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Speaker 1: Okay, hey, man, he's in my face.

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Speaker 2: I'll face it. Don't matter if you went by an intramar.

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Speaker 1: Women.

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Speaker 2: I don't have friends, I've got family.

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Speaker 3: Yeah.

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Speaker 4: Broom, broom, and welcome to Fast Friends, the No Dunk

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Speaker 4: summer podcast project, where we've decided to watch and break

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Speaker 4: down every action film from the Fast and Furious franchise.

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Speaker 4: I'm Jay Skeetz, a man who up until about forty

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Speaker 4: eight hours ago, it never even watched one of these movies.

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Speaker 4: But I'm here along with my Fast Friends, so they're

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Speaker 4: really like family. Got our Fast and Furious expert. I

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Speaker 4: guess he's sort of the Jesse of the bunch, but

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Speaker 4: I hope he's around for episode two of the show.

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Speaker 1: Trey Kirby, hell.

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Speaker 4: Hey, and our super producer, the definite Dawn of the group,

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Speaker 4: that father.

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Speaker 1: Figure, if you will, JD. Hello, Harry Is and here

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Speaker 1: we are. Yes.

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Speaker 4: Before we get into this first movie, a quick thanks

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Speaker 4: everybody for checking out Fast Friends here. If you enjoy

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Speaker 4: this weird thing we're going to try here this summer

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Speaker 4: about us talking about illegal street racing and hes and

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Speaker 4: course family, then leave us a five star rating and review, or,

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Speaker 4: better yet, subscribe to the pod on Apple or Spotify

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Speaker 4: or YouTube. Our plan is to release a new edition

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Speaker 4: of Fast Friends once a week, obviously breaking down each

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Speaker 4: movie at a time for the next what two months

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Speaker 4: or so?

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Speaker 1: How are these? Wow? How deep are we going here? Skeets?

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Speaker 2: Are we going to be watching the short films and

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Speaker 2: breaking them down? We got ten films in the franchise,

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Speaker 2: two and a half months of Fast and Furious in

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Speaker 2: our lives. I feel like Paul ruddmeme, look at.

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Speaker 4: Us here, gotting ourselves in too. Oh man, I'm already

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Speaker 4: regretting this. I think, all right, well, let's just jump

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Speaker 4: into the first movie then, because we got ten of

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Speaker 4: these to eventually due maybe more with these bonus things

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Speaker 4: you're talking about, these little Minia shores, My god even

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Speaker 4: know those existed. But the first movie two thousand and

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Speaker 4: one's The Fast and the Furious, released in June of

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Speaker 4: two thousand and one, budget thirty eight million, grossed over

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Speaker 4: two hundred and seven million dollars worldwide. The Skinny and

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Speaker 4: We're gonna go through basically the entire movie. But the

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Speaker 4: skinny is La Police officer Brian O'Connor must decide where

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Speaker 4: his loyalty really lies. When he becomes enamored with the

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Speaker 4: street racing world. He has been sent undercover to destroy stars.

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Speaker 4: Paul Walker, of course, Vin Diesel, Michelle Rodriguez I think

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Speaker 4: is the third name there sure on the poster, and

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Speaker 4: then a bunch of other characters.

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Speaker 1: So again we're.

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Speaker 4: Gonna go through this sort of scene by scene. But TK,

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Speaker 4: you again are the expert.

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Speaker 1: You've seen all of these movies, every movie.

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Speaker 4: You think, Cannon, what do you remember about two thousand

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Speaker 4: and one? And I mean, do you remember the theater

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Speaker 4: you were in? Did you see it in theater when

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Speaker 4: you saw The Fast and Furious?

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Speaker 1: The first one?

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Speaker 2: Absolutely two thousand and one, the year I graduated high school,

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Speaker 2: watched this one at the Wow seven Cinemas in Sandwich, Illinois.

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Speaker 2: I vividly remember going with the bros. This was probably

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Speaker 2: like one of the last high school friends things that

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Speaker 2: we did. It came out right after we graduated. That

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Speaker 2: last month, we were doing burnouts in the parking lot,

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Speaker 2: and I remember doing burnouts down the road at Brad

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Speaker 2: Corneil's house. I'm sure his mom wasn't happy about that.

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Speaker 2: Then we went and drove my nineteen ninety Chevy Biretta

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Speaker 2: one hundred miles an hour on Miller Road.

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Speaker 1: Oh to be young.

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Speaker 2: Again, skeets. Let's just hope that Fast Friends is as

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Speaker 2: big of a success as The Fast and the Furious.

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Speaker 1: Look at those numbers there. The budget is tiny.

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Speaker 2: But the success is massive, so big that I don't

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Speaker 2: even think they knew they were going to do a

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Speaker 2: second one, had to do a second one. Suddenly. Now

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Speaker 2: there's ten of them and we're talking about all of them.

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Speaker 4: Yeah, No, JD Like, this is sort of perfect because

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Speaker 4: I'm the nube. I've never seen these, like I said,

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Speaker 4: until watching them for the for this series here Trey

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Speaker 4: seen them all again. He's sort of our expert, and

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Speaker 4: you sort of fall in the middle somewhere. And then

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Speaker 4: I don't believe you've seen the mall. You've seen some.

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Speaker 4: I think you saw this.

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Speaker 1: One maybe early.

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Speaker 3: Yeah, I've seen most of them. I think I rented

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Speaker 3: this one after it came out, like on probably DVD,

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Speaker 3: like not even Blu Ray, you know, And I was

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Speaker 3: very indifferent about it, to be honest, Like I was like,

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Speaker 3: this is kind of shit movie. It's basically Point Break

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Speaker 3: with cars, And I actually just watched Point Break immediately

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Speaker 3: after rewatching this one. This Weekend and it's damn close,

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Speaker 3: like damn close, And I was like, has has anyone?

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Speaker 3: How have I not heard anyone mentioned that is Point Break?

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Speaker 5: Like?

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Speaker 3: It's it is basically Point Breaks. It's the same plot,

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Speaker 3: same plot points, but apparently there's a big thing if

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Speaker 3: you go if you search for the there there's a chart.

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Speaker 3: It's basically a joke like and it goes through I

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Speaker 3: think ten plot points that follows exactly both movies. And

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Speaker 3: then the final question is like one of those are

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Speaker 3: you watching Point Break? Are you watching Fast and Furious?

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Speaker 3: And a final question is is Vin Diesel in it?

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Speaker 3: Then it is the Fast and Furious? Otherwise it's Point Break.

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Speaker 3: So it's like, so, I think that pissed me off

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Speaker 3: immediately when I watched it, and then you know, we'll

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Speaker 3: get into you know, the story and stuff. But yeah,

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Speaker 3: and then I gave it up. But then when they

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Speaker 3: start getting into the superhero sort of you know, over

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Speaker 3: the top stuff, I kind of got into it a

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Speaker 3: little more. But I've never seen one in a theater. Okay,

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Speaker 3: so and I'm I'm definitely not into it at all,

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Speaker 3: but it's growing the franchise, the brand has grown on

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Speaker 3: me over the years for sure.

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Speaker 4: Well that's what's gonna be hilarious. I think about this,

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Speaker 4: and we need to say that up front. I know

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Speaker 4: nothing about cars.

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Speaker 2: Like absolutely nothing.

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Speaker 4: I drive a Chevy Tracks twenty twenty, thank you very much.

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Speaker 4: I lease it, though I couldn't care less to own

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Speaker 4: a vehicle. And again, I don't want to speak for

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Speaker 4: you guys, but you guys are not You're not gearheads

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Speaker 4: by any means. Although Trey's got the look. I mean,

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Speaker 4: he's got the tank top on here. It looks like

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Speaker 4: he could pop open the hood and check my Johnson

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Speaker 4: Rod or something like that.

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Speaker 1: But we don't know. We don't know a lot about cars.

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Speaker 4: But maybe you did trade back in high school, because

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Speaker 4: that's no, No, you didn't even know it then, okay.

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Speaker 2: No, I just knew how to floor it and leave

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Speaker 2: some sick rubber behind oats. But the interesting thing about

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Speaker 2: Fast and Furious is there's a lot of car talk

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Speaker 2: in this one. There's a lot of gearhead sick o

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Speaker 2: kind of stuff in it.

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Speaker 1: And by the time you.

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Speaker 2: Get to the superhero mode, like JD is saying, once

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Speaker 2: you get into four and five, it's like you don't

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Speaker 2: need to know about cars.

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Speaker 1: All you need to.

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Speaker 2: Know is that they go fast. Stand That's something I

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Speaker 2: learned early on and something that's gonna continue on throughout here.

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Speaker 2: But yeah, I don't know. And this one, they're giving

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Speaker 2: you so many car details. They really want to bring

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Speaker 2: you into the world of street racing, and pretty quickly

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Speaker 2: it turns to something, you know, massively bigger than street racing,

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Speaker 2: and you don't need to know quite as much about

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Speaker 2: your manifold intakes or your torque off the line, not

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Speaker 2: quite as important.

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Speaker 4: Okay, hold on, dun before we even get into the

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Speaker 4: movie again, I know nothing. So this might be a

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Speaker 4: stupid question. Are these nitro gnaws things?

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Speaker 2: Like?

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Speaker 1: Are these real? Is this an actual thing you can

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Speaker 1: put in your car to fire it up?

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Speaker 3: I think so?

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Speaker 4: Okay, right, I sort of thought so much, you though

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Speaker 4: it wasn't quite sure.

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Speaker 1: Okay, okay, well, amazing, amazing.

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Speaker 4: Now I gotta get some on the Chevy tracks here

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Speaker 4: so I can rip around the old neighborhood.

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Speaker 1: Let's get into the movie.

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Speaker 4: We open on a deserted highway where a heist crew

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Speaker 4: assault a truck carrying electronic goods. They steal a cargo

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Speaker 4: and they escape. We are into this movie right away.

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Speaker 4: JD basically, and I gotta say, for never having watched

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Speaker 4: a single one of these, I was like, okay, this

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Speaker 4: is this is cool enough they go They go about

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Speaker 4: stealing this truck in a very weird way, going through

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Speaker 4: the windshield an interesting option.

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Speaker 1: But I was in. I was in right away.

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Speaker 4: Did it hook you the second or third time around

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Speaker 4: here this movie?

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Speaker 2: Me?

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Speaker 3: No, not at all. It was like, Okay, here are

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Speaker 3: these inconspicuous quote unquote cars coming with green neon underneath,

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Speaker 3: and what always brings takes me out of it. Okay,

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Speaker 3: so they surround the truck and then they shoot a

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Speaker 3: harpoon through the front windshield of the track. Okay, strange, strange,

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Speaker 3: but yeah, we're all we don't know anything about cars,

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Speaker 3: but we're all drivers. If that happened to you, wouldn't

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Speaker 3: you just hit the brakes?

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Speaker 4: I mean.

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Speaker 1: Right away all movie truck drivers to just stop, stop,

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Speaker 1: just stop and stop the track.

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Speaker 4: Man.

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Speaker 3: All you have to do is stop the track. But

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Speaker 3: you know, I mean, it was overly elaborate. It was

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Speaker 3: kind of cool to watch. The stunts are kind of cool.

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Speaker 3: Remind me, do they drive under the truck in that scene? Yes?

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Speaker 4: Yes, we get I think in the movie, but right

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Speaker 4: away we're driving under trucks, which takes me back to

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Speaker 4: the day I walked under a moving train, a story

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Speaker 4: I've told on the podcast before. Very slow moving train

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Speaker 4: and not my proudest moment. Never do that new listening

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Speaker 4: out there, that's an absolute stupid decision on my part.

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Speaker 1: We were in high school there go.

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Speaker 4: The train track was between school and home, and we're

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Speaker 4: just waiting here for this long ass train. I'm like,

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Speaker 4: I'm going under it. A couple of people did it.

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Speaker 4: A couple people went over it. Anyway, Yeah, that was cool.

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Speaker 4: Anytime cargoes under a truck looks cool to me.

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Speaker 2: Yeaheah. And that's why I do love this first scene,

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Speaker 2: especially you know, now watching it back, maybe it's different

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Speaker 2: when you see it the first time, but now watching

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Speaker 2: it back, it's like, Wow, they've got us rooting for

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Speaker 2: the bad guys almost right away, because you're like, they're

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Speaker 2: gonna be pulling this off. It's an elaborate heist, Like

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Speaker 2: you're saying, skeets. Anytime a car goes under a semi truck,

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Speaker 2: it's a baller move.

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Speaker 1: It's cool.

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Speaker 2: So right away you're getting like an elaborate set piece.

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Speaker 2: You're rooting for the Outlaws. This is what the whole

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Speaker 2: franchise becomes. And you're getting it there in the first

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Speaker 2: five minutes of the movie, and you kind of forget

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Speaker 2: about it like that seems just kind of like an

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Speaker 2: ancillary part of the movie as things go on. But

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Speaker 2: really they've just blew that whole five minutes out into

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Speaker 2: you know, ten twenty years worth of a franchise. Here,

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Speaker 2: they're like, hey, that first five minutes it's pretty baller.

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Speaker 2: Let's run it back. See how many times we can

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Speaker 2: go underneath that summer.

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Speaker 1: Yeah.

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Speaker 4: Well, the following day, the LAPD in conjunction. I guess

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Speaker 4: with the FBI. They're working together on this one. They

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Speaker 4: sent Officer Brian O'Connor undercover to locate the crew, and

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Speaker 4: he starts his investigation at Torretto's Market. I guess what

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Speaker 4: they say. He's been there like eight straight days or

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Speaker 4: something like that. That's when we jump in. We see

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Speaker 4: him there. He's flirting with a young woman named Mia,

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Speaker 4: who we you know, soon learn is a sister of

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Speaker 4: street racer Dominic Toretto. Dom's crew Vince Leon Jesse and

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Speaker 4: his girlfriend Letty. Dom's girlfriend Letty, they arrive at the shop,

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Speaker 4: and then Vince, who I think has a crush on Mia,

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Speaker 4: starts a fight with the undercover cop Brian until Dom

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Speaker 4: intervenes and there is lots of tuna sandwich talk. So

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Speaker 4: this scene, I mean, this is we're first our first

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Speaker 4: introduction to Brian, to the hero really I guess of

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Speaker 4: the movie Paul Walker, and then all these other characters,

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Speaker 4: and you know, we got Dom sitting reading a paper

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Speaker 4: in the back, like just catching up on the times,

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Speaker 4: you know, like a it's a whole. I think this

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Speaker 4: is one of my favorite scenes. And I know eventually

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Speaker 4: in this podcast we'll get to like things, we really like,

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Speaker 4: things we hated, and once we have a bunch of

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Speaker 4: these movies under our belt, will rank the movies and

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Speaker 4: all that. But like, this is a hilarious scene just

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Speaker 4: with all the cast of characters jumping in here.

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Speaker 2: Yeah. Yeah, I fit to meet everybody. And you know,

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Speaker 2: I don't know, I think the craziest thing to me

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Speaker 2: watching this back.

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Speaker 1: Is like.

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Speaker 2: Brian is ordering a tuna sandwich on white bread with

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Speaker 2: no crust. Every single day you're putting one hundred percent

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Speaker 2: of the onus on the tuna, and as Vince says,

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Speaker 2: nobody likes the tuna. The tuna here is crappy every day.

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Speaker 1: Mia tells us.

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Speaker 2: I'll get into my thoughts on dom in this movie

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Speaker 2: a little bit later, but this should have been a

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Speaker 2: major red flag to him. What adult is ordering a

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Speaker 2: sandwich with no crust? That was just like crazy to me.

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Speaker 2: Just get some crust on there toast your bread, throw

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Speaker 2: some spinach on Brian.

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Speaker 1: And we never see him.

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Speaker 4: We never see him eat it, right, well, we never

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Speaker 4: see him get it, you know, because the fight breaks

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Speaker 4: out when Vince shows up. But you're like, isn't he

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Speaker 4: trying to be like undercover and conspicuous, Like you're bringing

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Speaker 4: more attention than you could ever imagine to yourself by

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Speaker 4: that order, Like you said, but that's maybe part of

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Speaker 4: his plan, Jade, I'm very confused by the order.

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Speaker 1: Yeah, I mean he likes it.

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Speaker 3: He's staking the place out, or he's trying to insinuate

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Speaker 3: himself into the world, and maybe he just trusts the

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Speaker 3: tuna because it's coming out of a can, right, Yeah,

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Speaker 3: I don't know. I mean I was, well, I watched

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Speaker 3: this with Jackson and he was like, what do you say,

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Speaker 3: crust's cut up? This is a child saying to me,

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Speaker 3: is this adult insane? Like what are you talking about?

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Speaker 3: He had never heard of getting the crusts cut off.

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Speaker 3: My favorite part about this scene is that this guy, say,

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Speaker 3: say he's not a cop, Say he's not trying to

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Speaker 3: infiltrate them, and he just enjoys a tuna sandwich. Maybe

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Speaker 3: he likes flirting with Nia or Mia yep. And you

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Speaker 3: know he's sitting there enjoying his lunch on his lunch

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Speaker 3: break and Vince comes up picks a fight with him

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Speaker 3: or seemingly no reason other than he's in the place

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Speaker 3: and flirting with the girl he likes. It's not even

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Speaker 3: his girlfriend. Then they get into a big fight outside.

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Speaker 3: He tries to walk away, he tries to like, you

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Speaker 3: know what, I'm just I'm out see you tomorrow. He

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Speaker 3: walks out, Vince chases him down, beats the starts beating

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Speaker 3: the shit out of him. Then the owner of the establishment,

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Speaker 3: Dom comes out, gets in Brian's.

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Speaker 5: Face like he's a pig customer, and then he bans

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Speaker 5: him for life, and then he fires him from his

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Speaker 5: job something. It's insane, man, It is insane that first

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Speaker 5: that whole first scene is like, I mean, this is

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Speaker 5: the first scene after the heist, and it's all swagger,

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Speaker 5: it's all just fucking testosterone coming at you, and it's.

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Speaker 3: You have to like it. But it's also like, what

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Speaker 3: is going on?

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Speaker 2: Like how many people's asses has has? Has Vince beat up?

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Speaker 2: Since people just are ordering tuna, Like if you've come

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Speaker 2: in and order two days, Vince is like getting in

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Speaker 2: your faces, like, hey man, I told you never order

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Speaker 2: that tuna again. That's got to be dangerous for Dom Toretto.

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Speaker 2: He's running a garage here, he's running a cafe as well.

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Speaker 1: Yeah, I don't know.

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Speaker 2: I don't know why you're thinking tuna is the way

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Speaker 2: to go here, but Vince is here to set the

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Speaker 2: record straight. They've had to have lost multiple customers.

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Speaker 1: There's no one on the place at that point.

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Speaker 4: It's not doing well, But so is the garage attached

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Speaker 4: to the market slash cafe slash whatever the hell this

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Speaker 4: place is?

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Speaker 1: Or are they two separate places?

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Speaker 3: You never really can tell, but I think that is.

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Speaker 4: I think you Yeah, so it's one establishment. Like he's

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Speaker 4: spreading himself thin, like what are you Dom, Like what

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Speaker 4: are you running here?

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Speaker 3: Uh?

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Speaker 1: You know, you're just trying to do everything.

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Speaker 4: But but then again, maybe it's like it's his sisters

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Speaker 4: that side of the building, you know, like you you

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Speaker 4: run the market, uh trusts and he runs the garage part.

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Speaker 4: I don't know, very strange of the crew that shows up,

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Speaker 4: because this is our first introduction to to Dom's crew,

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Speaker 4: which again is Vince, who picks the fight with Brian.

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Speaker 1: Leon who what would you say?

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Speaker 4: Leon's like number one role is like he's sort of

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Speaker 4: like always on the lookout for the cops. I feel

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Speaker 4: like he's on comms. I guess, Uh, Jesse is like

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Speaker 4: the brains. I mean, here's the true mechanic. And then Letty,

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Speaker 4: who's like a badass. Who's your who's your favorite of

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Speaker 4: this DOM squad? Tray to start with you the DOM squad?

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Speaker 2: Yeah, I guess that's a tough call.

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Speaker 1: I mean Letty.

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Speaker 2: Letty becomes legendary in the series, and like you're saying,

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Speaker 2: she pulls off I think she's the first one that

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Speaker 2: goes underneath the semi. That's a pretty impressive move. And

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Speaker 2: I think she also does it later on in the

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Speaker 2: in the heist as well. Pretty cool signature move. I

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Speaker 2: guess I'm going Letty, I think Jesse is the guy

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Speaker 2: you kind of of instantly start rooting for and like

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Speaker 2: you're just connected to him right away, and you're like,

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Speaker 2: how did this nerd get caught up in this messy

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Speaker 2: underworld with these guys racing cars? He's not tough enough

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Speaker 2: to be out there, so obviously you're rooting for Jesse.

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Speaker 2: Those those two stick out to me. And then I mean,

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Speaker 2: Vince is just there to give you somebody to root

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Speaker 2: against him. Yeah, he comes out strong getting you to

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Speaker 2: root against him.

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Speaker 4: Man, Jesse reminds me so much of was the character's

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Speaker 4: name Mouse in The Matrix?

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Speaker 3: Oh yeah?

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Speaker 1: Oh my god. I'm like, I was like, is this

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Speaker 1: the same actor?

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Speaker 4: They're like the exact same character, like the nerdy uh,

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Speaker 4: you know, sympathetic, a little fast talking, a little.

360
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Speaker 3: Bit slightly off as well, right yeah, sure.

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Speaker 4: Yeah, a little not all there for sure. But do

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Speaker 4: you have a favorite of the Domsquad?

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Speaker 3: J Yeah, I'm a I'm a letty guy for sure.

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Speaker 3: Here this is a hold are.

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Speaker 1: You guys letty guys? Because of where her care goes?

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Speaker 4: Because I have to say, having only watched this one

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Speaker 4: so far, because I'm gonna watch these one at a

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Speaker 4: time right before we podcast, I mean.

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Speaker 1: You did some cool things.

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Speaker 4: You're right, Trey, But like she has got like the

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Speaker 4: craziest stink face all movie.

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Speaker 1: She's not very likable.

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Speaker 4: I'm not I'm not cheering for her, and I don't know,

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Speaker 4: so maybe I guess maybe where she goes in the franchise,

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Speaker 4: Like Trey said.

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Speaker 1: Well, I'll change my tune.

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Speaker 3: As we met, you mentioned her face. This is her

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Speaker 3: getting out of the car. Yeah all movie though, Yeah,

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Speaker 3: exactly right. And then I mean, if I was her,

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Speaker 3: I would be sort of pissed at the director. I'm like,

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Speaker 3: why didn't you tell me? I looked like like stunned

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Speaker 3: or whatever. She gets out of the car and this

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Speaker 3: is the look on her face. People who are listening

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Speaker 3: to go to YouTube and and check it out. And

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Speaker 3: then also I noticed this these were her shit. Yeah right,

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Speaker 3: badass boots, I have to say. But also with your

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Speaker 3: lamming clutches, and you're like, I mean, I don't know

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Speaker 3: much about like you know, working the pedals. I do

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Speaker 3: drive a Standard, and I would not wear these boots

390
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Speaker 3: like they're basically platform shoes, and I feel like these

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00:19:14,600 --> 00:19:17,119
Speaker 3: would hold her back in the racing world. I'm just

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Speaker 3: I don't know. I like the flames, I like the

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Speaker 3: look of them, but I don't know, I don't think

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Speaker 3: they're practical for her line of work. It's not really work.

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Speaker 3: I guess it's work. She pulls off heist, so.

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Speaker 1: Yeah, some money off of this. I'm not doing it

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Speaker 1: just for fun, Okay, all right.

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Speaker 4: Well yeah, first introduction to her, and even in this movie,

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Speaker 4: I'm like, I'm not I'm not team Letty yet, but I'm.

400
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Speaker 1: Excited to see where where it goes.

401
00:19:42,080 --> 00:19:45,440
Speaker 4: But definitely with that reaction that shot, like I think

402
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Speaker 4: she's trying to look just tough, badass, but you're right,

403
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Speaker 4: it's coming off a little like like confused, a little bit.

404
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Speaker 3: More than anything exactly.

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Speaker 2: Yeah, I do think she comes off as a badass

406
00:19:56,840 --> 00:19:59,280
Speaker 2: though in this she pulls off a couple of moves

407
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Speaker 2: on the underneath she wins her race at Race Wars.

408
00:20:02,840 --> 00:20:06,800
Speaker 2: I think she's the most successful racer on the DOMS

409
00:20:06,840 --> 00:20:10,000
Speaker 2: squad right now. But they also give like like Leon,

410
00:20:10,280 --> 00:20:12,240
Speaker 2: like you're saying, skeets, you don't even know what.

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00:20:12,200 --> 00:20:12,720
Speaker 1: This guy does.

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Speaker 2: All he does is like have a walkie talkie. At

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Speaker 2: one point, he's wearing bootcuts in a basketball jersey. Like

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00:20:18,520 --> 00:20:21,080
Speaker 2: you're not getting much Leon here, Like Jesse gets at

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00:20:21,160 --> 00:20:23,479
Speaker 2: least to look at the first computer ever made at

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Speaker 2: one point check graphics on that line.

