WEBVTT - INTERVIEW 5: Glen Morgan

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<v Speaker 1>Strange Arrivals is a production of I Heart three D

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<v Speaker 1>audio for full exposure listen with Headphiles. In November, I

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<v Speaker 1>spoke with Glenn Morgan. Glenn is a prolific screenwriter and

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<v Speaker 1>producer involved in writing and producing, among many many others,

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<v Speaker 1>the Lord television show, the Twilight Zone reboot, and, most

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<v Speaker 1>notably for Strange Arrivals, The X Files. I talked to

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<v Speaker 1>Glenn about the genesis of the show, how episodes were written,

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<v Speaker 1>and much more. Why don't you start by introducing yourself.

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<v Speaker 1>I'm Glenn Morgan, was one of the exact producers of

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<v Speaker 1>The X Files and the M one two for and

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<v Speaker 1>then the Last Time And how did you you know,

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<v Speaker 1>how did you become involved in The X Files? How

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<v Speaker 1>did that start? Well? I worked with my partner Jim Loong,

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<v Speaker 1>who are high school buddies from alcohol in California. Um,

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<v Speaker 1>we're probably many people have been abducted, and um, we

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<v Speaker 1>were gonna go on some other show, a romantic comedy

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<v Speaker 1>that was the hit pilot of that season. And Peter Roth,

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<v Speaker 1>who was the head of Fox TV, had said, you know,

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<v Speaker 1>he had he had helped us out a lot when

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<v Speaker 1>we worked on twenty one Jump Street at Stephen Kettle

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<v Speaker 1>and he was like, you gotta watch his pilot. I

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<v Speaker 1>demand that you watch his pilot, and so kind of

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<v Speaker 1>sort of career politics. We go, well, we'll watch this

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<v Speaker 1>pilot the X Files and tell Peter thanks for thinking

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<v Speaker 1>of us, but we're gonna go do this other hot show.

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<v Speaker 1>And Jim and I watch Exiles pilot and we're like,

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<v Speaker 1>whoa and I want to do this show. And everybody

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<v Speaker 1>said we were insane because we left the other show,

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<v Speaker 1>and um, but it was just something that I really liked,

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<v Speaker 1>and we met Chris and we hit it off. And

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<v Speaker 1>we're all coming from the same place from which I

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<v Speaker 1>expect we're about to talk about. So, so were you

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<v Speaker 1>interested in in sort of the paranormal and and UFO

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<v Speaker 1>stuff before working on the show. I was really not

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<v Speaker 1>trying to make this about me, but I think that

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<v Speaker 1>in what we're talking about, I feel I come from

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<v Speaker 1>a place where probably a lot of Americans or representative

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<v Speaker 1>the kind of mil America. I grew up in Syracuse,

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<v Speaker 1>New York, which is upstate New York. I grew up

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<v Speaker 1>in Manlis. Oh okay, well I was there till it

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<v Speaker 1>was fifteen. And you know that this digressing. But I've

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<v Speaker 1>read that they call that it's like a highway. It's

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<v Speaker 1>a mile swath from Albany wide three hud a mile

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<v Speaker 1>long from Albany to you know, basically not Buffalo. Yeah,

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<v Speaker 1>and there you had like the Shakers, the Fox Sisters,

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<v Speaker 1>the Mormon uh Origins kind of, and so there's a

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<v Speaker 1>lot of that haunted places. And my family, my great

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<v Speaker 1>grandparents were mediums and all that, so there was always

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<v Speaker 1>like having seances and stuff. My brother and I are

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<v Speaker 1>like watching TV, but we're familiar with that. I was

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<v Speaker 1>always interested in that. I you know, I can't remember

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<v Speaker 1>if I knew about the Hills before um, Sharings to

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<v Speaker 1>the Gods. I almost had Food of the Gods, just

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<v Speaker 1>a great movie. But Charings to the Gods, it was

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<v Speaker 1>like reading all that, you know, and I was into that.

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<v Speaker 1>And as a kid whose family was doing that, there

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<v Speaker 1>was no skeptics, so I just like bought into it totally.

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<v Speaker 1>All that stuff, I just bought into it, and um,

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<v Speaker 1>it has always been interesting. However as a kid too,

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<v Speaker 1>my great love was you know, Nasa Apollo while they

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<v Speaker 1>asked your nots and so the true science of that,

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<v Speaker 1>and I felt that they both merged the goal to

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<v Speaker 1>go to the moon, to go to space, the poetry

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<v Speaker 1>of that match the wonder of what else is out

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<v Speaker 1>there and that kind of you know, UFO paranormal area,

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<v Speaker 1>they have something in common. And then you know, going

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<v Speaker 1>getting older, you know it's an horror movie and everything.

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<v Speaker 1>But just like just life changing was Close Encounters, which

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<v Speaker 1>is like the greatest thing I went to when it

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<v Speaker 1>came out, you know, as I was just starting to drive,

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<v Speaker 1>and my dad was like, don't you go to that movie.

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<v Speaker 1>You can't go drive on the freeway to see that movie.

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<v Speaker 1>And I did. I was driving home on the freeway.

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<v Speaker 1>My dad was exted me Mike busted, that's how much

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<v Speaker 1>I needed to see that movie for the second time,

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<v Speaker 1>and so all that stuff. I just loved it. Um Now,

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<v Speaker 1>when I get older and you start getting introduced to

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<v Speaker 1>some skepticism, and certainly working on the X Files, the

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<v Speaker 1>need to be Scully is the first time that I

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<v Speaker 1>started looking at what's the other side of this story?

