WEBVTT - Emoticons Saved My Life

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<v Speaker 1>Welcome to stuff from the Science Lab from how stuff

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<v Speaker 1>works dot com. Hey guys, and welcome to stuff from

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<v Speaker 1>the Science Lab. This is Alison madam Out, the science

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<v Speaker 1>editor at how stuff works dot com. And this is

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<v Speaker 1>Robert Lambs, science writer at how stuff works dot com.

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<v Speaker 1>And you know we um we communicate a lot at work,

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<v Speaker 1>uh via email? We do. Yeah, even though we're just,

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<v Speaker 1>I don't know, a few yards away from each other.

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<v Speaker 1>We do. Yeah. Yeah. Sometimes they have the habit of

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<v Speaker 1>um popping over your cube wall and annoying you, but

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<v Speaker 1>only from the right side. Well, you know, so much

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<v Speaker 1>as annoying me as just shocked me because I always

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<v Speaker 1>have my headphones in and so yes, you do so

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<v Speaker 1>jamming out in your cube writing. I have a hard

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<v Speaker 1>time figuring out how you jam out and right at

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<v Speaker 1>the same time, I don't know how I would write

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<v Speaker 1>if I didn't jam out. It's the only way to

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<v Speaker 1>do it. Listening to music with words doesn't that to

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<v Speaker 1>strack to you know, I can't listen used to when

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<v Speaker 1>I had a more brainless job and I was doing

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<v Speaker 1>and like pagination for a newspaper, that I could listen

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<v Speaker 1>to the whole podcasts and you know, where their discussions

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<v Speaker 1>and stuff and and you know, and and I can

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<v Speaker 1>do my job, but like here, as long as it's

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<v Speaker 1>not somebody giving me a lecture, you know. Yeah, most

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<v Speaker 1>of the lyrics to the things I listened to aren't

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<v Speaker 1>really that deep anyway. So sometimes we do communicate by email,

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<v Speaker 1>and uh, you you're you throw in an emoticon sometimes

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<v Speaker 1>in there. Yeah, I'll throw it in emoticon just too.

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<v Speaker 1>It's kind of like real writing, in my opinion, shouldn't

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<v Speaker 1>have a lot of exclamation points a streamer. Yeah, but

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<v Speaker 1>sometimes you're doing a short email, you know, it's like

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<v Speaker 1>an exclamation point can make all the difference in in

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<v Speaker 1>the enthusiasm level, you know. Uh. And likewise, if you're

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<v Speaker 1>not too sure about about how your you know, words

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<v Speaker 1>are going to be received by the recent recipient, uh,

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<v Speaker 1>you know, you throw on a little smiley face or

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<v Speaker 1>I don't really use said faces in in work emails,

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<v Speaker 1>but but sometimes there's a little like annoyed one, you know,

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<v Speaker 1>where you do like the you know, the two eyes

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<v Speaker 1>and then kind of like a sideways kind of um,

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<v Speaker 1>you know mouth. But I'm never really sure when to

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<v Speaker 1>throw it in a moticon, to be honest, have I

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<v Speaker 1>ever sent one used on an email to you. Yeah,

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<v Speaker 1>like you were saying earlier, you just you rarely emote anyway,

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<v Speaker 1>basically a robot. But you know it's like as a writer,

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<v Speaker 1>I feel like I can generally say exactly what I

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<v Speaker 1>want to say. The email is a tricky method of communication. Yeah,

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<v Speaker 1>sometimes you gotta shoot him off fast. You don't have

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<v Speaker 1>a lot of time. And it's the same with like text.

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<v Speaker 1>You know, you know you you just you know you.

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<v Speaker 1>You want to convey the message quickly and non starting

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<v Speaker 1>an argument, so you just be like, you know, you're

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<v Speaker 1>just throwing a smiling So tell us a little about

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<v Speaker 1>the history of the emoticon. No, this is this is

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<v Speaker 1>actually pretty interesting. It is. Yeah, we can pinpoint the

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<v Speaker 1>exact moment when emoticon sprang into existence, and that was

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<v Speaker 1>even four am on September nine, And that was thanks

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<v Speaker 1>to you, gentlemen, and Professor Scotty Falman Carnegie Mellon. And

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<v Speaker 1>he was suggesting their use. He was talking about the

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<v Speaker 1>limits of online humor and how you know to really

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<v Speaker 1>get across comments that are meant to be taken lately

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<v Speaker 1>and said, so he said, and I quote, I proposed

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<v Speaker 1>the following character sequence for joke markers. Um, you can't see,

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<v Speaker 1>so I will tell you. It's the the smiley face,

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<v Speaker 1>the colon dash parenthesy and read it sideways. So let

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<v Speaker 1>me read that to you. Aain. I proposed the following

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<v Speaker 1>character sequence for joke markers, and he gave an emoticon

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<v Speaker 1>and then he said, read it sideways. Yeah. Now he

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<v Speaker 1>included the knows I rarely include the notes. Yeah, yeah,

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<v Speaker 1>so I used a simplified version. But this was this

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<v Speaker 1>was early in the emoticon creation process, and it's really

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<v Speaker 1>really skyrocketed since then. As I think everybody knows, there's

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<v Speaker 1>just and there's a huge array of emoticons you can

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<v Speaker 1>whip out in uh in your daily email correspondences aside

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<v Speaker 1>from just smiley frownie brownie. I like how they all

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<v Speaker 1>get the e. Yeah, there's there's a vampire one where

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<v Speaker 1>blood suck your Yeah. I don't know when you would

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<v Speaker 1>use that. And there are different ones in Japan too, right, yeah,

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<v Speaker 1>I mean especially when you have a different well, actually

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<v Speaker 1>I saw a chart where it's like in the Japanese

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<v Speaker 1>emoticons have a tendency to they tend to want to

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<v Speaker 1>make there's more um horizontal instead of vertical. And and

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<v Speaker 1>then also when you get into other languages, you have

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<v Speaker 1>more characters and you can really create crazy emoticons that

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<v Speaker 1>like look like ogre faces and and cats and well

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<v Speaker 1>cats and the cat one you can actually do uh

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<v Speaker 1>with just it's like an equal sign and then ah,

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<v Speaker 1>what's the carrot? Yeah, like a carrot and then a

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<v Speaker 1>dot and then a carrot, then an equal sign. What

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<v Speaker 1>wila you have? Like a have you used that one before?

