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Speaker 1: Worrying. This podcast countade spoilers for season three, episode five

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Speaker 1: of The Mandalorian. Hello, my name is Jason Concepcion And

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Speaker 1: on Mersey Night and Welcome to X Revision, The Crooked

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Speaker 1: Media podcast will be dived deep into your favorite shows, movies, comics,

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Speaker 1: and pop culture.

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Speaker 2: In this episode and previously on Ike Palmer is out

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Speaker 2: at Disney and good riddance, good riddance to bad rubbish.

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Speaker 2: And this is a shocking news and we're gonna talk

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Speaker 2: about why it matters and what it means for Marvel Entertainment.

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Speaker 2: In the airlock, we're talking about season three, episode five

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Speaker 2: of The Mandalorian, which was just a ton of fun.

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Speaker 2: It was really, really fun, and we're gonna be moaning

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Speaker 2: about those Mandalorians as always. And in nerd out from Mike,

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Speaker 2: he's going to talk about what scene may close out

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Speaker 2: the Mandalorian series.

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Speaker 1: Of course, if you want to jump around, check the

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Speaker 1: timestamps that may or may not be accurate due to

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Speaker 1: issues beyond our control that we are working on, but

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Speaker 1: check them anyway because they're there for you to check.

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Speaker 1: Coming up next previously on First Up, Shake Up at

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Speaker 1: Disney at Marvel Entertainment, Newsflash March twenty nights New York Times.

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Speaker 1: Ike Pearl Mutter out at Marvel. Here's the quote. Pearl

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Speaker 1: Mutter was told by phone on Wednesday that Marvel Entertainment,

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Speaker 1: of small division centered on consumer products and run separately

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Speaker 1: from Marvel Studios, was done and would be folded into

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Speaker 1: larger Disney business units, according to two Disney executives briefed

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Speaker 1: on the matter, who spoke on the condition of anonymity

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Speaker 1: to discuss his sensitive personal matter. Ike, for those of

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Speaker 1: you not aware, is one of the execs who you

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Speaker 1: know has I think it's let's give him his due,

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Speaker 1: has been a driving force behind certainly the early period

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Speaker 1: of the MCU, in the launch of the MCUH, and

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Speaker 1: is also a famously spinthrift individual who lobbied loudly and

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Speaker 1: vociferously and aggressively for not not I repeat not doing

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Speaker 1: diverse Marvel movies such as Black Panther and Captain Marvel.

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Speaker 1: He's really really mad that they made a Black Panther movie.

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Speaker 1: Arymed voted for Trump twice ed said he would do

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Speaker 1: so again in twenty twenty four. That's I Pearl Butter,

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Speaker 1: and he's out your thoughts.

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Speaker 2: He's erse night. Well, so yeah, I agree, you met

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Speaker 2: you have if you listened to the podcast we've had

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Speaker 2: us talk about. He is a very notorious figure in Marvel.

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Speaker 2: He was a board of directors at Marvel Comics in

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Speaker 2: late nineteen ninety three, went on to take over the

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Speaker 2: company with AVR. Rod from Toy Biz, and he was

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Speaker 2: the one who, eventually, after establishing Marvel Studios, would sell

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Speaker 2: Marvel to Disney for four billion. Now my biggest thing here,

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Speaker 2: let's go back to that New York Times quote, because

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Speaker 2: this is huge, guys, and I know I can't help it.

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Speaker 2: I love this stuff. It makes me worried. Look, they say,

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Speaker 2: Marvel Entertainment, a small division centered on consumer products and

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Speaker 2: run separately from Marvel Studios, was redundant in the eyes

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Speaker 2: of Disney. So Marvel Entertainment is Marvel Comics, and the

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Speaker 2: consumer products that they sell are comic books. So I

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Speaker 2: would say that this is not the last that we've

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Speaker 2: heard of this news. I am very happy that Ike

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Speaker 2: is leaving, and hopefully with him a lot of those

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Speaker 2: outdated views not only on race and gender and all

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Speaker 2: that kind of stuff that you mentioned, but also on

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Speaker 2: the way workers are treated. He was known like you said,

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Speaker 2: for not spending money for cutting corners.

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Speaker 1: And it's also just like uh, you know, Kevin Feige

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Speaker 1: uh mm hmm, and others, not to mention returning CEO

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Speaker 1: Bob Iiger have had to spend in the past so

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Speaker 1: much energy like keeping I could pay that. Hopefully things

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Speaker 1: will get easier on their side now.

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Speaker 2: Yeah, fingers crossed. I am very interested that this news

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Speaker 2: came out the way it did because, like I saw

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Speaker 2: a great tweet where somebody said, you know, this is

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Speaker 2: like Trump arrest day for comic book fans like we have.

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Speaker 2: This is actually one of the biggest one of the

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Speaker 2: biggest shocks about this news is that Ike still had

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Speaker 2: any kind of responsibility because this chairman role that they

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Speaker 2: had given him had kind of it seemed like he'd

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Speaker 2: handed his responsibilities over to people like Figi Alan Fine.

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Speaker 2: So the fact that he is still needed to be

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Speaker 2: laid off was kind of a shock, but a good shock.

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Speaker 2: But I do not believe that Disney would have wanted

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Speaker 2: this to be the way the news came out, because

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Speaker 2: the question that me and many other people are now

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Speaker 2: asking is what happens to the comics division. In the

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Speaker 2: New York Times, they said Marvel Entertainer was based in

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Speaker 2: New York City. Based on all of this reporting, the

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Speaker 2: Wikipedia page for Marvel Entertainment now says that the company

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Speaker 2: lo longer exists and is defunct. So we know Marvel's

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Speaker 2: still going to keep making comics. The question is what

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Speaker 2: does that look like and how does this impact the

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Speaker 2: people who work their day to day and also what

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Speaker 2: does it mean for Marvel to no longer be in

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Speaker 2: New York. DC comics takes place in all these made

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Speaker 2: up places, you know, Metropolis, Gotham, But let's think about Marvel.

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Speaker 2: It's like looking out your window. You're in the X Men,

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Speaker 2: You're in Westchester, you're in New York, you're with Spider Man.

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Speaker 2: That location has always been Marvel's home.

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Speaker 1: Its famously based in New York for its entire life.

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Speaker 1: Although you know, like some might say, what's the big deal,

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Speaker 1: DC moved their comics offices to la some years ago,

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Speaker 1: blah blah blah, it is. It's a big shift, and

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Speaker 1: there's a lot of questions. We don't know about what.

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Speaker 2: This means exactly. That's it's about keeping our ears to

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Speaker 2: the ground. If anyone from Marvel wants to let us

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Speaker 2: know what's going on. We would love to know. I'm

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Speaker 2: very interested, and I'm hoping that everyone at Marvel who

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Speaker 2: does great work making those comics is had prior knowledge

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Speaker 2: about this. I'm interested to see where it goes next.

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Speaker 2: But yeah, I'm very I'm living a Margaret thatcher ding

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Speaker 2: Dong the Witch is dead moment, Like obviously we're all

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Speaker 2: celebrating the Pike will no longer be a part of this.

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Speaker 2: I just want to know what's going on with the

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Speaker 2: comic Well.

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Speaker 1: Obviously a lot of information is still to emerge, but

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Speaker 1: it seems like I'm sorry to theorize, but here it is.

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Speaker 2: It's what we do.

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Speaker 1: It seems like a something like a more sub something

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Speaker 1: more substantive perhaps than a rebrand where they fold Marvel

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Speaker 1: Comics and start a new company called Marvel Comics Plus

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Speaker 1: or something. Yeah, that all the people the right, right,

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Speaker 1: that all the people that work for that company have

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Speaker 1: been fired but now are instantly hired to work for

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Speaker 1: this company that's a completely different entity. Slash it was sating.

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Speaker 2: This is if you are somebody who loves comic books.

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Speaker 2: Ever since AT and T and Warner and these kind

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Speaker 2: of DC mergers that have been impacting DC comics for

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Speaker 2: so long, those conversations about what does a corporation know

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Speaker 2: about how to make comics? Will they get rid of

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Speaker 2: the comic harm will they license it out? That has

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Speaker 2: always been part of the conversation with Disney buying Marvel.

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Speaker 2: People wondered if this would happen. We don't know what

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Speaker 2: it's going to look like, but we can assume from

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Speaker 2: the fact that they're calling Marvel Entertainment redundant that it

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Speaker 2: will change.

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Speaker 1: Now.

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Speaker 2: I will say DC moving to LA was like a

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Speaker 2: stroke of genius, and the DC offices are beautiful, and

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Speaker 2: they hire a bunch of wonderful different people who work there.

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Speaker 2: And I'm sure that there's a version of Marvel moving

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Speaker 2: to LA that would be great. It makes sense with

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Speaker 2: the studios, with the builds. But what will that look like,

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Speaker 2: especially as we are now in the first week of

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Speaker 2: the promise seven thousand layoffs that Disney is doing. So,

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Speaker 2: you know what, I will give them a slight bit

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Speaker 2: of credit for starting with execs because.

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Speaker 1: Does that happen?

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Speaker 2: But yeah, this is this is kind of huge. I

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Speaker 2: expect the ramifications to be large and continuing. But as

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Speaker 2: Jason pointed out, we don't really know that much.

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Speaker 1: Now that much.

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Speaker 2: We do know that this was likely in response, at

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Speaker 2: least in part to Ike Palmutter trying to do a

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Speaker 2: shadow takeover of the Disney board with his friend Nelson Pelts,

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Speaker 2: which was in the news a lot. And it's actually

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Speaker 2: very interesting to go and read about. So if you're

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Speaker 2: wondering for if you're looking for the why it is

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Speaker 2: not really because of his bad behavior in the past.

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Speaker 2: Is corporate.

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Speaker 1: Yeah, because to take over the company and then try

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Speaker 1: to take over the company because of his in part

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Speaker 1: certainly ill feelings about Bob Iger, who shelved him after

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Speaker 1: he lost a power struggle with Kevin Feige uh Over.

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Speaker 1: We tried to fire right over again, the fact that

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Speaker 1: I didn't want to make a black Pig or a

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Speaker 1: Captain Marvel movie. Bob Iger two billion dollar movies, robab

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Speaker 1: I would just say, right, Bob Iger in his book

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Speaker 1: or in some other interview, was asked, how you know

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Speaker 1: if Ike's feelings about that perhaps fueled that takeover bid,

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Speaker 1: and he said, and Iger was quoted as saying, well,

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Speaker 1: you'd have to ask Ike about that, but let's put

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Speaker 1: it this way. He was not happy about it, and

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Speaker 1: I think that unhappiness exists today.

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Speaker 2: I agree.

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Speaker 1: Anyway, Up next, returning to the Mandalorian in the airlock,

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Speaker 1: we're stepping out of the airlock and onto the mean streets,

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Speaker 1: the beautiful once and we'll be again beautiful Streets of

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Speaker 1: Navarro for Season three, Episode five of The Mandalorian, a

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Speaker 1: Disney Plus titled Chapter twenty one The Pirate John Favreau,

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Speaker 1: directed by Peter Ramsey. Super super fun episode.

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Speaker 2: Real Star Wars vibes. Have you loved those Star Wars vibes?

