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Speaker 1: I don't. I mean, would you ever do that? I

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Speaker 1: never do that. We don't roll like that. I mean,

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Speaker 1: what do you need to do that? Five? I mean

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Speaker 1: never ever have even considered looking ship up. I mean

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Speaker 1: just in general, it's just not something I just not

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Speaker 1: something I do. No fact check it do that. Ain't

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Speaker 1: no fact check it. Oh yeah, we always go walls

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Speaker 1: off without the ain't no fact check it. I don't

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Speaker 1: want it a where a little bit. We're a little fame,

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Speaker 1: no god check it. All right, Well you asked for it,

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Speaker 1: but we're giving it to you. Rough, rugged and wrong.

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Speaker 1: The I Am Rappaport Stereo podcast coming live and direct.

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Speaker 1: We're doing it from the gloom Tomb. We're doing it

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Speaker 1: for the cruise. We want to give a special shout

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Speaker 1: out at the top for this episode. I'll let I'll

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Speaker 1: let MS the movie give this special shout out, um

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Speaker 1: to the great officers of the NYPP. Why don't you

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Speaker 1: tell them what happened? Moody tell let's tell them the

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Speaker 1: full story. Well, I think the people would appreciate. Let's first,

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Speaker 1: we're gonna give it before we tell them to this

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Speaker 1: story with all sincerity. New York City finest Police officers

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Speaker 1: firemen that are out in these streets that we see

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Speaker 1: all the time here in New York, working their asses

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Speaker 1: off to take care of the city, to protect and

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Speaker 1: serve all of us here in New York. Special Special

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Speaker 1: sincere shout out you. Guys take a lot of ship.

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Speaker 1: I think you're under appreciated, a lot of bad press

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Speaker 1: and all that stuff. I just want to specifically shout

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Speaker 1: out all of you from the bottom of my heart.

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Speaker 1: I know if the ship hits the fan, the first

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Speaker 1: people were gonna call is you. And uh, I love

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Speaker 1: all the New York City policemen and fireman always treat

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Speaker 1: me fantastic always, uh just nice, friendly and uh so

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Speaker 1: this episode special Special Special sincere shout out to them.

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Speaker 1: Mr Moody was in a little bind. Yeah, I'm not

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Speaker 1: gonna I'm not gonna get into it. We can we can't.

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Speaker 1: We can't what we can't get into it? You can't

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Speaker 1: tell you can't tell that story. We could tell her

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Speaker 1: like a version. We were me and me and G.

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Speaker 1: Me and G were out in Corona, Queens at the

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Speaker 1: lemon Icy King of Corona Great Place, world famous lemon

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Speaker 1: Icing King of Corona. I was there, uh with I

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Speaker 1: got there in a uber with my son and and

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Speaker 1: and Monetti's daughter, the beautiful Boba and and and and

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Speaker 1: you got pulled over for signals. Signal and it turns

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Speaker 1: out you had some back tickets. Yeah, anyway, it calls

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Speaker 1: me because they were gonna take his ass away. I'm

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Speaker 1: I start running because he's about ten blocks away. And

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Speaker 1: if you've never seen me run, it's a feat. I

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Speaker 1: almost got bit by some fucking little chihuahua that I

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Speaker 1: swear I almost punted that little bastards. Yeah, you gotta

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Speaker 1: you gotta kick them dogs, some of them. Little fucker.

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Speaker 1: This guy had it on one of those like he

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Speaker 1: got on a leash, but it's a seven foot leash.

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Speaker 1: It's like one of those leashes that could run like

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Speaker 1: seven ft in front of you. So what's the point.

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Speaker 1: The little funk tried to get me. Fortunately the cops

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Speaker 1: we had just seen them about a week and a

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Speaker 1: half ago at a public venue. They were very, very

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Speaker 1: very nice. I said, you cannot let my man get

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Speaker 1: taken to jail and in handcuffs in front of his daughter.

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Speaker 1: They were like, totally cool and let my man slide.

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Speaker 1: I'm hoping that Monetti takes care of his outstanding tickets

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Speaker 1: for sure, because we wouldn't been able to do this

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Speaker 1: actual that was earlier today, this actual podcast would not

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Speaker 1: be taking place. But aside from that, sincere shout out

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Speaker 1: in appreciation to all of New York City's emergency service

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Speaker 1: people and all those all those guys. Tonight in Los Angeles,

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Speaker 1: April one, True Romance everything, it's going down after party.

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Speaker 1: It's totally sold out, but there are v I P tickets.

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Speaker 1: If you have any questions about True Romance that you

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Speaker 1: want to get answered on the next podcast that I'm doing,

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Speaker 1: send it in I am rapport dot com. We're taking emails,

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Speaker 1: we're doing live questions. There's giveaways, there's free ship. Everybody

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Speaker 1: in Los Angeles area come through. It's gonna be a

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Speaker 1: good night, a fun night at the Crestwood Theater in Westwood, California. Man,

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Speaker 1: I don't even know where to start this puppy. Man,

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Speaker 1: I don't even know where to start this puppy. Really,

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Speaker 1: I mean, let's just jump right in it with this.

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Speaker 1: This D'Angelo Russell and Nick Young. I don't call him

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Speaker 1: fucking swaggy. That that that's that's the first problem. I

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Speaker 1: don't acknowledge you as swaggy. You gotta earn nicknames. You

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Speaker 1: can't name yourself swaggy P. And it's like it's like

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Speaker 1: a it's like a subliminal nickname, like your name is

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Speaker 1: Nick Young, But what's the P. I don't give a ship.

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Speaker 1: You ain't that good. You clown around. He's apparently was.

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Speaker 1: I don't know if he still is engaged to Iggy

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Speaker 1: azal Ya, and we all know the story. Nick d'anzel Russell,

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Speaker 1: who I think is nineteen or twenty, recorded him saying,

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Speaker 1: so I couldn't did you see the recorder? I couldn't

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Speaker 1: tell what they were talking about anyway. I would have

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Speaker 1: been like, yo, that first of all, that's not me

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Speaker 1: because you couldn't see who it was. That's right off

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Speaker 1: the top. I would have been like that, ain't me. Right.

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Speaker 1: If I was D'Angel Russell, I've been like that ain't

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Speaker 1: me either, and this whole dam that ain't us, Yeah,

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Speaker 1: because I couldn't if you didn't know who that was,

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Speaker 1: if you weren't told who that was, you couldn't tell

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Speaker 1: who that was. And I couldn't really understand him. But

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Speaker 1: through all the buzzing and background noise, I guess nick

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Speaker 1: Uh Swaggy P Nick Young admitted to cheating on his

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Speaker 1: chick Iggy is. I think this whole thing was set

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Speaker 1: up because they're plot to do a reality show. Maybe

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Speaker 1: that's how you do ship. Now you do this and

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Speaker 1: now like Swaggy P and Iggy get back together the

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Speaker 1: entertainment presents. That's how he's like, yeah, we don't want

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Speaker 1: to do the Kim and Ray JC hand And yeah

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Speaker 1: he said, this whole ship up and then and then

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Speaker 1: D'Angelo D'Angel Russell will be on there and blah blah

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Speaker 1: blah blah blah. Yeah. Man, But the first question I

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Speaker 1: have about this whole thing is because I saw this

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Speaker 1: term come up as dry snitching. So I guess there's

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Speaker 1: different versions of snitching. There's snitch snitching, dry snitching, and

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Speaker 1: then is it wet snitching. I've but but but you

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Speaker 1: heard the term dry snitching. Do you know what that means?

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Speaker 1: I gather it's you're you're you're telling without being uh solicited,

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Speaker 1: without anyone asking you anything. You're telling on something. It's

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Speaker 1: like double jeopardy snitching. That's what I think. I don't

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Speaker 1: know the exact term. I don't know where that comes from.

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Speaker 1: It sounds good dry snitching. So apparently that's what DeAngelo

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Speaker 1: Russell did. He dry snitched. And and it's certain the

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Speaker 1: Lakers even more upset now. And then and then I

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Speaker 1: had somebody asked me, don't you feel bad for what's

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Speaker 1: going on for the Lakers. I don't give a ship

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Speaker 1: and feel bad. I'm a Knicks fan. Do I feel bad?

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Speaker 1: These fucking guys got banners, they piss on banners, rings, trophies.

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Speaker 1: You think you're gonna get some sympathy from us, we

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Speaker 1: haven't won ship in years. You got a little fucking controversy.

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Speaker 1: Don't come to me for any sympathy. I don't give

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Speaker 1: a ship. That's what you get. That's what you get.

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Speaker 1: A little young cats man. You got these guys there

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Speaker 1: with bad haircuts, bad nicknames, and bad fashion for show

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Speaker 1: representing your team. That's that's the that's the problem. Right

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Speaker 1: at the top room, Romper Room, Sesame Street as D Fish,

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Speaker 1: one of their alumnis yeah, D Fish yo, he he

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Speaker 1: he was doing that, that craziness staining the Laker lore.

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Speaker 1: And and and and you have a you have a

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Speaker 1: an NBA quote unquote star. I don't know, this guy's

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Speaker 1: not a star Nick Young. But the thing is, it's like,

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Speaker 1: you got a young NBA fiance. Do you really as

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Speaker 1: much as cheap probably travels as much as he, You

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Speaker 1: really really really think you really think that he's not

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Speaker 1: freaking off on the side, Iggy, are you surprised that

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Speaker 1: he was freaking off on the side. And I'm not

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Speaker 1: dry snitching or wet snitching on him now, I'm just saying, like,

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Speaker 1: did you really think that it was all kosher and

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Speaker 1: cop aesthetic? Sincerely? So, I don't know what's gonna happen

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Speaker 1: to him in his relationship, but I know the Lakers are.

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Speaker 1: They're all spunner off and uh, you know they've had

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Speaker 1: their glory years. They had the Magic years, they had

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Speaker 1: the Magic and Kareem years, the Silk Wilkes, the Norm Nixons,

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Speaker 1: all that ship, James Worthy, Kobe, Shack and Kobe and

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Speaker 1: then Kobe and Kobe. You don't get nothing from me

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Speaker 1: man sympathy and Kobe must be like, damn, thank god

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Speaker 1: I announced retirement. Have imagined I have to come back

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Speaker 1: Nick season with these bumps. These guys is crazy. Spreading

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Speaker 1: of NBA girls. I've seen Chloe on an interview, oh yeah,

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Speaker 1: on her show. It wasn't interviews on her show. It

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Speaker 1: was on her show Cocktails with a K with Chloe,

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Speaker 1: and it was in the newspapers today. And Pauly Sure

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Speaker 1: asked her, like you see she no, she said, I've

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Speaker 1: never seen a white penis. She said she never seen

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Speaker 1: the my Man and the Weasel. Pauly Shore was on

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Speaker 1: there and and and and and she he was talking

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Speaker 1: about I don't know what how it got started, but

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Speaker 1: he was basically saying, like, you know, you only sleep

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Speaker 1: with black dudes, and you know, and then he was

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Speaker 1: talking about the Fraser Twins. If you don't know who

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Speaker 1: the Fraser Twins are, those are the two uh short

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Speaker 1: black girls that are friends with h Chloe and the Kardashian.

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Speaker 1: We call them the Fraser Twins because without all the

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Speaker 1: makeup the wigs, we imagine that they probably look like

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Speaker 1: Joe Fraser and or Marvis Fraser, so we call them

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Speaker 1: the Fraser twins. Um and they were like yang And

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Speaker 1: then Chloe said, you know about she's always she's always

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Speaker 1: over sexualized. She she she acts like she's got some

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Speaker 1: sort of diamonds in her snapper. And she said, I've

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Speaker 1: never even she said, I've never even seen I never

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Speaker 1: saw a white penis, and and and and and Paulie

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Speaker 1: missed the opportunity because what he should have did, what

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Speaker 1: said a word? And he should have right there stood

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Speaker 1: up and unfolded the loaf. Yeah, because you you you

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Speaker 1: you're talking Chloe like like you're like miss sexual and

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Speaker 1: like trying to intimidate my man, the weeze. He should

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Speaker 1: have unfolded the loaf and we get it. You're cuckoo

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Speaker 1: for Coco cout, we get it. Rapp aport, go get her.

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Speaker 1: This would have been a perfect time if things weren't

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Speaker 1: the way they are for the gringo man dingo come in,

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Speaker 1: because I would have started with the shirt. I would

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Speaker 1: appeal that all she'd seen the physique give it to her,

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Speaker 1: and then and then and then had just been one

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Speaker 1: thing after another and then out of unfolded the loaf

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Speaker 1: and how to put it on the table, like and

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Speaker 1: why we gotta hear all that? Yeah? What what if

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Speaker 1: if if you're so sexual and you're so dope and

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Speaker 1: like your sexuality so permanent, why every dude bounces because

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Speaker 1: no they don't bounce, they cheat on it. If you

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Speaker 1: if you're that fly, if your fock style. It's so

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Speaker 1: buck wild and you're you're so like, you know, free

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Speaker 1: with your sexuality, and you you think you're so tight

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Speaker 1: with it. You're like a connoisseur of Coco Cox. Yeah,

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Speaker 1: you're a connoisseur of Coco Cox. If if that's it,

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Speaker 1: why do all these dudes are they going in the

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Speaker 1: streets And then they're not going in the streets getting

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Speaker 1: high quality, they're taking anything they can so so basically

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Speaker 1: you don't know how to keep Oh you she's in

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Speaker 1: the gym, in the gym with my body, revenge body.

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Speaker 1: If you're so dope, why are all these dudes straing

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Speaker 1: you try to try to stay like giggling at my man.

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Speaker 1: The Wese. The Wese should have said, yo, word, yeah,

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Speaker 1: I'm gonna show you something right now, cut the cameras

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Speaker 1: off and just he should have unfolded the lizzle. Virtual porn,

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Speaker 1: virtual reality. They got that now too. Oh yeah, virtual

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Speaker 1: that's gonna be something. Yeah, I mean, I'm not in

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Speaker 1: the in the man, I gotta see it one time.

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Speaker 1: And just just so you know, I mean, listen, these broads.

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Speaker 1: You want to put yourself out there week after week,

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Speaker 1: then we're gonna comment on you week after week. Right. Yeah,

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Speaker 1: you may or may not be listening to the Iron

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Speaker 1: Rapports Stereo podcast, but a lot of people are, and

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Speaker 1: they're gonna tell you. And if you don't know who

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Speaker 1: I am, they call me. We didn't even introduce ourselves.

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Speaker 1: My name is Michael Rappaport. I'm g Moody. Um. I

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Speaker 1: go by the name the Gringo man Dingo. I go

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Speaker 1: by the name Gimo Netti a k. The Black and McMahon.

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Speaker 1: I also go by the a k a. The White

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Speaker 1: Arsenio Hall. Some also call me Mr White Folk, the

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Speaker 1: disco to the Gruesome Tuson Brothers, and so on and

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Speaker 1: so on. Sorry for not introducing ourselves, but I want

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Speaker 1: to say this to all the fans. The numbers are

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Speaker 1: growing and growing and growing and growing each week, and

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Speaker 1: we truly sincerely appreciate it. I was just with Moody

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Speaker 1: on the streets of New York. He's getting recognized walking

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Speaker 1: down the streets of New York. My father, Disco Dave,

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Speaker 1: was like, why the fund are they talking to you Monetti?

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Speaker 1: And I said, Gimo Nettie is a podcast star. Unbelievable,

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Speaker 1: but thousand and fifteen podcast co host of the Year,

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Speaker 1: Gerald Moody. Luckily he's not. He didn't spend the weekend

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Speaker 1: in jail this weekend to the Luckily those cops man.

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Speaker 1: You get salutations and appreciation where you're talking salutation, salute

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Speaker 1: and appreciate. Yes, um, you know what I gotta tell you.

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Speaker 1: There's a certain amount of customer service. There's a certain

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Speaker 1: customer service disposition that you only can get in New York.

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Speaker 1: You either get really nice, friendly, straightforward, direct, sincere good

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Speaker 1: New York customer service here, or you get a certain specific,

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Speaker 1: suck my dick customer service quality here in New York.