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<v Speaker 1>Because you always had to have Mauler's explanation, you have

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<v Speaker 1>to have Scullies explanation, and many times you'd have to

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<v Speaker 1>have an explanation was down the middle. So it was

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<v Speaker 1>the X Files and having to write for Scully that

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<v Speaker 1>I started getting a little more ground, a little more skeptical.

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<v Speaker 1>So I hope that makes sense that I think that's

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<v Speaker 1>where it comes from. But I think you can see

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<v Speaker 1>this sort of mirrors what was going on a lot

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<v Speaker 1>with the culture. I was taking look at some suffarious

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<v Speaker 1>people have written and it's like the Monster of the

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<v Speaker 1>Week episodes and then their Mythology episodes. So was the mythology?

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<v Speaker 1>Was that thought of as being sort of a multi

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<v Speaker 1>seasoned thing to start off with? How how what was

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<v Speaker 1>the genesis of that? Like the pilot was UFO and

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<v Speaker 1>the second episode is UFO, and I think it introduced

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<v Speaker 1>the deep throat, deep background and the conspiracy part of it,

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<v Speaker 1>and the network being the network, they're a big goal

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<v Speaker 1>was modern Scully should help people, you know, every week

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<v Speaker 1>they should help people, which is like as lame as

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<v Speaker 1>it gainst. And but also they did not want UFO

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<v Speaker 1>every week? What else could it be? And so sitting down, um,

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<v Speaker 1>the first year was Chris jim and I, Howard Gordon,

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<v Speaker 1>Alex Gonza who went on to do Homeland, and Marilyn

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<v Speaker 1>Osborne was there as a sort of junior writer, and

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<v Speaker 1>we would get together in the room and go what

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<v Speaker 1>can we do? And I think Alex and Howard became

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<v Speaker 1>more comfortable with doing sort of weird science and you know,

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<v Speaker 1>I just I grew up on universal monsters, and you know,

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<v Speaker 1>I love monster movies, and so Jim and I fell

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<v Speaker 1>into that not all the time, but for the most part.

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<v Speaker 1>And so if you look at it the first year,

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<v Speaker 1>there wasn't a lot of mythology. I think on the

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<v Speaker 1>twenty two episodes five maybe it wasn't a conscious thing.

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<v Speaker 1>And first it really wasn't a couple of things. What

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<v Speaker 1>happened was and January of the first season, Jillian became pregnant,

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<v Speaker 1>and so she was going to have her baby in September,

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<v Speaker 1>and so there was like, well, she wasn't gonna be

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<v Speaker 1>able to work on the first few episodes that we

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<v Speaker 1>were filming for a year two, and so we all

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<v Speaker 1>came up with like Scully's gonna disappear, and that really

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<v Speaker 1>began the mythology, the need to tell multiple stories near

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<v Speaker 1>the end of the first year. So I don't believe

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<v Speaker 1>my memory is not that we set out to go

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<v Speaker 1>from the beginning, We're gonna be this groundbreaking serialized because

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<v Speaker 1>that wasn't around then. A little bit maybe, but um,

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<v Speaker 1>we never set out to be the serialized show. There

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<v Speaker 1>was necessity due to Julian's Julian's pregnancy that we sort

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<v Speaker 1>of shaped it in the end of the first year

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<v Speaker 1>to go into her disappearing for the first few episodes

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<v Speaker 1>in the second year. So can you talk a little

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<v Speaker 1>bit about about the mythology through story you know that

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<v Speaker 1>was established by Chris. You know that Maulder's sister had

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<v Speaker 1>been abducted, and what the background was with Maulder, you know,

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<v Speaker 1>And I think those are things that you you have

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<v Speaker 1>and when you're selling a pilot, especially back in those days,

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<v Speaker 1>it's just kind of red meat for executives. And and

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<v Speaker 1>then you get in the room. Nowadays you have to

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<v Speaker 1>have the whole show figured out for five years. Back then,

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<v Speaker 1>you gave a piece of paper and this is what

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<v Speaker 1>six episodes we could do, and they okay. So it

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<v Speaker 1>just becomes a process of sitting down and go on,

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<v Speaker 1>what can it be? Um, who's you know? Well, we're

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<v Speaker 1>gonna introduce a government conspiracy deep background. So you bring

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<v Speaker 1>a deep throat and you bring up more UFO stuff.

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<v Speaker 1>Say I'm struggling here, because that stuff doesn't kick into

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<v Speaker 1>gear really until the end of the year one, year two,

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<v Speaker 1>where the beginning of year two we did this episode

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<v Speaker 1>Little Green Men, I think shows his sister's abduction. Right,

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<v Speaker 1>So it wasn't really if you look at that series,

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<v Speaker 1>it wasn't until again necessity brought it up and it

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<v Speaker 1>really kicks into gear in the second year. Okay, and

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<v Speaker 1>so you just go, well, what happens we do we

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<v Speaker 1>bring Maler's mother back to we is she alive? And

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<v Speaker 1>she didn't? You know, it's just like a bunch of

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<v Speaker 1>writers getting together trying to figure it out. But again,

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<v Speaker 1>for the most part, nowadays they'll talk about a writer's room.

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<v Speaker 1>We didn't have that. You know. We would come in

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<v Speaker 1>and go, hey, I got an idea, what if there's

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<v Speaker 1>a stretchy serial killer of the crawls to the event,

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<v Speaker 1>Oh oh, all right, you do that. You know, we

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<v Speaker 1>weren't really sitting in a writer's room working things out together.

