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Speaker 1: It's with Jenny Garth and Tory Spelling.

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Speaker 2: So we're back again. Oh my goodness, sounds so excited.

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Speaker 1: Wait wait wait what I said? You sound so excited?

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Speaker 1: Oh wait guys, and hold on.

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Speaker 2: I forgot.

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Speaker 1: Oh man, that's embarrassing.

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Speaker 3: Can't believe how that affects you like that?

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Speaker 1: That is that's my retainer, you guys, what do you need?

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Speaker 1: Retainers are gross? I keep it sitting by the kitchen. Think,

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Speaker 1: so I don't have one I have. I'm trying to

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Speaker 1: correct my team j that Jason Priestley gave me.

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Speaker 2: Oh tell me if that works.

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Speaker 1: Yes, I'm it's like spreading my palette. It really hurts.

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Speaker 2: It's moving your palette. Don't ever say that again.

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Speaker 1: Spread your palette or else. Oh my god. Okay, yes,

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Speaker 1: so now I'm normal, best of mood. It's an exciting episode,

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Speaker 1: is it you guys? Okay, well, you're right, it's not

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Speaker 1: exciting a going on here.

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Speaker 3: I was trying to think about it, like, how do

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Speaker 3: I feel about this episode?

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Speaker 1: It's just a whole lot of stuff.

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Speaker 3: Sorry, I I sounded like I had a retainer.

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Speaker 2: Now you talk and I'm just me.

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Speaker 1: Okay, Well, there's so much to talk about. Because the

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Speaker 1: only thing that I was really happy that happened was

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Speaker 1: that Kelly remembers Brandon a little bit more now, or

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Speaker 1: it's she's reading her journals. At least.

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Speaker 2: I was fully in you guys, And I apologize because

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Speaker 2: now it's like full shark mode now, like, oh my.

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Speaker 3: God, I can get sharky, guys.

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Speaker 2: It's like it's like a kitchen sink. Let's throw every

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Speaker 2: issue in and every problem.

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Speaker 1: Doesn't day that big have to happen for it to

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Speaker 1: like actually jump the shark, like something was it? Was

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Speaker 1: it Kelly getting shot? Was that just that the point?

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Speaker 1: Oh that's a great question. I don't think so.

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Speaker 3: I think it's just sharky because it's like, what's happening.

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Speaker 1: Well, let's tell the people. Yes, you guys, we're talking

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Speaker 1: about Season eight, episode five, Coming Home, aired October first,

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Speaker 1: nineteen ninety seven.

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Speaker 2: Synopsis, extra extra Stephen Brandon launched the Beverly beat. Carly

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Speaker 2: dates a guy, but he's a creep. Kelly's memory is

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Speaker 2: coming around, while David wants to sign a new band

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Speaker 2: in town. Donna's discovering the dark side of fashion. Valerie

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Speaker 2: meets a rich guy, but there's no attraction, no reveal

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Speaker 2: this is like the groups, this is great, but No

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Speaker 2: reveals his tragic path, and Brandon swears the next time

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Speaker 2: you put the ring on it, it will be his last.

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Speaker 1: Directed by George Fennaday and written by Laurie McCarthy. Okay,

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Speaker 1: Florenes A plus for are rhyming? Are rhymingasnas? What did

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Speaker 1: I say? Are rhyming?

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Speaker 3: You don't even have your retainer?

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Speaker 1: I took it out.

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Speaker 3: I am finding I don't know her character's name, Hilary

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Speaker 3: Swank likable in this episode.

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Speaker 1: The character, Oh my, how I like her? You're so

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Speaker 1: wishy washy?

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Speaker 2: I do.

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Speaker 1: I think they did well. They did better with her.

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Speaker 1: They sort of made her.

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Speaker 2: I disagree. Oh really, and I think it's her. I'm

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Speaker 2: sorry you guys. When the actress I think she wasn't

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Speaker 2: then I in this episode. I do not find it

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Speaker 2: the dialogue. I find it the way.

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Speaker 1: She Oh wow, I liked.

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Speaker 3: You, Jenny.

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Speaker 1: I liked her more too.

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Speaker 3: I thought she was more pop. Me too, she was flirty.

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Speaker 3: She's not being so caustic and sort of negative.

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Speaker 1: Whoa Tori? I am shocked?

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Speaker 2: I know, are you shook? I know me not being

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Speaker 2: a people pleaser.

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Speaker 3: I'm like, well, and will we get the big story

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Speaker 3: You've been like kind of holding for us about what happened.

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Speaker 2: The episode she gets released?

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Speaker 3: Okay, yeah, okay, Wow, we've got a ways wait for

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Speaker 3: it and.

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Speaker 1: Stick with us. Okay. So I found her more likable.

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Speaker 3: I'm seeing the I'm seeing the sort of chemistry a

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Speaker 3: little bit with Steve, the flirt a little bit. I

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Speaker 3: think I like that kid. I did not like the

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Speaker 3: stomach talking though.

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Speaker 1: Okay, I have so much to say about that. First though, Wait,

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Speaker 1: VAL's working with Donna? Now? Did I miss something? Are

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Speaker 1: you partners in business?

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Speaker 2: Yes?

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Speaker 3: When we dipped our toe into that last week?

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Speaker 1: Yeah, okay, and missed that. Why would you go into

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Speaker 1: business with Val? I don't get it. Why would Donna

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Speaker 1: go into business without?

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Speaker 2: Because I'm a self sabotage I don't know.

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Speaker 1: It's very dangerous, I mean, very nervous.

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Speaker 3: I think the reason Donna gave was she's so very

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Speaker 3: organized and good at running a business.

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Speaker 2: Yeah, she is, so she is.

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Speaker 1: There's that ran that peapad for quite a while.

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Speaker 2: But like it's a fresh business, Donna. I guess she

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Speaker 2: was overwhelmed so many client referrals. She needs somebody to.

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Speaker 3: I like how overnight Donna has like the biggest styling

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Speaker 3: business in LA.

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Speaker 1: You actually have paychecks, Like, uh, what's a paycheck for val?

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Speaker 1: Like a payroll?

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Speaker 3: Ye, suddenly you're Mindy Weiss. It's like absolutely crazy.

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Speaker 2: I mean, I don't know. I couldn't get past the

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Speaker 2: sweater around then.

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Speaker 1: But maybe it might have been cool where you.

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Speaker 3: Put business attire, Like in what world is that super

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Speaker 3: rich guy just being like, you know what I'm gonna do.

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Speaker 3: I'm gonna have these two rampos who don't throw parties

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Speaker 3: throw my part.

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Speaker 1: And then they didn't even come.

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Speaker 3: They aren't at the party, like the party planner did

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Speaker 3: not show up for the party.

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Speaker 2: Do you know who that super rich guy is?

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Speaker 1: Hoo hoo hoo.

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Speaker 2: Oh well, okay, I'm going to tell you right now.

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Speaker 2: So Gordon Thompson was well, he wasn't the OG because

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Speaker 2: there was he was on the on the on the Dynasty.

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Speaker 2: Imagine he was on Dynasty. He was Adam Carrington, I know,

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Speaker 2: but he wasn't the O g Adam carn Carrington. They

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Speaker 2: replaced him, but replaced him. Yeah, he's stayed on the

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Speaker 2: runt of it.

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Speaker 3: He was. He's not Parish, he's not the rich guy.

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Speaker 3: He's the sweatshop owner.