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Speaker 1: And you'll find it in places you're not used to

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Speaker 1: getting that at you. You you could get a Starbucks

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Speaker 1: serve to you, and and and and and and the

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Speaker 1: person who's serving it to you they won't make a

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Speaker 1: big thing about it, but they're looking at you like

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Speaker 1: the last fucking thing they were. I want to be doing,

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Speaker 1: no matter how nice, no matter how polite, regardless of

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Speaker 1: the fact that I put a fire all a tip

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Speaker 1: in the fucking thing they're giving me the eyeballs, suck

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Speaker 1: my dick. But it doesn't get any better unless you're

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Speaker 1: going If you go into a Dwayne Read or a

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Speaker 1: Da Gastinos. In New York City, you will witness a

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Speaker 1: specific kind of suck my dick customer service. They are

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Speaker 1: vicious mean. No matter how nice, no matter how polite,

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Speaker 1: no matter how sweet you present yourself. You walk in there,

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Speaker 1: you need to be ready to like almost fight. But

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Speaker 1: it's not a loud thing. It's just like when they

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Speaker 1: make eye contact with you. It's a certain kind of

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Speaker 1: it's a certain genesee. They shout out to all the

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Speaker 1: customer service people in New York the good, the bad,

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Speaker 1: and the in between. And it's not all of them.

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Speaker 1: It's not all of them. And it's not all Starbucks.

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Speaker 1: I got my local Starbucks in New York City and

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Speaker 1: they're fantastic. But if you just pop into a random one,

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Speaker 1: you don't know what you might get in there. Some

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Speaker 1: hipster ship came out, man, some you know they come

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Speaker 1: out with new ship. Now what is it? They got

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Speaker 1: something because called victim less leather? What is that? You

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Speaker 1: know how they don't want to kill animals now right,

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Speaker 1: so vic victim less? What they give you the actual

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Speaker 1: whole cow? No, they make leather. They're trying to make

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Speaker 1: leather jackets from the cultures, the cell cultures they're trying

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Speaker 1: to grow so they don't have to kill the cow.

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Speaker 1: And I'm like, yo, y'all wasting y'all wasting time. Yo.

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Speaker 1: Well well yeah, you know, wait, what what what are

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Speaker 1: those animals on Earth four? They should have them? They

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Speaker 1: should they should let them free and have them walk

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Speaker 1: all around Williamsburg in Seattle and Minnesota and Silver Lake

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Speaker 1: where the hipsters are, and you take care of them.

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Speaker 1: What are they for? What did the creative put these

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Speaker 1: things on this earth for? Right? It's called victimless, So

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Speaker 1: victim less leather. They scraped the cells and and try

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Speaker 1: to grow a leather jacket and they succeeded. It was

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Speaker 1: the size it could fit on the mouse. The jacket.

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Speaker 1: Yeah right, it's not gonna work. Uh. We we we've

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Speaker 1: talked about it. And I'm sure these guys are good,

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Speaker 1: and I'm sure this place is something interesting. Uh but

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Speaker 1: Hambleton's the play that everybody's going whacky about. Yeah, the

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Speaker 1: buzzed About Musical had a casting call because recasting and

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Speaker 1: and and they're they're casting. The traveling shows are open

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Speaker 1: in Chicago, opening Seattle as as a successful place should be.

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Speaker 1: And I've I've read a lot about this the person

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Speaker 1: who created it, and he's very interesting Dominican dude from

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Speaker 1: the Bronx. But they put out they put out a

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Speaker 1: casting call and it said it's essential to the storytelling

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Speaker 1: of Hamilton's that the principal roles, which were written for

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Speaker 1: non white characters, be performed by non white actors. So

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Speaker 1: in the casting call it said, we want everybody except

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Speaker 1: for non white actors. And I say to this, yo,

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Speaker 1: my man, Yo, dude, duke. First of all, Mr Hamilton's dude,

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Speaker 1: check this ship out on your ponytail game. That ship

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Speaker 1: is whacked number one, number two. So you're saying it,

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Speaker 1: I can't get up there and spit those those sesame

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Speaker 1: street ABC one two three rhymes that you got in

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Speaker 1: that show. I can't. I can't do. Oh so Eminem

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Speaker 1: can't get up there and spit some ship there's not

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Speaker 1: white MC. I'll get up there. You want to battle me.

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Speaker 1: It's not about MC. And that's what they're saying. What

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Speaker 1: is he saying? This is what I'm saying, Like, I

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Speaker 1: get the white privilege, and I get there, I get everything.

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Speaker 1: I get the fucking oscars so white, I get all

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Speaker 1: of it. But this ship wouldn't fly, if if, if

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Speaker 1: it wouldn't fly. And I get it again, I get

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Speaker 1: I get it, but that would not fly. To put

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Speaker 1: those words out to say non white actors like excluding

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Speaker 1: specifically and thinking that that's okay, it's it's it's not okay,

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Speaker 1: because if we want to move forward, if we want,

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Speaker 1: you know, equality across the board, it has to be

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Speaker 1: across the board. Because this just makes motherfucker's it's just

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Speaker 1: it's just a natural instinct. It just makes motherfucker's tighten up. There.

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Speaker 1: She'd be like, no, well, fuck you money. First of all,

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Speaker 1: I've seen you rhyming at the White House and all

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Speaker 1: that ship. That ship was Duke, Your rhyme flow is whacked. Duke, Well,

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Speaker 1: he's got a rapper. He says he's a rapper. He

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Speaker 1: says that we want rappers. They don't even have to

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Speaker 1: be actors. We want people who could rhyme. That's what

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Speaker 1: he said. Oh damn, he thinks he's an m C. Yeah,

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Speaker 1: because he's up there going a scooby dooby doo dooby

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Speaker 1: doo by do Why white people come to Hambleton's and

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Speaker 1: they pay blah blah, it's so cool, man, it's groovy

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Speaker 1: Sesame Street Ship nineteen like like you know selling, you know,

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Speaker 1: Captain crunch Ship. Your rhymes ain't dope money. Yeah you

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Speaker 1: should you to play You're not known for the rhyming, right, Yeah,

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Speaker 1: I'm not going to see your play, Duke. I ain't

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Speaker 1: going to see your play until I get an audition

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Speaker 1: to play that ship. I know I could spit better

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Speaker 1: than you. Mr Freestyle, He's like he could just freestyle,

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Speaker 1: Oh the White House, Obama Comma drama sell, I'm a

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Speaker 1: get non white Yeah that's like, yeah, it's a hip,

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Speaker 1: but he got it. It's up there. It's successful, enormously successful,

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Speaker 1: and I think it's great, and I mean the majority

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Speaker 1: me is just playing. But I don't like that. I

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Speaker 1: don't like that, and I feel like in order to

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Speaker 1: move forward, it has to be across the board. It

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Speaker 1: has to be across the board because it's just making

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Speaker 1: other motherfucker's be like, well, fuck you and your ponytail.

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Speaker 1: You can't push it like that. You can't push it

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Speaker 1: like that. I don't see no rappers in there. None

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Speaker 1: of them dudes are rappers there. Their musical theater dudes

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Speaker 1: that they sound like their musical theater. It don't sound

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Speaker 1: like k R S one. Mellie Mail, Get Mellie mell

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Speaker 1: in the play. Why isn't Mellie mill starring in Broadway?

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Speaker 1: Why hip hop so much? Why isn't Mellie mel in

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Speaker 1: Hamilton's Grandmaster Cast? Can't you can Grandmaster Cast? Get get

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Speaker 1: a little spot in Hamilton's. I'm sure he would love

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Speaker 1: that paycheck? Right right? But why don't you get Curious

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Speaker 1: George in there? Yeah? The latinos, right, get them in there?

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Speaker 1: Where do you at? There's a lot of mcs there,

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Speaker 1: there's a lot of like mc. Get real rappers in there.

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Speaker 1: Get the beat nuts in there. Give on me a

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Speaker 1: Junkyard Juju psycho less Juju could star in that ship.

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Speaker 1: Dress he wants to act. You get dress. He's in

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Speaker 1: New York. There's so many rappers here in New York City.

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Speaker 1: You want you get busted rhymes to star and that ship,

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Speaker 1: like real real rappers. That would get real rappers so

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Speaker 1: they can they could put a little behind them whack

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Speaker 1: ass rhymes that you're doing that ship. So you don't

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Speaker 1: want rappers, you want musical theater dudes that aren't really rappers,

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Speaker 1: because that's not really rap music. He's as selling it

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Speaker 1: as Yo's. So this is the thing with this, this this,

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Speaker 1: lebron Ship, make your mind up, dude, make your mind up.

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Speaker 1: Pick pick pick pick a fucking make a decision. Everybody's

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Speaker 1: gonna adhere to what you say. You sat out the

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Speaker 1: game the other night because you wanted rest, yet you

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Speaker 1: couldn't keep your ass on the bench. Lebron, do do

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Speaker 1: you want to coach the Cleveland Cavaliers. If you do,

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Speaker 1: I'm sure you could. You could audition and apply for

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Speaker 1: the job you got. David black Ship canned regardless of

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Speaker 1: what you say, and ty Lou and all. But you

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Speaker 1: decided to sit out the game the other day because

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Speaker 1: you wanted rest, and instead of sitting out the game,

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Speaker 1: it was almost as if you wasted your whole night arrest,

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Speaker 1: jumping off the bench, showing people the set ups, the formations,

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00:24:57,560 --> 00:24:59,959
Speaker 1: how to slide, how to turn. He was doing pivot

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Speaker 1: on the bench. J R. Smith's coming off the court.

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Speaker 1: T louis talking to him, and then lebron is talking

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Speaker 1: to Jr. Smith at the same time, as if fucking

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Speaker 1: j R. Smith has the capability to hear one person

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Speaker 1: at a time, let alone two people out of side.

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Speaker 1: I have never ever even magic who is considered a

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Speaker 1: coach on the on the court, I've never seen a

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Speaker 1: code a player step over the bounds, step over the

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Speaker 1: line like that, and they say, well, I'm not magic. Okay,

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Speaker 1: you're not. And that's why you're never gonna your career

401
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Speaker 1: is not gonna be like that. You're a great, incredible talent,

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Speaker 1: no doubt. You asked for this team, You asked for

403
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Speaker 1: this coach, and then you disrespect him when when they

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Speaker 1: see when j R. Smith comes over off the court

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00:25:41,280 --> 00:25:43,200
Speaker 1: and t. Lou is talking to him and you start

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Speaker 1: talking to him saying something totally different, what does that

407
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Speaker 1: say to to your respect for TLU? He was like, well,

408
00:25:50,680 --> 00:25:54,600
Speaker 1: not me. Me and TLU are are cool. That's the problem.

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Speaker 1: That's the problem. They don't do that ship with Popovich.

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Speaker 1: Phil Jackson thinks of my will you see one of

411
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Speaker 1: the players standing behind Pop yelling, barking out instructions. Kawai

412
00:26:06,560 --> 00:26:08,359
Speaker 1: let kawai lea would be the hedn't fucking like he

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Speaker 1: he did? That would spend him into a mental spiral.

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Speaker 1: Ya Tyler, Man, Tyler, tell money, sit down, call a

415
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Speaker 1: time out, just for that, say listen, man, I'm the

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Speaker 1: fucking coach. Sit your ass down, Duke. I don't give

417
00:26:27,160 --> 00:26:30,159
Speaker 1: a funk. Man, you're not You're not embarrassing me in

418
00:26:30,200 --> 00:26:35,119
Speaker 1: this fucking stadium like that, undermining my whole ship story.

419
00:26:35,840 --> 00:26:38,439
Speaker 1: Sit down, dude, Sit your ass down. That's what That's

420
00:26:38,480 --> 00:26:40,119
Speaker 1: what he should have seen. You sit your and pointing

421
00:26:40,160 --> 00:26:42,840
Speaker 1: to the thing with hand. Just you sit your ass down,

422
00:26:43,200 --> 00:26:45,399
Speaker 1: or oh you got this, and he should have went

423
00:26:45,440 --> 00:26:47,520
Speaker 1: in the locker room, got butt ass, got into a

424
00:26:47,560 --> 00:26:49,720
Speaker 1: jacuzzi and watch the rest of the game from the day.

425
00:26:51,080 --> 00:26:53,720
Speaker 1: This guy running running like running a circus down here.

426
00:26:53,880 --> 00:26:56,840
Speaker 1: And and the real deal is this is why pat

427
00:26:56,960 --> 00:27:02,520
Speaker 1: Riley wasn't having this shie prima donna. Yo, damn Gilbert

428
00:27:02,520 --> 00:27:05,119
Speaker 1: needs to come down and say, Yo, dude, is you

429
00:27:05,240 --> 00:27:10,159
Speaker 1: doing pay? I pay you. Sit your ass down. I

430
00:27:10,400 --> 00:27:14,040
Speaker 1: write your check. I'm the boss. I don't give a

431
00:27:14,080 --> 00:27:18,440
Speaker 1: funk if you want TV commercials the land, I don't

432
00:27:18,440 --> 00:27:21,800
Speaker 1: give a ship. I signed your checks. And I don't

433
00:27:21,960 --> 00:27:28,160
Speaker 1: like this optic of you coaching. It's appear it appears

434
00:27:28,200 --> 00:27:33,560
Speaker 1: as if you're coaching. Sit your ass down, Duke, Sit

435
00:27:33,680 --> 00:27:36,240
Speaker 1: your ass down. I'm the coach, and you want to

436
00:27:36,280 --> 00:27:37,840
Speaker 1: be like, oh, I'm not yourself. I didn't say you

437
00:27:37,840 --> 00:27:41,040
Speaker 1: with my slave. You're my employee. I pay you. And

438
00:27:41,040 --> 00:27:44,920
Speaker 1: when you get your own team, because that little bullshit salary,

439
00:27:44,920 --> 00:27:48,280
Speaker 1: you get your hundred million, that ain't ship. I got

440
00:27:48,280 --> 00:27:51,359
Speaker 1: that myself. I got a building in downtown Detroit. I

441
00:27:51,520 --> 00:27:54,720
Speaker 1: sucking pissed a hundred million dollars out on a Saturday afternoon.

442
00:27:56,480 --> 00:27:59,720
Speaker 1: You can't do commercials all that. You can't do what

443
00:27:59,800 --> 00:28:03,000
Speaker 1: you want fired black for you and you're up dropping

444
00:28:03,040 --> 00:28:06,240
Speaker 1: around during the thing. Dan Gil would come down out

445
00:28:06,240 --> 00:28:14,399
Speaker 1: that sweet shit the fuck down. I don't know. I

446
00:28:14,480 --> 00:28:19,080
Speaker 1: can't call it. What else is popping? Man? Oh? Man? Uh?

447
00:28:19,280 --> 00:28:22,000
Speaker 1: Going to state. Man, they're gonna get that record. I

448
00:28:22,080 --> 00:28:25,280
Speaker 1: want them to do it, get it. You know. Michael

449
00:28:25,320 --> 00:28:28,080
Speaker 1: Jordan's somewhere, he's just She's just he's like punching walls

450
00:28:28,240 --> 00:28:32,000
Speaker 1: right and and and speaking of Michael Jordan's, he's the

451
00:28:32,000 --> 00:28:34,520
Speaker 1: only one who gave Pat you win a job, Patt

452
00:28:34,720 --> 00:28:37,840
Speaker 1: pat you and put his his uh, he wants his

453
00:28:37,840 --> 00:28:39,840
Speaker 1: his his his name in the hat to be the

454
00:28:39,880 --> 00:28:44,480
Speaker 1: coach of the New York Knicks. They don't even consider him.

455
00:28:44,560 --> 00:28:46,800
Speaker 1: And they can't consider Mark Jackson because he might be

456
00:28:46,880 --> 00:28:50,560
Speaker 1: outside the Felt form after the game with a craffalo

457
00:28:50,720 --> 00:28:55,680
Speaker 1: Dollar doing his little sermon. So they can't consider the

458
00:28:55,720 --> 00:28:58,440
Speaker 1: New York guys because this guy burned his bridge and

459
00:28:58,480 --> 00:29:01,360
Speaker 1: pat they won't even fucking look at him. It's like

460
00:29:01,400 --> 00:29:04,520
Speaker 1: that never played for the Knicks. He can't even being

461
00:29:04,520 --> 00:29:08,720
Speaker 1: a fucking usher something some sort of some sort of

462
00:29:08,800 --> 00:29:16,680
Speaker 1: job where Serbiac keepable? Right? Serbiac is is an employee

463
00:29:16,680 --> 00:29:19,000
Speaker 1: of the Knicks. Has he ever played for the Knicks?

