WEBVTT - Mini Crush #102

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, welcome to Mini Crush Monday. I'm here with

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<v Speaker 1>Mr Nol, Mr Ramsey, Chuck. You know what the scariest

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<v Speaker 1>thing in the world is to me? Um baby clowns.

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<v Speaker 1>You know, it's not far off um misshapen Disney characters

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<v Speaker 1>that are drawn incorrectly, or costumes that are designed, there's

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<v Speaker 1>something that where they're just off enough that it gives

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<v Speaker 1>you this really just sickening, kind of weird, unnatural few line,

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<v Speaker 1>you know what I mean. I have no idea where

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<v Speaker 1>do you see misshapen? Here's here's a good example. Um,

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<v Speaker 1>there's a daycare on my street clearly has unsanctioned Disney

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<v Speaker 1>characters drawn all over it, and it just has like,

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<v Speaker 1>I'm gonna use uncanny valley. That's not the right term,

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<v Speaker 1>but it's got to this sort of like unnatural quality

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<v Speaker 1>to And it goes to show that you may think

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<v Speaker 1>these character designs are simple, but there's a real magic

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<v Speaker 1>to getting them just right sure being being drawn correctly correctly. Yeah, yeah,

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<v Speaker 1>that's my starting thought for the day. So we got

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<v Speaker 1>a lot to catch up on. Nol. We just um

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<v Speaker 1>in Los Angeles, for the podcast Awards, and after having

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<v Speaker 1>been it was it was fun. It was very fun.

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<v Speaker 1>You know, it was fine. I was sort of like,

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<v Speaker 1>you know, award ceremonies. But I think the key, which

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<v Speaker 1>is what they did is keeping it to an hour,

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<v Speaker 1>right on the nose and in moving. They kept it moving.

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<v Speaker 1>Will Ferrell kicked off the show. There were some laughs.

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<v Speaker 1>He I'm sure he got in a car about seventeen

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<v Speaker 1>seconds after he left the stage and left and his

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<v Speaker 1>full denim regalia counting uh. Contan showed up to accept

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<v Speaker 1>his award. He walked in five minutes before got his word,

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<v Speaker 1>and I think he was probably in his car. Quite

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<v Speaker 1>tall man. Seventeen seconds later, my old buddy Matt Gorley

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<v Speaker 1>was on stage with him as his producer, which was wonderful.

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<v Speaker 1>Jean Claude van Dam was there. How weird was that?

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<v Speaker 1>That was? Uh? The highlights the podcast? He needs one,

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<v Speaker 1>my man. He doesn't everyone get a podcast? Now? The

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<v Speaker 1>Ageless wonder too. He looked exactly the same. We were

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<v Speaker 1>in line together, right were we We were sort of interesting, yeah,

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<v Speaker 1>but he was like right there, like he was right

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<v Speaker 1>in front of us in line. We I did the

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<v Speaker 1>red carpet thing, with my stuff that it wants you

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<v Speaker 1>to know, uh cohorts, for the first time I've ever

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<v Speaker 1>done that, and right behind Jean Claude van dam Yeah.

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<v Speaker 1>I mean he looked like he could still leap up

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<v Speaker 1>and kick us in the face without even like breaking

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<v Speaker 1>a sweat. My kid was with me, as you know,

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<v Speaker 1>it was my my plus one, and I had to

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<v Speaker 1>I thought I was freaking out on the lines, he said,

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<v Speaker 1>Jean Claude van down. Of course, She's like, who then?

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<v Speaker 1>Is that? Understandably? But I showed her the training montage

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<v Speaker 1>video from Kickboxer the next day and she was like, oh,

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<v Speaker 1>that's who that was. I still don't know him, but great.

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<v Speaker 1>She thought it was fun, nothing like a good montage

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<v Speaker 1>from those types of movies from from the eighties. And well,

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<v Speaker 1>here's my secret. I don't think I ever saw John

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<v Speaker 1>Claude van damn movie that was not my jam not

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<v Speaker 1>even Double Impact, not even best of the best. Was

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<v Speaker 1>he in it? I don't know the Kickboxer too? What

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<v Speaker 1>do you got time Cop? Time Cop had to have

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<v Speaker 1>seen time that can't be stopped? Was that the tagline?

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<v Speaker 1>Is that? Why is that because he because he can

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<v Speaker 1>control time? I guess he doesn't really control time though.

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<v Speaker 1>If I'm not mistaken, Ramsey, what's the deal with that movie?

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<v Speaker 1>What's the conceit? Um? Aren't there multiple time? He's not

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<v Speaker 1>the only time cop. He is a time cop. He's

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<v Speaker 1>like displaced in time. There's something about the same matter

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<v Speaker 1>cannot touch, Like you can't go back into the future

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<v Speaker 1>and touch yourself because hey, hey, hey, it's like it

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<v Speaker 1>no future masturbating, got it? Interesting? Time writer? Now that

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<v Speaker 1>was the movie Time Writer two? Uh? With what's his face? From?

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<v Speaker 1>Fred Ward? Fred Willard? Fred Ward? Who's fred Ward? Fred Ward?

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<v Speaker 1>Come on, nol You ever seen Tremors? Yeah, well then

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<v Speaker 1>you've seen fred Ward. Which one is he in Tremors? Uh?

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<v Speaker 1>He was the main guy along with the Bacon. Tremors

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<v Speaker 1>are the one with the worms like the underground desert monsters.

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<v Speaker 1>Fred Ward? You know fred Ward Classic? He was in Shortcuts.

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<v Speaker 1>Oh yeah, big square jawed, the player looking guy. Yeah,

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<v Speaker 1>of course, yeah, he's good. I like him, Time Writer.

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<v Speaker 1>Check it out, Time Writer. Um, it was really fun though, Chuck.

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<v Speaker 1>You You and I and and some other colleagues Alex

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<v Speaker 1>and uh gosh, Jerry of course shared a car on

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<v Speaker 1>the way back, and you kind of gave us the tour.

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<v Speaker 1>It was a lot of fun. The l A studio tour,

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<v Speaker 1>l A studio to or which you know, and that

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<v Speaker 1>you pay good money for those, and you really gave

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<v Speaker 1>us the full experience. Yeah, the Warner lot and some

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<v Speaker 1>of your experiences working on pictures there Universal Studios. And

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<v Speaker 1>then I did something I don't do. I ghosted you

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<v Speaker 1>guys so hard, with good reason. We went to a

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<v Speaker 1>bar afterwards, everyone in Hollywood, and I walked in and

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<v Speaker 1>it smelled like, uh, it smelled like there had been

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<v Speaker 1>a sewage burst at some point that was in the carpet. Still,

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<v Speaker 1>it smells like shit, like literal ship. I thought it

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<v Speaker 1>was more of a vomb kind of smell. Really personally,

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<v Speaker 1>that was something going on. Man. I walked in and

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<v Speaker 1>I almost vomb it was. I went to the bathroom.

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<v Speaker 1>I saw Matt Frederick and I was like, dude, I

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<v Speaker 1>don't think I can stay in here. Um. And I

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<v Speaker 1>went outside to get some air and realized I need

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<v Speaker 1>to go home. I completely I I I relayed your

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<v Speaker 1>your condolence. How long did you guys stay there in

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<v Speaker 1>the voluntary um? You know, uh, full disclosure. I actually

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<v Speaker 1>left my kid in the hotel room and went down there.

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<v Speaker 1>She was just done around the corner and went down

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<v Speaker 1>there to hang out with you know, some of the

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<v Speaker 1>folks that were in from from out of town. Um.