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<v Speaker 1>Are you pretty psyched to use it? Yeah? I don't

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<v Speaker 1>know when I'm gonna, you know, unless I just start,

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<v Speaker 1>like if after text my wife would be like, did

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<v Speaker 1>you feed the blank? And then I've thrown the mooticon

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<v Speaker 1>for the cat. But that's longer than typing out you know,

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<v Speaker 1>texting cat. Yeah, but we do that all the time.

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<v Speaker 1>It's like around here, Um, you know, when people ride

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<v Speaker 1>how stuff works, at least in the office, they'll put

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<v Speaker 1>HSW because it's shorter on paper. But then you hear

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<v Speaker 1>people saying, yeah, we really need to think about hs

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<v Speaker 1>W and then you're like, that's not shorter. You didn't

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<v Speaker 1>save any syllables and saying hs DEB instead of how

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<v Speaker 1>stuff works. That's true. People should just be rational. Um. So, yeah,

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<v Speaker 1>like we were saying, emoticons are awfully handy when you

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<v Speaker 1>don't have the ability to convey your tone or your feeling.

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<v Speaker 1>And yeah, they help out when our voices can't do

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<v Speaker 1>the same. And uh and and I think one of

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<v Speaker 1>the even more important things, and what we're really going

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<v Speaker 1>to talk about in this podcast, um, is that they

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<v Speaker 1>give they provide you a face during faceless correspondence. You know,

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<v Speaker 1>you can't you can't see my facial expressions when I'm

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<v Speaker 1>emailing you or texting you. Unfortunately, we don't have video

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<v Speaker 1>phones yet. Well, I guess we have had some like

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<v Speaker 1>poorly conceived ones, but they're not widespread by any means.

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<v Speaker 1>They're out there, Yeah, they're out there, but I mean

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<v Speaker 1>it's not like you know, um to Android's dream of

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<v Speaker 1>electric sheep, you know, and they're all calling on the

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<v Speaker 1>video phones. Yeah, I mean, it's not quite dick Tracy yet.

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<v Speaker 1>But but but indeed, yeah, it's not a standard part

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<v Speaker 1>of our Most people do skype quite a bit though. Yeah. Yeah,

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<v Speaker 1>so emoticons are pretty handy, but they really don't compare

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<v Speaker 1>when it comes to the human face and what it

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<v Speaker 1>can convey. Um, I mean think about it. Now, what

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<v Speaker 1>do you I'm trying to look at you and I

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<v Speaker 1>can't really see your mouth, Robert, are you smiling or

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<v Speaker 1>frowning or scowling? What would you describe your facial expression

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<v Speaker 1>right now? Now, now there's a smile because you think

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<v Speaker 1>I'm being stupid. But but yeah, like the very basics,

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<v Speaker 1>the smiles, the frowns of scows. You can look at

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<v Speaker 1>somebody and you instantly have a good idea of what

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<v Speaker 1>they're there. You know, their whole attitude is um. Right.

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<v Speaker 1>So for example, a person who's trying to gain your

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<v Speaker 1>trust may smile um. Someone trying to scare you will

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<v Speaker 1>scowl um. And we use these faces, you know, not

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<v Speaker 1>just to win trust, but you know also influence and hey,

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<v Speaker 1>manipulate others. Yeah, I mean, a nice smile will get

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<v Speaker 1>you pretty far, as they say, you say, I don't

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<v Speaker 1>know if they say it, but everybody knows it. You know.

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<v Speaker 1>It's like, you know, you get pulled over by the police,

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<v Speaker 1>what are you gonna do. You're probably gonna put on

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<v Speaker 1>a smile or maybe you're going to frown. You're really sad,

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<v Speaker 1>you know, cry, Yeah, you could bust out the tears. Yeah,

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<v Speaker 1>emotional manipulation goes a long way, and it's you can

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<v Speaker 1>probably do a lot more. I mean, there's no problem

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<v Speaker 1>about it. You can do a lot more in person

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<v Speaker 1>than you can do with an emoticon. Right. So, according

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<v Speaker 1>to researcher Paul ekman Um, he found that humans share

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<v Speaker 1>at least seven primary facial expressions with identical meetings. Um. So,

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<v Speaker 1>first time we have happiness, and you know, while you're

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<v Speaker 1>listening to this, think about happiness. What are you doing?

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<v Speaker 1>Are you raising, you know, the corners of your lips?

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<v Speaker 1>Are you wrinkling your cheeks a little bit, narrowing your eyelids?

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<v Speaker 1>Are you producing those lovely crow's feet, those wrinkles in

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<v Speaker 1>the corners of your eyes? And then of course we

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<v Speaker 1>move on to sadness. What is that feature? I mean,

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<v Speaker 1>I think we all know it's sadness. Features snarrowed eyes,

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<v Speaker 1>eyebrows brought together, downturn, now pulling up a bunch of

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<v Speaker 1>the chin, all that good stuff. And there's fear, uh

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<v Speaker 1>and the yeah, wide eyes And apparently a fear is

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<v Speaker 1>very similar to surprise. Yes, I believe that. And it

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<v Speaker 1>also has a good flaring of the nostrils involved in fear,

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<v Speaker 1>which I never noticed before so much I noticed in cartoons,

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<v Speaker 1>not really in people. Anger. It's generally a lot of

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<v Speaker 1>eyebrow emotion. Yeah, And there's disgusted, um, you know, no scrunching, right,

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<v Speaker 1>you know, anytime you see somebody smelling something bad, raising

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<v Speaker 1>of the upper lip, downcast eyebrows, narrowed eyes, um, surprised

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<v Speaker 1>like we mentioned, and then contempt contempt of course, and

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<v Speaker 1>that's notable for raising one side of the mouth into

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<v Speaker 1>a sneer or a smirk. Yeah, and a lot of these,

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<v Speaker 1>I mean it's things that we pick up from other people,

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<v Speaker 1>like in a very early stage we we we don't consciously,

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<v Speaker 1>well most of us, unless you like a what a

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<v Speaker 1>sociopath or something, you know, you're not consciously using all

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<v Speaker 1>of these facial expressions. They just come out. They it's

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<v Speaker 1>an expression of what you're feeling inside, right. So, and

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<v Speaker 1>then sometimes we have these things called micro expressions. Um.

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<v Speaker 1>And I think Chuck in Josh did a good podcast

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<v Speaker 1>on micro expressions and there's also an excellent article on

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<v Speaker 1>the side if you guys want to check it out.

