1 00:00:03,960 --> 00:00:07,520 Speaker 1: If there is one thing the seasoned traveler knows, it's 2 00:00:07,560 --> 00:00:11,440 Speaker 1: there is no such thing as bad weather, only bad clothing. 3 00:00:12,360 --> 00:00:15,120 Speaker 1: It is important to be prepared for all occasions while 4 00:00:15,120 --> 00:00:18,880 Speaker 1: traveling if one wants to ensure a smooth and enjoyable journey, 5 00:00:19,520 --> 00:00:22,440 Speaker 1: and I always recommend bringing an extra pair of knickers, 6 00:00:22,880 --> 00:00:24,680 Speaker 1: as you never know if there will be a change 7 00:00:24,680 --> 00:00:30,120 Speaker 1: of plans or extended stay ahead. Thankfully, many luxurious hotels 8 00:00:30,160 --> 00:00:33,080 Speaker 1: such as The Savoy can provide you with the necessities 9 00:00:33,600 --> 00:00:39,200 Speaker 1: if something was left behind or your stay becomes unexpectedly extended. 10 00:00:42,320 --> 00:00:44,280 Speaker 2: I am sorry for dropping on of this on Eugene. 11 00:00:44,640 --> 00:00:46,479 Speaker 1: Now, Charles, I'm glad you told me. 12 00:00:46,680 --> 00:00:48,760 Speaker 2: I just couldn't risk letting you know. Walda. Hollis is 13 00:00:48,760 --> 00:00:51,600 Speaker 2: our prime suspect until you eard his trust and until 14 00:00:51,600 --> 00:00:53,480 Speaker 2: you are alone. 15 00:00:52,880 --> 00:00:55,680 Speaker 1: The director general of m I five a KGB informer, 16 00:00:56,120 --> 00:01:01,720 Speaker 1: the implications would be tectonic. But Charles, forgive me for asking, 17 00:01:02,560 --> 00:01:04,880 Speaker 1: how do I know you're telling me the truth? How 18 00:01:04,920 --> 00:01:06,920 Speaker 1: do I know you're not the Soviet mole and just 19 00:01:07,280 --> 00:01:08,319 Speaker 1: using me to frame Roger? 20 00:01:10,520 --> 00:01:13,520 Speaker 2: You always were the most clever American I knew. Thanks 21 00:01:13,520 --> 00:01:16,200 Speaker 2: for the flattery, But Martin mentioned you might say that 22 00:01:16,720 --> 00:01:18,280 Speaker 2: part of what makes you good for this line of 23 00:01:18,280 --> 00:01:21,399 Speaker 2: folk as reluctant as the auto embrace it. So Marton 24 00:01:21,440 --> 00:01:22,400 Speaker 2: sent me this message. 25 00:01:23,160 --> 00:01:23,840 Speaker 1: What is this? 26 00:01:24,560 --> 00:01:27,120 Speaker 2: It's an encrypted single play record. Listen to it with 27 00:01:27,120 --> 00:01:29,880 Speaker 2: this earpiece, otherwise it sounds like gibberish. And once it's played, 28 00:01:29,920 --> 00:01:31,800 Speaker 2: the lax degrades and the races without a choice. 29 00:01:32,319 --> 00:01:36,120 Speaker 1: Incredible. I'm still not used to all this spycraft stuff. 30 00:01:37,360 --> 00:01:38,039 Speaker 2: Go ahead and. 31 00:01:37,959 --> 00:01:46,920 Speaker 3: Listen, Gene Martin here, I wanted you to hear this 32 00:01:47,000 --> 00:01:50,160 Speaker 3: directly from me. We've been tracking Roger Hollis for years 33 00:01:50,360 --> 00:01:52,480 Speaker 3: and believe he is helping to cover up and facilitate 34 00:01:52,520 --> 00:01:55,640 Speaker 3: an espionage group secretly working for the Soviets that we 35 00:01:55,680 --> 00:01:59,080 Speaker 3: are calling the Portland Spy Ring. Up until now, Roger 36 00:01:59,120 --> 00:02:01,880 Speaker 3: has been outstanding covering his tracks. But a couple of 37 00:02:01,880 --> 00:02:05,000 Speaker 3: months ago, Polish spy Michael Goldnevsky told his handlers at 38 00:02:05,000 --> 00:02:07,280 Speaker 3: the CIA that there was a Russian spy working for 39 00:02:07,320 --> 00:02:09,800 Speaker 3: the Navy who had been in Warsaw in nineteen fifty two, 40 00:02:10,280 --> 00:02:13,160 Speaker 3: and it was called Horton. As Horton claims, he has 41 00:02:13,160 --> 00:02:16,040 Speaker 3: access to the advanced sonar plans at the HMS Dreadnought, 42 00:02:16,120 --> 00:02:19,279 Speaker 3: which is, as you know, the world's first nuclear submarine. 43 00:02:19,880 --> 00:02:22,480 Speaker 3: When I informed Charles, who I presume you were sitting with, 44 00:02:22,720 --> 00:02:25,920 Speaker 3: of all this, he helped identify Horton as the British 45 00:02:26,000 --> 00:02:29,320 Speaker 3: officer Harry Houghton, who works at the Admiralty Underwater Weapons 46 00:02:29,440 --> 00:02:32,360 Speaker 3: Establishment on the Isle of Portland and may have access 47 00:02:32,360 --> 00:02:35,960 Speaker 3: to the top secret designs. He cannot be trusted as 48 00:02:35,960 --> 00:02:38,560 Speaker 3: we cannot risk the Soviet stealing another Manhattan project from 49 00:02:38,639 --> 00:02:41,639 Speaker 3: under our noses. I want you and Rebecca to conduct 50 00:02:41,680 --> 00:02:44,160 Speaker 3: surveillance on Houghton and make sure those plans don't get 51 00:02:44,200 --> 00:02:47,360 Speaker 3: into Soviet hands. Now this tape is about to expire. 52 00:02:47,400 --> 00:02:49,720 Speaker 3: As it ends, Rebecca knows how to reach me if 53 00:02:49,720 --> 00:02:56,560 Speaker 3: ever needed. Good luck and stay safe. 54 00:02:56,840 --> 00:03:01,639 Speaker 1: Well that was sobering. When do we begin this investigation? 55 00:03:02,280 --> 00:03:03,679 Speaker 2: If it's okay with you, I'll get you with the 56 00:03:03,720 --> 00:03:05,520 Speaker 2: file on Howden in the morning so we can treat 57 00:03:05,560 --> 00:03:08,640 Speaker 2: you and bloss it a sumptuous English dinna. You certainly 58 00:03:08,680 --> 00:03:09,120 Speaker 2: deserve it. 59 00:03:09,720 --> 00:03:15,280 Speaker 1: I suppose the state of the world can wait one evening. 60 00:03:16,240 --> 00:03:21,440 Speaker 1: One thing I will never understand is British food ivy 61 00:03:21,520 --> 00:03:24,440 Speaker 1: in cuisines all over the world, and while some are 62 00:03:24,440 --> 00:03:27,400 Speaker 1: more suited to an American palette than others. The true 63 00:03:27,440 --> 00:03:32,040 Speaker 1: absurdity of British food, not to mention the names, confounds me. 64 00:03:32,960 --> 00:03:37,080 Speaker 1: They proudly stand behind black pudding, which sounds about as 65 00:03:37,160 --> 00:03:41,280 Speaker 1: unappetizing as it looks, and what gives it its darkened hue, 66 00:03:42,240 --> 00:03:48,840 Speaker 1: congealed blood. Let's not forget spotted dick steak and kidney pie, 67 00:03:49,120 --> 00:03:54,080 Speaker 1: shepherd's pie and a Yorkshire pudding. These items may sound 68 00:03:54,120 --> 00:03:56,840 Speaker 1: like a dessert to the untrained ear, but will most 69 00:03:56,880 --> 00:04:00,520 Speaker 1: assuredly have a kidney or intestine hiding in their somewhere. 