WEBVTT - Hillary Tuck Meets World

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<v Speaker 1>Okay, I want to talk about something that just occurred

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<v Speaker 1>to me, and I just want to hear you guys

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<v Speaker 1>describe it, because it suddenly struck me as a little

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<v Speaker 1>odd and it didn't quite make sense, but it was

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<v Speaker 1>something that was just a huge part of our lives,

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<v Speaker 1>and I want to hear it described because I think

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<v Speaker 1>it's a little weird outside of Hollywood. Where did we park.

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<v Speaker 2>On the lot?

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<v Speaker 3>Yeah?

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<v Speaker 1>Like, how did that work?

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<v Speaker 2>We had to signed parking spaces that like basically circled

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<v Speaker 2>the stage. They were very close to the stage. We

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<v Speaker 2>didn't have to walk far.

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<v Speaker 1>So nobody else in the crew had parking spots like that.

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<v Speaker 2>No, but I think some of the writers did.

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<v Speaker 1>Children We're given parking spots where we didn't have to

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<v Speaker 1>walk the what how far? Like two hundred yards from

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<v Speaker 1>the park. But isn't that kind of bizarre when you

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<v Speaker 1>think about it? Why were we granted great parking spots?

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<v Speaker 2>Here's what I'll tell you. The argument is the same

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<v Speaker 2>reason we all have anxiety around dressing and it needs

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<v Speaker 2>to be done fast because the show's very tight schedule

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<v Speaker 2>revolves around expediency. They need to make sure that if

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<v Speaker 2>our call time is nine and we show up at

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<v Speaker 2>eight fifty nine or on the dot nine that we

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<v Speaker 2>are then parking our car and immediately on set in

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<v Speaker 2>a short amount of time. And I don't think this

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<v Speaker 2>will shock people that. I think most actors have the

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<v Speaker 2>reputation for not being super timely or good at managing time,

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<v Speaker 2>and so the idea that somebody would have to say, well,

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<v Speaker 2>my call time's nine, but that means on set at nine,

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<v Speaker 2>I have to walk fifteen minutes. So I'm going to

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<v Speaker 2>have to get there at eight forty five, and I

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<v Speaker 2>have to allow for traffic. So I, like a human

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<v Speaker 2>being a job like, they try to take all of

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<v Speaker 2>that out the situation for actors because we are catered

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<v Speaker 2>to exactly.

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<v Speaker 4>I think it's also one of the perks.

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<v Speaker 3>It's one of the perks of getting there because I

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<v Speaker 3>remember the first time driving up on set, the first

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<v Speaker 3>thing I took a picture of was my parking space.

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<v Speaker 4>With my name.

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<v Speaker 3>Yeah.

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<v Speaker 4>Yeah, that was the coolest thing in the world.

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<v Speaker 1>But that's the chair kind of ridiculous, Like doesn't that

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<v Speaker 1>mean to me? It created It contributed to a culture

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<v Speaker 1>that exacerbated two different tendencies. One we cared about our cars,

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<v Speaker 1>like the presentation of a car was important, which is like,

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<v Speaker 1>like no other aspect of my life has that ever,

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<v Speaker 1>But I remember like what people drove like and how

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<v Speaker 1>they pulled up because we'd see it, you'd pull up

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<v Speaker 1>in front of it. And then the other thing that

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<v Speaker 1>it contributed to is beam late, Like there was this

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<v Speaker 1>sense of like, yeah, you could just pull in fifteen

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<v Speaker 1>minutes late and everybody would be waiting for you and

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<v Speaker 1>you'd pull up into your parking spot and jump out.

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<v Speaker 1>And like I loved even like Kevin Kelton when he

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<v Speaker 1>was like rider would drive this car. He like our

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<v Speaker 1>our like culture revolved around like the fact that we

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<v Speaker 1>had these parking spots, which is just so weird to me.

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<v Speaker 1>And it's still like.

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<v Speaker 5>That for actors.

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<v Speaker 2>Oh yeah, I don't.

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<v Speaker 3>Think it's just the directors, but I think it's it's

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<v Speaker 3>I think it's also if you're the manager of the bank,

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<v Speaker 3>you're gonna get a.

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<v Speaker 2>Park number of parking spots you should they go to

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<v Speaker 2>they go.

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<v Speaker 4>To the piece.

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<v Speaker 1>So why do we have parking spots and the like

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<v Speaker 1>there should not be cars on the lot at all

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<v Speaker 1>because that's super dangerous, Like you should be parking on

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<v Speaker 1>a garage and then cars not drive cars driving on lots.

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<v Speaker 1>It makes no sense. It is purely to cater to

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<v Speaker 1>the egos of the people that you're giving those that

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<v Speaker 1>access to. It's like it's like having an extra bathroom

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<v Speaker 1>for executives. It's so weird.

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<v Speaker 3>Do you remember when we started at Disney, we were

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<v Speaker 3>next to Home Improvement and there was always some amazingly

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<v Speaker 3>cool car or two in Tim Allen.

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<v Speaker 4>Spot, That's what I mean. And it was like, yeah

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<v Speaker 4>it was.

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<v Speaker 3>And I remember one time, so he's got a he

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<v Speaker 3>I pull in and there's a brand new Porsche in

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<v Speaker 3>his parking spot with a license plate that said Claus one.

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<v Speaker 3>And it was because he had just done the Santa

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<v Speaker 3>Claus and it did so well that Disney bought him

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<v Speaker 3>a Porsche and had to me though.

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<v Speaker 4>To this day, that's still the pinnacle.

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<v Speaker 3>I want to do subthing where it's so good, where

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<v Speaker 3>somebody's like, here's a Porsche, thanks for being on the show.

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<v Speaker 4>It's great. It's only in Hollywood.

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<v Speaker 1>My friend weird to me, and like I totally bought

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<v Speaker 1>into it and like never questioned it. It was just like, oh,

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<v Speaker 1>I'm at sixteen, I have my own or even before that,

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<v Speaker 1>I have my own parking spot and like everyone knew

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<v Speaker 1>what car I was driving. Like it's so I remember,

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<v Speaker 1>like I bought because all I wanted was an old convertible,

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<v Speaker 1>like I wanted like a Karma Gia, and my parents

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<v Speaker 1>wouldn't let me get it because they were like, that's

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<v Speaker 1>an unsafe car. But I wanted like an old little convertible.

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<v Speaker 1>And then will You were like, you got to get

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<v Speaker 1>a BMW because that was like and so like I

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<v Speaker 1>at seventeen, Yes, I at seventeen bought a BMW convertible.

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<v Speaker 1>And then I was like driving around and I like,

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<v Speaker 1>it's so weird, like I just don't like care about

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<v Speaker 1>cars at all, like and I even then I don't

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<v Speaker 1>think I did that much, but it became part of

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<v Speaker 1>the thing. And then I remember I had an agent

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<v Speaker 1>who joined the Savage agent. This woman joined the Savage

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<v Speaker 1>and State, and I remember I pulled up in my

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<v Speaker 1>car at one point she was like, why do you

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<v Speaker 1>you really like you care about your car? And I

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<v Speaker 1>was like, well, yeah, I got a BMW. She was like,

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<v Speaker 1>I just never I never saw you as that type

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<v Speaker 1>of person, like it seems like a lot of money

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<v Speaker 1>to like wait, and I remember being like, am I

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<v Speaker 1>that type of person and like, yes, that's what it was,

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<v Speaker 1>just this part of this culture and like I've never

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<v Speaker 1>been that person since, like, but it was. It's so

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<v Speaker 1>like La and.

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<v Speaker 2>I s a Toyota four Runner as my first car.

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<v Speaker 4>I still have my first car.

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<v Speaker 1>Having an suv in LA is already a little ridiculous,

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<v Speaker 1>especially at sixteen. That's a little and at that time

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<v Speaker 1>that was the pinnacle of like cool and like, you

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<v Speaker 1>never you don't need an.

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<v Speaker 3>Suv, But having a parking space makes way more sense

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<v Speaker 3>to me, Like caring about it's close to the set,

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<v Speaker 3>I can get there on time. All this set makes

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<v Speaker 3>way more sense to me than actors caring about where

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<v Speaker 3>their name is listed in the credits, right, Like I

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<v Speaker 3>would always get that my agent call me, going.

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<v Speaker 4>Well, you're fourth on the call sheet. Are you okay

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<v Speaker 4>with that?

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<v Speaker 3>And I would always remember thinking to myself, why the

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<v Speaker 3>hell do I care where my name is listed?

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<v Speaker 4>I mean, performance speak for itself. I do not care

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<v Speaker 4>where my name is.

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<v Speaker 1>I would actually argue, I mean I think we might

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<v Speaker 1>have hit on this a little bit. I feel like

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<v Speaker 1>the opening credits of the first season of Boy MutS

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<v Speaker 1>World were actually very good.

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<v Speaker 4>For us, right They introduced you, but I don't care

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<v Speaker 4>where I was.

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<v Speaker 1>But being able to see your name with your picture

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<v Speaker 1>was that the deal? And that doesn't happen anymore, no,

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<v Speaker 1>And I actually think that that really it is good

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<v Speaker 1>for actors, Like I like actors getting recognition. Like even

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<v Speaker 1>now you think it's so cheesy at the end of

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<v Speaker 1>like a movie or whatever when they like showed the

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<v Speaker 1>actors and list them, But in reality that's cool. It's

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<v Speaker 1>like a curtain call, you know.

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<v Speaker 3>It's like when you have where you're listing shouldn't matter.

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<v Speaker 4>It should be the performance that you're doing. So if

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<v Speaker 4>you're listed.

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<v Speaker 3>Second or seventh, you shouldn't be calling your agents based

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<v Speaker 3>seven on the call sheet.

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<v Speaker 1>But that's usually just based on the sides of your part, right,

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<v Speaker 1>I mean, isn't that.

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<v Speaker 2>Alsoways Like I also wonder how much of it is

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<v Speaker 2>to a certain extent safety, Like I know, I was

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<v Speaker 2>followed from the stage of Boy Meets World where it

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<v Speaker 2>was after a live studio audience taping, and people parked

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<v Speaker 2>outside of the gate where I exited. They watched me

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<v Speaker 2>pull out and they followed me home.

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<v Speaker 4>Yeah, and then you got out of your car.

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<v Speaker 2>I did. I got out of my car and yeah,

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<v Speaker 2>that's crazy.

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<v Speaker 1>Yeah, I don't know. I just I just had this

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<v Speaker 1>memory of like, and I think we told that will

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<v Speaker 1>You told that one story when Dusty hits the car

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<v Speaker 1>with the ball, and I was like, it is so

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<v Speaker 1>weird to have these cars lined up in front of

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<v Speaker 1>a stage, and yet we just totally that was our

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<v Speaker 1>late second. And like, you think about how many crew

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<v Speaker 1>members had to had to park like a normal human

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<v Speaker 1>being and walk to work and be there on time.

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<v Speaker 4>This makes so much sense. This is why every house

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<v Speaker 4>you buy has no parking.

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<v Speaker 1>That's just because I like houses that are slightly removed

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<v Speaker 1>from like from parking, or from just from normal.

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<v Speaker 3>Like rider can't dress without anxiety and doesn't want an

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<v Speaker 3>he doesn't want park he wantsn't.

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<v Speaker 4>Work to be as difficult as possible. It makes so

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<v Speaker 4>much sense.

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<v Speaker 2>You should have to hike a mile to my.

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<v Speaker 3>House, and if you're backing out half your car should

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<v Speaker 3>slam over this thing and we should have to call

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<v Speaker 3>in tow trucks.

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<v Speaker 1>I think there's truth to that. I think there's truth

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<v Speaker 1>to that, because you know, the most beautiful wilderness experiences

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<v Speaker 1>I've ever had, or when I've had to hike multiple

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<v Speaker 1>days to get somewhere. You know, it's like if you

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<v Speaker 1>can get there easily. We've talked about Grand Canyon. It's

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<v Speaker 1>anti climactic. Like, so ease of access is is not great? Like, yes,

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<v Speaker 1>I think I think having difficulty is good for us.

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<v Speaker 2>Well, I like my parking space and I'm not giving

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<v Speaker 2>it up.

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<v Speaker 3>Thank you.

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<v Speaker 2>Welcome to Pod meets World. I'm Daniel Fishel.

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<v Speaker 4>I'm righter, strong, and I should be the first one

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<v Speaker 4>to say my name.

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<v Speaker 1>From now on.

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<v Speaker 4>Now on, I'm wilfred Ell. Now you guys say you're.

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<v Speaker 5>My god.

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<v Speaker 2>I love it so much.

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<v Speaker 1>Oh my god, I love you guys.

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<v Speaker 2>There is a very elite and small club when it

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<v Speaker 2>comes to Boy Meets World, and for all intents and purposes,

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<v Speaker 2>let's call it the Trifecta Gang. These are the actors

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<v Speaker 2>who appeared on the show three times, but as three

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<v Speaker 2>different characters.

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<v Speaker 4>There's more than one of the Steve.

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<v Speaker 5>There are.

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<v Speaker 2>True inductees into this illustrious crew. First is the beloved

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<v Speaker 2>Willie Garson, who played Leonard Spinelli Mervin from Merrill Lynch

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<v Speaker 2>and the minister who married Corey into Panga in season seven.

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<v Speaker 2>Second is Jonathan C. Kaplan, who played Herbert Simon and Alvin,

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<v Speaker 2>which sure does sound a lot like the Chipmunks, it does.

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<v Speaker 1>He was always the nerd character, Yes, they just kept

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<v Speaker 1>changing which nerd name he.

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<v Speaker 4>Yep, that's exactly.

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<v Speaker 1>Give the kid the same name.

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<v Speaker 4>And make it Mancus because they forgot.

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<v Speaker 2>Also, it's worth noting that technically Phil Broccoli Leads could

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<v Speaker 2>also fall into the but he plays two characters named

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<v Speaker 2>Phil and one named Milton, So we'll leave it up

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<v Speaker 2>to different correct because one of them is not the

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<v Speaker 2>same soup pill.

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<v Speaker 4>No, and then there's broccoli flap. Fill this broccoli flap Phil, right?

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<v Speaker 1>So wait, okay, all right, sorry, gone on interest.

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<v Speaker 2>So we'll leave whether or not he falls into this

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<v Speaker 2>category up to you, our dear podcast listeners, to make

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<v Speaker 2>that decision. I'm talking to you, specifically Melissa, but the

0:11:09.800 --> 0:11:12.400
<v Speaker 2>third for sure member in this week's guest who you

0:11:12.400 --> 0:11:15.560
<v Speaker 2>can call Samantha, Sarah or Kristen. In addition to this

0:11:15.600 --> 0:11:17.880
<v Speaker 2>trio of characters on Boy Meets World, she is best

0:11:17.920 --> 0:11:21.079
<v Speaker 2>known as Amy Zelinski in the Disney TV show for Honey,

0:11:21.120 --> 0:11:23.960
<v Speaker 2>I Shrunk the Kids, or Betty Stoller in a pod

0:11:24.000 --> 0:11:27.760
<v Speaker 2>meets World favorite film Camp Nowhere. She also appeared on

0:11:27.760 --> 0:11:32.120
<v Speaker 2>the Saturday morning basketball sitcom Hangtime, Roseanne House, Gray's Anatomy,

0:11:32.360 --> 0:11:35.680
<v Speaker 2>and the theatrical play with the Brothers Strong. She's a

0:11:35.800 --> 0:11:39.240
<v Speaker 2>name that's already come up dozens of times on the podcast,

0:11:39.320 --> 0:11:41.640
<v Speaker 2>and now we are honored to have her stop by.

0:11:42.040 --> 0:11:48.520
<v Speaker 2>It's time to talk to Hillary Tuk. Hi, you got same?

0:11:48.640 --> 0:11:50.240
<v Speaker 1>Oh my god, you haven't aged?

0:11:50.640 --> 0:11:55.160
<v Speaker 5>Oh my god. Flattery is so wonderful, isn't it true?

0:11:55.200 --> 0:11:57.839
<v Speaker 3>Another one who has a painting of themselves someone they're attic?

0:11:57.880 --> 0:12:01.600
<v Speaker 4>How do you do it? Unbelievable you have not aged?

0:12:03.480 --> 0:12:08.679
<v Speaker 5>Oh my gosh, I'm so happy to see you guys. Hi,

0:12:09.040 --> 0:12:11.640
<v Speaker 5>my old friend. My gosh, it's forever.

0:12:12.360 --> 0:12:13.360
<v Speaker 1>Know how you do it.

0:12:13.559 --> 0:12:17.480
<v Speaker 5>I'm I'm doing well. I'm hanging in. How about y'all?

0:12:17.840 --> 0:12:19.440
<v Speaker 1>Where are you in the world? Are you in Texas

0:12:19.520 --> 0:12:19.920
<v Speaker 1>or you.

0:12:20.320 --> 0:12:25.080
<v Speaker 5>No, I'm in Okay so much like Texas, so much

0:12:25.240 --> 0:12:26.160
<v Speaker 5>like we call.

0:12:26.080 --> 0:12:29.960
<v Speaker 2>We call in the Texas.

0:12:32.280 --> 0:12:35.640
<v Speaker 1>That's far enough away that it takes three days and

0:12:35.720 --> 0:12:37.640
<v Speaker 1>a lot of cows to get there. But yeah, all right,

0:12:38.760 --> 0:12:40.880
<v Speaker 1>Oh my god. We have no excuse to have not

0:12:40.920 --> 0:12:41.520
<v Speaker 1>stayed in touch.

0:12:42.000 --> 0:12:43.480
<v Speaker 5>No excuse.