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Speaker 2: Well, who's Christopher Orr play? He plays the cute guy.

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Speaker 1: Your rearing them. The young guy is the party thrower.

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Speaker 3: You're kind of attracted to Valerie Thompson, who I'm assuming

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Speaker 3: we'll be back because we are getting the dropa of

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Speaker 3: his Sorry, you know he's gonna gonna take the job

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Speaker 3: or is she gonna do the right thing?

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Speaker 1: Is what we're dealing with.

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Speaker 2: Christopher or who looks familiar?

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Speaker 1: He looks like every other male interest on our show

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Speaker 1: has that's ever been there? Like they all start to

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Speaker 1: look alike. Now he looks just like Dick.

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Speaker 2: And again, say Dick, please, it won't sound different. Let

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Speaker 2: me hear. I'm gonna close my eyes. He looks like Dick.

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Speaker 2: Well it sounds like you're Dick. Okay, So anyhow, this.

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Speaker 1: Is a family show, is now? Wait? Okay, so let's

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Speaker 1: just talk about okay, so let's talk about valid Donna.

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Speaker 1: Now I feel like Donna discovering a sweatshop.

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Speaker 4: Next, like just right there on the street, and I's

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Speaker 4: taking a long turn by saying I jumping this might

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Speaker 4: be jumping shirt?

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Speaker 2: Thank you? That see that is where.

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Speaker 1: Yeah, And then you're like what you have. This is

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Speaker 1: not how it works in this country. Minimum wages five

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Speaker 1: dollars and fifteen cents an hour.

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Speaker 2: Would she say fifteen dollars and five cents? No, it

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Speaker 2: was so five dollars. She's five dollars.

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Speaker 1: That's minimum wage in nineteen ninety eighth.

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Speaker 3: No, because in nineteen ninety two or three, when I

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Speaker 3: started working, it was four dollars and twenty five cents.

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Speaker 1: What nineteen ninety seven?

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Speaker 2: Sorry, I'm looking at Christopher or I swear he was

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Speaker 2: in something.

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Speaker 1: So I don't know how Donna's going to get through

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Speaker 1: this storyline. She doesn't even know what minimum wage is.

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Speaker 2: I remember filming that and filming filming and feeling really uncomfortable.

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Speaker 1: Like it was just kind of too much.

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Speaker 2: Yeah, it was didn't feel like our show, and just

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Speaker 2: so that's it just felt felt uncomfortable, like, oh, like,

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Speaker 2: let's expose.

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Speaker 1: The this guy's sweatshop, and I don't know, it just

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Speaker 1: feels weird.

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Speaker 3: You know what sharky jumpy is to me? Hashtag just

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Speaker 3: trying too hard, like in every way, and that's sort

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Speaker 3: of what I'm feeling. It's like, Oh, we're just trying

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Speaker 3: too hard. We're trying to make Noah happen.

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Speaker 1: So hard? Oh sorry, she said Noah, and I got

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Speaker 1: all fired up. I needed to talk about it. I

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Speaker 1: can't wait. I can wait.

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Speaker 2: I mean, we love the show addresses issues like current

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Speaker 2: issues going on, but now it's just getting too much.

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Speaker 2: This is the point where it's like, let's go down

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Speaker 2: line of like, oh, what can we talk about this

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Speaker 2: controversial She's like someone looked.

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Speaker 3: At the newspaper and thought, let's work this in.

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Speaker 1: Oh boy, yeah, yeah, I'm not talking about the Beverly Beat. No.

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Speaker 1: I like the Beverly Beat so far. I'm pretty excited

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Speaker 1: about it. Uh, let me just like you said, I

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Speaker 1: that's true. I have so many questions. Why why are

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Speaker 1: we going so deep on such a new character as

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Speaker 1: Noah to have this all this backstory and all this

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Speaker 1: drama and crying and what's happening?

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Speaker 2: I had a memory so that big like monologue scene

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Speaker 2: where like, no, she won't live again.

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Speaker 1: She can't take another her mouth that was his.

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Speaker 2: He did do a chemistry read which takes me different actors,

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Speaker 2: and that was the scene they read them with with her.

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Speaker 1: How do you know this?

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Speaker 2: I don't know. I don't remember it.

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Speaker 1: Did you run life with them because you hadn't met

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Speaker 1: him yet.

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Speaker 2: No, how do you know, I don't know.

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Speaker 1: Maybe you saw a tape of it or something, or

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Speaker 1: she totally I don't know.

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Speaker 3: Can I say something so crazy that I'm probably gonna.

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Speaker 2: Get like, so crazy he'll never come on our show?

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Speaker 3: No, no, no, no, that I may get a lot

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Speaker 3: of Instagram messages about I think they're trying to make

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Speaker 3: him Dylan, when you.

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Speaker 1: Stop saying that, I'm one of the people that's going

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Speaker 1: to write in hold on, I've got to write.

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Speaker 3: I just feel it then because I keep saying it,

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Speaker 3: because that's what they're doing. The guy first of all,

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Speaker 3: up on the hill and the car and the whole, Like,

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Speaker 3: let me be dramatic.

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Speaker 1: We have we all happening. But can you just stop

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Speaker 1: pointing it out so I'm right? At least at least

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Speaker 1: I'm right.

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Speaker 3: You're not like saying I'm not right?

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Speaker 1: No, Why is he so oddly comfortable with everybody and

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Speaker 1: everywhere he is? Like? Why is he he's so schlumpy

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Speaker 1: in every chair and so up in everyone's business? Can't

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Speaker 1: with him?

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Speaker 2: I don't know.

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Speaker 3: It's just here's the thing again, not his fault. I

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Speaker 3: think that.

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Speaker 1: Are just like I feel like it's his fault, right.

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Speaker 3: I know that's the same way you guys feel about

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Speaker 3: Hillary's spike. It's not their faults.

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Speaker 1: Well, I don't also understand why VAL's so into him

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Speaker 1: and following him like a psychopath. That was so weird,

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Speaker 1: just keeps showing up on his boat like uninvited girl.

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Speaker 1: She does get like that though with guys. Yeah, I

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Speaker 1: have a question about Noah and Val. Did you enjoy

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Speaker 1: the close ups of their kissing? I fast forward?

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Speaker 2: Was it juicy now?

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Speaker 1: It looked pretty not juicy, It looked rather dry. Actually

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Speaker 1: probably m hm hm. I didn't get any feelings from

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Speaker 1: it personally, but maybe that's just me. Maybe people liked it.

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Speaker 1: Did you guys like vow and know it together? Please

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Speaker 1: let us know, because yeah, that's a great question.

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Speaker 2: I kind of want to like them, but I don't.

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Speaker 1: What do you want to do too?

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Speaker 2: Because it's like dramatic and moody and like that couple

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Speaker 2: and like it kind of what like Brendan Dylan had,

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Speaker 2: But it's totally not that.

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Speaker 1: How dare you? How dare you?

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Speaker 3: But there again, Wow, that was worse than what I said.

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Speaker 2: It's like what they're trying to create though recreate you

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Speaker 2: know what I mean? Like those yeah, like smashing stuff,

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Speaker 2: runny no, come on.

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Speaker 1: Yeah, asty Jenny good.

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Speaker 3: That's what they're trying. They're trying to have angstinas.

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Speaker 2: And it's not.