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<v Speaker 1>I did a moratorium one night moratorium in my dry

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<v Speaker 1>January to have a couple of tiky drinks with the

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<v Speaker 1>with the with the gang. So he stayed for a bit.

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<v Speaker 1>I stayed for a literally one my time. I don't

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<v Speaker 1>how you can stand that some of those other folks

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<v Speaker 1>didn't notice. I was gown away. I'm gonna be having fun.

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<v Speaker 1>I was like, does no one smells? And then people

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<v Speaker 1>kept showing up. Lauren showed up, Holly showed up. You know,

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<v Speaker 1>Holly's got a discerning sense of smell. I was really surprised.

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<v Speaker 1>Maybe I think it's something you just kind of accept

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<v Speaker 1>and then you moved past it. You were not able

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<v Speaker 1>to do that. Um. Yeah, I had a great l

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<v Speaker 1>a experience, especially with my kid. Was our first time

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<v Speaker 1>we hiked up to Griffith Park Observatory. She hated every

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<v Speaker 1>step of the way until we got there, because it's

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<v Speaker 1>that's a pretty serious hike. You know, you can drive

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<v Speaker 1>that too, but it's to me, it's all about the

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<v Speaker 1>hike because they earn it when you get there, and

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<v Speaker 1>it's such a beautiful spot. That is one of my

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<v Speaker 1>favorite places in Los Angeles as I just love it

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<v Speaker 1>in the building, the architecture. See that from my the

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<v Speaker 1>window of my apartment. I could see from my kitchen

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<v Speaker 1>window that beautiful Hollywood signed in the observatory, so lovely.

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<v Speaker 1>We did the whole thing. We did the planetarium show,

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<v Speaker 1>super old school, the rotating orb thing. You know, it

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<v Speaker 1>was just great. They've got seated up a little bit,

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<v Speaker 1>but it still feels very old school um U. Then

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<v Speaker 1>I went to San Francisco for Sketch Fest. Uh stuff

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<v Speaker 1>you should know. Live was great. Movie Crush Live was

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<v Speaker 1>interesting and fun. Did not record it, by the way,

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<v Speaker 1>so uh, you're never gonna get to hear it everyone.

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<v Speaker 1>That is for the thirty six people that were in

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<v Speaker 1>that room, well those are a lucky and select few.

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<v Speaker 1>It was very loose and kind of goofy and fun.

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<v Speaker 1>But I ended up bringing a lot of my friends

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<v Speaker 1>on stage. I had been an Adam from Friendly Fire

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<v Speaker 1>and the Greatest gin Um. I had my friends How

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<v Speaker 1>Lublin and Mark Agliardi from We Got This with Mark

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<v Speaker 1>and How and my buddy Ben Acker and you know,

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<v Speaker 1>I was just texting all my buddies over there, said hey,

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<v Speaker 1>don't you just come and joined the pan. All well,

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<v Speaker 1>it sounds like a good time. It was a good time. Uh.

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<v Speaker 1>And then I went back to l A yesterday and

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<v Speaker 1>had my Scott Ackerman meeting an interview and he uh,

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<v Speaker 1>that was almost the Noel Helm scream it was. That

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<v Speaker 1>was sort of a internal screen, so that will have

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<v Speaker 1>already been out. I think I think that's coming out

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<v Speaker 1>actually this week. But um boy, just class act. It

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<v Speaker 1>was right up there with Ben Sinclair of High Maintenance

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<v Speaker 1>is like my personal high water marks for interviews. You know,

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<v Speaker 1>you don't get to sit down with your hero as much.

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<v Speaker 1>And I was a nervous I can't I bet, I

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<v Speaker 1>can't wait to hear it. I mean, I'm a huge,

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<v Speaker 1>huge fan from way back in the Mr. Show days.

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<v Speaker 1>He was a good guy man and just a sweet sweetheart.

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<v Speaker 1>And like you know, we were supposed to meet a

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<v Speaker 1>record from three to four, and our original meeting went

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<v Speaker 1>till about three fifteen, and we recorded to like five thirty,

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<v Speaker 1>and then he sat in there and just chitch at

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<v Speaker 1>it for another fifteen minutes after recorded and I was like, man,

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<v Speaker 1>thank you for your time, and he's like, that's a holiday. Yeah,

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<v Speaker 1>I got nothing going on, right, I said, well, thank

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<v Speaker 1>you for that too. But it was just so exciting

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<v Speaker 1>and he was so um prepared for the apartment and

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<v Speaker 1>to talk about that, like he had watched the night

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<v Speaker 1>before and read up on his Billy Wilder book. And

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<v Speaker 1>you know when guests take it seriously like that, it

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<v Speaker 1>makes a big deaf, you know. So he's the best.

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<v Speaker 1>I hope we're new pals. Yeah, well, you know, hook

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<v Speaker 1>me up, Chuck, take me to lunch with you guys.

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<v Speaker 1>I'm not going to press it, but I want to

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<v Speaker 1>be a pal. And then after that, I went to

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<v Speaker 1>It was kind of one of the great l A days.

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<v Speaker 1>I went to a wine bar, my favorite wine bar bar,

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<v Speaker 1>Covell and Let's feelis where you Sean will take care

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<v Speaker 1>of you. There, really good wine and it was flooded

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<v Speaker 1>with famous people. Jason man Zukas is over there. I

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<v Speaker 1>want to go talk to him because he almost came

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<v Speaker 1>on the show, like we had emailed about him coming on,

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<v Speaker 1>but he couldn't do it. Paul Shear has been on.

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<v Speaker 1>He was on a date. I was just waiting on

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<v Speaker 1>her to get up and go to the bathroom before

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<v Speaker 1>I went and talked. That finally happened. I went and

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<v Speaker 1>said hi to him. He was nice enough for some

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<v Speaker 1>random guy approaching him in a bar that says like, oh,

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<v Speaker 1>you're almost on my show and blah blah blah. Um.

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<v Speaker 1>He was fine. He was nice. He was in a

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<v Speaker 1>jerk or anything, but there was no love connection. That's fair,

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<v Speaker 1>that's fair. Kate Brillant was in there, the comedian who

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<v Speaker 1>uh had a very big role in the Tarantino film recently.

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<v Speaker 1>She played, I mean not a big part in the film,

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<v Speaker 1>but a big deal for her to get in that film. Um,

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<v Speaker 1>she was the ticket take her the movie theater when

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<v Speaker 1>um to see her own film. Actually watched that for

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<v Speaker 1>the second time on the plane back from my l

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<v Speaker 1>a week, which was really fun because there's so many

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<v Speaker 1>like you know, of the like Hollywood landmarks. That was

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<v Speaker 1>But yeah, Kate Brillant was in there. And then I

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<v Speaker 1>look around and guess who the funk walks by? Paul Shore? Guys,

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<v Speaker 1>what man Louise where in a head bandanna like it's seven?

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<v Speaker 1>Does that? Does he? Yeah? I think so? All right?

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<v Speaker 1>Well he did? He did that night, and he was

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<v Speaker 1>the Weise and it did not talk to him. No, No,

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<v Speaker 1>I wouldn't you know. He sort of has like a

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<v Speaker 1>natural sort of perimeter orb of like kind of you

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<v Speaker 1>know what I mean, you get too close? Yeah, every everyone.

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<v Speaker 1>I was doing this in real time on the Facebook

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<v Speaker 1>page and people are like, go get Pauly Shore on

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<v Speaker 1>the movie Crush. I was like, you can't really do that.

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<v Speaker 1>I don't know what else is he up to these days?

