1 00:00:00,160 --> 00:00:01,800 Speaker 1: With Stu Gotts and Hawkmann. 2 00:00:02,480 --> 00:00:04,760 Speaker 2: Nothing like hearing a little bit of the big voice, 3 00:00:05,760 --> 00:00:08,400 Speaker 2: my old pal Stu Gotts me. 4 00:00:08,480 --> 00:00:11,560 Speaker 3: It's like it's like traveling back to two thousand and 5 00:00:11,600 --> 00:00:14,560 Speaker 3: four a couple of times a week, the time of 6 00:00:14,600 --> 00:00:17,400 Speaker 3: our lives. Here's where we left off. Okay, do you 7 00:00:17,440 --> 00:00:20,720 Speaker 3: remember we were talking in the last episode, or at 8 00:00:20,800 --> 00:00:26,560 Speaker 3: least we had mentioned Jimmy Cephalo doing a contest on 9 00:00:26,720 --> 00:00:29,080 Speaker 3: the radio. And I think it's set Dan off a 10 00:00:29,080 --> 00:00:30,960 Speaker 3: little bit because we ended up using the sound a lot. 11 00:00:31,000 --> 00:00:34,400 Speaker 3: But Jimmy Cefalo had done a contest on the radio. 12 00:00:34,640 --> 00:00:38,080 Speaker 3: Guess What's in my hand? Yes, obviously, I mean there's 13 00:00:38,159 --> 00:00:41,360 Speaker 3: issues with that being a radio contest before there were 14 00:00:41,400 --> 00:00:43,720 Speaker 3: live YouTube streams. 15 00:00:44,880 --> 00:00:46,640 Speaker 4: I can't get over the fact that he did it. 16 00:00:48,159 --> 00:00:52,720 Speaker 3: Because there were people watching at Miami Dolphins dot com 17 00:00:52,840 --> 00:00:54,400 Speaker 3: or somewhere. And I don't even know how. 18 00:00:54,600 --> 00:00:57,560 Speaker 2: I'm telling you was in the infancy of being able 19 00:00:57,600 --> 00:00:58,080 Speaker 2: to have video. 20 00:00:58,120 --> 00:01:01,920 Speaker 3: But if there were twelve people walking, there were fifty 21 00:01:01,960 --> 00:01:05,800 Speaker 3: thousand listening. Yes, and he did Guess What's in my hand? Anyway, 22 00:01:06,160 --> 00:01:10,280 Speaker 3: I could not find the sound of that contest. The 23 00:01:10,400 --> 00:01:13,880 Speaker 3: only thing I could find, it's two words, because we 24 00:01:13,959 --> 00:01:16,959 Speaker 3: had put this in our Sui montage at some point 25 00:01:17,160 --> 00:01:20,080 Speaker 3: or the end of the show montage. This was Jimmy 26 00:01:20,120 --> 00:01:25,200 Speaker 3: Seppalo says, the contest is for a pair of Dolphins tickets, 27 00:01:25,200 --> 00:01:27,600 Speaker 3: something like that, Guess what's in my hand, and then 28 00:01:27,600 --> 00:01:31,520 Speaker 3: he punctuated it with good luck, good luck. 29 00:01:32,520 --> 00:01:34,880 Speaker 2: A staple of our show. You're right, that was a staple. 30 00:01:34,920 --> 00:01:37,280 Speaker 2: You remember it now, right, of course, Yes. 31 00:01:37,319 --> 00:01:40,480 Speaker 3: It's that Jimmy Cephalo, smarmy good luck. 32 00:01:40,560 --> 00:01:43,880 Speaker 2: Play it one more time, good luck, yes, good Only 33 00:01:44,000 --> 00:01:46,039 Speaker 2: Jimmy Sefolo could say good luck like. 34 00:01:46,040 --> 00:01:49,560 Speaker 3: That, so as I was searching for that. This is funny. 35 00:01:49,680 --> 00:01:51,800 Speaker 3: So I believe what I'm about to play for you 36 00:01:52,280 --> 00:01:56,640 Speaker 3: aired on the Dan Levatar Show one time and one 37 00:01:56,680 --> 00:01:59,680 Speaker 3: time only, really, and I don't know if you'll recall 38 00:01:59,720 --> 00:02:02,160 Speaker 3: it once we start playing it. It's about a minute 39 00:02:02,200 --> 00:02:06,080 Speaker 3: minute and a half. So we were on a kick 40 00:02:07,080 --> 00:02:12,000 Speaker 3: of Jimmy Cephalo stuff. And Dan finds out that Jimmy 41 00:02:12,040 --> 00:02:16,720 Speaker 3: Cephalo and Joe Rose got paid to attend some thirteen 42 00:02:16,800 --> 00:02:19,080 Speaker 3: year old boys bar mitzvah. Do you remember this? 43 00:02:19,639 --> 00:02:19,760 Speaker 4: Oh? 44 00:02:19,880 --> 00:02:22,320 Speaker 2: Yes, they were so ahead of their time, right, yes, 45 00:02:22,600 --> 00:02:23,280 Speaker 2: yes they were. 46 00:02:23,360 --> 00:02:25,640 Speaker 4: Because I now I am offers. 