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Speaker 1: Yeah, I don't think so, I know, Yeah, I'm not

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Speaker 1: for me. I'm wondering about who's the band? Does anybody

250
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Speaker 1: know who the band was? Nobody?

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Speaker 2: Because boy familiar?

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Speaker 1: Right? Why why do we know him?

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00:14:17,640 --> 00:14:18,800
Speaker 2: We were friends with him?

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Speaker 1: I don't. I saw that and I was like, I know.

255
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Speaker 2: We know him, like would hang out with him?

256
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Speaker 3: Like?

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Speaker 1: Then I was like, wait, does that Anthony Keili Peppers

258
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Speaker 1: are at the peapass Phil Buckman? Yeah, Phil Buckman. How

259
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Speaker 1: do we know? He's always on set always Bryan friends

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Speaker 1: with Brian, right, and then he's basically moved into the

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Speaker 1: beach apartment. This guy can't get rid of him.

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Speaker 3: Oh yeah, that he's really lurking at the beach apartment.

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Speaker 1: That was just uncomfortable.

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Speaker 3: You had such a lovely dinner, Tory Donna the bag,

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Speaker 3: that's right, Sea Bass, My gosh, gonna get I cost

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Speaker 3: you a pretty penny and now you're not even gonna

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Speaker 3: get to eat it.

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Speaker 2: You know what?

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Speaker 1: She probably went to missus Gucci's and bought that.

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Speaker 2: I'm such a good call back's missus Guccis.

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Speaker 1: It's fun to say, first of all, and second of all,

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Speaker 1: it was whole foods before there was a.

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Speaker 2: Whole food like airwan before Airwan? How do you say it?

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Speaker 1: What do you mean?

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00:15:30,840 --> 00:15:31,520
Speaker 2: Amy saying it?

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Speaker 1: Airwon? Am I saying it wrong? Airwan? Airwan? Airwan? Am

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Speaker 1: I saying it wrong? You enunciate it quite air Wan?

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00:15:40,800 --> 00:15:42,400
Speaker 1: Are you supposed to say it? Can you say it?

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Speaker 2: Air one?

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00:15:44,080 --> 00:15:45,880
Speaker 1: Air one? Oh? Air one?

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00:15:46,440 --> 00:15:47,120
Speaker 2: Is it wan?

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Speaker 1: I'm saying more wan like wan time.

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Speaker 2: I like it.

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Speaker 1: You're saying one. But you guys know this? Are you

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00:15:53,960 --> 00:16:01,440
Speaker 1: ready for it? Airwan spelled backwards? Is nowhere? Love that land?

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00:16:04,560 --> 00:16:07,560
Speaker 1: Go nowhere and pay give them all your money for

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00:16:08,320 --> 00:16:09,960
Speaker 1: someone juice.

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00:16:10,240 --> 00:16:11,480
Speaker 2: Oh that's great.

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00:16:12,120 --> 00:16:14,200
Speaker 1: That crazy. I think it was intentional by the guy

290
00:16:14,200 --> 00:16:16,440
Speaker 1: who started it. I can't remember the story right now,

291
00:16:16,480 --> 00:16:18,240
Speaker 1: but yeah, that's cool.

292
00:16:18,360 --> 00:16:21,280
Speaker 2: It had to have been, right mm hmm. Like jokes

293
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Speaker 2: on you guys.

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Speaker 1: Yeah, I'm taking all of your money and I'm going

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Speaker 1: to name my place nowhere because maybe it's it's like

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Speaker 1: nowhere else. Oh it's air mhm. You guys were talking,

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Speaker 1: so there's I don't know, maybe you know if you're

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Speaker 1: I don't know if they have air ones in.

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00:16:47,640 --> 00:16:51,720
Speaker 2: Like that's how everyone knows it.

300
00:16:51,840 --> 00:16:55,760
Speaker 1: Air one is like the most ridiculously overpriced grocery store

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00:16:56,960 --> 00:16:58,320
Speaker 1: larted so.

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00:16:58,360 --> 00:17:01,320
Speaker 2: Well though, Yeah, I want two hand.

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00:17:01,240 --> 00:17:07,280
Speaker 3: Sandwich paycheck valeries, paycheck over. Yeah, it's when I need

304
00:17:07,320 --> 00:17:09,240
Speaker 3: like a sandwich or something pre made.

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00:17:10,200 --> 00:17:12,600
Speaker 1: Let's just say you can't. Let's just say you can't

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00:17:12,640 --> 00:17:15,800
Speaker 1: buy anything in Air one for minimum wage in nineteen

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00:17:15,880 --> 00:17:19,760
Speaker 1: ninety seven. No, probably not one thing. No, and the

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00:17:19,920 --> 00:17:21,480
Speaker 1: Chili a Chilean.

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00:17:21,280 --> 00:17:24,359
Speaker 3: They'll land you for samples. The Sea Bass would be

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00:17:24,359 --> 00:17:28,359
Speaker 3: like one hundred and forty two dollars Sea.

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00:17:28,200 --> 00:17:32,520
Speaker 1: Bass if an Air one or Sure or Air one nowhere,

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00:17:32,560 --> 00:17:36,600
Speaker 1: I want to go to nowhere? Oh my gosh, okay okay, okay,

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00:17:36,720 --> 00:17:37,800
Speaker 1: one way ticket?

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00:17:38,000 --> 00:17:39,560
Speaker 2: Wait? What is that song to nowhere?

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00:17:40,520 --> 00:17:42,600
Speaker 1: Oh? I don't know. I thought you were thinking of

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00:17:42,640 --> 00:17:43,320
Speaker 1: LeAnn Rimes.

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00:17:43,359 --> 00:17:47,320
Speaker 3: I got a one way ticket on a left bound train,

318
00:17:48,680 --> 00:17:52,600
Speaker 3: west bound train, not the left boundary anyway. I don't

319
00:17:52,600 --> 00:17:54,119
Speaker 3: care about this band. I don't know why they live

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Speaker 3: at your house.

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Speaker 1: You don't know, you don't know who the band is though,

322
00:17:58,359 --> 00:18:00,119
Speaker 1: Like that sounds like it'd be up your alley to

323
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Speaker 1: be like, I don't know, and I just because it's fictional.

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00:18:04,000 --> 00:18:05,080
Speaker 2: What are you talking about.

325
00:18:05,200 --> 00:18:06,320
Speaker 1: Maybe they're a real band.

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00:18:06,480 --> 00:18:09,639
Speaker 2: No they're not, because Phil Buckman is an actor.

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Speaker 3: Okay, Jerry, you make a great point, because is just

328
00:18:18,400 --> 00:18:21,040
Speaker 3: like a band. He's like an actor because he's got

329
00:18:21,040 --> 00:18:23,840
Speaker 3: like this part, because he's also.

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Speaker 1: People. Did you guys not catch the full like slur?

331
00:18:32,720 --> 00:18:33,080
Speaker 1: I don't.

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00:18:33,119 --> 00:18:35,760
Speaker 2: I yes, we haven't gotten there yet.

333
00:18:35,840 --> 00:18:40,400
Speaker 3: Okay, that was crazy they're making him.

334
00:18:40,480 --> 00:18:43,200
Speaker 2: Didn't see that one coming either.

335
00:18:43,400 --> 00:18:46,480
Speaker 1: I was stunned. Explain this to you.

336
00:18:46,680 --> 00:18:49,360
Speaker 2: I'm putting it weight you, guys.

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00:18:49,680 --> 00:18:50,680
Speaker 3: He's got a part.