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Speaker 2: If you want to feel like you're a little kid

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Speaker 2: with a R two D two lunch box and you

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Speaker 2: play them with your cheap, plastic but beloved Kenna toys,

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Speaker 2: this is the episode that's gonna send you back into

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Speaker 2: that nostalgia. And so much happens.

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Speaker 1: A lot happens. So we start on Navarro High. Magistrate

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Speaker 1: Grief Cargo is playing SimCity on his desk with his

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Speaker 1: with his people are out of He's in the middle

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Speaker 1: of this development meeting and is like, where we gonna

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Speaker 1: put the railroad. We gotta put the rail spur over here.

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Speaker 1: We're talking about it's gonna be a massive cargo moving

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Speaker 1: through the city.

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Speaker 2: Uh.

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Speaker 1: And the meeting is broken up by the arrival of

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Speaker 1: pirate King Shard's flagship. Shard hails Cargo, and Shard is like,

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Speaker 1: holy shit, grief Cargo. That sounds like you, grief Cargo,

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Speaker 1: but a killed master of the Navarro Hunters, the fame

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Speaker 1: Navarro Bounty Hunters. But all I see before me is

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Speaker 1: a pampered nobleman. And Shard, of course, is still hot

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Speaker 1: that Carga and Dn Jarren shot his pirates in the

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Speaker 1: street street now, uh, you know they were up to

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Speaker 1: no good, as pirates often are, and Carga notes quite

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Speaker 1: accurately that they drew first, and Shard is like, well,

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Speaker 1: now I'm gonna shoot first. Carga then tries the bluff.

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Speaker 1: He's like, hey, you a fuck with us, You're gonna

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Speaker 1: fuck with the New Republic because we're about We're we're

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Speaker 1: part of the New Republic. Now what about that? And

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Speaker 1: Shard is like, well, I just looked at Galactic Wikipedia

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Speaker 1: and it says you guys are independent. So who's lying?

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Speaker 1: Is it Wikipedia or is it or is it you?

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Speaker 1: And I know that maf Gideon is not here anymore

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Speaker 1: because he is either dead or was on trial, and

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Speaker 1: nobody fucking knows where he is, so what's gonna happen?

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Speaker 1: And Carga's like, well, okay, what about the x Wing

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Speaker 1: patrols that come through here every once in a blue moon?

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Speaker 1: And Sharna is like, well, I'll take my fucking chances peace,

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Speaker 1: and then he fucking hangs up and starts opening fire

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Speaker 1: on the city streets packed with civilians. They're just getting

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Speaker 1: like murders left and right.

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Speaker 2: Also as well, like I feel like I love call Weathers,

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Speaker 2: I love Grief Cargo. I feel like, is the New

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Speaker 2: Republic really going to stop a pirate? Like not like

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Speaker 2: could they stop them? I'm sure they could, but like

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Speaker 2: is that threat really so big? I feel like he

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Speaker 2: made it, played the wrong card there.

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Speaker 1: Well, as we will see, the New Republic is just

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Speaker 1: in the They're a new administration and they have a

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Speaker 1: lot of trouble getting there in a mask, getting their

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Speaker 1: business off the ground. Grief Cargo gestures to his ASTRONMK

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Speaker 1: droid and uh he then although we don't see it,

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Speaker 1: records help us your early hope message. And then when

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Speaker 1: his protocol droid runs up and is like, hey, we

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Speaker 1: got to get out of here, we got the we

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Speaker 1: got the escape ready Carga bravely, courageously is like, no,

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Speaker 1: I'm not leaving. I'm not leaving my people. I need

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Speaker 1: to lead my people back to the most significant rise

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Speaker 1: in property values in Navarro's history. We're coming back.

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Speaker 2: We will rebail, we are making real estate money. We

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Speaker 2: cannot leave.

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Speaker 1: We will rebuild. And he tells his people, Hey, head

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Speaker 1: for the hills, go for the dunes, and we'll regroup.

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Speaker 1: Just get out of the city. Then we go to

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Speaker 1: an unknown jungle planet where that is a base for

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Speaker 1: the New Republic's Adelphi Rangers, and we see our friend

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Speaker 1: Captain Tiva. He's taking some r and R at the

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Speaker 1: base Cantina, when he's told that there's a message. He

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Speaker 1: puts it in the in the player and realizes his

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Speaker 1: grief Cargo asking for help with a ongoing pirate siege,

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Speaker 1: and Carga says, quote, I'm afraid that our planet will

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Speaker 1: fall in Shard will turn this into a pirate base.

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Speaker 1: And we hear a voice someone has overheard this and says,

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Speaker 1: I really thought Navarro is gonna make it. And it's

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Speaker 1: our friend zeb Crew looking a bit looking legitimately fucking incredible,

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Speaker 1: unbelievable in live action ILMB. Can we get il M

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Speaker 1: on the the the volume on on I didn't have.

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Speaker 1: I didn't have any particular notes on the ebcu uh

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Speaker 1: Man and the Wasp quantum media. But but like this

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Speaker 1: looked great, It looked amazing.

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Speaker 2: The Mandalorians just consistently knocks it out of the park

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Speaker 2: with their use the way they mix practical and cgs,

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Speaker 2: and Zeb looked so good here, Like this is definitely

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Speaker 2: a moment where if you know, you know, and if

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Speaker 2: you know you scream, Like this is like when you

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Speaker 2: see him, you're like, oh my god. And we'll get

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Speaker 2: into this more, but I think this hints that probably

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Speaker 2: a much bigger inclusion that we'll get this season. But

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Speaker 2: this was so cool, looked brilliant, super cool, totally within character.

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Speaker 2: I just feel like it was just all good. Tend

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Speaker 2: to it been good stuff.

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Speaker 1: I could not agree where I'd like started shouting us.

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Speaker 1: Teva tells Zeb that he's going to go to command

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Speaker 1: and he's going to ask for a remission to take

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Speaker 1: on the pirates. But as we've seen this, we've already

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Speaker 1: talked about the transition from two decades of empire is

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Speaker 1: not easy. It's a mess, like just being being legitimately

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Speaker 1: charitable to in your republic. It's this is hard work. Uh,

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Speaker 1: and then zeb says, hey, they're swamp. They haven't returned

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Speaker 1: a message in weeks. Teva then decides, okay, I'm going

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Speaker 1: to give it the personal touch. I'm gonna fly to

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Speaker 1: Corroussant and I'm gonna get Navarro the help it needs.

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Speaker 1: Teva saunters into command to see Colonel Tunnel on Coroissant,

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Speaker 1: and it's a good example of how chaotic things are

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Speaker 1: right now for the new administration. That Tunnel ostensibly Teva's

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Speaker 1: commanding officer. He cannot even get his Droid to followers.

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Speaker 1: He's like, hey, don't Droid, don't put that tray of

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Speaker 1: records there on my desk because I and then Droids

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Speaker 1: is like fuck you, and it just drops the tree.

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Speaker 2: They're like shit, can I just also just talk about it?

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Speaker 2: I was just so happy to see Tim Meadows. This

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Speaker 2: is just like wonderful one casting. He's in a really

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Speaker 2: great episode of poker Face, which I'd love to see him,

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Speaker 2: and this is so good because he has the perfect

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Speaker 2: exasperated bureaucrat voice, like and you just realized in this

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Speaker 2: one scene in one performance, like the New Republic is

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Speaker 2: getting nothing done. They are trying their best, but they are.

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Speaker 1: Struggle hard, and they have the best of intentions.

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Speaker 2: But it's really they're they're doing better than some other

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Speaker 2: radical organizations we've seen before, Yes we have, but I

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Speaker 2: mean they're not trying to replicate the Imperials. They're trying

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Speaker 2: to do their best, but it is they are stuck

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Speaker 2: in a bureaucratic roup.

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Speaker 1: I mean, like this, there are larger questions here to

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Speaker 1: be asked, like whether whether a galaxy spanning government is

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Speaker 1: even a good idea, Like, yes, that's a great question

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Speaker 1: to ask. But they're trying, and they have good intentions,

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Speaker 1: and they're not very effective right now, but they're trying.

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Speaker 1: Elliot Kine otherwise known as G sixty eight, the former

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Speaker 1: Imperial currently working on some unknown neo imperial scheme from

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Speaker 1: inside the New Republic leadership.

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Speaker 2: Always acting, she's always acting with shady as fuck.

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Speaker 1: She like, I gotta say, gee, don't make evil scheme

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Speaker 1: faces all the time because somebody's gonna notice at some point.

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Speaker 2: Kay O'Brien is so good as like the villain, Like

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Speaker 2: every time you see how you know, just like everyone

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Speaker 2: just look around. She's scheming. She's doing a scheme face,

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Speaker 2: she's looking evil like I believe it, like she's doing it,

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Speaker 2: and nobody seems to notice. I love it. It's great.

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Speaker 1: So Tevah barges in and tuddles like, who the fuck

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Speaker 1: are you? You know? His Rodian you know, assistant is like,

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Speaker 1: I'm sorry, this guy just barged in, and Teva gets

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Speaker 1: right to the point. He's like, there's a pirate siege

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Speaker 1: on Navarro in the Outer Rim, and I'm mad straate,

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Speaker 1: I know sent An sos and we should do something.

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Speaker 1: Tunnel plays the message and at that point G. Sixty

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Speaker 1: eight comes in with this helpful offer. Hey, I'm going

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Speaker 1: to the commissary if you want like some of those

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Speaker 1: Imperial biscuits. I know you love them.

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Speaker 2: One of the good things about me, am By, you know,

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Speaker 2: not good things. They were one of them.

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Speaker 1: The trains. They made, the trains run on time, and

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Speaker 1: the biscuits are delicious. Yeah, And then Tuttle is like, oh, yeah,

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Speaker 1: that's right. G sixty eight, Uh, in your that's right.

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Speaker 1: In your capacity is an Imperial soldier aut Aer mof

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Speaker 1: Giddion noted war Crudle. You spent some time in the

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Speaker 1: Outer rim right, what about about you? Yeah, what did

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Speaker 1: you know about Navarro? And she's like, yeah, I did

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Speaker 1: spend some time there. And then at that point, Tevin

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Speaker 1: notices G. Sixty eight's very unique kind of red striped

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Speaker 1: badge which identifies her as a former imperial and part

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Speaker 1: of the amnesty program, and she is like, well, you know,

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Speaker 1: unfortunately Navarro never signed the new public Charter, so they're

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Speaker 1: not part of this whole thing, and Tuttle notes that, hey,

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Speaker 1: you see how fucked up things are right now? We

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Speaker 1: have member worlds that can't get the help they need.

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Speaker 1: How's it gonna look if I go and help some

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Speaker 1: independent planet? And then Teva is like, hey, we got

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Speaker 1: to connect the dots here. There's something bigger. Why is

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Speaker 1: Navarro always coming up? We had reports of stormtroopers in

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Speaker 1: the streets and borrow maf Gideon was known to be

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Speaker 1: skulkinger on the planet doing who knows what. Meanwhile, ask

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Speaker 1: this lady right next to you, because she was serving

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Speaker 1: with him. Tie fighters are flying openly over Navara. What's

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Speaker 1: with all the action? And Navarro on tunnel says, okay,

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Speaker 1: you could get to hyperspace with a leap like that, Like,

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Speaker 1: come on and then Teva's like, how do we know that?

