1 00:00:00,200 --> 00:00:04,240 Speaker 1: It is the bouleg Cat Show. We have a special guest. 2 00:00:04,559 --> 00:00:08,879 Speaker 1: He brought his cancer sticks to the interview smoking cigarettes. 3 00:00:08,920 --> 00:00:12,479 Speaker 1: This is not marijuana. We got ty dollars on here. 4 00:00:12,560 --> 00:00:14,239 Speaker 1: How you doing, my brother, I'm good man, It's good 5 00:00:14,240 --> 00:00:16,800 Speaker 1: to see. It's good to see you too. I mean, 6 00:00:16,840 --> 00:00:18,439 Speaker 1: I see I've seen you around, but I feel like 7 00:00:18,560 --> 00:00:22,759 Speaker 1: I just saw you at the Joiner show backstage. That's okay, okay, okay, yeah, 8 00:00:22,760 --> 00:00:26,000 Speaker 1: that's right. Yeah. I must have been smoking something else. 9 00:00:26,200 --> 00:00:28,200 Speaker 1: I must have been smoking something else. But it's good 10 00:00:28,200 --> 00:00:31,960 Speaker 1: to see you. Man. Loving this new record. You appreciate you. 11 00:00:32,080 --> 00:00:36,320 Speaker 1: Mustard and Dirk shout out to my brothers. It's been 12 00:00:36,360 --> 00:00:40,400 Speaker 1: a minute since we dropped and were back back like 13 00:00:40,440 --> 00:00:44,240 Speaker 1: we never left. It is interesting that, like you guys 14 00:00:44,240 --> 00:00:48,800 Speaker 1: are doing a joint album together, which feels like overdue. 15 00:00:49,200 --> 00:00:52,120 Speaker 1: I can uh, I can see that. It feels like, 16 00:00:52,600 --> 00:00:54,920 Speaker 1: you know, there should have been like this, like I 17 00:00:54,920 --> 00:00:57,200 Speaker 1: don't know seven years ago or something, but maybe yeah, 18 00:00:57,240 --> 00:00:58,840 Speaker 1: but we're doing it now. You know all that would 19 00:00:58,840 --> 00:01:01,520 Speaker 1: have could have should have matter, It doesn't matter. You know. 20 00:01:01,680 --> 00:01:03,760 Speaker 1: The record is the records here is one of the 21 00:01:03,760 --> 00:01:07,759 Speaker 1: greatest records that you're gonna hear, and uh, I can't 22 00:01:07,760 --> 00:01:09,319 Speaker 1: wait for you to hear. Man. I was gonna say 23 00:01:09,319 --> 00:01:10,959 Speaker 1: timing wise, like why was it, Like you know what, 24 00:01:11,040 --> 00:01:12,679 Speaker 1: now's the time, Like, let's do it, let's get together, 25 00:01:12,720 --> 00:01:15,080 Speaker 1: Let's do a whole fucking album. You God's time. You 26 00:01:15,120 --> 00:01:21,440 Speaker 1: know that's why. Yeah, that's why God's time. You on 27 00:01:21,520 --> 00:01:23,880 Speaker 1: God's timing. I'm an atheist, so I don't know, but 28 00:01:23,959 --> 00:01:25,760 Speaker 1: you're on God's timing, whether you want to believe it 29 00:01:25,840 --> 00:01:32,399 Speaker 1: or not. Yeah. Hello, Hello? How many records enough? Just 30 00:01:32,440 --> 00:01:35,119 Speaker 1: the perfect amount. Not one of those albums that have 31 00:01:35,840 --> 00:01:39,080 Speaker 1: all these records for streams trying to cheat. You know 32 00:01:39,120 --> 00:01:40,840 Speaker 1: what I'm saying, You're gonna love it or you're not, 33 00:01:41,000 --> 00:01:45,160 Speaker 1: So it's one of them ones like she'd be like God, 34 00:01:45,160 --> 00:01:48,200 Speaker 1: there's twenty seconds, yah cheating? Yeah, chet make an actual 35 00:01:48,240 --> 00:01:52,160 Speaker 1: good album. Yeah, how about no filler all bangers, let's go. 36 00:01:52,480 --> 00:01:55,560 Speaker 1: Body of work, Let's go. Yeah, man, I'm talking. You're 37 00:01:55,600 --> 00:01:57,480 Speaker 1: one of the I do feel like when it comes 38 00:01:57,520 --> 00:01:59,520 Speaker 1: to bodies of work, though, you're one of the most 39 00:01:59,520 --> 00:02:02,840 Speaker 1: consistent artists, at least in my opinion. When I know 40 00:02:02,920 --> 00:02:05,280 Speaker 1: if you drop a project, we even go to the 41 00:02:05,320 --> 00:02:08,919 Speaker 1: mixtape days, Like I just know that there's I could 42 00:02:08,960 --> 00:02:10,800 Speaker 1: just press play. That means a lot of my brother. 43 00:02:10,840 --> 00:02:15,440 Speaker 1: I appreciate it. Yeah, even the last album, there was 44 00:02:15,480 --> 00:02:19,640 Speaker 1: like there was like some stuff that I feel like 45 00:02:20,080 --> 00:02:22,440 Speaker 1: when the album came out, it was amazing, But there 46 00:02:22,440 --> 00:02:24,960 Speaker 1: were so many records that didn't make that last project. 47 00:02:25,240 --> 00:02:28,200 Speaker 1: Yeah that you had played me, Yeah, that's a whole 48 00:02:28,240 --> 00:02:32,720 Speaker 1: nother We ended up making a whole nother album last minute, 49 00:02:33,400 --> 00:02:35,800 Speaker 1: just because I was having fun in the studio and 50 00:02:35,800 --> 00:02:37,560 Speaker 1: that's the one I decided to go with. And the 51 00:02:37,600 --> 00:02:40,399 Speaker 1: Division album was dope. Thank you. I appreciate that as well. 52 00:02:40,639 --> 00:02:44,000 Speaker 1: Shout out to my brother Daniel. Shout out to eighty five. 53 00:02:44,120 --> 00:02:46,320 Speaker 1: I just seen him out in Miami. They got a 54 00:02:46,320 --> 00:02:48,080 Speaker 1: new album that's about to drop. Think, yeah, it comes 55 00:02:48,120 --> 00:02:49,840 Speaker 1: out next week. I think, Oh, that's gonna be crazy. 56 00:02:50,160 --> 00:02:53,040 Speaker 1: I love you niggas. Don't never want to send the 57 00:02:53,120 --> 00:02:55,320 Speaker 1: album early. I don't know what's up with that, but 58 00:02:56,040 --> 00:02:58,280 Speaker 1: send that thing. I love how they got in with JD. 59 00:02:58,440 --> 00:03:00,560 Speaker 1: And like, I'm like, I'm hearing this songs. I'm like, 60 00:03:00,560 --> 00:03:02,640 Speaker 1: this shit reminds me of like ninety nine R and B, 61 00:03:02,720 --> 00:03:04,400 Speaker 1: which is a good thing, by the way. Yeah, I 62 00:03:04,440 --> 00:03:06,200 Speaker 1: mean that's what I feel like R and B has 63 00:03:06,200 --> 00:03:10,160 Speaker 1: been missing missing. Everybody got lazy with it. So when 64 00:03:10,200 --> 00:03:13,400 Speaker 1: you get artists like Division, you know, going crazy. Brent 65 00:03:13,400 --> 00:03:18,840 Speaker 1: Faiyre is going crazy myself of course, Lam it's a 66 00:03:18,880 --> 00:03:21,080 Speaker 1: couple of week in name for sure, it's doing it. 67 00:03:21,120 --> 00:03:24,720 Speaker 1: But you know that's a good thing for sure. J 68 00:03:25,120 --> 00:03:28,840 Speaker 1: one hundred percent JD. For you, though, what has been 69 00:03:29,280 --> 00:03:34,680 Speaker 1: like was there any sort of like creative difference for 70 00:03:34,760 --> 00:03:38,080 Speaker 1: you honing in with one producer for a whole project 71 00:03:38,480 --> 00:03:40,760 Speaker 1: or was it kind of did it make it easier? 72 00:03:40,880 --> 00:03:43,480 Speaker 1: Was it more difficult? Was it did it change your 73 00:03:43,480 --> 00:03:47,440 Speaker 1: process at all? When I'm working with Mustard, it's like 74 00:03:47,480 --> 00:03:49,280 Speaker 1: my you know, he's my brother, you know what I'm saying. 75 00:03:49,280 --> 00:03:52,400 Speaker 1: We started and this shit together. So it's like working 76 00:03:52,400 --> 00:03:54,240 Speaker 1: with if it was me and you working on some 77 00:03:54,920 --> 00:03:56,600 Speaker 1: like on magazine covers and shit together. You guys are 78 00:03:56,680 --> 00:04:00,600 Speaker 1: very synonymous with each other, so it was it was easy. 79 00:04:00,640 --> 00:04:04,720 Speaker 1: It was easy, man, just his ideas, my ideas, back 80 00:04:04,760 --> 00:04:07,360 Speaker 1: and forth, back and forth. It was quick. You know, 81 00:04:08,800 --> 00:04:11,680 Speaker 1: the actual time we spent in the studio, how long 82 00:04:11,720 --> 00:04:13,760 Speaker 1: did it, like if you had a guest estimate, like 83 00:04:13,920 --> 00:04:15,760 Speaker 1: how long did it take for it didn't take more 84 00:04:15,800 --> 00:04:18,400 Speaker 1: than a month to knock it out, but just span 85 00:04:18,560 --> 00:04:21,880 Speaker 1: over time due to his schedule with my schedule. Wow, 86 00:04:22,080 --> 00:04:26,640 Speaker 1: do you get first like DIBs over the beats? For sure? 87 00:04:27,400 --> 00:04:29,680 Speaker 1: He gave me all this fire shit and then I 88 00:04:29,839 --> 00:04:34,120 Speaker 1: was giving him, you know, ideas, melodies with vocals, and 89 00:04:34,160 --> 00:04:36,240 Speaker 1: then he'll add his parts to it, and we're just 90 00:04:36,240 --> 00:04:39,599 Speaker 1: going back and forth like that. So it was crazy. Yeah. 91 00:04:39,600 --> 00:04:41,600 Speaker 1: I always whenever I'm talking about you in interviews, I 92 00:04:41,600 --> 00:04:45,280 Speaker 1: always say that creatively, you're a genius. I appreciate it. Man, 93 00:04:45,520 --> 00:04:47,919 Speaker 1: you're historically one of the more slept on artists somehow 94 00:04:48,000 --> 00:04:49,839 Speaker 1: of our time. I don't like that slept on shit. 95 00:04:49,920 --> 00:04:51,919 Speaker 1: I'm one of the greatest artists of our time. So 96 00:04:51,960 --> 00:04:55,000 Speaker 1: y'all gotta stop saying that shit. Stop pushing that narrative. 97 00:04:55,279 --> 00:04:57,040 Speaker 1: Todd Dallas signe one of the best I ever heard, 98 00:04:57,440 --> 00:05:01,160 Speaker 1: I agree fully. Are we we're going chain, We're chaining. 99 00:05:01,760 --> 00:05:03,599 Speaker 1: Let me just hold one, hold one. Can you light 100 00:05:03,680 --> 00:05:05,839 Speaker 1: one and just let me hold it? Let me just 101 00:05:05,880 --> 00:05:07,560 Speaker 1: soak up some of that fucking cans. You know what 102 00:05:07,600 --> 00:05:10,400 Speaker 1: I mean. People who don't know you're not like a 103 00:05:10,440 --> 00:05:13,280 Speaker 1: regular smoker, but these are special. These are Special. I 104 00:05:13,320 --> 00:05:15,280 Speaker 1: don't know why I'm going so fast on them right now. 105 00:05:15,760 --> 00:05:18,760 Speaker 1: I gotta rash these things out. I'm gonna just take 106 00:05:18,800 --> 00:05:23,680 Speaker 1: one pool just to keep it lit. That's the first 107 00:05:23,720 --> 00:05:25,800 Speaker 1: time I've ever smoked a cigarette, actually, when I was eight. 108 00:05:25,920 --> 00:05:30,640 Speaker 1: Did you gotta bite that first one? The little tangy part? No, 109 00:05:31,200 --> 00:05:34,680 Speaker 1: you gonna hear it? Look at it. You see the 110 00:05:34,720 --> 00:05:37,080 Speaker 1: little orange part. That's not I'm not comfortable with anymore. 111 00:05:37,400 --> 00:05:42,120 Speaker 1: Here you go. Yeah? Wait, wait when did Dwight get here? 112 00:05:42,640 --> 00:05:46,000 Speaker 1: What the fuck? I got both? We got both Atlantic 113 00:05:46,040 --> 00:05:48,840 Speaker 1: reps in this motherfucker. Man. It's special Man, we are here. 114 00:05:48,920 --> 00:05:51,040 Speaker 1: Come on, you bringing them out? Going number one? You're 115 00:05:51,080 --> 00:05:55,120 Speaker 1: bringing them out? Yeah, shout out to dark Man. I 116 00:05:55,120 --> 00:05:57,800 Speaker 1: love the new record obviously. Uh. I feel like you're 117 00:05:57,839 --> 00:05:59,200 Speaker 1: the kind of artist that when you get in with 118 00:05:59,240 --> 00:06:01,920 Speaker 1: somebody that there might be like five or six unreleased 119 00:06:01,920 --> 00:06:04,719 Speaker 1: songs with them sitting on a hard drive somewhere. Yeah. 120 00:06:04,880 --> 00:06:08,200 Speaker 1: Is that a fair assumption in general? With Ty? Yeah, 121 00:06:08,240 --> 00:06:11,919 Speaker 1: you know, off and on Dirk, especially with me and 122 00:06:11,920 --> 00:06:15,479 Speaker 1: Bro like we was on the cover of the Double 123 00:06:15,520 --> 00:06:19,159 Speaker 1: Excel Freshman together and been doing it since then, and 124 00:06:19,400 --> 00:06:21,440 Speaker 1: now he's one of the biggest artists out there, you know, 125 00:06:21,480 --> 00:06:23,039 Speaker 1: So shout out to Dirk and all the hard work 126 00:06:23,040 --> 00:06:25,680 Speaker 1: he's put in, and it's you know, I'm happy for 127 00:06:25,720 --> 00:06:28,440 Speaker 1: bro for sure to see all that shit payoff. How 128 00:06:28,440 --> 00:06:31,400 Speaker 1: many songs unreleased do you have with him? I mean 129 00:06:31,440 --> 00:06:33,960 Speaker 1: I couldn't even say, but we got songs for sure. 130 00:06:35,320 --> 00:06:38,720 Speaker 1: It's crazy because I kind of even just just back 131 00:06:38,760 --> 00:06:45,040 Speaker 1: to the Chicago thing. Obviously, Dirk's an og Like we've 132 00:06:45,040 --> 00:06:49,200 Speaker 1: seen him grow into this superstar over the last ten years. 