1 00:00:18,680 --> 00:00:21,320 Speaker 1: Okay, I want to talk about something that just occurred 2 00:00:21,360 --> 00:00:22,919 Speaker 1: to me, and I just want to hear you guys 3 00:00:23,079 --> 00:00:25,480 Speaker 1: describe it, because it suddenly struck me as a little 4 00:00:25,480 --> 00:00:29,240 Speaker 1: odd and it didn't quite make sense, but it was 5 00:00:29,240 --> 00:00:31,040 Speaker 1: something that was just a huge part of our lives, 6 00:00:31,080 --> 00:00:34,320 Speaker 1: and I want to hear it described because I think 7 00:00:34,360 --> 00:00:39,080 Speaker 1: it's a little weird outside of Hollywood. Where did we park. 8 00:00:40,440 --> 00:00:40,960 Speaker 2: On the lot? 9 00:00:41,320 --> 00:00:41,720 Speaker 3: Yeah? 10 00:00:41,800 --> 00:00:42,560 Speaker 1: Like, how did that work? 11 00:00:44,240 --> 00:00:48,440 Speaker 2: We had to signed parking spaces that like basically circled 12 00:00:49,000 --> 00:00:51,280 Speaker 2: the stage. They were very close to the stage. We 13 00:00:51,320 --> 00:00:52,319 Speaker 2: didn't have to walk far. 14 00:00:52,840 --> 00:00:56,400 Speaker 1: So nobody else in the crew had parking spots like that. 15 00:00:57,080 --> 00:00:58,720 Speaker 2: No, but I think some of the writers did. 16 00:00:58,960 --> 00:01:03,960 Speaker 1: Children We're given parking spots where we didn't have to 17 00:01:04,000 --> 00:01:07,080 Speaker 1: walk the what how far? Like two hundred yards from 18 00:01:07,080 --> 00:01:10,640 Speaker 1: the park. But isn't that kind of bizarre when you 19 00:01:10,680 --> 00:01:13,960 Speaker 1: think about it? Why were we granted great parking spots? 20 00:01:14,280 --> 00:01:17,360 Speaker 2: Here's what I'll tell you. The argument is the same 21 00:01:17,480 --> 00:01:23,760 Speaker 2: reason we all have anxiety around dressing and it needs 22 00:01:23,760 --> 00:01:27,800 Speaker 2: to be done fast because the show's very tight schedule 23 00:01:28,080 --> 00:01:34,840 Speaker 2: revolves around expediency. They need to make sure that if 24 00:01:34,880 --> 00:01:37,560 Speaker 2: our call time is nine and we show up at 25 00:01:37,720 --> 00:01:41,880 Speaker 2: eight fifty nine or on the dot nine that we 26 00:01:41,920 --> 00:01:45,360 Speaker 2: are then parking our car and immediately on set in 27 00:01:45,440 --> 00:01:49,160 Speaker 2: a short amount of time. And I don't think this 28 00:01:49,200 --> 00:01:52,640 Speaker 2: will shock people that. I think most actors have the 29 00:01:53,000 --> 00:01:57,840 Speaker 2: reputation for not being super timely or good at managing time, 30 00:01:58,440 --> 00:02:01,640 Speaker 2: and so the idea that somebody would have to say, well, 31 00:02:01,680 --> 00:02:04,360 Speaker 2: my call time's nine, but that means on set at nine, 32 00:02:04,760 --> 00:02:07,800 Speaker 2: I have to walk fifteen minutes. So I'm going to 33 00:02:07,880 --> 00:02:09,880 Speaker 2: have to get there at eight forty five, and I 34 00:02:09,919 --> 00:02:11,960 Speaker 2: have to allow for traffic. So I, like a human 35 00:02:12,000 --> 00:02:15,680 Speaker 2: being a job like, they try to take all of 36 00:02:15,720 --> 00:02:21,320 Speaker 2: that out the situation for actors because we are catered 37 00:02:21,320 --> 00:02:22,680 Speaker 2: to exactly. 38 00:02:22,919 --> 00:02:24,640 Speaker 4: I think it's also one of the perks. 39 00:02:24,680 --> 00:02:26,120 Speaker 3: It's one of the perks of getting there because I 40 00:02:26,160 --> 00:02:28,080 Speaker 3: remember the first time driving up on set, the first 41 00:02:28,080 --> 00:02:31,079 Speaker 3: thing I took a picture of was my parking space. 42 00:02:30,840 --> 00:02:31,280 Speaker 4: With my name. 43 00:02:31,400 --> 00:02:31,640 Speaker 3: Yeah. 44 00:02:31,840 --> 00:02:33,480 Speaker 4: Yeah, that was the coolest thing in the world. 45 00:02:33,520 --> 00:02:36,080 Speaker 1: But that's the chair kind of ridiculous, Like doesn't that 46 00:02:36,240 --> 00:02:41,320 Speaker 1: mean to me? It created It contributed to a culture 47 00:02:41,600 --> 00:02:47,360 Speaker 1: that exacerbated two different tendencies. One we cared about our cars, 48 00:02:47,840 --> 00:02:52,640 Speaker 1: like the presentation of a car was important, which is like, 49 00:02:52,639 --> 00:02:54,480 Speaker 1: like no other aspect of my life has that ever, 50 00:02:54,680 --> 00:02:57,480 Speaker 1: But I remember like what people drove like and how 51 00:02:57,520 --> 00:02:59,520 Speaker 1: they pulled up because we'd see it, you'd pull up 52 00:02:59,520 --> 00:03:00,920 Speaker 1: in front of it. And then the other thing that 53 00:03:00,919 --> 00:03:03,799 Speaker 1: it contributed to is beam late, Like there was this 54 00:03:03,919 --> 00:03:08,080 Speaker 1: sense of like, yeah, you could just pull in fifteen 55 00:03:08,080 --> 00:03:10,080 Speaker 1: minutes late and everybody would be waiting for you and 56 00:03:10,120 --> 00:03:12,519 Speaker 1: you'd pull up into your parking spot and jump out. 57 00:03:12,520 --> 00:03:14,480 Speaker 1: And like I loved even like Kevin Kelton when he 58 00:03:14,520 --> 00:03:17,680 Speaker 1: was like rider would drive this car. He like our 59 00:03:18,280 --> 00:03:22,200 Speaker 1: our like culture revolved around like the fact that we 60 00:03:22,320 --> 00:03:25,360 Speaker 1: had these parking spots, which is just so weird to me. 61 00:03:25,680 --> 00:03:26,640 Speaker 1: And it's still like. 62 00:03:26,560 --> 00:03:27,320 Speaker 5: That for actors. 63 00:03:27,680 --> 00:03:28,600 Speaker 2: Oh yeah, I don't. 64 00:03:28,440 --> 00:03:30,639 Speaker 3: Think it's just the directors, but I think it's it's 65 00:03:30,680 --> 00:03:33,720 Speaker 3: I think it's also if you're the manager of the bank, 66 00:03:33,880 --> 00:03:34,760 Speaker 3: you're gonna get a. 67 00:03:34,840 --> 00:03:38,640 Speaker 2: Park number of parking spots you should they go to 68 00:03:39,000 --> 00:03:39,360 Speaker 2: they go. 69 00:03:39,320 --> 00:03:39,760 Speaker 4: To the piece. 70 00:03:39,800 --> 00:03:41,680 Speaker 1: So why do we have parking spots and the like 71 00:03:41,720 --> 00:03:43,560 Speaker 1: there should not be cars on the lot at all 72 00:03:43,680 --> 00:03:46,960 Speaker 1: because that's super dangerous, Like you should be parking on 73 00:03:47,000 --> 00:03:51,360 Speaker 1: a garage and then cars not drive cars driving on lots. 74 00:03:51,440 --> 00:03:54,080 Speaker 1: It makes no sense. It is purely to cater to 75 00:03:54,360 --> 00:03:57,040 Speaker 1: the egos of the people that you're giving those that 76 00:03:57,280 --> 00:03:59,800 Speaker 1: access to. It's like it's like having an extra bathroom 77 00:04:00,120 --> 00:04:01,920 Speaker 1: for executives. It's so weird. 78 00:04:02,360 --> 00:04:05,920 Speaker 3: Do you remember when we started at Disney, we were 79 00:04:05,960 --> 00:04:09,440 Speaker 3: next to Home Improvement and there was always some amazingly 80 00:04:09,560 --> 00:04:11,680 Speaker 3: cool car or two in Tim Allen. 81 00:04:11,520 --> 00:04:14,160 Speaker 4: Spot, That's what I mean. And it was like, yeah 82 00:04:14,160 --> 00:04:14,440 Speaker 4: it was. 83 00:04:14,480 --> 00:04:16,960 Speaker 3: And I remember one time, so he's got a he 84 00:04:17,279 --> 00:04:19,719 Speaker 3: I pull in and there's a brand new Porsche in 85 00:04:19,760 --> 00:04:22,680 Speaker 3: his parking spot with a license plate that said Claus one. 86 00:04:23,400 --> 00:04:25,279 Speaker 3: And it was because he had just done the Santa 87 00:04:25,279 --> 00:04:28,600 Speaker 3: Claus and it did so well that Disney bought him 88 00:04:28,640 --> 00:04:32,400 Speaker 3: a Porsche and had to me though. 89 00:04:32,240 --> 00:04:33,760 Speaker 4: To this day, that's still the pinnacle. 90 00:04:33,760 --> 00:04:35,320 Speaker 3: I want to do subthing where it's so good, where 91 00:04:35,360 --> 00:04:38,280 Speaker 3: somebody's like, here's a Porsche, thanks for being on the show. 92 00:04:39,320 --> 00:04:42,720 Speaker 4: It's great. It's only in Hollywood. 93 00:04:42,760 --> 00:04:46,320 Speaker 1: My friend weird to me, and like I totally bought 94 00:04:46,360 --> 00:04:48,760 Speaker 1: into it and like never questioned it. It was just like, oh, 95 00:04:48,800 --> 00:04:52,359 Speaker 1: I'm at sixteen, I have my own or even before that, 96 00:04:52,400 --> 00:04:55,400 Speaker 1: I have my own parking spot and like everyone knew 97 00:04:55,440 --> 00:04:58,400 Speaker 1: what car I was driving. Like it's so I remember, 98 00:04:58,560 --> 00:05:03,000 Speaker 1: like I bought because all I wanted was an old convertible, 99 00:05:03,120 --> 00:05:05,560 Speaker 1: like I wanted like a Karma Gia, and my parents 100 00:05:05,560 --> 00:05:07,640 Speaker 1: wouldn't let me get it because they were like, that's 101 00:05:07,640 --> 00:05:11,120 Speaker 1: an unsafe car. But I wanted like an old little convertible. 102 00:05:11,400 --> 00:05:13,080 Speaker 1: And then will You were like, you got to get 103 00:05:13,080 --> 00:05:15,520 Speaker 1: a BMW because that was like and so like I 104 00:05:15,600 --> 00:05:20,320 Speaker 1: at seventeen, Yes, I at seventeen bought a BMW convertible. 105 00:05:20,560 --> 00:05:23,400 Speaker 1: And then I was like driving around and I like, 106 00:05:23,680 --> 00:05:26,719 Speaker 1: it's so weird, like I just don't like care about 107 00:05:26,720 --> 00:05:28,760 Speaker 1: cars at all, like and I even then I don't 108 00:05:28,800 --> 00:05:30,960 Speaker 1: think I did that much, but it became part of 109 00:05:31,000 --> 00:05:33,400 Speaker 1: the thing. And then I remember I had an agent 110 00:05:33,480 --> 00:05:35,960 Speaker 1: who joined the Savage agent. This woman joined the Savage 111 00:05:36,040 --> 00:05:38,279 Speaker 1: and State, and I remember I pulled up in my 112 00:05:38,520 --> 00:05:42,400 Speaker 1: car at one point she was like, why do you 113 00:05:42,080 --> 00:05:44,720 Speaker 1: you really like you care about your car? And I 114 00:05:44,760 --> 00:05:47,560 Speaker 1: was like, well, yeah, I got a BMW. She was like, 115 00:05:47,600 --> 00:05:49,640 Speaker 1: I just never I never saw you as that type 116 00:05:49,640 --> 00:05:51,600 Speaker 1: of person, like it seems like a lot of money 117 00:05:51,760 --> 00:05:54,120 Speaker 1: to like wait, and I remember being like, am I 118 00:05:54,200 --> 00:05:57,560 Speaker 1: that type of person and like, yes, that's what it was, 119 00:05:57,600 --> 00:05:59,400 Speaker 1: just this part of this culture and like I've never 120 00:05:59,400 --> 00:06:01,920 Speaker 1: been that person since, like, but it was. It's so 121 00:06:02,279 --> 00:06:03,560 Speaker 1: like La and. 122 00:06:03,440 --> 00:06:05,920 Speaker 2: I s a Toyota four Runner as my first car. 123 00:06:06,480 --> 00:06:08,120 Speaker 4: I still have my first car. 124 00:06:08,520 --> 00:06:11,920 Speaker 1: Having an suv in LA is already a little ridiculous, 125 00:06:11,960 --> 00:06:14,440 Speaker 1: especially at sixteen. That's a little and at that time 126 00:06:14,480 --> 00:06:17,760 Speaker 1: that was the pinnacle of like cool and like, you 127 00:06:17,800 --> 00:06:18,760 Speaker 1: never you don't need an. 128 00:06:18,720 --> 00:06:22,400 Speaker 3: Suv, But having a parking space makes way more sense 129 00:06:22,440 --> 00:06:25,560 Speaker 3: to me, Like caring about it's close to the set, 130 00:06:25,680 --> 00:06:27,440 Speaker 3: I can get there on time. All this set makes 131 00:06:27,440 --> 00:06:30,080 Speaker 3: way more sense to me than actors caring about where 132 00:06:30,080 --> 00:06:32,840 Speaker 3: their name is listed in the credits, right, Like I 133 00:06:32,880 --> 00:06:35,239 Speaker 3: would always get that my agent call me, going. 134 00:06:35,120 --> 00:06:36,960 Speaker 4: Well, you're fourth on the call sheet. Are you okay 135 00:06:36,960 --> 00:06:37,200 Speaker 4: with that? 136 00:06:37,240 --> 00:06:39,359 Speaker 3: And I would always remember thinking to myself, why the 137 00:06:39,400 --> 00:06:42,520 Speaker 3: hell do I care where my name is listed? 138 00:06:42,640 --> 00:06:45,360 Speaker 4: I mean, performance speak for itself. I do not care 139 00:06:45,360 --> 00:06:45,919 Speaker 4: where my name is. 140 00:06:46,000 --> 00:06:47,960 Speaker 1: I would actually argue, I mean I think we might 141 00:06:47,960 --> 00:06:50,440 Speaker 1: have hit on this a little bit. I feel like 142 00:06:50,480 --> 00:06:52,520 Speaker 1: the opening credits of the first season of Boy MutS 143 00:06:52,560 --> 00:06:54,839 Speaker 1: World were actually very good. 144 00:06:54,640 --> 00:06:57,000 Speaker 4: For us, right They introduced you, but I don't care 145 00:06:57,040 --> 00:06:57,520 Speaker 4: where I was. 146 00:06:57,720 --> 00:07:00,800 Speaker 1: But being able to see your name with your picture 147 00:07:01,040 --> 00:07:03,599 Speaker 1: was that the deal? And that doesn't happen anymore, no, 148 00:07:03,680 --> 00:07:06,400 Speaker 1: And I actually think that that really it is good 149 00:07:06,400 --> 00:07:09,040 Speaker 1: for actors, Like I like actors getting recognition. Like even 150 00:07:09,120 --> 00:07:10,880 Speaker 1: now you think it's so cheesy at the end of 151 00:07:10,920 --> 00:07:12,600 Speaker 1: like a movie or whatever when they like showed the 152 00:07:12,640 --> 00:07:15,720 Speaker 1: actors and list them, But in reality that's cool. It's 153 00:07:15,720 --> 00:07:16,600 Speaker 1: like a curtain call, you know. 154 00:07:16,680 --> 00:07:20,120 Speaker 3: It's like when you have where you're listing shouldn't matter. 155 00:07:20,280 --> 00:07:22,040 Speaker 4: It should be the performance that you're doing. So if 156 00:07:22,040 --> 00:07:22,920 Speaker 4: you're listed. 157 00:07:22,600 --> 00:07:26,240 Speaker 3: Second or seventh, you shouldn't be calling your agents based 158 00:07:26,240 --> 00:07:27,400 Speaker 3: seven on the call sheet. 159 00:07:27,440 --> 00:07:29,800 Speaker 1: But that's usually just based on the sides of your part, right, 160 00:07:29,840 --> 00:07:30,480 Speaker 1: I mean, isn't that. 161 00:07:30,440 --> 00:07:33,240 Speaker 2: Alsoways Like I also wonder how much of it is 162 00:07:33,320 --> 00:07:36,200 Speaker 2: to a certain extent safety, Like I know, I was 163 00:07:36,280 --> 00:07:40,720 Speaker 2: followed from the stage of Boy Meets World where it 164 00:07:40,800 --> 00:07:43,880 Speaker 2: was after a live studio audience taping, and people parked 165 00:07:43,920 --> 00:07:46,680 Speaker 2: outside of the gate where I exited. They watched me 166 00:07:46,760 --> 00:07:48,760 Speaker 2: pull out and they followed me home. 167 00:07:49,080 --> 00:07:51,440 Speaker 4: Yeah, and then you got out of your car. 168 00:07:51,520 --> 00:07:53,160 Speaker 2: I did. I got out of my car and yeah, 169 00:07:53,240 --> 00:07:53,840 Speaker 2: that's crazy. 170 00:07:54,280 --> 00:07:56,200 Speaker 1: Yeah, I don't know. I just I just had this 171 00:07:56,280 --> 00:07:58,520 Speaker 1: memory of like, and I think we told that will 172 00:07:58,560 --> 00:08:01,920 Speaker 1: You told that one story when Dusty hits the car 173 00:08:02,000 --> 00:08:04,720 Speaker 1: with the ball, and I was like, it is so 174 00:08:04,760 --> 00:08:07,240 Speaker 1: weird to have these cars lined up in front of 175 00:08:07,240 --> 00:08:09,840 Speaker 1: a stage, and yet we just totally that was our 176 00:08:09,920 --> 00:08:12,560 Speaker 1: late second. And like, you think about how many crew 177 00:08:12,560 --> 00:08:15,680 Speaker 1: members had to had to park like a normal human 178 00:08:15,720 --> 00:08:18,280 Speaker 1: being and walk to work and be there on time. 179 00:08:18,440 --> 00:08:21,800 Speaker 4: This makes so much sense. This is why every house 180 00:08:21,880 --> 00:08:23,760 Speaker 4: you buy has no parking. 