:12.400
<v Speaker 1>Wrestling was everything to me. I loved it, loved it

0:16:12.400 --> 0:16:14.160
<v Speaker 1>to the point where I would sleep and I would

0:16:14.200 --> 0:16:16.640
<v Speaker 1>dream of spots that I can do and things that

0:16:17.000 --> 0:16:19.720
<v Speaker 1>I want to see happen, and you know, i'd wake

0:16:19.800 --> 0:16:22.280
<v Speaker 1>up and write stuff down because we didn't have these

0:16:22.280 --> 0:16:24.800
<v Speaker 1>phones that I could just put a memo out. You

0:16:24.840 --> 0:16:28.880
<v Speaker 1>know what I'm saying. It consumed me. It doesn't consume

0:16:28.920 --> 0:16:32.080
<v Speaker 1>me anymore. And maybe that's because I did grow up

0:16:32.400 --> 0:16:34.280
<v Speaker 1>and I do have a family, and I am a

0:16:34.360 --> 0:16:36.400
<v Speaker 1>mother and a wife and all this stuff. You know,

0:16:36.480 --> 0:16:40.720
<v Speaker 1>I got things going on, and wrestling is kind of

0:16:40.840 --> 0:16:43.680
<v Speaker 1>like my side chick, you know what I mean. Like

0:16:43.720 --> 0:16:46.120
<v Speaker 1>she's there, but I can't give her all my attention

0:16:46.440 --> 0:16:50.880
<v Speaker 1>because I have other things going on. So as a fan,

0:16:51.600 --> 0:16:55.920
<v Speaker 1>I would love for a segment to blow me away

0:16:56.400 --> 0:17:00.080
<v Speaker 1>to the point where I need to keep watching to

0:17:00.080 --> 0:17:03.560
<v Speaker 1>see what happens next. And for me, that's not out

0:17:03.600 --> 0:17:08.679
<v Speaker 1>there and I wish it was. Yeah, so maybe that's

0:17:09.119 --> 0:17:12.840
<v Speaker 1>what these fans are thinking. You know, you have your diehards. Again.

0:17:12.880 --> 0:17:17.719
<v Speaker 1>We've talked about this WWE versus AW fans. You can't

0:17:17.920 --> 0:17:21.800
<v Speaker 1>like both. There's maybe five percent who like both, but

0:17:21.880 --> 0:17:23.680
<v Speaker 1>the rest of them have to pick a side, which

0:17:23.760 --> 0:17:26.199
<v Speaker 1>is ridiculous. Just watch what you want to watch and

0:17:26.320 --> 0:17:28.640
<v Speaker 1>enjoy the product, you know what I mean. There's those

0:17:28.680 --> 0:17:31.840
<v Speaker 1>diehard fans, But where are the millions and millions that

0:17:31.920 --> 0:17:35.440
<v Speaker 1>were watching in the nineties and early two thousands. They've

0:17:35.480 --> 0:17:35.879
<v Speaker 1>moved on.

0:17:36.560 --> 0:17:42.360
<v Speaker 2>Yeah, they remember when they watch wrestling. They don't watch wrestling,

0:17:42.440 --> 0:17:44.840
<v Speaker 2>or they channel serving they go, oh, look there's wrestling.

0:17:44.880 --> 0:17:46.760
<v Speaker 2>I used to watch this and then they go, no,

0:17:47.000 --> 0:17:47.600
<v Speaker 2>what else is on?

0:17:48.200 --> 0:17:49.800
<v Speaker 1>Or they watch the old stuff.

0:17:50.200 --> 0:17:51.560
<v Speaker 3>Oh tell me.

0:17:51.920 --> 0:17:54.720
<v Speaker 1>I'm watching Barely Legal ninety eight right now. I just

0:17:54.760 --> 0:17:59.440
<v Speaker 1>saw you, and I'm like, awesome, watch what you enjoy? Absolutely,

0:17:59.480 --> 0:18:02.520
<v Speaker 1>you know, And a lot of people throw back to

0:18:02.640 --> 0:18:07.080
<v Speaker 1>the nineties, whether it be ECW product or early WCW

0:18:07.240 --> 0:18:10.959
<v Speaker 1>or WWF. They like the old stuff better than current,

0:18:11.640 --> 0:18:13.720
<v Speaker 1>you know. And that really doesn't count because that's not

0:18:13.760 --> 0:18:14.919
<v Speaker 1>a Nielsen reading.

0:18:14.680 --> 0:18:16.160
<v Speaker 3>Popper, No, not at all.

0:18:16.200 --> 0:18:21.640
<v Speaker 1>No, what are we missing? What is? You know, what

0:18:21.760 --> 0:18:25.960
<v Speaker 1>is not available to us as fans that were waiting

0:18:26.040 --> 0:18:30.360
<v Speaker 1>for to get us hooked again? What are we waiting for?

0:18:32.320 --> 0:18:37.560
<v Speaker 2>I don't know, yeah, waiting for that well, the boom.

0:18:37.560 --> 0:18:39.359
<v Speaker 2>I mean, some people think the boom is here, you know,

0:18:39.400 --> 0:18:41.919
<v Speaker 2>the boom is you compare it to where it was

0:18:42.080 --> 0:18:45.119
<v Speaker 2>three or four years ago, you know, it just pales

0:18:45.160 --> 0:18:48.359
<v Speaker 2>in comparison. If you think that this is a boom,

0:18:48.680 --> 0:18:51.280
<v Speaker 2>then obviously you weren't alive in ninety eight.

0:18:51.640 --> 0:18:54.919
<v Speaker 1>It's going in the right direction, it is, but it needs,

0:18:55.560 --> 0:18:58.880
<v Speaker 1>I mean, it needs a lot more momentum. And it's

0:18:58.880 --> 0:19:04.080
<v Speaker 1>funny because, like I I say, when I'm watching WWE's product,

0:19:04.800 --> 0:19:07.680
<v Speaker 1>those houses are always packed, yes, you know what I mean,

0:19:07.800 --> 0:19:11.720
<v Speaker 1>Like I've never well, nine times out of ten. I've

0:19:11.760 --> 0:19:16.040
<v Speaker 1>never seen somebody out a show that can turn me

0:19:16.600 --> 0:19:20.240
<v Speaker 1>opposite hard camera and it's completely empty. So the fans

0:19:20.240 --> 0:19:22.800
<v Speaker 1>are coming out for the product to watch it live,

0:19:23.200 --> 0:19:27.480
<v Speaker 1>but where are they at home watching this? The numbers

0:19:27.480 --> 0:19:32.879
<v Speaker 1>aren't reflecting like the enthusiasm I see online and people

0:19:33.040 --> 0:19:39.760
<v Speaker 1>just loving the product, Like, why aren't people watching? Something's missing?

0:19:40.320 --> 0:19:44.000
<v Speaker 2>I wonder, do you think that other fans have driven

0:19:44.240 --> 0:19:45.439
<v Speaker 2>wrestling fans away?

0:19:47.040 --> 0:19:47.760
<v Speaker 3>Everythink of that?

0:19:48.040 --> 0:19:51.800
<v Speaker 1>No, because I feel like these wrestling fans like to fight.

0:19:52.880 --> 0:19:54.600
<v Speaker 2>Yeah, I don't know, but I feel like today's fan

0:19:54.800 --> 0:19:58.040
<v Speaker 2>is a little bit more obsessive than that's not going

0:19:58.080 --> 0:20:00.720
<v Speaker 2>to go back in the day, But okay, make casual

0:20:00.800 --> 0:20:03.320
<v Speaker 2>fan that might go to a show or watch a

0:20:03.359 --> 0:20:05.520
<v Speaker 2>show be like, I'm not, as you know, into this

0:20:05.560 --> 0:20:07.720
<v Speaker 2>as I used to be, because I don't know, it's

0:20:07.760 --> 0:20:09.800
<v Speaker 2>just not I know, these people that watch it, they're

0:20:09.800 --> 0:20:11.639
<v Speaker 2>a little too obsessed. I might not be into it

0:20:11.680 --> 0:20:14.240
<v Speaker 2>anymore because people are like too upset.

0:20:14.240 --> 0:20:16.000
<v Speaker 3>I don't know. If I'm just throwing a throwing out of.

0:20:17.240 --> 0:20:20.040
<v Speaker 1>That would make me want to check it out before

0:20:20.080 --> 0:20:22.199
<v Speaker 1>I purchase a ticket. I mean, at least give it

0:20:22.240 --> 0:20:26.160
<v Speaker 1>a shot and watch the show before I go they're live,

0:20:26.520 --> 0:20:30.840
<v Speaker 1>the live events are drawing. Like for WWE, the live

0:20:30.880 --> 0:20:37.720
<v Speaker 1>events are drawing. It's the television that's not drawing the numbers.

0:20:38.080 --> 0:20:41.000
<v Speaker 1>I mean, I hear they're killing it at live events

0:20:41.280 --> 0:20:44.399
<v Speaker 1>any w I don't know, Like the one pay per

0:20:44.480 --> 0:20:47.840
<v Speaker 1>view I watched, it was a huge building and it

0:20:47.880 --> 0:20:50.280
<v Speaker 1>was packed to the gills and then you get like

0:20:50.320 --> 0:20:54.560
<v Speaker 1>a TV and you you know. Unfortunately I watched the

0:20:54.640 --> 0:20:58.560
<v Speaker 1>video last week. It might have been the ROH, So

0:20:58.680 --> 0:21:01.120
<v Speaker 1>I don't know if they do that before or after

0:21:01.400 --> 0:21:04.480
<v Speaker 1>the tapings, and maybe some people went home, but the

0:21:04.480 --> 0:21:07.920
<v Speaker 1>one side was completely empty, and it broke my heart

0:21:08.000 --> 0:21:11.000
<v Speaker 1>and I was just like, oh god, this is terrible.