0:12:43.600 --> 0:12:47.080
<v Speaker 1>I assumed you'd left l a long ago, or you know,

0:12:47.160 --> 0:12:48.600
<v Speaker 1>but I know, Okay, No.

0:12:48.679 --> 0:12:52.680
<v Speaker 5>We're all We're all here, yeah, live in, Live in

0:12:52.679 --> 0:12:53.839
<v Speaker 5>the Dream, right, Wow?

0:12:54.520 --> 0:12:57.160
<v Speaker 2>Yeah, I going You guys have a friendship that goes

0:12:57.200 --> 0:13:01.280
<v Speaker 2>back decades. But I would like to start with Finishing Touches.

0:13:02.000 --> 0:13:06.240
<v Speaker 2>It has two one act plays in nineteen ninety five.

0:13:06.600 --> 0:13:08.079
<v Speaker 1>Why touches?

0:13:08.720 --> 0:13:08.880
<v Speaker 5>Right?

0:13:09.400 --> 0:13:12.800
<v Speaker 1>Can you can we pull up the image the Finishing Touches?

0:13:12.880 --> 0:13:15.040
<v Speaker 5>I was like, did we do some sort of corn

0:13:15.160 --> 0:13:20.840
<v Speaker 5>thing that I didn't.

0:13:18.360 --> 0:13:25.720
<v Speaker 1>You don't remember Finishing Touches? No, that's what we called

0:13:25.840 --> 0:13:29.480
<v Speaker 1>the evening of one act You were in Women in Wallace.

0:13:30.120 --> 0:13:33.840
<v Speaker 5>Yes, I could not remember the name of the and the.

0:13:33.760 --> 0:13:37.600
<v Speaker 1>Tom sisters, Heather and Nicole Tom, and we just recently

0:13:37.720 --> 0:13:40.120
<v Speaker 1>reconnected with Nicole Tom and it was so fun to

0:13:40.240 --> 0:13:43.520
<v Speaker 1>like hang. And so Shiloh posted on Instagram the poster

0:13:44.080 --> 0:13:48.920
<v Speaker 1>which yes, yes, wow, you signed it to Nicole. This

0:13:49.000 --> 0:13:53.960
<v Speaker 1>is Nicole's copy apparently and you signed it. Yeah.

0:13:54.000 --> 0:13:55.960
<v Speaker 3>God, why did Shiloh look like he was just kicked

0:13:55.960 --> 0:13:57.160
<v Speaker 3>out of the school for fame?

0:13:58.320 --> 0:13:58.800
<v Speaker 1>Totally?

0:13:59.240 --> 0:13:59.720
<v Speaker 2>Oh?

0:14:01.280 --> 0:14:04.000
<v Speaker 1>Yeah, So I was describing what Charlotte was like because

0:14:04.040 --> 0:14:07.840
<v Speaker 1>because Jensen, our producer and Danielle's husband, was like, Shiloh

0:14:07.880 --> 0:14:10.000
<v Speaker 1>had quite a quite a look going, oh yeah, you

0:14:10.000 --> 0:14:11.600
<v Speaker 1>don't even know the half of it. Because back then

0:14:11.640 --> 0:14:14.520
<v Speaker 1>he was wearing a fishing vest ye ye, with all

0:14:14.559 --> 0:14:17.120
<v Speaker 1>the pockets, and he would have a thermos full of

0:14:17.480 --> 0:14:21.040
<v Speaker 1>special tea that he would get at Earth Earth, get

0:14:21.040 --> 0:14:23.240
<v Speaker 1>the and I remember the smell of this. And then

0:14:23.240 --> 0:14:24.479
<v Speaker 1>he was always juggling.

0:14:25.400 --> 0:14:26.240
<v Speaker 2>And the hackey sack.

0:14:26.400 --> 0:14:30.920
<v Speaker 1>Yes, yes, he was like the goofiest, coolest guy ever.

0:14:31.080 --> 0:14:34.440
<v Speaker 5>Like I wanted to get my hand into every single

0:14:34.480 --> 0:14:35.920
<v Speaker 5>one of those pockets of his.

0:14:36.840 --> 0:14:38.440
<v Speaker 4>I thought you wanted to get your hands on Shilo.

0:14:39.520 --> 0:14:42.120
<v Speaker 5>I did. I mean, I did get my hands on Shiloh.

0:14:42.160 --> 0:14:44.840
<v Speaker 5>But I'm saying like I was. I had, Yeah, I

0:14:44.920 --> 0:14:47.480
<v Speaker 5>was had such a he was dreaming it, such a

0:14:47.480 --> 0:14:50.040
<v Speaker 5>crush on him. Was this the play that.

0:14:50.000 --> 0:14:52.120
<v Speaker 3>You did that you guys wrote that was about magic,

0:14:52.120 --> 0:14:52.920
<v Speaker 3>the gathering.

0:14:52.960 --> 0:14:56.760
<v Speaker 1>Magic the gathering and oay, yeah, you guys all came

0:14:56.800 --> 0:14:58.800
<v Speaker 1>at something. I don't know if Daniel wouldn't remember, but yeah,

0:14:58.840 --> 0:15:02.000
<v Speaker 1>you guys all came. The entire cast of The Babysitters

0:15:02.000 --> 0:15:06.560
<v Speaker 1>Club came, which because Larissa brought they were working they

0:15:06.560 --> 0:15:09.880
<v Speaker 1>were making that movie, and so like a year later,

0:15:10.040 --> 0:15:12.680
<v Speaker 1>year and a half later, when I met Rachel, she

0:15:12.840 --> 0:15:15.080
<v Speaker 1>was like, oh, I saw you in your play, and

0:15:15.120 --> 0:15:17.720
<v Speaker 1>she remembered coming to see because like everybody came. It

0:15:17.760 --> 0:15:20.360
<v Speaker 1>was like all of Diane Harden's, like all the actors,

0:15:20.360 --> 0:15:22.200
<v Speaker 1>like everybody would come because it was like the thing

0:15:22.240 --> 0:15:24.520
<v Speaker 1>that we were doing. But yeah, it was a play

0:15:24.560 --> 0:15:27.200
<v Speaker 1>that Shiloh wrote called Shades of Blue, which is only like.

0:15:27.160 --> 0:15:29.200
<v Speaker 2>And how old was Shiloh?

0:15:30.000 --> 0:15:30.480
<v Speaker 1>Sixteen?

0:15:30.720 --> 0:15:34.560
<v Speaker 2>Okay, I'd like to read you the tagline just so please.

0:15:35.480 --> 0:15:39.920
<v Speaker 2>An exploration of relationships between friends and lovers from a

0:15:40.000 --> 0:15:44.760
<v Speaker 2>touching and often hysterically funny point of view. It feels

0:15:45.120 --> 0:15:47.800
<v Speaker 2>much more evolved than my mom taking a hundred pictures

0:15:47.800 --> 0:15:48.640
<v Speaker 2>of me and Andrew Koga.

0:15:48.800 --> 0:15:51.880
<v Speaker 3>Like you, it was not as hilarious as often as

0:15:51.880 --> 0:15:52.280
<v Speaker 3>you thought.

0:15:52.760 --> 0:15:56.160
<v Speaker 1>Women and Wallace was. It was a pretty great play

0:15:56.280 --> 0:15:59.440
<v Speaker 1>and it was just Shiloh and five actresses, and it

0:15:59.520 --> 0:16:01.520
<v Speaker 1>was like the whole idea, if I remember, was that

0:16:01.920 --> 0:16:04.160
<v Speaker 1>he was like a teenager and it was all these

0:16:04.160 --> 0:16:08.320
<v Speaker 1>different women playing different versions of like or his mom

0:16:08.400 --> 0:16:11.560
<v Speaker 1>commits her suicide and then like they're all the same girl,

0:16:11.600 --> 0:16:13.160
<v Speaker 1>but they're played by different actors. It was like a

0:16:13.200 --> 0:16:15.840
<v Speaker 1>really cool play and that was like a one act,

0:16:15.840 --> 0:16:18.280
<v Speaker 1>and then Shiloh wrote this other one act that was

0:16:18.320 --> 0:16:21.360
<v Speaker 1>like twenty or thirty minutes long, Shades of Blue, Shades

0:16:21.360 --> 0:16:23.520
<v Speaker 1>of Blue, which she ended up winning the Drama Logue

0:16:23.560 --> 0:16:26.880
<v Speaker 1>Award for, which was about me. I was a character

0:16:26.920 --> 0:16:31.120
<v Speaker 1>who was spending like I was like really sad, and

0:16:31.160 --> 0:16:33.160
<v Speaker 1>like my mom comes in and says, like, you're late,

0:16:33.280 --> 0:16:35.400
<v Speaker 1>and then I like sit there and I'm like freaking

0:16:35.440 --> 0:16:37.160
<v Speaker 1>out and I'm really sad and you don't know why.

0:16:37.160 --> 0:16:39.120
<v Speaker 1>And then a friend of mine shows up and we

0:16:39.200 --> 0:16:41.920
<v Speaker 1>like spend this time talking and hanging out, and then

0:16:41.960 --> 0:16:45.000
<v Speaker 1>he literally disappears and you realize that he's killed himself

0:16:45.480 --> 0:16:48.040
<v Speaker 1>and that the whole play was me trying to like

0:16:48.080 --> 0:16:50.600
<v Speaker 1>come to terms with him having died. Yeah, It's like

0:16:50.800 --> 0:16:53.160
<v Speaker 1>it was like really intense. Yeah, wow, so much that

0:16:54.080 --> 0:16:57.960
<v Speaker 1>William of Wallace whatever, that one Women in wa Yeah.

0:16:58.040 --> 0:17:00.360
<v Speaker 3>Yeah, that was a play that would often be shown

0:17:00.360 --> 0:17:02.680
<v Speaker 3>at high schools, because I show I saw that play

0:17:02.840 --> 0:17:04.720
<v Speaker 3>ten times at a high school before I saw it

0:17:04.800 --> 0:17:07.320
<v Speaker 3>at Shiloh, and and I was like, oh, this one,

0:17:07.400 --> 0:17:09.920
<v Speaker 3>so I'll never forget that. I know there's a famous Linemkers.

0:17:10.000 --> 0:17:11.840
<v Speaker 3>I know how big my head is. So you can't

0:17:11.840 --> 0:17:14.240
<v Speaker 3>shrink my head because he's supposed to be the head shrinker, right,

0:17:14.280 --> 0:17:15.360
<v Speaker 3>He's like, you can't shrink my.

0:17:15.359 --> 0:17:17.040
<v Speaker 4>Head because I know the side of my head. And

0:17:17.080 --> 0:17:18.720
<v Speaker 4>I was like, oh, this is high school play.

0:17:19.200 --> 0:17:21.440
<v Speaker 1>Yeah, yeah, well I think it was a great play

0:17:21.480 --> 0:17:24.359
<v Speaker 1>that involved high schoolers.

0:17:24.440 --> 0:17:27.760
<v Speaker 3>This was like the perfect age actor play for people

0:17:27.840 --> 0:17:28.680
<v Speaker 3>our age at that time.

0:17:28.760 --> 0:17:32.840
<v Speaker 1>That's like you always the other everybody does at some point.

0:17:33.080 --> 0:17:35.159
<v Speaker 1>I remember that's what I did scenes for in our

0:17:35.160 --> 0:17:38.200
<v Speaker 1>acting class, and y'all, Rachel, Rachel and I did scenes

0:17:38.240 --> 0:17:40.040
<v Speaker 1>from out of Gas at Lovers Leap because it's like

0:17:40.119 --> 0:17:44.400
<v Speaker 1>again again suicide by the way, it's like to two

0:17:44.480 --> 0:17:47.879
<v Speaker 1>characters on their graduation night parking their car and like

0:17:47.960 --> 0:17:51.000
<v Speaker 1>talking about their life with like lots of Springsteen references,

0:17:51.000 --> 0:17:53.160
<v Speaker 1>and then they jump off the cloe.

0:17:53.240 --> 0:17:55.440
<v Speaker 4>Yeah yeah, so tragic.

0:17:55.640 --> 0:17:58.760
<v Speaker 5>Sorry, let's get back to but that actually, can I

0:17:58.800 --> 0:18:03.680
<v Speaker 5>ask a question because when in when y'all and Shiloh

0:18:03.760 --> 0:18:08.440
<v Speaker 5>reached out to me and I started watching the episodes

0:18:08.480 --> 0:18:15.360
<v Speaker 5>that I was in, I can't remember the timeline right, like, well,

0:18:15.520 --> 0:18:19.640
<v Speaker 5>we in we were in an acting class with that

0:18:19.760 --> 0:18:24.840
<v Speaker 5>like sort of jolly but also in retrospect, creepy guy.

0:18:24.480 --> 0:18:29.120
<v Speaker 4>Bruce Bruce our manager Bruce yep, yes, oh he.

0:18:29.119 --> 0:18:36.199
<v Speaker 5>Was your manager. Oh sorry, the creepy.

0:18:33.840 --> 0:18:36.880
<v Speaker 1>He directed the play and that's why he directed the play.

0:18:37.080 --> 0:18:40.920
<v Speaker 1>So yeah, I couldn't remember how we met you except

0:18:41.040 --> 0:18:43.159
<v Speaker 1>from being on Boy Meets World. I'm assuming when you

0:18:43.160 --> 0:18:45.440
<v Speaker 1>were because you were on the first, first or second season.

0:18:45.480 --> 0:18:47.440
<v Speaker 1>You were on an early episode and that's why when

0:18:47.440 --> 0:18:49.560
<v Speaker 1>I saw you pop up, but I was like Hillary,

0:18:49.760 --> 0:18:51.480
<v Speaker 1>and then you only had like one line. I was like, wait,

0:18:51.520 --> 0:18:53.000
<v Speaker 1>I thought she was a I thought she was like

0:18:53.000 --> 0:18:55.040
<v Speaker 1>a bigger part. And then of course you've since.

0:18:54.840 --> 0:18:58.280
<v Speaker 4>Come back on more episodes, right, Well.

0:18:58.080 --> 0:19:00.320
<v Speaker 1>We did. We did the play, I think. I think

0:19:00.680 --> 0:19:03.720
<v Speaker 1>probably during the second or third season of Boy the World.

0:19:04.440 --> 0:19:07.840
<v Speaker 1>I had met you, Yes, so we had met any

0:19:08.680 --> 0:19:11.040
<v Speaker 1>but then but then either you just got cast in

0:19:11.080 --> 0:19:13.960
<v Speaker 1>the play or did we you say we did acting

0:19:14.000 --> 0:19:15.400
<v Speaker 1>class before the play.

0:19:15.640 --> 0:19:18.679
<v Speaker 5>I don't know, But don't you remember the acting class

0:19:18.760 --> 0:19:21.639
<v Speaker 5>in Bruce's living room and it was you and me

0:19:22.160 --> 0:19:27.359
<v Speaker 5>and Tom sisters and I don't know who else. It

0:19:27.440 --> 0:19:32.320
<v Speaker 5>was like a collection of like up and coming young actors.

0:19:33.000 --> 0:19:35.159
<v Speaker 1>Danielle ended up coming and will you came to and

0:19:35.160 --> 0:19:36.480
<v Speaker 1>then I used to do it in my once I

0:19:36.480 --> 0:19:38.840
<v Speaker 1>had my own apartment. We used to do like acting

0:19:38.840 --> 0:19:41.240
<v Speaker 1>classes in my apartment too. Yeah, it was just like

0:19:41.280 --> 0:19:44.399
<v Speaker 1>this revolving door of like let's all get together and

0:19:44.560 --> 0:19:49.320
<v Speaker 1>the actor, Yeah, take ourselves really seriously and do.

0:19:50.760 --> 0:19:52.359
<v Speaker 4>But that's what that's the thing is. But that's the

0:19:52.359 --> 0:19:53.199
<v Speaker 4>thing that's so amazing.

0:19:53.200 --> 0:19:54.600
<v Speaker 3>That's what I was saying about it being a high

0:19:54.600 --> 0:19:58.320
<v Speaker 3>school play is having seen it in high school with

0:19:58.840 --> 0:20:01.280
<v Speaker 3>the kind of high school actors and then seeing the

0:20:01.320 --> 0:20:04.240
<v Speaker 3>exact same play with actors the same age that are professionals.

0:20:05.040 --> 0:20:05.920
<v Speaker 4>It's night and day.

0:20:06.080 --> 0:20:07.639
<v Speaker 3>And so that's what I mean by it's like I

0:20:07.640 --> 0:20:10.359
<v Speaker 3>sat there going like, oh, that's this play Because you

0:20:10.440 --> 0:20:13.440
<v Speaker 3>do see actors that are now fifteen, sixteen years old,

0:20:13.480 --> 0:20:15.800
<v Speaker 3>but that are professional compared to like you're in some

0:20:15.800 --> 0:20:18.480
<v Speaker 3>small high school somewhere. It's pretty amazing to see how

0:20:18.520 --> 0:20:21.359
<v Speaker 3>the material is so different when you've got vessels that

0:20:21.400 --> 0:20:22.280
<v Speaker 3>know what they're doing, you know.

0:20:22.280 --> 0:20:24.280
<v Speaker 4>What I mean. It was It was odd. Yeah, it

0:20:24.320 --> 0:20:24.959
<v Speaker 4>was a hillary.

0:20:25.000 --> 0:20:27.359
<v Speaker 2>How did you get into acting as a child. I

0:20:27.359 --> 0:20:30.200
<v Speaker 2>think we both got started similarly with commercials.

0:20:31.119 --> 0:20:34.880
<v Speaker 5>We did get I think we have that in common.

0:20:36.600 --> 0:20:41.439
<v Speaker 5>We probably don't have. I got into acting sort of.