417
00:20:27,280 --> 00:20:32,560
Speaker 4: A computer scene in this movie is unbolievable. It's I mean,

418
00:20:33,320 --> 00:20:35,320
Speaker 4: you're watching the movie from two thousand and one, but

419
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Speaker 4: you're like, this is nineteen eighty seven or something like.

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Speaker 1: It feels like it.

421
00:20:39,240 --> 00:20:41,760
Speaker 4: Oh yeah, it's crazy. Okay, we'll keep going here. So yeah,

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Speaker 4: they get into the fights, get out of here, Brian.

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Speaker 1: All right.

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Speaker 4: Well, that night Brian brings and I'm getting a lot

425
00:20:49,280 --> 00:20:52,159
Speaker 4: of help with this rundown here from Wikipedia because I

426
00:20:52,240 --> 00:20:55,000
Speaker 4: don't know this shit. But Brian brings a modified ninety

427
00:20:55,040 --> 00:20:59,160
Speaker 4: five Mitsubishi Eclipse okay, to an illegal street race. That's

428
00:20:59,200 --> 00:21:01,440
Speaker 4: the green car if I if I remember correctly that

429
00:21:01,520 --> 00:21:03,440
Speaker 4: he shows up in Yeah. Now he's hoping to find

430
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Speaker 4: a lead on this. Hecet crew Dom arrives in his

431
00:21:06,240 --> 00:21:12,600
Speaker 4: mask to RX seven and initiates a race between himself, Brian,

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Speaker 4: and then two others, one of them of course Jah Row.

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Speaker 1: Wow Edwin.

434
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Speaker 4: This is amazing again for me to watch this because

435
00:21:22,880 --> 00:21:26,600
Speaker 4: I had I know, Ludicrous shows up, I know Tyresee

436
00:21:26,840 --> 00:21:27,440
Speaker 4: shows up.

437
00:21:28,400 --> 00:21:30,800
Speaker 1: I had no clue Jah Rule was in this movie.

438
00:21:30,840 --> 00:21:33,560
Speaker 1: I was like Oh my goodness is amazing. Okay, so

439
00:21:33,640 --> 00:21:34,560
Speaker 1: he's there, so.

440
00:21:34,640 --> 00:21:38,040
Speaker 4: Brian forced to wager his car, puts his car, that

441
00:21:38,320 --> 00:21:42,880
Speaker 4: beautiful green Mitsubishi Eclipse on the line, and then Dom

442
00:21:43,000 --> 00:21:46,879
Speaker 4: wins the race after I guess Brian just pushes his

443
00:21:46,920 --> 00:21:49,800
Speaker 4: car way too far. I mean that's the this is

444
00:21:49,840 --> 00:21:52,240
Speaker 4: the scene where the bottom falls out right. Yeah, it's

445
00:21:52,280 --> 00:21:53,720
Speaker 4: like turns into a flintstone car.

446
00:21:53,840 --> 00:21:54,159
Speaker 1: Yeah.

447
00:21:54,359 --> 00:21:58,040
Speaker 4: And and then the cops arrive before Brian can hand

448
00:21:58,080 --> 00:22:00,560
Speaker 4: over his vehicle. And we'll obviously keep going here. But

449
00:22:00,640 --> 00:22:03,880
Speaker 4: this this is our first so our first race scene. Trey,

450
00:22:05,440 --> 00:22:07,159
Speaker 4: does it hold up in watching it?

451
00:22:07,240 --> 00:22:07,399
Speaker 2: You know?

452
00:22:07,840 --> 00:22:09,200
Speaker 1: Some twenty years later.

453
00:22:09,359 --> 00:22:12,760
Speaker 2: Skeets, I was on the edge of my seat as

454
00:22:12,800 --> 00:22:16,720
Speaker 2: they're rolling up to the line here. This scene is

455
00:22:16,760 --> 00:22:19,800
Speaker 2: hard to beat in the entire franchise. I was on

456
00:22:19,840 --> 00:22:22,879
Speaker 2: my feet again twenty years later watching the race. I

457
00:22:22,920 --> 00:22:25,920
Speaker 2: think it is so perfect. I will quibble with one thing.

458
00:22:27,000 --> 00:22:28,800
Speaker 2: Did Brian have to put his car up in this?

459
00:22:29,000 --> 00:22:31,200
Speaker 2: Come on, man, this is an eighty thousand dollars car,

460
00:22:31,240 --> 00:22:33,639
Speaker 2: as we learn, couldn't the cops have just slid him

461
00:22:33,640 --> 00:22:37,200
Speaker 2: two thousand dollars for the entry fee? H Nonetheless, an

462
00:22:37,200 --> 00:22:41,200
Speaker 2: incredible race you have a jah rule, realizing he's going

463
00:22:41,280 --> 00:22:44,480
Speaker 2: to lose out on his chance at a menage about

464
00:22:44,520 --> 00:22:46,560
Speaker 2: three quarters of the way through the race.

465
00:22:47,359 --> 00:22:50,320
Speaker 1: No, mother, God.

466
00:22:52,480 --> 00:22:54,760
Speaker 2: I just think it's so good. I like it from

467
00:22:54,840 --> 00:22:57,400
Speaker 2: the beginning. Brian offers this pink slip and he says

468
00:22:57,480 --> 00:23:01,120
Speaker 2: to Dom, by win, I take the cat and the respect.

469
00:23:01,200 --> 00:23:03,040
Speaker 2: Dom literally just laughs at his face.

470
00:23:03,560 --> 00:23:05,520
Speaker 1: Respect, Come on, buddy.

471
00:23:05,760 --> 00:23:08,600
Speaker 2: And then Brian, who do you think you are? Overshoots

472
00:23:08,640 --> 00:23:11,040
Speaker 2: the start to begin should have been a red flag

473
00:23:11,119 --> 00:23:14,560
Speaker 2: for Dom. Then he's actually a pretty bad driver. I

474
00:23:14,560 --> 00:23:18,040
Speaker 2: do think in this first race he double NASAs like

475
00:23:18,080 --> 00:23:21,280
Speaker 2: a complete amateur. The guy's trying to do calculations on

476
00:23:21,320 --> 00:23:31,840
Speaker 2: his computer as he's driving, checking his spreadsheets as he's driving.

477
00:23:32,840 --> 00:23:37,879
Speaker 2: He finally, finally, Vin casually blasts through. Yeah, Vin, this

478
00:23:37,960 --> 00:23:40,000
Speaker 2: is the hardest part for me. Vin and Dom they

479
00:23:40,080 --> 00:23:43,640
Speaker 2: become They become one and the same. Dom casually blasts

480
00:23:43,680 --> 00:23:48,359
Speaker 2: through with his nos, easily wins this and then maybe

481
00:23:48,400 --> 00:23:52,360
Speaker 2: my favorite movie monologue of all time, Brian steps out

482
00:23:52,400 --> 00:23:55,199
Speaker 2: of the car laughing, were you.

483
00:23:55,280 --> 00:23:57,600
Speaker 1: Laughing at I had you?

484
00:23:57,720 --> 00:23:57,880
Speaker 2: Man?

485
00:23:58,000 --> 00:24:01,000
Speaker 4: Almost had you had me?

486
00:24:02,320 --> 00:24:04,920
Speaker 1: Never had me? Never had your car?

487
00:24:05,440 --> 00:24:11,560
Speaker 2: Ah granny shifting not double clutching like you should what

488
00:24:11,640 --> 00:24:14,800
Speaker 2: are you talking about? Don straight up card distance, But

489
00:24:14,960 --> 00:24:20,440
Speaker 2: the crowd goes crazy, almost add me, and then he

490
00:24:20,520 --> 00:24:25,560
Speaker 2: gets so serious. Ask any racer, any real racer, it

491
00:24:25,600 --> 00:24:27,840
Speaker 2: don't matter if you win by an inch or a mile.

492
00:24:28,520 --> 00:24:29,240
Speaker 2: Winning's winning.

493
00:24:30,160 --> 00:24:30,480
Speaker 3: Wow.

494
00:24:30,920 --> 00:24:34,360
Speaker 4: That'll actually come back into play later in the movie

495
00:24:34,960 --> 00:24:36,240
Speaker 4: Racing of the Train Tracks.

496
00:24:36,880 --> 00:24:39,639
Speaker 2: It's a little late for me in life skeets to

497
00:24:39,680 --> 00:24:42,679
Speaker 2: become an actor. But if I were to become an

498
00:24:42,720 --> 00:24:45,960
Speaker 2: actor Vpiece, I would audition with is Vin Diesels.

499
00:24:48,280 --> 00:24:53,359
Speaker 1: You had me, never had Me, Never my car. I

500
00:24:53,400 --> 00:24:54,280
Speaker 1: think it is so good.

501
00:24:54,359 --> 00:24:56,440
Speaker 2: He's got the humor, he's got the soul, and then

502
00:24:56,440 --> 00:24:58,400
Speaker 2: he twists it that gravitas.

503
00:24:58,480 --> 00:24:58,879
Speaker 3: I love it.

504
00:24:59,119 --> 00:25:00,640
Speaker 1: Then and kill that scene.

505
00:25:00,800 --> 00:25:05,080
Speaker 4: Great, you're you're vin impersonation, your domb impersonation very rocky.

506
00:25:05,240 --> 00:25:06,639
Speaker 1: Like I've noticed.

507
00:25:08,119 --> 00:25:12,000
Speaker 4: There's some similarities between the guys. I think, JD, what

508
00:25:12,000 --> 00:25:14,840
Speaker 4: did you think of the entire race? Like we get

509
00:25:14,880 --> 00:25:18,720
Speaker 4: some some crazy effects on the race too, Like I

510
00:25:18,720 --> 00:25:20,320
Speaker 4: don't even how you would describe it.

511
00:25:21,040 --> 00:25:23,960
Speaker 3: They kind of go into sort of a warp speed mode. Yeah,

512
00:25:24,040 --> 00:25:27,639
Speaker 3: you know, like and it's I liked it. I didn't

513
00:25:28,000 --> 00:25:32,280
Speaker 3: mind the sort of leaving reality into this hyped up

514
00:25:32,480 --> 00:25:37,639
Speaker 3: tron like way of showing speed right and showing it

515
00:25:37,680 --> 00:25:39,800
Speaker 3: was more showing us how it felt to be in

516
00:25:39,840 --> 00:25:42,600
Speaker 3: the race as opposed to being in the race, you

517
00:25:42,640 --> 00:25:45,160
Speaker 3: know what I mean, like the actual x's and o's

518
00:25:45,200 --> 00:25:48,720
Speaker 3: of what was happening. So yeah, I didn't I didn't

519
00:25:48,720 --> 00:25:51,840
Speaker 3: mind it at all. The special effects, the sound effects

520
00:25:51,880 --> 00:25:56,359
Speaker 3: were amazing. Let the the the clutch and the gear

521
00:25:56,400 --> 00:26:00,880
Speaker 3: shift are so crank, like, come on, gets there. It's

522
00:26:00,960 --> 00:26:06,480
Speaker 3: louder than anything in the whole movie. I loved it.

523
00:26:06,480 --> 00:26:08,840
Speaker 3: It does get your adrenaline going and you're like, okay,

524
00:26:08,840 --> 00:26:10,000
Speaker 3: this is this is pretty cool.

525
00:26:10,400 --> 00:26:12,040
Speaker 1: It was. It was cool. I will say it. I

526
00:26:12,040 --> 00:26:14,040
Speaker 1: saw this after, you know, doing a little research.

527
00:26:14,520 --> 00:26:17,840
Speaker 4: That first street race scene is supposedly supposedly a quarter

528
00:26:17,840 --> 00:26:18,440
Speaker 4: mile race.

529
00:26:18,600 --> 00:26:21,600
Speaker 1: Okay, ten seconds, it should take ten seconds.

530
00:26:22,359 --> 00:26:25,760
Speaker 4: That race takes almost two minutes of screen time, and

531
00:26:25,960 --> 00:26:28,639
Speaker 4: the vehicles are shown going over one hundred and fifty.

532
00:26:28,400 --> 00:26:29,320
Speaker 1: Miles per hours.

533
00:26:31,240 --> 00:26:34,520
Speaker 4: These guys girls lay, It's it's crazy how long this

534
00:26:34,560 --> 00:26:35,080
Speaker 4: thing goes.

535
00:26:35,400 --> 00:26:38,080
Speaker 3: The case you ever been in a race time stand?

536
00:26:38,480 --> 00:26:41,360
Speaker 1: Yeah, I guess so, I guess so. Yeah.

537
00:26:41,800 --> 00:26:45,359
Speaker 4: The post race scene is you're right, that might be

538
00:26:45,480 --> 00:26:49,160
Speaker 4: dombed or Vin's like best scene from this first one.

539
00:26:49,720 --> 00:26:51,800
Speaker 1: He does it all. He shows his entire range in

540
00:26:51,880 --> 00:26:52,600
Speaker 1: that scene.

541
00:26:53,560 --> 00:26:55,960
Speaker 2: We're eating out of the palms of his hands, both

542
00:26:56,080 --> 00:26:59,679
Speaker 2: extended to the crowd, talking about double clutching and granny

543
00:26:59,720 --> 00:27:02,879
Speaker 2: ship thing. I gotta start using that as like a

544
00:27:02,960 --> 00:27:06,919
Speaker 2: comeback when somebody, you know, I usually am trash trash

545
00:27:06,960 --> 00:27:09,880
Speaker 2: talking ahead and then blowing it. If I ever come

546
00:27:09,880 --> 00:27:13,679
Speaker 2: from behind from a victory, you almost had me, You

547
00:27:13,800 --> 00:27:14,600
Speaker 2: almost had me.

548
00:27:16,680 --> 00:27:19,400
Speaker 4: Well, I said, Uh, you know what does Leon sort

549
00:27:19,400 --> 00:27:21,000
Speaker 4: of do part of Dom squad? This is the one

550
00:27:21,040 --> 00:27:24,200
Speaker 4: thing he does. He he's on the radios, he's got

551
00:27:24,200 --> 00:27:26,800
Speaker 4: the scanner, and old boy cops are coming like this

552
00:27:26,840 --> 00:27:30,840
Speaker 4: is basically immediately after Dom's little uh speech there to Bryant,

553
00:27:30,920 --> 00:27:35,560
Speaker 4: so boom, we're off. Everybody's peeling out, uh, which is

554
00:27:35,640 --> 00:27:37,879
Speaker 4: amazing that the cops don't know this is going on

555
00:27:38,359 --> 00:27:42,080
Speaker 4: until for whatever reason, like I guess they they at

556
00:27:42,119 --> 00:27:44,520
Speaker 4: some point they say something is happening right like in

557
00:27:44,560 --> 00:27:46,320
Speaker 4: the city that every.

558
00:27:46,080 --> 00:27:48,480
Speaker 1: Cop needs to be at. So we got time to

559
00:27:48,520 --> 00:27:48,840
Speaker 1: do this.

560
00:27:49,000 --> 00:27:51,520
Speaker 4: Uh what should be a ten second race that takes

561
00:27:52,280 --> 00:27:57,080
Speaker 4: much much longer. Anyway, they all flee and this is

562
00:27:57,119 --> 00:28:03,719
Speaker 4: where Brian helps Dom escape. It's a little confusing, if

563
00:28:03,760 --> 00:28:07,600
Speaker 4: I'm being honest. Dom parks his car, right, he gets

564
00:28:07,640 --> 00:28:10,600
Speaker 4: out of his car, Yeah, and then is gonna flee

565
00:28:10,640 --> 00:28:14,000
Speaker 4: on foot, and that's where then Brian still you know,

566
00:28:14,240 --> 00:28:18,439
Speaker 4: helps them finds him. But then they accidentally venture into

567
00:28:18,480 --> 00:28:22,639
Speaker 4: the territory of Dom's old racing rival, Johnny Tran and

568
00:28:22,680 --> 00:28:26,920
Speaker 4: his cousin Lance, my favorite character of the first movie

569
00:28:27,160 --> 00:28:31,440
Speaker 4: love Lance, who they're pissed with them. They're pissed, of

570
00:28:31,520 --> 00:28:34,760
Speaker 4: course with Dom, and they end up destroying Brian's beautiful

571
00:28:34,760 --> 00:28:38,040
Speaker 4: green car. Just they basically blow it up, and then

572
00:28:38,040 --> 00:28:40,480
Speaker 4: we get Dom reminding Brian that he still still owes

573
00:28:40,560 --> 00:28:43,640
Speaker 4: him a ten second car. This is important comes back

574
00:28:43,640 --> 00:28:44,520
Speaker 4: into play later.

575
00:28:44,640 --> 00:28:49,200
Speaker 1: But this is our introduction really to Johnny and Lance

576
00:28:49,280 --> 00:28:50,440
Speaker 1: and the beef.

577
00:28:50,480 --> 00:28:53,840
Speaker 4: I guess that they they have and I don't think

578
00:28:53,880 --> 00:28:56,480
Speaker 4: we ever really truly learned in this movie, like why

579
00:28:56,640 --> 00:29:00,400
Speaker 4: they're they're so at odds just I guess just just

580
00:29:00,440 --> 00:29:03,719
Speaker 4: from the street racing scene. Yeah, from battles from cars

581
00:29:03,720 --> 00:29:05,920
Speaker 4: and money lost in one I guess is that it.

582
00:29:06,360 --> 00:29:09,640
Speaker 2: Yeah, and Dom doesn't he say something like we had

583
00:29:09,640 --> 00:29:12,440
Speaker 2: a business deal that went South and I made the

584
00:29:12,440 --> 00:29:13,960
Speaker 2: mistake of sleeping with his sister.

585
00:29:14,120 --> 00:29:16,000
Speaker 1: Oh yes, okay, yes, that'll always do it.

586
00:29:16,120 --> 00:29:20,240
Speaker 2: Yeah, yeah, that'll do it. But I agree, the motivations

587
00:29:20,600 --> 00:29:22,960
Speaker 2: aren't so much there, or at least they're not explained,

588
00:29:23,320 --> 00:29:25,560
Speaker 2: you know. Yeah, Johnny and Lance are kind of just

589
00:29:25,600 --> 00:29:29,520
Speaker 2: there to give Brian and Dom somebody to fight against,

590
00:29:29,560 --> 00:29:30,720
Speaker 2: somebody to unite against.

591
00:29:30,720 --> 00:29:33,200
Speaker 4: It feels like, yeah, and of course they're introduced, so

592
00:29:33,320 --> 00:29:36,560
Speaker 4: Brian thinks that they are the ones that did this

593
00:29:36,640 --> 00:29:39,240
Speaker 4: initial heist that he's trying to like crack the case off.

594
00:29:39,640 --> 00:29:41,440
Speaker 4: And it's like, oh my god, do we just lean

595
00:29:41,480 --> 00:29:44,920
Speaker 4: into the stereotypes of these guys too, Like where they.

596
00:29:44,760 --> 00:29:46,440
Speaker 1: Eat, how they look and talk.

597
00:29:46,560 --> 00:29:50,040
Speaker 4: Holy moly, this movie really does date itself when it

598
00:29:50,040 --> 00:29:54,200
Speaker 4: comes to computers or stereotypes or what's considered hot both

599
00:29:54,200 --> 00:29:56,840
Speaker 4: men and women, like the fashion, the music.

600
00:29:56,520 --> 00:29:57,320
Speaker 1: And on and on and on.

601
00:29:57,440 --> 00:30:00,880
Speaker 4: But yeah, anything to add to this, to this scene

602
00:30:00,880 --> 00:30:03,520
Speaker 4: where the car is blown up from Johnny.

603
00:30:03,560 --> 00:30:05,920
Speaker 1: I do like that they leave, Don't they leave and

604
00:30:06,000 --> 00:30:07,280
Speaker 1: come back? Yeah?

605
00:30:07,480 --> 00:30:10,000
Speaker 2: Yeah, don't I say something like I got somewhere, I

606
00:30:10,040 --> 00:30:10,960
Speaker 2: got something for you.

607
00:30:11,320 --> 00:30:11,680
Speaker 1: Yeah?

608
00:30:11,880 --> 00:30:15,560
Speaker 2: They drive away? All right, fine, Like I guess we'll

609
00:30:15,560 --> 00:30:17,040
Speaker 2: see what you got for us later. But they just

610
00:30:17,080 --> 00:30:21,120
Speaker 2: come back and just shoot the light car. That was

611
00:30:21,200 --> 00:30:23,880
Speaker 2: what we were waiting for. I don't know. That just

612
00:30:23,880 --> 00:30:26,320
Speaker 2: seemed like, I don't know, Johnny Tran makes some weird

613
00:30:26,360 --> 00:30:29,800
Speaker 2: moves in this like it just has very weird decisions

614
00:30:29,840 --> 00:30:31,520
Speaker 2: made all things considered.

615
00:30:31,680 --> 00:30:35,200
Speaker 3: Yeah, but my favorite part about that whole thing was, Uh,

616
00:30:35,560 --> 00:30:40,000
Speaker 3: they have the confrontation with Johnny Tran, they drive away.

617
00:30:40,800 --> 00:30:46,760
Speaker 3: Brian says, what was that all about? Dom, long story?

618
00:30:46,920 --> 00:30:49,280
Speaker 3: I'll tell you later. But they're getting into a car, right,

619
00:30:49,280 --> 00:30:51,520
Speaker 3: They're about to get into a car to drive somewhere,

620
00:30:51,640 --> 00:30:54,640
Speaker 3: So I couldn't possibly tell you on a car ride.

621
00:30:55,960 --> 00:31:01,000
Speaker 3: Trans guys come back, blow up the car, cut to

622
00:31:01,600 --> 00:31:05,680
Speaker 3: them walking away, Brian, So, what the hell was that?

623
00:31:05,840 --> 00:31:11,840
Speaker 3: All of that dumb long story? We got a twenty

624
00:31:11,840 --> 00:31:14,360
Speaker 3: minute hut my hike, manmor me.

625
00:31:14,480 --> 00:31:16,360
Speaker 1: Could bust at this point man like.

626
00:31:16,720 --> 00:31:19,680
Speaker 3: And then and then Dob says, a business deal that

627
00:31:19,720 --> 00:31:22,440
Speaker 3: went sour. Plus I made the mistake of sleeping with

628
00:31:22,480 --> 00:31:24,640
Speaker 3: his sister. That's the end of the story. Actually, it

629
00:31:24,720 --> 00:31:27,160
Speaker 3: wasn't that long of a story. He could have told

630
00:31:27,200 --> 00:31:29,840
Speaker 3: him that before he even got in the car. Let alone,

631
00:31:30,200 --> 00:31:36,000
Speaker 3: like it's just that stunt, like that throwaway, stupid dialogue

632
00:31:36,000 --> 00:31:38,480
Speaker 3: like that drives me crazy. It always takes me out

633
00:31:38,520 --> 00:31:41,520
Speaker 3: of movies. But but that was my big takeaway from

634
00:31:41,520 --> 00:31:42,160
Speaker 3: that scene.

635
00:31:42,440 --> 00:31:43,440
Speaker 1: Just told the story.

636
00:31:43,560 --> 00:31:48,520
Speaker 4: Jeez, yeah yeah, I mean, also, is the computer in

637
00:31:48,560 --> 00:31:50,880
Speaker 4: the car, in this green car that blows up like

638
00:31:51,520 --> 00:31:52,840
Speaker 4: you know at the time, it's going to be an

639
00:31:52,880 --> 00:31:55,840
Speaker 4: expensive I don't think he's backed up his photos and

640
00:31:55,880 --> 00:31:58,000
Speaker 4: stuff like that, Like I don't know, I don't know

641
00:31:58,000 --> 00:32:00,400
Speaker 4: how locked in on the interwebs. Brian is back in

642
00:32:00,400 --> 00:32:02,400
Speaker 4: two thousand and one, but something tells me he hasn't

643
00:32:02,440 --> 00:32:06,800
Speaker 4: backed it up in a while. Tray like he's lost everything, passwords, photos.

644
00:32:06,400 --> 00:32:08,920
Speaker 2: Yeah, no, he doesn't care at all. He is he

645
00:32:09,040 --> 00:32:12,680
Speaker 2: is willing to just spend the government's money anyway. He's fed.

646
00:32:12,680 --> 00:32:14,880
Speaker 2: He's throwing an eighty thousand dollars car in a two

647
00:32:14,920 --> 00:32:17,640
Speaker 2: thousand dollars race. There's no way he's going back for

648
00:32:17,680 --> 00:32:18,280
Speaker 2: a laptop.

649
00:32:18,520 --> 00:32:19,560
Speaker 1: That's true.

650
00:32:20,800 --> 00:32:23,320
Speaker 4: Okay, well too, I guess sort of make it up

651
00:32:23,360 --> 00:32:25,240
Speaker 4: to Dom because he's really trying to work his way

652
00:32:25,240 --> 00:32:29,560
Speaker 4: in there. He brings the next day a damaged ninety

653
00:32:29,600 --> 00:32:33,040
Speaker 4: four Toyota to Dom's garage as a replacement. He pulls

654
00:32:33,120 --> 00:32:36,280
Speaker 4: up with this hunk of junk, you know, and says like,

655
00:32:36,320 --> 00:32:38,200
Speaker 4: here you go, here's a car. They're all laughing, look

656
00:32:38,240 --> 00:32:40,560
Speaker 4: at this piece of crap. But he's like, check out

657
00:32:40,560 --> 00:32:41,040
Speaker 4: the motor.

