WEBVTT - Retrospective

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<v Speaker 1>The person in charge of that movie made a lot

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<v Speaker 1>of mistakes. American met Edward James almost yeah admitted do

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<v Speaker 1>you know him? Oh yeah, I saved his life really

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<v Speaker 1>and he won't admit that either. Welcome to more than

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<v Speaker 1>a movie American Me. I'm your host, Alex Fomento. Today's

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<v Speaker 1>our last episode of this season. We've been learning about

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<v Speaker 1>this movie in pieces, from the actors who were on set,

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<v Speaker 1>to the filmmakers behind the scenes, to the gang members

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<v Speaker 1>who gave us the inside scoop on the murders associated

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<v Speaker 1>with the movie. It's time to take everything we've learned

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<v Speaker 1>in our last six months of digging in our hours

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<v Speaker 1>and hours of interviews and wiki holls and YouTube videos

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<v Speaker 1>with two views to try to put together some sort

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<v Speaker 1>of complete picture. Who is the real Edward James almost,

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<v Speaker 1>why did he make American Meat, who actually got killed

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<v Speaker 1>because of this movie? And most importantly, was it all

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<v Speaker 1>worth it. Let's start where we always start on this podcast,

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<v Speaker 1>the one big interview, the guy we wanted to talk

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<v Speaker 1>to but didn't want to talk to us. By now

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<v Speaker 1>you should know who I'm talking about, Mr Edward James.

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<v Speaker 1>Almost none of this happens without him, not the good

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<v Speaker 1>stuff like a Latino director getting a major movie made

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<v Speaker 1>thirty years ago, and maybe none of the bad stuff.

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<v Speaker 1>More on that later, but first, that voice you heard

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<v Speaker 1>at the top, that's Danny Trejo. He's probably the second

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<v Speaker 1>most important person in this story. He wouldn't talk to

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<v Speaker 1>us either. Maybe it's because we found out that a

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<v Speaker 1>lot of what he wrote in his twenty nineteen memoir

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<v Speaker 1>might have been embellished, misremembered, or just playing wrong. But

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<v Speaker 1>we probably wouldn't have done this podcast where it not

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<v Speaker 1>for Trejo and his attempts to sell his memoir off

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<v Speaker 1>the back of American me stories like the one about

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<v Speaker 1>when almost showed up to a Jewish Deli method acting

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<v Speaker 1>in Prison Blues, or when a Mexican mafia leader supposedly

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<v Speaker 1>called him from prison and to warn him not to

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<v Speaker 1>act in the movie. From what we've heard, those stories

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<v Speaker 1>probably didn't happen, or if they did, they happened very

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<v Speaker 1>differently than how Trejo told them. But maybe he has

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<v Speaker 1>an explanation for the discrepancies, like how Joe Morgan managed

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<v Speaker 1>to call him from the Pelican based Special Housing unit

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<v Speaker 1>where he was in solitary confinement for twenty two point

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<v Speaker 1>five hours a day with more or less zero access

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<v Speaker 1>to the outside world. If he calls us back, we'll

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<v Speaker 1>do another episode. Phone lines are open, Danny. But Trejo

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<v Speaker 1>had a lot to say about Edward James Almost while

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<v Speaker 1>he was promoting his book. He's still pretty mad about

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<v Speaker 1>the whole thing. Okay, the leader of Mexican Mafia would

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<v Speaker 1>never raped Hey, at least that's one thing we agree on.

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<v Speaker 1>But enough about Danny Trejo. After all, whether you believe

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<v Speaker 1>his story or not, he wasn't the guy who made

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<v Speaker 1>American Me, and what transpired after the release of that

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<v Speaker 1>movie probably plays out the exact same way no matter

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<v Speaker 1>what Trejo's involvement may have been. Throughout this season, I've

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<v Speaker 1>been trying to get inside the head of one Edward

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<v Speaker 1>James Almost, particularly the almost of the early nine nineties. Obviously,

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<v Speaker 1>understanding the director of American Me would help us understand

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<v Speaker 1>the movie itself, but could it also help us understand

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<v Speaker 1>the version of America that the movie was made in, and,

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<v Speaker 1>by extension, explain why Edward James Almost would make such

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<v Speaker 1>a dangerous piece of art in the first place. Remember,

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<v Speaker 1>this isn't Admiral Adama, this is Edward James Almost circa one,

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<v Speaker 1>the rising Hollywood star, the recent Academy Award nominee, the

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<v Speaker 1>household name from five seasons on Miami Vice. But also

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<v Speaker 1>a family man with kids at home, an active community

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<v Speaker 1>leader with a vision, a spokesperson. If you will, one

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<v Speaker 1>clue into Edward James, almost as Psyche might lie in

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<v Speaker 1>a story that we heard about him early in our process.

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<v Speaker 1>It's the kind of story you think was made up

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<v Speaker 1>or that's being taken out of context, if not for

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<v Speaker 1>the fact that it's right on his website. It's about

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<v Speaker 1>the civil rights uprising in Los Angeles, sometimes better known

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<v Speaker 1>as the l A Riots, the culmination of a decade

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<v Speaker 1>of reaganam X and militarizing police forces reaching a fever pitch,

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<v Speaker 1>an event looking back that shows us Rodney King was

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<v Speaker 1>just the straw that broke the camel's back. Uh. In

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<v Speaker 1>our review or, we find that the officers struck him

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<v Speaker 1>with batons of between fifty three and fifty six times.