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Speaker 1: He basically is like maf Gideon could be behind this, right, like,

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Speaker 1: we don't know where he is. I heard he never

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Speaker 1: made it to try, like what's going on that? And

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Speaker 1: then you know, Tuttle again says I. Listen, I'm just

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Speaker 1: a pencil pusher. I'm just like a quarkinizer. Basically, all

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Speaker 1: I can do is get you things. So what do

359
00:20:05,080 --> 00:20:07,760
Speaker 1: you need? What can I do for you? And I

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Speaker 1: got to say before we go further, I think that

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Speaker 1: the amnesty program. I think it's a good idea, and

362
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Speaker 1: I think it's a well meeting program, And I don't

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Speaker 1: want to throw out the baby with the bathwater. Maybe

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Speaker 1: there are a lot of positive success stories and good

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Speaker 1: things to come out of it. Like like I would

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Speaker 1: assume that the other people that doctor Pershing and G.

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Speaker 1: Sixty eight were sitting with back at Amnesty House, like

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Speaker 1: are not working on neo imperial conspiracy conspiracies. Right that said,

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Speaker 1: I don't think that we should allow former imperials to

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Speaker 1: have this kind of access to New Republic like decision

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Speaker 1: making levers. Why why are we just like letting former

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Speaker 1: imperials like work in high command I.

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Speaker 2: Also feel like, specifically in this situation, if somebody used

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Speaker 2: to work for mof Gideon and this planet is connected

375
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Speaker 2: to mof Gideon, that's like, this is a conflict of interest,

376
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Speaker 2: My dad, great, sorry, you can't be involved in this one.

377
00:21:10,080 --> 00:21:11,919
Speaker 2: I think what this scene does really well, as well

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Speaker 2: as being funny, because Tim Meadows is like really fucking funny,

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Speaker 2: is it highlights how it's really easy for G. Sixty

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Speaker 2: eight to take advantage of this system because nobody knows

381
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Speaker 2: what's going on. Tyl didn't know anything about the hour Rim,

382
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Speaker 2: so he just asks a war criminal who worked for

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Speaker 2: like a famous war criminal with a magical sword. He's like,

384
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Speaker 2: what do you know about it? Yeah, And this is

385
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Speaker 2: exactly how she's managed to rise up the ranks, and

386
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Speaker 2: it's very interesting to see them kind of explore that.

387
00:21:38,440 --> 00:21:42,359
Speaker 1: G sixty eight suggests that, hey, you know, uh, maybe

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Speaker 1: Navarro would sign the charter. Uh if we let them

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Speaker 1: get punched in the mouth a little bit by pirates that.

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Speaker 2: Flag, yeah flag very fashion.

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Speaker 1: Maybe at a little bit of a mass murder happened,

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Speaker 1: they'd understand that they'd want to be under the protective

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Speaker 1: umbrella of the New Republic. Wouldn't that teach him a lesson?

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Speaker 1: And Teva says sounds like imperial thinking it absolutely is.

395
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Speaker 1: But then Tunnel is like, oh, oh, you're out a line.

396
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Speaker 1: How dare you say that? Yeah, you're out a lion there?

397
00:22:12,119 --> 00:22:15,919
Speaker 1: How dare you besmirch the good name of this former

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Speaker 1: war criminal who worked for an even bigger work.

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Speaker 2: Criminal who's saying some very war criminal sounding things like yeah.

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Speaker 1: So then G is like takes the high road wonderfully.

401
00:22:26,720 --> 00:22:29,840
Speaker 1: I love this moment. It's so funny because g says, hey, no, no, no, no,

402
00:22:29,720 --> 00:22:32,200
Speaker 1: no no. I get this all the time. Listen as

403
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Speaker 1: a former Imperial soldier who worked under Moff Gideon's evil

404
00:22:36,080 --> 00:22:40,080
Speaker 1: infant experimentation regime, working to acquire scientific knowledge of horrific

405
00:22:40,119 --> 00:22:43,719
Speaker 1: and now illegal cloning technology. I get those kind of

406
00:22:43,760 --> 00:22:46,240
Speaker 1: comments all the time. But I want you to know

407
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Speaker 1: I'm a changed person. I am a different person now.

408
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Speaker 1: And Teva's like, I mean that's easy to say when

409
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Speaker 1: you've been fucking captured, you know, like yeah, and she

410
00:23:01,320 --> 00:23:04,919
Speaker 1: corrects him, no, no, no, I was liberated. And then Tunnel

411
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Speaker 1: is like, okay, like, you see all the files and

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Speaker 1: shit on my desk, I will look into it, get

413
00:23:08,960 --> 00:23:11,280
Speaker 1: the FuG out of here, and Teva and his cool

414
00:23:11,280 --> 00:23:13,520
Speaker 1: bomber jacket go to leave, but they leave with a warning.

415
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Speaker 1: They say, something big is happening, the resurrection of Palpatine,

416
00:23:18,680 --> 00:23:28,439
Speaker 1: something the resurrection I've ever speak good. Something big is

417
00:23:28,480 --> 00:23:30,959
Speaker 1: happening out there, and you better act before it's too

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Speaker 1: late to stop it.

419
00:23:32,280 --> 00:23:35,879
Speaker 2: Spoiler They won't stop it, will stop it when it

420
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Speaker 2: goes badly for everyone.

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Speaker 1: We go to the outskirts of Navarro Grief and the

422
00:23:41,880 --> 00:23:46,560
Speaker 1: citizens are now refugees huddling in the dunes, and he

423
00:23:46,720 --> 00:23:49,280
Speaker 1: promises them listen, help is on the way. They're like, yeah,

424
00:23:49,840 --> 00:23:54,960
Speaker 1: how whom? And it looks really bad elsewhere on the

425
00:23:55,000 --> 00:23:58,280
Speaker 1: mysterious planet that is home to the Mandalorian covert, Teva,

426
00:23:58,520 --> 00:24:01,480
Speaker 1: following a homing signal, lands at the edge of Crocodile

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00:24:01,560 --> 00:24:06,600
Speaker 1: Lake just outside the forge. Every Mandalorian gun is on him. Pause.

428
00:24:06,720 --> 00:24:09,840
Speaker 1: Viz Last comes strolling out with that big fucking chain

429
00:24:09,880 --> 00:24:13,399
Speaker 1: gun of his, was like, get out of here. We

430
00:24:13,440 --> 00:24:16,480
Speaker 1: don't like New Republic cops, and we get it, honestly,

431
00:24:16,520 --> 00:24:19,720
Speaker 1: we get it. Then then comes out as like wait,

432
00:24:19,760 --> 00:24:23,760
Speaker 1: how did you find us? And Tevis as fortunately someone

433
00:24:23,760 --> 00:24:27,080
Speaker 1: I served with in the Rebellion is among your ranks

434
00:24:27,119 --> 00:24:29,359
Speaker 1: and the R five dfour you. It comes out and

435
00:24:29,400 --> 00:24:34,840
Speaker 1: it was like, oh, it was me, and let's stop here. Yes,

436
00:24:35,440 --> 00:24:39,000
Speaker 1: we've already talked about the kind of twist of fate

437
00:24:39,119 --> 00:24:44,800
Speaker 1: aspect of R five's you know, kind of coincidental relationship

438
00:24:44,840 --> 00:24:46,760
Speaker 1: with R two and how that really did shape the

439
00:24:46,800 --> 00:24:49,359
Speaker 1: future of the galaxy. But I was not aware that

440
00:24:49,400 --> 00:24:54,600
Speaker 1: our five, this R five, actually was in the rebel Alliance.

441
00:24:55,200 --> 00:24:59,840
Speaker 2: Yes, this is actually a really nice nod to some

442
00:25:00,119 --> 00:25:02,960
Speaker 2: thing that I believe was established in the books, which

443
00:25:03,080 --> 00:25:09,520
Speaker 2: was basically that R two communicated to R five that

444
00:25:09,600 --> 00:25:13,480
Speaker 2: the galaxy was doomed and R two was the only hope,

445
00:25:13,560 --> 00:25:16,280
Speaker 2: and then R five was like cool and just like

446
00:25:16,359 --> 00:25:19,119
Speaker 2: loosened the hinge on his plate and like blew it

447
00:25:19,240 --> 00:25:21,879
Speaker 2: up so that he could like sacrifice himself so that

448
00:25:21,880 --> 00:25:23,440
Speaker 2: they would buy R two and R two would be

449
00:25:23,480 --> 00:25:26,040
Speaker 2: able to go and help. This is incredibly sweet. I

450
00:25:26,080 --> 00:25:28,320
Speaker 2: love when they build in these moments for droids. But

451
00:25:28,440 --> 00:25:29,920
Speaker 2: can I just say as well, yeah, and I love

452
00:25:29,960 --> 00:25:31,960
Speaker 2: our two. Doesn't that just sound like something that R

453
00:25:31,960 --> 00:25:32,560
Speaker 2: two would.

454
00:25:32,400 --> 00:25:36,120
Speaker 1: Make it very self, very such realizing.

455
00:25:35,760 --> 00:25:40,480
Speaker 2: He's such a little drama Mama, you know as drama. Yeah,

456
00:25:40,520 --> 00:25:42,920
Speaker 2: and that was from The Red One from a certain

457
00:25:42,960 --> 00:25:46,000
Speaker 2: point of view, which is just the funnest little stories

458
00:25:46,280 --> 00:25:50,240
Speaker 2: where they imagine like different and expand on different scenarios.

459
00:25:50,240 --> 00:25:52,600
Speaker 2: It was by Ray Carson, and that's where they established

460
00:25:52,600 --> 00:25:55,960
Speaker 2: that R five kind of did make this sacrifice, and

461
00:25:56,040 --> 00:25:59,439
Speaker 2: I guess his mind was later wiped by jar Wars

462
00:25:59,440 --> 00:26:01,040
Speaker 2: and that's why he kind of didn't know that he

463
00:26:01,080 --> 00:26:03,239
Speaker 2: was a rebel and he ends up with Pelly. So

464
00:26:03,520 --> 00:26:05,760
Speaker 2: I love that they referenced this. Those books are really

465
00:26:05,800 --> 00:26:08,040
Speaker 2: fun and yeah, are two convinced destroyed to blow his

466
00:26:08,080 --> 00:26:10,200
Speaker 2: own head up and he did it for the rebel.

467
00:26:10,320 --> 00:26:14,879
Speaker 1: And then I have other I guess Teva just kept

468
00:26:15,000 --> 00:26:18,959
Speaker 1: our fives like cell phone number and new it just

469
00:26:19,200 --> 00:26:22,919
Speaker 1: somehow how did he do it? I guess they have

470
00:26:23,040 --> 00:26:25,120
Speaker 1: been like on a they're on a group chat, and

471
00:26:25,200 --> 00:26:27,840
Speaker 1: like our five has been telling Teva like that's the

472
00:26:27,840 --> 00:26:30,560
Speaker 1: only way Teva could have rights, Like if our five

473
00:26:30,680 --> 00:26:33,840
Speaker 1: is like, hey, guess what I'm hanging out with that Mandalorian? Uh? Now,

474
00:26:34,320 --> 00:26:36,440
Speaker 1: like I've been roped into a mission to Mandlor.

475
00:26:36,840 --> 00:26:41,320
Speaker 2: If you've had them astromech in your ship, does it

476
00:26:41,480 --> 00:26:43,760
Speaker 2: like you always remember it and you can always just

477
00:26:43,800 --> 00:26:45,639
Speaker 2: be like, oh, I wonder what our five's up to

478
00:26:45,720 --> 00:26:48,320
Speaker 2: and like you because it was like a homing beacon.