658
00:32:41,520 --> 00:32:43,840
Speaker 1: This is what. I literally have no clue what's going on.

659
00:32:44,000 --> 00:32:47,320
Speaker 1: I like, you know, Jesse's telling us it's a great motor.

660
00:32:47,360 --> 00:32:51,200
Speaker 4: He's like, this guy knows cars man, Like you don't

661
00:32:51,200 --> 00:32:53,560
Speaker 4: never judge a book by its cover. It's got great

662
00:32:53,600 --> 00:32:55,600
Speaker 4: motor under the head. We can do something with this.

663
00:32:55,760 --> 00:33:00,000
Speaker 4: And then the crew begins restoring the vehicle. Brian stars

664
00:33:00,320 --> 00:33:00,760
Speaker 4: dating me.

665
00:33:00,960 --> 00:33:02,800
Speaker 1: I mean, we are moving here. I'll tell you this

666
00:33:03,400 --> 00:33:05,600
Speaker 1: movie I thought, I.

667
00:33:05,480 --> 00:33:07,560
Speaker 4: Was like, this is gonna be a bit of a

668
00:33:07,600 --> 00:33:10,840
Speaker 4: slog at points, like there's gonna be some down time

669
00:33:10,880 --> 00:33:11,680
Speaker 4: in these movies.

670
00:33:11,760 --> 00:33:12,120
Speaker 1: I don't know.

671
00:33:12,160 --> 00:33:13,760
Speaker 4: I just I don't know why I thought that. Which is,

672
00:33:13,640 --> 00:33:16,320
Speaker 4: it's called fast and Furious. It shouldn't be right, and

673
00:33:16,400 --> 00:33:18,440
Speaker 4: it wasn't. It's got a pretty good pace, but we

674
00:33:18,480 --> 00:33:20,480
Speaker 4: got sort of a montage. I think it's fair to

675
00:33:20,520 --> 00:33:22,200
Speaker 4: call it here a little bit, and in terms of

676
00:33:22,200 --> 00:33:25,240
Speaker 4: building the car and then him dating Mia and then

677
00:33:25,240 --> 00:33:27,880
Speaker 4: there's a party scene in here, somewhere as well, Janie.

678
00:33:27,920 --> 00:33:30,040
Speaker 4: I don't know if I'm missing anything, but we're moving

679
00:33:30,120 --> 00:33:33,320
Speaker 4: quick here. The relationship building between Brian Mia and then

680
00:33:33,360 --> 00:33:35,840
Speaker 4: Brian Dom and the crew really he's sort of like

681
00:33:36,480 --> 00:33:38,880
Speaker 4: he's almost he's almost a part of them already.

682
00:33:39,880 --> 00:33:42,280
Speaker 3: He gets in there quick. He shout out to Brian

683
00:33:42,360 --> 00:33:46,040
Speaker 3: as an infiltrator, because I mean, it was a kakamane

684
00:33:46,120 --> 00:33:48,240
Speaker 3: scheme for him to get in there, but it worked.

685
00:33:48,320 --> 00:33:51,080
Speaker 3: It worked, h I mean a little bit of luck

686
00:33:51,120 --> 00:33:53,960
Speaker 3: would be just happening upon Dom, you know, and picking

687
00:33:54,000 --> 00:33:57,080
Speaker 3: him up and uh, you know, back at that party

688
00:33:57,120 --> 00:34:01,160
Speaker 3: scene when Vince gets pissed off at h at Dom,

689
00:34:01,200 --> 00:34:03,400
Speaker 3: he's like, what'd you bring the Buster for? What was

690
00:34:03,440 --> 00:34:04,800
Speaker 3: that a thing that people said?

691
00:34:04,880 --> 00:34:07,560
Speaker 1: The buster Buster cut me out a hand?

692
00:34:07,560 --> 00:34:07,800
Speaker 2: Cool?

693
00:34:10,520 --> 00:34:11,480
Speaker 1: I think, I don't know.

694
00:34:11,600 --> 00:34:14,960
Speaker 2: I mean, there's definitely like Destiny's Child era songs that

695
00:34:15,040 --> 00:34:19,719
Speaker 2: have Buster in it and era, but I think Fast

696
00:34:19,760 --> 00:34:22,719
Speaker 2: and Furious went overboard with the Busters. Like when we

697
00:34:22,719 --> 00:34:25,560
Speaker 2: look back, that's gonna be what people remember Buster being

698
00:34:25,560 --> 00:34:28,720
Speaker 2: from because it doesn't really show up many other places.

699
00:34:28,960 --> 00:34:31,359
Speaker 1: Right, Yeah, Well, you're right, he's he's in.

700
00:34:31,520 --> 00:34:34,359
Speaker 4: I mean, he's in. He's in this crew Vince hates him.

701
00:34:34,560 --> 00:34:36,360
Speaker 4: He's always got to try and work over Vince.

702
00:34:36,640 --> 00:34:38,000
Speaker 1: I'd get Vince's trust, but.

703
00:34:38,200 --> 00:34:41,080
Speaker 4: For the most part, like I'm just always like, I'm

704
00:34:41,120 --> 00:34:44,440
Speaker 4: sort of amazed how quickly he Dom's okay with him

705
00:34:44,520 --> 00:34:45,480
Speaker 4: dating Mia.

706
00:34:45,840 --> 00:34:52,280
Speaker 1: Like Dom is best buddies with Brian. It's still suddenly yeah, instantly,

707
00:34:52,320 --> 00:34:53,080
Speaker 1: and we get.

708
00:34:52,840 --> 00:34:55,640
Speaker 2: The intel from Mia. I think on their date that

709
00:34:55,760 --> 00:34:59,759
Speaker 2: he has known Vince. He says since the grade. I

710
00:34:59,800 --> 00:35:02,880
Speaker 2: mean what Dom's supposed to be maybe like thirty. In

711
00:35:02,960 --> 00:35:06,920
Speaker 2: this they've known each other for twenty years. Yeah, and

712
00:35:07,000 --> 00:35:10,360
Speaker 2: this guy comes in orders tuna sandwiches eight straight days,

713
00:35:10,400 --> 00:35:13,760
Speaker 2: wants to date his sister, and Dom is like, all right,

714
00:35:13,880 --> 00:35:17,759
Speaker 2: you're in on my criminal enterprise right here, Vince, see

715
00:35:17,760 --> 00:35:19,719
Speaker 2: you later. I think he was just ready to be

716
00:35:20,440 --> 00:35:22,560
Speaker 2: gone of Vince, is what it feels like to me.

717
00:35:22,640 --> 00:35:25,200
Speaker 2: He's just happy to have somebody who can take the

718
00:35:25,360 --> 00:35:28,279
Speaker 2: job of Vince, who is just the brute of a

719
00:35:28,320 --> 00:35:31,480
Speaker 2: man leon bringing nothing to the table. And Jesse seems

720
00:35:31,520 --> 00:35:33,400
Speaker 2: to be a little bit too neurotic. Maybe he's thinking,

721
00:35:33,680 --> 00:35:36,280
Speaker 2: I've got one guy who can handle three other guy's jobs.

722
00:35:36,280 --> 00:35:40,000
Speaker 2: But yeah, the for Dom supposedly being you know, the

723
00:35:40,080 --> 00:35:43,640
Speaker 2: head of a criminal ring here a little too trusting if.

724
00:35:43,560 --> 00:35:46,360
Speaker 3: You have Yeah, yeah, I'm sorry. But if Paul Walker

725
00:35:46,440 --> 00:35:50,920
Speaker 3: walks into your life with those gorgeous eyes, god, I'm

726
00:35:50,960 --> 00:35:54,439
Speaker 3: making him my best friend pretty quick too, you know. Yeah,

727
00:35:55,280 --> 00:35:59,080
Speaker 3: seeing no dunks, guys, I'm with my friend Brian over here.

728
00:36:01,440 --> 00:36:03,720
Speaker 4: You brought up what you thought his age was TK

729
00:36:03,880 --> 00:36:06,839
Speaker 4: I saw after watching the movie.

730
00:36:06,880 --> 00:36:07,960
Speaker 1: I was reading about it. Of course.

731
00:36:08,560 --> 00:36:10,919
Speaker 4: I think Dom is supposed to be twenty four years

732
00:36:10,920 --> 00:36:16,800
Speaker 4: old in this movie four and Vin's in his thirties

733
00:36:16,840 --> 00:36:20,279
Speaker 4: when he's filming like way back then. Yeah, I read

734
00:36:20,280 --> 00:36:22,400
Speaker 4: that somewhere. I don't know it's true, but you know,

735
00:36:22,560 --> 00:36:26,640
Speaker 4: he doesn't come off to it for this movie anyway. Anyway,

736
00:36:26,719 --> 00:36:28,600
Speaker 4: they're building up this car. A lot of great computer

737
00:36:28,680 --> 00:36:31,719
Speaker 4: scenes too. I feel like it's like technology, you know,

738
00:36:31,800 --> 00:36:33,439
Speaker 4: through the roof, Jesse's doing his thing.

739
00:36:34,640 --> 00:36:35,600
Speaker 1: And where do we go from here?

740
00:36:35,640 --> 00:36:38,439
Speaker 4: Well, we go into Brian because he's now convinced that

741
00:36:38,719 --> 00:36:41,279
Speaker 4: Tran is guilty. Johnny Tran is guilty of the heist,

742
00:36:41,320 --> 00:36:44,080
Speaker 4: so he starts really investigating him because he's convinced that

743
00:36:44,080 --> 00:36:45,840
Speaker 4: they are behind these truck hijackings.

744
00:36:45,880 --> 00:36:47,799
Speaker 3: So he is.

745
00:36:47,719 --> 00:36:52,879
Speaker 4: Investigating one garage at night, and Brian is discovered by

746
00:36:53,000 --> 00:36:53,880
Speaker 4: Dom and Vince.

747
00:36:55,080 --> 00:36:58,200
Speaker 1: They're following him like they.

748
00:36:57,600 --> 00:37:00,719
Speaker 3: Don't trust him one hundred percent. I guess I got that.

749
00:37:00,840 --> 00:37:06,919
Speaker 3: It was Vince following him, and then Vince Yeah, okay, Vince, yes,

750
00:37:07,160 --> 00:37:08,320
Speaker 3: Vince following Brian.

751
00:37:08,440 --> 00:37:11,279
Speaker 1: Vin Vince, Yeah, Vince was.

752
00:37:11,239 --> 00:37:14,880
Speaker 3: Following uh Brian, and then he knocks him out and

753
00:37:14,920 --> 00:37:16,439
Speaker 3: then he drags him.

754
00:37:16,840 --> 00:37:18,480
Speaker 1: Oh yeah, Tom, you're right.

755
00:37:18,960 --> 00:37:21,560
Speaker 3: But but how how far did he drag him? Like

756
00:37:21,760 --> 00:37:23,920
Speaker 3: was it across town or was it around the corner

757
00:37:23,960 --> 00:37:25,840
Speaker 3: of the building. I don't I don't know, like I

758
00:37:26,560 --> 00:37:26,920
Speaker 3: don't know.

759
00:37:27,200 --> 00:37:29,200
Speaker 4: Yeah, right, that part is a little unclear. But Brian

760
00:37:29,239 --> 00:37:33,000
Speaker 4: convinces them that he's researching his opponent's vehicles for the

761
00:37:33,080 --> 00:37:36,560
Speaker 4: upcoming racehorse in the desert, because.

762
00:37:36,320 --> 00:37:38,520
Speaker 1: I had forgotten. At some point, Tom just says, you're

763
00:37:38,600 --> 00:37:39,560
Speaker 1: racing and racehorse.

764
00:37:39,800 --> 00:37:43,759
Speaker 2: Yep, I think that's right. Like he's like he makes

765
00:37:43,840 --> 00:37:47,680
Speaker 2: him be his mechanic to fix Brian's own future ten

766
00:37:47,760 --> 00:37:50,360
Speaker 2: second car, and Mita tells him he owns you now.

767
00:37:50,360 --> 00:37:52,920
Speaker 4: Yeah yeah, yeah, you're you're his man, and so that

768
00:37:53,000 --> 00:37:54,480
Speaker 4: means you got to go race in the desert.

769
00:37:54,800 --> 00:37:57,200
Speaker 1: My god, I hope you don't get nose bleeds easily

770
00:37:57,239 --> 00:37:59,799
Speaker 1: because it is dry where you're going. You've been to

771
00:37:59,800 --> 00:38:04,279
Speaker 1: burn man, it's basically fucking burning with cars. You better.

772
00:38:06,560 --> 00:38:11,239
Speaker 4: Better drink lots of water because you are his anyway. There,

773
00:38:11,600 --> 00:38:13,200
Speaker 4: So he convinces him that he's doing this, doing a

774
00:38:13,200 --> 00:38:17,560
Speaker 4: little recon and then he discovers Brian does large quantity

775
00:38:17,560 --> 00:38:20,200
Speaker 4: of quantity of electronic goods at Johnny Trance.

776
00:38:20,200 --> 00:38:24,200
Speaker 1: So we're relatably like, ah got him. It was them.

777
00:38:25,680 --> 00:38:26,880
Speaker 1: It's just like two perfect.

778
00:38:27,360 --> 00:38:29,640
Speaker 4: All this electronic goods was on this truck and then

779
00:38:29,800 --> 00:38:33,520
Speaker 4: lo and behold, Johnny's got some and keeps him in

780
00:38:33,520 --> 00:38:34,080
Speaker 4: this garage.

781
00:38:34,239 --> 00:38:40,800
Speaker 3: Yeah, they, I mean they were. It turns out legally purchased,

782
00:38:41,360 --> 00:38:43,719
Speaker 3: but they are in a garage. And don't forget the

783
00:38:43,760 --> 00:38:48,880
Speaker 3: criminal behavior that Johnny trans people. They they shot up

784
00:38:48,920 --> 00:38:52,880
Speaker 3: their car with a new with Oozzi's basically, So I

785
00:38:52,920 --> 00:38:53,760
Speaker 3: think it's fair.

786
00:38:53,960 --> 00:38:56,120
Speaker 1: I think Brian's jumping to conclusions here.

787
00:38:56,200 --> 00:38:56,399
Speaker 5: Yeah.

788
00:38:56,560 --> 00:38:59,239
Speaker 3: Well, I mean it turns out that he was, but

789
00:38:59,440 --> 00:39:01,880
Speaker 3: I think that there was enough to go on to

790
00:39:02,040 --> 00:39:04,360
Speaker 3: at least suspect the Tran gangs.

791
00:39:04,520 --> 00:39:06,160
Speaker 1: R Sure, sure, sure, that's right.

792
00:39:06,200 --> 00:39:10,960
Speaker 4: Well, his report leads UH to Tran and and Lance

793
00:39:11,040 --> 00:39:11,800
Speaker 4: being arrested.

794
00:39:12,560 --> 00:39:15,239
Speaker 1: But like you said, JD, we get the we got

795
00:39:15,280 --> 00:39:19,000
Speaker 1: to see where the dad's pissed from. Shame to the family,

796
00:39:19,800 --> 00:39:21,520
Speaker 1: straight slap to Johnny.

797
00:39:21,880 --> 00:39:24,680
Speaker 4: Uh. But the electronics were purchased legally, and Brian is

798
00:39:24,680 --> 00:39:27,239
Speaker 4: forced to then confront his suspicion that Dawn is the

799
00:39:27,320 --> 00:39:29,400
Speaker 4: true mastermind here.

800
00:39:29,360 --> 00:39:32,400
Speaker 1: Like did he always think that? Was he just looking?

801
00:39:32,640 --> 00:39:35,000
Speaker 4: Was he just hoping he saw some electronic goods somewhere

802
00:39:35,000 --> 00:39:40,680
Speaker 4: else that he could uha.

803
00:39:39,920 --> 00:39:42,760
Speaker 2: The only dead giveaway is finding those electronics.

804
00:39:43,200 --> 00:39:45,720
Speaker 1: Well here, here's here's the reveal.

805
00:39:45,400 --> 00:39:47,600
Speaker 2: That they're that they're legal. The quest I was just like,

806
00:39:48,680 --> 00:39:50,560
Speaker 2: why does he have so many electronics?

807
00:39:51,160 --> 00:39:52,399
Speaker 1: Why is he keeping him there?

808
00:39:52,440 --> 00:39:56,160
Speaker 2: And what? Like, Like you're saying, there's reasons to suspect

809
00:39:56,239 --> 00:39:58,560
Speaker 2: Johnny Tran at least you know, we've seen him do

810
00:39:58,640 --> 00:40:01,080
Speaker 2: criminal things with the guy and blowing up the ten

811
00:40:01,120 --> 00:40:04,560
Speaker 2: second car, but he's also like he oils up that

812
00:40:04,600 --> 00:40:08,879
Speaker 2: guy ted full of oil, but the whole reason he's

813
00:40:08,920 --> 00:40:12,000
Speaker 2: doing it is for an engine. So it's like it

814
00:40:12,040 --> 00:40:14,560
Speaker 2: feels to be Johnny Tran is living the straight life

815
00:40:14,560 --> 00:40:18,080
Speaker 2: out there, obviously ballin with his family at his house.

816
00:40:18,120 --> 00:40:19,719
Speaker 2: It looks like they have a very nice house, he's

817
00:40:19,719 --> 00:40:23,680
Speaker 2: got tons of electronics. But he's just very uh, he's

818
00:40:23,719 --> 00:40:26,840
Speaker 2: into the underworld when it comes specifically to racing, like

819
00:40:26,880 --> 00:40:29,440
Speaker 2: he'll blow up your car. He will pump your face

820
00:40:29,480 --> 00:40:31,360
Speaker 2: full of oil if it'll get into.

821
00:40:31,120 --> 00:40:34,480
Speaker 1: A better engine. But everything else, everything else is fine, okay.

822
00:40:35,480 --> 00:40:36,560
Speaker 2: When it comes to next.

823
00:40:36,440 --> 00:40:40,640
Speaker 4: Level thinking, Brian so desperately doesn't want it to be

824
00:40:40,760 --> 00:40:43,600
Speaker 4: domb his new best friend who he admires and loves,

825
00:40:43,680 --> 00:40:48,239
Speaker 4: especially his sister, and all that that. Brian plants the

826
00:40:48,239 --> 00:40:52,040
Speaker 4: electronic goods in Johnny Tran's griage.

827
00:40:52,320 --> 00:40:56,280
Speaker 1: Wow, it takes that info back to the actual costs

828
00:40:56,280 --> 00:40:58,320
Speaker 1: into the FBI. It says, this is your guy.

829
00:40:58,160 --> 00:41:01,880
Speaker 4: He's he's This is a deleted scene that they had

830
00:41:01,920 --> 00:41:02,960
Speaker 4: to take out.

831
00:41:03,440 --> 00:41:06,399
Speaker 3: I mean, it's wild. I don't mind it. But here's

832
00:41:06,600 --> 00:41:10,200
Speaker 3: here's another thing though, during that torture scene, which I

833
00:41:10,200 --> 00:41:13,239
Speaker 3: didn't understand at all, to be honest, like why are

834
00:41:13,320 --> 00:41:15,480
Speaker 3: there no engines in those cars? And why is it

835
00:41:15,520 --> 00:41:18,600
Speaker 3: that guy's fault? Why is it Ted's fault? And you know,

836
00:41:18,760 --> 00:41:20,839
Speaker 3: so they torture him. He says, you've got I've got

837
00:41:21,239 --> 00:41:24,799
Speaker 3: I've got engines in my warehouse or the engine. Did

838
00:41:24,840 --> 00:41:27,799
Speaker 3: he take the engines out? I have no idea, but

839
00:41:28,680 --> 00:41:32,520
Speaker 3: there was a throwaway little line that said, hey, you're

840
00:41:32,719 --> 00:41:37,320
Speaker 3: a fet, you're our fence. Johnny Tran calls that guy there, fet,

841
00:41:37,760 --> 00:41:41,640
Speaker 3: you're our fence, which is the person who gets rid

842
00:41:41,640 --> 00:41:44,480
Speaker 3: of stolen goods. Right, So that's another piece of evidence

843
00:41:44,480 --> 00:41:47,359
Speaker 3: against the Tran gang. I'm just just saying. I mean,

844
00:41:48,040 --> 00:41:52,000
Speaker 3: it's it's the most elaborate, ridiculous red herring in the

845
00:41:52,040 --> 00:41:55,640
Speaker 3: history of movies. Maybe, I mean, it's clearly the Tran

846
00:41:55,760 --> 00:41:59,279
Speaker 3: Gang until it's just not, until it's just not.

847
00:42:00,160 --> 00:42:03,040
Speaker 1: Yeah, that's fair. I love well.

848
00:42:03,080 --> 00:42:05,160
Speaker 4: I sort of love hate the scene where Brian is

849
00:42:05,200 --> 00:42:09,480
Speaker 4: talking to his cops, like his superiors in this in

850
00:42:09,520 --> 00:42:10,800
Speaker 4: this beautiful mansion.

851
00:42:10,840 --> 00:42:14,480
Speaker 1: They they're hanging out in nice pool. God goddamn like

852
00:42:14,600 --> 00:42:18,880
Speaker 1: a bridge over this pool. Yeah, uh, what don't they?

853
00:42:18,960 --> 00:42:19,400
Speaker 1: I think they?

854
00:42:19,960 --> 00:42:22,879
Speaker 2: I think maybe Brian says something like it's a lot

855
00:42:22,920 --> 00:42:26,839
Speaker 2: better than the last place you repossessed or something like that, like, uh,

856
00:42:26,920 --> 00:42:29,279
Speaker 2: I think the implication is that they got this, you know,

857
00:42:29,320 --> 00:42:34,240
Speaker 2: from busting other drug dealers in the past. I'm really

858
00:42:34,280 --> 00:42:38,120
Speaker 2: surprised that they called in the FBI for six million

859
00:42:38,200 --> 00:42:41,720
Speaker 2: dollars worth of DBD players being hijacked over the course

860
00:42:41,760 --> 00:42:44,920
Speaker 2: of three months. I don't know if that's necessarily the

861
00:42:44,960 --> 00:42:48,560
Speaker 2: best use of resources, but I did love the line

862
00:42:48,600 --> 00:42:52,799
Speaker 2: from Sergeant Tanner when he's warning Brian about Dom. He's

863
00:42:52,840 --> 00:42:56,200
Speaker 2: got nitrous oxide in his blood and a gas tank

864
00:42:56,280 --> 00:42:56,880
Speaker 2: for a brain.

865
00:43:00,160 --> 00:43:05,160
Speaker 1: God, oh my god.

866
00:43:05,200 --> 00:43:08,600
Speaker 4: Well, yeah, Brian's given thirty six hours to find this

867
00:43:08,680 --> 00:43:11,480
Speaker 4: heist crew because and this is the other part is

868
00:43:11,480 --> 00:43:13,800
Speaker 4: a weird part of this story to me, the cops

869
00:43:13,800 --> 00:43:15,600
Speaker 4: are basically they're telling Brian, of course, who is a cop,

870
00:43:15,640 --> 00:43:19,480
Speaker 4: but he's like, hey man, these these faceless truckers.

871
00:43:19,520 --> 00:43:21,000
Speaker 1: We never see the truckers faces.

872
00:43:21,040 --> 00:43:24,000
Speaker 4: I don't know why these faceless truckers are now arming

873
00:43:24,080 --> 00:43:26,719
Speaker 4: themselves to defend against the hijackings.

874
00:43:28,040 --> 00:43:31,359
Speaker 1: Okay, good, you've killed them.

875
00:43:32,520 --> 00:43:33,560
Speaker 2: I mean love with the cops.

876
00:43:33,600 --> 00:43:35,920
Speaker 4: I'd be like, awesome, good car guys, take them out.

877
00:43:36,520 --> 00:43:39,160
Speaker 4: But everyone's concerned about that. So anyway, that's why he's

878
00:43:39,200 --> 00:43:42,440
Speaker 4: gotten now the thirty six hours to crackers to.

879
00:43:42,320 --> 00:43:45,280
Speaker 1: Crack this case. Yeah, we never see the truckers faces.

880
00:43:45,360 --> 00:43:46,279
Speaker 3: Ye, it's odd.

881
00:43:46,840 --> 00:43:49,880
Speaker 1: It's just a strange, strange decision, all right.

882
00:43:49,920 --> 00:43:53,279
Speaker 4: The following day, Dom and Brian attend Race Wars.

883
00:43:53,280 --> 00:43:54,760
Speaker 1: Oh yeah, we had this on the calendar.

884
00:43:54,880 --> 00:43:56,440
Speaker 4: I mean, a lot going on, but we gotta go

885
00:43:56,440 --> 00:43:59,280
Speaker 4: to Race Wars, which, again, like I said, it's basically

886
00:43:59,320 --> 00:44:04,839
Speaker 4: burning them there. Jesse wagers his father's m K three

887
00:44:04,920 --> 00:44:09,240
Speaker 4: Volkswagen Jetta against Johnny Tran in his Honda S two thousand.

888
00:44:11,560 --> 00:44:13,920
Speaker 1: Jesse just straight up loses. I mean it's just like,

889
00:44:14,040 --> 00:44:15,000
Speaker 1: there's no excuse.