70 00:04:02,520 --> 00:04:10,480 Speaker 4: Hello Artu Jean, Sorry, darling, what is it? I was 71 00:04:10,560 --> 00:04:15,200 Speaker 4: just asking how you enjoyed dinner. You are on characteristically quiet. 72 00:04:14,840 --> 00:04:15,880 Speaker 5: Around an old friend. 73 00:04:16,360 --> 00:04:19,440 Speaker 1: Was I sorry? I just wanted you to get to 74 00:04:19,440 --> 00:04:19,760 Speaker 1: know them. 75 00:04:19,800 --> 00:04:23,720 Speaker 4: I suppose did something happen over drinks with Charles before dinner. 76 00:04:24,120 --> 00:04:27,240 Speaker 1: No, nothing like that, guess I just have work on 77 00:04:27,279 --> 00:04:30,200 Speaker 1: my mind. Martin left a message I listened to before 78 00:04:30,200 --> 00:04:33,960 Speaker 1: dinner requesting I cover practically all of London, everything from 79 00:04:33,960 --> 00:04:37,599 Speaker 1: Westminster Abbey to Buckingham Palace. I've been mapping out the 80 00:04:37,600 --> 00:04:39,440 Speaker 1: best plan of attack in my head to make sure 81 00:04:39,480 --> 00:04:40,520 Speaker 1: I cover it all tomorrow. 82 00:04:41,200 --> 00:04:44,039 Speaker 4: He sure has us off to a running start. I 83 00:04:44,080 --> 00:04:46,560 Speaker 4: still have plenty of paperwork to get through, though I 84 00:04:46,600 --> 00:04:49,560 Speaker 4: did make plans at Anne to go shoving at Harriet's tomorrow. 85 00:04:49,760 --> 00:04:52,520 Speaker 1: Good you deserve it, and said. 86 00:04:52,640 --> 00:04:55,960 Speaker 4: I am the chief editor of an international travel brand. 87 00:04:56,240 --> 00:04:57,920 Speaker 5: I have to start dressing like it. 88 00:04:58,200 --> 00:05:01,800 Speaker 1: Oh did she Well? Save the receipts and Martin can 89 00:05:01,800 --> 00:05:02,120 Speaker 1: write it. 90 00:05:02,120 --> 00:05:05,880 Speaker 4: Off them five star hotels and shopping sprees. Who know 91 00:05:06,000 --> 00:05:07,680 Speaker 4: the travel business could be so fun? 92 00:05:08,040 --> 00:05:10,640 Speaker 1: Sure, Bes sleeping on top of a train to Delhi. 93 00:05:11,440 --> 00:05:13,839 Speaker 1: Although you do look sexy and a sorry. 94 00:05:13,640 --> 00:05:16,359 Speaker 4: Hmm, I still have to work on that belly dance 95 00:05:16,480 --> 00:05:23,120 Speaker 4: for you. It is nice to be around another working woman, 96 00:05:23,680 --> 00:05:26,400 Speaker 4: someone who enjoys being a wife but also has her 97 00:05:26,440 --> 00:05:27,040 Speaker 4: own career. 98 00:05:27,440 --> 00:05:29,640 Speaker 1: You both are a rare and wonderful breed. 99 00:05:30,400 --> 00:05:32,400 Speaker 4: She must see a lot of interesting things at the 100 00:05:32,440 --> 00:05:35,880 Speaker 4: Foreign Office. She's in the information research department. 101 00:05:36,400 --> 00:05:39,000 Speaker 1: Yes, and Charles mentioned she's in publishing too. As a 102 00:05:39,000 --> 00:05:42,000 Speaker 1: matter of fact, helped Orwell's Animal Farm become a best 103 00:05:42,000 --> 00:05:45,039 Speaker 1: seller around the world. Orwell's wife gave them the license. 104 00:05:45,680 --> 00:05:48,279 Speaker 1: A unique way to be involved politically while not being 105 00:05:48,320 --> 00:05:49,480 Speaker 1: directly in politics. 106 00:05:50,040 --> 00:05:53,719 Speaker 4: It's admirable. I support fighting for a good cause, but 107 00:05:54,480 --> 00:05:57,240 Speaker 4: I would fear the danger and cost of working for 108 00:05:57,320 --> 00:06:02,920 Speaker 4: any government. I've seen firsthand how government can turn against you, right. 109 00:06:03,800 --> 00:06:06,760 Speaker 4: But I admire her far nonetheless, and. 110 00:06:06,720 --> 00:06:08,520 Speaker 1: I'm sure you will have fun tomorrow while I am 111 00:06:08,600 --> 00:06:23,880 Speaker 1: running all over town like a madman. Good morning, Rebecca, 112 00:06:24,080 --> 00:06:24,720 Speaker 1: how was your night? 113 00:06:24,760 --> 00:06:26,719 Speaker 6: Would have been nicer if I was staying at the Savoy? 114 00:06:26,839 --> 00:06:29,359 Speaker 6: But I did meet Charles this morning for some bangers 115 00:06:29,360 --> 00:06:31,000 Speaker 6: in mash and some light reading. 116 00:06:31,480 --> 00:06:32,760 Speaker 1: Is that the file on the suspect? 117 00:06:32,800 --> 00:06:36,719 Speaker 6: That's right? Meet Harry Houghton or nineteen oh five in Lincoln, England. 118 00:06:37,360 --> 00:06:39,720 Speaker 6: Left school at fourteen to become an errand boy and 119 00:06:39,800 --> 00:06:42,039 Speaker 6: later joined the Royal Navy. By the end of the 120 00:06:42,040 --> 00:06:45,320 Speaker 6: Second World War, he was a Chief Petty Officer. Then 121 00:06:45,520 --> 00:06:48,080 Speaker 6: after the war he joined the civil Service until nineteen 122 00:06:48,120 --> 00:06:50,320 Speaker 6: fifty one, when he was sent to the British Embassy 123 00:06:50,320 --> 00:06:53,640 Speaker 6: in Poland, where he joined the staff of the Naval Attache. 124 00:06:53,839 --> 00:06:54,880 Speaker 1: What brought him back home? 125 00:06:55,279 --> 00:06:59,600 Speaker 6: While abroad he started dabbling in the black market, innocently enough, 126 00:06:59,600 --> 00:07:02,960 Speaker 6: with CoFe at first, before moving on to medical trucks. 127 00:07:03,520 --> 00:07:06,800 Speaker 6: During this time, Houghton's wife complained of domestic abuse and 128 00:07:06,839 --> 00:07:09,000 Speaker 6: there were concerns that he was mixing with the uh 129 00:07:09,440 --> 00:07:12,560 Speaker 6: wrong people. In nineteen fifty two, he was ordered home 130 00:07:12,960 --> 00:07:15,520 Speaker 6: shortly after he and his wife divorced. 131 00:07:15,760 --> 00:07:19,160 Speaker 1: Doesn't sound like the most stable or trustworthy guh When 132 00:07:19,240 --> 00:07:22,320 Speaker 1: did he start up the Admiralty Underwater Weapons Establishment in Portland. 133 00:07:23,800 --> 00:07:26,400 Speaker 6: He was appointed to the AUWE in nineteen fifty five, 134 00:07:26,680 --> 00:07:30,200 Speaker 6: but only a year later he lost access to restricted 135 00:07:30,240 --> 00:07:33,480 Speaker 6: information after he took secret papers out of the strong 136 00:07:33,560 --> 00:07:35,200 Speaker 6: room without the consent of his superiors. 137 00:07:35,520 --> 00:07:38,520 Speaker 1: So he has a history of sticky fingers. But if 138 00:07:38,560 --> 00:07:40,800 Speaker 1: his access was restricted, how could he get the sonar 139 00:07:40,840 --> 00:07:41,880 Speaker 1: panels for the Dreadnoughts. 140 00:07:41,880 --> 00:07:45,240 Speaker 6: He must have an accomplice. Take a look at these photos. 141 00:07:46,160 --> 00:07:47,480 Speaker 1: Who is this woman you circled? 