WEBVTT - #236 - Ty Dolla $ign

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<v Speaker 1>It is the bouleg Cat Show. We have a special guest.

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<v Speaker 1>He brought his cancer sticks to the interview smoking cigarettes.

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<v Speaker 1>This is not marijuana. We got ty dollars on here.

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<v Speaker 1>How you doing, my brother, I'm good man, It's good

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<v Speaker 1>to see. It's good to see you too. I mean,

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<v Speaker 1>I see I've seen you around, but I feel like

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<v Speaker 1>I just saw you at the Joiner show backstage. That's okay, okay, okay, yeah,

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<v Speaker 1>that's right. Yeah. I must have been smoking something else.

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<v Speaker 1>I must have been smoking something else. But it's good

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<v Speaker 1>to see you. Man. Loving this new record. You appreciate you.

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<v Speaker 1>Mustard and Dirk shout out to my brothers. It's been

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<v Speaker 1>a minute since we dropped and were back back like

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<v Speaker 1>we never left. It is interesting that, like you guys

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<v Speaker 1>are doing a joint album together, which feels like overdue.

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<v Speaker 1>I can uh, I can see that. It feels like,

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<v Speaker 1>you know, there should have been like this, like I

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<v Speaker 1>don't know seven years ago or something, but maybe yeah,

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<v Speaker 1>but we're doing it now. You know all that would

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<v Speaker 1>have could have should have matter, It doesn't matter. You know.

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<v Speaker 1>The record is the records here is one of the

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<v Speaker 1>greatest records that you're gonna hear, and uh, I can't

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<v Speaker 1>wait for you to hear. Man. I was gonna say

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<v Speaker 1>timing wise, like why was it, Like you know what,

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<v Speaker 1>now's the time, Like, let's do it, let's get together,

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<v Speaker 1>Let's do a whole fucking album. You God's time. You

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<v Speaker 1>know that's why. Yeah, that's why God's time. You on

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<v Speaker 1>God's timing. I'm an atheist, so I don't know, but

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<v Speaker 1>you're on God's timing, whether you want to believe it

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<v Speaker 1>or not. Yeah. Hello, Hello? How many records enough? Just

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<v Speaker 1>the perfect amount. Not one of those albums that have

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<v Speaker 1>all these records for streams trying to cheat. You know

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<v Speaker 1>what I'm saying, You're gonna love it or you're not,

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<v Speaker 1>So it's one of them ones like she'd be like God,

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<v Speaker 1>there's twenty seconds, yah cheating? Yeah, chet make an actual

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<v Speaker 1>good album. Yeah, how about no filler all bangers, let's go.

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<v Speaker 1>Body of work, Let's go. Yeah, man, I'm talking. You're

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<v Speaker 1>one of the I do feel like when it comes

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<v Speaker 1>to bodies of work, though, you're one of the most

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<v Speaker 1>consistent artists, at least in my opinion. When I know

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<v Speaker 1>if you drop a project, we even go to the

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<v Speaker 1>mixtape days, Like I just know that there's I could

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<v Speaker 1>just press play. That means a lot of my brother.

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<v Speaker 1>I appreciate it. Yeah, even the last album, there was

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<v Speaker 1>like there was like some stuff that I feel like

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<v Speaker 1>when the album came out, it was amazing, But there

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<v Speaker 1>were so many records that didn't make that last project.

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<v Speaker 1>Yeah that you had played me, Yeah, that's a whole

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<v Speaker 1>nother We ended up making a whole nother album last minute,

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<v Speaker 1>just because I was having fun in the studio and

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<v Speaker 1>that's the one I decided to go with. And the

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<v Speaker 1>Division album was dope. Thank you. I appreciate that as well.

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<v Speaker 1>Shout out to my brother Daniel. Shout out to eighty five.

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<v Speaker 1>I just seen him out in Miami. They got a

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<v Speaker 1>new album that's about to drop. Think, yeah, it comes

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<v Speaker 1>out next week. I think, Oh, that's gonna be crazy.

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<v Speaker 1>I love you niggas. Don't never want to send the

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<v Speaker 1>album early. I don't know what's up with that, but

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<v Speaker 1>send that thing. I love how they got in with JD.

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<v Speaker 1>And like, I'm like, I'm hearing this songs. I'm like,

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<v Speaker 1>this shit reminds me of like ninety nine R and B,

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<v Speaker 1>which is a good thing, by the way. Yeah, I

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<v Speaker 1>mean that's what I feel like R and B has

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<v Speaker 1>been missing missing. Everybody got lazy with it. So when

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<v Speaker 1>you get artists like Division, you know, going crazy. Brent

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<v Speaker 1>Faiyre is going crazy myself of course, Lam it's a

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<v Speaker 1>couple of week in name for sure, it's doing it.

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<v Speaker 1>But you know that's a good thing for sure. J

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<v Speaker 1>one hundred percent JD. For you, though, what has been

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<v Speaker 1>like was there any sort of like creative difference for

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<v Speaker 1>you honing in with one producer for a whole project

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<v Speaker 1>or was it kind of did it make it easier?

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<v Speaker 1>Was it more difficult? Was it did it change your

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<v Speaker 1>process at all? When I'm working with Mustard, it's like

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<v Speaker 1>my you know, he's my brother, you know what I'm saying.

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<v Speaker 1>We started and this shit together. So it's like working

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<v Speaker 1>with if it was me and you working on some

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<v Speaker 1>like on magazine covers and shit together. You guys are

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<v Speaker 1>very synonymous with each other, so it was it was easy.

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<v Speaker 1>It was easy, man, just his ideas, my ideas, back

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<v Speaker 1>and forth, back and forth. It was quick. You know,

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<v Speaker 1>the actual time we spent in the studio, how long

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<v Speaker 1>did it, like if you had a guest estimate, like

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<v Speaker 1>how long did it take for it didn't take more

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<v Speaker 1>than a month to knock it out, but just span

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<v Speaker 1>over time due to his schedule with my schedule. Wow,

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<v Speaker 1>do you get first like DIBs over the beats? For sure?

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<v Speaker 1>He gave me all this fire shit and then I

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<v Speaker 1>was giving him, you know, ideas, melodies with vocals, and

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<v Speaker 1>then he'll add his parts to it, and we're just

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<v Speaker 1>going back and forth like that. So it was crazy. Yeah.

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<v Speaker 1>I always whenever I'm talking about you in interviews, I

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<v Speaker 1>always say that creatively, you're a genius. I appreciate it. Man,

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<v Speaker 1>you're historically one of the more slept on artists somehow

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<v Speaker 1>of our time. I don't like that slept on shit.

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<v Speaker 1>I'm one of the greatest artists of our time. So

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<v Speaker 1>y'all gotta stop saying that shit. Stop pushing that narrative.

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<v Speaker 1>Todd Dallas signe one of the best I ever heard,

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<v Speaker 1>I agree fully. Are we we're going chain, We're chaining.

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<v Speaker 1>Let me just hold one, hold one. Can you light

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<v Speaker 1>one and just let me hold it? Let me just

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<v Speaker 1>soak up some of that fucking cans. You know what

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<v Speaker 1>I mean. People who don't know you're not like a

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<v Speaker 1>regular smoker, but these are special. These are Special. I

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<v Speaker 1>don't know why I'm going so fast on them right now.

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<v Speaker 1>I gotta rash these things out. I'm gonna just take

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<v Speaker 1>one pool just to keep it lit. That's the first

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<v Speaker 1>time I've ever smoked a cigarette, actually, when I was eight.

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<v Speaker 1>Did you gotta bite that first one? The little tangy part? No,

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<v Speaker 1>you gonna hear it? Look at it. You see the

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<v Speaker 1>little orange part. That's not I'm not comfortable with anymore.

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<v Speaker 1>Here you go. Yeah? Wait, wait when did Dwight get here?

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<v Speaker 1>What the fuck? I got both? We got both Atlantic

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<v Speaker 1>reps in this motherfucker. Man. It's special Man, we are here.

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<v Speaker 1>Come on, you bringing them out? Going number one? You're

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<v Speaker 1>bringing them out? Yeah, shout out to dark Man. I

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<v Speaker 1>love the new record obviously. Uh. I feel like you're

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<v Speaker 1>the kind of artist that when you get in with

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<v Speaker 1>somebody that there might be like five or six unreleased

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<v Speaker 1>songs with them sitting on a hard drive somewhere. Yeah.

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<v Speaker 1>Is that a fair assumption in general? With Ty? Yeah,

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<v Speaker 1>you know, off and on Dirk, especially with me and

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<v Speaker 1>Bro like we was on the cover of the Double

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<v Speaker 1>Excel Freshman together and been doing it since then, and

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<v Speaker 1>now he's one of the biggest artists out there, you know,

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<v Speaker 1>So shout out to Dirk and all the hard work

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<v Speaker 1>he's put in, and it's you know, I'm happy for

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<v Speaker 1>bro for sure to see all that shit payoff. How

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<v Speaker 1>many songs unreleased do you have with him? I mean

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<v Speaker 1>I couldn't even say, but we got songs for sure.

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<v Speaker 1>It's crazy because I kind of even just just back

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<v Speaker 1>to the Chicago thing. Obviously, Dirk's an og Like we've

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<v Speaker 1>seen him grow into this superstar over the last ten years.

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<v Speaker 1>First time I ever saw a guy like little Bibby

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<v Speaker 1>Bibby was on tour with you. Was that fucking what

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<v Speaker 1>was that like twenty fourteen? And now he's obviously a

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<v Speaker 1>huge executive and he's yeah, richer than everybody. You know. Yeah, Wow,

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<v Speaker 1>he did his thing. You know what I'm saying, It's

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<v Speaker 1>a it's good to see ship like that. But you're

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<v Speaker 1>always pretty much I was gonna say, you were pretty

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<v Speaker 1>much tapped in with Chicago, like from the rip. Yeah,

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<v Speaker 1>shout out to all my brothers out there, you know,

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<v Speaker 1>rest rest and piece Fredo, Rest and peace of Fredo. Indeed,

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<v Speaker 1>speaking of Chicago, your friend Kanye Man, you guys have

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<v Speaker 1>classics together. Yes, uh, I He's my favorite artist of

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<v Speaker 1>all time. He's up there, all his albums are up there.

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<v Speaker 1>You see the Little Bears. Have you spoken also one

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<v Speaker 1>of the greatest artists of our time. Have you spoken

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<v Speaker 1>with him any of this craziness has been going on?

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<v Speaker 1>I have not got a chance to speak to now.

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<v Speaker 1>I feel like you guys are genuine friends. Is that

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<v Speaker 1>safe to assume? Yeah? For sure, Bro. You know, I

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<v Speaker 1>feel like Kanye at times says things that probably I

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<v Speaker 1>feel like the bigger point gets lost in some of

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<v Speaker 1>the delivery that he'd be saying. Would you what would like?

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<v Speaker 1>Would you say based on some of the narratives that

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<v Speaker 1>are being painted about Yay with some of the anti

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<v Speaker 1>Semitic shit, I feel like you know him better than

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<v Speaker 1>most of the people that are speaking about him. I

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<v Speaker 1>would say I would say he's a great guy. I

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<v Speaker 1>would say he does what he wants. There's got to

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<v Speaker 1>be something that he's you know, trying to get across

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<v Speaker 1>with whatever he's doing, and at the end of the day,

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<v Speaker 1>is a great guy. So we love Kanye and you

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<v Speaker 1>guys have classics together. Yeah, for sure. When you work

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<v Speaker 1>with because you've you work with a guy like Muster,

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<v Speaker 1>who again a modern day legend. Yeah, one of the

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<v Speaker 1>best producers of our generation. You've worked with the a.

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<v Speaker 1>What's the creative difference between those two guys in the

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<v Speaker 1>studio the individuals. Uh, Jay has the way he does shit,

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<v Speaker 1>Mustard has the way he does shit. It's completely different.

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<v Speaker 1>But how I mean you can hear it. I just

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<v Speaker 1>mean like in terms of like the process, because I

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<v Speaker 1>always hear ya like more sporadical, like sometimes you just

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<v Speaker 1>might set up a fucking microphone in the corner over

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<v Speaker 1>there and like, but Musta may do the same thing.