890
00:44:15,160 --> 00:44:17,200
Speaker 4: He just got he got his ass handed to him

891
00:44:17,200 --> 00:44:19,759
Speaker 4: in this race, and he decides instead of giving up

892
00:44:19,760 --> 00:44:24,520
Speaker 4: his cars, that's car, he just drives off, just takes

893
00:44:24,520 --> 00:44:27,399
Speaker 4: a left and he's gone. Everybody's like, where's he going.

894
00:44:27,480 --> 00:44:30,160
Speaker 4: He's like, huh, he's he's just gone. We'll get him

895
00:44:30,160 --> 00:44:33,919
Speaker 4: back because Tran demands Dom recover the vehicle. And there's

896
00:44:33,920 --> 00:44:36,279
Speaker 4: a lot more going on here at Race Wars. But yeah, Jay,

897
00:44:36,520 --> 00:44:38,200
Speaker 4: what Jad, what do you think of the desert scene here?

898
00:44:38,800 --> 00:44:39,000
Speaker 1: Yeah?

899
00:44:39,040 --> 00:44:44,319
Speaker 3: I mean it was fine. I guess very well put

900
00:44:44,360 --> 00:44:48,200
Speaker 3: together illegal festival? Is it illegal Race Wars by the way,

901
00:44:48,400 --> 00:44:50,200
Speaker 3: because they've got security.

902
00:44:49,640 --> 00:44:52,000
Speaker 1: They seem to Yeah, this is a booke board.

903
00:44:52,080 --> 00:44:58,719
Speaker 3: Yeah, okay, so I liked, uh, you know, Jesse, come on, man, Uh,

904
00:45:00,800 --> 00:45:03,920
Speaker 3: I guess he trade, correct me if I'm wrong. He

905
00:45:04,000 --> 00:45:07,520
Speaker 3: just hit his nitress too soon, right, like like even

906
00:45:07,640 --> 00:45:10,480
Speaker 3: Johnny says too soon, man, too soon?

907
00:45:11,800 --> 00:45:14,520
Speaker 4: Yeah, honest, too soon in a ten second race, like

908
00:45:15,120 --> 00:45:16,319
Speaker 4: talking is too soon?

909
00:45:16,960 --> 00:45:18,680
Speaker 2: You want to you want to use it the last

910
00:45:18,680 --> 00:45:21,600
Speaker 2: three seconds? Man, you gotta you gotta go across the

911
00:45:21,640 --> 00:45:24,960
Speaker 2: line on your nos cross with nos is what they say,

912
00:45:25,280 --> 00:45:28,880
Speaker 2: uh down at Race Wars. But this is another another

913
00:45:28,920 --> 00:45:30,919
Speaker 2: one for me that it's one hundred percent on Dom.

914
00:45:31,000 --> 00:45:36,160
Speaker 2: Why is he letting Jesse race against Johnny Tran? Yeah,

915
00:45:36,239 --> 00:45:38,280
Speaker 2: I think that's a I think that's a major mistake

916
00:45:38,840 --> 00:45:40,759
Speaker 2: by Dom there, and it really puts some people in

917
00:45:40,840 --> 00:45:42,759
Speaker 2: danger because we didn't.

918
00:45:42,640 --> 00:45:45,279
Speaker 3: Know though, Like did did Dom even know that it

919
00:45:45,400 --> 00:45:45,920
Speaker 3: was happening.

920
00:45:45,960 --> 00:45:48,160
Speaker 4: Brian is the one that's like you see Jesse coming

921
00:45:48,200 --> 00:45:50,560
Speaker 4: out of the trailer with the pink slip, and he's like, oh,

922
00:45:50,640 --> 00:45:52,200
Speaker 4: you can't do this, you can't do can't do this,

923
00:45:52,280 --> 00:45:53,919
Speaker 4: Like Brian is the voice of reason, like you're.

924
00:45:53,800 --> 00:45:54,959
Speaker 1: Gonna lose, man, You're gonna lose.

925
00:45:56,320 --> 00:45:58,880
Speaker 4: I can't remember if that information ever gets relayed to

926
00:45:59,000 --> 00:46:03,000
Speaker 4: Dom or not. Uh, there is maybe a little broken

927
00:46:03,000 --> 00:46:05,680
Speaker 4: telephone there. He tells Vince, and Vince tells Leon. Leon

928
00:46:05,719 --> 00:46:07,400
Speaker 4: tells Ley, I'm not sure. I don't know if I

929
00:46:07,400 --> 00:46:10,680
Speaker 4: can't remember if Dom, prior to the actual race, knows

930
00:46:11,560 --> 00:46:13,919
Speaker 4: that Jesse has the car on the line, I can't remember, Trey,

931
00:46:13,960 --> 00:46:14,919
Speaker 4: I don't know if you do either.

932
00:46:15,200 --> 00:46:18,880
Speaker 2: I don't know if it's explicitly communicated. But if you're

933
00:46:18,920 --> 00:46:20,920
Speaker 2: gonna call these guys your family, you gotta know what

934
00:46:20,920 --> 00:46:23,080
Speaker 2: they're up to. Yeah, you gotta protect him out there.

935
00:46:23,360 --> 00:46:27,680
Speaker 4: Yeah, you're right, all right, Well he's he's off, Like

936
00:46:27,680 --> 00:46:31,320
Speaker 4: I said, Jesse's gone. He drives off into the sunset.

937
00:46:31,480 --> 00:46:33,719
Speaker 4: We don't know what we'll see him again that night.

938
00:46:34,920 --> 00:46:37,640
Speaker 4: It's it's this is the night that Brian realizes Dom

939
00:46:38,280 --> 00:46:43,640
Speaker 4: is behind the hijacking. Okay, he is with Mia and

940
00:46:43,719 --> 00:46:47,799
Speaker 4: he eventually reveals his true identity to her just just

941
00:46:48,000 --> 00:46:51,760
Speaker 4: both just says it because he needs help in finding

942
00:46:51,880 --> 00:46:53,799
Speaker 4: the crew and what they're going to be doing here.

943
00:46:53,920 --> 00:46:58,040
Speaker 1: This this, this this hijacking time got really weird here

944
00:46:58,080 --> 00:46:58,400
Speaker 1: for me?

945
00:46:59,040 --> 00:47:02,560
Speaker 4: Is this hijacking happening like in the like crack of

946
00:47:02,680 --> 00:47:05,759
Speaker 4: dawn because we see them, do we not see them

947
00:47:05,800 --> 00:47:08,520
Speaker 4: at night getting like uncovering their vehicles and stuff like that.

948
00:47:08,640 --> 00:47:09,640
Speaker 1: Yeah, that's the.

949
00:47:09,560 --> 00:47:13,399
Speaker 3: Middle of the night, early early morning. I would say

950
00:47:13,440 --> 00:47:16,200
Speaker 3: they got the cars around four thirty eighth.

951
00:47:16,200 --> 00:47:20,520
Speaker 1: Oh it's super late. No, it's tired after racehorse, like.

952
00:47:21,080 --> 00:47:23,120
Speaker 3: You said, it's like burning man. They're up all night.

953
00:47:23,120 --> 00:47:24,960
Speaker 3: They race all day, all night.

954
00:47:25,160 --> 00:47:26,440
Speaker 1: Yeah, yeah, okay.

955
00:47:26,600 --> 00:47:29,520
Speaker 4: So then yeah, with the help of a Mia at

956
00:47:29,600 --> 00:47:32,319
Speaker 4: least telling her who he is, that he's an undercover cop,

957
00:47:32,320 --> 00:47:35,840
Speaker 4: they gotta they gotta find the crew. So Dom Letty,

958
00:47:36,080 --> 00:47:41,200
Speaker 4: Vince Leon, they're attacking the semi trailer truck. This faceless

959
00:47:41,320 --> 00:47:46,160
Speaker 4: arm driver shoots Vince because they're like, well, it's worked before,

960
00:47:46,239 --> 00:47:49,480
Speaker 4: Let's just try the old, you know, harpoon trick again.

961
00:47:50,719 --> 00:47:52,720
Speaker 1: Super easy to pull off. Let's do it again.

962
00:47:52,920 --> 00:47:55,800
Speaker 4: And while he's doing that, Vince sort of like getting

963
00:47:55,800 --> 00:47:59,120
Speaker 4: onto the truck, he gets shot and it's like then

964
00:47:59,200 --> 00:48:01,560
Speaker 4: like he's like it's like he's like tied up in

965
00:48:01,640 --> 00:48:04,600
Speaker 4: that harpo wire. Yeah, he's like hanging on for dear life.

966
00:48:04,920 --> 00:48:08,200
Speaker 4: Letty gets run off the road. Brian shows up. I'm

967
00:48:08,200 --> 00:48:09,839
Speaker 4: flying through here. We'll go through it a little bit,

968
00:48:10,000 --> 00:48:12,160
Speaker 4: piece by piece. But Brian arrives with Mia. He ends

969
00:48:12,200 --> 00:48:15,240
Speaker 4: up rescuing them all and then he's forced to reveal

970
00:48:15,280 --> 00:48:18,080
Speaker 4: his true identity to call in an emergency chopper to

971
00:48:18,120 --> 00:48:20,640
Speaker 4: help save Vince's life, the guy he hates, can you

972
00:48:20,680 --> 00:48:24,000
Speaker 4: believe it? And then dom Mia and all the others

973
00:48:24,000 --> 00:48:26,560
Speaker 4: they bounce before the authorities arrive.

974
00:48:26,880 --> 00:48:27,160
Speaker 1: Again.

975
00:48:27,200 --> 00:48:30,000
Speaker 4: That was a very very quick recap there of this.

976
00:48:30,239 --> 00:48:32,719
Speaker 4: Uh I mean, I guess it's the biggest action scene.

977
00:48:32,440 --> 00:48:33,040
Speaker 1: Of the movie.

978
00:48:33,840 --> 00:48:36,680
Speaker 4: Uh right, I mean it's bigger than the the the

979
00:48:36,760 --> 00:48:39,439
Speaker 4: opening heist, because you know, you got some crazy things

980
00:48:39,440 --> 00:48:41,719
Speaker 4: going off, cars flying off the road, and then and

981
00:48:41,719 --> 00:48:45,000
Speaker 4: then Brian showing up to save the day. But uh yeah,

982
00:48:45,040 --> 00:48:46,799
Speaker 4: Trey break this one down.

983
00:48:48,480 --> 00:48:54,280
Speaker 2: Well, I gotta say it, this one's on Dom again. Literally,

984
00:48:54,640 --> 00:48:57,319
Speaker 2: everybody's like, I don't know about this one. Dom, I

985
00:48:57,320 --> 00:48:59,759
Speaker 2: don't know if we should go through with this. But

986
00:49:00,000 --> 00:49:01,520
Speaker 2: I had a dream about him and Letty on a

987
00:49:01,560 --> 00:49:05,520
Speaker 2: beach in Mexico, which convinces everybody. Here's why they thought

988
00:49:05,520 --> 00:49:09,200
Speaker 2: it was a bad idea. It was broad daylight when

989
00:49:09,200 --> 00:49:11,960
Speaker 2: they were doing this hijacking. Every other one has been

990
00:49:12,080 --> 00:49:14,279
Speaker 2: under the cover of darkness. They're trying to do it

991
00:49:14,320 --> 00:49:18,560
Speaker 2: a little bit covert here. Meanwhile, we know that the

992
00:49:18,600 --> 00:49:20,000
Speaker 2: truckers are arming themselves.

993
00:49:20,080 --> 00:49:21,080
Speaker 1: Yes, very scary.

994
00:49:21,120 --> 00:49:24,279
Speaker 2: I imagine that's probably you know, they're overhearing on the

995
00:49:24,280 --> 00:49:26,399
Speaker 2: police chatter as well. You know that things are getting

996
00:49:26,440 --> 00:49:28,839
Speaker 2: more tense because they need to pull off these bigger

997
00:49:28,880 --> 00:49:30,920
Speaker 2: and bigger moves so that they can go to their

998
00:49:30,920 --> 00:49:34,880
Speaker 2: beach in Mexico. But Tom just pushes through, pushes through,

999
00:49:34,920 --> 00:49:38,160
Speaker 2: and wants to do it during the daytime. Then he's

1000
00:49:38,200 --> 00:49:40,680
Speaker 2: not even the hero of this drive. That was something

1001
00:49:40,760 --> 00:49:44,480
Speaker 2: that actually surprised me rewatching this is that Brian is

1002
00:49:44,520 --> 00:49:46,640
Speaker 2: the first guy to pull a jump from a car

1003
00:49:47,280 --> 00:49:50,080
Speaker 2: to something else that's moving, a move that becomes a

1004
00:49:50,160 --> 00:49:52,680
Speaker 2: Dom specialty as the series goes on.

1005
00:49:52,880 --> 00:49:56,239
Speaker 1: But Mia is the clutch driver here. Yeah, she's a

1006
00:49:56,280 --> 00:49:56,920
Speaker 1: steady hand.

1007
00:49:57,000 --> 00:50:00,440
Speaker 2: She's the steady hand. Brian is the clutch stunt here.

1008
00:50:00,840 --> 00:50:04,400
Speaker 2: M hm, not domb Yeah, where's dumb? He got his

1009
00:50:04,719 --> 00:50:08,719
Speaker 2: wheel blown out by a trucker with a shotgun, you know, Like,

1010
00:50:08,960 --> 00:50:11,280
Speaker 2: I mean, the truckers are weird too, Hey, just stop,

1011
00:50:12,120 --> 00:50:16,600
Speaker 2: you're shooting your own truck like one hundred from close range.

1012
00:50:16,719 --> 00:50:18,719
Speaker 1: I don't know. His truckers are foolish.

1013
00:50:18,920 --> 00:50:23,000
Speaker 2: But also Dom's putting everybody in harm's way here just

1014
00:50:23,040 --> 00:50:26,080
Speaker 2: to be best buddies with Brian and you know, seems

1015
00:50:26,080 --> 00:50:28,200
Speaker 2: like he's a little bit lost in the sauce. Everybody

1016
00:50:28,239 --> 00:50:32,279
Speaker 2: shows up performs well in this gotta say it not Dom,

1017
00:50:32,719 --> 00:50:34,120
Speaker 2: another tough one for my guy Dom.

1018
00:50:34,360 --> 00:50:37,000
Speaker 3: Yeah, and just to just to add on to the

1019
00:50:37,160 --> 00:50:41,120
Speaker 3: poor leadership by Dom, he had he had gotten his

1020
00:50:41,480 --> 00:50:44,800
Speaker 3: tires blown out, right, like his both front tires. It

1021
00:50:44,880 --> 00:50:48,440
Speaker 3: appeared blown out. He's still going full speed next to

1022
00:50:48,480 --> 00:50:52,759
Speaker 3: the truck. Letty crashes right yep, and then he gets

1023
00:50:52,800 --> 00:50:58,080
Speaker 3: on the horn. Leon in your perfectly sound vehicle, go

1024
00:50:58,480 --> 00:51:01,960
Speaker 3: back and get Letty. I'm gonna just continue to hobble

1025
00:51:02,000 --> 00:51:08,960
Speaker 3: along here trying to rescue Vince. Horrible decision. Horrible decision.

1026
00:51:09,280 --> 00:51:12,440
Speaker 3: Take over, man, take over over here. You get Vince.

1027
00:51:12,480 --> 00:51:14,880
Speaker 3: I'll get Letty because my car is broken.

1028
00:51:15,000 --> 00:51:15,200
Speaker 1: Man.

1029
00:51:16,360 --> 00:51:18,120
Speaker 3: Awful, awful look on Donnie.

1030
00:51:18,280 --> 00:51:20,799
Speaker 4: Yeah, there's a lot of weird decisions being made, even

1031
00:51:20,840 --> 00:51:23,520
Speaker 4: back to the drivers of the trucks. A shotgun, I mean,

1032
00:51:23,560 --> 00:51:25,959
Speaker 4: I get that it's powerful, but you've got like two

1033
00:51:26,040 --> 00:51:28,480
Speaker 4: shots and then you're gonna they literally go to the they

1034
00:51:28,560 --> 00:51:31,560
Speaker 4: cctually seen with the guys like fumbling with more bullets

1035
00:51:32,080 --> 00:51:34,080
Speaker 4: to put into his shotgun, Like if you get any

1036
00:51:34,120 --> 00:51:37,680
Speaker 4: other gun, even Brian's little tiny gun would be better

1037
00:51:38,280 --> 00:51:43,240
Speaker 4: at least get some more consistent shots off. Anyway, Yeah,

1038
00:51:43,239 --> 00:51:45,160
Speaker 4: this is where we get like, well, it's like the

1039
00:51:45,200 --> 00:51:48,000
Speaker 4: point break sort of version right tod where it's like, hey, man,

1040
00:51:48,800 --> 00:51:51,520
Speaker 4: I got I'm the cop, I'm undercover, and I know

1041
00:51:51,640 --> 00:51:55,400
Speaker 4: we're best buds, but I gotta do this. I'm sorry,

1042
00:51:55,800 --> 00:51:57,840
Speaker 4: but I gotta save Vince's life too. You know, family

1043
00:51:57,960 --> 00:52:00,359
Speaker 4: is everything. You've known him for a long time, even

1044
00:52:00,360 --> 00:52:01,879
Speaker 4: though I don't think you like him all that much.

1045
00:52:03,760 --> 00:52:04,879
Speaker 4: We got to save his arm.

1046
00:52:05,080 --> 00:52:08,520
Speaker 3: But yeah, I mean one of my favorite scenes in

1047
00:52:08,560 --> 00:52:15,319
Speaker 3: the movie is Dom's reaction to the revealed right, Like,

1048
00:52:16,400 --> 00:52:19,040
Speaker 3: is there a more over the top reaction in the

1049
00:52:19,120 --> 00:52:21,479
Speaker 3: history of film? I don't think so. Like I don't

1050
00:52:21,520 --> 00:52:24,360
Speaker 3: think so. And like the whatever that music or the

1051
00:52:24,440 --> 00:52:26,399
Speaker 3: sound effect that had it was like a freight train

1052
00:52:26,520 --> 00:52:30,400
Speaker 3: going by, like like just the look on his face

1053
00:52:30,440 --> 00:52:33,880
Speaker 3: and just the multiple angles and just the sweeping cameras

1054
00:52:33,880 --> 00:52:37,080
Speaker 3: of oh my god, the betrayal. I mean it was

1055
00:52:37,440 --> 00:52:38,600
Speaker 3: kind of beautiful. Really.

1056
00:52:39,880 --> 00:52:41,760
Speaker 1: Yeah, yeah, you're not wrong.

1057
00:52:41,880 --> 00:52:45,040
Speaker 4: I mean, like, try and put yourself in Dom's shoes

1058
00:52:45,160 --> 00:52:47,160
Speaker 4: or in anyone's shoes where you found out someone that

1059
00:52:47,200 --> 00:52:51,040
Speaker 4: you've befriended, you trust that as dating your actual someone

1060
00:52:51,080 --> 00:52:54,120
Speaker 4: in your part of your family is undercovers on the

1061
00:52:54,360 --> 00:52:56,440
Speaker 4: is on the wrong side in your opinion or in

1062
00:52:56,480 --> 00:53:01,880
Speaker 4: your world. You know, would you react like, ah, what

1063
00:53:01,960 --> 00:53:04,319
Speaker 4: would you like like, I don't know, be more in

1064
00:53:04,360 --> 00:53:06,680
Speaker 4: your head right, Like you'd start going through all the

1065
00:53:06,840 --> 00:53:08,560
Speaker 4: times you're like what what have I told you?

1066
00:53:08,600 --> 00:53:10,680
Speaker 1: And what do you know? And like, oh my god,

1067
00:53:11,040 --> 00:53:11,360
Speaker 1: I don't know.

1068
00:53:11,400 --> 00:53:13,000
Speaker 4: I think I would react that way, but I guess

1069
00:53:13,040 --> 00:53:14,440
Speaker 4: everybody reacts differently.

1070
00:53:16,640 --> 00:53:19,640
Speaker 2: Yeah, I mean I think I would be like you would, Skeates.

1071
00:53:19,640 --> 00:53:21,520
Speaker 2: I would just be kicking myself that my best friend

1072
00:53:21,560 --> 00:53:24,520
Speaker 2: I've known since third grade literally told me this guy

1073
00:53:24,880 --> 00:53:28,120
Speaker 2: is a cop. Yeah, I'm telling you one hundred percent,

1074
00:53:28,320 --> 00:53:30,480
Speaker 2: this guy is a cop. I don't trust you best

1075
00:53:30,520 --> 00:53:34,759
Speaker 2: friends with this guy. Oh shit, he's a cop. I

1076
00:53:34,760 --> 00:53:36,520
Speaker 2: blew it because I should have trusted the guy that

1077
00:53:36,560 --> 00:53:39,759
Speaker 2: I have trusted for twenty years. Me, the guy who

1078
00:53:39,840 --> 00:53:42,960
Speaker 2: loves family turns his back on family to some new family.

1079
00:53:43,000 --> 00:53:44,359
Speaker 2: I don't know, Tom, I don't know.

1080
00:53:44,719 --> 00:53:46,520
Speaker 1: Yeah, not a good look for a guy. Dom here.

1081
00:53:46,960 --> 00:53:49,880
Speaker 4: Well, like I said, they're off, We're taking care of

1082
00:53:49,920 --> 00:53:55,320
Speaker 4: Vince Choppers there and everybody else flees. Later, Brian arrives

1083
00:53:55,320 --> 00:53:59,600
Speaker 4: at Dom's house to apprehend him, right or He's like

1084
00:53:59,680 --> 00:54:01,840
Speaker 4: going get him, like you're going to jail, buddy.

1085
00:54:01,840 --> 00:54:02,919
Speaker 1: I know we're best friends now.

1086
00:54:02,960 --> 00:54:05,920
Speaker 4: But as he gets there, Dom is getting in his

1087
00:54:06,000 --> 00:54:09,040
Speaker 4: father's nineteen seventy Dodge Charger.

1088
00:54:09,320 --> 00:54:11,080
Speaker 1: Yeah that's right, the one we've seen him before in

1089
00:54:11,120 --> 00:54:12,120
Speaker 1: the garage.

1090
00:54:11,880 --> 00:54:13,479
Speaker 3: The one that he was afraid to drive.

1091
00:54:14,239 --> 00:54:16,080
Speaker 1: Yeah, that's right. Now.

1092
00:54:16,400 --> 00:54:19,800
Speaker 4: He demands Brian leave, and he says, I'm not running,

1093
00:54:20,040 --> 00:54:23,000
Speaker 4: you see, I'm just i gotta go rescue Jesse. I

1094
00:54:23,000 --> 00:54:25,680
Speaker 4: already nearly lost one of my buddies today, and Vince,

1095
00:54:26,080 --> 00:54:27,240
Speaker 4: I'm not losing Jesse.

1096
00:54:28,840 --> 00:54:29,480
Speaker 1: He doesn't say.

1097
00:54:29,520 --> 00:54:31,400
Speaker 4: That sounded like a quote that he actually said, But

1098
00:54:31,640 --> 00:54:32,760
Speaker 4: I think I just did a really.

1099
00:54:32,680 --> 00:54:34,160
Speaker 1: Good line there. That would have been a good line for.

1100
00:54:34,239 --> 00:54:38,560
Speaker 4: Him to say instead. Oh, great timing. Jesse arrives at

1101
00:54:38,600 --> 00:54:44,440
Speaker 4: the house and pleads for protection. But bad timing Jesse Wise,

1102
00:54:44,640 --> 00:54:48,239
Speaker 4: Tran and Lance ride by on motorbikes and then kill

1103
00:54:48,320 --> 00:54:51,920
Speaker 4: Jesse and then we're off and running. Brian and Dom suddenly,

1104
00:54:52,000 --> 00:54:54,680
Speaker 4: well we're now working together. We're in separate vehicles, but

1105
00:54:55,080 --> 00:54:57,319
Speaker 4: we got to find and then get these guys and

1106
00:54:57,320 --> 00:55:01,200
Speaker 4: they end up killing Tran and injuring Lance. A whole

1107
00:55:01,200 --> 00:55:04,000
Speaker 4: lot goes on here in like a minute of screen time,

1108
00:55:04,000 --> 00:55:07,200
Speaker 4: it feels like, in terms of Brian showing up at

1109
00:55:07,200 --> 00:55:10,000
Speaker 4: Dom's house to arrest him, and then the whole Jesse

1110
00:55:10,400 --> 00:55:13,600
Speaker 4: showing up and then oh my goodness, Johnny, Tran and

1111
00:55:13,680 --> 00:55:16,719
Speaker 4: Lance are back in the mixed gud A very very

1112
00:55:17,480 --> 00:55:19,239
Speaker 4: fast move in here. Man, this is the fast and

1113
00:55:19,280 --> 00:55:21,200
Speaker 4: fast and the furious on.

1114
00:55:22,800 --> 00:55:31,080
Speaker 3: The Tran gang again with conspicuous criminal behavior happening. You know. Also,

1115
00:55:32,000 --> 00:55:34,040
Speaker 3: all you wanted was the car. The car is sitting

1116
00:55:34,080 --> 00:55:37,919
Speaker 3: right there. Why not only shoot the guy but also

1117
00:55:38,000 --> 00:55:40,319
Speaker 3: shoot the car and destroy the car that you wanted right?