0:21:11.280 --> 0:21:13.199
<v Speaker 1>As a performer, you don't want to come out and

0:21:13.240 --> 0:21:15.320
<v Speaker 1>see that, you know what I mean. And that's why

0:21:15.359 --> 0:21:19.040
<v Speaker 1>I had mentioned like maybe smaller venues would be.

0:21:19.400 --> 0:21:20.679
<v Speaker 3>Don't get why they don't do that.

0:21:20.760 --> 0:21:23.080
<v Speaker 2>Can you imagine them running like the Manhattan Center and

0:21:23.119 --> 0:21:25.600
<v Speaker 2>those old raws and how they are not small?

0:21:25.720 --> 0:21:28.520
<v Speaker 1>I mean they can get like a three four thousand

0:21:28.600 --> 0:21:33.159
<v Speaker 1>seat you know, little arena and packet. I mean, the

0:21:33.800 --> 0:21:37.080
<v Speaker 1>pay per views are sellar for AW from what I've seen,

0:21:37.119 --> 0:21:40.320
<v Speaker 1>they are drawing in droves. They're doing great, but it's

0:21:40.400 --> 0:21:44.639
<v Speaker 1>these TV tapings and again I don't know the placement

0:21:44.760 --> 0:21:47.679
<v Speaker 1>of the card and who goes on when, but I

0:21:47.800 --> 0:21:49.800
<v Speaker 1>just know, like I saw. I don't want to name

0:21:49.880 --> 0:21:51.760
<v Speaker 1>names because I don't want embarrass anyone, but I saw

0:21:51.800 --> 0:21:56.320
<v Speaker 1>some people coming down the ramp and the camera panned

0:21:56.400 --> 0:21:58.640
<v Speaker 1>over to the one side and there was no one

0:21:58.840 --> 0:22:01.600
<v Speaker 1>in the crowd. And I'm telling you this went up.

0:22:01.960 --> 0:22:05.040
<v Speaker 1>It was one of those big azarinas and no one

0:22:05.119 --> 0:22:05.520
<v Speaker 1>was there.

0:22:06.160 --> 0:22:06.800
<v Speaker 3>That's horrible.

0:22:07.160 --> 0:22:09.680
<v Speaker 1>It was terrible. And this was last week. I saw

0:22:09.720 --> 0:22:12.520
<v Speaker 1>it and I was like, oh shit, not again. So

0:22:12.800 --> 0:22:16.600
<v Speaker 1>I feel like, maybe TV tapings, you know, go for

0:22:16.680 --> 0:22:19.280
<v Speaker 1>a smaller building and save some money. I know they

0:22:19.320 --> 0:22:21.679
<v Speaker 1>got money coming out their ass. I get it, but like,

0:22:21.800 --> 0:22:25.160
<v Speaker 1>save some money and do the smaller TV taping buildings

0:22:25.240 --> 0:22:27.639
<v Speaker 1>and then the pay per views. Because the pay per

0:22:27.720 --> 0:22:30.119
<v Speaker 1>view I could I didn't even see like an empty seat.

0:22:30.920 --> 0:22:33.440
<v Speaker 1>It was and I was thrilled for them. I was like, yes,

0:22:33.520 --> 0:22:38.680
<v Speaker 1>this is what it needs to be. But you know,

0:22:38.920 --> 0:22:44.680
<v Speaker 1>I just there's something missing and what is it? Why

0:22:44.720 --> 0:22:45.880
<v Speaker 1>aren't people watching?

0:22:47.359 --> 0:22:47.840
<v Speaker 3>I don't know.

0:22:48.600 --> 0:22:51.240
<v Speaker 1>I want them too, because I want this business to

0:22:51.359 --> 0:22:53.320
<v Speaker 1>thrive and I want my friends to make as much

0:22:53.320 --> 0:22:54.200
<v Speaker 1>money as possible.

0:22:55.760 --> 0:22:58.240
<v Speaker 2>Maybe there needs to be a reboot of VCW.

0:23:01.440 --> 0:23:06.240
<v Speaker 1>Let's try another, a third attempt at this company and

0:23:06.280 --> 0:23:08.159
<v Speaker 1>see what we can pull out our ass.

0:23:08.560 --> 0:23:12.840
<v Speaker 3>Baby sure all right, Mike m from Philly.

0:23:13.440 --> 0:23:16.440
<v Speaker 2>For the women in today's wrestling product, how would Francine

0:23:16.440 --> 0:23:19.480
<v Speaker 2>coach them to make their promos sound more believable and authentic?

0:23:21.119 --> 0:23:25.120
<v Speaker 1>Who? So we? Nick and I were talking about this,

0:23:25.240 --> 0:23:27.679
<v Speaker 1>and if you haven't heard that podcast, go back and

0:23:27.720 --> 0:23:30.840
<v Speaker 1>listen to it because there were some really good stories

0:23:30.840 --> 0:23:34.760
<v Speaker 1>that were told. We were talking about promos and he

0:23:35.000 --> 0:23:39.639
<v Speaker 1>was saying, how like in WWE, everything is so scripted

0:23:40.600 --> 0:23:43.119
<v Speaker 1>and you sound like a robot because you are reading,

0:23:43.560 --> 0:23:48.600
<v Speaker 1>you know, verbatim, word for word. And I was saying

0:23:48.720 --> 0:23:51.600
<v Speaker 1>how nervous I used to be. And Shane says the

0:23:51.720 --> 0:23:53.600
<v Speaker 1>story all the time. When he comes back and he

0:23:53.640 --> 0:23:56.040
<v Speaker 1>sees me, you know, my hands are shaking because I

0:23:56.080 --> 0:23:58.360
<v Speaker 1>have a line coming up in my you can see

0:23:58.400 --> 0:24:01.879
<v Speaker 1>in my face. I just delivery. I want to be perfect,

0:24:02.119 --> 0:24:06.359
<v Speaker 1>but I'm thinking too hard. When you can do a

0:24:06.480 --> 0:24:10.680
<v Speaker 1>promo and just get bullet points, it is so much

0:24:10.720 --> 0:24:14.520
<v Speaker 1>more realistic than having somebody hand you a script and

0:24:14.560 --> 0:24:18.960
<v Speaker 1>say remember this, because when you have to remember things,

0:24:19.080 --> 0:24:24.479
<v Speaker 1>it gets like for me anyway, I get to the

0:24:24.480 --> 0:24:27.920
<v Speaker 1>point where I'm mixing things up and I just want

0:24:28.520 --> 0:24:30.600
<v Speaker 1>hit this, this and this, and then I'll do it

0:24:30.640 --> 0:24:33.800
<v Speaker 1>from the heart and that is so much more believable

0:24:34.080 --> 0:24:38.920
<v Speaker 1>because there's more passion and it just it sounds real

0:24:39.760 --> 0:24:45.359
<v Speaker 1>instead of reading off a script. So advice to or

0:24:45.400 --> 0:24:48.520
<v Speaker 1>even males out there, it doesn't have to be females.

0:24:49.160 --> 0:24:53.080
<v Speaker 1>Like if you're doing promos, especially I know, WW, you

0:24:53.119 --> 0:24:54.760
<v Speaker 1>can't tell them what to do. You will get in

0:24:54.800 --> 0:24:58.080
<v Speaker 1>trouble anywhere else. If you can just ask for some

0:24:58.200 --> 0:25:02.400
<v Speaker 1>bullet points and ten minutes to go over a scenario

0:25:02.480 --> 0:25:06.120
<v Speaker 1>in your head, it'll be the best promo that you do.

0:25:07.080 --> 0:25:11.119
<v Speaker 1>Because the scripted ones I just don't enjoy, never did,

0:25:11.400 --> 0:25:14.679
<v Speaker 1>never will. And I like to make stuff up on

0:25:14.720 --> 0:25:18.399
<v Speaker 1>the fly. Okay, that's always fun too, And that was

0:25:18.440 --> 0:25:22.840
<v Speaker 1>a thing about cameo that I enjoyed because I would

0:25:22.920 --> 0:25:25.280
<v Speaker 1>never like I would just open my thing and they

0:25:26.000 --> 0:25:28.720
<v Speaker 1>and I would just go and it was an acting

0:25:28.800 --> 0:25:31.560
<v Speaker 1>class for me, Like I would just make up it

0:25:31.600 --> 0:25:35.120
<v Speaker 1>would whether it be dumb or cool or whatever. Practice

0:25:35.160 --> 0:25:38.840
<v Speaker 1>in front of the mirror, you know, put your practice,

0:25:39.480 --> 0:25:43.199
<v Speaker 1>put yourself over, your character over and I don't know,

0:25:43.440 --> 0:25:46.600
<v Speaker 1>just like I just feel like if it's scripted, it's

0:25:46.760 --> 0:25:49.639
<v Speaker 1>just you look like a mechanical robot. And I just

0:25:49.920 --> 0:25:52.119
<v Speaker 1>I you can tell back in the day when somebody

0:25:52.160 --> 0:25:58.359
<v Speaker 1>was reading off a prompter or a monitor and to

0:25:58.480 --> 0:26:02.320
<v Speaker 1>me it was just like, oh, that didn't go off well.

0:26:02.560 --> 0:26:04.439
<v Speaker 1>But then you see the people who are just like

0:26:04.480 --> 0:26:06.880
<v Speaker 1>moving around and they're relaxed, and they're having a good

0:26:06.880 --> 0:26:11.640
<v Speaker 1>time and they're just speaking from the heart. And those

0:26:11.680 --> 0:26:13.280
<v Speaker 1>are the best promos out there.

0:26:15.240 --> 0:26:17.320
<v Speaker 2>The best and any What about when you can pull

0:26:17.359 --> 0:26:20.720
<v Speaker 2>in anything from like not like from like your own

0:26:20.760 --> 0:26:26.479
<v Speaker 2>personal experience, Like you're like, if it's a real shoot,

0:26:26.680 --> 0:26:29.359
<v Speaker 2>like do you think that that enhance that enhances anything?