142 00:07:47,800 --> 00:07:53,000 Speaker 6: Ethel g his girlfriend and coincidentally a file clerk at 143 00:07:53,000 --> 00:07:56,120 Speaker 6: the Admiralty. Her background check came back spick and spam, 144 00:07:56,240 --> 00:08:00,200 Speaker 6: no arrests, no marriages, not even a traffic violation. She 145 00:08:00,280 --> 00:08:02,560 Speaker 6: was living the life of a spinstress, spending all of 146 00:08:02,600 --> 00:08:06,000 Speaker 6: her spare time looking after her aging relatives until she 147 00:08:06,040 --> 00:08:08,000 Speaker 6: started dating Houghton in nineteen fifty. 148 00:08:07,720 --> 00:08:12,160 Speaker 1: Six, right after Houghton lost his access to classified documents 149 00:08:12,280 --> 00:08:16,280 Speaker 1: very convenient exactly, people will do crazy things for love. 150 00:08:16,520 --> 00:08:19,440 Speaker 6: Every month, Houghton and Gee take a trip to London, 151 00:08:19,640 --> 00:08:22,120 Speaker 6: where they check into Clarridge's hotel as a married couple 152 00:08:22,520 --> 00:08:23,360 Speaker 6: under the same name. 153 00:08:23,560 --> 00:08:26,280 Speaker 1: Claragees is not exactly what I'd consider affordable on a 154 00:08:26,320 --> 00:08:27,400 Speaker 1: government salary, and it. 155 00:08:27,440 --> 00:08:29,679 Speaker 6: Just so happens their book this very weekend. 156 00:08:30,040 --> 00:08:32,679 Speaker 1: Man, I guess we better go observe this lovely couple 157 00:08:32,720 --> 00:08:35,400 Speaker 1: to make sure they don't get into any trouble my 158 00:08:35,559 --> 00:08:43,240 Speaker 1: thoughts exactly. Claradges is a five star hotel at the 159 00:08:43,280 --> 00:08:46,280 Speaker 1: corner of Brook Street and Davy Street in Mayfair, London, 160 00:08:46,720 --> 00:08:48,880 Speaker 1: but it wasn't always as grand as it is today. 161 00:08:49,400 --> 00:08:52,400 Speaker 1: It began as a single house which James Myivart turned 162 00:08:52,440 --> 00:08:55,959 Speaker 1: into a hotel in eighteen twelve. William and Mary and 163 00:08:56,080 --> 00:08:59,080 Speaker 1: Claridge took over the business in eighteen fifty four an 164 00:08:59,120 --> 00:09:03,120 Speaker 1: ambitiously expanded it into the adjoining five buildings. It was 165 00:09:03,160 --> 00:09:07,280 Speaker 1: officially renamed Clarages in eighteen fifty six, but this was 166 00:09:07,440 --> 00:09:10,600 Speaker 1: just one more stop on the hotel's journey. In eighteen 167 00:09:10,679 --> 00:09:14,240 Speaker 1: ninety three, Clarages was bought by Richard Doyley Cart the 168 00:09:14,320 --> 00:09:18,080 Speaker 1: man who also owned the Savoy. He had Clerages redesigned 169 00:09:18,080 --> 00:09:21,400 Speaker 1: by C. W. Stevens, who had been responsible for redesigning 170 00:09:21,520 --> 00:09:27,360 Speaker 1: Herod's Opulence was his mantra. During this refurbishment, the existing 171 00:09:27,400 --> 00:09:30,800 Speaker 1: building was pretty much knocked down and rebuilt, and the 172 00:09:30,840 --> 00:09:35,120 Speaker 1: hotel is no stranger to famous visitors. Several exiled royal 173 00:09:35,160 --> 00:09:37,920 Speaker 1: families and heads of state spent part or all of 174 00:09:37,960 --> 00:09:41,320 Speaker 1: the Second World War staying at Clarages, having been removed 175 00:09:41,360 --> 00:09:45,320 Speaker 1: from their homelands. On the seventeenth of June nineteen forty five, 176 00:09:45,840 --> 00:09:50,640 Speaker 1: Sweet two twelve, at Clarages was even temporarily declared Yugoslavian territory. 177 00:09:51,200 --> 00:09:53,679 Speaker 1: The King of Yugoslavia was one of those exiled as 178 00:09:53,720 --> 00:09:56,200 Speaker 1: a result of the war, and he wanted his impending 179 00:09:56,280 --> 00:10:00,400 Speaker 1: child born on home soil. Rumor has it that soil 180 00:10:00,440 --> 00:10:03,520 Speaker 1: from his home country was delivered and placed under the 181 00:10:03,559 --> 00:10:07,680 Speaker 1: bed for the birth of Crown Prince Alexander of Yugoslavia. 182 00:10:08,240 --> 00:10:11,679 Speaker 1: Even Winston Churchill and his wife temporarily moved into the Penhouse, 183 00:10:12,160 --> 00:10:15,120 Speaker 1: and over the years their hotel's lavish ballroom has played 184 00:10:15,120 --> 00:10:16,800 Speaker 1: host to many royal parties. 185 00:10:18,720 --> 00:10:21,600 Speaker 6: Jean I just spoke with my contact. He confirmed the 186 00:10:21,600 --> 00:10:23,559 Speaker 6: Hounton's checked in last night and have yet to leave 187 00:10:23,600 --> 00:10:23,960 Speaker 6: the room. 188 00:10:24,280 --> 00:10:26,080 Speaker 1: So what we just continued to camp out in this 189 00:10:26,160 --> 00:10:29,040 Speaker 1: lobby until they leave. Good thing. I brought my notepad 190 00:10:29,080 --> 00:10:29,760 Speaker 1: to do some writing. 191 00:10:31,600 --> 00:10:33,760 Speaker 6: We might not have to wait as long as you think. 192 00:10:34,120 --> 00:10:37,120 Speaker 1: Look, oh my god, finally it's them. 193 00:10:37,240 --> 00:10:40,360 Speaker 6: Come on, let's go, but keep your distance. Others might 194 00:10:40,400 --> 00:10:47,800 Speaker 6: be watching too. Looks like they're heading to Oxford Street for. 195 00:10:47,800 --> 00:10:52,120 Speaker 1: Some shopping, which once again doesn't fit with a government's salary. 196 00:10:52,240 --> 00:10:54,400 Speaker 6: Let's cross the street. I can track them through my 197 00:10:54,440 --> 00:10:55,360 Speaker 6: telephoto lens. 198 00:10:57,000 --> 00:11:00,520 Speaker 1: Oxford Street is home to around three hundred designer boutiques 199 00:11:00,800 --> 00:11:03,160 Speaker 1: that welcome up to a half a million visitors a day. 200 00:11:03,960 --> 00:11:07,000 Speaker 1: Many consider it to be London's main shopping street, but 201 00:11:07,080 --> 00:11:10,120 Speaker 1: that's not all it's known for. Oxford Street is also 202 00:11:10,160 --> 00:11:12,640 Speaker 1: famed for its mentions in the novels of Charles Dick. 203 00:11:12,960 --> 00:11:16,200 Speaker 6: Gee jem le've stopped in a store. Looks like they're 204 00:11:17,280 --> 00:11:18,440 Speaker 6: meeting with a man. 205 00:11:18,840 --> 00:11:20,040 Speaker 1: Can you see through the window. 206 00:11:20,559 --> 00:11:24,440 Speaker 6: Yes, Houghton is handing in the plastic shopping bag he 207 00:11:24,559 --> 00:11:27,559 Speaker 6: was carrying, and he's being handed in an envelope. 208 00:11:27,600 --> 00:11:30,640 Speaker 1: It's an exchange. I bet I know what's in the envelope? 