1118
00:55:40,680 --> 00:55:43,160
Speaker 3: Did not make a lot of sense to me. But

1119
00:55:43,400 --> 00:55:46,960
Speaker 3: I did enjoy the motorcycle chase afterwards. Yeah, you know,

1120
00:55:47,160 --> 00:55:49,479
Speaker 3: it was that. That part of it was good. But yeah,

1121
00:55:49,520 --> 00:55:53,279
Speaker 3: I didn't I didn't understand. Well, I understood that Jesse

1122
00:55:53,520 --> 00:55:56,160
Speaker 3: had to die for whatever reason, like just to motivate,

1123
00:55:56,320 --> 00:56:00,640
Speaker 3: you know, the everything falling apart for Dom. But yeah,

1124
00:56:00,640 --> 00:56:03,640
Speaker 3: it was awkward, That's how I would describe it. I

1125
00:56:03,719 --> 00:56:06,560
Speaker 3: just don't understand why they did it that way. Seemed

1126
00:56:06,560 --> 00:56:09,280
Speaker 3: like they were trying to tie up multiple loose ends

1127
00:56:09,320 --> 00:56:11,040
Speaker 3: in a matter of fifteen seconds.

1128
00:56:11,120 --> 00:56:13,879
Speaker 1: Yeah, yeah, Trey, you agree with that? Is that fair?

1129
00:56:14,200 --> 00:56:17,440
Speaker 2: Yeah? Just seemed like a major overreaction from Johnny ja

1130
00:56:17,920 --> 00:56:21,399
Speaker 2: or from Johnny Tramp if you ask me, like you're

1131
00:56:21,400 --> 00:56:25,000
Speaker 2: saying you're what you're there for, the car and now

1132
00:56:25,200 --> 00:56:27,960
Speaker 2: you know, you just had the cops raide your home

1133
00:56:28,080 --> 00:56:30,479
Speaker 2: and you got off free despite the fact that maybe

1134
00:56:30,480 --> 00:56:32,400
Speaker 2: you're involved in some sort of criminal thing and now

1135
00:56:32,440 --> 00:56:35,480
Speaker 2: you just murdered somebody. So I don't know. That seemed

1136
00:56:35,520 --> 00:56:37,520
Speaker 2: to me like you got what you were after. You

1137
00:56:37,560 --> 00:56:41,040
Speaker 2: got the car in twenty four hours, within twenty four

1138
00:56:41,080 --> 00:56:44,560
Speaker 2: hours basically, right, because like they have Race Wars Jesse Splitz,

1139
00:56:44,600 --> 00:56:48,480
Speaker 2: they have the heist at night slash morning, and then

1140
00:56:48,600 --> 00:56:51,480
Speaker 2: and then like right afterwards. I mean, you're getting the

1141
00:56:51,520 --> 00:56:54,279
Speaker 2: car pretty quickly. I do feel like I feel like

1142
00:56:54,520 --> 00:56:57,360
Speaker 2: this worked out exactly how you were hoping, but really

1143
00:56:57,360 --> 00:56:58,400
Speaker 2: just escalated things.

1144
00:56:58,560 --> 00:57:02,319
Speaker 4: Yeah, And like him is preoccupied with other things right now,

1145
00:57:02,360 --> 00:57:04,080
Speaker 4: he's not even gonna be able to like really like

1146
00:57:04,120 --> 00:57:05,080
Speaker 4: get any sort of evenge.

1147
00:57:05,080 --> 00:57:06,560
Speaker 1: He's probably going to jail here.

1148
00:57:06,920 --> 00:57:09,759
Speaker 4: Also, like I guess they're on motorbikes and maybe their

1149
00:57:09,840 --> 00:57:11,200
Speaker 4: visions not great in their helmets.

1150
00:57:11,239 --> 00:57:14,000
Speaker 1: But do they not see Brian there too? Like, do

1151
00:57:14,040 --> 00:57:16,919
Speaker 1: they don't know? They know he's a cop? I guess

1152
00:57:16,960 --> 00:57:19,000
Speaker 1: he was. He did have a mask on, he was

1153
00:57:19,000 --> 00:57:22,600
Speaker 1: really they didn't know. I guess they still didn't know.

1154
00:57:22,680 --> 00:57:26,840
Speaker 4: Okay, fair enough, so shoot away boys, get your car.

1155
00:57:29,480 --> 00:57:29,680
Speaker 1: Yeah.

1156
00:57:30,320 --> 00:57:33,280
Speaker 4: Dom also doesn't care that much about Jesse. His his

1157
00:57:33,360 --> 00:57:35,720
Speaker 4: buddies start dropping like flies. He doesn't care all that

1158
00:57:35,760 --> 00:57:37,880
Speaker 4: much too. I think he checks his pulse.

1159
00:57:38,400 --> 00:57:43,840
Speaker 1: Let's go get him to helping this guy.

1160
00:57:44,000 --> 00:57:46,440
Speaker 4: I guess Leddy's there, maybe trust her to take care

1161
00:57:46,440 --> 00:57:51,360
Speaker 4: of him anyway, he's dead? Uh, well, yeah, do I

1162
00:57:51,360 --> 00:57:52,600
Speaker 4: have first death?

1163
00:57:53,840 --> 00:57:56,040
Speaker 3: And yeah, it's unclear to me. Does Vince die?

1164
00:57:57,400 --> 00:58:01,120
Speaker 1: Well, no, he doesn't. He doesn't.

1165
00:58:01,480 --> 00:58:04,640
Speaker 4: Definitely don't learn that he's dead, all right, and uh

1166
00:58:05,080 --> 00:58:07,440
Speaker 4: maybe maybe spoiler moving ahead, but he's not dead.

1167
00:58:07,440 --> 00:58:08,560
Speaker 1: So yeah, this is our first death.

1168
00:58:08,680 --> 00:58:12,440
Speaker 4: Fair to say Jesse is the first on screen death

1169
00:58:13,200 --> 00:58:16,320
Speaker 4: in Fast and Furious, and then I guess Johnny Tran

1170
00:58:16,440 --> 00:58:17,160
Speaker 4: is a close second.

1171
00:58:17,480 --> 00:58:18,280
Speaker 1: Yeah right after.

1172
00:58:21,960 --> 00:58:25,000
Speaker 4: Yeah, Norah watching this with my wife, she was like, wow,

1173
00:58:25,480 --> 00:58:26,280
Speaker 4: he just shot him?

1174
00:58:26,280 --> 00:58:30,360
Speaker 1: Eh, I guess he just.

1175
00:58:30,360 --> 00:58:32,800
Speaker 4: Watched him shoot somebody else I mean, you're you're I

1176
00:58:32,800 --> 00:58:33,720
Speaker 4: think you can take him down.

1177
00:58:33,760 --> 00:58:36,520
Speaker 1: You know he's armed. It was like, you're sort of right,

1178
00:58:36,600 --> 00:58:37,840
Speaker 1: that's a little straight.

1179
00:58:38,320 --> 00:58:38,440
Speaker 2: Uh.

1180
00:58:39,200 --> 00:58:46,800
Speaker 4: Anyway, Brian then pursues Dom after after those other after

1181
00:58:46,920 --> 00:58:48,240
Speaker 4: Tran and Lance run of the equation.

1182
00:58:48,560 --> 00:58:50,360
Speaker 1: Brian then pursues Dom and.

1183
00:58:50,520 --> 00:58:55,160
Speaker 4: They basically they're they're racing and then just decide to

1184
00:58:55,240 --> 00:58:59,920
Speaker 4: have a good old quarter mile drag race and.

1185
00:59:01,080 --> 00:59:03,200
Speaker 1: As you do, as you do, as you do.

1186
00:59:04,600 --> 00:59:08,440
Speaker 4: They are racing and racing, and then oh here comes

1187
00:59:08,440 --> 00:59:11,520
Speaker 4: the train. They're racing basically to the railroad track and

1188
00:59:12,000 --> 00:59:12,880
Speaker 4: are they gonna make it?

1189
00:59:13,000 --> 00:59:14,720
Speaker 1: Are they not? Is one of them gonna make it?

1190
00:59:14,760 --> 00:59:16,320
Speaker 1: Is the other gonna die? All this stuff.

1191
00:59:16,480 --> 00:59:22,240
Speaker 4: They both barely cross the railroad track before the train passes, which,

1192
00:59:22,280 --> 00:59:24,160
Speaker 4: if they are racing, I guess we're led to believe

1193
00:59:24,200 --> 00:59:27,280
Speaker 4: is a draw. Though some say, if you go back

1194
00:59:27,280 --> 00:59:30,560
Speaker 4: and watch, it looks like Brian Paul Locker just edges

1195
00:59:30,600 --> 00:59:32,560
Speaker 4: him out. And Dom has said it doesn't matter if

1196
00:59:32,560 --> 00:59:36,160
Speaker 4: it's inches or yeah right right when he went back,

1197
00:59:36,280 --> 00:59:38,320
Speaker 4: winning is winning, and it does look like his car

1198
00:59:38,360 --> 00:59:41,600
Speaker 4: is a little bit ahead, but anyway, oh shit, Dom

1199
00:59:41,680 --> 00:59:47,160
Speaker 4: crashes his car into another truck, and instead of arresting him, Brian,

1200
00:59:47,400 --> 00:59:50,720
Speaker 4: after pulling him out, gives his keys to Dom, asserting

1201
00:59:51,240 --> 00:59:54,080
Speaker 4: that he still owes him a ten second car.

1202
00:59:54,720 --> 00:59:56,560
Speaker 1: Callback. So there it is.

1203
00:59:56,600 --> 00:59:59,360
Speaker 4: So Dom leaves in the Uh, let's he drive the

1204
00:59:59,480 --> 01:00:02,000
Speaker 4: Orange like Supra or Neon.

1205
01:00:02,240 --> 01:00:04,680
Speaker 1: Maybe it's not orangeon, it's orange.

1206
01:00:04,400 --> 01:00:07,880
Speaker 4: Ish Neon orange ish, Okay, And so Dom takes off

1207
01:00:07,920 --> 01:00:09,840
Speaker 4: in that and Brian walks away.

1208
01:00:11,120 --> 01:00:12,120
Speaker 1: And then I'll just say this.

1209
01:00:12,200 --> 01:00:16,360
Speaker 4: Now, there's a post credits scene where Dom is seen

1210
01:00:16,480 --> 01:00:18,040
Speaker 4: driving I think through Mexico.

1211
01:00:18,880 --> 01:00:23,080
Speaker 3: Yeah. Uh, well it's aid Baja right, so Baja Peninsula.

1212
01:00:23,160 --> 01:00:26,200
Speaker 3: It could be California. I think it implies Mexico.

1213
01:00:26,360 --> 01:00:29,480
Speaker 1: Yes, okay, just uh.

1214
01:00:30,240 --> 01:00:32,360
Speaker 4: I don't know why that's there. Maybe it's setting up

1215
01:00:32,360 --> 01:00:35,440
Speaker 4: for something in the future. Anyway, let's let's wrap up

1216
01:00:35,480 --> 01:00:37,600
Speaker 4: this sort of final scene here. Trey will start with

1217
01:00:37,640 --> 01:00:41,600
Speaker 4: you the race that they decide to have, the train

1218
01:00:41,680 --> 01:00:45,520
Speaker 4: getting involved, and then Brian ultimately, you know, like saving

1219
01:00:45,600 --> 01:00:48,640
Speaker 4: his ass and saying, hey, I owed you. Just get

1220
01:00:48,680 --> 01:00:50,760
Speaker 4: out of here, buddy. It's I'll just I'll just tell him,

1221
01:00:50,760 --> 01:00:53,160
Speaker 4: you know, you just stole it from me.

1222
01:00:53,200 --> 01:00:54,240
Speaker 1: I guess is what he's gonna tell me?

1223
01:00:54,640 --> 01:00:56,920
Speaker 2: What is he gonna tell me. We raced through a

1224
01:00:57,000 --> 01:01:00,959
Speaker 2: train and he he got torn up by by sun

1225
01:01:01,040 --> 01:01:02,760
Speaker 2: ed truck. So I gave him my car and now

1226
01:01:02,760 --> 01:01:06,360
Speaker 2: he's gone. Yeah, Brian's got a lot of explaining to

1227
01:01:06,400 --> 01:01:09,680
Speaker 2: do after this. Yeah. I love the stare at each

1228
01:01:09,680 --> 01:01:12,360
Speaker 2: other as they're driving with their nos going. That's a

1229
01:01:12,360 --> 01:01:15,080
Speaker 2: fast and furious trademark right there. The stare down as

1230
01:01:15,080 --> 01:01:18,480
Speaker 2: you're driving, not paying attention to the car. Great stuff.

1231
01:01:18,520 --> 01:01:23,960
Speaker 2: But uh or Dom should have paid attention because it's

1232
01:01:24,000 --> 01:01:28,200
Speaker 2: blown up by that semi And another hilarious reaction from

1233
01:01:28,280 --> 01:01:33,640
Speaker 2: Dom just.

1234
01:01:33,680 --> 01:01:38,320
Speaker 1: Breathing, extreme breathing. Yeah, that's not what I had in mind.

1235
01:01:40,920 --> 01:01:42,040
Speaker 2: He's fine, he's fine.

1236
01:01:43,720 --> 01:01:47,000
Speaker 1: Car flips like thirty feet in the air. It's like,

1237
01:01:47,080 --> 01:01:49,320
Speaker 1: how did this guy's he does not even really that

1238
01:01:49,520 --> 01:01:51,560
Speaker 1: bang up out of breath.

1239
01:01:51,560 --> 01:01:56,880
Speaker 2: Basically, yeah, Wind, I was scaring just any time I

1240
01:01:57,000 --> 01:01:59,760
Speaker 2: just spun in the air a short on breath.

1241
01:02:00,600 --> 01:02:03,880
Speaker 1: Well, let me let me catch myself, let me catch myself. Yeah. JD.

1242
01:02:04,040 --> 01:02:06,760
Speaker 4: Ending on this movie, I don't think it's a strong,

1243
01:02:06,920 --> 01:02:10,040
Speaker 4: strong part of this entire flick. The whole race scene

1244
01:02:10,040 --> 01:02:11,880
Speaker 4: I think is actually one of the dumbest parts.

1245
01:02:11,880 --> 01:02:16,120
Speaker 3: But yeah, I mean, how you get there is it

1246
01:02:16,200 --> 01:02:18,640
Speaker 3: is what it is, I guess right, Like it's just

1247
01:02:19,400 --> 01:02:22,080
Speaker 3: they wanted to have this final showdown between the two

1248
01:02:22,080 --> 01:02:25,080
Speaker 3: of them, this ten second race. Throw a train in there.

1249
01:02:25,160 --> 01:02:28,400
Speaker 3: Why not, right because I was My palms were sweaty

1250
01:02:28,440 --> 01:02:31,280
Speaker 3: as they're racing towards it. The visuals of it were

1251
01:02:31,400 --> 01:02:35,280
Speaker 3: actually incredible, especially considering the budget of this movie. And

1252
01:02:35,800 --> 01:02:40,320
Speaker 3: you know, so fine, great, Like I do love that

1253
01:02:40,400 --> 01:02:44,080
Speaker 3: it ended in a stupid accident, like just a stupid

1254
01:02:44,800 --> 01:02:47,560
Speaker 3: not paying attention to split second and oh my god,

1255
01:02:47,560 --> 01:02:50,880
Speaker 3: I'm being a hip by a truck and there's finally

1256
01:02:50,920 --> 01:02:54,520
Speaker 3: been consequences to all of this reckless behavior, right right,

1257
01:02:54,680 --> 01:02:56,800
Speaker 3: he didn't die or anything, but and in fact he

1258
01:02:56,840 --> 01:03:01,160
Speaker 3: got away. But yeah, I thought, as as far as

1259
01:03:01,200 --> 01:03:04,240
Speaker 3: like an adrenaline rush, a climax of a movie, visually

1260
01:03:04,400 --> 01:03:07,840
Speaker 3: it was spectacular. Just don't think about it, don't think

1261
01:03:07,880 --> 01:03:10,600
Speaker 3: about why they're doing it, what they're doing, what the

1262
01:03:10,640 --> 01:03:14,440
Speaker 3: point of it is? Like was it that Dom was

1263
01:03:14,480 --> 01:03:17,680
Speaker 3: just trying to get away? But I didn't get that, really,

1264
01:03:17,680 --> 01:03:20,400
Speaker 3: I didn't get that. Like I'm gonna drive my car now,

1265
01:03:20,480 --> 01:03:23,160
Speaker 3: I'm going that way. You can chase me if you want.

1266
01:03:23,200 --> 01:03:26,320
Speaker 3: That's sort of like were they it was a race, right,

1267
01:03:26,360 --> 01:03:27,720
Speaker 3: It's like we're racing, like.

1268
01:03:27,680 --> 01:03:30,080
Speaker 4: Did they didn't say anything to each other, like it

1269
01:03:30,080 --> 01:03:32,760
Speaker 4: would even make more sense of like Dom's like, look,

1270
01:03:33,080 --> 01:03:36,959
Speaker 4: if you beat me here in this race, cuff me, yeah,

1271
01:03:37,040 --> 01:03:37,600
Speaker 4: take me in.

1272
01:03:38,480 --> 01:03:40,880
Speaker 1: Maybe it was implied just by the looks they were

1273
01:03:40,880 --> 01:03:41,520
Speaker 1: giving each other.

1274
01:03:41,720 --> 01:03:45,280
Speaker 4: Yeah, I mean I think, like, hey, one more race

1275
01:03:45,280 --> 01:03:48,439
Speaker 4: for old time sake, and you beat me, I'm going

1276
01:03:48,480 --> 01:03:48,920
Speaker 4: to jail.

1277
01:03:49,080 --> 01:03:51,920
Speaker 1: Yeah, but if you don't, you know, I'm free er.

1278
01:03:52,160 --> 01:03:55,600
Speaker 3: Oh that's actually that brings up a good point because

1279
01:03:55,760 --> 01:03:58,520
Speaker 3: Dom said earlier in the movie, I'm not going back

1280
01:03:58,520 --> 01:03:58,880
Speaker 3: to jail.

1281
01:03:58,960 --> 01:03:59,640
Speaker 1: Yeah, that's true.

1282
01:03:59,680 --> 01:04:01,520
Speaker 3: I'm not that's true.

1283
01:04:02,040 --> 01:04:04,040
Speaker 1: So he's not going even if he loses this race.

1284
01:04:04,200 --> 01:04:08,320
Speaker 3: That's right. That's exactly right. I mean, and it's and

1285
01:04:08,320 --> 01:04:12,480
Speaker 3: this is exactly what happens in Point point point Break, right,

1286
01:04:12,640 --> 01:04:14,640
Speaker 3: He's like, hey, man, I'm not going to jail. Just

1287
01:04:14,720 --> 01:04:18,439
Speaker 3: let me get this one last wave and then of course,

1288
01:04:18,480 --> 01:04:20,440
Speaker 3: and then he dies in the wave. Yeah, and maybe

1289
01:04:20,440 --> 01:04:24,320
Speaker 3: that was Dom's intention. I mean, it's exactly the same

1290
01:04:24,760 --> 01:04:28,080
Speaker 3: ending as Point Point Break because the only difference is

1291
01:04:28,120 --> 01:04:31,040
Speaker 3: that we actually see Keanu Reeves throw his badge on

1292
01:04:31,080 --> 01:04:35,160
Speaker 3: the beach, right, Yeah, but you know so I kind

1293
01:04:35,160 --> 01:04:38,680
Speaker 3: of was. It was implied to me that that Brian

1294
01:04:38,760 --> 01:04:40,600
Speaker 3: is just leaving the forest and he's going to join

1295
01:04:40,880 --> 01:04:45,000
Speaker 3: the the ranks of the street racers in life. But

1296
01:04:45,040 --> 01:04:46,680
Speaker 3: I don't know. I mean, I haven't seen the next

1297
01:04:46,680 --> 01:04:48,760
Speaker 3: two movies, so oh good, well I.

1298
01:04:48,720 --> 01:04:50,440
Speaker 4: Haven't either, So I can't wait to see what Brian.

1299
01:04:51,280 --> 01:04:54,240
Speaker 4: I can't wait to see if we even see dom is.

1300
01:04:54,440 --> 01:04:57,840
Speaker 4: Is there a Mexico scene in Fast and Furious?

1301
01:04:58,200 --> 01:04:58,520
Speaker 1: What is it?

1302
01:04:58,560 --> 01:05:02,520
Speaker 4: Too Fast and Two Fears? That's how the movie ends,

1303
01:05:02,560 --> 01:05:04,360
Speaker 4: It's anyway basically went through the whole thing. Now we're

1304
01:05:04,360 --> 01:05:06,959
Speaker 4: gonna go through our favorite sort of scenes or favorite cars,

1305
01:05:07,000 --> 01:05:08,120
Speaker 4: or favorite quotes, whatever you want.

1306
01:05:08,160 --> 01:05:10,400
Speaker 1: We're calling it the Fast we'll get to the Furious part.

1307
01:05:10,640 --> 01:05:13,360
Speaker 4: That's the things we hate, but the Fast tray of

1308
01:05:13,400 --> 01:05:15,280
Speaker 4: all those three things I just said, is there a

1309
01:05:15,320 --> 01:05:18,720
Speaker 4: favorite scene, car, quote, song, even.

1310
01:05:21,040 --> 01:05:22,720
Speaker 1: What would you pick here from this first movie in

1311
01:05:22,760 --> 01:05:23,280
Speaker 1: the franchise?

1312
01:05:23,840 --> 01:05:27,320
Speaker 2: For me, the first thirty minutes or so are perfect.

1313
01:05:27,360 --> 01:05:29,840
Speaker 2: From the first scene where we're rooting for the Outlaws

1314
01:05:29,880 --> 01:05:34,440
Speaker 2: to pull off their first semi truck heist, we go

1315
01:05:34,560 --> 01:05:37,800
Speaker 2: to Toretto's cafe. Lots of jokes there. Then we go

1316
01:05:37,920 --> 01:05:40,320
Speaker 2: straight into the street race. I've already said my piece

1317
01:05:40,360 --> 01:05:42,760
Speaker 2: on the street race straight up legendary.

1318
01:05:42,800 --> 01:05:45,400
Speaker 1: That to me is like those scenes boom boom, boom,

1319
01:05:45,400 --> 01:05:46,200
Speaker 1: boom boom.

1320
01:05:46,240 --> 01:05:48,680
Speaker 2: That was perfect, And watching it back, I was like,

1321
01:05:48,800 --> 01:05:51,160
Speaker 2: this still holds up very well to me. I also

1322
01:05:51,440 --> 01:05:55,360
Speaker 2: really liked the bonding moment that Dom and Brian have.

1323
01:05:55,440 --> 01:06:00,200
Speaker 2: They're having a heart to heart about Brian's intentions with

1324
01:06:00,360 --> 01:06:03,880
Speaker 2: Mia yep, and Dom tells him you break her heart,

1325
01:06:03,920 --> 01:06:08,680
Speaker 2: I'll break your neck. Now let's go see my car.

1326
01:06:11,760 --> 01:06:14,760
Speaker 2: The two most important things to Dom right there, family

1327
01:06:14,840 --> 01:06:18,240
Speaker 2: and looking at this sweet ass ride. He also gives

1328
01:06:18,440 --> 01:06:22,360
Speaker 2: another great monologue, telling Brian about his dad and how

1329
01:06:22,400 --> 01:06:24,520
Speaker 2: his dad built this car way back in the day.

1330
01:06:24,800 --> 01:06:29,320
Speaker 2: He's never raced it, and explains to Brian how he

1331
01:06:29,480 --> 01:06:31,800
Speaker 2: ended up in jail. So we're getting a little bit

1332
01:06:31,800 --> 01:06:34,520
Speaker 2: of softening there, right, Like, yeah, Dom had to go

1333
01:06:34,560 --> 01:06:36,160
Speaker 2: to jail, but he did it because he saw the

1334
01:06:36,200 --> 01:06:40,480
Speaker 2: guy who spun his dad out, I guess, and caused

1335
01:06:40,480 --> 01:06:42,760
Speaker 2: the crash that ended up taking his dad's life. And

1336
01:06:42,800 --> 01:06:45,240
Speaker 2: that's where you get the classic line from Dom, I

1337
01:06:45,320 --> 01:06:47,400
Speaker 2: live my life a quarter mile at a time. For

1338
01:06:47,440 --> 01:06:51,360
Speaker 2: those ten seconds or less, I'm free. The guy's racked

1339
01:06:51,360 --> 01:06:54,959
Speaker 2: with guilt out here, man, he's just racing to race

1340
01:06:55,040 --> 01:06:57,440
Speaker 2: the demons. I thought it was great. I think that's

1341
01:06:57,480 --> 01:06:58,919
Speaker 2: a great scene for Vin as well.

1342
01:06:59,080 --> 01:07:01,240
Speaker 1: Hey, maybe that'll makes sense that quote.

1343
01:07:01,600 --> 01:07:03,560
Speaker 4: He maybe did think he was going back to jail

1344
01:07:03,600 --> 01:07:05,960
Speaker 4: at the end with Brian and hey, one more race,

1345
01:07:06,040 --> 01:07:07,440
Speaker 4: one more ten seconds of freedom.