181 00:08:26,360 --> 00:08:29,720 Speaker 1: That's just because I like houses that are slightly removed 182 00:08:29,920 --> 00:08:32,720 Speaker 1: from like from parking, or from just from normal. 183 00:08:32,880 --> 00:08:37,560 Speaker 3: Like rider can't dress without anxiety and doesn't want an 184 00:08:37,600 --> 00:08:39,160 Speaker 3: he doesn't want park he wantsn't. 185 00:08:38,800 --> 00:08:41,760 Speaker 4: Work to be as difficult as possible. It makes so 186 00:08:41,880 --> 00:08:42,360 Speaker 4: much sense. 187 00:08:42,400 --> 00:08:44,760 Speaker 2: You should have to hike a mile to my. 188 00:08:44,880 --> 00:08:48,160 Speaker 3: House, and if you're backing out half your car should 189 00:08:48,200 --> 00:08:50,160 Speaker 3: slam over this thing and we should have to call 190 00:08:50,240 --> 00:08:51,199 Speaker 3: in tow trucks. 191 00:08:51,600 --> 00:08:53,520 Speaker 1: I think there's truth to that. I think there's truth 192 00:08:53,559 --> 00:08:56,559 Speaker 1: to that, because you know, the most beautiful wilderness experiences 193 00:08:56,600 --> 00:08:58,680 Speaker 1: I've ever had, or when I've had to hike multiple 194 00:08:58,760 --> 00:09:00,720 Speaker 1: days to get somewhere. You know, it's like if you 195 00:09:00,760 --> 00:09:03,440 Speaker 1: can get there easily. We've talked about Grand Canyon. It's 196 00:09:03,520 --> 00:09:08,640 Speaker 1: anti climactic. Like, so ease of access is is not great? Like, yes, 197 00:09:08,720 --> 00:09:11,160 Speaker 1: I think I think having difficulty is good for us. 198 00:09:11,559 --> 00:09:13,680 Speaker 2: Well, I like my parking space and I'm not giving 199 00:09:13,720 --> 00:09:14,000 Speaker 2: it up. 200 00:09:14,080 --> 00:09:14,480 Speaker 3: Thank you. 201 00:09:14,840 --> 00:09:16,720 Speaker 2: Welcome to Pod meets World. I'm Daniel Fishel. 202 00:09:16,880 --> 00:09:18,839 Speaker 4: I'm righter, strong, and I should be the first one 203 00:09:18,880 --> 00:09:19,840 Speaker 4: to say my name. 204 00:09:22,000 --> 00:09:22,640 Speaker 1: From now on. 205 00:09:23,040 --> 00:09:25,720 Speaker 4: Now on, I'm wilfred Ell. Now you guys say you're. 206 00:09:28,040 --> 00:09:28,440 Speaker 5: My god. 207 00:09:28,480 --> 00:09:29,520 Speaker 2: I love it so much. 208 00:09:29,760 --> 00:09:31,000 Speaker 1: Oh my god, I love you guys. 209 00:09:44,200 --> 00:09:47,000 Speaker 2: There is a very elite and small club when it 210 00:09:47,040 --> 00:09:49,600 Speaker 2: comes to Boy Meets World, and for all intents and purposes, 211 00:09:49,679 --> 00:09:52,960 Speaker 2: let's call it the Trifecta Gang. These are the actors 212 00:09:52,960 --> 00:09:56,560 Speaker 2: who appeared on the show three times, but as three 213 00:09:56,960 --> 00:09:58,439 Speaker 2: different characters. 214 00:09:58,240 --> 00:10:00,360 Speaker 4: There's more than one of the Steve. 215 00:10:01,760 --> 00:10:02,280 Speaker 5: There are. 216 00:10:03,679 --> 00:10:08,560 Speaker 2: True inductees into this illustrious crew. First is the beloved 217 00:10:08,600 --> 00:10:12,319 Speaker 2: Willie Garson, who played Leonard Spinelli Mervin from Merrill Lynch 218 00:10:12,400 --> 00:10:14,880 Speaker 2: and the minister who married Corey into Panga in season seven. 219 00:10:15,520 --> 00:10:19,920 Speaker 2: Second is Jonathan C. Kaplan, who played Herbert Simon and Alvin, 220 00:10:19,960 --> 00:10:22,400 Speaker 2: which sure does sound a lot like the Chipmunks, it does. 221 00:10:23,720 --> 00:10:26,280 Speaker 1: He was always the nerd character, Yes, they just kept 222 00:10:26,400 --> 00:10:27,800 Speaker 1: changing which nerd name he. 223 00:10:28,000 --> 00:10:28,760 Speaker 4: Yep, that's exactly. 224 00:10:29,120 --> 00:10:30,640 Speaker 1: Give the kid the same name. 225 00:10:30,440 --> 00:10:32,480 Speaker 4: And make it Mancus because they forgot. 226 00:10:33,480 --> 00:10:37,920 Speaker 2: Also, it's worth noting that technically Phil Broccoli Leads could 227 00:10:37,960 --> 00:10:43,400 Speaker 2: also fall into the but he plays two characters named 228 00:10:43,520 --> 00:10:47,440 Speaker 2: Phil and one named Milton, So we'll leave it up 229 00:10:47,520 --> 00:10:50,760 Speaker 2: to different correct because one of them is not the 230 00:10:50,800 --> 00:10:52,040 Speaker 2: same soup pill. 231 00:10:52,160 --> 00:10:55,640 Speaker 4: No, and then there's broccoli flap. Fill this broccoli flap Phil, right? 232 00:10:56,480 --> 00:10:59,240 Speaker 1: So wait, okay, all right, sorry, gone on interest. 233 00:10:59,640 --> 00:11:02,240 Speaker 2: So we'll leave whether or not he falls into this 234 00:11:02,320 --> 00:11:05,800 Speaker 2: category up to you, our dear podcast listeners, to make 235 00:11:05,840 --> 00:11:09,760 Speaker 2: that decision. I'm talking to you, specifically Melissa, but the 236 00:11:09,800 --> 00:11:12,400 Speaker 2: third for sure member in this week's guest who you 237 00:11:12,400 --> 00:11:15,560 Speaker 2: can call Samantha, Sarah or Kristen. In addition to this 238 00:11:15,600 --> 00:11:17,880 Speaker 2: trio of characters on Boy Meets World, she is best 239 00:11:17,920 --> 00:11:21,079 Speaker 2: known as Amy Zelinski in the Disney TV show for Honey, 240 00:11:21,120 --> 00:11:23,960 Speaker 2: I Shrunk the Kids, or Betty Stoller in a pod 241 00:11:24,000 --> 00:11:27,760 Speaker 2: meets World favorite film Camp Nowhere. She also appeared on 242 00:11:27,760 --> 00:11:32,120 Speaker 2: the Saturday morning basketball sitcom Hangtime, Roseanne House, Gray's Anatomy, 243 00:11:32,360 --> 00:11:35,680 Speaker 2: and the theatrical play with the Brothers Strong. She's a 244 00:11:35,800 --> 00:11:39,240 Speaker 2: name that's already come up dozens of times on the podcast, 245 00:11:39,320 --> 00:11:41,640 Speaker 2: and now we are honored to have her stop by. 246 00:11:42,040 --> 00:11:48,520 Speaker 2: It's time to talk to Hillary Tuk. Hi, you got same? 247 00:11:48,640 --> 00:11:50,240 Speaker 1: Oh my god, you haven't aged? 248 00:11:50,640 --> 00:11:55,160 Speaker 5: Oh my god. Flattery is so wonderful, isn't it true? 249 00:11:55,200 --> 00:11:57,839 Speaker 3: Another one who has a painting of themselves someone they're attic? 250 00:11:57,880 --> 00:12:01,600 Speaker 4: How do you do it? Unbelievable you have not aged? 251 00:12:03,480 --> 00:12:08,679 Speaker 5: Oh my gosh, I'm so happy to see you guys. Hi, 252 00:12:09,040 --> 00:12:11,640 Speaker 5: my old friend. My gosh, it's forever. 253 00:12:12,360 --> 00:12:13,360 Speaker 1: Know how you do it. 254 00:12:13,559 --> 00:12:17,480 Speaker 5: I'm I'm doing well. I'm hanging in. How about y'all? 255 00:12:17,840 --> 00:12:19,440 Speaker 1: Where are you in the world? Are you in Texas 256 00:12:19,520 --> 00:12:19,920 Speaker 1: or you. 257 00:12:20,320 --> 00:12:25,080 Speaker 5: No, I'm in Okay so much like Texas, so much 258 00:12:25,240 --> 00:12:26,160 Speaker 5: like we call. 259 00:12:26,080 --> 00:12:29,960 Speaker 2: We call in the Texas. 260 00:12:32,280 --> 00:12:35,640 Speaker 1: That's far enough away that it takes three days and 261 00:12:35,720 --> 00:12:37,640 Speaker 1: a lot of cows to get there. But yeah, all right, 262 00:12:38,760 --> 00:12:40,880 Speaker 1: Oh my god. We have no excuse to have not 263 00:12:40,920 --> 00:12:41,520 Speaker 1: stayed in touch. 264 00:12:42,000 --> 00:12:43,480 Speaker 5: No excuse. 265 00:12:43,600 --> 00:12:47,080 Speaker 1: I assumed you'd left l a long ago, or you know, 266 00:12:47,160 --> 00:12:48,600 Speaker 1: but I know, Okay, No. 267 00:12:48,679 --> 00:12:52,680 Speaker 5: We're all We're all here, yeah, live in, Live in 268 00:12:52,679 --> 00:12:53,839 Speaker 5: the Dream, right, Wow? 269 00:12:54,520 --> 00:12:57,160 Speaker 2: Yeah, I going You guys have a friendship that goes 270 00:12:57,200 --> 00:13:01,280 Speaker 2: back decades. But I would like to start with Finishing Touches. 271 00:13:02,000 --> 00:13:06,240 Speaker 2: It has two one act plays in nineteen ninety five. 272 00:13:06,600 --> 00:13:08,079 Speaker 1: Why touches? 273 00:13:08,720 --> 00:13:08,880 Speaker 5: Right? 274 00:13:09,400 --> 00:13:12,800 Speaker 1: Can you can we pull up the image the Finishing Touches? 275 00:13:12,880 --> 00:13:15,040 Speaker 5: I was like, did we do some sort of corn 276 00:13:15,160 --> 00:13:20,840 Speaker 5: thing that I didn't. 277 00:13:18,360 --> 00:13:25,720 Speaker 1: You don't remember Finishing Touches? No, that's what we called 278 00:13:25,840 --> 00:13:29,480 Speaker 1: the evening of one act You were in Women in Wallace. 279 00:13:30,120 --> 00:13:33,840 Speaker 5: Yes, I could not remember the name of the and the. 280 00:13:33,760 --> 00:13:37,600 Speaker 1: Tom sisters, Heather and Nicole Tom, and we just recently 281 00:13:37,720 --> 00:13:40,120 Speaker 1: reconnected with Nicole Tom and it was so fun to 282 00:13:40,240 --> 00:13:43,520 Speaker 1: like hang. And so Shiloh posted on Instagram the poster 283 00:13:44,080 --> 00:13:48,920 Speaker 1: which yes, yes, wow, you signed it to Nicole. This 284 00:13:49,000 --> 00:13:53,960 Speaker 1: is Nicole's copy apparently and you signed it. Yeah. 285 00:13:54,000 --> 00:13:55,960 Speaker 3: God, why did Shiloh look like he was just kicked 286 00:13:55,960 --> 00:13:57,160 Speaker 3: out of the school for fame? 287 00:13:58,320 --> 00:13:58,800 Speaker 1: Totally? 288 00:13:59,240 --> 00:13:59,720 Speaker 2: Oh? 289 00:14:01,280 --> 00:14:04,000 Speaker 1: Yeah, So I was describing what Charlotte was like because 290 00:14:04,040 --> 00:14:07,840 Speaker 1: because Jensen, our producer and Danielle's husband, was like, Shiloh 291 00:14:07,880 --> 00:14:10,000 Speaker 1: had quite a quite a look going, oh yeah, you 292 00:14:10,000 --> 00:14:11,600 Speaker 1: don't even know the half of it. Because back then 293 00:14:11,640 --> 00:14:14,520 Speaker 1: he was wearing a fishing vest ye ye, with all 294 00:14:14,559 --> 00:14:17,120 Speaker 1: the pockets, and he would have a thermos full of 295 00:14:17,480 --> 00:14:21,040 Speaker 1: special tea that he would get at Earth Earth, get 296 00:14:21,040 --> 00:14:23,240 Speaker 1: the and I remember the smell of this. And then 297 00:14:23,240 --> 00:14:24,479 Speaker 1: he was always juggling. 298 00:14:25,400 --> 00:14:26,240 Speaker 2: And the hackey sack. 299 00:14:26,400 --> 00:14:30,920 Speaker 1: Yes, yes, he was like the goofiest, coolest guy ever. 300 00:14:31,080 --> 00:14:34,440 Speaker 5: Like I wanted to get my hand into every single 301 00:14:34,480 --> 00:14:35,920 Speaker 5: one of those pockets of his. 302 00:14:36,840 --> 00:14:38,440 Speaker 4: I thought you wanted to get your hands on Shilo. 303 00:14:39,520 --> 00:14:42,120 Speaker 5: I did. I mean, I did get my hands on Shiloh. 304 00:14:42,160 --> 00:14:44,840 Speaker 5: But I'm saying like I was. I had, Yeah, I 305 00:14:44,920 --> 00:14:47,480 Speaker 5: was had such a he was dreaming it, such a 306 00:14:47,480 --> 00:14:50,040 Speaker 5: crush on him. Was this the play that. 307 00:14:50,000 --> 00:14:52,120 Speaker 3: You did that you guys wrote that was about magic, 308 00:14:52,120 --> 00:14:52,920 Speaker 3: the gathering. 309 00:14:52,960 --> 00:14:56,760 Speaker 1: Magic the gathering and oay, yeah, you guys all came 310 00:14:56,800 --> 00:14:58,800 Speaker 1: at something. I don't know if Daniel wouldn't remember, but yeah, 311 00:14:58,840 --> 00:15:02,000 Speaker 1: you guys all came. The entire cast of The Babysitters 312 00:15:02,000 --> 00:15:06,560 Speaker 1: Club came, which because Larissa brought they were working they 313 00:15:06,560 --> 00:15:09,880 Speaker 1: were making that movie, and so like a year later, 314 00:15:10,040 --> 00:15:12,680 Speaker 1: year and a half later, when I met Rachel, she 315 00:15:12,840 --> 00:15:15,080 Speaker 1: was like, oh, I saw you in your play, and 316 00:15:15,120 --> 00:15:17,720 Speaker 1: she remembered coming to see because like everybody came. It 317 00:15:17,760 --> 00:15:20,360 Speaker 1: was like all of Diane Harden's, like all the actors, 318 00:15:20,360 --> 00:15:22,200 Speaker 1: like everybody would come because it was like the thing 319 00:15:22,240 --> 00:15:24,520 Speaker 1: that we were doing. But yeah, it was a play 320 00:15:24,560 --> 00:15:27,200 Speaker 1: that Shiloh wrote called Shades of Blue, which is only like. 321 00:15:27,160 --> 00:15:29,200 Speaker 2: And how old was Shiloh? 322 00:15:30,000 --> 00:15:30,480 Speaker 1: Sixteen? 323 00:15:30,720 --> 00:15:34,560 Speaker 2: Okay, I'd like to read you the tagline just so please. 324 00:15:35,480 --> 00:15:39,920 Speaker 2: An exploration of relationships between friends and lovers from a 325 00:15:40,000 --> 00:15:44,760 Speaker 2: touching and often hysterically funny point of view. It feels 326 00:15:45,120 --> 00:15:47,800 Speaker 2: much more evolved than my mom taking a hundred pictures 327 00:15:47,800 --> 00:15:48,640 Speaker 2: of me and Andrew Koga. 328 00:15:48,800 --> 00:15:51,880 Speaker 3: Like you, it was not as hilarious as often as 329 00:15:51,880 --> 00:15:52,280 Speaker 3: you thought. 330 00:15:52,760 --> 00:15:56,160 Speaker 1: Women and Wallace was. It was a pretty great play 331 00:15:56,280 --> 00:15:59,440 Speaker 1: and it was just Shiloh and five actresses, and it 332 00:15:59,520 --> 00:16:01,520 Speaker 1: was like the whole idea, if I remember, was that 333 00:16:01,920 --> 00:16:04,160 Speaker 1: he was like a teenager and it was all these 334 00:16:04,160 --> 00:16:08,320 Speaker 1: different women playing different versions of like or his mom 335 00:16:08,400 --> 00:16:11,560 Speaker 1: commits her suicide and then like they're all the same girl, 336 00:16:11,600 --> 00:16:13,160 Speaker 1: but they're played by different actors. It was like a 337 00:16:13,200 --> 00:16:15,840 Speaker 1: really cool play and that was like a one act, 338 00:16:15,840 --> 00:16:18,280 Speaker 1: and then Shiloh wrote this other one act that was 339 00:16:18,320 --> 00:16:21,360 Speaker 1: like twenty or thirty minutes long, Shades of Blue, Shades 340 00:16:21,360 --> 00:16:23,520 Speaker 1: of Blue, which she ended up winning the Drama Logue 341 00:16:23,560 --> 00:16:26,880 Speaker 1: Award for, which was about me. I was a character 342 00:16:26,920 --> 00:16:31,120 Speaker 1: who was spending like I was like really sad, and 343 00:16:31,160 --> 00:16:33,160 Speaker 1: like my mom comes in and says, like, you're late, 344 00:16:33,280 --> 00:16:35,400 Speaker 1: and then I like sit there and I'm like freaking 345 00:16:35,440 --> 00:16:37,160 Speaker 1: out and I'm really sad and you don't know why. 346 00:16:37,160 --> 00:16:39,120 Speaker 1: And then a friend of mine shows up and we 347 00:16:39,200 --> 00:16:41,920 Speaker 1: like spend this time talking and hanging out, and then 348 00:16:41,960 --> 00:16:45,000 Speaker 1: he literally disappears and you realize that he's killed himself 349 00:16:45,480 --> 00:16:48,040 Speaker 1: and that the whole play was me trying to like 350 00:16:48,080 --> 00:16:50,600 Speaker 1: come to terms with him having died. Yeah, It's like 351 00:16:50,800 --> 00:16:53,160 Speaker 1: it was like really intense. Yeah, wow, so much that 352 00:16:54,080 --> 00:16:57,960 Speaker 1: William of Wallace whatever, that one Women in wa Yeah. 353 00:16:58,040 --> 00:17:00,360 Speaker 3: Yeah, that was a play that would often be shown 354 00:17:00,360 --> 00:17:02,680 Speaker 3: at high schools, because I show I saw that play 355 00:17:02,840 --> 00:17:04,720 Speaker 3: ten times at a high school before I saw it 356 00:17:04,800 --> 00:17:07,320 Speaker 3: at Shiloh, and and I was like, oh, this one, 357 00:17:07,400 --> 00:17:09,920 Speaker 3: so I'll never forget that. I know there's a famous Linemkers. 