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<v Speaker 1>We're very much a team. Nowadays, you would say, okay,

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<v Speaker 1>episode one, we talked about mauler sister. Episode six, we're

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<v Speaker 1>gonna show that she's abducted. Now, I guess skipping forward

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<v Speaker 1>and you know, how is she gonna be abducted? I

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<v Speaker 1>think we start with a lot of what the accepted

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<v Speaker 1>myth wise that it was at night, that there was

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<v Speaker 1>a bright light you know, um, you know it's it's

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<v Speaker 1>real monster movie stuff, really the mythology, and then you go, well,

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<v Speaker 1>people know what it is by now because of the

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<v Speaker 1>Hills story that you know that was a movie the

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<v Speaker 1>week right, I think with James Earl Jones and the

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<v Speaker 1>closing owners is like so huge everybody knew, you know,

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<v Speaker 1>the the Barry being abducted is just one of the

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<v Speaker 1>great scenes and sham and what can we do different?

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<v Speaker 1>You know? And you had read some things where people

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<v Speaker 1>had been taken out their window or um, so well

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<v Speaker 1>let's do that, or let's make something up. How can

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<v Speaker 1>we make it fresh? And I think actually that's where

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<v Speaker 1>the damage to the mythology, because you made stuff up

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<v Speaker 1>because you needed to have something different for a TV

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<v Speaker 1>show that makes sense? Yeah, yeah, was there you know,

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<v Speaker 1>were you reading like UFO books or or doing other

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<v Speaker 1>kinds of research into you know cases, Oh I had

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<v Speaker 1>I had done that. I knew the Hill books. Your

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<v Speaker 1>first season brought back a lot of childhood memories. Um

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<v Speaker 1>of reading the book, not being abducted, just to make

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<v Speaker 1>that clear. But what happened. What I didn't know was

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<v Speaker 1>the community of uthology and so, and we didn't have

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<v Speaker 1>the Internet like we do now. I think it was

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<v Speaker 1>all and you know, but I still when I wrote scripts,

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<v Speaker 1>I had to write stuff down and go to the

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<v Speaker 1>Beverly Hills Library and or U C l A and

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<v Speaker 1>look it up. It wasn't like when I'm writing I

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<v Speaker 1>just pull up Google or so. I was not aware

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<v Speaker 1>of that. I became aware of it. I went to

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<v Speaker 1>a UFO show L A X with Marilyn Osborne on

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<v Speaker 1>the show, and it was just like, blew my mind

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<v Speaker 1>what was going on there? Um, you know, the lectures,

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<v Speaker 1>the level of what the Hill experience had turned into

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<v Speaker 1>basically have you know communication, you know, we're in community

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<v Speaker 1>ation with being storm everywhere it was it was WOA

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<v Speaker 1>was is way beyond what I thought. I remember there

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<v Speaker 1>was a table and they'd have like color coded papers

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<v Speaker 1>and this was abductions. This was and I don't know,

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<v Speaker 1>this is State Orange with space Shuttle Green was abductions.

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<v Speaker 1>Was like an entire conference table of different pieces of

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<v Speaker 1>paper with conspiracy and all kinds of stuff for every

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<v Speaker 1>topic you can imagine. And the three guys behind there.

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<v Speaker 1>One guy had a suit, one guy was kind of

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<v Speaker 1>slobby guy with a rock and roll shirt, and another

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<v Speaker 1>guy he just kind of somewhere in between. There was

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<v Speaker 1>exactly alone gunman, which you know, becomes part of the myth.

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<v Speaker 1>There exactly the guy, the guy with a suit. There's

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<v Speaker 1>all these people around him. He's like, give me. He's

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<v Speaker 1>he's lecturing people. He said, give me, give me a

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<v Speaker 1>twenty dollar bill. We're while watching he's like. This guy

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<v Speaker 1>gives the guy his toy dollar bill out of his

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<v Speaker 1>bucket and he holds it up to the light and

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<v Speaker 1>he goes, look at that magnetic strip. And I think

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<v Speaker 1>none of us knew about him, this magnetic strip in

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<v Speaker 1>a twenty dollar bill. And everybody's like, oh, this is

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<v Speaker 1>how a track you through the airport. This is how

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<v Speaker 1>they do. This is how do you do that? Man?

0:14:15.280 --> 0:14:18.680
<v Speaker 1>He rips it, He rips the guy's twenty and pulls

0:14:18.720 --> 0:14:20.560
<v Speaker 1>the strip out. You know, the guy's bummed out because

0:14:20.560 --> 0:14:23.520
<v Speaker 1>this twenty dollar bill he's gone. But all of us

0:14:23.520 --> 0:14:27.600
<v Speaker 1>are like whoa. And so that was just mind blowing

0:14:27.640 --> 0:14:35.000
<v Speaker 1>to me what an industry was out there, and so

0:14:35.160 --> 0:14:38.760
<v Speaker 1>I just like started taking from that, and Jim and

0:14:38.800 --> 0:14:41.880
<v Speaker 1>Howard and Chris and everybody became introduced to that. I

0:14:41.920 --> 0:14:47.080
<v Speaker 1>would go to like a hotel and motel out in

0:14:47.160 --> 0:14:52.200
<v Speaker 1>Burbank and I sat there for presentation on UFO ideas

0:14:52.240 --> 0:14:53.840
<v Speaker 1>and stuff, and I gotta say a lot of it

0:14:53.880 --> 0:14:56.720
<v Speaker 1>I felt was just too far out from what we

0:14:56.760 --> 0:15:01.800
<v Speaker 1>were doing. We're there s secific things that you ended

0:15:01.920 --> 0:15:07.200
<v Speaker 1>up served going deeper on, uh as, you know, research

0:15:07.280 --> 0:15:11.600
<v Speaker 1>or inspiration or whatever for the X Files. I think

0:15:11.600 --> 0:15:13.080
<v Speaker 1>a lot of I think that would be a lot

0:15:13.120 --> 0:15:17.520
<v Speaker 1>would be Chris because as the creator and exact producer

0:15:17.520 --> 0:15:24.000
<v Speaker 1>of the show, people would reach out to him and

0:15:24.080 --> 0:15:27.720
<v Speaker 1>he might get some info on stuff, or he might

0:15:28.240 --> 0:15:32.400
<v Speaker 1>interview people that we're deeper into these things than my

0:15:32.640 --> 0:15:37.680
<v Speaker 1>I like to research by sitting amongst all this stuff

0:15:37.680 --> 0:15:42.800
<v Speaker 1>and watching it, you know, just like observing what's going on.