464
00:29:19,040 --> 00:29:23,520
Speaker 1: No Oakley Starks. We can't get somebody who or at

465
00:29:23,560 --> 00:29:28,080
Speaker 1: least sounds like they're from New York that represents the

466
00:29:28,120 --> 00:29:31,160
Speaker 1: team just to do the commentating. And it was Eddielee

467
00:29:31,160 --> 00:29:36,640
Speaker 1: Wilkins that Glenn Condrasick, is he alive? Glenn Condrasick, I

468
00:29:36,640 --> 00:29:42,000
Speaker 1: don't know. Ship Man bringing Latrelle. You know what, the

469
00:29:42,160 --> 00:29:44,480
Speaker 1: fans would love to have Latrell back in the garden.

470
00:29:45,040 --> 00:29:47,160
Speaker 1: Larry Johnson, I know he does stuff with the Knicks.

471
00:29:47,200 --> 00:29:50,800
Speaker 1: Get like, I want to see his face. Mom, it's

472
00:29:50,840 --> 00:29:55,880
Speaker 1: family New York Knicks man. So you know this fucking

473
00:29:55,880 --> 00:30:00,560
Speaker 1: guy Trump. Did you see the clip last night? Uh

474
00:30:00,760 --> 00:30:04,320
Speaker 1: the other day about that ship man. He was sitting

475
00:30:04,360 --> 00:30:08,120
Speaker 1: down with what was some some old school political newsperson,

476
00:30:08,160 --> 00:30:13,640
Speaker 1: and he asked him about abortion and and and Trump,

477
00:30:13,640 --> 00:30:16,280
Speaker 1: who's supposed to be such a badass and all that.

478
00:30:16,520 --> 00:30:19,000
Speaker 1: The dude was pressing him, he said, He basically said,

479
00:30:19,040 --> 00:30:22,920
Speaker 1: he said, if, if, if, abortion, if you don't believe

480
00:30:22,920 --> 00:30:27,040
Speaker 1: an abortion, an abortion should be illegal? Should people who

481
00:30:27,120 --> 00:30:30,360
Speaker 1: get abortions be penalized? And Trump was trying to skirt

482
00:30:30,360 --> 00:30:34,320
Speaker 1: around answering, right, he was skirting around answering, And finally

483
00:30:34,360 --> 00:30:40,160
Speaker 1: he said those words, yes, it should be penalized. Damn punished, punished.

484
00:30:40,200 --> 00:30:42,280
Speaker 1: You should be punished for having aboard because you're breaking

485
00:30:42,280 --> 00:30:46,000
Speaker 1: the law. Basically, that's what you're saying. Damn, Yo, Trump,

486
00:30:46,040 --> 00:30:50,240
Speaker 1: you you ain't ship. You ain't ship. You don't have

487
00:30:50,320 --> 00:30:55,239
Speaker 1: the verbal um skills, the political verbal skills. Even if

488
00:30:55,280 --> 00:30:58,600
Speaker 1: you think that you say some ship like that around,

489
00:30:59,000 --> 00:31:01,239
Speaker 1: you don't have the verbal ski else to skate around it.

490
00:31:02,080 --> 00:31:07,120
Speaker 1: Obviously not. How about we give you an abortion, Trump?

491
00:31:08,200 --> 00:31:13,320
Speaker 1: How about we abort you? Fling with this dude? Man,

492
00:31:14,920 --> 00:31:17,560
Speaker 1: I told you, bro, you did say it. You were

493
00:31:17,560 --> 00:31:19,200
Speaker 1: saying it from the beginning. You were saying it a

494
00:31:19,280 --> 00:31:22,840
Speaker 1: little bit before the masses were saying it. And it's

495
00:31:22,880 --> 00:31:26,280
Speaker 1: on the table. Trump we we have your political slogan

496
00:31:26,280 --> 00:31:28,760
Speaker 1: that you want your your you. Just if he did that,

497
00:31:29,280 --> 00:31:31,920
Speaker 1: I think this. If he said the political slogan, he

498
00:31:31,960 --> 00:31:33,960
Speaker 1: owned it, he put it on TV. I think he

499
00:31:34,000 --> 00:31:38,400
Speaker 1: could seriously, seriously win the political slogan if we gave

500
00:31:38,440 --> 00:31:40,880
Speaker 1: it to him for free, free of charge. We normally

501
00:31:40,920 --> 00:31:44,480
Speaker 1: don't do that when when we're asked to create political slogans,

502
00:31:45,480 --> 00:31:47,040
Speaker 1: would you would you like to refresh some of the

503
00:31:47,040 --> 00:31:50,360
Speaker 1: people's memory. I hate the Blacks and I hate the Hispanics,

504
00:31:50,400 --> 00:31:54,280
Speaker 1: and you do to vote for Donald Trump the two

505
00:31:54,280 --> 00:31:58,600
Speaker 1: thousand and sixteen that's the sentiment Iron Rapport Stereo podcast.

506
00:31:58,600 --> 00:32:05,440
Speaker 1: We're coming right back, all right, So the Iron wrapp

507
00:32:05,440 --> 00:32:09,560
Speaker 1: Port podcast and I and my man Moody, I love

508
00:32:09,640 --> 00:32:12,640
Speaker 1: the True re app t r U E y Best.

509
00:32:13,520 --> 00:32:17,360
Speaker 1: It's a great conversation starter. It's a great podcast segment.

510
00:32:17,520 --> 00:32:20,200
Speaker 1: Or if you're on the train, you want to pick

511
00:32:20,280 --> 00:32:23,800
Speaker 1: up a lady, open up the True app on your iPhone,

512
00:32:24,400 --> 00:32:28,720
Speaker 1: start a conversation. It asked a question and then it

513
00:32:28,720 --> 00:32:31,320
Speaker 1: gives an answer. It sort of takes a pole. Here's

514
00:32:31,320 --> 00:32:36,680
Speaker 1: the first question for this week's True App segment. Never

515
00:32:36,720 --> 00:32:40,520
Speaker 1: been on Have you ever been on a boat. Yeah,

516
00:32:40,960 --> 00:32:43,080
Speaker 1: I I if I were tourn you know that, I'm

517
00:32:43,120 --> 00:32:48,920
Speaker 1: really um fishing. I get c sick. Like every single

518
00:32:48,960 --> 00:32:51,680
Speaker 1: time I've been on the boat, it's it's been disastrous.

519
00:32:51,720 --> 00:32:53,280
Speaker 1: The last time I was on a boat was with

520
00:32:53,320 --> 00:32:54,880
Speaker 1: my friend who we also need to get on the

521
00:32:54,880 --> 00:33:00,640
Speaker 1: Iron Rapport stereo podcast, John Singleton, director of Boys in

522
00:33:00,680 --> 00:33:05,360
Speaker 1: the Hood and many many many other good friend, good dude,

523
00:33:05,880 --> 00:33:12,840
Speaker 1: smart dude. Encyclopedia of Film Knowledge. He fancies himself some

524
00:33:12,920 --> 00:33:15,360
Speaker 1: sort of fucking what does it call. You're not you're

525
00:33:15,400 --> 00:33:21,520
Speaker 1: not a pilot, you're a with this. He thinks he's

526
00:33:21,520 --> 00:33:23,800
Speaker 1: some kind of like fishing fit boat guy. He thinks

527
00:33:23,800 --> 00:33:26,680
Speaker 1: he's a Robert Shaw. Yeah, he ain't Robert Shaw. He

528
00:33:26,760 --> 00:33:29,840
Speaker 1: had me on his boat. I was, y'all was all

529
00:33:29,880 --> 00:33:32,120
Speaker 1: messed up. I want to get him on here and

530
00:33:32,240 --> 00:33:35,920
Speaker 1: and to talk about that. Uh So, I don't funk

531
00:33:35,960 --> 00:33:37,840
Speaker 1: with boats, but I've been on boats. Every time I

532
00:33:38,000 --> 00:33:40,360
Speaker 1: get on a boat, it's it's a problem with people.

533
00:33:41,720 --> 00:33:44,360
Speaker 1: Yeah I don't. Yeah, I'm a land lover. I'm not

534
00:33:44,400 --> 00:33:48,080
Speaker 1: with all that. Uh I have shot at someone before.

535
00:33:48,480 --> 00:33:51,120
Speaker 1: Ten percent of the people on Truy have shot at

536
00:33:51,120 --> 00:33:54,680
Speaker 1: somebody before. Ninety percent of the people have so ten

537
00:33:54,760 --> 00:33:57,600
Speaker 1: percent of the people on the truy app have shot

538
00:33:57,600 --> 00:34:02,320
Speaker 1: a gun at somebody before. I've never shot at somebody before.

539
00:34:02,360 --> 00:34:06,320
Speaker 1: I hope to God I don't have to. But if

540
00:34:06,320 --> 00:34:11,480
Speaker 1: you come in, if you come in the house, no,

541
00:34:11,600 --> 00:34:13,439
Speaker 1: I got something for you. I got that. I got

542
00:34:13,440 --> 00:34:16,799
Speaker 1: something for you. Oh yeah, you know what that is.

543
00:34:16,840 --> 00:34:20,960
Speaker 1: That's the buzz stick for your ass. All right, but

544
00:34:21,040 --> 00:34:25,280
Speaker 1: I've never shot. We want you to live. We have beef,

545
00:34:25,840 --> 00:34:27,680
Speaker 1: but I will give you a little buzz you. I

546
00:34:27,719 --> 00:34:32,960
Speaker 1: want you to live. Is flirting considered cheating? Absolutely? Not

547
00:34:34,000 --> 00:34:37,640
Speaker 1: of the people agree. Of the people disagree. Let me

548
00:34:37,719 --> 00:34:39,880
Speaker 1: tell you something. If you're in a healthy relationship, you

549
00:34:39,960 --> 00:34:44,879
Speaker 1: still need to um, feel attractive, um, go out, go out,

550
00:34:44,960 --> 00:34:47,520
Speaker 1: and and and converse. And also you you mean to

551
00:34:47,560 --> 00:34:49,879
Speaker 1: each his own. Some people may not feel comfortable with that,

552
00:34:50,000 --> 00:34:52,440
Speaker 1: but you you have to live, you have to socialize,

553
00:34:52,480 --> 00:34:55,800
Speaker 1: you have to wink, you have to you know, flirting

554
00:34:55,800 --> 00:34:58,640
Speaker 1: doesn't have to you know, be like taking things too far.

555
00:34:58,840 --> 00:35:01,919
Speaker 1: So I don't think flirting is cheating. Cheating is when

556
00:35:01,920 --> 00:35:07,919
Speaker 1: you unfold the loaf and insert the loaf. But once

557
00:35:07,960 --> 00:35:10,520
Speaker 1: you're at the point where you're unfolding the loaf. You're

558
00:35:10,560 --> 00:35:12,840
Speaker 1: you're you're in a bad place in terms of the

559
00:35:12,920 --> 00:35:17,440
Speaker 1: cheating world. So six sixty of the people disagree with me.

560
00:35:17,719 --> 00:35:21,080
Speaker 1: I know how to drive a car that has manual transmission.

561
00:35:21,120 --> 00:35:22,839
Speaker 1: See this is a question I don't really care to answer,

562
00:35:22,920 --> 00:35:24,680
Speaker 1: but I guess some people don't know how to do that,

563
00:35:24,719 --> 00:35:28,360
Speaker 1: though I don't. I do. I do. My first car,

564
00:35:29,120 --> 00:35:33,440
Speaker 1: UM that I owned, my mom gave me was a SOB.

565
00:35:33,920 --> 00:35:37,880
Speaker 1: I like that car and UM and I lived in Hollywood,

566
00:35:38,440 --> 00:35:41,440
Speaker 1: um and and and uh, it would get broken into

567
00:35:42,239 --> 00:35:45,479
Speaker 1: weekly on the fucking rag. They would take my radio.

568
00:35:45,560 --> 00:35:47,600
Speaker 1: This is when like radios were like they'd come in

569
00:35:47,640 --> 00:35:50,160
Speaker 1: and out and and and I remember the one thing

570
00:35:50,200 --> 00:35:52,319
Speaker 1: that was heartbreak. And I'll never forget that they took

571
00:35:52,320 --> 00:35:59,320
Speaker 1: out of my sob out of uh Carlton Way, Carlton Way.

572
00:35:59,400 --> 00:36:03,760
Speaker 1: They took all my brucy be Kid Capri and rooftop tapes.

573
00:36:03,920 --> 00:36:06,600
Speaker 1: I remember you told me that you called me that

574
00:36:07,520 --> 00:36:14,399
Speaker 1: hurt bad because that's hip hop history, that that hurt.

575
00:36:14,520 --> 00:36:17,920
Speaker 1: That was a gut a gut punch. They took my

576
00:36:18,040 --> 00:36:23,000
Speaker 1: whole collection out of the car, those mother fucker's And

577
00:36:23,040 --> 00:36:26,880
Speaker 1: I remember after I went to the car and I

578
00:36:26,920 --> 00:36:29,200
Speaker 1: read my car, but they took my radio, and they

579
00:36:29,200 --> 00:36:35,480
Speaker 1: took my whole collection of brucy be kid capri. Uh. Um,

580
00:36:35,520 --> 00:36:39,360
Speaker 1: who's the other one that used to tape um um

581
00:36:39,480 --> 00:36:41,759
Speaker 1: ron g tapes? I had like like like it must

582
00:36:41,800 --> 00:36:44,040
Speaker 1: have been like sixty four tapes, like in the cassette

583
00:36:44,040 --> 00:36:47,160
Speaker 1: thing you would hold it, and I was screaming, you

584
00:36:47,440 --> 00:36:54,319
Speaker 1: motherfucker's you cocksuckers. They fucking took my ship. That hurt me.

585
00:36:54,680 --> 00:36:56,160
Speaker 1: But I had, I had. I had to answer the

586
00:36:56,239 --> 00:36:59,640
Speaker 1: question of the true app segment of the week. Yes,

587
00:36:59,719 --> 00:37:04,040
Speaker 1: I do know how to drive a manual transmission. Um.

588
00:37:04,200 --> 00:37:06,960
Speaker 1: No one would care about Christie Teagan's cookbook if she

589
00:37:07,040 --> 00:37:09,920
Speaker 1: wasn't hot. I'm not answering that would you pay for

590
00:37:09,960 --> 00:37:13,560
Speaker 1: a nude magazine of naked pictures of the hottest girls

591
00:37:13,640 --> 00:37:16,200
Speaker 1: guys you went to school with? Hell? I don't even

592
00:37:16,239 --> 00:37:21,640
Speaker 1: know what Okay, yeah, Oh, here's an interesting question. It

593
00:37:21,680 --> 00:37:27,080
Speaker 1: says fucky ESPN. No, I totally don't agree. I love ESPN.

594
00:37:28,200 --> 00:37:30,360
Speaker 1: Without ESPN, I don't know what I would be. I

595
00:37:30,360 --> 00:37:34,560
Speaker 1: would do uh of my time while while at home

596
00:37:34,600 --> 00:37:38,400
Speaker 1: watching television, which is the point of the fucking channel.

597
00:37:38,880 --> 00:37:43,680
Speaker 1: So I don't agree with you on this. Okay, uh,

598
00:37:43,920 --> 00:37:46,719
Speaker 1: here's a final question. I hate getting popcorn at the

599
00:37:46,760 --> 00:37:50,000
Speaker 1: movie theater. You hate getting popcorn at the movie what

600
00:37:50,120 --> 00:37:54,520
Speaker 1: kind of the people hate getting popcorn at the movie hip?