358 00:17:10,000 --> 00:17:11,840 Speaker 3: I know how big my head is. So you can't 359 00:17:11,840 --> 00:17:14,240 Speaker 3: shrink my head because he's supposed to be the head shrinker, right, 360 00:17:14,280 --> 00:17:15,360 Speaker 3: He's like, you can't shrink my. 361 00:17:15,359 --> 00:17:17,040 Speaker 4: Head because I know the side of my head. And 362 00:17:17,080 --> 00:17:18,720 Speaker 4: I was like, oh, this is high school play. 363 00:17:19,200 --> 00:17:21,440 Speaker 1: Yeah, yeah, well I think it was a great play 364 00:17:21,480 --> 00:17:24,359 Speaker 1: that involved high schoolers. 365 00:17:24,440 --> 00:17:27,760 Speaker 3: This was like the perfect age actor play for people 366 00:17:27,840 --> 00:17:28,680 Speaker 3: our age at that time. 367 00:17:28,760 --> 00:17:32,840 Speaker 1: That's like you always the other everybody does at some point. 368 00:17:33,080 --> 00:17:35,159 Speaker 1: I remember that's what I did scenes for in our 369 00:17:35,160 --> 00:17:38,200 Speaker 1: acting class, and y'all, Rachel, Rachel and I did scenes 370 00:17:38,240 --> 00:17:40,040 Speaker 1: from out of Gas at Lovers Leap because it's like 371 00:17:40,119 --> 00:17:44,400 Speaker 1: again again suicide by the way, it's like to two 372 00:17:44,480 --> 00:17:47,879 Speaker 1: characters on their graduation night parking their car and like 373 00:17:47,960 --> 00:17:51,000 Speaker 1: talking about their life with like lots of Springsteen references, 374 00:17:51,000 --> 00:17:53,160 Speaker 1: and then they jump off the cloe. 375 00:17:53,240 --> 00:17:55,440 Speaker 4: Yeah yeah, so tragic. 376 00:17:55,640 --> 00:17:58,760 Speaker 5: Sorry, let's get back to but that actually, can I 377 00:17:58,800 --> 00:18:03,680 Speaker 5: ask a question because when in when y'all and Shiloh 378 00:18:03,760 --> 00:18:08,440 Speaker 5: reached out to me and I started watching the episodes 379 00:18:08,480 --> 00:18:15,360 Speaker 5: that I was in, I can't remember the timeline right, like, well, 380 00:18:15,520 --> 00:18:19,640 Speaker 5: we in we were in an acting class with that 381 00:18:19,760 --> 00:18:24,840 Speaker 5: like sort of jolly but also in retrospect, creepy guy. 382 00:18:24,480 --> 00:18:29,120 Speaker 4: Bruce Bruce our manager Bruce yep, yes, oh he. 383 00:18:29,119 --> 00:18:36,199 Speaker 5: Was your manager. Oh sorry, the creepy. 384 00:18:33,840 --> 00:18:36,880 Speaker 1: He directed the play and that's why he directed the play. 385 00:18:37,080 --> 00:18:40,920 Speaker 1: So yeah, I couldn't remember how we met you except 386 00:18:41,040 --> 00:18:43,159 Speaker 1: from being on Boy Meets World. I'm assuming when you 387 00:18:43,160 --> 00:18:45,440 Speaker 1: were because you were on the first, first or second season. 388 00:18:45,480 --> 00:18:47,440 Speaker 1: You were on an early episode and that's why when 389 00:18:47,440 --> 00:18:49,560 Speaker 1: I saw you pop up, but I was like Hillary, 390 00:18:49,760 --> 00:18:51,480 Speaker 1: and then you only had like one line. I was like, wait, 391 00:18:51,520 --> 00:18:53,000 Speaker 1: I thought she was a I thought she was like 392 00:18:53,000 --> 00:18:55,040 Speaker 1: a bigger part. And then of course you've since. 393 00:18:54,840 --> 00:18:58,280 Speaker 4: Come back on more episodes, right, Well. 394 00:18:58,080 --> 00:19:00,320 Speaker 1: We did. We did the play, I think. I think 395 00:19:00,680 --> 00:19:03,720 Speaker 1: probably during the second or third season of Boy the World. 396 00:19:04,440 --> 00:19:07,840 Speaker 1: I had met you, Yes, so we had met any 397 00:19:08,680 --> 00:19:11,040 Speaker 1: but then but then either you just got cast in 398 00:19:11,080 --> 00:19:13,960 Speaker 1: the play or did we you say we did acting 399 00:19:14,000 --> 00:19:15,400 Speaker 1: class before the play. 400 00:19:15,640 --> 00:19:18,679 Speaker 5: I don't know, But don't you remember the acting class 401 00:19:18,760 --> 00:19:21,639 Speaker 5: in Bruce's living room and it was you and me 402 00:19:22,160 --> 00:19:27,359 Speaker 5: and Tom sisters and I don't know who else. It 403 00:19:27,440 --> 00:19:32,320 Speaker 5: was like a collection of like up and coming young actors. 404 00:19:33,000 --> 00:19:35,159 Speaker 1: Danielle ended up coming and will you came to and 405 00:19:35,160 --> 00:19:36,480 Speaker 1: then I used to do it in my once I 406 00:19:36,480 --> 00:19:38,840 Speaker 1: had my own apartment. We used to do like acting 407 00:19:38,840 --> 00:19:41,240 Speaker 1: classes in my apartment too. Yeah, it was just like 408 00:19:41,280 --> 00:19:44,399 Speaker 1: this revolving door of like let's all get together and 409 00:19:44,560 --> 00:19:49,320 Speaker 1: the actor, Yeah, take ourselves really seriously and do. 410 00:19:50,760 --> 00:19:52,359 Speaker 4: But that's what that's the thing is. But that's the 411 00:19:52,359 --> 00:19:53,199 Speaker 4: thing that's so amazing. 412 00:19:53,200 --> 00:19:54,600 Speaker 3: That's what I was saying about it being a high 413 00:19:54,600 --> 00:19:58,320 Speaker 3: school play is having seen it in high school with 414 00:19:58,840 --> 00:20:01,280 Speaker 3: the kind of high school actors and then seeing the 415 00:20:01,320 --> 00:20:04,240 Speaker 3: exact same play with actors the same age that are professionals. 416 00:20:05,040 --> 00:20:05,920 Speaker 4: It's night and day. 417 00:20:06,080 --> 00:20:07,639 Speaker 3: And so that's what I mean by it's like I 418 00:20:07,640 --> 00:20:10,359 Speaker 3: sat there going like, oh, that's this play Because you 419 00:20:10,440 --> 00:20:13,440 Speaker 3: do see actors that are now fifteen, sixteen years old, 420 00:20:13,480 --> 00:20:15,800 Speaker 3: but that are professional compared to like you're in some 421 00:20:15,800 --> 00:20:18,480 Speaker 3: small high school somewhere. It's pretty amazing to see how 422 00:20:18,520 --> 00:20:21,359 Speaker 3: the material is so different when you've got vessels that 423 00:20:21,400 --> 00:20:22,280 Speaker 3: know what they're doing, you know. 424 00:20:22,280 --> 00:20:24,280 Speaker 4: What I mean. It was It was odd. Yeah, it 425 00:20:24,320 --> 00:20:24,959 Speaker 4: was a hillary. 426 00:20:25,000 --> 00:20:27,359 Speaker 2: How did you get into acting as a child. I 427 00:20:27,359 --> 00:20:30,200 Speaker 2: think we both got started similarly with commercials. 428 00:20:31,119 --> 00:20:34,880 Speaker 5: We did get I think we have that in common. 429 00:20:36,600 --> 00:20:41,439 Speaker 5: We probably don't have. I got into acting sort of. 430 00:20:41,520 --> 00:20:46,919 Speaker 5: I grew up in a small town in Texas, and I, 431 00:20:47,040 --> 00:20:48,320 Speaker 5: is it in Sinoes. 432 00:20:50,200 --> 00:20:51,840 Speaker 1: In Texas, Texas? 433 00:20:52,080 --> 00:20:52,159 Speaker 5: Oh? 434 00:20:53,040 --> 00:20:53,639 Speaker 4: Was it? Colleen? 435 00:20:54,200 --> 00:21:00,480 Speaker 5: You have not lost your comedic time. So small town 436 00:21:00,520 --> 00:21:04,720 Speaker 5: in Texas, raised by a single mom who also was 437 00:21:04,800 --> 00:21:09,679 Speaker 5: bipolar schizophrenic, so it made for a very very interesting, 438 00:21:10,720 --> 00:21:18,000 Speaker 5: colorful childhood. And we my freshman year of high school, 439 00:21:18,200 --> 00:21:24,600 Speaker 5: I went to a military boarding school by choice to 440 00:21:24,720 --> 00:21:27,640 Speaker 5: sort of, I think my family, to sort of. 441 00:21:29,119 --> 00:21:31,720 Speaker 2: Give yourself some space. 442 00:21:31,920 --> 00:21:37,879 Speaker 5: Yeah, but my aunt lived out. You may remember her, 443 00:21:37,920 --> 00:21:42,840 Speaker 5: writer Kelly. She was like my Yeah, she was my 444 00:21:42,960 --> 00:21:47,000 Speaker 5: guardian and she was my everything. So her and I 445 00:21:47,040 --> 00:21:50,520 Speaker 5: were very close. And she said, why don't you come 446 00:21:50,560 --> 00:21:54,320 Speaker 5: out to LA for the summer and act? And my 447 00:21:54,440 --> 00:21:57,640 Speaker 5: parents were like, sure, go to LA for the summer. 448 00:21:59,160 --> 00:22:06,000 Speaker 5: And I got an agent, Ruth Devron, and she said, well, 449 00:22:06,040 --> 00:22:09,160 Speaker 5: if you book something, you have to say through pilot season. 450 00:22:09,680 --> 00:22:11,760 Speaker 5: And pilot season at that time, you guys, remember it 451 00:22:11,840 --> 00:22:17,200 Speaker 5: was September and October. So I booked a dark repor commercial. 452 00:22:17,720 --> 00:22:21,760 Speaker 5: And I think up until that point it wasn't acting 453 00:22:21,800 --> 00:22:24,240 Speaker 5: that I really loved. I think it was the idea 454 00:22:24,560 --> 00:22:29,159 Speaker 5: of getting out of my circumstances and like this was 455 00:22:29,480 --> 00:22:33,800 Speaker 5: a vehicle to do that. But then I did the 456 00:22:33,880 --> 00:22:38,480 Speaker 5: commercial and I was like, oh, this is so cool. 457 00:22:39,000 --> 00:22:42,040 Speaker 5: So I got to stay for pilot season, didn't book anything, 458 00:22:42,840 --> 00:22:46,040 Speaker 5: and I was supposed to come home, and however my 459 00:22:46,160 --> 00:22:48,720 Speaker 5: boarding school would not take me back in the middle 460 00:22:48,720 --> 00:22:51,960 Speaker 5: of the semester. Oh save, So I got to stay 461 00:22:51,960 --> 00:22:56,760 Speaker 5: through January, and like right before Christmas, I auditioned to 462 00:22:56,920 --> 00:23:05,280 Speaker 5: play this like very sad, see straightforward bitchy character in 463 00:23:05,440 --> 00:23:10,360 Speaker 5: Camp Nowhere, and I auditioned for it and nothing happened. 464 00:23:10,359 --> 00:23:14,000 Speaker 5: So I moved all of my stuff home, and I'll 465 00:23:14,040 --> 00:23:16,760 Speaker 5: never forget. Like four days before Christmas, I get a 466 00:23:16,760 --> 00:23:21,000 Speaker 5: phone call at my grandmother's house and it is Jonathan Prince, 467 00:23:21,040 --> 00:23:25,080 Speaker 5: the director of Camp Nowhere, calling me directly to say, 468 00:23:25,280 --> 00:23:27,160 Speaker 5: what is this. I hear you moved home. You've got 469 00:23:27,160 --> 00:23:30,439 Speaker 5: to come and do my movie. It's such a Hollywood 470 00:23:30,560 --> 00:23:35,439 Speaker 5: like oh, and so I moved on my Yeah, I 471 00:23:35,480 --> 00:23:39,320 Speaker 5: moved all my stuff back. And then but in order like, 472 00:23:39,560 --> 00:23:41,840 Speaker 5: in order to keep doing this and being on set, 473 00:23:42,680 --> 00:23:48,080 Speaker 5: I we told my parents we needed to have guardianship. 474 00:23:48,440 --> 00:23:52,040 Speaker 5: My aunt needed to have guardianship, and so they signed 475 00:23:52,200 --> 00:23:54,840 Speaker 5: my guardianship over to her thinking it was just for 476 00:23:54,920 --> 00:23:59,879 Speaker 5: the movie, and I never came back and I just 477 00:24:00,119 --> 00:24:03,560 Speaker 5: day Yeah. Yeah, So working kept me out there. The 478 00:24:03,600 --> 00:24:05,960 Speaker 5: deal was always like I had to support myself. They 479 00:24:05,960 --> 00:24:09,000 Speaker 5: weren't going to send me any money. But it worked 480 00:24:09,000 --> 00:24:10,960 Speaker 5: out that I was able to support myself, and so 481 00:24:11,080 --> 00:24:14,720 Speaker 5: then I just I stayed and I kept I kept working, 482 00:24:14,760 --> 00:24:18,560 Speaker 5: and not long after Camp Nowhere I did Boy Me Swirrels. 483 00:24:18,560 --> 00:24:20,080 Speaker 5: It was one of my first jobs. 484 00:24:20,240 --> 00:24:21,920 Speaker 4: I'm sorry. How old were you when all this was 485 00:24:21,960 --> 00:24:23,320 Speaker 4: going on with Camp Nowhere? 486 00:24:23,800 --> 00:24:24,399 Speaker 2: It was nineteen. 487 00:24:24,440 --> 00:24:28,400 Speaker 5: I moved out here when I was fourteen. I did 488 00:24:28,520 --> 00:24:31,080 Speaker 5: Camp Nowhere. I think when I was right when I 489 00:24:31,119 --> 00:24:31,920 Speaker 5: turned fifteen. 490 00:24:32,680 --> 00:24:37,880 Speaker 1: Wow, yeah, young, you were like already doing the full 491 00:24:37,920 --> 00:24:39,920 Speaker 1: on adult thing by yourself. 492 00:24:40,359 --> 00:24:44,520 Speaker 5: I think they had grown up very quickly by. 493 00:24:45,840 --> 00:24:48,080 Speaker 2: You were probably apparent in your home. 494 00:24:48,760 --> 00:24:54,240 Speaker 5: Yes, yes, I like I remember recently like telling my 495 00:24:54,400 --> 00:24:59,280 Speaker 5: kids I was annoyed at what they weren't doing, and 496 00:24:59,359 --> 00:25:01,760 Speaker 5: I was like, you know, so when I was your age, 497 00:25:02,400 --> 00:25:06,639 Speaker 5: when I was nine, I was waking up to the alarm, 498 00:25:07,040 --> 00:25:10,639 Speaker 5: waking my mother up, then making breakfast, then putting a 499 00:25:10,680 --> 00:25:13,600 Speaker 5: load of laundry, and then you know what I mean. 500 00:25:13,560 --> 00:25:19,560 Speaker 1: Like right, so put your goddamn shoes on. We're late 501 00:25:19,640 --> 00:25:24,200 Speaker 1: for school. Goddamn, I need breakfast for you. Oh dude, 502 00:25:24,200 --> 00:25:26,320 Speaker 1: this is what I I've already caught myself telling Indy 503 00:25:26,440 --> 00:25:28,480 Speaker 1: was like I already had a job. I was already 504 00:25:28,480 --> 00:25:30,080 Speaker 1: doing my miss what are you doing? 505 00:25:31,760 --> 00:25:34,520 Speaker 4: Oh my gosh, Oh my. 506 00:25:34,440 --> 00:25:36,760 Speaker 1: God hates it already does already hates that I was 507 00:25:36,800 --> 00:25:39,160 Speaker 1: a kid actor because I could throw that in his face. 508 00:25:39,280 --> 00:25:43,000 Speaker 2: Yeah, that's right, man. Well let's talk a little bit 509 00:25:43,000 --> 00:25:46,040 Speaker 2: more about camp nowhere. It was nineteen ninety four. It's 510 00:25:46,080 --> 00:25:49,360 Speaker 2: like who's who of kid actors at the time. Jonathan, 511 00:25:50,080 --> 00:25:50,600 Speaker 2: Really it was. 512 00:25:51,040 --> 00:25:53,840 Speaker 1: Yeah, it was like the movie everybody wanted apart because 513 00:25:53,840 --> 00:25:56,560 Speaker 1: there were like fifty parts in it. And I think 514 00:25:56,600 --> 00:25:59,000 Speaker 1: I went back like multiple times like no, you're gonna 515 00:25:59,000 --> 00:26:01,159 Speaker 1: be Ronnie, No, you'll be this. You know. She just 516 00:26:01,240 --> 00:26:03,800 Speaker 1: kept like mixing and matching all of young Hollywood. 517 00:26:04,000 --> 00:26:05,720 Speaker 5: And now I wish you would have didn't get it. 518 00:26:06,520 --> 00:26:07,399 Speaker 1: I've seen it. 519 00:26:07,600 --> 00:26:10,160 Speaker 2: Jonathan Jackson, who ended up being on Boy Meets World 520 00:26:10,200 --> 00:26:13,560 Speaker 2: for an episode recent Yeah, he played He played the 521 00:26:13,600 --> 00:26:16,800 Speaker 2: guy who takes Topanga on a date after Corey cheats 522 00:26:16,800 --> 00:26:22,639 Speaker 2: on Topanga. He's in the Starry Night episode. Recent guest 523 00:26:22,840 --> 00:26:27,639 Speaker 2: of the on our podcast Andrew Keagan, Alison Mack, Jessica Biele, 524 00:26:28,520 --> 00:26:33,720 Speaker 2: and also in it, Heather DeLoach, best known as the 525 00:26:33,760 --> 00:26:35,960 Speaker 2: Bee Girl in Blind Melons. 526 00:26:36,000 --> 00:26:41,639 Speaker 5: No Way, that's incredible. Wow, I remember I remember her 527 00:26:41,680 --> 00:26:45,480 Speaker 5: being it was like such a coupe was on set, 528 00:26:45,600 --> 00:26:50,320 Speaker 5: like she was were she was the most famous person. 529 00:26:50,600 --> 00:26:53,080 Speaker 5: She was the most famous kid of course for the 530 00:26:53,080 --> 00:26:59,760 Speaker 5: Bee Girl. Yeah, uh yeah, it was. It was such 531 00:27:00,280 --> 00:27:04,919 Speaker 5: an incredible unique experience because we shot on the Disney ranch, 532 00:27:05,560 --> 00:27:10,000 Speaker 5: so you're out in the middle of nowhere literally and 533 00:27:11,520 --> 00:27:14,240 Speaker 5: it was just all these young actors. I was one 534 00:27:14,240 --> 00:27:16,800 Speaker 5: of the oldest. I remember that that. I was. Me 535 00:27:16,880 --> 00:27:21,000 Speaker 5: and Devin Oatway were two of the oldest, and it 536 00:27:21,080 --> 00:27:26,960 Speaker 5: was just you were either in a classroom goofing off 537 00:27:27,000 --> 00:27:29,440 Speaker 5: I mean you know how yeah, not set school school, 538 00:27:29,440 --> 00:27:33,120 Speaker 5: but it's not really school doing. There's like goofing off 539 00:27:33,200 --> 00:27:38,000 Speaker 5: and doing school, or we were filming being in a 540 00:27:38,040 --> 00:27:42,800 Speaker 5: summer camp. Yeah, it was just incredible. It was I'm going. 