1346
01:07:07,840 --> 01:07:10,280
Speaker 1: There we go, the only time I'm free. Oh wow, Wow,

1347
01:07:10,320 --> 01:07:13,640
Speaker 1: this is deep. JD scene car quote, what's your favorite part?

1348
01:07:14,600 --> 01:07:18,760
Speaker 3: My favorite? My favorite scene is the first race, for sure.

1349
01:07:18,800 --> 01:07:22,720
Speaker 3: I've already gone into that. My favorite My favorite car

1350
01:07:22,800 --> 01:07:26,240
Speaker 3: is Dom's RX seven. I think I like juiceater a

1351
01:07:26,240 --> 01:07:30,680
Speaker 3: little sexy, a little you know, it gets you from

1352
01:07:30,720 --> 01:07:33,520
Speaker 3: A to B very nicely, and I'm with a little

1353
01:07:33,560 --> 01:07:37,600
Speaker 3: bit of nitrous ox I get you there even quicker. Yeah.

1354
01:07:37,640 --> 01:07:39,920
Speaker 3: And I think my favorite quote is that that whole

1355
01:07:40,720 --> 01:07:44,560
Speaker 3: the whole scene with the Hey what was that all about?

1356
01:07:44,880 --> 01:07:46,800
Speaker 3: I'll tell you later that that whole thing.

1357
01:07:46,720 --> 01:07:48,640
Speaker 1: I just so funny.

1358
01:07:49,760 --> 01:07:51,960
Speaker 4: My favorite scene, and I don't think it's a scene

1359
01:07:52,000 --> 01:07:54,000
Speaker 4: we've actually touched about here. I didn't have in the recap.

1360
01:07:54,800 --> 01:07:58,760
Speaker 4: The the I guess call it barbecue picnic dinner scene.

1361
01:07:59,240 --> 01:08:01,040
Speaker 1: There's a lock on in this scene.

1362
01:08:01,840 --> 01:08:08,360
Speaker 4: First off, we see somebody playing basketball side of a wall.

1363
01:08:08,360 --> 01:08:10,840
Speaker 4: It's like no backboard or anything. It's like I had

1364
01:08:10,880 --> 01:08:13,560
Speaker 4: that at my grandparents farm, just a rim attached to

1365
01:08:13,600 --> 01:08:15,880
Speaker 4: the side of the barn, like I was Larry Bird

1366
01:08:16,000 --> 01:08:16,400
Speaker 4: or something.

1367
01:08:16,760 --> 01:08:18,439
Speaker 1: But they had that too. And you see, I don't

1368
01:08:18,479 --> 01:08:20,240
Speaker 1: know who it is. I may have been Leon.

1369
01:08:20,360 --> 01:08:22,719
Speaker 4: Get a shot up. You see it in the background

1370
01:08:22,800 --> 01:08:25,600
Speaker 4: really quick. But anyway, that whole the whole scene. You

1371
01:08:25,640 --> 01:08:28,240
Speaker 4: get Jesse saying grace, which.

1372
01:08:28,080 --> 01:08:31,240
Speaker 3: Is as a punishment. Yeah, going for the first chicken. Yeah,

1373
01:08:31,400 --> 01:08:32,240
Speaker 3: first chicken.

1374
01:08:32,520 --> 01:08:35,120
Speaker 1: Yeah, you really get them father figure, you.

1375
01:08:35,120 --> 01:08:38,160
Speaker 4: Know, head of the table's he's he's making sure everybody's

1376
01:08:38,200 --> 01:08:40,639
Speaker 4: in the right place and and we're following the rules here.

1377
01:08:40,680 --> 01:08:43,840
Speaker 4: And then that's the scene where Vince returns too because

1378
01:08:43,840 --> 01:08:46,640
Speaker 4: he's hungry.

1379
01:08:45,840 --> 01:08:51,200
Speaker 1: He leaves right away, right, Brian, I'm out here.

1380
01:08:51,600 --> 01:08:54,840
Speaker 2: I don't worry about him. Guy loves chicken to be back.

1381
01:08:57,080 --> 01:08:59,479
Speaker 1: And he and uh I love he gives a little

1382
01:08:59,560 --> 01:09:02,240
Speaker 1: kiss to Dom's head when he comes back. I'm so

1383
01:09:02,400 --> 01:09:05,040
Speaker 1: damn sweet. So I love that entire scene.

1384
01:09:05,840 --> 01:09:09,479
Speaker 4: My favorite car it's it's actually probably just one of

1385
01:09:09,479 --> 01:09:11,800
Speaker 4: the ones that Brian drives. I liked both his cars

1386
01:09:11,800 --> 01:09:13,680
Speaker 4: in this movie, that green one he's got early on,

1387
01:09:13,760 --> 01:09:16,559
Speaker 4: and then the whatever we're calling it neon orange one

1388
01:09:17,000 --> 01:09:18,519
Speaker 4: late that he ends up giving to Dom. I like

1389
01:09:18,560 --> 01:09:24,080
Speaker 4: those ones. Favorite quote I got too, I laughed so up.

1390
01:09:24,240 --> 01:09:26,839
Speaker 4: Keep in mind, guys, I've never seen any of these movies.

1391
01:09:26,920 --> 01:09:29,400
Speaker 4: And within the first five minutes a guy is yelling,

1392
01:09:29,560 --> 01:09:30,719
Speaker 4: what's up with this fool?

1393
01:09:30,760 --> 01:09:33,080
Speaker 1: What is he sandwich crazy?

1394
01:09:34,720 --> 01:09:37,519
Speaker 4: Like Vince's yelling is at Brian because of the whole

1395
01:09:37,520 --> 01:09:40,200
Speaker 4: tune of sandwich thing that we went over one on line, what.

1396
01:09:40,360 --> 01:09:42,280
Speaker 1: Is he sandwich crazy?

1397
01:09:43,160 --> 01:09:48,479
Speaker 4: It's amazing, dom Dom as Trey has already taken us

1398
01:09:48,479 --> 01:09:50,479
Speaker 4: through a lot of great lines of this but one

1399
01:09:50,520 --> 01:09:52,240
Speaker 4: you haven't brought up. I don't even remember when he

1400
01:09:52,280 --> 01:09:54,519
Speaker 4: says it in the movie, but he says, you want

1401
01:09:54,600 --> 01:09:56,560
Speaker 4: Time by the magazine.

1402
01:09:57,080 --> 01:10:06,519
Speaker 1: We don't have a line. Oh, oh my goodness.

1403
01:10:07,479 --> 01:10:08,920
Speaker 4: It would have been great if he was reading a

1404
01:10:09,000 --> 01:10:11,840
Speaker 4: Time magazine in the uh in the market early in

1405
01:10:11,880 --> 01:10:13,479
Speaker 4: the movie, but he's reading a paper that would have

1406
01:10:13,479 --> 01:10:14,840
Speaker 4: been actually very very funny.

1407
01:10:15,160 --> 01:10:15,559
Speaker 1: Uh.

1408
01:10:15,720 --> 01:10:17,680
Speaker 4: Speaking of that, I just want to slip it in here.

1409
01:10:18,000 --> 01:10:22,120
Speaker 4: Favorite product placement in this movie. Okay, we don't see

1410
01:10:22,160 --> 01:10:24,479
Speaker 4: a Time magazine, but I'm gonna give you four. You

1411
01:10:24,520 --> 01:10:30,320
Speaker 4: tell me your favorite tray. The tiny Panasonic TVs generally

1412
01:10:30,400 --> 01:10:32,519
Speaker 4: like the crux of this movie. Oh my god, we

1413
01:10:32,600 --> 01:10:35,400
Speaker 4: got to stop these guys from stealing these little TVs,

1414
01:10:35,439 --> 01:10:36,719
Speaker 4: seventeen inch TVs.

1415
01:10:36,760 --> 01:10:37,200
Speaker 2: I'm sure.

1416
01:10:37,640 --> 01:10:42,320
Speaker 4: Uh, pizza hut, Dude, who's just trying to deliver a pizza?

1417
01:10:42,400 --> 01:10:47,559
Speaker 1: It's the director, that's him. Really, Yeah, goddamn street racearchy.

1418
01:10:47,800 --> 01:10:49,280
Speaker 1: But we see that it's pizza hut.

1419
01:10:49,320 --> 01:10:51,640
Speaker 4: I mean it's you know, slapped on top of his

1420
01:10:51,640 --> 01:10:52,439
Speaker 4: card a little light there.

1421
01:10:52,600 --> 01:10:53,040
Speaker 1: Uh.

1422
01:10:53,520 --> 01:10:57,760
Speaker 4: The corona, which I I even I know becomes a

1423
01:10:57,800 --> 01:11:00,000
Speaker 4: thing I guess in this movie, which I I think

1424
01:11:00,080 --> 01:11:01,880
Speaker 4: it's so funny. And next time we do one of these,

1425
01:11:01,880 --> 01:11:04,679
Speaker 4: I will be drinking a corona. Yeah, I feel bad

1426
01:11:04,720 --> 01:11:07,799
Speaker 4: I don't have one here. And then from my fourth

1427
01:11:07,800 --> 01:11:14,599
Speaker 4: one here the snapple out of nowhere. That snapple comes.

1428
01:11:14,439 --> 01:11:17,600
Speaker 1: From j D. I rewound it like three times. I

1429
01:11:17,680 --> 01:11:22,840
Speaker 1: was like, Brian is drinking a beer and then hold on,

1430
01:11:22,880 --> 01:11:24,240
Speaker 1: does he have the snapple.

1431
01:11:23,840 --> 01:11:26,799
Speaker 3: In his hand? He offers her a drink?

1432
01:11:27,040 --> 01:11:27,200
Speaker 5: Right?

1433
01:11:27,280 --> 01:11:29,960
Speaker 3: They they go away? D they go away from the

1434
01:11:30,000 --> 01:11:32,960
Speaker 3: confrontation with Vince, they're in another room. He says to

1435
01:11:33,000 --> 01:11:36,400
Speaker 3: her something like, what can I get to something to drink?

1436
01:11:36,439 --> 01:11:39,320
Speaker 3: And she said, I don't care anything anything that's cold,

1437
01:11:39,640 --> 01:11:41,360
Speaker 3: and he comes back with a snapple.

1438
01:11:41,160 --> 01:11:44,360
Speaker 4: Right, okay, okay, so that's how it looks. It's okay, yeah, okay,

1439
01:11:44,360 --> 01:11:45,840
Speaker 4: that makes a little bit more sense.

1440
01:11:45,920 --> 01:11:48,680
Speaker 1: But yeah, that is that was hilarious.

1441
01:11:48,720 --> 01:11:52,439
Speaker 4: So of those four Panasonic TVs, Pizza Hut, Corona or

1442
01:11:52,479 --> 01:11:55,400
Speaker 4: Snapple tray, what was your favorite product placement in this

1443
01:11:55,439 --> 01:11:57,360
Speaker 4: first movie or is there one I'm even forgetting?

1444
01:11:58,240 --> 01:12:02,920
Speaker 2: I mean, the snapple is an underground favorite I feel

1445
01:12:02,920 --> 01:12:05,880
Speaker 2: like right now for because I noticed it too, Like

1446
01:12:05,920 --> 01:12:09,280
Speaker 2: when you see somebody drinking a snapple, So it just

1447
01:12:09,320 --> 01:12:11,800
Speaker 2: stands out Like now that you mentioned that Dom is

1448
01:12:11,800 --> 01:12:13,680
Speaker 2: supposed to be twenty four, is that supposed to Like

1449
01:12:14,200 --> 01:12:16,920
Speaker 2: does that mean that Mia is under twenty one? Are

1450
01:12:16,960 --> 01:12:20,519
Speaker 2: they giving her a because she's not legally allowed to

1451
01:12:20,640 --> 01:12:21,440
Speaker 2: have a Corona?

1452
01:12:22,120 --> 01:12:22,639
Speaker 1: Very weird?

1453
01:12:23,080 --> 01:12:25,519
Speaker 2: But I do like the line you can have any

1454
01:12:25,560 --> 01:12:28,320
Speaker 2: beer you want as long as it's a Corona. Great line.

1455
01:12:28,360 --> 01:12:30,360
Speaker 2: I forgot that that came in the first movie. I

1456
01:12:30,360 --> 01:12:32,920
Speaker 2: think it's great. Uh, it's that house party scene where

1457
01:12:33,000 --> 01:12:35,400
Speaker 2: Vince is there just wailing on a guitar.

1458
01:12:35,600 --> 01:12:35,760
Speaker 1: Yeah.

1459
01:12:35,840 --> 01:12:42,599
Speaker 2: Yeah, cool, I'm just gonna play it, just gonna play

1460
01:12:42,640 --> 01:12:44,080
Speaker 2: along to the tunes here.

1461
01:12:44,560 --> 01:12:46,960
Speaker 4: Oh well, you know what that makes it even sadder

1462
01:12:47,000 --> 01:12:49,679
Speaker 4: that he may have lost his arm in the final scene.

1463
01:12:49,680 --> 01:12:53,280
Speaker 2: Oh yeah, Jesus will never be able to pick the

1464
01:12:53,320 --> 01:12:56,400
Speaker 2: same way again. But just a great way of putting

1465
01:12:56,479 --> 01:12:59,000
Speaker 2: Vince in his place. Dom rounds up all the beers

1466
01:12:59,080 --> 01:13:01,400
Speaker 2: gives him to Brian for his choice of which one

1467
01:13:01,400 --> 01:13:04,599
Speaker 2: of these already somebody drank from beers do you want

1468
01:13:04,600 --> 01:13:06,719
Speaker 2: to drink from? He chooses Vince.

1469
01:13:08,400 --> 01:13:11,200
Speaker 1: It's amazing. Uh yeah, JD. Do you have a favorite

1470
01:13:11,320 --> 01:13:12,360
Speaker 1: of those four product plays?

1471
01:13:12,400 --> 01:13:17,320
Speaker 3: Oh, it's definitely Corona. I I've never wanted a Corona

1472
01:13:17,400 --> 01:13:20,000
Speaker 3: so badly in my life. Watching this movie, man, I

1473
01:13:20,120 --> 01:13:23,719
Speaker 3: was like, damn, that looks good. It's going down good.

1474
01:13:23,800 --> 01:13:27,920
Speaker 3: Even Vince's it was taken away from him. Uh, and

1475
01:13:28,200 --> 01:13:30,920
Speaker 3: I would I wouldn't even bother wiping it off the

1476
01:13:30,920 --> 01:13:35,640
Speaker 3: way Brian did he wiped off. Yeah that they I

1477
01:13:36,200 --> 01:13:40,040
Speaker 3: love that. I love that. I want to keep wanting

1478
01:13:40,080 --> 01:13:46,840
Speaker 3: to call him Vin. It's dom. Dom confiscates the Corona

1479
01:13:47,040 --> 01:13:51,720
Speaker 3: from Vince. Clearly there's an unlimited supply of corona in

1480
01:13:51,760 --> 01:13:54,120
Speaker 3: that house, so what like, why are you so mad?

1481
01:13:54,200 --> 01:13:54,479
Speaker 1: Vince?

1482
01:13:54,520 --> 01:13:57,200
Speaker 3: And like, if I'm Brian, I'm like, can I just

1483
01:13:57,240 --> 01:13:59,959
Speaker 3: get a.

1484
01:14:00,560 --> 01:14:04,519
Speaker 1: Like did somebody lose the bottle opener? Like, uh, these ones?

1485
01:14:06,560 --> 01:14:09,320
Speaker 3: Apparently that corona line. I don't know if this is

1486
01:14:09,400 --> 01:14:11,760
Speaker 3: true because it doesn't seem like I know what you're

1487
01:14:11,760 --> 01:14:14,240
Speaker 3: gonna say, Henry Ford thing.

1488
01:14:14,520 --> 01:14:16,519
Speaker 1: Yeah, yeah, so share it sure for trade because this

1489
01:14:16,600 --> 01:14:17,559
Speaker 1: makes no sense.

1490
01:14:17,680 --> 01:14:20,880
Speaker 3: Yeah. So apparently Henry Ford once said to salespeople or

1491
01:14:21,200 --> 01:14:23,639
Speaker 3: or whatever, talking about the Model T or whatever, You're

1492
01:14:23,640 --> 01:14:26,800
Speaker 3: gonna have any color you want as long as it's black. Okay, right,

1493
01:14:26,880 --> 01:14:30,439
Speaker 3: So that's that. That's I think it's an urban legend

1494
01:14:30,479 --> 01:14:33,040
Speaker 3: or I don't know, because apparently the Model T was

1495
01:14:33,040 --> 01:14:36,439
Speaker 3: was available in several colors. But anyways, So, because it's

1496
01:14:36,479 --> 01:14:41,040
Speaker 3: a car movie, because it's a car movie, and it's uh,

1497
01:14:41,360 --> 01:14:44,840
Speaker 3: you know, and it's dom saying is it an homage

1498
01:14:44,880 --> 01:14:48,360
Speaker 3: to that line? It's such a stretch, I know, I know,

1499
01:14:49,160 --> 01:14:49,879
Speaker 3: but yeah.

1500
01:14:49,680 --> 01:14:51,400
Speaker 1: It makes it funnier actually if it is.

1501
01:14:51,920 --> 01:14:54,679
Speaker 3: Yeah, it's like a great Easter egg if they actually

1502
01:14:54,720 --> 01:14:57,120
Speaker 3: intended it. But I don't. I don't think they did,

1503
01:14:57,200 --> 01:15:00,600
Speaker 3: just just based on literally everything else that happens in

1504
01:15:00,640 --> 01:15:04,080
Speaker 3: the movie that wasn't all that well thought out in

1505
01:15:04,120 --> 01:15:04,719
Speaker 3: my opinion.

1506
01:15:04,840 --> 01:15:06,040
Speaker 1: Yeah, so I don't know though.

1507
01:15:06,040 --> 01:15:09,559
Speaker 2: In that scene, in that very scene, Dom also says

1508
01:15:09,600 --> 01:15:12,400
Speaker 2: to somebody who's I don't know, there's some people making out,

1509
01:15:12,479 --> 01:15:16,160
Speaker 2: and Dom says, take it upstairs. You can't detail a

1510
01:15:16,240 --> 01:15:21,000
Speaker 2: car with the cover on, Like I was just barfing everywhere,

1511
01:15:21,080 --> 01:15:24,080
Speaker 2: the least sexy thing of all time. But in that scene,

1512
01:15:24,120 --> 01:15:28,480
Speaker 2: it does feel like they're trying to like carify everything

1513
01:15:28,479 --> 01:15:30,679
Speaker 2: that could possibly come up. So maybe they are alluding

1514
01:15:30,680 --> 01:15:31,719
Speaker 2: to this Henry Ford quote.

1515
01:15:31,800 --> 01:15:33,120
Speaker 1: Yeah, maybe it's possible.

1516
01:15:33,160 --> 01:15:35,439
Speaker 4: Okay, Well, let's get to the furious part of the

1517
01:15:35,439 --> 01:15:39,040
Speaker 4: podcast here, dumbest scene or things you just hated? JD

1518
01:15:39,120 --> 01:15:41,720
Speaker 4: want you start here. What was your least favorite part

1519
01:15:41,760 --> 01:15:42,160
Speaker 4: of the movie.

1520
01:15:42,280 --> 01:15:44,040
Speaker 3: Well, we've talked a lot about it, but it's that

1521
01:15:44,120 --> 01:15:50,400
Speaker 3: party scene. I hated that scene with a passion, with

1522
01:15:51,200 --> 01:15:54,120
Speaker 3: so much fury in my life. This is the furious

1523
01:15:54,160 --> 01:15:58,880
Speaker 3: of the fast and furious. It really represents everything that's

1524
01:15:58,920 --> 01:16:02,799
Speaker 3: wrong with this movie, which is basically the movie feels

1525
01:16:02,840 --> 01:16:07,400
Speaker 3: like it's been written by like a thirteen year old

1526
01:16:07,400 --> 01:16:09,599
Speaker 3: boy who has just hit puberty and is trying to

1527
01:16:09,640 --> 01:16:13,400
Speaker 3: imagine what life could be like, you know, down the road.

1528
01:16:13,640 --> 01:16:16,200
Speaker 3: So you go into this party, which, by the way,

1529
01:16:16,400 --> 01:16:20,719
Speaker 3: has the most annoying song playing for almost four minutes.

1530
01:16:20,800 --> 01:16:22,360
Speaker 3: Oh yeah, almost four minutes.

1531
01:16:22,640 --> 01:16:23,400
Speaker 1: Nora said that too.

1532
01:16:23,439 --> 01:16:25,559
Speaker 4: She's like, this has been going the entire party scene

1533
01:16:25,600 --> 01:16:27,920
Speaker 4: and it's just like this weird little like loop.

1534
01:16:28,479 --> 01:16:34,960
Speaker 3: Yeah, oh totally. And then Vincent is like Vincus jamming

1535
01:16:35,000 --> 01:16:38,559
Speaker 3: along to it, and which was also made my hair

1536
01:16:38,640 --> 01:16:41,080
Speaker 3: stand on it. It was so corny. But the main

1537
01:16:41,160 --> 01:16:44,400
Speaker 3: problem with it is just this sort of have you

1538
01:16:44,439 --> 01:16:46,280
Speaker 3: ever been to a party like that? I've been to

1539
01:16:46,520 --> 01:16:49,720
Speaker 3: some pretty wild parties in my life, none of them

1540
01:16:49,720 --> 01:16:52,720
Speaker 3: are like that, Like it's just a teenage fantasy of

1541
01:16:52,720 --> 01:16:55,640
Speaker 3: what a party might be like if one day I

1542
01:16:55,720 --> 01:17:00,400
Speaker 3: get out there and meet some girlirles. And that's another

1543
01:17:00,479 --> 01:17:02,960
Speaker 3: main problem. And this is a problem with this movie,

1544
01:17:03,040 --> 01:17:05,559
Speaker 3: and I hope they improve on this is just how

1545
01:17:05,560 --> 01:17:08,759
Speaker 3: they treat women like they literally props.

1546
01:17:08,960 --> 01:17:09,120
Speaker 1: Yeah.

1547
01:17:09,160 --> 01:17:10,960
Speaker 3: I mean, you've got you walk in, you got the

1548
01:17:11,479 --> 01:17:14,280
Speaker 3: two girls making out cour and then you've got one

1549
01:17:14,320 --> 01:17:18,160
Speaker 3: of your lead characters is just in this Letty is

1550
01:17:18,200 --> 01:17:21,680
Speaker 3: on the floor playing video games is like ultimate fantasy

1551
01:17:21,840 --> 01:17:23,880
Speaker 3: for a thirteen year old boy to meet a girl

1552
01:17:23,960 --> 01:17:29,400
Speaker 3: like that. And at one point, Vince just pushes one

1553
01:17:29,400 --> 01:17:31,320
Speaker 3: of the girls out of the way. She's just dancing

1554
01:17:31,360 --> 01:17:34,640
Speaker 3: by herself, you know, and he literally just pushes her

1555
01:17:34,680 --> 01:17:36,640
Speaker 3: out of the way. Now she does give him the

1556
01:17:36,640 --> 01:17:41,479
Speaker 3: finger out of focus behind him, but that shit just

1557
01:17:41,720 --> 01:17:44,920
Speaker 3: bothered me. And like you said, and the part where

1558
01:17:45,479 --> 01:17:50,120
Speaker 3: where where this is not intentional, but it also sums

1559
01:17:50,120 --> 01:17:53,679
Speaker 3: it up as well, where where Vince or Vince fucking

1560
01:17:54,320 --> 01:17:59,559
Speaker 3: Dom he's talking to he's talking to Jesse there mouse

1561
01:18:00,120 --> 01:18:05,200
Speaker 3: saying take it upstairs, literally, take it upstairs. You can't

1562
01:18:05,240 --> 01:18:07,920
Speaker 3: detail a car without pulling the cover off or whatever.

1563
01:18:07,960 --> 01:18:11,960
Speaker 3: And it's just like, come on, guys, come on. Oh yeah,

1564
01:18:11,960 --> 01:18:14,120
Speaker 3: and there's this picture of this girl dancing here.

1565
01:18:14,520 --> 01:18:16,000
Speaker 1: It's just like so over the.

1566
01:18:15,960 --> 01:18:20,720
Speaker 3: Top and stupid. And it's like adults made this movie, adults,

1567
01:18:20,920 --> 01:18:21,920
Speaker 3: you know, and.

1568
01:18:22,080 --> 01:18:24,960
Speaker 1: They're making it four a bunch of fifteen and sixteen.

1569
01:18:24,640 --> 01:18:27,400
Speaker 3: After fair, I guess. But it didn't have to be

1570
01:18:27,520 --> 01:18:30,559
Speaker 3: that way, and it could have been so much more interesting.

1571
01:18:31,240 --> 01:18:34,080
Speaker 3: And yeah, so I had a big problem with that

1572
01:18:34,120 --> 01:18:34,679
Speaker 3: party scene.

1573
01:18:34,800 --> 01:18:37,719
Speaker 4: Yeah, and even just like all the racing scenes too,

1574
01:18:37,840 --> 01:18:39,920
Speaker 4: Like we have to get a glorified shot or two

1575
01:18:40,040 --> 01:18:44,839
Speaker 4: of some girl and basically wearing nothing, like every single

1576
01:18:44,880 --> 01:18:47,680
Speaker 4: time leaned up against a car, just getting out of

1577
01:18:47,680 --> 01:18:47,960
Speaker 4: a car.