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<v Speaker 1>I was scared. I was scared. I was scared for

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<v Speaker 1>my life. The inaction of the seventeen officers may now

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<v Speaker 1>be investigated by the U. S. Attorney's Office for possible

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<v Speaker 1>civil rights violations. That's right. Seventeen officers were involved. Four

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<v Speaker 1>took turns beating up Rodney King while the others just

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<v Speaker 1>looked on. All were caught on tape, and the tape

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<v Speaker 1>was broadcast by every major news outlet. This was thirty

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<v Speaker 1>years ago, when not everybody owned a cam quorder. In fact,

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<v Speaker 1>this is so long ago, simme, y'all don't know what

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<v Speaker 1>the cam quorder is. And just a couple of months

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<v Speaker 1>after the event, those four officers were acquitted and the

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<v Speaker 1>city of Angels just erupted for five days. There were riots.

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<v Speaker 1>Even Sublime wrote a song about it. Where were you

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<v Speaker 1>at this point? American Me has been out only six

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<v Speaker 1>weeks and then all hell breaks loose on the same streets.

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<v Speaker 1>Edward James almost is trying to keep clean. He made

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<v Speaker 1>a movie to stop violence in Los Angeles, but how

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<v Speaker 1>does he deal with the most violent period the city

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<v Speaker 1>had ever seen. I'm gonna read you what he wrote

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<v Speaker 1>about just that, though my voice is nowhere as cool

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<v Speaker 1>as his, So just imagine Edward James almost talking to you.

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<v Speaker 1>I was out on the morning that the military were

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<v Speaker 1>scheduled to start to shoot to kill anyone left on

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<v Speaker 1>the streets. That's why I went out. I wanted to

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<v Speaker 1>see if they would shoot me with a broom in

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<v Speaker 1>my hand. Then people saw it and turned out by

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<v Speaker 1>the tens of thousands. The riot had not stopped, not

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<v Speaker 1>until the afternoon of the friday we went out. It's

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<v Speaker 1>funny how people think we went out after the fact.

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<v Speaker 1>We were the fact of why the riots stopped. One

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<v Speaker 1>person with a broom in his hands. It just happened

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<v Speaker 1>to be me. And this is how his right hand man,

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<v Speaker 1>Danny Harrow, explained that day. It was amazing. It was amazing. Um,

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<v Speaker 1>you know, I remember coming we started, I think any

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<v Speaker 1>myself and maybe three other people. Five o'clock in the morning.

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<v Speaker 1>We got brooms. Okay, that's what we're getting. Just that's

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<v Speaker 1>all right. As as as it got light, people were coming. Amazing.

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<v Speaker 1>People would come grab your cleaning stuff it with the

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<v Speaker 1>little cleaning army would would rise in numbers. And I

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<v Speaker 1>and I specifically remember we came to an intersection where

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<v Speaker 1>there were rioters going on and they were the National

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<v Speaker 1>Guarden and police, and they actually stopped for us because

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<v Speaker 1>they were about to go at it. They stopped for

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<v Speaker 1>us and were going across the intersection. Okay, you know,

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<v Speaker 1>so so people like I remember Denzel Washington later in

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<v Speaker 1>the day coming and spoke with Eddie, And you know,

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<v Speaker 1>I'm not saying they weren't doing their thing, but I

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<v Speaker 1>just remember that. I can't remember anybody that thought of

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<v Speaker 1>this and and and actually started implementing it in the

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<v Speaker 1>middle of it. But I know that he reached out

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<v Speaker 1>first to the African American community of leadership, and they

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<v Speaker 1>were afraid. I don't blame him, like I was afraid too,

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<v Speaker 1>but I thought, hey, we got you know what, at

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<v Speaker 1>least if we get killed, we're doing something that's honorable

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<v Speaker 1>and we're giving back. So Okay, he's in it, I'm

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<v Speaker 1>in it, let's go. I think it says so much

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<v Speaker 1>about this guy. He genuinely wanted to do something good.

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<v Speaker 1>He made what is ultimately a small but theatrical gesture,

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<v Speaker 1>and even today, seemingly he stands by the idea that

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<v Speaker 1>him and a broom stopped the violence. Doesn't it sound

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<v Speaker 1>a lot like the same kind of thinking that could

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<v Speaker 1>lead a man to believe that a movie criticizing a

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<v Speaker 1>very dangerous gang would somehow stopped children from wanting to

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<v Speaker 1>be gangsters. I try to think of this bold claim

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<v Speaker 1>by almost in the context of the Edward James almost

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<v Speaker 1>that I met, Yes, I met the man years ago

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<v Speaker 1>at a dinner for a magazine called Latino Leaders. The

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<v Speaker 1>prize for being a Latino Leader was a dinner with almost,

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<v Speaker 1>which frankly sounded pretty cool to me. The discussion at

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<v Speaker 1>dinner became a big pep talk about how to navigate

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<v Speaker 1>a Hollywood ecosystem that doesn't include you or even understand

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<v Speaker 1>you most of the time. But two things surprised me

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<v Speaker 1>that night. Almost asked us what the most watched movie

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<v Speaker 1>of all time? Was not the highest box office, but

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<v Speaker 1>watched the most times. We shouted out things like Titanic,

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<v Speaker 1>Star Wars, and Avatar. Wrong. He said Stand and Deliver

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<v Speaker 1>was the most watched movie of all time because it

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<v Speaker 1>is played to this day in every school in America.