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<v Speaker 1>So it's just different styles. You know. We came up

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<v Speaker 1>different ways and have different techniques of doing this shit.

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<v Speaker 1>But at the end of the day, we all make bangers,

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<v Speaker 1>so but way different ways of doing this shit. There's

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<v Speaker 1>just a different route to getting to the banger with

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<v Speaker 1>each person, right, Yeah, is there been a producer because

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<v Speaker 1>you know, a lot of people don't notice about you.

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<v Speaker 1>You're kind of like what I would consider to be

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<v Speaker 1>quite the hip hop head. Yeah, for sure. You love

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<v Speaker 1>you some, Jay Dilla, Yeah, you know what I'm saying. Uh,

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<v Speaker 1>there's been guys like Madly who've been pretty active recently,

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<v Speaker 1>like putting out great records, but like has got mad

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<v Speaker 1>Live's number, I don't. I don't think anybody does. That's what.

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<v Speaker 1>That's one guy I've been wanting to work with from

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<v Speaker 1>the beginning that I haven't got a chance to. I

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<v Speaker 1>never really came across Bro, So I don't think anyone's

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<v Speaker 1>coming up called at me, Bro. If you hear this shit,

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<v Speaker 1>I was gonna say, that's somebody who you'd like to

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<v Speaker 1>work with. I would love to work with mad Live.

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<v Speaker 1>I recently just did an interview with taylb Quality and

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<v Speaker 1>we're supposed to do something. He's also a legend to

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<v Speaker 1>me and someone I always wanted to work with. So

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<v Speaker 1>I love that type of music for Shure. I don't

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<v Speaker 1>think people would put that like together because I mean,

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<v Speaker 1>you've done some record anybody that's a real time fan

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<v Speaker 1>with no like back from Tying Corey days all the

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<v Speaker 1>way up to now. And even like if that that

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<v Speaker 1>one off I drop with j Cole, Like, if you

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<v Speaker 1>hear that, you would know that's like, that's my type

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<v Speaker 1>of shit. Madly, we gotta make it happen. He's out there,

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<v Speaker 1>he's just he's making I already made all of the

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<v Speaker 1>fucking uh bandana shiit the Freddie gives Aubu. I already

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<v Speaker 1>made that shit off his iPad. Yeah, man, that's he

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<v Speaker 1>a boy. You should put this out too. I'm just

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<v Speaker 1>kind of wasting it, or you can just take it.

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<v Speaker 1>I don't want it. You're just gonna waste my shit

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<v Speaker 1>like that man. Some ship it just, you know what,

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<v Speaker 1>I understand the appeal of it, though. I feel like

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<v Speaker 1>I'm in a movie. I feel like we should be there,

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<v Speaker 1>should be like green lights and pull tables around. Yeah,

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<v Speaker 1>I feel you. The vibe range women, you know what

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<v Speaker 1>I mean. Maybe some whiskey. Yeah, I'm not trying to

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<v Speaker 1>push it. Push it on nobody. Don't fuck with it.

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<v Speaker 1>It's just trash that just happened to like it. Yeah,

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<v Speaker 1>I respect it. Hey, whatever show you're still heavy smoking

0:11:11.520 --> 0:11:14.880
<v Speaker 1>on the on the on the Gandra. Yeah, papers only

0:11:14.920 --> 0:11:17.480
<v Speaker 1>still papers only, still still tell the game to the

0:11:17.520 --> 0:11:20.880
<v Speaker 1>day I die. Yes, you and Wiz are gonna run

0:11:20.920 --> 0:11:23.560
<v Speaker 1>it back on the joint, the joint side. What's up?

0:11:24.280 --> 0:11:26.240
<v Speaker 1>Let's do it? You know he got his new album

0:11:26.240 --> 0:11:28.640
<v Speaker 1>about to drop up on there for sure. What's it called?

0:11:28.720 --> 0:11:32.400
<v Speaker 1>G uh G? What the is it called? He's not

0:11:32.440 --> 0:11:34.800
<v Speaker 1>even on Atlantic anymore. You guys wouldn't even fucking know

0:11:35.800 --> 0:11:40.280
<v Speaker 1>supposed to be saying the exclusive the deluxe edition, I

0:11:40.280 --> 0:11:43.319
<v Speaker 1>think just dropped of multiverse. But he's got his other

0:11:43.440 --> 0:11:47.960
<v Speaker 1>ship g raw G Star G Something. You know what?

0:11:49.880 --> 0:11:52.960
<v Speaker 1>Fuck you got me erased this part? God damn it.

0:11:53.679 --> 0:11:55.040
<v Speaker 1>We could just pull it out and give him a

0:11:55.080 --> 0:11:58.280
<v Speaker 1>nice plug because that's our brother and we love him.

0:11:58.360 --> 0:12:03.640
<v Speaker 1>It's called G something, Uhiz, we gotta plug Wizards album man.

0:12:03.960 --> 0:12:07.640
<v Speaker 1>We can't not do it. Yeah, knowing him, it's probably

0:12:07.640 --> 0:12:10.440
<v Speaker 1>nowhere on Yeah, there's no it's gotta be on his

0:12:10.760 --> 0:12:14.800
<v Speaker 1>on his page. I've been seeing him. Yeah, he's been

0:12:14.800 --> 0:12:17.520
<v Speaker 1>promoting it, but it's not in the captions. Oh g rage,

0:12:17.720 --> 0:12:21.559
<v Speaker 1>g rage, g rage all right, I raced up until here.

0:12:21.840 --> 0:12:24.120
<v Speaker 1>So the new Wiz album, g Rage Man, that's just

0:12:24.160 --> 0:12:28.959
<v Speaker 1>gonna go crazy crazy. Who's on the album, man? Besides

0:12:29.040 --> 0:12:34.160
<v Speaker 1>Dirk on my album, uh Mustard and Ty Dollars Sign

0:12:34.200 --> 0:12:36.480
<v Speaker 1>and I'm featuring Ty Dollars and a lot of songs.

0:12:37.080 --> 0:12:38.599
<v Speaker 1>Of course, you know when you see that feature in

0:12:38.640 --> 0:12:41.120
<v Speaker 1>Ti Dollars Sign. But when you see his own project,

0:12:41.160 --> 0:12:43.520
<v Speaker 1>like he said, you know, that's it can't ride, not

0:12:43.679 --> 0:12:47.840
<v Speaker 1>like these other albums. But who's on the album outside

0:12:48.360 --> 0:12:53.880
<v Speaker 1>Dirty Dirt, Uh Mustard. You know what I'm saying. We've

0:12:53.880 --> 0:12:59.560
<v Speaker 1>gathered that much ten summers, easy money. You know lam A,

0:13:00.920 --> 0:13:03.439
<v Speaker 1>I mean if lam with Blessed Us with a Verse

0:13:03.600 --> 0:13:08.560
<v Speaker 1>or Live. You know, I'm not saying nothing yet, man,

0:13:08.720 --> 0:13:10.880
<v Speaker 1>but you know I'm gonna play it for you. Pull

0:13:10.960 --> 0:13:13.160
<v Speaker 1>up to the studio after this. We've got a studio

0:13:13.240 --> 0:13:14.560
<v Speaker 1>right in there. You just playing I Got You, I

0:13:14.559 --> 0:13:16.040
<v Speaker 1>Got You, I Got you. Can play me some ship,

0:13:16.200 --> 0:13:20.600
<v Speaker 1>I got you? Yeah, this guy, Yeah, the songs out.

0:13:20.640 --> 0:13:22.720
<v Speaker 1>We know Dirk's on the fucking album. Man, get that

0:13:22.800 --> 0:13:25.319
<v Speaker 1>my friends, man, run that back. Shout out to everybody

0:13:25.320 --> 0:13:27.040
<v Speaker 1>playing that ship. You heard it first right here on

0:13:27.080 --> 0:13:30.360
<v Speaker 1>boutlet cav. What did we hear first? You gave me

0:13:30.400 --> 0:13:34.560
<v Speaker 1>no exclusives. I gave you my friends, y'all heard it first. Oh,

0:13:34.640 --> 0:13:37.400
<v Speaker 1>right here on bulet cav. What're talking about? This guy's

0:13:37.760 --> 0:13:40.120
<v Speaker 1>Dwight gets around. He starts introducing fucking songs in the

0:13:40.120 --> 0:13:43.600
<v Speaker 1>middle of the interview. I'm just talking about the most

0:13:43.640 --> 0:13:46.480
<v Speaker 1>important song out right now. Man, my friends, it's great

0:13:46.520 --> 0:13:48.960
<v Speaker 1>record t donand Sign and Mustard featuring a little dirt.

0:13:49.000 --> 0:13:50.440
<v Speaker 1>You know what I'm saying. We going up. All right,

0:13:50.520 --> 0:13:53.640
<v Speaker 1>we just charted on something today. You know what I'm saying.

0:13:53.679 --> 0:13:58.800
<v Speaker 1>That's our first little charging rhyth. Let's fucking go talking

0:13:58.840 --> 0:14:02.120
<v Speaker 1>about Hey, what iup, y'all? Bootleg keV gotta stop the

0:14:02.160 --> 0:14:04.680
<v Speaker 1>interview to tell you about our newest sponsor. Man. Shout

0:14:04.679 --> 0:14:08.719
<v Speaker 1>out to the homies at Hardan, Las Vegas. That's right then,

0:14:08.800 --> 0:14:13.240
<v Speaker 1>number one dispensary in the whole state of Nevada, let

0:14:13.280 --> 0:14:16.400
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0:14:16.400 --> 0:14:20.400
<v Speaker 1>premium cannabis, ladies and gentlemen. It is like, how can

0:14:20.440 --> 0:14:22.880
<v Speaker 1>I put this? You walk into it. You go to

0:14:22.960 --> 0:14:26.520
<v Speaker 1>Hardan in Las Vegas when you're on vacation, when you're

0:14:26.560 --> 0:14:30.200
<v Speaker 1>out there tricking off whatever you're doing, stop off at Hardan.

0:14:30.720 --> 0:14:33.280
<v Speaker 1>Tell them I sent you. Be like yo, Bootleg keV

0:14:33.360 --> 0:14:35.640
<v Speaker 1>sent me. They're gonna take care of you at Hardean.

0:14:35.920 --> 0:14:39.120
<v Speaker 1>When I say selection, I mean selection of the best

0:14:39.280 --> 0:14:44.120
<v Speaker 1>premium cannabis in the world, the best dispensary. There's a

0:14:44.160 --> 0:14:48.280
<v Speaker 1>reason why Hardan is world famous. Follow them right now,

0:14:48.640 --> 0:14:53.160
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0:14:53.160 --> 0:14:58.760
<v Speaker 1>That's ja r DN Underscore Las Vegas. When you're in Vegas,

0:14:59.040 --> 0:15:01.480
<v Speaker 1>you have to pull up a hard dean, tell them

0:15:01.600 --> 0:15:04.880
<v Speaker 1>I sent you, and get high off your fucking face.

0:15:05.120 --> 0:15:06.200
<v Speaker 1>I don't even know what that means. How do you

0:15:06.200 --> 0:15:08.600
<v Speaker 1>get high off of your face? Whatever? Melt your fucking

0:15:08.600 --> 0:15:10.720
<v Speaker 1>face off with some of that good hard dean. Y'all

0:15:10.840 --> 0:15:13.360
<v Speaker 1>go follow one more time. That's hardy underscore Las Vegas.

0:15:13.440 --> 0:15:16.520
<v Speaker 1>Let's get back to the interview. Oh yeah, I saw

0:15:16.560 --> 0:15:22.000
<v Speaker 1>you with Malika Andrews with the MPC on ESPN. What's up?

0:15:22.160 --> 0:15:24.800
<v Speaker 1>What happened there? That was amazing. Man. We got a

0:15:24.880 --> 0:15:30.600
<v Speaker 1>chance to join the ESPN studio today. Me and Muster

0:15:30.760 --> 0:15:32.880
<v Speaker 1>was making beats right there live. You know what I'm saying.