209 00:11:30,679 --> 00:11:32,839 Speaker 6: I bet I know what's in the bag. The man 210 00:11:32,920 --> 00:11:34,360 Speaker 6: is leaving with it. We stick with him. 211 00:11:34,600 --> 00:11:35,480 Speaker 1: What about Houton and g. 212 00:11:35,760 --> 00:11:37,680 Speaker 6: We know where to find him. But if that bag 213 00:11:37,720 --> 00:11:40,280 Speaker 6: contains the nuclear sub designs, we can't let them out 214 00:11:40,280 --> 00:11:42,559 Speaker 6: of our sight. 215 00:11:44,880 --> 00:11:45,640 Speaker 1: Do you still see him? 216 00:11:45,679 --> 00:11:47,840 Speaker 6: He's there, entering into Midlands Bank. 217 00:11:48,240 --> 00:11:48,880 Speaker 1: What should we do? 218 00:11:49,840 --> 00:11:51,520 Speaker 6: I'm going to go inside and keep an eye on him. 219 00:11:51,880 --> 00:11:53,760 Speaker 6: You go call Charles on the payphone and give him 220 00:11:53,760 --> 00:11:56,240 Speaker 6: an update. Then you're gonna stay out here and keep watch. 221 00:11:56,440 --> 00:12:18,480 Speaker 1: Got it? Hello, Charles, It's Jane. I'm with Rebecca. We 222 00:12:18,480 --> 00:12:20,800 Speaker 1: were tracking Houghton until he made an exchange with a man, 223 00:12:20,920 --> 00:12:23,800 Speaker 1: presumably with secret information. And now that man just walked 224 00:12:23,800 --> 00:12:24,600 Speaker 1: into Midland's Bank. 225 00:12:24,800 --> 00:12:27,640 Speaker 7: Wonderful. I'm just around the colon for mid Stay put, 226 00:12:28,000 --> 00:12:28,440 Speaker 7: I'll think there. 227 00:12:28,480 --> 00:12:28,800 Speaker 3: She'll be. 228 00:12:42,360 --> 00:12:44,520 Speaker 8: Welcome to Midlands Bank. How may I help you? 229 00:12:44,720 --> 00:12:49,520 Speaker 1: Just meeting my wife? Thanks? Where is he he. 230 00:12:49,480 --> 00:12:51,800 Speaker 6: Went with the manager of the safety deposit boxes in 231 00:12:51,840 --> 00:12:53,760 Speaker 6: the back? Did you reach Charles? 232 00:12:53,800 --> 00:12:54,520 Speaker 1: He's on his way. 233 00:12:54,640 --> 00:12:59,720 Speaker 6: Good there, that's our guy. He's exiting now, but. 234 00:12:59,800 --> 00:13:01,920 Speaker 1: He's empty handed. What do we do? 235 00:13:01,960 --> 00:13:03,720 Speaker 6: You wait for Charles and try to figure out what 236 00:13:03,760 --> 00:13:06,679 Speaker 6: was in that safe deposit box. I'll follow the target, 237 00:13:07,200 --> 00:13:07,840 Speaker 6: all right. 238 00:13:08,040 --> 00:13:19,080 Speaker 1: Be safe, Charles over here where you see he left 239 00:13:19,080 --> 00:13:21,720 Speaker 1: empty handed and Rebecca's following. But whatever he was carrying 240 00:13:21,760 --> 00:13:24,160 Speaker 1: must be in a safety deposit box. Now, you're a 241 00:13:24,160 --> 00:13:27,680 Speaker 1: government agent, demand they give you access. National security depends 242 00:13:27,679 --> 00:13:27,920 Speaker 1: on it. 243 00:13:28,040 --> 00:13:30,040 Speaker 2: I would po Technically we don't have the legal authority 244 00:13:30,080 --> 00:13:32,960 Speaker 2: to examine the box, but sometimes it's a not to 245 00:13:33,000 --> 00:13:35,400 Speaker 2: just pretend that you do. Follow my lead. 246 00:13:39,240 --> 00:13:41,160 Speaker 8: Hello, sir, how may I help you? 247 00:13:41,320 --> 00:13:44,160 Speaker 2: I need to speak with the manager immediately, of course, sir, 248 00:13:44,440 --> 00:13:44,960 Speaker 2: one moment. 249 00:13:49,679 --> 00:13:52,439 Speaker 9: Yes, sir, I'm the bank manager or maybe a service. 250 00:13:52,600 --> 00:13:55,040 Speaker 2: I'm Charles Elwell and my five security officer, and this 251 00:13:55,080 --> 00:13:58,080 Speaker 2: is my partner. Here's my idea in band what seems 252 00:13:58,080 --> 00:14:00,640 Speaker 2: to be the murder we have reasonably a bomb may 253 00:14:00,679 --> 00:14:02,640 Speaker 2: have just been deposited in your bank. I don't want 254 00:14:02,679 --> 00:14:04,079 Speaker 2: to cause a panic, but we need to open the 255 00:14:04,080 --> 00:14:04,800 Speaker 2: box immediately. 256 00:14:05,960 --> 00:14:09,040 Speaker 9: Unfortunately, that would be a violation of bank policy. 257 00:14:09,120 --> 00:14:11,160 Speaker 1: With all due respect, if the bomb goes off and 258 00:14:11,240 --> 00:14:13,319 Speaker 1: you knew about it, not only will any lives be 259 00:14:13,400 --> 00:14:15,440 Speaker 1: on your head, but there will be hundreds of clients 260 00:14:15,440 --> 00:14:18,120 Speaker 1: that won't be happy. With their destroyed property. I'm guessing 261 00:14:18,160 --> 00:14:21,320 Speaker 1: some pretty powerful people in those boxes, and I hate 262 00:14:21,320 --> 00:14:22,520 Speaker 1: to be the one to disappoint them. 263 00:14:23,240 --> 00:14:27,640 Speaker 9: Right, Yes, there are exceptions to every rule, I suppose. Please, gentlemen, 264 00:14:27,800 --> 00:14:43,080 Speaker 9: right this way. The last deposit was in box five eighteen. 265 00:14:43,520 --> 00:14:45,160 Speaker 2: Very good. Please open it up. 266 00:14:52,640 --> 00:14:55,080 Speaker 1: Perhaps for your safety you should give us a moment. 267 00:14:55,680 --> 00:14:57,160 Speaker 2: We will let you know if this further danger. 268 00:14:57,720 --> 00:15:00,000 Speaker 9: Yes, of course, sir, thank you. 269 00:15:02,520 --> 00:15:04,760 Speaker 1: The name on the box is Gordon Lonsdale. Do you 270 00:15:04,800 --> 00:15:05,800 Speaker 1: know him? I've heard not. 271 00:15:06,560 --> 00:15:09,040 Speaker 2: I don't hear anything ticking, though, so let's open it up. 272 00:15:12,920 --> 00:15:17,320 Speaker 2: These are cameras, miniature versions of the miners and practical. 273 00:15:16,880 --> 00:15:19,320 Speaker 1: Models, and a ronson cigarette lighter. 274 00:15:19,800 --> 00:15:24,000 Speaker 2: Let me see that that's got a hold out center 275 00:15:24,560 --> 00:15:25,960 Speaker 2: filled with one time pads and. 276 00:15:26,560 --> 00:15:30,240 Speaker 1: A pathfinder map key. But what do those numbers mean? 277 00:15:31,160 --> 00:15:34,000 Speaker 2: It's an encryption technique where a single use pre shared 278 00:15:34,040 --> 00:15:36,600 Speaker 2: text is paired with the one time pad. Then each 279 00:15:36,680 --> 00:15:38,680 Speaker 2: character of the text is encrypted by combining it with 280 00:15:38,720 --> 00:15:41,760 Speaker 2: the corresponding character from the pad using modular edition. It's 281 00:15:41,760 --> 00:15:44,240 Speaker 2: impossible to decrypt without all the elements. 282 00:15:43,760 --> 00:15:46,120 Speaker 1: And since we don't have the pre shared key, we 283 00:15:46,160 --> 00:15:47,480 Speaker 1: don't know what the messages mean. 284 00:15:47,920 --> 00:15:50,640 Speaker 2: Right, I'm going to bring this evidence back into the 285 00:15:50,640 --> 00:15:52,480 Speaker 2: office and see what I can dig up on Lonsdale. 