541 00:27:42,600 --> 00:27:46,560 Speaker 2: To assume that wasn't the same experience you had at 542 00:27:46,680 --> 00:27:50,000 Speaker 2: boarding school, and we've already heard that it wasn't the 543 00:27:50,040 --> 00:27:52,960 Speaker 2: experience you had at home where you were very much 544 00:27:53,320 --> 00:27:56,679 Speaker 2: the adult in your household. So what was it like 545 00:27:56,800 --> 00:28:01,440 Speaker 2: for you to be in a rather protect did, super 546 00:28:01,640 --> 00:28:06,440 Speaker 2: fun place surrounded by like minded kids your own age. 547 00:28:06,480 --> 00:28:10,080 Speaker 2: Was that like a very freeing experience. It feels like 548 00:28:10,560 --> 00:28:11,560 Speaker 2: it would be life changing. 549 00:28:12,040 --> 00:28:15,080 Speaker 5: You ask good questions, Danielle, Yeah, it was, you do. 550 00:28:16,480 --> 00:28:18,240 Speaker 4: Yeah, that's why would just keep our mouth shut. 551 00:28:18,440 --> 00:28:19,959 Speaker 1: Yeah, it was. 552 00:28:20,240 --> 00:28:24,359 Speaker 5: It was very It was wonderful. I think one of 553 00:28:24,400 --> 00:28:28,040 Speaker 5: the things that made me fall in love with being 554 00:28:28,080 --> 00:28:34,320 Speaker 5: on set is the schedule, the predictability of it. Yeah, 555 00:28:34,560 --> 00:28:42,160 Speaker 5: the people telling me what to do, what to wear. Obviously, 556 00:28:42,240 --> 00:28:47,840 Speaker 5: the gratification and the oh you're funny, you're pretty, you're good, 557 00:28:48,080 --> 00:28:54,040 Speaker 5: or whatever. But I think this schedule of it, and 558 00:28:54,120 --> 00:29:00,240 Speaker 5: I think that what my childhood did prepare me for 559 00:29:01,280 --> 00:29:03,800 Speaker 5: is when you are a child actor, you you are. 560 00:29:05,440 --> 00:29:10,520 Speaker 5: It is a real asset to be mature and professional 561 00:29:10,640 --> 00:29:13,760 Speaker 5: and to be able to handle yourself. Yes, I was. 562 00:29:13,880 --> 00:29:17,040 Speaker 5: I was very practiced in that, so that was a 563 00:29:17,120 --> 00:29:21,160 Speaker 5: really sharp tool that I had in my toolbox. And 564 00:29:21,560 --> 00:29:25,080 Speaker 5: I think, I think, I do think it is is 565 00:29:25,120 --> 00:29:30,640 Speaker 5: an aspect of why I worked very quickly and very steadily, 566 00:29:30,720 --> 00:29:35,840 Speaker 5: because I think producers or sets or whoever recognize that 567 00:29:35,920 --> 00:29:37,480 Speaker 5: and it and it behooves them. 568 00:29:38,080 --> 00:29:41,240 Speaker 3: They want an adult in a child's body. Yes, that's 569 00:29:41,280 --> 00:29:43,040 Speaker 3: that's what they're looking for. They want a little adult 570 00:29:43,040 --> 00:29:44,440 Speaker 3: in a child's body. And it's so funny because the 571 00:29:44,480 --> 00:29:47,560 Speaker 3: things you're mentioning about the structure and everything is exactly 572 00:29:47,600 --> 00:29:49,240 Speaker 3: what you get at a military boarding school. 573 00:29:49,840 --> 00:29:51,800 Speaker 4: Yeah, I mean, but it is. It's that same thing. 574 00:29:51,840 --> 00:29:53,640 Speaker 3: It's you're going to eat this time, You're going to 575 00:29:53,720 --> 00:29:55,560 Speaker 3: wear this when you're there, You're going to do these 576 00:29:55,680 --> 00:29:57,600 Speaker 3: chores you're going to do. It sounded like that's what 577 00:29:57,640 --> 00:29:59,520 Speaker 3: you were looking for, was more of the structure that 578 00:29:59,600 --> 00:29:59,760 Speaker 3: you know. 579 00:30:00,040 --> 00:30:03,160 Speaker 2: I find so fascinating is that, like Hillary just mentioned, 580 00:30:03,200 --> 00:30:06,840 Speaker 2: for most kids, the feeling you have if you started 581 00:30:06,880 --> 00:30:09,000 Speaker 2: working as a child is a lot of times you 582 00:30:09,040 --> 00:30:11,000 Speaker 2: look back and you think, but needing to be so 583 00:30:11,040 --> 00:30:14,720 Speaker 2: mature made me miss out on a true childhood. I've 584 00:30:14,800 --> 00:30:17,440 Speaker 2: been an adult since I was so long, for so long, 585 00:30:17,480 --> 00:30:20,240 Speaker 2: since I was so young. And in her case, she 586 00:30:20,440 --> 00:30:22,840 Speaker 2: was like, oh, you're going to tell me when to 587 00:30:22,840 --> 00:30:25,080 Speaker 2: show up. I don't have to make the schedule myself 588 00:30:25,360 --> 00:30:28,400 Speaker 2: and do the work of it. So, if anything, the 589 00:30:28,480 --> 00:30:30,800 Speaker 2: fact that it was set up for you allowed you 590 00:30:31,000 --> 00:30:33,239 Speaker 2: more of an opportunity to be a kid than you 591 00:30:33,320 --> 00:30:37,040 Speaker 2: had ever had before. You were like, yeah, the maturity 592 00:30:37,080 --> 00:30:39,240 Speaker 2: I'm going to bring no matter what, because it's all 593 00:30:39,280 --> 00:30:43,280 Speaker 2: I've known. But now you set the schedule, you tell 594 00:30:43,320 --> 00:30:45,280 Speaker 2: me what to wear, you do my hair and makeup, 595 00:30:45,480 --> 00:30:47,400 Speaker 2: and then when I do a good job, you tell 596 00:30:47,440 --> 00:30:48,600 Speaker 2: me I'm doing a good job. 597 00:30:49,040 --> 00:30:54,680 Speaker 5: Yeah, and I get to play a kid who's playing right? 598 00:30:55,200 --> 00:30:55,440 Speaker 4: You know? 599 00:30:56,200 --> 00:31:01,880 Speaker 5: So yeah, it was. It was a really special I've 600 00:31:01,920 --> 00:31:04,760 Speaker 5: been so blessed to have a few really special experiences, 601 00:31:04,800 --> 00:31:08,320 Speaker 5: but Camp Camp Nowhere was really one of them for sure. 602 00:31:08,720 --> 00:31:09,920 Speaker 2: Wow, I love it. 603 00:31:10,400 --> 00:31:12,760 Speaker 3: So if we do a rewatch, will you of Camp Nowhere? 604 00:31:12,760 --> 00:31:14,760 Speaker 3: Will you come back and watch it with us? 605 00:31:14,960 --> 00:31:18,760 Speaker 5: Oh my god? Yes? And if you have, like your 606 00:31:18,880 --> 00:31:20,800 Speaker 5: son is is how old? 607 00:31:21,200 --> 00:31:21,480 Speaker 3: Nine? 608 00:31:21,920 --> 00:31:24,400 Speaker 5: Nine? Yeah, it's the perfect time to watch the movie. 609 00:31:24,640 --> 00:31:27,560 Speaker 5: It's it like I don't I don't want to go 610 00:31:27,600 --> 00:31:30,880 Speaker 5: so far to say it holds up, but it holds up, 611 00:31:30,920 --> 00:31:32,920 Speaker 5: and it holds up for a nine year old, it 612 00:31:33,000 --> 00:31:36,080 Speaker 5: holds out. It's really fun. It's definitely the time to 613 00:31:36,120 --> 00:31:36,400 Speaker 5: watch it. 614 00:31:36,440 --> 00:31:38,920 Speaker 3: I should do that. I haven't seen that. I haven't 615 00:31:38,920 --> 00:31:40,680 Speaker 3: seen it either, so I'd like to watch that. I've 616 00:31:40,680 --> 00:31:42,480 Speaker 3: now heard so much about this movie. 617 00:31:42,280 --> 00:31:44,120 Speaker 5: And I would have to make fun of it with you. 618 00:31:44,200 --> 00:31:47,120 Speaker 5: We should have to have a whole like me and 619 00:31:47,120 --> 00:31:48,240 Speaker 5: Andrew and whoever. 620 00:31:49,360 --> 00:31:50,280 Speaker 1: Yeah, do it? 621 00:31:50,400 --> 00:32:01,200 Speaker 4: Oh it sounds great. 622 00:32:02,720 --> 00:32:04,520 Speaker 2: Can we talk hangtime for a second. 623 00:32:05,400 --> 00:32:06,920 Speaker 5: Yeah, okay. 624 00:32:07,760 --> 00:32:12,440 Speaker 2: So you appeared in thirteen episodes as team manager Samantha 625 00:32:12,520 --> 00:32:17,080 Speaker 2: Morgan and it has really built like a niche cult 626 00:32:17,160 --> 00:32:20,720 Speaker 2: following as the spiritual TNBC sister of Saved by the Bell. 627 00:32:21,360 --> 00:32:25,640 Speaker 2: So it's so nostalgic now, especially among basketball fans. And 628 00:32:25,680 --> 00:32:27,880 Speaker 2: I would just like to name some of the other 629 00:32:27,920 --> 00:32:33,200 Speaker 2: guest stars Anthony Anderson, Jay Hernandez, dick Butt, Kiss Screech 630 00:32:33,520 --> 00:32:38,920 Speaker 2: in a crossover episode, Muggsy Bogues, Lizza Leslie Florence, Griffith Joyner, 631 00:32:39,000 --> 00:32:44,000 Speaker 2: and an eighteen year old NBA rookie named Kobe Bryant. Yeah, 632 00:32:44,560 --> 00:32:46,640 Speaker 2: I love Do you remember what you were up? 633 00:32:48,760 --> 00:32:50,920 Speaker 4: And Tom was a great show. It was. 634 00:32:51,000 --> 00:32:56,520 Speaker 5: It was a really fun show. I remember. So I 635 00:32:57,560 --> 00:33:00,000 Speaker 5: want to say that I want to say this begare 636 00:33:00,040 --> 00:33:02,160 Speaker 5: does it relate? I want to go back to the 637 00:33:02,200 --> 00:33:06,240 Speaker 5: first episode that I did of Boy Meets World, because 638 00:33:06,240 --> 00:33:10,280 Speaker 5: I think it does relate to Hangtime because did I 639 00:33:10,320 --> 00:33:13,920 Speaker 5: do Boy Meets World first, or did I do Hangtime first? 640 00:33:13,960 --> 00:33:17,040 Speaker 5: I did Boy Meets World first. I don't know. 641 00:33:17,160 --> 00:33:18,959 Speaker 2: I think boy meets were yeah, boy meets Yeah, boy 642 00:33:19,000 --> 00:33:20,080 Speaker 2: Mee's World was ninety five. 643 00:33:20,400 --> 00:33:21,400 Speaker 4: Yes, yes. 644 00:33:21,840 --> 00:33:24,920 Speaker 5: So what I remember about the first episode of Boy 645 00:33:24,920 --> 00:33:30,000 Speaker 5: Meets World is that I started watching it and I 646 00:33:30,040 --> 00:33:33,080 Speaker 5: didn't remember I had been in it. I had conflated 647 00:33:33,160 --> 00:33:36,200 Speaker 5: the first and the second episode together, because in the 648 00:33:36,200 --> 00:33:39,280 Speaker 5: first episode I only have one line. What is interesting 649 00:33:40,200 --> 00:33:43,960 Speaker 5: is that when I watched it, I remembered two things. One, 650 00:33:44,000 --> 00:33:46,840 Speaker 5: I was deathly afraid I was going to get fired 651 00:33:47,520 --> 00:33:53,600 Speaker 5: because Michael Jacobs. All I have is this like look 652 00:33:53,760 --> 00:33:57,320 Speaker 5: up and over and I say my line high corey 653 00:33:57,400 --> 00:34:01,280 Speaker 5: or whatever. And I can remember him basically giving me 654 00:34:01,320 --> 00:34:05,360 Speaker 5: a line, reading a physical line, reading like like no no, no, no, 655 00:34:05,240 --> 00:34:10,200 Speaker 5: no no, like this, and he showed me what to do, 656 00:34:11,000 --> 00:34:14,120 Speaker 5: and luckily I was able to be a puppet and 657 00:34:14,200 --> 00:34:14,600 Speaker 5: do that. 658 00:34:15,239 --> 00:34:20,040 Speaker 3: Well, that's acting, right, everyone knows, everyone knows. 659 00:34:20,239 --> 00:34:23,120 Speaker 4: Ignore your instincts and just parrot what you yourself. 660 00:34:23,160 --> 00:34:26,919 Speaker 1: Don't make any choices, just do exactly what this man wants. 661 00:34:27,200 --> 00:34:30,680 Speaker 5: And I can remember being like terrified that I wasn't 662 00:34:30,680 --> 00:34:32,000 Speaker 5: going to do it the way he wanted, and that 663 00:34:32,040 --> 00:34:34,720 Speaker 5: I was going to get fired. And the other memory 664 00:34:34,719 --> 00:34:36,759 Speaker 5: that I have is that what was crazy to me 665 00:34:36,920 --> 00:34:39,960 Speaker 5: is as I'm watching the rest of the episode I 666 00:34:41,520 --> 00:34:46,279 Speaker 5: knew probably thirty percent of y'all's lines as they were 667 00:34:46,320 --> 00:34:49,840 Speaker 5: about to be said. And why I remember this is 668 00:34:49,920 --> 00:34:54,080 Speaker 5: my aunt would have me sit in the stands when 669 00:34:54,120 --> 00:34:56,960 Speaker 5: I wasn't doing homework, way in the back, and she 670 00:34:57,040 --> 00:35:00,840 Speaker 5: would have me study y'all. Wow, And because I was 671 00:35:00,920 --> 00:35:04,319 Speaker 5: so new to it, and so she was like she 672 00:35:04,520 --> 00:35:08,239 Speaker 5: wanted me to study and notice not only like the 673 00:35:08,239 --> 00:35:13,360 Speaker 5: comedic timing and set up, set up, punchline and yes 674 00:35:13,440 --> 00:35:18,680 Speaker 5: and and all of those things, and also how do 675 00:35:20,000 --> 00:35:26,440 Speaker 5: series regulars behave on set? Right? What is the like? What? How? 676 00:35:26,560 --> 00:35:29,239 Speaker 5: What does it look like? And so she would have 677 00:35:29,280 --> 00:35:31,520 Speaker 5: me just sit back there and just watch them. And 678 00:35:31,640 --> 00:35:35,120 Speaker 5: the feeling that I remember because I remember she said 679 00:35:35,160 --> 00:35:39,280 Speaker 5: to me, is this what you want? Do you want 680 00:35:39,320 --> 00:35:44,560 Speaker 5: something like this? And I remember having the thought that 681 00:35:44,640 --> 00:35:46,960 Speaker 5: it And I don't know if this was y'all experience. 682 00:35:47,280 --> 00:35:50,799 Speaker 5: My impression of y'all is that it seemed like y'all 683 00:35:50,800 --> 00:35:53,120 Speaker 5: had a lot of pressure on you, like there was 684 00:35:54,160 --> 00:36:00,160 Speaker 5: there was a lot writing on the four shoulders of 685 00:36:00,200 --> 00:36:06,000 Speaker 5: the minors, right, and and that I also wanted. 686 00:36:05,640 --> 00:36:07,280 Speaker 2: It, and that it was fun. 687 00:36:07,880 --> 00:36:10,279 Speaker 5: Yeah, and it was fun. Yes, it did seem like 688 00:36:10,280 --> 00:36:12,520 Speaker 5: it was. There was a lot of it. I don't know, 689 00:36:12,560 --> 00:36:15,759 Speaker 5: it just seemed like a lot of pressure. So when 690 00:36:15,960 --> 00:36:22,080 Speaker 5: I got hang time and I was a series regular, 691 00:36:22,719 --> 00:36:27,600 Speaker 5: I think, like, I can't tell you specifically what I 692 00:36:27,800 --> 00:36:31,400 Speaker 5: gleaned from y'all, but I definitely was a case study 693 00:36:31,680 --> 00:36:35,759 Speaker 5: and I definitely use some of that in like being 694 00:36:35,760 --> 00:36:38,600 Speaker 5: a professional and how to be a series regular, because 695 00:36:38,600 --> 00:36:40,560 Speaker 5: you know, being a series regular is different than being 696 00:36:40,560 --> 00:36:43,120 Speaker 5: a guest star, so and your job is different. 697 00:36:43,360 --> 00:36:45,160 Speaker 4: So uh yeah. 698 00:36:45,200 --> 00:36:49,640 Speaker 5: It was a great thirteen episodes until I got fired 699 00:36:49,680 --> 00:36:54,640 Speaker 5: after the first season off. Yeah, I'm only in the 700 00:36:54,680 --> 00:36:56,000 Speaker 5: first season. I was fired. 701 00:36:56,719 --> 00:36:58,960 Speaker 4: What happened? And we asked, what happened? 702 00:36:59,000 --> 00:36:59,879 Speaker 1: They just write you off? 703 00:37:00,400 --> 00:37:04,880 Speaker 5: They just wrote me off. Samantha Morgan, lead team manager. 704 00:37:06,520 --> 00:37:11,480 Speaker 5: I think they wanted to retool the show they make it. 705 00:37:11,560 --> 00:37:13,640 Speaker 5: By the way, I was not the only one fired. 706 00:37:13,760 --> 00:37:16,880 Speaker 5: I think they let go of a third of the cast, 707 00:37:18,160 --> 00:37:21,480 Speaker 5: and I was one of them. And there was never 708 00:37:22,360 --> 00:37:26,040 Speaker 5: like a like Warren Littlefield was not calling me up 709 00:37:26,040 --> 00:37:28,440 Speaker 5: and be like, Hillary, we love your work, we've decided 710 00:37:28,440 --> 00:37:29,960 Speaker 5: to go in a different direction. It was none of that. 711 00:37:30,040 --> 00:37:34,080 Speaker 5: It was my agent saying you're not coming back on 712 00:37:34,160 --> 00:37:38,600 Speaker 5: to the next and then I was, I was, I 713 00:37:38,680 --> 00:37:44,600 Speaker 5: was devastated. But you know then I then I booked 714 00:37:45,400 --> 00:37:48,440 Speaker 5: another series and it was meant to be. But yeah, 715 00:37:48,760 --> 00:37:51,040 Speaker 5: it was. It was fun for those thirteen episodes. We 716 00:37:51,080 --> 00:37:52,120 Speaker 5: had a lot of hijinks. 