133 00:06:49,640 --> 00:06:51,760 Speaker 1: First time I ever saw a guy like little Bibby 134 00:06:51,880 --> 00:06:55,800 Speaker 1: Bibby was on tour with you. Was that fucking what 135 00:06:55,839 --> 00:06:58,320 Speaker 1: was that like twenty fourteen? And now he's obviously a 136 00:06:58,440 --> 00:07:02,119 Speaker 1: huge executive and he's yeah, richer than everybody. You know. Yeah, Wow, 137 00:07:02,600 --> 00:07:04,760 Speaker 1: he did his thing. You know what I'm saying, It's 138 00:07:04,839 --> 00:07:06,760 Speaker 1: a it's good to see ship like that. But you're 139 00:07:06,760 --> 00:07:09,480 Speaker 1: always pretty much I was gonna say, you were pretty 140 00:07:09,560 --> 00:07:12,080 Speaker 1: much tapped in with Chicago, like from the rip. Yeah, 141 00:07:12,320 --> 00:07:13,960 Speaker 1: shout out to all my brothers out there, you know, 142 00:07:14,080 --> 00:07:17,240 Speaker 1: rest rest and piece Fredo, Rest and peace of Fredo. Indeed, 143 00:07:17,600 --> 00:07:22,000 Speaker 1: speaking of Chicago, your friend Kanye Man, you guys have 144 00:07:22,040 --> 00:07:26,880 Speaker 1: classics together. Yes, uh, I He's my favorite artist of 145 00:07:26,920 --> 00:07:29,680 Speaker 1: all time. He's up there, all his albums are up there. 146 00:07:29,760 --> 00:07:33,440 Speaker 1: You see the Little Bears. Have you spoken also one 147 00:07:33,440 --> 00:07:35,680 Speaker 1: of the greatest artists of our time. Have you spoken 148 00:07:35,720 --> 00:07:38,920 Speaker 1: with him any of this craziness has been going on? 149 00:07:39,440 --> 00:07:41,360 Speaker 1: I have not got a chance to speak to now. 150 00:07:43,080 --> 00:07:44,880 Speaker 1: I feel like you guys are genuine friends. Is that 151 00:07:44,920 --> 00:07:49,040 Speaker 1: safe to assume? Yeah? For sure, Bro. You know, I 152 00:07:49,040 --> 00:07:57,800 Speaker 1: feel like Kanye at times says things that probably I 153 00:07:57,800 --> 00:08:00,280 Speaker 1: feel like the bigger point gets lost in some of 154 00:08:00,320 --> 00:08:04,160 Speaker 1: the delivery that he'd be saying. Would you what would like? 155 00:08:04,720 --> 00:08:07,440 Speaker 1: Would you say based on some of the narratives that 156 00:08:07,440 --> 00:08:09,360 Speaker 1: are being painted about Yay with some of the anti 157 00:08:09,400 --> 00:08:11,200 Speaker 1: Semitic shit, I feel like you know him better than 158 00:08:11,560 --> 00:08:14,880 Speaker 1: most of the people that are speaking about him. I 159 00:08:14,920 --> 00:08:16,880 Speaker 1: would say I would say he's a great guy. I 160 00:08:16,920 --> 00:08:19,680 Speaker 1: would say he does what he wants. There's got to 161 00:08:19,720 --> 00:08:22,920 Speaker 1: be something that he's you know, trying to get across 162 00:08:22,960 --> 00:08:25,560 Speaker 1: with whatever he's doing, and at the end of the day, 163 00:08:25,640 --> 00:08:28,120 Speaker 1: is a great guy. So we love Kanye and you 164 00:08:28,160 --> 00:08:32,040 Speaker 1: guys have classics together. Yeah, for sure. When you work 165 00:08:32,120 --> 00:08:34,400 Speaker 1: with because you've you work with a guy like Muster, 166 00:08:34,520 --> 00:08:37,400 Speaker 1: who again a modern day legend. Yeah, one of the 167 00:08:37,400 --> 00:08:40,079 Speaker 1: best producers of our generation. You've worked with the a. 168 00:08:40,720 --> 00:08:43,480 Speaker 1: What's the creative difference between those two guys in the 169 00:08:43,480 --> 00:08:50,080 Speaker 1: studio the individuals. Uh, Jay has the way he does shit, 170 00:08:50,840 --> 00:08:53,640 Speaker 1: Mustard has the way he does shit. It's completely different. 171 00:08:53,679 --> 00:08:57,640 Speaker 1: But how I mean you can hear it. I just 172 00:08:57,679 --> 00:08:59,319 Speaker 1: mean like in terms of like the process, because I 173 00:08:59,360 --> 00:09:01,559 Speaker 1: always hear ya like more sporadical, like sometimes you just 174 00:09:01,600 --> 00:09:03,480 Speaker 1: might set up a fucking microphone in the corner over 175 00:09:03,480 --> 00:09:06,200 Speaker 1: there and like, but Musta may do the same thing. 176 00:09:06,440 --> 00:09:09,800 Speaker 1: So it's just different styles. You know. We came up 177 00:09:09,840 --> 00:09:13,480 Speaker 1: different ways and have different techniques of doing this shit. 178 00:09:13,559 --> 00:09:15,880 Speaker 1: But at the end of the day, we all make bangers, 179 00:09:16,040 --> 00:09:19,240 Speaker 1: so but way different ways of doing this shit. There's 180 00:09:19,280 --> 00:09:21,000 Speaker 1: just a different route to getting to the banger with 181 00:09:21,000 --> 00:09:24,200 Speaker 1: each person, right, Yeah, is there been a producer because 182 00:09:24,240 --> 00:09:25,679 Speaker 1: you know, a lot of people don't notice about you. 183 00:09:25,679 --> 00:09:27,720 Speaker 1: You're kind of like what I would consider to be 184 00:09:28,400 --> 00:09:30,920 Speaker 1: quite the hip hop head. Yeah, for sure. You love 185 00:09:30,960 --> 00:09:33,840 Speaker 1: you some, Jay Dilla, Yeah, you know what I'm saying. Uh, 186 00:09:34,600 --> 00:09:37,240 Speaker 1: there's been guys like Madly who've been pretty active recently, 187 00:09:37,400 --> 00:09:39,640 Speaker 1: like putting out great records, but like has got mad 188 00:09:39,679 --> 00:09:42,480 Speaker 1: Live's number, I don't. I don't think anybody does. That's what. 189 00:09:42,600 --> 00:09:44,440 Speaker 1: That's one guy I've been wanting to work with from 190 00:09:44,440 --> 00:09:46,960 Speaker 1: the beginning that I haven't got a chance to. I 191 00:09:47,000 --> 00:09:49,840 Speaker 1: never really came across Bro, So I don't think anyone's 192 00:09:49,840 --> 00:09:51,840 Speaker 1: coming up called at me, Bro. If you hear this shit, 193 00:09:52,000 --> 00:09:54,360 Speaker 1: I was gonna say, that's somebody who you'd like to 194 00:09:54,400 --> 00:09:56,000 Speaker 1: work with. I would love to work with mad Live. 195 00:09:56,080 --> 00:09:59,000 Speaker 1: I recently just did an interview with taylb Quality and 196 00:09:59,040 --> 00:10:01,080 Speaker 1: we're supposed to do something. He's also a legend to 197 00:10:01,080 --> 00:10:03,040 Speaker 1: me and someone I always wanted to work with. So 198 00:10:03,960 --> 00:10:05,959 Speaker 1: I love that type of music for Shure. I don't 199 00:10:05,960 --> 00:10:09,040 Speaker 1: think people would put that like together because I mean, 200 00:10:09,080 --> 00:10:11,480 Speaker 1: you've done some record anybody that's a real time fan 201 00:10:11,559 --> 00:10:14,640 Speaker 1: with no like back from Tying Corey days all the 202 00:10:14,640 --> 00:10:18,040 Speaker 1: way up to now. And even like if that that 203 00:10:18,120 --> 00:10:21,880 Speaker 1: one off I drop with j Cole, Like, if you 204 00:10:21,920 --> 00:10:24,040 Speaker 1: hear that, you would know that's like, that's my type 205 00:10:24,080 --> 00:10:28,440 Speaker 1: of shit. Madly, we gotta make it happen. He's out there, 206 00:10:28,760 --> 00:10:31,400 Speaker 1: he's just he's making I already made all of the 207 00:10:31,800 --> 00:10:35,280 Speaker 1: fucking uh bandana shiit the Freddie gives Aubu. I already 208 00:10:35,280 --> 00:10:38,680 Speaker 1: made that shit off his iPad. Yeah, man, that's he 209 00:10:38,760 --> 00:10:40,520 Speaker 1: a boy. You should put this out too. I'm just 210 00:10:40,600 --> 00:10:41,880 Speaker 1: kind of wasting it, or you can just take it. 211 00:10:41,880 --> 00:10:44,840 Speaker 1: I don't want it. You're just gonna waste my shit 212 00:10:44,960 --> 00:10:48,920 Speaker 1: like that man. Some ship it just, you know what, 213 00:10:49,000 --> 00:10:50,880 Speaker 1: I understand the appeal of it, though. I feel like 214 00:10:50,920 --> 00:10:53,440 Speaker 1: I'm in a movie. I feel like we should be there, 215 00:10:53,440 --> 00:10:56,360 Speaker 1: should be like green lights and pull tables around. Yeah, 216 00:10:56,360 --> 00:10:58,280 Speaker 1: I feel you. The vibe range women, you know what 217 00:10:58,320 --> 00:11:00,880 Speaker 1: I mean. Maybe some whiskey. Yeah, I'm not trying to 218 00:11:00,880 --> 00:11:03,600 Speaker 1: push it. Push it on nobody. Don't fuck with it. 219 00:11:03,600 --> 00:11:07,760 Speaker 1: It's just trash that just happened to like it. Yeah, 220 00:11:08,000 --> 00:11:11,480 Speaker 1: I respect it. Hey, whatever show you're still heavy smoking 221 00:11:11,520 --> 00:11:14,880 Speaker 1: on the on the on the Gandra. Yeah, papers only 222 00:11:14,920 --> 00:11:17,480 Speaker 1: still papers only, still still tell the game to the 223 00:11:17,520 --> 00:11:20,880 Speaker 1: day I die. Yes, you and Wiz are gonna run 224 00:11:20,920 --> 00:11:23,560 Speaker 1: it back on the joint, the joint side. What's up? 225 00:11:24,280 --> 00:11:26,240 Speaker 1: Let's do it? You know he got his new album 226 00:11:26,240 --> 00:11:28,640 Speaker 1: about to drop up on there for sure. What's it called? 227 00:11:28,720 --> 00:11:32,400 Speaker 1: G uh G? What the is it called? He's not 228 00:11:32,440 --> 00:11:34,800 Speaker 1: even on Atlantic anymore. You guys wouldn't even fucking know 229 00:11:35,800 --> 00:11:40,280 Speaker 1: supposed to be saying the exclusive the deluxe edition, I 230 00:11:40,280 --> 00:11:43,319 Speaker 1: think just dropped of multiverse. But he's got his other 231 00:11:43,440 --> 00:11:47,960 Speaker 1: ship g raw G Star G Something. You know what? 232 00:11:49,880 --> 00:11:52,960 Speaker 1: Fuck you got me erased this part? God damn it. 233 00:11:53,679 --> 00:11:55,040 Speaker 1: We could just pull it out and give him a 234 00:11:55,080 --> 00:11:58,280 Speaker 1: nice plug because that's our brother and we love him. 235 00:11:58,360 --> 00:12:03,640 Speaker 1: It's called G something, Uhiz, we gotta plug Wizards album man. 236 00:12:03,960 --> 00:12:07,640 Speaker 1: We can't not do it. Yeah, knowing him, it's probably 237 00:12:07,640 --> 00:12:10,440 Speaker 1: nowhere on Yeah, there's no it's gotta be on his 238 00:12:10,760 --> 00:12:14,800 Speaker 1: on his page. I've been seeing him. Yeah, he's been 239 00:12:14,800 --> 00:12:17,520 Speaker 1: promoting it, but it's not in the captions. Oh g rage, 240 00:12:17,720 --> 00:12:21,559 Speaker 1: g rage, g rage all right, I raced up until here. 241 00:12:21,840 --> 00:12:24,120 Speaker 1: So the new Wiz album, g Rage Man, that's just 242 00:12:24,160 --> 00:12:28,959 Speaker 1: gonna go crazy crazy. Who's on the album, man? Besides 243 00:12:29,040 --> 00:12:34,160 Speaker 1: Dirk on my album, uh Mustard and Ty Dollars Sign 244 00:12:34,200 --> 00:12:36,480 Speaker 1: and I'm featuring Ty Dollars and a lot of songs. 