1578
01:18:48,000 --> 01:18:49,519
Speaker 1: I mean it's every single shot.

1579
01:18:49,560 --> 01:18:51,479
Speaker 4: It feels at times like a well, it feels like

1580
01:18:51,520 --> 01:18:56,240
Speaker 4: a music video basically from the early two thousands. Okay, Trey,

1581
01:18:56,880 --> 01:18:58,559
Speaker 4: your least favorite scene, the thing that made you most

1582
01:18:58,600 --> 01:18:59,639
Speaker 4: furious from this movie.

1583
01:19:00,360 --> 01:19:04,799
Speaker 2: Race Wars a major disappointment. I mean, tough name choice

1584
01:19:05,400 --> 01:19:09,760
Speaker 2: to start with. Sure, Sure, I mean tough one. I

1585
01:19:09,800 --> 01:19:11,640
Speaker 2: don't know, I don't know. Maybe we want to rethink that,

1586
01:19:11,760 --> 01:19:13,879
Speaker 2: what if we ever run it back here in this series?

1587
01:19:14,360 --> 01:19:17,160
Speaker 2: But also the racing is super bogus in it. We

1588
01:19:17,240 --> 01:19:20,640
Speaker 2: got the first race, Letty versus some random guy for

1589
01:19:20,720 --> 01:19:24,360
Speaker 2: two thousand dollars. She dusts him easily with a hit

1590
01:19:24,400 --> 01:19:27,120
Speaker 2: of nos. Yeah, this guy showed up to Race Wars

1591
01:19:27,120 --> 01:19:30,200
Speaker 2: without nos. Yeah, it's like showing up with a horse.

1592
01:19:30,240 --> 01:19:34,160
Speaker 2: Come on, man, get serious out there. Ridiculous second race,

1593
01:19:34,560 --> 01:19:37,920
Speaker 2: Jesse versus Johnny Tran for a pink slip. I don't

1594
01:19:38,000 --> 01:19:42,240
Speaker 2: understand why Johnny Tran is racing the fifth driver from

1595
01:19:42,360 --> 01:19:45,839
Speaker 2: Dom's squad. I don't see why Tom isn't protecting his family.

1596
01:19:45,920 --> 01:19:48,639
Speaker 2: Surely he knows, he has to know. But at least

1597
01:19:48,760 --> 01:19:52,400
Speaker 2: Jesse has NOAs doesn't work out for him too soon, Junior,

1598
01:19:52,479 --> 01:19:55,840
Speaker 2: then he's gone. But a major disappointment because also throughout

1599
01:19:55,840 --> 01:19:58,800
Speaker 2: this race, where like Johnny Tran's like, I got something

1600
01:19:58,880 --> 01:20:02,240
Speaker 2: for you Dom at next month at Race Wars. You

1601
01:20:02,280 --> 01:20:06,519
Speaker 2: know we've got Dom threatening Brian. You drive for me.

1602
01:20:06,640 --> 01:20:08,519
Speaker 2: Now you're gonna be driving at Race Wars. We don't

1603
01:20:08,520 --> 01:20:11,360
Speaker 2: get to see Dom or Brian drive at this huge,

1604
01:20:11,520 --> 01:20:14,799
Speaker 2: massive thing to point, Yeah, we just got to see

1605
01:20:14,960 --> 01:20:18,519
Speaker 2: the number five go against the number one. That was weird.

1606
01:20:18,880 --> 01:20:21,120
Speaker 4: You're such a fancy gonna be a big event. Yeah,

1607
01:20:21,160 --> 01:20:23,560
Speaker 4: you're led to believe, like for a good trink of

1608
01:20:23,600 --> 01:20:25,120
Speaker 4: the movie. At a certain point you're like, oh, this

1609
01:20:25,200 --> 01:20:26,320
Speaker 4: is gonna be the.

1610
01:20:26,000 --> 01:20:28,160
Speaker 1: The ending of the movie. Is gonna happen at Race Wars,

1611
01:20:28,200 --> 01:20:30,439
Speaker 1: Like that's gonna be the climax of this movie. But

1612
01:20:30,439 --> 01:20:31,000
Speaker 1: you're you're right.

1613
01:20:31,040 --> 01:20:33,439
Speaker 4: It's sort of just then thrown in there and they

1614
01:20:33,479 --> 01:20:35,120
Speaker 4: have to literally throw it in there, like, man, we

1615
01:20:35,160 --> 01:20:36,560
Speaker 4: got to crack this case, but we got to do

1616
01:20:36,760 --> 01:20:37,120
Speaker 4: this first.

1617
01:20:37,160 --> 01:20:39,960
Speaker 1: So let's just go do it. That's that's a good one.

1618
01:20:41,080 --> 01:20:43,080
Speaker 4: My least favorite scene, I think it is the ending

1619
01:20:43,280 --> 01:20:46,439
Speaker 4: the dumb race to the train. I just don't the

1620
01:20:46,479 --> 01:20:49,040
Speaker 4: whole dream sequency vibes to It.

1621
01:20:49,080 --> 01:20:51,879
Speaker 1: Was like, okay, this is a little overboard.

1622
01:20:51,960 --> 01:20:53,439
Speaker 4: And I also didn't like the scene where I think

1623
01:20:53,439 --> 01:20:55,800
Speaker 4: it's Brian and Dom they're testing out the new car

1624
01:20:55,840 --> 01:20:58,720
Speaker 4: they've built, and we get the classic like pull up

1625
01:20:58,720 --> 01:21:01,639
Speaker 4: to the guy in the Ferrari who's got his trophy

1626
01:21:01,680 --> 01:21:03,760
Speaker 4: wife or his girlfriend beside him, and like, you know,

1627
01:21:03,880 --> 01:21:06,600
Speaker 4: he's like, well, this guy's paid this much money for

1628
01:21:06,640 --> 01:21:08,840
Speaker 4: his car, but we're gonna we're gonna kick his ass

1629
01:21:08,840 --> 01:21:12,280
Speaker 4: here when he hits green. It's just the most the

1630
01:21:12,400 --> 01:21:16,439
Speaker 4: most cliche yeah thing ever in a movie about cars.

1631
01:21:16,439 --> 01:21:17,920
Speaker 4: And they're like, we got to slip it in there.

1632
01:21:18,040 --> 01:21:20,479
Speaker 4: I was like, all right, there was really no no

1633
01:21:20,520 --> 01:21:23,920
Speaker 4: need for that. But overall, I actually sort of like

1634
01:21:24,000 --> 01:21:24,639
Speaker 4: this movie.

1635
01:21:25,479 --> 01:21:28,559
Speaker 2: I think that scene is very funny too, because they

1636
01:21:28,600 --> 01:21:31,800
Speaker 2: win easily. They win so easily they can just pull

1637
01:21:31,840 --> 01:21:34,559
Speaker 2: over to a shrimp shop and have a meal, but

1638
01:21:34,640 --> 01:21:38,040
Speaker 2: we see the Ferrari drive by, so this guy's just

1639
01:21:38,080 --> 01:21:42,120
Speaker 2: out driving in the desert with a significant other just

1640
01:21:42,120 --> 01:21:44,880
Speaker 2: got beaten his free raise that he's just like, all right,

1641
01:21:45,120 --> 01:21:46,760
Speaker 2: gotta carry on with their day. I guess we're gonna

1642
01:21:46,760 --> 01:21:50,080
Speaker 2: get groceries or whatever they're up to. Very weird, very

1643
01:21:50,080 --> 01:21:51,200
Speaker 2: weird stuff, all right.

1644
01:21:51,280 --> 01:21:52,840
Speaker 1: Our next segment here we're gonna try out.

1645
01:21:52,880 --> 01:21:56,599
Speaker 4: It's called me Familia, and this is where we each

1646
01:21:56,600 --> 01:22:00,160
Speaker 4: show each fast friends. We turned to someone in our

1647
01:22:00,200 --> 01:22:04,599
Speaker 4: actual families, probably will be our wives, either Laura, Rachel

1648
01:22:04,760 --> 01:22:07,720
Speaker 4: or Nora, and either we take a question from them

1649
01:22:07,880 --> 01:22:09,760
Speaker 4: or an observation. And I thought I would get it

1650
01:22:09,800 --> 01:22:11,920
Speaker 4: started because Nora did watch this with me. Now she

1651
01:22:11,960 --> 01:22:15,040
Speaker 4: had seen it before. And a spoiler, I think Nora

1652
01:22:15,120 --> 01:22:19,519
Speaker 4: went to watch Fast and Furious. What number with you,

1653
01:22:19,640 --> 01:22:20,880
Speaker 4: Trey in a movie theater?

1654
01:22:21,120 --> 01:22:21,960
Speaker 1: And seven?

1655
01:22:22,080 --> 01:22:24,559
Speaker 2: Yeah, I gotta check the dates, but I think it's seven.

1656
01:22:24,680 --> 01:22:26,920
Speaker 1: So she's she's seen a lot of these.

1657
01:22:26,960 --> 01:22:28,400
Speaker 4: I don't know if she's seen all of them, but anyway,

1658
01:22:28,600 --> 01:22:32,640
Speaker 4: she wrote up this crazy I guess observation.

1659
01:22:32,720 --> 01:22:34,599
Speaker 1: I'll call it. You said it there, Trey.

1660
01:22:34,880 --> 01:22:38,120
Speaker 4: After that race against the Ferrari dude, we get Brian

1661
01:22:38,160 --> 01:22:40,519
Speaker 4: and Dom and they end up at a plate at

1662
01:22:40,520 --> 01:22:44,920
Speaker 4: a place called Neptune's Net, which is a real restaurant,

1663
01:22:45,439 --> 01:22:50,920
Speaker 4: and Nora said, that's the place that Jack proposed.

1664
01:22:50,479 --> 01:22:57,920
Speaker 1: To Brittany on and it is Sarah on per Is.

1665
01:22:57,960 --> 01:23:00,519
Speaker 4: They went to Neptune's Net and that is where he

1666
01:23:00,640 --> 01:23:03,160
Speaker 4: like sprung the question on her and had the ring

1667
01:23:03,560 --> 01:23:05,240
Speaker 4: and like you can check out, like I think it's

1668
01:23:05,240 --> 01:23:07,840
Speaker 4: her Instagram account and sure enough it definitely I think

1669
01:23:07,880 --> 01:23:10,760
Speaker 4: she's even like location tagged at Neptune's Net.

1670
01:23:11,560 --> 01:23:12,360
Speaker 1: That's the same place.

1671
01:23:12,960 --> 01:23:15,320
Speaker 2: So that's a real place that I need to visit, yes,

1672
01:23:15,360 --> 01:23:18,560
Speaker 2: you said, I mean it's got fast and furious heritage

1673
01:23:18,600 --> 01:23:23,280
Speaker 2: and heritage incredible. It looks like an amazing location too.

1674
01:23:23,320 --> 01:23:25,360
Speaker 4: It looks like right on the water, like right across

1675
01:23:25,360 --> 01:23:27,600
Speaker 4: on the other side of the from I don't know

1676
01:23:27,600 --> 01:23:29,559
Speaker 4: if it's a beach or a cliff or something like that,

1677
01:23:29,600 --> 01:23:32,519
Speaker 4: but yeah, that's a little I like that lit for

1678
01:23:32,600 --> 01:23:32,960
Speaker 4: you there.

1679
01:23:33,120 --> 01:23:35,240
Speaker 3: And it just occurred to me that in Point Break

1680
01:23:36,640 --> 01:23:39,240
Speaker 3: there's a shrimp place because they go for shrimp there, right.

1681
01:23:40,040 --> 01:23:41,920
Speaker 1: Yeah, there's really somebody's any shrimp at one.

1682
01:23:42,080 --> 01:23:45,720
Speaker 3: Yeah, So then there's a U Kata Reeves goes to

1683
01:23:45,920 --> 01:23:50,000
Speaker 3: pick up. He infiltrates the surfers by going through this

1684
01:23:50,080 --> 01:23:53,439
Speaker 3: girl who works at a shrimp restaurant. I'm just wondering

1685
01:23:53,479 --> 01:23:55,240
Speaker 3: if it's the same place, because it's right on the

1686
01:23:55,280 --> 01:23:58,920
Speaker 3: water as well. That'd be crazy, that would be crazy.

1687
01:24:00,080 --> 01:24:02,880
Speaker 3: Next level, man, it is it is the same place.

1688
01:24:03,640 --> 01:24:08,240
Speaker 3: No looks Neptune's Net. At least according to Wikipedia. We're

1689
01:24:08,240 --> 01:24:09,800
Speaker 3: gonna have to go one hundred percent into this.

1690
01:24:10,479 --> 01:24:15,640
Speaker 2: Uh, it's all there, buddy, losing it point break the

1691
01:24:15,680 --> 01:24:16,559
Speaker 2: Fast and the Furious.

1692
01:24:16,600 --> 01:24:17,880
Speaker 1: The Hills down is girl.

1693
01:24:17,960 --> 01:24:21,280
Speaker 2: People like us iron Man three gta.

1694
01:24:20,960 --> 01:24:24,439
Speaker 3: Fo Yeah, Oh my goodness, Okay, we gotta go, guys,

1695
01:24:24,479 --> 01:24:25,759
Speaker 3: we gotta go. Wow.

1696
01:24:25,960 --> 01:24:26,200
Speaker 1: Wow.

1697
01:24:26,320 --> 01:24:28,760
Speaker 4: Once we finish this series Fast Friends and we do

1698
01:24:28,840 --> 01:24:31,439
Speaker 4: all of our podcasts, we'll do a live show at

1699
01:24:31,479 --> 01:24:34,080
Speaker 4: Neptune's Net and this becomes a big hit.

1700
01:24:34,960 --> 01:24:37,000
Speaker 1: Okay, let's we'll start wrapping this up here.

1701
01:24:37,040 --> 01:24:40,680
Speaker 4: Any other random observations like that one from Nora or

1702
01:24:40,840 --> 01:24:43,479
Speaker 4: notes that you wanted to slip in that we haven't addressed.

1703
01:24:43,760 --> 01:24:45,240
Speaker 1: TK, You got anything, Yeah.

1704
01:24:45,320 --> 01:24:48,479
Speaker 2: Laura's takeaway from this was that Vince should have died

1705
01:24:48,520 --> 01:24:51,680
Speaker 2: and Jesse should have lived. I was like, I one

1706
01:24:51,720 --> 01:24:54,200
Speaker 2: hundred percent agree with you. Vince is brutal, You're but

1707
01:24:54,280 --> 01:24:56,680
Speaker 2: you're meant to hate him right away? He drops a

1708
01:24:56,720 --> 01:24:59,160
Speaker 2: hard f in the first ten minutes. He says some

1709
01:24:59,200 --> 01:25:03,680
Speaker 2: other messie shit later on here the guy brings a

1710
01:25:03,680 --> 01:25:07,160
Speaker 2: guitar to a party. He's wearing layered tank tops. He's

1711
01:25:07,240 --> 01:25:09,120
Speaker 2: right about Brian, but he seems to be wrong about

1712
01:25:09,160 --> 01:25:12,639
Speaker 2: like literally everything else. Like we said, you're rooting for Jesse.

1713
01:25:12,760 --> 01:25:15,000
Speaker 2: But that's kind of exactly why it had to go

1714
01:25:15,040 --> 01:25:17,200
Speaker 2: down the way it did, right, Like you had to

1715
01:25:17,479 --> 01:25:19,960
Speaker 2: Brian had to say Vince, because if they'll say this

1716
01:25:20,040 --> 01:25:22,960
Speaker 2: piece of shit, clearly he must be a family and

1717
01:25:23,040 --> 01:25:26,920
Speaker 2: Jesse had to die because everybody likes Jesse, gets Brian

1718
01:25:27,000 --> 01:25:29,599
Speaker 2: and Dom something else to bond about. But I mean,

1719
01:25:29,840 --> 01:25:32,799
Speaker 2: in real life, yeah, you would much rather see Vince

1720
01:25:33,600 --> 01:25:35,599
Speaker 2: take one of those shots. Take one of those shots

1721
01:25:35,640 --> 01:25:36,880
Speaker 2: when he's stuck on the front of the set.

1722
01:25:39,560 --> 01:25:41,200
Speaker 1: Vince actually a.

1723
01:25:41,200 --> 01:25:44,880
Speaker 4: Lot of offense, Vince jd Any final notes here.

1724
01:25:45,160 --> 01:25:50,639
Speaker 3: Yeah, but Jackson pointed out immediately when Brian is hanging

1725
01:25:50,720 --> 01:25:53,280
Speaker 3: on the end of on the truck, on the outside

1726
01:25:53,320 --> 01:25:57,519
Speaker 3: of the truck, you can clearly see the harness holding

1727
01:25:57,640 --> 01:26:00,320
Speaker 3: him onto the truck. I mean, my godess, of course

1728
01:26:00,320 --> 01:26:02,040
Speaker 3: they're going to do it. They're going to you know,

1729
01:26:02,120 --> 01:26:04,960
Speaker 3: I'm glad that the safety first and all that, But

1730
01:26:05,000 --> 01:26:07,120
Speaker 3: it's just this kind of stuff when it happens in

1731
01:26:07,200 --> 01:26:10,200
Speaker 3: movies and it's pointed out, you can not unsee it,

1732
01:26:10,280 --> 01:26:12,559
Speaker 3: like so the next time you watch it that that

1733
01:26:12,640 --> 01:26:14,960
Speaker 3: will be the only thing you'll be able to see.

1734
01:26:15,280 --> 01:26:17,760
Speaker 3: And it's just crazy that they made no attempt at

1735
01:26:17,760 --> 01:26:21,439
Speaker 3: all to hide it at all. But that said, I

1736
01:26:21,479 --> 01:26:24,840
Speaker 3: didn't notice it until Jackson pointed it out. So it's

1737
01:26:24,920 --> 01:26:28,799
Speaker 3: just when you're like lost in the the moment of

1738
01:26:28,800 --> 01:26:31,760
Speaker 3: of something, you know, you don't see the wires. You

1739
01:26:31,760 --> 01:26:33,479
Speaker 3: don't want to see the wires, so you don't. You

1740
01:26:33,560 --> 01:26:34,639
Speaker 3: just don't see the wires.

1741
01:26:34,680 --> 01:26:37,519
Speaker 4: So I also think it looks enough like it could

1742
01:26:37,560 --> 01:26:42,000
Speaker 4: be the harpoon wire that your mind just goes. Maybe

1743
01:26:42,000 --> 01:26:43,840
Speaker 4: it's like it doesn't make any sense because I see

1744
01:26:43,920 --> 01:26:45,800
Speaker 4: Vince on the far right there, like that's where he's

1745
01:26:45,840 --> 01:26:46,840
Speaker 4: all caught up.

1746
01:26:46,880 --> 01:26:48,080
Speaker 1: But you know, is that.

1747
01:26:48,120 --> 01:26:50,960
Speaker 4: Even Paul Walker, I mean, doesn't look like I just

1748
01:26:50,960 --> 01:26:54,840
Speaker 4: gotta be Yeah, it looks like.

1749
01:26:54,840 --> 01:26:56,360
Speaker 1: Dylan McKay like somehow.

1750
01:26:58,520 --> 01:27:02,920
Speaker 4: Well, actually, speaking of that, I had a really random observation. Again,

1751
01:27:03,000 --> 01:27:07,000
Speaker 4: I've never seen these movies, I know. Unfortunately, of course,

1752
01:27:07,040 --> 01:27:10,599
Speaker 4: what happens to Paul Walker in real life. But in

1753
01:27:10,640 --> 01:27:14,719
Speaker 4: the movie, I'm watching this, going who does he remind

1754
01:27:14,760 --> 01:27:17,320
Speaker 4: me of? Like, who does his character Brian remind me of,

1755
01:27:17,400 --> 01:27:21,160
Speaker 4: like just his appearance, And there's definitely a Canna Reeves

1756
01:27:21,400 --> 01:27:22,519
Speaker 4: vibe to him from point break.

1757
01:27:22,600 --> 01:27:24,480
Speaker 1: I mean, he's sort of doing an impersonation.

1758
01:27:24,960 --> 01:27:28,479
Speaker 4: There is actually a little like oddly like Dylan McKay

1759
01:27:28,520 --> 01:27:29,840
Speaker 4: like vibes from nine to two and zero.

1760
01:27:29,880 --> 01:27:31,519
Speaker 1: But I was like, where is it? Where is it?

1761
01:27:31,560 --> 01:27:32,040
Speaker 1: Why am I?

1762
01:27:32,120 --> 01:27:32,240
Speaker 2: Like?

1763
01:27:32,680 --> 01:27:35,400
Speaker 4: I just kept picturing a kid that I thought maybe

1764
01:27:35,520 --> 01:27:39,160
Speaker 4: had turned in to Paul Walker in this movie, and

1765
01:27:39,200 --> 01:27:41,960
Speaker 4: I finally hit me, like halfway through. One of my

1766
01:27:42,000 --> 01:27:46,519
Speaker 4: favorite movies of all time is The Wizard starring Fred

1767
01:27:46,560 --> 01:27:51,400
Speaker 4: Savage and the enemy. The nemesis in that movie is

1768
01:27:51,400 --> 01:27:54,679
Speaker 4: a kid called Lucas who has the power glove.

1769
01:27:55,280 --> 01:27:57,800
Speaker 1: The power Glove It's bad.

1770
01:27:58,080 --> 01:28:01,760
Speaker 4: That is an iconic character from my youth. And and JD,

1771
01:28:01,840 --> 01:28:03,160
Speaker 4: I don't know if you have the photos, we can

1772
01:28:03,200 --> 01:28:05,719
Speaker 4: put up one and then the other. I kept thinking

1773
01:28:05,880 --> 01:28:10,519
Speaker 4: Lucas from The Wizard maybe one day turned in to

1774
01:28:10,640 --> 01:28:12,720
Speaker 4: Paul Walker and they're like they're they're they're both just

1775
01:28:12,880 --> 01:28:17,040
Speaker 4: cool as shit too. M uh, and I just and

1776
01:28:17,040 --> 01:28:19,040
Speaker 4: then I couldn't. I just it just stuck with me

1777
01:28:19,080 --> 01:28:20,240
Speaker 4: the rest of the movie. I was like, Wow, this

1778
01:28:20,280 --> 01:28:23,880
Speaker 4: would be amazing if Lucas the Power Glove Kid turned

1779
01:28:23,880 --> 01:28:28,040
Speaker 4: into Brian the officer in Fast doesn't have a.

1780
01:28:28,040 --> 01:28:29,320
Speaker 1: Little bit of a similar look.

1781
01:28:29,680 --> 01:28:33,599
Speaker 2: Yeah, like you know, like the flowing, curly blonde.

1782
01:28:33,280 --> 01:28:36,720
Speaker 1: Yeah, and that that like icy like stare, like, hm,

1783
01:28:37,360 --> 01:28:39,120
Speaker 1: you know, so I couldn't shake it.

1784
01:28:39,680 --> 01:28:43,960
Speaker 4: I'm now I'm I'm inserting it into canon that Brian

1785
01:28:44,200 --> 01:28:48,559
Speaker 4: from Fast and Furious actually was Lucas from The Wizard,

1786
01:28:48,960 --> 01:28:52,040
Speaker 4: which Timeline, don't worry, I mean works out. It's almost

1787
01:28:52,120 --> 01:28:53,880
Speaker 4: doesn't work out at all, because I guess The Wizard

1788
01:28:53,960 --> 01:28:56,880
Speaker 4: was way back in the eighties, right, maybe maybe it's

1789
01:28:56,880 --> 01:28:59,960
Speaker 4: an eighty seven, you know, then we're talking to the

1790
01:29:00,120 --> 01:29:02,080
Speaker 4: fourteen years. Yeah, I think Lucas is a little too

1791
01:29:02,200 --> 01:29:05,760
Speaker 4: uh too old looking. But anyway, I'm gonna run with that.

1792
01:29:05,800 --> 01:29:07,559
Speaker 4: I couldn't shake it. So I don't know if I'm

1793
01:29:07,600 --> 01:29:08,880
Speaker 4: the ever I don't know if I'm the first person

1794
01:29:08,880 --> 01:29:10,040
Speaker 4: ever bring that up. I don't know if the Internet

1795
01:29:10,040 --> 01:29:13,080
Speaker 4: has already thought that through. By man, I'm like, that's cool.

1796
01:29:13,640 --> 01:29:16,600
Speaker 4: Brian is Lucas like you met, and that's why he

1797
01:29:16,600 --> 01:29:18,760
Speaker 4: knows about computers in his car and stuff like that.

1798
01:29:18,760 --> 01:29:21,040
Speaker 1: He's a little vide check. Yeah.

1799
01:29:21,160 --> 01:29:25,120
Speaker 4: Anyway, the only other notes I had that I wanted

1800
01:29:25,120 --> 01:29:27,839
Speaker 4: to slip in is Vin Diesel in real.

1801
01:29:27,680 --> 01:29:31,639
Speaker 1: Life a lefty? Because I think.