0:20:41.520 --> 0:20:46.919
<v Speaker 5>I grew up in a small town in Texas, and I,

0:20:47.040 --> 0:20:48.320
<v Speaker 5>is it in Sinoes.

0:20:50.200 --> 0:20:51.840
<v Speaker 1>In Texas, Texas?

0:20:52.080 --> 0:20:52.159
<v Speaker 5>Oh?

0:20:53.040 --> 0:20:53.639
<v Speaker 4>Was it? Colleen?

0:20:54.200 --> 0:21:00.480
<v Speaker 5>You have not lost your comedic time. So small town

0:21:00.520 --> 0:21:04.720
<v Speaker 5>in Texas, raised by a single mom who also was

0:21:04.800 --> 0:21:09.679
<v Speaker 5>bipolar schizophrenic, so it made for a very very interesting,

0:21:10.720 --> 0:21:18.000
<v Speaker 5>colorful childhood. And we my freshman year of high school,

0:21:18.200 --> 0:21:24.600
<v Speaker 5>I went to a military boarding school by choice to

0:21:24.720 --> 0:21:27.640
<v Speaker 5>sort of, I think my family, to sort of.

0:21:29.119 --> 0:21:31.720
<v Speaker 2>Give yourself some space.

0:21:31.920 --> 0:21:37.879
<v Speaker 5>Yeah, but my aunt lived out. You may remember her,

0:21:37.920 --> 0:21:42.840
<v Speaker 5>writer Kelly. She was like my Yeah, she was my

0:21:42.960 --> 0:21:47.000
<v Speaker 5>guardian and she was my everything. So her and I

0:21:47.040 --> 0:21:50.520
<v Speaker 5>were very close. And she said, why don't you come

0:21:50.560 --> 0:21:54.320
<v Speaker 5>out to LA for the summer and act? And my

0:21:54.440 --> 0:21:57.640
<v Speaker 5>parents were like, sure, go to LA for the summer.

0:21:59.160 --> 0:22:06.000
<v Speaker 5>And I got an agent, Ruth Devron, and she said, well,

0:22:06.040 --> 0:22:09.160
<v Speaker 5>if you book something, you have to say through pilot season.

0:22:09.680 --> 0:22:11.760
<v Speaker 5>And pilot season at that time, you guys, remember it

0:22:11.840 --> 0:22:17.200
<v Speaker 5>was September and October. So I booked a dark repor commercial.

0:22:17.720 --> 0:22:21.760
<v Speaker 5>And I think up until that point it wasn't acting

0:22:21.800 --> 0:22:24.240
<v Speaker 5>that I really loved. I think it was the idea

0:22:24.560 --> 0:22:29.159
<v Speaker 5>of getting out of my circumstances and like this was

0:22:29.480 --> 0:22:33.800
<v Speaker 5>a vehicle to do that. But then I did the

0:22:33.880 --> 0:22:38.480
<v Speaker 5>commercial and I was like, oh, this is so cool.

0:22:39.000 --> 0:22:42.040
<v Speaker 5>So I got to stay for pilot season, didn't book anything,

0:22:42.840 --> 0:22:46.040
<v Speaker 5>and I was supposed to come home, and however my

0:22:46.160 --> 0:22:48.720
<v Speaker 5>boarding school would not take me back in the middle

0:22:48.720 --> 0:22:51.960
<v Speaker 5>of the semester. Oh save, So I got to stay

0:22:51.960 --> 0:22:56.760
<v Speaker 5>through January, and like right before Christmas, I auditioned to

0:22:56.920 --> 0:23:05.280
<v Speaker 5>play this like very sad, see straightforward bitchy character in

0:23:05.440 --> 0:23:10.360
<v Speaker 5>Camp Nowhere, and I auditioned for it and nothing happened.

0:23:10.359 --> 0:23:14.000
<v Speaker 5>So I moved all of my stuff home, and I'll

0:23:14.040 --> 0:23:16.760
<v Speaker 5>never forget. Like four days before Christmas, I get a

0:23:16.760 --> 0:23:21.000
<v Speaker 5>phone call at my grandmother's house and it is Jonathan Prince,

0:23:21.040 --> 0:23:25.080
<v Speaker 5>the director of Camp Nowhere, calling me directly to say,

0:23:25.280 --> 0:23:27.160
<v Speaker 5>what is this. I hear you moved home. You've got

0:23:27.160 --> 0:23:30.439
<v Speaker 5>to come and do my movie. It's such a Hollywood

0:23:30.560 --> 0:23:35.439
<v Speaker 5>like oh, and so I moved on my Yeah, I

0:23:35.480 --> 0:23:39.320
<v Speaker 5>moved all my stuff back. And then but in order like,

0:23:39.560 --> 0:23:41.840
<v Speaker 5>in order to keep doing this and being on set,

0:23:42.680 --> 0:23:48.080
<v Speaker 5>I we told my parents we needed to have guardianship.

0:23:48.440 --> 0:23:52.040
<v Speaker 5>My aunt needed to have guardianship, and so they signed

0:23:52.200 --> 0:23:54.840
<v Speaker 5>my guardianship over to her thinking it was just for

0:23:54.920 --> 0:23:59.879
<v Speaker 5>the movie, and I never came back and I just

0:24:00.119 --> 0:24:03.560
<v Speaker 5>day Yeah. Yeah, So working kept me out there. The

0:24:03.600 --> 0:24:05.960
<v Speaker 5>deal was always like I had to support myself. They

0:24:05.960 --> 0:24:09.000
<v Speaker 5>weren't going to send me any money. But it worked

0:24:09.000 --> 0:24:10.960
<v Speaker 5>out that I was able to support myself, and so

0:24:11.080 --> 0:24:14.720
<v Speaker 5>then I just I stayed and I kept I kept working,

0:24:14.760 --> 0:24:18.560
<v Speaker 5>and not long after Camp Nowhere I did Boy Me Swirrels.

0:24:18.560 --> 0:24:20.080
<v Speaker 5>It was one of my first jobs.

0:24:20.240 --> 0:24:21.920
<v Speaker 4>I'm sorry. How old were you when all this was

0:24:21.960 --> 0:24:23.320
<v Speaker 4>going on with Camp Nowhere?

0:24:23.800 --> 0:24:24.399
<v Speaker 2>It was nineteen.

0:24:24.440 --> 0:24:28.400
<v Speaker 5>I moved out here when I was fourteen. I did

0:24:28.520 --> 0:24:31.080
<v Speaker 5>Camp Nowhere. I think when I was right when I

0:24:31.119 --> 0:24:31.920
<v Speaker 5>turned fifteen.

0:24:32.680 --> 0:24:37.880
<v Speaker 1>Wow, yeah, young, you were like already doing the full

0:24:37.920 --> 0:24:39.920
<v Speaker 1>on adult thing by yourself.

0:24:40.359 --> 0:24:44.520
<v Speaker 5>I think they had grown up very quickly by.

0:24:45.840 --> 0:24:48.080
<v Speaker 2>You were probably apparent in your home.

0:24:48.760 --> 0:24:54.240
<v Speaker 5>Yes, yes, I like I remember recently like telling my

0:24:54.400 --> 0:24:59.280
<v Speaker 5>kids I was annoyed at what they weren't doing, and

0:24:59.359 --> 0:25:01.760
<v Speaker 5>I was like, you know, so when I was your age,

0:25:02.400 --> 0:25:06.639
<v Speaker 5>when I was nine, I was waking up to the alarm,

0:25:07.040 --> 0:25:10.639
<v Speaker 5>waking my mother up, then making breakfast, then putting a

0:25:10.680 --> 0:25:13.600
<v Speaker 5>load of laundry, and then you know what I mean.

0:25:13.560 --> 0:25:19.560
<v Speaker 1>Like right, so put your goddamn shoes on. We're late

0:25:19.640 --> 0:25:24.200
<v Speaker 1>for school. Goddamn, I need breakfast for you. Oh dude,

0:25:24.200 --> 0:25:26.320
<v Speaker 1>this is what I I've already caught myself telling Indy

0:25:26.440 --> 0:25:28.480
<v Speaker 1>was like I already had a job. I was already

0:25:28.480 --> 0:25:30.080
<v Speaker 1>doing my miss what are you doing?

0:25:31.760 --> 0:25:34.520
<v Speaker 4>Oh my gosh, Oh my.

0:25:34.440 --> 0:25:36.760
<v Speaker 1>God hates it already does already hates that I was

0:25:36.800 --> 0:25:39.160
<v Speaker 1>a kid actor because I could throw that in his face.

0:25:39.280 --> 0:25:43.000
<v Speaker 2>Yeah, that's right, man. Well let's talk a little bit

0:25:43.000 --> 0:25:46.040
<v Speaker 2>more about camp nowhere. It was nineteen ninety four. It's

0:25:46.080 --> 0:25:49.360
<v Speaker 2>like who's who of kid actors at the time. Jonathan,

0:25:50.080 --> 0:25:50.600
<v Speaker 2>Really it was.

0:25:51.040 --> 0:25:53.840
<v Speaker 1>Yeah, it was like the movie everybody wanted apart because

0:25:53.840 --> 0:25:56.560
<v Speaker 1>there were like fifty parts in it. And I think

0:25:56.600 --> 0:25:59.000
<v Speaker 1>I went back like multiple times like no, you're gonna

0:25:59.000 --> 0:26:01.159
<v Speaker 1>be Ronnie, No, you'll be this. You know. She just

0:26:01.240 --> 0:26:03.800
<v Speaker 1>kept like mixing and matching all of young Hollywood.

0:26:04.000 --> 0:26:05.720
<v Speaker 5>And now I wish you would have didn't get it.

0:26:06.520 --> 0:26:07.399
<v Speaker 1>I've seen it.

0:26:07.600 --> 0:26:10.160
<v Speaker 2>Jonathan Jackson, who ended up being on Boy Meets World

0:26:10.200 --> 0:26:13.560
<v Speaker 2>for an episode recent Yeah, he played He played the

0:26:13.600 --> 0:26:16.800
<v Speaker 2>guy who takes Topanga on a date after Corey cheats

0:26:16.800 --> 0:26:22.639
<v Speaker 2>on Topanga. He's in the Starry Night episode. Recent guest

0:26:22.840 --> 0:26:27.639
<v Speaker 2>of the on our podcast Andrew Keagan, Alison Mack, Jessica Biele,

0:26:28.520 --> 0:26:33.720
<v Speaker 2>and also in it, Heather DeLoach, best known as the

0:26:33.760 --> 0:26:35.960
<v Speaker 2>Bee Girl in Blind Melons.

0:26:36.000 --> 0:26:41.639
<v Speaker 5>No Way, that's incredible. Wow, I remember I remember her

0:26:41.680 --> 0:26:45.480
<v Speaker 5>being it was like such a coupe was on set,

0:26:45.600 --> 0:26:50.320
<v Speaker 5>like she was were she was the most famous person.

0:26:50.600 --> 0:26:53.080
<v Speaker 5>She was the most famous kid of course for the

0:26:53.080 --> 0:26:59.760
<v Speaker 5>Bee Girl. Yeah, uh yeah, it was. It was such

0:27:00.280 --> 0:27:04.919
<v Speaker 5>an incredible unique experience because we shot on the Disney ranch,

0:27:05.560 --> 0:27:10.000
<v Speaker 5>so you're out in the middle of nowhere literally and

0:27:11.520 --> 0:27:14.240
<v Speaker 5>it was just all these young actors. I was one

0:27:14.240 --> 0:27:16.800
<v Speaker 5>of the oldest. I remember that that. I was. Me

0:27:16.880 --> 0:27:21.000
<v Speaker 5>and Devin Oatway were two of the oldest, and it

0:27:21.080 --> 0:27:26.960
<v Speaker 5>was just you were either in a classroom goofing off

0:27:27.000 --> 0:27:29.440
<v Speaker 5>I mean you know how yeah, not set school school,

0:27:29.440 --> 0:27:33.120
<v Speaker 5>but it's not really school doing. There's like goofing off

0:27:33.200 --> 0:27:38.000
<v Speaker 5>and doing school, or we were filming being in a

0:27:38.040 --> 0:27:42.800
<v Speaker 5>summer camp. Yeah, it was just incredible. It was I'm going.

0:27:42.600 --> 0:27:46.560
<v Speaker 2>To assume that wasn't the same experience you had at

0:27:46.680 --> 0:27:50.000
<v Speaker 2>boarding school, and we've already heard that it wasn't the

0:27:50.040 --> 0:27:52.960
<v Speaker 2>experience you had at home where you were very much

0:27:53.320 --> 0:27:56.679
<v Speaker 2>the adult in your household. So what was it like

0:27:56.800 --> 0:28:01.440
<v Speaker 2>for you to be in a rather protect did, super

0:28:01.640 --> 0:28:06.440
<v Speaker 2>fun place surrounded by like minded kids your own age.

0:28:06.480 --> 0:28:10.080
<v Speaker 2>Was that like a very freeing experience. It feels like

0:28:10.560 --> 0:28:11.560
<v Speaker 2>it would be life changing.

0:28:12.040 --> 0:28:15.080
<v Speaker 5>You ask good questions, Danielle, Yeah, it was, you do.

0:28:16.480 --> 0:28:18.240
<v Speaker 4>Yeah, that's why would just keep our mouth shut.

0:28:18.440 --> 0:28:19.959
<v Speaker 1>Yeah, it was.

0:28:20.240 --> 0:28:24.359
<v Speaker 5>It was very It was wonderful. I think one of

0:28:24.400 --> 0:28:28.040
<v Speaker 5>the things that made me fall in love with being

0:28:28.080 --> 0:28:34.320
<v Speaker 5>on set is the schedule, the predictability of it. Yeah,

0:28:34.560 --> 0:28:42.160
<v Speaker 5>the people telling me what to do, what to wear. Obviously,

0:28:42.240 --> 0:28:47.840
<v Speaker 5>the gratification and the oh you're funny, you're pretty, you're good,

0:28:48.080 --> 0:28:54.040
<v Speaker 5>or whatever. But I think this schedule of it, and

0:28:54.120 --> 0:29:00.240
<v Speaker 5>I think that what my childhood did prepare me for

0:29:01.280 --> 0:29:03.800
<v Speaker 5>is when you are a child actor, you you are.

0:29:05.440 --> 0:29:10.520
<v Speaker 5>It is a real asset to be mature and professional

0:29:10.640 --> 0:29:13.760
<v Speaker 5>and to be able to handle yourself. Yes, I was.

0:29:13.880 --> 0:29:17.040
<v Speaker 5>I was very practiced in that, so that was a

0:29:17.120 --> 0:29:21.160
<v Speaker 5>really sharp tool that I had in my toolbox. And

0:29:21.560 --> 0:29:25.080
<v Speaker 5>I think, I think, I do think it is is

0:29:25.120 --> 0:29:30.640
<v Speaker 5>an aspect of why I worked very quickly and very steadily,

0:29:30.720 --> 0:29:35.840
<v Speaker 5>because I think producers or sets or whoever recognize that

0:29:35.920 --> 0:29:37.480
<v Speaker 5>and it and it behooves them.

0:29:38.080 --> 0:29:41.240
<v Speaker 3>They want an adult in a child's body. Yes, that's

0:29:41.280 --> 0:29:43.040
<v Speaker 3>that's what they're looking for. They want a little adult

0:29:43.040 --> 0:29:44.440
<v Speaker 3>in a child's body. And it's so funny because the

0:29:44.480 --> 0:29:47.560
<v Speaker 3>things you're mentioning about the structure and everything is exactly

0:29:47.600 --> 0:29:49.240
<v Speaker 3>what you get at a military boarding school.

0:29:49.840 --> 0:29:51.800
<v Speaker 4>Yeah, I mean, but it is. It's that same thing.

0:29:51.840 --> 0:29:53.640
<v Speaker 3>It's you're going to eat this time, You're going to

0:29:53.720 --> 0:29:55.560
<v Speaker 3>wear this when you're there, You're going to do these

0:29:55.680 --> 0:29:57.600
<v Speaker 3>chores you're going to do. It sounded like that's what

0:29:57.640 --> 0:29:59.520
<v Speaker 3>you were looking for, was more of the structure that

0:29:59.600 --> 0:29:59.760
<v Speaker 3>you know.

0:30:00.040 --> 0:30:03.160
<v Speaker 2>I find so fascinating is that, like Hillary just mentioned,

0:30:03.200 --> 0:30:06.840
<v Speaker 2>for most kids, the feeling you have if you started

0:30:06.880 --> 0:30:09.000
<v Speaker 2>working as a child is a lot of times you

0:30:09.040 --> 0:30:11.000
<v Speaker 2>look back and you think, but needing to be so

0:30:11.040 --> 0:30:14.720
<v Speaker 2>mature made me miss out on a true childhood. I've

0:30:14.800 --> 0:30:17.440
<v Speaker 2>been an adult since I was so long, for so long,

0:30:17.480 --> 0:30:20.240
<v Speaker 2>since I was so young. And in her case, she

0:30:20.440 --> 0:30:22.840
<v Speaker 2>was like, oh, you're going to tell me when to

0:30:22.840 --> 0:30:25.080
<v Speaker 2>show up. I don't have to make the schedule myself

0:30:25.360 --> 0:30:28.400
<v Speaker 2>and do the work of it. So, if anything, the

0:30:28.480 --> 0:30:30.800
<v Speaker 2>fact that it was set up for you allowed you

0:30:31.000 --> 0:30:33.239
<v Speaker 2>more of an opportunity to be a kid than you

0:30:33.320 --> 0:30:37.040
<v Speaker 2>had ever had before. You were like, yeah, the maturity

0:30:37.080 --> 0:30:39.240
<v Speaker 2>I'm going to bring no matter what, because it's all

0:30:39.280 --> 0:30:43.280
<v Speaker 2>I've known. But now you set the schedule, you tell

0:30:43.320 --> 0:30:45.280
<v Speaker 2>me what to wear, you do my hair and makeup,

0:30:45.480 --> 0:30:47.400
<v Speaker 2>and then when I do a good job, you tell

0:30:47.440 --> 0:30:48.600
<v Speaker 2>me I'm doing a good job.