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<v Speaker 1>A bold statement, but you try and prove him wrong.

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<v Speaker 1>And he asked us if he was better known for

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<v Speaker 1>his acting or his activism. I think we thought the

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<v Speaker 1>point he was trying to make was that he was

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<v Speaker 1>under appreciated for his activism. So every single person in

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<v Speaker 1>the room shouted out acting, no activism. He shouted back.

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<v Speaker 1>What became clear to me was that this was a

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<v Speaker 1>guy who saw himself first and foremost as an activist,

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<v Speaker 1>and that the work he did on screen followed that

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<v Speaker 1>guiding light. And he believes he is someone who can

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<v Speaker 1>personally make huge changes in our society. I mean, he's

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<v Speaker 1>the type of guy who thinks he in a broom

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<v Speaker 1>single handedly ended the l a riots. That makes it

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<v Speaker 1>a little easier to understand why he'd go to such

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<v Speaker 1>lengths and take such great risks. In American meme, coming

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<v Speaker 1>up More Than a Movie, We're going to hear some

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<v Speaker 1>of Edward James almost his sixties rock band, and we'll

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<v Speaker 1>recap what we learned about the murders. Here are some

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<v Speaker 1>of those commercials that you love so much. Welcome back

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<v Speaker 1>to More Than a Movie, American MEA, Alex Fumeto, thank

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<v Speaker 1>you for listening with us for the last twelve weeks.

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<v Speaker 1>That's longer than my producer's marriage lasted. Unlike him, at

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<v Speaker 1>least you know what commitment means. Let's talk about some

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<v Speaker 1>fun ship we found while we were reporting this story.

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<v Speaker 1>The man, the activist, the singer, Yes, Edward James almost

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<v Speaker 1>his first performances on stage where as a rock and

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<v Speaker 1>roll front man. Let's rewind a bit from ninety two

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<v Speaker 1>Back to sixty two. Edward James Almost grew up in

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<v Speaker 1>East l A And taught himself to sing and play

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<v Speaker 1>the piano. By the early sixties, he was good enough

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<v Speaker 1>to join a band, the Pacific Ocean. The band's name

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<v Speaker 1>was Eddie's Idea because it was the biggest thing on

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<v Speaker 1>the West coast with waist long hair. Eddie was the

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<v Speaker 1>band's lead vocalist. I was a terrible singer, says Almost,

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<v Speaker 1>but boy could I scream and dance means bitting his

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<v Speaker 1>new dance. That was a song entitled Mickey's Monkey off

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<v Speaker 1>the album Purgatory, the band's only album. It includes such

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<v Speaker 1>classic tunes as the bluesy tracks of My Tears, Look

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<v Speaker 1>at the Base, the seemingly James Brown inspired I Want

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<v Speaker 1>to Testify, and even a funkified version of Bob Dylan's

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<v Speaker 1>subterranean Homesick Blues Did. Why does it matter one because

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<v Speaker 1>it's cool and it's a fun way to come back

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<v Speaker 1>from commercial to the guy wasn't the bassist or the keys.

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<v Speaker 1>He was the lead singer, the front man from day

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<v Speaker 1>one and three. Because almost is always looking to push

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<v Speaker 1>the envelope. As we've covered before, this is white dominated

0:12:00.200 --> 0:12:03.040
<v Speaker 1>l A. So this makes almost who played at legendary

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<v Speaker 1>l A rock venues like Gazari's one of the first

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<v Speaker 1>Chicano frontmen on the Sunset Strip. So fast forward back

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<v Speaker 1>and Almost has hung up his microphone and picked up

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<v Speaker 1>a camera. Figuratively speaking, he's directing the story of the

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<v Speaker 1>gang leader who created the Mexican Mafia, and once again

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<v Speaker 1>he's leading the way, becoming one of, if not the

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<v Speaker 1>first movie to shoot inside an active prison with real prisoners.

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<v Speaker 1>I do remember on the yard, the big open yard um,

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<v Speaker 1>there were uh, you know, people in towers with rifles

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<v Speaker 1>and they were you know, they're they're on shoot to

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<v Speaker 1>kill orders. These are the directors of the documentary Lives

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<v Speaker 1>and Hazard, which shot alongside American me. If if if

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<v Speaker 1>anybody had messed with us, you know, they would have

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<v Speaker 1>been in you know, lockdown for years. That's that was

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<v Speaker 1>That was kind of what the guards told us. So

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<v Speaker 1>everybody was, you know, trying to be pretty polite. I

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<v Speaker 1>would suffice it to say, when Eddie asked you to

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<v Speaker 1>do something, he's pretty convincing. So he's pulling out all

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<v Speaker 1>the stops making a movie that's going to change society

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<v Speaker 1>as we know it. Then the movie comes out and

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<v Speaker 1>people start getting killed. Here's one of the actors, Danny

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<v Speaker 1>de la Pace. We were in France, um along the

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<v Speaker 1>riviera at the con Film Festival with American me when

0:13:26.400 --> 0:13:32.040
<v Speaker 1>we heard the news of Anna's assassination basically, and uh,

0:13:32.360 --> 0:13:35.000
<v Speaker 1>I remember feeling a little bit scared. I was in

0:13:35.000 --> 0:13:38.800
<v Speaker 1>a foreign country, I was far from home, and I

0:13:38.880 --> 0:13:40.440
<v Speaker 1>was like, wow, what am I gonna be going back

0:13:40.440 --> 0:13:43.280
<v Speaker 1>home to, you know, I it was an eye opener

0:13:43.360 --> 0:13:45.640
<v Speaker 1>from me. I I I didn't know what to think.