717 00:37:53,320 --> 00:37:56,360 Speaker 2: Well, let's talk about your three characters on Boy Meets World. 718 00:37:57,480 --> 00:37:59,600 Speaker 4: You're rafied. You're in a rarefied club. 719 00:38:00,239 --> 00:38:03,239 Speaker 5: Thank you. Did anyone else have that? Have you had 720 00:38:03,239 --> 00:38:04,719 Speaker 5: guest stars who come back because rent? 721 00:38:05,200 --> 00:38:10,000 Speaker 2: Yeah? So, Phil Leads also played three different characters, Willy Garrison, 722 00:38:10,400 --> 00:38:14,719 Speaker 2: Willie Garson played three different characters, and one of our 723 00:38:15,239 --> 00:38:20,279 Speaker 2: nerdy characters from the beginning, Jonathan Kaplan Jonathan C. 724 00:38:20,440 --> 00:38:24,000 Speaker 5: Kaplin Exactly so, and so did any of them have 725 00:38:24,080 --> 00:38:27,319 Speaker 5: an idea as to why they were given different character names? 726 00:38:28,080 --> 00:38:31,760 Speaker 2: Well, we haven't been able to ask Phil Leads. He's 727 00:38:31,600 --> 00:38:33,160 Speaker 2: he's died in like ninety eight. 728 00:38:33,239 --> 00:38:33,560 Speaker 5: He died. 729 00:38:34,840 --> 00:38:39,200 Speaker 2: Oh sorry, he's been unavailable since unavailable. Willie Garson is 730 00:38:39,239 --> 00:38:43,640 Speaker 2: also unavailable, and we haven't talked to Jonathan Kaplan, I think. 731 00:38:43,560 --> 00:38:46,400 Speaker 1: You were probably just a favorite of Michael and the 732 00:38:46,800 --> 00:38:49,520 Speaker 1: and the casting team, you know, like they just must 733 00:38:49,560 --> 00:38:52,040 Speaker 1: have Sally and Barbie just must have loved you. And 734 00:38:52,040 --> 00:38:54,680 Speaker 1: they were like, well, let's just bring Hillary back and 735 00:38:54,680 --> 00:38:56,319 Speaker 1: they were like, yes, did you? 736 00:38:56,680 --> 00:38:58,480 Speaker 4: Did you have to audition all three times? 737 00:38:58,680 --> 00:39:02,520 Speaker 5: I auditioned for the first two and like what I 738 00:39:02,600 --> 00:39:07,759 Speaker 5: remember of what I remember of the second episode, like 739 00:39:07,840 --> 00:39:11,800 Speaker 5: Barbie Blair was such a was such a fan of mine, 740 00:39:12,200 --> 00:39:14,040 Speaker 5: and I'm sure you guys have had this too, Like 741 00:39:14,080 --> 00:39:19,800 Speaker 5: there's just certain casting directors who have been instrumental, even 742 00:39:19,800 --> 00:39:23,840 Speaker 5: if they didn't hire you in something of just making you, 743 00:39:24,960 --> 00:39:29,520 Speaker 5: reminding you of your value. Yea, and Barbie Block was 744 00:39:29,520 --> 00:39:33,239 Speaker 5: one of those for me. And uh so, yeah the 745 00:39:33,360 --> 00:39:39,520 Speaker 5: second episode. I did audition four and it was should 746 00:39:39,520 --> 00:39:40,839 Speaker 5: we talk about the second episode now? 747 00:39:40,960 --> 00:39:41,160 Speaker 3: Yes? 748 00:39:41,480 --> 00:39:41,960 Speaker 4: That great? 749 00:39:42,000 --> 00:39:45,520 Speaker 5: Okay, I did audition four. What I remember about it 750 00:39:45,560 --> 00:39:49,440 Speaker 5: is it was my favorite of the three, yes, because 751 00:39:49,520 --> 00:39:57,239 Speaker 5: I got, like I remember experiencing in that booth with 752 00:39:57,440 --> 00:40:02,520 Speaker 5: you and Ben like a really playing being allowed to 753 00:40:02,719 --> 00:40:07,560 Speaker 5: play a little bit and it wasn't so micro managed 754 00:40:09,520 --> 00:40:17,960 Speaker 5: and having fun and I was funny. I mean, yeah, yeah, 755 00:40:18,000 --> 00:40:20,600 Speaker 5: I got jokes, which is always nice. And I can 756 00:40:20,680 --> 00:40:25,800 Speaker 5: remember going from it was such a one eighty moment 757 00:40:25,840 --> 00:40:32,480 Speaker 5: for me because the first episode, Michael was to me, 758 00:40:32,880 --> 00:40:34,920 Speaker 5: he didn't seem like someone who always knew how to 759 00:40:34,960 --> 00:40:40,279 Speaker 5: talk to a child, very gradius. Oh okay, okay, so 760 00:40:40,360 --> 00:40:42,680 Speaker 5: this is something that you've talked about before. Wonderful yes, 761 00:40:43,640 --> 00:40:47,759 Speaker 5: And I was. I was really afraid of him. And 762 00:40:47,800 --> 00:40:52,120 Speaker 5: then after we did the second episode me I remember 763 00:40:52,160 --> 00:40:54,920 Speaker 5: coming off and I was walking around the ramp to 764 00:40:54,960 --> 00:40:57,600 Speaker 5: the backside, and he stopped me. And I don't know 765 00:40:57,640 --> 00:41:01,160 Speaker 5: who he was talking to, somebody, an executive or someone, 766 00:41:01,360 --> 00:41:05,800 Speaker 5: and he was like, this, this is a funny girl. 767 00:41:05,920 --> 00:41:10,560 Speaker 5: We need more of this. She gets it. And it 768 00:41:10,719 --> 00:41:13,800 Speaker 5: was I've had like that moment and then a moment 769 00:41:13,880 --> 00:41:19,759 Speaker 5: with Rose and Barr of these like paradigm shifts of 770 00:41:19,800 --> 00:41:27,280 Speaker 5: me going, oh, I'm funny, I can do this. I'm enough, 771 00:41:27,600 --> 00:41:30,880 Speaker 5: you know I And it was it was like a 772 00:41:31,000 --> 00:41:36,080 Speaker 5: huge boost of confidence for me of like being giving 773 00:41:36,080 --> 00:41:39,200 Speaker 5: myself permission, of like I'm on the right track, my 774 00:41:39,280 --> 00:41:44,840 Speaker 5: instincts are good. Whatever. So yeah that I remember it 775 00:41:44,880 --> 00:41:49,560 Speaker 5: being a really fun episode. And even when I saw it, 776 00:41:50,640 --> 00:41:53,200 Speaker 5: there's plenty of things that I see twenty years later 777 00:41:53,520 --> 00:41:57,440 Speaker 5: and I'm not I have to just go Well, I 778 00:41:57,520 --> 00:41:59,640 Speaker 5: was young and I've learned a lot, but I'm still 779 00:41:59,640 --> 00:42:02,319 Speaker 5: proud of that. I thought it was a fun, it 780 00:42:02,360 --> 00:42:03,240 Speaker 5: was a fun character. 781 00:42:03,800 --> 00:42:05,960 Speaker 2: It was super fun. And so then you auditioned for 782 00:42:05,960 --> 00:42:08,239 Speaker 2: those first two and then you get asked back to 783 00:42:08,280 --> 00:42:14,480 Speaker 2: do the absolutely iconic, not necessarily incredible, but iconic Disney 784 00:42:14,520 --> 00:42:16,160 Speaker 2: World episode. 785 00:42:15,640 --> 00:42:17,360 Speaker 1: And it's a character. 786 00:42:18,200 --> 00:42:23,480 Speaker 5: Yeah yeah, right, yeah, So they Barbie Block called and 787 00:42:23,560 --> 00:42:25,560 Speaker 5: said they want to have you back one more time. 788 00:42:25,960 --> 00:42:28,560 Speaker 5: We can't have you back more than three times because 789 00:42:28,560 --> 00:42:32,839 Speaker 5: then we have to pay you recurring character rate. 790 00:42:33,600 --> 00:42:36,480 Speaker 4: Really, so I did not know that at all. 791 00:42:36,920 --> 00:42:40,520 Speaker 5: Yeah, so this will be your last episode. But because 792 00:42:40,560 --> 00:42:43,680 Speaker 5: it's your last episode, we want to take you. We 793 00:42:43,719 --> 00:42:46,680 Speaker 5: want you to be in the Disney World episode. Wow, 794 00:42:46,840 --> 00:42:50,359 Speaker 5: you do know, which was so lovely. The first time 795 00:42:50,440 --> 00:42:52,319 Speaker 5: i'd been off for a role, I didn't have to 796 00:42:52,360 --> 00:42:54,919 Speaker 5: audition for it. It's the first time that I got 797 00:42:54,920 --> 00:42:59,799 Speaker 5: to go anywhere and someone, and you know, traveling on 798 00:42:59,840 --> 00:43:04,360 Speaker 5: your our own is very different than the network traveling you. Yeah, 799 00:43:05,239 --> 00:43:07,719 Speaker 5: and I felt really special. And then I got the 800 00:43:07,760 --> 00:43:12,000 Speaker 5: script and like, oh, I'm going to play a soon 801 00:43:12,040 --> 00:43:14,800 Speaker 5: to be stalker and like this characters learning how to 802 00:43:14,840 --> 00:43:20,920 Speaker 5: be a stalker awesome, and it was it was thankless. 803 00:43:21,719 --> 00:43:24,479 Speaker 5: It was one note, but I had so much fun. 804 00:43:24,520 --> 00:43:25,560 Speaker 5: I mean, it's just that. 805 00:43:25,880 --> 00:43:27,520 Speaker 1: And by that point we had already done the play. 806 00:43:27,600 --> 00:43:29,600 Speaker 1: We were already friends, like yeah, it was so. 807 00:43:30,000 --> 00:43:34,440 Speaker 5: Yeah, we we it was, it was, it was, it 808 00:43:34,560 --> 00:43:36,880 Speaker 5: was great. It was have we done the play by then? 809 00:43:37,280 --> 00:43:40,360 Speaker 1: And we must have? Yeah, because that was ninety six, 810 00:43:40,960 --> 00:43:43,720 Speaker 1: yeah yeah, and we've done the play in ninety five, 811 00:43:44,280 --> 00:43:47,440 Speaker 1: so yeah. Yeah. So I wonder if if it was 812 00:43:47,520 --> 00:43:51,200 Speaker 1: because of your second Boy Meets World appearance that you 813 00:43:51,280 --> 00:43:52,960 Speaker 1: were in the play like I won, Yeah, And I 814 00:43:53,040 --> 00:43:55,080 Speaker 1: wonder if it was just like, oh we should just yeah, 815 00:43:55,080 --> 00:43:55,480 Speaker 1: I don't. 816 00:43:56,040 --> 00:43:59,680 Speaker 5: My guess is that Bruce and get Kelly connected because 817 00:43:59,680 --> 00:44:03,800 Speaker 5: Bruce was around, Kelly was around, and Kelly probably got 818 00:44:03,800 --> 00:44:06,000 Speaker 5: me in Bruce's acting. 819 00:44:05,719 --> 00:44:07,800 Speaker 1: Class, right, so then we were just in acting class. 820 00:44:07,800 --> 00:44:09,680 Speaker 1: We were like, let's put together a play. Wow. 821 00:44:10,040 --> 00:44:13,960 Speaker 5: Yeah yeah. And then I got to go up and 822 00:44:13,960 --> 00:44:17,960 Speaker 5: and visit Writer and Shiloh and their their Shire house, 823 00:44:18,000 --> 00:44:20,600 Speaker 5: which was incredible. 824 00:44:20,960 --> 00:44:21,520 Speaker 2: The best. 825 00:44:22,760 --> 00:44:25,879 Speaker 3: Yeah, did he show you his grappling hook? 826 00:44:27,080 --> 00:44:30,160 Speaker 5: Is that some sort of. 827 00:44:30,719 --> 00:44:34,160 Speaker 4: He literally grappling hook. 828 00:44:34,640 --> 00:44:37,600 Speaker 1: I hadn't made it yet, guys. Okay, well, actually maybe 829 00:44:37,600 --> 00:44:40,719 Speaker 1: I have lost it, but lost it was. 830 00:44:41,000 --> 00:44:41,720 Speaker 2: The tree somewhere. 831 00:44:42,200 --> 00:44:44,800 Speaker 5: Yeah, I don't remember the graph. I remember them teaching 832 00:44:44,840 --> 00:44:51,040 Speaker 5: me magic. I remember playing magic with with Writer and 833 00:44:51,080 --> 00:44:58,480 Speaker 5: Shiloh and Nate. I remember like just coming to I 834 00:44:58,480 --> 00:45:02,959 Speaker 5: remember being so enchant with your family because I came 835 00:45:03,080 --> 00:45:05,600 Speaker 5: and it was more the lifestyle, Like I grew up 836 00:45:05,640 --> 00:45:08,759 Speaker 5: in the country, but this was like a decidedly hippie lifestyle, 837 00:45:08,760 --> 00:45:11,719 Speaker 5: which coming from Texas, I was not used to. And 838 00:45:11,760 --> 00:45:14,840 Speaker 5: like coming in and meeting miss Lynn and mister King 839 00:45:16,520 --> 00:45:20,560 Speaker 5: in this shire of redwood forest trees they like he 840 00:45:20,719 --> 00:45:27,560 Speaker 5: built with his bare hands, and and like your mom 841 00:45:27,760 --> 00:45:32,440 Speaker 5: was like so loving and nurturing, and I just remember 842 00:45:32,520 --> 00:45:38,279 Speaker 5: like just falling in love with the family like that 843 00:45:38,600 --> 00:45:41,400 Speaker 5: sort of like it felt so normal to me. And 844 00:45:41,440 --> 00:45:44,560 Speaker 5: I'm sure like every family is quirky and not as 845 00:45:44,600 --> 00:45:47,040 Speaker 5: normal as they seem, but to me, it was like 846 00:45:48,160 --> 00:45:53,440 Speaker 5: this house full of dependability and everyone was so unaffected 847 00:45:53,560 --> 00:45:56,000 Speaker 5: by and you and your brother. 848 00:45:57,040 --> 00:46:00,160 Speaker 1: It's still there. It's still there, and it's still he 849 00:46:00,280 --> 00:46:02,799 Speaker 1: was lovely and welcoming. No, it's way more beautiful than 850 00:46:02,840 --> 00:46:05,320 Speaker 1: it used to be like my dad just kept building stuff. 851 00:46:05,360 --> 00:46:07,759 Speaker 1: I mean now he's eighty one, but yeah, I mean 852 00:46:07,800 --> 00:46:09,920 Speaker 1: the place is gorgeous and like, yeah, we go up 853 00:46:09,920 --> 00:46:12,000 Speaker 1: all the time. It's it's lovely. It's so you got 854 00:46:12,000 --> 00:46:13,920 Speaker 1: to come up, bring your kids, it's. 855 00:46:13,760 --> 00:46:17,879 Speaker 5: Yeah, it was many kids have super special I have too. 856 00:46:18,719 --> 00:46:21,920 Speaker 5: How old are seven and nine? Amazing? 857 00:46:22,120 --> 00:46:25,040 Speaker 2: Oh my gosh, Indy will have a blast. 858 00:46:25,200 --> 00:46:27,640 Speaker 1: Yeah, you got to come up, come up to the Shire. 859 00:46:28,200 --> 00:46:32,520 Speaker 5: Yeah, they and was your I remember mister King being 860 00:46:32,560 --> 00:46:35,080 Speaker 5: like very mister King. 861 00:46:35,480 --> 00:46:37,480 Speaker 1: He's healthier than me right now, like he could still 862 00:46:38,760 --> 00:46:41,040 Speaker 1: still at eighty one. He has more fit than me. 863 00:46:41,400 --> 00:46:44,000 Speaker 1: He could kick my ass. 864 00:46:43,080 --> 00:46:45,759 Speaker 5: Right because I remember me like the peak of fitness. 865 00:46:46,200 --> 00:46:48,480 Speaker 2: He's amazed, like a specimen of a man. 866 00:46:48,640 --> 00:46:50,160 Speaker 4: Yes, exactly, it still is. 867 00:46:52,000 --> 00:46:52,200 Speaker 3: Yeah. 868 00:46:52,400 --> 00:46:53,040 Speaker 4: Yeah. 869 00:46:53,080 --> 00:46:56,080 Speaker 2: So going back to Florida episodes taking us from the 870 00:46:56,120 --> 00:46:59,359 Speaker 2: Shire back to Florida. Do you have no no, no, 871 00:46:59,520 --> 00:47:05,000 Speaker 2: we the detour. Do you have any like specific behind 872 00:47:05,120 --> 00:47:09,120 Speaker 2: the scenes memories or on the scenes memories about being 873 00:47:09,200 --> 00:47:12,200 Speaker 2: in Florida? Did you ride any rides fifty times? 874 00:47:12,440 --> 00:47:18,160 Speaker 5: Oh? Oh so I remember thinking I was like I 875 00:47:18,280 --> 00:47:22,480 Speaker 5: had made it. This was the pinnacle, the zenith of 876 00:47:22,560 --> 00:47:26,799 Speaker 5: my career, like screw oscars. 877 00:47:27,480 --> 00:47:31,440 Speaker 1: This backstage at Disney World. 878 00:47:31,719 --> 00:47:36,359 Speaker 5: Yeah, that we had and I think, now you can 879 00:47:36,400 --> 00:47:39,279 Speaker 5: pay for these, but at the time you could not 880 00:47:39,440 --> 00:47:43,880 Speaker 5: pay for these. No have a personal. 881 00:47:43,440 --> 00:47:46,279 Speaker 1: Guide, guest relations, gest. 882 00:47:46,080 --> 00:47:49,400 Speaker 5: Relations, and I just remember it would be like, okay, 883 00:47:49,840 --> 00:47:51,799 Speaker 5: now we're going to move to this other set and 884 00:47:51,920 --> 00:47:55,080 Speaker 5: all of us would run to this guide and he 885 00:47:55,120 --> 00:47:58,360 Speaker 5: would take us to the front of the line to 886 00:47:58,640 --> 00:48:04,879 Speaker 5: a right Yeah. And I was with like I wasn't recognizable, 887 00:48:04,920 --> 00:48:08,480 Speaker 5: but all of you were recognizable. So there was It 888 00:48:08,560 --> 00:48:13,279 Speaker 5: was like my first brush of this is what fame is. 889 00:48:14,520 --> 00:48:18,600 Speaker 5: No photographs, please, you don't know. 890 00:48:19,600 --> 00:48:21,920 Speaker 1: Terror one more time, let's go we could. 