0:30:49.040 --> 0:30:54.680
<v Speaker 5>Yeah, and I get to play a kid who's playing right?

0:30:55.200 --> 0:30:55.440
<v Speaker 4>You know?

0:30:56.200 --> 0:31:01.880
<v Speaker 5>So yeah, it was. It was a really special I've

0:31:01.920 --> 0:31:04.760
<v Speaker 5>been so blessed to have a few really special experiences,

0:31:04.800 --> 0:31:08.320
<v Speaker 5>but Camp Camp Nowhere was really one of them for sure.

0:31:08.720 --> 0:31:09.920
<v Speaker 2>Wow, I love it.

0:31:10.400 --> 0:31:12.760
<v Speaker 3>So if we do a rewatch, will you of Camp Nowhere?

0:31:12.760 --> 0:31:14.760
<v Speaker 3>Will you come back and watch it with us?

0:31:14.960 --> 0:31:18.760
<v Speaker 5>Oh my god? Yes? And if you have, like your

0:31:18.880 --> 0:31:20.800
<v Speaker 5>son is is how old?

0:31:21.200 --> 0:31:21.480
<v Speaker 3>Nine?

0:31:21.920 --> 0:31:24.400
<v Speaker 5>Nine? Yeah, it's the perfect time to watch the movie.

0:31:24.640 --> 0:31:27.560
<v Speaker 5>It's it like I don't I don't want to go

0:31:27.600 --> 0:31:30.880
<v Speaker 5>so far to say it holds up, but it holds up,

0:31:30.920 --> 0:31:32.920
<v Speaker 5>and it holds up for a nine year old, it

0:31:33.000 --> 0:31:36.080
<v Speaker 5>holds out. It's really fun. It's definitely the time to

0:31:36.120 --> 0:31:36.400
<v Speaker 5>watch it.

0:31:36.440 --> 0:31:38.920
<v Speaker 3>I should do that. I haven't seen that. I haven't

0:31:38.920 --> 0:31:40.680
<v Speaker 3>seen it either, so I'd like to watch that. I've

0:31:40.680 --> 0:31:42.480
<v Speaker 3>now heard so much about this movie.

0:31:42.280 --> 0:31:44.120
<v Speaker 5>And I would have to make fun of it with you.

0:31:44.200 --> 0:31:47.120
<v Speaker 5>We should have to have a whole like me and

0:31:47.120 --> 0:31:48.240
<v Speaker 5>Andrew and whoever.

0:31:49.360 --> 0:31:50.280
<v Speaker 1>Yeah, do it?

0:31:50.400 --> 0:32:01.200
<v Speaker 4>Oh it sounds great.

0:32:02.720 --> 0:32:04.520
<v Speaker 2>Can we talk hangtime for a second.

0:32:05.400 --> 0:32:06.920
<v Speaker 5>Yeah, okay.

0:32:07.760 --> 0:32:12.440
<v Speaker 2>So you appeared in thirteen episodes as team manager Samantha

0:32:12.520 --> 0:32:17.080
<v Speaker 2>Morgan and it has really built like a niche cult

0:32:17.160 --> 0:32:20.720
<v Speaker 2>following as the spiritual TNBC sister of Saved by the Bell.

0:32:21.360 --> 0:32:25.640
<v Speaker 2>So it's so nostalgic now, especially among basketball fans. And

0:32:25.680 --> 0:32:27.880
<v Speaker 2>I would just like to name some of the other

0:32:27.920 --> 0:32:33.200
<v Speaker 2>guest stars Anthony Anderson, Jay Hernandez, dick Butt, Kiss Screech

0:32:33.520 --> 0:32:38.920
<v Speaker 2>in a crossover episode, Muggsy Bogues, Lizza Leslie Florence, Griffith Joyner,

0:32:39.000 --> 0:32:44.000
<v Speaker 2>and an eighteen year old NBA rookie named Kobe Bryant. Yeah,

0:32:44.560 --> 0:32:46.640
<v Speaker 2>I love Do you remember what you were up?

0:32:48.760 --> 0:32:50.920
<v Speaker 4>And Tom was a great show. It was.

0:32:51.000 --> 0:32:56.520
<v Speaker 5>It was a really fun show. I remember. So I

0:32:57.560 --> 0:33:00.000
<v Speaker 5>want to say that I want to say this begare

0:33:00.040 --> 0:33:02.160
<v Speaker 5>does it relate? I want to go back to the

0:33:02.200 --> 0:33:06.240
<v Speaker 5>first episode that I did of Boy Meets World, because

0:33:06.240 --> 0:33:10.280
<v Speaker 5>I think it does relate to Hangtime because did I

0:33:10.320 --> 0:33:13.920
<v Speaker 5>do Boy Meets World first, or did I do Hangtime first?

0:33:13.960 --> 0:33:17.040
<v Speaker 5>I did Boy Meets World first. I don't know.

0:33:17.160 --> 0:33:18.959
<v Speaker 2>I think boy meets were yeah, boy meets Yeah, boy

0:33:19.000 --> 0:33:20.080
<v Speaker 2>Mee's World was ninety five.

0:33:20.400 --> 0:33:21.400
<v Speaker 4>Yes, yes.

0:33:21.840 --> 0:33:24.920
<v Speaker 5>So what I remember about the first episode of Boy

0:33:24.920 --> 0:33:30.000
<v Speaker 5>Meets World is that I started watching it and I

0:33:30.040 --> 0:33:33.080
<v Speaker 5>didn't remember I had been in it. I had conflated

0:33:33.160 --> 0:33:36.200
<v Speaker 5>the first and the second episode together, because in the

0:33:36.200 --> 0:33:39.280
<v Speaker 5>first episode I only have one line. What is interesting

0:33:40.200 --> 0:33:43.960
<v Speaker 5>is that when I watched it, I remembered two things. One,

0:33:44.000 --> 0:33:46.840
<v Speaker 5>I was deathly afraid I was going to get fired

0:33:47.520 --> 0:33:53.600
<v Speaker 5>because Michael Jacobs. All I have is this like look

0:33:53.760 --> 0:33:57.320
<v Speaker 5>up and over and I say my line high corey

0:33:57.400 --> 0:34:01.280
<v Speaker 5>or whatever. And I can remember him basically giving me

0:34:01.320 --> 0:34:05.360
<v Speaker 5>a line, reading a physical line, reading like like no no, no, no,

0:34:05.240 --> 0:34:10.200
<v Speaker 5>no no, like this, and he showed me what to do,

0:34:11.000 --> 0:34:14.120
<v Speaker 5>and luckily I was able to be a puppet and

0:34:14.200 --> 0:34:14.600
<v Speaker 5>do that.

0:34:15.239 --> 0:34:20.040
<v Speaker 3>Well, that's acting, right, everyone knows, everyone knows.

0:34:20.239 --> 0:34:23.120
<v Speaker 4>Ignore your instincts and just parrot what you yourself.

0:34:23.160 --> 0:34:26.919
<v Speaker 1>Don't make any choices, just do exactly what this man wants.

0:34:27.200 --> 0:34:30.680
<v Speaker 5>And I can remember being like terrified that I wasn't

0:34:30.680 --> 0:34:32.000
<v Speaker 5>going to do it the way he wanted, and that

0:34:32.040 --> 0:34:34.720
<v Speaker 5>I was going to get fired. And the other memory

0:34:34.719 --> 0:34:36.759
<v Speaker 5>that I have is that what was crazy to me

0:34:36.920 --> 0:34:39.960
<v Speaker 5>is as I'm watching the rest of the episode I

0:34:41.520 --> 0:34:46.279
<v Speaker 5>knew probably thirty percent of y'all's lines as they were

0:34:46.320 --> 0:34:49.840
<v Speaker 5>about to be said. And why I remember this is

0:34:49.920 --> 0:34:54.080
<v Speaker 5>my aunt would have me sit in the stands when

0:34:54.120 --> 0:34:56.960
<v Speaker 5>I wasn't doing homework, way in the back, and she

0:34:57.040 --> 0:35:00.840
<v Speaker 5>would have me study y'all. Wow, And because I was

0:35:00.920 --> 0:35:04.319
<v Speaker 5>so new to it, and so she was like she

0:35:04.520 --> 0:35:08.239
<v Speaker 5>wanted me to study and notice not only like the

0:35:08.239 --> 0:35:13.360
<v Speaker 5>comedic timing and set up, set up, punchline and yes

0:35:13.440 --> 0:35:18.680
<v Speaker 5>and and all of those things, and also how do

0:35:20.000 --> 0:35:26.440
<v Speaker 5>series regulars behave on set? Right? What is the like? What? How?

0:35:26.560 --> 0:35:29.239
<v Speaker 5>What does it look like? And so she would have

0:35:29.280 --> 0:35:31.520
<v Speaker 5>me just sit back there and just watch them. And

0:35:31.640 --> 0:35:35.120
<v Speaker 5>the feeling that I remember because I remember she said

0:35:35.160 --> 0:35:39.280
<v Speaker 5>to me, is this what you want? Do you want

0:35:39.320 --> 0:35:44.560
<v Speaker 5>something like this? And I remember having the thought that

0:35:44.640 --> 0:35:46.960
<v Speaker 5>it And I don't know if this was y'all experience.

0:35:47.280 --> 0:35:50.799
<v Speaker 5>My impression of y'all is that it seemed like y'all

0:35:50.800 --> 0:35:53.120
<v Speaker 5>had a lot of pressure on you, like there was

0:35:54.160 --> 0:36:00.160
<v Speaker 5>there was a lot writing on the four shoulders of

0:36:00.200 --> 0:36:06.000
<v Speaker 5>the minors, right, and and that I also wanted.

0:36:05.640 --> 0:36:07.280
<v Speaker 2>It, and that it was fun.

0:36:07.880 --> 0:36:10.279
<v Speaker 5>Yeah, and it was fun. Yes, it did seem like

0:36:10.280 --> 0:36:12.520
<v Speaker 5>it was. There was a lot of it. I don't know,

0:36:12.560 --> 0:36:15.759
<v Speaker 5>it just seemed like a lot of pressure. So when

0:36:15.960 --> 0:36:22.080
<v Speaker 5>I got hang time and I was a series regular,

0:36:22.719 --> 0:36:27.600
<v Speaker 5>I think, like, I can't tell you specifically what I

0:36:27.800 --> 0:36:31.400
<v Speaker 5>gleaned from y'all, but I definitely was a case study

0:36:31.680 --> 0:36:35.759
<v Speaker 5>and I definitely use some of that in like being

0:36:35.760 --> 0:36:38.600
<v Speaker 5>a professional and how to be a series regular, because

0:36:38.600 --> 0:36:40.560
<v Speaker 5>you know, being a series regular is different than being

0:36:40.560 --> 0:36:43.120
<v Speaker 5>a guest star, so and your job is different.

0:36:43.360 --> 0:36:45.160
<v Speaker 4>So uh yeah.

0:36:45.200 --> 0:36:49.640
<v Speaker 5>It was a great thirteen episodes until I got fired

0:36:49.680 --> 0:36:54.640
<v Speaker 5>after the first season off. Yeah, I'm only in the

0:36:54.680 --> 0:36:56.000
<v Speaker 5>first season. I was fired.

0:36:56.719 --> 0:36:58.960
<v Speaker 4>What happened? And we asked, what happened?

0:36:59.000 --> 0:36:59.879
<v Speaker 1>They just write you off?

0:37:00.400 --> 0:37:04.880
<v Speaker 5>They just wrote me off. Samantha Morgan, lead team manager.

0:37:06.520 --> 0:37:11.480
<v Speaker 5>I think they wanted to retool the show they make it.

0:37:11.560 --> 0:37:13.640
<v Speaker 5>By the way, I was not the only one fired.

0:37:13.760 --> 0:37:16.880
<v Speaker 5>I think they let go of a third of the cast,

0:37:18.160 --> 0:37:21.480
<v Speaker 5>and I was one of them. And there was never

0:37:22.360 --> 0:37:26.040
<v Speaker 5>like a like Warren Littlefield was not calling me up

0:37:26.040 --> 0:37:28.440
<v Speaker 5>and be like, Hillary, we love your work, we've decided

0:37:28.440 --> 0:37:29.960
<v Speaker 5>to go in a different direction. It was none of that.

0:37:30.040 --> 0:37:34.080
<v Speaker 5>It was my agent saying you're not coming back on

0:37:34.160 --> 0:37:38.600
<v Speaker 5>to the next and then I was, I was, I

0:37:38.680 --> 0:37:44.600
<v Speaker 5>was devastated. But you know then I then I booked

0:37:45.400 --> 0:37:48.440
<v Speaker 5>another series and it was meant to be. But yeah,

0:37:48.760 --> 0:37:51.040
<v Speaker 5>it was. It was fun for those thirteen episodes. We

0:37:51.080 --> 0:37:52.120
<v Speaker 5>had a lot of hijinks.

0:37:53.320 --> 0:37:56.360
<v Speaker 2>Well, let's talk about your three characters on Boy Meets World.

0:37:57.480 --> 0:37:59.600
<v Speaker 4>You're rafied. You're in a rarefied club.

0:38:00.239 --> 0:38:03.239
<v Speaker 5>Thank you. Did anyone else have that? Have you had

0:38:03.239 --> 0:38:04.719
<v Speaker 5>guest stars who come back because rent?

0:38:05.200 --> 0:38:10.000
<v Speaker 2>Yeah? So, Phil Leads also played three different characters, Willy Garrison,

0:38:10.400 --> 0:38:14.719
<v Speaker 2>Willie Garson played three different characters, and one of our

0:38:15.239 --> 0:38:20.279
<v Speaker 2>nerdy characters from the beginning, Jonathan Kaplan Jonathan C.

0:38:20.440 --> 0:38:24.000
<v Speaker 5>Kaplin Exactly so, and so did any of them have

0:38:24.080 --> 0:38:27.319
<v Speaker 5>an idea as to why they were given different character names?

0:38:28.080 --> 0:38:31.760
<v Speaker 2>Well, we haven't been able to ask Phil Leads. He's

0:38:31.600 --> 0:38:33.160
<v Speaker 2>he's died in like ninety eight.

0:38:33.239 --> 0:38:33.560
<v Speaker 5>He died.

0:38:34.840 --> 0:38:39.200
<v Speaker 2>Oh sorry, he's been unavailable since unavailable. Willie Garson is

0:38:39.239 --> 0:38:43.640
<v Speaker 2>also unavailable, and we haven't talked to Jonathan Kaplan, I think.

0:38:43.560 --> 0:38:46.400
<v Speaker 1>You were probably just a favorite of Michael and the

0:38:46.800 --> 0:38:49.520
<v Speaker 1>and the casting team, you know, like they just must

0:38:49.560 --> 0:38:52.040
<v Speaker 1>have Sally and Barbie just must have loved you. And

0:38:52.040 --> 0:38:54.680
<v Speaker 1>they were like, well, let's just bring Hillary back and

0:38:54.680 --> 0:38:56.319
<v Speaker 1>they were like, yes, did you?

0:38:56.680 --> 0:38:58.480
<v Speaker 4>Did you have to audition all three times?

0:38:58.680 --> 0:39:02.520
<v Speaker 5>I auditioned for the first two and like what I

0:39:02.600 --> 0:39:07.759
<v Speaker 5>remember of what I remember of the second episode, like

0:39:07.840 --> 0:39:11.800
<v Speaker 5>Barbie Blair was such a was such a fan of mine,

0:39:12.200 --> 0:39:14.040
<v Speaker 5>and I'm sure you guys have had this too, Like

0:39:14.080 --> 0:39:19.800
<v Speaker 5>there's just certain casting directors who have been instrumental, even

0:39:19.800 --> 0:39:23.840
<v Speaker 5>if they didn't hire you in something of just making you,

0:39:24.960 --> 0:39:29.520
<v Speaker 5>reminding you of your value. Yea, and Barbie Block was

0:39:29.520 --> 0:39:33.239
<v Speaker 5>one of those for me. And uh so, yeah the

0:39:33.360 --> 0:39:39.520
<v Speaker 5>second episode. I did audition four and it was should

0:39:39.520 --> 0:39:40.839
<v Speaker 5>we talk about the second episode now?

0:39:40.960 --> 0:39:41.160
<v Speaker 3>Yes?

0:39:41.480 --> 0:39:41.960
<v Speaker 4>That great?