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<v Speaker 1>Did he made like a really bad horror movie that

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<v Speaker 1>looked really It's not like he's too busy, but you

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<v Speaker 1>know how it is like, Hey, you go to podcast,

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<v Speaker 1>you want to be on it? Like, you know, I

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<v Speaker 1>bet he doesn't even know what a podcast is. Shaw,

0:11:43.920 --> 0:11:47.400
<v Speaker 1>I'm just teaching. Uh. And then I went to dinner,

0:11:48.320 --> 0:11:51.000
<v Speaker 1>had a very nice, quiet dinner with Ben Harrison of

0:11:51.080 --> 0:11:55.280
<v Speaker 1>Friendly Fire and his lovely wife Rachel and where you go?

0:11:55.440 --> 0:11:58.200
<v Speaker 1>It was just great. We went to, uh, I mean,

0:11:58.240 --> 0:12:01.199
<v Speaker 1>I guess we plug in restaurants. Know. I always like

0:12:01.280 --> 0:12:02.840
<v Speaker 1>to know for my next trip where I should go.

0:12:03.640 --> 0:12:04.920
<v Speaker 1>Let me see what the name of this place. It

0:12:04.960 --> 0:12:07.960
<v Speaker 1>was called All Something, All Time and Let's Feels and

0:12:07.960 --> 0:12:11.120
<v Speaker 1>it was delicious and boy, we put a hurting on

0:12:11.160 --> 0:12:19.880
<v Speaker 1>the old Immigrant Express card American American. I went to

0:12:20.200 --> 0:12:24.680
<v Speaker 1>um the Magic Castle with like, yeah, how that pretty exciting. Um.

0:12:24.720 --> 0:12:27.800
<v Speaker 1>It was great. It was everything you'd expect from a

0:12:27.800 --> 0:12:31.360
<v Speaker 1>place called the Magic Castle. Had a wonderful time. We

0:12:31.400 --> 0:12:32.920
<v Speaker 1>went to brunch and then we went to like all

0:12:32.960 --> 0:12:36.280
<v Speaker 1>three shows. They do like a kind of a medium

0:12:36.720 --> 0:12:39.040
<v Speaker 1>up close magic show and room with maybe like around

0:12:39.040 --> 0:12:42.160
<v Speaker 1>thirty seats. I've been in there and that was really great.

0:12:42.160 --> 0:12:44.839
<v Speaker 1>That was maybe my favorite because the guy like levitated

0:12:44.880 --> 0:12:47.360
<v Speaker 1>a small table and then brought a kid up on say,

0:12:47.400 --> 0:12:49.360
<v Speaker 1>they really focus on the kids on Sunday because it's

0:12:49.360 --> 0:12:51.320
<v Speaker 1>the only day the kids are allowed at all, and

0:12:51.400 --> 0:12:53.679
<v Speaker 1>so they always reserve the first two rows for kids.

0:12:53.840 --> 0:12:56.319
<v Speaker 1>So they tend to include the kids pretty regularly and

0:12:56.360 --> 0:12:58.600
<v Speaker 1>every show, you know, I never noticed the two times

0:12:58.600 --> 0:13:00.600
<v Speaker 1>I went there were no kids. There's no kids allowed

0:13:00.800 --> 0:13:03.959
<v Speaker 1>any other time Sunday brunch. UM. So he had this

0:13:04.040 --> 0:13:05.760
<v Speaker 1>table with like a purple table cloth on, and he

0:13:05.800 --> 0:13:07.560
<v Speaker 1>put he held onto the edges of the table cloth

0:13:07.760 --> 0:13:09.880
<v Speaker 1>and just started kind of dancing with the table and

0:13:09.920 --> 0:13:11.640
<v Speaker 1>it was floating around. I was, I was, I mean,

0:13:11.679 --> 0:13:14.800
<v Speaker 1>it sounds silly, but I was almost moved to tears

0:13:14.920 --> 0:13:17.880
<v Speaker 1>By how badass it was, because I'm like, this is

0:13:17.920 --> 0:13:20.360
<v Speaker 1>not a prepared space. It was very much like an impromptu,

0:13:20.440 --> 0:13:22.640
<v Speaker 1>just kind of chart parlor. There's no wires. He was

0:13:22.679 --> 0:13:24.360
<v Speaker 1>moving his hands all around. I'm like, I don't know

0:13:24.400 --> 0:13:26.800
<v Speaker 1>how this works. I don't understand that. And I love that.

0:13:27.000 --> 0:13:29.880
<v Speaker 1>Moved to tears By Magic. Tears By Magic, that's your

0:13:30.240 --> 0:13:33.319
<v Speaker 1>autobiography now. And my kid had to kind of sit

0:13:33.360 --> 0:13:35.240
<v Speaker 1>separate because she got the front row and me and

0:13:35.600 --> 0:13:38.280
<v Speaker 1>my buddy who was with we're in the back row.

0:13:38.400 --> 0:13:40.080
<v Speaker 1>And he was the same way. He would be the

0:13:40.080 --> 0:13:42.880
<v Speaker 1>same like wide eyed wonder about the whole thing. And

0:13:43.160 --> 0:13:45.400
<v Speaker 1>it made me very happy and that was cool. And

0:13:45.440 --> 0:13:47.440
<v Speaker 1>then like he brought this little girl up and he

0:13:47.520 --> 0:13:49.240
<v Speaker 1>got hurt to do it. And she could do the

0:13:49.440 --> 0:13:51.440
<v Speaker 1>you know, she could levet take the table. She had

0:13:51.480 --> 0:13:53.880
<v Speaker 1>the gift. It's just I don't know how again, no

0:13:54.040 --> 0:13:57.160
<v Speaker 1>no idea how this ship works. But that's love that. Yeah,

0:13:57.160 --> 0:13:58.920
<v Speaker 1>she had the gifts. He gave it to her. He

0:13:58.920 --> 0:14:01.760
<v Speaker 1>sprinkled magic to stun her um and and then and

0:14:01.880 --> 0:14:03.560
<v Speaker 1>gave her the power. And then there was like a

0:14:03.600 --> 0:14:06.360
<v Speaker 1>super small parlor magic room where it's like maybe like

0:14:06.600 --> 0:14:09.880
<v Speaker 1>ten people. And this this twenty one year old kid

0:14:10.559 --> 0:14:13.960
<v Speaker 1>named um Kevin something who's been on the Penn and

0:14:14.000 --> 0:14:16.120
<v Speaker 1>Teller Um. It's called fool Me, I think it's what

0:14:16.120 --> 0:14:18.800
<v Speaker 1>it's called, where they have magicians present tricks to them

0:14:18.800 --> 0:14:21.400
<v Speaker 1>and they try to figure out what the trick is. Yeah,

0:14:21.440 --> 0:14:24.520
<v Speaker 1>I know that guy Kevin Magic Hands. Is that him? Yeah,

0:14:24.760 --> 0:14:27.640
<v Speaker 1>that's exactly right. But he's been on the show twice apparently,

0:14:27.680 --> 0:14:30.840
<v Speaker 1>and that's rare for them to bring somebody back a second,

0:14:30.880 --> 0:14:33.880
<v Speaker 1>and he fooled them both times. He did this one

0:14:33.920 --> 0:14:36.280
<v Speaker 1>trick where he gets the kids to pull a card

0:14:36.280 --> 0:14:37.800
<v Speaker 1>out of the deck and he shows them the card

0:14:37.800 --> 0:14:39.920
<v Speaker 1>and shows whoever they want to show the card he puts,

0:14:39.960 --> 0:14:41.560
<v Speaker 1>puts it back in the deck, and then he you know,

0:14:41.680 --> 0:14:43.720
<v Speaker 1>first first time he pulls it, just pulls it. Here's

0:14:43.760 --> 0:14:46.160
<v Speaker 1>your card, Yes, that's my card. Second time, the kid

0:14:46.240 --> 0:14:47.880
<v Speaker 1>kind of doesn't remember that which card it was. You

0:14:47.880 --> 0:14:50.240
<v Speaker 1>remembers the suit but not the number, and so he

0:14:50.320 --> 0:14:53.280
<v Speaker 1>pulls a card and it's the right suit but the

0:14:53.320 --> 0:14:56.000
<v Speaker 1>wrong number, and then he kind of shakes the card

0:14:56.040 --> 0:14:59.840
<v Speaker 1>and you literally see the cards move around on the

0:15:00.000 --> 0:15:04.920
<v Speaker 1>hard in the numbers like morph into the right number. Yeah,

0:15:04.920 --> 0:15:07.080
<v Speaker 1>but it's like, what is this the tiniest LCD screen?