0:26:29.440 --> 0:26:30.879
<v Speaker 2>Or do you think that that cut you have to

0:26:31.440 --> 0:26:32.760
<v Speaker 2>you have to like let them in a little bit

0:26:32.760 --> 0:26:34.520
<v Speaker 2>more like or do you think a shoot brings down

0:26:34.560 --> 0:26:35.040
<v Speaker 2>a promo?

0:26:35.359 --> 0:26:37.800
<v Speaker 1>So one of the best promos ever was you know,

0:26:37.920 --> 0:26:42.320
<v Speaker 1>Shane throwing down the NWA belt and he channels his father. Yes,

0:26:42.480 --> 0:26:45.280
<v Speaker 1>that was a shoot that was from the heart, that

0:26:45.440 --> 0:26:49.080
<v Speaker 1>was real, and everybody puts that promo over to this day,

0:26:49.520 --> 0:26:51.399
<v Speaker 1>you know what I mean, Yeah, it doesn't have to

0:26:51.400 --> 0:26:55.840
<v Speaker 1>be one hundred percent you in real life. But if

0:26:55.880 --> 0:26:59.479
<v Speaker 1>you can take little bits and pieces and make it

0:26:59.480 --> 0:27:03.320
<v Speaker 1>your own and incorporate it into your character. I mean,

0:27:03.480 --> 0:27:08.399
<v Speaker 1>you know, not everybody can do that, but if you can,

0:27:09.200 --> 0:27:12.520
<v Speaker 1>I think it's a bonus. And unless you have like

0:27:12.560 --> 0:27:16.360
<v Speaker 1>a goofy as you know, gimmick, you know you don't

0:27:16.400 --> 0:27:18.879
<v Speaker 1>want to do something like that because then that's not

0:27:18.920 --> 0:27:21.119
<v Speaker 1>going to work. But you know, most of the people

0:27:21.160 --> 0:27:25.240
<v Speaker 1>these days are coming out as themselves. There's not many

0:27:25.240 --> 0:27:28.720
<v Speaker 1>gimmicks out there anymore, you know what I mean. Somebody

0:27:28.760 --> 0:27:31.520
<v Speaker 1>might have a cool catchphrase or something, but you don't

0:27:31.560 --> 0:27:36.800
<v Speaker 1>see too many garbage men or clowns or that kind

0:27:36.840 --> 0:27:39.000
<v Speaker 1>of thing. And I'm not knocking it. Everybody has a

0:27:39.040 --> 0:27:42.200
<v Speaker 1>place in this business, but for the most part, people

0:27:42.280 --> 0:27:45.320
<v Speaker 1>are themselves and people are using their real names. And

0:27:46.720 --> 0:27:51.800
<v Speaker 1>you know, it could i mean, channeling something from your past, especially,

0:27:51.920 --> 0:27:54.760
<v Speaker 1>you got to think is it relevant to the story

0:27:54.760 --> 0:27:58.399
<v Speaker 1>that you're trying to tell. And if that's a yes,

0:27:58.680 --> 0:27:59.560
<v Speaker 1>go ahead and use.

0:27:59.480 --> 0:28:02.520
<v Speaker 2>It right because some shoots could go over people's heads

0:28:02.520 --> 0:28:04.399
<v Speaker 2>and they might not know what the hell you're talking about.

0:28:04.400 --> 0:28:07.240
<v Speaker 3>But if you can make it relevant, then it works.

0:28:07.480 --> 0:28:09.399
<v Speaker 1>You might have to explain yourself a little bit, but

0:28:09.440 --> 0:28:13.120
<v Speaker 1>there's always a backstory, and you know, people are intrigued

0:28:13.160 --> 0:28:16.760
<v Speaker 1>by that. And I like it when it's a little

0:28:16.760 --> 0:28:20.960
<v Speaker 1>bit shoot, a little genuine. I find it captivating.

0:28:21.840 --> 0:28:24.960
<v Speaker 3>Okay, that's a shoot. That question was a shoot.

0:28:25.040 --> 0:28:25.560
<v Speaker 1>That's a shoot.

0:28:25.600 --> 0:28:30.080
<v Speaker 3>Brother, all right, how about this question? John asked from Bayshore.

0:28:30.160 --> 0:28:32.000
<v Speaker 2>These are via email too, So I'm going back and

0:28:32.000 --> 0:28:35.720
<v Speaker 2>forth between two screens. Did you and Joey Styles rehearse

0:28:35.760 --> 0:28:37.280
<v Speaker 2>your interactions on TV?

0:28:37.880 --> 0:28:40.520
<v Speaker 3>He always had the best reactions to you in ring.

0:28:42.200 --> 0:28:50.360
<v Speaker 1>And we've never rehearsed. I sometimes, I you know, might say, uh,

0:28:51.200 --> 0:28:53.680
<v Speaker 1>like I'm trying to think of it. Might have been

0:28:53.760 --> 0:28:57.760
<v Speaker 1>heat Wave ninety eight where I give him THEO. I

0:28:57.760 --> 0:29:00.320
<v Speaker 1>don't know what that's called the motor boat boat? Is

0:29:00.320 --> 0:29:01.880
<v Speaker 1>that what? That's good? Yeah?

0:29:01.880 --> 0:29:02.360
<v Speaker 3>I guess.

0:29:04.800 --> 0:29:07.560
<v Speaker 1>I think he knew that ahead of time, Like I

0:29:07.560 --> 0:29:09.479
<v Speaker 1>think we told him I was going to do that,

0:29:09.800 --> 0:29:13.600
<v Speaker 1>And I think he was worried about his wife because

0:29:13.680 --> 0:29:15.720
<v Speaker 1>she didn't like stuff like that. I don't think she

0:29:15.880 --> 0:29:18.640
<v Speaker 1>liked when I like kissed him on the cheek. But

0:29:18.720 --> 0:29:22.120
<v Speaker 1>we never rehearsed for the most part, Like ninety percent

0:29:22.160 --> 0:29:24.600
<v Speaker 1>of the time, I would just try and either pop

0:29:24.680 --> 0:29:28.600
<v Speaker 1>him or embarrass him, you know. And I I remember

0:29:28.680 --> 0:29:34.640
<v Speaker 1>one promo there was I dropped Shane and I opened

0:29:34.680 --> 0:29:39.400
<v Speaker 1>the show and I dropped maybe, oh, Joey dropped something

0:29:39.760 --> 0:29:42.960
<v Speaker 1>and he looked up my dress and then I grab

0:29:43.080 --> 0:29:44.960
<v Speaker 1>him and I pick him up and I'm mad at him,

0:29:44.960 --> 0:29:46.480
<v Speaker 1>and then I give him a kiss him the cheek

0:29:46.480 --> 0:29:48.120
<v Speaker 1>because I'm like, I don't care, because you know, my

0:29:48.240 --> 0:29:53.520
<v Speaker 1>character was like that, like stuff like that. Yes, we knew,

0:29:53.960 --> 0:29:55.720
<v Speaker 1>but little things if I would walk by him in

0:29:55.760 --> 0:29:58.560
<v Speaker 1>the ring or like grab him or do something. I

0:29:58.600 --> 0:30:00.600
<v Speaker 1>never told him I was doing any that just to

0:30:00.640 --> 0:30:02.880
<v Speaker 1>pop them, and he'd give me that look like, oh,

0:30:02.880 --> 0:30:07.400
<v Speaker 1>you're gonna get me in trouble, like because the crowd

0:30:07.560 --> 0:30:10.120
<v Speaker 1>ate that stuff up. They liked it, so why not?

0:30:12.560 --> 0:30:15.440
<v Speaker 3>And he was genuine you could tell Joey was.

0:30:16.200 --> 0:30:18.600
<v Speaker 1>Joey and I were very good friends, and we had

0:30:18.760 --> 0:30:22.479
<v Speaker 1>such a good rapport with each other. And I always

0:30:22.480 --> 0:30:26.400
<v Speaker 1>would tell him on commentary, you can say whatever you

0:30:26.440 --> 0:30:28.920
<v Speaker 1>want and I will never ever get mad at you.

0:30:29.440 --> 0:30:33.040
<v Speaker 1>I told him you have full liberties like go at me,

0:30:34.000 --> 0:30:35.600
<v Speaker 1>and he would be like, are you sure, I'm like

0:30:35.680 --> 0:30:41.280
<v Speaker 1>honey and all right, so and then he let me

0:30:41.280 --> 0:30:43.680
<v Speaker 1>have it sometimes and I was fine with it, you

0:30:43.680 --> 0:30:46.880
<v Speaker 1>know so, and sometimes he would apologize. I'm like, no need,

0:30:47.040 --> 0:30:48.240
<v Speaker 1>it was great, come on.

0:30:48.920 --> 0:30:51.200
<v Speaker 3>Never anything that you fell across the line at.

0:30:51.120 --> 0:30:56.200
<v Speaker 1>All, No, no, never nothing. The only thing I didn't

0:30:56.280 --> 0:31:01.040
<v Speaker 1>like that was said was when Paul Hayman told sinister

0:31:01.440 --> 0:31:04.560
<v Speaker 1>Minister to say eat a sandwich, because that's when I

0:31:04.560 --> 0:31:07.800
<v Speaker 1>was having trouble with the sheets and my weight, okay,

0:31:07.960 --> 0:31:10.960
<v Speaker 1>And that made me cry. That hit home to me,

0:31:11.000 --> 0:31:14.280
<v Speaker 1>and I was just like, I'm so self conscious about

0:31:14.360 --> 0:31:16.680
<v Speaker 1>my weight and how I look and then you had

0:31:16.720 --> 0:31:18.800
<v Speaker 1>to throw that in there, like that pissed me off,

0:31:18.840 --> 0:31:21.840
<v Speaker 1>and that hurt my feelings. Other than that, nothing ever

0:31:21.880 --> 0:31:22.400
<v Speaker 1>bothered me.