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00:18:51,240 --> 00:18:53,960
Speaker 2: I am telling you right now. If my memory serves,

339
00:18:54,240 --> 00:18:58,879
Speaker 2: Phil Buckman, who is Jewish in real life, was related

340
00:18:58,960 --> 00:19:02,320
Speaker 2: to someone that my dad was friends with. I feel

341
00:19:02,359 --> 00:19:08,240
Speaker 2: like somewheer ABC. He was like his nephew or something.

342
00:19:10,000 --> 00:19:13,360
Speaker 3: So not only do we have the Sweatshop beginnings where

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00:19:13,359 --> 00:19:18,200
Speaker 3: we have an anti Semitic storyline beginning, Oh my god,

344
00:19:18,400 --> 00:19:20,560
Speaker 3: what was the exactly When he said, I was like, oh,

345
00:19:20,680 --> 00:19:21,679
Speaker 3: I can't even say it.

346
00:19:21,760 --> 00:19:24,040
Speaker 1: No, so bad. I can't even believe they put it

347
00:19:24,080 --> 00:19:27,160
Speaker 1: in the episode. It was so bad it just.

348
00:19:28,760 --> 00:19:31,800
Speaker 2: Great, they're addressing that, but it's just like two in

349
00:19:31,960 --> 00:19:34,960
Speaker 2: one episode, like yeah, but are they going to address

350
00:19:35,080 --> 00:19:36,880
Speaker 2: sweatshop antisemitic?

351
00:19:37,160 --> 00:19:40,439
Speaker 1: Like it's just oh, thank god Donna overheard it. Though.

352
00:19:43,000 --> 00:19:46,919
Speaker 2: Donna is dealing with a lot of like it's like,

353
00:19:47,680 --> 00:19:48,680
Speaker 2: what the hell.

354
00:19:49,160 --> 00:19:52,119
Speaker 1: Trying to help Kelly get her memory back, she's trying

355
00:19:52,119 --> 00:19:54,720
Speaker 1: to bust a sweatshop. She's got a brand new business

356
00:19:55,040 --> 00:19:56,480
Speaker 1: and a brand new business partner.

357
00:19:58,480 --> 00:20:00,879
Speaker 3: Wow, things are things are going to go sideways for

358
00:20:00,920 --> 00:20:02,040
Speaker 3: her relationships soon.

359
00:20:02,280 --> 00:20:02,520
Speaker 2: Wait?

360
00:20:02,640 --> 00:20:05,679
Speaker 1: What your your hair and makeup look good though? I

361
00:20:05,720 --> 00:20:09,000
Speaker 1: think this ad makeup time for Thomas.

362
00:20:10,040 --> 00:20:10,879
Speaker 2: Yeah.

363
00:20:11,080 --> 00:20:12,359
Speaker 1: Yeah, we got some consistence.

364
00:20:12,359 --> 00:20:15,800
Speaker 2: I can tell it leans on the show. Now, Yes,

365
00:20:15,880 --> 00:20:19,439
Speaker 2: who didn't her hair because the hairs hair, yes, and

366
00:20:19,520 --> 00:20:22,879
Speaker 2: start looking young and like more current rather than you know,

367
00:20:24,960 --> 00:20:28,840
Speaker 2: walld what God bless love.

368
00:20:28,760 --> 00:20:34,320
Speaker 1: To Why do Nat and Carly show up at the

369
00:20:34,359 --> 00:20:38,280
Speaker 1: Beverly Beat office in their peach pit costumes?

370
00:20:38,680 --> 00:20:43,000
Speaker 3: They were delivering food and it was such that was

371
00:20:43,840 --> 00:20:49,120
Speaker 3: like the writers going, somehow we've got to get them together,

372
00:20:49,520 --> 00:20:54,720
Speaker 3: but we don't have an It was so that's when

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00:20:54,760 --> 00:21:00,320
Speaker 3: I was like hashtag trying to hard this crazy have

374
00:21:00,440 --> 00:21:03,280
Speaker 3: they ever delivered from the peach pit. And also it

375
00:21:03,320 --> 00:21:06,760
Speaker 3: took the owner and the server like.

376
00:21:06,920 --> 00:21:10,959
Speaker 1: We both leave at the same time. Totally bananas. And

377
00:21:11,040 --> 00:21:17,880
Speaker 1: also why how does Carly know all of Brandon's business?

378
00:21:18,480 --> 00:21:20,680
Speaker 1: That was why is she going to be his like, Oh,

379
00:21:20,680 --> 00:21:21,320
Speaker 1: I'm gonna.

380
00:21:21,160 --> 00:21:23,520
Speaker 2: Talk when they were at the peach pit because she's

381
00:21:23,600 --> 00:21:25,280
Speaker 2: the new Andrea.

382
00:21:25,800 --> 00:21:29,440
Speaker 1: Yes, yes, but where did she get this information? They've

383
00:21:29,480 --> 00:21:35,080
Speaker 1: never talked. It was off camera. It was so crazy.

384
00:21:35,160 --> 00:21:37,119
Speaker 3: They're like best friends now It's just like.

385
00:21:37,160 --> 00:21:42,480
Speaker 1: What yeash people? I don't get it.

386
00:21:43,200 --> 00:21:48,080
Speaker 2: So Philip by Sharky back to Philip Bookman is actually

387
00:21:48,560 --> 00:21:53,080
Speaker 2: a musician, okay rate. He was the basis for the

388
00:21:53,160 --> 00:21:57,560
Speaker 2: rock band Filter from twenty ten to twenty thirteen. I

389
00:21:57,720 --> 00:22:00,439
Speaker 2: want to go on record though that he was somehow

390
00:22:00,480 --> 00:22:03,560
Speaker 2: related to Lou and Willie Rlick.

391
00:22:03,960 --> 00:22:04,320
Speaker 4: I don't know.

392
00:22:04,480 --> 00:22:09,640
Speaker 2: I think this what my dad I'm talking about and

393
00:22:09,960 --> 00:22:16,280
Speaker 2: Lou Arlick ran U ABC, so I don't know related.

394
00:22:17,160 --> 00:22:21,439
Speaker 3: He later becomes a musician. He later becomes Filter.

395
00:22:23,560 --> 00:22:27,520
Speaker 1: Maybe this being this character really inspired him to correct

396
00:22:27,840 --> 00:22:30,280
Speaker 1: find his calling in life and play the bass guitar

397
00:22:30,400 --> 00:22:34,760
Speaker 1: for a band for three years. Maybe maybe I think

398
00:22:34,760 --> 00:22:35,480
Speaker 1: I might have it right.

399
00:22:35,560 --> 00:22:38,879
Speaker 2: I've cast my brother les. Yes.

400
00:22:39,680 --> 00:22:42,600
Speaker 1: Yeah. Also, let's go back and dress the thing that

401
00:22:42,640 --> 00:22:48,600
Speaker 1: you were talking about. The minute Carly leaves, Steve exposes

402
00:22:48,640 --> 00:22:52,200
Speaker 1: his belly button to a child and then says, let

403
00:22:52,240 --> 00:22:58,280
Speaker 1: me see your belly. Man. Not only she's not off

404
00:22:58,320 --> 00:23:05,520
Speaker 1: the front deck, it was on coumps. That's not a

405
00:23:05,560 --> 00:23:08,359
Speaker 1: good way to babysit. I just say it.