0:15:43.800 --> 0:15:47.880
<v Speaker 1>I would get um a publication every Monday. It was

0:15:47.920 --> 0:15:51.080
<v Speaker 1>called Science News. It was really a pamphlet no more

0:15:51.080 --> 0:15:55.720
<v Speaker 1>than ten pages of findings in the world of science.

0:15:55.800 --> 0:15:58.520
<v Speaker 1>That week there might be a bigger article and just

0:15:58.640 --> 0:16:02.960
<v Speaker 1>like go through and so for example, one week I

0:16:03.000 --> 0:16:06.480
<v Speaker 1>saw they had an article that I think they've broken

0:16:06.520 --> 0:16:10.720
<v Speaker 1>the record for drilling into the Greenland ice core. I

0:16:10.800 --> 0:16:14.400
<v Speaker 1>don't know, want to remember a mile or whatever. And

0:16:14.440 --> 0:16:18.080
<v Speaker 1>they pulled out this stuff that had not seen the

0:16:18.160 --> 0:16:21.160
<v Speaker 1>light of day for two fifty thousand years. You know

0:16:21.240 --> 0:16:25.040
<v Speaker 1>that had just happened. That was a fact. And then

0:16:25.080 --> 0:16:29.920
<v Speaker 1>I go, well, what could be in there? What could

0:16:29.920 --> 0:16:34.040
<v Speaker 1>be in that two? It's like, okay, it's a creepy show.

0:16:34.120 --> 0:16:38.920
<v Speaker 1>What's creepy? Like? I find worms, creepy worms, snakes, they

0:16:38.920 --> 0:16:42.360
<v Speaker 1>don't have arms, they have too many arms, like a millipede.

0:16:42.440 --> 0:16:44.000
<v Speaker 1>Forget it. I don't want to near me. And so

0:16:44.040 --> 0:16:47.400
<v Speaker 1>I'm like, okay, oh, there's these worms. And then without

0:16:47.400 --> 0:16:52.000
<v Speaker 1>two D year's evolution, what would that do to us?

0:16:53.160 --> 0:16:55.400
<v Speaker 1>And then that part I would make up. I don't

0:16:55.400 --> 0:16:57.160
<v Speaker 1>remember what it was. It gets into your brain and

0:16:57.200 --> 0:17:01.440
<v Speaker 1>makes you paranoid or some stuff like that. So that's

0:17:01.480 --> 0:17:04.920
<v Speaker 1>how you make the next while. You take that science

0:17:05.200 --> 0:17:08.719
<v Speaker 1>truth and another truth and you try to fit them

0:17:08.760 --> 0:17:14.119
<v Speaker 1>together by making stuff up. Inevitably, people would go I

0:17:14.200 --> 0:17:17.120
<v Speaker 1>read about worms and make it crazy, and I'd say, no, no,

0:17:17.520 --> 0:17:19.919
<v Speaker 1>I made that up, and think, oh no, no, no,

0:17:19.960 --> 0:17:22.000
<v Speaker 1>I read that in the natro Geographic. I'm like, I

0:17:22.040 --> 0:17:26.080
<v Speaker 1>know you didn't because I made it up. It isn't

0:17:26.119 --> 0:17:28.080
<v Speaker 1>even a thing. It lodged in my head. I just

0:17:28.119 --> 0:17:30.480
<v Speaker 1>flat out made it up. And it always fascinated me

0:17:31.440 --> 0:17:36.560
<v Speaker 1>how often people would say not I read about the

0:17:36.600 --> 0:17:45.360
<v Speaker 1>ice core from Greenland, or the evolutionary traits of these worms.

0:17:46.640 --> 0:17:49.360
<v Speaker 1>I heard about the stuff you made up, and it's true.

0:17:50.080 --> 0:17:55.120
<v Speaker 1>And so when I look at these abduction myths where

0:17:55.160 --> 0:17:59.119
<v Speaker 1>some of the conspiracy theories are floating around, now you

0:17:59.160 --> 0:18:05.919
<v Speaker 1>can see where are there's bullshit that our people are believing.

0:18:06.520 --> 0:18:09.840
<v Speaker 1>And in fact, there's an X files where a deep

0:18:09.880 --> 0:18:15.640
<v Speaker 1>throat specifically says a lie is the best delivered sandwich

0:18:15.680 --> 0:18:17.920
<v Speaker 1>between two truths, and I just you know that. I

0:18:18.680 --> 0:18:21.479
<v Speaker 1>you know, um, I'm sure I didn't make that up,

0:18:21.480 --> 0:18:24.240
<v Speaker 1>but that's to me. I always thought the best way

0:18:24.280 --> 0:18:29.200
<v Speaker 1>to go about the mythology. So if you know that

0:18:29.280 --> 0:18:33.200
<v Speaker 1>aliens come at night, and you might take some other

0:18:33.520 --> 0:18:36.359
<v Speaker 1>scientific fact the position of the moon or something, then

0:18:36.400 --> 0:18:39.120
<v Speaker 1>make something up. That's that's how you did it. That's

0:18:39.119 --> 0:18:41.520
<v Speaker 1>how I went about it. And I see that approach