47 00:02:25,680 --> 00:02:27,560 Speaker 2: I will show up to your kids bar mitzvah or 48 00:02:27,600 --> 00:02:29,600 Speaker 2: bot mitzvah off for the right price. 49 00:02:30,840 --> 00:02:34,440 Speaker 3: Speaking of which you know I mentioned on the last episode. 50 00:02:34,560 --> 00:02:38,519 Speaker 3: Go to Cameo and search Mark Hackman and I will 51 00:02:38,560 --> 00:02:41,919 Speaker 3: strong arms Stu Gotts to do cameos with me. We've 52 00:02:41,960 --> 00:02:44,720 Speaker 3: already done one, and I've got more lined up. Now 53 00:02:44,760 --> 00:02:50,160 Speaker 3: I didn't tell you there are more lined up. It's 54 00:02:50,200 --> 00:02:50,840 Speaker 3: this weekend. 55 00:02:50,880 --> 00:02:54,360 Speaker 2: We're gonna be getting together so somewhere at Meisner Park 56 00:02:54,480 --> 00:02:58,640 Speaker 2: and we're gonna be knocking out cameos. 57 00:02:58,760 --> 00:03:01,200 Speaker 4: It's the same way with Meisner Park. Every time I 58 00:03:01,280 --> 00:03:01,880 Speaker 4: meet you. 59 00:03:02,400 --> 00:03:04,960 Speaker 2: We'll do it in front of the big Christmas tree 60 00:03:05,000 --> 00:03:07,040 Speaker 2: at Meisner Park. This is going to be the greatest 61 00:03:07,120 --> 00:03:09,959 Speaker 2: Christmas gift you've ever given someone. Me and Stugott's in 62 00:03:10,000 --> 00:03:13,560 Speaker 2: front of the pink Christmas Tree at Meisner Park, wishing 63 00:03:13,680 --> 00:03:17,040 Speaker 2: you and your family and your friends Merry Christmas and 64 00:03:17,080 --> 00:03:20,640 Speaker 2: happy Hanukkah. So one of the things though, one of 65 00:03:20,639 --> 00:03:23,240 Speaker 2: the cameos that I got, and again you can order 66 00:03:23,280 --> 00:03:28,040 Speaker 2: yours at Cameo on the app if you search Mark Hackman. 67 00:03:28,680 --> 00:03:32,200 Speaker 2: This must be after I left because one of the 68 00:03:32,280 --> 00:03:34,480 Speaker 2: requests he wants me to do you know a couple 69 00:03:34,520 --> 00:03:36,360 Speaker 2: of things that I do whatever, and then he says 70 00:03:36,440 --> 00:03:39,880 Speaker 2: and have Stugotts yell Murray one or two times? 71 00:03:40,160 --> 00:03:45,480 Speaker 3: Sure, what is that Murray? What is that form? 72 00:03:45,680 --> 00:03:49,600 Speaker 4: So this is this is after you left Hawk, I 73 00:03:49,760 --> 00:03:50,680 Speaker 4: was telling Dan. 74 00:03:50,760 --> 00:03:53,560 Speaker 3: Why is that so delightful hearing you yell Murray? I 75 00:03:53,600 --> 00:03:55,360 Speaker 3: loved it. That's the first time I've ever heard that. 76 00:03:55,760 --> 00:03:59,360 Speaker 2: Well, because I was telling Dan that before I started 77 00:03:59,360 --> 00:04:02,280 Speaker 2: seven ninety the ticket, I was working at a place 78 00:04:02,280 --> 00:04:04,880 Speaker 2: called FMS Bonds and I was slinging munie's And the 79 00:04:04,960 --> 00:04:07,800 Speaker 2: key to slinging munis and cold calling was to just 80 00:04:07,920 --> 00:04:10,040 Speaker 2: rip a page, you know, out of the phone book 81 00:04:10,360 --> 00:04:14,360 Speaker 2: West Palm Beach phone Bush Ocean Boulevard and just find 82 00:04:14,480 --> 00:04:17,960 Speaker 2: anyone with the first name Murray. And the key to 83 00:04:18,160 --> 00:04:20,360 Speaker 2: calling Murray's is you have to call him up, and 84 00:04:20,400 --> 00:04:23,960 Speaker 2: you have to start with a murryy like you've known 85 00:04:24,040 --> 00:04:27,520 Speaker 2: him for years, okay, like you know potentially you're in 86 00:04:27,560 --> 00:04:29,440 Speaker 2: the family, you've known him for years. 