601
00:37:55,480 --> 00:37:57,480
Speaker 1: They bring it in a paper bag. They're like, this

602
00:37:57,520 --> 00:38:03,360
Speaker 1: is organic and it's free butter, and it wasn't aized

603
00:38:03,680 --> 00:38:06,640
Speaker 1: You know, you're at the movie theater. It's supposed to

604
00:38:06,640 --> 00:38:10,960
Speaker 1: be buttery warm the the the the if you're in

605
00:38:10,960 --> 00:38:13,400
Speaker 1: New York, the person who serves it too is supposed

606
00:38:13,400 --> 00:38:18,160
Speaker 1: to have an attitude. Red vines and twizzlers. East Coast,

607
00:38:18,200 --> 00:38:20,920
Speaker 1: West coast. There's a difference, you know that, right, Red

608
00:38:21,000 --> 00:38:25,440
Speaker 1: vines and twizzlers. What do they sell the theaters in

609
00:38:25,440 --> 00:38:28,279
Speaker 1: New York? Red vines? Are twizzlers? In l A. They

610
00:38:28,320 --> 00:38:31,600
Speaker 1: only sell red vines. It's a weird thing. And it's

611
00:38:31,640 --> 00:38:34,040
Speaker 1: just they're they're similar things, but they're like it's like

612
00:38:34,080 --> 00:38:38,200
Speaker 1: coke and PEPSI oh my god. Last question, I'm doing

613
00:38:38,200 --> 00:38:42,799
Speaker 1: a bonus question. Comedians should never have to apologize for

614
00:38:42,840 --> 00:38:49,800
Speaker 1: a joke. Agree of the people agree, of the people disagree.

615
00:38:50,960 --> 00:38:52,920
Speaker 1: This is a good point and this is a great question.

616
00:38:52,960 --> 00:38:55,160
Speaker 1: This is why I love the true app Like our

617
00:38:55,200 --> 00:39:00,640
Speaker 1: incident with Hannibal Barress. Just like he didn't apologize for

618
00:39:00,960 --> 00:39:03,960
Speaker 1: his joke and his bit about Bill Cosby being a rapist,

619
00:39:04,760 --> 00:39:08,480
Speaker 1: we didn't apologize to Hannibal Barress about being a snitch

620
00:39:08,600 --> 00:39:11,920
Speaker 1: ass motherfucker a k a. The Henry Hill of comedy.

621
00:39:12,040 --> 00:39:16,680
Speaker 1: Now his men in jest comedy, okay, and he's a

622
00:39:16,719 --> 00:39:20,640
Speaker 1: he's a world class comedian. So I don't agree. And

623
00:39:20,719 --> 00:39:24,719
Speaker 1: now I mean no, I mean especially if your intention

624
00:39:24,840 --> 00:39:29,640
Speaker 1: is to be funny. So yeah, joke uh needs no apology.

625
00:39:29,760 --> 00:39:32,879
Speaker 1: I agree. That's why I like the truy app. Uh.

626
00:39:32,960 --> 00:39:35,839
Speaker 1: You could download it on your iPhone t r U

627
00:39:35,880 --> 00:39:40,920
Speaker 1: e Y. It's a instead of playing Twister, get the

628
00:39:40,960 --> 00:39:43,960
Speaker 1: truey app. It's a great conversation starting. It's great for parties.

629
00:39:44,200 --> 00:39:47,920
Speaker 1: I really enjoyed. So I was. I was at a

630
00:39:47,960 --> 00:39:56,080
Speaker 1: friend's house the other day doing something serious. I walk in.

631
00:39:56,120 --> 00:39:57,640
Speaker 1: There's a bunch of people was it was like sort

632
00:39:57,640 --> 00:39:59,799
Speaker 1: of a get together, and one of the people that

633
00:39:59,880 --> 00:40:01,960
Speaker 1: was sort of working on the house is like, as

634
00:40:02,000 --> 00:40:04,879
Speaker 1: soon as I walk in, I have I have um

635
00:40:05,239 --> 00:40:08,040
Speaker 1: bags in my hands and my jacket on and it's

636
00:40:08,080 --> 00:40:14,200
Speaker 1: it's New York City. Guy says to me. Michael Rappaport.

637
00:40:14,719 --> 00:40:17,399
Speaker 1: I haven't seen you in like thirty years. I'll give

638
00:40:17,440 --> 00:40:22,440
Speaker 1: you three guesses to who I am. I'm like, who

639
00:40:22,520 --> 00:40:25,799
Speaker 1: do who is you? If I need to guess who

640
00:40:25,840 --> 00:40:32,160
Speaker 1: you are? Who you is? Whoo right? And then I'm like, well,

641
00:40:32,280 --> 00:40:34,719
Speaker 1: you know, he's like three guesses, I go, I don't

642
00:40:34,719 --> 00:40:38,759
Speaker 1: know because it was I'm not gonna explain why I

643
00:40:38,880 --> 00:40:40,279
Speaker 1: was there and what was going on, but it was

644
00:40:40,480 --> 00:40:44,879
Speaker 1: it was. My mind was elsewhere. Yo, you you don't

645
00:40:44,880 --> 00:40:49,279
Speaker 1: know who I am. I have no fucking clue who

646
00:40:49,320 --> 00:40:52,479
Speaker 1: who was this guest? Three times? I'm not guessing three times.

647
00:40:52,520 --> 00:40:54,160
Speaker 1: I mean I got fucking ship, and I wanted to

648
00:40:54,200 --> 00:40:56,920
Speaker 1: take the ship out of my hands and introduce yourself.

649
00:40:56,960 --> 00:41:00,360
Speaker 1: Reintroduce yourself to me like a class, like a normal

650
00:41:00,440 --> 00:41:05,160
Speaker 1: person class, not even class, like a fucking normal person.

651
00:41:05,840 --> 00:41:08,320
Speaker 1: And he goes, I was in I was in this school,

652
00:41:08,360 --> 00:41:09,880
Speaker 1: that school, and this school with you. I go, I

653
00:41:10,080 --> 00:41:12,000
Speaker 1: didn't go to those schools. I was in the fifth

654
00:41:12,040 --> 00:41:14,680
Speaker 1: grade with this guy. I haven't seen this fucking guy

655
00:41:14,680 --> 00:41:17,400
Speaker 1: in the fifth grade. Now in the fifth grade, he

656
00:41:17,560 --> 00:41:22,440
Speaker 1: wasn't five four forty pounds overweight and bald, So I

657
00:41:22,440 --> 00:41:24,120
Speaker 1: don't know. I haven't record. I haven't seen this guy,

658
00:41:24,120 --> 00:41:26,399
Speaker 1: and he's going on and on. You don't remember being

659
00:41:26,400 --> 00:41:30,280
Speaker 1: at So and So's bar mitzvah. No, No, you spilled

660
00:41:30,360 --> 00:41:33,600
Speaker 1: a drink at the bar mitzvah. Okay, I don't give

661
00:41:33,640 --> 00:41:41,440
Speaker 1: a fuck. Actually I wasn't even at the fucking bar mitzvah.

662
00:41:41,680 --> 00:41:44,640
Speaker 1: I've only been at two bar Mitz was my whole life,

663
00:41:44,640 --> 00:41:51,640
Speaker 1: and one of them was my brother, Professor Rappaport. Anyway,

664
00:41:51,880 --> 00:41:53,600
Speaker 1: it went on and on and on and on. This

665
00:41:53,640 --> 00:41:55,680
Speaker 1: guy wouldn't stop. And the reason why I didn't go

666
00:41:55,719 --> 00:41:59,360
Speaker 1: a funk off asshole, it's because of where I was

667
00:41:59,680 --> 00:42:04,359
Speaker 1: and just the circumstances. But if I haven't seen you

668
00:42:06,200 --> 00:42:10,600
Speaker 1: in over thirty years and you go you don't recognize me, No,

669
00:42:11,960 --> 00:42:16,760
Speaker 1: you haven't grown, You're bald. You got on a fucking

670
00:42:17,080 --> 00:42:22,040
Speaker 1: a bendy yankee hap like it's not fitted like the

671
00:42:22,120 --> 00:42:25,520
Speaker 1: kind with the strap you know in the back. I

672
00:42:25,560 --> 00:42:29,360
Speaker 1: call those bendy's. My kids invented that, Jesus. And you

673
00:42:29,400 --> 00:42:31,839
Speaker 1: won't you won't you wy don't you just say, hey, Mike,

674
00:42:33,280 --> 00:42:35,200
Speaker 1: I was in the fifth grade with you. I'm so

675
00:42:35,360 --> 00:42:39,400
Speaker 1: and so. Peace keep it moving and keep it moving.

676
00:42:41,200 --> 00:42:44,439
Speaker 1: To anybody. It's not like to anybody. And I wasn't

677
00:42:44,440 --> 00:42:46,120
Speaker 1: in the ninth grade with you. I wasn't in the

678
00:42:46,160 --> 00:42:48,120
Speaker 1: eighth grade with you. I wasn't in the seventh grade

679
00:42:48,160 --> 00:42:53,799
Speaker 1: with you. Shut your mouth, shortship, celebrity etiquette, it's not

680
00:42:53,840 --> 00:42:57,160
Speaker 1: even celebrity. It could happen to anybody. But motherfucker ain't

681
00:42:57,160 --> 00:43:00,760
Speaker 1: gonna come up to me on some suckers it like yo.

682
00:43:01,239 --> 00:43:04,239
Speaker 1: But for you, he's gonna do that because he he

683
00:43:04,440 --> 00:43:08,000
Speaker 1: saw you in movies. And and I love when anybody

684
00:43:08,040 --> 00:43:13,839
Speaker 1: approaches me. I I am so appreciative when anybody approaches me.

685
00:43:14,000 --> 00:43:19,040
Speaker 1: But it's different if he's attacking me. He from around

686
00:43:19,200 --> 00:43:22,640
Speaker 1: your way. You haven't seen He hasn't seen you in

687
00:43:22,719 --> 00:43:26,040
Speaker 1: thirty years, over thirty years. But why are you attacking me?

688
00:43:26,239 --> 00:43:28,239
Speaker 1: I don't recognize you. I'm gonna tell you what you

689
00:43:28,239 --> 00:43:31,200
Speaker 1: look like ship. You haven't aged well, why you were

690
00:43:31,239 --> 00:43:34,520
Speaker 1: a cute kid in the sixth grade, because now you

691
00:43:34,560 --> 00:43:38,160
Speaker 1: look like shit. I should have said that, I should

692
00:43:38,160 --> 00:43:39,879
Speaker 1: I should have said the first thing. I should have said.

693
00:43:40,040 --> 00:43:41,600
Speaker 1: I'm sorry, I don't I don't know. I don't know

694
00:43:41,640 --> 00:43:44,319
Speaker 1: who you are. You haven't you haven't aged well. You

695
00:43:44,400 --> 00:43:46,560
Speaker 1: look like shit, And why don't you go in the

696
00:43:46,560 --> 00:43:49,920
Speaker 1: bathroom and freshening yourself up? Because for some reason, although

697
00:43:49,920 --> 00:43:53,760
Speaker 1: it's winter and we're in a cool environment, you're sweating.

698
00:43:55,120 --> 00:43:57,200
Speaker 1: That's what I should have said. It was. It was

699
00:43:57,360 --> 00:44:03,080
Speaker 1: very uh, very uncomfortable. Wash ass. Yeah, just go freshen up.

700
00:44:03,920 --> 00:44:06,240
Speaker 1: Maybe if if you stop sweating and take that fucking

701
00:44:06,280 --> 00:44:09,040
Speaker 1: weird hat off, I'd maybe be able to figure it out.

702
00:44:11,560 --> 00:44:17,520
Speaker 1: I don't know what what do you say? You know? Oh,

703
00:44:17,560 --> 00:44:20,520
Speaker 1: I had something to tell you. My friend like my

704
00:44:20,560 --> 00:44:23,840
Speaker 1: man five Diggy, he got something to say. Yes, I

705
00:44:23,920 --> 00:44:26,719
Speaker 1: like them, brown, yellow, Puerto Rican and Haitian. The name

706
00:44:26,800 --> 00:44:29,759
Speaker 1: is five Dog. I'm from the Zulu nation. I told

707
00:44:29,760 --> 00:44:32,440
Speaker 1: you in the jam that we can get down. Now.

708
00:44:32,520 --> 00:44:35,399
Speaker 1: Let's now, let's knock the boots like that group h town.

709
00:44:36,360 --> 00:44:38,359
Speaker 1: You got B. B. D all On in your bedroom wall.

710
00:44:38,960 --> 00:44:40,879
Speaker 1: But I'm above the rim and this is how we ball.

711
00:44:42,640 --> 00:44:44,279
Speaker 1: What's what do you have to say? I hope they

712
00:44:44,719 --> 00:44:49,000
Speaker 1: suspend Tom Brady. We talked about this ship last year.

713
00:44:49,040 --> 00:44:51,320
Speaker 1: We were the episode what's the episode? The Brady Bash?

714
00:44:51,560 --> 00:44:54,759
Speaker 1: And the We're Gonna Break Your Face? Which episodes of

715
00:44:54,840 --> 00:44:58,719
Speaker 1: these these are? I don't know the numbers. But we

716
00:44:58,760 --> 00:45:03,359
Speaker 1: did them. Uh, we did him and we That's why

717
00:45:03,400 --> 00:45:05,360
Speaker 1: I'm sort of talked out on Brady because when we

718
00:45:05,440 --> 00:45:09,520
Speaker 1: did to break his fucking face episode all dedicated to

719
00:45:09,640 --> 00:45:14,120
Speaker 1: Captain America, when we demanded that he hand in his shield.

720
00:45:14,440 --> 00:45:18,840
Speaker 1: Now Roger Goodell is saying just what we're saying, that

721
00:45:19,000 --> 00:45:21,839
Speaker 1: he wants to break his face. He will be suspended

722
00:45:22,360 --> 00:45:25,759
Speaker 1: for three or four games. Why you're gonna keep going

723
00:45:25,800 --> 00:45:30,000
Speaker 1: on about the football's even I'm like, get over the board, man,

724
00:45:30,239 --> 00:45:32,880
Speaker 1: he did it. He did what. I don't care anymore.

725
00:45:33,280 --> 00:45:36,200
Speaker 1: I really don't care anymore. And I've said everything I

726
00:45:36,239 --> 00:45:39,279
Speaker 1: need to say in the Brady Bash episode. Here's a

727
00:45:39,320 --> 00:45:43,200
Speaker 1: little clip from the Brady Bash episode. Boom. This podcast

728
00:45:43,239 --> 00:45:50,279
Speaker 1: should be called an American Boy, American Beauty, or there

729
00:45:50,280 --> 00:45:54,319
Speaker 1: will be Blood? What do you think it should be called?

730
00:45:54,320 --> 00:45:56,160
Speaker 1: I thought I think it should be called there will

731
00:45:56,200 --> 00:45:59,680
Speaker 1: be blood. Will be blood, Because Tim, we're gonna fuck count,

732
00:46:00,000 --> 00:46:05,240
Speaker 1: gonna fuck you, man. You've really fucked up deflating these nuts.

733
00:46:05,760 --> 00:46:08,399
Speaker 1: You gotta get it, and you're competitive, and and and

734
00:46:08,400 --> 00:46:12,600
Speaker 1: and you in Belicheck, the Great Wall of Patriots, you know,

735
00:46:12,640 --> 00:46:16,000
Speaker 1: like they don't they don't say anything behind the Patriot walls,

736
00:46:16,160 --> 00:46:21,120
Speaker 1: the Patriot Way. Now, rat we got r G three.

737
00:46:22,120 --> 00:46:25,480
Speaker 1: He's in Cleveland. I hope to goodness when he goes

738
00:46:25,520 --> 00:46:27,960
Speaker 1: to Cleveland and they took the white girls from him too.

739
00:46:28,040 --> 00:46:32,640
Speaker 1: Now what what it was a stipulation of the contract?

740
00:46:33,960 --> 00:46:36,319
Speaker 1: What they said? Hugh Jackson said, you're not coming here

741
00:46:36,320 --> 00:46:38,320
Speaker 1: with no white girls. Now, but that's in his contract.

742
00:46:38,320 --> 00:46:42,279
Speaker 1: That's unprecedented. Huh. Hugh Jackson said, look here, now, you're

743
00:46:42,280 --> 00:46:45,440
Speaker 1: not coming here with no white He wants to keep

744
00:46:45,440 --> 00:46:49,040
Speaker 1: them focused, keep yourself focused, right and and and it's

745
00:46:49,040 --> 00:46:52,640
Speaker 1: time to cut the braids or flip them back, flip

746
00:46:52,719 --> 00:46:54,960
Speaker 1: them back. No, they don't want him back because you

747
00:46:55,000 --> 00:46:58,000
Speaker 1: could turn into Lester Hall. No, no, no, no, no no, no,

748
00:46:58,200 --> 00:46:59,680
Speaker 1: what you mean? No, no, no, no no, no. You know

749
00:46:59,719 --> 00:47:03,520
Speaker 1: how he has the braids hanging. They look like like

750
00:47:03,520 --> 00:47:07,640
Speaker 1: like like a little fucking little little like little stream beetles.