0:39:42.000 --> 0:39:45.520
<v Speaker 5>Okay, I did audition four. What I remember about it

0:39:45.560 --> 0:39:49.440
<v Speaker 5>is it was my favorite of the three, yes, because

0:39:49.520 --> 0:39:57.239
<v Speaker 5>I got, like I remember experiencing in that booth with

0:39:57.440 --> 0:40:02.520
<v Speaker 5>you and Ben like a really playing being allowed to

0:40:02.719 --> 0:40:07.560
<v Speaker 5>play a little bit and it wasn't so micro managed

0:40:09.520 --> 0:40:17.960
<v Speaker 5>and having fun and I was funny. I mean, yeah, yeah,

0:40:18.000 --> 0:40:20.600
<v Speaker 5>I got jokes, which is always nice. And I can

0:40:20.680 --> 0:40:25.800
<v Speaker 5>remember going from it was such a one eighty moment

0:40:25.840 --> 0:40:32.480
<v Speaker 5>for me because the first episode, Michael was to me,

0:40:32.880 --> 0:40:34.920
<v Speaker 5>he didn't seem like someone who always knew how to

0:40:34.960 --> 0:40:40.279
<v Speaker 5>talk to a child, very gradius. Oh okay, okay, so

0:40:40.360 --> 0:40:42.680
<v Speaker 5>this is something that you've talked about before. Wonderful yes,

0:40:43.640 --> 0:40:47.759
<v Speaker 5>And I was. I was really afraid of him. And

0:40:47.800 --> 0:40:52.120
<v Speaker 5>then after we did the second episode me I remember

0:40:52.160 --> 0:40:54.920
<v Speaker 5>coming off and I was walking around the ramp to

0:40:54.960 --> 0:40:57.600
<v Speaker 5>the backside, and he stopped me. And I don't know

0:40:57.640 --> 0:41:01.160
<v Speaker 5>who he was talking to, somebody, an executive or someone,

0:41:01.360 --> 0:41:05.800
<v Speaker 5>and he was like, this, this is a funny girl.

0:41:05.920 --> 0:41:10.560
<v Speaker 5>We need more of this. She gets it. And it

0:41:10.719 --> 0:41:13.800
<v Speaker 5>was I've had like that moment and then a moment

0:41:13.880 --> 0:41:19.759
<v Speaker 5>with Rose and Barr of these like paradigm shifts of

0:41:19.800 --> 0:41:27.280
<v Speaker 5>me going, oh, I'm funny, I can do this. I'm enough,

0:41:27.600 --> 0:41:30.880
<v Speaker 5>you know I And it was it was like a

0:41:31.000 --> 0:41:36.080
<v Speaker 5>huge boost of confidence for me of like being giving

0:41:36.080 --> 0:41:39.200
<v Speaker 5>myself permission, of like I'm on the right track, my

0:41:39.280 --> 0:41:44.840
<v Speaker 5>instincts are good. Whatever. So yeah that I remember it

0:41:44.880 --> 0:41:49.560
<v Speaker 5>being a really fun episode. And even when I saw it,

0:41:50.640 --> 0:41:53.200
<v Speaker 5>there's plenty of things that I see twenty years later

0:41:53.520 --> 0:41:57.440
<v Speaker 5>and I'm not I have to just go Well, I

0:41:57.520 --> 0:41:59.640
<v Speaker 5>was young and I've learned a lot, but I'm still

0:41:59.640 --> 0:42:02.319
<v Speaker 5>proud of that. I thought it was a fun, it

0:42:02.360 --> 0:42:03.240
<v Speaker 5>was a fun character.

0:42:03.800 --> 0:42:05.960
<v Speaker 2>It was super fun. And so then you auditioned for

0:42:05.960 --> 0:42:08.239
<v Speaker 2>those first two and then you get asked back to

0:42:08.280 --> 0:42:14.480
<v Speaker 2>do the absolutely iconic, not necessarily incredible, but iconic Disney

0:42:14.520 --> 0:42:16.160
<v Speaker 2>World episode.

0:42:15.640 --> 0:42:17.360
<v Speaker 1>And it's a character.

0:42:18.200 --> 0:42:23.480
<v Speaker 5>Yeah yeah, right, yeah, So they Barbie Block called and

0:42:23.560 --> 0:42:25.560
<v Speaker 5>said they want to have you back one more time.

0:42:25.960 --> 0:42:28.560
<v Speaker 5>We can't have you back more than three times because

0:42:28.560 --> 0:42:32.839
<v Speaker 5>then we have to pay you recurring character rate.

0:42:33.600 --> 0:42:36.480
<v Speaker 4>Really, so I did not know that at all.

0:42:36.920 --> 0:42:40.520
<v Speaker 5>Yeah, so this will be your last episode. But because

0:42:40.560 --> 0:42:43.680
<v Speaker 5>it's your last episode, we want to take you. We

0:42:43.719 --> 0:42:46.680
<v Speaker 5>want you to be in the Disney World episode. Wow,

0:42:46.840 --> 0:42:50.359
<v Speaker 5>you do know, which was so lovely. The first time

0:42:50.440 --> 0:42:52.319
<v Speaker 5>i'd been off for a role, I didn't have to

0:42:52.360 --> 0:42:54.919
<v Speaker 5>audition for it. It's the first time that I got

0:42:54.920 --> 0:42:59.799
<v Speaker 5>to go anywhere and someone, and you know, traveling on

0:42:59.840 --> 0:43:04.360
<v Speaker 5>your our own is very different than the network traveling you. Yeah,

0:43:05.239 --> 0:43:07.719
<v Speaker 5>and I felt really special. And then I got the

0:43:07.760 --> 0:43:12.000
<v Speaker 5>script and like, oh, I'm going to play a soon

0:43:12.040 --> 0:43:14.800
<v Speaker 5>to be stalker and like this characters learning how to

0:43:14.840 --> 0:43:20.920
<v Speaker 5>be a stalker awesome, and it was it was thankless.

0:43:21.719 --> 0:43:24.479
<v Speaker 5>It was one note, but I had so much fun.

0:43:24.520 --> 0:43:25.560
<v Speaker 5>I mean, it's just that.

0:43:25.880 --> 0:43:27.520
<v Speaker 1>And by that point we had already done the play.

0:43:27.600 --> 0:43:29.600
<v Speaker 1>We were already friends, like yeah, it was so.

0:43:30.000 --> 0:43:34.440
<v Speaker 5>Yeah, we we it was, it was, it was, it

0:43:34.560 --> 0:43:36.880
<v Speaker 5>was great. It was have we done the play by then?

0:43:37.280 --> 0:43:40.360
<v Speaker 1>And we must have? Yeah, because that was ninety six,

0:43:40.960 --> 0:43:43.720
<v Speaker 1>yeah yeah, and we've done the play in ninety five,

0:43:44.280 --> 0:43:47.440
<v Speaker 1>so yeah. Yeah. So I wonder if if it was

0:43:47.520 --> 0:43:51.200
<v Speaker 1>because of your second Boy Meets World appearance that you

0:43:51.280 --> 0:43:52.960
<v Speaker 1>were in the play like I won, Yeah, And I

0:43:53.040 --> 0:43:55.080
<v Speaker 1>wonder if it was just like, oh we should just yeah,

0:43:55.080 --> 0:43:55.480
<v Speaker 1>I don't.

0:43:56.040 --> 0:43:59.680
<v Speaker 5>My guess is that Bruce and get Kelly connected because

0:43:59.680 --> 0:44:03.800
<v Speaker 5>Bruce was around, Kelly was around, and Kelly probably got

0:44:03.800 --> 0:44:06.000
<v Speaker 5>me in Bruce's acting.

0:44:05.719 --> 0:44:07.800
<v Speaker 1>Class, right, so then we were just in acting class.

0:44:07.800 --> 0:44:09.680
<v Speaker 1>We were like, let's put together a play. Wow.

0:44:10.040 --> 0:44:13.960
<v Speaker 5>Yeah yeah. And then I got to go up and

0:44:13.960 --> 0:44:17.960
<v Speaker 5>and visit Writer and Shiloh and their their Shire house,

0:44:18.000 --> 0:44:20.600
<v Speaker 5>which was incredible.

0:44:20.960 --> 0:44:21.520
<v Speaker 2>The best.

0:44:22.760 --> 0:44:25.879
<v Speaker 3>Yeah, did he show you his grappling hook?

0:44:27.080 --> 0:44:30.160
<v Speaker 5>Is that some sort of.

0:44:30.719 --> 0:44:34.160
<v Speaker 4>He literally grappling hook.

0:44:34.640 --> 0:44:37.600
<v Speaker 1>I hadn't made it yet, guys. Okay, well, actually maybe

0:44:37.600 --> 0:44:40.719
<v Speaker 1>I have lost it, but lost it was.

0:44:41.000 --> 0:44:41.720
<v Speaker 2>The tree somewhere.

0:44:42.200 --> 0:44:44.800
<v Speaker 5>Yeah, I don't remember the graph. I remember them teaching

0:44:44.840 --> 0:44:51.040
<v Speaker 5>me magic. I remember playing magic with with Writer and

0:44:51.080 --> 0:44:58.480
<v Speaker 5>Shiloh and Nate. I remember like just coming to I

0:44:58.480 --> 0:45:02.959
<v Speaker 5>remember being so enchant with your family because I came

0:45:03.080 --> 0:45:05.600
<v Speaker 5>and it was more the lifestyle, Like I grew up

0:45:05.640 --> 0:45:08.759
<v Speaker 5>in the country, but this was like a decidedly hippie lifestyle,

0:45:08.760 --> 0:45:11.719
<v Speaker 5>which coming from Texas, I was not used to. And

0:45:11.760 --> 0:45:14.840
<v Speaker 5>like coming in and meeting miss Lynn and mister King

0:45:16.520 --> 0:45:20.560
<v Speaker 5>in this shire of redwood forest trees they like he

0:45:20.719 --> 0:45:27.560
<v Speaker 5>built with his bare hands, and and like your mom

0:45:27.760 --> 0:45:32.440
<v Speaker 5>was like so loving and nurturing, and I just remember

0:45:32.520 --> 0:45:38.279
<v Speaker 5>like just falling in love with the family like that

0:45:38.600 --> 0:45:41.400
<v Speaker 5>sort of like it felt so normal to me. And

0:45:41.440 --> 0:45:44.560
<v Speaker 5>I'm sure like every family is quirky and not as

0:45:44.600 --> 0:45:47.040
<v Speaker 5>normal as they seem, but to me, it was like

0:45:48.160 --> 0:45:53.440
<v Speaker 5>this house full of dependability and everyone was so unaffected

0:45:53.560 --> 0:45:56.000
<v Speaker 5>by and you and your brother.

0:45:57.040 --> 0:46:00.160
<v Speaker 1>It's still there. It's still there, and it's still he

0:46:00.280 --> 0:46:02.799
<v Speaker 1>was lovely and welcoming. No, it's way more beautiful than

0:46:02.840 --> 0:46:05.320
<v Speaker 1>it used to be like my dad just kept building stuff.

0:46:05.360 --> 0:46:07.759
<v Speaker 1>I mean now he's eighty one, but yeah, I mean

0:46:07.800 --> 0:46:09.920
<v Speaker 1>the place is gorgeous and like, yeah, we go up

0:46:09.920 --> 0:46:12.000
<v Speaker 1>all the time. It's it's lovely. It's so you got

0:46:12.000 --> 0:46:13.920
<v Speaker 1>to come up, bring your kids, it's.

0:46:13.760 --> 0:46:17.879
<v Speaker 5>Yeah, it was many kids have super special I have too.

0:46:18.719 --> 0:46:21.920
<v Speaker 5>How old are seven and nine? Amazing?

0:46:22.120 --> 0:46:25.040
<v Speaker 2>Oh my gosh, Indy will have a blast.

0:46:25.200 --> 0:46:27.640
<v Speaker 1>Yeah, you got to come up, come up to the Shire.

0:46:28.200 --> 0:46:32.520
<v Speaker 5>Yeah, they and was your I remember mister King being

0:46:32.560 --> 0:46:35.080
<v Speaker 5>like very mister King.

0:46:35.480 --> 0:46:37.480
<v Speaker 1>He's healthier than me right now, like he could still

0:46:38.760 --> 0:46:41.040
<v Speaker 1>still at eighty one. He has more fit than me.

0:46:41.400 --> 0:46:44.000
<v Speaker 1>He could kick my ass.

0:46:43.080 --> 0:46:45.759
<v Speaker 5>Right because I remember me like the peak of fitness.

0:46:46.200 --> 0:46:48.480
<v Speaker 2>He's amazed, like a specimen of a man.

0:46:48.640 --> 0:46:50.160
<v Speaker 4>Yes, exactly, it still is.

0:46:52.000 --> 0:46:52.200
<v Speaker 3>Yeah.

0:46:52.400 --> 0:46:53.040
<v Speaker 4>Yeah.

0:46:53.080 --> 0:46:56.080
<v Speaker 2>So going back to Florida episodes taking us from the

0:46:56.120 --> 0:46:59.359
<v Speaker 2>Shire back to Florida. Do you have no no, no,

0:46:59.520 --> 0:47:05.000
<v Speaker 2>we the detour. Do you have any like specific behind

0:47:05.120 --> 0:47:09.120
<v Speaker 2>the scenes memories or on the scenes memories about being

0:47:09.200 --> 0:47:12.200
<v Speaker 2>in Florida? Did you ride any rides fifty times?

0:47:12.440 --> 0:47:18.160
<v Speaker 5>Oh? Oh so I remember thinking I was like I

0:47:18.280 --> 0:47:22.480
<v Speaker 5>had made it. This was the pinnacle, the zenith of

0:47:22.560 --> 0:47:26.799
<v Speaker 5>my career, like screw oscars.

0:47:27.480 --> 0:47:31.440
<v Speaker 1>This backstage at Disney World.

0:47:31.719 --> 0:47:36.359
<v Speaker 5>Yeah, that we had and I think, now you can

0:47:36.400 --> 0:47:39.279
<v Speaker 5>pay for these, but at the time you could not

0:47:39.440 --> 0:47:43.880
<v Speaker 5>pay for these. No have a personal.

0:47:43.440 --> 0:47:46.279
<v Speaker 1>Guide, guest relations, gest.

0:47:46.080 --> 0:47:49.400
<v Speaker 5>Relations, and I just remember it would be like, okay,

0:47:49.840 --> 0:47:51.799
<v Speaker 5>now we're going to move to this other set and

0:47:51.920 --> 0:47:55.080
<v Speaker 5>all of us would run to this guide and he

0:47:55.120 --> 0:47:58.360
<v Speaker 5>would take us to the front of the line to

0:47:58.640 --> 0:48:04.879
<v Speaker 5>a right Yeah. And I was with like I wasn't recognizable,

0:48:04.920 --> 0:48:08.480
<v Speaker 5>but all of you were recognizable. So there was It

0:48:08.560 --> 0:48:13.279
<v Speaker 5>was like my first brush of this is what fame is.

0:48:14.520 --> 0:48:18.600
<v Speaker 5>No photographs, please, you don't know.

0:48:19.600 --> 0:48:21.920
<v Speaker 1>Terror one more time, let's go we could.

0:48:21.719 --> 0:48:25.239
<v Speaker 5>Just really I remember that. And I remember there being

0:48:25.280 --> 0:48:29.239
<v Speaker 5>a cast dinner at a new restaurant at Cot the

0:48:29.440 --> 0:48:33.040
<v Speaker 5>like whatever. The coolest one was.

0:48:32.600 --> 0:48:34.200
<v Speaker 1>The Italian one? Was it?

0:48:34.239 --> 0:48:34.520
<v Speaker 4>Okay?

0:48:34.560 --> 0:48:37.439
<v Speaker 5>And I remember a very long table with all of us.

0:48:38.280 --> 0:48:40.080
<v Speaker 2>Remember I remember that dinner too.

0:48:40.800 --> 0:48:49.560
<v Speaker 3>Yeah, So these all sound like amazing story his career.

0:48:50.120 --> 0:48:52.800
<v Speaker 3>Not I'll get there eventually, but this is it sounds

0:48:52.800 --> 0:48:54.120
<v Speaker 3>like you guys had a blast.

0:48:54.320 --> 0:48:55.040
<v Speaker 4>We did, we did.

0:48:55.480 --> 0:48:58.680
<v Speaker 5>It was it was really fun. Will. What I remember

0:48:58.719 --> 0:49:03.720
<v Speaker 5>about you is like one he's an adult like don't

0:49:05.120 --> 0:49:10.120
<v Speaker 5>talk to him, but like also just your uh you

0:49:10.200 --> 0:49:13.759
<v Speaker 5>were so sharp on set, Like that's what I remember, like,

0:49:13.800 --> 0:49:17.479
<v Speaker 5>I remember you being sharp. I remember I remember you

0:49:18.160 --> 0:49:23.560
<v Speaker 5>seeing watching you do scenes, and like you would do

0:49:23.600 --> 0:49:26.040
<v Speaker 5>it again and again and again. And what was incredible

0:49:26.080 --> 0:49:30.960
<v Speaker 5>about was that you you had the underpinnings of the comedy,

0:49:31.040 --> 0:49:34.319
<v Speaker 5>like you understood the comedy of it, but you were

0:49:34.360 --> 0:49:38.400
<v Speaker 5>able to play within that musicality. And I remember that.

0:49:38.560 --> 0:49:43.279
<v Speaker 5>I remember being very impressed by that. Thank you.

0:49:43.440 --> 0:49:47.720
<v Speaker 4>Yeah, I'll trade it all to go to Florida. Sounds

0:49:47.719 --> 0:49:49.719
<v Speaker 4>like it would have been fun once in an.

0:49:49.600 --> 0:49:54.399
<v Speaker 2>Italian restaurant with all these great young child actors as

0:49:54.400 --> 0:49:57.920
<v Speaker 2>opposed to uh, just taco bell at home and being funny.

0:49:58.080 --> 0:49:59.960
<v Speaker 5>Do you do you think they still because what I

0:50:00.040 --> 0:50:02.480
<v Speaker 5>I remember about those what was special about the restaurants

0:50:02.480 --> 0:50:05.560
<v Speaker 5>is you could go to a different world. Yeah, different

0:50:05.640 --> 0:50:07.360
<v Speaker 5>like you could go to China or you could go

0:50:07.400 --> 0:50:10.640
<v Speaker 5>to Italy. And what I remember is that in the

0:50:10.680 --> 0:50:14.319
<v Speaker 5>world I would probably they don't have it because it

0:50:14.320 --> 0:50:17.040
<v Speaker 5>would be like this weird appropriation thing of like them

0:50:17.160 --> 0:50:26.240
<v Speaker 5>dressing in cartoonish Italian get garburb and cartoonishes like Japanese

0:50:26.400 --> 0:50:27.239
<v Speaker 5>it's probably.