0:18:42.440 --> 0:19:04.000
<v Speaker 1>and other myths contemporary. That's really interesting. Your your point

0:19:04.000 --> 0:19:06.600
<v Speaker 1>about people coming up to you and saying that they've

0:19:06.600 --> 0:19:11.119
<v Speaker 1>read about stuff that you've made up. Um and it

0:19:11.119 --> 0:19:13.200
<v Speaker 1>it reminds me a little bit of a Season one

0:19:13.880 --> 0:19:18.200
<v Speaker 1>talking to Elizabeth Loftus where she was talking about experiments

0:19:18.240 --> 0:19:23.000
<v Speaker 1>that she did where you know, just by mentioning something

0:19:23.160 --> 0:19:28.239
<v Speaker 1>to somebody, they incorporate that into their memory so if

0:19:28.280 --> 0:19:31.240
<v Speaker 1>they talk to them again. I saw. I don't think

0:19:31.240 --> 0:19:34.240
<v Speaker 1>it was one that she did, but there was a

0:19:34.359 --> 0:19:39.720
<v Speaker 1>special on PBS where they interview college kids and they

0:19:39.760 --> 0:19:43.119
<v Speaker 1>and they would bring up this incident. I think it

0:19:43.200 --> 0:19:47.159
<v Speaker 1>was something about like you got, you know, arrested at

0:19:47.200 --> 0:19:50.720
<v Speaker 1>the mall or something, and and they'd be like, no,

0:19:50.800 --> 0:19:52.680
<v Speaker 1>you know, no we did. She's like, oh yeah, and

0:19:52.760 --> 0:19:54.919
<v Speaker 1>then they kind of give some details and that the

0:19:55.000 --> 0:19:57.760
<v Speaker 1>college kids would say now, but then when they talk

0:19:57.840 --> 0:20:00.600
<v Speaker 1>to them, you know, six months eight or and would

0:20:00.640 --> 0:20:03.720
<v Speaker 1>bring it up. I guess it wasn't It wasn't quite

0:20:03.720 --> 0:20:06.040
<v Speaker 1>getting arrested. It wasn't like that big, but it was

0:20:06.160 --> 0:20:10.280
<v Speaker 1>it was some like you know, you spilled you spilled

0:20:10.320 --> 0:20:12.560
<v Speaker 1>a drink on a police officer or something. It was something.

0:20:12.600 --> 0:20:14.919
<v Speaker 1>It was something like that. And then when the when

0:20:14.920 --> 0:20:18.439
<v Speaker 1>they talked to them again, the the a certain percentage

0:20:18.440 --> 0:20:20.480
<v Speaker 1>of the college students would talk about that episode it

0:20:20.600 --> 0:20:24.240
<v Speaker 1>actually happened, right, so it didn't It didn't even take much.

0:20:24.840 --> 0:20:26.879
<v Speaker 1>You don't have to really convince people. You can just

0:20:26.880 --> 0:20:31.000
<v Speaker 1>sort of tell them and then they kind of internalized it.

0:20:31.000 --> 0:20:35.879
<v Speaker 1>It becomes, you know, part of their their lived memory

0:20:35.960 --> 0:20:39.919
<v Speaker 1>without actually having experienced it. And I think it becomes

0:20:40.000 --> 0:20:43.440
<v Speaker 1>you're absolutely right. And there's been some good My brother

0:20:43.480 --> 0:20:46.240
<v Speaker 1>did it an excellent X Files in the last season.

0:20:47.880 --> 0:20:50.160
<v Speaker 1>It was called the Lost Start of Forehead Sweat, which

0:20:50.200 --> 0:20:52.159
<v Speaker 1>is all about memory and a lot of them Indela

0:20:52.200 --> 0:20:55.600
<v Speaker 1>effect and and I know, you know glad Well had

0:20:55.640 --> 0:21:03.800
<v Speaker 1>that thing on visionist history about memory, and um, I

0:21:03.880 --> 0:21:13.440
<v Speaker 1>think with the bulk of information particles, with the Internet,

0:21:14.080 --> 0:21:20.080
<v Speaker 1>with crossing cable news, with Twitter, you just get particles

0:21:20.520 --> 0:21:22.680
<v Speaker 1>and they all get jammed together, and I think, like, Babe,

0:21:22.720 --> 0:21:25.320
<v Speaker 1>weeks later you're like, oh, yeah, I know I heard something.

0:21:25.640 --> 0:21:30.280
<v Speaker 1>It's just a mess. It's just really colliding and we've

0:21:30.320 --> 0:21:35.480
<v Speaker 1>lost the ability to go and what's your source or no,

0:21:35.600 --> 0:21:40.080
<v Speaker 1>that was debunked. Here's how it was debunked. And you

0:21:40.080 --> 0:21:43.000
<v Speaker 1>know a lot of the skeptics are debunkers become like

0:21:43.080 --> 0:21:46.600
<v Speaker 1>the party poopers because going back prior to my writing

0:21:46.640 --> 0:21:49.560
<v Speaker 1>for the X Files, if you were saying the hills

0:21:49.600 --> 0:21:52.320
<v Speaker 1>you know saw the ski lift, don't you just don't

0:21:52.320 --> 0:21:56.600
<v Speaker 1>want to believe it, you know kind of thing. But

0:21:56.760 --> 0:21:58.760
<v Speaker 1>it may be a thing we were never taught, you know,

0:21:59.000 --> 0:22:01.120
<v Speaker 1>I don't know. I think that's the that's the big

0:22:01.160 --> 0:22:04.880
<v Speaker 1>problem is that we're not coming from a rational How

0:22:04.920 --> 0:22:11.359
<v Speaker 1>do you think about the X Files as sort of