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<v Speaker 1>And these are super interesting. These these are these just

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<v Speaker 1>very fleeting expressions that you know occur across your face, uh,

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<v Speaker 1>that you really can't control. And there are a lot

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<v Speaker 1>of times they're like real tells of what you're feeling,

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<v Speaker 1>you know, like you're maybe you're faking that smile or

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<v Speaker 1>that frowned for the police officer. But if the police

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<v Speaker 1>officer was able to tell be able to read your

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<v Speaker 1>micro expressions, then he might be he would be able

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<v Speaker 1>to tell like, oh, well, you're lying about something, or

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<v Speaker 1>you're really nervous about something that's in the trunk. You know,

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<v Speaker 1>well maybe not. There's not a specific micro expression for oh,

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<v Speaker 1>my goodness, there's something there's a body in the trunk.

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<v Speaker 1>But you know what I mean. Yeah, I don't know

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<v Speaker 1>if you heard it. But back when the whole baseball

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<v Speaker 1>scandal was erupting with Rodriguez and McGuire and some of

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<v Speaker 1>those folks, there was a there's a guy who analyzed

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<v Speaker 1>Alex Rodriguez uh an interview in which he was asked

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<v Speaker 1>about whether he took some of these substances. And the

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<v Speaker 1>psychologist or or researcher involved in it analyzed Rodriguez's face

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<v Speaker 1>for micro expressions, and you know, he would stop it. Oh,

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<v Speaker 1>you know, point to that, look what he's doing there. Yeah,

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<v Speaker 1>there's something with the brow as I remember correctly, Um,

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<v Speaker 1>if I remember correctly, as is supposed to be like

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<v Speaker 1>a real telling micro expression of lying. Yeah. So there

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<v Speaker 1>are three thousand of these different expressions according to uh

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<v Speaker 1>Paul Ekman. Yeah, and he's really like the godfather of

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<v Speaker 1>micro express mr micro expression. And these things can be

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<v Speaker 1>pretty brief too, like they're only they may flash across

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<v Speaker 1>your face for a second, all right, I mean they

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<v Speaker 1>occur so fast that they're not even perceived by the

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<v Speaker 1>conscious mind, uh, by either the person expressing them or

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<v Speaker 1>the person observing them. And as few as ten percent

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<v Speaker 1>of the people, yeah, are even aware of seeing micro

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<v Speaker 1>expressions when tested. So it's it's really like below the

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<v Speaker 1>surface of conscious perception, you know. Yeah. So we have

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<v Speaker 1>all these handy expressions and micro expressions as the case,

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<v Speaker 1>maybe to convey how we're feeling about the world, But

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<v Speaker 1>what what about instances when when we can't when we

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<v Speaker 1>can't emote. Yeah, I mean that's again it comes back

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<v Speaker 1>to the emoticons that we throw out during emails. Most

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<v Speaker 1>of the time, that our emails are not really life

0:11:05.880 --> 0:11:08.920
<v Speaker 1>or death, you know. I means sometimes they are, but

0:11:08.920 --> 0:11:11.079
<v Speaker 1>but for the most part, you know, it's critical deadline. Yeah,

0:11:11.080 --> 0:11:13.959
<v Speaker 1>it's critical deadline. Or it's like you forgot to pick

0:11:14.000 --> 0:11:16.520
<v Speaker 1>something up at the grocery, that kind of thing. Um,

0:11:16.520 --> 0:11:19.120
<v Speaker 1>But there is a situation where it is very often

0:11:19.240 --> 0:11:21.640
<v Speaker 1>life and death or there's a huge potential for the

0:11:21.640 --> 0:11:23.680
<v Speaker 1>situation be life and death. And that is when you

0:11:23.679 --> 0:11:26.720
<v Speaker 1>get behind the wheel of an automobile. Right. So driving

0:11:26.840 --> 0:11:28.839
<v Speaker 1>is a communal activity. I mean, we tend to think

0:11:28.840 --> 0:11:31.199
<v Speaker 1>of driving as an individual experience because a lot of

0:11:31.240 --> 0:11:32.800
<v Speaker 1>us are just hopping in the cars and you know,

0:11:32.880 --> 0:11:34.800
<v Speaker 1>driving off to work. Yeah, you're sealed in there with

0:11:34.840 --> 0:11:37.440
<v Speaker 1>your music or what have you, and you're listening to

0:11:37.440 --> 0:11:39.720
<v Speaker 1>his stuff from the Science Lab podcast and really just

0:11:40.480 --> 0:11:44.240
<v Speaker 1>you're into it. But you know, you have other drivers

0:11:44.240 --> 0:11:46.840
<v Speaker 1>on the road, of course, and you can't really easily

0:11:46.880 --> 0:11:49.640
<v Speaker 1>communicate with other folks, you know, next to you. You

0:11:49.679 --> 0:11:52.040
<v Speaker 1>can't say, hey, I just cut you off and I'm

0:11:52.080 --> 0:11:54.360
<v Speaker 1>really sorry about that, or you can't say, hey, you

0:11:54.480 --> 0:11:58.559
<v Speaker 1>just cut me off and what the heck was that? Yeah,

0:11:58.600 --> 0:12:02.199
<v Speaker 1>there's um uh, there's a there's a guy by name

0:12:02.200 --> 0:12:06.960
<v Speaker 1>of Dr Leon James, who we're talking about Mr Face earlier.

0:12:07.000 --> 0:12:10.320
<v Speaker 1>This guy is also sometimes called Doctor Traffic and he

0:12:11.360 --> 0:12:14.480
<v Speaker 1>Dr Traffic, Jonathan Strickland wrote an article about road rage,

0:12:14.800 --> 0:12:16.880
<v Speaker 1>and it was just kind of funny when you consider

0:12:16.880 --> 0:12:19.240
<v Speaker 1>that Strickland doesn't drive, so he wrote the article on

0:12:19.360 --> 0:12:22.040
<v Speaker 1>road race. But I mean, I don't collide Adams or

0:12:22.040 --> 0:12:24.600
<v Speaker 1>anything our particles, you know, so and I wrote about

0:12:24.600 --> 0:12:27.280
<v Speaker 1>that is a good point. That is a good point. Yeah. Yeah,

0:12:27.320 --> 0:12:29.880
<v Speaker 1>we're great writers here, but we don't have to actually

0:12:29.880 --> 0:12:31.760
<v Speaker 1>do the things we write about. But but anyway, in

0:12:31.800 --> 0:12:35.040
<v Speaker 1>the in the article, um Dr James points out several

0:12:35.240 --> 0:12:40.040
<v Speaker 1>um aspects of driving that contribute to rate rising, frustration

0:12:40.080 --> 0:12:43.280
<v Speaker 1>and stress levels that often boil over into royal into

0:12:43.520 --> 0:12:49.280
<v Speaker 1>not roid rage, but road rage um. And these include immobility, constriction,

0:12:49.440 --> 0:12:53.720
<v Speaker 1>lack of controlled Um, we get very territorial. Uh, there's

0:12:53.760 --> 0:12:56.640
<v Speaker 1>denial and loss of objectivity that means we tend to

0:12:56.640 --> 0:13:01.360
<v Speaker 1>overlook our own faults and place the blame on others. Uh. Unpredictability.