0:15:07.080 --> 0:15:08.840
<v Speaker 1>I mean, ever, I guess it is, but it's man,

0:15:08.880 --> 0:15:10.800
<v Speaker 1>it was cool. Well I'll tell you what it's not.

0:15:11.160 --> 0:15:13.760
<v Speaker 1>Is real. Are you sure, Chuck? Are you sure? Because

0:15:13.800 --> 0:15:16.320
<v Speaker 1>I was pretty convinced. I'm not a synic. I love magic,

0:15:16.360 --> 0:15:18.320
<v Speaker 1>but it's yeah, it's always I know that, you know,

0:15:18.360 --> 0:15:20.880
<v Speaker 1>I know. But that's what they call suspension of disbelief.

0:15:20.920 --> 0:15:24.400
<v Speaker 1>It's like the movies makes it more fun. Yeah, exactly,

0:15:24.480 --> 0:15:27.360
<v Speaker 1>Kevin Magic hands, Kevin Magic Hands. Hat's off to you, sir,

0:15:27.920 --> 0:15:32.720
<v Speaker 1>hands off? All right, Noel, Did I cover everything here? So?

0:15:33.720 --> 0:15:37.080
<v Speaker 1>I think so? Manzukas caper Lamp probably sure, dinner all

0:15:37.120 --> 0:15:38.840
<v Speaker 1>My kid got to meet her favorite pop star in

0:15:38.840 --> 0:15:41.120
<v Speaker 1>the whole entire world, Billie Eilish. That's wonderful. There was

0:15:41.160 --> 0:15:43.160
<v Speaker 1>a we got a meet and greet at this concert

0:15:43.560 --> 0:15:47.080
<v Speaker 1>and she was moved to tears like I was for Magic.

0:15:47.200 --> 0:15:50.920
<v Speaker 1>That is super sweet, really great picture together, and um,

0:15:50.960 --> 0:15:53.560
<v Speaker 1>it was a really proud moment for me because she

0:15:53.920 --> 0:15:56.480
<v Speaker 1>handled it so beautifully and it was very meaningful for

0:15:56.520 --> 0:15:59.560
<v Speaker 1>her and I got to hook it up and then

0:15:59.600 --> 0:16:02.520
<v Speaker 1>we got to see her before that was really good show.

0:16:02.600 --> 0:16:06.200
<v Speaker 1>It was great. Really, I haven't heard anything, but not

0:16:06.320 --> 0:16:16.240
<v Speaker 1>to check it out, all right, nol Uh. We got

0:16:16.240 --> 0:16:18.960
<v Speaker 1>to wake up this morning to some sad news. The

0:16:19.000 --> 0:16:21.840
<v Speaker 1>great Terry Jones passed away. What I didn't know that

0:16:21.960 --> 0:16:26.520
<v Speaker 1>Monty Python, founder, director of my favorite Monty Python film,

0:16:26.560 --> 0:16:29.760
<v Speaker 1>The Life of Brian very sad form of dementia, died

0:16:29.800 --> 0:16:32.640
<v Speaker 1>at seventy seven, and so I just put a little

0:16:32.760 --> 0:16:35.320
<v Speaker 1>memorial post up and thought I'd read some of these

0:16:35.360 --> 0:16:39.120
<v Speaker 1>comments and dedicate the show to him. Dennis Michael Avery

0:16:39.160 --> 0:16:42.880
<v Speaker 1>says it's impossible to overstate the impact Terry Jones had

0:16:42.880 --> 0:16:45.960
<v Speaker 1>on me growing up. Of rarely laughed harder than watching

0:16:46.440 --> 0:16:49.200
<v Speaker 1>and re enacting Monty Python moments as a ten year old.

0:16:49.240 --> 0:16:51.040
<v Speaker 1>He taught me that you can use your brain to

0:16:51.160 --> 0:16:53.640
<v Speaker 1>cheer people up, that life is never too dark for

0:16:53.680 --> 0:16:57.480
<v Speaker 1>a cheerful moment of shared irreverence, rest his soul. Wow,

0:16:58.080 --> 0:17:01.840
<v Speaker 1>what's your favorite Monty Python movie? Well, as I just said, life,

0:17:02.200 --> 0:17:05.480
<v Speaker 1>that's your favorite entirely really not just partially? Well, I

0:17:05.520 --> 0:17:08.919
<v Speaker 1>mean one, Okay, give me your top three then uh

0:17:09.080 --> 0:17:14.119
<v Speaker 1>it would go Life of Brian, Holy grail. Um, I

0:17:14.200 --> 0:17:18.040
<v Speaker 1>don't know. I mean those are kind of the two

0:17:18.080 --> 0:17:19.960
<v Speaker 1>for me. What about Meaning of Life? The Meaning of

0:17:20.000 --> 0:17:22.000
<v Speaker 1>Life was okay. I always really liked that. I think

0:17:22.000 --> 0:17:24.040
<v Speaker 1>it was the age that I saw it. It has

0:17:24.080 --> 0:17:26.560
<v Speaker 1>a lot more kind of gross out humor in it

0:17:26.600 --> 0:17:28.439
<v Speaker 1>than I think most of their other stuff does, so

0:17:28.520 --> 0:17:30.880
<v Speaker 1>that grabbed me. It was fine. I didn't love it.

0:17:31.200 --> 0:17:34.160
<v Speaker 1>I definitely loved um Life of Brian, though it took

0:17:34.200 --> 0:17:36.720
<v Speaker 1>a while for me to get Life of Brian. It's

0:17:36.720 --> 0:17:39.600
<v Speaker 1>a movie for a bit of an older a movie

0:17:39.640 --> 0:17:42.320
<v Speaker 1>for year old. I discovered Monty Python like most people

0:17:42.359 --> 0:17:45.199
<v Speaker 1>did through you know, The Holy Grail. That one was

0:17:45.320 --> 0:17:47.399
<v Speaker 1>just enough of a mix of like high brow and

0:17:47.440 --> 0:17:49.720
<v Speaker 1>low brow humor that I think he grabbed me and

0:17:49.760 --> 0:17:52.639
<v Speaker 1>I was totally sold. Um. Then I discovered The Flying

0:17:52.680 --> 0:17:55.920
<v Speaker 1>Circus the TV show and love that. Life of Brian

0:17:55.920 --> 0:17:58.960
<v Speaker 1>I didn't really fully love until maybe a couple of years. Yeah.