0:50:26.920 --> 0:50:29.759
<v Speaker 1>Not actually hired people from those countries to work there.

0:50:29.800 --> 0:50:32.440
<v Speaker 1>That was always Is that still the way it works, like.

0:50:32.600 --> 0:50:34.520
<v Speaker 4>I hope. So I haven't been to Epcot in forever.

0:50:34.719 --> 0:50:36.520
<v Speaker 3>Did they still gay?

0:50:36.760 --> 0:50:38.239
<v Speaker 4>Yeah, they give you that passport.

0:50:38.320 --> 0:50:40.200
<v Speaker 3>I still have my Epcot passport and you get it

0:50:40.239 --> 0:50:42.719
<v Speaker 3>stamped at every every country you go to. And then

0:50:42.719 --> 0:50:45.480
<v Speaker 3>when you got older, Epcot was the only place at

0:50:45.480 --> 0:50:48.200
<v Speaker 3>the time on Disney property where you could buy alcohol.

0:50:48.920 --> 0:50:50.759
<v Speaker 3>So when you hit twenty one, then you would do

0:50:51.120 --> 0:50:52.960
<v Speaker 3>called drinking around the world, and you saw how many

0:50:53.000 --> 0:50:54.560
<v Speaker 3>times you could make it around having a drink in

0:50:54.600 --> 0:50:56.759
<v Speaker 3>each country, and you know, there's people that.

0:50:56.719 --> 0:50:58.920
<v Speaker 4>Are like my third time around the world.

0:50:58.800 --> 0:51:01.359
<v Speaker 3>That are just hammered it Disney World. Yeah, was that

0:51:01.640 --> 0:51:03.400
<v Speaker 3>it was much different when you were over twenty one

0:51:03.440 --> 0:51:03.919
<v Speaker 3>by that point.

0:51:04.520 --> 0:51:08.080
<v Speaker 5>Oh, that's so interesting. That feels very in Disney like

0:51:08.440 --> 0:51:08.759
<v Speaker 5>it is.

0:51:08.840 --> 0:51:10.680
<v Speaker 4>I'm not sure you can do that anymore. I don't

0:51:10.680 --> 0:51:12.400
<v Speaker 4>think they I'm not sure they allow it anymore.

0:51:12.719 --> 0:51:16.560
<v Speaker 2>Yeah, who was your like, who was your crew? Who

0:51:16.640 --> 0:51:19.400
<v Speaker 2>was your group of friends in Los Angeles?

0:51:21.800 --> 0:51:26.200
<v Speaker 5>Well around that time, truly, I think writer and and

0:51:26.200 --> 0:51:28.880
<v Speaker 5>and Shiloh and the Tom sisters, like that was a

0:51:29.000 --> 0:51:29.600
<v Speaker 5>part of it.

0:51:29.719 --> 0:51:32.040
<v Speaker 1>And then and used to come to our house and

0:51:32.160 --> 0:51:34.239
<v Speaker 1>scene I remember we had a house in Encino, I

0:51:34.320 --> 0:51:34.880
<v Speaker 1>mean Texas.

0:51:34.960 --> 0:51:37.160
<v Speaker 5>Yeah, yeah, I mean Texas, that's right.

0:51:37.560 --> 0:51:41.520
<v Speaker 1>And with the pool yeah, so that would have been yeah.

0:51:41.800 --> 0:51:46.960
<v Speaker 5>And then I think that sort of ended when Shiloh

0:51:47.680 --> 0:51:52.520
<v Speaker 5>when I brought Shiloh home to meet my family, and uh, he.

0:51:54.960 --> 0:51:57.680
<v Speaker 2>Tell us the details he was when did you guys?

0:51:57.719 --> 0:51:58.440
<v Speaker 2>Do you guys dated?

0:51:58.760 --> 0:52:01.760
<v Speaker 5>Yes, we dated. That's why I would go up and visit.

0:52:01.920 --> 0:52:04.160
<v Speaker 5>That was another thing that I remember, like, how cool

0:52:04.640 --> 0:52:08.120
<v Speaker 5>how miss Lynn and mister King they're letting us sleep

0:52:08.160 --> 0:52:10.719
<v Speaker 5>in the same room together while I visit.

0:52:11.400 --> 0:52:14.640
<v Speaker 1>Likes basically in our family, you were grown up at

0:52:14.640 --> 0:52:15.439
<v Speaker 1>eleven years old?

0:52:15.680 --> 0:52:16.080
<v Speaker 3>Just right?

0:52:16.160 --> 0:52:17.840
<v Speaker 5>No, no, no, when you were older? I was, I was,

0:52:19.280 --> 0:52:23.560
<v Speaker 5>but yeah, and then I made the dire mistake of

0:52:23.760 --> 0:52:28.680
<v Speaker 5>bringing him home to visit my family, which is have

0:52:28.880 --> 0:52:31.680
<v Speaker 5>you guys ever seen did you guys see this last

0:52:31.680 --> 0:52:32.480
<v Speaker 5>season of The Bear?

0:52:35.560 --> 0:52:35.960
<v Speaker 4>Yeah?

0:52:36.000 --> 0:52:39.040
<v Speaker 5>So the flashback episode, Danielle, you.

0:52:38.960 --> 0:52:40.919
<v Speaker 2>Know what, I've never seen it even Oh.

0:52:41.000 --> 0:52:44.520
<v Speaker 5>God, okay, well when you see it, the flashback episode

0:52:44.560 --> 0:52:49.120
<v Speaker 5>of them growing up? That was my family, so not

0:52:49.920 --> 0:52:52.719
<v Speaker 5>different for Shiloh. And so.

0:52:54.320 --> 0:52:55.600
<v Speaker 1>I can't wait to ask about it.

0:52:55.920 --> 0:53:00.360
<v Speaker 5>Yeah, and so I was there. It's been two guys

0:53:00.360 --> 0:53:03.200
<v Speaker 5>in my life who had like really like broken my heart,

0:53:03.239 --> 0:53:06.080
<v Speaker 5>and truthfully, Shilah was one of them. Because we were

0:53:06.080 --> 0:53:09.360
<v Speaker 5>in Texas, Nate and his girlfriend came down to visit.

0:53:09.480 --> 0:53:12.080
<v Speaker 5>We went and saw the bat Caves. I thought everything

0:53:12.160 --> 0:53:14.480
<v Speaker 5>was going well, and then Shilah woke up and he

0:53:14.600 --> 0:53:19.239
<v Speaker 5>was like, Hey, I'm gonna go because I don't I

0:53:19.280 --> 0:53:22.640
<v Speaker 5>don't want to do this, and I think you think that,

0:53:22.920 --> 0:53:26.200
<v Speaker 5>like I'm your boyfriend and I'm not.

0:53:28.440 --> 0:53:29.360
<v Speaker 2>Okay.

0:53:30.080 --> 0:53:34.319
<v Speaker 5>Yeah, And I remember driving in silence the hour to

0:53:34.400 --> 0:53:40.160
<v Speaker 5>go from Kerrville to the UH to San Antonio to

0:53:40.239 --> 0:53:42.640
<v Speaker 5>drop off off of the airport. My mom's radio did

0:53:42.680 --> 0:53:44.920
<v Speaker 5>not work, so it was just us in silence.

0:53:45.080 --> 0:53:46.800
<v Speaker 4>Oh my god.

0:53:48.320 --> 0:53:51.040
<v Speaker 1>Yeah, I remember. I just remember being I remember being

0:53:51.120 --> 0:53:54.000
<v Speaker 1>sad because I was like, oh, you're not dating Hillar

0:53:54.040 --> 0:53:55.920
<v Speaker 1>and he was like no. I came home and I remember,

0:53:56.160 --> 0:53:56.880
<v Speaker 1>like what.

0:54:00.120 --> 0:54:04.120
<v Speaker 5>In retrospect, I can't believe he hung out as long

0:54:04.160 --> 0:54:08.840
<v Speaker 5>as he did. Like Shiloh and you were both old souls,

0:54:08.920 --> 0:54:12.439
<v Speaker 5>but in this retro in this situation, you guys were

0:54:12.560 --> 0:54:15.719
<v Speaker 5>he was way too ginger to be thrown it. I mean,

0:54:16.239 --> 0:54:17.160
<v Speaker 5>I don't know what it was.

0:54:17.400 --> 0:54:19.360
<v Speaker 1>I think it might have just been commitment in general.

0:54:19.400 --> 0:54:21.680
<v Speaker 1>I don't think, because I don't remember any him saying

0:54:21.719 --> 0:54:26.000
<v Speaker 1>anything negative about Texas or you or your family at all.

0:54:26.320 --> 0:54:28.040
<v Speaker 1>All I remember is him just being like, oh, I

0:54:28.040 --> 0:54:29.919
<v Speaker 1>don't want to be in a relationship. I'm not ready here.

0:54:30.480 --> 0:54:33.040
<v Speaker 5>Let's be clear. It was my family, not me. Don't

0:54:33.080 --> 0:54:33.840
<v Speaker 5>ruin this for me.

0:54:35.880 --> 0:54:37.600
<v Speaker 1>It was the commitment, is what I'm saying. It was

0:54:37.680 --> 0:54:41.080
<v Speaker 1>commitment and nothing to do with He was just like, oh, wait,

0:54:41.120 --> 0:54:43.879
<v Speaker 1>we're like dating now. Oh And it was like, yeah,

0:54:44.000 --> 0:54:46.440
<v Speaker 1>dumb ass, you're going to visit her in Texas. Of

0:54:46.480 --> 0:54:48.799
<v Speaker 1>course you're dating. But I think he like woke up

0:54:48.840 --> 0:54:53.040
<v Speaker 1>and was like what she live? Boyfriend? Girlfriend? No, which

0:54:53.080 --> 0:54:56.080
<v Speaker 1>is just like being whatever eighteen seventeen and being like

0:54:56.560 --> 0:54:58.480
<v Speaker 1>I don't have to be in a relationship with somebody,

0:54:58.480 --> 0:55:02.600
<v Speaker 1>what an idiot? No, never about you or no, like yeah, no,

0:55:02.680 --> 0:55:06.319
<v Speaker 1>he just freaked out about commitment and like being dating somebody.

0:55:06.840 --> 0:55:10.960
<v Speaker 5>I I hold so much love for Shiloh.

0:55:11.080 --> 0:55:13.400
<v Speaker 1>I think, yeah, you guys just recently talked. He was

0:55:13.440 --> 0:55:16.080
<v Speaker 1>like that he brought you up, and I was like, wait,

0:55:16.080 --> 0:55:17.719
<v Speaker 1>we would try to get. We should have her on

0:55:17.760 --> 0:55:19.799
<v Speaker 1>the podcast. Yeah, that's so much.

0:55:20.200 --> 0:55:23.239
<v Speaker 2>Yeah, fear of commitment was something he had in his

0:55:23.239 --> 0:55:25.400
<v Speaker 2>fisherman's vest. Who could have seen it coming.

0:55:26.600 --> 0:55:30.840
<v Speaker 1>Deep in one of those pottle back hidden pocket.

0:55:31.160 --> 0:55:32.360
<v Speaker 5>That's right, that's right.

0:55:32.520 --> 0:55:38.319
<v Speaker 2>To his pipe and smoking and then jump up pipe.

0:55:40.120 --> 0:55:41.680
<v Speaker 5>Oh my god, he smoked a.

0:55:41.880 --> 0:55:44.880
<v Speaker 1>Pipe, isn't it ridiculous? With a bowling hat, with a

0:55:44.880 --> 0:55:48.080
<v Speaker 1>bowler hat smoking a pipe and hacky sacking and and

0:55:48.560 --> 0:55:52.000
<v Speaker 1>and juggling and cycles he could he learned how to

0:55:52.080 --> 0:55:54.960
<v Speaker 1>use cycles. I mean, this man and he was still cool,

0:55:55.040 --> 0:55:57.680
<v Speaker 1>Like that's what's amazing. You take the accumulation and you

0:55:57.760 --> 0:56:01.000
<v Speaker 1>described Shiloh at sixteen and you're like, what a dorky,

0:56:01.120 --> 0:56:04.879
<v Speaker 1>weird theater to and instead it was like and effortlessly

0:56:05.040 --> 0:56:08.520
<v Speaker 1>cool and him when you were like, wow, this got Yeah,

0:56:08.560 --> 0:56:10.640
<v Speaker 1>it's it's a very strange vibe, like it is. I

0:56:10.680 --> 0:56:12.280
<v Speaker 1>guess in a way it would be like a burning

0:56:12.400 --> 0:56:14.759
<v Speaker 1>man vibe now, but it wasn't then. It was just

0:56:14.880 --> 0:56:16.719
<v Speaker 1>cool in its own sort of way.

0:56:17.120 --> 0:56:19.360
<v Speaker 3>It's like a whole bunch of really bizarre ingredients that

0:56:19.520 --> 0:56:22.719
<v Speaker 3>somehow still make a really good dish. Yeah, it's like,

0:56:22.800 --> 0:56:26.040
<v Speaker 3>how did those five things equals something amazing.

0:56:27.600 --> 0:56:34.440
<v Speaker 1>Ninety six. It's a good vintage fun can't commit, don't commit,

0:56:35.000 --> 0:56:35.799
<v Speaker 1>don't take him home.

0:56:36.239 --> 0:56:38.800
<v Speaker 2>I want to get to you. Starring in the TV

0:56:38.960 --> 0:56:42.440
<v Speaker 2>version of Honey I Shrunk the Kids, which was massive

0:56:42.560 --> 0:56:46.360
<v Speaker 2>because the movie was so popular. The promotional tour for

0:56:46.440 --> 0:56:49.279
<v Speaker 2>this must have been insane for you. Was this a

0:56:49.320 --> 0:56:52.840
<v Speaker 2>fun experience considering all the effects and Peter Scillari playing

0:56:52.840 --> 0:56:55.200
<v Speaker 2>your dad? Like, was it an overall great experience?

0:56:55.760 --> 0:56:58.440
<v Speaker 5>Oh? My gosh, it was. It was the best experience.

0:56:59.080 --> 0:57:03.720
<v Speaker 5>It was. We were I left. I left my sophomore

0:57:03.800 --> 0:57:08.520
<v Speaker 5>year of college to go up there and shoot it.

0:57:08.520 --> 0:57:13.600
<v Speaker 5>It was Peter Sclari who I worked on in Camp Nowhere.

0:57:14.520 --> 0:57:16.200
<v Speaker 4>Oh, he was in Camp Nowhere too.

0:57:16.120 --> 0:57:21.600
<v Speaker 5>Okay, Yeah, and then Barbara Allan Woods who played my mom,

0:57:21.720 --> 0:57:25.440
<v Speaker 5>who ended up very quickly we became best friends. We

0:57:25.480 --> 0:57:30.720
<v Speaker 5>moved in together for about three months into the first season.

0:57:30.800 --> 0:57:32.480
<v Speaker 5>We loved each other so much.

0:57:32.840 --> 0:57:35.040
<v Speaker 1>Where were in Canada or Yeah?

0:57:35.080 --> 0:57:39.720
<v Speaker 5>We were shooting in Calgary, which is like Texas. It

0:57:39.760 --> 0:57:45.800
<v Speaker 5>is the Texas of Canada. And I'm you know, I'm

0:57:46.040 --> 0:57:48.600
<v Speaker 5>the god daughter to her oldest daughter. I stood at

0:57:48.600 --> 0:57:55.960
<v Speaker 5>her wedding like and we were we were family really

0:57:56.280 --> 0:58:00.680
<v Speaker 5>and Peter. I feel like my real education and comedy

0:58:01.040 --> 0:58:05.440
<v Speaker 5>came from Peter, Like he taught me. He taught me comedy,

0:58:05.600 --> 0:58:08.000
<v Speaker 5>and he taught me how to be a number one

0:58:08.120 --> 0:58:10.760
<v Speaker 5>on the set, like what is it like how do

0:58:10.800 --> 0:58:13.920
<v Speaker 5>you lead a ship as an actor? And he was

0:58:15.440 --> 0:58:19.880
<v Speaker 5>a consummate professional and he like really showed me how

0:58:19.920 --> 0:58:21.920
<v Speaker 5>do we keep it loose on the set? How do

0:58:21.960 --> 0:58:25.960
<v Speaker 5>we allow and like create a space for play. And

0:58:27.720 --> 0:58:29.280
<v Speaker 5>the guests are you know, like you guys have had

0:58:29.280 --> 0:58:32.560
<v Speaker 5>an incredible guest star and me too. I'm actually watching

0:58:32.600 --> 0:58:34.680
<v Speaker 5>the series with my kids right now and I haven't

0:58:34.720 --> 0:58:38.440
<v Speaker 5>seen it in twenty five years, and I cannot believe

0:58:38.480 --> 0:58:44.400
<v Speaker 5>the guest starters we've had, just like what So, yeah,

0:58:44.520 --> 0:58:47.040
<v Speaker 5>it was, it was it was fair. We shot nine

0:58:47.040 --> 0:58:50.440
<v Speaker 5>months out of the year on film Wow, so we

0:58:50.440 --> 0:58:55.800
<v Speaker 5>were shooting a nine month movie every year, So it

0:58:55.840 --> 0:58:59.760
<v Speaker 5>was it was really intense hours. You know, twelve fourteen

0:58:59.760 --> 0:59:02.720
<v Speaker 5>hours is not a little little more than the than

0:59:02.760 --> 0:59:03.600
<v Speaker 5>the multi camp.