891 00:48:21,719 --> 00:48:25,239 Speaker 5: Just really I remember that. And I remember there being 892 00:48:25,280 --> 00:48:29,239 Speaker 5: a cast dinner at a new restaurant at Cot the 893 00:48:29,440 --> 00:48:33,040 Speaker 5: like whatever. The coolest one was. 894 00:48:32,600 --> 00:48:34,200 Speaker 1: The Italian one? Was it? 895 00:48:34,239 --> 00:48:34,520 Speaker 4: Okay? 896 00:48:34,560 --> 00:48:37,439 Speaker 5: And I remember a very long table with all of us. 897 00:48:38,280 --> 00:48:40,080 Speaker 2: Remember I remember that dinner too. 898 00:48:40,800 --> 00:48:49,560 Speaker 3: Yeah, So these all sound like amazing story his career. 899 00:48:50,120 --> 00:48:52,800 Speaker 3: Not I'll get there eventually, but this is it sounds 900 00:48:52,800 --> 00:48:54,120 Speaker 3: like you guys had a blast. 901 00:48:54,320 --> 00:48:55,040 Speaker 4: We did, we did. 902 00:48:55,480 --> 00:48:58,680 Speaker 5: It was it was really fun. Will. What I remember 903 00:48:58,719 --> 00:49:03,720 Speaker 5: about you is like one he's an adult like don't 904 00:49:05,120 --> 00:49:10,120 Speaker 5: talk to him, but like also just your uh you 905 00:49:10,200 --> 00:49:13,759 Speaker 5: were so sharp on set, Like that's what I remember, like, 906 00:49:13,800 --> 00:49:17,479 Speaker 5: I remember you being sharp. I remember I remember you 907 00:49:18,160 --> 00:49:23,560 Speaker 5: seeing watching you do scenes, and like you would do 908 00:49:23,600 --> 00:49:26,040 Speaker 5: it again and again and again. And what was incredible 909 00:49:26,080 --> 00:49:30,960 Speaker 5: about was that you you had the underpinnings of the comedy, 910 00:49:31,040 --> 00:49:34,319 Speaker 5: like you understood the comedy of it, but you were 911 00:49:34,360 --> 00:49:38,400 Speaker 5: able to play within that musicality. And I remember that. 912 00:49:38,560 --> 00:49:43,279 Speaker 5: I remember being very impressed by that. Thank you. 913 00:49:43,440 --> 00:49:47,720 Speaker 4: Yeah, I'll trade it all to go to Florida. Sounds 914 00:49:47,719 --> 00:49:49,719 Speaker 4: like it would have been fun once in an. 915 00:49:49,600 --> 00:49:54,399 Speaker 2: Italian restaurant with all these great young child actors as 916 00:49:54,400 --> 00:49:57,920 Speaker 2: opposed to uh, just taco bell at home and being funny. 917 00:49:58,080 --> 00:49:59,960 Speaker 5: Do you do you think they still because what I 918 00:50:00,040 --> 00:50:02,480 Speaker 5: I remember about those what was special about the restaurants 919 00:50:02,480 --> 00:50:05,560 Speaker 5: is you could go to a different world. Yeah, different 920 00:50:05,640 --> 00:50:07,360 Speaker 5: like you could go to China or you could go 921 00:50:07,400 --> 00:50:10,640 Speaker 5: to Italy. And what I remember is that in the 922 00:50:10,680 --> 00:50:14,319 Speaker 5: world I would probably they don't have it because it 923 00:50:14,320 --> 00:50:17,040 Speaker 5: would be like this weird appropriation thing of like them 924 00:50:17,160 --> 00:50:26,240 Speaker 5: dressing in cartoonish Italian get garburb and cartoonishes like Japanese 925 00:50:26,400 --> 00:50:27,239 Speaker 5: it's probably. 926 00:50:26,920 --> 00:50:29,759 Speaker 1: Not actually hired people from those countries to work there. 927 00:50:29,800 --> 00:50:32,440 Speaker 1: That was always Is that still the way it works, like. 928 00:50:32,600 --> 00:50:34,520 Speaker 4: I hope. So I haven't been to Epcot in forever. 929 00:50:34,719 --> 00:50:36,520 Speaker 3: Did they still gay? 930 00:50:36,760 --> 00:50:38,239 Speaker 4: Yeah, they give you that passport. 931 00:50:38,320 --> 00:50:40,200 Speaker 3: I still have my Epcot passport and you get it 932 00:50:40,239 --> 00:50:42,719 Speaker 3: stamped at every every country you go to. And then 933 00:50:42,719 --> 00:50:45,480 Speaker 3: when you got older, Epcot was the only place at 934 00:50:45,480 --> 00:50:48,200 Speaker 3: the time on Disney property where you could buy alcohol. 935 00:50:48,920 --> 00:50:50,759 Speaker 3: So when you hit twenty one, then you would do 936 00:50:51,120 --> 00:50:52,960 Speaker 3: called drinking around the world, and you saw how many 937 00:50:53,000 --> 00:50:54,560 Speaker 3: times you could make it around having a drink in 938 00:50:54,600 --> 00:50:56,759 Speaker 3: each country, and you know, there's people that. 939 00:50:56,719 --> 00:50:58,920 Speaker 4: Are like my third time around the world. 940 00:50:58,800 --> 00:51:01,359 Speaker 3: That are just hammered it Disney World. Yeah, was that 941 00:51:01,640 --> 00:51:03,400 Speaker 3: it was much different when you were over twenty one 942 00:51:03,440 --> 00:51:03,919 Speaker 3: by that point. 943 00:51:04,520 --> 00:51:08,080 Speaker 5: Oh, that's so interesting. That feels very in Disney like 944 00:51:08,440 --> 00:51:08,759 Speaker 5: it is. 945 00:51:08,840 --> 00:51:10,680 Speaker 4: I'm not sure you can do that anymore. I don't 946 00:51:10,680 --> 00:51:12,400 Speaker 4: think they I'm not sure they allow it anymore. 947 00:51:12,719 --> 00:51:16,560 Speaker 2: Yeah, who was your like, who was your crew? Who 948 00:51:16,640 --> 00:51:19,400 Speaker 2: was your group of friends in Los Angeles? 949 00:51:21,800 --> 00:51:26,200 Speaker 5: Well around that time, truly, I think writer and and 950 00:51:26,200 --> 00:51:28,880 Speaker 5: and Shiloh and the Tom sisters, like that was a 951 00:51:29,000 --> 00:51:29,600 Speaker 5: part of it. 952 00:51:29,719 --> 00:51:32,040 Speaker 1: And then and used to come to our house and 953 00:51:32,160 --> 00:51:34,239 Speaker 1: scene I remember we had a house in Encino, I 954 00:51:34,320 --> 00:51:34,880 Speaker 1: mean Texas. 955 00:51:34,960 --> 00:51:37,160 Speaker 5: Yeah, yeah, I mean Texas, that's right. 956 00:51:37,560 --> 00:51:41,520 Speaker 1: And with the pool yeah, so that would have been yeah. 957 00:51:41,800 --> 00:51:46,960 Speaker 5: And then I think that sort of ended when Shiloh 958 00:51:47,680 --> 00:51:52,520 Speaker 5: when I brought Shiloh home to meet my family, and uh, he. 959 00:51:54,960 --> 00:51:57,680 Speaker 2: Tell us the details he was when did you guys? 960 00:51:57,719 --> 00:51:58,440 Speaker 2: Do you guys dated? 961 00:51:58,760 --> 00:52:01,760 Speaker 5: Yes, we dated. That's why I would go up and visit. 962 00:52:01,920 --> 00:52:04,160 Speaker 5: That was another thing that I remember, like, how cool 963 00:52:04,640 --> 00:52:08,120 Speaker 5: how miss Lynn and mister King they're letting us sleep 964 00:52:08,160 --> 00:52:10,719 Speaker 5: in the same room together while I visit. 965 00:52:11,400 --> 00:52:14,640 Speaker 1: Likes basically in our family, you were grown up at 966 00:52:14,640 --> 00:52:15,439 Speaker 1: eleven years old? 967 00:52:15,680 --> 00:52:16,080 Speaker 3: Just right? 968 00:52:16,160 --> 00:52:17,840 Speaker 5: No, no, no, when you were older? I was, I was, 969 00:52:19,280 --> 00:52:23,560 Speaker 5: but yeah, and then I made the dire mistake of 970 00:52:23,760 --> 00:52:28,680 Speaker 5: bringing him home to visit my family, which is have 971 00:52:28,880 --> 00:52:31,680 Speaker 5: you guys ever seen did you guys see this last 972 00:52:31,680 --> 00:52:32,480 Speaker 5: season of The Bear? 973 00:52:35,560 --> 00:52:35,960 Speaker 4: Yeah? 974 00:52:36,000 --> 00:52:39,040 Speaker 5: So the flashback episode, Danielle, you. 975 00:52:38,960 --> 00:52:40,919 Speaker 2: Know what, I've never seen it even Oh. 976 00:52:41,000 --> 00:52:44,520 Speaker 5: God, okay, well when you see it, the flashback episode 977 00:52:44,560 --> 00:52:49,120 Speaker 5: of them growing up? That was my family, so not 978 00:52:49,920 --> 00:52:52,719 Speaker 5: different for Shiloh. And so. 979 00:52:54,320 --> 00:52:55,600 Speaker 1: I can't wait to ask about it. 980 00:52:55,920 --> 00:53:00,360 Speaker 5: Yeah, and so I was there. It's been two guys 981 00:53:00,360 --> 00:53:03,200 Speaker 5: in my life who had like really like broken my heart, 982 00:53:03,239 --> 00:53:06,080 Speaker 5: and truthfully, Shilah was one of them. Because we were 983 00:53:06,080 --> 00:53:09,360 Speaker 5: in Texas, Nate and his girlfriend came down to visit. 984 00:53:09,480 --> 00:53:12,080 Speaker 5: We went and saw the bat Caves. I thought everything 985 00:53:12,160 --> 00:53:14,480 Speaker 5: was going well, and then Shilah woke up and he 986 00:53:14,600 --> 00:53:19,239 Speaker 5: was like, Hey, I'm gonna go because I don't I 987 00:53:19,280 --> 00:53:22,640 Speaker 5: don't want to do this, and I think you think that, 988 00:53:22,920 --> 00:53:26,200 Speaker 5: like I'm your boyfriend and I'm not. 989 00:53:28,440 --> 00:53:29,360 Speaker 2: Okay. 990 00:53:30,080 --> 00:53:34,319 Speaker 5: Yeah, And I remember driving in silence the hour to 991 00:53:34,400 --> 00:53:40,160 Speaker 5: go from Kerrville to the UH to San Antonio to 992 00:53:40,239 --> 00:53:42,640 Speaker 5: drop off off of the airport. My mom's radio did 993 00:53:42,680 --> 00:53:44,920 Speaker 5: not work, so it was just us in silence. 994 00:53:45,080 --> 00:53:46,800 Speaker 4: Oh my god. 995 00:53:48,320 --> 00:53:51,040 Speaker 1: Yeah, I remember. I just remember being I remember being 996 00:53:51,120 --> 00:53:54,000 Speaker 1: sad because I was like, oh, you're not dating Hillar 997 00:53:54,040 --> 00:53:55,920 Speaker 1: and he was like no. I came home and I remember, 998 00:53:56,160 --> 00:53:56,880 Speaker 1: like what. 999 00:54:00,120 --> 00:54:04,120 Speaker 5: In retrospect, I can't believe he hung out as long 1000 00:54:04,160 --> 00:54:08,840 Speaker 5: as he did. Like Shiloh and you were both old souls, 1001 00:54:08,920 --> 00:54:12,439 Speaker 5: but in this retro in this situation, you guys were 1002 00:54:12,560 --> 00:54:15,719 Speaker 5: he was way too ginger to be thrown it. I mean, 1003 00:54:16,239 --> 00:54:17,160 Speaker 5: I don't know what it was. 1004 00:54:17,400 --> 00:54:19,360 Speaker 1: I think it might have just been commitment in general. 1005 00:54:19,400 --> 00:54:21,680 Speaker 1: I don't think, because I don't remember any him saying 1006 00:54:21,719 --> 00:54:26,000 Speaker 1: anything negative about Texas or you or your family at all. 1007 00:54:26,320 --> 00:54:28,040 Speaker 1: All I remember is him just being like, oh, I 1008 00:54:28,040 --> 00:54:29,919 Speaker 1: don't want to be in a relationship. I'm not ready here. 1009 00:54:30,480 --> 00:54:33,040 Speaker 5: Let's be clear. It was my family, not me. Don't 1010 00:54:33,080 --> 00:54:33,840 Speaker 5: ruin this for me. 1011 00:54:35,880 --> 00:54:37,600 Speaker 1: It was the commitment, is what I'm saying. It was 1012 00:54:37,680 --> 00:54:41,080 Speaker 1: commitment and nothing to do with He was just like, oh, wait, 1013 00:54:41,120 --> 00:54:43,879 Speaker 1: we're like dating now. Oh And it was like, yeah, 1014 00:54:44,000 --> 00:54:46,440 Speaker 1: dumb ass, you're going to visit her in Texas. Of 1015 00:54:46,480 --> 00:54:48,799 Speaker 1: course you're dating. But I think he like woke up 1016 00:54:48,840 --> 00:54:53,040 Speaker 1: and was like what she live? Boyfriend? Girlfriend? No, which 1017 00:54:53,080 --> 00:54:56,080 Speaker 1: is just like being whatever eighteen seventeen and being like 1018 00:54:56,560 --> 00:54:58,480 Speaker 1: I don't have to be in a relationship with somebody, 1019 00:54:58,480 --> 00:55:02,600 Speaker 1: what an idiot? No, never about you or no, like yeah, no, 1020 00:55:02,680 --> 00:55:06,319 Speaker 1: he just freaked out about commitment and like being dating somebody. 1021 00:55:06,840 --> 00:55:10,960 Speaker 5: I I hold so much love for Shiloh. 1022 00:55:11,080 --> 00:55:13,400 Speaker 1: I think, yeah, you guys just recently talked. He was 1023 00:55:13,440 --> 00:55:16,080 Speaker 1: like that he brought you up, and I was like, wait, 1024 00:55:16,080 --> 00:55:17,719 Speaker 1: we would try to get. We should have her on 1025 00:55:17,760 --> 00:55:19,799 Speaker 1: the podcast. Yeah, that's so much. 1026 00:55:20,200 --> 00:55:23,239 Speaker 2: Yeah, fear of commitment was something he had in his 1027 00:55:23,239 --> 00:55:25,400 Speaker 2: fisherman's vest. Who could have seen it coming. 1028 00:55:26,600 --> 00:55:30,840 Speaker 1: Deep in one of those pottle back hidden pocket. 1029 00:55:31,160 --> 00:55:32,360 Speaker 5: That's right, that's right. 1030 00:55:32,520 --> 00:55:38,319 Speaker 2: To his pipe and smoking and then jump up pipe. 1031 00:55:40,120 --> 00:55:41,680 Speaker 5: Oh my god, he smoked a. 1032 00:55:41,880 --> 00:55:44,880 Speaker 1: Pipe, isn't it ridiculous? With a bowling hat, with a 1033 00:55:44,880 --> 00:55:48,080 Speaker 1: bowler hat smoking a pipe and hacky sacking and and 1034 00:55:48,560 --> 00:55:52,000 Speaker 1: and juggling and cycles he could he learned how to 1035 00:55:52,080 --> 00:55:54,960 Speaker 1: use cycles. I mean, this man and he was still cool, 1036 00:55:55,040 --> 00:55:57,680 Speaker 1: Like that's what's amazing. You take the accumulation and you 1037 00:55:57,760 --> 00:56:01,000 Speaker 1: described Shiloh at sixteen and you're like, what a dorky, 1038 00:56:01,120 --> 00:56:04,879 Speaker 1: weird theater to and instead it was like and effortlessly 1039 00:56:05,040 --> 00:56:08,520 Speaker 1: cool and him when you were like, wow, this got Yeah, 1040 00:56:08,560 --> 00:56:10,640 Speaker 1: it's it's a very strange vibe, like it is. I 1041 00:56:10,680 --> 00:56:12,280 Speaker 1: guess in a way it would be like a burning 1042 00:56:12,400 --> 00:56:14,759 Speaker 1: man vibe now, but it wasn't then. It was just 1043 00:56:14,880 --> 00:56:16,719 Speaker 1: cool in its own sort of way. 1044 00:56:17,120 --> 00:56:19,360 Speaker 3: It's like a whole bunch of really bizarre ingredients that 1045 00:56:19,520 --> 00:56:22,719 Speaker 3: somehow still make a really good dish. Yeah, it's like, 1046 00:56:22,800 --> 00:56:26,040 Speaker 3: how did those five things equals something amazing. 1047 00:56:27,600 --> 00:56:34,440 Speaker 1: Ninety six. It's a good vintage fun can't commit, don't commit, 1048 00:56:35,000 --> 00:56:35,799 Speaker 1: don't take him home. 1049 00:56:36,239 --> 00:56:38,800 Speaker 2: I want to get to you. Starring in the TV 1050 00:56:38,960 --> 00:56:42,440 Speaker 2: version of Honey I Shrunk the Kids, which was massive 1051 00:56:42,560 --> 00:56:46,360 Speaker 2: because the movie was so popular. The promotional tour for 1052 00:56:46,440 --> 00:56:49,279 Speaker 2: this must have been insane for you. Was this a 1053 00:56:49,320 --> 00:56:52,840 Speaker 2: fun experience considering all the effects and Peter Scillari playing 1054 00:56:52,840 --> 00:56:55,200 Speaker 2: your dad? Like, was it an overall great experience? 1055 00:56:55,760 --> 00:56:58,440 Speaker 5: Oh? My gosh, it was. It was the best experience. 1056 00:56:59,080 --> 00:57:03,720 Speaker 5: It was. We were I left. I left my sophomore 1057 00:57:03,800 --> 00:57:08,520 Speaker 5: year of college to go up there and shoot it. 1058 00:57:08,520 --> 00:57:13,600 Speaker 5: It was Peter Sclari who I worked on in Camp Nowhere. 1059 00:57:14,520 --> 00:57:16,200 Speaker 4: Oh, he was in Camp Nowhere too. 1060 00:57:16,120 --> 00:57:21,600 Speaker 5: Okay, Yeah, and then Barbara Allan Woods who played my mom, 1061 00:57:21,720 --> 00:57:25,440 Speaker 5: who ended up very quickly we became best friends. We 1062 00:57:25,480 --> 00:57:30,720 Speaker 5: moved in together for about three months into the first season. 