0:15:33.040 --> 0:15:35.320
<v Speaker 1>They ain't really seen that, but you know the tour

0:15:35.440 --> 0:15:38.520
<v Speaker 1>is coming soon. You know, you guys go on tour.

0:15:38.560 --> 0:15:42.320
<v Speaker 1>You guys pull out the MPC that before. MG. I

0:15:42.320 --> 0:15:44.240
<v Speaker 1>remember I saw Jurassic Five do that for the first

0:15:44.280 --> 0:15:47.000
<v Speaker 1>time when I was a kid. Cut Chemist and DJ

0:15:47.080 --> 0:15:50.400
<v Speaker 1>Newmark pulled out the fucking NPC. That shit blew my mind. Man,

0:15:51.040 --> 0:15:52.800
<v Speaker 1>you and Mustard did that together. Yeah, we did that

0:15:52.840 --> 0:15:56.600
<v Speaker 1>today on ESPN and its legendary. Shout out to all

0:15:56.640 --> 0:16:01.320
<v Speaker 1>my ESPN fan and uh we got the song as well.

0:16:01.520 --> 0:16:04.160
<v Speaker 1>We did a cloud with the NBA, so basically every

0:16:04.160 --> 0:16:05.720
<v Speaker 1>game you're gonna hear it, you know what I'm saying,

0:16:05.760 --> 0:16:08.240
<v Speaker 1>Like I said, the most important song right now, I

0:16:08.280 --> 0:16:10.920
<v Speaker 1>did a remix the NBA version of the ESPN version.

0:16:11.280 --> 0:16:13.120
<v Speaker 1>You know, I'm about to do the bootleg CAV version.

0:16:13.560 --> 0:16:15.480
<v Speaker 1>We out here. Are you gonna do some some dub

0:16:15.520 --> 0:16:18.800
<v Speaker 1>lates for the DJs? Of course that's the most important,

0:16:18.840 --> 0:16:21.080
<v Speaker 1>you know, next to the fans. Shout out to all

0:16:21.080 --> 0:16:23.680
<v Speaker 1>my DJs out there there it is man, how have

0:16:23.760 --> 0:16:28.640
<v Speaker 1>you been besides recording relentlessly, you know, I know you

0:16:28.720 --> 0:16:30.120
<v Speaker 1>got to spend a lot more time with the family

0:16:30.160 --> 0:16:34.240
<v Speaker 1>during the pandemic, you know, obviously touring and shows and shit. Yeah.

0:16:34.240 --> 0:16:40.080
<v Speaker 1>My daughter, man, she started her clothing line and the

0:16:40.080 --> 0:16:44.880
<v Speaker 1>first drop is Green Eyed Girls, and she's started her website.

0:16:45.120 --> 0:16:49.040
<v Speaker 1>She's seventeen. Now she's playing basketball. She's going crazy, and

0:16:49.560 --> 0:16:52.640
<v Speaker 1>you know, just seeing that, just seeing her blossom has

0:16:52.720 --> 0:16:55.720
<v Speaker 1>just been one of the greatest gifts from God for sure.

0:16:56.280 --> 0:16:58.960
<v Speaker 1>Is she junior? No, she has senior Oh yea, so

0:16:59.000 --> 0:17:01.760
<v Speaker 1>my son's seven, just turned seventeen, but he's a junior.

0:17:01.760 --> 0:17:03.240
<v Speaker 1>It's guy kind of crazy you having like a little

0:17:03.280 --> 0:17:06.000
<v Speaker 1>adult in your fucking house. Right, Well, how's it having

0:17:06.040 --> 0:17:09.680
<v Speaker 1>a young man having a young lady. I mean, listen,

0:17:10.280 --> 0:17:12.960
<v Speaker 1>I am scared to have a daughter. So if me

0:17:13.000 --> 0:17:14.960
<v Speaker 1>and my wife have another kid, I'm kind of hoping

0:17:14.960 --> 0:17:16.239
<v Speaker 1>I have a daughter because I feel like it might

0:17:16.320 --> 0:17:18.399
<v Speaker 1>change me for the better. Yeah, not to say that

0:17:18.440 --> 0:17:20.480
<v Speaker 1>I need a lot of changing. I'm a great fucking catch,

0:17:20.480 --> 0:17:24.200
<v Speaker 1>you know what I'm saying. But my son, My son

0:17:24.320 --> 0:17:26.600
<v Speaker 1>is like a little dude man Like, he's like a

0:17:26.640 --> 0:17:29.400
<v Speaker 1>little man Like he's more mature than me. Yeah, which

0:17:29.440 --> 0:17:32.800
<v Speaker 1>is a problem. Wow. Well he's definitely like the one

0:17:33.000 --> 0:17:36.639
<v Speaker 1>like Yoda. Is he a sniper? Like with women? Is

0:17:36.680 --> 0:17:39.800
<v Speaker 1>he a sniper? Call of duty? Did he pour champagne

0:17:39.800 --> 0:17:48.600
<v Speaker 1>on her? He's got a girlfriend. That's now he's got

0:17:48.600 --> 0:17:51.399
<v Speaker 1>a girlfriend. She's a sweetheart. But now he's like a

0:17:51.480 --> 0:17:54.480
<v Speaker 1>you know, he's like a music nerd now, oh for real. Yeah,

0:17:54.680 --> 0:17:57.080
<v Speaker 1>Like he used to be like, you know, into like

0:17:57.160 --> 0:17:59.439
<v Speaker 1>Fallout Boy and like Little Pump, but now he's like,

0:17:59.480 --> 0:18:03.919
<v Speaker 1>you know, diving into vinyl and like it's dope to

0:18:03.960 --> 0:18:06.879
<v Speaker 1>see you, that's dope. So he's like leaning towards the

0:18:06.920 --> 0:18:10.800
<v Speaker 1>DJ side. The production side. Just d no, no, no,

0:18:11.160 --> 0:18:15.080
<v Speaker 1>he shouldn't rap. Don't do him like that now him

0:18:15.080 --> 0:18:16.760
<v Speaker 1>and his friends been trying to raping shit in here

0:18:16.800 --> 0:18:19.360
<v Speaker 1>like and it's fucking terrible. Come on, man, he might

0:18:19.400 --> 0:18:21.919
<v Speaker 1>pop out in the next few months on some some

0:18:22.040 --> 0:18:26.200
<v Speaker 1>young mac Miller. Hey maybe that'll be fired. Maybe, man,

0:18:26.359 --> 0:18:28.520
<v Speaker 1>I don't know. Hey, Yo, take me back man to

0:18:28.640 --> 0:18:32.880
<v Speaker 1>like twenty twelve, twenty thirteen days, all star days, fucking

0:18:33.840 --> 0:18:36.919
<v Speaker 1>tutoring and booted days. Like, at any point in time,

0:18:37.160 --> 0:18:43.000
<v Speaker 1>did you foresee that you and YG and Mustard would

0:18:43.000 --> 0:18:48.439
<v Speaker 1>be the face of a generation of LA music. Did

0:18:48.520 --> 0:18:52.159
<v Speaker 1>y'all even have like any sort of life. I always

0:18:52.280 --> 0:18:55.080
<v Speaker 1>dream since a kid, even if you go before that,

0:18:55.080 --> 0:19:00.399
<v Speaker 1>that one day I will make my way and you know,

0:19:00.640 --> 0:19:06.600
<v Speaker 1>and to being that when I first met YG and

0:19:06.680 --> 0:19:11.480
<v Speaker 1>I first met Mustard, I would have never imagine, you

0:19:11.480 --> 0:19:13.280
<v Speaker 1>know what I'm saying that we was gonna do what

0:19:13.320 --> 0:19:16.199
<v Speaker 1>we did, just to be honest, but we did it

0:19:16.240 --> 0:19:20.520
<v Speaker 1>for show. We teamed up and it's been it's been

0:19:20.560 --> 0:19:23.040
<v Speaker 1>a journey for show. Shout out to both of my brothers. Yeah,

0:19:23.040 --> 0:19:25.720
<v Speaker 1>it's crazy. Like I remember the first time I ever

0:19:25.800 --> 0:19:30.280
<v Speaker 1>met you, uh, you guys were on tour with Bobby Brackens,

0:19:30.400 --> 0:19:34.200
<v Speaker 1>and I think wasn't the video person on the tour

0:19:35.280 --> 0:19:38.960
<v Speaker 1>Gucci Gucci chick. Wasn't she like Bobby Brackens like camera?

0:19:39.040 --> 0:19:41.400
<v Speaker 1>She was the camera she was the camera girl for show.

0:19:42.280 --> 0:19:46.000
<v Speaker 1>Then I forgot about that. Yeah, she sw there's an

0:19:46.040 --> 0:19:49.880
<v Speaker 1>interview of me with a GoPro that it's fuzzy as

0:19:49.920 --> 0:19:54.679
<v Speaker 1>fuck and you I'm interviewing Ygi and Bobby Brackens and

0:19:54.720 --> 0:19:57.119
<v Speaker 1>I'm making fun of Bobby Brackens pants. And then you

0:19:57.160 --> 0:19:59.040
<v Speaker 1>walk in and they're like, yeah, I was making fun

0:19:59.080 --> 0:20:05.760
<v Speaker 1>of Bobby Brackens. Yeah. And you walk in and they're like, oh,

0:20:05.800 --> 0:20:07.960
<v Speaker 1>this is actually the guy that's on uh at the

0:20:08.119 --> 0:20:10.400
<v Speaker 1>like at the time, like I didn't know who you were, right,

0:20:10.440 --> 0:20:11.520
<v Speaker 1>So they were like, oh, this is the guy who's

0:20:11.560 --> 0:20:14.840
<v Speaker 1>actually or whatever. And it was like it's on YouTube.

0:20:14.880 --> 0:20:16.320
<v Speaker 1>It's crazy. I'm like, yeah, the first time I had

0:20:16.359 --> 0:20:21.800
<v Speaker 1>ties on YouTube. I mean it's on the internet. Yeah,

0:20:21.880 --> 0:20:23.600
<v Speaker 1>the go pro or that wasn't even a GoPro. What

0:20:23.640 --> 0:20:26.040
<v Speaker 1>was the flip cam? Remember the flip cams They had

0:20:26.040 --> 0:20:28.760
<v Speaker 1>a little USB that popped out them. Ships were epic.

0:20:28.960 --> 0:20:32.439
<v Speaker 1>Wow one hundred. Do you feel like you've kind of

0:20:32.720 --> 0:20:37.280
<v Speaker 1>uh caught some TikTok love during the pandemic, Like a

0:20:37.320 --> 0:20:39.800
<v Speaker 1>song like something New is obviously a record that was

0:20:39.840 --> 0:20:41.680
<v Speaker 1>a few years old but had like a whole new

0:20:41.720 --> 0:20:46.360
<v Speaker 1>life on TikTok. But you don't make music for TikTok.

0:20:46.400 --> 0:20:48.560
<v Speaker 1>You make timeless records and if it happens to work

0:20:48.600 --> 0:20:53.680
<v Speaker 1>out that way, great, Right. Do you feel like now

0:20:53.720 --> 0:20:56.479
<v Speaker 1>that the industry is changing and like attention span has

0:20:56.480 --> 0:20:58.479
<v Speaker 1>gotten short over the last five years, for sure, But

0:20:58.520 --> 0:21:01.919
<v Speaker 1>do you feel like ever any frustration with just kind

0:21:01.960 --> 0:21:06.679
<v Speaker 1>of like you know where, like the music industry's attention

0:21:06.880 --> 0:21:08.840
<v Speaker 1>is like yo, this has to go on to I'm

0:21:08.840 --> 0:21:10.679
<v Speaker 1>sure you hear from the label. I feel like that

0:21:10.960 --> 0:21:15.120
<v Speaker 1>attentions fan shit, God's shorter shit is like another narrative

0:21:15.520 --> 0:21:19.919
<v Speaker 1>and that's like some shit to make it for people

0:21:19.960 --> 0:21:24.680
<v Speaker 1>that suck to be able to make money on music. Yes, yeah,

0:21:24.760 --> 0:21:27.919
<v Speaker 1>Like I'd rather just make good ass music and like

0:21:27.960 --> 0:21:31.040
<v Speaker 1>you said, wherever it goes, it goes, it happens. It happens.