245 00:12:37,080 --> 00:12:38,599 Speaker 1: Of course, you know when you see that feature in 246 00:12:38,640 --> 00:12:41,120 Speaker 1: Ti Dollars Sign. But when you see his own project, 247 00:12:41,160 --> 00:12:43,520 Speaker 1: like he said, you know, that's it can't ride, not 248 00:12:43,679 --> 00:12:47,840 Speaker 1: like these other albums. But who's on the album outside 249 00:12:48,360 --> 00:12:53,880 Speaker 1: Dirty Dirt, Uh Mustard. You know what I'm saying. We've 250 00:12:53,880 --> 00:12:59,560 Speaker 1: gathered that much ten summers, easy money. You know lam A, 251 00:13:00,920 --> 00:13:03,439 Speaker 1: I mean if lam with Blessed Us with a Verse 252 00:13:03,600 --> 00:13:08,560 Speaker 1: or Live. You know, I'm not saying nothing yet, man, 253 00:13:08,720 --> 00:13:10,880 Speaker 1: but you know I'm gonna play it for you. Pull 254 00:13:10,960 --> 00:13:13,160 Speaker 1: up to the studio after this. We've got a studio 255 00:13:13,240 --> 00:13:14,560 Speaker 1: right in there. You just playing I Got You, I 256 00:13:14,559 --> 00:13:16,040 Speaker 1: Got You, I Got you. Can play me some ship, 257 00:13:16,200 --> 00:13:20,600 Speaker 1: I got you? Yeah, this guy, Yeah, the songs out. 258 00:13:20,640 --> 00:13:22,720 Speaker 1: We know Dirk's on the fucking album. Man, get that 259 00:13:22,800 --> 00:13:25,319 Speaker 1: my friends, man, run that back. Shout out to everybody 260 00:13:25,320 --> 00:13:27,040 Speaker 1: playing that ship. You heard it first right here on 261 00:13:27,080 --> 00:13:30,360 Speaker 1: boutlet cav. What did we hear first? You gave me 262 00:13:30,400 --> 00:13:34,560 Speaker 1: no exclusives. I gave you my friends, y'all heard it first. Oh, 263 00:13:34,640 --> 00:13:37,400 Speaker 1: right here on bulet cav. What're talking about? This guy's 264 00:13:37,760 --> 00:13:40,120 Speaker 1: Dwight gets around. He starts introducing fucking songs in the 265 00:13:40,120 --> 00:13:43,600 Speaker 1: middle of the interview. I'm just talking about the most 266 00:13:43,640 --> 00:13:46,480 Speaker 1: important song out right now. Man, my friends, it's great 267 00:13:46,520 --> 00:13:48,960 Speaker 1: record t donand Sign and Mustard featuring a little dirt. 268 00:13:49,000 --> 00:13:50,440 Speaker 1: You know what I'm saying. We going up. All right, 269 00:13:50,520 --> 00:13:53,640 Speaker 1: we just charted on something today. You know what I'm saying. 270 00:13:53,679 --> 00:13:58,800 Speaker 1: That's our first little charging rhyth. Let's fucking go talking 271 00:13:58,840 --> 00:14:02,120 Speaker 1: about Hey, what iup, y'all? Bootleg keV gotta stop the 272 00:14:02,160 --> 00:14:04,680 Speaker 1: interview to tell you about our newest sponsor. Man. Shout 273 00:14:04,679 --> 00:14:08,719 Speaker 1: out to the homies at Hardan, Las Vegas. That's right then, 274 00:14:08,800 --> 00:14:13,240 Speaker 1: number one dispensary in the whole state of Nevada, let 275 00:14:13,280 --> 00:14:16,400 Speaker 1: alone in the whole fucking country. So many choices of 276 00:14:16,400 --> 00:14:20,400 Speaker 1: premium cannabis, ladies and gentlemen. It is like, how can 277 00:14:20,440 --> 00:14:22,880 Speaker 1: I put this? You walk into it. You go to 278 00:14:22,960 --> 00:14:26,520 Speaker 1: Hardan in Las Vegas when you're on vacation, when you're 279 00:14:26,560 --> 00:14:30,200 Speaker 1: out there tricking off whatever you're doing, stop off at Hardan. 280 00:14:30,720 --> 00:14:33,280 Speaker 1: Tell them I sent you. Be like yo, Bootleg keV 281 00:14:33,360 --> 00:14:35,640 Speaker 1: sent me. They're gonna take care of you at Hardean. 282 00:14:35,920 --> 00:14:39,120 Speaker 1: When I say selection, I mean selection of the best 283 00:14:39,280 --> 00:14:44,120 Speaker 1: premium cannabis in the world, the best dispensary. There's a 284 00:14:44,160 --> 00:14:48,280 Speaker 1: reason why Hardan is world famous. Follow them right now, 285 00:14:48,640 --> 00:14:53,160 Speaker 1: Hardan Underscore Las Vegas. Go to their website Hardenlasvegas dot com. 286 00:14:53,160 --> 00:14:58,760 Speaker 1: That's ja r DN Underscore Las Vegas. When you're in Vegas, 287 00:14:59,040 --> 00:15:01,480 Speaker 1: you have to pull up a hard dean, tell them 288 00:15:01,600 --> 00:15:04,880 Speaker 1: I sent you, and get high off your fucking face. 289 00:15:05,120 --> 00:15:06,200 Speaker 1: I don't even know what that means. How do you 290 00:15:06,200 --> 00:15:08,600 Speaker 1: get high off of your face? Whatever? Melt your fucking 291 00:15:08,600 --> 00:15:10,720 Speaker 1: face off with some of that good hard dean. Y'all 292 00:15:10,840 --> 00:15:13,360 Speaker 1: go follow one more time. That's hardy underscore Las Vegas. 293 00:15:13,440 --> 00:15:16,520 Speaker 1: Let's get back to the interview. Oh yeah, I saw 294 00:15:16,560 --> 00:15:22,000 Speaker 1: you with Malika Andrews with the MPC on ESPN. What's up? 295 00:15:22,160 --> 00:15:24,800 Speaker 1: What happened there? That was amazing. Man. We got a 296 00:15:24,880 --> 00:15:30,600 Speaker 1: chance to join the ESPN studio today. Me and Muster 297 00:15:30,760 --> 00:15:32,880 Speaker 1: was making beats right there live. You know what I'm saying. 298 00:15:33,040 --> 00:15:35,320 Speaker 1: They ain't really seen that, but you know the tour 299 00:15:35,440 --> 00:15:38,520 Speaker 1: is coming soon. You know, you guys go on tour. 300 00:15:38,560 --> 00:15:42,320 Speaker 1: You guys pull out the MPC that before. MG. I 301 00:15:42,320 --> 00:15:44,240 Speaker 1: remember I saw Jurassic Five do that for the first 302 00:15:44,280 --> 00:15:47,000 Speaker 1: time when I was a kid. Cut Chemist and DJ 303 00:15:47,080 --> 00:15:50,400 Speaker 1: Newmark pulled out the fucking NPC. That shit blew my mind. Man, 304 00:15:51,040 --> 00:15:52,800 Speaker 1: you and Mustard did that together. Yeah, we did that 305 00:15:52,840 --> 00:15:56,600 Speaker 1: today on ESPN and its legendary. Shout out to all 306 00:15:56,640 --> 00:16:01,320 Speaker 1: my ESPN fan and uh we got the song as well. 307 00:16:01,520 --> 00:16:04,160 Speaker 1: We did a cloud with the NBA, so basically every 308 00:16:04,160 --> 00:16:05,720 Speaker 1: game you're gonna hear it, you know what I'm saying, 309 00:16:05,760 --> 00:16:08,240 Speaker 1: Like I said, the most important song right now, I 310 00:16:08,280 --> 00:16:10,920 Speaker 1: did a remix the NBA version of the ESPN version. 311 00:16:11,280 --> 00:16:13,120 Speaker 1: You know, I'm about to do the bootleg CAV version. 312 00:16:13,560 --> 00:16:15,480 Speaker 1: We out here. Are you gonna do some some dub 313 00:16:15,520 --> 00:16:18,800 Speaker 1: lates for the DJs? Of course that's the most important, 314 00:16:18,840 --> 00:16:21,080 Speaker 1: you know, next to the fans. Shout out to all 315 00:16:21,080 --> 00:16:23,680 Speaker 1: my DJs out there there it is man, how have 316 00:16:23,760 --> 00:16:28,640 Speaker 1: you been besides recording relentlessly, you know, I know you 317 00:16:28,720 --> 00:16:30,120 Speaker 1: got to spend a lot more time with the family 318 00:16:30,160 --> 00:16:34,240 Speaker 1: during the pandemic, you know, obviously touring and shows and shit. Yeah. 319 00:16:34,240 --> 00:16:40,080 Speaker 1: My daughter, man, she started her clothing line and the 320 00:16:40,080 --> 00:16:44,880 Speaker 1: first drop is Green Eyed Girls, and she's started her website. 321 00:16:45,120 --> 00:16:49,040 Speaker 1: She's seventeen. Now she's playing basketball. She's going crazy, and 322 00:16:49,560 --> 00:16:52,640 Speaker 1: you know, just seeing that, just seeing her blossom has 323 00:16:52,720 --> 00:16:55,720 Speaker 1: just been one of the greatest gifts from God for sure. 324 00:16:56,280 --> 00:16:58,960 Speaker 1: Is she junior? No, she has senior Oh yea, so 325 00:16:59,000 --> 00:17:01,760 Speaker 1: my son's seven, just turned seventeen, but he's a junior. 326 00:17:01,760 --> 00:17:03,240 Speaker 1: It's guy kind of crazy you having like a little 327 00:17:03,280 --> 00:17:06,000 Speaker 1: adult in your fucking house. Right, Well, how's it having 328 00:17:06,040 --> 00:17:09,680 Speaker 1: a young man having a young lady. I mean, listen, 329 00:17:10,280 --> 00:17:12,960 Speaker 1: I am scared to have a daughter. So if me 330 00:17:13,000 --> 00:17:14,960 Speaker 1: and my wife have another kid, I'm kind of hoping 331 00:17:14,960 --> 00:17:16,239 Speaker 1: I have a daughter because I feel like it might 332 00:17:16,320 --> 00:17:18,399 Speaker 1: change me for the better. Yeah, not to say that 333 00:17:18,440 --> 00:17:20,480 Speaker 1: I need a lot of changing. I'm a great fucking catch, 334 00:17:20,480 --> 00:17:24,200 Speaker 1: you know what I'm saying. But my son, My son 335 00:17:24,320 --> 00:17:26,600 Speaker 1: is like a little dude man Like, he's like a 336 00:17:26,640 --> 00:17:29,400 Speaker 1: little man Like he's more mature than me. Yeah, which 337 00:17:29,440 --> 00:17:32,800 Speaker 1: is a problem. Wow. Well he's definitely like the one 338 00:17:33,000 --> 00:17:36,639 Speaker 1: like Yoda. Is he a sniper? Like with women? Is 339 00:17:36,680 --> 00:17:39,800 Speaker 1: he a sniper? Call of duty? Did he pour champagne 340 00:17:39,800 --> 00:17:48,600 Speaker 1: on her? He's got a girlfriend. That's now he's got 341 00:17:48,600 --> 00:17:51,399 Speaker 1: a girlfriend. She's a sweetheart. But now he's like a 342 00:17:51,480 --> 00:17:54,480 Speaker 1: you know, he's like a music nerd now, oh for real. Yeah, 343 00:17:54,680 --> 00:17:57,080 Speaker 1: Like he used to be like, you know, into like 344 00:17:57,160 --> 00:17:59,439 Speaker 1: Fallout Boy and like Little Pump, but now he's like, 345 00:17:59,480 --> 00:18:03,919 Speaker 1: you know, diving into vinyl and like it's dope to 346 00:18:03,960 --> 00:18:06,879 Speaker 1: see you, that's dope. So he's like leaning towards the 347 00:18:06,920 --> 00:18:10,800 Speaker 1: DJ side. The production side. Just d no, no, no, 348 00:18:11,160 --> 00:18:15,080 Speaker 1: he shouldn't rap. Don't do him like that now him 349 00:18:15,080 --> 00:18:16,760 Speaker 1: and his friends been trying to raping shit in here 350 00:18:16,800 --> 00:18:19,360 Speaker 1: like and it's fucking terrible. Come on, man, he might 351 00:18:19,400 --> 00:18:21,919 Speaker 1: pop out in the next few months on some some 352 00:18:22,040 --> 00:18:26,200 Speaker 1: young mac Miller. Hey maybe that'll be fired. Maybe, man, 353 00:18:26,359 --> 00:18:28,520 Speaker 1: I don't know. Hey, Yo, take me back man to 354 00:18:28,640 --> 00:18:32,880 Speaker 1: like twenty twelve, twenty thirteen days, all star days, fucking 355 00:18:33,840 --> 00:18:36,919 Speaker 1: tutoring and booted days. Like, at any point in time, 356 00:18:37,160 --> 00:18:43,000 Speaker 1: did you foresee that you and YG and Mustard would 357 00:18:43,000 --> 00:18:48,439 Speaker 1: be the face of a generation of LA music. Did 358 00:18:48,520 --> 00:18:52,159 Speaker 1: y'all even have like any sort of life. I always 359 00:18:52,280 --> 00:18:55,080 Speaker 1: dream since a kid, even if you go before that, 360 00:18:55,080 --> 00:19:00,399 Speaker 1: that one day I will make my way and you know, 361 00:19:00,640 --> 00:19:06,600 Speaker 1: and to being that when I first met YG and 362 00:19:06,680 --> 00:19:11,480 Speaker 1: I first met Mustard, I would have never imagine, you 363 00:19:11,480 --> 00:19:13,280 Speaker 1: know what I'm saying that we was gonna do what 364 00:19:13,320 --> 00:19:16,199 Speaker 1: we did, just to be honest, but we did it 365 00:19:16,240 --> 00:19:20,520 Speaker 1: for show. We teamed up and it's been it's been 366 00:19:20,560 --> 00:19:23,040 Speaker 1: a journey for show. Shout out to both of my brothers. Yeah, 367 00:19:23,040 --> 00:19:25,720 Speaker 1: it's crazy. Like I remember the first time I ever 368 00:19:25,800 --> 00:19:30,280 Speaker 1: met you, uh, you guys were on tour with Bobby Brackens, 369 00:19:30,400 --> 00:19:34,200 Speaker 1: and I think wasn't the video person on the tour 370 00:19:35,280 --> 00:19:38,960 Speaker 1: Gucci Gucci chick. Wasn't she like Bobby Brackens like camera? 