1063 00:57:30,800 --> 00:57:32,480 Speaker 5: We loved each other so much. 1064 00:57:32,840 --> 00:57:35,040 Speaker 1: Where were in Canada or Yeah? 1065 00:57:35,080 --> 00:57:39,720 Speaker 5: We were shooting in Calgary, which is like Texas. It 1066 00:57:39,760 --> 00:57:45,800 Speaker 5: is the Texas of Canada. And I'm you know, I'm 1067 00:57:46,040 --> 00:57:48,600 Speaker 5: the god daughter to her oldest daughter. I stood at 1068 00:57:48,600 --> 00:57:55,960 Speaker 5: her wedding like and we were we were family really 1069 00:57:56,280 --> 00:58:00,680 Speaker 5: and Peter. I feel like my real education and comedy 1070 00:58:01,040 --> 00:58:05,440 Speaker 5: came from Peter, Like he taught me. He taught me comedy, 1071 00:58:05,600 --> 00:58:08,000 Speaker 5: and he taught me how to be a number one 1072 00:58:08,120 --> 00:58:10,760 Speaker 5: on the set, like what is it like how do 1073 00:58:10,800 --> 00:58:13,920 Speaker 5: you lead a ship as an actor? And he was 1074 00:58:15,440 --> 00:58:19,880 Speaker 5: a consummate professional and he like really showed me how 1075 00:58:19,920 --> 00:58:21,920 Speaker 5: do we keep it loose on the set? How do 1076 00:58:21,960 --> 00:58:25,960 Speaker 5: we allow and like create a space for play. And 1077 00:58:27,720 --> 00:58:29,280 Speaker 5: the guests are you know, like you guys have had 1078 00:58:29,280 --> 00:58:32,560 Speaker 5: an incredible guest star and me too. I'm actually watching 1079 00:58:32,600 --> 00:58:34,680 Speaker 5: the series with my kids right now and I haven't 1080 00:58:34,720 --> 00:58:38,440 Speaker 5: seen it in twenty five years, and I cannot believe 1081 00:58:38,480 --> 00:58:44,400 Speaker 5: the guest starters we've had, just like what So, yeah, 1082 00:58:44,520 --> 00:58:47,040 Speaker 5: it was, it was it was fair. We shot nine 1083 00:58:47,040 --> 00:58:50,440 Speaker 5: months out of the year on film Wow, so we 1084 00:58:50,440 --> 00:58:55,800 Speaker 5: were shooting a nine month movie every year, So it 1085 00:58:55,840 --> 00:58:59,760 Speaker 5: was it was really intense hours. You know, twelve fourteen 1086 00:58:59,760 --> 00:59:02,720 Speaker 5: hours is not a little little more than the than 1087 00:59:02,760 --> 00:59:03,600 Speaker 5: the multi camp. 1088 00:59:03,920 --> 00:59:08,440 Speaker 6: Yeah, a little differently, and the visual effects were a 1089 00:59:08,520 --> 00:59:12,760 Speaker 6: lot that I have, like, you know, fell in love 1090 00:59:13,360 --> 00:59:15,880 Speaker 6: like really hardcore for the first time lived. 1091 00:59:16,080 --> 00:59:18,280 Speaker 2: I hope he didn't have a commitment phobia. 1092 00:59:18,480 --> 00:59:21,880 Speaker 5: He did not have a commitment good. Yeah, yeah it 1093 00:59:21,920 --> 00:59:26,560 Speaker 5: turned out I did. But but but could he juggle? 1094 00:59:27,880 --> 00:59:28,440 Speaker 2: Was he an actor? 1095 00:59:30,040 --> 00:59:33,480 Speaker 5: He was not? No, he did. He did the he 1096 00:59:33,520 --> 00:59:34,959 Speaker 5: did the storyboards on the show. 1097 00:59:35,360 --> 00:59:35,800 Speaker 2: Wow. 1098 00:59:36,280 --> 00:59:38,600 Speaker 5: So yeah, it was like it was a it was 1099 00:59:38,640 --> 00:59:42,240 Speaker 5: a family. We would all have Thanksgiving together, we would, 1100 00:59:42,640 --> 00:59:46,240 Speaker 5: I mean it was it was a real family. And 1101 00:59:46,280 --> 00:59:50,240 Speaker 5: I have such good memories and what I learned on 1102 00:59:50,280 --> 00:59:54,800 Speaker 5: that show was just so much. It was my Yeah, 1103 00:59:55,320 --> 00:59:57,360 Speaker 5: it was my education in comedy for sure. 1104 00:59:57,840 --> 00:59:58,280 Speaker 4: Well he was. 1105 00:59:58,280 --> 01:00:01,200 Speaker 3: Peter Scalari was one of I mean the show obviously 1106 01:00:01,160 --> 01:00:03,920 Speaker 3: the subject matter of the show people would have a 1107 01:00:03,920 --> 01:00:06,040 Speaker 3: problem with nowadays, But Buzz and Buddies is one of 1108 01:00:06,040 --> 01:00:10,080 Speaker 3: the greatest comedies ever on TV. Him and Tom Hanks 1109 01:00:10,800 --> 01:00:14,600 Speaker 3: as roommates, and they were killing it week after week. 1110 01:00:14,640 --> 01:00:17,680 Speaker 3: I mean, they were so good. So yeah, he was 1111 01:00:17,720 --> 01:00:21,320 Speaker 3: one of those guys who just had that innate comic 1112 01:00:21,360 --> 01:00:24,200 Speaker 3: timing inside of him and then you'd go see him 1113 01:00:24,240 --> 01:00:27,040 Speaker 3: do something dramatic and he was incredible. So he was 1114 01:00:27,160 --> 01:00:30,080 Speaker 3: just one of those actors, just one of those consummate actors. Yeah, 1115 01:00:30,080 --> 01:00:32,000 Speaker 3: he's one of my favorite of all time. He really is. 1116 01:00:32,440 --> 01:00:37,200 Speaker 5: Yeah, and just one of the kindest, most generous humans 1117 01:00:37,560 --> 01:00:40,320 Speaker 5: I ever met. You know, he's the one who taught me. 1118 01:00:40,840 --> 01:00:45,200 Speaker 5: He's the one who taught me like when I end 1119 01:00:45,240 --> 01:00:47,440 Speaker 5: a show, like if I guest star on a show, 1120 01:00:48,480 --> 01:00:50,920 Speaker 5: I'm writing thank you notes to everybody at the end 1121 01:00:50,960 --> 01:00:54,960 Speaker 5: of the show. You know, he was every year we 1122 01:00:55,000 --> 01:00:57,840 Speaker 5: would I would send out thank you notes to every 1123 01:00:57,960 --> 01:01:00,600 Speaker 5: single person in the crew and cast because he taught 1124 01:01:00,600 --> 01:01:02,920 Speaker 5: me to do that. You know, things that are just 1125 01:01:03,000 --> 01:01:10,360 Speaker 5: like the generosity was. Yeah, yeah, he is messed. 1126 01:01:10,600 --> 01:01:11,360 Speaker 4: I'd love to hear that. 1127 01:01:11,480 --> 01:01:13,880 Speaker 2: Yeah, he sadly passed away in twenty twenty one. 1128 01:01:14,080 --> 01:01:16,000 Speaker 4: Yeah, another another unavailable actor. 1129 01:01:16,320 --> 01:01:31,840 Speaker 2: Yeah, yeah, that's right. Do you ever get recognized for 1130 01:01:31,880 --> 01:01:32,640 Speaker 2: Boy Meets World? 1131 01:01:33,960 --> 01:01:37,160 Speaker 5: I didn't recognize for Boy Meets World. Truthfully, it has 1132 01:01:37,200 --> 01:01:42,960 Speaker 5: been a while since I have been recognized at all. 1133 01:01:43,200 --> 01:01:48,160 Speaker 5: It's usually it's usually like yeah, it's like usually in 1134 01:01:48,200 --> 01:01:51,520 Speaker 5: the airport and they're like, oh my god, you were 1135 01:01:52,200 --> 01:01:55,280 Speaker 5: you were at the Johnston's wedding this weekend, right, I'm like, 1136 01:01:55,600 --> 01:01:59,600 Speaker 5: oh no, no, oh, oh, so you went to Michigan. Yes, 1137 01:01:59,640 --> 01:02:02,040 Speaker 5: that's how I know you. Yes, No, I didn't go 1138 01:02:02,080 --> 01:02:02,680 Speaker 5: to Michigan. 1139 01:02:03,000 --> 01:02:03,040 Speaker 3: No. 1140 01:02:04,560 --> 01:02:06,920 Speaker 5: And I've even had times where I will be with 1141 01:02:07,000 --> 01:02:09,520 Speaker 5: like my embarrassing father who is so quick to be 1142 01:02:09,600 --> 01:02:13,520 Speaker 5: like she's she's an actress, she's been on everything to 1143 01:02:13,880 --> 01:02:19,280 Speaker 5: literally said no, no, that's not it, like okay, yes. 1144 01:02:19,560 --> 01:02:21,400 Speaker 1: I had people argue with me. They're like, we went 1145 01:02:21,440 --> 01:02:24,600 Speaker 1: to high school together. I'm like, no, no, no, we really didn't. 1146 01:02:25,200 --> 01:02:26,360 Speaker 1: I didn't go high school. 1147 01:02:26,400 --> 01:02:31,640 Speaker 5: I went to eight children go to high school on TV. 1148 01:02:32,320 --> 01:02:34,480 Speaker 1: But it was not our, like, it was not your 1149 01:02:34,920 --> 01:02:37,360 Speaker 1: It's like I get argues like, that's not it. Okay. 1150 01:02:37,400 --> 01:02:38,240 Speaker 1: I don't know what to tell. 1151 01:02:38,160 --> 01:02:39,160 Speaker 4: The I don't know what to tell you. 1152 01:02:39,240 --> 01:02:42,080 Speaker 5: Yeah, yeah, I don't think. I don't remember if I've 1153 01:02:42,120 --> 01:02:46,640 Speaker 5: been recognized. I do know. That is the question that 1154 01:02:46,680 --> 01:02:50,240 Speaker 5: I always get. It's my favorite question, Oh you're an actress. 1155 01:02:50,240 --> 01:02:53,680 Speaker 5: What have you been on? Because like, well, I'll decide 1156 01:02:53,680 --> 01:02:58,080 Speaker 5: if you're an actress, prove it right, And I. 1157 01:02:58,240 --> 01:03:01,560 Speaker 1: Heard of the finishing touches, right, yes, and. 1158 01:03:03,040 --> 01:03:10,080 Speaker 5: If they are between thirty and forty five fifty, I 1159 01:03:10,120 --> 01:03:12,960 Speaker 5: know I can say. I've often said like a quick 1160 01:03:13,000 --> 01:03:16,000 Speaker 5: thing is boy meets were like ooh, like because you 1161 01:03:16,040 --> 01:03:18,440 Speaker 5: want to like what can I what is the what 1162 01:03:18,520 --> 01:03:21,640 Speaker 5: is the quickest way that I can validate what I 1163 01:03:21,720 --> 01:03:24,240 Speaker 5: do to you so that I don't have to run 1164 01:03:24,320 --> 01:03:26,280 Speaker 5: through my resume because. 1165 01:03:26,040 --> 01:03:27,560 Speaker 1: If you say, honey, I shrunk the kids, they're like, 1166 01:03:27,640 --> 01:03:29,640 Speaker 1: I love that movie, and you're like, not the most 1167 01:03:30,720 --> 01:03:34,480 Speaker 1: god like there was a TV show. 1168 01:03:34,320 --> 01:03:35,760 Speaker 4: And then you're like why why why. 1169 01:03:39,600 --> 01:03:40,200 Speaker 1: Amazing. 1170 01:03:40,280 --> 01:03:43,040 Speaker 2: So you have two kids, as you mentioned, yew, would 1171 01:03:43,080 --> 01:03:48,120 Speaker 2: you feel if they wanted to act? Do they act? 1172 01:03:48,720 --> 01:03:53,560 Speaker 5: I one of my daughter I think is going to 1173 01:03:53,680 --> 01:03:58,439 Speaker 5: be more creative. My son is like all sports all 1174 01:03:58,480 --> 01:04:03,080 Speaker 5: the time, which is great because that's his dad's deal. 1175 01:04:03,440 --> 01:04:08,520 Speaker 5: So I think I'm trying not to push it. But 1176 01:04:08,640 --> 01:04:12,120 Speaker 5: she does seem she has to take piano lessons. She 1177 01:04:12,320 --> 01:04:15,080 Speaker 5: asked to take singing lessons, so I think she may 1178 01:04:15,120 --> 01:04:18,680 Speaker 5: do something creative. As far as if she wants to 1179 01:04:18,760 --> 01:04:21,160 Speaker 5: do something in the creative arts, I'm totally cool with that. 1180 01:04:21,400 --> 01:04:29,160 Speaker 5: As far as being a professional actor before she's an adult, 1181 01:04:30,480 --> 01:04:34,240 Speaker 5: I don't know. I guess, you know, as Ted Kennedy 1182 01:04:34,240 --> 01:04:36,040 Speaker 5: would say, we'll drive off that bridge when we come 1183 01:04:36,080 --> 01:04:41,200 Speaker 5: to it, I don't think we'll go over that. I 1184 01:04:41,200 --> 01:04:45,200 Speaker 5: don't know. Yeah, that's how I don't know. I would 1185 01:04:45,200 --> 01:04:47,680 Speaker 5: want to. You know, it's such a big part of 1186 01:04:47,720 --> 01:04:53,320 Speaker 5: who I am. I don't know. Yeah, that's not an answer. 1187 01:04:52,920 --> 01:04:57,480 Speaker 2: But I appreciate the honesty because I really think so 1188 01:04:57,680 --> 01:05:01,320 Speaker 2: much of parenting is being able to admit. I don't 1189 01:05:01,520 --> 01:05:04,240 Speaker 2: have the answer for that yet, but I know I'll 1190 01:05:04,240 --> 01:05:08,680 Speaker 2: come to the conclusion when the situation presents itself. And 1191 01:05:09,560 --> 01:05:11,920 Speaker 2: you know, I only had all the answers about parenting 1192 01:05:12,080 --> 01:05:14,320 Speaker 2: before I was a parent. I knew everything then. I 1193 01:05:14,400 --> 01:05:20,360 Speaker 2: was a fantastic parent. Before I had children, we were 1194 01:05:20,360 --> 01:05:22,240 Speaker 2: not gonna have screen time. There were no screen time 1195 01:05:22,280 --> 01:05:25,440 Speaker 2: at meals, all the things you like. 1196 01:05:25,520 --> 01:05:26,959 Speaker 5: Your kids have screen time. 1197 01:05:27,680 --> 01:05:32,400 Speaker 2: I know, honestly, it's amazing they're alive, but yes I do. 1198 01:05:32,960 --> 01:05:38,000 Speaker 2: And they've also occasionally eaten a fruit snack. It's what 1199 01:05:38,640 --> 01:05:43,000 Speaker 2: now I know. Well, in our doing of the research 1200 01:05:43,000 --> 01:05:45,040 Speaker 2: of you that we did before you came on the show, 1201 01:05:45,600 --> 01:05:49,120 Speaker 2: we found out that you help coach young actors now 1202 01:05:49,600 --> 01:05:52,920 Speaker 2: paying it forward with all of the years of experience 1203 01:05:52,960 --> 01:05:54,240 Speaker 2: you had, Can you tell us about that? 1204 01:05:54,640 --> 01:06:01,440 Speaker 5: Yeah? I do. I I would say that now my 1205 01:06:01,640 --> 01:06:05,480 Speaker 5: main my my career is the CEO of my family. 1206 01:06:06,680 --> 01:06:09,880 Speaker 5: I don't want to say that. I mean, I still 1207 01:06:09,920 --> 01:06:12,680 Speaker 5: have reps, but I would say I'm probably I would 1208 01:06:12,760 --> 01:06:17,840 Speaker 5: consider myself certainly semi retired at least, you know, the 1209 01:06:17,920 --> 01:06:21,959 Speaker 5: pandemic hit and I'm such a cliche, but it really 1210 01:06:21,960 --> 01:06:25,640 Speaker 5: made me re examine my life and like what was 1211 01:06:26,720 --> 01:06:30,320 Speaker 5: what was enough? And I think the I think the 1212 01:06:30,400 --> 01:06:37,760 Speaker 5: whys of why I was acting, which before were to 1213 01:06:37,880 --> 01:06:41,000 Speaker 5: prove to others and to myself that I was enough, 1214 01:06:41,040 --> 01:06:45,360 Speaker 5: that I was worthy, that I was I had risen 1215 01:06:45,400 --> 01:06:48,959 Speaker 5: above my station. All of those things they just didn't 1216 01:06:48,960 --> 01:06:52,360 Speaker 5: apply anymore, and I don't think they'd applied for a while. 1217 01:06:52,640 --> 01:06:58,680 Speaker 5: But acting was all that I knew, and so I 1218 01:06:58,720 --> 01:07:01,040 Speaker 5: think I was able to let a lot of that 1219 01:07:01,280 --> 01:07:04,800 Speaker 5: sort of go during the pandemic and just like sit 1220 01:07:04,920 --> 01:07:09,320 Speaker 5: and go, Okay, well what buckets? I only have the 1221 01:07:09,360 --> 01:07:12,520 Speaker 5: bandwidth for two or three buckets in my life. What 1222 01:07:12,600 --> 01:07:17,800 Speaker 5: do I want to fail? And I had I had 1223 01:07:17,840 --> 01:07:23,960 Speaker 5: been certainly before teaching at a studio called Warner Laughlin Studios, 1224 01:07:24,400 --> 01:07:28,160 Speaker 5: which I still I teach the masterclass there now, And 1225 01:07:28,200 --> 01:07:32,680 Speaker 5: that's sort of my that's my love, Like that's where 1226 01:07:32,720 --> 01:07:35,960 Speaker 5: I exactly what you said, like being of service sort 1227 01:07:35,960 --> 01:07:43,760 Speaker 5: of helping to guide or remind these these actors that 1228 01:07:43,800 --> 01:07:47,960 Speaker 5: they don't have to suffer for the craft. And that 1229 01:07:48,080 --> 01:07:51,920 Speaker 5: it can be fun and play, and so I do that, 1230 01:07:52,120 --> 01:07:57,640 Speaker 5: and then I also do some some training like mindset 1231 01:07:57,680 --> 01:08:01,520 Speaker 5: work for for actors, as far as is helping them 1232 01:08:01,560 --> 01:08:06,920 Speaker 5: with pre performance and post performance so that they can 1233 01:08:07,920 --> 01:08:13,240 Speaker 5: I don't know, I just I noticed there's this sports psychologist, 1234 01:08:13,280 --> 01:08:15,640 Speaker 5: Michael Gervay who says you can only train three things 1235 01:08:16,040 --> 01:08:20,479 Speaker 5: your mind, your body, and your craft. And a friend 1236 01:08:20,479 --> 01:08:24,120 Speaker 5: of mine and I found that everyone in Hollywood, which 1237 01:08:24,160 --> 01:08:29,960 Speaker 5: is like the Olympics of acting, everyone was training their craft, 1238 01:08:30,280 --> 01:08:32,760 Speaker 5: everyone was training their body, but no one seemed to 1239 01:08:32,760 --> 01:08:37,400 Speaker 5: be training their mind. And we just started looking at 1240 01:08:37,400 --> 01:08:40,720 Speaker 5: the science of sports psychology and like, how do you, like, 1241 01:08:41,320 --> 01:08:44,000 Speaker 5: how do you level up when you can't do any 1242 01:08:44,040 --> 01:08:47,679 Speaker 5: more reps and you can't you know, do any more 1243 01:08:48,320 --> 01:08:52,040 Speaker 5: whatever they do in practices. I'm not a sports fan, 1244 01:08:52,920 --> 01:08:58,040 Speaker 5: but the science, it's all just performance science. And so 1245 01:08:58,080 --> 01:09:01,280 Speaker 5: we just sort of took that and like, how do 1246 01:09:01,360 --> 01:09:05,120 Speaker 5: we apply that to actors performing? Like why is no 1247 01:09:05,200 --> 01:09:10,439 Speaker 5: one training? Why is no one training their mind? Before? 