0:13:46.160 --> 0:13:48.679
<v Speaker 1>On the streets of Los Angeles, word was out about

0:13:48.679 --> 0:13:52.560
<v Speaker 1>the movie and the Mexican mafia was very unhappy. Eric

0:13:52.559 --> 0:13:55.880
<v Speaker 1>Galindo remembers, I mean I had heard that, you know

0:13:55.920 --> 0:13:58.040
<v Speaker 1>when they made it, that had you got special permission

0:13:58.720 --> 0:14:03.400
<v Speaker 1>from the real game ings to tell the story. Um,

0:14:04.040 --> 0:14:09.680
<v Speaker 1>you know, definitely had heard that he was on green light.

0:14:10.280 --> 0:14:15.000
<v Speaker 1>Um you know, so green light what it basically means

0:14:15.360 --> 0:14:19.000
<v Speaker 1>is that you're you've been marked for death. There are

0:14:19.040 --> 0:14:21.720
<v Speaker 1>so many stories about that movie. This is this was happening.

0:14:21.800 --> 0:14:25.880
<v Speaker 1>There's these rumors, you know, like, but all I really

0:14:25.920 --> 0:14:29.520
<v Speaker 1>did for for like my my little group of friends,

0:14:29.680 --> 0:14:32.600
<v Speaker 1>was like it just added to the authenticity, Like it

0:14:32.640 --> 0:14:35.720
<v Speaker 1>was more like, that's how fucking real this is, that

0:14:35.760 --> 0:14:38.760
<v Speaker 1>there are real gangsters involved, that people are getting killed

0:14:38.760 --> 0:14:41.880
<v Speaker 1>over this, and that's kind of the tragedy of this movie.

0:14:42.200 --> 0:14:46.000
<v Speaker 1>Edward James almost wanted to make an anti gang movie instead. Well,

0:14:46.040 --> 0:14:48.400
<v Speaker 1>I mean it's definitely not a movie that my parents

0:14:48.440 --> 0:14:50.960
<v Speaker 1>would go watch, you mean, to be honest with you. Um,

0:14:51.000 --> 0:14:53.960
<v Speaker 1>but I remember watching it with like sold out crowd.

0:14:54.040 --> 0:14:56.920
<v Speaker 1>Remember there was like line out the door. It was

0:14:56.960 --> 0:15:01.000
<v Speaker 1>sold out, and people loved it, you know. And and

0:15:01.120 --> 0:15:04.400
<v Speaker 1>the funny thing was, I remember walking out, you know,

0:15:04.560 --> 0:15:08.400
<v Speaker 1>people were like, oh, that's cool. Man Santana was a badass. No,

0:15:08.760 --> 0:15:12.280
<v Speaker 1>young Jacob Vargas. That's not what Edward James almost wanted.

0:15:12.880 --> 0:15:15.920
<v Speaker 1>Even some folks in the gang life were fans from

0:15:15.960 --> 0:15:19.760
<v Speaker 1>the actor Sal Lopez. Well, uh, one of my brothers was,

0:15:20.400 --> 0:15:22.440
<v Speaker 1>you know, it was a little bit involved in the

0:15:22.520 --> 0:15:26.400
<v Speaker 1>life for a little bit of time. And uh, heat

0:15:26.440 --> 0:15:31.720
<v Speaker 1>to this stage is loves that movie. He loves the movie,

0:15:31.800 --> 0:15:34.440
<v Speaker 1>you know. Ship the former Lamb and member we spoke

0:15:34.480 --> 0:15:37.560
<v Speaker 1>to even said members of the Mexican Mafia like the movie.

0:15:37.920 --> 0:15:41.560
<v Speaker 1>Beef over the rape. Notwithstanding, I think they glorified and

0:15:41.920 --> 0:15:45.040
<v Speaker 1>they wallowed in the attention, American Me actually put the

0:15:45.080 --> 0:15:49.440
<v Speaker 1>Mexican mafia on the national international stage. Coming up in

0:15:49.480 --> 0:15:52.200
<v Speaker 1>the very last segment of our deep dive on American Me,

0:15:52.440 --> 0:15:55.520
<v Speaker 1>what do we know now about the extortion and threats

0:15:55.560 --> 0:15:58.880
<v Speaker 1>made after the movie premiered? And did people really die

0:15:59.240 --> 0:16:05.640
<v Speaker 1>because of America? Can me? Welcome back to more than

0:16:05.640 --> 0:16:09.640
<v Speaker 1>a movie. I'm Alex Flumeto, and this is it. Thank

0:16:09.680 --> 0:16:11.680
<v Speaker 1>you for sticking with us all the way through it.