87 00:04:29,760 --> 00:04:31,760 Speaker 4: And then Murray eventually. 88 00:04:31,640 --> 00:04:33,880 Speaker 2: After you scream his name and up into the phone, 89 00:04:34,560 --> 00:04:37,279 Speaker 2: Murray will eventually drop a million dollars on five percent. 90 00:04:38,160 --> 00:04:41,039 Speaker 3: Did you really get million dollar accounts, cold calling. 91 00:04:41,560 --> 00:04:44,880 Speaker 2: I did, I gotta Murray, Yes, I did cold calling, 92 00:04:45,120 --> 00:04:48,560 Speaker 2: cold calling. Yes, yes, the guy bought a million dollars 93 00:04:48,560 --> 00:04:49,560 Speaker 2: on my first call with it. 94 00:04:49,640 --> 00:04:51,200 Speaker 4: He spent a mill bit I. 95 00:04:51,200 --> 00:04:56,680 Speaker 2: Swear to God, yes, yeah, yeah, stop it seriously, Yes. 96 00:04:58,880 --> 00:05:00,600 Speaker 4: I was good. Why is that surprising? 97 00:05:01,080 --> 00:05:03,279 Speaker 3: Because you know, like I watched you know, yeah. 98 00:05:03,320 --> 00:05:05,320 Speaker 4: I gotta fight you to buy time on our station. 99 00:05:05,560 --> 00:05:12,840 Speaker 2: I mean, then took six lunches with beat Garcia Garcia. 100 00:05:13,520 --> 00:05:14,679 Speaker 4: Then you get it with Bete. 101 00:05:14,720 --> 00:05:18,560 Speaker 5: You can't this Murray instance. I actually have the sound. 102 00:05:19,240 --> 00:05:23,440 Speaker 5: The campaign was trying to get Lewis Brinson into the 103 00:05:23,480 --> 00:05:26,279 Speaker 5: All Star Game, and Stu Gott's was cold calling people. 104 00:05:26,360 --> 00:05:28,040 Speaker 5: This sound is about thirty five seconds. 105 00:05:32,400 --> 00:05:38,279 Speaker 2: Yeah, Murray, Hey Murray, it's Stu Gott's with ESPN. 106 00:05:38,320 --> 00:05:38,840 Speaker 4: How you doing? 107 00:05:40,800 --> 00:05:44,880 Speaker 2: This is Stu Gotts, I work with ESPN. How you doing? 108 00:05:45,279 --> 00:05:46,200 Speaker 6: I don't even know you? 109 00:05:46,240 --> 00:05:46,960 Speaker 1: Who do you want? 110 00:05:47,200 --> 00:05:47,560 Speaker 4: I want? 111 00:05:47,640 --> 00:05:49,080 Speaker 3: Murray, Murray, Murry? 112 00:05:49,080 --> 00:05:51,120 Speaker 5: You there? 113 00:05:51,520 --> 00:05:54,200 Speaker 4: This is Stu Gotts with ESPN. Murray, Where are you 114 00:05:54,240 --> 00:05:57,279 Speaker 4: in an airport? What's going on? I don't know who's there? 115 00:05:57,440 --> 00:05:58,320 Speaker 1: I know who is it? 116 00:05:58,560 --> 00:06:07,200 Speaker 4: Good bye? All right? Mary Murray, Murray. I think we 117 00:06:07,240 --> 00:06:09,200 Speaker 4: called them back, and I got them to vote for Princeton. 118 00:06:09,240 --> 00:06:09,960 Speaker 4: I did. I think. 119 00:06:10,680 --> 00:06:13,120 Speaker 2: I can't imagine my ESPN didn't want your guys on 120 00:06:13,160 --> 00:06:21,000 Speaker 2: their flagship stage talking sports, talking, not just talking sports, 121 00:06:21,080 --> 00:06:26,800 Speaker 2: talking Florida Marlins. I'm getting the guy, un observing guy 122 00:06:26,839 --> 00:06:30,840 Speaker 2: into the All Star Game because I see FMS bonds. 