0:17:58.960 --> 0:18:01.680
<v Speaker 1>I mean, you've got to get religious satire as an

0:18:01.680 --> 0:18:03.920
<v Speaker 1>older person a little more, but you also get things

0:18:03.920 --> 0:18:09.760
<v Speaker 1>like The Biggest dickth that's uh good stuff. Kent Campus

0:18:09.760 --> 0:18:13.520
<v Speaker 1>says impossible to overstate the impact they have my comedy

0:18:13.520 --> 0:18:16.679
<v Speaker 1>and more broadly, our culture on comedy. Not in my

0:18:16.760 --> 0:18:19.920
<v Speaker 1>comedy Flying Circus in Holy Grail or Touchstones for folks

0:18:19.920 --> 0:18:22.760
<v Speaker 1>of a certain age, could be used as measuring rods

0:18:23.320 --> 0:18:27.280
<v Speaker 1>of one's companion ability. Interesting a miserable way to go

0:18:27.359 --> 0:18:30.560
<v Speaker 1>for a brilliant comedian and storyteller. Be free. Yeah yeah,

0:18:30.600 --> 0:18:35.040
<v Speaker 1>I mean Flying Circus is up there beyond like a

0:18:35.119 --> 0:18:38.280
<v Speaker 1>third movie pick. That's what I would throw the Yeah. No,

0:18:38.359 --> 0:18:41.760
<v Speaker 1>it's fantastic, especially, I mean it's just the whole synthesis

0:18:41.760 --> 0:18:43.560
<v Speaker 1>of all of it, the way it all comes together,

0:18:43.720 --> 0:18:46.320
<v Speaker 1>like it's it's the template for stuff like a Mr.

0:18:46.400 --> 0:18:50.800
<v Speaker 1>Show or for like, you know, really heavy second kids

0:18:49.920 --> 0:18:53.199
<v Speaker 1>in the psychedelic word thing. Well, but it's got all

0:18:53.240 --> 0:18:56.520
<v Speaker 1>those crazy animations and Terry Gillian stuff with the transitions,

0:18:56.560 --> 0:18:58.840
<v Speaker 1>and it's just like it's set the tone for so

0:18:58.960 --> 0:19:03.480
<v Speaker 1>much weird comedy. I love it totally. Hannah Bussouri says

0:19:03.520 --> 0:19:05.679
<v Speaker 1>so sad to hear this. I love the Flying Circus

0:19:05.720 --> 0:19:08.199
<v Speaker 1>in the movies they made R I P. Terry Always

0:19:08.240 --> 0:19:11.520
<v Speaker 1>Look on the Bright Side of Death. And now for

0:19:11.640 --> 0:19:14.960
<v Speaker 1>something completely different, Ramsey, what's your favorite money byth that movie?

0:19:15.000 --> 0:19:17.240
<v Speaker 1>You into those? Oh yeah, I mean we watched The

0:19:17.880 --> 0:19:20.520
<v Speaker 1>Holy Grail a lot when we were kids. We watched

0:19:20.520 --> 0:19:22.879
<v Speaker 1>that one a lot too. You know. I think what

0:19:22.920 --> 0:19:24.880
<v Speaker 1>you said is like it takes a you know, life

0:19:24.880 --> 0:19:27.359
<v Speaker 1>of Brian you get when you get older you kind

0:19:27.359 --> 0:19:29.320
<v Speaker 1>of appreciate that a little bit differently than you do

0:19:29.800 --> 0:19:33.040
<v Speaker 1>because I mean, you have nights and in the Holy Grail,

0:19:33.080 --> 0:19:36.200
<v Speaker 1>I mean, what's not gonna like that? It was much

0:19:36.200 --> 0:19:39.240
<v Speaker 1>more made for not made for children. But you know, yeah,

0:19:39.280 --> 0:19:43.359
<v Speaker 1>I mean I always considered like Fish called Wanda and

0:19:43.359 --> 0:19:46.199
<v Speaker 1>and a lot of Terry Gilliam movies part of the

0:19:46.240 --> 0:19:49.760
<v Speaker 1>whole camp. But yeah, me too. But I I really

0:19:49.760 --> 0:19:51.879
<v Speaker 1>did enjoy The Holy Grail. I mean that's where really

0:19:51.920 --> 0:19:54.400
<v Speaker 1>where my love for those guys came from. But I'm

0:19:54.600 --> 0:19:57.520
<v Speaker 1>sure I love both of them. I mean, he isn't

0:19:57.560 --> 0:20:01.199
<v Speaker 1>able to quote Holy Grail almost by heart. I have

0:20:01.280 --> 0:20:04.200
<v Speaker 1>a really distinct memory from when my kid was little. Um,

0:20:04.240 --> 0:20:06.600
<v Speaker 1>not not too too long ago, but like she's eleven now,

0:20:06.600 --> 0:20:09.200
<v Speaker 1>I guess she was probably like maybe maybe eight. Um.

0:20:09.320 --> 0:20:12.400
<v Speaker 1>We were at dinner, a family dinner, and I thought

0:20:12.400 --> 0:20:14.520
<v Speaker 1>it was really she'd get a kick out of the

0:20:14.560 --> 0:20:17.320
<v Speaker 1>scene from Holy Crow where the rabbit um bites the

0:20:17.320 --> 0:20:19.440
<v Speaker 1>guy's head off, you know, the little rabbit and then

0:20:19.440 --> 0:20:22.119
<v Speaker 1>his head falls off. It freaked her out and she

0:20:22.160 --> 0:20:24.840
<v Speaker 1>started crying at this dinner table and I looked like

0:20:24.880 --> 0:20:27.320
<v Speaker 1>a real monster, which is funny because it's so like

0:20:27.520 --> 0:20:31.120
<v Speaker 1>unbelievably and to her again recently and she was like,

0:20:31.200 --> 0:20:33.240
<v Speaker 1>what was wrong with me? You know, because that's the

0:20:33.240 --> 0:20:36.199
<v Speaker 1>whole point. All of the violence is so cartoonist that

0:20:36.280 --> 0:20:39.639
<v Speaker 1>it's not disturbing or upsetting at all. You know, like

0:20:39.680 --> 0:20:42.200
<v Speaker 1>when the Night the Black Night gets his arms and

0:20:42.280 --> 0:20:45.320
<v Speaker 1>legs and stuff cut off, it's not like disturbing. It's

0:20:45.400 --> 0:20:48.760
<v Speaker 1>just dumb and funny and light and wonderful. And I

0:20:48.800 --> 0:20:51.480
<v Speaker 1>think one of my favorite moments. I mean, every time

0:20:51.480 --> 0:20:54.120
<v Speaker 1>you watch that movie still, like another part jumps out.

0:20:54.160 --> 0:20:57.240
<v Speaker 1>It's kind of like watching spinal tap um in that

0:20:57.280 --> 0:21:01.240
<v Speaker 1>scene where he is being uh, you know, slimmed one

0:21:01.280 --> 0:21:04.320
<v Speaker 1>by one. It's he's down to just the one leg

0:21:04.359 --> 0:21:07.480
<v Speaker 1>and he's hopping there and the swing and there's that

0:21:07.600 --> 0:21:10.280
<v Speaker 1>cut away for a second and you just hear the

0:21:10.320 --> 0:21:13.080
<v Speaker 1>thud and then it cuts back and he's of course

0:21:13.160 --> 0:21:17.879
<v Speaker 1>just playing it on the ground. Yeah, so good. What

0:21:17.880 --> 0:21:22.960
<v Speaker 1>do you say? Sellen carl Center, old friend says, my

0:21:23.000 --> 0:21:27.040
<v Speaker 1>favorite python brilliant storyteller, director and author I recommend everyone

0:21:27.080 --> 0:21:30.040
<v Speaker 1>watch Eric the Viking. Oh did he direct that? I

0:21:30.080 --> 0:21:32.159
<v Speaker 1>bet he did. I'm not sure if I knew that?