0:21:31.040 --> 0:21:33.919
<v Speaker 1>But like, let's try to make good music though, instead

0:21:33.920 --> 0:21:36.399
<v Speaker 1>of like just making something for TikTok, making something to

0:21:36.440 --> 0:21:39.960
<v Speaker 1>live for like five seconds, Like let's make some timeless shit.

0:21:40.040 --> 0:21:42.200
<v Speaker 1>So yeah, that's why I'm still long And you've made

0:21:42.280 --> 0:21:44.800
<v Speaker 1>timeless music your whole career. And like, if we always

0:21:44.800 --> 0:21:49.000
<v Speaker 1>look at who's at the top, they are not doing

0:21:49.160 --> 0:21:52.800
<v Speaker 1>They're not playing along with nothing. Kendrick Lamar, his album

0:21:52.920 --> 0:21:57.159
<v Speaker 1>is fucking every time. It's like, come on, the new

0:21:57.200 --> 0:22:00.840
<v Speaker 1>shit is crazy every time every time. Who's got your

0:22:00.840 --> 0:22:06.440
<v Speaker 1>favorite albums of the year? Kenjack, Ty Dallas Sign and Mustard? Okay,

0:22:06.440 --> 0:22:09.479
<v Speaker 1>you gotta just qualify yourself. It's not out yet, I know,

0:22:09.560 --> 0:22:11.160
<v Speaker 1>but I'm gonna just be honest. Is it coming out

0:22:11.160 --> 0:22:16.679
<v Speaker 1>this year? Ty Dallas Sign and Mustard, Kendrick Lamar? Uh?

0:22:17.480 --> 0:22:20.200
<v Speaker 1>What else came out this year? Uh? The Freddy Gibbs

0:22:20.200 --> 0:22:24.200
<v Speaker 1>album is great, Triple Less. I love j I D's album.

0:22:25.640 --> 0:22:28.320
<v Speaker 1>He Goes Crazy man, I'm so proud of him. Crazy

0:22:28.920 --> 0:22:31.560
<v Speaker 1>Curry had a great album this year. Tanna Talk four

0:22:31.600 --> 0:22:37.400
<v Speaker 1>from Benny was great. The Benny album was hard great.

0:22:37.640 --> 0:22:39.640
<v Speaker 1>Vince Stables album. I listened to that ship a gang

0:22:39.680 --> 0:22:41.960
<v Speaker 1>of time. Shout out to Vince for sure. Vince Stables

0:22:42.040 --> 0:22:45.240
<v Speaker 1>album is amazing. Who are remissing? There's been some good

0:22:45.240 --> 0:22:52.320
<v Speaker 1>ship this year though. Simba he's doing something. Yeah, Simba

0:22:52.440 --> 0:22:54.320
<v Speaker 1>was so offended that I didn't have him in my

0:22:54.400 --> 0:22:56.879
<v Speaker 1>list for real. Yeah, I mean it was. It was

0:22:56.880 --> 0:23:00.679
<v Speaker 1>a good project. Simba goes crazy and you're on his

0:23:00.720 --> 0:23:04.639
<v Speaker 1>first time. You know you're young boy. I love it,

0:23:04.800 --> 0:23:07.560
<v Speaker 1>young boy. Everything he'd been dropping. I fuck with his music,

0:23:07.560 --> 0:23:10.520
<v Speaker 1>heavy every You've had enough time this year to listen

0:23:10.520 --> 0:23:13.320
<v Speaker 1>to everything. I'll be listening to his ship with no.

0:23:13.400 --> 0:23:14.960
<v Speaker 1>I love his music too, but I just don't have

0:23:15.040 --> 0:23:17.320
<v Speaker 1>time to listen to this. Motherfucker dropped one hundred and

0:23:17.359 --> 0:23:19.520
<v Speaker 1>eighty nine million songs this year. He got out of

0:23:19.520 --> 0:23:23.160
<v Speaker 1>that Atlanta deal in one year. He working, He's going crazy.

0:23:23.200 --> 0:23:27.320
<v Speaker 1>Dwight's like, fuck you. They just announced the motown ship.

0:23:27.359 --> 0:23:30.120
<v Speaker 1>I was just talking to last week. Other ship I'm

0:23:30.119 --> 0:23:33.840
<v Speaker 1>fucking with. You heard an Icy Twat Icy Twat, Yeah

0:23:33.960 --> 0:23:37.040
<v Speaker 1>that sounds wild. Yeah, so Rocky put me on his

0:23:37.119 --> 0:23:40.480
<v Speaker 1>music a minute ago. That's a guy. Yeah, I do

0:23:40.680 --> 0:23:44.760
<v Speaker 1>named Icy Twat from Chicago. That's amazing. Everything you dropped.

0:23:44.760 --> 0:23:47.960
<v Speaker 1>He doing the beats, doing everything the nigga hard as hell.

0:23:48.280 --> 0:23:53.040
<v Speaker 1>I like Lucky Lucky's dope. Yeah, Lucky's of course. Uh,

0:23:54.160 --> 0:23:57.880
<v Speaker 1>you already name bro. He's Westside Gun with his ship

0:23:57.960 --> 0:24:01.640
<v Speaker 1>a lot west do you like Eat? Yeah, I like Yat,

0:24:02.280 --> 0:24:04.440
<v Speaker 1>I like his music. Do you like the Minion song?

0:24:06.000 --> 0:24:07.959
<v Speaker 1>I think so. It's really like everything. I just been

0:24:08.000 --> 0:24:10.960
<v Speaker 1>playing ships through like the last two three albums. That's

0:24:10.960 --> 0:24:13.199
<v Speaker 1>why I appreciate about you. Man. Your fucking taste is

0:24:13.240 --> 0:24:19.119
<v Speaker 1>so vast, Like you're the I ever heard play little

0:24:19.200 --> 0:24:22.160
<v Speaker 1>Uzi in my life. For real. We were in Boston

0:24:22.680 --> 0:24:26.040
<v Speaker 1>and I did a show like We're in Lawrence, Massachusetts

0:24:26.040 --> 0:24:27.800
<v Speaker 1>with d J pupp Dogg and somehow we ended up

0:24:27.800 --> 0:24:29.840
<v Speaker 1>in a hotel room afterwards with I think Dre was

0:24:29.880 --> 0:24:33.680
<v Speaker 1>there and some strange people as well. And uh and yeah,

0:24:33.680 --> 0:24:37.560
<v Speaker 1>you were playing Uzzy on SoundCloud some strange people yo.

0:24:37.720 --> 0:24:43.120
<v Speaker 1>Another Larry June. June of course his music hard Alchemist project.

0:24:43.840 --> 0:24:46.080
<v Speaker 1>Shout out to Alchemists man, I want to see what's

0:24:46.119 --> 0:24:48.240
<v Speaker 1>up with you an alchemist man? How the funk? Both

0:24:48.240 --> 0:24:51.480
<v Speaker 1>the offer la Yo, Dre had his number. I text

0:24:51.560 --> 0:24:53.640
<v Speaker 1>him from Dre's phone, I said, hit me, he ain't

0:24:53.680 --> 0:24:58.040
<v Speaker 1>text me. Wow, I don't know what's up Alchemists. Yeah,

0:24:58.440 --> 0:25:02.280
<v Speaker 1>Larry June's been on a terror My brother Channel Chess.

0:25:04.119 --> 0:25:08.560
<v Speaker 1>He make like dance music, funk. Just a really talented dude.

0:25:08.600 --> 0:25:12.679
<v Speaker 1>So shout out to Channel Chess, Thundercat everything he's been

0:25:12.760 --> 0:25:16.000
<v Speaker 1>dropping worse. I gotta check out Icy Twy. That's my

0:25:16.000 --> 0:25:19.280
<v Speaker 1>favorite rap name ever. Yeah, check you out. That's with it.

0:25:19.720 --> 0:25:22.119
<v Speaker 1>I thought that was for sure like Icy Twatt sounds

0:25:22.119 --> 0:25:25.720
<v Speaker 1>like the illness, like if I was like a porn chick.

0:25:27.760 --> 0:25:30.080
<v Speaker 1>I don't do him like that when you hear the music.

0:25:30.119 --> 0:25:34.360
<v Speaker 1>I'm telling you, Okay, I'm in man, I'm what up, y'all.

0:25:34.359 --> 0:25:35.960
<v Speaker 1>We gotta stop the interview real quick. Tell you about

0:25:35.960 --> 0:25:38.119
<v Speaker 1>our good friends at my Bookie. That's right, man. My

0:25:38.240 --> 0:25:40.280
<v Speaker 1>bookie is where you want to get this money and

0:25:40.800 --> 0:25:45.160
<v Speaker 1>enjoy being a degenerate like myself. And it's the best

0:25:45.160 --> 0:25:47.480
<v Speaker 1>time of the year to be a degenerate because NFL

0:25:47.600 --> 0:25:50.000
<v Speaker 1>season is obviously we are in the midst of a

0:25:50.000 --> 0:25:54.080
<v Speaker 1>crazy NFL season, NBA season just started. World Series is

0:25:54.080 --> 0:25:56.880
<v Speaker 1>going down, and you can get your bets in right now.

0:25:57.200 --> 0:25:59.479
<v Speaker 1>Go to my Bookie and sign up for a new

0:25:59.520 --> 0:26:04.320
<v Speaker 1>account using the promo code Bootleg that's b oot l Eg.

0:26:04.920 --> 0:26:07.800
<v Speaker 1>You sign up right now, they will match your first deposit,

0:26:08.359 --> 0:26:11.200
<v Speaker 1>that's right. Put in a thousand. Oh, they'll give you

0:26:11.240 --> 0:26:14.760
<v Speaker 1>another thousand to gamble with. That's free money, free money

0:26:14.800 --> 0:26:17.480
<v Speaker 1>to gamble with. Let's get in on this action man

0:26:17.640 --> 0:26:21.240
<v Speaker 1>NFL season. I'm loving this part of the year so

0:26:21.400 --> 0:26:28.600
<v Speaker 1>much good, just everything to bet on, football, basketball, fucking UFC, NFL, baseball, whatever.

0:26:28.960 --> 0:26:31.040
<v Speaker 1>Now is the best time to get your gamble on.

0:26:31.200 --> 0:26:33.600
<v Speaker 1>So go sign up for a new account at my bookie,

0:26:33.800 --> 0:26:36.840
<v Speaker 1>use that promo code Bootleg and double your deposit. Let's

0:26:36.840 --> 0:26:39.080
<v Speaker 1>get back to the interview. Any have you been binge

0:26:39.080 --> 0:26:44.000
<v Speaker 1>watching any TV man lately? Lately? Nah? Not since what's

0:26:44.000 --> 0:26:49.239
<v Speaker 1>the last shit? White Lotus? They got a new what

0:26:49.320 --> 0:26:54.520
<v Speaker 1>you call it, coming out season. I think I'm excited

0:26:54.520 --> 0:26:57.439
<v Speaker 1>for that. Have you seen it on HBO? It's like

0:26:57.480 --> 0:27:01.320
<v Speaker 1>some comedy shit like this family goes to some island

0:27:01.440 --> 0:27:06.000
<v Speaker 1>and it's like the mom, dad, the daughter, and the sun.

0:27:06.119 --> 0:27:09.120
<v Speaker 1>The son's hella young. He's still like fucking jacking off

0:27:09.160 --> 0:27:11.840
<v Speaker 1>every day on his phone in the porn. The daughter

0:27:11.960 --> 0:27:14.880
<v Speaker 1>is like, damn is that like fucking dudes, but brought

0:27:14.880 --> 0:27:17.760
<v Speaker 1>a girl that she's fucking with you and it's just

0:27:17.760 --> 0:27:20.560
<v Speaker 1>a crazy fucking jacking off on your phone every day?