751
00:47:07,880 --> 00:47:15,680
Speaker 1: He literally, yea RG three, let's start a new let's

752
00:47:15,760 --> 00:47:18,960
Speaker 1: let's clean slated. I believe in you. I want him

753
00:47:19,000 --> 00:47:22,360
Speaker 1: to do well. I like RG three. There's no reason

754
00:47:22,360 --> 00:47:24,680
Speaker 1: why RG three shouldn't be a productive quarterback. And there's

755
00:47:24,680 --> 00:47:27,680
Speaker 1: no reason if they give all these other quarterbacks. Chance

756
00:47:27,719 --> 00:47:31,919
Speaker 1: after if he's healthy, he should be good. But we're

757
00:47:31,920 --> 00:47:36,760
Speaker 1: moving to Cleveland, new hair, do, new chicks, new start.

758
00:47:37,320 --> 00:47:40,640
Speaker 1: You need to get rid of those good either just

759
00:47:40,680 --> 00:47:43,600
Speaker 1: cut your ship, cut your ship, cuts your ship. Don't

760
00:47:43,600 --> 00:47:45,359
Speaker 1: even because I was gonna say, like have him back,

761
00:47:45,400 --> 00:47:50,799
Speaker 1: you know, like have him like down like iverson full iverson,

762
00:47:51,280 --> 00:47:54,560
Speaker 1: cut your ship, cut your ship, and Jackson said no.

763
00:47:54,760 --> 00:47:59,920
Speaker 1: White Jackson, the coach of the Cavalier he got of Cleveland,

764
00:48:00,680 --> 00:48:05,000
Speaker 1: huge accent, has a policy that his his old white

765
00:48:05,200 --> 00:48:09,120
Speaker 1: woman listen for black quarterbacks. And that's not because he

766
00:48:09,239 --> 00:48:13,719
Speaker 1: hates the white women. It's because he no right right

767
00:48:13,920 --> 00:48:18,040
Speaker 1: how you view them, and you don't need to be

768
00:48:18,160 --> 00:48:21,759
Speaker 1: around him, no kind of way right at all. Right,

769
00:48:21,880 --> 00:48:24,440
Speaker 1: I hear you. I want him to do well. I

770
00:48:24,480 --> 00:48:27,200
Speaker 1: have no I like r G three. I think they

771
00:48:27,200 --> 00:48:31,560
Speaker 1: did him gree Z. They did him greasy in Washington.

772
00:48:31,640 --> 00:48:35,120
Speaker 1: I don't like that. I felt for him. Mike Shanahan

773
00:48:35,200 --> 00:48:38,680
Speaker 1: is at his name Shanahan. It was like you could

774
00:48:38,680 --> 00:48:41,480
Speaker 1: go out there and play guys like his legs falling off.

775
00:48:41,640 --> 00:48:45,000
Speaker 1: A part of his heel was like like detached from

776
00:48:45,000 --> 00:48:49,040
Speaker 1: his leg And I called Shanahan and no good slave masters,

777
00:48:49,560 --> 00:48:52,560
Speaker 1: Run Run run. Yeah, you're good, You're good. Get the cotton,

778
00:48:52,560 --> 00:48:55,480
Speaker 1: Baylor cotton, get it, get it, get it, get it. Ran.

779
00:48:55,600 --> 00:48:59,399
Speaker 1: This guy into the ground was his rookie season. Man,

780
00:49:00,080 --> 00:49:02,400
Speaker 1: turn them out. If they're gonna give Tim Tebow extra

781
00:49:02,480 --> 00:49:06,440
Speaker 1: chances and Johnny fucking Football extra chances and all the

782
00:49:06,520 --> 00:49:09,120
Speaker 1: legions and legions of other quarterbacks, this guy has the talent.

783
00:49:09,680 --> 00:49:16,160
Speaker 1: He's good to go. Johnny Manziel beat his girl too

784
00:49:15,960 --> 00:49:20,320
Speaker 1: to the point he makes videos popping ship, smoking weed, drinking,

785
00:49:20,320 --> 00:49:23,200
Speaker 1: and get him out of the league. RG three is

786
00:49:23,239 --> 00:49:25,640
Speaker 1: a good guy. He just got a bad haircut. R

787
00:49:25,760 --> 00:49:30,840
Speaker 1: G three a never been slap. He's fine, He's fine.

788
00:49:31,400 --> 00:49:34,319
Speaker 1: I like RG three, man, he's just fine. I want

789
00:49:34,400 --> 00:49:36,520
Speaker 1: him to do good for himself. Man, Well what you

790
00:49:36,600 --> 00:49:38,800
Speaker 1: got man? I got a lot of mo? Like in

791
00:49:38,840 --> 00:49:42,960
Speaker 1: the immortal words of Lawrence t ro a k A

792
00:49:43,120 --> 00:49:47,080
Speaker 1: Mr T I got a lot of mo. You know

793
00:49:47,560 --> 00:49:49,799
Speaker 1: a lot of people are talking him about. You know,

794
00:49:49,800 --> 00:49:53,520
Speaker 1: everybody likes to protest for everything now a bunch of

795
00:49:53,520 --> 00:50:02,800
Speaker 1: fake freedom fighters, hashtaggers. The FBI, thank god, finally figured

796
00:50:02,840 --> 00:50:06,359
Speaker 1: out how to get in the the phone of those

797
00:50:06,440 --> 00:50:11,760
Speaker 1: the San Bernardino shooters, and you know, the Apple didn't

798
00:50:11,760 --> 00:50:13,880
Speaker 1: want to open it because of rights. These people they

799
00:50:13,920 --> 00:50:17,320
Speaker 1: don't have no rights. And they're like, oh, this is

800
00:50:17,360 --> 00:50:21,560
Speaker 1: a bigger issue. No it isn't. We know what these

801
00:50:21,640 --> 00:50:30,120
Speaker 1: people did. Yeah, the laws don't apply to them. If

802
00:50:30,160 --> 00:50:33,680
Speaker 1: you do the Apple guy that they fake Steve Jobs

803
00:50:33,719 --> 00:50:39,040
Speaker 1: guys up him Cook. Yeah, he's trying to wait. Listen

804
00:50:39,640 --> 00:50:43,160
Speaker 1: the Steve Jobs. The look, the jeans and the tuck

805
00:50:43,200 --> 00:50:45,760
Speaker 1: Tin shirt. First of all, the tuck Tin shirt doesn't

806
00:50:45,760 --> 00:50:49,560
Speaker 1: work on anybody anymore, Tim Jobs, Tim Cook, you don't

807
00:50:49,560 --> 00:50:53,000
Speaker 1: look good in the genes the Steve Jobs outfit. Come

808
00:50:53,080 --> 00:50:58,480
Speaker 1: up with a new outfit. You look like shit. Yeah.

809
00:50:58,600 --> 00:51:00,680
Speaker 1: And he's up there like, oh, we'll end by this

810
00:51:00,800 --> 00:51:04,440
Speaker 1: and this is the law. Lah blah blah. No, shut up, dude,

811
00:51:06,320 --> 00:51:11,080
Speaker 1: Tim Cook. This is the first, uh, the first time

812
00:51:11,120 --> 00:51:14,600
Speaker 1: we're doing this new segment. And it's called sucker Ship,

813
00:51:14,960 --> 00:51:19,520
Speaker 1: Tim Cook from Apple. That is some sucker ship. All right,

814
00:51:20,920 --> 00:51:22,719
Speaker 1: open the phone, they f We are, like, you know

815
00:51:22,800 --> 00:51:27,080
Speaker 1: we did, we gotta wait all this time. Who knows

816
00:51:27,120 --> 00:51:29,600
Speaker 1: what kind of information is in that phone or not.

817
00:51:31,080 --> 00:51:33,640
Speaker 1: The rules don't apply to these people in San Bernardino.

818
00:51:33,680 --> 00:51:36,280
Speaker 1: The rules don't apply to people that kill innocent people.

819
00:51:36,440 --> 00:51:40,360
Speaker 1: The law doesn't apply. So Tim Cook, you need to

820
00:51:40,360 --> 00:51:45,440
Speaker 1: get off that sucker ship's good. G I really like

821
00:51:45,520 --> 00:51:49,200
Speaker 1: the way you say sucker ship. Cat Williams is he's

822
00:51:49,239 --> 00:51:51,479
Speaker 1: wild for the night. I want, I wanna, I wanna

823
00:51:52,320 --> 00:51:58,200
Speaker 1: uh say a heartfelt uh thing to Cat Williams. No

824
00:51:58,440 --> 00:52:05,400
Speaker 1: disrespect to my man, but yo, you wilding, and we

825
00:52:05,480 --> 00:52:08,640
Speaker 1: want you to get some help because that is not

826
00:52:09,000 --> 00:52:13,320
Speaker 1: normal behavior. And we know you're all you are under

827
00:52:15,040 --> 00:52:22,719
Speaker 1: a big time narcotics. You have to be. He's on

828
00:52:22,800 --> 00:52:26,200
Speaker 1: that because you weren't doing that three years ago. Nah,

829
00:52:26,880 --> 00:52:29,839
Speaker 1: you were doing your shows and making your grip, right,

830
00:52:30,680 --> 00:52:35,960
Speaker 1: Donny a great comedian, real funny, one of the greatest.

831
00:52:36,320 --> 00:52:41,520
Speaker 1: Now you're on that. Yeah, it's that and and and

832
00:52:41,520 --> 00:52:45,759
Speaker 1: and that. It has to be uhi to where you're

833
00:52:45,800 --> 00:52:52,080
Speaker 1: acting unusual, fighting little kids, snuffing little kids and all

834
00:52:52,120 --> 00:52:55,719
Speaker 1: the other things. And the reason why Money really didn't

835
00:52:55,719 --> 00:52:58,600
Speaker 1: whip your ass because he was gonna choke him out.

836
00:52:59,080 --> 00:53:02,719
Speaker 1: He choked you out because he's a professional wrestler. We're

837
00:53:02,760 --> 00:53:05,960
Speaker 1: not professors like a high school wrestler kid, right, but

838
00:53:06,040 --> 00:53:10,279
Speaker 1: if you know the techniques, he and he and he

839
00:53:10,440 --> 00:53:12,680
Speaker 1: let up on you because he could have choked your

840
00:53:12,719 --> 00:53:19,560
Speaker 1: ass out. So from all I speak for Red Fox,

841
00:53:20,160 --> 00:53:27,560
Speaker 1: Godfrey Cambridge, all the comedians, Eddie Murphy, please get yourself

842
00:53:27,680 --> 00:53:31,800
Speaker 1: some help. Get off of that a week that is

843
00:53:31,840 --> 00:53:34,520
Speaker 1: gonna have your ass turned up in the old bitcher

844
00:53:34,600 --> 00:53:38,799
Speaker 1: weary or locked up and you're not gonna be doing

845
00:53:38,840 --> 00:53:41,640
Speaker 1: that ship When you're locked up, well he'll sober up

846
00:53:41,640 --> 00:53:47,480
Speaker 1: in there. You're gonna get your ass gaped. Yeah, yeah, huh,

847
00:53:47,800 --> 00:53:53,960
Speaker 1: what are they gonna do gape? Jesus, I don't know.

848
00:53:55,440 --> 00:54:00,160
Speaker 1: I am Rabbapre podcast is sponsored by Casper Mattress is

849
00:54:00,239 --> 00:54:04,719
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853
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854
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Speaker 1: You could get your freak on for a hundred knights.

855
00:54:20,400 --> 00:54:23,240
Speaker 1: If you do not like the bed after a hundred nights,

856
00:54:23,520 --> 00:54:27,399
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858
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Speaker 1: to five days anywhere in the United States and Canada,

859
00:54:34,480 --> 00:54:38,680
Speaker 1: same day delivery in New York City. We do not plug,

860
00:54:38,800 --> 00:54:42,080
Speaker 1: we do not support, we do not take sponsorship from anything.

861
00:54:42,120 --> 00:54:44,680
Speaker 1: We have not tried, and we are not passionate about

862
00:54:45,040 --> 00:54:50,960
Speaker 1: four hundred and I don't know what Caitlyn Jenner, what

863
00:54:51,120 --> 00:54:58,600
Speaker 1: this person's agenda is? The never ending narcissism. Uh, I've

864
00:54:58,600 --> 00:55:01,680
Speaker 1: watched all episodes of that show, and I am a

865
00:55:01,760 --> 00:55:06,000
Speaker 1: reality show on the bottom of the battle and I

866
00:55:06,080 --> 00:55:08,160
Speaker 1: come away from I watched I Am K two and

867
00:55:08,200 --> 00:55:12,440
Speaker 1: I come away from that disliking Bruce Jenna, who I

868
00:55:12,719 --> 00:55:20,800
Speaker 1: used to like. So what do you gotta say, Caitlin

869
00:55:20,880 --> 00:55:27,400
Speaker 1: is gonna participate in a women's golf tournament? And that

870
00:55:27,600 --> 00:55:30,680
Speaker 1: is that fair? Is that fair? That? I mean, Okay,

871
00:55:30,680 --> 00:55:32,959
Speaker 1: it's fun, you can participate, But do you tea off

872
00:55:33,480 --> 00:55:35,960
Speaker 1: from the women's tea or the men's teeth? Oh, she

873
00:55:36,040 --> 00:55:38,239
Speaker 1: gonna hit that ship. Oh Bruce gonna hit that ship

874
00:55:38,239 --> 00:55:41,960
Speaker 1: five hundred yards because he's a man. It's just like

875
00:55:42,000 --> 00:55:44,200
Speaker 1: the whole thing with transgender like they had there's a

876
00:55:44,280 --> 00:55:49,640
Speaker 1: transgender um m m a fighter in the women's things,

877
00:55:49,680 --> 00:55:51,319
Speaker 1: and the women are like, I've never been hit like

878
00:55:51,360 --> 00:55:54,680
Speaker 1: that before in my life. If you fight one of

879
00:55:54,719 --> 00:55:58,040
Speaker 1: them transgender, you're fighting a dude. You're fighting a dude

880
00:55:58,080 --> 00:56:01,440
Speaker 1: and he can whip your ad. I wouldn't fight wom.

881
00:56:01,520 --> 00:56:04,440
Speaker 1: I wouldn't fight one of them transgender motherfucker unless I'm drunk.

882
00:56:07,640 --> 00:56:12,040
Speaker 1: Unless I'm drunk because I got on. I got Bill

883
00:56:12,160 --> 00:56:17,040
Speaker 1: Bixby type strength. If I'm drunk fighting a transgender, you

884
00:56:17,080 --> 00:56:21,640
Speaker 1: don't have to you have that. This motherfucker ain't kicking.

885
00:56:22,080 --> 00:56:25,160
Speaker 1: You have the pain, Um, you can tolerate more pain

886
00:56:25,200 --> 00:56:31,359
Speaker 1: when you doesn't make you stronger, Yo a transgender. Let's

887
00:56:31,440 --> 00:56:34,960
Speaker 1: let's let's let's keep it real. He has man strength.

888
00:56:35,440 --> 00:56:38,960
Speaker 1: He don't need to be hitting a golf ball with

889
00:56:39,080 --> 00:56:44,839
Speaker 1: other women because he's gonna hit it further than them, right,

890
00:56:46,400 --> 00:56:50,360
Speaker 1: So how is he representing women? This motherfucker hitting it

891
00:56:50,520 --> 00:56:54,960
Speaker 1: five football field? Right right? I hear you what woman

892
00:56:55,000 --> 00:56:58,880
Speaker 1: could hit a golf ball five football field? And this

893
00:56:58,960 --> 00:57:04,920
Speaker 1: is a sucker, man? And what do you mean, Bruce,

894
00:57:06,120 --> 00:57:12,160
Speaker 1: it's trying Caitlin Kay? What what what Mama Jake called him?

895
00:57:12,160 --> 00:57:14,960
Speaker 1: What Mama Jay said? Mama Jay said, I don't care

896
00:57:15,040 --> 00:57:19,080
Speaker 1: what they said. His name is Bruce. So I'm going

897
00:57:19,160 --> 00:57:24,760
Speaker 1: with the person who birthed this motherfucker rap. She called

898
00:57:24,800 --> 00:57:27,640
Speaker 1: him Bruce David. Chappelle was out making some Caitlin jokes

899
00:57:27,640 --> 00:57:30,600
Speaker 1: and Kylie Jenner was in the audience and she got upset.