0:16:11.880 --> 0:16:14.200
<v Speaker 1>While we get to the bottom of what really happened

0:16:14.280 --> 0:16:18.880
<v Speaker 1>in the fallout to American Me, Let's listen to one

0:16:18.880 --> 0:16:21.480
<v Speaker 1>more anecdote from Almost and the l A Riots that

0:16:21.560 --> 0:16:25.160
<v Speaker 1>illustrates an important part of his worldview. And now we're

0:16:25.160 --> 0:16:28.240
<v Speaker 1>here to discuss some grimmer realities in the city of

0:16:28.240 --> 0:16:31.960
<v Speaker 1>Los Angeles. Have you been out today? What have you seen? Yeah,

0:16:32.000 --> 0:16:36.760
<v Speaker 1>you gotta understand that we've been uh understanding this problem

0:16:36.760 --> 0:16:39.000
<v Speaker 1>for a long time. We tried for many years and

0:16:39.000 --> 0:16:41.560
<v Speaker 1>we have been for many years trying to bring awareness

0:16:41.640 --> 0:16:45.120
<v Speaker 1>to it. Who exactly is the we he's talking about?

0:16:45.640 --> 0:16:48.600
<v Speaker 1>It's hard to say. Could be he was just with

0:16:48.640 --> 0:16:51.360
<v Speaker 1>a friend or his wife or a colleague, but I

0:16:51.400 --> 0:16:54.120
<v Speaker 1>don't think that's it. Could also be the royal weed.

0:16:54.200 --> 0:16:56.880
<v Speaker 1>But he doesn't strike me as that kind of guy either. No,

0:16:57.120 --> 0:16:59.280
<v Speaker 1>for me, this is a kind of Freudian example of

0:16:59.320 --> 0:17:02.200
<v Speaker 1>how almost Fuse himself always is a part of a

0:17:02.280 --> 0:17:05.959
<v Speaker 1>larger movement. It's not him ending the l a riots.

0:17:05.960 --> 0:17:10.120
<v Speaker 1>Actually we are doing it. It's not him ending gang violence.

0:17:10.520 --> 0:17:13.720
<v Speaker 1>We are. It's as if he isn't deciding to do

0:17:13.800 --> 0:17:16.480
<v Speaker 1>any of the things he's doing. The movement is sort

0:17:16.480 --> 0:17:19.760
<v Speaker 1>of carrying him there like it's inevitable. And at the

0:17:19.800 --> 0:17:23.760
<v Speaker 1>same time he's clearly someone who wants to control the process.

0:17:24.520 --> 0:17:27.280
<v Speaker 1>No matter how much Edward James almost thinks he's acting

0:17:27.359 --> 0:17:30.040
<v Speaker 1>on behalf of a movement, he's really the one making

0:17:30.040 --> 0:17:35.240
<v Speaker 1>the decisions, and decisions have consequences. You could argue that

0:17:35.280 --> 0:17:38.280
<v Speaker 1>his insistence on using the word we and always acting

0:17:38.320 --> 0:17:41.879
<v Speaker 1>in the interests of the community is altruistic and selfless,

0:17:42.680 --> 0:17:45.760
<v Speaker 1>but it also centers him as the leader of the action.

0:17:46.800 --> 0:17:50.639
<v Speaker 1>He's the lead singer, he's the man, and as such

0:17:51.000 --> 0:17:54.520
<v Speaker 1>he bears responsibility for the consequences of his actions or

0:17:54.800 --> 0:17:58.840
<v Speaker 1>the actions of the people he chooses to represent. So

0:17:58.920 --> 0:18:01.960
<v Speaker 1>what is Edward James almost ultimately responsible for when it

0:18:02.000 --> 0:18:05.080
<v Speaker 1>comes to American me. There's really just two elements of

0:18:05.119 --> 0:18:08.000
<v Speaker 1>the fallout that we have to look at. One did

0:18:08.000 --> 0:18:11.280
<v Speaker 1>he face any personal consequences for making the movie? And

0:18:11.400 --> 0:18:14.480
<v Speaker 1>two did the people who got killed after the movie

0:18:14.520 --> 0:18:18.679
<v Speaker 1>came out get killed because the movie came out. For

0:18:18.720 --> 0:18:21.320
<v Speaker 1>the personal consequences part, we're really just talking about the

0:18:21.359 --> 0:18:24.760
<v Speaker 1>supposed green light on almost and the potential ransom that

0:18:24.800 --> 0:18:28.760
<v Speaker 1>he paid. We've got two opposing stories to resolve, and

0:18:28.840 --> 0:18:31.800
<v Speaker 1>both of the people were intimately involved in the fallout

0:18:31.840 --> 0:18:34.840
<v Speaker 1>from the movie. The first is Danny Harrow, who was

0:18:34.880 --> 0:18:37.600
<v Speaker 1>almost his assistant at the time, and his take on

0:18:37.640 --> 0:18:42.000
<v Speaker 1>whether the extortion ever took place. What's your experience of

0:18:42.040 --> 0:18:44.960
<v Speaker 1>the threats and aftermath that came to him as a

0:18:44.960 --> 0:18:47.880
<v Speaker 1>result of give you Eddie's response to something like that,

0:18:48.359 --> 0:18:52.119
<v Speaker 1>do you think if if anybody gave money, if you

0:18:52.400 --> 0:18:54.919
<v Speaker 1>gave me a hundred fifty dollars and I'll leave you alone,

0:18:55.400 --> 0:18:58.439
<v Speaker 1>So somebody gives on you think they're going to stop?