0:22:11.359 --> 0:22:15.440
<v Speaker 1>a cultural influence or or or the X Files lasting

0:22:15.440 --> 0:22:19.560
<v Speaker 1>cultural influence and and how people think about things, Because

0:22:19.680 --> 0:22:26.119
<v Speaker 1>I do feel like more than of shows, like I

0:22:26.119 --> 0:22:32.000
<v Speaker 1>think the X Files, um, you know, can can kind

0:22:32.000 --> 0:22:35.880
<v Speaker 1>of change the way you look at things that are

0:22:35.880 --> 0:22:42.600
<v Speaker 1>happening around you. Um, And I think and part of it,

0:22:42.640 --> 0:22:45.880
<v Speaker 1>I think it's a conspiracy stuff, But I think there's

0:22:45.920 --> 0:22:53.840
<v Speaker 1>also you know that the interactions between Molder and Scully

0:22:55.040 --> 0:22:57.800
<v Speaker 1>I think kind of model a way of thinking about

0:22:58.119 --> 0:23:01.199
<v Speaker 1>about things in some ways that I think affects the

0:23:01.200 --> 0:23:06.359
<v Speaker 1>way people. Uh, I mean I wish it would affect

0:23:06.359 --> 0:23:08.480
<v Speaker 1>them more, but but affects the way people sort of

0:23:08.520 --> 0:23:12.520
<v Speaker 1>evaluate things. Um. Have you have you thought about that

0:23:12.560 --> 0:23:17.040
<v Speaker 1>at all? Have you have you experienced moments where where

0:23:17.080 --> 0:23:23.320
<v Speaker 1>that's become sort of clear? Um, that's that's I think

0:23:23.359 --> 0:23:26.639
<v Speaker 1>it's beyond all of us that worked on that show.

0:23:27.240 --> 0:23:31.119
<v Speaker 1>You know, I text a lot with David Coomny, and

0:23:31.160 --> 0:23:33.919
<v Speaker 1>that's like, we're still trying to figure it out in

0:23:33.920 --> 0:23:36.600
<v Speaker 1>a lot of ways. You know, we're the last to

0:23:36.680 --> 0:23:39.080
<v Speaker 1>be able to figure it out because you weren't trying

0:23:39.119 --> 0:23:44.080
<v Speaker 1>to be this thing. You're just let's be cool, you know.

0:23:44.600 --> 0:23:47.480
<v Speaker 1>But for me, there's a couple of things that would answer.

0:23:47.800 --> 0:23:53.840
<v Speaker 1>I think the most brilliant thing that Chris did was

0:23:54.400 --> 0:24:03.680
<v Speaker 1>I want to believe, even you know, Carl Sagan, very rational,

0:24:04.640 --> 0:24:08.879
<v Speaker 1>science based, I think you'd want to believe there's other life,

0:24:10.560 --> 0:24:15.440
<v Speaker 1>And so that answers both sides of the coin. Everybody

0:24:15.920 --> 0:24:19.919
<v Speaker 1>wants to believe, and they can find the answer of

0:24:19.960 --> 0:24:23.119
<v Speaker 1>what special relativity is out what's the next whereas in

0:24:23.160 --> 0:24:25.200
<v Speaker 1>all that, you know, there's the other dimensions and all

0:24:25.200 --> 0:24:28.720
<v Speaker 1>that stuff. And so if you're that was the brilliance

0:24:28.720 --> 0:24:30.600
<v Speaker 1>and why this show could be so popular because it

0:24:30.600 --> 0:24:34.919
<v Speaker 1>appeals to everybody. I think everybody wants to believe. My

0:24:35.119 --> 0:24:41.399
<v Speaker 1>feeling about the whole you know, it's it's twofold for me.

0:24:41.720 --> 0:24:46.639
<v Speaker 1>One I grew up, you know, Love and the Monster

0:24:46.680 --> 0:24:52.000
<v Speaker 1>Moise and Psycho and The Exorcists, and Alan Bicola, paranoid

0:24:52.080 --> 0:24:57.560
<v Speaker 1>movies of Clute and all the President's Men, Parallax View

0:24:57.640 --> 0:25:02.000
<v Speaker 1>and certainly Close Encounters, and so all those came before us.

0:25:02.640 --> 0:25:04.320
<v Speaker 1>You know, It's like you can say, oh Nex sounds great,

0:25:04.320 --> 0:25:08.200
<v Speaker 1>you have it. All those Twilight Zone, oh Man, all

0:25:08.200 --> 0:25:14.359
<v Speaker 1>came before us. So when Doug Hudgson, who played Eugene

0:25:14.400 --> 0:25:17.720
<v Speaker 1>Tunes in the first season, who's the notorious serial killer,

0:25:17.760 --> 0:25:22.840
<v Speaker 1>and Dougs not too far off from that character, he

0:25:22.920 --> 0:25:26.560
<v Speaker 1>said that he was in a like a department store

0:25:26.600 --> 0:25:31.399
<v Speaker 1>bathroom in New York City and he was washing his

0:25:31.520 --> 0:25:34.480
<v Speaker 1>hands and he looked over and there was a dad

0:25:34.520 --> 0:25:36.920
<v Speaker 1>and a little kid, and the little kid was just

0:25:37.920 --> 0:25:43.320
<v Speaker 1>locked in on Doug. And when they're going out, the

0:25:43.400 --> 0:25:45.600
<v Speaker 1>kid grabbed the father and goes, hey, dad, it's the

0:25:45.760 --> 0:25:48.920
<v Speaker 1>creepy guy. And the dad looked at him and they

0:25:48.960 --> 0:25:52.399
<v Speaker 1>both just leave. And so I feel like, okay, for

0:25:52.560 --> 0:25:56.119
<v Speaker 1>all those Hitchcocks and Spielberg's that got me. I you know,

0:25:56.520 --> 0:26:02.440
<v Speaker 1>that was you know, playing forward. However, the second thing

0:26:02.520 --> 0:26:06.080
<v Speaker 1>is more disturbing that if we played any part in

0:26:06.200 --> 0:26:13.720
<v Speaker 1>the proliferation of this conspiracy stuff, I'd have great regrets

0:26:15.080 --> 0:26:18.359
<v Speaker 1>because I think it's like ridiculously out of hand. You know,

0:26:18.440 --> 0:26:24.439
<v Speaker 1>when we're doing that show, it was primarily for entertainment.