479
00:26:48,680 --> 00:26:50,840
Speaker 2: So yeah, we need to know how did they get

480
00:26:50,840 --> 00:26:53,359
Speaker 2: in touch? Is there a rebellion group chat if? So

481
00:26:53,480 --> 00:26:55,920
Speaker 2: seems like it should be well better protected.

482
00:26:56,080 --> 00:26:59,960
Speaker 1: I agree, And as you've seen from the DELFI Ranger base,

483
00:27:00,160 --> 00:27:03,120
Speaker 1: a lot of downtime, so you know, Teva would have

484
00:27:03,240 --> 00:27:05,280
Speaker 1: a lot of opportunity to just text with friends.

485
00:27:05,680 --> 00:27:07,879
Speaker 2: I would also say, I'm very happy to see more Teva.

486
00:27:08,080 --> 00:27:10,760
Speaker 2: I love this character. I want to see that. I

487
00:27:11,920 --> 00:27:14,119
Speaker 2: live to see like a Teva spinoff, that kind of

488
00:27:14,160 --> 00:27:17,480
Speaker 2: New Republic, like interesting X Wing kind of slice of

489
00:27:17,480 --> 00:27:18,840
Speaker 2: life stuff. So it's really fun here to.

490
00:27:18,800 --> 00:27:21,880
Speaker 1: See iconic bomber jacket, like iconic what a look?

491
00:27:21,960 --> 00:27:22,639
Speaker 2: His whole look is.

492
00:27:22,680 --> 00:27:28,080
Speaker 1: Just a look. Dinn. I think, speaking for the COVID here,

493
00:27:28,160 --> 00:27:30,199
Speaker 1: is annoyed because the entire COVID is gonna have to

494
00:27:30,240 --> 00:27:32,439
Speaker 1: move now, and that is just such a fucking hassle.

495
00:27:32,600 --> 00:27:35,200
Speaker 2: Well, can I just say something, actually disagree. You should

496
00:27:35,200 --> 00:27:37,200
Speaker 2: say thank you to Teva because you should have fucking

497
00:27:37,240 --> 00:27:38,280
Speaker 2: moved a long time ago.

498
00:27:38,880 --> 00:27:41,639
Speaker 1: I listen, we've been We've been on that quarterly for

499
00:27:41,680 --> 00:27:44,000
Speaker 1: a long time, but now it's like you can't put

500
00:27:44,000 --> 00:27:44,840
Speaker 1: it off anymore.

501
00:27:45,000 --> 00:27:46,680
Speaker 2: If I knew that all we had to do was

502
00:27:46,760 --> 00:27:49,000
Speaker 2: go to the Crocodile Lake and visit them so they

503
00:27:49,000 --> 00:27:51,080
Speaker 2: would move, I would have actually done it, like I

504
00:27:51,080 --> 00:27:52,720
Speaker 2: would have done it because they need to move. This

505
00:27:52,800 --> 00:27:54,000
Speaker 2: is this is bad times.

506
00:27:54,960 --> 00:27:58,320
Speaker 1: Uh So then pause, Vistla is like, who, well, hold on,

507
00:27:58,359 --> 00:28:01,080
Speaker 1: we don't have to move if we emit murder, what

508
00:28:01,240 --> 00:28:04,600
Speaker 1: if we just kill what if we just kill this cop?

509
00:28:05,600 --> 00:28:08,960
Speaker 1: What about that? And Din is like, uh no, you

510
00:28:09,200 --> 00:28:15,520
Speaker 1: fucking psycho, show the fuck out, you fucking Madiac. And

511
00:28:15,600 --> 00:28:17,480
Speaker 1: also I owe this guy once, so we're not gonna

512
00:28:18,040 --> 00:28:21,040
Speaker 1: do that. Go like bond with your son or something.

513
00:28:21,720 --> 00:28:24,040
Speaker 1: Uh and then and then taking it from there, Din

514
00:28:24,119 --> 00:28:26,000
Speaker 1: is like, okay, just now get out of here, because

515
00:28:26,040 --> 00:28:28,080
Speaker 1: you see what I'm dealing with. Biss wants to flat

516
00:28:28,119 --> 00:28:31,720
Speaker 1: out murder you, and then Tim is like, I can't

517
00:28:31,760 --> 00:28:36,760
Speaker 1: because here is Grief's grief, Cargo's SOS message. So Dan

518
00:28:36,960 --> 00:28:38,680
Speaker 1: is like, well, let's just fucking you're the new Republic.

519
00:28:38,760 --> 00:28:40,880
Speaker 1: Just fucking go over there, do a bombing round and

520
00:28:40,880 --> 00:28:43,840
Speaker 1: take him out. And he's like, well, Coroissant doesn't care,

521
00:28:44,800 --> 00:28:47,560
Speaker 1: so then didn't I think asks a really good questions

522
00:28:47,600 --> 00:28:50,120
Speaker 1: like well why do you care? Like why you don't know?

523
00:28:50,240 --> 00:28:53,280
Speaker 1: Grief Carter from Adam like why are you doing this?

524
00:28:53,760 --> 00:28:56,560
Speaker 1: And he says, well, I basically I care because I

525
00:28:56,560 --> 00:28:58,080
Speaker 1: think the Empire's up to something. He says, the new

526
00:28:58,120 --> 00:29:01,280
Speaker 1: refolic has to know the empire is growing again and

527
00:29:01,280 --> 00:29:03,560
Speaker 1: and basically someone needs to do something about it. And

528
00:29:03,560 --> 00:29:04,840
Speaker 1: this is I think the only way I can get

529
00:29:04,840 --> 00:29:09,040
Speaker 1: their attention. And he thinks that the pirate you know, see,

530
00:29:09,000 --> 00:29:10,680
Speaker 1: you just part of this. And then Tevia leaves and

531
00:29:10,760 --> 00:29:12,160
Speaker 1: is like, hey, listen, I know you guys are gonna

532
00:29:12,240 --> 00:29:14,720
Speaker 1: leave anyway, but I promise I won't tell anybody about

533
00:29:14,760 --> 00:29:18,280
Speaker 1: you that you're here at fucking Crocodile Lake, you know.

534
00:29:18,800 --> 00:29:19,440
Speaker 1: He still.

535
00:29:21,120 --> 00:29:23,680
Speaker 2: I'm like, don't keep it a secret because these people

536
00:29:23,680 --> 00:29:26,800
Speaker 2: are gonna die. Yes, if they stay here, tell everyone

537
00:29:26,840 --> 00:29:28,560
Speaker 2: if it means they're gonna bloody move.

538
00:29:29,280 --> 00:29:31,240
Speaker 1: So he flies off, and then bo is like, okay,

539
00:29:31,240 --> 00:29:33,720
Speaker 1: so what are you thinking about doing? Of course, Dinn

540
00:29:33,840 --> 00:29:35,720
Speaker 1: is test to go to help, but he can't do

541
00:29:35,760 --> 00:29:39,320
Speaker 1: it alone. So Din then makes his pitch to the

542
00:29:39,320 --> 00:29:43,840
Speaker 1: Mandalorians about why they should go to Navarro and fight

543
00:29:43,840 --> 00:29:45,800
Speaker 1: for Grief Karga, and he's like, listen, I know you

544
00:29:45,880 --> 00:29:48,400
Speaker 1: fought against him when you rescued me in Grogu. But

545
00:29:49,080 --> 00:29:51,640
Speaker 1: Grief is a different guy now he's not. He's he

546
00:29:52,160 --> 00:29:54,800
Speaker 1: on like g sixty eight has legitimately had a change

547
00:29:54,840 --> 00:29:59,600
Speaker 1: of heart, and so let's pay back that kindness. Go

548
00:29:59,640 --> 00:30:01,240
Speaker 1: to Navar. I was aid before, it's too late. And

549
00:30:01,240 --> 00:30:04,440
Speaker 1: then he's like, and by the way, if if ah

550
00:30:04,880 --> 00:30:10,560
Speaker 1: a pitch to your generosity doesn't do it, how about capital?

551
00:30:10,720 --> 00:30:12,120
Speaker 1: About what about some land?

552
00:30:12,480 --> 00:30:13,000
Speaker 2: Baby?

553
00:30:13,560 --> 00:30:17,400
Speaker 1: What about some land? He says, Grief cargo offered me

554
00:30:17,440 --> 00:30:20,240
Speaker 1: a tract of land on his independent world. Let's not

555
00:30:20,320 --> 00:30:24,200
Speaker 1: forget that independent world. Perhaps it's time for us to

556
00:30:24,240 --> 00:30:26,000
Speaker 1: live in the light once again, on a planet where

557
00:30:26,040 --> 00:30:28,080
Speaker 1: we are welcome, so our culture may flourish and our

558
00:30:28,120 --> 00:30:31,200
Speaker 1: children will feel what it is to play in the sunlight.

559
00:30:31,280 --> 00:30:33,720
Speaker 2: And then thinking about a baby again, thinking about that

560
00:30:33,760 --> 00:30:36,200
Speaker 2: beautiful baby, that baby would just love to just be.

561
00:30:36,240 --> 00:30:40,800
Speaker 1: Chilling, absolutely pause visilism. Then like, I can't let someone

562
00:30:40,880 --> 00:30:43,600
Speaker 1: have the last word. I need to speak up. And

563
00:30:43,640 --> 00:30:45,160
Speaker 1: he's like, Okay, this is gonna be a hard fight

564
00:30:45,760 --> 00:30:48,680
Speaker 1: fellas fellow Mandalorians is gonna be a really, really hard fight.

565
00:30:49,400 --> 00:30:52,800
Speaker 1: Perhaps some of us will die, as many of us

566
00:30:52,880 --> 00:30:55,200
Speaker 1: did die when we fought against cargo on that very

567
00:30:55,240 --> 00:30:57,640
Speaker 1: same planet, when we fought to save this guy over

568
00:30:57,680 --> 00:30:59,520
Speaker 1: here his life and this baby over here his life.

569
00:31:00,120 --> 00:31:02,680
Speaker 1: But dead man, Laurens, that sounds fucking great. Let's do it.

570
00:31:02,720 --> 00:31:04,959
Speaker 1: I love war. I love war, guys.

571
00:31:06,400 --> 00:31:08,840
Speaker 2: This is a great time around me. Because he saw

572
00:31:09,600 --> 00:31:12,560
Speaker 2: he saw someone. He's like, why should we help this man?

573
00:31:12,800 --> 00:31:14,120
Speaker 1: But he's actually arguing like.

574
00:31:14,120 --> 00:31:16,040
Speaker 2: We should do it because we get to kill people,

575
00:31:16,120 --> 00:31:16,400
Speaker 2: you know.

576
00:31:16,440 --> 00:31:18,840
Speaker 1: And he's straight up like, hey, a lot of us

577
00:31:18,840 --> 00:31:21,600
Speaker 1: are gonna die. I love it.

578
00:31:21,960 --> 00:31:25,360
Speaker 2: Let's He's like, I've got a fucking massive gun. He probably.