0:19:00.040 --> 0:19:03.399
<v Speaker 1>That's That's the simple answer. That if you say yes

0:19:03.680 --> 0:19:07.200
<v Speaker 1>to any of that, it won't end. They can always

0:19:07.280 --> 0:19:10.160
<v Speaker 1>go back, Well, we need another hundred fifty and we're

0:19:10.160 --> 0:19:12.200
<v Speaker 1>gonna do you see what I'm saying. So, so that's

0:19:12.240 --> 0:19:15.120
<v Speaker 1>the answer right there. It's preposterous. I mean, I think

0:19:15.119 --> 0:19:19.320
<v Speaker 1>that's because I think that's a very viable, uh answer. However,

0:19:19.520 --> 0:19:24.399
<v Speaker 1>I think from what we've learned from our source within Liama,

0:19:25.840 --> 0:19:27.919
<v Speaker 1>they see themselves as a business, right, And so if

0:19:27.960 --> 0:19:30.800
<v Speaker 1>I was running a business and my business revolved around

0:19:31.480 --> 0:19:34.120
<v Speaker 1>me telling you better give me fifty dollars, you're gonna die,

0:19:34.240 --> 0:19:35.800
<v Speaker 1>and then I asked for thy thar, and then I

0:19:35.840 --> 0:19:38.159
<v Speaker 1>asked for another and another another, probably people are going

0:19:38.200 --> 0:19:40.400
<v Speaker 1>to stop paying me. But if you give me fifty

0:19:40.760 --> 0:19:44.800
<v Speaker 1>dollars and then I don't kill you, well then we've

0:19:44.840 --> 0:19:48.040
<v Speaker 1>completed a business transaction. Turned that around. Give me another fifty,

0:19:48.480 --> 0:19:50.080
<v Speaker 1>I'm going to kill you. I mean you always have

0:19:50.200 --> 0:19:54.840
<v Speaker 1>that as you're operating motive operandi. You know, I have

0:19:55.080 --> 0:19:58.679
<v Speaker 1>your your life in my hands. So how value is fifty?

0:19:58.920 --> 0:20:02.000
<v Speaker 1>Is fifty or is it more? I mean, think about

0:20:02.040 --> 0:20:05.520
<v Speaker 1>it for you know. I mean, that's unfortunately the way

0:20:05.560 --> 0:20:10.760
<v Speaker 1>these guys operate. So so without being specific to my answer,

0:20:11.640 --> 0:20:16.040
<v Speaker 1>that's the end that gives you the the the idea

0:20:16.040 --> 0:20:18.720
<v Speaker 1>of whether there's truth in that or not. Does that

0:20:18.760 --> 0:20:22.399
<v Speaker 1>make sense? It does? But then we have our source

0:20:22.440 --> 0:20:26.840
<v Speaker 1>from the last episode, the former Mexican Mafia member. Was

0:20:26.920 --> 0:20:30.720
<v Speaker 1>there ever a bounty on Edward James almost as far

0:20:30.760 --> 0:20:33.800
<v Speaker 1>as you know, No, No, there was not a bounty.

0:20:33.960 --> 0:20:36.320
<v Speaker 1>The Mexican Mafia never paid for a hit, and it

0:20:36.359 --> 0:20:38.840
<v Speaker 1>doesn't pay for hits. You do a hit, it's for

0:20:38.880 --> 0:20:40.960
<v Speaker 1>the honor and the glory and the privilege for killing

0:20:41.000 --> 0:20:44.400
<v Speaker 1>for the organization. So I mean, he was a target,

0:20:44.440 --> 0:20:47.919
<v Speaker 1>but not really a viable target. I mean, would they

0:20:47.960 --> 0:20:49.879
<v Speaker 1>have killed him if you walk into gang territory and

0:20:49.840 --> 0:20:52.240
<v Speaker 1>they were shooters there, sure they would have killed him.

0:20:52.680 --> 0:20:54.679
<v Speaker 1>But I think he was more valuable being the target

0:20:54.720 --> 0:20:57.280
<v Speaker 1>of extortion. So I mean you have to look at

0:20:57.280 --> 0:20:59.560
<v Speaker 1>it through the prism of the mob, all right. They

0:20:59.560 --> 0:21:02.080
<v Speaker 1>guys don't pay money, and he was a valuable asset

0:21:02.160 --> 0:21:04.640
<v Speaker 1>of the organization for the period that they used them.

0:21:04.680 --> 0:21:10.520
<v Speaker 1>Do you know what he paid them? Yeah? Wow, Okay,

0:21:10.600 --> 0:21:13.679
<v Speaker 1>that's that's actually less than what we heard. But I

0:21:13.720 --> 0:21:17.600
<v Speaker 1>guess fifty thirty years ago is a different story. So

0:21:17.840 --> 0:21:20.359
<v Speaker 1>it wasn't a bounty in the sense that they'll pay

0:21:20.560 --> 0:21:23.480
<v Speaker 1>for anyone who kills him. But what it would have

0:21:23.520 --> 0:21:27.160
<v Speaker 1>happened if almost hadn't paid Oh yeah. I mean, if

0:21:27.160 --> 0:21:30.040
<v Speaker 1>you wouldn't have paid, it would have got whacked. We'll

0:21:30.080 --> 0:21:33.520
<v Speaker 1>let you decide which story you believe. And then there's

0:21:33.560 --> 0:21:37.080
<v Speaker 1>the people who were killed. We've narrowed down from Danny