0:31:23.320 --> 0:31:24.840
<v Speaker 2>Your your response would have been, why don't you do

0:31:24.920 --> 0:31:30.320
<v Speaker 2>some fake coke on another well pay review twenty five

0:31:30.400 --> 0:31:32.600
<v Speaker 2>years and get him kicked off their television?

0:31:33.360 --> 0:31:34.320
<v Speaker 1>That was relevant.

0:31:36.120 --> 0:31:39.960
<v Speaker 2>Yeah, that's messed up, see that Like that's yeah, that's

0:31:39.960 --> 0:31:43.320
<v Speaker 2>that's something that even if that's a given line, that's

0:31:43.360 --> 0:31:46.840
<v Speaker 2>one that crosses the line. Even then that's shock value

0:31:47.240 --> 0:31:49.920
<v Speaker 2>for the sake of shock value, and that's hurtful.

0:31:50.280 --> 0:31:52.680
<v Speaker 1>Literally went to Paul crying and asked him to take

0:31:52.720 --> 0:31:56.600
<v Speaker 1>it off and he wouldn't. That pissed me off.

0:31:57.280 --> 0:31:58.960
<v Speaker 3>I don't blame you, and that one sucks.

0:31:59.040 --> 0:32:02.800
<v Speaker 1>Yeah, but otherwise can't complain, right.

0:32:04.280 --> 0:32:08.240
<v Speaker 3>All right? Phil P via email? What do you fill up?

0:32:08.320 --> 0:32:11.200
<v Speaker 3>Fill up? Phil? Phil pvia email?

0:32:11.280 --> 0:32:13.720
<v Speaker 2>What do you think would have happened if Al Snow

0:32:13.920 --> 0:32:15.960
<v Speaker 2>had stayed in ec W?

0:32:17.720 --> 0:32:21.280
<v Speaker 1>I think it would have just continued, uh, the way

0:32:21.320 --> 0:32:25.240
<v Speaker 1>it was going, because head was so over at this point,

0:32:25.640 --> 0:32:29.320
<v Speaker 1>and we would have had to get more heads. We

0:32:29.360 --> 0:32:32.480
<v Speaker 1>would order like a thousand heads and distribute them, so

0:32:32.560 --> 0:32:34.760
<v Speaker 1>the bigger the venues, we would have to order more heads.

0:32:34.760 --> 0:32:39.959
<v Speaker 1>But his character man was so over when you know,

0:32:40.360 --> 0:32:45.640
<v Speaker 1>Paul reinvented him, and I just feel like he would

0:32:45.680 --> 0:32:50.200
<v Speaker 1>have just continued, you know, because he I mean, he's

0:32:50.240 --> 0:32:55.800
<v Speaker 1>an established worker. The problem with Al was his character development,

0:32:56.200 --> 0:33:02.000
<v Speaker 1>and that's you know, that's something that Paul just reinvented him,

0:33:02.160 --> 0:33:04.800
<v Speaker 1>and it just took off like a rocket ship, and

0:33:04.880 --> 0:33:08.800
<v Speaker 1>it was awesome and everybody knew Al could work, but

0:33:09.080 --> 0:33:13.640
<v Speaker 1>then diving into this new character, it showed a different

0:33:13.720 --> 0:33:16.400
<v Speaker 1>side of Al that maybe you had never seen before

0:33:17.320 --> 0:33:20.440
<v Speaker 1>as a character, and it was just amazing, you know,

0:33:20.640 --> 0:33:24.360
<v Speaker 1>and he was so great to work with, So I

0:33:24.440 --> 0:33:27.920
<v Speaker 1>just feel like he probably would have continued, probably would

0:33:27.920 --> 0:33:30.720
<v Speaker 1>have had the belt for a while, and you know,

0:33:31.200 --> 0:33:34.320
<v Speaker 1>and Head would have reigned supreme. Head probably would have

0:33:34.320 --> 0:33:38.080
<v Speaker 1>got Manager of the year, you know, beat me out.

0:33:38.160 --> 0:33:39.000
<v Speaker 1>But that's okay.

0:33:39.480 --> 0:33:40.480
<v Speaker 3>That would have been a great angle.

0:33:41.560 --> 0:33:43.840
<v Speaker 1>I'm on ahead because she won and I didn't.

0:33:44.560 --> 0:33:48.400
<v Speaker 2>Yeah, would you have turned him heel at any point

0:33:48.440 --> 0:33:52.080
<v Speaker 2>and made that character like a crazy heel where he's

0:33:52.200 --> 0:33:55.040
<v Speaker 2>literally losing his mind but on the heel side.

0:33:54.640 --> 0:33:57.560
<v Speaker 1>Well, he yeah, I mean he was losing his mind.

0:33:58.240 --> 0:34:03.360
<v Speaker 1>You know, he was crazy talking to this manufactured you know,

0:34:03.640 --> 0:34:06.640
<v Speaker 1>mannequin head. So it doesn't get more out there than that.

0:34:07.160 --> 0:34:09.640
<v Speaker 3>But as a heel, right now, you're more diabolical.

0:34:10.239 --> 0:34:15.680
<v Speaker 1>Yeah. But the fans even as a heel, because I

0:34:15.680 --> 0:34:19.000
<v Speaker 1>feel like they loved Heads so much. I don't know

0:34:19.040 --> 0:34:21.000
<v Speaker 1>if he would have made the full train, he probably

0:34:21.040 --> 0:34:22.200
<v Speaker 1>would have been like a tweener.

0:34:23.120 --> 0:34:24.080
<v Speaker 3>Yeah, maybe you're.

0:34:24.000 --> 0:34:27.000
<v Speaker 1>Sucking limbo and like you're trying to get that other half,

0:34:27.080 --> 0:34:29.680
<v Speaker 1>but they just love you too much to hate you,

0:34:29.680 --> 0:34:31.879
<v Speaker 1>you know. I mean that's just the way I see it.

0:34:32.880 --> 0:34:33.359
<v Speaker 1>I don't know.

0:34:34.200 --> 0:34:36.920
<v Speaker 2>Yeah, Well, the WWF tried to turn him heel around

0:34:36.960 --> 0:34:37.560
<v Speaker 2>two thousand.

0:34:37.800 --> 0:34:40.279
<v Speaker 3>It did not work, That's what I'm saying. It was like,

0:34:40.520 --> 0:34:41.560
<v Speaker 3>I mean, it was late ninety nine.

0:34:41.600 --> 0:34:43.399
<v Speaker 2>He was with Foley and they were trying to turn

0:34:43.480 --> 0:34:44.640
<v Speaker 2>him heel against the rock.

0:34:45.520 --> 0:34:46.800
<v Speaker 3>It just did not work.

0:34:46.920 --> 0:34:49.920
<v Speaker 2>They took away the music, they made him a little

0:34:49.960 --> 0:34:54.200
<v Speaker 2>more sinister, and just by the time I think, you know,

0:34:55.200 --> 0:34:56.120
<v Speaker 2>Spring came around.

0:34:56.320 --> 0:34:57.279
<v Speaker 3>That's what he was doing the.

0:34:57.200 --> 0:35:04.399
<v Speaker 2>Head cheese with Steve black and I completely made.

0:35:03.000 --> 0:35:07.160
<v Speaker 1>I had such a crush on Steve Blackman. I loved

0:35:07.400 --> 0:35:09.120
<v Speaker 1>that man. Where is he now?

0:35:09.280 --> 0:35:11.399
<v Speaker 2>I remember you so I've kept that in the back

0:35:11.440 --> 0:35:14.200
<v Speaker 2>of my mother. I remember you saying that. I swear

0:35:14.760 --> 0:35:18.320
<v Speaker 2>I have an email for Steve Blackman, and I'm almost

0:35:19.000 --> 0:35:20.400
<v Speaker 2>I want to get him on the show.

0:35:20.880 --> 0:35:24.320
<v Speaker 1>Oh well, yeah, I haven't heard his name in like forever.

0:35:24.680 --> 0:35:28.160
<v Speaker 3>He does he does conventions. He I think I believe

0:35:28.160 --> 0:35:30.080
<v Speaker 3>he has a bail bond's business.

0:35:30.239 --> 0:35:33.120
<v Speaker 1>Oh well, he was like a monster. He was like

0:35:33.200 --> 0:35:36.239
<v Speaker 1>one of those guys that was just huge, Like he

0:35:36.360 --> 0:35:39.920
<v Speaker 1>looked like he can kill somebody. He probably could, but

0:35:39.960 --> 0:35:43.640
<v Speaker 1>there was just something about him, like like that whole roster.

0:35:44.200 --> 0:35:46.680
<v Speaker 1>I was drawn to him and I was like, man,

0:35:46.840 --> 0:35:50.640
<v Speaker 1>he's so handsome, Like I don't know what it was, ladies,

0:35:50.640 --> 0:35:55.719
<v Speaker 1>any ladies feel the same, I don't know. It's just

0:35:55.760 --> 0:36:00.480
<v Speaker 1>a good looking guy, man marble man like burly, like

0:36:00.560 --> 0:36:02.600
<v Speaker 1>he could put on a cowboy hat, ride of horse

0:36:03.120 --> 0:36:06.200
<v Speaker 1>rescue and damsel in distress. That's what he looked for,

0:36:06.680 --> 0:36:08.480
<v Speaker 1>like he now like in this day and age, he

0:36:08.520 --> 0:36:10.480
<v Speaker 1>looked he looked like an m M. A fighter.

0:36:11.000 --> 0:36:12.279
<v Speaker 3>Well, that's what he was going for.