579
00:31:26,760 --> 00:31:29,320
Speaker 1: And then he's like, I've had my disagreements with this man,

580
00:31:29,600 --> 00:31:32,400
Speaker 1: mean tin charn, but he risked his life to save

581
00:31:32,440 --> 00:31:34,920
Speaker 1: my son, who I don't really care about. I don't

582
00:31:34,920 --> 00:31:36,960
Speaker 1: care about that kid. But he did do it. I

583
00:31:37,000 --> 00:31:42,360
Speaker 1: didn't fill up, by the way, and Bokaton Crees also

584
00:31:42,480 --> 00:31:44,760
Speaker 1: did not give up on my child's life even when

585
00:31:44,800 --> 00:31:47,600
Speaker 1: the rest of us did. This made me laugh so hard,

586
00:31:47,960 --> 00:31:52,320
Speaker 1: he said, Boukaton did not give up on my child's

587
00:31:52,360 --> 00:31:54,280
Speaker 1: life even when the rest of us did what a

588
00:31:54,320 --> 00:31:56,800
Speaker 1: fucking burn himself.

589
00:31:57,160 --> 00:31:59,280
Speaker 2: But he's saying about like himself, yeah, I know.

590
00:31:59,280 --> 00:32:01,200
Speaker 1: What about you dead.

591
00:32:03,120 --> 00:32:05,800
Speaker 2: Everyone else was like this happens all the time. I

592
00:32:05,840 --> 00:32:08,800
Speaker 2: lost three kids to that bud last week, like, but

593
00:32:08,840 --> 00:32:12,600
Speaker 2: Bo was like this is fucked up, Like uh.

594
00:32:12,120 --> 00:32:15,240
Speaker 1: Yeah, and so anyway, this is the way let's get

595
00:32:15,240 --> 00:32:18,200
Speaker 1: that real estate. They head off to Navarro, and the plan,

596
00:32:18,720 --> 00:32:21,680
Speaker 1: which Bow lays out as they're in hyperspace, is a

597
00:32:21,720 --> 00:32:24,120
Speaker 1: too prung attacked in and Bow will stay in the

598
00:32:24,120 --> 00:32:27,480
Speaker 1: skies the rest of the Mandalorians with pre at their head.

599
00:32:28,200 --> 00:32:31,760
Speaker 1: Also the armorer will be the ground assault team. And

600
00:32:31,800 --> 00:32:36,000
Speaker 1: then Bow gets her speech. She says, Navarro's an independent planet,

601
00:32:36,120 --> 00:32:40,120
Speaker 1: no longer under imperial remnant or to republic protection. But

602
00:32:40,160 --> 00:32:42,520
Speaker 1: it's that very independence that makes it appealing for you

603
00:32:42,560 --> 00:32:47,400
Speaker 1: to settle. You lived there once hiding the sewers, which

604
00:32:47,520 --> 00:32:49,760
Speaker 1: I don't think anybody who needs to be reminded of that.

605
00:32:49,840 --> 00:32:51,680
Speaker 1: I don't think that's a good Like, I don't that

606
00:32:51,800 --> 00:32:53,840
Speaker 1: is that the pitch that we want. We were just like, hey,

607
00:32:53,920 --> 00:32:56,000
Speaker 1: really remember when you had to like.

608
00:32:56,000 --> 00:32:59,440
Speaker 2: Hide in the sewers, and like you won't accepted. Now

609
00:32:59,480 --> 00:33:03,800
Speaker 2: go and save these people smelling it's like the good

610
00:33:04,360 --> 00:33:05,720
Speaker 2: I don't know if it's the good pitch, but I

611
00:33:05,760 --> 00:33:06,520
Speaker 2: get where she's going.

612
00:33:06,560 --> 00:33:08,480
Speaker 1: She's like, I guess like you were.

613
00:33:08,360 --> 00:33:10,760
Speaker 2: Like pasant This is a really funny pitch shagic because

614
00:33:10,760 --> 00:33:13,000
Speaker 2: she's basically saying, like these people didn't accept you and

615
00:33:13,000 --> 00:33:15,760
Speaker 2: made you hide underground, like morelogs with now.

616
00:33:15,560 --> 00:33:18,880
Speaker 1: You can be heroes, right and and homeowners. Let's not

617
00:33:18,920 --> 00:33:21,479
Speaker 1: forget that independently. Yes again, that's a huge get hit

618
00:33:21,520 --> 00:33:23,760
Speaker 1: all the important notes X ray Vision will be back

619
00:33:33,160 --> 00:33:37,080
Speaker 1: and we're back. So they arrive and the pirate's fucking

620
00:33:37,160 --> 00:33:39,480
Speaker 1: running wild. They're having a grand old time. They're roaming.

621
00:33:39,480 --> 00:33:40,160
Speaker 1: The show's like.

622
00:33:40,120 --> 00:33:44,040
Speaker 2: Pirates of the Caribbean. It's a long beach pirate festival

623
00:33:44,040 --> 00:33:44,800
Speaker 2: that actually.

624
00:33:45,560 --> 00:33:49,640
Speaker 1: Pirate Pirate, Christmas, Pirate Valentine's Day rolled into one pirate

625
00:33:49,880 --> 00:33:54,160
Speaker 1: uh st Patrick's say. They're drinking, they're robbing, they're like

626
00:33:54,400 --> 00:33:58,920
Speaker 1: raping waiters. They're loving it. The Mandalorians arrive and it's

627
00:33:58,960 --> 00:34:02,080
Speaker 1: truly an amazing battle.

628
00:34:02,280 --> 00:34:06,360
Speaker 2: Like yeah again is animation. Animation on the ships is

629
00:34:06,400 --> 00:34:10,080
Speaker 2: second to none. Hair Like ILM's absolutely doing it. The

630
00:34:10,120 --> 00:34:14,480
Speaker 2: fighters are so good there's so much good practical costuming,

631
00:34:14,680 --> 00:34:20,600
Speaker 2: practical mosts, practical creature walk. It is absolutely delightful, and

632
00:34:20,680 --> 00:34:22,600
Speaker 2: we get a great armor a moment that made me

633
00:34:22,719 --> 00:34:26,120
Speaker 2: like I was like fist pumping when I saw.

634
00:34:27,840 --> 00:34:30,560
Speaker 1: The shot which they used in the trailer where you

635
00:34:30,600 --> 00:34:34,200
Speaker 1: see the Mandalorians air drop down onto the streets is

636
00:34:34,320 --> 00:34:38,439
Speaker 1: so fucking cool. Some highlights from the battle. The ground

637
00:34:38,480 --> 00:34:42,560
Speaker 1: assault is led by a pause who I think needs

638
00:34:42,640 --> 00:34:45,160
Speaker 1: to learn about cover. They're all just standing out in

639
00:34:45,160 --> 00:34:49,200
Speaker 1: the middle of the street. They get pinned down in

640
00:34:49,320 --> 00:34:53,520
Speaker 1: the town square. To relieve that. We see the armorer

641
00:34:53,600 --> 00:34:56,040
Speaker 1: go to work with her hammer and tongs as weapons.

642
00:34:56,080 --> 00:35:00,640
Speaker 1: Really really takes out a pirate firing position that was

643
00:35:00,680 --> 00:35:04,799
Speaker 1: stationed in Grief Cargo's once luxurious office, hopefully to be

644
00:35:04,880 --> 00:35:07,400
Speaker 1: luxurious again. We get to see baby Yoda up in

645
00:35:07,440 --> 00:35:09,560
Speaker 1: the sky, riding in Dinn's lap. Taking it in the

646
00:35:10,120 --> 00:35:11,440
Speaker 1: baby during.

647
00:35:11,200 --> 00:35:14,319
Speaker 2: This like crazy battle. The baby's just chilling in his

648
00:35:14,440 --> 00:35:15,000
Speaker 2: dad's lap.

649
00:35:15,280 --> 00:35:16,960
Speaker 1: Did strap him in right?

650
00:35:18,120 --> 00:35:20,520
Speaker 2: Not even like a single I don't know, that's just

651
00:35:20,560 --> 00:35:22,399
Speaker 2: the dad or maybe he's staying there with the force,

652
00:35:22,480 --> 00:35:23,480
Speaker 2: but it was very.

653
00:35:23,560 --> 00:35:26,080
Speaker 1: Little baby here, a little baby boring or something for.

654
00:35:26,040 --> 00:35:28,040
Speaker 2: That feels like it's coming.

655
00:35:28,520 --> 00:35:34,480
Speaker 1: Uh the nikto Pirate Vain. Remember him a complete non factor, Yes,

656
00:35:35,400 --> 00:35:38,040
Speaker 1: absolutely useless. Didn't do a damn thing except for talking

657
00:35:38,080 --> 00:35:39,920
Speaker 1: shit in his snub fighter.

658
00:35:39,960 --> 00:35:42,360
Speaker 2: Which is he's the one who got let he was

659
00:35:42,400 --> 00:35:44,040
Speaker 2: the one who survived. So I'm like, if you're going

660
00:35:44,040 --> 00:35:46,000
Speaker 2: to cause the problems to come for the vengeance, then

661
00:35:46,520 --> 00:35:47,080
Speaker 2: do something.

662
00:35:47,120 --> 00:35:49,280
Speaker 1: But he doesn't. He just breezes off. He's like, ah,

663
00:35:49,440 --> 00:35:53,360
Speaker 1: immediately flees immediately is like no, I'm not Hey, looks

664
00:35:53,360 --> 00:35:55,359
Speaker 1: like things are going bad. I'm out of here. But like,

665
00:35:55,719 --> 00:36:02,240
Speaker 1: has I guess the class to give to give notice

666
00:36:02,239 --> 00:36:05,000
Speaker 1: to Pirate King Shark? Like he doesn't just take like, hey,

667
00:36:05,000 --> 00:36:07,040
Speaker 1: Pirate King Shard, I just want you to know I'll

668
00:36:07,080 --> 00:36:09,000
Speaker 1: be giving my two week notice two weeks ago. I'm

669
00:36:09,040 --> 00:36:13,640
Speaker 1: leaving right now, just like yeah bye. Uh. And finally

670
00:36:14,120 --> 00:36:17,120
Speaker 1: dinn and Bow managed to blow up Pirate King Shard

671
00:36:17,160 --> 00:36:19,360
Speaker 1: ship before he can blast the city. This is what

672
00:36:19,400 --> 00:36:23,319
Speaker 1: a fucking murdering maniac, this fucking spinach is. He just

673
00:36:23,480 --> 00:36:26,120
Speaker 1: is like, I guess I'll just like kill everybody, but

674
00:36:26,200 --> 00:36:29,120
Speaker 1: they blow up a ship before that can happen, and uh,

675
00:36:29,280 --> 00:36:32,320
Speaker 1: the citizens get to get some payback. Because the pirates

676
00:36:32,360 --> 00:36:35,879
Speaker 1: are fleeing the destruction of of their forces, flee right

677
00:36:35,920 --> 00:36:37,279
Speaker 1: into the arms.

678
00:36:36,960 --> 00:36:41,440
Speaker 2: Of Weizen get to they get to take over a

679
00:36:41,480 --> 00:36:42,880
Speaker 2: gang that's come into that town.

680
00:36:43,440 --> 00:36:46,560
Speaker 1: Grief Cargo, did we expect anything else? He's good to

681
00:36:46,600 --> 00:36:49,600
Speaker 1: his word. He says, all the land from the western

682
00:36:49,680 --> 00:36:52,960
Speaker 1: Lava Flats to Bullet Canyon now the home of the

683
00:36:53,000 --> 00:36:54,759
Speaker 1: good people of Mandalori.