371 00:19:39,040 --> 00:19:41,400 Speaker 1: She was the camera she was the camera girl for show. 372 00:19:42,280 --> 00:19:46,000 Speaker 1: Then I forgot about that. Yeah, she sw there's an 373 00:19:46,040 --> 00:19:49,880 Speaker 1: interview of me with a GoPro that it's fuzzy as 374 00:19:49,920 --> 00:19:54,679 Speaker 1: fuck and you I'm interviewing Ygi and Bobby Brackens and 375 00:19:54,720 --> 00:19:57,119 Speaker 1: I'm making fun of Bobby Brackens pants. And then you 376 00:19:57,160 --> 00:19:59,040 Speaker 1: walk in and they're like, yeah, I was making fun 377 00:19:59,080 --> 00:20:05,760 Speaker 1: of Bobby Brackens. Yeah. And you walk in and they're like, oh, 378 00:20:05,800 --> 00:20:07,960 Speaker 1: this is actually the guy that's on uh at the 379 00:20:08,119 --> 00:20:10,400 Speaker 1: like at the time, like I didn't know who you were, right, 380 00:20:10,440 --> 00:20:11,520 Speaker 1: So they were like, oh, this is the guy who's 381 00:20:11,560 --> 00:20:14,840 Speaker 1: actually or whatever. And it was like it's on YouTube. 382 00:20:14,880 --> 00:20:16,320 Speaker 1: It's crazy. I'm like, yeah, the first time I had 383 00:20:16,359 --> 00:20:21,800 Speaker 1: ties on YouTube. I mean it's on the internet. Yeah, 384 00:20:21,880 --> 00:20:23,600 Speaker 1: the go pro or that wasn't even a GoPro. What 385 00:20:23,640 --> 00:20:26,040 Speaker 1: was the flip cam? Remember the flip cams They had 386 00:20:26,040 --> 00:20:28,760 Speaker 1: a little USB that popped out them. Ships were epic. 387 00:20:28,960 --> 00:20:32,439 Speaker 1: Wow one hundred. Do you feel like you've kind of 388 00:20:32,720 --> 00:20:37,280 Speaker 1: uh caught some TikTok love during the pandemic, Like a 389 00:20:37,320 --> 00:20:39,800 Speaker 1: song like something New is obviously a record that was 390 00:20:39,840 --> 00:20:41,680 Speaker 1: a few years old but had like a whole new 391 00:20:41,720 --> 00:20:46,360 Speaker 1: life on TikTok. But you don't make music for TikTok. 392 00:20:46,400 --> 00:20:48,560 Speaker 1: You make timeless records and if it happens to work 393 00:20:48,600 --> 00:20:53,680 Speaker 1: out that way, great, Right. Do you feel like now 394 00:20:53,720 --> 00:20:56,479 Speaker 1: that the industry is changing and like attention span has 395 00:20:56,480 --> 00:20:58,479 Speaker 1: gotten short over the last five years, for sure, But 396 00:20:58,520 --> 00:21:01,919 Speaker 1: do you feel like ever any frustration with just kind 397 00:21:01,960 --> 00:21:06,679 Speaker 1: of like you know where, like the music industry's attention 398 00:21:06,880 --> 00:21:08,840 Speaker 1: is like yo, this has to go on to I'm 399 00:21:08,840 --> 00:21:10,679 Speaker 1: sure you hear from the label. I feel like that 400 00:21:10,960 --> 00:21:15,120 Speaker 1: attentions fan shit, God's shorter shit is like another narrative 401 00:21:15,520 --> 00:21:19,919 Speaker 1: and that's like some shit to make it for people 402 00:21:19,960 --> 00:21:24,680 Speaker 1: that suck to be able to make money on music. Yes, yeah, 403 00:21:24,760 --> 00:21:27,919 Speaker 1: Like I'd rather just make good ass music and like 404 00:21:27,960 --> 00:21:31,040 Speaker 1: you said, wherever it goes, it goes, it happens. It happens. 405 00:21:31,040 --> 00:21:33,919 Speaker 1: But like, let's try to make good music though, instead 406 00:21:33,920 --> 00:21:36,399 Speaker 1: of like just making something for TikTok, making something to 407 00:21:36,440 --> 00:21:39,960 Speaker 1: live for like five seconds, Like let's make some timeless shit. 408 00:21:40,040 --> 00:21:42,200 Speaker 1: So yeah, that's why I'm still long And you've made 409 00:21:42,280 --> 00:21:44,800 Speaker 1: timeless music your whole career. And like, if we always 410 00:21:44,800 --> 00:21:49,000 Speaker 1: look at who's at the top, they are not doing 411 00:21:49,160 --> 00:21:52,800 Speaker 1: They're not playing along with nothing. Kendrick Lamar, his album 412 00:21:52,920 --> 00:21:57,159 Speaker 1: is fucking every time. It's like, come on, the new 413 00:21:57,200 --> 00:22:00,840 Speaker 1: shit is crazy every time every time. Who's got your 414 00:22:00,840 --> 00:22:06,440 Speaker 1: favorite albums of the year? Kenjack, Ty Dallas Sign and Mustard? Okay, 415 00:22:06,440 --> 00:22:09,479 Speaker 1: you gotta just qualify yourself. It's not out yet, I know, 416 00:22:09,560 --> 00:22:11,160 Speaker 1: but I'm gonna just be honest. Is it coming out 417 00:22:11,160 --> 00:22:16,679 Speaker 1: this year? Ty Dallas Sign and Mustard, Kendrick Lamar? Uh? 418 00:22:17,480 --> 00:22:20,200 Speaker 1: What else came out this year? Uh? The Freddy Gibbs 419 00:22:20,200 --> 00:22:24,200 Speaker 1: album is great, Triple Less. I love j I D's album. 420 00:22:25,640 --> 00:22:28,320 Speaker 1: He Goes Crazy man, I'm so proud of him. Crazy 421 00:22:28,920 --> 00:22:31,560 Speaker 1: Curry had a great album this year. Tanna Talk four 422 00:22:31,600 --> 00:22:37,400 Speaker 1: from Benny was great. The Benny album was hard great. 423 00:22:37,640 --> 00:22:39,640 Speaker 1: Vince Stables album. I listened to that ship a gang 424 00:22:39,680 --> 00:22:41,960 Speaker 1: of time. Shout out to Vince for sure. Vince Stables 425 00:22:42,040 --> 00:22:45,240 Speaker 1: album is amazing. Who are remissing? There's been some good 426 00:22:45,240 --> 00:22:52,320 Speaker 1: ship this year though. Simba he's doing something. Yeah, Simba 427 00:22:52,440 --> 00:22:54,320 Speaker 1: was so offended that I didn't have him in my 428 00:22:54,400 --> 00:22:56,879 Speaker 1: list for real. Yeah, I mean it was. It was 429 00:22:56,880 --> 00:23:00,679 Speaker 1: a good project. Simba goes crazy and you're on his 430 00:23:00,720 --> 00:23:04,639 Speaker 1: first time. You know you're young boy. I love it, 431 00:23:04,800 --> 00:23:07,560 Speaker 1: young boy. Everything he'd been dropping. I fuck with his music, 432 00:23:07,560 --> 00:23:10,520 Speaker 1: heavy every You've had enough time this year to listen 433 00:23:10,520 --> 00:23:13,320 Speaker 1: to everything. I'll be listening to his ship with no. 434 00:23:13,400 --> 00:23:14,960 Speaker 1: I love his music too, but I just don't have 435 00:23:15,040 --> 00:23:17,320 Speaker 1: time to listen to this. Motherfucker dropped one hundred and 436 00:23:17,359 --> 00:23:19,520 Speaker 1: eighty nine million songs this year. He got out of 437 00:23:19,520 --> 00:23:23,160 Speaker 1: that Atlanta deal in one year. He working, He's going crazy. 438 00:23:23,200 --> 00:23:27,320 Speaker 1: Dwight's like, fuck you. They just announced the motown ship. 439 00:23:27,359 --> 00:23:30,120 Speaker 1: I was just talking to last week. Other ship I'm 440 00:23:30,119 --> 00:23:33,840 Speaker 1: fucking with. You heard an Icy Twat Icy Twat, Yeah 441 00:23:33,960 --> 00:23:37,040 Speaker 1: that sounds wild. Yeah, so Rocky put me on his 442 00:23:37,119 --> 00:23:40,480 Speaker 1: music a minute ago. That's a guy. Yeah, I do 443 00:23:40,680 --> 00:23:44,760 Speaker 1: named Icy Twat from Chicago. That's amazing. Everything you dropped. 444 00:23:44,760 --> 00:23:47,960 Speaker 1: He doing the beats, doing everything the nigga hard as hell. 445 00:23:48,280 --> 00:23:53,040 Speaker 1: I like Lucky Lucky's dope. Yeah, Lucky's of course. Uh, 446 00:23:54,160 --> 00:23:57,880 Speaker 1: you already name bro. He's Westside Gun with his ship 447 00:23:57,960 --> 00:24:01,640 Speaker 1: a lot west do you like Eat? Yeah, I like Yat, 448 00:24:02,280 --> 00:24:04,440 Speaker 1: I like his music. Do you like the Minion song? 449 00:24:06,000 --> 00:24:07,959 Speaker 1: I think so. It's really like everything. I just been 450 00:24:08,000 --> 00:24:10,960 Speaker 1: playing ships through like the last two three albums. That's 451 00:24:10,960 --> 00:24:13,199 Speaker 1: why I appreciate about you. Man. Your fucking taste is 452 00:24:13,240 --> 00:24:19,119 Speaker 1: so vast, Like you're the I ever heard play little 453 00:24:19,200 --> 00:24:22,160 Speaker 1: Uzi in my life. For real. We were in Boston 454 00:24:22,680 --> 00:24:26,040 Speaker 1: and I did a show like We're in Lawrence, Massachusetts 455 00:24:26,040 --> 00:24:27,800 Speaker 1: with d J pupp Dogg and somehow we ended up 456 00:24:27,800 --> 00:24:29,840 Speaker 1: in a hotel room afterwards with I think Dre was 457 00:24:29,880 --> 00:24:33,680 Speaker 1: there and some strange people as well. And uh and yeah, 458 00:24:33,680 --> 00:24:37,560 Speaker 1: you were playing Uzzy on SoundCloud some strange people yo. 459 00:24:37,720 --> 00:24:43,120 Speaker 1: Another Larry June. June of course his music hard Alchemist project. 460 00:24:43,840 --> 00:24:46,080 Speaker 1: Shout out to Alchemists man, I want to see what's 461 00:24:46,119 --> 00:24:48,240 Speaker 1: up with you an alchemist man? How the funk? Both 462 00:24:48,240 --> 00:24:51,480 Speaker 1: the offer la Yo, Dre had his number. I text 463 00:24:51,560 --> 00:24:53,640 Speaker 1: him from Dre's phone, I said, hit me, he ain't 464 00:24:53,680 --> 00:24:58,040 Speaker 1: text me. Wow, I don't know what's up Alchemists. Yeah, 465 00:24:58,440 --> 00:25:02,280 Speaker 1: Larry June's been on a terror My brother Channel Chess. 466 00:25:04,119 --> 00:25:08,560 Speaker 1: He make like dance music, funk. Just a really talented dude. 467 00:25:08,600 --> 00:25:12,679 Speaker 1: So shout out to Channel Chess, Thundercat everything he's been 468 00:25:12,760 --> 00:25:16,000 Speaker 1: dropping worse. I gotta check out Icy Twy. That's my 469 00:25:16,000 --> 00:25:19,280 Speaker 1: favorite rap name ever. Yeah, check you out. That's with it. 470 00:25:19,720 --> 00:25:22,119 Speaker 1: I thought that was for sure like Icy Twatt sounds 471 00:25:22,119 --> 00:25:25,720 Speaker 1: like the illness, like if I was like a porn chick. 472 00:25:27,760 --> 00:25:30,080 Speaker 1: I don't do him like that when you hear the music. 473 00:25:30,119 --> 00:25:34,360 Speaker 1: I'm telling you, Okay, I'm in man, I'm what up, y'all. 474 00:25:34,359 --> 00:25:35,960 Speaker 1: We gotta stop the interview real quick. Tell you about 475 00:25:35,960 --> 00:25:38,119 Speaker 1: our good friends at my Bookie. That's right, man. My 476 00:25:38,240 --> 00:25:40,280 Speaker 1: bookie is where you want to get this money and 477 00:25:40,800 --> 00:25:45,160 Speaker 1: enjoy being a degenerate like myself. And it's the best 478 00:25:45,160 --> 00:25:47,480 Speaker 1: time of the year to be a degenerate because NFL 479 00:25:47,600 --> 00:25:50,000 Speaker 1: season is obviously we are in the midst of a 480 00:25:50,000 --> 00:25:54,080 Speaker 1: crazy NFL season, NBA season just started. World Series is 481 00:25:54,080 --> 00:25:56,880 Speaker 1: going down, and you can get your bets in right now. 482 00:25:57,200 --> 00:25:59,479 Speaker 1: Go to my Bookie and sign up for a new 483 00:25:59,520 --> 00:26:04,320 Speaker 1: account using the promo code Bootleg that's b oot l Eg. 484 00:26:04,920 --> 00:26:07,800 Speaker 1: You sign up right now, they will match your first deposit, 485 00:26:08,359 --> 00:26:11,200 Speaker 1: that's right. Put in a thousand. Oh, they'll give you 486 00:26:11,240 --> 00:26:14,760 Speaker 1: another thousand to gamble with. That's free money, free money 487 00:26:14,800 --> 00:26:17,480 Speaker 1: to gamble with. Let's get in on this action man 488 00:26:17,640 --> 00:26:21,240 Speaker 1: NFL season. I'm loving this part of the year so 489 00:26:21,400 --> 00:26:28,600 Speaker 1: much good, just everything to bet on, football, basketball, fucking UFC, NFL, baseball, whatever. 