0:13:01.480 --> 0:13:03.520
<v Speaker 1>Like a lot of this is when you're I think

0:13:03.800 --> 0:13:06.280
<v Speaker 1>in life in general, we create like a story around

0:13:06.280 --> 0:13:08.600
<v Speaker 1>ourselves where we're the center and everything else is just

0:13:09.320 --> 0:13:13.520
<v Speaker 1>you know, gunk, you know, ecocentrics. Yeah, and you get

0:13:13.520 --> 0:13:15.319
<v Speaker 1>in the car and it's the same deal. It's like

0:13:15.400 --> 0:13:17.600
<v Speaker 1>it's all about like, like, how did that that guy

0:13:17.720 --> 0:13:19.320
<v Speaker 1>was out to cut me off? Yeah, you cut me off?

0:13:19.320 --> 0:13:22.120
<v Speaker 1>Why is this light not cooperating with me? Come on bus?

0:13:22.960 --> 0:13:24.679
<v Speaker 1>You know it's like that's that's that's how we get.

0:13:24.720 --> 0:13:28.880
<v Speaker 1>But then another interesting um, the fact that James points

0:13:28.880 --> 0:13:33.640
<v Speaker 1>out is ambiguity. Um, there's no culturally agreed upon way

0:13:33.679 --> 0:13:36.680
<v Speaker 1>to signal an apology to another driver. I mean, there's

0:13:36.679 --> 0:13:38.920
<v Speaker 1>the whole like thanks, you know, for letting me out

0:13:39.040 --> 0:13:40.840
<v Speaker 1>while I was trying to take a you know, a

0:13:40.880 --> 0:13:43.280
<v Speaker 1>right or left. But but beyond that, it's easy to

0:13:43.320 --> 0:13:47.319
<v Speaker 1>misinterpret someone's actions as a sign of aggression or insult. Okay,

0:13:47.360 --> 0:13:49.560
<v Speaker 1>let's pause for a second, because I think that there

0:13:49.559 --> 0:13:52.240
<v Speaker 1>are a couple of ways out there that people do

0:13:52.320 --> 0:13:55.080
<v Speaker 1>communicate and okay, let's hear him. Okay, So first we

0:13:55.120 --> 0:13:57.400
<v Speaker 1>have the wave like you were just talking about, and

0:13:57.440 --> 0:13:59.640
<v Speaker 1>the wave is hey, thanks you just let me in.

0:13:59.679 --> 0:14:01.960
<v Speaker 1>And I've apreciate that. I look for the wave after

0:14:02.000 --> 0:14:04.480
<v Speaker 1>I let somebody in, because you expect the way because

0:14:04.480 --> 0:14:06.360
<v Speaker 1>you're gonna be mad if they don't. Right, You're like,

0:14:06.679 --> 0:14:08.640
<v Speaker 1>do do you get do you get? Like? Like I

0:14:08.760 --> 0:14:10.800
<v Speaker 1>just like, yeah, buddy, I'm gonna be late and you

0:14:10.840 --> 0:14:14.839
<v Speaker 1>didn't even wave to me. No, no, I would never

0:14:14.880 --> 0:14:16.640
<v Speaker 1>do that. And then you, of course there's a horn.

0:14:16.720 --> 0:14:18.640
<v Speaker 1>But as you're pointing out earlier when we're talking about

0:14:18.640 --> 0:14:21.440
<v Speaker 1>this podcast, um, you know a lot of polaces have

0:14:21.600 --> 0:14:23.920
<v Speaker 1>cracked down on using your horn. You can't blare it.

0:14:23.960 --> 0:14:27.240
<v Speaker 1>People don't really like all that noise pollution. Um, but yeah,

0:14:27.240 --> 0:14:29.160
<v Speaker 1>sure you can. You can use the horn. There's the

0:14:29.280 --> 0:14:31.280
<v Speaker 1>light tap. If say you're sitting at a light and

0:14:31.320 --> 0:14:33.400
<v Speaker 1>the person in front of you hasn't gone, you kind

0:14:33.400 --> 0:14:35.400
<v Speaker 1>of give the light tap. But but I have to

0:14:35.440 --> 0:14:37.920
<v Speaker 1>admit I think I've been in situations where the person

0:14:38.000 --> 0:14:41.320
<v Speaker 1>has honked back at me after I honked for them. Well,

0:14:41.360 --> 0:14:44.920
<v Speaker 1>it depends on the honked And I also i've done that,

0:14:45.040 --> 0:14:47.880
<v Speaker 1>like I've honked back at somebody. Why I don't know,

0:14:48.120 --> 0:14:50.880
<v Speaker 1>because when we're behind the wheel, we're different creatures, you know,

0:14:50.960 --> 0:14:52.680
<v Speaker 1>and we're like more prone to anger. And I'm there

0:14:52.760 --> 0:14:54.360
<v Speaker 1>was like one I forget what I was doing. Maybe

0:14:54.360 --> 0:14:57.680
<v Speaker 1>I was tweeting or something. I don't know, but it's

0:14:57.680 --> 0:14:59.440
<v Speaker 1>a legal Robbert, Well now it is. But this is

0:14:59.480 --> 0:15:02.480
<v Speaker 1>a different um. Back in the days when you could

0:15:02.520 --> 0:15:05.160
<v Speaker 1>months ago, well I know I was at it stopped,

0:15:05.640 --> 0:15:07.600
<v Speaker 1>you know, I mean, yeah, I was at a light

0:15:07.600 --> 0:15:09.320
<v Speaker 1>and suddenly it turned green and I didn't know that,

0:15:09.520 --> 0:15:11.120
<v Speaker 1>you know, did it turned. The dude behind me gave

0:15:11.160 --> 0:15:13.400
<v Speaker 1>me a little hog and this like like anger rose

0:15:13.440 --> 0:15:14.800
<v Speaker 1>and I'm like, what are you honking at me for?