684
00:36:57,960 --> 00:37:01,560
Speaker 2: Let's get that real estate. I mean, they're so're actually

685
00:37:01,600 --> 00:37:03,360
Speaker 2: gonna build a house or will they just find the

686
00:37:03,360 --> 00:37:07,520
Speaker 2: most dangerous natural spat and just chill outside the Magaloian

687
00:37:07,640 --> 00:37:11,360
Speaker 2: So you never know. I hope live where the giant

688
00:37:11,440 --> 00:37:13,840
Speaker 2: lizard live. Can we live next to him?

689
00:37:14,200 --> 00:37:16,560
Speaker 1: Well? I would expect they're going to live above ground now,

690
00:37:16,640 --> 00:37:19,799
Speaker 1: right because because of what happens next. Pause then comes

691
00:37:19,800 --> 00:37:22,560
Speaker 1: over to Bow is like, hey, the armor uh wants

692
00:37:22,600 --> 00:37:26,200
Speaker 1: to have a word. So he leads her back into

693
00:37:26,239 --> 00:37:28,799
Speaker 1: that sewer where they used to live, and the armor

694
00:37:28,960 --> 00:37:32,799
Speaker 1: is in her old forge. Uh just kind of looking

695
00:37:32,840 --> 00:37:35,879
Speaker 1: around and makes some small talk, and then she's like, hey,

696
00:37:36,440 --> 00:37:40,480
Speaker 1: take off your helmet. What bo is like the creed and.

697
00:37:40,920 --> 00:37:43,600
Speaker 2: Is this like is this a trick? She's fair to

698
00:37:43,680 --> 00:37:44,160
Speaker 2: ask on this?

699
00:37:44,440 --> 00:37:48,640
Speaker 1: Yeah, there's the Creed and Din had to fucking dive

700
00:37:48,680 --> 00:37:51,040
Speaker 1: into the waters of the living waters under the fucking

701
00:37:51,040 --> 00:37:53,160
Speaker 1: mind's battle or like I could just take off my

702
00:37:53,160 --> 00:37:59,520
Speaker 1: helb I now and uh, the Armor says, listen, the

703
00:37:59,640 --> 00:38:04,080
Speaker 1: das the Mandalorian diaspora is all over the place, and

704
00:38:04,320 --> 00:38:09,960
Speaker 1: there's we subscribe to the Creed, but many don't. But

705
00:38:10,320 --> 00:38:12,560
Speaker 1: we have to if we're gonna unite as a people,

706
00:38:12,640 --> 00:38:15,480
Speaker 1: if we're going to take our planet back, we have

707
00:38:15,560 --> 00:38:17,919
Speaker 1: to walk the way together. And that means all Mandalorians.

708
00:38:18,200 --> 00:38:21,080
Speaker 1: I was taught the minthosaur Existentian legend, and yet you

709
00:38:21,200 --> 00:38:23,320
Speaker 1: saw it. It's a sign that the next stage is

710
00:38:23,400 --> 00:38:26,000
Speaker 1: upon us. You have walked both worlds. You are the

711
00:38:26,040 --> 00:38:28,920
Speaker 1: one who can unite us. So the Armor is basically saying,

712
00:38:29,520 --> 00:38:33,400
Speaker 1: you're going to be our ambassador the diaspora out in

713
00:38:33,440 --> 00:38:36,160
Speaker 1: the galaxy and we need to go and retake Mandelor.

714
00:38:36,280 --> 00:38:39,439
Speaker 1: And I think this is actually a smart and good

715
00:38:39,480 --> 00:38:43,480
Speaker 1: idea from the Armor. Yes, listen, all respect to the

716
00:38:43,480 --> 00:38:46,359
Speaker 1: Mandalorian recruiters who have been growing the ranks of the

717
00:38:46,360 --> 00:38:52,120
Speaker 1: Mandalorian off camera, but they need a lot more folks

718
00:38:52,200 --> 00:38:54,719
Speaker 1: if they're going to take back the planet. And that

719
00:38:54,800 --> 00:38:57,440
Speaker 1: means reaching out to you know, the folks we saw

720
00:38:57,440 --> 00:38:59,799
Speaker 1: in the Clone wars who didn't wear their helmets all

721
00:38:59,800 --> 00:39:02,040
Speaker 1: the time. You know. That's the other thing that's kind

722
00:39:02,040 --> 00:39:05,880
Speaker 1: of like unspoken is like this covert is essentially descendants

723
00:39:05,880 --> 00:39:10,880
Speaker 1: of Deathwatch. We had a much more hardcore Mandalorian warlike

724
00:39:11,840 --> 00:39:16,279
Speaker 1: uh take on the Mandalorian culture and lifestyle, and they

725
00:39:16,280 --> 00:39:20,600
Speaker 1: were very apathetically against everything that was going on on

726
00:39:20,680 --> 00:39:26,480
Speaker 1: Mandalor proper uh and particularly the leadership of the Duchess

727
00:39:26,480 --> 00:39:30,760
Speaker 1: Seteen uh. And so this is a really cool gesture

728
00:39:30,880 --> 00:39:33,759
Speaker 1: I think, and and one that the one that Bo

729
00:39:33,920 --> 00:39:35,319
Speaker 1: is really uniquely suited for.

730
00:39:35,480 --> 00:39:37,640
Speaker 2: Yeah, it's a huge moment and it makes a lot

731
00:39:37,680 --> 00:39:40,520
Speaker 2: of sense. I agree because it look does it?

732
00:39:40,520 --> 00:39:40,759
Speaker 1: Could?

733
00:39:40,760 --> 00:39:46,200
Speaker 2: It feel like slightly jarring? All? Is it?

734
00:39:46,239 --> 00:39:47,680
Speaker 1: Is it flopping? Now?

735
00:39:48,239 --> 00:39:51,359
Speaker 2: There's some flopping hair. But I will say the thing

736
00:39:51,400 --> 00:39:53,440
Speaker 2: I think they did that was really smart hair. That

737
00:39:53,520 --> 00:39:58,839
Speaker 2: makes it believable is the mythical the armor basically sat

738
00:39:58,880 --> 00:40:01,560
Speaker 2: with it for a week or a few days or whatever.

739
00:40:01,600 --> 00:40:02,120
Speaker 1: And was like.

740
00:40:03,560 --> 00:40:07,000
Speaker 2: If she saw the mythosaur, that's like, I need to

741
00:40:07,000 --> 00:40:09,680
Speaker 2: fucking sort my shit out, like I need to. This

742
00:40:09,719 --> 00:40:12,040
Speaker 2: is someone who clearly has some kind of role to play.

743
00:40:12,200 --> 00:40:14,600
Speaker 2: Now what does that role look like? And then she thinks, well,

744
00:40:14,640 --> 00:40:17,480
Speaker 2: we really struggle with recruiting new people. We're recruiting a

745
00:40:17,480 --> 00:40:20,600
Speaker 2: lot of children, baby dragons, Like, oh wait, there's actually

746
00:40:20,640 --> 00:40:25,240
Speaker 2: like thousands, tens of thousands of Mandalorians all over the galaxy,

747
00:40:25,320 --> 00:40:28,239
Speaker 2: some of whom used to follow boy, and maybe by

748
00:40:29,160 --> 00:40:34,400
Speaker 2: becoming more inclusive and accessible, we can create like a

749
00:40:34,480 --> 00:40:37,880
Speaker 2: unified mand law. And I think it's really good, very sick, it's.

750
00:40:37,760 --> 00:40:39,120
Speaker 1: Really great, very very smart.

751
00:40:39,440 --> 00:40:41,160
Speaker 2: Yeah, and then it's the perfect person.

752
00:40:41,480 --> 00:40:46,280
Speaker 1: I completely agree. I think that what the armorer, without

753
00:40:46,320 --> 00:40:51,879
Speaker 1: laying it out, is aiming for is like, Okay, if

754
00:40:51,920 --> 00:40:56,120
Speaker 1: you are an orthodox follower of the Creed, then just

755
00:40:56,120 --> 00:40:57,600
Speaker 1: don't take your holmet off. You never take it off,

756
00:40:57,800 --> 00:41:02,000
Speaker 1: but favor the yes. But if we're remorse secular Mandalorian,

757
00:41:02,239 --> 00:41:05,879
Speaker 1: we welcome you as well. And this is great. Yeah.

758
00:41:06,880 --> 00:41:10,680
Speaker 1: So the armor and bow without her helmet hair, I

759
00:41:10,680 --> 00:41:12,279
Speaker 1: don't know how she keeps her hair looking so good?

760
00:41:12,320 --> 00:41:13,319
Speaker 1: Oh my god, don't even get me.

761
00:41:13,360 --> 00:41:15,360
Speaker 2: That's what I want to know. It's how is the

762
00:41:15,440 --> 00:41:19,520
Speaker 2: hat always looking so good? Everything correct, same length, not

763
00:41:19,680 --> 00:41:20,520
Speaker 2: one single split?

764
00:41:22,400 --> 00:41:23,160
Speaker 1: What's going on?

765
00:41:23,320 --> 00:41:27,480
Speaker 2: Gunning no roots. Unbelievable. I mean that is that's the

766
00:41:27,520 --> 00:41:31,680
Speaker 2: biggest mystery of the man. Her hair stay that good,

767
00:41:31,800 --> 00:41:35,279
Speaker 2: never any static after being on that mecca, why I

768
00:41:35,480 --> 00:41:37,359
Speaker 2: need to know the secret?

769
00:41:37,880 --> 00:41:40,200
Speaker 1: Uh So the Armor and Bow no helmet go to

770
00:41:40,239 --> 00:41:42,160
Speaker 1: the other vand Alors and the other days are like

771
00:41:43,080 --> 00:41:46,879
Speaker 1: what excuse me to what is happening? And the Armor

772
00:41:46,920 --> 00:41:49,200
Speaker 1: is like, okay, this is what's going on. Bow is

773
00:41:49,239 --> 00:41:52,200
Speaker 1: our ambassador. She is going to bring the rest of

774
00:41:52,239 --> 00:41:56,800
Speaker 1: the exiles to us and together we're gonna retake Mandelori.

775
00:41:56,840 --> 00:42:00,600
Speaker 1: And pause and I get it. Pause to me, he's

776
00:42:00,640 --> 00:42:03,279
Speaker 1: a little annoyed. She's like, what the fuck is this?

777
00:42:03,440 --> 00:42:05,759
Speaker 2: She did a helmet off, like yeah, and.

778
00:42:05,680 --> 00:42:07,480
Speaker 1: Then she's like, no, listen, bocus on what has walked

779
00:42:07,480 --> 00:42:09,279
Speaker 1: both world. She can bring all the tribes together. It's

780
00:42:09,280 --> 00:42:12,320
Speaker 1: time to retake Mandalor. And I think, listen, we've been saying,

781
00:42:13,160 --> 00:42:15,440
Speaker 1: why don't you just call it Mandalor? And I think

782
00:42:15,480 --> 00:42:18,200
Speaker 1: that this is the right way to This is smart,

783
00:42:18,760 --> 00:42:20,360
Speaker 1: This is a good way to do it because you

784
00:42:20,400 --> 00:42:23,440
Speaker 1: can't send any messages on the surface of Mandelor. SU's

785
00:42:23,600 --> 00:42:26,400
Speaker 1: Navarro as a base to bring the desperate together and

786
00:42:26,400 --> 00:42:27,480
Speaker 1: then let's all go to Mandalor.