0:27:20.760 --> 0:27:22.840
<v Speaker 1>Is a young like child thing to do what you're saying,

0:27:22.880 --> 0:27:28.600
<v Speaker 1>So you're saying, like you he's still I thought when

0:27:28.680 --> 0:27:35.119
<v Speaker 1>you had your wife it was I had to make it. No,

0:27:35.440 --> 0:27:38.320
<v Speaker 1>I hope not. Fuck If so, I'm I'm fucking out

0:27:38.359 --> 0:27:44.560
<v Speaker 1>of it it. I'm gone, Jesus. I think it's cheating if

0:27:44.600 --> 0:27:48.639
<v Speaker 1>you buy OnlyFans content, that's that's what's spending money on it.

0:27:48.640 --> 0:27:52.040
<v Speaker 1>If you're spending money on it, to me, that's you

0:27:52.080 --> 0:27:55.040
<v Speaker 1>shouldn't be spending. It's kind of crazy. Just get it

0:27:55.040 --> 0:27:58.439
<v Speaker 1>for free on Reddit. I wouldn't know personally. I wouldn't

0:27:58.440 --> 0:28:00.880
<v Speaker 1>know personally that you can get girls only fans. I've

0:28:02.119 --> 0:28:04.359
<v Speaker 1>so if you go on Reddit, every girl's only fans

0:28:04.400 --> 0:28:06.959
<v Speaker 1>is just ripped on there for free. I don't know

0:28:07.000 --> 0:28:12.600
<v Speaker 1>that from experience, but I have a friend whose entire

0:28:12.720 --> 0:28:17.800
<v Speaker 1>livelihood is, you know, hirting women's content on the internet.

0:28:19.200 --> 0:28:25.640
<v Speaker 1>It's the thing. Man. You watch a curbyr Enthusiasm, Uh No,

0:28:25.840 --> 0:28:29.120
<v Speaker 1>with Larry David. It's on HBO. It's like the funniest show,

0:28:29.240 --> 0:28:32.240
<v Speaker 1>The Old White Man. It's like the best Jewish of

0:28:32.280 --> 0:28:34.440
<v Speaker 1>all time. Yes, I've seen it a couple of times.

0:28:34.920 --> 0:28:37.720
<v Speaker 1>And I've also seen him at this golf course that

0:28:37.720 --> 0:28:40.480
<v Speaker 1>I play it. You've seen him in person? Yes, Oh

0:28:40.520 --> 0:28:42.920
<v Speaker 1>my god. See that's I tell my wife, there's two

0:28:42.960 --> 0:28:46.160
<v Speaker 1>people I freak out about. If I met him, He's

0:28:46.280 --> 0:28:49.160
<v Speaker 1>It's and they both look the same. If I met

0:28:49.240 --> 0:28:54.440
<v Speaker 1>him or Bernie Sanders, I'd be really excited. Bernie. Huh.

0:28:54.600 --> 0:28:56.360
<v Speaker 1>They're both kind of like they could both kind of

0:28:56.400 --> 0:28:59.360
<v Speaker 1>like passes each other, you know. So don't let me

0:28:59.360 --> 0:29:02.200
<v Speaker 1>meet Larry Dave. It wow, because I'm fucking getting the picture.

0:29:02.200 --> 0:29:03.600
<v Speaker 1>I don't give a fuck if he hates me. I

0:29:03.600 --> 0:29:05.560
<v Speaker 1>don't care. I'm going through the security. I'm getting the

0:29:05.600 --> 0:29:08.520
<v Speaker 1>fucking selfie. I didn't get the picture. Tom Brady was

0:29:08.560 --> 0:29:10.360
<v Speaker 1>also there that same day, so I got the picture

0:29:10.400 --> 0:29:13.920
<v Speaker 1>with Tom Brady. You passed up Larry David for thumb.

0:29:14.120 --> 0:29:16.440
<v Speaker 1>I know, I know, But Larry David might not be

0:29:16.480 --> 0:29:20.480
<v Speaker 1>here much longer. That's true. Tom Brady, he's gonna be

0:29:20.480 --> 0:29:23.000
<v Speaker 1>single soon, so you know he's gonna be raging with

0:29:23.040 --> 0:29:27.240
<v Speaker 1>you at like eleven in Miami soon enough. Don't let Tom.

0:29:27.320 --> 0:29:29.480
<v Speaker 1>I would I hate Like listen, Tom's in the middle

0:29:29.480 --> 0:29:31.320
<v Speaker 1>of a divorce. We don't like to see anybody get divorced.

0:29:31.800 --> 0:29:33.400
<v Speaker 1>But if he ends up going through with this divorce,

0:29:34.000 --> 0:29:37.720
<v Speaker 1>he's gonna be I think. Leonardo DiCaprio level of slang. Wow,

0:29:38.040 --> 0:29:41.800
<v Speaker 1>Like we're just gonna see him tied into every hot

0:29:41.920 --> 0:29:44.800
<v Speaker 1>up and coming Susio voice. Let's go for sure. Are

0:29:44.840 --> 0:29:49.960
<v Speaker 1>you currently relationship non relationshipsio? So you're you're you know,

0:29:50.520 --> 0:29:57.080
<v Speaker 1>classic tie sousio boys? Are you a Susio or Olympio?

0:29:58.360 --> 0:30:02.520
<v Speaker 1>I'm married? Are you a Susio or Olympio? I am

0:30:02.560 --> 0:30:06.400
<v Speaker 1>not a Susio? All right. I mean I'm a sick fuck,

0:30:06.520 --> 0:30:08.960
<v Speaker 1>but I'm not a I'm a sick fuck with my wife.

0:30:09.000 --> 0:30:11.239
<v Speaker 1>You know, then you're aio. It's all right. You can

0:30:11.280 --> 0:30:13.080
<v Speaker 1>still have a wife and be a Susio. I see.

0:30:13.080 --> 0:30:15.160
<v Speaker 1>I gotta make sure we get those We got to

0:30:15.200 --> 0:30:18.840
<v Speaker 1>make sure that shit is clear. Yeah. Yeah, out out

0:30:18.840 --> 0:30:20.680
<v Speaker 1>to wife, you man, Shout out to my wife. Yeah,

0:30:20.680 --> 0:30:24.920
<v Speaker 1>shout out to the family that's most important. Uh, anything else?

0:30:24.960 --> 0:30:27.760
<v Speaker 1>Like a fan like for you, Like I feel like

0:30:28.200 --> 0:30:32.760
<v Speaker 1>you're somebody who I hear a lot of people who

0:30:32.800 --> 0:30:37.000
<v Speaker 1>are very much influenced by you. Do you feel like

0:30:37.080 --> 0:30:39.960
<v Speaker 1>there's been anybody in the last like ten or fifteen years,

0:30:39.960 --> 0:30:42.040
<v Speaker 1>like kind of since you've been active that's also had

0:30:42.120 --> 0:30:44.520
<v Speaker 1>influence on you as well in your sound or do

0:30:44.560 --> 0:30:47.560
<v Speaker 1>you feel like you know you're kind of Yeah, I've

0:30:47.560 --> 0:30:51.520
<v Speaker 1>been influenced by uh ship from a long time ago.

0:30:52.080 --> 0:30:55.640
<v Speaker 1>Say we talk about Ella Fizhgerald like jazz Era too.

0:30:55.760 --> 0:30:57.920
<v Speaker 1>I'm talk about the new Ship, Prince to the new

0:30:58.000 --> 0:31:01.040
<v Speaker 1>Ship for sure. Like there's been some certain people that

0:31:02.640 --> 0:31:08.120
<v Speaker 1>hit different you know my music musical. Who are those people? Though? Uh,

0:31:08.200 --> 0:31:14.680
<v Speaker 1>there's many like I I like, Uh, what's his name?

0:31:15.800 --> 0:31:19.800
<v Speaker 1>The homie from Seattle, Maclamore? Uh Nah, his name is

0:31:19.880 --> 0:31:26.560
<v Speaker 1>uh Highway Ohim Highway is crazy? Uh what is it?

0:31:26.920 --> 0:31:29.440
<v Speaker 1>Two thousand and nine? Highway two thousand nine? Check him out?

0:31:29.760 --> 0:31:34.120
<v Speaker 1>I like so fake, so fago his melodies and ship.

0:31:34.680 --> 0:31:43.640
<v Speaker 1>I like, of course Blasts Brent. Uh, there's so many

0:31:43.840 --> 0:31:45.520
<v Speaker 1>were you kind of hipped to Blast because he's like

0:31:45.600 --> 0:31:48.040
<v Speaker 1>not a new artist in LA. He's been doing so

0:31:48.240 --> 0:31:51.680
<v Speaker 1>to last. I've known him since King and Blasts when

0:31:51.680 --> 0:31:54.400
<v Speaker 1>he used to be in a group. He's also my

0:31:54.440 --> 0:31:59.800
<v Speaker 1>homegirl Lady g Jizzles relative and he's been around us.

0:32:00.000 --> 0:32:04.120
<v Speaker 1>It's the beginning since like a little kid. And to

0:32:04.120 --> 0:32:07.720
<v Speaker 1>see him do it, it's just been like, yes, that's

0:32:07.760 --> 0:32:10.360
<v Speaker 1>exactly what was supposed to happen. And it's only I'm

0:32:10.440 --> 0:32:13.080
<v Speaker 1>sure because he kept on going. Yeah, he's been at

0:32:13.080 --> 0:32:15.680
<v Speaker 1>this for a long you know, And and he would

0:32:15.680 --> 0:32:18.560
<v Speaker 1>take and he's mastered like every aspect of the industry.

0:32:18.640 --> 0:32:21.600
<v Speaker 1>Like he can engineer himself. He can do these own artworks,

0:32:21.760 --> 0:32:25.840
<v Speaker 1>kills it, directors on videos. Like if you really wanted to,

0:32:25.880 --> 0:32:29.480
<v Speaker 1>like just lock in and handle your whole process, you

0:32:29.520 --> 0:32:31.720
<v Speaker 1>could do that. It's a lot of work. It is

0:32:31.720 --> 0:32:33.640
<v Speaker 1>a lot of work, but you're capable of doing it.

0:32:34.040 --> 0:32:36.520
<v Speaker 1>I'm capable. I'm capable of paying for it as well,

0:32:36.640 --> 0:32:38.800
<v Speaker 1>so you know, it's all good. Might as well pay

0:32:40.320 --> 0:32:41.920
<v Speaker 1>it's all good. I got a lot on my plate.

0:32:42.960 --> 0:32:45.000
<v Speaker 1>I got a lot that I'm doing. Yeah, what else

0:32:45.040 --> 0:32:48.840
<v Speaker 1>besides the album? Are you working on? Some TV shit

0:32:48.880 --> 0:32:51.320
<v Speaker 1>here and there, some acting shit here and there. I'm

0:32:51.320 --> 0:32:53.080
<v Speaker 1>getting into all types of shit. You're gonna see a

0:32:53.080 --> 0:32:56.400
<v Speaker 1>whole bunch of shits just start to drop over next year.

0:32:57.440 --> 0:32:59.840
<v Speaker 1>Just know, I've been working hard. I don't really like

0:32:59.880 --> 0:33:01.960
<v Speaker 1>to talk about a lot of stuff until it's happening.

0:33:02.800 --> 0:33:05.960
<v Speaker 1>But uh, act though, yeah, I like that, And uh,

0:33:06.200 --> 0:33:09.120
<v Speaker 1>just more music. I got my record label, Easy Money Records.

0:33:09.160 --> 0:33:12.320
<v Speaker 1>I got my artist, Leon Thomas, a few other artists,

0:33:13.000 --> 0:33:16.480
<v Speaker 1>and uh, we're about to go crazy. Just Easy Money Records.

0:33:16.600 --> 0:33:19.640
<v Speaker 1>Easy Money Records, So that's new because you had your

0:33:19.680 --> 0:33:22.480
<v Speaker 1>other I had the Movement, which I still have the movement,

0:33:23.360 --> 0:33:27.440
<v Speaker 1>but I did a venture with Motown Records, with Easy

0:33:27.720 --> 0:33:31.760
<v Speaker 1>Money Records, and uh, like I said, Leon Thomas the

0:33:31.800 --> 0:33:37.280
<v Speaker 1>first single uh we had, Uh, we're on the second

0:33:37.320 --> 0:33:40.520
<v Speaker 1>single right now, Love Jones, So if you haven't heard him,

0:33:40.520 --> 0:33:43.280
<v Speaker 1>make sure you go check it out. And one of

0:33:43.320 --> 0:33:44.760
<v Speaker 1>the greatest. I say, what do you look for in

0:33:44.760 --> 0:33:48.360
<v Speaker 1>an artists like to sign? Uh? It depends, but what Leon?