0:36:12.920 --> 0:36:14.239
<v Speaker 1>That's I mean, he just.

0:36:16.000 --> 0:36:18.000
<v Speaker 3>He was in He was the MMA guys while they

0:36:18.000 --> 0:36:21.480
<v Speaker 3>were like not cool yet. How he was like that guy.

0:36:22.400 --> 0:36:23.440
<v Speaker 1>Yeah, I was a big fantasy.

0:36:23.920 --> 0:36:25.600
<v Speaker 3>But with Al Snow he was head cheese.

0:36:26.880 --> 0:36:28.959
<v Speaker 1>You gotta go with the flow.

0:36:29.640 --> 0:36:31.440
<v Speaker 2>They brought the personality out of him though, you know,

0:36:31.480 --> 0:36:33.759
<v Speaker 2>they brought the little comedic side house.

0:36:33.960 --> 0:36:37.680
<v Speaker 3>Yeah you cheese. Yeah, all right, this one is from

0:36:37.760 --> 0:36:40.680
<v Speaker 3>beaver Dan. Beaver Dan.

0:36:42.120 --> 0:36:45.319
<v Speaker 1>Is he from Beaver County in Pittsburgh, Pennsylvania.

0:36:46.680 --> 0:36:49.320
<v Speaker 3>Possibly? I think you go a lot of roots with

0:36:49.360 --> 0:36:55.520
<v Speaker 3>the name Beaver That's true. Okay, I'm okay, I'll I'll go.

0:36:56.320 --> 0:36:57.440
<v Speaker 3>I'll just go to the question.

0:36:58.280 --> 0:37:01.279
<v Speaker 2>All right, does Francy and Field female wrestlers on only

0:37:01.400 --> 0:37:04.239
<v Speaker 2>fans or similar sites help the industry, or is that

0:37:04.360 --> 0:37:08.560
<v Speaker 2>something which in the long term hurts their professional growth

0:37:08.640 --> 0:37:09.520
<v Speaker 2>inside the industry.

0:37:11.600 --> 0:37:16.240
<v Speaker 1>OnlyFans is the norm these days for like ninety percent

0:37:16.960 --> 0:37:20.600
<v Speaker 1>of females in this world, not even in wrestling, Like

0:37:20.880 --> 0:37:27.040
<v Speaker 1>everybody has an OnlyFans page. I don't think it hurts

0:37:28.360 --> 0:37:33.400
<v Speaker 1>it's it's supplementing income. You know, sexuality is part of wrestling.

0:37:36.000 --> 0:37:40.480
<v Speaker 1>You choose your boundaries and what you feel you can do,

0:37:41.640 --> 0:37:47.319
<v Speaker 1>what's comfortable, what you can live with every day, and

0:37:48.280 --> 0:37:50.920
<v Speaker 1>you make your money from it. And that's that some

0:37:50.960 --> 0:37:53.680
<v Speaker 1>girls are willing to do more than others. I don't

0:37:53.800 --> 0:37:56.919
<v Speaker 1>knock them for it. It's again a way to make

0:37:56.960 --> 0:38:01.040
<v Speaker 1>a living, so I don't I don't feel like it

0:38:01.160 --> 0:38:06.360
<v Speaker 1>hurts them. I feel like the male or some female

0:38:06.440 --> 0:38:11.400
<v Speaker 1>fans too. I just feel like, you know, they'll follow

0:38:11.440 --> 0:38:17.839
<v Speaker 1>them wherever they go or whatever they're doing to make

0:38:17.840 --> 0:38:22.319
<v Speaker 1>a buck. So if it's only fans, if it's you know,

0:38:23.000 --> 0:38:26.720
<v Speaker 1>doing conventions, if it's a twitch stream, if it whatever

0:38:26.800 --> 0:38:30.320
<v Speaker 1>it is, there are so many options these days to

0:38:30.480 --> 0:38:35.239
<v Speaker 1>make extra income. I don't feel it hurts anyone. I

0:38:35.600 --> 0:38:38.640
<v Speaker 1>feel like it's the norm now and it's just up

0:38:38.680 --> 0:38:42.319
<v Speaker 1>to the individual on how far they want to take it.

0:38:42.440 --> 0:38:45.560
<v Speaker 1>And if they are comfortable doing certain things for money.

0:38:47.640 --> 0:38:49.000
<v Speaker 3>They do a lot of stuff for money.

0:38:49.280 --> 0:38:53.600
<v Speaker 1>Oh that's them, you know. And and it's okay. If

0:38:53.719 --> 0:38:56.839
<v Speaker 1>you can lay your head on your pillow every night

0:38:56.920 --> 0:39:00.759
<v Speaker 1>and say I'm good with what I did, then by

0:39:00.800 --> 0:39:05.760
<v Speaker 1>all means, make your money. You know, I'm not knocking

0:39:05.800 --> 0:39:06.879
<v Speaker 1>you do what you want.

0:39:07.800 --> 0:39:10.759
<v Speaker 2>No, And you see, even like outside of wrestling, I mean,

0:39:11.360 --> 0:39:15.640
<v Speaker 2>there are some a list celebrities and recording artists that

0:39:15.719 --> 0:39:18.640
<v Speaker 2>have OnlyFans, and not only do they use it to

0:39:18.680 --> 0:39:24.600
<v Speaker 2>put out picture content, they release music or girls streaming

0:39:25.000 --> 0:39:28.000
<v Speaker 2>content that they have, they'll put it out there and

0:39:28.040 --> 0:39:31.040
<v Speaker 2>they make millions. I mean, and it's like, wow, geez,

0:39:31.080 --> 0:39:34.040
<v Speaker 2>I guess that's your way of reaching your fan base

0:39:34.080 --> 0:39:35.359
<v Speaker 2>now it is.

0:39:35.960 --> 0:39:39.880
<v Speaker 1>Believe me, I would love to make millions on only fans.

0:39:40.560 --> 0:39:44.000
<v Speaker 1>I wouldn't really love to, but I just don't. I

0:39:46.840 --> 0:39:50.399
<v Speaker 1>maybe it's my age. I you know, I don't see

0:39:50.440 --> 0:39:54.719
<v Speaker 1>myself doing that that platform. It's not something I want

0:39:54.760 --> 0:39:57.440
<v Speaker 1>to do at this stage in the game. But if

0:39:57.440 --> 0:40:00.719
<v Speaker 1>you're young and look good and you're a okay with it,

0:40:00.840 --> 0:40:05.279
<v Speaker 1>and I mean, who cares, get your money? Get it

0:40:05.320 --> 0:40:09.080
<v Speaker 1>while you can there's one day it's not gonna happen. Yeah,

0:40:09.120 --> 0:40:10.799
<v Speaker 1>he's all the filters in the world. But if you're

0:40:10.840 --> 0:40:13.640
<v Speaker 1>sixty four and you're still trying to do your only fans,

0:40:13.719 --> 0:40:14.160
<v Speaker 1>it's like.

0:40:14.239 --> 0:40:16.560
<v Speaker 3>Oh, well, there is a fan.

0:40:16.400 --> 0:40:20.160
<v Speaker 1>Base for well, yes there is, there.

0:40:19.800 --> 0:40:21.160
<v Speaker 3>Is, There is a fan base for.

0:40:21.120 --> 0:40:23.479
<v Speaker 1>That, and and fine, I'm not gonna knock that either.

0:40:23.560 --> 0:40:27.080
<v Speaker 1>But for me, it's like, I know what I'm supposed

0:40:27.080 --> 0:40:29.000
<v Speaker 1>to be doing at this stage in the game, and

0:40:29.040 --> 0:40:32.360
<v Speaker 1>it's not only fans, so you know, but you do

0:40:32.480 --> 0:40:32.879
<v Speaker 1>you Bill.

0:40:33.160 --> 0:40:36.879
<v Speaker 2>I can't even imagine being a fan again growing up

0:40:36.880 --> 0:40:40.680
<v Speaker 2>in the nineties, two thousands, early two thousands and having

0:40:41.200 --> 0:40:45.400
<v Speaker 2>that accessibility to talent like that that.

0:40:45.800 --> 0:40:48.520
<v Speaker 3>I grew up, you know, watching on to now.

0:40:48.560 --> 0:40:52.520
<v Speaker 2>Granted, okay, sidebar, we knew of the people that were

0:40:52.560 --> 0:40:54.760
<v Speaker 2>in magazines at the time, and there.

0:40:54.600 --> 0:40:57.759
<v Speaker 3>Were pictures online that you could go find. But this

0:40:57.920 --> 0:40:58.440
<v Speaker 3>is different.

0:40:58.680 --> 0:41:00.960
<v Speaker 2>This is you have direct connect to the person, and

0:41:01.160 --> 0:41:03.520
<v Speaker 2>some of them you can send a request to and

0:41:03.560 --> 0:41:05.560
<v Speaker 2>a day later you got it in your inbox.

0:41:05.920 --> 0:41:11.480
<v Speaker 1>It's mind blowing because the industry is, the entertainment industry

0:41:11.480 --> 0:41:15.400
<v Speaker 1>in general, was so untouchable when I was a kid.

0:41:16.160 --> 0:41:20.120
<v Speaker 1>You can write a fan letter, but don't expect one back.

0:41:20.200 --> 0:41:22.120
<v Speaker 1>And nine times out of ten, if you got one back,

0:41:22.160 --> 0:41:25.680
<v Speaker 1>it was from the publicist and maybe a rubber stamp

0:41:26.280 --> 0:41:29.880
<v Speaker 1>signature or so. It's something like that back then, you

0:41:29.880 --> 0:41:33.360
<v Speaker 1>know what I mean. Nowadays, you can talk to anyone.