1802
01:29:31,479 --> 01:29:34,760
Speaker 4: He throws a punch in this and I'm pretty sure

1803
01:29:34,800 --> 01:29:37,840
Speaker 4: he throws a nice, mean left and I was like, huh,

1804
01:29:38,320 --> 01:29:39,000
Speaker 4: is he a lefty?

1805
01:29:39,600 --> 01:29:40,240
Speaker 1: I have to check that.

1806
01:29:40,560 --> 01:29:44,320
Speaker 4: Well, we'll have that answer, great question for the second episode.

1807
01:29:44,680 --> 01:29:46,720
Speaker 4: And otherwise that's that's all I have. I guess I

1808
01:29:46,760 --> 01:29:48,519
Speaker 4: do have one question for you, trade What is up

1809
01:29:48,520 --> 01:29:52,560
Speaker 4: with the post credit scene? Like does it pay off immediately?

1810
01:29:52,840 --> 01:29:54,800
Speaker 4: Like are we in Mexico for the second one?

1811
01:29:54,880 --> 01:29:55,760
Speaker 1: Like what goes on here?

1812
01:29:56,320 --> 01:30:00,360
Speaker 2: Well, that's the interesting thing, skeets because for the second movie,

1813
01:30:00,680 --> 01:30:03,120
Speaker 2: Welcome to Miami, Ben Benito a Miami.

1814
01:30:03,320 --> 01:30:04,480
Speaker 1: We're going to Miami.

1815
01:30:05,280 --> 01:30:09,880
Speaker 2: But like you're saying, Vin is in Mexico, How's gonna

1816
01:30:09,880 --> 01:30:10,719
Speaker 2: make his way to Miami?

1817
01:30:10,880 --> 01:30:11,200
Speaker 3: Hmmm?

1818
01:30:12,960 --> 01:30:13,240
Speaker 1: Does he?

1819
01:30:14,160 --> 01:30:14,479
Speaker 5: No?

1820
01:30:14,600 --> 01:30:18,680
Speaker 4: He doesn't, Buddy Tom want to spoil Tom is not

1821
01:30:18,880 --> 01:30:19,920
Speaker 4: in the second movie.

1822
01:30:19,960 --> 01:30:23,880
Speaker 2: We've got no dom In Fast and Furious two, Too Fast,

1823
01:30:24,040 --> 01:30:29,559
Speaker 2: Too Furious, apparently Vin Diesel wasn't a fan of the script,

1824
01:30:29,600 --> 01:30:31,160
Speaker 2: and he was kind of on top of the world

1825
01:30:31,280 --> 01:30:33,600
Speaker 2: Vin Diesel wise at this point, so he made the

1826
01:30:33,680 --> 01:30:37,280
Speaker 2: Chronicles of Riddick instead. Paul Walker puts the franchise on

1827
01:30:37,360 --> 01:30:40,160
Speaker 2: his back as Brian O'Connor. He's on the run, but

1828
01:30:40,240 --> 01:30:42,880
Speaker 2: he's got a new sidekick, a vital addition to the

1829
01:30:42,920 --> 01:30:46,559
Speaker 2: Fast diverse. His name is Roman Pierce Skeets. If you're

1830
01:30:46,560 --> 01:30:49,840
Speaker 2: feeling like a true sicko, there's a short film that

1831
01:30:49,920 --> 01:30:53,920
Speaker 2: comes out between between one and two movies one and

1832
01:30:53,960 --> 01:30:57,160
Speaker 2: two here. It's a six minute short. It's called the

1833
01:30:57,200 --> 01:31:02,200
Speaker 2: Turbo Charged Prelude for two Fast, Too Furious. It explains

1834
01:31:02,200 --> 01:31:05,240
Speaker 2: how Brian O'Connor gets to Miami in the first place.

1835
01:31:05,520 --> 01:31:08,240
Speaker 2: It's like six minutes long. You can find it on YouTube,

1836
01:31:08,960 --> 01:31:14,439
Speaker 2: and it is very, very weird, almost completely silent except

1837
01:31:14,479 --> 01:31:20,519
Speaker 2: for music and car sounds like doors opening and closing,

1838
01:31:20,960 --> 01:31:25,040
Speaker 2: engines grooming. I would say this one is not necessary

1839
01:31:25,120 --> 01:31:28,280
Speaker 2: to understand what happens, but uh yeah, a bit of

1840
01:31:28,280 --> 01:31:30,599
Speaker 2: a change up here in Too Fast, Too Furious.

1841
01:31:30,680 --> 01:31:32,840
Speaker 1: Oh my god, Oh Jae, did you know that Dom

1842
01:31:33,000 --> 01:31:34,080
Speaker 1: is not in the second movie?

1843
01:31:34,360 --> 01:31:37,120
Speaker 3: I did? I did know that it was a little

1844
01:31:37,120 --> 01:31:40,760
Speaker 3: spoiled for me because I looked, h I thought it

1845
01:31:40,800 --> 01:31:44,120
Speaker 3: was Triple X you went to make after But anyways,

1846
01:31:44,120 --> 01:31:47,599
Speaker 3: he didn't make Chronicles of Rinick and Pitch Black in

1847
01:31:47,600 --> 01:31:51,559
Speaker 3: that whole franch that's a whole other franchise. But but yeah,

1848
01:31:51,680 --> 01:31:55,120
Speaker 3: yeah I did know that. So Trey, my question is

1849
01:31:55,840 --> 01:31:58,680
Speaker 3: this short? Should we watch it? Should we if we

1850
01:31:58,760 --> 01:32:01,760
Speaker 3: choose to watch it, should we want actually before we

1851
01:32:01,800 --> 01:32:04,800
Speaker 3: watch Too Fast, Too Furious? Or is this something to

1852
01:32:04,840 --> 01:32:06,080
Speaker 3: watch afterwards?

1853
01:32:07,280 --> 01:32:10,599
Speaker 2: I mean, okay, so, like I said this, the second

1854
01:32:10,640 --> 01:32:13,559
Speaker 2: movie takes place in Miami for the most part, but

1855
01:32:14,439 --> 01:32:16,680
Speaker 2: as we saw in the first movie, they're in California.

1856
01:32:16,840 --> 01:32:20,760
Speaker 2: If you want to know how Brian O'Connor made it

1857
01:32:20,800 --> 01:32:24,559
Speaker 2: from California to the East Coast. But then, yeah, you're

1858
01:32:24,560 --> 01:32:29,519
Speaker 2: gonna want to watch the trailer the guy drove the way.

1859
01:32:32,160 --> 01:32:33,840
Speaker 2: If you want to find out how he gets the

1860
01:32:33,840 --> 01:32:38,040
Speaker 2: car that he's driving in Too Fast, Too Furious, you're

1861
01:32:38,040 --> 01:32:41,400
Speaker 2: gonna find out in this It is a non essential.

1862
01:32:41,840 --> 01:32:44,040
Speaker 3: Though I couldn't believe it.

1863
01:32:44,120 --> 01:32:45,000
Speaker 1: I'd never seen it.

1864
01:32:45,200 --> 01:32:48,800
Speaker 2: I watched it today just because I'm whatever, because this

1865
01:32:48,840 --> 01:32:51,519
Speaker 2: is it's so stupid. But I was like, I gotta

1866
01:32:51,520 --> 01:32:53,400
Speaker 2: see it. I can't believe I actually haven't seen this one.

1867
01:32:55,439 --> 01:32:57,519
Speaker 2: I didn't need it, Okay, I didn't need it. Well,

1868
01:32:57,880 --> 01:33:01,799
Speaker 2: I feel like we have to watch it. Yeah six minutes.

1869
01:33:01,960 --> 01:33:04,040
Speaker 4: Yeah, I mean this movie was like an hour forty

1870
01:33:04,080 --> 01:33:06,400
Speaker 4: five and we sat through it. We just talked about

1871
01:33:06,439 --> 01:33:08,719
Speaker 4: it for another basically hour forty five. We could watch

1872
01:33:08,720 --> 01:33:12,280
Speaker 4: a six minutes short to get Brian from California to Miami.

1873
01:33:13,160 --> 01:33:16,400
Speaker 4: I'm still flowercast that Dom's not in this. I'm I'll

1874
01:33:16,400 --> 01:33:17,000
Speaker 4: be honest.

1875
01:33:16,760 --> 01:33:17,559
Speaker 1: I'm a little worried.

1876
01:33:18,080 --> 01:33:18,240
Speaker 3: Yea.

1877
01:33:19,000 --> 01:33:21,559
Speaker 4: I of course know that Vin Diesel plays a part

1878
01:33:22,160 --> 01:33:26,320
Speaker 4: in the fest and Furious movie franchise in the universe,

1879
01:33:26,600 --> 01:33:30,800
Speaker 4: so I know he must come back. But now I

1880
01:33:30,800 --> 01:33:31,559
Speaker 4: got to find out.

1881
01:33:31,439 --> 01:33:32,560
Speaker 1: How long he's gone for it.

1882
01:33:32,960 --> 01:33:37,599
Speaker 2: Oh boy, things get weird because, like we mentioned earlier,

1883
01:33:37,640 --> 01:33:39,640
Speaker 2: like I don't think Fast and Furious was expected to

1884
01:33:39,640 --> 01:33:42,040
Speaker 2: be a massive franchise like this where they're making ten

1885
01:33:42,080 --> 01:33:45,240
Speaker 2: of them. It became a huge success and kind of

1886
01:33:45,280 --> 01:33:47,479
Speaker 2: Paul Walker is the hero in this one, right, Like

1887
01:33:48,000 --> 01:33:52,200
Speaker 2: he makes the save, he gets the last scenes, this

1888
01:33:52,320 --> 01:33:55,960
Speaker 2: kind of stuff, He does the big stunt, so you know,

1889
01:33:56,040 --> 01:33:58,240
Speaker 2: he kind of takes the lead in the second one,

1890
01:33:58,280 --> 01:34:02,160
Speaker 2: and meanwhile Vin is chasing his action star dreams. And

1891
01:34:02,200 --> 01:34:05,400
Speaker 2: then I think he said in interviews henceforth like I

1892
01:34:05,400 --> 01:34:07,760
Speaker 2: probably should have just stuck with it for too fast

1893
01:34:07,840 --> 01:34:09,880
Speaker 2: and too furious, Like I could have had influence on

1894
01:34:09,920 --> 01:34:12,840
Speaker 2: the way the story turned out. But you know, like

1895
01:34:12,920 --> 01:34:17,599
Speaker 2: having now seen like the Marvel franchises or the Harry

1896
01:34:17,680 --> 01:34:20,400
Speaker 2: Potter franchises or the Star Wars franchises, You're like, there's

1897
01:34:20,479 --> 01:34:22,519
Speaker 2: no way they would do it in this order if

1898
01:34:22,520 --> 01:34:24,839
Speaker 2: they were doing it now, because the second movie almost

1899
01:34:24,920 --> 01:34:27,160
Speaker 2: is a bit of an origin story for another one

1900
01:34:27,160 --> 01:34:29,960
Speaker 2: of the characters, which if you were building out like

1901
01:34:30,000 --> 01:34:32,479
Speaker 2: the whole world on purpose, you would probably do, like,

1902
01:34:33,040 --> 01:34:35,679
Speaker 2: here's the massive first movie that's sort of Dom Toretto

1903
01:34:35,760 --> 01:34:38,360
Speaker 2: and Brian's origin story. Then here's a huge team up,

1904
01:34:38,400 --> 01:34:41,120
Speaker 2: and then look, here's the origin story for another guy. Ye.

1905
01:34:41,280 --> 01:34:43,040
Speaker 2: But since they didn't know this was gonna be a

1906
01:34:43,080 --> 01:34:46,720
Speaker 2: success like this, the timeline gets pretty weird.

1907
01:34:46,920 --> 01:34:47,880
Speaker 1: So can I ask you this?

1908
01:34:47,920 --> 01:34:50,200
Speaker 4: I mean, we're getting spoilers here, but there's no Dom

1909
01:34:50,280 --> 01:34:52,680
Speaker 4: obviously in the second one. Does that mean there's no

1910
01:34:53,280 --> 01:34:58,479
Speaker 4: Letty vince Leon? Like are they done? Because they're back

1911
01:34:58,520 --> 01:34:59,200
Speaker 4: in California.

1912
01:34:59,520 --> 01:35:01,760
Speaker 2: We're doing a lot of world building, kind of Fast

1913
01:35:01,920 --> 01:35:05,439
Speaker 2: verse here and Too Fast, Too Furious. You'll definitely hear

1914
01:35:05,560 --> 01:35:08,639
Speaker 2: references to things that took place in the first movie,

1915
01:35:08,680 --> 01:35:12,040
Speaker 2: and there are a couple of ancillary characters that cross over.

1916
01:35:12,120 --> 01:35:15,160
Speaker 4: Okay, well, all right, I can't wait. That's coming at

1917
01:35:15,240 --> 01:35:19,400
Speaker 4: you next week. Too Fast, Too Furious, the second installment

1918
01:35:19,520 --> 01:35:22,040
Speaker 4: of the Fast and Furious franchise. I believe you can

1919
01:35:22,080 --> 01:35:24,280
Speaker 4: stream it on HBO Max, or you can rent or

1920
01:35:24,280 --> 01:35:27,280
Speaker 4: buy it on Amazon, Google Play and iTunes if you

1921
01:35:27,320 --> 01:35:30,320
Speaker 4: are like me and you've never seen these movies, or

1922
01:35:30,680 --> 01:35:33,400
Speaker 4: you know, you just want to refresh your memory and

1923
01:35:34,880 --> 01:35:36,760
Speaker 4: maybe it's a little more enjoyable having just watched it.

1924
01:35:36,800 --> 01:35:38,439
Speaker 4: As we go through the scenes and ask all these

1925
01:35:38,479 --> 01:35:40,360
Speaker 4: crazy questions we have, and if you have questions for

1926
01:35:40,439 --> 01:35:43,479
Speaker 4: us about Fast Friends here, email them in No dunks

1927
01:35:43,479 --> 01:35:46,080
Speaker 4: at the Athletic dot Com and then just put Fast

1928
01:35:46,160 --> 01:35:49,440
Speaker 4: Friends in the subject title so we can help differentiate

1929
01:35:49,800 --> 01:35:53,599
Speaker 4: the basketball questions from the Fast and Furious questions. That's

1930
01:35:53,640 --> 01:35:55,960
Speaker 4: no dunks at the Athletic dot Com and just put

1931
01:35:56,040 --> 01:36:00,000
Speaker 4: Fast Friends in the subject title before we wrap this up.

1932
01:36:00,640 --> 01:36:03,439
Speaker 4: Like I said, well, eventually, once we have two, three, four,

1933
01:36:03,560 --> 01:36:05,360
Speaker 4: five of these under our belt. I'd like to like

1934
01:36:05,400 --> 01:36:07,640
Speaker 4: get a nice little ranking going, you know, what's the

1935
01:36:07,720 --> 01:36:11,439
Speaker 4: what's the best ff movie? What's the worst? But on

1936
01:36:11,479 --> 01:36:13,479
Speaker 4: a scale of one to ten only having watched one

1937
01:36:13,720 --> 01:36:18,000
Speaker 4: so far? How would you grade the first movie in

1938
01:36:18,040 --> 01:36:19,000
Speaker 4: the in the series?

1939
01:36:19,040 --> 01:36:20,920
Speaker 1: Trade? What? What grade? At a one to ten? One

1940
01:36:20,960 --> 01:36:23,360
Speaker 1: obviously being the worst and ten being the best? Would

1941
01:36:23,360 --> 01:36:23,760
Speaker 1: you give this?

1942
01:36:24,360 --> 01:36:27,320
Speaker 2: It's an easy ten for me. I can't believe it,

1943
01:36:27,360 --> 01:36:30,120
Speaker 2: you know. You see, you see people will do their

1944
01:36:30,120 --> 01:36:33,719
Speaker 2: lists of their favorite fast movies and one usually shows

1945
01:36:33,800 --> 01:36:36,559
Speaker 2: up in the top three, and sometimes you look at

1946
01:36:36,560 --> 01:36:36,760
Speaker 2: it with.

1947
01:36:36,760 --> 01:36:39,080
Speaker 1: The side I like, is this pure nostalgia?

1948
01:36:39,120 --> 01:36:41,080
Speaker 2: Here? Are you giving a little bit of a respect

1949
01:36:41,120 --> 01:36:44,000
Speaker 2: bump for it introducing the series? And certainly that's true,

1950
01:36:44,000 --> 01:36:46,400
Speaker 2: But I don't know, I was so into like the

1951
01:36:46,400 --> 01:36:49,320
Speaker 2: first half hour of this movie and the last half

1952
01:36:49,320 --> 01:36:52,599
Speaker 2: hour of this movie. There's some weird, sped up stuff

1953
01:36:52,600 --> 01:36:55,880
Speaker 2: that goes on, yeah, in the interim in between, but

1954
01:36:55,920 --> 01:36:59,479
Speaker 2: I'm like, Ben has incredible Chrisman, this Paul Walker has

1955
01:36:59,600 --> 01:37:01,880
Speaker 2: great harm in this. It feels like you're in their

1956
01:37:01,920 --> 01:37:04,360
Speaker 2: world for the most part. You'll learning all this random

1957
01:37:04,360 --> 01:37:06,760
Speaker 2: stuff about cars, and it just I don't know, it

1958
01:37:06,760 --> 01:37:10,320
Speaker 2: feels like they found a subculture in street racing and

1959
01:37:10,360 --> 01:37:12,240
Speaker 2: they brought it to the big strain and you're like, whoa,

1960
01:37:12,240 --> 01:37:14,479
Speaker 2: We've actually got some fun performances here. Yeah, And I

1961
01:37:14,479 --> 01:37:17,599
Speaker 2: think that's why it ended up being a surprise success.

1962
01:37:17,680 --> 01:37:20,120
Speaker 2: So for me, I think it'll probably still end up

1963
01:37:20,160 --> 01:37:22,920
Speaker 2: in my top three. The joy of watching it back.

1964
01:37:22,960 --> 01:37:24,920
Speaker 2: It's such a different movie than the movies we're gonna

1965
01:37:24,920 --> 01:37:28,439
Speaker 2: see as the series goes on, way more intimate, for

1966
01:37:28,960 --> 01:37:30,679
Speaker 2: which is weird to say for a movie that's about

1967
01:37:30,760 --> 01:37:33,240
Speaker 2: driving a car as fast as you possibly can and

1968
01:37:33,280 --> 01:37:36,800
Speaker 2: shooting harpoons into the windshield of a semi truck. But

1969
01:37:37,080 --> 01:37:39,719
Speaker 2: it just feels like a smaller movie. And I thought

1970
01:37:39,720 --> 01:37:41,960
Speaker 2: it was awesome. I still love it, and I still

1971
01:37:41,960 --> 01:37:43,759
Speaker 2: think it's going to finish high on my list.

1972
01:37:44,000 --> 01:37:46,800
Speaker 4: Okay, so it sounds like this could be almost like

1973
01:37:46,840 --> 01:37:49,720
Speaker 4: a survivor born yo type of thing here, where it's like,

1974
01:37:50,880 --> 01:37:52,880
Speaker 4: you know, it's it's people rank that high.

1975
01:37:53,320 --> 01:37:55,760
Speaker 1: You know, you know it's it's the first one.

1976
01:37:56,400 --> 01:37:59,640
Speaker 4: It's different, but you know the nostalgic factor and and

1977
01:37:59,640 --> 01:38:03,080
Speaker 4: it's endertaining. But A ten from TK Wow, I didn't

1978
01:38:03,080 --> 01:38:05,519
Speaker 4: see that coming, but JD, what would.

1979
01:38:05,320 --> 01:38:05,720
Speaker 1: You give it?

1980
01:38:06,600 --> 01:38:10,400
Speaker 3: You know, I'm pretty the two things that I like

1981
01:38:10,680 --> 01:38:15,000
Speaker 3: most about this movie the plot, the basic premise of

1982
01:38:15,040 --> 01:38:18,479
Speaker 3: the movie. I really really like it was another movie

1983
01:38:18,520 --> 01:38:22,160
Speaker 3: already point break. And the other thing, probably the thing

1984
01:38:22,200 --> 01:38:26,439
Speaker 3: I love most about this particular movie is the title.

1985
01:38:26,920 --> 01:38:31,479
Speaker 3: The Fast and the Furious is such a awesome title.

1986
01:38:31,560 --> 01:38:35,519
Speaker 3: It's like the Silence of the Lambs or No Country

1987
01:38:35,560 --> 01:38:38,719
Speaker 3: for Old Men or the Good, the Bad, and the Ugly,

1988
01:38:38,800 --> 01:38:42,280
Speaker 3: you know, like it's just like a badass title. Also

1989
01:38:42,360 --> 01:38:46,320
Speaker 3: not original. It was a movie from nineteen fifty four,

1990
01:38:46,439 --> 01:38:51,000
Speaker 3: Roger cormanck. So at best, I'm indifferent about this movie.

1991
01:38:51,040 --> 01:38:52,000
Speaker 3: So I'm gonna give it a five.

1992
01:38:52,600 --> 01:38:52,880
Speaker 1: Five.

1993
01:38:53,280 --> 01:38:55,240
Speaker 4: Yeah, see, it's gonna be interesting. I wonder if you're

1994
01:38:55,240 --> 01:38:59,599
Speaker 4: gonna regret that a low possibly low five, after we

1995
01:38:59,640 --> 01:39:02,760
Speaker 4: see of these coming movies, I'll find out. Okay, I'm

1996
01:39:02,760 --> 01:39:04,760
Speaker 4: going higher. I'm going I'm going a nice seven and

1997
01:39:04,840 --> 01:39:07,520
Speaker 4: a half, I think. I again, I was pleasantly surprised

1998
01:39:08,320 --> 01:39:11,880
Speaker 4: how the pace of it that I was into. You know,

1999
01:39:11,960 --> 01:39:14,160
Speaker 4: either I was laughing at them or I was engaged

2000
01:39:14,240 --> 01:39:17,400
Speaker 4: enough with Dom and and then Brian, and then I

2001
01:39:17,479 --> 01:39:19,960
Speaker 4: liked all these like sort of secondary characters we didn't

2002
01:39:20,040 --> 01:39:23,920
Speaker 4: talk about, like the whole uh, the whole Mexican crew actor.

2003
01:39:24,280 --> 01:39:27,280
Speaker 1: Yeah, they're awesome. I like those guys. I like that team.

2004
01:39:27,280 --> 01:39:29,120
Speaker 1: I hope they show up later in this whole damn thing.

2005
01:39:29,680 --> 01:39:30,320
Speaker 1: But yeah, a.

2006
01:39:30,320 --> 01:39:32,840
Speaker 4: Nice seven and a half and uh, we'll see where

2007
01:39:32,880 --> 01:39:36,040
Speaker 4: we go from there. I thought it was it was fun.

2008
01:39:36,160 --> 01:39:38,120
Speaker 4: I mean, it just took me back to two thousand,

2009
01:39:38,160 --> 01:39:41,400
Speaker 4: early two thousand, Yeah, with the music and the fashion

2010
01:39:41,520 --> 01:39:44,320
Speaker 4: and then I guess that's probably the time in my

2011
01:39:44,360 --> 01:39:46,160
Speaker 4: life where I was around.

2012
01:39:45,760 --> 01:39:48,840
Speaker 1: People that were the most into cars. Sure. I mean,

2013
01:39:49,040 --> 01:39:51,360
Speaker 1: like I said, I never cared about cars. I never

2014
01:39:51,439 --> 01:39:52,439
Speaker 1: knew a thing about cars.

2015
01:39:52,479 --> 01:39:56,960
Speaker 4: But that post high school early college is when in

2016
01:39:57,040 --> 01:39:59,160
Speaker 4: early two thousand exactly where it would place me is

2017
01:39:59,200 --> 01:40:02,920
Speaker 4: like that's when friends or friends of friends were like

2018
01:40:03,600 --> 01:40:06,840
Speaker 4: putting spoilers on their cars and putting lights on their car.

2019
01:40:09,000 --> 01:40:12,320
Speaker 4: It's like, Okay, not for me, but you do you so, Yeah,

2020
01:40:12,360 --> 01:40:13,360
Speaker 4: I'm going seven and a half.

2021
01:40:13,400 --> 01:40:15,200
Speaker 1: We'll call it there. This is a lot of fun.

2022
01:40:15,240 --> 01:40:17,240
Speaker 4: Again, If you guys enjoyed it, make sure you've subscribed

2023
01:40:17,320 --> 01:40:20,120
Speaker 4: no dunks on Apple or Spotify or YouTube. Send in

2024
01:40:20,160 --> 01:40:22,200
Speaker 4: your questions no dunks at the Athletic dot com Throw

2025
01:40:22,280 --> 01:40:25,040
Speaker 4: Fast friends in that subject title if you have a

2026
01:40:25,080 --> 01:40:30,080
Speaker 4: specific question about this podcast here or this series moving forward.

2027
01:40:30,200 --> 01:40:31,320
Speaker 1: Guys, great to see you.

2028
01:40:31,479 --> 01:40:34,800
Speaker 4: We'll see you next week for Too Fast Too furious

2029
01:40:35,000 --> 01:40:37,200
Speaker 4: that somehow doesn't have been diesel in it.

2030
01:40:37,400 --> 01:40:37,479
Speaker 2: What