490 00:26:28,960 --> 00:26:31,040 Speaker 1: Now is the best time to get your gamble on. 491 00:26:31,200 --> 00:26:33,600 Speaker 1: So go sign up for a new account at my bookie, 492 00:26:33,800 --> 00:26:36,840 Speaker 1: use that promo code Bootleg and double your deposit. Let's 493 00:26:36,840 --> 00:26:39,080 Speaker 1: get back to the interview. Any have you been binge 494 00:26:39,080 --> 00:26:44,000 Speaker 1: watching any TV man lately? Lately? Nah? Not since what's 495 00:26:44,000 --> 00:26:49,239 Speaker 1: the last shit? White Lotus? They got a new what 496 00:26:49,320 --> 00:26:54,520 Speaker 1: you call it, coming out season. I think I'm excited 497 00:26:54,520 --> 00:26:57,439 Speaker 1: for that. Have you seen it on HBO? It's like 498 00:26:57,480 --> 00:27:01,320 Speaker 1: some comedy shit like this family goes to some island 499 00:27:01,440 --> 00:27:06,000 Speaker 1: and it's like the mom, dad, the daughter, and the sun. 500 00:27:06,119 --> 00:27:09,120 Speaker 1: The son's hella young. He's still like fucking jacking off 501 00:27:09,160 --> 00:27:11,840 Speaker 1: every day on his phone in the porn. The daughter 502 00:27:11,960 --> 00:27:14,880 Speaker 1: is like, damn is that like fucking dudes, but brought 503 00:27:14,880 --> 00:27:17,760 Speaker 1: a girl that she's fucking with you and it's just 504 00:27:17,760 --> 00:27:20,560 Speaker 1: a crazy fucking jacking off on your phone every day? 505 00:27:20,760 --> 00:27:22,840 Speaker 1: Is a young like child thing to do what you're saying, 506 00:27:22,880 --> 00:27:28,600 Speaker 1: So you're saying, like you he's still I thought when 507 00:27:28,680 --> 00:27:35,119 Speaker 1: you had your wife it was I had to make it. No, 508 00:27:35,440 --> 00:27:38,320 Speaker 1: I hope not. Fuck If so, I'm I'm fucking out 509 00:27:38,359 --> 00:27:44,560 Speaker 1: of it it. I'm gone, Jesus. I think it's cheating if 510 00:27:44,600 --> 00:27:48,639 Speaker 1: you buy OnlyFans content, that's that's what's spending money on it. 511 00:27:48,640 --> 00:27:52,040 Speaker 1: If you're spending money on it, to me, that's you 512 00:27:52,080 --> 00:27:55,040 Speaker 1: shouldn't be spending. It's kind of crazy. Just get it 513 00:27:55,040 --> 00:27:58,439 Speaker 1: for free on Reddit. I wouldn't know personally. I wouldn't 514 00:27:58,440 --> 00:28:00,880 Speaker 1: know personally that you can get girls only fans. I've 515 00:28:02,119 --> 00:28:04,359 Speaker 1: so if you go on Reddit, every girl's only fans 516 00:28:04,400 --> 00:28:06,959 Speaker 1: is just ripped on there for free. I don't know 517 00:28:07,000 --> 00:28:12,600 Speaker 1: that from experience, but I have a friend whose entire 518 00:28:12,720 --> 00:28:17,800 Speaker 1: livelihood is, you know, hirting women's content on the internet. 519 00:28:19,200 --> 00:28:25,640 Speaker 1: It's the thing. Man. You watch a curbyr Enthusiasm, Uh No, 520 00:28:25,840 --> 00:28:29,120 Speaker 1: with Larry David. It's on HBO. It's like the funniest show, 521 00:28:29,240 --> 00:28:32,240 Speaker 1: The Old White Man. It's like the best Jewish of 522 00:28:32,280 --> 00:28:34,440 Speaker 1: all time. Yes, I've seen it a couple of times. 523 00:28:34,920 --> 00:28:37,720 Speaker 1: And I've also seen him at this golf course that 524 00:28:37,720 --> 00:28:40,480 Speaker 1: I play it. You've seen him in person? Yes, Oh 525 00:28:40,520 --> 00:28:42,920 Speaker 1: my god. See that's I tell my wife, there's two 526 00:28:42,960 --> 00:28:46,160 Speaker 1: people I freak out about. If I met him, He's 527 00:28:46,280 --> 00:28:49,160 Speaker 1: It's and they both look the same. If I met 528 00:28:49,240 --> 00:28:54,440 Speaker 1: him or Bernie Sanders, I'd be really excited. Bernie. Huh. 529 00:28:54,600 --> 00:28:56,360 Speaker 1: They're both kind of like they could both kind of 530 00:28:56,400 --> 00:28:59,360 Speaker 1: like passes each other, you know. So don't let me 531 00:28:59,360 --> 00:29:02,200 Speaker 1: meet Larry Dave. It wow, because I'm fucking getting the picture. 532 00:29:02,200 --> 00:29:03,600 Speaker 1: I don't give a fuck if he hates me. I 533 00:29:03,600 --> 00:29:05,560 Speaker 1: don't care. I'm going through the security. I'm getting the 534 00:29:05,600 --> 00:29:08,520 Speaker 1: fucking selfie. I didn't get the picture. Tom Brady was 535 00:29:08,560 --> 00:29:10,360 Speaker 1: also there that same day, so I got the picture 536 00:29:10,400 --> 00:29:13,920 Speaker 1: with Tom Brady. You passed up Larry David for thumb. 537 00:29:14,120 --> 00:29:16,440 Speaker 1: I know, I know, But Larry David might not be 538 00:29:16,480 --> 00:29:20,480 Speaker 1: here much longer. That's true. Tom Brady, he's gonna be 539 00:29:20,480 --> 00:29:23,000 Speaker 1: single soon, so you know he's gonna be raging with 540 00:29:23,040 --> 00:29:27,240 Speaker 1: you at like eleven in Miami soon enough. Don't let Tom. 541 00:29:27,320 --> 00:29:29,480 Speaker 1: I would I hate Like listen, Tom's in the middle 542 00:29:29,480 --> 00:29:31,320 Speaker 1: of a divorce. We don't like to see anybody get divorced. 543 00:29:31,800 --> 00:29:33,400 Speaker 1: But if he ends up going through with this divorce, 544 00:29:34,000 --> 00:29:37,720 Speaker 1: he's gonna be I think. Leonardo DiCaprio level of slang. Wow, 545 00:29:38,040 --> 00:29:41,800 Speaker 1: Like we're just gonna see him tied into every hot 546 00:29:41,920 --> 00:29:44,800 Speaker 1: up and coming Susio voice. Let's go for sure. Are 547 00:29:44,840 --> 00:29:49,960 Speaker 1: you currently relationship non relationshipsio? So you're you're you know, 548 00:29:50,520 --> 00:29:57,080 Speaker 1: classic tie sousio boys? Are you a Susio or Olympio? 549 00:29:58,360 --> 00:30:02,520 Speaker 1: I'm married? Are you a Susio or Olympio? I am 550 00:30:02,560 --> 00:30:06,400 Speaker 1: not a Susio? All right. I mean I'm a sick fuck, 551 00:30:06,520 --> 00:30:08,960 Speaker 1: but I'm not a I'm a sick fuck with my wife. 552 00:30:09,000 --> 00:30:11,239 Speaker 1: You know, then you're aio. It's all right. You can 553 00:30:11,280 --> 00:30:13,080 Speaker 1: still have a wife and be a Susio. I see. 554 00:30:13,080 --> 00:30:15,160 Speaker 1: I gotta make sure we get those We got to 555 00:30:15,200 --> 00:30:18,840 Speaker 1: make sure that shit is clear. Yeah. Yeah, out out 556 00:30:18,840 --> 00:30:20,680 Speaker 1: to wife, you man, Shout out to my wife. Yeah, 557 00:30:20,680 --> 00:30:24,920 Speaker 1: shout out to the family that's most important. Uh, anything else? 558 00:30:24,960 --> 00:30:27,760 Speaker 1: Like a fan like for you, Like I feel like 559 00:30:28,200 --> 00:30:32,760 Speaker 1: you're somebody who I hear a lot of people who 560 00:30:32,800 --> 00:30:37,000 Speaker 1: are very much influenced by you. Do you feel like 561 00:30:37,080 --> 00:30:39,960 Speaker 1: there's been anybody in the last like ten or fifteen years, 562 00:30:39,960 --> 00:30:42,040 Speaker 1: like kind of since you've been active that's also had 563 00:30:42,120 --> 00:30:44,520 Speaker 1: influence on you as well in your sound or do 564 00:30:44,560 --> 00:30:47,560 Speaker 1: you feel like you know you're kind of Yeah, I've 565 00:30:47,560 --> 00:30:51,520 Speaker 1: been influenced by uh ship from a long time ago. 566 00:30:52,080 --> 00:30:55,640 Speaker 1: Say we talk about Ella Fizhgerald like jazz Era too. 567 00:30:55,760 --> 00:30:57,920 Speaker 1: I'm talk about the new Ship, Prince to the new 568 00:30:58,000 --> 00:31:01,040 Speaker 1: Ship for sure. Like there's been some certain people that 569 00:31:02,640 --> 00:31:08,120 Speaker 1: hit different you know my music musical. Who are those people? Though? Uh, 570 00:31:08,200 --> 00:31:14,680 Speaker 1: there's many like I I like, Uh, what's his name? 571 00:31:15,800 --> 00:31:19,800 Speaker 1: The homie from Seattle, Maclamore? Uh Nah, his name is 572 00:31:19,880 --> 00:31:26,560 Speaker 1: uh Highway Ohim Highway is crazy? Uh what is it? 573 00:31:26,920 --> 00:31:29,440 Speaker 1: Two thousand and nine? Highway two thousand nine? Check him out? 574 00:31:29,760 --> 00:31:34,120 Speaker 1: I like so fake, so fago his melodies and ship. 575 00:31:34,680 --> 00:31:43,640 Speaker 1: I like, of course Blasts Brent. Uh, there's so many 576 00:31:43,840 --> 00:31:45,520 Speaker 1: were you kind of hipped to Blast because he's like 577 00:31:45,600 --> 00:31:48,040 Speaker 1: not a new artist in LA. He's been doing so 578 00:31:48,240 --> 00:31:51,680 Speaker 1: to last. I've known him since King and Blasts when 579 00:31:51,680 --> 00:31:54,400 Speaker 1: he used to be in a group. He's also my 580 00:31:54,440 --> 00:31:59,800 Speaker 1: homegirl Lady g Jizzles relative and he's been around us. 581 00:32:00,000 --> 00:32:04,120 Speaker 1: It's the beginning since like a little kid. And to 582 00:32:04,120 --> 00:32:07,720 Speaker 1: see him do it, it's just been like, yes, that's 583 00:32:07,760 --> 00:32:10,360 Speaker 1: exactly what was supposed to happen. And it's only I'm 584 00:32:10,440 --> 00:32:13,080 Speaker 1: sure because he kept on going. Yeah, he's been at 585 00:32:13,080 --> 00:32:15,680 Speaker 1: this for a long you know, And and he would 586 00:32:15,680 --> 00:32:18,560 Speaker 1: take and he's mastered like every aspect of the industry. 587 00:32:18,640 --> 00:32:21,600 Speaker 1: Like he can engineer himself. He can do these own artworks, 588 00:32:21,760 --> 00:32:25,840 Speaker 1: kills it, directors on videos. Like if you really wanted to, 589 00:32:25,880 --> 00:32:29,480 Speaker 1: like just lock in and handle your whole process, you 590 00:32:29,520 --> 00:32:31,720 Speaker 1: could do that. It's a lot of work. It is 591 00:32:31,720 --> 00:32:33,640 Speaker 1: a lot of work, but you're capable of doing it. 592 00:32:34,040 --> 00:32:36,520 Speaker 1: I'm capable. I'm capable of paying for it as well, 593 00:32:36,640 --> 00:32:38,800 Speaker 1: so you know, it's all good. Might as well pay 594 00:32:40,320 --> 00:32:41,920 Speaker 1: it's all good. I got a lot on my plate. 595 00:32:42,960 --> 00:32:45,000 Speaker 1: I got a lot that I'm doing. Yeah, what else 596 00:32:45,040 --> 00:32:48,840 Speaker 1: besides the album? Are you working on? Some TV shit 597 00:32:48,880 --> 00:32:51,320 Speaker 1: here and there, some acting shit here and there. I'm 598 00:32:51,320 --> 00:32:53,080 Speaker 1: getting into all types of shit. You're gonna see a 599 00:32:53,080 --> 00:32:56,400 Speaker 1: whole bunch of shits just start to drop over next year. 600 00:32:57,440 --> 00:32:59,840 Speaker 1: Just know, I've been working hard. I don't really like 601 00:32:59,880 --> 00:33:01,960 Speaker 1: to talk about a lot of stuff until it's happening. 602 00:33:02,800 --> 00:33:05,960 Speaker 1: But uh, act though, yeah, I like that, And uh, 603 00:33:06,200 --> 00:33:09,120 Speaker 1: just more music. I got my record label, Easy Money Records. 604 00:33:09,160 --> 00:33:12,320 Speaker 1: I got my artist, Leon Thomas, a few other artists, 605 00:33:13,000 --> 00:33:16,480 Speaker 1: and uh, we're about to go crazy. Just Easy Money Records. 