0:21:37.119 --> 0:21:41.960
<v Speaker 1>Trejo's vague eight to ten really to three individuals. Their

0:21:42.040 --> 0:21:47.399
<v Speaker 1>names were Annalys Sa, Charlie Mandriquez, and Manuel Luna. Between

0:21:47.400 --> 0:21:49.439
<v Speaker 1>all the rumors around the movie and the fact that

0:21:49.560 --> 0:21:52.240
<v Speaker 1>Edward James almost was maybe extorted by the Mexican mafia,

0:21:52.760 --> 0:21:55.680
<v Speaker 1>some people around and believe that the movie actually caused

0:21:55.680 --> 0:21:58.800
<v Speaker 1>the murders, to the point that they're still afraid today

0:21:58.840 --> 0:22:01.719
<v Speaker 1>that they'll get killed for talking about it. But as

0:22:01.800 --> 0:22:04.200
<v Speaker 1>we know from our source from within the Mexican mafia

0:22:04.240 --> 0:22:07.280
<v Speaker 1>at the time and from the federal indictment, these people

0:22:07.400 --> 0:22:11.280
<v Speaker 1>were already on green light. So why why did the

0:22:11.320 --> 0:22:16.000
<v Speaker 1>street react to this movie more than people in prisons. Well,

0:22:16.000 --> 0:22:17.639
<v Speaker 1>you know, a lot of the stuff, a lot of

0:22:17.640 --> 0:22:20.720
<v Speaker 1>it was filmed in hazard So smile long Guiado. He

0:22:20.760 --> 0:22:23.240
<v Speaker 1>was headstrong and it was an opportunistic for him to

0:22:23.280 --> 0:22:26.560
<v Speaker 1>eliminate people. They used to call Rocky Luna the godfather

0:22:26.600 --> 0:22:29.280
<v Speaker 1>of the projects, right, So it was opportunistic for a

0:22:29.320 --> 0:22:31.840
<v Speaker 1>Guyardo to utilize, you know, what was happening in the

0:22:31.840 --> 0:22:34.439
<v Speaker 1>political world of mafia to get them whacked. You know,

0:22:34.520 --> 0:22:37.159
<v Speaker 1>Charlie Brown Mariquez, we had conspired to kill him. You know,

0:22:37.160 --> 0:22:40.080
<v Speaker 1>I had volunteered to kill that guy years before. He

0:22:40.119 --> 0:22:42.720
<v Speaker 1>wasn't even were killing though, right and the Lozarego was

0:22:42.760 --> 0:22:44.720
<v Speaker 1>known as a rat through and through the hood, you know,

0:22:44.760 --> 0:22:46.960
<v Speaker 1>because she went through Youth gang Services and she spoke

0:22:47.000 --> 0:22:49.440
<v Speaker 1>to cops all the time, so she had smart on her.

0:22:49.560 --> 0:22:52.840
<v Speaker 1>Charlie Brown Mariquez has smut on him for being a bum.

0:22:52.880 --> 0:22:55.280
<v Speaker 1>He was degrading the organization by living in cars and

0:22:55.320 --> 0:22:59.439
<v Speaker 1>being a crackhead, and Mauel Luna became a crackhead, so

0:22:59.560 --> 0:23:01.919
<v Speaker 1>you know, they were diminishing the statue of the organization.

0:23:02.000 --> 0:23:05.040
<v Speaker 1>So Smiland used this opportunity to gain a foothold and hazard.

0:23:05.680 --> 0:23:08.760
<v Speaker 1>It turns out Puppet and Little Puppet were right all along.

0:23:09.800 --> 0:23:15.040
<v Speaker 1>My understanding that she she had a relationship with prior

0:23:15.119 --> 0:23:18.840
<v Speaker 1>to the movie. Obviously she was our our technical advisor,

0:23:19.160 --> 0:23:21.520
<v Speaker 1>and then she ended up in the movie. But she

0:23:21.640 --> 0:23:25.040
<v Speaker 1>was run in because she knew the world. And so

0:23:25.119 --> 0:23:28.280
<v Speaker 1>my understanding was that there was some kind of thief

0:23:28.640 --> 0:23:33.560
<v Speaker 1>that has something to do before the movie. I don't

0:23:33.600 --> 0:23:36.520
<v Speaker 1>really know. I don't either, but I think American Me was,

0:23:36.960 --> 0:23:38.920
<v Speaker 1>you know, maybe the straw that broke the camel's back.

0:23:38.960 --> 0:23:41.040
<v Speaker 1>But there was more to it than just American as

0:23:41.040 --> 0:23:44.320
<v Speaker 1>what you're trying to say, Like Rodney King, American Me

0:23:44.480 --> 0:23:46.520
<v Speaker 1>was more of the straw that broke the camel's back,

0:23:46.880 --> 0:23:50.960
<v Speaker 1>not the reason itself. Liss, Saga, Manriquez, and Luna would

0:23:50.960 --> 0:23:54.719
<v Speaker 1>have been killed eventually for their trespasses against Lamy, So

0:23:54.760 --> 0:23:57.560
<v Speaker 1>putting that on almost isn't any more fair than saying

0:23:57.560 --> 0:24:02.080
<v Speaker 1>the entire l a riots happened over court case. In fact,

0:24:02.359 --> 0:24:05.760
<v Speaker 1>unlike the Rodney King case, American Me had almost nothing

0:24:05.800 --> 0:24:08.439
<v Speaker 1>to do with why these people died. I wish I