123 00:06:30,720 --> 00:06:35,280 Speaker 3: Billboards in Boca. Yes, you're telling me you didn't get 124 00:06:35,279 --> 00:06:38,239 Speaker 3: a list. You were cold calling out of the phone book. 125 00:06:39,080 --> 00:06:41,280 Speaker 2: I was cold calling from a phone book. You would 126 00:06:41,279 --> 00:06:44,200 Speaker 2: tear pages out of the phone book. You would find 127 00:06:44,240 --> 00:06:47,320 Speaker 2: good blocks. You would have to go scout out what 128 00:06:47,360 --> 00:06:49,600 Speaker 2: the good blocks were. And by good blocks, I mean 129 00:06:49,600 --> 00:06:53,120 Speaker 2: there's money on those blocks, the wealthy areas, and you 130 00:06:53,120 --> 00:06:56,240 Speaker 2: would cold call people. At least for me, I would 131 00:06:56,279 --> 00:06:59,880 Speaker 2: always go West Palm Beach. I would go Ocean Boulevard 132 00:07:00,040 --> 00:07:02,000 Speaker 2: because there's a good chance if you live on Ocehit 133 00:07:02,279 --> 00:07:05,560 Speaker 2: in West Palm Beach, that you are a guy that potentially, 134 00:07:05,880 --> 00:07:08,880 Speaker 2: if I talk to you, if I sell well enough, 135 00:07:09,120 --> 00:07:12,000 Speaker 2: you are a guy that could potentially buy a million 136 00:07:12,040 --> 00:07:13,560 Speaker 2: dollars worth of tax re meetings. 137 00:07:13,640 --> 00:07:16,680 Speaker 3: Yes, did Murray become a good account? They become a 138 00:07:16,680 --> 00:07:17,800 Speaker 3: good regular account. 139 00:07:19,040 --> 00:07:22,520 Speaker 2: Every time I would call this particular Murray. 140 00:07:24,120 --> 00:07:24,960 Speaker 4: He would spend. 141 00:07:25,000 --> 00:07:27,080 Speaker 2: I would say, after I got him open, after I 142 00:07:27,120 --> 00:07:30,080 Speaker 2: cracked him open. It did not take one call. And actually, 143 00:07:30,120 --> 00:07:31,680 Speaker 2: now that I'm thinking about it, I think it took 144 00:07:31,720 --> 00:07:34,840 Speaker 2: like two or three calls until Murray actually put an 145 00:07:34,920 --> 00:07:35,560 Speaker 2: order in with me. 146 00:07:35,680 --> 00:07:38,440 Speaker 4: But once he put that first order in, it was 147 00:07:38,440 --> 00:07:39,680 Speaker 4: like he was my go to guy. 148 00:07:40,080 --> 00:07:42,480 Speaker 2: Like whenever there was a new offering, Murray was the 149 00:07:42,480 --> 00:07:44,960 Speaker 2: first guy getting a call and he'd be like, all right, 150 00:07:45,000 --> 00:07:45,360 Speaker 2: give me. 151 00:07:45,320 --> 00:07:46,320 Speaker 4: A million, kid. 152 00:07:47,000 --> 00:07:50,000 Speaker 3: Unbelievable because you know that happens in radio two. You know, 153 00:07:50,040 --> 00:07:52,720 Speaker 3: when you're selling advertising. You can get down to the 154 00:07:52,760 --> 00:07:55,600 Speaker 3: end of the month and the sales staff hasn't made 155 00:07:56,640 --> 00:08:02,200 Speaker 3: their quotas, their numbers, and everyone has murs in their arsenal. Correct, 156 00:08:02,480 --> 00:08:05,240 Speaker 3: Oh hey, Murray, I'm just using the name Murray, but 157 00:08:05,440 --> 00:08:07,600 Speaker 3: I need a three thousand dollars add by for the 158 00:08:07,640 --> 00:08:09,800 Speaker 3: final week of the month. We got to hit our 159 00:08:09,880 --> 00:08:12,720 Speaker 3: numbers and like, everyone's got a Murray. So you had 160 00:08:12,920 --> 00:08:15,120 Speaker 3: you had an off ring, you'd call Murray. Yes, my 161 00:08:15,280 --> 00:08:22,040 Speaker 3: radio Murray was Jeff Cook of Nature. Beah, Jeff Ray. 162 00:08:26,480 --> 00:08:29,920 Speaker 2: Well, that is fantastic, that's a great story. You've seen 163 00:08:29,960 --> 00:08:30,640 Speaker 2: boiler Room. 164 00:08:30,640 --> 00:08:33,960 Speaker 3: I'm guessing of course, greatatcause you haven't seen on Cut 165 00:08:34,000 --> 00:08:37,560 Speaker 3: Gems boiler Room. Yeah, boiler Room has to me that 166 00:08:37,679 --> 00:08:41,200 Speaker 3: same kind of frenetic pace to it where you just 167 00:08:41,280 --> 00:08:43,440 Speaker 3: you're on the edge of your seat the entire time. 168 00:08:43,720 --> 00:08:45,760 Speaker 4: Yes. So I was supposed to watch on cut Gems 169 00:08:45,800 --> 00:08:46,600 Speaker 4: for you this week. 170 00:08:46,440 --> 00:08:48,079 Speaker 3: And I didn't. I'll do it over the weekend. 