606 00:33:16,600 --> 00:33:19,640 Speaker 1: Easy Money Records, So that's new because you had your 607 00:33:19,680 --> 00:33:22,480 Speaker 1: other I had the Movement, which I still have the movement, 608 00:33:23,360 --> 00:33:27,440 Speaker 1: but I did a venture with Motown Records, with Easy 609 00:33:27,720 --> 00:33:31,760 Speaker 1: Money Records, and uh, like I said, Leon Thomas the 610 00:33:31,800 --> 00:33:37,280 Speaker 1: first single uh we had, Uh, we're on the second 611 00:33:37,320 --> 00:33:40,520 Speaker 1: single right now, Love Jones, So if you haven't heard him, 612 00:33:40,520 --> 00:33:43,280 Speaker 1: make sure you go check it out. And one of 613 00:33:43,320 --> 00:33:44,760 Speaker 1: the greatest. I say, what do you look for in 614 00:33:44,760 --> 00:33:48,360 Speaker 1: an artists like to sign? Uh? It depends, but what Leon? 615 00:33:48,440 --> 00:33:51,320 Speaker 1: It was like, Wow, like he played me as shit 616 00:33:51,440 --> 00:33:54,760 Speaker 1: and uh, he's making all the beats. He's singing better 617 00:33:54,840 --> 00:33:58,800 Speaker 1: than any of these singers I've heard better than me. Shit, 618 00:33:59,200 --> 00:34:02,480 Speaker 1: he goes crazy and it's just effortless, like he just 619 00:34:02,520 --> 00:34:05,600 Speaker 1: bleeds that shit. So shout out to Liam Yo. I 620 00:34:05,680 --> 00:34:09,200 Speaker 1: want to ask you something because I feel like your 621 00:34:09,280 --> 00:34:12,319 Speaker 1: voice is so special. Thank you, and I feel like 622 00:34:12,400 --> 00:34:15,600 Speaker 1: it's so unique and for people who don't know, like 623 00:34:15,640 --> 00:34:17,879 Speaker 1: you really sing that way. It's not like like, yeah, 624 00:34:17,880 --> 00:34:20,680 Speaker 1: obviously you have autotune on some records when you're live, 625 00:34:20,840 --> 00:34:22,600 Speaker 1: you know, to hit those notes or whatever to make 626 00:34:22,640 --> 00:34:26,719 Speaker 1: it sound like the records, But you don't need that shit, right, Like, 627 00:34:27,120 --> 00:34:31,040 Speaker 1: do you ever feel like in terms of like your 628 00:34:31,160 --> 00:34:34,560 Speaker 1: voice and you as a singer, do you feel like 629 00:34:34,719 --> 00:34:39,239 Speaker 1: because you use auto tune and everyone's using autotune? Right, 630 00:34:39,640 --> 00:34:41,799 Speaker 1: but do you feel like somehow like your voice is 631 00:34:41,840 --> 00:34:45,200 Speaker 1: still kind of like not necessarily respected as much because 632 00:34:45,200 --> 00:34:46,840 Speaker 1: I think your voice is crazy. Like I've heard you 633 00:34:46,880 --> 00:34:48,560 Speaker 1: sing live in the studio and it just sounds like 634 00:34:48,640 --> 00:34:53,479 Speaker 1: fucking insane. Yeah, Like everybody that appreciates the singing part 635 00:34:53,880 --> 00:34:57,520 Speaker 1: knows this record without the autotune. And like when I 636 00:34:57,560 --> 00:35:00,920 Speaker 1: do use auto tune, that's just a sound, just hatty frequency. 637 00:35:01,120 --> 00:35:04,000 Speaker 1: Just like if I feature another artist on my song, 638 00:35:04,360 --> 00:35:06,799 Speaker 1: it's the same thing. It's me turning on the autotune. 639 00:35:06,960 --> 00:35:08,960 Speaker 1: It's a frequency, it's a sound that I want. It's 640 00:35:08,960 --> 00:35:11,680 Speaker 1: the same thing it's me choosing to use an acoustic 641 00:35:11,719 --> 00:35:15,680 Speaker 1: guitar over an electric guitar. Instrument. It's an instrument, it's 642 00:35:15,680 --> 00:35:18,640 Speaker 1: a tool, and like it happens to be the sound 643 00:35:18,719 --> 00:35:22,160 Speaker 1: that's in you know. So that's what I use on 644 00:35:22,200 --> 00:35:24,840 Speaker 1: those type of records. Or if I switch up and 645 00:35:24,880 --> 00:35:29,839 Speaker 1: make a you know, an acoustic song, I may not 646 00:35:30,000 --> 00:35:33,719 Speaker 1: use autotune or I may use it, depending on whatever 647 00:35:33,800 --> 00:35:36,239 Speaker 1: I'm trying to do so. I'm one of the real 648 00:35:36,280 --> 00:35:38,000 Speaker 1: ones when it comes to the music. Shit for shure, 649 00:35:39,440 --> 00:35:42,480 Speaker 1: how many instruments can you play every one of them? 650 00:35:42,480 --> 00:35:44,919 Speaker 1: If I really wanted to play it. The only thing 651 00:35:45,160 --> 00:35:51,320 Speaker 1: that I haven't like, really dove into was woodwinds and brass, 652 00:35:51,640 --> 00:35:56,839 Speaker 1: which is like horns, saxophones, flutes, trumpets, all like, okay, 653 00:35:56,840 --> 00:35:59,560 Speaker 1: woodwind is like a flute. Woodwinds is like the ones 654 00:35:59,600 --> 00:36:02,560 Speaker 1: we would so like a Sacks, got you got you, 655 00:36:02,600 --> 00:36:04,640 Speaker 1: got you got you. But I mean you can obviously 656 00:36:04,640 --> 00:36:07,880 Speaker 1: shred on the guitar, and yeah, guitar, any type of 657 00:36:08,640 --> 00:36:12,960 Speaker 1: string instrument, I could figure it out. Anything with keys 658 00:36:13,360 --> 00:36:15,840 Speaker 1: and any type of percussion instrument. You know what's crazy 659 00:36:15,880 --> 00:36:18,480 Speaker 1: at Recently I just found out that tam and Paula 660 00:36:18,520 --> 00:36:22,120 Speaker 1: is one guy. Yeah, I had no fucking idea. I knew, 661 00:36:22,239 --> 00:36:24,359 Speaker 1: I knew, I knew, and then I wasn't, like ever 662 00:36:24,400 --> 00:36:27,520 Speaker 1: a really big fan until earlier this year. I went 663 00:36:27,560 --> 00:36:29,600 Speaker 1: to Joshua Tree and I ate a shit ton of 664 00:36:29,640 --> 00:36:34,080 Speaker 1: mushrooms and I just found some playlists on Spotify that 665 00:36:34,160 --> 00:36:36,560 Speaker 1: was like mushroom music. Yeah, and this fucking Tamement Paula 666 00:36:36,600 --> 00:36:39,120 Speaker 1: song came on and that shit like changed my life. 667 00:36:39,320 --> 00:36:40,880 Speaker 1: Hey guys, we gotta stop the interview to tell you 668 00:36:40,880 --> 00:36:43,360 Speaker 1: about our good folks over at blue chew dot com. 669 00:36:43,360 --> 00:36:46,200 Speaker 1: That's right, Listen, you gotta go to blue Choo right now. 670 00:36:46,719 --> 00:36:49,840 Speaker 1: Sign up for blue Choo with the promo code Bootleg. 671 00:36:50,160 --> 00:36:53,839 Speaker 1: You're gonna get your first month for free blue chew, 672 00:36:54,040 --> 00:36:59,239 Speaker 1: the same active ingredient as Viagra and sci Allis, but 673 00:36:59,320 --> 00:37:02,960 Speaker 1: in a chew. That's right, You pop the blue shoe, 674 00:37:03,560 --> 00:37:06,280 Speaker 1: chew that thing, wash it down with your beverage of choice, 675 00:37:06,880 --> 00:37:10,040 Speaker 1: and then get to work with that hard fucking cock 676 00:37:10,120 --> 00:37:13,200 Speaker 1: of yours. Your dick is gonna be harder than trigonometry 677 00:37:13,320 --> 00:37:15,840 Speaker 1: was in high school. Ladies and gentlemen, it's gonna be 678 00:37:16,080 --> 00:37:20,760 Speaker 1: fucking ah like you know, uh Ryu and Street Fighter. 679 00:37:20,760 --> 00:37:22,840 Speaker 1: He'd be like, oh yuk and he does the motherfucking 680 00:37:23,080 --> 00:37:24,560 Speaker 1: This is gonna be your dick. It's gonna be like 681 00:37:24,640 --> 00:37:27,120 Speaker 1: Ryu's fucking uppercut. You know what I'm saying. God bless 682 00:37:27,120 --> 00:37:30,200 Speaker 1: whoever's on the receiving end of that. Consensually, of course, Uh, 683 00:37:30,200 --> 00:37:32,319 Speaker 1: they're gonna thank you for taking the blue shoe. So 684 00:37:32,400 --> 00:37:35,160 Speaker 1: go to bluetoo dot com. Use the promo code Bootleg. 685 00:37:35,600 --> 00:37:39,520 Speaker 1: All right, I'm talking free month right to your doorstep 686 00:37:39,680 --> 00:37:43,640 Speaker 1: in discrete packaging. No awkward doctor's visits. All right, it's 687 00:37:43,680 --> 00:37:45,440 Speaker 1: all online. You don't have to worry about going and 688 00:37:45,520 --> 00:37:47,439 Speaker 1: sitting in a waiting room and be like, hey doc, 689 00:37:47,840 --> 00:37:50,120 Speaker 1: my dick, I could use a little pep in my step. 690 00:37:50,120 --> 00:37:51,879 Speaker 1: And then it's awkward. You gotta look at this old 691 00:37:51,920 --> 00:37:53,880 Speaker 1: fuck talking about your dick. He might ask you to 692 00:37:53,880 --> 00:37:56,200 Speaker 1: pull it out. Who fucking knows what's going on at 693 00:37:56,200 --> 00:37:58,919 Speaker 1: blue Choo. None of that's happening blue Choo dot com. 694 00:37:58,920 --> 00:38:02,080 Speaker 1: And they also got the new, brand new, a mint 695 00:38:02,120 --> 00:38:06,239 Speaker 1: flavored Chewable which has Bardina feel in it, which is 696 00:38:06,239 --> 00:38:10,440 Speaker 1: the same active ingredient as Levitra and Stackson, which is 697 00:38:10,440 --> 00:38:13,319 Speaker 1: a little more potent, a little more potent. If you 698 00:38:13,320 --> 00:38:15,640 Speaker 1: need the extra on top of the extra, you know 699 00:38:15,680 --> 00:38:18,640 Speaker 1: what I mean, get the mint Chewable. Yeah. Your wife 700 00:38:18,640 --> 00:38:21,120 Speaker 1: will thank you, your girlfriend will thank you, your boyfriend 701 00:38:21,160 --> 00:38:24,359 Speaker 1: will thank you. Whatever the fuck you're fucking I'll thank 702 00:38:24,400 --> 00:38:26,680 Speaker 1: you as long as it's legal. All right, let's get 703 00:38:26,680 --> 00:38:28,279 Speaker 1: back to the interview. Go to butt you dot com. 704 00:38:28,320 --> 00:38:30,600 Speaker 1: Promo call Bootleg. That's it. That was how it was 705 00:38:30,680 --> 00:38:33,480 Speaker 1: when I found out about the Unknown Mortal Orchestra. You 706 00:38:33,480 --> 00:38:37,200 Speaker 1: ever heard about them? Nah? So I thought it was 707 00:38:37,480 --> 00:38:41,239 Speaker 1: this other band from Australia and New Zealand. I heard 708 00:38:41,239 --> 00:38:44,320 Speaker 1: this shit one time on the The Homie Anthony Valdez 709 00:38:44,800 --> 00:38:48,400 Speaker 1: Show and I end up calling them to the studio 710 00:38:48,560 --> 00:38:50,719 Speaker 1: and I get to the studio and it's one guy 711 00:38:51,680 --> 00:38:53,440 Speaker 1: and he's doing all this shit and it's kind of 712 00:38:53,480 --> 00:38:58,560 Speaker 1: like a similar vibe. So yeah, I can appreciate real musicians, 713 00:38:58,600 --> 00:39:00,959 Speaker 1: you know what I'm saying. They could really just put 714 00:39:01,000 --> 00:39:04,120 Speaker 1: on whatever, the whole show, what one man band play 715 00:39:04,160 --> 00:39:07,920 Speaker 1: everything everything, put on a program and go for that ship. Yeah. 716 00:39:07,960 --> 00:39:10,239 Speaker 1: So did you discover that band while on mushrooms as well? 717 00:39:10,320 --> 00:39:13,520 Speaker 1: Or no? Not on mushrooms. I've done mushrooms a couple 718 00:39:13,480 --> 00:39:15,680 Speaker 1: of times, but I haven't really liked in life. You've 719 00:39:15,719 --> 00:39:17,560 Speaker 1: only done them a couple of times? Yeah, probably like 720 00:39:17,600 --> 00:39:20,279 Speaker 1: six or seven times in life. Oh but I don't 721 00:39:20,280 --> 00:39:22,000 Speaker 1: know why. I just I just kind of figured you're 722 00:39:22,080 --> 00:39:24,480 Speaker 1: fucking you're one of them ones. No, I don't. I 723 00:39:24,480 --> 00:39:26,600 Speaker 1: don't love it that shit because I got a lot 724 00:39:26,640 --> 00:39:29,640 Speaker 1: of work to do. It's called ego death, So I figured, yeah, 725 00:39:29,719 --> 00:39:33,520 Speaker 1: but still like I can't just tapping the mushrooms all 726 00:39:33,520 --> 00:39:35,080 Speaker 1: the time, Like I feel like it's been a wave 727 00:39:35,160 --> 00:39:38,480 Speaker 1: of it for like all the girls and all everybody. 728 00:39:38,760 --> 00:39:41,320 Speaker 1: I'm doing mushrooms and ship. I couldn't. I'd rather just 729 00:39:41,360 --> 00:39:44,600 Speaker 1: smoke the jay. That's fair. Have you ever done like 730 00:39:44,640 --> 00:39:47,680 Speaker 1: any other like DMT or anything. I haven't done DMT, 731 00:39:48,640 --> 00:39:53,200 Speaker 1: I've done LSD. I was like shrooms without the little 732 00:39:53,239 --> 00:39:56,160 Speaker 1: stomach feeling, right, it's kind of the stomach feeling I'm 733 00:39:56,160 --> 00:39:59,040 Speaker 1: talking about. Yeah, so it's the same exact thing, but 734 00:39:59,080 --> 00:40:01,959 Speaker 1: without that. I was just long, like three days ago, 735 00:40:02,040 --> 00:40:05,320 Speaker 1: off of a whole fucking bag of shrooms. DJ Camillo's DJing. 