0:26:25.760 --> 0:26:30.919
<v Speaker 1>You know that town. You know, there had been conspiracies,

0:26:30.920 --> 0:26:36.760
<v Speaker 1>it's a skegeek experiments and Watergate, I guess, But for

0:26:36.800 --> 0:26:39.160
<v Speaker 1>the X Files is for the most part of entertainment.

0:26:39.320 --> 0:26:43.720
<v Speaker 1>And if you've opened up the door to acceptance of

0:26:43.880 --> 0:26:49.320
<v Speaker 1>things that are going around now, I'd really feel horrible.

0:26:49.440 --> 0:26:56.280
<v Speaker 1>I that saddens me. Well. I think that was what

0:26:57.040 --> 0:27:03.080
<v Speaker 1>when I said before about Mold and Scully sort of modeling,

0:27:03.119 --> 0:27:08.800
<v Speaker 1>and that I wish people would sort of internalize that

0:27:08.840 --> 0:27:13.240
<v Speaker 1>a little bit more because I think, I mean, I

0:27:13.320 --> 0:27:15.000
<v Speaker 1>thought that was what was so great about the show

0:27:15.040 --> 0:27:17.840
<v Speaker 1>as being coming from sort of the skeptical side myself,

0:27:19.040 --> 0:27:21.959
<v Speaker 1>was was that there was I mean, it was like

0:27:22.040 --> 0:27:25.320
<v Speaker 1>this this constant sort of evaluation. I think of them

0:27:25.359 --> 0:27:27.359
<v Speaker 1>as sort of like Kirk and Spock. It's sort of

0:27:27.400 --> 0:27:36.080
<v Speaker 1>these iconic two sides of the argument, uh type of people.

0:27:36.560 --> 0:27:40.680
<v Speaker 1>So I guess I'm just saying that because from from

0:27:40.720 --> 0:27:46.480
<v Speaker 1>my point of view, like if you only had you know,

0:27:46.560 --> 0:27:50.840
<v Speaker 1>Boulder running around, you know, buying into everything that he's

0:27:50.920 --> 0:27:53.880
<v Speaker 1>that he saw her ran into her or seeing seeing

0:27:53.920 --> 0:27:57.560
<v Speaker 1>the worst possibilities would be one thing. But but I

0:27:57.600 --> 0:28:00.240
<v Speaker 1>think what made the show so great is that is

0:28:00.280 --> 0:28:02.560
<v Speaker 1>that you see both sides and and it's you know,

0:28:04.000 --> 0:28:06.560
<v Speaker 1>thinking critically and even when things seem to be real.

0:28:06.800 --> 0:28:09.720
<v Speaker 1>It's the reason why that's coming forth is because they're

0:28:09.720 --> 0:28:12.600
<v Speaker 1>sort of interrogating it in a way that I don't

0:28:12.600 --> 0:28:17.800
<v Speaker 1>think people do. So what are the things that we

0:28:17.840 --> 0:28:20.560
<v Speaker 1>haven't talked about that you think are sort of important

0:28:21.560 --> 0:28:25.639
<v Speaker 1>for people to to know? Just sort of based on

0:28:25.720 --> 0:28:27.320
<v Speaker 1>what you know about what I'm what I'm doing. And

0:28:27.320 --> 0:28:32.080
<v Speaker 1>in this season, you know, I I think you know,

0:28:32.119 --> 0:28:42.000
<v Speaker 1>I really I think there's you know, I think you

0:28:42.120 --> 0:28:45.920
<v Speaker 1>go into what you said a minute ago. The interesting thing,

0:28:47.640 --> 0:28:51.320
<v Speaker 1>you know, Scully after a while was not you know

0:28:51.400 --> 0:28:58.560
<v Speaker 1>when we started the show, No, Scully never sees an alien. Ever,

0:29:00.080 --> 0:29:02.719
<v Speaker 1>by show twelve, she was seeing the ghost of her

0:29:02.760 --> 0:29:07.880
<v Speaker 1>father because human nature or American nature, whoever may be.

0:29:08.040 --> 0:29:13.040
<v Speaker 1>It's like she's just person, says no, male, there's more fun, Well,

0:29:13.080 --> 0:29:16.560
<v Speaker 1>there's more interesting. Male, there's see and weirder stuff. And

0:29:16.640 --> 0:29:21.840
<v Speaker 1>so as the show goes on for ultimately eleven years,

0:29:22.760 --> 0:29:27.440
<v Speaker 1>Scully bends towards him, you know, because otherwise the show

0:29:27.480 --> 0:29:31.000
<v Speaker 1>becomes Scooby Doo, right whether that you know, just like

0:29:31.240 --> 0:29:34.320
<v Speaker 1>you know, you just pull off the mayor the mask

0:29:34.320 --> 0:29:37.520
<v Speaker 1>on the monster or the mayor whatever. So that's the

0:29:37.560 --> 0:29:41.400
<v Speaker 1>thing that you forgot, is that she did experience these

0:29:41.400 --> 0:29:44.520
<v Speaker 1>things and leans more towards mall. There's experience, you know,

0:29:44.800 --> 0:29:48.360
<v Speaker 1>And I think that's the benefit of the necessity of

0:29:48.360 --> 0:29:53.040
<v Speaker 1>a TV series who keeping conflict and the momentum going.