406
00:23:09,400 --> 00:23:11,760
Speaker 3: It was just like, I get it. It was sort

407
00:23:11,800 --> 00:23:15,359
Speaker 3: of trying to be funny cute, but it was just

408
00:23:15,400 --> 00:23:16,840
Speaker 3: like something made me cringe.

409
00:23:16,960 --> 00:23:19,240
Speaker 1: Cringe, Yeah, yeah, Well I don't know if it was

410
00:23:19,240 --> 00:23:23,119
Speaker 1: seeing his belly button do that or maybe or if

411
00:23:23,160 --> 00:23:25,040
Speaker 1: it was just like, wait, you don't say that to

412
00:23:25,080 --> 00:23:27,080
Speaker 1: a kid and you don't even know him, and what's

413
00:23:27,119 --> 00:23:30,639
Speaker 1: gonna happen with that? And she so, but he is

414
00:23:30,800 --> 00:23:34,240
Speaker 1: darn cute with kids every time. Wait, I is playing

415
00:23:34,600 --> 00:23:36,000
Speaker 1: with his character with tis.

416
00:23:36,080 --> 00:23:39,520
Speaker 3: He's so fun to Other than the belly part, I

417
00:23:39,560 --> 00:23:42,160
Speaker 3: loved the babysitting and that was what sort of made

418
00:23:42,200 --> 00:23:44,480
Speaker 3: me start to like them as a couple.

419
00:23:45,960 --> 00:23:48,000
Speaker 2: Fair Yeah, I.

420
00:23:47,960 --> 00:23:50,960
Speaker 3: Was like, Okay, now they're cute and spying out the

421
00:23:51,000 --> 00:23:53,720
Speaker 3: window at the date and the whole thing. Even though

422
00:23:53,760 --> 00:23:55,439
Speaker 3: she said she didn't want the kid to know she

423
00:23:55,480 --> 00:23:57,199
Speaker 3: was on a date. But whatever, we threw that out

424
00:23:57,200 --> 00:23:59,720
Speaker 3: the window, which I respected, I mean I respected that

425
00:23:59,720 --> 00:24:01,600
Speaker 3: she did want to know. Throwing it out the window

426
00:24:01,640 --> 00:24:05,120
Speaker 3: was a little weird. But this is the thing, there's

427
00:24:05,119 --> 00:24:07,760
Speaker 3: something likable about this whole storyline.

428
00:24:08,040 --> 00:24:11,679
Speaker 1: Now I'm feeling it a little bit too.

429
00:24:12,280 --> 00:24:17,720
Speaker 2: Yeah, fine, but we'll see. Fine, you're giving up. I'm

430
00:24:19,080 --> 00:24:23,240
Speaker 2: he's just giving a weave flag. No, I get it.

431
00:24:23,240 --> 00:24:26,719
Speaker 2: It's getting cuter with the kid it is. I agree.

432
00:24:27,040 --> 00:24:29,600
Speaker 1: Well, we'll see what happens. It's short lived though, because

433
00:24:29,640 --> 00:24:31,400
Speaker 1: you said she's only on how many episodes?

434
00:24:31,480 --> 00:24:33,720
Speaker 2: Sixteen though is kind of a lot.

435
00:24:33,720 --> 00:24:36,840
Speaker 1: Though, that's a lot. Okay, let's get let's get settled

436
00:24:36,840 --> 00:24:38,760
Speaker 1: in with her. Then she's gonna stick around. She's here

437
00:24:38,800 --> 00:24:44,159
Speaker 1: for a bit. I just it's so weird how the

438
00:24:44,240 --> 00:24:47,840
Speaker 1: characters know things about each other that they've never really learned.

439
00:24:48,359 --> 00:24:51,800
Speaker 1: Like Noah knows everything about everyone and he's so schlumpy

440
00:24:52,080 --> 00:24:55,520
Speaker 1: and comfortable, and then Val, I mean, no Carly knows

441
00:24:55,560 --> 00:24:59,480
Speaker 1: things about Brandon's personal life. What I haven't.

442
00:25:00,119 --> 00:25:05,720
Speaker 2: Crazy Going back to Noah, amy, is this correct? He

443
00:25:05,760 --> 00:25:09,840
Speaker 2: talks about Beth who died. Doesn't Beth come back on?

444
00:25:10,320 --> 00:25:12,879
Speaker 2: And they fall Back in Love season.

445
00:25:13,160 --> 00:25:16,240
Speaker 3: That's someone different. That's not her. That's someone different.

446
00:25:17,000 --> 00:25:17,600
Speaker 1: That's what I think.

447
00:25:17,920 --> 00:25:20,440
Speaker 3: That's why you are correct, and that there's he ends

448
00:25:20,480 --> 00:25:21,720
Speaker 3: up because.

449
00:25:21,480 --> 00:25:22,200
Speaker 1: They're at your wedding.

450
00:25:22,560 --> 00:25:24,080
Speaker 2: Yeah, someone I.

451
00:25:24,000 --> 00:25:40,480
Speaker 1: Don't it's not the dead girl. Okay. Did you notice

452
00:25:40,480 --> 00:25:44,199
Speaker 1: the first appearance of Terry Sparr in this episode? Who's that?

453
00:25:44,400 --> 00:25:44,639
Speaker 2: I did?

454
00:25:44,720 --> 00:25:48,600
Speaker 1: No character into the Beverly Beat office. I oh, yes, yes.

455
00:25:49,160 --> 00:25:54,080
Speaker 1: Does she stay around? I do believe she does. Yeah,

456
00:25:54,080 --> 00:25:56,119
Speaker 1: that I forgot about till Janet comes.

457
00:25:56,200 --> 00:25:57,960
Speaker 2: No, I don't know how long.

458
00:25:57,960 --> 00:26:02,880
Speaker 1: But she's the production manager of Beverly Beat. Also, did

459
00:26:02,880 --> 00:26:06,959
Speaker 1: you guys like the the exterior shot of the Beverly

460
00:26:06,960 --> 00:26:11,040
Speaker 1: Beat do you guys recognize that? Like it's a landmark building.

461
00:26:11,240 --> 00:26:14,160
Speaker 1: I feel like I seen it a million times. It's

462
00:26:14,200 --> 00:26:18,240
Speaker 1: on Hollywood Boulevard according to Lorraine. But it had that

463
00:26:18,280 --> 00:26:21,560
Speaker 1: like tower that goes up outside of it. And so

464
00:26:21,640 --> 00:26:24,760
Speaker 1: when you see they did an establishing shot kind of

465
00:26:24,840 --> 00:26:27,680
Speaker 1: up at the building, you see this whole like tower.

466
00:26:28,200 --> 00:26:30,199
Speaker 1: I feel like I've driven by that, Like you know

467
00:26:30,280 --> 00:26:32,080
Speaker 1: that kt LA area right.

468
00:26:31,960 --> 00:26:35,040
Speaker 3: There, sunset and gower type of area.

469
00:26:36,440 --> 00:26:36,920
Speaker 2: Okay.

470
00:26:37,800 --> 00:26:43,119
Speaker 3: Terry spar Is in nine episodes Wow, she's pat many,

471
00:26:43,320 --> 00:26:44,159
Speaker 3: but enough.

472
00:26:47,200 --> 00:26:53,879
Speaker 1: Enough. I'm gonna ask a stupid question. Are there sweatshops

473
00:26:53,880 --> 00:26:58,040
Speaker 1: in downtown Los Angeles like this? When you see sweatshops?