0:15:14.920 --> 0:15:16.320
<v Speaker 1>And then I honked back and then I was like, wait,

0:15:16.320 --> 0:15:20.040
<v Speaker 1>the guy would totally correct to honk at me. Um,

0:15:20.080 --> 0:15:21.680
<v Speaker 1>I would like I would like to also put a

0:15:21.720 --> 0:15:24.240
<v Speaker 1>signal out there, UM, the hold up the hands to

0:15:24.320 --> 0:15:27.520
<v Speaker 1>acknowledge fault or blame. Sometimes I will do this if

0:15:27.560 --> 0:15:30.080
<v Speaker 1>I have you know, if I've done something like oh shoot,

0:15:30.080 --> 0:15:31.520
<v Speaker 1>I should not have done that, so you know, I

0:15:31.640 --> 0:15:34.720
<v Speaker 1>hold up my hands. Yeah. Well I used I used

0:15:34.760 --> 0:15:38.800
<v Speaker 1>to be more um yeah, expressive in my irritation to

0:15:38.840 --> 0:15:42.440
<v Speaker 1>other drivers, but I I finally have just settled on

0:15:42.520 --> 0:15:45.000
<v Speaker 1>just shaking my head from side to side and like disappointment.

0:15:46.160 --> 0:15:48.880
<v Speaker 1>And it works two ways. A it's very subtle, and

0:15:49.240 --> 0:15:53.200
<v Speaker 1>it allows me to to let some of the you know,

0:15:53.280 --> 0:15:55.840
<v Speaker 1>the anger out in a very calm manner. And also

0:15:55.960 --> 0:15:57.880
<v Speaker 1>other drivers aren't going to see it and attack me.

0:15:58.480 --> 0:16:01.360
<v Speaker 1>Because once I had that happened, I was I was

0:16:01.400 --> 0:16:03.600
<v Speaker 1>on the way to like a job interview, and we

0:16:03.600 --> 0:16:06.000
<v Speaker 1>were it was like raining, and we're like stuck in traffic, right,

0:16:06.200 --> 0:16:10.640
<v Speaker 1>and there's like some like annoying trucker behind me. Why

0:16:10.640 --> 0:16:12.440
<v Speaker 1>would you mess with the trucker. I wasn't messing with

0:16:12.480 --> 0:16:14.560
<v Speaker 1>the trucker. It was just kind of like like he

0:16:14.640 --> 0:16:17.640
<v Speaker 1>was like really writing my tail. Like no, it was

0:16:17.640 --> 0:16:20.880
<v Speaker 1>the heat, I know, because he got so irritated, and

0:16:20.880 --> 0:16:22.600
<v Speaker 1>I think I like throw my hands up or something,

0:16:22.640 --> 0:16:24.600
<v Speaker 1>you know, uh, you know, but I mean I'm in

0:16:24.600 --> 0:16:26.800
<v Speaker 1>the car in front of him, right, and then he

0:16:26.960 --> 0:16:29.520
<v Speaker 1>like loses it, gets out of his vehicle and like

0:16:29.600 --> 0:16:32.640
<v Speaker 1>walks up beside my car and and like it it's

0:16:32.680 --> 0:16:35.560
<v Speaker 1>like like you know, just jetting wildly, like he wants

0:16:35.600 --> 0:16:37.360
<v Speaker 1>me to get out and like fight him in traffic

0:16:37.440 --> 0:16:39.960
<v Speaker 1>or something. But the weird thing was it's like I

0:16:39.960 --> 0:16:41.960
<v Speaker 1>I look up at him right and make eye contact

0:16:42.040 --> 0:16:44.240
<v Speaker 1>with him, and I imagine the look on my face

0:16:44.320 --> 0:16:47.120
<v Speaker 1>was kind of like what what's going on? There's like,

0:16:47.280 --> 0:16:49.240
<v Speaker 1>you know, I'm just kind of completely shocked. So he

0:16:49.320 --> 0:16:51.200
<v Speaker 1>like he makes eye contact with me, and it's like

0:16:51.280 --> 0:16:54.360
<v Speaker 1>he instantly like calms down and goes back to his car.

0:16:54.520 --> 0:16:56.520
<v Speaker 1>And it's this is not like a Jedi mind trick

0:16:56.600 --> 0:16:58.920
<v Speaker 1>thing with me. Either. It's like he made eye contact

0:16:58.920 --> 0:17:02.240
<v Speaker 1>with me, he saw my face, you know, and and

0:17:02.240 --> 0:17:04.639
<v Speaker 1>then everything was human again. Okay, that's really interesting you

0:17:04.640 --> 0:17:06.440
<v Speaker 1>say that because I'm sorry, guys, we are talking a

0:17:06.440 --> 0:17:08.480
<v Speaker 1>little bit about road rage, but you are welcome to

0:17:08.480 --> 0:17:10.439
<v Speaker 1>share your road rage stories with us, and now I

0:17:10.440 --> 0:17:13.639
<v Speaker 1>want to share one of my own. Um, similar thing happened.

0:17:14.640 --> 0:17:16.119
<v Speaker 1>I was driving home. I used to have a long

0:17:16.160 --> 0:17:19.080
<v Speaker 1>commute from from a different job, and there's a particular

0:17:19.160 --> 0:17:22.239
<v Speaker 1>intersection and a gentleman just kind of you know, all

0:17:22.240 --> 0:17:23.760
<v Speaker 1>of a sudden crossed in front of me. It was

0:17:23.800 --> 0:17:27.720
<v Speaker 1>really tight, and um, I gave him a long loud horn.