0:33:48.440 --> 0:33:51.320
<v Speaker 1>It was like, Wow, like he played me as shit

0:33:51.440 --> 0:33:54.760
<v Speaker 1>and uh, he's making all the beats. He's singing better

0:33:54.840 --> 0:33:58.800
<v Speaker 1>than any of these singers I've heard better than me. Shit,

0:33:59.200 --> 0:34:02.480
<v Speaker 1>he goes crazy and it's just effortless, like he just

0:34:02.520 --> 0:34:05.600
<v Speaker 1>bleeds that shit. So shout out to Liam Yo. I

0:34:05.680 --> 0:34:09.200
<v Speaker 1>want to ask you something because I feel like your

0:34:09.280 --> 0:34:12.319
<v Speaker 1>voice is so special. Thank you, and I feel like

0:34:12.400 --> 0:34:15.600
<v Speaker 1>it's so unique and for people who don't know, like

0:34:15.640 --> 0:34:17.879
<v Speaker 1>you really sing that way. It's not like like, yeah,

0:34:17.880 --> 0:34:20.680
<v Speaker 1>obviously you have autotune on some records when you're live,

0:34:20.840 --> 0:34:22.600
<v Speaker 1>you know, to hit those notes or whatever to make

0:34:22.640 --> 0:34:26.719
<v Speaker 1>it sound like the records, But you don't need that shit, right, Like,

0:34:27.120 --> 0:34:31.040
<v Speaker 1>do you ever feel like in terms of like your

0:34:31.160 --> 0:34:34.560
<v Speaker 1>voice and you as a singer, do you feel like

0:34:34.719 --> 0:34:39.239
<v Speaker 1>because you use auto tune and everyone's using autotune? Right,

0:34:39.640 --> 0:34:41.799
<v Speaker 1>but do you feel like somehow like your voice is

0:34:41.840 --> 0:34:45.200
<v Speaker 1>still kind of like not necessarily respected as much because

0:34:45.200 --> 0:34:46.840
<v Speaker 1>I think your voice is crazy. Like I've heard you

0:34:46.880 --> 0:34:48.560
<v Speaker 1>sing live in the studio and it just sounds like

0:34:48.640 --> 0:34:53.479
<v Speaker 1>fucking insane. Yeah, Like everybody that appreciates the singing part

0:34:53.880 --> 0:34:57.520
<v Speaker 1>knows this record without the autotune. And like when I

0:34:57.560 --> 0:35:00.920
<v Speaker 1>do use auto tune, that's just a sound, just hatty frequency.

0:35:01.120 --> 0:35:04.000
<v Speaker 1>Just like if I feature another artist on my song,

0:35:04.360 --> 0:35:06.799
<v Speaker 1>it's the same thing. It's me turning on the autotune.

0:35:06.960 --> 0:35:08.960
<v Speaker 1>It's a frequency, it's a sound that I want. It's

0:35:08.960 --> 0:35:11.680
<v Speaker 1>the same thing it's me choosing to use an acoustic

0:35:11.719 --> 0:35:15.680
<v Speaker 1>guitar over an electric guitar. Instrument. It's an instrument, it's

0:35:15.680 --> 0:35:18.640
<v Speaker 1>a tool, and like it happens to be the sound

0:35:18.719 --> 0:35:22.160
<v Speaker 1>that's in you know. So that's what I use on

0:35:22.200 --> 0:35:24.840
<v Speaker 1>those type of records. Or if I switch up and

0:35:24.880 --> 0:35:29.839
<v Speaker 1>make a you know, an acoustic song, I may not

0:35:30.000 --> 0:35:33.719
<v Speaker 1>use autotune or I may use it, depending on whatever

0:35:33.800 --> 0:35:36.239
<v Speaker 1>I'm trying to do so. I'm one of the real

0:35:36.280 --> 0:35:38.000
<v Speaker 1>ones when it comes to the music. Shit for shure,

0:35:39.440 --> 0:35:42.480
<v Speaker 1>how many instruments can you play every one of them?

0:35:42.480 --> 0:35:44.919
<v Speaker 1>If I really wanted to play it. The only thing

0:35:45.160 --> 0:35:51.320
<v Speaker 1>that I haven't like, really dove into was woodwinds and brass,

0:35:51.640 --> 0:35:56.839
<v Speaker 1>which is like horns, saxophones, flutes, trumpets, all like, okay,

0:35:56.840 --> 0:35:59.560
<v Speaker 1>woodwind is like a flute. Woodwinds is like the ones

0:35:59.600 --> 0:36:02.560
<v Speaker 1>we would so like a Sacks, got you got you,

0:36:02.600 --> 0:36:04.640
<v Speaker 1>got you got you. But I mean you can obviously

0:36:04.640 --> 0:36:07.880
<v Speaker 1>shred on the guitar, and yeah, guitar, any type of

0:36:08.640 --> 0:36:12.960
<v Speaker 1>string instrument, I could figure it out. Anything with keys

0:36:13.360 --> 0:36:15.840
<v Speaker 1>and any type of percussion instrument. You know what's crazy

0:36:15.880 --> 0:36:18.480
<v Speaker 1>at Recently I just found out that tam and Paula

0:36:18.520 --> 0:36:22.120
<v Speaker 1>is one guy. Yeah, I had no fucking idea. I knew,

0:36:22.239 --> 0:36:24.359
<v Speaker 1>I knew, I knew, and then I wasn't, like ever

0:36:24.400 --> 0:36:27.520
<v Speaker 1>a really big fan until earlier this year. I went

0:36:27.560 --> 0:36:29.600
<v Speaker 1>to Joshua Tree and I ate a shit ton of

0:36:29.640 --> 0:36:34.080
<v Speaker 1>mushrooms and I just found some playlists on Spotify that

0:36:34.160 --> 0:36:36.560
<v Speaker 1>was like mushroom music. Yeah, and this fucking Tamement Paula

0:36:36.600 --> 0:36:39.120
<v Speaker 1>song came on and that shit like changed my life.

0:36:39.320 --> 0:36:40.880
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0:37:20.760 --> 0:37:22.840
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<v Speaker 1>back to the interview. Go to butt you dot com.

0:38:28.320 --> 0:38:30.600
<v Speaker 1>Promo call Bootleg. That's it. That was how it was

0:38:30.680 --> 0:38:33.480
<v Speaker 1>when I found out about the Unknown Mortal Orchestra. You

0:38:33.480 --> 0:38:37.200
<v Speaker 1>ever heard about them? Nah? So I thought it was

0:38:37.480 --> 0:38:41.239
<v Speaker 1>this other band from Australia and New Zealand. I heard

0:38:41.239 --> 0:38:44.320
<v Speaker 1>this shit one time on the The Homie Anthony Valdez

0:38:44.800 --> 0:38:48.400
<v Speaker 1>Show and I end up calling them to the studio

0:38:48.560 --> 0:38:50.719
<v Speaker 1>and I get to the studio and it's one guy

0:38:51.680 --> 0:38:53.440
<v Speaker 1>and he's doing all this shit and it's kind of

0:38:53.480 --> 0:38:58.560
<v Speaker 1>like a similar vibe. So yeah, I can appreciate real musicians,

0:38:58.600 --> 0:39:00.959
<v Speaker 1>you know what I'm saying. They could really just put

0:39:01.000 --> 0:39:04.120
<v Speaker 1>on whatever, the whole show, what one man band play

0:39:04.160 --> 0:39:07.920
<v Speaker 1>everything everything, put on a program and go for that ship. Yeah.

0:39:07.960 --> 0:39:10.239
<v Speaker 1>So did you discover that band while on mushrooms as well?

0:39:10.320 --> 0:39:13.520
<v Speaker 1>Or no? Not on mushrooms. I've done mushrooms a couple

0:39:13.480 --> 0:39:15.680
<v Speaker 1>of times, but I haven't really liked in life. You've

0:39:15.719 --> 0:39:17.560
<v Speaker 1>only done them a couple of times? Yeah, probably like

0:39:17.600 --> 0:39:20.279
<v Speaker 1>six or seven times in life. Oh but I don't

0:39:20.280 --> 0:39:22.000
<v Speaker 1>know why. I just I just kind of figured you're

0:39:22.080 --> 0:39:24.480
<v Speaker 1>fucking you're one of them ones. No, I don't. I

0:39:24.480 --> 0:39:26.600
<v Speaker 1>don't love it that shit because I got a lot

0:39:26.640 --> 0:39:29.640
<v Speaker 1>of work to do. It's called ego death, So I figured, yeah,

0:39:29.719 --> 0:39:33.520
<v Speaker 1>but still like I can't just tapping the mushrooms all

0:39:33.520 --> 0:39:35.080
<v Speaker 1>the time, Like I feel like it's been a wave

0:39:35.160 --> 0:39:38.480
<v Speaker 1>of it for like all the girls and all everybody.

0:39:38.760 --> 0:39:41.320
<v Speaker 1>I'm doing mushrooms and ship. I couldn't. I'd rather just

0:39:41.360 --> 0:39:44.600
<v Speaker 1>smoke the jay. That's fair. Have you ever done like

0:39:44.640 --> 0:39:47.680
<v Speaker 1>any other like DMT or anything. I haven't done DMT,

0:39:48.640 --> 0:39:53.200
<v Speaker 1>I've done LSD. I was like shrooms without the little

0:39:53.239 --> 0:39:56.160
<v Speaker 1>stomach feeling, right, it's kind of the stomach feeling I'm

0:39:56.160 --> 0:39:59.040
<v Speaker 1>talking about. Yeah, so it's the same exact thing, but

0:39:59.080 --> 0:40:01.959
<v Speaker 1>without that. I was just long, like three days ago,

0:40:02.040 --> 0:40:05.320
<v Speaker 1>off of a whole fucking bag of shrooms. DJ Camillo's DJing.

0:40:05.640 --> 0:40:08.400
<v Speaker 1>My fucking brain is just bro. I was in fucking

0:40:09.200 --> 0:40:11.280
<v Speaker 1>so much bad money Bunny getting played and it sounds

0:40:11.280 --> 0:40:13.000
<v Speaker 1>so much better. I was like, bad Bunny's the greatest

0:40:13.040 --> 0:40:16.879
<v Speaker 1>artist of all time. That's fine. I want to see

0:40:16.880 --> 0:40:18.759
<v Speaker 1>the show man I'm hearing. This tour has been like

0:40:18.760 --> 0:40:20.879
<v Speaker 1>the best tour this year for sure. I saw him

0:40:20.880 --> 0:40:24.520
<v Speaker 1>at a so Far and it was dope. It was

0:40:24.560 --> 0:40:26.799
<v Speaker 1>just dope. No, it was great. It was three hours long,

0:40:26.920 --> 0:40:29.760
<v Speaker 1>so it was like I'm familiar with like maybe twenty

0:40:29.760 --> 0:40:32.040
<v Speaker 1>percent of his catalog, But how was the crowd that

0:40:32.120 --> 0:40:34.839
<v Speaker 1>it was amazing? My favorite show I saw this year

0:40:34.840 --> 0:40:37.279
<v Speaker 1>that was the Weekend and so far so I wish

0:40:37.320 --> 0:40:39.560
<v Speaker 1>I would have got to catch that too. Yeah, I've

0:40:39.600 --> 0:40:42.879
<v Speaker 1>seen his last tour. I think it was like at

0:40:42.880 --> 0:40:45.719
<v Speaker 1>the Staples Center a long ass time ago, right, and

0:40:45.760 --> 0:40:49.759
<v Speaker 1>that was like one of the best tours I've ever seen. Yeah.