787
00:42:27,719 --> 00:42:30,759
Speaker 2: In this way, I think the Armor finally did something

788
00:42:30,840 --> 00:42:32,200
Speaker 2: right because we were like, why don't they just go

789
00:42:32,200 --> 00:42:33,840
Speaker 2: to Mandalo, Why don't they just go to Mandalor. But

790
00:42:33,880 --> 00:42:36,840
Speaker 2: I think she's right, get like one hundred two hundred,

791
00:42:36,880 --> 00:42:40,719
Speaker 2: five hundred one thousand Mandalorians together on some kind of

792
00:42:40,760 --> 00:42:43,279
Speaker 2: same page and then try and go back to the

793
00:42:43,280 --> 00:42:48,040
Speaker 2: once poisoned, like wildly overgrown and dangerous to comment that

794
00:42:48,080 --> 00:42:50,439
Speaker 2: you once lived on. Also, I will say, I will

795
00:42:50,520 --> 00:42:52,200
Speaker 2: think that I think we can take it. We were

796
00:42:52,280 --> 00:42:54,480
Speaker 2: right because we did say Bo was going to be

797
00:42:54,480 --> 00:42:57,640
Speaker 2: the one who would potentially ride the mithasore, who would

798
00:42:57,680 --> 00:43:01,359
Speaker 2: reunite the Mandalorians. This is right, So happy. I also

799
00:43:01,560 --> 00:43:05,120
Speaker 2: want to congratulate Jon Favreau and Dave Filoni, who essentially

800
00:43:05,200 --> 00:43:07,560
Speaker 2: wrote themselves out of a corner here by making it

801
00:43:07,680 --> 00:43:10,279
Speaker 2: okay for Mandalorians to wear a helmet or not wear

802
00:43:10,280 --> 00:43:10,760
Speaker 2: a helmet.

803
00:43:10,920 --> 00:43:13,400
Speaker 1: Well, it was previously not okay, Now it's okay.

804
00:43:13,719 --> 00:43:16,440
Speaker 2: Now it's okay. It kind of explains away some of

805
00:43:16,480 --> 00:43:18,680
Speaker 2: the bigger characters, one of whom we're likely going to

806
00:43:18,719 --> 00:43:21,399
Speaker 2: see soon as well. I feel like after this episode,

807
00:43:22,120 --> 00:43:23,960
Speaker 2: so yeah, they're retaking Mandalore. Good for them.

808
00:43:25,120 --> 00:43:31,719
Speaker 1: Later in deep space, I would assume somewhere by the

809
00:43:32,239 --> 00:43:34,359
Speaker 1: you know, outside of Courson, in the inner rims.

810
00:43:34,560 --> 00:43:36,520
Speaker 2: Yeah, some kind of outer rim situation.

811
00:43:36,760 --> 00:43:40,600
Speaker 1: Yeah, Captain Teva, just by luck. And by the way,

812
00:43:40,640 --> 00:43:43,560
Speaker 1: space is a big place, so very fill out your

813
00:43:43,560 --> 00:43:45,000
Speaker 1: fucking lottery ticket.

814
00:43:45,040 --> 00:43:48,000
Speaker 2: Maybe maybe it was the force, Maybe the force was

815
00:43:48,040 --> 00:43:48,759
Speaker 2: guided him.

816
00:43:49,200 --> 00:43:52,040
Speaker 1: I don't discount it's you never love it. I honestly

817
00:43:52,040 --> 00:43:56,600
Speaker 1: love it. Captain TeV comes across a transport ship heavily damaged.

818
00:43:56,960 --> 00:43:59,880
Speaker 1: Does it absolutely wreck the pilot? You could see some

819
00:44:00,040 --> 00:44:03,680
Speaker 1: of the crew, their corpses in they're floating around. Uh.

820
00:44:03,719 --> 00:44:08,319
Speaker 1: And he learns that this is the craft that was

821
00:44:08,400 --> 00:44:12,400
Speaker 1: moving off Gideon. He was right ostensibly to trial.

822
00:44:12,160 --> 00:44:14,600
Speaker 2: Right, he knew he never made it do it.

823
00:44:15,239 --> 00:44:19,040
Speaker 1: And he scans the wreckage and there's a little chunk

824
00:44:19,080 --> 00:44:24,200
Speaker 1: of best gar stuck in the side. And it leads

825
00:44:25,000 --> 00:44:30,560
Speaker 1: we believe our friend Tava to wonder if Mandalorians did this.

826
00:44:30,719 --> 00:44:34,640
Speaker 2: Dun da da dun dun dun. It's obviously a frame up.

827
00:44:34,680 --> 00:44:37,800
Speaker 2: I just need to say suspense, like it's a fucking

828
00:44:37,840 --> 00:44:40,359
Speaker 2: frame absolutely frame I also just want to shout out

829
00:44:40,400 --> 00:44:44,080
Speaker 2: like this moment there's this unclearly it's such obviously a

830
00:44:44,080 --> 00:44:46,400
Speaker 2: frame up, but like this moment of this like empty

831
00:44:47,080 --> 00:44:53,400
Speaker 2: floating ship. There's this really brilliant anime called Memories and

832
00:44:53,440 --> 00:44:56,399
Speaker 2: there's a short in it called Magnetic Rose and it's

833
00:44:56,480 --> 00:44:59,400
Speaker 2: like a trapped room horror where a guy finds an

834
00:44:59,440 --> 00:45:01,640
Speaker 2: empty flow in spaceship and they kind of go and

835
00:45:01,680 --> 00:45:03,840
Speaker 2: explore it and it's really beautiful. And this was giving

836
00:45:03,840 --> 00:45:05,680
Speaker 2: me big vibes of that. You should go and watch it.

837
00:45:05,719 --> 00:45:09,200
Speaker 2: It's really good. But yeah, it's a frame up. I'm sorry, Bro,

838
00:45:09,360 --> 00:45:11,719
Speaker 2: Temba should also Tempa should know this, like it's so

839
00:45:12,080 --> 00:45:13,959
Speaker 2: he's like, it's best Gar and the guy's on the

840
00:45:14,040 --> 00:45:16,600
Speaker 2: radio is like, Mandalorians did this, And I'm like, bro,

841
00:45:16,719 --> 00:45:18,520
Speaker 2: you know man, Laurians didn't do this. They would Why

842
00:45:18,560 --> 00:45:20,319
Speaker 2: would they leave the best gar? This is a fight.

843
00:45:21,040 --> 00:45:24,480
Speaker 1: They love the best They turned into.

844
00:45:24,280 --> 00:45:28,000
Speaker 2: A tiny child's helmet, like just leave it me, it's.

845
00:45:27,840 --> 00:45:32,560
Speaker 1: Not Their entire culture is based on finding any scrap

846
00:45:32,600 --> 00:45:36,200
Speaker 1: of brain, returning it to the community and what like

847
00:45:36,239 --> 00:45:39,879
Speaker 1: a chunk of the armor. Broker, come on, why how? Why?

848
00:45:40,200 --> 00:45:40,439
Speaker 2: No?

849
00:45:40,440 --> 00:45:44,000
Speaker 1: No, this is the neo Imperials. This is a neo

850
00:45:44,040 --> 00:45:48,719
Speaker 1: imperialist plot, probably masterminded by mof Gidion and whoever he is.

851
00:45:48,920 --> 00:45:51,920
Speaker 1: I agree to kill the Mandalorians.

852
00:45:52,160 --> 00:45:54,960
Speaker 2: Okay, I got crazy. I got crazy. Other option, I

853
00:45:55,040 --> 00:45:57,480
Speaker 2: just realized, I do believe it's a frame up, but

854
00:45:58,120 --> 00:46:02,719
Speaker 2: this is an empty imperial shit. What if a Mandalorian

855
00:46:02,760 --> 00:46:04,880
Speaker 2: had gone there to like scavenge it or look for

856
00:46:04,920 --> 00:46:07,080
Speaker 2: the Dark Saber or something, and it was like Sabine

857
00:46:07,880 --> 00:46:11,359
Speaker 2: doing some archaeologist kind of shit, that would be really cool,

858
00:46:11,440 --> 00:46:13,600
Speaker 2: right like it? I do believe it's a frame up,

859
00:46:13,640 --> 00:46:16,000
Speaker 2: but I feel like after we met zeb, I feel

860
00:46:16,000 --> 00:46:18,880
Speaker 2: like Sabine. I had not expected that this could be

861
00:46:18,920 --> 00:46:22,040
Speaker 2: a space where we could see her, but I'm feeling like, now,

862
00:46:22,520 --> 00:46:24,160
Speaker 2: well that's more than likely.

863
00:46:24,360 --> 00:46:27,439
Speaker 1: I kind of agree. Listen, if BoA's gonna go out

864
00:46:27,480 --> 00:46:31,120
Speaker 1: there exactly and bring the Mandalorians together.

865
00:46:31,160 --> 00:46:33,880
Speaker 2: Why would it be random Mandalorian. Surely you're gonna at

866
00:46:33,960 --> 00:46:37,520
Speaker 2: least get one the most fast other Mandalorian that we

867
00:46:37,600 --> 00:46:38,160
Speaker 2: haven't seen.

868
00:46:38,719 --> 00:46:41,520
Speaker 1: I it makes so much sense to me that at

869
00:46:41,640 --> 00:46:44,319
Speaker 1: least for the finale, the assault on mandalor when they

870
00:46:44,440 --> 00:46:48,279
Speaker 1: fight whoever is behind all of these machinations around a Varo,

871
00:46:48,960 --> 00:46:50,920
Speaker 1: it's we're gonna see her.

872
00:46:51,040 --> 00:46:52,880
Speaker 2: We have to or at least some of her art.

873
00:46:52,960 --> 00:46:54,880
Speaker 2: That's the other thing we haven't seen any of the

874
00:46:55,360 --> 00:46:57,640
Speaker 2: iconic got Oh. I also just realized, thanks to these

875
00:46:57,640 --> 00:47:01,040
Speaker 2: incredible notes by super producer Saw, next week's episode is

876
00:47:01,040 --> 00:47:04,040
Speaker 2: Bryce Dlice Howard. I am so stoked because do you

877
00:47:04,120 --> 00:47:08,560
Speaker 2: remember how like fucking game changing her Boba Fair episode? Like,

878
00:47:08,640 --> 00:47:12,040
Speaker 2: I am ready to see what she does with this

879
00:47:12,120 --> 00:47:16,239
Speaker 2: like frame up kind of mixture of this mystery where

880
00:47:16,280 --> 00:47:19,560
Speaker 2: the New Republic's now going to potentially be seeing the

881
00:47:19,600 --> 00:47:22,480
Speaker 2: Mandalorians as a threat, but we also have the Mandalorians

882
00:47:22,520 --> 00:47:26,080
Speaker 2: doing like outreach for the first time and living publicly.

883
00:47:26,120 --> 00:47:27,799
Speaker 2: I think that's going to be really interesting.

884
00:47:28,040 --> 00:47:33,960
Speaker 1: I'm very, very very excited. What a fun episode, So

885
00:47:34,160 --> 00:47:37,040
Speaker 1: much fun up next nerd Out.