0:41:33.440 --> 0:41:37.120
<v Speaker 1>You can slide in DMS. You'd be talking with an

0:41:37.239 --> 0:41:40.839
<v Speaker 1>Oscar winner or a Grammy Award winning art. I mean,

0:41:40.880 --> 0:41:44.400
<v Speaker 1>you could talk to anybody. It is so easy to

0:41:44.480 --> 0:41:47.600
<v Speaker 1>get in touch with these people. But I just remember,

0:41:47.800 --> 0:41:51.720
<v Speaker 1>like back in I remember back in the day, I

0:41:51.880 --> 0:41:55.960
<v Speaker 1>was such a huge fan of Villanova basketball and it

0:41:56.000 --> 0:41:59.759
<v Speaker 1>was it was when they beat Georgetown and won everything.

0:42:00.719 --> 0:42:03.719
<v Speaker 1>They were the champs for that year. Like, I was

0:42:03.760 --> 0:42:06.279
<v Speaker 1>such a fan and there was one particular player that

0:42:06.400 --> 0:42:10.359
<v Speaker 1>I loved and I wrote him two letters. I think

0:42:10.360 --> 0:42:14.680
<v Speaker 1>I was in eighth grade, like I was young, but

0:42:14.760 --> 0:42:18.719
<v Speaker 1>I wrote him and he wrote me back twice and

0:42:18.920 --> 0:42:22.040
<v Speaker 1>sent me pictures twice. And I thought that and then

0:42:22.040 --> 0:42:24.040
<v Speaker 1>my mom was like, no, you need to stop because

0:42:24.080 --> 0:42:27.920
<v Speaker 1>this man's in college caroling in high school, Like you

0:42:28.000 --> 0:42:30.920
<v Speaker 1>need to stop. And I didn't write anything like dirty.

0:42:30.960 --> 0:42:32.680
<v Speaker 1>I was just like, you know, I admire you as

0:42:32.680 --> 0:42:34.839
<v Speaker 1>a player. I'm such a fan, you're so good at

0:42:34.840 --> 0:42:37.880
<v Speaker 1>what you do, like gushing like a little teenage crush,

0:42:37.920 --> 0:42:41.480
<v Speaker 1>you know. But he was so sweet and genuine and

0:42:42.040 --> 0:42:44.920
<v Speaker 1>I can tell it was his penmanship. And he wrote

0:42:44.920 --> 0:42:47.759
<v Speaker 1>me back and he sent me the autograph pictures, and

0:42:47.920 --> 0:42:50.400
<v Speaker 1>I was just over the moon with that. I was like,

0:42:50.560 --> 0:42:53.920
<v Speaker 1>I love this guy. And then I watched him and

0:42:53.960 --> 0:42:55.560
<v Speaker 1>I was like, I got a letter from him. It

0:42:55.640 --> 0:42:58.000
<v Speaker 1>was so awesome, you know what I mean. That's the

0:42:58.120 --> 0:43:01.839
<v Speaker 1>closest I've ever come to fandom, Like, that's the only

0:43:01.920 --> 0:43:06.480
<v Speaker 1>time I can ever remember reaching out to a celebrity. Well,

0:43:06.800 --> 0:43:09.480
<v Speaker 1>and not like he was like this huge celebrity, but

0:43:09.520 --> 0:43:13.080
<v Speaker 1>he was you know, he was on the Cinderella Villanova

0:43:13.200 --> 0:43:16.760
<v Speaker 1>basketball team. And you don't remember who it was, Harold Jensen.

0:43:17.719 --> 0:43:18.960
<v Speaker 3>Sorry, yeah I didn't hear it.

0:43:19.560 --> 0:43:22.840
<v Speaker 1>Yeah no, I might have not said his name, Harold Jensen.

0:43:22.880 --> 0:43:25.440
<v Speaker 1>I believe it was number thirty two.

0:43:24.960 --> 0:43:28.600
<v Speaker 2>Harold Jensen. Yeah, writing the hymn down So I want

0:43:28.600 --> 0:43:29.160
<v Speaker 2>to look him up.

0:43:29.600 --> 0:43:32.520
<v Speaker 1>Okay, yeah, he was Uh he might have played either

0:43:32.560 --> 0:43:36.600
<v Speaker 1>guard or forward. I can't remember that. This is going back,

0:43:36.840 --> 0:43:39.520
<v Speaker 1>but they won it all that year and my dad

0:43:39.560 --> 0:43:41.880
<v Speaker 1>even took me to a game. We went and we watched.

0:43:41.960 --> 0:43:45.080
<v Speaker 1>I didn't get to meet him in person, but that

0:43:45.280 --> 0:43:47.880
<v Speaker 1>was my only fan letter I think I ever wrote

0:43:47.920 --> 0:43:51.799
<v Speaker 1>to somebody, because I just I wanted a picture and

0:43:51.840 --> 0:43:53.799
<v Speaker 1>I just loved him so much, and he was so

0:43:54.000 --> 0:43:58.880
<v Speaker 1>nice and but again, he wasn't an Emmy Award winner

0:43:59.040 --> 0:44:05.279
<v Speaker 1>or you know, like an untouchable person in the entertainment field,

0:44:05.360 --> 0:44:07.400
<v Speaker 1>but he took the time to get back to me,

0:44:07.440 --> 0:44:09.960
<v Speaker 1>and I always remember that. I thought that was so sweet.

0:44:11.440 --> 0:44:15.600
<v Speaker 2>I wrote a letter to one Vincent Kennedy McMahon when

0:44:15.640 --> 0:44:19.840
<v Speaker 2>I was in middle school, and I got a response

0:44:19.880 --> 0:44:23.360
<v Speaker 2>back from his office, Oh, from his secretary, thanking me

0:44:23.440 --> 0:44:27.040
<v Speaker 2>for the letter. Oh, and they didn't send me anything

0:44:27.080 --> 0:44:30.799
<v Speaker 2>outside of the letter and just thanking me for contacting

0:44:30.800 --> 0:44:33.480
<v Speaker 2>me to thanking me for contacting mister McMahon.

0:44:33.560 --> 0:44:36.200
<v Speaker 3>And he appreciated the letter. I gotta find it.

0:44:37.360 --> 0:44:39.560
<v Speaker 2>The only problem is if we were going to give

0:44:39.960 --> 0:44:43.240
<v Speaker 2>the chance to shoot name, which were not, they just they.

0:44:44.760 --> 0:44:45.960
<v Speaker 3>Addressed it to the wrong name.

0:44:46.160 --> 0:44:48.440
<v Speaker 2>So I have this great letter that's too.

0:44:49.960 --> 0:44:51.719
<v Speaker 3>Me, But it's not me, it's was.

0:44:51.680 --> 0:44:54.440
<v Speaker 1>It was it signed by Vince McMahon.

0:44:55.320 --> 0:44:59.480
<v Speaker 2>No, it's it's an auto pen. Vince McMahon signature. It's

0:44:59.480 --> 0:45:01.919
<v Speaker 2>still great. I still have it. I mean it's because

0:45:01.920 --> 0:45:05.120
<v Speaker 2>it's on the old school WWF letterhead.

0:45:05.400 --> 0:45:06.000
<v Speaker 3>That's awesome.

0:45:06.040 --> 0:45:08.319
<v Speaker 2>So when I actually in this past weekend, I found

0:45:08.360 --> 0:45:10.319
<v Speaker 2>all the business cards all the people that I met

0:45:10.360 --> 0:45:13.359
<v Speaker 2>with when I was originally interviewing there. But I wish

0:45:13.840 --> 0:45:16.040
<v Speaker 2>the letters in another box. But yeah, I wrote a

0:45:16.120 --> 0:45:18.520
<v Speaker 2>letter to Vince McMahon. I got an answer back from

0:45:18.560 --> 0:45:21.000
<v Speaker 2>his that's perfect, wonderful.

0:45:21.360 --> 0:45:22.319
<v Speaker 3>I'm not going to go there either.

0:45:22.440 --> 0:45:25.399
<v Speaker 1>Oh God, do we have time for one more? Yeah?

0:45:25.480 --> 0:45:28.239
<v Speaker 2>John W from we go back to the email John W.

0:45:28.480 --> 0:45:29.560
<v Speaker 3>From Syracuse.

0:45:29.719 --> 0:45:32.760
<v Speaker 2>He asked, who were some of your favorite backstage workers?

0:45:32.760 --> 0:45:37.080
<v Speaker 1>And he's, oh, my god, I've been asked that a

0:45:37.120 --> 0:45:40.799
<v Speaker 1>million times, and just talent.

0:45:40.560 --> 0:45:43.560
<v Speaker 3>Wise, behind the scenes workers, behind the.

0:45:43.520 --> 0:45:49.000
<v Speaker 1>Scenes, I mean our cameraman, Ron and Charlie were the best.

0:45:49.920 --> 0:45:53.280
<v Speaker 1>I love them to death. I just talked to Ron,

0:45:54.280 --> 0:45:56.880
<v Speaker 1>I think for the first time since DCW folded in

0:45:56.880 --> 0:45:58.520
<v Speaker 1>two thousand and one. I just spoke to him a

0:45:58.520 --> 0:46:03.080
<v Speaker 1>couple of weeks ago, for like the first time. But

0:46:03.560 --> 0:46:08.279
<v Speaker 1>they were great, and teas were really nice too. We

0:46:08.320 --> 0:46:10.440
<v Speaker 1>had a married couple that worked with us, and they

0:46:10.440 --> 0:46:17.399
<v Speaker 1>were always so sweet. Who else like Damien, God rest

0:46:17.480 --> 0:46:20.480
<v Speaker 1>his soul. He was so good to Shane and I

0:46:20.840 --> 0:46:24.880
<v Speaker 1>and drove us everywhere and handled that. He was like

0:46:24.920 --> 0:46:32.400
<v Speaker 1>in charge of our merch. I don't know. There was

0:46:32.560 --> 0:46:36.279
<v Speaker 1>a Trish, There was Mo. They they would like drive

0:46:36.360 --> 0:46:40.960
<v Speaker 1>people around. Trish helped out in the back whatever we needed.