900
00:57:31,840 --> 00:57:36,240
Speaker 1: That's a that's a pops right, Kylie Jenner. Yeah, how

901
00:57:36,280 --> 00:57:39,640
Speaker 1: are you gonna get upset? Yeah? Everywhere? You get upset

902
00:57:39,680 --> 00:57:43,160
Speaker 1: at him right for putting you in this situation where

903
00:57:43,200 --> 00:57:49,400
Speaker 1: you have to get upset. I hear you, suckers ship

904
00:57:49,480 --> 00:57:51,640
Speaker 1: do you think these things are this guy's gonna be

905
00:57:51,960 --> 00:57:57,280
Speaker 1: this woman we wanta we gonna be. Yeah. Also because

906
00:57:57,960 --> 00:58:02,520
Speaker 1: her personality, it's it's it's not so much now about

907
00:58:02,520 --> 00:58:04,760
Speaker 1: the transgender it's not even about that. We don't give

908
00:58:04,800 --> 00:58:06,600
Speaker 1: a funk about that. We saw it out a whole

909
00:58:06,640 --> 00:58:10,560
Speaker 1: live again. We're from New York City. I've seen this

910
00:58:11,120 --> 00:58:14,320
Speaker 1: over and over. This is nothing new the world is.

911
00:58:14,440 --> 00:58:16,360
Speaker 1: It's new to a lot of people. We grew up

912
00:58:16,360 --> 00:58:18,920
Speaker 1: in New York City in the seventies and eighties. We

913
00:58:19,000 --> 00:58:25,080
Speaker 1: were walking around Times Square twelve thirteen, fourteen, fifteen, when

914
00:58:25,120 --> 00:58:28,120
Speaker 1: it was crazy out there, walking around the East Village,

915
00:58:28,120 --> 00:58:31,080
Speaker 1: walking around Manhattan, the city. This is nothing. It's it's

916
00:58:31,160 --> 00:58:37,160
Speaker 1: it's Caitlin. It's you. It's your personality. It's the narcissism,

917
00:58:37,160 --> 00:58:40,520
Speaker 1: it's it's it's the need for for attention, in the

918
00:58:40,560 --> 00:58:44,040
Speaker 1: in the starvation that never ending, it doesn't stop. And

919
00:58:44,080 --> 00:58:46,920
Speaker 1: also I want to say something else. It's a total segue.

920
00:58:48,240 --> 00:58:51,880
Speaker 1: Matthew Berry. Matt Berry, you fuck was on the Howard

921
00:58:51,880 --> 00:58:55,600
Speaker 1: Stern Show, the wrap up Show, talking greasy. I'm gonna

922
00:58:55,680 --> 00:58:58,600
Speaker 1: fucking get you about you. He was he you know,

923
00:58:58,640 --> 00:59:00,760
Speaker 1: he was how we talk but on my phone got

924
00:59:00,800 --> 00:59:06,280
Speaker 1: cut off. He was popping ship. So so now now

925
00:59:07,600 --> 00:59:11,000
Speaker 1: I'm gonna get you. And now you're in the crosshir

926
00:59:11,400 --> 00:59:13,720
Speaker 1: because you're you're kind of dipping in like I don't

927
00:59:13,760 --> 00:59:20,680
Speaker 1: like your tone. Butterface, butterface Berry, I'm gonna get you,

928
00:59:20,680 --> 00:59:23,560
Speaker 1: you fuck. I'm gonna get you in a way you

929
00:59:23,600 --> 00:59:28,320
Speaker 1: never thought you were gonna get got and and you fuck.

930
00:59:28,440 --> 00:59:31,720
Speaker 1: I'm better at fantasy football than you are. You paid

931
00:59:31,800 --> 00:59:35,800
Speaker 1: five thousand dollars to a fucking cat and Dog charity.

932
00:59:36,160 --> 00:59:42,000
Speaker 1: You dog face, you dog face, fuck your dog face fuck.

933
00:59:44,360 --> 00:59:48,440
Speaker 1: Sound his voice, the tone of Matthew Berry's voice, Matt Berry,

934
00:59:49,560 --> 00:59:52,040
Speaker 1: his it sounds like he's got a kazoo shoved up

935
00:59:52,040 --> 00:59:59,160
Speaker 1: his ass. The guy wrote the sequel sequel to what's

936
00:59:59,200 --> 01:00:06,520
Speaker 1: that movie? Uh uh the Crocodile Dundee, he didn't write

937
01:00:06,560 --> 01:00:11,560
Speaker 1: the original, and you're popping shit about me, and you

938
01:00:11,640 --> 01:00:15,240
Speaker 1: know because he's mad because he's hearing the podcast. So yeah,

939
01:00:16,280 --> 01:00:18,920
Speaker 1: you think I would sit through a fucking Matthew Berry

940
01:00:18,960 --> 01:00:25,240
Speaker 1: podcast for my life depending on Hell No. So now

941
01:00:25,280 --> 01:00:28,800
Speaker 1: I gotta get you. So come next fantasy football season,

942
01:00:28,840 --> 01:00:33,120
Speaker 1: I challenge you to five on five. You get your five,

943
01:00:33,200 --> 01:00:38,280
Speaker 1: I get my five. Non professionals we've accumulated score. We

944
01:00:38,520 --> 01:00:44,280
Speaker 1: fuck you down in your own sport. Something you you

945
01:00:44,280 --> 01:00:46,680
Speaker 1: you you brought to the public, and now I have

946
01:00:46,800 --> 01:00:49,600
Speaker 1: to I have to pull the knowledge out on him.

947
01:00:49,600 --> 01:00:54,040
Speaker 1: Sorry to show you don't know anything other than what

948
01:00:54,160 --> 01:00:58,520
Speaker 1: we could see on the internet. There's a hundred fantasy gurus,

949
01:00:58,560 --> 01:01:05,840
Speaker 1: but there's only one gringo man dingo. That's the show.

950
01:01:08,560 --> 01:01:12,160
Speaker 1: There's all sorts of fantasy good, it's all kind of

951
01:01:12,240 --> 01:01:17,040
Speaker 1: weird olds, men, women, children, But there ain't that many

952
01:01:17,120 --> 01:01:20,320
Speaker 1: gringo man dingoes. As far as I know, there's only

953
01:01:20,400 --> 01:01:24,120
Speaker 1: one walking around in the world. So now I gotta

954
01:01:24,200 --> 01:01:29,520
Speaker 1: get you. You fuck learned vest as an online financial

955
01:01:29,560 --> 01:01:33,840
Speaker 1: advice company focused on empowering people nationwide to make smart

956
01:01:33,880 --> 01:01:36,520
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957
01:01:36,520 --> 01:01:39,720
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958
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959
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960
01:01:43,520 --> 01:01:46,560
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961
01:01:46,600 --> 01:01:49,480
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962
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963
01:01:51,800 --> 01:01:54,080
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964
01:01:54,800 --> 01:01:57,000
Speaker 1: To see a simple plan and get a fifty dollar credit,

965
01:01:57,040 --> 01:01:59,960
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966
01:02:00,000 --> 01:02:03,240
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967
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968
01:02:06,320 --> 01:02:09,120
Speaker 1: to help start saving and planning smartly with your money.

969
01:02:09,240 --> 01:02:13,840
Speaker 1: Go to learn best dot com. Do you know that

970
01:02:13,960 --> 01:02:19,120
Speaker 1: now they're trying to restrict because of the the superheroes

971
01:02:19,640 --> 01:02:22,160
Speaker 1: and and and the Elmo's fighting And there was a

972
01:02:22,360 --> 01:02:27,080
Speaker 1: there was a uh Easter bunny fighting in a mall

973
01:02:27,120 --> 01:02:30,320
Speaker 1: in Jersey that I like when they fight, I think

974
01:02:30,320 --> 01:02:33,000
Speaker 1: it's good. These guys are in these hot costumes, getting

975
01:02:33,040 --> 01:02:37,080
Speaker 1: nickels and times getting taunted. Of course they're gonna fight

976
01:02:37,080 --> 01:02:40,919
Speaker 1: each other. Yeah, that's part of the period. That's the thing.

977
01:02:42,040 --> 01:02:45,240
Speaker 1: If Elmo wants to fucking fight Spider Man, let the

978
01:02:45,240 --> 01:02:48,880
Speaker 1: best man win. I have no problem with it. And

979
01:02:48,920 --> 01:02:51,720
Speaker 1: now Times Square because of all the craziness with the

980
01:02:51,800 --> 01:02:55,320
Speaker 1: naked cowboys and the Elmo's beef and they got raggedy

981
01:02:55,360 --> 01:02:59,080
Speaker 1: ass Elmo's out there. You know why all that is

982
01:02:59,120 --> 01:03:02,560
Speaker 1: happening because they want to go back to the days

983
01:03:02,600 --> 01:03:09,240
Speaker 1: of yesteryear when Times Square was Times Square, where if

984
01:03:09,280 --> 01:03:14,160
Speaker 1: you came to New York City as a tourist, ain't

985
01:03:14,240 --> 01:03:18,880
Speaker 1: nothing in Times Square where no tourism, ain't no empire

986
01:03:18,960 --> 01:03:24,080
Speaker 1: state building. Times Square was ceed that. That was the

987
01:03:24,320 --> 01:03:28,840
Speaker 1: lure when you come there. You want to see show world, right,

988
01:03:29,240 --> 01:03:31,400
Speaker 1: going in and see the women with their ass up

989
01:03:31,440 --> 01:03:34,000
Speaker 1: in the air because you were in some little one

990
01:03:34,120 --> 01:03:37,080
Speaker 1: like town in Wisconsin and you come to New York

991
01:03:37,120 --> 01:03:41,760
Speaker 1: You're like, oh my god, this city doesn't close. And

992
01:03:41,800 --> 01:03:44,800
Speaker 1: the women got the you know, you know, the glory hole.

993
01:03:45,760 --> 01:03:50,160
Speaker 1: What is that where where it's a whole poke your loaf.

994
01:03:50,280 --> 01:03:53,160
Speaker 1: We should reopen it called a loaf in the wall.

995
01:03:53,280 --> 01:03:56,439
Speaker 1: But see that that that glory whole ship is See

996
01:03:56,480 --> 01:04:00,360
Speaker 1: I'm not with all that because right I'm not sticking

997
01:04:00,440 --> 01:04:03,520
Speaker 1: my loaf in nothing. I never know the motherfucker could

998
01:04:03,600 --> 01:04:10,240
Speaker 1: chop it, That's true. And then how are you gonna

999
01:04:10,560 --> 01:04:15,400
Speaker 1: go to cops? Right? Where were you? Well? I stuck

1000
01:04:15,440 --> 01:04:19,280
Speaker 1: my loaf in uh duncan donut's bathroom, right, I didn't

1001
01:04:19,280 --> 01:04:22,960
Speaker 1: know what was on the other side, So I'm not

1002
01:04:23,040 --> 01:04:26,000
Speaker 1: with all that. But but that was the lore the

1003
01:04:26,120 --> 01:04:32,880
Speaker 1: deuce as we know it. Let's tell the story. Seven. Yes,

1004
01:04:33,160 --> 01:04:38,280
Speaker 1: the spring of nine seven, me and Gimo Nettie ventured

1005
01:04:38,680 --> 01:04:42,400
Speaker 1: walking down forty two. We were on seventh Avenue, heading

1006
01:04:42,440 --> 01:04:46,240
Speaker 1: towards the eighth Avenue. And who did we walk past?

1007
01:04:46,320 --> 01:04:50,000
Speaker 1: In a red sweatsuit, felaw suit, a Fela suit, go

1008
01:04:50,080 --> 01:04:54,760
Speaker 1: Ahead band. No, he had a white Fela headband and

1009
01:04:54,760 --> 01:04:58,240
Speaker 1: and and um gres over his eye because the ship

1010
01:04:58,320 --> 01:05:00,960
Speaker 1: was cut. He got hemmed up a white feels no

1011
01:05:01,120 --> 01:05:05,200
Speaker 1: shirt and a chain diddy bopping, not even a diddy

1012
01:05:05,240 --> 01:05:11,200
Speaker 1: bop like walking like Brownsville Gate. Mike Tyson, he was

1013
01:05:11,280 --> 01:05:15,000
Speaker 1: on a date. That's where you would go to walk around.

1014
01:05:15,040 --> 01:05:18,160
Speaker 1: It was like going to like a safari. You didn't

1015
01:05:18,200 --> 01:05:21,840
Speaker 1: know what could happen, even for the great tough Mike Tyson.

1016
01:05:21,920 --> 01:05:23,880
Speaker 1: We saw him walking down and we were like, oh ship,

1017
01:05:24,120 --> 01:05:26,680
Speaker 1: this is when he first came out. I don't even

1018
01:05:26,720 --> 01:05:29,960
Speaker 1: think he was champion yet. He wasn't. He wasn't champion. No,

1019
01:05:30,120 --> 01:05:33,600
Speaker 1: he was champ because kid Dynamite was eighties six on

1020
01:05:33,680 --> 01:05:36,120
Speaker 1: Sports Illustrating co. But he just didn't have him like.

1021
01:05:36,200 --> 01:05:40,320
Speaker 1: It was like he wasn't he hadn't exploded, explode. It

1022
01:05:40,560 --> 01:05:46,040
Speaker 1: wasn't famous famous, right right right. It was more boxing centric. Uh,

1023
01:05:47,800 --> 01:05:50,320
Speaker 1: all sorts of stuff on Times And we're not Mr.

1024
01:05:50,400 --> 01:05:54,400
Speaker 1: Times Square because we're we're not that old, okay, but

1025
01:05:54,520 --> 01:05:57,880
Speaker 1: we even even in our time in the eighties, we're

1026
01:05:57,920 --> 01:06:02,480
Speaker 1: the last mohegans from that. If Elmo wants to fight

1027
01:06:03,520 --> 01:06:06,640
Speaker 1: the Dark Knight out there, let him go. That's good

1028
01:06:06,680 --> 01:06:09,120
Speaker 1: for business out there. I drove through Times Square the

1029
01:06:09,160 --> 01:06:11,040
Speaker 1: other day in a cab and I was like, this

1030
01:06:11,240 --> 01:06:14,400
Speaker 1: is this is hell on earth? No one when no

1031
01:06:14,480 --> 01:06:16,480
Speaker 1: one would want to Why would you? I guess if

1032
01:06:16,480 --> 01:06:19,600
Speaker 1: you're from another country or another state, that would be

1033
01:06:19,680 --> 01:06:22,920
Speaker 1: some sort of fun. But I tell people, do not

1034
01:06:23,360 --> 01:06:25,600
Speaker 1: venture over there for any There's nothing over there. And

1035
01:06:25,680 --> 01:06:28,400
Speaker 1: let's have kids, and even your kids, it's frightening. You

1036
01:06:28,520 --> 01:06:31,760
Speaker 1: could lose a child so easily over there. The fucking

1037
01:06:31,840 --> 01:06:35,880
Speaker 1: nuthouse over there, Disneyland, New York. Yeah, it's terrible, but

1038
01:06:36,040 --> 01:06:38,840
Speaker 1: we had a great. We had a great, We had

1039
01:06:38,880 --> 01:06:43,800
Speaker 1: a great all sorts of stuff over there. CD. I

1040
01:06:43,840 --> 01:06:47,280
Speaker 1: don't know, I don't know. It's not easy being the best,

1041
01:06:48,240 --> 01:06:50,080
Speaker 1: but we are. Somebody asked me the other day, how

1042
01:06:50,120 --> 01:06:52,440
Speaker 1: do you and Moody do it? So we've been doing

1043
01:06:52,520 --> 01:06:54,439
Speaker 1: it since a D two. What kind of a dumb

1044
01:06:54,520 --> 01:06:57,640
Speaker 1: question is just how do we do it? We do

1045
01:06:57,760 --> 01:07:01,520
Speaker 1: it raw dog without a bag. It's easy. What you

1046
01:07:01,640 --> 01:07:06,520
Speaker 1: hear is easy. Be it ain't nothing. It ain't nothing

1047
01:07:06,600 --> 01:07:11,360
Speaker 1: like hip hop music because because we use it. Let's

1048
01:07:11,400 --> 01:07:15,720
Speaker 1: talk about oh, hip hop bands. Let's go through this ship.