474
00:26:58,080 --> 00:27:00,679
Speaker 1: What am I even saying? I'm saying places where the

475
00:27:00,800 --> 00:27:01,440
Speaker 1: work is not.

476
00:27:03,640 --> 00:27:12,159
Speaker 3: Young people underaged and not paid appropriately, dangerous conditions.

477
00:27:12,840 --> 00:27:17,840
Speaker 2: Possibly at some point there must have been, right, I mean,

478
00:27:18,520 --> 00:27:19,840
Speaker 2: still are just so sad.

479
00:27:21,200 --> 00:27:24,320
Speaker 1: I know so many things you don't know when you

480
00:27:24,359 --> 00:27:27,160
Speaker 1: walk down the street. What's going on inside those doors,

481
00:27:27,359 --> 00:27:29,080
Speaker 1: especially in downtown LA.

482
00:27:31,800 --> 00:27:32,000
Speaker 2: Oh?

483
00:27:32,080 --> 00:27:35,040
Speaker 1: Yeah, yeah, that's it. I feel like we've covered everything.

484
00:27:35,320 --> 00:27:38,280
Speaker 1: Although I do have one other question. When Kelly goes

485
00:27:38,320 --> 00:27:43,400
Speaker 1: to visit her bedroom or Brandon's their their bedroom and

486
00:27:43,480 --> 00:27:45,919
Speaker 1: she gets upset and wants to go home, do you

487
00:27:45,960 --> 00:27:47,960
Speaker 1: think it was the bedspread that set her off?

488
00:27:48,960 --> 00:27:51,280
Speaker 3: I thought it was sort of the horrid decor.

489
00:27:51,760 --> 00:27:53,960
Speaker 1: Yeah. I was like, this room is so bad.

490
00:27:54,119 --> 00:27:57,439
Speaker 3: Don't pick that wallpaper first of all, man, just like

491
00:27:58,680 --> 00:28:00,480
Speaker 3: that room does not look inviting.

492
00:28:01,280 --> 00:28:03,920
Speaker 1: It's dark but light. I'm very confused by it.

493
00:28:04,359 --> 00:28:06,520
Speaker 3: I swear there was like a hockey jersey next to

494
00:28:06,560 --> 00:28:10,760
Speaker 3: the wallpaper. It's just like, they're young.

495
00:28:10,560 --> 00:28:15,280
Speaker 1: People, so they're trying to cohabitate and mingle their likes together.

496
00:28:15,400 --> 00:28:20,000
Speaker 1: It's not great yet, but maybe it'll get better. Maybe

497
00:28:20,040 --> 00:28:22,399
Speaker 1: it'll get better. But then I did. Also, it was

498
00:28:22,440 --> 00:28:26,040
Speaker 1: odd to me that Brandon says when he's remembering things

499
00:28:26,119 --> 00:28:29,719
Speaker 1: that he knows about Kelly, and he says, I remember

500
00:28:29,720 --> 00:28:31,760
Speaker 1: the way you hang your stockings in the shower.

501
00:28:32,240 --> 00:28:33,639
Speaker 2: Thank you. I wanted to bring that up.

502
00:28:34,560 --> 00:28:38,400
Speaker 1: My god, I'm glad you did. Who we're stockings? No

503
00:28:38,440 --> 00:28:41,320
Speaker 1: one calls them stockings, right or am I wrong?

504
00:28:41,600 --> 00:28:43,920
Speaker 2: You're not currently back then?

505
00:28:44,000 --> 00:28:46,440
Speaker 3: Remember, people call them nylons.

506
00:28:45,920 --> 00:28:50,880
Speaker 2: Nylons or hose, yes, anty hose?

507
00:28:51,000 --> 00:28:52,760
Speaker 1: The what are they called now?

508
00:28:54,200 --> 00:28:58,719
Speaker 2: But but even if I didn't think right, yeah, the

509
00:28:58,760 --> 00:29:02,400
Speaker 2: sheer one gets hosiery, hosiery.

510
00:29:02,520 --> 00:29:06,520
Speaker 3: It sounds fancier hosiery. I don't own one pair of

511
00:29:06,560 --> 00:29:09,520
Speaker 3: tights or one pair of pantyhose or any of that.

512
00:29:09,640 --> 00:29:11,400
Speaker 3: I do not own any of that, do you guys?

513
00:29:12,000 --> 00:29:14,760
Speaker 2: You got a lot of booty shorts. We see them every.

514
00:29:14,640 --> 00:29:17,800
Speaker 3: Tons of short, But I don't know one pair of

515
00:29:17,840 --> 00:29:20,800
Speaker 3: anything that would have feet on it that also pull

516
00:29:20,880 --> 00:29:21,680
Speaker 3: up to my waist.

517
00:29:22,120 --> 00:29:26,040
Speaker 1: Nothing. Yeah, I think I have some in my kit,

518
00:29:26,280 --> 00:29:28,280
Speaker 1: like up in the top of my closet for those

519
00:29:28,640 --> 00:29:30,240
Speaker 1: just in case moments or.

520
00:29:30,280 --> 00:29:32,080
Speaker 2: I have those like fish net ones.

521
00:29:32,640 --> 00:29:36,200
Speaker 1: We have the fish net ones that who started those

522
00:29:36,480 --> 00:29:38,200
Speaker 1: with it?

523
00:29:39,040 --> 00:29:43,440
Speaker 2: Like yah, they would weary Yeah on camera you can't

524
00:29:43,480 --> 00:29:45,760
Speaker 2: see them, but you really can always see them, like

525
00:29:45,800 --> 00:29:48,160
Speaker 2: if we wear them, zoom in on a picture of

526
00:29:48,160 --> 00:29:49,720
Speaker 2: red carpet, I see them, don't you?

527
00:29:49,800 --> 00:29:52,120
Speaker 3: Then cut them off and make leggings like I don't

528
00:29:52,160 --> 00:29:53,160
Speaker 3: want the feet part.

529
00:29:53,640 --> 00:29:56,880
Speaker 1: That's where I'm like, Oh, interesting, they make footless ones,

530
00:29:56,960 --> 00:29:59,880
Speaker 1: you know. Yeah, I tell you don't want to bring

531
00:30:00,120 --> 00:30:06,040
Speaker 1: later wormers you guys steps Oh does never look good?

532
00:30:06,160 --> 00:30:11,320
Speaker 2: Wait, there was another line. Oh when Kelly said you

533
00:30:11,360 --> 00:30:16,200
Speaker 2: were there for me when I was kicking cocaine. That

534
00:30:16,240 --> 00:30:21,280
Speaker 2: one riled me up, just like the stockings line kicking cocaine.

535
00:30:21,480 --> 00:30:24,920
Speaker 2: Some interesting that's a T shirt kicking cocaine or a band?

536
00:30:25,280 --> 00:30:30,640
Speaker 1: What? Yeah? God, Amy, what did you say you're going

537
00:30:30,680 --> 00:30:32,320
Speaker 1: to bring back leg warmers. I want to bring back

538
00:30:32,400 --> 00:30:32,920
Speaker 1: leg warmers.

539
00:30:32,920 --> 00:30:35,400
Speaker 2: I always wear them, they've ever left. I have forty two.

540
00:30:35,240 --> 00:30:36,720
Speaker 1: Pairs in twenty twenty six.