0:46:41.239 --> 0:46:46.080
<v Speaker 1>Trish was there. Doctor Mark Allen, who I just saw

0:46:46.120 --> 0:46:49.360
<v Speaker 1>at uh Wrussell con and he sat with me for

0:46:49.400 --> 0:46:52.120
<v Speaker 1>about a half hour and we conversed. And he's a doll.

0:46:52.239 --> 0:46:55.719
<v Speaker 1>He was a pediatrist, but he was our doctor and

0:46:57.560 --> 0:47:00.520
<v Speaker 1>would uh would help us if we needed. He took

0:47:00.560 --> 0:47:03.120
<v Speaker 1>me to the hospital. He wrote with me in the

0:47:03.200 --> 0:47:08.000
<v Speaker 1>emergency the emergency vehicle when I broke my pelvis. Like,

0:47:08.360 --> 0:47:11.040
<v Speaker 1>we had good people. We had a lot of good

0:47:11.040 --> 0:47:14.760
<v Speaker 1>people on staff that were, you know, willing to do whatever.

0:47:15.640 --> 0:47:23.479
<v Speaker 1>And yeah, Rob Finstein and his crew. I've known Rob

0:47:23.520 --> 0:47:27.200
<v Speaker 1>now forever and still friends with Rob and still work

0:47:27.239 --> 0:47:29.359
<v Speaker 1>with Rob to this day. And you know, he was

0:47:30.000 --> 0:47:33.759
<v Speaker 1>he was a big part of ECW talent wise for

0:47:33.840 --> 0:47:39.919
<v Speaker 1>a minute as seven eleven, but so much with the

0:47:39.920 --> 0:47:44.880
<v Speaker 1>the camera shooting, you know, fan cam footage for us

0:47:44.920 --> 0:47:47.319
<v Speaker 1>and stuff like that. So we had a lot of

0:47:47.320 --> 0:47:49.640
<v Speaker 1>people behind the scenes that were cool. I know I'm

0:47:49.640 --> 0:47:53.760
<v Speaker 1>missing oh Atlas. I just saw Ronnie for the first

0:47:53.760 --> 0:47:57.160
<v Speaker 1>time also at Russell Con and he looks exactly the same.

0:47:58.000 --> 0:48:00.560
<v Speaker 1>But you know, we we had such a great crew

0:48:00.760 --> 0:48:04.640
<v Speaker 1>with Atlas that would always protect us. And I don't

0:48:04.680 --> 0:48:07.040
<v Speaker 1>know so many people, so many great people.

0:48:08.160 --> 0:48:11.400
<v Speaker 2>We always hear about, you know, folks from the ECW family.

0:48:11.800 --> 0:48:14.719
<v Speaker 2>You know, maybe somebody's girlfriend or somebody working like the

0:48:14.760 --> 0:48:18.480
<v Speaker 2>merchandise Dand was that like a night of decision or

0:48:18.680 --> 0:48:20.840
<v Speaker 2>if they were missing somebody, or was that just like

0:48:20.880 --> 0:48:22.920
<v Speaker 2>a given if you brought someone of the show, they

0:48:22.960 --> 0:48:27.480
<v Speaker 2>might be working a ticket taker or merchandise.

0:48:27.000 --> 0:48:31.080
<v Speaker 1>Or well, like I said, Damien was like our main

0:48:31.160 --> 0:48:34.640
<v Speaker 1>merch guy. But then Bella forgot Bella she's a sweetheart.

0:48:35.040 --> 0:48:37.919
<v Speaker 1>She would help with the merchandise too, and she came

0:48:37.960 --> 0:48:40.880
<v Speaker 1>to a lot of the shows. But I guess, like

0:48:41.800 --> 0:48:45.960
<v Speaker 1>we were on the road and were flying to events,

0:48:46.080 --> 0:48:48.120
<v Speaker 1>I guess we just had to go with people that

0:48:48.239 --> 0:48:50.960
<v Speaker 1>were there and we can trust, because I don't know

0:48:51.000 --> 0:48:53.960
<v Speaker 1>if we flew. I don't think we flew certain people,

0:48:54.760 --> 0:48:56.640
<v Speaker 1>like if they were in the area, they would be

0:48:56.680 --> 0:48:58.839
<v Speaker 1>the ones doing the job, you know what I mean.

0:48:59.760 --> 0:49:03.319
<v Speaker 1>So so I don't think it was like, well, you're

0:49:03.360 --> 0:49:07.640
<v Speaker 1>our main merch person, You're gonna fly every everywhere we go.

0:49:07.800 --> 0:49:11.080
<v Speaker 1>Like I don't. I don't think that was the case.

0:49:12.360 --> 0:49:15.799
<v Speaker 1>I don't know. I can't remember how often people came,

0:49:15.920 --> 0:49:21.040
<v Speaker 1>but I do remember like Tommy saying, well, we need

0:49:21.040 --> 0:49:24.000
<v Speaker 1>this done tonight, can you help out to certain people

0:49:24.200 --> 0:49:26.959
<v Speaker 1>or whatever? And again it was more like a mom

0:49:27.000 --> 0:49:32.239
<v Speaker 1>and pop. Well it's I mean, you know, we were

0:49:32.239 --> 0:49:35.799
<v Speaker 1>a professional company, but we didn't have the income to

0:49:36.040 --> 0:49:40.719
<v Speaker 1>be consistent with certain roles, you know, because it costs money.

0:49:40.719 --> 0:49:44.120
<v Speaker 1>It's another hotel room, it's another flight, it's another mouth

0:49:44.200 --> 0:49:48.399
<v Speaker 1>to feed. It's we you know, got to feed your

0:49:48.400 --> 0:49:54.280
<v Speaker 1>workers that are there. Take care of the core staff,

0:49:54.480 --> 0:49:58.560
<v Speaker 1>you know. Right, all right, good group of people. I

0:49:58.600 --> 0:50:02.439
<v Speaker 1>miss them all. I love them, very good.

0:50:02.480 --> 0:50:04.800
<v Speaker 3>Good way to end it. Solid nice.

0:50:05.160 --> 0:50:08.960
<v Speaker 1>Oh well those were good questions. Appreciate them again. If

0:50:09.239 --> 0:50:13.400
<v Speaker 1>you want to send in any questions. What is the

0:50:13.440 --> 0:50:14.719
<v Speaker 1>email that you would.

0:50:14.560 --> 0:50:18.879
<v Speaker 2>Use all podcast questions at gmail dot com. Very very

0:50:18.920 --> 0:50:21.720
<v Speaker 2>easy for me to compile them, so please send them there.

0:50:22.080 --> 0:50:24.319
<v Speaker 2>It's in my Twitter bio if you want to drop them.

0:50:24.360 --> 0:50:26.399
<v Speaker 2>I get them every so often. Where people just send

0:50:26.440 --> 0:50:28.919
<v Speaker 2>them to me. We should publicize that a lot more

0:50:28.960 --> 0:50:31.359
<v Speaker 2>and we can get a ton more questions. But I've

0:50:31.360 --> 0:50:34.440
<v Speaker 2>been compiling these for quite a while. Just send them there,

0:50:34.480 --> 0:50:36.600
<v Speaker 2>all podcast questions at gmail dot com.

0:50:36.800 --> 0:50:42.040
<v Speaker 1>I enjoy answering these fan questions, and you know, and

0:50:42.120 --> 0:50:44.319
<v Speaker 1>like I said, some of them are a little redundant,

0:50:44.360 --> 0:50:46.440
<v Speaker 1>but you might have missed an answer, So I'll just

0:50:46.520 --> 0:50:50.280
<v Speaker 1>keep answering them. It's fine with me. I don't mind.

0:50:51.280 --> 0:50:54.080
<v Speaker 2>It's fine with me too, because the more questions she answers,

0:50:54.120 --> 0:50:55.640
<v Speaker 2>the more we get to find out.

0:50:56.120 --> 0:50:59.120
<v Speaker 1>Yeah, like I said, I'm an open book for the

0:50:59.160 --> 0:51:03.000
<v Speaker 1>most part. I will share information and unless it's in

0:51:03.000 --> 0:51:06.280
<v Speaker 1>the vult If it's in the vault, it's there until

0:51:06.280 --> 0:51:10.720
<v Speaker 1>I die. There's no way I'm sharing that and believing

0:51:10.719 --> 0:51:11.840
<v Speaker 1>there's stuff in the vault.

0:51:12.080 --> 0:51:14.160
<v Speaker 2>Unless you have a dream about it where you're walking

0:51:14.160 --> 0:51:14.880
<v Speaker 2>through a convention.

0:51:15.000 --> 0:51:18.040
<v Speaker 1>And that wasn't true at all. I don't know where

0:51:18.040 --> 0:51:22.400
<v Speaker 1>that came from, so that's beyond my comprehension at this point.

0:51:22.560 --> 0:51:24.000
<v Speaker 3>Did you ever come out in a blackout?

0:51:24.000 --> 0:51:26.160
<v Speaker 2>Were you ever given a blackout entrance at all where

0:51:26.200 --> 0:51:27.319
<v Speaker 2>you had to appear in the ring?

0:51:30.719 --> 0:51:33.320
<v Speaker 3>Honest question? The cha Virginia.

0:51:33.360 --> 0:51:37.480
<v Speaker 1>No, I know, I was in the ring several times

0:51:37.520 --> 0:51:41.680
<v Speaker 1>when they shut the turned off the lights and I

0:51:41.719 --> 0:51:44.439
<v Speaker 1>was already in the ring, but I don't I might

0:51:44.440 --> 0:51:48.160
<v Speaker 1>have been under the ring once, I can't remember, and

0:51:48.200 --> 0:51:51.560
<v Speaker 1>then I had to pop out for something. I don't know.