736 00:40:05,640 --> 00:40:08,400 Speaker 1: My fucking brain is just bro. I was in fucking 737 00:40:09,200 --> 00:40:11,280 Speaker 1: so much bad money Bunny getting played and it sounds 738 00:40:11,280 --> 00:40:13,000 Speaker 1: so much better. I was like, bad Bunny's the greatest 739 00:40:13,040 --> 00:40:16,879 Speaker 1: artist of all time. That's fine. I want to see 740 00:40:16,880 --> 00:40:18,759 Speaker 1: the show man I'm hearing. This tour has been like 741 00:40:18,760 --> 00:40:20,879 Speaker 1: the best tour this year for sure. I saw him 742 00:40:20,880 --> 00:40:24,520 Speaker 1: at a so Far and it was dope. It was 743 00:40:24,560 --> 00:40:26,799 Speaker 1: just dope. No, it was great. It was three hours long, 744 00:40:26,920 --> 00:40:29,760 Speaker 1: so it was like I'm familiar with like maybe twenty 745 00:40:29,760 --> 00:40:32,040 Speaker 1: percent of his catalog, But how was the crowd that 746 00:40:32,120 --> 00:40:34,839 Speaker 1: it was amazing? My favorite show I saw this year 747 00:40:34,840 --> 00:40:37,279 Speaker 1: that was the Weekend and so far so I wish 748 00:40:37,320 --> 00:40:39,560 Speaker 1: I would have got to catch that too. Yeah, I've 749 00:40:39,600 --> 00:40:42,879 Speaker 1: seen his last tour. I think it was like at 750 00:40:42,880 --> 00:40:45,719 Speaker 1: the Staples Center a long ass time ago, right, and 751 00:40:45,760 --> 00:40:49,759 Speaker 1: that was like one of the best tours I've ever seen. Yeah. 752 00:40:49,800 --> 00:40:51,920 Speaker 1: I think what was impressive about the Weekend was like 753 00:40:53,239 --> 00:40:57,680 Speaker 1: how much he sounded just like the CD live and 754 00:40:57,719 --> 00:40:59,440 Speaker 1: he had like no, like he didn't have a lot 755 00:40:59,440 --> 00:41:02,880 Speaker 1: of shit goinging on on stage and he's still captivated 756 00:41:02,880 --> 00:41:05,640 Speaker 1: as you're talking about the old songs. Yeah, I just 757 00:41:05,680 --> 00:41:08,680 Speaker 1: mean no, so like think about you know what I mean, 758 00:41:09,600 --> 00:41:14,520 Speaker 1: you fucking dick. But like like the following night, because 759 00:41:14,520 --> 00:41:16,120 Speaker 1: I saw him the first night. In the second night, 760 00:41:16,160 --> 00:41:18,440 Speaker 1: he stopped the show and was like, hey guys, I 761 00:41:18,440 --> 00:41:20,920 Speaker 1: mean you saw like he was like, I can't perform anymore. 762 00:41:21,239 --> 00:41:25,239 Speaker 1: And I'm like, that's that's dope, because he's so cognitively 763 00:41:25,560 --> 00:41:29,000 Speaker 1: like aware of like how his ship sounds that like 764 00:41:29,360 --> 00:41:32,120 Speaker 1: if it doesn't sound up the par yeah that's dope. 765 00:41:32,200 --> 00:41:34,320 Speaker 1: Have you done that before where you're like my voice 766 00:41:34,360 --> 00:41:37,480 Speaker 1: is just not compatible with the show that's scheduled tonight. 767 00:41:37,560 --> 00:41:39,399 Speaker 1: It hasn't happened in the middle of the show. It's 768 00:41:39,400 --> 00:41:42,359 Speaker 1: happened before the show, and I just had to cancel it. 769 00:41:42,440 --> 00:41:45,600 Speaker 1: So I know the feeling for sure, and that's the 770 00:41:45,680 --> 00:41:47,480 Speaker 1: right thing to do, because at the end of the day, 771 00:41:47,680 --> 00:41:51,480 Speaker 1: this is your money maker. Your money maker is your tool. 772 00:41:52,440 --> 00:41:55,839 Speaker 1: You know, it's important, So you got to preserve that. Shiit. 773 00:41:56,040 --> 00:41:59,600 Speaker 1: What's been the you? And Yeah, I was about to say, Okay, 774 00:42:00,560 --> 00:42:03,560 Speaker 1: guys over here chain smoking. No, I was gonna say, 775 00:42:04,000 --> 00:42:06,360 Speaker 1: you've had some pretty uh you've been on some pretty 776 00:42:06,360 --> 00:42:09,200 Speaker 1: wild tours, You've had some pretty crazy moments, You've perform 777 00:42:09,239 --> 00:42:11,400 Speaker 1: in some pretty crazy places. What has been like, uh, 778 00:42:11,840 --> 00:42:17,480 Speaker 1: the wildest night on tour with Ti Dallas sign. I'm 779 00:42:17,480 --> 00:42:23,359 Speaker 1: sure Drayson Natra's rolling up backwoods mm hmm wildest night. 780 00:42:25,400 --> 00:42:27,919 Speaker 1: Maybe it's some backstage ship. Maybe it's what happened after 781 00:42:27,960 --> 00:42:31,839 Speaker 1: the show. Maybe it's what happened at the show. Ah, man, 782 00:42:33,680 --> 00:42:36,040 Speaker 1: I can't call it. There's so many wild nights. I'm 783 00:42:36,040 --> 00:42:39,160 Speaker 1: trying to think of the wildest that I haven't talked 784 00:42:39,160 --> 00:42:43,960 Speaker 1: about before. Let me think of it, and then let's 785 00:42:44,000 --> 00:42:48,000 Speaker 1: go to the next question. I'll interrupt with the Wildest Night, 786 00:42:48,840 --> 00:42:52,880 Speaker 1: Stay tuned. For the Wildest Nights, Stay tuned. Draysonatra had 787 00:42:52,920 --> 00:42:56,520 Speaker 1: Air Force ones on somewhere in the middle of a 788 00:42:56,840 --> 00:42:58,879 Speaker 1: in the middle of the tour bus in all Way 789 00:42:59,440 --> 00:43:03,160 Speaker 1: with all of the lights off Port Champagne on. Oh 790 00:43:04,440 --> 00:43:09,400 Speaker 1: that's great, yo. Who are who for you? Like? You 791 00:43:09,440 --> 00:43:12,839 Speaker 1: know you talk about obviously raising your daughter man, And 792 00:43:12,920 --> 00:43:17,080 Speaker 1: I think that there hasn't been enough artists that like 793 00:43:17,200 --> 00:43:21,120 Speaker 1: really own being a good dad like you have. You know, 794 00:43:21,360 --> 00:43:24,160 Speaker 1: Whiz is one of those guys. We have friends who 795 00:43:24,200 --> 00:43:26,560 Speaker 1: are like that, but I think in general, like there's 796 00:43:27,360 --> 00:43:29,120 Speaker 1: a lack of that in terms of just like what 797 00:43:29,160 --> 00:43:32,040 Speaker 1: we see. And I feel like, you're a great dad 798 00:43:32,080 --> 00:43:34,200 Speaker 1: and you're also a rock star, So have your balance 799 00:43:34,280 --> 00:43:37,399 Speaker 1: being a rock star and being tied who's also Sussio boy, 800 00:43:37,520 --> 00:43:44,040 Speaker 1: and also being a great father. Uh. I feel like 801 00:43:44,440 --> 00:43:47,080 Speaker 1: being a great father is the most important if you 802 00:43:47,120 --> 00:43:49,800 Speaker 1: ever get the chance to be a father, of putting 803 00:43:49,840 --> 00:43:55,640 Speaker 1: that position, that's just like common sense. People that don't 804 00:43:55,640 --> 00:44:00,920 Speaker 1: do it, I don't understand them. Who raises you, nigga? 805 00:44:01,840 --> 00:44:05,040 Speaker 1: Other than that being a Susio bo and a rock 806 00:44:05,080 --> 00:44:08,360 Speaker 1: star and an artist. That's my job, and it's the 807 00:44:08,400 --> 00:44:11,640 Speaker 1: greatest job in the world. And I'm so happy to 808 00:44:11,680 --> 00:44:16,320 Speaker 1: be able to make funny, make money and feed my family. 809 00:44:16,920 --> 00:44:20,920 Speaker 1: You know, through through that, if you weren't making music, 810 00:44:21,160 --> 00:44:24,440 Speaker 1: what would your job have been? Man, I can't imagine 811 00:44:24,440 --> 00:44:27,000 Speaker 1: it because this is just what I really wanted to do. 812 00:44:27,080 --> 00:44:30,080 Speaker 1: But and I feel like, whatever you want to do 813 00:44:30,120 --> 00:44:32,359 Speaker 1: in life, if you really want to do it, as 814 00:44:32,360 --> 00:44:34,399 Speaker 1: long as you keep on doing it, we can turn 815 00:44:34,440 --> 00:44:37,960 Speaker 1: it into whatever. You know, some money, yeah, but I 816 00:44:37,960 --> 00:44:41,640 Speaker 1: don't know if that's true. No, No, I mean there's 817 00:44:41,680 --> 00:44:44,760 Speaker 1: some there's some rappers out there that have been trying 818 00:44:44,800 --> 00:44:47,920 Speaker 1: for a long time. I'm not saying anybody of notoriety. 819 00:44:47,960 --> 00:44:50,640 Speaker 1: I mean like people I know Phoenix, Arizona. You know, 820 00:44:51,320 --> 00:44:54,719 Speaker 1: I know a lot of people that their music is terrible. Okay, Well, 821 00:44:54,760 --> 00:44:56,960 Speaker 1: being terrible is one thing. Well, somebody got to tell 822 00:44:56,960 --> 00:44:59,959 Speaker 1: you that you got to kick it. See, it's different 823 00:45:00,080 --> 00:45:01,840 Speaker 1: things you gotta do. First of all, you can go 824 00:45:01,880 --> 00:45:03,359 Speaker 1: in there and you can make a song and you 825 00:45:03,360 --> 00:45:05,680 Speaker 1: could think it's tight, and you can have like the 826 00:45:05,880 --> 00:45:07,839 Speaker 1: Dick Riders telling you it's tight. But then you got 827 00:45:07,840 --> 00:45:09,879 Speaker 1: to like ask around, ask more people. It's all about 828 00:45:10,760 --> 00:45:12,279 Speaker 1: at the end of the day. This is like a 829 00:45:12,320 --> 00:45:15,080 Speaker 1: people thing. It's just like you, if you put your 830 00:45:15,160 --> 00:45:17,840 Speaker 1: mind to it. Not everybody can make money off of music. 831 00:45:18,040 --> 00:45:20,279 Speaker 1: Now that's a lot. I'm not saying everybody can make 832 00:45:20,400 --> 00:45:22,520 Speaker 1: money off of music. But whatever you really want to do, 833 00:45:22,600 --> 00:45:24,240 Speaker 1: and if it's not the music, you got to figure 834 00:45:24,280 --> 00:45:26,000 Speaker 1: that out and see that it's not working for you 835 00:45:26,080 --> 00:45:28,360 Speaker 1: and do it in a different way. There's other avenues 836 00:45:28,400 --> 00:45:31,399 Speaker 1: and music than you being the artists. Yeah, that's now, 837 00:45:31,480 --> 00:45:36,840 Speaker 1: that's true. Yeah, let's say you're obviously a garbage rapper. 838 00:45:37,520 --> 00:45:39,480 Speaker 1: Maybe you could be a well, no, you probably couldn't 839 00:45:39,480 --> 00:45:40,640 Speaker 1: be an A and R because your beats it. At 840 00:45:40,680 --> 00:45:43,760 Speaker 1: least maybe you can manage somebody. Maybe you can manage somebody. 841 00:45:43,840 --> 00:45:47,160 Speaker 1: Maybe you could work at a record store. Yeah, a 842 00:45:47,239 --> 00:45:50,920 Speaker 1: story perfect, you can. Maybe you could be the security. 843 00:45:51,160 --> 00:45:55,040 Speaker 1: Maybe you could be a bodyguard. Yeah, yeah, there's actually cameraman. 844 00:45:55,400 --> 00:45:58,719 Speaker 1: You know, it's art to all of that though. Camera. Yeah, 845 00:45:59,040 --> 00:46:02,439 Speaker 1: I feel like stuff like that is very feasible because 846 00:46:02,480 --> 00:46:04,640 Speaker 1: you can learn how to edit video. I don't know 847 00:46:04,640 --> 00:46:06,080 Speaker 1: if you could learn how to be like you could 848 00:46:06,080 --> 00:46:08,359 Speaker 1: be the sound man. You can learn how to hook 849 00:46:08,400 --> 00:46:12,279 Speaker 1: up equipment in so many different ways you could also, 850 00:46:12,360 --> 00:46:14,439 Speaker 1: I mean, you probably can't learn to be a security guard. 851 00:46:14,480 --> 00:46:18,360 Speaker 1: You got to be like a certain like body type. 852 00:46:18,520 --> 00:46:22,160 Speaker 1: But you're you know what your security guard, Uh well, 853 00:46:22,200 --> 00:46:24,520 Speaker 1: one of your guys, I forget, I forget your boy's name, 854 00:46:24,560 --> 00:46:26,279 Speaker 1: the Armenian guy who's who's I don't know if he's 855 00:46:26,280 --> 00:46:29,160 Speaker 1: still around with you, but uh he uh he's also 856 00:46:29,200 --> 00:46:31,840 Speaker 1: he's a badass motherfucker. But also not like a typical 857 00:46:31,880 --> 00:46:33,840 Speaker 1: looking security guy. So I guess you can't judge a 858 00:46:33,840 --> 00:46:36,239 Speaker 1: book by its cover, Yeah for sure, because some of 859 00:46:36,239 --> 00:46:38,919 Speaker 1: these security dudes are they pack, They're tiny, but they're 860 00:46:38,960 --> 00:46:41,920 Speaker 1: fucking they know, like they're like fucking green Berets or 861 00:46:41,920 --> 00:46:45,799 Speaker 1: some shit. You know. Yeah, Hey, we got to stop 862 00:46:45,840 --> 00:46:47,800 Speaker 1: the interview real quick to tell you about our partners 863 00:46:47,960 --> 00:46:50,720 Speaker 1: at odd Socks are presenting sponsor here at the Boutleg 864 00:46:50,760 --> 00:46:54,600 Speaker 1: Kit podcast. Listen. Christmas times approaching faster than you think. 