541
00:30:36,720 --> 00:30:40,440
Speaker 3: I'm gonna bring back wi fi because literally my WiFi

542
00:30:40,520 --> 00:30:42,480
Speaker 3: has cut out no less than four hundred times during

543
00:30:42,480 --> 00:30:44,080
Speaker 3: that It's so bad and I have to press like

544
00:30:44,160 --> 00:30:46,520
Speaker 3: nine buttons. But that's gonna change next year.

545
00:30:46,600 --> 00:30:49,000
Speaker 2: Oh wait, kudos, your lighting looks better.

546
00:30:49,880 --> 00:30:50,440
Speaker 1: Thank you.

547
00:30:50,440 --> 00:30:53,520
Speaker 3: You know why I switched, It's because it was the camera.

548
00:30:53,680 --> 00:30:56,320
Speaker 3: The reason I've looked like a troll for the last

549
00:30:56,400 --> 00:31:00,800
Speaker 3: seven months is because I switched to this computer, thinking, oh,

550
00:31:00,840 --> 00:31:04,520
Speaker 3: this is gonna be amazing. It was the camera. It

551
00:31:04,600 --> 00:31:05,600
Speaker 3: was never even the lighting.

552
00:31:05,720 --> 00:31:06,480
Speaker 1: It was the camera.

553
00:31:06,880 --> 00:31:09,160
Speaker 3: Anyway, It's fine, I'm doing a whole new plan, but

554
00:31:09,200 --> 00:31:11,440
Speaker 3: I want to bring back leg warmers and arm warmers.

555
00:31:11,440 --> 00:31:13,040
Speaker 1: Do you guys know what is?

556
00:31:13,200 --> 00:31:14,480
Speaker 2: And those haven't left either.

557
00:31:15,360 --> 00:31:18,960
Speaker 1: They've left me. So I think I only have one

558
00:31:19,000 --> 00:31:20,840
Speaker 1: pair of leg warmers, and I don't think I've ever

559
00:31:20,920 --> 00:31:21,400
Speaker 1: worn them.

560
00:31:21,600 --> 00:31:23,680
Speaker 3: I don't have any, and I want them. I did

561
00:31:23,760 --> 00:31:24,880
Speaker 3: back in the Flashdance.

562
00:31:24,960 --> 00:31:26,520
Speaker 1: You know, you go through your closet and you can

563
00:31:26,680 --> 00:31:29,240
Speaker 1: get rid of stuff you haven't worn in the last year.

564
00:31:29,360 --> 00:31:31,960
Speaker 1: I wouldn't get rid of my.

565
00:31:32,000 --> 00:31:35,680
Speaker 3: Things, Jenny. I completely agree with you. I go into

566
00:31:35,760 --> 00:31:37,600
Speaker 3: my drawer and I go, there's five sweaters in here.

567
00:31:37,640 --> 00:31:39,120
Speaker 3: I haven't worn in nine years, but.

568
00:31:39,040 --> 00:31:39,800
Speaker 1: I should keep them.

569
00:31:40,480 --> 00:31:42,520
Speaker 3: You guys are giving me my cant and then I'm like,

570
00:31:42,840 --> 00:31:44,280
Speaker 3: if I was ten pounds skinnier.

571
00:31:44,280 --> 00:31:46,240
Speaker 1: This would look so good, but you know what, you

572
00:31:46,320 --> 00:31:47,840
Speaker 1: might loose ten pounds. You should keep it.

573
00:31:49,840 --> 00:31:52,400
Speaker 2: You guys are ignoring the fact that I have said

574
00:31:52,480 --> 00:31:53,080
Speaker 2: now twice.

575
00:31:53,120 --> 00:31:57,200
Speaker 1: No, we have Tori. We know forty two pairs of

576
00:31:57,320 --> 00:32:01,080
Speaker 1: leg warmers. Oh my god, also toy. We worry about

577
00:32:01,080 --> 00:32:04,000
Speaker 1: your closet. We want you to clean it out. Mm

578
00:32:04,120 --> 00:32:06,960
Speaker 1: hmm No, no, I just won't do it.

579
00:32:07,120 --> 00:32:07,600
Speaker 2: I won't.

580
00:32:09,440 --> 00:32:11,840
Speaker 1: Is it over? Is your closet over like crowded? Like

581
00:32:11,880 --> 00:32:13,480
Speaker 1: you can't even get a hanger in? Because that's what

582
00:32:13,600 --> 00:32:14,360
Speaker 1: mine is kind.

583
00:32:14,200 --> 00:32:15,080
Speaker 3: Of a mead.

584
00:32:15,240 --> 00:32:16,440
Speaker 1: I have the same hate.

585
00:32:16,280 --> 00:32:20,080
Speaker 2: It the house we live in. It's not even a

586
00:32:20,120 --> 00:32:24,040
Speaker 2: walking closet I have. It's like, oh no, that's what

587
00:32:24,040 --> 00:32:28,040
Speaker 2: I was terrible. I mean, I guess I can walk

588
00:32:28,160 --> 00:32:31,160
Speaker 2: into it, I have to back out of it. It's like,

589
00:32:31,280 --> 00:32:31,920
Speaker 2: you know, it's.

590
00:32:31,800 --> 00:32:33,880
Speaker 1: Like mine's just a closet on the wall.

591
00:32:35,240 --> 00:32:38,000
Speaker 2: It's one notch up from that. But there were other

592
00:32:38,520 --> 00:32:40,960
Speaker 2: great things, like each kid could have a room. I

593
00:32:41,080 --> 00:32:44,120
Speaker 2: chose that over the closet. I'll be fine, not fine.

594
00:32:44,640 --> 00:32:51,000
Speaker 1: Fine, not fine at all. Oh no, twenty twenty six.

595
00:32:51,040 --> 00:32:52,400
Speaker 3: I'd love to make a new closet, but that's not

596
00:32:52,440 --> 00:32:52,960
Speaker 3: going to happen.

597
00:32:53,200 --> 00:32:56,680
Speaker 1: So I'm going, why don't we just get rid of

598
00:32:56,800 --> 00:32:59,280
Speaker 1: things we haven't worn in nine years?

599
00:32:58,440 --> 00:33:01,840
Speaker 2: Yeah, that's up, it's all coming back.

600
00:33:02,360 --> 00:33:03,920
Speaker 1: No, but when I put it on it, I hate it.

601
00:33:03,920 --> 00:33:05,680
Speaker 1: It has to go. It's like it has to go.

602
00:33:05,920 --> 00:33:08,520
Speaker 1: But wait, but don't you do you have a storage

603
00:33:08,560 --> 00:33:12,360
Speaker 1: that you keep stuff in? Me like separate from your house,

604
00:33:12,400 --> 00:33:13,760
Speaker 1: tour me not anymore.

605
00:33:15,080 --> 00:33:19,400
Speaker 2: It's all in my garage in boxes filled to the ceiling.

606
00:33:19,480 --> 00:33:21,320
Speaker 2: So I couldn't even go through it if I wanted to.

607
00:33:22,520 --> 00:33:24,200
Speaker 1: Yeah, you can't even get in the door.

608
00:33:24,120 --> 00:33:25,440
Speaker 2: And say I'm going to do that one of these

609
00:33:25,520 --> 00:33:27,240
Speaker 2: days and then close it promptly.

610
00:33:29,680 --> 00:33:31,960
Speaker 1: I don't even have a garage a closet. Space is

611
00:33:32,040 --> 00:33:33,520
Speaker 1: limited around this town.