0:40:49.800 --> 0:40:51.920
<v Speaker 1>I think what was impressive about the Weekend was like

0:40:53.239 --> 0:40:57.680
<v Speaker 1>how much he sounded just like the CD live and

0:40:57.719 --> 0:40:59.440
<v Speaker 1>he had like no, like he didn't have a lot

0:40:59.440 --> 0:41:02.880
<v Speaker 1>of shit goinging on on stage and he's still captivated

0:41:02.880 --> 0:41:05.640
<v Speaker 1>as you're talking about the old songs. Yeah, I just

0:41:05.680 --> 0:41:08.680
<v Speaker 1>mean no, so like think about you know what I mean,

0:41:09.600 --> 0:41:14.520
<v Speaker 1>you fucking dick. But like like the following night, because

0:41:14.520 --> 0:41:16.120
<v Speaker 1>I saw him the first night. In the second night,

0:41:16.160 --> 0:41:18.440
<v Speaker 1>he stopped the show and was like, hey guys, I

0:41:18.440 --> 0:41:20.920
<v Speaker 1>mean you saw like he was like, I can't perform anymore.

0:41:21.239 --> 0:41:25.239
<v Speaker 1>And I'm like, that's that's dope, because he's so cognitively

0:41:25.560 --> 0:41:29.000
<v Speaker 1>like aware of like how his ship sounds that like

0:41:29.360 --> 0:41:32.120
<v Speaker 1>if it doesn't sound up the par yeah that's dope.

0:41:32.200 --> 0:41:34.320
<v Speaker 1>Have you done that before where you're like my voice

0:41:34.360 --> 0:41:37.480
<v Speaker 1>is just not compatible with the show that's scheduled tonight.

0:41:37.560 --> 0:41:39.399
<v Speaker 1>It hasn't happened in the middle of the show. It's

0:41:39.400 --> 0:41:42.359
<v Speaker 1>happened before the show, and I just had to cancel it.

0:41:42.440 --> 0:41:45.600
<v Speaker 1>So I know the feeling for sure, and that's the

0:41:45.680 --> 0:41:47.480
<v Speaker 1>right thing to do, because at the end of the day,

0:41:47.680 --> 0:41:51.480
<v Speaker 1>this is your money maker. Your money maker is your tool.

0:41:52.440 --> 0:41:55.839
<v Speaker 1>You know, it's important, So you got to preserve that. Shiit.

0:41:56.040 --> 0:41:59.600
<v Speaker 1>What's been the you? And Yeah, I was about to say, Okay,

0:42:00.560 --> 0:42:03.560
<v Speaker 1>guys over here chain smoking. No, I was gonna say,

0:42:04.000 --> 0:42:06.360
<v Speaker 1>you've had some pretty uh you've been on some pretty

0:42:06.360 --> 0:42:09.200
<v Speaker 1>wild tours, You've had some pretty crazy moments, You've perform

0:42:09.239 --> 0:42:11.400
<v Speaker 1>in some pretty crazy places. What has been like, uh,

0:42:11.840 --> 0:42:17.480
<v Speaker 1>the wildest night on tour with Ti Dallas sign. I'm

0:42:17.480 --> 0:42:23.359
<v Speaker 1>sure Drayson Natra's rolling up backwoods mm hmm wildest night.

0:42:25.400 --> 0:42:27.919
<v Speaker 1>Maybe it's some backstage ship. Maybe it's what happened after

0:42:27.960 --> 0:42:31.839
<v Speaker 1>the show. Maybe it's what happened at the show. Ah, man,

0:42:33.680 --> 0:42:36.040
<v Speaker 1>I can't call it. There's so many wild nights. I'm

0:42:36.040 --> 0:42:39.160
<v Speaker 1>trying to think of the wildest that I haven't talked

0:42:39.160 --> 0:42:43.960
<v Speaker 1>about before. Let me think of it, and then let's

0:42:44.000 --> 0:42:48.000
<v Speaker 1>go to the next question. I'll interrupt with the Wildest Night,

0:42:48.840 --> 0:42:52.880
<v Speaker 1>Stay tuned. For the Wildest Nights, Stay tuned. Draysonatra had

0:42:52.920 --> 0:42:56.520
<v Speaker 1>Air Force ones on somewhere in the middle of a

0:42:56.840 --> 0:42:58.879
<v Speaker 1>in the middle of the tour bus in all Way

0:42:59.440 --> 0:43:03.160
<v Speaker 1>with all of the lights off Port Champagne on. Oh

0:43:04.440 --> 0:43:09.400
<v Speaker 1>that's great, yo. Who are who for you? Like? You

0:43:09.440 --> 0:43:12.839
<v Speaker 1>know you talk about obviously raising your daughter man, And

0:43:12.920 --> 0:43:17.080
<v Speaker 1>I think that there hasn't been enough artists that like

0:43:17.200 --> 0:43:21.120
<v Speaker 1>really own being a good dad like you have. You know,

0:43:21.360 --> 0:43:24.160
<v Speaker 1>Whiz is one of those guys. We have friends who

0:43:24.200 --> 0:43:26.560
<v Speaker 1>are like that, but I think in general, like there's

0:43:27.360 --> 0:43:29.120
<v Speaker 1>a lack of that in terms of just like what

0:43:29.160 --> 0:43:32.040
<v Speaker 1>we see. And I feel like, you're a great dad

0:43:32.080 --> 0:43:34.200
<v Speaker 1>and you're also a rock star, So have your balance

0:43:34.280 --> 0:43:37.399
<v Speaker 1>being a rock star and being tied who's also Sussio boy,

0:43:37.520 --> 0:43:44.040
<v Speaker 1>and also being a great father. Uh. I feel like

0:43:44.440 --> 0:43:47.080
<v Speaker 1>being a great father is the most important if you

0:43:47.120 --> 0:43:49.800
<v Speaker 1>ever get the chance to be a father, of putting

0:43:49.840 --> 0:43:55.640
<v Speaker 1>that position, that's just like common sense. People that don't

0:43:55.640 --> 0:44:00.920
<v Speaker 1>do it, I don't understand them. Who raises you, nigga?

0:44:01.840 --> 0:44:05.040
<v Speaker 1>Other than that being a Susio bo and a rock

0:44:05.080 --> 0:44:08.360
<v Speaker 1>star and an artist. That's my job, and it's the

0:44:08.400 --> 0:44:11.640
<v Speaker 1>greatest job in the world. And I'm so happy to

0:44:11.680 --> 0:44:16.320
<v Speaker 1>be able to make funny, make money and feed my family.

0:44:16.920 --> 0:44:20.920
<v Speaker 1>You know, through through that, if you weren't making music,

0:44:21.160 --> 0:44:24.440
<v Speaker 1>what would your job have been? Man, I can't imagine

0:44:24.440 --> 0:44:27.000
<v Speaker 1>it because this is just what I really wanted to do.

0:44:27.080 --> 0:44:30.080
<v Speaker 1>But and I feel like, whatever you want to do

0:44:30.120 --> 0:44:32.359
<v Speaker 1>in life, if you really want to do it, as

0:44:32.360 --> 0:44:34.399
<v Speaker 1>long as you keep on doing it, we can turn

0:44:34.440 --> 0:44:37.960
<v Speaker 1>it into whatever. You know, some money, yeah, but I

0:44:37.960 --> 0:44:41.640
<v Speaker 1>don't know if that's true. No, No, I mean there's

0:44:41.680 --> 0:44:44.760
<v Speaker 1>some there's some rappers out there that have been trying

0:44:44.800 --> 0:44:47.920
<v Speaker 1>for a long time. I'm not saying anybody of notoriety.

0:44:47.960 --> 0:44:50.640
<v Speaker 1>I mean like people I know Phoenix, Arizona. You know,

0:44:51.320 --> 0:44:54.719
<v Speaker 1>I know a lot of people that their music is terrible. Okay, Well,

0:44:54.760 --> 0:44:56.960
<v Speaker 1>being terrible is one thing. Well, somebody got to tell

0:44:56.960 --> 0:44:59.959
<v Speaker 1>you that you got to kick it. See, it's different

0:45:00.080 --> 0:45:01.840
<v Speaker 1>things you gotta do. First of all, you can go

0:45:01.880 --> 0:45:03.359
<v Speaker 1>in there and you can make a song and you

0:45:03.360 --> 0:45:05.680
<v Speaker 1>could think it's tight, and you can have like the

0:45:05.880 --> 0:45:07.839
<v Speaker 1>Dick Riders telling you it's tight. But then you got

0:45:07.840 --> 0:45:09.879
<v Speaker 1>to like ask around, ask more people. It's all about

0:45:10.760 --> 0:45:12.279
<v Speaker 1>at the end of the day. This is like a

0:45:12.320 --> 0:45:15.080
<v Speaker 1>people thing. It's just like you, if you put your

0:45:15.160 --> 0:45:17.840
<v Speaker 1>mind to it. Not everybody can make money off of music.

0:45:18.040 --> 0:45:20.279
<v Speaker 1>Now that's a lot. I'm not saying everybody can make

0:45:20.400 --> 0:45:22.520
<v Speaker 1>money off of music. But whatever you really want to do,

0:45:22.600 --> 0:45:24.240
<v Speaker 1>and if it's not the music, you got to figure

0:45:24.280 --> 0:45:26.000
<v Speaker 1>that out and see that it's not working for you

0:45:26.080 --> 0:45:28.360
<v Speaker 1>and do it in a different way. There's other avenues

0:45:28.400 --> 0:45:31.399
<v Speaker 1>and music than you being the artists. Yeah, that's now,

0:45:31.480 --> 0:45:36.840
<v Speaker 1>that's true. Yeah, let's say you're obviously a garbage rapper.

0:45:37.520 --> 0:45:39.480
<v Speaker 1>Maybe you could be a well, no, you probably couldn't

0:45:39.480 --> 0:45:40.640
<v Speaker 1>be an A and R because your beats it. At

0:45:40.680 --> 0:45:43.760
<v Speaker 1>least maybe you can manage somebody. Maybe you can manage somebody.

0:45:43.840 --> 0:45:47.160
<v Speaker 1>Maybe you could work at a record store. Yeah, a

0:45:47.239 --> 0:45:50.920
<v Speaker 1>story perfect, you can. Maybe you could be the security.

0:45:51.160 --> 0:45:55.040
<v Speaker 1>Maybe you could be a bodyguard. Yeah, yeah, there's actually cameraman.

0:45:55.400 --> 0:45:58.719
<v Speaker 1>You know, it's art to all of that though. Camera. Yeah,

0:45:59.040 --> 0:46:02.439
<v Speaker 1>I feel like stuff like that is very feasible because

0:46:02.480 --> 0:46:04.640
<v Speaker 1>you can learn how to edit video. I don't know

0:46:04.640 --> 0:46:06.080
<v Speaker 1>if you could learn how to be like you could

0:46:06.080 --> 0:46:08.359
<v Speaker 1>be the sound man. You can learn how to hook

0:46:08.400 --> 0:46:12.279
<v Speaker 1>up equipment in so many different ways you could also,

0:46:12.360 --> 0:46:14.439
<v Speaker 1>I mean, you probably can't learn to be a security guard.

0:46:14.480 --> 0:46:18.360
<v Speaker 1>You got to be like a certain like body type.

0:46:18.520 --> 0:46:22.160
<v Speaker 1>But you're you know what your security guard, Uh well,

0:46:22.200 --> 0:46:24.520
<v Speaker 1>one of your guys, I forget, I forget your boy's name,

0:46:24.560 --> 0:46:26.279
<v Speaker 1>the Armenian guy who's who's I don't know if he's

0:46:26.280 --> 0:46:29.160
<v Speaker 1>still around with you, but uh he uh he's also

0:46:29.200 --> 0:46:31.840
<v Speaker 1>he's a badass motherfucker. But also not like a typical

0:46:31.880 --> 0:46:33.840
<v Speaker 1>looking security guy. So I guess you can't judge a

0:46:33.840 --> 0:46:36.239
<v Speaker 1>book by its cover, Yeah for sure, because some of

0:46:36.239 --> 0:46:38.919
<v Speaker 1>these security dudes are they pack, They're tiny, but they're

0:46:38.960 --> 0:46:41.920
<v Speaker 1>fucking they know, like they're like fucking green Berets or

0:46:41.920 --> 0:46:45.799
<v Speaker 1>some shit. You know. Yeah, Hey, we got to stop

0:46:45.840 --> 0:46:47.800
<v Speaker 1>the interview real quick to tell you about our partners

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<v Speaker 1>the fucking sock right now. You can save twenty percent off.