0:59:03.920 --> 0:59:08.440
<v Speaker 6>Yeah, a little differently, and the visual effects were a

0:59:08.520 --> 0:59:12.760
<v Speaker 6>lot that I have, like, you know, fell in love

0:59:13.360 --> 0:59:15.880
<v Speaker 6>like really hardcore for the first time lived.

0:59:16.080 --> 0:59:18.280
<v Speaker 2>I hope he didn't have a commitment phobia.

0:59:18.480 --> 0:59:21.880
<v Speaker 5>He did not have a commitment good. Yeah, yeah it

0:59:21.920 --> 0:59:26.560
<v Speaker 5>turned out I did. But but but could he juggle?

0:59:27.880 --> 0:59:28.440
<v Speaker 2>Was he an actor?

0:59:30.040 --> 0:59:33.480
<v Speaker 5>He was not? No, he did. He did the he

0:59:33.520 --> 0:59:34.959
<v Speaker 5>did the storyboards on the show.

0:59:35.360 --> 0:59:35.800
<v Speaker 2>Wow.

0:59:36.280 --> 0:59:38.600
<v Speaker 5>So yeah, it was like it was a it was

0:59:38.640 --> 0:59:42.240
<v Speaker 5>a family. We would all have Thanksgiving together, we would,

0:59:42.640 --> 0:59:46.240
<v Speaker 5>I mean it was it was a real family. And

0:59:46.280 --> 0:59:50.240
<v Speaker 5>I have such good memories and what I learned on

0:59:50.280 --> 0:59:54.800
<v Speaker 5>that show was just so much. It was my Yeah,

0:59:55.320 --> 0:59:57.360
<v Speaker 5>it was my education in comedy for sure.

0:59:57.840 --> 0:59:58.280
<v Speaker 4>Well he was.

0:59:58.280 --> 1:00:01.200
<v Speaker 3>Peter Scalari was one of I mean the show obviously

1:00:01.160 --> 1:00:03.920
<v Speaker 3>the subject matter of the show people would have a

1:00:03.920 --> 1:00:06.040
<v Speaker 3>problem with nowadays, But Buzz and Buddies is one of

1:00:06.040 --> 1:00:10.080
<v Speaker 3>the greatest comedies ever on TV. Him and Tom Hanks

1:00:10.800 --> 1:00:14.600
<v Speaker 3>as roommates, and they were killing it week after week.

1:00:14.640 --> 1:00:17.680
<v Speaker 3>I mean, they were so good. So yeah, he was

1:00:17.720 --> 1:00:21.320
<v Speaker 3>one of those guys who just had that innate comic

1:00:21.360 --> 1:00:24.200
<v Speaker 3>timing inside of him and then you'd go see him

1:00:24.240 --> 1:00:27.040
<v Speaker 3>do something dramatic and he was incredible. So he was

1:00:27.160 --> 1:00:30.080
<v Speaker 3>just one of those actors, just one of those consummate actors. Yeah,

1:00:30.080 --> 1:00:32.000
<v Speaker 3>he's one of my favorite of all time. He really is.

1:00:32.440 --> 1:00:37.200
<v Speaker 5>Yeah, and just one of the kindest, most generous humans

1:00:37.560 --> 1:00:40.320
<v Speaker 5>I ever met. You know, he's the one who taught me.

1:00:40.840 --> 1:00:45.200
<v Speaker 5>He's the one who taught me like when I end

1:00:45.240 --> 1:00:47.440
<v Speaker 5>a show, like if I guest star on a show,

1:00:48.480 --> 1:00:50.920
<v Speaker 5>I'm writing thank you notes to everybody at the end

1:00:50.960 --> 1:00:54.960
<v Speaker 5>of the show. You know, he was every year we

1:00:55.000 --> 1:00:57.840
<v Speaker 5>would I would send out thank you notes to every

1:00:57.960 --> 1:01:00.600
<v Speaker 5>single person in the crew and cast because he taught

1:01:00.600 --> 1:01:02.920
<v Speaker 5>me to do that. You know, things that are just

1:01:03.000 --> 1:01:10.360
<v Speaker 5>like the generosity was. Yeah, yeah, he is messed.

1:01:10.600 --> 1:01:11.360
<v Speaker 4>I'd love to hear that.

1:01:11.480 --> 1:01:13.880
<v Speaker 2>Yeah, he sadly passed away in twenty twenty one.

1:01:14.080 --> 1:01:16.000
<v Speaker 4>Yeah, another another unavailable actor.

1:01:16.320 --> 1:01:31.840
<v Speaker 2>Yeah, yeah, that's right. Do you ever get recognized for

1:01:31.880 --> 1:01:32.640
<v Speaker 2>Boy Meets World?

1:01:33.960 --> 1:01:37.160
<v Speaker 5>I didn't recognize for Boy Meets World. Truthfully, it has

1:01:37.200 --> 1:01:42.960
<v Speaker 5>been a while since I have been recognized at all.

1:01:43.200 --> 1:01:48.160
<v Speaker 5>It's usually it's usually like yeah, it's like usually in

1:01:48.200 --> 1:01:51.520
<v Speaker 5>the airport and they're like, oh my god, you were

1:01:52.200 --> 1:01:55.280
<v Speaker 5>you were at the Johnston's wedding this weekend, right, I'm like,

1:01:55.600 --> 1:01:59.600
<v Speaker 5>oh no, no, oh, oh, so you went to Michigan. Yes,

1:01:59.640 --> 1:02:02.040
<v Speaker 5>that's how I know you. Yes, No, I didn't go

1:02:02.080 --> 1:02:02.680
<v Speaker 5>to Michigan.

1:02:03.000 --> 1:02:03.040
<v Speaker 3>No.

1:02:04.560 --> 1:02:06.920
<v Speaker 5>And I've even had times where I will be with

1:02:07.000 --> 1:02:09.520
<v Speaker 5>like my embarrassing father who is so quick to be

1:02:09.600 --> 1:02:13.520
<v Speaker 5>like she's she's an actress, she's been on everything to

1:02:13.880 --> 1:02:19.280
<v Speaker 5>literally said no, no, that's not it, like okay, yes.

1:02:19.560 --> 1:02:21.400
<v Speaker 1>I had people argue with me. They're like, we went

1:02:21.440 --> 1:02:24.600
<v Speaker 1>to high school together. I'm like, no, no, no, we really didn't.

1:02:25.200 --> 1:02:26.360
<v Speaker 1>I didn't go high school.

1:02:26.400 --> 1:02:31.640
<v Speaker 5>I went to eight children go to high school on TV.

1:02:32.320 --> 1:02:34.480
<v Speaker 1>But it was not our, like, it was not your

1:02:34.920 --> 1:02:37.360
<v Speaker 1>It's like I get argues like, that's not it. Okay.

1:02:37.400 --> 1:02:38.240
<v Speaker 1>I don't know what to tell.

1:02:38.160 --> 1:02:39.160
<v Speaker 4>The I don't know what to tell you.

1:02:39.240 --> 1:02:42.080
<v Speaker 5>Yeah, yeah, I don't think. I don't remember if I've

1:02:42.120 --> 1:02:46.640
<v Speaker 5>been recognized. I do know. That is the question that

1:02:46.680 --> 1:02:50.240
<v Speaker 5>I always get. It's my favorite question, Oh you're an actress.

1:02:50.240 --> 1:02:53.680
<v Speaker 5>What have you been on? Because like, well, I'll decide

1:02:53.680 --> 1:02:58.080
<v Speaker 5>if you're an actress, prove it right, And I.

1:02:58.240 --> 1:03:01.560
<v Speaker 1>Heard of the finishing touches, right, yes, and.

1:03:03.040 --> 1:03:10.080
<v Speaker 5>If they are between thirty and forty five fifty, I

1:03:10.120 --> 1:03:12.960
<v Speaker 5>know I can say. I've often said like a quick

1:03:13.000 --> 1:03:16.000
<v Speaker 5>thing is boy meets were like ooh, like because you

1:03:16.040 --> 1:03:18.440
<v Speaker 5>want to like what can I what is the what

1:03:18.520 --> 1:03:21.640
<v Speaker 5>is the quickest way that I can validate what I

1:03:21.720 --> 1:03:24.240
<v Speaker 5>do to you so that I don't have to run

1:03:24.320 --> 1:03:26.280
<v Speaker 5>through my resume because.

1:03:26.040 --> 1:03:27.560
<v Speaker 1>If you say, honey, I shrunk the kids, they're like,

1:03:27.640 --> 1:03:29.640
<v Speaker 1>I love that movie, and you're like, not the most

1:03:30.720 --> 1:03:34.480
<v Speaker 1>god like there was a TV show.

1:03:34.320 --> 1:03:35.760
<v Speaker 4>And then you're like why why why.

1:03:39.600 --> 1:03:40.200
<v Speaker 1>Amazing.

1:03:40.280 --> 1:03:43.040
<v Speaker 2>So you have two kids, as you mentioned, yew, would

1:03:43.080 --> 1:03:48.120
<v Speaker 2>you feel if they wanted to act? Do they act?

1:03:48.720 --> 1:03:53.560
<v Speaker 5>I one of my daughter I think is going to

1:03:53.680 --> 1:03:58.439
<v Speaker 5>be more creative. My son is like all sports all

1:03:58.480 --> 1:04:03.080
<v Speaker 5>the time, which is great because that's his dad's deal.

1:04:03.440 --> 1:04:08.520
<v Speaker 5>So I think I'm trying not to push it. But

1:04:08.640 --> 1:04:12.120
<v Speaker 5>she does seem she has to take piano lessons. She

1:04:12.320 --> 1:04:15.080
<v Speaker 5>asked to take singing lessons, so I think she may

1:04:15.120 --> 1:04:18.680
<v Speaker 5>do something creative. As far as if she wants to

1:04:18.760 --> 1:04:21.160
<v Speaker 5>do something in the creative arts, I'm totally cool with that.

1:04:21.400 --> 1:04:29.160
<v Speaker 5>As far as being a professional actor before she's an adult,

1:04:30.480 --> 1:04:34.240
<v Speaker 5>I don't know. I guess, you know, as Ted Kennedy

1:04:34.240 --> 1:04:36.040
<v Speaker 5>would say, we'll drive off that bridge when we come

1:04:36.080 --> 1:04:41.200
<v Speaker 5>to it, I don't think we'll go over that. I

1:04:41.200 --> 1:04:45.200
<v Speaker 5>don't know. Yeah, that's how I don't know. I would

1:04:45.200 --> 1:04:47.680
<v Speaker 5>want to. You know, it's such a big part of

1:04:47.720 --> 1:04:53.320
<v Speaker 5>who I am. I don't know. Yeah, that's not an answer.

1:04:52.920 --> 1:04:57.480
<v Speaker 2>But I appreciate the honesty because I really think so

1:04:57.680 --> 1:05:01.320
<v Speaker 2>much of parenting is being able to admit. I don't

1:05:01.520 --> 1:05:04.240
<v Speaker 2>have the answer for that yet, but I know I'll

1:05:04.240 --> 1:05:08.680
<v Speaker 2>come to the conclusion when the situation presents itself. And

1:05:09.560 --> 1:05:11.920
<v Speaker 2>you know, I only had all the answers about parenting

1:05:12.080 --> 1:05:14.320
<v Speaker 2>before I was a parent. I knew everything then. I

1:05:14.400 --> 1:05:20.360
<v Speaker 2>was a fantastic parent. Before I had children, we were

1:05:20.360 --> 1:05:22.240
<v Speaker 2>not gonna have screen time. There were no screen time

1:05:22.280 --> 1:05:25.440
<v Speaker 2>at meals, all the things you like.

1:05:25.520 --> 1:05:26.959
<v Speaker 5>Your kids have screen time.

1:05:27.680 --> 1:05:32.400
<v Speaker 2>I know, honestly, it's amazing they're alive, but yes I do.

1:05:32.960 --> 1:05:38.000
<v Speaker 2>And they've also occasionally eaten a fruit snack. It's what

1:05:38.640 --> 1:05:43.000
<v Speaker 2>now I know. Well, in our doing of the research

1:05:43.000 --> 1:05:45.040
<v Speaker 2>of you that we did before you came on the show,

1:05:45.600 --> 1:05:49.120
<v Speaker 2>we found out that you help coach young actors now

1:05:49.600 --> 1:05:52.920
<v Speaker 2>paying it forward with all of the years of experience

1:05:52.960 --> 1:05:54.240
<v Speaker 2>you had, Can you tell us about that?

1:05:54.640 --> 1:06:01.440
<v Speaker 5>Yeah? I do. I I would say that now my

1:06:01.640 --> 1:06:05.480
<v Speaker 5>main my my career is the CEO of my family.

1:06:06.680 --> 1:06:09.880
<v Speaker 5>I don't want to say that. I mean, I still

1:06:09.920 --> 1:06:12.680
<v Speaker 5>have reps, but I would say I'm probably I would

1:06:12.760 --> 1:06:17.840
<v Speaker 5>consider myself certainly semi retired at least, you know, the

1:06:17.920 --> 1:06:21.959
<v Speaker 5>pandemic hit and I'm such a cliche, but it really

1:06:21.960 --> 1:06:25.640
<v Speaker 5>made me re examine my life and like what was

1:06:26.720 --> 1:06:30.320
<v Speaker 5>what was enough? And I think the I think the

1:06:30.400 --> 1:06:37.760
<v Speaker 5>whys of why I was acting, which before were to

1:06:37.880 --> 1:06:41.000
<v Speaker 5>prove to others and to myself that I was enough,

1:06:41.040 --> 1:06:45.360
<v Speaker 5>that I was worthy, that I was I had risen

1:06:45.400 --> 1:06:48.959
<v Speaker 5>above my station. All of those things they just didn't

1:06:48.960 --> 1:06:52.360
<v Speaker 5>apply anymore, and I don't think they'd applied for a while.

1:06:52.640 --> 1:06:58.680
<v Speaker 5>But acting was all that I knew, and so I

1:06:58.720 --> 1:07:01.040
<v Speaker 5>think I was able to let a lot of that

1:07:01.280 --> 1:07:04.800
<v Speaker 5>sort of go during the pandemic and just like sit

1:07:04.920 --> 1:07:09.320
<v Speaker 5>and go, Okay, well what buckets? I only have the

1:07:09.360 --> 1:07:12.520
<v Speaker 5>bandwidth for two or three buckets in my life. What

1:07:12.600 --> 1:07:17.800
<v Speaker 5>do I want to fail? And I had I had

1:07:17.840 --> 1:07:23.960
<v Speaker 5>been certainly before teaching at a studio called Warner Laughlin Studios,

1:07:24.400 --> 1:07:28.160
<v Speaker 5>which I still I teach the masterclass there now, And

1:07:28.200 --> 1:07:32.680
<v Speaker 5>that's sort of my that's my love, Like that's where

1:07:32.720 --> 1:07:35.960
<v Speaker 5>I exactly what you said, like being of service sort

1:07:35.960 --> 1:07:43.760
<v Speaker 5>of helping to guide or remind these these actors that

1:07:43.800 --> 1:07:47.960
<v Speaker 5>they don't have to suffer for the craft. And that

1:07:48.080 --> 1:07:51.920
<v Speaker 5>it can be fun and play, and so I do that,

1:07:52.120 --> 1:07:57.640
<v Speaker 5>and then I also do some some training like mindset

1:07:57.680 --> 1:08:01.520
<v Speaker 5>work for for actors, as far as is helping them

1:08:01.560 --> 1:08:06.920
<v Speaker 5>with pre performance and post performance so that they can

1:08:07.920 --> 1:08:13.240
<v Speaker 5>I don't know, I just I noticed there's this sports psychologist,

1:08:13.280 --> 1:08:15.640
<v Speaker 5>Michael Gervay who says you can only train three things

1:08:16.040 --> 1:08:20.479
<v Speaker 5>your mind, your body, and your craft. And a friend

1:08:20.479 --> 1:08:24.120
<v Speaker 5>of mine and I found that everyone in Hollywood, which

1:08:24.160 --> 1:08:29.960
<v Speaker 5>is like the Olympics of acting, everyone was training their craft,

1:08:30.280 --> 1:08:32.760
<v Speaker 5>everyone was training their body, but no one seemed to

1:08:32.760 --> 1:08:37.400
<v Speaker 5>be training their mind. And we just started looking at

1:08:37.400 --> 1:08:40.720
<v Speaker 5>the science of sports psychology and like, how do you, like,

1:08:41.320 --> 1:08:44.000
<v Speaker 5>how do you level up when you can't do any

1:08:44.040 --> 1:08:47.679
<v Speaker 5>more reps and you can't you know, do any more

1:08:48.320 --> 1:08:52.040
<v Speaker 5>whatever they do in practices. I'm not a sports fan,

1:08:52.920 --> 1:08:58.040
<v Speaker 5>but the science, it's all just performance science. And so

1:08:58.080 --> 1:09:01.280
<v Speaker 5>we just sort of took that and like, how do

1:09:01.360 --> 1:09:05.120
<v Speaker 5>we apply that to actors performing? Like why is no

1:09:05.200 --> 1:09:10.439
<v Speaker 5>one training? Why is no one training their mind? Before?

1:09:10.600 --> 1:09:14.800
<v Speaker 5>Because it what they were all the training they were

1:09:14.800 --> 1:09:17.800
<v Speaker 5>doing in their craft was not showing up in the room,

1:09:18.160 --> 1:09:23.080
<v Speaker 5>and we wondered why. So we just started being interesting definitely.