865 00:46:54,760 --> 00:46:56,399 Speaker 1: I mean, we're like fucking a month and a half 866 00:46:56,400 --> 00:46:59,560 Speaker 1: away or some shit whatever. Get some odd socks for 867 00:46:59,640 --> 00:47:02,719 Speaker 1: your phone. Go to odd socksofficial dot com, use the 868 00:47:02,719 --> 00:47:05,960 Speaker 1: promo code Bootleg, and you'll save twenty percent off at checkout. 869 00:47:06,000 --> 00:47:10,279 Speaker 1: The most Comfortable socks in the world. That's right, we 870 00:47:10,320 --> 00:47:14,640 Speaker 1: got some scarface socks. They got wwe Yeah, I mean 871 00:47:14,920 --> 00:47:17,960 Speaker 1: they also got the cheech and chunks. They also got 872 00:47:17,960 --> 00:47:20,879 Speaker 1: the flaming hots for you hot shititto eating fucks out there. 873 00:47:21,400 --> 00:47:25,680 Speaker 1: My favorite just the odd socks basics. They're just so comfy, 874 00:47:26,440 --> 00:47:29,360 Speaker 1: literally the most comfortable sock in the world. I'm holding 875 00:47:29,400 --> 00:47:31,919 Speaker 1: the fucking sock right now. You can save twenty percent off. 876 00:47:32,080 --> 00:47:37,480 Speaker 1: Plus they got boxers now, baby, all right, go to 877 00:47:37,520 --> 00:47:42,959 Speaker 1: odd socksofficial dot com promo code bootleg at checkout, save 878 00:47:43,040 --> 00:47:46,840 Speaker 1: twenty percent off and support our family at odd socks 879 00:47:47,080 --> 00:47:49,719 Speaker 1: and the podcast at the same fucking time. Let's get 880 00:47:49,719 --> 00:47:53,160 Speaker 1: back to the interview. You're playing any video games right 881 00:47:53,400 --> 00:47:56,880 Speaker 1: as of now? Off and on? Uh? Call duty or 882 00:47:56,920 --> 00:48:00,800 Speaker 1: call of duty PUBG PUBG huh. I still love PUFG 883 00:48:02,280 --> 00:48:06,399 Speaker 1: NBA two K Madden. First of all, I knew Madden 884 00:48:06,520 --> 00:48:11,959 Speaker 1: is god awful, but it's awful. That's terrible. Okay, who's 885 00:48:12,000 --> 00:48:15,160 Speaker 1: your team on two K? I mean the Lakers? The Lakers. 886 00:48:15,960 --> 00:48:19,160 Speaker 1: Do you feel like conflicted that Russell Westbrook is a 887 00:48:19,160 --> 00:48:22,040 Speaker 1: great guy and he's from LA but he's also the 888 00:48:22,080 --> 00:48:24,520 Speaker 1: reason why the Lakers are a fucking dumpster fire. Right now, 889 00:48:24,560 --> 00:48:26,680 Speaker 1: you're gonna just say he's the sole reason why there, 890 00:48:27,320 --> 00:48:29,320 Speaker 1: I would say he's sixty to seventy percent of the 891 00:48:29,360 --> 00:48:32,359 Speaker 1: reason why. I feel like if they just told him 892 00:48:32,400 --> 00:48:35,560 Speaker 1: to go home and just not play, they would just 893 00:48:35,600 --> 00:48:37,880 Speaker 1: get It's like addition by subtraction. Did you see the 894 00:48:37,920 --> 00:48:39,880 Speaker 1: other night when he pulled up with like thirty seconds 895 00:48:39,960 --> 00:48:48,000 Speaker 1: left and he and and everybody was like, no, no, 896 00:48:50,239 --> 00:48:53,799 Speaker 1: come on, bro, who's the reason? Give me? Okay, let's 897 00:48:54,400 --> 00:49:00,640 Speaker 1: why did the Lakers suck you? I think it's ad 898 00:49:00,760 --> 00:49:04,160 Speaker 1: over Westbrook. This guy's from New York. Don't listen to 899 00:49:04,160 --> 00:49:06,000 Speaker 1: this fucking guy's a Knicks fan. Maybe he should be 900 00:49:06,000 --> 00:49:12,000 Speaker 1: the leader, though that that doesn't make sense. Who ad 901 00:49:12,400 --> 00:49:17,560 Speaker 1: Lebron's the leader? He's in decline. He averaged thirty points 902 00:49:17,560 --> 00:49:21,359 Speaker 1: a game last year. What are you talking about? Let's 903 00:49:21,360 --> 00:49:23,440 Speaker 1: not listening to him. He's like fucking rooting for Julius 904 00:49:23,520 --> 00:49:28,640 Speaker 1: Randall and fucking Jalen Brunson over there, Yo, Jesus Christ 905 00:49:29,280 --> 00:49:34,200 Speaker 1: nah uh shouts to russ Though. Shout out to russ Man. 906 00:49:34,280 --> 00:49:36,840 Speaker 1: I think people just got to realize what you know, 907 00:49:36,920 --> 00:49:39,360 Speaker 1: their talent and when it works and when it doesn't 908 00:49:39,400 --> 00:49:44,279 Speaker 1: and stops, you know, guessing. I think you gotta have 909 00:49:44,320 --> 00:49:47,920 Speaker 1: self awareness to like openly accept other roles. Yes, so 910 00:49:48,040 --> 00:49:51,080 Speaker 1: like if you're self aware enough to be like but 911 00:49:51,160 --> 00:49:54,640 Speaker 1: I don't think he's hit that yet. Yeah, like Mellow 912 00:49:54,760 --> 00:49:56,960 Speaker 1: kind of had to hit that and then he came 913 00:49:57,000 --> 00:49:59,600 Speaker 1: back and was like productive for the Blazers And I 914 00:49:59,640 --> 00:50:01,799 Speaker 1: don't know he's playing right now, but yeah, shout out 915 00:50:01,840 --> 00:50:06,759 Speaker 1: to us, Yeah, legendary guy. LA has been in a 916 00:50:06,840 --> 00:50:10,440 Speaker 1: really like interesting place since the pandemic in terms of 917 00:50:10,560 --> 00:50:14,440 Speaker 1: just like it's always been, I mean everywhere it's dangerous, right, 918 00:50:14,520 --> 00:50:18,640 Speaker 1: but perceptually a lot of stuff has happened in La 919 00:50:18,760 --> 00:50:20,560 Speaker 1: that is kind of given LA a bad rep in 920 00:50:20,640 --> 00:50:23,040 Speaker 1: terms of just like you know, obviously rest in peace 921 00:50:23,040 --> 00:50:24,719 Speaker 1: of p and b Rock. People have gotten killed here. 922 00:50:24,719 --> 00:50:28,200 Speaker 1: People have gotten murdered here, robbed all that. Are you 923 00:50:29,000 --> 00:50:32,200 Speaker 1: with the current climate of the city, do you move 924 00:50:32,239 --> 00:50:34,279 Speaker 1: around a little bit differently? Man and the one? Why 925 00:50:34,280 --> 00:50:37,399 Speaker 1: do you think it is currently like that? I think 926 00:50:37,440 --> 00:50:42,000 Speaker 1: it's just more publicly on display right now. It's always 927 00:50:42,000 --> 00:50:44,000 Speaker 1: been some shit. I'm from LA, so it's always been 928 00:50:44,040 --> 00:50:52,320 Speaker 1: some shit. Move different now, we always moved I feel 929 00:50:52,320 --> 00:50:57,880 Speaker 1: like the right way. I've been in certain ship where 930 00:50:58,480 --> 00:51:03,200 Speaker 1: maybe I was too comfortable before and had to get awoken, 931 00:51:03,440 --> 00:51:07,600 Speaker 1: you know what I'm saying. But uh, everybody moves safe, 932 00:51:07,880 --> 00:51:11,680 Speaker 1: you know, and that's anywhere especially since the pandemic though. Yeah, 933 00:51:11,719 --> 00:51:13,600 Speaker 1: I feel like people are more a little bit more 934 00:51:13,680 --> 00:51:17,880 Speaker 1: hungry and ship like right coming out of it, Like 935 00:51:17,920 --> 00:51:20,200 Speaker 1: when you started seeing how people just get ribbed just 936 00:51:20,239 --> 00:51:25,840 Speaker 1: in broad daylight. You've had laws that made it okay, 937 00:51:25,920 --> 00:51:29,359 Speaker 1: and you had masks that made it like easier and yeah, 938 00:51:29,360 --> 00:51:31,000 Speaker 1: like you can rock around with the pousch heisty on 939 00:51:31,040 --> 00:51:35,880 Speaker 1: and knowing, so everybody, h you know, be careful and 940 00:51:35,880 --> 00:51:38,640 Speaker 1: stay dangerous. Did you have a relationship with P and 941 00:51:38,680 --> 00:51:42,760 Speaker 1: B yesh? Shout out to pm B man and his family. 942 00:51:43,320 --> 00:51:46,240 Speaker 1: He was a very cool dude from all the times 943 00:51:46,239 --> 00:51:55,040 Speaker 1: we encountered each other, and it's super sad and super 944 00:51:55,200 --> 00:51:58,680 Speaker 1: like damn, like really right, and you know what's crazy 945 00:51:58,840 --> 00:52:02,000 Speaker 1: not him, Like he was such a nice guy. And 946 00:52:02,040 --> 00:52:04,320 Speaker 1: then when you hear like the circumstances of what happened 947 00:52:04,320 --> 00:52:06,200 Speaker 1: that it was like a family like a father and 948 00:52:06,239 --> 00:52:10,600 Speaker 1: a son thing, You're like, shit, dude, like it's just crazy, man, 949 00:52:11,040 --> 00:52:13,520 Speaker 1: it's a sad situation for sure. Man, it is you know, 950 00:52:13,920 --> 00:52:17,800 Speaker 1: like you said, stay safe out here album by the 951 00:52:17,880 --> 00:52:22,360 Speaker 1: end of the year. Uh, we got the biggest single 952 00:52:22,480 --> 00:52:24,799 Speaker 1: in the fucking world right now. My friend he's sing 953 00:52:24,840 --> 00:52:27,160 Speaker 1: album related, he's just the fu the single. Okay, you 954 00:52:27,200 --> 00:52:29,560 Speaker 1: got the single out. The album comes out January. Then 955 00:52:30,239 --> 00:52:32,480 Speaker 1: you know the album's coming soon. Let's focus on the 956 00:52:32,520 --> 00:52:35,839 Speaker 1: biggest song right now. My friends feature a little dirt 957 00:52:35,920 --> 00:52:39,120 Speaker 1: shout out to my brother Mustard. We out here and then, uh, 958 00:52:39,600 --> 00:52:42,120 Speaker 1: any more collab projects coming? Obviously? You have some classics. 959 00:52:42,160 --> 00:52:44,520 Speaker 1: You got the Division album, you got the Jeremiah Project, 960 00:52:45,040 --> 00:52:49,040 Speaker 1: you got fucking You and Whiz. I mean yeah, I 961 00:52:49,080 --> 00:52:51,919 Speaker 1: love doing music, and I love making music with other 962 00:52:51,920 --> 00:52:55,160 Speaker 1: people that love making music, and I've got some great 963 00:52:55,160 --> 00:52:58,359 Speaker 1: shit on the way. How about this. I'm not gonna 964 00:52:58,360 --> 00:52:59,759 Speaker 1: ask you to because you're just gonna tell me about 965 00:52:59,760 --> 00:53:04,040 Speaker 1: this the single. Uh. If who would be somebody that 966 00:53:04,120 --> 00:53:06,160 Speaker 1: you are a fan of that you would like to 967 00:53:06,200 --> 00:53:08,040 Speaker 1: do a project with, if you if you could have 968 00:53:08,160 --> 00:53:12,200 Speaker 1: it your way, I like what Drake like you and Drake? 969 00:53:13,120 --> 00:53:15,600 Speaker 1: That would be hard. Yeah, you and Drake would be crazy. 970 00:53:16,400 --> 00:53:20,000 Speaker 1: I don't know who else? Uh me and Kaylani would 971 00:53:20,000 --> 00:53:23,120 Speaker 1: make a crazy album together, for sure. That'd be easy. 972 00:53:23,120 --> 00:53:28,800 Speaker 1: You guys are both on Atlantic. Yeah, that'd be crazy. Kaylanie, 973 00:53:28,880 --> 00:53:31,040 Speaker 1: we got to talk to David Ali. Let's make it happen. 974 00:53:32,000 --> 00:53:33,839 Speaker 1: She's been killing it too. Shout out to her Man, Well, 975 00:53:33,840 --> 00:53:36,319 Speaker 1: I appreciate you pulling up. You didn't answer the question 976 00:53:36,360 --> 00:53:40,879 Speaker 1: about your craziest night on tour. You didn't think I'll 977 00:53:40,880 --> 00:53:42,520 Speaker 1: send it in on a video something. I don't want 978 00:53:42,520 --> 00:53:44,359 Speaker 1: to see the video. You should be sharing that video. 979 00:53:44,360 --> 00:53:47,680 Speaker 1: I don't want to see that video. But yel there 980 00:53:47,719 --> 00:53:51,320 Speaker 1: was eleven Wins, Susio Boys, Susio Boys in the building, 981 00:53:52,239 --> 00:53:55,360 Speaker 1: Ty Dollar Sign, Let's get it fire.