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0:47:47.080 --> 0:47:49.719
<v Speaker 1>and the podcast at the same fucking time. Let's get

0:47:49.719 --> 0:47:53.160
<v Speaker 1>back to the interview. You're playing any video games right

0:47:53.400 --> 0:47:56.880
<v Speaker 1>as of now? Off and on? Uh? Call duty or

0:47:56.920 --> 0:48:00.800
<v Speaker 1>call of duty PUBG PUBG huh. I still love PUFG

0:48:02.280 --> 0:48:06.399
<v Speaker 1>NBA two K Madden. First of all, I knew Madden

0:48:06.520 --> 0:48:11.959
<v Speaker 1>is god awful, but it's awful. That's terrible. Okay, who's

0:48:12.000 --> 0:48:15.160
<v Speaker 1>your team on two K? I mean the Lakers? The Lakers.

0:48:15.960 --> 0:48:19.160
<v Speaker 1>Do you feel like conflicted that Russell Westbrook is a

0:48:19.160 --> 0:48:22.040
<v Speaker 1>great guy and he's from LA but he's also the

0:48:22.080 --> 0:48:24.520
<v Speaker 1>reason why the Lakers are a fucking dumpster fire. Right now,

0:48:24.560 --> 0:48:26.680
<v Speaker 1>you're gonna just say he's the sole reason why there,

0:48:27.320 --> 0:48:29.320
<v Speaker 1>I would say he's sixty to seventy percent of the

0:48:29.360 --> 0:48:32.359
<v Speaker 1>reason why. I feel like if they just told him

0:48:32.400 --> 0:48:35.560
<v Speaker 1>to go home and just not play, they would just

0:48:35.600 --> 0:48:37.880
<v Speaker 1>get It's like addition by subtraction. Did you see the

0:48:37.920 --> 0:48:39.880
<v Speaker 1>other night when he pulled up with like thirty seconds

0:48:39.960 --> 0:48:48.000
<v Speaker 1>left and he and and everybody was like, no, no,

0:48:50.239 --> 0:48:53.799
<v Speaker 1>come on, bro, who's the reason? Give me? Okay, let's

0:48:54.400 --> 0:49:00.640
<v Speaker 1>why did the Lakers suck you? I think it's ad

0:49:00.760 --> 0:49:04.160
<v Speaker 1>over Westbrook. This guy's from New York. Don't listen to

0:49:04.160 --> 0:49:06.000
<v Speaker 1>this fucking guy's a Knicks fan. Maybe he should be

0:49:06.000 --> 0:49:12.000
<v Speaker 1>the leader, though that that doesn't make sense. Who ad

0:49:12.400 --> 0:49:17.560
<v Speaker 1>Lebron's the leader? He's in decline. He averaged thirty points

0:49:17.560 --> 0:49:21.359
<v Speaker 1>a game last year. What are you talking about? Let's

0:49:21.360 --> 0:49:23.440
<v Speaker 1>not listening to him. He's like fucking rooting for Julius

0:49:23.520 --> 0:49:28.640
<v Speaker 1>Randall and fucking Jalen Brunson over there, Yo, Jesus Christ

0:49:29.280 --> 0:49:34.200
<v Speaker 1>nah uh shouts to russ Though. Shout out to russ Man.

0:49:34.280 --> 0:49:36.840
<v Speaker 1>I think people just got to realize what you know,

0:49:36.920 --> 0:49:39.360
<v Speaker 1>their talent and when it works and when it doesn't

0:49:39.400 --> 0:49:44.279
<v Speaker 1>and stops, you know, guessing. I think you gotta have

0:49:44.320 --> 0:49:47.920
<v Speaker 1>self awareness to like openly accept other roles. Yes, so

0:49:48.040 --> 0:49:51.080
<v Speaker 1>like if you're self aware enough to be like but

0:49:51.160 --> 0:49:54.640
<v Speaker 1>I don't think he's hit that yet. Yeah, like Mellow

0:49:54.760 --> 0:49:56.960
<v Speaker 1>kind of had to hit that and then he came

0:49:57.000 --> 0:49:59.600
<v Speaker 1>back and was like productive for the Blazers And I

0:49:59.640 --> 0:50:01.799
<v Speaker 1>don't know he's playing right now, but yeah, shout out

0:50:01.840 --> 0:50:06.759
<v Speaker 1>to us, Yeah, legendary guy. LA has been in a

0:50:06.840 --> 0:50:10.440
<v Speaker 1>really like interesting place since the pandemic in terms of

0:50:10.560 --> 0:50:14.440
<v Speaker 1>just like it's always been, I mean everywhere it's dangerous, right,

0:50:14.520 --> 0:50:18.640
<v Speaker 1>but perceptually a lot of stuff has happened in La

0:50:18.760 --> 0:50:20.560
<v Speaker 1>that is kind of given LA a bad rep in

0:50:20.640 --> 0:50:23.040
<v Speaker 1>terms of just like you know, obviously rest in peace

0:50:23.040 --> 0:50:24.719
<v Speaker 1>of p and b Rock. People have gotten killed here.

0:50:24.719 --> 0:50:28.200
<v Speaker 1>People have gotten murdered here, robbed all that. Are you

0:50:29.000 --> 0:50:32.200
<v Speaker 1>with the current climate of the city, do you move

0:50:32.239 --> 0:50:34.279
<v Speaker 1>around a little bit differently? Man and the one? Why

0:50:34.280 --> 0:50:37.399
<v Speaker 1>do you think it is currently like that? I think

0:50:37.440 --> 0:50:42.000
<v Speaker 1>it's just more publicly on display right now. It's always

0:50:42.000 --> 0:50:44.000
<v Speaker 1>been some shit. I'm from LA, so it's always been

0:50:44.040 --> 0:50:52.320
<v Speaker 1>some shit. Move different now, we always moved I feel

0:50:52.320 --> 0:50:57.880
<v Speaker 1>like the right way. I've been in certain ship where

0:50:58.480 --> 0:51:03.200
<v Speaker 1>maybe I was too comfortable before and had to get awoken,

0:51:03.440 --> 0:51:07.600
<v Speaker 1>you know what I'm saying. But uh, everybody moves safe,

0:51:07.880 --> 0:51:11.680
<v Speaker 1>you know, and that's anywhere especially since the pandemic though. Yeah,

0:51:11.719 --> 0:51:13.600
<v Speaker 1>I feel like people are more a little bit more

0:51:13.680 --> 0:51:17.880
<v Speaker 1>hungry and ship like right coming out of it, Like

0:51:17.920 --> 0:51:20.200
<v Speaker 1>when you started seeing how people just get ribbed just

0:51:20.239 --> 0:51:25.840
<v Speaker 1>in broad daylight. You've had laws that made it okay,

0:51:25.920 --> 0:51:29.359
<v Speaker 1>and you had masks that made it like easier and yeah,

0:51:29.360 --> 0:51:31.000
<v Speaker 1>like you can rock around with the pousch heisty on

0:51:31.040 --> 0:51:35.880
<v Speaker 1>and knowing, so everybody, h you know, be careful and

0:51:35.880 --> 0:51:38.640
<v Speaker 1>stay dangerous. Did you have a relationship with P and

0:51:38.680 --> 0:51:42.760
<v Speaker 1>B yesh? Shout out to pm B man and his family.

0:51:43.320 --> 0:51:46.240
<v Speaker 1>He was a very cool dude from all the times

0:51:46.239 --> 0:51:55.040
<v Speaker 1>we encountered each other, and it's super sad and super

0:51:55.200 --> 0:51:58.680
<v Speaker 1>like damn, like really right, and you know what's crazy

0:51:58.840 --> 0:52:02.000
<v Speaker 1>not him, Like he was such a nice guy. And

0:52:02.040 --> 0:52:04.320
<v Speaker 1>then when you hear like the circumstances of what happened

0:52:04.320 --> 0:52:06.200
<v Speaker 1>that it was like a family like a father and

0:52:06.239 --> 0:52:10.600
<v Speaker 1>a son thing, You're like, shit, dude, like it's just crazy, man,

0:52:11.040 --> 0:52:13.520
<v Speaker 1>it's a sad situation for sure. Man, it is you know,

0:52:13.920 --> 0:52:17.800
<v Speaker 1>like you said, stay safe out here album by the

0:52:17.880 --> 0:52:22.360
<v Speaker 1>end of the year. Uh, we got the biggest single

0:52:22.480 --> 0:52:24.799
<v Speaker 1>in the fucking world right now. My friend he's sing

0:52:24.840 --> 0:52:27.160
<v Speaker 1>album related, he's just the fu the single. Okay, you

0:52:27.200 --> 0:52:29.560
<v Speaker 1>got the single out. The album comes out January. Then

0:52:30.239 --> 0:52:32.480
<v Speaker 1>you know the album's coming soon. Let's focus on the

0:52:32.520 --> 0:52:35.839
<v Speaker 1>biggest song right now. My friends feature a little dirt

0:52:35.920 --> 0:52:39.120
<v Speaker 1>shout out to my brother Mustard. We out here and then, uh,

0:52:39.600 --> 0:52:42.120
<v Speaker 1>any more collab projects coming? Obviously? You have some classics.

0:52:42.160 --> 0:52:44.520
<v Speaker 1>You got the Division album, you got the Jeremiah Project,

0:52:45.040 --> 0:52:49.040
<v Speaker 1>you got fucking You and Whiz. I mean yeah, I

0:52:49.080 --> 0:52:51.919
<v Speaker 1>love doing music, and I love making music with other

0:52:51.920 --> 0:52:55.160
<v Speaker 1>people that love making music, and I've got some great

0:52:55.160 --> 0:52:58.359
<v Speaker 1>shit on the way. How about this. I'm not gonna

0:52:58.360 --> 0:52:59.759
<v Speaker 1>ask you to because you're just gonna tell me about

0:52:59.760 --> 0:53:04.040
<v Speaker 1>this the single. Uh. If who would be somebody that

0:53:04.120 --> 0:53:06.160
<v Speaker 1>you are a fan of that you would like to

0:53:06.200 --> 0:53:08.040
<v Speaker 1>do a project with, if you if you could have

0:53:08.160 --> 0:53:12.200
<v Speaker 1>it your way, I like what Drake like you and Drake?

0:53:13.120 --> 0:53:15.600
<v Speaker 1>That would be hard. Yeah, you and Drake would be crazy.

0:53:16.400 --> 0:53:20.000
<v Speaker 1>I don't know who else? Uh me and Kaylani would

0:53:20.000 --> 0:53:23.120
<v Speaker 1>make a crazy album together, for sure. That'd be easy.

0:53:23.120 --> 0:53:28.800
<v Speaker 1>You guys are both on Atlantic. Yeah, that'd be crazy. Kaylanie,

0:53:28.880 --> 0:53:31.040
<v Speaker 1>we got to talk to David Ali. Let's make it happen.

0:53:32.000 --> 0:53:33.839
<v Speaker 1>She's been killing it too. Shout out to her Man, Well,

0:53:33.840 --> 0:53:36.319
<v Speaker 1>I appreciate you pulling up. You didn't answer the question

0:53:36.360 --> 0:53:40.879
<v Speaker 1>about your craziest night on tour. You didn't think I'll

0:53:40.880 --> 0:53:42.520
<v Speaker 1>send it in on a video something. I don't want

0:53:42.520 --> 0:53:44.359
<v Speaker 1>to see the video. You should be sharing that video.

0:53:44.360 --> 0:53:47.680
<v Speaker 1>I don't want to see that video. But yel there

0:53:47.719 --> 0:53:51.320
<v Speaker 1>was eleven Wins, Susio Boys, Susio Boys in the building,

0:53:52.239 --> 0:53:55.360
<v Speaker 1>Ty Dollar Sign, Let's get it fire.