171 00:08:48,160 --> 00:08:49,240 Speaker 4: All right, I'm getting to it. 172 00:08:49,320 --> 00:08:53,920 Speaker 3: I mean, my cousin was in boiler Room, really small role. 173 00:08:54,440 --> 00:08:55,080 Speaker 3: Have you seen it? 174 00:08:55,480 --> 00:08:55,880 Speaker 5: Nope? 175 00:08:56,080 --> 00:08:58,000 Speaker 3: But you've not seen it. Oh, it is such a 176 00:08:58,000 --> 00:09:00,960 Speaker 3: great movie. You have to see Glenn Garry Glenn Ross 177 00:09:01,200 --> 00:09:04,800 Speaker 3: before you see boiler Room though. He's right, yes, yes, yes, 178 00:09:05,160 --> 00:09:06,240 Speaker 3: I mean it goes in order. 179 00:09:06,559 --> 00:09:09,599 Speaker 2: Wait, so for next week, Teler needs to see Glengarry 180 00:09:09,679 --> 00:09:13,120 Speaker 2: Glenn Ross, you do, uh, and the boiler Room and 181 00:09:13,160 --> 00:09:14,440 Speaker 2: I need to see uncut Gems. 182 00:09:14,480 --> 00:09:15,880 Speaker 4: Yeah. Okay, we'll talk. 183 00:09:15,679 --> 00:09:17,560 Speaker 3: About it in front of the Christmas Create Minus Nerve 184 00:09:17,600 --> 00:09:20,640 Speaker 3: and we meet there this weekend. Why are we always 185 00:09:20,640 --> 00:09:21,200 Speaker 3: meeting there? 186 00:09:21,440 --> 00:09:24,760 Speaker 2: Get your cameo now on the cameo app just search 187 00:09:24,800 --> 00:09:25,440 Speaker 2: Mark Ackman. 188 00:09:25,679 --> 00:09:28,319 Speaker 4: All right, Taylor, are you gonna watch either of those movies? 189 00:09:30,120 --> 00:09:33,760 Speaker 2: Maybe it's Gary Glenn Ross is a tougher watch because 190 00:09:33,760 --> 00:09:36,560 Speaker 2: it's it's old school sales and the actors aren't gonna 191 00:09:36,559 --> 00:09:39,000 Speaker 2: resonate with you. Paccino might, but like Jack Lemmon and 192 00:09:39,200 --> 00:09:40,760 Speaker 2: Ed Harris, I don't know if they're gonna resonate. But 193 00:09:40,800 --> 00:09:42,360 Speaker 2: when you get to the boiler Room and they're asking 194 00:09:42,400 --> 00:09:44,760 Speaker 2: for the Glengarys, you'll know why boiler. 195 00:09:44,440 --> 00:09:48,280 Speaker 3: Room is so fucking good. It is Vin Diesel. I've 196 00:09:48,280 --> 00:09:50,080 Speaker 3: never seen a Fast and the Furious movie. 197 00:09:50,120 --> 00:09:53,400 Speaker 2: The only Vin Diesel I've ever seen is in boiler Room, right, 198 00:09:53,480 --> 00:09:55,400 Speaker 2: So for me, he's a terrific actor. 199 00:09:56,840 --> 00:09:59,160 Speaker 5: So I'm gonna be honest with you, Hawk, if it 200 00:09:59,200 --> 00:10:02,480 Speaker 5: wasn't Conference Chamapionship week, I think I would be more in. 201 00:10:03,280 --> 00:10:05,200 Speaker 5: But it is going to be tough, But I'm I'm 202 00:10:05,559 --> 00:10:08,200 Speaker 5: I've got it written down on the to do list. 203 00:10:08,320 --> 00:10:11,400 Speaker 3: I got an enter Miami Championship tomorrow afternoon. You got 204 00:10:11,400 --> 00:10:15,520 Speaker 3: conference championship games Ohio State Indiana Saturday ninth. Those are 205 00:10:15,520 --> 00:10:17,040 Speaker 3: the headlines from Jonathan Grunfast. 206 00:10:17,760 --> 00:10:23,280 Speaker 4: Let's you got that right? So anyway, that is funny. 207 00:10:23,360 --> 00:10:26,000 Speaker 4: The seventeen people, but those seventeen people. 