0:21:32.240 --> 0:21:34.800
<v Speaker 1>What is that? What era is that? Uh? I mean,

0:21:34.880 --> 0:21:36.639
<v Speaker 1>I don't think it was a Monty Python film. I

0:21:36.680 --> 0:21:41.600
<v Speaker 1>think it was Tim Robbins and the late eighties maybe

0:21:41.600 --> 0:21:44.600
<v Speaker 1>early nineties, I want to say late eighties Terry Jones

0:21:44.680 --> 0:21:50.600
<v Speaker 1>written and directed. That's great, really good to know. Though,

0:21:50.640 --> 0:21:52.800
<v Speaker 1>there's a fresh one for me to check out, because

0:21:52.840 --> 0:21:54.720
<v Speaker 1>I have not even heard of this fresh out of

0:21:54.720 --> 0:22:00.359
<v Speaker 1>the oven from exactly Randy Rodriguez says, dementia all forms

0:22:00.480 --> 0:22:04.879
<v Speaker 1>is a nightmare diagnosis, very sad and painful. It was

0:22:04.920 --> 0:22:08.359
<v Speaker 1>almost a relief when my wife's grandmother died because she

0:22:08.480 --> 0:22:11.240
<v Speaker 1>was no longer suffering. And that's what's so sad about

0:22:11.240 --> 0:22:15.280
<v Speaker 1>this disease. As a person afflicted sometimes is inconsolable, and

0:22:15.320 --> 0:22:18.400
<v Speaker 1>you could not find relief from it. Loved the movies

0:22:19.000 --> 0:22:22.119
<v Speaker 1>and hopefully he can rest peacefully now. Indeed, it's a

0:22:22.160 --> 0:22:26.520
<v Speaker 1>bad way to go, folks. Um Noah Cornick just has

0:22:26.520 --> 0:22:30.160
<v Speaker 1>a quote, someday all of this will be yours. What

0:22:30.240 --> 0:22:34.439
<v Speaker 1>the curtains when they're motioning through the window out of

0:22:34.440 --> 0:22:39.080
<v Speaker 1>the castle, great, great, big tracts, a huge trucks of land.

0:22:39.840 --> 0:22:43.080
<v Speaker 1>Zack Pointer rest in peace. Thanks for the laughs. And

0:22:43.240 --> 0:22:45.200
<v Speaker 1>we'll finish up with Scott Field. The scene in Life

0:22:45.200 --> 0:22:48.000
<v Speaker 1>of Brian when the Wise Men stop at the Cohen

0:22:48.080 --> 0:22:51.240
<v Speaker 1>House and still one of my favorite scenes from any

0:22:51.440 --> 0:22:53.440
<v Speaker 1>is still one of my favorites from any scene ever.

0:22:53.880 --> 0:22:59.920
<v Speaker 1>R I P. Mandy Cohen. All right, good stuff, very sad.

0:23:07.520 --> 0:23:09.280
<v Speaker 1>So now we're gonna finish up with a couple of

0:23:10.200 --> 0:23:15.280
<v Speaker 1>uh recommendations for me for stream this. And you guys,

0:23:15.560 --> 0:23:18.399
<v Speaker 1>if you've been watching something on the plane, you know,

0:23:18.760 --> 0:23:22.440
<v Speaker 1>get those cross country flights. Flew to Seattle, then down

0:23:22.440 --> 0:23:24.400
<v Speaker 1>to l A, then back up to San Francisco, then

0:23:24.400 --> 0:23:26.200
<v Speaker 1>back down to l A, then back home to Atlanta.

0:23:26.480 --> 0:23:29.760
<v Speaker 1>So I had plenty of watching opportunities, and I watched

0:23:29.760 --> 0:23:35.280
<v Speaker 1>a couple of great documentaries, one called Framing John DeLorean, uh,

0:23:35.320 --> 0:23:38.040
<v Speaker 1>which is which is a weird sort of documentary and

0:23:38.040 --> 0:23:42.119
<v Speaker 1>that it's part documentary, part recreation with Alec Baldwin as

0:23:42.200 --> 0:23:46.360
<v Speaker 1>John de Lorean, but then behind the scenes of shooting

0:23:46.400 --> 0:23:49.160
<v Speaker 1>the recreations, like Alec Baldwin in the makeup chair talking

0:23:49.160 --> 0:23:52.480
<v Speaker 1>about De Lorian and stuff. But it manages to work Um,

0:23:52.520 --> 0:23:55.919
<v Speaker 1>it's a incredibly compelling story this guy's life, and I

0:23:56.000 --> 0:23:57.800
<v Speaker 1>know a touch of it, Like I know he did

0:23:57.840 --> 0:24:00.520
<v Speaker 1>something weird and shady, right or well, I mean he

0:24:00.520 --> 0:24:03.040
<v Speaker 1>invented the DeLorean, and which of course from Back to

0:24:03.040 --> 0:24:07.000
<v Speaker 1>the Future. That's very ironically that movie came out after

0:24:07.119 --> 0:24:09.639
<v Speaker 1>the Doloran car had crashed and burned, so it's a

0:24:09.640 --> 0:24:13.000
<v Speaker 1>little late. Uh. And then he was involved in a

0:24:13.000 --> 0:24:16.800
<v Speaker 1>cocaine deal, um to try and raise money to help

0:24:16.800 --> 0:24:21.439
<v Speaker 1>his struggling car company. Was acquitted. Um. He lived like

0:24:21.560 --> 0:24:23.560
<v Speaker 1>one township away from me in New Jersey where I lived.

0:24:23.560 --> 0:24:27.920
<v Speaker 1>He lived in Bedminster. Um. But really just it's got

0:24:27.960 --> 0:24:31.360
<v Speaker 1>it all. It's got cars and ladies and and drugs

0:24:31.400 --> 0:24:33.119
<v Speaker 1>and the c I A and d e A and

0:24:33.200 --> 0:24:37.600
<v Speaker 1>FBI and uh, you know South American drug lords and

0:24:38.000 --> 0:24:41.800
<v Speaker 1>really really compelling story, very cool, and a movie I

0:24:41.800 --> 0:24:45.960
<v Speaker 1>watched yesterday another documentary that I cannot recommend enough called

0:24:45.960 --> 0:24:49.879
<v Speaker 1>General Magic, and it is about the company General Magic

0:24:49.960 --> 0:24:52.200
<v Speaker 1>that was spun out of Apple in the late eighties

0:24:53.040 --> 0:24:59.440
<v Speaker 1>and they essentially designed the first smartphone in nine. Um,

0:25:00.080 --> 0:25:06.919
<v Speaker 1>it was just too soon. Brilliant people, brilliant concept. But

0:25:07.040 --> 0:25:10.879
<v Speaker 1>it was the Internet killed it that it was a

0:25:10.880 --> 0:25:14.920
<v Speaker 1>closed system and the Internet, the Worldwide Web, gets invented,

0:25:15.880 --> 0:25:19.080
<v Speaker 1>uh and you know, so this thing couldn't connect to that,

0:25:19.800 --> 0:25:22.600
<v Speaker 1>and people didn't buy it. It was a little too expensive,

0:25:23.080 --> 0:25:25.879
<v Speaker 1>a little too clunky at first, but conceptually it was

0:25:25.920 --> 0:25:28.000
<v Speaker 1>all there. When you look at the designs, it was

0:25:28.359 --> 0:25:31.640
<v Speaker 1>a fucking iPhone and all of the people it's really

0:25:31.680 --> 0:25:33.480
<v Speaker 1>need at the end, all of the people that worked

0:25:33.520 --> 0:25:36.520
<v Speaker 1>on that team, these kids in Silicon Valley went on.