286 00:15:52,680 --> 00:15:55,240 Speaker 2: Hopefully Rebecca still INA's tail. You go back to the 287 00:15:55,200 --> 00:15:57,280 Speaker 2: Savoye and wait for Rebecca on Me to contact you. 288 00:15:57,280 --> 00:16:11,160 Speaker 1: You got it just in time for tea. High tea 289 00:16:11,480 --> 00:16:14,680 Speaker 1: is one of the most revered English traditions, and London's 290 00:16:14,680 --> 00:16:19,160 Speaker 1: elegant hotels excel at this practice. The centerpiece is, of course, 291 00:16:19,480 --> 00:16:24,840 Speaker 1: tea combined with finger sandwiches, scones and cakes, served around 292 00:16:24,840 --> 00:16:27,280 Speaker 1: four pm. It is intended to fill in the long 293 00:16:27,360 --> 00:16:30,920 Speaker 1: gap between lunch and dinner. There are both savory and 294 00:16:30,960 --> 00:16:33,280 Speaker 1: sweet elements, and it is not uncommon to add a 295 00:16:33,320 --> 00:16:37,000 Speaker 1: glass of champagne to the proceedings. The practice was cemented 296 00:16:37,000 --> 00:16:40,640 Speaker 1: by Anne, the seventh Duchess of Bedford, who insisted that 297 00:16:40,680 --> 00:16:43,400 Speaker 1: all crusts were cut off the sandwiches, which you will 298 00:16:43,400 --> 00:16:45,040 Speaker 1: still see today. 299 00:16:45,680 --> 00:16:49,240 Speaker 4: Gin, I think that's enough cucumber sandwiches. 300 00:16:49,640 --> 00:16:53,960 Speaker 1: Oh sorry, hungry, I guess and distracted. 301 00:16:55,080 --> 00:16:57,560 Speaker 4: As much as I love enjoying high tea with you, 302 00:16:58,440 --> 00:17:01,840 Speaker 4: are you sure Rebecca doesn't mind and wandering around London herself. 303 00:17:02,280 --> 00:17:05,440 Speaker 1: She's shooting Tower Bridge and Piccadilly Square, two places I 304 00:17:05,480 --> 00:17:07,840 Speaker 1: could write about in my sleep. No need for me 305 00:17:07,880 --> 00:17:08,560 Speaker 1: to slow her down. 306 00:17:09,160 --> 00:17:11,560 Speaker 4: The must admit I am eager to see her work. 307 00:17:11,800 --> 00:17:15,120 Speaker 4: Hopefully it's much better than some of the writing samples Martinson. 308 00:17:15,560 --> 00:17:18,480 Speaker 4: Some of these kids could barely complete a coherent sentence. 309 00:17:18,760 --> 00:17:20,639 Speaker 1: We do not have to hire anyone who is not 310 00:17:20,760 --> 00:17:24,960 Speaker 1: up to your standards, my dear. But so far Rebecca 311 00:17:25,000 --> 00:17:26,040 Speaker 1: seems quite capable. 312 00:17:26,760 --> 00:17:29,800 Speaker 4: Well, I hope her photos will mister photos. 313 00:17:29,840 --> 00:17:31,919 Speaker 1: So there's a call for you in the lounge. Thank you. 314 00:17:33,160 --> 00:17:35,760 Speaker 1: I'm sure it's just Martin checking in. Be right back. 315 00:17:51,200 --> 00:17:55,280 Speaker 6: Hello, Jean, it's Rebecca. I followed the man twin antiquarian 316 00:17:55,320 --> 00:17:58,159 Speaker 6: bookshop at forty five Cranley Drive in roy Slip, London. 317 00:17:58,680 --> 00:18:00,600 Speaker 6: He's been meeting with the owners for the better part 318 00:18:00,640 --> 00:18:03,719 Speaker 6: of an hour. I'm waiting at a cafe across the street. 319 00:18:04,280 --> 00:18:04,960 Speaker 7: What did you learn? 320 00:18:05,359 --> 00:18:08,240 Speaker 1: His name is Gordon Lonsdale. And we found a trove 321 00:18:08,280 --> 00:18:10,359 Speaker 1: of spy stuff in the safe deposit box, but it 322 00:18:10,400 --> 00:18:12,919 Speaker 1: was all encrypted, so Charles took it back to the office. 323 00:18:13,280 --> 00:18:14,639 Speaker 1: This guy is definitely trouble. 324 00:18:14,680 --> 00:18:18,480 Speaker 6: Wait, he's finally leaving. I'm going to keep tailing him 325 00:18:18,760 --> 00:18:21,720 Speaker 6: I'll leaveoard at the hotel if there's any more to report, okay. 326 00:18:21,680 --> 00:18:24,400 Speaker 1: And I'll go check out the bookshop. Who knows, Maybe 327 00:18:24,440 --> 00:18:26,320 Speaker 1: they want to start carrying some travel. 328 00:18:25,960 --> 00:18:37,200 Speaker 5: Guides, was it Martin? 329 00:18:38,440 --> 00:18:41,480 Speaker 1: Yes, he asked me to add a section on the 330 00:18:41,560 --> 00:18:43,840 Speaker 1: London pubs for the young crowds. 331 00:18:43,840 --> 00:18:44,639 Speaker 5: Not a bad idea. 332 00:18:45,800 --> 00:18:48,199 Speaker 1: I'm gonna go meet Rebecca for a couple hours. Do 333 00:18:48,240 --> 00:18:48,600 Speaker 1: you mind? 334 00:18:49,480 --> 00:18:49,680 Speaker 5: No? 335 00:18:49,680 --> 00:19:01,080 Speaker 1: No, go on see you later. Hello, welcome. Is there 336 00:19:01,160 --> 00:19:04,600 Speaker 1: anything I can help you with? Just browsing? You have 337 00:19:04,680 --> 00:19:05,840 Speaker 1: an incredible shop. 338 00:19:06,560 --> 00:19:06,919 Speaker 10: Thank you. 339 00:19:07,640 --> 00:19:11,520 Speaker 1: I'm actually a writer myself, Eugene Fodor, a Fodor's Travel Guides. 340 00:19:11,920 --> 00:19:12,960 Speaker 1: Perhaps you've heard of. 341 00:19:12,840 --> 00:19:16,000 Speaker 10: Me, uh fright now, but it's a pleasure to mate you. 342 00:19:16,480 --> 00:19:19,440 Speaker 10: I'm Peter Kroger and this is my wife, Helen. Please 343 00:19:19,520 --> 00:19:21,240 Speaker 10: let me know if he can help you find anything 344 00:19:22,480 --> 00:19:23,480 Speaker 10: your accent. 345 00:19:24,680 --> 00:19:26,320 Speaker 1: You're also not from England, are you? 346 00:19:26,800 --> 00:19:29,240 Speaker 8: That's correct? Where from New Zealand? 347 00:19:29,920 --> 00:19:34,600 Speaker 1: Ah? You are far from home. Wonderful place. As a 348 00:19:34,680 --> 00:19:38,120 Speaker 1: travel writer. I've been a couple times, but I'm not 349 00:19:38,160 --> 00:19:42,200 Speaker 1: sure many around here have been there. Not many. You're 350 00:19:42,320 --> 00:19:47,520 Speaker 1: the first. Actually, I just love the very topography. Tell 351 00:19:47,560 --> 00:19:53,119 Speaker 1: me what region are you from? H the north, so 352 00:19:53,240 --> 00:19:56,919 Speaker 1: near the fjords? Yes, Or are the beaches in the 353 00:19:56,960 --> 00:19:59,160 Speaker 1: north and the fjords in the southwest? 354 00:20:01,000 --> 00:20:04,120 Speaker 8: Well, it's been a long time since we were there. 355 00:20:04,600 --> 00:20:07,240 Speaker 8: Are you looking for anything in particular today? 356 00:20:08,680 --> 00:20:10,760 Speaker 1: I was actually just curious if you were interested in 357 00:20:10,760 --> 00:20:11,719 Speaker 1: selling travel guides. 358 00:20:12,280 --> 00:20:15,400 Speaker 10: Unfortunately not, We only deal in the classics. 359 00:20:15,920 --> 00:20:21,119 Speaker 1: I understand. Well, that's a beautiful binding machine back there. 360 00:20:21,680 --> 00:20:22,920 Speaker 1: Do you do your own repairs? 