0:17:28.320 --> 0:17:30.400
<v Speaker 1>I should not have done that. I do not suggest

0:17:30.440 --> 0:17:32.520
<v Speaker 1>that I'm not proud of myself for giving the long

0:17:32.560 --> 0:17:35.840
<v Speaker 1>loud horn, but I did. And he stopped the car,

0:17:36.280 --> 0:17:39.639
<v Speaker 1>and he got out of his Mercedes convertible and he

0:17:39.760 --> 0:17:42.359
<v Speaker 1>came toward me in my little eccount of box, and

0:17:42.480 --> 0:17:44.480
<v Speaker 1>I rolled up the window and unlocked the doors and

0:17:44.560 --> 0:17:47.200
<v Speaker 1>just stared straight ahead. There was no eye contact. I

0:17:47.200 --> 0:17:48.919
<v Speaker 1>would not look at him because I was afraid of

0:17:48.960 --> 0:17:51.840
<v Speaker 1>provoking him with eye contact. So that's interesting that you

0:17:51.880 --> 0:17:53.760
<v Speaker 1>said it, I wouldn't look at him, but yours kind

0:17:53.760 --> 0:17:55.639
<v Speaker 1>of abated based on that. Well, I have seen some

0:17:55.680 --> 0:17:59.520
<v Speaker 1>reports to some studies that to to talk about like

0:17:59.720 --> 0:18:03.080
<v Speaker 1>icon tach Um not doing any good after a certain

0:18:03.080 --> 0:18:05.600
<v Speaker 1>point if everybody is still angry, because it's because then

0:18:06.040 --> 0:18:08.080
<v Speaker 1>you know, it's like you have angry drivers, and then

0:18:08.080 --> 0:18:10.560
<v Speaker 1>if they're like only the only it's like that you

0:18:10.600 --> 0:18:13.040
<v Speaker 1>just compound, you compound what they're feeling, and you confirm

0:18:13.080 --> 0:18:15.320
<v Speaker 1>any kind of negative feelings if you like make finally

0:18:15.359 --> 0:18:17.080
<v Speaker 1>make eye contact with the other person and they're like

0:18:17.119 --> 0:18:19.520
<v Speaker 1>scowling at you, because then it's just like you know,

0:18:19.560 --> 0:18:22.320
<v Speaker 1>you're thinking, oh, these drivers are monsters. You know what's

0:18:22.359 --> 0:18:24.760
<v Speaker 1>with Atlanta's drivers? Then you make eye contact with them

0:18:24.760 --> 0:18:26.560
<v Speaker 1>and you're like, look, I was totally right. Look how

0:18:26.600 --> 0:18:29.680
<v Speaker 1>angry they are? Right right? Okay, So all of these

0:18:29.760 --> 0:18:31.680
<v Speaker 1>road rage stories, what are you gonna do? What's the

0:18:31.760 --> 0:18:34.520
<v Speaker 1>driver to do? How are you going to emote? Clearly

0:18:34.640 --> 0:18:37.480
<v Speaker 1>to throw up the hands has multiple meanings. People aren't

0:18:37.480 --> 0:18:39.600
<v Speaker 1>always so psyched about the light tap on the horn,

0:18:40.040 --> 0:18:44.399
<v Speaker 1>and not everybody can drive a convertible, right, So there

0:18:44.440 --> 0:18:48.520
<v Speaker 1>have been some efforts to bridges communication gap among drivers. Um,

0:18:48.760 --> 0:18:52.120
<v Speaker 1>let's talk about one called the Vehicle Signaling System. Yeah.

0:18:52.160 --> 0:18:54.280
<v Speaker 1>This was like a patent I believe, Yeah, and I

0:18:54.359 --> 0:18:56.960
<v Speaker 1>was by some guys named Jerry E. Beasley and E.

0:18:57.119 --> 0:19:01.280
<v Speaker 1>Scott Geller. And this particular to allow drivers to display

0:19:01.280 --> 0:19:04.480
<v Speaker 1>a message like sorry to other drivers. According to the

0:19:04.520 --> 0:19:07.840
<v Speaker 1>patent quote, the messages associated with the use of the

0:19:07.880 --> 0:19:11.520
<v Speaker 1>communication system are selected for enhancement of safety and to

0:19:11.640 --> 0:19:15.400
<v Speaker 1>avert the negative responses associated with read rich cool sounds

0:19:15.440 --> 0:19:17.560
<v Speaker 1>like a good thing. Don't think it ever quite took off.

0:19:17.760 --> 0:19:20.760
<v Speaker 1>Between like two thousand one and two thousand five, Japanese

0:19:20.760 --> 0:19:23.720
<v Speaker 1>engineers working with Toyota took a shot at it. Along

0:19:23.760 --> 0:19:28.479
<v Speaker 1>similar lines. They had this project called the pod and

0:19:28.480 --> 0:19:31.200
<v Speaker 1>and it's really I mean, it really sounds overly ambitious,

0:19:31.200 --> 0:19:33.320
<v Speaker 1>but it's but which is probably one of the reasons

0:19:33.359 --> 0:19:35.879
<v Speaker 1>you don't see these this technology out on the roads today.

0:19:35.920 --> 0:19:39.639
<v Speaker 1>But they basically said, let's make a car where that

0:19:39.760 --> 0:19:44.320
<v Speaker 1>you have sensors that will read, um, the emotions of

0:19:44.359 --> 0:19:48.040
<v Speaker 1>the driver and convey them through the car like the

0:19:48.160 --> 0:19:51.240
<v Speaker 1>car would emote, which instantly brings to mind like images

0:19:51.280 --> 0:19:53.560
<v Speaker 1>of like Thomas the tank engine or something you know.

0:19:53.880 --> 0:19:57.840
<v Speaker 1>But and it's not completely unlike that. Uh. It would

0:19:57.880 --> 0:20:00.960
<v Speaker 1>feature like headlights that would fade for bright too dole

0:20:01.359 --> 0:20:06.360
<v Speaker 1>to indicate anger or contentment. Eyebrows formed by lighted slits

0:20:06.440 --> 0:20:10.399
<v Speaker 1>along the car's bonnet that would be able to illuminate

0:20:10.440 --> 0:20:13.719
<v Speaker 1>to form a frown. So you would have a vehicle

0:20:13.840 --> 0:20:16.320
<v Speaker 1>that that's frowning on you. Are you picturing? Am I

0:20:16.359 --> 0:20:19.600
<v Speaker 1>the only one picturing Herbie? Did Herbie have a face?