1049
01:07:17,160 --> 01:07:22,520
Speaker 1: Ste's A Sonic is the original hip hop band. Yes,

1050
01:07:22,800 --> 01:07:29,440
Speaker 1: they were a great group. Why mc delight, fruit Kawon.

1051
01:07:30,560 --> 01:07:33,600
Speaker 1: Stetsi Sonic is the original hip hop band. And then

1052
01:07:33,640 --> 01:07:36,080
Speaker 1: you got the roots and then you got digital underground.

1053
01:07:37,400 --> 01:07:40,040
Speaker 1: Digital came before the route, you know. I remember being

1054
01:07:40,120 --> 01:07:44,160
Speaker 1: in Daddy Oh. I remember being in in in in

1055
01:07:44,360 --> 01:07:47,280
Speaker 1: in Latin quarters up in there with Daddy Oh when

1056
01:07:47,320 --> 01:07:50,560
Speaker 1: he was Daddy O from Stetso Sonic Yo. I was

1057
01:07:50,640 --> 01:07:55,760
Speaker 1: like Yo, Stetsi Sonic had don't. They had ship they

1058
01:07:55,840 --> 01:08:00,440
Speaker 1: had it going that go Brooklyn Ship class and I

1059
01:08:00,560 --> 01:08:04,760
Speaker 1: know that that song and that that record. Um, um,

1060
01:08:05,240 --> 01:08:07,560
Speaker 1: let me make sure I get this right. I'm pretty

1061
01:08:07,640 --> 01:08:14,280
Speaker 1: sure that Bob Powers, who mixed a lot of records,

1062
01:08:14,320 --> 01:08:16,599
Speaker 1: but he became his name became famous on the track

1063
01:08:16,680 --> 01:08:21,760
Speaker 1: records because uh, the Bob Powers you there, and and

1064
01:08:22,000 --> 01:08:24,320
Speaker 1: and and I think he did the first record. Maybe

1065
01:08:24,360 --> 01:08:27,280
Speaker 1: he might have done the first record, but they were

1066
01:08:27,479 --> 01:08:33,080
Speaker 1: influenced and inspired by the sound of of uh stets

1067
01:08:33,120 --> 01:08:36,160
Speaker 1: of Sonic. Prince Paul was and yeah, yes, and and

1068
01:08:36,320 --> 01:08:39,360
Speaker 1: that was something that got left out of um the

1069
01:08:39,439 --> 01:08:42,000
Speaker 1: beat Beat Tribals in life, the travels of the Trapical Churse.

1070
01:08:42,040 --> 01:08:45,240
Speaker 1: But Bob Powers was the engineer and and and he

1071
01:08:45,360 --> 01:08:47,800
Speaker 1: mixed the mixer of the engineer. That's who you need

1072
01:08:47,880 --> 01:08:50,840
Speaker 1: to get. Oh, he'd be great, he'd bet I have

1073
01:08:50,920 --> 01:08:53,800
Speaker 1: a great interview with him. There's so much ship from

1074
01:08:53,880 --> 01:08:55,600
Speaker 1: from that from making that movie, and we had a

1075
01:08:55,760 --> 01:08:58,639
Speaker 1: full interview with him. He would be great. He's got

1076
01:08:58,800 --> 01:09:01,880
Speaker 1: stories up the ass and we need to get boped.

1077
01:09:01,960 --> 01:09:04,920
Speaker 1: That's what that's what we gotta get on the podcast.

1078
01:09:05,200 --> 01:09:09,000
Speaker 1: But but Stetso Sonic was influential and the sound of

1079
01:09:09,080 --> 01:09:12,080
Speaker 1: that record was influential, and that group like I don't know,

1080
01:09:12,280 --> 01:09:15,000
Speaker 1: like you know why they didn't Like so many times

1081
01:09:15,040 --> 01:09:17,360
Speaker 1: these groups like they didn't follow up. And I know,

1082
01:09:17,479 --> 01:09:19,519
Speaker 1: like the business it was sort of like dudes were

1083
01:09:19,560 --> 01:09:21,920
Speaker 1: just doing it was so pure. There was so not

1084
01:09:22,120 --> 01:09:27,120
Speaker 1: an agenda. There was so unforeseen. I mean, like the terror,

1085
01:09:27,240 --> 01:09:30,519
Speaker 1: the terrain was the horizon. You don't know what, we

1086
01:09:30,560 --> 01:09:32,519
Speaker 1: didn't know what was there. Like, dudes were just making

1087
01:09:32,520 --> 01:09:34,639
Speaker 1: the music. It was coming from such a pure place.

1088
01:09:35,080 --> 01:09:37,519
Speaker 1: And then obviously probably after the success of the first album,

1089
01:09:37,560 --> 01:09:40,080
Speaker 1: and that's a band, a lot of people involved, probably

1090
01:09:40,160 --> 01:09:43,240
Speaker 1: money and all that ship. But Stetso Sonic was that

1091
01:09:43,479 --> 01:09:46,280
Speaker 1: ship the first hip hop band. Yeah, they were killing it.

1092
01:09:47,840 --> 01:09:51,799
Speaker 1: People used to go nut damn Damn, bet bock, daddio

1093
01:09:52,680 --> 01:09:58,160
Speaker 1: fru fru kuan. I remember I seeing fruit Train on

1094
01:09:58,280 --> 01:10:03,040
Speaker 1: West Forest. I was like, oh ship, see Delight Delight, yeah,

1095
01:10:03,120 --> 01:10:07,120
Speaker 1: all you know, And all the time I would be

1096
01:10:07,240 --> 01:10:09,040
Speaker 1: in the club like he I don't know how old

1097
01:10:09,240 --> 01:10:11,960
Speaker 1: daddy always, but he seemed like he was a grown man.

1098
01:10:12,760 --> 01:10:17,679
Speaker 1: I mean, Latin Quarters from Brownsville, and I was like, oh, ship,

1099
01:10:18,600 --> 01:10:23,040
Speaker 1: it's New York, Brownsville, revisits. That's a sonic and we

1100
01:10:23,160 --> 01:10:26,599
Speaker 1: need to get Bob Powers on this podcast. The Iron

1101
01:10:26,720 --> 01:10:30,280
Speaker 1: rapports Stereo pockets because as much as the Great he's

1102
01:10:30,320 --> 01:10:33,519
Speaker 1: part of hip hop, oh Man lore, he did a

1103
01:10:33,600 --> 01:10:35,200
Speaker 1: lot of you know what, you know why he's part

1104
01:10:35,280 --> 01:10:37,120
Speaker 1: of it. Not only did he do hip hop, he

1105
01:10:37,280 --> 01:10:44,439
Speaker 1: just like the sound of that low end theory right

1106
01:10:44,880 --> 01:10:49,880
Speaker 1: and how clear and how popping the snare drums are

1107
01:10:50,560 --> 01:10:57,320
Speaker 1: is a testament to the engineer to articulate q Tips

1108
01:10:58,200 --> 01:11:02,000
Speaker 1: thought the whole group. Because Bob Powder doesn't know how

1109
01:11:02,080 --> 01:11:05,280
Speaker 1: you want that snare to sound. Q Tip has to

1110
01:11:05,800 --> 01:11:09,160
Speaker 1: has to tell ball Power listen that eight o weight

1111
01:11:09,360 --> 01:11:12,080
Speaker 1: has to pump and that snare drum has to pop,

1112
01:11:12,240 --> 01:11:15,040
Speaker 1: and that snare popping. I'm pretty sure it was. It was.

1113
01:11:15,200 --> 01:11:19,360
Speaker 1: It was. I'm almost add percent sure. With Stetsa. They

1114
01:11:19,520 --> 01:11:24,960
Speaker 1: inspired that record, They inspired Tribe, they inspired Ali, they

1115
01:11:25,040 --> 01:11:28,040
Speaker 1: inspired q Tip, they inspired him. So Bob Power is

1116
01:11:28,280 --> 01:11:31,280
Speaker 1: as part of hip hop. If there was some sort

1117
01:11:31,320 --> 01:11:33,760
Speaker 1: of hip hop Hall of Fame, he's in there. He's

1118
01:11:33,800 --> 01:11:37,639
Speaker 1: in there, the engineer and and we're gonna continue talking

1119
01:11:37,680 --> 01:11:40,439
Speaker 1: about all this ship the same way the older people

1120
01:11:40,720 --> 01:11:45,559
Speaker 1: talk about Van Halen and I know two or three

1121
01:11:45,640 --> 01:11:48,920
Speaker 1: Van Halen songs. Me personally, I could give a ship

1122
01:11:48,960 --> 01:11:51,240
Speaker 1: about Van Halen. I know they're fantastic. I know Eddie

1123
01:11:51,280 --> 01:11:53,720
Speaker 1: van Hamlen is a virtuo, so I could give a ship,

1124
01:11:53,760 --> 01:11:57,920
Speaker 1: though I don't relate to that music. We grew up

1125
01:11:57,960 --> 01:12:06,120
Speaker 1: on our ship. Sparky d h Stetza, Howie te Iced Tea,

1126
01:12:07,160 --> 01:12:13,880
Speaker 1: just Ice just Ice? Was that dude stee Zoe, Kim

1127
01:12:14,000 --> 01:12:19,680
Speaker 1: shabbaz Ill tell X Clan Queen Law, all of it.

1128
01:12:19,920 --> 01:12:25,320
Speaker 1: We're gonna keep on going cool j of course, of course,

1129
01:12:26,479 --> 01:12:29,320
Speaker 1: all right, we're done. It's the Iron Reports Stereo podcast

1130
01:12:30,560 --> 01:12:33,040
Speaker 1: coming live and direct. We're gonna be at the Crestwood Theater.

1131
01:12:33,120 --> 01:12:36,200
Speaker 1: Tickets are still available, but I'm telling you they're going fast.

1132
01:12:36,320 --> 01:12:40,439
Speaker 1: All true romance everything tonight. You could smoke, you could

1133
01:12:40,479 --> 01:12:43,800
Speaker 1: drink in a theater. Okay, I'm not. I'm not saying it.

1134
01:12:43,880 --> 01:12:45,479
Speaker 1: I'm not saying it, but I'm not. I'm not not

1135
01:12:45,600 --> 01:13:02,320
Speaker 1: saying it. And you can come too. I love watching

1136
01:13:02,439 --> 01:13:05,320
Speaker 1: games and movies at home with my new Cagurator while

1137
01:13:05,360 --> 01:13:08,040
Speaker 1: we podcast. We always have some fresh beer and wine

1138
01:13:08,120 --> 01:13:12,120
Speaker 1: on tap with my personal cagurator, the Cagurator dispenses draft

1139
01:13:12,240 --> 01:13:14,960
Speaker 1: beer and keeps it chilled, turning your office garage game

1140
01:13:15,120 --> 01:13:19,000
Speaker 1: where man cave into a brewery or bar equivalent. It's affordable,

1141
01:13:19,080 --> 01:13:21,120
Speaker 1: high end, looks great. Even the woman in your life

1142
01:13:21,160 --> 01:13:23,400
Speaker 1: won't object to it. Beer stays fresh for up to

1143
01:13:23,560 --> 01:13:26,280
Speaker 1: ninety days that's three months. Dual taps, so you can

1144
01:13:26,320 --> 01:13:28,960
Speaker 1: have two kinds of beers and drinks. You could use

1145
01:13:29,040 --> 01:13:32,360
Speaker 1: cold root, coffee, wine, and even cocktails dual taps. That's

1146
01:13:32,400 --> 01:13:34,519
Speaker 1: two sides of the Cagurator. So a guy and the

1147
01:13:34,560 --> 01:13:37,240
Speaker 1: woman in his life can get what they want. Everybody's happy.

1148
01:13:37,880 --> 01:13:41,439
Speaker 1: So many sports events coming up March Madness, Baseball, NBA playoffs,

1149
01:13:41,600 --> 01:13:43,519
Speaker 1: It's not too late to get a Cagorator delivered in

1150
01:13:43,600 --> 01:13:47,320
Speaker 1: a couple of days. Save off. My favorite Cagreator plus

1151
01:13:47,400 --> 01:13:51,920
Speaker 1: received four premium Pine classes at cagurator dot com free shipping.

1152
01:13:51,960 --> 01:13:54,200
Speaker 1: This is an incredible deal just for my listeners, but

1153
01:13:54,360 --> 01:13:56,360
Speaker 1: only if you use my code wrap report r A

1154
01:13:56,520 --> 01:13:59,639
Speaker 1: p a p o RT. Just go to cagurator dot com.

1155
01:14:00,080 --> 01:14:02,720
Speaker 1: That's cagurator dot com, click on the microphone at the

1156
01:14:02,760 --> 01:14:04,640
Speaker 1: top and enter the code rapp report r A p

1157
01:14:04,840 --> 01:14:07,519
Speaker 1: A p O RT don't wait. This is an amazing

1158
01:14:07,640 --> 01:14:10,080
Speaker 1: offer and it will only be for my listeners. Trust me.

1159
01:14:10,160 --> 01:14:16,640
Speaker 1: Me and Gimnetti are loving the Cagurator and you will too. Yo.

1160
01:14:18,760 --> 01:14:21,840
Speaker 1: How we're gonna do this one. We are gonna do

1161
01:14:21,960 --> 01:14:25,120
Speaker 1: it like we're supposed to do it, full iverson, full iverson. Oh,

1162
01:14:25,200 --> 01:14:27,960
Speaker 1: that's how we're gonna do this one. No script, no notes, No,

1163
01:14:28,160 --> 01:14:31,200
Speaker 1: we always have no notes. But we didn't collaborate. We

1164
01:14:31,240 --> 01:14:35,240
Speaker 1: didn't talk to each other about anything. Full iverson, that's

1165
01:14:35,280 --> 01:14:42,120
Speaker 1: what that means. And tonight in Westwood, California, I'm going

1166
01:14:42,240 --> 01:14:45,320
Speaker 1: live and direct. Moody couldn't make it out for this one. Yeah,

1167
01:14:46,560 --> 01:14:51,240
Speaker 1: I couldn't make the flight. All True Romance Live Music,

1168
01:14:52,080 --> 01:14:58,519
Speaker 1: free ship anything goes in this theater crest the crest

1169
01:14:58,920 --> 01:15:03,719
Speaker 1: Wood Theater and Westwood, California. There they are our friends.

1170
01:15:04,760 --> 01:15:10,160
Speaker 1: We're screening True Romance Live music, all sorts of giveaways,

1171
01:15:10,960 --> 01:15:13,920
Speaker 1: T shirts, all that sort of stuff. I'm gonna be

1172
01:15:14,040 --> 01:15:16,400
Speaker 1: there with Toby Morris from the group H two oh.

1173
01:15:17,600 --> 01:15:20,680
Speaker 1: Packed house. I think it might be might be sold out.

1174
01:15:21,280 --> 01:15:23,479
Speaker 1: I heard I saw it online. It might be sold

1175
01:15:23,520 --> 01:15:28,160
Speaker 1: out at the Crestwood Theater in Westwood California. It's going down.

1176
01:15:28,200 --> 01:15:31,280
Speaker 1: We're screening the movie. We're live podcasting. You could smoke

1177
01:15:31,360 --> 01:15:34,960
Speaker 1: that Dick Ritchie. You guys, we're guy super Boy and

1178
01:15:35,360 --> 01:15:37,040
Speaker 1: we're going in there. We're doing it. It's gonna be

1179
01:15:37,040 --> 01:15:42,240
Speaker 1: a fantastic night. This the Iron Rapports Stereo podcast, coming

1180
01:15:42,320 --> 01:15:47,320
Speaker 1: live and direct from the Gloom Tomb. All right, Final

1181
01:15:47,400 --> 01:15:51,439
Speaker 1: four this weekend. You know, I've never really liked this

1182
01:15:51,520 --> 01:15:54,080
Speaker 1: guy because I feel like he thinks his ship doesn't stink.

1183
01:15:54,640 --> 01:15:56,439
Speaker 1: I can't say his last name. I don't know how

1184
01:15:56,479 --> 01:15:58,679
Speaker 1: to pronounce it. But he's another one of these slick

1185
01:15:58,800 --> 01:16:02,519
Speaker 1: talking college coach is who thinks that thinks who he is?