361 00:20:24,040 --> 00:20:26,760 Speaker 10: Yeah, most of the books we receive need heavy work. 362 00:20:27,119 --> 00:20:29,240 Speaker 10: We fix them up before reselling. 363 00:20:30,680 --> 00:20:33,160 Speaker 1: Looks like you do a lot of international business as well. 364 00:20:34,359 --> 00:20:36,120 Speaker 1: This pox is prepared for Poland. 365 00:20:36,520 --> 00:20:40,720 Speaker 8: Yes, we ship all over the world. But we're actually 366 00:20:40,760 --> 00:20:43,480 Speaker 8: about to close for the day. If there's nothing else 367 00:20:43,800 --> 00:20:44,840 Speaker 8: we could help you with. 368 00:20:45,000 --> 00:20:48,760 Speaker 1: Oh, of course, sorry to have kept you open. You 369 00:20:48,800 --> 00:20:49,679 Speaker 1: have a lovely store. 370 00:20:50,160 --> 00:20:51,040 Speaker 8: Thank you very much. 371 00:21:13,040 --> 00:21:14,800 Speaker 7: Savoy Hotel, How may I assist you? 372 00:21:14,920 --> 00:21:17,199 Speaker 1: Hello? This is Gene Fodor in Room thirty four. Are 373 00:21:17,240 --> 00:21:18,159 Speaker 1: there any messages for me? 374 00:21:18,440 --> 00:21:22,560 Speaker 7: Hello mister fall at one moment please, Yes, there is 375 00:21:22,600 --> 00:21:25,520 Speaker 7: a message from a miss Rebecca Ralston. She asks for 376 00:21:25,560 --> 00:21:27,040 Speaker 7: you to meet her at the Old Vic Theater for 377 00:21:27,080 --> 00:21:29,720 Speaker 7: this evening's performance. She says she has left a ticket 378 00:21:29,760 --> 00:21:30,760 Speaker 7: for you at the box office. 379 00:21:30,960 --> 00:21:39,199 Speaker 1: Great thank you. The Old Vic Theater was established in 380 00:21:39,240 --> 00:21:42,639 Speaker 1: eighteen eighteen as the Royal Cobird Fever and renamed in 381 00:21:42,680 --> 00:21:46,679 Speaker 1: eighteen thirty three the Royal Victoria Theater. In eighteen seventy 382 00:21:46,680 --> 00:21:50,440 Speaker 1: one it was rebuilt and reopened as the Royal Victoria Palace, 383 00:21:50,800 --> 00:21:53,160 Speaker 1: but had already been affectionately known as the Old Vic 384 00:21:53,240 --> 00:21:56,600 Speaker 1: for quite some time. The Old Vic is the crucible 385 00:21:56,680 --> 00:21:59,159 Speaker 1: of many of the performing arts companies and theaters in 386 00:21:59,200 --> 00:22:02,280 Speaker 1: London and played an integral role in bringing high art 387 00:22:02,400 --> 00:22:05,439 Speaker 1: to the masses. Its first claim to fame was in 388 00:22:05,480 --> 00:22:08,800 Speaker 1: bringing legendary actor Edmund Keane south of the River in 389 00:22:08,840 --> 00:22:13,000 Speaker 1: eighteen twenty four to play six Shakespearean plays in six nights. 390 00:22:13,760 --> 00:22:16,560 Speaker 1: Later in its history it continued to expand at Shakespearean 391 00:22:16,600 --> 00:22:19,680 Speaker 1: repertoire with the Old Vic Company. In nineteen twenty nine, 392 00:22:20,480 --> 00:22:23,520 Speaker 1: the theater was badly damaged during the Blitz, but in 393 00:22:23,600 --> 00:22:26,639 Speaker 1: nineteen forty four the company was re established as the 394 00:22:26,720 --> 00:22:31,000 Speaker 1: New National Theater Company under the artistic direction of Sir 395 00:22:31,080 --> 00:22:32,080 Speaker 1: Lawrence Olivier. 396 00:22:34,800 --> 00:22:37,800 Speaker 6: Hey, Gene nice say it's huh. I love the boxes 397 00:22:38,080 --> 00:22:39,119 Speaker 6: so private. 398 00:22:38,840 --> 00:22:41,440 Speaker 1: Rebecca, where have you been? The show's almost over. 399 00:22:41,440 --> 00:22:48,000 Speaker 6: Look over there here you can use my binoculars. 400 00:22:48,320 --> 00:22:49,000 Speaker 1: That's Houghton and. 401 00:22:49,040 --> 00:22:51,680 Speaker 6: G And look who's sitting beside them. 402 00:22:52,359 --> 00:22:53,280 Speaker 1: It's Lonsdale. 403 00:22:53,840 --> 00:22:56,560 Speaker 6: Charles got the report back on him. Lonsdale is in 404 00:22:56,600 --> 00:22:59,280 Speaker 6: London on a Canadian passport, but we have reason to 405 00:22:59,280 --> 00:23:02,400 Speaker 6: believe he's really a KGB agent with a non official cover. 406 00:23:03,080 --> 00:23:05,920 Speaker 6: My guess is they're using the play as an exchange 407 00:23:05,960 --> 00:23:09,240 Speaker 6: location so Lonsdale can return the top secret documents after 408 00:23:09,280 --> 00:23:11,679 Speaker 6: copying them. No one's going to notice they're missing. 409 00:23:12,160 --> 00:23:14,399 Speaker 1: Then we have to stop them. Where's Charles? 410 00:23:14,480 --> 00:23:17,320 Speaker 6: Everything's already in place. Charles and his team are waiting 411 00:23:17,320 --> 00:23:19,320 Speaker 6: to make the arrest until after the show to avoid 412 00:23:19,320 --> 00:23:22,000 Speaker 6: a scene, but as soon as that last act finishes, 413 00:23:22,320 --> 00:23:23,720 Speaker 6: it is curtains for them. 414 00:23:24,200 --> 00:23:26,840 Speaker 2: The mountain or tie. 415 00:23:28,320 --> 00:24:00,760 Speaker 6: How any minute, Let's go watch the grand finale. 416 00:23:47,200 --> 00:23:49,240 Speaker 2: U three, all the flaw and hands. 417 00:23:48,960 --> 00:23:51,760 Speaker 7: Behind your head, I surrender, don't shore. 418 00:23:51,760 --> 00:23:53,800 Speaker 2: You are on the arrest. 419 00:23:53,920 --> 00:23:56,840 Speaker 1: Well that's one performance the audience didn't expect. 420 00:23:56,960 --> 00:24:00,840 Speaker 6: Let's go meet Charles in the lobby. 421 00:24:03,359 --> 00:24:05,679 Speaker 1: Hey, Charles, that was quite the encore. 422 00:24:06,240 --> 00:24:08,760 Speaker 2: H hope you both enjoyed it. Goodn't have done it 423 00:24:08,760 --> 00:24:09,119 Speaker 2: without you? 424 00:24:09,600 --> 00:24:11,600 Speaker 6: What did you get on them. 425 00:24:11,040 --> 00:24:14,240 Speaker 2: Everything got them red handed with the nuclear submarine plans 426 00:24:14,280 --> 00:24:16,920 Speaker 2: and thousands in cash. When we told Gay they were 427 00:24:16,920 --> 00:24:19,320 Speaker 2: being charged with espionage and trees into the British Empire, 428 00:24:19,400 --> 00:24:22,159 Speaker 2: she confessed immediately. We got them a hook line and sinker. 429 00:24:22,640 --> 00:24:23,760 Speaker 2: Just look at all this evidence. 430 00:24:24,520 --> 00:24:26,040 Speaker 1: What's that old book you're holding there? 431 00:24:26,400 --> 00:24:29,200 Speaker 2: This it was found on long stale, just some first 432 00:24:29,320 --> 00:24:31,360 Speaker 2: edition he was kidding. I'm not sure if it has 433 00:24:31,359 --> 00:24:32,280 Speaker 2: any significance. 434 00:24:32,720 --> 00:24:34,600 Speaker 1: I think I might know where it was purchased. 