612
00:33:35,640 --> 00:33:39,080
Speaker 3: It's a lost art and the storage unit is just

613
00:33:39,080 --> 00:33:41,040
Speaker 3: where things go to never be found again.

614
00:33:41,160 --> 00:33:43,040
Speaker 1: Yeah, that's what I've learned. That's so true.

615
00:33:43,560 --> 00:33:46,320
Speaker 3: I put my Christmas trees. I have Christmas trees, put

616
00:33:46,320 --> 00:33:48,520
Speaker 3: them in the storage. Guess what I didn't put out

617
00:33:48,520 --> 00:33:51,800
Speaker 3: this year? Christmas trees because I'm so lazy.

618
00:33:52,880 --> 00:33:55,000
Speaker 2: It's easier to get a new one.

619
00:33:55,480 --> 00:33:57,400
Speaker 1: I can't go in the storage either. I'm always like,

620
00:33:57,560 --> 00:33:59,240
Speaker 1: can someone please go in there and get me some

621
00:33:59,320 --> 00:34:02,400
Speaker 1: I don't know what. There's certain things that just like, hey,

622
00:34:02,640 --> 00:34:04,120
Speaker 1: I have a hang up. I'm like, I can't go

623
00:34:04,160 --> 00:34:08,319
Speaker 1: to the storage unit's so bad. I don't know why.

624
00:34:08,719 --> 00:34:12,200
Speaker 1: And yet you pay hundreds of dollars and I drive

625
00:34:12,239 --> 00:34:14,560
Speaker 1: by it every day because my storage unit.

626
00:34:14,440 --> 00:34:17,160
Speaker 3: Is in my town, so I literally drive by it

627
00:34:17,239 --> 00:34:18,560
Speaker 3: and it's like a mental block.

628
00:34:18,640 --> 00:34:20,240
Speaker 1: I'm like, I don't want to go in that gate.

629
00:34:20,680 --> 00:34:22,959
Speaker 1: How much is the storage unit for like one month?

630
00:34:23,040 --> 00:34:26,840
Speaker 1: These days? Mine's like three hundred dollars and fifty dollars

631
00:34:27,360 --> 00:34:28,520
Speaker 1: And that's a small one.

632
00:34:29,080 --> 00:34:31,560
Speaker 3: Yes, mine is so small. The size of toy's closet.

633
00:34:32,239 --> 00:34:34,760
Speaker 1: Oh no, what God.

634
00:34:35,280 --> 00:34:37,840
Speaker 3: Christmas trees chairs a bunch of crap in there that

635
00:34:38,400 --> 00:34:38,719
Speaker 3: I don't know.

636
00:34:39,320 --> 00:34:41,000
Speaker 1: So bad, so bad?

637
00:34:42,600 --> 00:34:44,920
Speaker 2: Wha what's next you guys?

638
00:34:45,040 --> 00:34:47,239
Speaker 1: I got to ask, what do you guys rate this episode?

639
00:34:47,440 --> 00:34:53,279
Speaker 3: Oh my god, is saying seven for me?

640
00:34:53,960 --> 00:34:54,360
Speaker 1: Really?

641
00:34:55,719 --> 00:34:56,919
Speaker 2: I'll say a seven.

642
00:34:58,200 --> 00:34:59,640
Speaker 1: And I go six. Guys.

643
00:35:00,680 --> 00:35:02,040
Speaker 2: I'm sorry, but.

644
00:35:02,000 --> 00:35:04,000
Speaker 3: At least your back and the ring is around your

645
00:35:04,040 --> 00:35:05,759
Speaker 3: neck and then now it's going to be back on

646
00:35:05,800 --> 00:35:06,280
Speaker 3: your finger.

647
00:35:06,320 --> 00:35:10,719
Speaker 1: I kind of wanted him to. I was like, just proposed, dude, Yeah,

648
00:35:10,760 --> 00:35:15,359
Speaker 1: I like Kelly and Brandon together totally. I never really knew,

649
00:35:15,520 --> 00:35:18,319
Speaker 1: like I never looked at it from the outside end

650
00:35:18,400 --> 00:35:23,960
Speaker 1: like that, you know, as a viewer, and there were

651
00:35:24,040 --> 00:35:27,320
Speaker 1: just also so many men straight.

652
00:35:28,280 --> 00:35:30,960
Speaker 3: But no, we didn't even talk about your dumb like

653
00:35:31,320 --> 00:35:33,319
Speaker 3: walk with Noah where you're kind of like, I think

654
00:35:33,360 --> 00:35:35,759
Speaker 3: I like you Noah, and Noah's like, no, you don't.

655
00:35:35,960 --> 00:35:36,920
Speaker 1: We're nothing alike.

656
00:35:38,080 --> 00:35:40,799
Speaker 3: Yeah, at least he did the right thing, thank god,

657
00:35:40,840 --> 00:35:43,600
Speaker 3: because otherwise he's gonna get punched in the face, so

658
00:35:43,640 --> 00:35:47,359
Speaker 3: that would have been fun. I'm gonna have to lower

659
00:35:47,400 --> 00:35:51,800
Speaker 3: this to sick. I don't know that we're going to

660
00:35:51,880 --> 00:35:55,759
Speaker 3: head A ten again. But I don't know.

661
00:35:56,080 --> 00:36:00,239
Speaker 1: I don't know the wedding. Maybe I will give the

662
00:36:00,280 --> 00:36:06,000
Speaker 1: finale see the series finale a dead predicted. Yeah, no

663
00:36:06,239 --> 00:36:08,680
Speaker 1: chance that. I'm not going to I don't even care

664
00:36:08,719 --> 00:36:09,439
Speaker 1: what it's on.

665
00:36:09,760 --> 00:36:10,200
Speaker 2: What's in it?

666
00:36:11,640 --> 00:36:15,200
Speaker 1: Okay, what is gonna give it? Three tens?

667
00:36:15,520 --> 00:36:15,680
Speaker 2: Yeah?

668
00:36:15,760 --> 00:36:17,920
Speaker 3: What episode do we watch after Christmas?

669
00:36:19,000 --> 00:36:22,760
Speaker 1: Let me see here, we are going to episode six

670
00:36:23,160 --> 00:36:28,799
Speaker 1: the right thing, as opposed to episode seven, which will

671
00:36:28,800 --> 00:36:32,439
Speaker 1: be called the wrong Thing. No, I'm just kidding. I mean,

672
00:36:32,560 --> 00:36:34,920
Speaker 1: it's I don't know, I don't know what's right honestly,

673
00:36:35,280 --> 00:36:40,000
Speaker 1: what is made job? I like it. I like it.

674
00:36:41,600 --> 00:36:44,759
Speaker 1: So this was written by Laurie McCarthy, a woman, but

675
00:36:46,600 --> 00:36:55,799
Speaker 1: overseen by twenty five men. Pretty much, yeah, I cannot imagine.

676
00:36:56,480 --> 00:37:01,480
Speaker 2: Okay, good times, good time, brand On back back together.

677
00:37:01,840 --> 00:37:03,360
Speaker 2: It's going to be about that, right.

678
00:37:06,640 --> 00:37:14,560
Speaker 3: Okay, Oh yeah true. Okay guys, good time, Sanks guys.

679
00:37:14,680 --> 00:37:15,799
Speaker 1: Such a good episode.