0:25:37.000 --> 0:25:39.840
<v Speaker 1>You know, it's like Twitter CEO and co founder, founder

0:25:39.880 --> 0:25:44.919
<v Speaker 1>of Nest, inventor of iPod, uh Obama's first chief technology officer,

0:25:45.280 --> 0:25:47.359
<v Speaker 1>and they're like, all of them did brilliant things. Is

0:25:47.400 --> 0:25:49.800
<v Speaker 1>there a sense that that really did lay the groundwork

0:25:49.840 --> 0:25:54.760
<v Speaker 1>for like what the iPhone? Yeah, it's really really good.

0:25:54.800 --> 0:25:57.320
<v Speaker 1>That sounds cool. I saw the little thumbnail for both

0:25:57.359 --> 0:26:01.080
<v Speaker 1>of those. Good man, such a good story and really

0:26:01.080 --> 0:26:03.000
<v Speaker 1>really good stuff. What about you, guys, what you've been watching?

0:26:03.040 --> 0:26:05.600
<v Speaker 1>I've been watching. I finished it and then I'm onto

0:26:05.760 --> 0:26:07.760
<v Speaker 1>another thing that two things that I've been meaning to

0:26:07.760 --> 0:26:10.840
<v Speaker 1>watch for a long time, The Leftovers on HBO, which

0:26:10.920 --> 0:26:14.440
<v Speaker 1>is Dane series that he did before watch Man. Yeah,

0:26:14.880 --> 0:26:18.200
<v Speaker 1>I didn't watch that. I heard it was great. It's phenomenal. Yeah,

0:26:18.280 --> 0:26:21.240
<v Speaker 1>it's it's so good. I had heard from so many

0:26:21.240 --> 0:26:24.480
<v Speaker 1>people that like it. It like after season one it

0:26:24.520 --> 0:26:27.280
<v Speaker 1>became some of the best television they've ever seen, and

0:26:27.320 --> 0:26:30.240
<v Speaker 1>I thought, oh, it's hyperbole, you know, but it's really true. Yeah,

0:26:30.240 --> 0:26:32.399
<v Speaker 1>and it's got my boy. I love that guy at

0:26:32.440 --> 0:26:35.720
<v Speaker 1>the lead. Justin Threw fantastic is one of my favorite.

0:26:35.880 --> 0:26:38.240
<v Speaker 1>It's so good. Season two is better than season one.

0:26:38.280 --> 0:26:41.080
<v Speaker 1>Season three is better than season two. It really ramps up,

0:26:41.240 --> 0:26:44.399
<v Speaker 1>and just three broadens the world a lot. Yes, and

0:26:44.440 --> 0:26:46.679
<v Speaker 1>it does that thing that Lost kind of gets shipped

0:26:46.720 --> 0:26:48.800
<v Speaker 1>on for not doing We're Lost kind of wrote a

0:26:48.880 --> 0:26:51.119
<v Speaker 1>check that it couldn't cash and it sort of seems

0:26:51.119 --> 0:26:53.280
<v Speaker 1>like it ran a steam before it had enough time

0:26:53.320 --> 0:26:55.800
<v Speaker 1>to really take you where the mystery promised it would

0:26:55.800 --> 0:26:58.919
<v Speaker 1>take you. But Leftovers can cash it big time. Oh wow,

0:26:59.080 --> 0:27:01.919
<v Speaker 1>big time, I think, so, yeah, maybe I should get

0:27:02.280 --> 0:27:04.640
<v Speaker 1>Really and it's only three seasons, they're not mega long,

0:27:04.840 --> 0:27:07.280
<v Speaker 1>you know, they I really really recommend it. It's a

0:27:07.320 --> 0:27:11.280
<v Speaker 1>it's a quick one. HBO for sticking by their man

0:27:11.320 --> 0:27:17.480
<v Speaker 1>and not pushing the second season of me that sucks.

0:27:17.640 --> 0:27:19.560
<v Speaker 1>You won't get it, but it does suck. He had

0:27:19.600 --> 0:27:21.919
<v Speaker 1>said that on the Watchman podcast, you know, because um

0:27:22.040 --> 0:27:24.600
<v Speaker 1>Craig Mason was asking him about what season two would

0:27:24.640 --> 0:27:27.760
<v Speaker 1>look like, and uh, he said, you know, my idea

0:27:27.840 --> 0:27:31.760
<v Speaker 1>for the rep season one was so big and important

0:27:31.800 --> 0:27:34.119
<v Speaker 1>to me and zeitgeiste that you know, that was the

0:27:34.119 --> 0:27:36.119
<v Speaker 1>show that I was going to make, and that's what

0:27:36.240 --> 0:27:38.040
<v Speaker 1>I thought of it as like a self contained thing.

0:27:38.119 --> 0:27:40.560
<v Speaker 1>I have mixed feelings. I mean, I'm disappointed because I

0:27:40.600 --> 0:27:43.920
<v Speaker 1>love um Regina King and her character and I would

0:27:43.960 --> 0:27:45.919
<v Speaker 1>love to see more of that. And I thought the

0:27:45.920 --> 0:27:48.720
<v Speaker 1>world they set up was so cool and really honor

0:27:48.760 --> 0:27:51.520
<v Speaker 1>the original material. But you know, there's there's something to

0:27:51.560 --> 0:27:53.679
<v Speaker 1>be said for doing a really great thing and just

0:27:54.320 --> 0:27:56.639
<v Speaker 1>letting it be that thing. It takes a lot of

0:27:56.960 --> 0:28:00.240
<v Speaker 1>self control and totally of discipline, and you never that

0:28:00.320 --> 0:28:03.400
<v Speaker 1>from studios. So they obviously really respect and appreciate Linda

0:28:03.480 --> 0:28:05.480
<v Speaker 1>Oft enough that they're like, they didn't want to shoot

0:28:05.520 --> 0:28:07.440
<v Speaker 1>on his vision by putting somebody else in the chair.

0:28:07.920 --> 0:28:10.960
<v Speaker 1>So I appreciated that. Rames he even watching anything. Yeah,

0:28:11.200 --> 0:28:15.360
<v Speaker 1>it started the Outsider um which is on HBO. It's

0:28:15.640 --> 0:28:20.760
<v Speaker 1>Jason Bateman. Um, I think it's his pet project. Steen

0:28:20.840 --> 0:28:27.120
<v Speaker 1>King short story. Really Yeah, it has a new right Yeah. Yeah,

0:28:27.160 --> 0:28:31.080
<v Speaker 1>there's only three episodes out, but it has that true

0:28:31.119 --> 0:28:34.280
<v Speaker 1>detective vibe to it, but it's a little bit more

0:28:34.800 --> 0:28:39.120
<v Speaker 1>supernatural because of the character and trailer looked cool. Yeah.

0:28:39.240 --> 0:28:41.320
<v Speaker 1>How many episodes have you seen? I've seen all three.