1186
01:16:02,920 --> 01:16:10,920
Speaker 1: This Geno Amanara or Oriama. No, it's not Asian or Oriyama, noa,

1187
01:16:11,479 --> 01:16:15,280
Speaker 1: I don't know. He's a coach of the Connecticut basketball team,

1188
01:16:15,320 --> 01:16:18,200
Speaker 1: which is like one, like two sixty three games in

1189
01:16:18,240 --> 01:16:23,160
Speaker 1: a row. And he's sitting there like another another one

1190
01:16:23,200 --> 01:16:28,519
Speaker 1: of these used car salesman snake in the grass. You

1191
01:16:28,600 --> 01:16:31,439
Speaker 1: think who you think who you are? You're beating these

1192
01:16:31,479 --> 01:16:33,800
Speaker 1: teams by sixty points. And earlier in the week he

1193
01:16:33,920 --> 01:16:38,200
Speaker 1: was talking about how Tiger Woods listen and then he

1194
01:16:38,280 --> 01:16:40,920
Speaker 1: said he said to the because he goes the fans, Uh,

1195
01:16:41,560 --> 01:16:43,840
Speaker 1: they don't want to watch you blow the teams out

1196
01:16:43,840 --> 01:16:49,720
Speaker 1: by sixty points, and he's like, don't watch. Yeah, I

1197
01:16:49,760 --> 01:16:52,760
Speaker 1: don't think you're that good of a coach. I think

1198
01:16:52,840 --> 01:16:56,320
Speaker 1: that you you you have a team there that's blowing

1199
01:16:56,360 --> 01:16:58,320
Speaker 1: teams out, and now there's like a legacy and it's

1200
01:16:58,360 --> 01:17:01,040
Speaker 1: like sort of like, you know, all the best female

1201
01:17:01,120 --> 01:17:05,120
Speaker 1: basketball players go there, and now you think that you're

1202
01:17:05,160 --> 01:17:08,720
Speaker 1: that dude. But if if you're you're you're so you're

1203
01:17:08,720 --> 01:17:11,240
Speaker 1: saying that you're just so great that in the most

1204
01:17:11,280 --> 01:17:15,799
Speaker 1: competitive women's college basketball tournament you're beating teams by sixty

1205
01:17:15,880 --> 01:17:19,600
Speaker 1: points and and and and that that's normal and that

1206
01:17:20,000 --> 01:17:23,679
Speaker 1: I mean, it's not competitive. No, that's not competitive. Something

1207
01:17:23,800 --> 01:17:26,840
Speaker 1: isn't right, And it's not you Gino what's his name,

1208
01:17:26,920 --> 01:17:31,479
Speaker 1: Okayama Oriama. But I feel like you're saying it like

1209
01:17:31,640 --> 01:17:36,479
Speaker 1: it's um like he's Asian. He's not Asian, he's Italian.

1210
01:17:37,240 --> 01:17:41,679
Speaker 1: And why are all these slick talking uh wise ass

1211
01:17:42,080 --> 01:17:47,320
Speaker 1: uh college basketball coaches Italian? I don't associate Italians with basketball,

1212
01:17:47,360 --> 01:17:53,840
Speaker 1: do you? Calipari, Patino and Oriama from Connecticut girls basketball

1213
01:17:54,000 --> 01:18:00,760
Speaker 1: as No, but it's just coincidence or not that there's

1214
01:18:00,760 --> 01:18:06,080
Speaker 1: a lot of really good, high profile, high level college

1215
01:18:06,160 --> 01:18:13,799
Speaker 1: basketball coaches that are pison. And what's up with Johnny Manziel.

1216
01:18:15,000 --> 01:18:17,920
Speaker 1: He's this guy on cracker like that. He may be

1217
01:18:18,040 --> 01:18:21,479
Speaker 1: a cluckhead, he may be a strawberry his head. I

1218
01:18:21,560 --> 01:18:24,720
Speaker 1: heard a strawberry. I heard the West Coast terminology. A

1219
01:18:24,840 --> 01:18:28,560
Speaker 1: strawberry is a crackhead, I think. Please correct me, but

1220
01:18:28,720 --> 01:18:30,840
Speaker 1: I thought strawberry was like like a like some sort

1221
01:18:30,880 --> 01:18:33,560
Speaker 1: of like a new hooker, like a new hook like

1222
01:18:33,600 --> 01:18:36,479
Speaker 1: you want to get that strawberry. Well, I like hip

1223
01:18:36,520 --> 01:18:39,720
Speaker 1: hop slang. So you're gonna just call him a strawberry,

1224
01:18:39,760 --> 01:18:43,840
Speaker 1: call him straw until until your friend to until I've corrected. Ok,

1225
01:18:44,280 --> 01:18:51,759
Speaker 1: he's a strawberry. He's stupid, he's dumb. Manzel's dumb Manzel

1226
01:18:51,840 --> 01:18:54,080
Speaker 1: got oil money. He don't give a funk about no.

1227
01:18:54,560 --> 01:18:57,679
Speaker 1: He gives a funk about football, Yes he does. Pop said,

1228
01:18:57,760 --> 01:19:00,600
Speaker 1: just come work for me. He's Pop Marry Jones, and

1229
01:19:00,680 --> 01:19:03,960
Speaker 1: I know him. I know your dad. You gotta play

1230
01:19:04,040 --> 01:19:06,000
Speaker 1: no football. And to think that I was behind this

1231
01:19:06,120 --> 01:19:08,759
Speaker 1: guy for a minute, Johnny man he's got a prison,

1232
01:19:09,280 --> 01:19:12,360
Speaker 1: he's gonna have something bad is gonna happen. He beat

1233
01:19:12,640 --> 01:19:17,880
Speaker 1: his girl's ass in the Texas cops drop the case.

1234
01:19:18,040 --> 01:19:23,559
Speaker 1: They said, we don't need to prosecute now. T Sizzle,

1235
01:19:24,360 --> 01:19:29,599
Speaker 1: who's that? Terrell sugs Sissy of the Baltimore Ravens ran

1236
01:19:29,680 --> 01:19:33,600
Speaker 1: into a wall with his car and they're ready to

1237
01:19:33,760 --> 01:19:37,400
Speaker 1: prosecute his ass. And all he did was hurt himself.

1238
01:19:37,600 --> 01:19:41,120
Speaker 1: All he did, Yeah, man into a wall in a

1239
01:19:41,240 --> 01:19:45,160
Speaker 1: Walmart parking lot, Jesus, and they said, you gotta go

1240
01:19:45,240 --> 01:19:46,720
Speaker 1: to jail for that? Is that why he looks? So

1241
01:19:46,880 --> 01:19:51,120
Speaker 1: he looks how T Sizzle looks, sizzles faces. I funk

1242
01:19:51,160 --> 01:19:53,439
Speaker 1: with Terrell sucks now he got he got the uh

1243
01:19:54,080 --> 01:19:57,400
Speaker 1: raise a bump problem. No it's not. It's his mouth

1244
01:19:57,560 --> 01:19:59,400
Speaker 1: he got. He looked like he said he needs to

1245
01:19:59,400 --> 01:20:04,960
Speaker 1: get his urnature pushed in. He's got like like swollen teeth.

1246
01:20:05,080 --> 01:20:07,760
Speaker 1: His teeth are like like he gotta he gotta put

1247
01:20:07,840 --> 01:20:11,920
Speaker 1: his teeth down some alcohol and pushed him back. They

1248
01:20:11,960 --> 01:20:15,000
Speaker 1: don't look right. His whole mouth, his whole mouth set,

1249
01:20:15,160 --> 01:20:19,960
Speaker 1: his whole T. Sizzle was in the well. Listen, man,

1250
01:20:20,400 --> 01:20:25,000
Speaker 1: these guys are crazy and and that's what happens. CTE.

1251
01:20:26,640 --> 01:20:28,960
Speaker 1: They don't have no ct Johnny Mandela's n't f C

1252
01:20:29,120 --> 01:20:31,200
Speaker 1: t oh, he didn't get hit enough to have that,

1253
01:20:33,200 --> 01:20:37,400
Speaker 1: but they are linking. And Jerry Jones on some Suckers

1254
01:20:37,439 --> 01:20:46,800
Speaker 1: Ship in Dallas saying CTE has no connection with football. Well, listen, yeah,

1255
01:20:46,840 --> 01:20:48,760
Speaker 1: if I was a business owner and the owner of

1256
01:20:48,800 --> 01:20:52,080
Speaker 1: the Cowboys, hell yeah, I would say that. Let me

1257
01:20:52,120 --> 01:20:55,360
Speaker 1: tell you what the hell you me? Hey, dudes want

1258
01:20:55,360 --> 01:20:58,240
Speaker 1: to play football, then then know the risk. You know

1259
01:20:58,360 --> 01:21:00,160
Speaker 1: the risk. I don't think that you should be able

1260
01:21:00,160 --> 01:21:03,040
Speaker 1: to get cut from the NFL, like the great Arian

1261
01:21:03,120 --> 01:21:09,000
Speaker 1: Foster said on this Iron Rapports Stereo too released, but

1262
01:21:09,160 --> 01:21:11,880
Speaker 1: he had guaranteed money because he's Arian Foster. But the

1263
01:21:11,960 --> 01:21:14,519
Speaker 1: majority of the dudes don't have that. I think you

1264
01:21:14,960 --> 01:21:17,839
Speaker 1: got him release. You think him doing the Iron Rapports

1265
01:21:17,840 --> 01:21:21,040
Speaker 1: stereopod because he devoted a lot. He said he don't

1266
01:21:21,080 --> 01:21:24,240
Speaker 1: even watch football. If you're to coach, you hear that.

1267
01:21:24,400 --> 01:21:28,120
Speaker 1: What's you gonna say? You're the coach? Rap? You think

1268
01:21:28,160 --> 01:21:31,080
Speaker 1: that I'm the reason why they think it's you? Fuck

1269
01:21:31,160 --> 01:21:37,000
Speaker 1: you man? You nah. He wanted to get out of

1270
01:21:37,080 --> 01:21:42,280
Speaker 1: Texas anyway. Man to Houston, the Houston Texans. Your forster

1271
01:21:42,439 --> 01:21:45,960
Speaker 1: come to the fucking Jets. We'll take you. You'll be

1272
01:21:46,080 --> 01:21:50,479
Speaker 1: great in New York and cram. Yeah. Antonio Cromarti has

1273
01:21:50,520 --> 01:21:53,599
Speaker 1: got fourteen kids, twelve or ten. He's the one who's

1274
01:21:53,760 --> 01:21:56,840
Speaker 1: famous for being on HBO Hard Knocks and didn't know

1275
01:21:56,960 --> 01:22:01,560
Speaker 1: all his kids names Jesus christ Ship and he was

1276
01:22:01,720 --> 01:22:07,320
Speaker 1: on some publication flows in all of his cars. His

1277
01:22:07,560 --> 01:22:11,800
Speaker 1: baby mamas are gonna come after those cars soon. H

1278
01:22:12,000 --> 01:22:16,360
Speaker 1: A Rose Royce, a Porsche of this or that. Didn't

1279
01:22:16,400 --> 01:22:23,160
Speaker 1: you learn from Vinn Baker? Vinn Baker is in Starbucks

1280
01:22:23,520 --> 01:22:29,080
Speaker 1: right now. He had a million dollar country in Hartford,

1281
01:22:29,320 --> 01:22:34,360
Speaker 1: and you didn't have nowhere near that man. And you

1282
01:22:34,479 --> 01:22:41,559
Speaker 1: out here floorsing ten cars. Vin Baker never floors ten cars.

1283
01:22:41,680 --> 01:22:45,839
Speaker 1: And where he had star busil he's in star business.

1284
01:22:45,960 --> 01:22:50,560
Speaker 1: How Howard Schultz, you're from Carnarsi, Brooklyn. Please get that

1285
01:22:50,720 --> 01:22:53,960
Speaker 1: man out of that place, please, please man give him.

1286
01:22:54,080 --> 01:22:56,640
Speaker 1: You know, I really want to get Vin Baker on

1287
01:22:56,680 --> 01:22:59,479
Speaker 1: here because I know his story is is just crazy.

1288
01:22:59,800 --> 01:23:02,080
Speaker 1: His life is crazy. Not even forty years old, he's

1289
01:23:02,120 --> 01:23:06,160
Speaker 1: been had a crazy life in the NBA. I loved

1290
01:23:06,240 --> 01:23:08,600
Speaker 1: Vin Baker when he was in Seattle. He came to

1291
01:23:08,680 --> 01:23:12,240
Speaker 1: that he was with the Knicks, right with Sam Cosell

1292
01:23:12,520 --> 01:23:16,519
Speaker 1: and Milwaukee. Yeah, he's such a good player. I don't know.

1293
01:23:17,040 --> 01:23:19,000
Speaker 1: We gotta get Vin Baker on here. We gotta get

1294
01:23:19,400 --> 01:23:23,080
Speaker 1: Vinn Baker. We gotta get Latrelle Spreewell, we gotta get

1295
01:23:23,520 --> 01:23:28,080
Speaker 1: uh Allen iverson. Victor Victor Cruz. We want you on

1296
01:23:28,160 --> 01:23:31,080
Speaker 1: the Iron Reports stereo podcast. I want we want to

1297
01:23:31,200 --> 01:23:34,240
Speaker 1: learn how to souse. Yeah, I want saucal lescence. And

1298
01:23:34,280 --> 01:23:37,479
Speaker 1: then while you're doing your training for training camp, I'm

1299
01:23:37,479 --> 01:23:39,880
Speaker 1: gonna go and I'm gonna I'm gonna I'm gonna work

1300
01:23:39,920 --> 01:23:41,800
Speaker 1: out with you. I see what it's like. I want

1301
01:23:41,840 --> 01:23:45,040
Speaker 1: to see you in comparison to the hot yoga that

1302
01:23:45,080 --> 01:23:47,920
Speaker 1: you're do in Los Angeles with Victor Cruz. Yeah, if

1303
01:23:47,960 --> 01:23:51,519
Speaker 1: it equates, Yeah, if my workout equates to what Victor

1304
01:23:51,600 --> 01:23:56,840
Speaker 1: Cruz does, show, yeah, that'll look fucking nuts. I'm gonna

1305
01:23:56,880 --> 01:24:00,479
Speaker 1: start periscope in my workhouse because that's comedic material. I

1306
01:24:00,520 --> 01:24:03,680
Speaker 1: don't need to write. That's like comedic gold. That like

1307
01:24:03,720 --> 01:24:05,519
Speaker 1: if I was thinking that. I was thinking that the

1308
01:24:05,600 --> 01:24:07,760
Speaker 1: other day. It's like if if if, if, if the

1309
01:24:07,800 --> 01:24:10,400
Speaker 1: Iron Rapports Stereo podcast, fans could could be with me

1310
01:24:10,560 --> 01:24:13,000
Speaker 1: during the workout and see what I look like, and

1311
01:24:13,320 --> 01:24:16,280
Speaker 1: see I don't know understand why I'm the only one

1312
01:24:16,439 --> 01:24:19,400
Speaker 1: grunting and groaning in the class. I feel like everyone

1313
01:24:19,439 --> 01:24:21,280
Speaker 1: else in there it thinks they're too cool to to

1314
01:24:21,400 --> 01:24:24,080
Speaker 1: make a noise or to grunt and groaner, fuck or

1315
01:24:24,200 --> 01:24:27,920
Speaker 1: curse or do something. I'm the only one. I'm the

1316
01:24:27,960 --> 01:24:30,639
Speaker 1: only one, and I'm not even working the hardest. That's

1317
01:24:30,680 --> 01:24:32,840
Speaker 1: the crazy thing. I think that like people are like

1318
01:24:32,960 --> 01:24:36,200
Speaker 1: it's it's not pc to make noise. I don't get it.

1319
01:24:37,000 --> 01:24:39,560
Speaker 1: Make that Moses Malone's ship. Yeah, I'm in there like

1320
01:24:39,680 --> 01:24:46,960
Speaker 1: a ship board. Yeah yeah, make the cowl rap, yeah ship.

1321
01:24:47,320 --> 01:24:49,479
Speaker 1: This is the Iron Wrap War Podcast and we're out.