1248 01:09:10,600 --> 01:09:14,800 Speaker 5: Because it what they were all the training they were 1249 01:09:14,800 --> 01:09:17,800 Speaker 5: doing in their craft was not showing up in the room, 1250 01:09:18,160 --> 01:09:23,080 Speaker 5: and we wondered why. So we just started being interesting definitely. 1251 01:09:24,040 --> 01:09:26,720 Speaker 1: Yeah, Hillary, it is so good to see you, and 1252 01:09:26,800 --> 01:09:30,600 Speaker 1: you it's so awesome to talk to you, because it's like, 1253 01:09:31,040 --> 01:09:33,559 Speaker 1: not only do you look the same, you are the same. 1254 01:09:34,080 --> 01:09:38,160 Speaker 1: You were like the coolest, most mature, unflappable, like you 1255 01:09:38,200 --> 01:09:41,360 Speaker 1: were a full grown woman when I knew you back then, 1256 01:09:41,520 --> 01:09:44,000 Speaker 1: and you you are now. It's so cool. I just 1257 01:09:44,120 --> 01:09:45,559 Speaker 1: I love you. It's so great to see you. 1258 01:09:45,920 --> 01:09:49,960 Speaker 5: I'm so glad I was changed. I was so nervous, 1259 01:09:50,000 --> 01:09:52,720 Speaker 5: I think especially for Danielle and will because I was like, 1260 01:09:52,760 --> 01:09:55,000 Speaker 5: how do I how did I come off when I 1261 01:09:55,040 --> 01:09:59,360 Speaker 5: was fifteen? Because my uh at fifteen, I think my 1262 01:09:59,680 --> 01:10:03,040 Speaker 5: fifteen in sixteen, my sort of one I felt insecure. 1263 01:10:03,200 --> 01:10:06,400 Speaker 5: My roat thing was to get like very stone cold 1264 01:10:06,560 --> 01:10:12,800 Speaker 5: and sort of intimidate and be sort of stand offish, 1265 01:10:12,840 --> 01:10:14,160 Speaker 5: which luckily I. 1266 01:10:14,120 --> 01:10:16,280 Speaker 4: Don't remember that at all. I just remember you being 1267 01:10:16,400 --> 01:10:17,639 Speaker 4: I mean, you and I didn't work together. 1268 01:10:17,640 --> 01:10:19,840 Speaker 3: I don't think ever, no, But but I just remember 1269 01:10:19,880 --> 01:10:22,320 Speaker 3: you being very nice and fitting in and getting along 1270 01:10:22,320 --> 01:10:22,839 Speaker 3: with everybody. 1271 01:10:22,880 --> 01:10:24,839 Speaker 4: I mean, that's kind of the only thing I remember. 1272 01:10:24,880 --> 01:10:25,120 Speaker 5: Really. 1273 01:10:25,439 --> 01:10:27,640 Speaker 2: Yeah, I don't remember I don't remember feeling like you 1274 01:10:27,680 --> 01:10:30,559 Speaker 2: were stand offish, but I definitely knew that you were 1275 01:10:30,640 --> 01:10:33,120 Speaker 2: very close to the Strong family and it felt like, 1276 01:10:33,600 --> 01:10:36,800 Speaker 2: you know, the friendship was with them, and so there, 1277 01:10:37,120 --> 01:10:39,799 Speaker 2: I do remember feeling like there isn't room for friendship 1278 01:10:39,880 --> 01:10:42,559 Speaker 2: with me, even though I was friends with writer too. 1279 01:10:42,640 --> 01:10:46,000 Speaker 2: But it did very much feel like Hillary belongs to 1280 01:10:46,040 --> 01:10:47,599 Speaker 2: the Strongs. 1281 01:10:47,680 --> 01:10:50,360 Speaker 5: And so interesting because I felt the same way about 1282 01:10:50,360 --> 01:10:51,160 Speaker 5: you and Andrew. 1283 01:10:51,800 --> 01:10:53,679 Speaker 2: Right, well, Andrew and I did belong to each other. 1284 01:10:53,880 --> 01:10:56,400 Speaker 5: That's no way that Disney It. 1285 01:10:56,280 --> 01:10:58,160 Speaker 4: Was like you'll were right. 1286 01:10:58,280 --> 01:11:01,080 Speaker 1: We all did the Disney World episode together, of course. 1287 01:11:01,400 --> 01:11:04,920 Speaker 2: And that that is absolutely true. Andrew was mine there, 1288 01:11:05,200 --> 01:11:07,640 Speaker 2: like Andrew was my friend who was there, and I 1289 01:11:07,720 --> 01:11:11,200 Speaker 2: felt very protective over him, like you know, so yes 1290 01:11:11,439 --> 01:11:12,760 Speaker 2: to you are spot on. 1291 01:11:13,920 --> 01:11:16,240 Speaker 3: I wasn't anybody's and I wasn't a Disney and I 1292 01:11:16,280 --> 01:11:17,360 Speaker 3: wasn't at Disney World. 1293 01:11:17,160 --> 01:11:18,360 Speaker 1: And you're not coming again. 1294 01:11:18,400 --> 01:11:21,679 Speaker 3: I was just alone time by myself and I will 1295 01:11:21,680 --> 01:11:22,439 Speaker 3: eat by myself. 1296 01:11:22,760 --> 01:11:24,320 Speaker 4: You had Pops the world. 1297 01:11:24,439 --> 01:11:24,920 Speaker 2: You got it. 1298 01:11:25,000 --> 01:11:26,040 Speaker 5: You got the week off. 1299 01:11:26,960 --> 01:11:29,360 Speaker 1: Yeah, yeah, got pay for a week do nothing. 1300 01:11:29,439 --> 01:11:30,000 Speaker 4: That's the same. 1301 01:11:30,320 --> 01:11:35,439 Speaker 2: Sorry, So Hillary, Sorry, looking back now thirty years later, 1302 01:11:36,320 --> 01:11:39,000 Speaker 2: looking on your at your work as a child in 1303 01:11:39,040 --> 01:11:42,080 Speaker 2: the nineties, with everything that you went through and now 1304 01:11:42,200 --> 01:11:45,479 Speaker 2: all of the teaching and helping to train the minds 1305 01:11:45,479 --> 01:11:49,120 Speaker 2: of other actors. What do you feel when you watch 1306 01:11:49,479 --> 01:11:50,759 Speaker 2: young Hillary on screen. 1307 01:11:51,600 --> 01:11:57,280 Speaker 5: Oh, that's so good. I think I am. I would 1308 01:11:57,320 --> 01:12:01,679 Speaker 5: say I'm ninety percent, like just really, I think I'm 1309 01:12:02,160 --> 01:12:07,519 Speaker 5: proud of her. I think she did, like she rose 1310 01:12:07,560 --> 01:12:12,720 Speaker 5: above her station. She had some really cool friends, she 1311 01:12:12,760 --> 01:12:16,000 Speaker 5: had some really good times. I think she proved herself 1312 01:12:16,680 --> 01:12:20,120 Speaker 5: to be an actor, you know, who could hang, who 1313 01:12:20,120 --> 01:12:27,519 Speaker 5: could hang with other good actors. Like, you know, she 1314 01:12:28,080 --> 01:12:31,360 Speaker 5: wasn't a she took it seriously, she wasn't a hack. 1315 01:12:32,800 --> 01:12:37,720 Speaker 5: You know. I wish I could tell her now, you 1316 01:12:37,920 --> 01:12:43,639 Speaker 5: were worth it, even if you didn't book it, you 1317 01:12:43,680 --> 01:12:47,439 Speaker 5: were worth it, even if you weren't as good as 1318 01:12:47,479 --> 01:12:50,000 Speaker 5: you were, you know, like you were worthy of all 1319 01:12:50,080 --> 01:12:55,120 Speaker 5: of that. But mostly I think it brings back like 1320 01:12:55,240 --> 01:12:58,639 Speaker 5: that was fun, that was a special thing. Not every 1321 01:12:58,760 --> 01:13:01,160 Speaker 5: fifteen year old gets to do those kind of things. 1322 01:13:01,479 --> 01:13:06,400 Speaker 2: So yeah, yeah, and not every fifteen year old is 1323 01:13:06,479 --> 01:13:10,280 Speaker 2: able to rise to the occasion and come out the 1324 01:13:10,320 --> 01:13:14,200 Speaker 2: other side of it with positive stories and able to 1325 01:13:14,240 --> 01:13:18,840 Speaker 2: make a positive contribution continuing and moving forward. So not 1326 01:13:18,960 --> 01:13:22,160 Speaker 2: only were you worthy, but you are in the top 1327 01:13:22,240 --> 01:13:24,519 Speaker 2: tier of people who were ever able to do it, 1328 01:13:25,479 --> 01:13:30,559 Speaker 2: and your life now is evidence of that. So thank 1329 01:13:30,600 --> 01:13:32,839 Speaker 2: you so much for being here with us and spending 1330 01:13:32,840 --> 01:13:35,360 Speaker 2: this time with us and reconnecting. I want to give 1331 01:13:35,360 --> 01:13:38,479 Speaker 2: you a big hug or close the screen I know 1332 01:13:38,560 --> 01:13:39,080 Speaker 2: and see. 1333 01:13:39,000 --> 01:13:41,200 Speaker 4: No like I can reach out. 1334 01:13:41,280 --> 01:13:45,000 Speaker 2: I think it's about a three hour flight, so we should. 1335 01:13:45,320 --> 01:13:46,880 Speaker 2: We could probably be there this weekend. 1336 01:13:46,960 --> 01:13:50,720 Speaker 3: You know we're thinking of Andcino Calgary totally. 1337 01:13:53,080 --> 01:13:54,080 Speaker 2: Let's please get together. 1338 01:13:54,840 --> 01:13:57,880 Speaker 5: I would love that you guys anytime. You guys would 1339 01:13:57,880 --> 01:14:00,759 Speaker 5: love if any of you want to come in and 1340 01:14:01,120 --> 01:14:03,840 Speaker 5: uh co teach my masterclass with me. We could do 1341 01:14:04,120 --> 01:14:09,720 Speaker 5: a multi cam night. What a what a wonderful How 1342 01:14:09,800 --> 01:14:12,320 Speaker 5: lucky these these actors would be to get you to 1343 01:14:12,520 --> 01:14:13,080 Speaker 5: be so much? 1344 01:14:13,120 --> 01:14:14,880 Speaker 2: That would be cool, That would be fun. 1345 01:14:15,160 --> 01:14:16,320 Speaker 5: I would love to you guys. 1346 01:14:16,400 --> 01:14:19,320 Speaker 3: There's an Italian place in Encino with a giant long table. 1347 01:14:19,360 --> 01:14:21,960 Speaker 4: We can go see that called Buka Deo right there. 1348 01:14:22,760 --> 01:14:30,320 Speaker 2: But do they have people dressed in Italian? 1349 01:14:31,400 --> 01:14:33,760 Speaker 5: That's what I remember is they would talk. But like 1350 01:14:34,240 --> 01:14:37,799 Speaker 5: we thought it was great, but now I'm in retrospect. 1351 01:14:41,520 --> 01:14:43,680 Speaker 2: Hillary, thank you so much for being here. Can't wait 1352 01:14:43,720 --> 01:14:44,559 Speaker 2: to see you again soon. 1353 01:14:44,800 --> 01:14:46,599 Speaker 5: Yes, y'all take care. I have a great day. 1354 01:14:46,960 --> 01:14:51,720 Speaker 2: Bye bye. Man is she incredible? 1355 01:14:52,520 --> 01:14:53,280 Speaker 4: She sucks? 1356 01:14:53,439 --> 01:14:57,719 Speaker 1: Oh my gosh, it's just the worst, horrible, horrible interview, 1357 01:14:58,720 --> 01:15:02,080 Speaker 1: just like she's the best I like I It was 1358 01:15:02,120 --> 01:15:04,840 Speaker 1: so funny. The second her face appeared on screen, I 1359 01:15:04,920 --> 01:15:07,600 Speaker 1: was filled with longing, like I just missed her, and 1360 01:15:08,080 --> 01:15:10,320 Speaker 1: you know, and it's one of those things, like I 1361 01:15:10,840 --> 01:15:13,439 Speaker 1: guess in a weird way, we probably it's because she 1362 01:15:13,479 --> 01:15:15,840 Speaker 1: and Shiloh that they broke up and we lost our 1363 01:15:15,920 --> 01:15:18,080 Speaker 1: friendship as a result, right, which is the bummer? 1364 01:15:18,200 --> 01:15:18,280 Speaker 5: Right? 1365 01:15:18,320 --> 01:15:20,360 Speaker 1: I mean that, but that happens with with siblings. 1366 01:15:20,360 --> 01:15:22,800 Speaker 2: And you know, I didn't even know they dated. I 1367 01:15:22,800 --> 01:15:25,200 Speaker 2: mean I gathered it from at the beginning, and I. 1368 01:15:25,160 --> 01:15:27,320 Speaker 1: Realized, now that's why we lost touch. Otherwise we never 1369 01:15:27,360 --> 01:15:29,360 Speaker 1: would have lost touch. I loved Hillary, like it's so 1370 01:15:29,400 --> 01:15:30,040 Speaker 1: good to see her. 1371 01:15:30,160 --> 01:15:31,760 Speaker 4: I just love hearing that they got to share a 1372 01:15:31,760 --> 01:15:35,840 Speaker 4: bed in my family. Literally, even if you were engaged, 1373 01:15:36,120 --> 01:15:38,479 Speaker 4: you could not. When you were married, you could share 1374 01:15:38,479 --> 01:15:38,720 Speaker 4: a bed. 1375 01:15:39,760 --> 01:15:43,320 Speaker 2: Listen at Ryder's house. YEA tie your own shoes. 1376 01:15:43,600 --> 01:15:43,960 Speaker 5: You were in. 1377 01:15:44,000 --> 01:15:47,200 Speaker 4: Adult, allowed to be in bed with whoever you are. 1378 01:15:47,800 --> 01:15:49,760 Speaker 2: What you need to tie your shoes because no one 1379 01:15:49,840 --> 01:15:54,800 Speaker 2: was wearing sho exactly add to the woods with this 1380 01:15:54,920 --> 01:15:56,280 Speaker 2: knife see you later. 1381 01:15:59,720 --> 01:16:01,599 Speaker 1: Yeah, wow, that's true. 1382 01:16:03,760 --> 01:16:07,080 Speaker 2: I really loved talking to her and hearing about her 1383 01:16:07,120 --> 01:16:09,400 Speaker 2: life that I knew absolutely nothing about before the sun. 1384 01:16:09,439 --> 01:16:11,680 Speaker 1: I've never read that about her mom. That's super interesting 1385 01:16:11,760 --> 01:16:13,640 Speaker 1: and actually, you know, makes a lot of sense. The 1386 01:16:13,640 --> 01:16:16,479 Speaker 1: way you analyze d Daniel was acts exactly right, and 1387 01:16:16,520 --> 01:16:19,880 Speaker 1: the way she's talked about like maturity being almost more 1388 01:16:19,920 --> 01:16:22,639 Speaker 1: important than talent at that age, and it's so true, 1389 01:16:22,640 --> 01:16:24,920 Speaker 1: Like you see that, you see that the child actors 1390 01:16:24,920 --> 01:16:27,880 Speaker 1: that end up working a lot, especially under ten, have 1391 01:16:27,960 --> 01:16:31,599 Speaker 1: a preternatural like maturity level almost more than they can act. 1392 01:16:31,840 --> 01:16:34,920 Speaker 1: Like the important part is can you be cool on set? 1393 01:16:35,000 --> 01:16:36,639 Speaker 1: Can you be cool with memorizing lines? 1394 01:16:36,760 --> 01:16:36,920 Speaker 5: You know? 1395 01:16:36,920 --> 01:16:38,599 Speaker 2: Are you so smart handle the blocking? 1396 01:16:38,840 --> 01:16:41,120 Speaker 1: Can you handle the blocking? Like all that is almost 1397 01:16:41,160 --> 01:16:43,519 Speaker 1: more important than your ability to like be present in 1398 01:16:43,520 --> 01:16:46,080 Speaker 1: the moment or make choices honestly, which is what so 1399 01:16:46,160 --> 01:16:47,960 Speaker 1: much of acting is, you realize as you get older. 1400 01:16:48,000 --> 01:16:52,160 Speaker 2: But yeah, interesting, God, so cool to see her. Thank 1401 01:16:52,200 --> 01:16:53,800 Speaker 2: you all for joining us for this episode of Pod 1402 01:16:53,800 --> 01:16:56,000 Speaker 2: Meets World. As always, you can follow us on Instagram 1403 01:16:56,040 --> 01:16:58,519 Speaker 2: pod Meets World Show you can send us your emails 1404 01:16:58,520 --> 01:17:01,400 Speaker 2: Pod Meets World Show at gmail dot com, and we 1405 01:17:01,439 --> 01:17:01,880 Speaker 2: have merch. 1406 01:17:02,400 --> 01:17:03,600 Speaker 4: Shiloh can't commit to. 1407 01:17:03,640 --> 01:17:12,040 Speaker 2: March Podmeets Worldshow dot com. Poor Shiloh, he's taking We 1408 01:17:12,120 --> 01:17:14,479 Speaker 2: have to Shiloh, come by, tell us his side of 1409 01:17:14,520 --> 01:17:16,599 Speaker 2: the story, will send us out. 1410 01:17:17,040 --> 01:17:18,839 Speaker 4: We love you all, pod dismissed. 1411 01:17:19,840 --> 01:17:23,360 Speaker 3: Podmets World is nheart podcast producer and hosted by Danielle Fischel, 1412 01:17:23,479 --> 01:17:27,280 Speaker 3: Wilfredell and Ryder Strong executive producers, Jensen Carp and Amy 1413 01:17:27,280 --> 01:17:31,519 Speaker 3: Sugarman Executive in charge of production, Danielle Romo, producer and editor, 1414 01:17:31,560 --> 01:17:35,360 Speaker 3: Tara Sudbaksh producer, Maddy Moore, engineer and Boy Meets World 1415 01:17:35,400 --> 01:17:38,000 Speaker 3: super fan Easton Allen. Our theme song is by Kyle 1416 01:17:38,040 --> 01:17:40,280 Speaker 3: Morton of Typhoon and you can follow us on Instagram 1417 01:17:40,360 --> 01:17:43,080 Speaker 3: at Podmeets World Show or email us at Podmeets World 1418 01:17:43,120 --> 01:17:46,280 Speaker 3: Show at gmail dot com.