0:28:41.520 --> 0:28:43.479
<v Speaker 1>Is it good? Yeah? Yeah, enjoyed it. I mean if

0:28:43.480 --> 0:28:46.360
<v Speaker 1>you like Jason Bateman like art, I mean, it's it's

0:28:46.440 --> 0:28:48.680
<v Speaker 1>right there. He has that. He's that's the character. He's

0:28:48.720 --> 0:28:51.560
<v Speaker 1>not doing like you know, rested development type stuff. Yeah,

0:28:51.760 --> 0:28:54.080
<v Speaker 1>it's been cool to see his development. Like I think

0:28:54.200 --> 0:28:57.160
<v Speaker 1>Jason Bateman is so great at the comedy stuff and

0:28:57.200 --> 0:28:59.960
<v Speaker 1>he does his Bateman thing. You know, he's a great

0:29:00.520 --> 0:29:03.959
<v Speaker 1>straight man like his his comedy is perfect. But it's

0:29:03.960 --> 0:29:06.120
<v Speaker 1>good to see that his development has not been arrested

0:29:06.640 --> 0:29:14.640
<v Speaker 1>nout for you to go been Yeah. Yeah, sure he's great.

0:29:14.760 --> 0:29:17.000
<v Speaker 1>So he's he's been awesome and things he's been doing.

0:29:17.000 --> 0:29:19.800
<v Speaker 1>But yeah, man, that guy blew up. Huh he's good.

0:29:19.840 --> 0:29:25.160
<v Speaker 1>Which want is he? He's in everything he's talking about. Yeah,

0:29:25.200 --> 0:29:28.640
<v Speaker 1>you'd recognize him. He's in like everything right now. See

0:29:28.720 --> 0:29:32.960
<v Speaker 1>look there to your right that guy. Yeah, okay, okay.

0:29:33.520 --> 0:29:35.520
<v Speaker 1>Also been catching up on better call Saul. If you

0:29:35.520 --> 0:29:38.120
<v Speaker 1>guys haven't seen that, it's it's almost, I would say,

0:29:38.480 --> 0:29:41.840
<v Speaker 1>very much equal in quality to Breaking Back. I never

0:29:41.880 --> 0:29:43.640
<v Speaker 1>saw it, and it's the kind of thing where one

0:29:43.720 --> 0:29:45.000
<v Speaker 1>day I know I'm going to go back and just

0:29:45.040 --> 0:29:46.880
<v Speaker 1>watch it all. That's how it was for me. I

0:29:46.960 --> 0:29:49.640
<v Speaker 1>stopped for no good reason. It was great, but I

0:29:49.680 --> 0:29:51.960
<v Speaker 1>just moved on to something else. I got distracted or whatever.

0:29:52.120 --> 0:29:54.320
<v Speaker 1>So now I'm like in it hardcore and it's just

0:29:54.480 --> 0:29:57.000
<v Speaker 1>really great. Yeah, I need to do that. Auckerman does

0:29:57.040 --> 0:30:01.120
<v Speaker 1>a great Odin Kirk impression. Um, but but he doesn't

0:30:01.120 --> 0:30:02.920
<v Speaker 1>set it up. It's like I'm gonna do an impression.

0:30:02.960 --> 0:30:05.360
<v Speaker 1>He's just telling a story about how Odin Kirk helped

0:30:05.400 --> 0:30:07.480
<v Speaker 1>him poster his career, and he would just go into

0:30:07.480 --> 0:30:10.360
<v Speaker 1>the voice and I just couldn't take it. Man, it's

0:30:10.440 --> 0:30:14.000
<v Speaker 1>very distinct Odin Kirky sort of way of speaking. Uh

0:30:14.040 --> 0:30:15.960
<v Speaker 1>so you do have to go, Noel, So why don't

0:30:15.960 --> 0:30:18.880
<v Speaker 1>we just wrap? I told him I was running a

0:30:18.920 --> 0:30:21.920
<v Speaker 1>little late. It's that's fine. I appreciate it. The next

0:30:21.920 --> 0:30:24.960
<v Speaker 1>episode will just be me and the ram Jams. Big

0:30:25.000 --> 0:30:27.720
<v Speaker 1>debut is number two, Ramma Lama Ding Dong. If you do. Uh,

0:30:27.800 --> 0:30:30.320
<v Speaker 1>if you do, really well, maybe we can just forget

0:30:30.320 --> 0:30:34.120
<v Speaker 1>an old existed. You can't do that. You can't revise history.

0:30:35.440 --> 0:30:37.440
<v Speaker 1>You have a show called revisionist history. That's not what

0:30:37.480 --> 0:30:40.440
<v Speaker 1>it's called. It's called ridiculous history. Revisionist history is much

0:30:40.480 --> 0:30:43.840
<v Speaker 1>more popular. Smell, I'm glad. Well, I'm getting all my

0:30:43.840 --> 0:30:47.240
<v Speaker 1>my podcast. He was confused. Someone posted on the page

0:30:47.240 --> 0:30:49.960
<v Speaker 1>you ever seen that g I F of that girl

0:30:49.960 --> 0:30:52.120
<v Speaker 1>tripping at the with the popcorn at the movie there

0:30:52.960 --> 0:30:55.600
<v Speaker 1>I feel bad for but it's it's one of the

0:30:55.600 --> 0:30:57.600
<v Speaker 1>best face plans of all time. Have you ever seen

0:30:57.640 --> 0:31:00.440
<v Speaker 1>a ram Just look at this and that a Ramsey

0:31:00.440 --> 0:31:02.120
<v Speaker 1>is someone where she's like losing her mind. Oh no,

0:31:02.240 --> 0:31:05.240
<v Speaker 1>this is a different one. That's a good one. And

0:31:05.240 --> 0:31:10.640
<v Speaker 1>and I'm not I'm not one to generally take delight

0:31:10.720 --> 0:31:13.840
<v Speaker 1>in someone's misfortune. But it's a soft carpet she doesn't

0:31:14.000 --> 0:31:16.440
<v Speaker 1>like she got. But Chuck, did you just call it

0:31:16.440 --> 0:31:18.600
<v Speaker 1>a g I F? I don't know how to say it,

0:31:18.640 --> 0:31:20.680
<v Speaker 1>And so I just say, g I F. I can

0:31:20.760 --> 0:31:23.760
<v Speaker 1>respect that. The gift Jeff thing I never remember. So

0:31:23.800 --> 0:31:27.800
<v Speaker 1>I just said, Jeff, I don't like these things. I

0:31:27.840 --> 0:31:31.880
<v Speaker 1>don't post them. You're anti, you're anti Jeff. I have

0:31:31.960 --> 0:31:35.600
<v Speaker 1>never posted a Jeff or a mem a in my life.

0:31:35.920 --> 0:31:39.520
<v Speaker 1>I have not. It's the cheapest form, and here I

0:31:39.520 --> 0:31:42.080
<v Speaker 1>am laughing at it. Not only that a terrible one

0:31:42.080 --> 0:31:45.280
<v Speaker 1>of a young lady falling down. She's probably fine, she is.

0:31:45.720 --> 0:31:50.160
<v Speaker 1>It's just that popcorn goes everywhere, so bad for oh Man,

0:31:50.680 --> 0:31:53.560
<v Speaker 1>all right, good stuff. I got sidetracked by that. I

0:31:53.640 --> 0:31:56.640
<v Speaker 1>was like a little like a monkey in a cage

0:31:56.720 --> 0:31:59.960
<v Speaker 1>that saw something shiny. Thanks everyone, This one was a

0:32:00.200 --> 0:32:03.520
<v Speaker 1>shorter side because Noel screwed me today by double booking.

0:32:04.080 --> 0:32:20.840
<v Speaker 1>And uh we will see you next week. For more

0:32:20.880 --> 0:32:23.680
<v Speaker 1>podcasts for my heart Radio, visit the I Heart Radio app,

0:32:23.720 --> 0:32:26.480
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.