208 00:10:25,679 --> 00:10:28,080 Speaker 3: Are seven are eating it up. 209 00:10:28,320 --> 00:10:30,600 Speaker 2: It's who we're going for that's who I want to 210 00:10:30,679 --> 00:10:33,560 Speaker 2: I want the people who love this podcast to be 211 00:10:33,600 --> 00:10:36,120 Speaker 2: the people who went through all this stuff with us 212 00:10:36,160 --> 00:10:36,640 Speaker 2: as well. 213 00:10:38,200 --> 00:10:40,440 Speaker 3: So anyway, I find that Jimmy cefalosun where he said 214 00:10:40,440 --> 00:10:43,040 Speaker 3: good luck. But what I stumbled across was a bit 215 00:10:43,160 --> 00:10:43,800 Speaker 3: that we did. 216 00:10:44,520 --> 00:10:50,120 Speaker 2: Dan was just bananas that Joe Rose and Jimmy Sephalo 217 00:10:50,160 --> 00:10:53,480 Speaker 2: would accept money to go to some kids bar mitzvah. 218 00:10:54,120 --> 00:10:56,440 Speaker 3: But people, you know, people do that all the time. 219 00:10:56,480 --> 00:11:00,200 Speaker 3: They want athletes Jason Taylor or whatever and so, and 220 00:11:00,240 --> 00:11:01,920 Speaker 3: I would do that, by the way, go to Cameo, 221 00:11:01,960 --> 00:11:03,760 Speaker 3: you can book me and stew Gouds for your kids 222 00:11:04,040 --> 00:11:09,520 Speaker 3: bar mitzvah. So Dan finds out that Joe and Jimmy 223 00:11:10,040 --> 00:11:12,400 Speaker 3: took I don't know, a thousand dollars each to go 224 00:11:12,440 --> 00:11:14,920 Speaker 3: to a bar mitzvah. And he's like, and he's just 225 00:11:15,080 --> 00:11:17,319 Speaker 3: fascinated by it on the air because he would never 226 00:11:17,440 --> 00:11:21,280 Speaker 3: do that, and he's fascinated that they would. And we 227 00:11:21,360 --> 00:11:23,800 Speaker 3: made a bit. I made a bit, a pre produced 228 00:11:23,800 --> 00:11:25,960 Speaker 3: bit where I was trying to channel Cephalo and I 229 00:11:26,000 --> 00:11:28,559 Speaker 3: never really got the voice as good as I want, 230 00:11:28,559 --> 00:11:31,480 Speaker 3: as good as I wanted. But this was Dan had 231 00:11:31,520 --> 00:11:34,080 Speaker 3: created this thing. He's like, do the do a produce 232 00:11:34,440 --> 00:11:38,760 Speaker 3: segment where we get to hear Jimmy Cephalo and Joe 233 00:11:38,800 --> 00:11:42,280 Speaker 3: Rose at the bar Mitzvah making a toast. Yes, and 234 00:11:42,360 --> 00:11:50,960 Speaker 3: so this this was that play this what a mitzvah? 235 00:11:51,000 --> 00:11:53,800 Speaker 6: What a Mitzvah, Jimmy Cefalo, everybody, eight eight eight seven, 236 00:11:53,880 --> 00:11:55,720 Speaker 6: I know three seven seven six. Welcome to the bar 237 00:11:55,760 --> 00:11:58,240 Speaker 6: Mitzvah candle lighting ceremony and so great to be here, 238 00:11:58,559 --> 00:12:01,800 Speaker 6: as always, joined by my podcast partner Joe Rose. And Joe, 239 00:12:01,920 --> 00:12:04,600 Speaker 6: how would you summarize this bar Mitzvah candlelighting ceremony? 240 00:12:04,679 --> 00:12:05,800 Speaker 4: So far it's good. 241 00:12:06,040 --> 00:12:07,480 Speaker 3: Fell You're right, Joe, it is good. 242 00:12:07,520 --> 00:12:09,680 Speaker 6: And as always, I brought along one of my sponsors, 243 00:12:09,760 --> 00:12:13,280 Speaker 6: High Room, the Maatza maker Say Shalom Hiram, Shalloam. I'm 244 00:12:13,280 --> 00:12:16,080 Speaker 6: going to be eating some of the potato latkas, some haala, 245 00:12:16,160 --> 00:12:17,640 Speaker 6: some macaroons a little bit later. 246 00:12:17,760 --> 00:12:19,079 Speaker 3: I love bar Mitzvah food. 247 00:12:19,160 --> 00:12:21,280 Speaker 4: Don't be afraid to grab some of those chicken waists. 