435 00:24:35,280 --> 00:24:42,440 Speaker 2: May I, of course, Jean, that's evidence. 436 00:24:42,600 --> 00:24:46,440 Speaker 1: It's more than that. Look is that a microtot? 437 00:24:47,000 --> 00:24:49,720 Speaker 2: My god, it's a miniature vision of the one time 438 00:24:49,760 --> 00:24:52,159 Speaker 2: pad we found. I guess now we know how they 439 00:24:52,160 --> 00:24:55,840 Speaker 2: were getting the messages out safely? But who has the key? 440 00:24:57,000 --> 00:24:58,159 Speaker 1: I have an idea who might know? 441 00:24:58,359 --> 00:24:59,440 Speaker 6: And what are we waiting for? 442 00:25:06,800 --> 00:25:07,880 Speaker 4: What is the meaning of this? 443 00:25:08,119 --> 00:25:09,480 Speaker 1: Who are you and what do you want? 444 00:25:09,840 --> 00:25:13,000 Speaker 2: Mister and missus Kroger. My name is Charles Elwell and 445 00:25:13,000 --> 00:25:15,320 Speaker 2: I'm an officer of the British government here on a 446 00:25:15,320 --> 00:25:16,560 Speaker 2: matter of national security. 447 00:25:17,040 --> 00:25:19,320 Speaker 1: This is an antique bookstore. 448 00:25:18,920 --> 00:25:20,639 Speaker 2: Yes, and we found one of your books on the 449 00:25:20,680 --> 00:25:23,760 Speaker 2: suspect of us today. It's some incriminating evidence bound into 450 00:25:23,760 --> 00:25:26,119 Speaker 2: its spine. We're going to have a look around and 451 00:25:26,160 --> 00:25:27,920 Speaker 2: take you into custody to answer some questions. 452 00:25:28,280 --> 00:25:31,840 Speaker 8: Of course, mind if I stoke the fire before we go, 453 00:25:32,480 --> 00:25:34,480 Speaker 8: Otherwise this place will be freezing when we return. 454 00:25:34,560 --> 00:25:38,760 Speaker 2: Stop right that I do, Mind, madam, hand me your purse? 455 00:25:45,200 --> 00:25:48,359 Speaker 2: What is this? A tale comparer tin with a hidden 456 00:25:48,400 --> 00:25:52,920 Speaker 2: compartment for a micro adult rereader? Smart? Not smart enough? 457 00:25:53,480 --> 00:26:02,679 Speaker 1: Take him away, Charles? Mind if for Becca and I 458 00:26:02,680 --> 00:26:12,479 Speaker 1: take a look around, be my guest. Come look at this. 459 00:26:15,240 --> 00:26:20,359 Speaker 1: It's a battery with a removable top. Look at that. 460 00:26:20,720 --> 00:26:22,520 Speaker 1: It's thousands of dollars. 461 00:26:22,520 --> 00:26:24,040 Speaker 6: And a radio transmitter. 462 00:26:24,680 --> 00:26:25,400 Speaker 5: Follow that chord. 463 00:26:25,440 --> 00:26:26,840 Speaker 6: There must be an antenna somewhere. 464 00:26:27,680 --> 00:26:29,800 Speaker 1: It's leading upstairs where they live. 465 00:26:30,119 --> 00:26:31,640 Speaker 2: Their afallmand is above the store. 466 00:26:36,200 --> 00:26:38,800 Speaker 6: And into the attic. 467 00:26:45,400 --> 00:26:47,520 Speaker 1: And bingo, good lord. 468 00:26:47,600 --> 00:26:49,760 Speaker 2: That antenna must be seventy five feet at. 469 00:26:49,720 --> 00:26:54,160 Speaker 6: Least strong enough to reach Moscow. Can we play the transmission? Yes, 470 00:26:54,320 --> 00:27:10,800 Speaker 6: one second, it's a short burst transmission. Try slowing it down. 471 00:27:14,960 --> 00:27:22,040 Speaker 10: They they n s oh, it's the code, the pre 472 00:27:22,200 --> 00:27:23,240 Speaker 10: key for the one time. 473 00:27:23,119 --> 00:27:30,280 Speaker 6: Pat Incredible, it all makes sense. Howton and Geese stole 474 00:27:30,320 --> 00:27:33,520 Speaker 6: the top secret documents and delivered them to Lonsdale, who 475 00:27:33,560 --> 00:27:35,800 Speaker 6: turned them into micro dot code and delivered it to 476 00:27:35,880 --> 00:27:38,719 Speaker 6: the Croakers, who then shipped the micro dots to the 477 00:27:38,720 --> 00:27:41,760 Speaker 6: Soviets in the binding of the books, before transmitting the 478 00:27:41,840 --> 00:27:45,280 Speaker 6: key code on a short burst radio transmission. 479 00:27:45,920 --> 00:27:49,359 Speaker 2: A very clever and sophisticated operation, and the namely stunted 480 00:27:49,400 --> 00:27:53,320 Speaker 2: us nearly. Congratulations, Geane, you just helped expose one of 481 00:27:53,359 --> 00:27:54,880 Speaker 2: the biggest spy rings in British history. 482 00:27:55,000 --> 00:27:57,280 Speaker 6: I'm going to go report to Martin. He'll be pleased. 483 00:27:57,520 --> 00:28:00,479 Speaker 2: Send him off attitude. How about you, Jene, have time 484 00:28:00,480 --> 00:28:01,600 Speaker 2: if I cellibratory drink? 485 00:28:02,359 --> 00:28:04,240 Speaker 1: Sure I could use a drink. 486 00:28:04,400 --> 00:28:05,800 Speaker 2: I know a good pub I d on the corner 487 00:28:05,800 --> 00:28:10,840 Speaker 2: of Pine Toon. Say you are right, Chap. You seem 488 00:28:10,840 --> 00:28:14,280 Speaker 2: awfully quiet for someone who just exposed an international aspiring. 489 00:28:14,359 --> 00:28:19,920 Speaker 1: Sorry, that's just doesn't it make you think? Houten and 490 00:28:20,000 --> 00:28:24,400 Speaker 1: Kroger they used these women, manipulated and ruined them, made 491 00:28:24,440 --> 00:28:27,080 Speaker 1: them risk their lives for their missions, and sent them 492 00:28:27,119 --> 00:28:29,920 Speaker 1: to prison, all because they loved the wrong man. 493 00:28:30,960 --> 00:28:33,679 Speaker 2: Don't go too sorry for them. These women aren't victims, 494 00:28:33,720 --> 00:28:36,880 Speaker 2: They're co conspirators. They made their own choices. 495 00:28:38,480 --> 00:28:40,880 Speaker 1: I just can't help but worry. If I were to 496 00:28:40,880 --> 00:28:43,600 Speaker 1: bring Vloca into this world, even let her know what 497 00:28:43,680 --> 00:28:46,760 Speaker 1: was going on, I'd be making the decision for her. 498 00:28:47,640 --> 00:28:50,440 Speaker 1: These women all chose love, and it cost them everything. 499 00:28:51,400 --> 00:28:53,520 Speaker 1: I can't force Flosta to make that same choice. 500 00:28:54,320 --> 00:28:57,160 Speaker 2: No one is asking you to. But believe me, and 501 00:28:57,440 --> 00:28:59,600 Speaker 2: is my wife. She loves and trusts me. But she 502 00:28:59,680 --> 00:29:03,000 Speaker 2: is no. But it's fool Everyone makes their own choice 503 00:29:03,000 --> 00:29:08,440 Speaker 2: in the end, I'm not so sure. Well, what I 504 00:29:08,480 --> 00:29:10,800 Speaker 2: am sure about is those KGB mills won't be testing 505 00:29:10,840 --> 00:29:13,760 Speaker 2: Vodkas to night. All the rest can wait till tomorrow. 506 00:29:25,560 --> 00:29:29,360 Speaker 4: Good morning, Darling. I ordered room service, figured you must 507 00:29:29,400 --> 00:29:32,320 Speaker 4: need it. After getting back so late, I didn't even 508 00:29:32,320 --> 00:29:33,240 Speaker 4: hear you come to bed. 509 00:29:34,600 --> 00:29:40,840 Speaker 1: Is that coffee I smell? This is great? 