1:09:24.040 --> 1:09:26.720
<v Speaker 1>Yeah, Hillary, it is so good to see you, and

1:09:26.800 --> 1:09:30.600
<v Speaker 1>you it's so awesome to talk to you, because it's like,

1:09:31.040 --> 1:09:33.559
<v Speaker 1>not only do you look the same, you are the same.

1:09:34.080 --> 1:09:38.160
<v Speaker 1>You were like the coolest, most mature, unflappable, like you

1:09:38.200 --> 1:09:41.360
<v Speaker 1>were a full grown woman when I knew you back then,

1:09:41.520 --> 1:09:44.000
<v Speaker 1>and you you are now. It's so cool. I just

1:09:44.120 --> 1:09:45.559
<v Speaker 1>I love you. It's so great to see you.

1:09:45.920 --> 1:09:49.960
<v Speaker 5>I'm so glad I was changed. I was so nervous,

1:09:50.000 --> 1:09:52.720
<v Speaker 5>I think especially for Danielle and will because I was like,

1:09:52.760 --> 1:09:55.000
<v Speaker 5>how do I how did I come off when I

1:09:55.040 --> 1:09:59.360
<v Speaker 5>was fifteen? Because my uh at fifteen, I think my

1:09:59.680 --> 1:10:03.040
<v Speaker 5>fifteen in sixteen, my sort of one I felt insecure.

1:10:03.200 --> 1:10:06.400
<v Speaker 5>My roat thing was to get like very stone cold

1:10:06.560 --> 1:10:12.800
<v Speaker 5>and sort of intimidate and be sort of stand offish,

1:10:12.840 --> 1:10:14.160
<v Speaker 5>which luckily I.

1:10:14.120 --> 1:10:16.280
<v Speaker 4>Don't remember that at all. I just remember you being

1:10:16.400 --> 1:10:17.639
<v Speaker 4>I mean, you and I didn't work together.

1:10:17.640 --> 1:10:19.840
<v Speaker 3>I don't think ever, no, But but I just remember

1:10:19.880 --> 1:10:22.320
<v Speaker 3>you being very nice and fitting in and getting along

1:10:22.320 --> 1:10:22.839
<v Speaker 3>with everybody.

1:10:22.880 --> 1:10:24.839
<v Speaker 4>I mean, that's kind of the only thing I remember.

1:10:24.880 --> 1:10:25.120
<v Speaker 5>Really.

1:10:25.439 --> 1:10:27.640
<v Speaker 2>Yeah, I don't remember I don't remember feeling like you

1:10:27.680 --> 1:10:30.559
<v Speaker 2>were stand offish, but I definitely knew that you were

1:10:30.640 --> 1:10:33.120
<v Speaker 2>very close to the Strong family and it felt like,

1:10:33.600 --> 1:10:36.800
<v Speaker 2>you know, the friendship was with them, and so there,

1:10:37.120 --> 1:10:39.799
<v Speaker 2>I do remember feeling like there isn't room for friendship

1:10:39.880 --> 1:10:42.559
<v Speaker 2>with me, even though I was friends with writer too.

1:10:42.640 --> 1:10:46.000
<v Speaker 2>But it did very much feel like Hillary belongs to

1:10:46.040 --> 1:10:47.599
<v Speaker 2>the Strongs.

1:10:47.680 --> 1:10:50.360
<v Speaker 5>And so interesting because I felt the same way about

1:10:50.360 --> 1:10:51.160
<v Speaker 5>you and Andrew.

1:10:51.800 --> 1:10:53.679
<v Speaker 2>Right, well, Andrew and I did belong to each other.

1:10:53.880 --> 1:10:56.400
<v Speaker 5>That's no way that Disney It.

1:10:56.280 --> 1:10:58.160
<v Speaker 4>Was like you'll were right.

1:10:58.280 --> 1:11:01.080
<v Speaker 1>We all did the Disney World episode together, of course.

1:11:01.400 --> 1:11:04.920
<v Speaker 2>And that that is absolutely true. Andrew was mine there,

1:11:05.200 --> 1:11:07.640
<v Speaker 2>like Andrew was my friend who was there, and I

1:11:07.720 --> 1:11:11.200
<v Speaker 2>felt very protective over him, like you know, so yes

1:11:11.439 --> 1:11:12.760
<v Speaker 2>to you are spot on.

1:11:13.920 --> 1:11:16.240
<v Speaker 3>I wasn't anybody's and I wasn't a Disney and I

1:11:16.280 --> 1:11:17.360
<v Speaker 3>wasn't at Disney World.

1:11:17.160 --> 1:11:18.360
<v Speaker 1>And you're not coming again.

1:11:18.400 --> 1:11:21.679
<v Speaker 3>I was just alone time by myself and I will

1:11:21.680 --> 1:11:22.439
<v Speaker 3>eat by myself.

1:11:22.760 --> 1:11:24.320
<v Speaker 4>You had Pops the world.

1:11:24.439 --> 1:11:24.920
<v Speaker 2>You got it.

1:11:25.000 --> 1:11:26.040
<v Speaker 5>You got the week off.

1:11:26.960 --> 1:11:29.360
<v Speaker 1>Yeah, yeah, got pay for a week do nothing.

1:11:29.439 --> 1:11:30.000
<v Speaker 4>That's the same.

1:11:30.320 --> 1:11:35.439
<v Speaker 2>Sorry, So Hillary, Sorry, looking back now thirty years later,

1:11:36.320 --> 1:11:39.000
<v Speaker 2>looking on your at your work as a child in

1:11:39.040 --> 1:11:42.080
<v Speaker 2>the nineties, with everything that you went through and now

1:11:42.200 --> 1:11:45.479
<v Speaker 2>all of the teaching and helping to train the minds

1:11:45.479 --> 1:11:49.120
<v Speaker 2>of other actors. What do you feel when you watch

1:11:49.479 --> 1:11:50.759
<v Speaker 2>young Hillary on screen.

1:11:51.600 --> 1:11:57.280
<v Speaker 5>Oh, that's so good. I think I am. I would

1:11:57.320 --> 1:12:01.679
<v Speaker 5>say I'm ninety percent, like just really, I think I'm

1:12:02.160 --> 1:12:07.519
<v Speaker 5>proud of her. I think she did, like she rose

1:12:07.560 --> 1:12:12.720
<v Speaker 5>above her station. She had some really cool friends, she

1:12:12.760 --> 1:12:16.000
<v Speaker 5>had some really good times. I think she proved herself

1:12:16.680 --> 1:12:20.120
<v Speaker 5>to be an actor, you know, who could hang, who

1:12:20.120 --> 1:12:27.519
<v Speaker 5>could hang with other good actors. Like, you know, she

1:12:28.080 --> 1:12:31.360
<v Speaker 5>wasn't a she took it seriously, she wasn't a hack.

1:12:32.800 --> 1:12:37.720
<v Speaker 5>You know. I wish I could tell her now, you

1:12:37.920 --> 1:12:43.639
<v Speaker 5>were worth it, even if you didn't book it, you

1:12:43.680 --> 1:12:47.439
<v Speaker 5>were worth it, even if you weren't as good as

1:12:47.479 --> 1:12:50.000
<v Speaker 5>you were, you know, like you were worthy of all

1:12:50.080 --> 1:12:55.120
<v Speaker 5>of that. But mostly I think it brings back like

1:12:55.240 --> 1:12:58.639
<v Speaker 5>that was fun, that was a special thing. Not every

1:12:58.760 --> 1:13:01.160
<v Speaker 5>fifteen year old gets to do those kind of things.

1:13:01.479 --> 1:13:06.400
<v Speaker 2>So yeah, yeah, and not every fifteen year old is

1:13:06.479 --> 1:13:10.280
<v Speaker 2>able to rise to the occasion and come out the

1:13:10.320 --> 1:13:14.200
<v Speaker 2>other side of it with positive stories and able to

1:13:14.240 --> 1:13:18.840
<v Speaker 2>make a positive contribution continuing and moving forward. So not

1:13:18.960 --> 1:13:22.160
<v Speaker 2>only were you worthy, but you are in the top

1:13:22.240 --> 1:13:24.519
<v Speaker 2>tier of people who were ever able to do it,

1:13:25.479 --> 1:13:30.559
<v Speaker 2>and your life now is evidence of that. So thank

1:13:30.600 --> 1:13:32.839
<v Speaker 2>you so much for being here with us and spending

1:13:32.840 --> 1:13:35.360
<v Speaker 2>this time with us and reconnecting. I want to give

1:13:35.360 --> 1:13:38.479
<v Speaker 2>you a big hug or close the screen I know

1:13:38.560 --> 1:13:39.080
<v Speaker 2>and see.

1:13:39.000 --> 1:13:41.200
<v Speaker 4>No like I can reach out.

1:13:41.280 --> 1:13:45.000
<v Speaker 2>I think it's about a three hour flight, so we should.

1:13:45.320 --> 1:13:46.880
<v Speaker 2>We could probably be there this weekend.

1:13:46.960 --> 1:13:50.720
<v Speaker 3>You know we're thinking of Andcino Calgary totally.

1:13:53.080 --> 1:13:54.080
<v Speaker 2>Let's please get together.

1:13:54.840 --> 1:13:57.880
<v Speaker 5>I would love that you guys anytime. You guys would

1:13:57.880 --> 1:14:00.759
<v Speaker 5>love if any of you want to come in and

1:14:01.120 --> 1:14:03.840
<v Speaker 5>uh co teach my masterclass with me. We could do

1:14:04.120 --> 1:14:09.720
<v Speaker 5>a multi cam night. What a what a wonderful How

1:14:09.800 --> 1:14:12.320
<v Speaker 5>lucky these these actors would be to get you to

1:14:12.520 --> 1:14:13.080
<v Speaker 5>be so much?

1:14:13.120 --> 1:14:14.880
<v Speaker 2>That would be cool, That would be fun.

1:14:15.160 --> 1:14:16.320
<v Speaker 5>I would love to you guys.

1:14:16.400 --> 1:14:19.320
<v Speaker 3>There's an Italian place in Encino with a giant long table.

1:14:19.360 --> 1:14:21.960
<v Speaker 4>We can go see that called Buka Deo right there.

1:14:22.760 --> 1:14:30.320
<v Speaker 2>But do they have people dressed in Italian?

1:14:31.400 --> 1:14:33.760
<v Speaker 5>That's what I remember is they would talk. But like

1:14:34.240 --> 1:14:37.799
<v Speaker 5>we thought it was great, but now I'm in retrospect.

1:14:41.520 --> 1:14:43.680
<v Speaker 2>Hillary, thank you so much for being here. Can't wait

1:14:43.720 --> 1:14:44.559
<v Speaker 2>to see you again soon.

1:14:44.800 --> 1:14:46.599
<v Speaker 5>Yes, y'all take care. I have a great day.

1:14:46.960 --> 1:14:51.720
<v Speaker 2>Bye bye. Man is she incredible?

1:14:52.520 --> 1:14:53.280
<v Speaker 4>She sucks?

1:14:53.439 --> 1:14:57.719
<v Speaker 1>Oh my gosh, it's just the worst, horrible, horrible interview,

1:14:58.720 --> 1:15:02.080
<v Speaker 1>just like she's the best I like I It was

1:15:02.120 --> 1:15:04.840
<v Speaker 1>so funny. The second her face appeared on screen, I

1:15:04.920 --> 1:15:07.600
<v Speaker 1>was filled with longing, like I just missed her, and

1:15:08.080 --> 1:15:10.320
<v Speaker 1>you know, and it's one of those things, like I

1:15:10.840 --> 1:15:13.439
<v Speaker 1>guess in a weird way, we probably it's because she

1:15:13.479 --> 1:15:15.840
<v Speaker 1>and Shiloh that they broke up and we lost our

1:15:15.920 --> 1:15:18.080
<v Speaker 1>friendship as a result, right, which is the bummer?

1:15:18.200 --> 1:15:18.280
<v Speaker 5>Right?

1:15:18.320 --> 1:15:20.360
<v Speaker 1>I mean that, but that happens with with siblings.

1:15:20.360 --> 1:15:22.800
<v Speaker 2>And you know, I didn't even know they dated. I

1:15:22.800 --> 1:15:25.200
<v Speaker 2>mean I gathered it from at the beginning, and I.

1:15:25.160 --> 1:15:27.320
<v Speaker 1>Realized, now that's why we lost touch. Otherwise we never

1:15:27.360 --> 1:15:29.360
<v Speaker 1>would have lost touch. I loved Hillary, like it's so

1:15:29.400 --> 1:15:30.040
<v Speaker 1>good to see her.

1:15:30.160 --> 1:15:31.760
<v Speaker 4>I just love hearing that they got to share a

1:15:31.760 --> 1:15:35.840
<v Speaker 4>bed in my family. Literally, even if you were engaged,

1:15:36.120 --> 1:15:38.479
<v Speaker 4>you could not. When you were married, you could share

1:15:38.479 --> 1:15:38.720
<v Speaker 4>a bed.

1:15:39.760 --> 1:15:43.320
<v Speaker 2>Listen at Ryder's house. YEA tie your own shoes.

1:15:43.600 --> 1:15:43.960
<v Speaker 5>You were in.

1:15:44.000 --> 1:15:47.200
<v Speaker 4>Adult, allowed to be in bed with whoever you are.

1:15:47.800 --> 1:15:49.760
<v Speaker 2>What you need to tie your shoes because no one

1:15:49.840 --> 1:15:54.800
<v Speaker 2>was wearing sho exactly add to the woods with this

1:15:54.920 --> 1:15:56.280
<v Speaker 2>knife see you later.

1:15:59.720 --> 1:16:01.599
<v Speaker 1>Yeah, wow, that's true.

1:16:03.760 --> 1:16:07.080
<v Speaker 2>I really loved talking to her and hearing about her

1:16:07.120 --> 1:16:09.400
<v Speaker 2>life that I knew absolutely nothing about before the sun.

1:16:09.439 --> 1:16:11.680
<v Speaker 1>I've never read that about her mom. That's super interesting

1:16:11.760 --> 1:16:13.640
<v Speaker 1>and actually, you know, makes a lot of sense. The

1:16:13.640 --> 1:16:16.479
<v Speaker 1>way you analyze d Daniel was acts exactly right, and

1:16:16.520 --> 1:16:19.880
<v Speaker 1>the way she's talked about like maturity being almost more

1:16:19.920 --> 1:16:22.639
<v Speaker 1>important than talent at that age, and it's so true,

1:16:22.640 --> 1:16:24.920
<v Speaker 1>Like you see that, you see that the child actors

1:16:24.920 --> 1:16:27.880
<v Speaker 1>that end up working a lot, especially under ten, have

1:16:27.960 --> 1:16:31.599
<v Speaker 1>a preternatural like maturity level almost more than they can act.

1:16:31.840 --> 1:16:34.920
<v Speaker 1>Like the important part is can you be cool on set?

1:16:35.000 --> 1:16:36.639
<v Speaker 1>Can you be cool with memorizing lines?

1:16:36.760 --> 1:16:36.920
<v Speaker 5>You know?

1:16:36.920 --> 1:16:38.599
<v Speaker 2>Are you so smart handle the blocking?

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<v Speaker 1>Can you handle the blocking? Like all that is almost

1:16:41.160 --> 1:16:43.519
<v Speaker 1>more important than your ability to like be present in

1:16:43.520 --> 1:16:46.080
<v Speaker 1>the moment or make choices honestly, which is what so

1:16:46.160 --> 1:16:47.960
<v Speaker 1>much of acting is, you realize as you get older.

1:16:48.000 --> 1:16:52.160
<v Speaker 2>But yeah, interesting, God, so cool to see her. Thank

1:16:52.200 --> 1:16:53.800
<v Speaker 2>you all for joining us for this episode of Pod

1:16:53.800 --> 1:16:56.000
<v Speaker 2>Meets World. As always, you can follow us on Instagram

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<v Speaker 2>pod Meets World Show you can send us your emails

1:16:58.520 --> 1:17:01.400
<v Speaker 2>Pod Meets World Show at gmail dot com, and we

1:17:01.439 --> 1:17:01.880
<v Speaker 2>have merch.

1:17:02.400 --> 1:17:03.600
<v Speaker 4>Shiloh can't commit to.

1:17:03.640 --> 1:17:12.040
<v Speaker 2>March Podmeets Worldshow dot com. Poor Shiloh, he's taking We

1:17:12.120 --> 1:17:14.479
<v Speaker 2>have to Shiloh, come by, tell us his side of

1:17:14.520 --> 1:17:16.599
<v Speaker 2>the story, will send us out.

1:17:17.040 --> 1:17:18.839
<v Speaker 4>We love you all, pod dismissed.

1:17:19.840 --> 1:17:23.360
<v Speaker 3>Podmets World is nheart podcast producer and hosted by Danielle Fischel,

1:17:23.479 --> 1:17:27.280
<v Speaker 3>Wilfredell and Ryder Strong executive producers, Jensen Carp and Amy

1:17:27.280 --> 1:17:31.519
<v Speaker 3>Sugarman Executive in charge of production, Danielle Romo, producer and editor,

1:17:31.560 --> 1:17:35.360
<v Speaker 3>Tara Sudbaksh producer, Maddy Moore, engineer and Boy Meets World

1:17:35.400 --> 1:17:38.000
<v Speaker 3>super fan Easton Allen. Our theme song is by Kyle

1:17:38.040 --> 1:17:40.280
<v Speaker 3>Morton of Typhoon and you can follow us on Instagram

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<v Speaker 3>at Podmeets World Show or email us at Podmeets World

1:17:43.120 --> 1:17:46.280
<v Speaker 3>Show at gmail dot com.