248 00:12:21,320 --> 00:12:23,640 Speaker 6: Certainly I'll be trying some of the chicken wings also, Joe, 249 00:12:23,760 --> 00:12:25,920 Speaker 6: Jimmy Sapalo, Joe Rose here at the bar Mitzvah candle 250 00:12:25,960 --> 00:12:28,120 Speaker 6: lighting ceremony eight eight eight seven nine oh three seven 251 00:12:28,240 --> 00:12:28,800 Speaker 6: seven six. 252 00:12:29,000 --> 00:12:30,880 Speaker 3: In a moment, Joe and I are going to dance. 253 00:12:30,920 --> 00:12:33,200 Speaker 6: The horror should be a lot of fun. It will 254 00:12:33,240 --> 00:12:35,640 Speaker 6: definitely be a lot of fun. Joe, have you tasted 255 00:12:35,640 --> 00:12:37,400 Speaker 6: the Manishevits so good? 256 00:12:37,640 --> 00:12:37,880 Speaker 3: Well? 257 00:12:37,920 --> 00:12:39,800 Speaker 6: As you know, I'm a wine connoisseur. I have over 258 00:12:39,840 --> 00:12:41,720 Speaker 6: twelve hundred bottles in my personal collection. 259 00:12:41,840 --> 00:12:42,839 Speaker 3: None are Manischevitz. 260 00:12:42,880 --> 00:12:45,080 Speaker 6: But for the sake of this paying gig, I'll drink 261 00:12:45,120 --> 00:12:46,319 Speaker 6: a little Manischevitz tonight. 262 00:12:46,400 --> 00:12:46,720 Speaker 4: Why not? 263 00:12:47,120 --> 00:12:49,560 Speaker 6: Let's throw it now to our bar Mitzvah. Sideline reporter 264 00:12:49,720 --> 00:12:51,600 Speaker 6: Nat Moore Net Moore is in the middle. 265 00:12:51,400 --> 00:12:52,040 Speaker 3: Of all the action. 266 00:12:52,200 --> 00:12:56,000 Speaker 6: Nat Rabbi Shlomo Mendelsn is about to perform the hamozi. 267 00:12:56,360 --> 00:12:59,120 Speaker 6: Anything to add Let's see how he does. Yes, let's 268 00:12:59,120 --> 00:13:01,080 Speaker 6: see how the Rabbi does. And there it is a 269 00:13:01,080 --> 00:13:04,760 Speaker 6: perfect slice of the kala. See how Motzi recited and 270 00:13:04,880 --> 00:13:07,920 Speaker 6: performed a perfection. Would care for a slice of haala? 271 00:13:08,040 --> 00:13:08,280 Speaker 1: Joe? 272 00:13:08,520 --> 00:13:09,040 Speaker 3: Yeah? 273 00:13:09,120 --> 00:13:11,320 Speaker 6: Well, Jimmy Sappolo and Joe Rose wrapping it up from 274 00:13:11,360 --> 00:13:14,120 Speaker 6: the candlelighting ceremony at this wonderful more mitz fun. We 275 00:13:14,240 --> 00:13:17,560 Speaker 6: definitely made some good guelp tonight. Joe, you may have 276 00:13:17,559 --> 00:13:20,320 Speaker 6: had won too many slices of built of fish that 277 00:13:20,400 --> 00:13:21,520 Speaker 6: goes right through you. 278 00:13:21,600 --> 00:13:24,440 Speaker 3: Brother, this is desperate. I gotta get out of here. 279 00:13:24,520 --> 00:13:27,560 Speaker 6: This is Jimmy Seppalo and Joe rose to life, to 280 00:13:27,720 --> 00:13:28,800 Speaker 6: life look him. 281 00:13:32,120 --> 00:13:33,040 Speaker 4: I believe my. 282 00:13:34,320 --> 00:13:37,080 Speaker 3: Recall tells me that that there one time there was 283 00:13:37,120 --> 00:13:40,880 Speaker 3: probably too much inside Jewish humor there and uh there 284 00:13:40,960 --> 00:13:41,880 Speaker 3: was well not only that. 285 00:13:41,800 --> 00:13:46,120 Speaker 2: It was just a terrible impersonage and myephal it sounded 286 00:13:46,240 --> 00:13:47,839 Speaker 2: like Cephalo was impersonating you. 287 00:13:50,880 --> 00:13:53,160 Speaker 3: Because I was trying to do it. I kept giving 288 00:13:53,200 --> 00:13:55,960 Speaker 3: out the phone number, and I recall listening to that now, 289 00:13:56,080 --> 00:13:59,240 Speaker 3: like Jimmy Cephalo when he was doing the Dolphins Hour, 290 00:13:59,400 --> 00:14:01,840 Speaker 3: whatever show he was doing on our station, would give 291 00:14:01,840 --> 00:14:05,040 Speaker 3: out that phone number constant. It was a crutch. Yes, 292 00:14:05,120 --> 00:14:05,760 Speaker 3: it was a crutch. 