0:51:51.640 --> 0:51:54.359
<v Speaker 1>If you guys know, you know, there's some people who

0:51:54.400 --> 0:51:57.400
<v Speaker 1>know my career better than I do. But several times

0:51:57.440 --> 0:51:59.120
<v Speaker 1>the lights would go out and I'd be in there

0:51:59.160 --> 0:52:02.440
<v Speaker 1>and it's scared because it's like, okay, where are you

0:52:05.600 --> 0:52:07.800
<v Speaker 1>hear memlr?

0:52:08.560 --> 0:52:12.920
<v Speaker 2>Yeah, and then the fan decibel level goes up like

0:52:13.560 --> 0:52:16.560
<v Speaker 2>twentyfold because they go nuts when the lights go out,

0:52:16.560 --> 0:52:18.000
<v Speaker 2>because yeah, it's gonna happen.

0:52:18.280 --> 0:52:21.120
<v Speaker 1>The difference these days is everybody will whip out their

0:52:21.160 --> 0:52:25.279
<v Speaker 1>cell phones internal and their their lights the flashlight, but

0:52:25.360 --> 0:52:28.520
<v Speaker 1>back then, we didn't have that, you know what I mean, Like,

0:52:28.600 --> 0:52:30.400
<v Speaker 1>we didn't have that back in the day. So it

0:52:30.560 --> 0:52:35.040
<v Speaker 1>was dark, like really dark. Nowadays when they try and

0:52:35.080 --> 0:52:38.760
<v Speaker 1>do these lights out, things you can see like certain

0:52:38.800 --> 0:52:41.799
<v Speaker 1>people removing and stuff's going on. But back in the day,

0:52:41.840 --> 0:52:45.640
<v Speaker 1>it was like total darkness. So I remember literally feeling

0:52:45.680 --> 0:52:48.879
<v Speaker 1>the ropes like to get around, like Okay, I got

0:52:48.880 --> 0:52:50.120
<v Speaker 1>to be in the corner for this or I got

0:52:50.120 --> 0:52:51.960
<v Speaker 1>to get out of the way because this one's running

0:52:51.960 --> 0:52:53.640
<v Speaker 1>in and it was scary.

0:52:54.360 --> 0:52:57.440
<v Speaker 3>It's a scary thing, I'm sure it is.

0:52:57.760 --> 0:52:59.520
<v Speaker 1>Yeah, you don't want to be hit with something you're

0:52:59.560 --> 0:53:02.759
<v Speaker 1>not suppose to be hit with, So no, that.

0:53:02.840 --> 0:53:06.200
<v Speaker 2>Sucks when Sabo's got to get in there, go Yeah, I.

0:53:06.560 --> 0:53:08.200
<v Speaker 1>Just cower in the corner. I'm like, I don't want

0:53:08.239 --> 0:53:10.400
<v Speaker 1>to get hit by that. Where's the chair flying from?

0:53:10.520 --> 0:53:11.040
<v Speaker 2>Exactly?

0:53:11.080 --> 0:53:11.800
<v Speaker 1>I'm out of here.

0:53:12.520 --> 0:53:14.520
<v Speaker 3>Well that's all we got for this week.

0:53:14.880 --> 0:53:17.239
<v Speaker 1>Okay, Well that was a good one again. Thank you

0:53:17.280 --> 0:53:21.080
<v Speaker 1>to all who sent questions in. We'll probably do this

0:53:21.160 --> 0:53:22.200
<v Speaker 1>maybe once a month.

0:53:22.239 --> 0:53:25.520
<v Speaker 2>If we can absolutely keep them coming in, we'll do

0:53:26.160 --> 0:53:26.640
<v Speaker 2>all right.

0:53:26.719 --> 0:53:27.960
<v Speaker 1>Well, where can people find you?

0:53:28.360 --> 0:53:32.080
<v Speaker 2>Slow burn until November? The summertime is a slow slow

0:53:32.120 --> 0:53:36.040
<v Speaker 2>time right now. I'm just loving life, working working hard

0:53:36.080 --> 0:53:36.839
<v Speaker 2>on eyes up here.

0:53:36.920 --> 0:53:39.000
<v Speaker 1>That's it, okay, just going to enjoy the summer with

0:53:39.040 --> 0:53:40.000
<v Speaker 1>the kids, right.

0:53:39.960 --> 0:53:40.640
<v Speaker 3>Yep, yep.

0:53:40.680 --> 0:53:42.759
<v Speaker 2>So yeah, just follow me at chat E and B

0:53:43.760 --> 0:53:48.680
<v Speaker 2>on X and keep your eyes on eyes up here

0:53:49.239 --> 0:53:53.320
<v Speaker 2>here on iHeartRadio wherever you get. You get your podcast

0:53:53.520 --> 0:53:57.160
<v Speaker 2>on YouTube, TikTok at.

0:53:57.320 --> 0:53:57.680
<v Speaker 3>What is it?

0:53:57.719 --> 0:53:59.120
<v Speaker 2>Let me let me pull it up because I always

0:53:59.160 --> 0:54:00.840
<v Speaker 2>forget it. But you got you gotta get with this

0:54:00.960 --> 0:54:04.520
<v Speaker 2>on TikTok. If you haven't yet, you were going to

0:54:04.520 --> 0:54:08.040
<v Speaker 2>be missing out on quite the tiktoking experience.

0:54:08.360 --> 0:54:10.040
<v Speaker 3>You like that. I made that one up to the

0:54:10.080 --> 0:54:11.440
<v Speaker 3>Tiktoking talking.

0:54:11.760 --> 0:54:18.480
<v Speaker 1>I have a show coming off. It's myself, Shane Douglas Sandman,

0:54:18.920 --> 0:54:21.879
<v Speaker 1>and I believe Phonsie is on it as well. I'm

0:54:21.920 --> 0:54:29.480
<v Speaker 1>trying to find it. It is in Indiana, and I

0:54:29.560 --> 0:54:34.080
<v Speaker 1>kind of of course I can't find the graphic for it.

0:54:34.080 --> 0:54:37.400
<v Speaker 1>It's on I believe, what is it June twenty ninth.

0:54:40.000 --> 0:54:43.920
<v Speaker 1>Where the hell's the graphic? Good Lord fifty bash at

0:54:43.960 --> 0:54:46.480
<v Speaker 1>Beckley Posters here, and I can't find the one I'm

0:54:46.520 --> 0:54:50.440
<v Speaker 1>looking for. Do you know what I'm talking about?

0:54:51.000 --> 0:54:52.600
<v Speaker 3>I don't absolutely know.

0:54:53.000 --> 0:54:58.480
<v Speaker 1>So it's it's for Scott Hewlett and the Heat at

0:54:58.560 --> 0:55:01.640
<v Speaker 1>Shenanigan's podcast. Here it is. I found it, thank god.

0:55:01.760 --> 0:55:06.200
<v Speaker 1>It's called Every Child Wins. It's Saturday, June twenty ninth,

0:55:07.000 --> 0:55:14.000
<v Speaker 1>and it is at Tippy Canoe County Fairgrounds in Lafayette, Indiana.

0:55:15.360 --> 0:55:22.239
<v Speaker 1>It's a benefits show for the Muscular Dystrophee Association. So yeah,

0:55:22.280 --> 0:55:26.200
<v Speaker 1>it's me Sandman Shane and I think Phonsie was at it.

0:55:26.520 --> 0:55:30.239
<v Speaker 1>I want to say he was, And we're doing a

0:55:30.320 --> 0:55:34.879
<v Speaker 1>meet and greet during the day and then who knows,

0:55:34.880 --> 0:55:38.040
<v Speaker 1>we might be appearing on the show somewhere at night.

0:55:38.840 --> 0:55:44.600
<v Speaker 1>And Shane and I are also doing a seminar that

0:55:44.760 --> 0:55:48.440
<v Speaker 1>Saturday on June twenty ninth in Lafayette as well, So

0:55:48.480 --> 0:55:51.840
<v Speaker 1>if you're interested, you can DM Scott qwleid on X

0:55:51.960 --> 0:55:53.960
<v Speaker 1>or you can call him at seven sixty five four

0:55:54.040 --> 0:55:58.359
<v Speaker 1>two one three four seven to two and there's only

0:55:58.400 --> 0:56:00.440
<v Speaker 1>thirty spots available and I'm not sure or how many

0:56:00.440 --> 0:56:05.920
<v Speaker 1>spots are left, So if you're available for that seminar,

0:56:05.920 --> 0:56:07.839
<v Speaker 1>it's the first one that Chane and I are doing

0:56:07.880 --> 0:56:11.680
<v Speaker 1>together and it's very informative. I think it's fifty dollars

0:56:12.239 --> 0:56:12.800
<v Speaker 1>per person.

0:56:13.040 --> 0:56:15.759
<v Speaker 2>Yeah, I'm seeing that now. That's fantastic. Take advantage of that,

0:56:16.080 --> 0:56:16.560
<v Speaker 2>my god.

0:56:17.040 --> 0:56:22.319
<v Speaker 1>Yeah. So that's before the show that afternoon. We're going

0:56:22.400 --> 0:56:25.480
<v Speaker 1>to do that. And you know, if you're not subscribed

0:56:25.520 --> 0:56:29.320
<v Speaker 1>to our YouTube channel, please go over to ECWDVA Francine

0:56:29.320 --> 0:56:31.080
<v Speaker 1>and hit the subscribe button and if you want to

0:56:31.080 --> 0:56:36.120
<v Speaker 1>be a channel member, it's only five ninety nine. I

0:56:36.160 --> 0:56:38.600
<v Speaker 1>hope you're staying safe, I hope you're staying healthy, and

0:56:38.640 --> 0:57:05.960
<v Speaker 1>most of all, I hope you're staying extreme. There were