0:20:19.880 --> 0:20:22.320
<v Speaker 1>I don't know. Herbie kind of has a face. Her

0:20:22.640 --> 0:20:26.359
<v Speaker 1>being in a little VW Bug in the movies, I

0:20:26.440 --> 0:20:29.479
<v Speaker 1>felt like you could emote. Maybe you just had more

0:20:29.480 --> 0:20:32.680
<v Speaker 1>of a connection with that film than I did. But

0:20:32.680 --> 0:20:35.320
<v Speaker 1>but yeah, it's basically the you know, the vehicle would

0:20:35.520 --> 0:20:39.119
<v Speaker 1>um would would emote for the the the driver. And

0:20:39.400 --> 0:20:41.200
<v Speaker 1>at the time I think they were they were saying

0:20:41.240 --> 0:20:44.480
<v Speaker 1>that the technology was still like ten or fifteen years

0:20:44.520 --> 0:20:47.520
<v Speaker 1>off or more, um, you know, before we would actually

0:20:47.520 --> 0:20:50.159
<v Speaker 1>be able to see this. Uh, And of course we

0:20:50.160 --> 0:20:52.560
<v Speaker 1>haven't seen it. So my complaint with that would be,

0:20:52.600 --> 0:20:55.920
<v Speaker 1>I would I like to selectively emote? Yeah, I don't

0:20:56.000 --> 0:20:59.320
<v Speaker 1>like to emote every feeling or thought or sweaty palm

0:20:59.359 --> 0:21:02.159
<v Speaker 1>that I'm feeling. Right well, yeah, And it's like if

0:21:02.160 --> 0:21:04.480
<v Speaker 1>you're driving, if you're angry and you're driving like you

0:21:04.520 --> 0:21:08.320
<v Speaker 1>don't want to again, you it seems unhealthy for everybody

0:21:08.320 --> 0:21:10.320
<v Speaker 1>on the road to know that you're an angry driver.

0:21:10.840 --> 0:21:12.199
<v Speaker 1>And it seems like when you if you, if you

0:21:12.200 --> 0:21:15.159
<v Speaker 1>were to, you know, to roll out this technology, you know,

0:21:15.240 --> 0:21:17.720
<v Speaker 1>say give it to everybody in Atlanta. I think you'd

0:21:17.760 --> 0:21:20.320
<v Speaker 1>have like two types of drivers. You'd have like angry

0:21:20.440 --> 0:21:22.880
<v Speaker 1>drivers and then the drivers that are jamming out listening

0:21:22.920 --> 0:21:26.879
<v Speaker 1>to music. You know, so because I and I actually

0:21:26.920 --> 0:21:29.040
<v Speaker 1>I saw another study that pointed out that like we're

0:21:29.119 --> 0:21:33.000
<v Speaker 1>kind of like reard at this point to drive angry

0:21:33.000 --> 0:21:35.600
<v Speaker 1>and have road rage. You know, we what do you

0:21:35.640 --> 0:21:38.040
<v Speaker 1>mean because we have all this stuff to entertain us

0:21:38.040 --> 0:21:39.919
<v Speaker 1>in the car or you know what we're it's like

0:21:39.920 --> 0:21:41.840
<v Speaker 1>all the reasons we're talking about before about being shut off.

0:21:41.840 --> 0:21:43.760
<v Speaker 1>But also like a lot of us grow up with

0:21:43.760 --> 0:21:47.080
<v Speaker 1>with parents that are that are like, you know, your

0:21:47.119 --> 0:21:49.920
<v Speaker 1>mom's driving the car, and she's probably talking about the traffic,

0:21:50.080 --> 0:21:52.159
<v Speaker 1>you know, and complaining about the traffic and creating that

0:21:52.200 --> 0:21:55.399
<v Speaker 1>little story in which her and her driving experience are

0:21:55.440 --> 0:21:58.679
<v Speaker 1>the center of everything. Like a lot of people do.

0:21:58.720 --> 0:22:01.000
<v Speaker 1>The the whole chatter while they're driving. I mean, have

0:22:01.080 --> 0:22:02.960
<v Speaker 1>you ever been in a vehicle driving nobody else in

0:22:03.000 --> 0:22:05.240
<v Speaker 1>the vehicle with you and you're you're talking, like you're

0:22:05.280 --> 0:22:10.000
<v Speaker 1>commenting on the on the traffic a little bit. Okay,

0:22:10.000 --> 0:22:11.879
<v Speaker 1>well do you talk to yourself in the car? Are

0:22:11.920 --> 0:22:13.600
<v Speaker 1>you trying to get I didn't think about it, muntil

0:22:13.640 --> 0:22:15.840
<v Speaker 1>I I saw it mentioned in one of these these studies,

0:22:16.320 --> 0:22:18.119
<v Speaker 1>and they were like saying that people, that's one of

0:22:18.160 --> 0:22:20.840
<v Speaker 1>the signs so that the driver, most drivers seemed to

0:22:21.000 --> 0:22:23.520
<v Speaker 1>um to put out there. So they they chatter and

0:22:23.560 --> 0:22:25.520
<v Speaker 1>they're like they're like, oh, what are you doing, buddy?

0:22:25.680 --> 0:22:27.119
<v Speaker 1>You know you kind of talk to the other cars.

0:22:28.320 --> 0:22:30.840
<v Speaker 1>You know, what are you doing? Guy? You totally cut

0:22:30.840 --> 0:22:32.359
<v Speaker 1>me off there. It's like, oh, I guess you're not

0:22:32.359 --> 0:22:34.120
<v Speaker 1>gonna make that like great, we all missed the lot,

0:22:34.160 --> 0:22:37.760
<v Speaker 1>you know, things like that, um which occasionally, like if

0:22:37.760 --> 0:22:40.080
<v Speaker 1>you've ever like done like me, I think it was

0:22:40.160 --> 0:22:45.760
<v Speaker 1>like a month ago my phone I pocket called my sister. Well,

0:22:46.080 --> 0:22:47.480
<v Speaker 1>if I guess, if you put your phone in your

0:22:47.520 --> 0:22:49.640
<v Speaker 1>back pockets, a butt call more like a hip call

0:22:49.760 --> 0:22:52.040
<v Speaker 1>for me, I guess. But but yeah, so I called

0:22:52.040 --> 0:22:53.960
<v Speaker 1>her and I was just driving, so she got to

0:22:53.960 --> 0:22:56.760
<v Speaker 1>listen to my my traffic chatter for like the length

0:22:56.840 --> 0:23:01.080
<v Speaker 1>of the message. You know, so so, and there isn't

0:23:01.160 --> 0:23:04.120
<v Speaker 1>a new gadget called the drive Motion and why don't