0:24:08.440 --> 0:24:11.280
<v Speaker 1>could tell Edward James almost that directly. Would it make

0:24:11.359 --> 0:24:14.480
<v Speaker 1>him feel better? I don't know. I think ultimately my

0:24:14.560 --> 0:24:17.359
<v Speaker 1>quest to hear from almost or at the least to

0:24:17.480 --> 0:24:20.959
<v Speaker 1>understand him, is really about the desire to understand the

0:24:21.040 --> 0:24:24.600
<v Speaker 1>power of the artist himself. Is he right to believe

0:24:24.760 --> 0:24:27.520
<v Speaker 1>that we can have that kind of impact, the kind

0:24:27.560 --> 0:24:32.120
<v Speaker 1>that stops gang violence or riots through art and activism,

0:24:32.240 --> 0:24:36.280
<v Speaker 1>or is that just a messianic complex? I'm not sure.

0:24:36.400 --> 0:24:39.000
<v Speaker 1>What the answers to those questions are. But I have

0:24:39.119 --> 0:24:43.120
<v Speaker 1>to think that was a humbling year for Edward James. Almost.

0:24:43.760 --> 0:24:46.040
<v Speaker 1>What we do know is that, well, maybe he didn't

0:24:46.080 --> 0:24:49.920
<v Speaker 1>become the Chicano Martin Scorsese. He did find a more modest,

0:24:50.040 --> 0:24:53.399
<v Speaker 1>if not painstaking way to make an impact in the

0:24:53.440 --> 0:24:59.800
<v Speaker 1>lives of young Latinos. I mean, the chairman of the

0:25:00.000 --> 0:25:04.320
<v Speaker 1>a Cinema Project how found it. It was an evolutionary

0:25:04.320 --> 0:25:09.880
<v Speaker 1>process that started back and then kind of evolved, almost

0:25:09.920 --> 0:25:13.239
<v Speaker 1>turned his attention to the classroom, perhaps inspired more by

0:25:13.320 --> 0:25:18.800
<v Speaker 1>him Escalante than anything else. Film influences the human mind.

0:25:19.119 --> 0:25:22.960
<v Speaker 1>It's a very powerful medium. The way you address diversity

0:25:23.400 --> 0:25:26.480
<v Speaker 1>is by going back to the drawing board and starting

0:25:26.480 --> 0:25:29.000
<v Speaker 1>in fourth grade. The mission of the Youth Cinema Project

0:25:29.119 --> 0:25:31.440
<v Speaker 1>is very simple. It's about closing the achievement gap in

0:25:31.480 --> 0:25:35.240
<v Speaker 1>the classroom for our most underprivileged children and to close

0:25:35.320 --> 0:25:38.639
<v Speaker 1>the opportunity gap in the entertainment industry for our communities

0:25:38.640 --> 0:25:43.880
<v Speaker 1>of color Fi cattic to The program involves two filmmaking

0:25:43.880 --> 0:25:47.480
<v Speaker 1>mentors going into the classroom and they teach the entire

0:25:47.520 --> 0:25:50.119
<v Speaker 1>process of film, so how to generate ideas, how to

0:25:50.119 --> 0:25:54.320
<v Speaker 1>write the script, all the planning and pre production, filming itself,

0:25:54.320 --> 0:25:56.720
<v Speaker 1>in production as well as post that. They go through

0:25:56.720 --> 0:26:01.920
<v Speaker 1>the process treating the students as colleagues rather than lecturing

0:26:01.960 --> 0:26:09.159
<v Speaker 1>to them. It's inspired the community to the point of

0:26:09.240 --> 0:26:14.439
<v Speaker 1>where kids are actually attending school mare. I mean, I

0:26:14.480 --> 0:26:16.439
<v Speaker 1>wish I would have been had this class when I

0:26:16.440 --> 0:26:18.600
<v Speaker 1>was in the fourth grade. My work would have been

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<v Speaker 1>completely different. Our ultimate goal is to try to get

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<v Speaker 1>the Youth Cinema Project inside every fourth grade class throughout

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<v Speaker 1>the United States. I am the founder and the creator

0:26:29.520 --> 0:26:31.840
<v Speaker 1>of the Youth Cinema Project, and I'm very honor and

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<v Speaker 1>proud of it more than a movie. American Me is

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<v Speaker 1>a production of Exile Content Studios in partnership with My Hearts,

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<v Speaker 1>michaela Podcast Network, and Trojan Horse Media. This show is

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<v Speaker 1>produced by me Alex Fometo at Angry Yuk on the

0:26:47.200 --> 0:26:50.560
<v Speaker 1>Internets and our senior producer is Nigel torm Rose Reed,

0:26:50.720 --> 0:26:54.600
<v Speaker 1>Nando Viela and Cream Taps are executive producers. Are Supervising

0:26:54.600 --> 0:26:58.400
<v Speaker 1>producer is Sabine Jansen. Mixing and sound designed by Eduardo

0:26:58.480 --> 0:27:01.119
<v Speaker 1>Albornos are executive for users at I Heart are just

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<v Speaker 1>cl Bansas and Arlene Santana. For more podcasts, listen to

0:27:05.000 --> 0:27:08.199
<v Speaker 1>the I Heart Radio app, Apple podcasts, or wherever you

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<v Speaker 1>listen to your favorite shows. H