886
00:47:45,160 --> 00:47:47,160
Speaker 2: In today's nerd Out, where you tell us what you

887
00:47:47,239 --> 00:47:51,160
Speaker 2: love and why, or tell us about a theory that

888
00:47:51,200 --> 00:47:55,359
Speaker 2: you're excited to share, Mike shares some thoughts about what

889
00:47:55,400 --> 00:47:57,680
Speaker 2: the end of the Mandalorian series could look like.

890
00:48:00,719 --> 00:48:03,520
Speaker 1: Hey, Jason Rosie, long time, first time. In your recap

891
00:48:03,560 --> 00:48:05,680
Speaker 1: of Mandalori in season three episode one, you talked about

892
00:48:05,719 --> 00:48:08,000
Speaker 1: the potential for an epilogue time jump at the conclusion

893
00:48:08,000 --> 00:48:09,919
Speaker 1: of the series to when Grogu could be the leader

894
00:48:09,960 --> 00:48:13,000
Speaker 1: of Mandlor. I can't stop thinking about that possibility, and

895
00:48:13,040 --> 00:48:15,959
Speaker 1: I want to build on that idea thirty ish years after.

896
00:48:16,080 --> 00:48:18,839
Speaker 1: So this is this is Mike's idea, thirty ish years

897
00:48:18,880 --> 00:48:20,960
Speaker 1: after his adventure with Din grog Who's sitting in a

898
00:48:21,000 --> 00:48:23,879
Speaker 1: throne room on Mandelor. A mysterious figure enters who could

899
00:48:23,880 --> 00:48:27,080
Speaker 1: it be a yellow lightsaber wielding race Gywalker. She's looking

900
00:48:27,120 --> 00:48:29,000
Speaker 1: for other four sens of leaders of the galaxy to

901
00:48:29,040 --> 00:48:32,680
Speaker 1: create some squort of new Jedi order. Wow, I do

902
00:48:32,760 --> 00:48:36,600
Speaker 1: love this. I have seen I absolutely love it. We've

903
00:48:36,640 --> 00:48:39,280
Speaker 1: seen how Disney has loved bringing back Star Wars actors

904
00:48:39,280 --> 00:48:41,880
Speaker 1: into the movies and series on my best of course,

905
00:48:42,120 --> 00:48:43,520
Speaker 1: and it seems like it could be a fun way

906
00:48:43,520 --> 00:48:46,439
Speaker 1: to bring Daisy Ridland back to reprise her iconic role

907
00:48:46,840 --> 00:48:49,279
Speaker 1: a handful of years from now after more seasons of

908
00:48:49,320 --> 00:48:52,640
Speaker 1: the Mandalorian love the show. Thanks Mike, Mike. That's really cool.

909
00:48:52,719 --> 00:48:54,360
Speaker 1: I love it. It's so much fun.

910
00:48:54,440 --> 00:48:56,880
Speaker 2: I also think, like, look, we can waste fudge your

911
00:48:56,960 --> 00:49:00,200
Speaker 2: timeline in Star Wars to fudget by may be a

912
00:49:00,200 --> 00:49:05,360
Speaker 2: few centuries, you know what, you know what, maybe because

913
00:49:05,400 --> 00:49:08,400
Speaker 2: he's got this connection to mandlaw and the Force. By

914
00:49:08,440 --> 00:49:11,279
Speaker 2: the time he's like one hundred, he's a little bit more.

915
00:49:11,360 --> 00:49:13,320
Speaker 2: You know, let's be real, Yoda was like eight hundred

916
00:49:13,320 --> 00:49:14,280
Speaker 2: and he was looking old.

917
00:49:14,640 --> 00:49:17,919
Speaker 1: He was we's the mid or that, you know, nine

918
00:49:17,960 --> 00:49:19,200
Speaker 1: and change.

919
00:49:18,880 --> 00:49:21,640
Speaker 2: Nine and change, Like he's living and he was old.

920
00:49:21,840 --> 00:49:23,640
Speaker 2: So what I love about this is it makes a

921
00:49:23,640 --> 00:49:25,839
Speaker 2: lot of sense as a fun theory to kind of

922
00:49:25,880 --> 00:49:29,279
Speaker 2: expand upon because we know that they are connecting this

923
00:49:29,360 --> 00:49:32,719
Speaker 2: to the trilogy series now, yes, like to the to

924
00:49:32,760 --> 00:49:35,959
Speaker 2: the later trilogy. It's an idea of somehow connecting Ray

925
00:49:36,160 --> 00:49:41,040
Speaker 2: after delving into this whole Palpatine situation. There's something really

926
00:49:41,040 --> 00:49:42,879
Speaker 2: fun there. And I've always wanted to see a kind

927
00:49:42,960 --> 00:49:49,000
Speaker 2: of young Jedi adventures like Jedi school, Jedi training, and

928
00:49:49,040 --> 00:49:53,800
Speaker 2: it could be cooled to see Grogu represent a Mandalorian

929
00:49:54,000 --> 00:49:55,439
Speaker 2: insight into that.

930
00:49:55,920 --> 00:49:58,160
Speaker 1: I mean, listen, Grogu's going to be with us forever.

931
00:49:58,520 --> 00:50:00,520
Speaker 1: There's no world in which.

932
00:50:00,560 --> 00:50:01,560
Speaker 2: He will outlive us.

933
00:50:01,560 --> 00:50:03,840
Speaker 1: He will outlive us. He will be here. They're making

934
00:50:04,040 --> 00:50:08,160
Speaker 1: Star Wars movies at shows at sixty years grog and

935
00:50:08,239 --> 00:50:11,520
Speaker 1: so see in Grogu, you know, it's only a matter

936
00:50:11,560 --> 00:50:14,600
Speaker 1: of time until Grogu appears in a Star Wars movie.

937
00:50:14,640 --> 00:50:17,239
Speaker 1: Like that will happen, right, it just feels like it'll happen.

938
00:50:17,360 --> 00:50:19,360
Speaker 2: Yeah, you just make a Stars movie called The Child.

939
00:50:19,440 --> 00:50:23,600
Speaker 2: I mean it's not it's like they're making money quickly

940
00:50:23,840 --> 00:50:24,680
Speaker 2: when that happens.

941
00:50:24,800 --> 00:50:27,200
Speaker 1: Thanks Mike. If you have series or passions you want

942
00:50:27,239 --> 00:50:28,719
Speaker 1: to share, hit us at x ray at crooked dot

943
00:50:28,760 --> 00:50:33,520
Speaker 1: com instructions in the show notes. That's it for us.

944
00:50:33,640 --> 00:50:36,760
Speaker 1: Rosie Plugs, bugs Buk Plugs, Bugs Plugs.

945
00:50:36,600 --> 00:50:38,480
Speaker 2: You can find me here. Listen to xtra Vision. It's

946
00:50:38,480 --> 00:50:40,120
Speaker 2: cool you're already listening to it, but keep doing it.

947
00:50:40,120 --> 00:50:46,400
Speaker 2: We appreciate it. I'm Rosie Box at layer Box and Instagram.

948
00:50:47,080 --> 00:50:51,920
Speaker 2: And yeah, just read comics. Read comics, bike. Come to

949
00:50:52,000 --> 00:50:54,520
Speaker 2: your local comic book shop, ask them to start a

950
00:50:54,600 --> 00:50:57,360
Speaker 2: poll list and buy some of those good comic books

951
00:50:57,560 --> 00:50:59,640
Speaker 2: because they're the reason that we're all here talking about

952
00:50:59,680 --> 00:51:00,000
Speaker 2: this stuff.

953
00:51:02,920 --> 00:51:08,800
Speaker 1: Watch Primo on May nineteenth on Amazon FREEV wherever you stream.

954
00:51:08,719 --> 00:51:10,520
Speaker 2: You better watch it. It's very good.

955
00:51:10,680 --> 00:51:16,120
Speaker 1: Amazon FREEB May nineteenth, Watch Primo. Catch the next episode

956
00:51:16,360 --> 00:51:19,600
Speaker 1: on Wednesday, April fifth for more Yellowjackets Plus do to

957
00:51:19,640 --> 00:51:22,719
Speaker 1: popular demand, we'll be covering Succession on our Wednesday episodes

958
00:51:23,280 --> 00:51:26,080
Speaker 1: in the previously on segment, and next week on our

959
00:51:26,120 --> 00:51:28,920
Speaker 1: Friday episode, we'll also be covering the two episode finale

960
00:51:29,000 --> 00:51:31,760
Speaker 1: of The Bad Batch, along side with the next episode

961
00:51:31,760 --> 00:51:33,920
Speaker 1: of The Mandalorian. So folks catch.

962
00:51:33,800 --> 00:51:36,239
Speaker 2: Up and yes, in case you have forgotten from me

963
00:51:36,360 --> 00:51:39,080
Speaker 2: just telling you two seconds ago, laws remind you that

964
00:51:39,120 --> 00:51:41,160
Speaker 2: we are bringing you two episodes a week from x

965
00:51:41,280 --> 00:51:44,680
Speaker 2: ray Vision two. Subscribe on YouTube, where you can now

966
00:51:44,719 --> 00:51:47,120
Speaker 2: watch full episodes of the shows as well as listening

967
00:51:47,160 --> 00:51:50,480
Speaker 2: to them, and follow at XRB pod on Twitter where

968
00:51:50,480 --> 00:51:53,520
Speaker 2: we're always sharing cool stuff. And check out the discord

969
00:51:53,880 --> 00:51:56,560
Speaker 2: where you can meet a ton of great people, loads

970
00:51:56,600 --> 00:52:00,320
Speaker 2: of fun conversations, super passionate and sometimes me and Jason

971
00:52:00,320 --> 00:52:00,839
Speaker 2: hoop up.

972
00:52:00,719 --> 00:52:04,040
Speaker 1: To five star ratings. Five star reviews. We love them,

973
00:52:04,080 --> 00:52:06,000
Speaker 1: we gotta have them, you gotta give them to us.

974
00:52:06,040 --> 00:52:10,120
Speaker 1: Here's one from Emily K a weekly bust love this pod.

975
00:52:10,280 --> 00:52:12,480
Speaker 1: Historically not a comic reader, so getting insights into Mirrod

976
00:52:12,480 --> 00:52:14,279
Speaker 1: stuff and the comics is great and inspiring me to

977
00:52:14,280 --> 00:52:16,640
Speaker 1: pick up more comics and find your cares. Thank you, Emily,

978
00:52:16,960 --> 00:52:19,760
Speaker 1: That's the dream. X ray Vision is a Crooked media production.

979
00:52:19,840 --> 00:52:21,600
Speaker 1: The show is produced by Chris Lord and Soul Rubin.

980
00:52:21,640 --> 00:52:24,399
Speaker 1: The show is executive produced by myself and Sandy Rhard

981
00:52:24,440 --> 00:52:28,560
Speaker 1: are editing in Sound designers by Vascillis Phatopoulos, Delon Villanueva

982
00:52:28,560 --> 00:52:31,439
Speaker 1: and Matt De Group provide video production support Alex Rella

983
00:52:31,480 --> 00:52:34,080
Speaker 1: for Handle Social Media. Thank you Brian Vasquez for a

984
00:52:34,160 --> 00:52:37,560
Speaker 1: theme music, See you X time Bye,