0:23:04.160 --> 0:23:06.000
<v Speaker 1>you take us to this one because you're a little

0:23:06.000 --> 0:23:08.000
<v Speaker 1>bit more familiar with Yeah, and this is It took

0:23:08.000 --> 0:23:10.320
<v Speaker 1>me a want to figure out how to pronounce the

0:23:10.400 --> 0:23:14.280
<v Speaker 1>name of the product, because it's drive Emotion, but with

0:23:14.359 --> 0:23:18.320
<v Speaker 1>one word. And instead of instead of doing the double ease,

0:23:18.359 --> 0:23:20.400
<v Speaker 1>they share any So it's d R I V E

0:23:20.600 --> 0:23:23.560
<v Speaker 1>M O c I O n UM. And this you're

0:23:23.560 --> 0:23:26.119
<v Speaker 1>talking about, you want to selectively emote when you're driving,

0:23:26.320 --> 0:23:27.960
<v Speaker 1>and you don't want certainly you don't want like a

0:23:28.000 --> 0:23:31.440
<v Speaker 1>supercomputer picking up on all your micro expressions and like

0:23:31.600 --> 0:23:33.679
<v Speaker 1>letting everybody know that you're pretending to be happy but

0:23:33.720 --> 0:23:35.720
<v Speaker 1>you're really frightened of the world. You know, that would

0:23:35.720 --> 0:23:39.240
<v Speaker 1>be that would suck. But now this is basically a

0:23:39.320 --> 0:23:42.679
<v Speaker 1>device that like sticks on the back of your your

0:23:42.720 --> 0:23:46.280
<v Speaker 1>back windshield, you know, um, and it lights up and

0:23:46.320 --> 0:23:49.199
<v Speaker 1>it has like five different things that can do. It

0:23:49.240 --> 0:23:51.600
<v Speaker 1>can make a happy face, It can make a winky

0:23:51.680 --> 0:23:55.080
<v Speaker 1>face or I don't know what you'd call it a face,

0:23:55.400 --> 0:23:58.680
<v Speaker 1>a smiley face, that's winking. Um, is that maybe if

0:23:58.680 --> 0:24:02.520
<v Speaker 1>you find the driver next to kind of cute I guess, yeah,

0:24:02.760 --> 0:24:04.720
<v Speaker 1>or that was kind of a cheeky move, Yeah, some

0:24:04.800 --> 0:24:07.800
<v Speaker 1>sort of traffic flirting or something. I don't know. And

0:24:07.840 --> 0:24:10.920
<v Speaker 1>then there's like the words back off, the words thanks,

0:24:10.920 --> 0:24:15.200
<v Speaker 1>and the word sorry. So you know, very limited in

0:24:15.440 --> 0:24:17.480
<v Speaker 1>what you can convey, but you have to wonder. It's

0:24:17.480 --> 0:24:20.160
<v Speaker 1>like maybe this is enough to sort of make some difference,

0:24:20.200 --> 0:24:24.200
<v Speaker 1>you know, to bring some humanity back into onto the roads. Right,

0:24:24.240 --> 0:24:26.960
<v Speaker 1>So as long as we have instances of road rage

0:24:26.960 --> 0:24:29.679
<v Speaker 1>and people you know, doing kind of terrible things to

0:24:29.720 --> 0:24:33.080
<v Speaker 1>each other in traffic, maybe these emoticons in the car

0:24:33.200 --> 0:24:36.760
<v Speaker 1>aren't such a bad thing. Yeah, maybe they should be standard.

0:24:36.760 --> 0:24:40.000
<v Speaker 1>Really yeah, I mean if you look at Dr Leon James,

0:24:40.000 --> 0:24:42.040
<v Speaker 1>he was saying that fifty six percent of the men

0:24:42.200 --> 0:24:45.440
<v Speaker 1>surveyed said the experience rage on a daily basis vers

0:24:46.400 --> 0:24:48.960
<v Speaker 1>of the women. So either sex a lot of rage

0:24:48.960 --> 0:24:51.520
<v Speaker 1>going on, and and rage has been I mean, not

0:24:51.520 --> 0:24:54.000
<v Speaker 1>not necessarily rage, but like anger is one of the

0:24:54.200 --> 0:24:58.720
<v Speaker 1>is frequently um um connected to traffic accidents and just

0:24:58.760 --> 0:25:02.239
<v Speaker 1>general lack of stay down the roads. So right, so

0:25:02.440 --> 0:25:04.320
<v Speaker 1>we'd love to hear from you, And what we would

0:25:04.400 --> 0:25:06.800
<v Speaker 1>love to hear on this is do you guys have

0:25:06.840 --> 0:25:10.280
<v Speaker 1>any sort of signs that you give to other drivers

0:25:10.320 --> 0:25:12.119
<v Speaker 1>and and we don't want to hear no, make them

0:25:12.119 --> 0:25:15.200
<v Speaker 1>all nice and g rated. Thank you very much. Um,

0:25:15.280 --> 0:25:17.400
<v Speaker 1>you know do you have Yeah, because all the obscene

0:25:17.400 --> 0:25:20.720
<v Speaker 1>ones are pretty obvious. There's only so many variations that

0:25:20.760 --> 0:25:22.200
<v Speaker 1>you can not roll with on that. But how do

0:25:22.280 --> 0:25:25.240
<v Speaker 1>you convey other emotions? Yeah? And how do you feel

0:25:25.240 --> 0:25:27.520
<v Speaker 1>about emoticon Send us an email at science stuff at

0:25:27.560 --> 0:25:30.000
<v Speaker 1>has stuff works dot com or connected with us on

0:25:30.040 --> 0:25:32.720
<v Speaker 1>Facebook or stuff from the Science Lab or on Twitter

0:25:32.920 --> 0:25:35.840
<v Speaker 1>or lab stuff Yeah, Wolf actually, or at least I

0:25:35.880 --> 0:25:40.000
<v Speaker 1>will use emoticons on lap stuff and are in our

0:25:40.080 --> 0:25:45.679
<v Speaker 1>Facebook account, Allison never That's all they got. Thanks for listening.

0:25:53.480 --> 0:25:55.920
<v Speaker 1>For more on this and thousands of other topics. Is

0:25:55.960 --> 0:25:59.439
<v Speaker 1>it how stuff works dot com. Want more how stuff works,

0:25:59.720 --> 0:26:01.880
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0:26:01.920 --> 0:26:09.000
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