0:29:53.520 --> 0:29:56.840
<v Speaker 1>But you know, I wish that people the fun of

0:29:56.920 --> 0:30:00.160
<v Speaker 1>being Scully going. You know, that's just that's great. Those

0:30:00.160 --> 0:30:03.480
<v Speaker 1>guys that you had it said, oh is the ski lift.

0:30:04.000 --> 0:30:08.040
<v Speaker 1>I'm recreating the position of Venus. All that stuff is

0:30:08.080 --> 0:30:11.360
<v Speaker 1>fun too to go. You know. It's like you're not

0:30:11.400 --> 0:30:14.520
<v Speaker 1>trying to prove anyone's That's the great part about the

0:30:14.560 --> 0:30:17.560
<v Speaker 1>Hills as well. And I think a lot of the

0:30:17.600 --> 0:30:22.160
<v Speaker 1>characters are trying to do X files. Was they didn't

0:30:22.160 --> 0:30:25.080
<v Speaker 1>ask for it. They were going out in mind in

0:30:25.080 --> 0:30:27.960
<v Speaker 1>their own business and and this thing happened to them,

0:30:28.000 --> 0:30:34.320
<v Speaker 1>and they love an explanation whatever it may be, you know. Um,

0:30:34.400 --> 0:30:45.080
<v Speaker 1>And so you know, the the fun of trying to

0:30:45.080 --> 0:30:49.680
<v Speaker 1>be Scully. In the first two seasons. And also I

0:30:49.720 --> 0:30:53.640
<v Speaker 1>think you asked, you know, that show to really try

0:30:53.640 --> 0:30:56.760
<v Speaker 1>to find out to think about, you know, where we

0:30:56.800 --> 0:31:00.560
<v Speaker 1>are now. You look at the mythology and therties because

0:31:00.600 --> 0:31:04.360
<v Speaker 1>that's what I grew up. Frankenstein was a scientist. He's bad.

0:31:05.320 --> 0:31:07.960
<v Speaker 1>The villagers burned him down, burned down the castle, and

0:31:08.000 --> 0:31:11.920
<v Speaker 1>they got the monsters. Scientists bad, invisible man. He died.

0:31:11.960 --> 0:31:13.600
<v Speaker 1>You know, they always come back, but that was like

0:31:13.800 --> 0:31:20.200
<v Speaker 1>he's bad. Um in the fifties, the scientist is creating

0:31:20.200 --> 0:31:24.840
<v Speaker 1>the trouble, but he was also solving the problem, usually

0:31:24.880 --> 0:31:27.880
<v Speaker 1>by going to the military, because that's what the fifties

0:31:28.000 --> 0:31:33.560
<v Speaker 1>was like, your trust and government. The sixties, you know,

0:31:33.640 --> 0:31:38.600
<v Speaker 1>you start getting into Andromeda strain and you had Vietnam

0:31:38.840 --> 0:31:40.920
<v Speaker 1>and so then it's bad. And then in the end

0:31:40.960 --> 0:31:45.520
<v Speaker 1>of the seventies science becomes close encounters and you made

0:31:46.920 --> 0:31:50.280
<v Speaker 1>nice communication with aliens and you had star wars and stuff,

0:31:50.280 --> 0:31:54.640
<v Speaker 1>and like where are we now? Where what's our own

0:31:54.680 --> 0:32:00.360
<v Speaker 1>mythology that we were creating a myth about this pandemic?

0:32:02.080 --> 0:32:07.600
<v Speaker 1>Its storytelling wise, wherever you stand, storytelling wines. If you're

0:32:07.600 --> 0:32:10.760
<v Speaker 1>doing a pandemic, you had never come up with the

0:32:10.760 --> 0:32:16.040
<v Speaker 1>head of a country is obstructing it. So what is

0:32:16.080 --> 0:32:20.760
<v Speaker 1>it about science and conspiracy and everything we're at now?

0:32:21.320 --> 0:32:25.880
<v Speaker 1>What is it telling us? You know? And I think

0:32:25.920 --> 0:32:28.720
<v Speaker 1>if if you can use exiles as engaged as to

0:32:28.760 --> 0:32:33.080
<v Speaker 1>try to where were we? Then what does that type

0:32:33.080 --> 0:32:38.160
<v Speaker 1>of show tell us where we are now? Strange Arrivals

0:32:38.240 --> 0:32:40.680
<v Speaker 1>is a production of I Heeart, three D Audio and

0:32:40.760 --> 0:32:44.000
<v Speaker 1>Grimm and Mild from Aaron Monkey. This episode was written

0:32:44.000 --> 0:32:47.240
<v Speaker 1>and hosted by Toby Ball and produced by Miranda Hawkins

0:32:47.360 --> 0:32:51.680
<v Speaker 1>and Josh Thame, with executive producers Alex Williams, Matt Frederick

0:32:52.000 --> 0:32:56.280
<v Speaker 1>and Aaron Mankey. Learn more about Strange Rivals over at

0:32:56.280 --> 0:33:00.160
<v Speaker 1>Grimm and Mild dot com, and find more podcasts from

0:33:00.160 --> 0:33:02.800
<v Speaker 1>my Heart Radio by visiting the i Heart Radio app,

0:33:03.120 --> 0:33:06.479
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

0:33:14.720 --> 0:33:14.760
<v Speaker 1>H