510 00:29:41,880 --> 00:29:44,800 Speaker 5: So I was last night long. 511 00:29:46,160 --> 00:29:48,440 Speaker 1: I guess I can't keep up with the young crowd anymore. 512 00:29:49,320 --> 00:29:51,840 Speaker 1: I'm much happier spending time with my loving wife. 513 00:29:53,480 --> 00:29:57,800 Speaker 5: Nevertheless, long these days, does it? Hello? 514 00:29:58,960 --> 00:29:59,120 Speaker 6: Oh? 515 00:29:59,200 --> 00:30:03,520 Speaker 4: Hi, Rebecca, Yeah, come on up. Rebecca's bringing up some negatives. 516 00:30:03,520 --> 00:30:05,720 Speaker 4: So I finally get to see what you've been up to. 517 00:30:07,520 --> 00:30:08,080 Speaker 1: I'll get it. 518 00:30:13,320 --> 00:30:17,760 Speaker 6: Good morning, Rebecca, morning boss and boss. 519 00:30:18,200 --> 00:30:18,560 Speaker 5: Gee. 520 00:30:19,880 --> 00:30:24,000 Speaker 6: This room is nice? Oh coffee? Oh, what I wouldn't 521 00:30:24,040 --> 00:30:26,440 Speaker 6: give for anything that isn't tea. It just tastes like 522 00:30:26,480 --> 00:30:27,320 Speaker 6: dirty water to me. 523 00:30:28,040 --> 00:30:29,160 Speaker 5: Please help yourself. 524 00:30:29,200 --> 00:30:29,680 Speaker 6: Thank you. 525 00:30:29,800 --> 00:30:34,720 Speaker 4: Oh and here, Wow, that's a lot of photos. 526 00:30:34,720 --> 00:30:36,960 Speaker 6: Martin wants you to approve the photos for Monte Carlo 527 00:30:37,240 --> 00:30:39,760 Speaker 6: immediately so we can have it in print before the 528 00:30:39,840 --> 00:30:41,160 Speaker 6: end of the summer travel season. 529 00:30:41,640 --> 00:30:43,200 Speaker 5: But I should get right to work. 530 00:30:43,240 --> 00:30:43,440 Speaker 6: Then. 531 00:30:43,920 --> 00:30:46,160 Speaker 4: I had my loop and light box shift to the hotel. 532 00:30:46,600 --> 00:30:48,200 Speaker 4: I'll go set it up in the other room while 533 00:30:48,200 --> 00:30:50,440 Speaker 4: you enjoy your breakfast. Shouldn't take long. 534 00:30:55,720 --> 00:30:56,840 Speaker 1: Any updates from Martin? 535 00:30:57,040 --> 00:30:59,840 Speaker 6: Yes, I just got through reports back this morning. This 536 00:31:00,080 --> 00:31:05,440 Speaker 6: CIA identified Lonsdale as the KGP agent conon Moulodi, and 537 00:31:05,480 --> 00:31:08,200 Speaker 6: we sent fingerprints of the Krogers to the FBI, who 538 00:31:08,240 --> 00:31:11,160 Speaker 6: matched them to Lona and Morris Cohen, two of the 539 00:31:11,160 --> 00:31:13,880 Speaker 6: most wanted Soviet spies in America. 540 00:31:14,360 --> 00:31:16,480 Speaker 1: Weren't they the ones that stole the nuclear plans for 541 00:31:16,520 --> 00:31:19,040 Speaker 1: the Manhattan Project and delivered them to the Soviets the. 542 00:31:19,080 --> 00:31:21,600 Speaker 6: Very same they've been wanted it on the run for years. 543 00:31:22,120 --> 00:31:23,880 Speaker 1: Any news on Roger hollis. 544 00:31:23,600 --> 00:31:27,640 Speaker 6: Well, now that we have him, Lonsdale, I mean, Malodi 545 00:31:28,280 --> 00:31:31,760 Speaker 6: is singing like a canary, But he doesn't seem to 546 00:31:31,800 --> 00:31:34,800 Speaker 6: know anything specific on his British handler. There was never 547 00:31:34,840 --> 00:31:38,280 Speaker 6: any direct contact. All exchanges were made through dead drops 548 00:31:38,320 --> 00:31:41,320 Speaker 6: and double blinds, So no news on Roger Hollis yet. 549 00:31:41,520 --> 00:31:45,160 Speaker 6: But Melodi did have information to share on Pathfinder. 550 00:31:45,840 --> 00:31:46,080 Speaker 1: Oh. 551 00:31:46,720 --> 00:31:50,120 Speaker 6: Among the micro dots they found on him were Pathfinder 552 00:31:50,200 --> 00:31:53,360 Speaker 6: maps of Rome. Malodi said the maps are of hidden 553 00:31:53,400 --> 00:31:56,680 Speaker 6: weapon cachets left from Operation Gladio that are now being 554 00:31:56,760 --> 00:31:59,760 Speaker 6: used for Soviet terrorist attacks in Italy. 555 00:32:00,240 --> 00:32:01,920 Speaker 1: And what his Operation Gladio? 556 00:32:02,200 --> 00:32:05,240 Speaker 6: It was a top secret program to create hidden safe houses, 557 00:32:05,560 --> 00:32:09,240 Speaker 6: ammunition deposts and weapon cache is meant to supply a 558 00:32:09,320 --> 00:32:12,280 Speaker 6: leaf behind army in case the Soviets attacked Western Europe 559 00:32:12,320 --> 00:32:16,200 Speaker 6: after World War Two. Your father was the chief architect 560 00:32:16,200 --> 00:32:19,160 Speaker 6: of the operation, and no one can interpret these maps 561 00:32:19,160 --> 00:32:19,680 Speaker 6: better than you. 562 00:32:21,120 --> 00:32:23,800 Speaker 1: Let me guess Martin's sending us to Italy. 563 00:32:24,200 --> 00:32:27,400 Speaker 6: We leave for Rome tomorrow. Martin will provide details for 564 00:32:27,440 --> 00:32:28,280 Speaker 6: the mission on the way. 565 00:32:29,000 --> 00:32:31,200 Speaker 1: Guess I better tell I've lost it a packer bags again. 566 00:32:31,880 --> 00:32:42,600 Speaker 1: Fortunately she absolutely loves Italy andiamo Roma. 567 00:32:44,200 --> 00:32:48,560 Speaker 11: Fodor's Guide to Espionage is created by Lars Jacobson, Written 568 00:32:48,560 --> 00:32:52,960 Speaker 11: by Lars Jacobson and Sabrina Jaglam and directed by Sabrina Jaglam, 569 00:32:53,560 --> 00:32:57,479 Speaker 11: produced by Lars Jacobson and Sabrina Jagulain, and executive produced 570 00:32:57,480 --> 00:33:02,040 Speaker 11: by Noel Brown for iHeartRadio, Fodor's Guide to Espionage stars 571 00:33:02,080 --> 00:33:06,360 Speaker 11: Ethan Korn as Eugene Fodor, Lelia Symington as Vlosta Fodor, 572 00:33:06,680 --> 00:33:11,040 Speaker 11: and Jackie Emerson as Rebecca Ralston, with additional performances by 573 00:33:11,560 --> 00:33:16,800 Speaker 11: Chase Mullens, George Rivera, Matt Linton, Dylan McCollum, Gabe Greenspan, 574 00:33:17,080 --> 00:33:22,640 Speaker 11: Chris Cappel, Duncan Kaladine Dana Melanie, Alex Gombadi, Noam Thomashoff, 575 00:33:22,880 --> 00:33:26,960 Speaker 11: Katrina Aaron, and Simon Jagulain. Sound design and editing by 576 00:33:27,120 --> 00:33:31,600 Speaker 11: Chris Childs. Original theme song by Jack Blavelt and Chris Childs, 577 00:33:31,680 --> 00:33:36,400 Speaker 11: with additional scoring by Chris Childs. Sound engineering by Chris Sek. 578 00:33:37,040 --> 00:33:41,200 Speaker 11: Fodor's Guide to Espionage is an iHeartRadio production. For more 579 00:33:41,240 --> 00:33:46,000 Speaker 11: podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or 580 00:33:46,000 --> 00:33:47,440 Speaker 11: wherever you get your podcasts.