293 00:14:05,800 --> 00:14:09,439 Speaker 2: So like every sentence would be punctuated with one eight 294 00:14:09,440 --> 00:14:12,880 Speaker 2: eight eight seven nine ohe whatever the phone number was. 295 00:14:13,080 --> 00:14:17,599 Speaker 2: It wasn't because he wanted callers, although he did. It 296 00:14:18,400 --> 00:14:20,240 Speaker 2: was a transitional crutch to get into. 297 00:14:20,320 --> 00:14:23,400 Speaker 3: It was a transitional crutch, It's exactly what. It was, 298 00:14:23,520 --> 00:14:27,520 Speaker 3: just constantly banging the number, constantly banging the number. 299 00:14:27,480 --> 00:14:30,640 Speaker 2: So hak, how was that? I don't remember how that 300 00:14:30,760 --> 00:14:35,480 Speaker 2: was received. Now listening back to it, I'm laughing my 301 00:14:35,560 --> 00:14:37,680 Speaker 2: ass off because the memories are coming back. 302 00:14:37,960 --> 00:14:40,320 Speaker 4: But how was it received by Dan in the moment? 303 00:14:40,400 --> 00:14:41,080 Speaker 4: Do you remember? 304 00:14:41,480 --> 00:14:43,240 Speaker 3: I think everyone thought it was funny. 305 00:14:43,240 --> 00:14:43,400 Speaker 4: It was. 306 00:14:43,800 --> 00:14:45,360 Speaker 3: It was kind of like a minute and a half. 307 00:14:45,480 --> 00:14:48,640 Speaker 3: It was like a perfect drive by. It definitely made 308 00:14:48,720 --> 00:14:51,200 Speaker 3: fun of Cephalo and Joe Rose, which is what he 309 00:14:51,360 --> 00:14:55,840 Speaker 3: was trying to ultimately accomplish there. But I would say this, 310 00:14:56,040 --> 00:15:00,160 Speaker 3: like we have stuff in twenty twenty five today, ay 311 00:15:01,000 --> 00:15:04,160 Speaker 3: that still resonates from two thousand and five, two thousand 312 00:15:04,200 --> 00:15:06,520 Speaker 3: and four, where people will come up to us and 313 00:15:06,600 --> 00:15:10,000 Speaker 3: ask us about that. I don't think anyone has ever 314 00:15:10,400 --> 00:15:13,720 Speaker 3: asked me about the Jimmy Seffalo, Joe Rose, bar mitzv 315 00:15:13,720 --> 00:15:16,200 Speaker 3: a bit. And I think it's because it probably only 316 00:15:16,240 --> 00:15:19,320 Speaker 3: played the one time that we did it, and then 317 00:15:19,480 --> 00:15:22,720 Speaker 3: that's not really something you can revisit a million times. 318 00:15:23,200 --> 00:15:25,280 Speaker 3: That was That was a one and that was a 319 00:15:25,320 --> 00:15:27,920 Speaker 3: one and done. That was and by the way, there 320 00:15:27,960 --> 00:15:30,520 Speaker 3: are so many of those, like there are so many 321 00:15:30,680 --> 00:15:34,240 Speaker 3: one and done's where yes, you'll remember it the moment 322 00:15:34,280 --> 00:15:36,680 Speaker 3: you hear it, but you literally haven't heard it since 323 00:15:36,720 --> 00:15:39,160 Speaker 3: two thousand and four, two thousand and five, two thousand 324 00:15:39,160 --> 00:15:42,920 Speaker 3: and six, no costume. You would ask in the last episode, 325 00:15:43,160 --> 00:15:45,120 Speaker 3: how did you come up with the Big Voice? 326 00:15:45,960 --> 00:15:48,720 Speaker 2: Yes, yes, because I was for the show. I was 327 00:15:48,760 --> 00:15:51,960 Speaker 2: always I was always curious in how we arrived at 328 00:15:52,000 --> 00:15:55,640 Speaker 2: the Big Voice. I'm not I'm not curious on how 329 00:15:56,080 --> 00:15:58,720 Speaker 2: we got to you seeking out different voices, but I 330 00:15:58,800 --> 00:16:01,920 Speaker 2: know that it was a important to Dan that our 331 00:16:02,000 --> 00:16:05,440 Speaker 2: show stand out and be different in every way possible. 332 00:16:05,840 --> 00:16:08,280 Speaker 2: And one of those ways was with the imaging of 333 00:16:08,280 --> 00:16:10,960 Speaker 2: the show. If you remember Hawk, I think Ron Saint. 334 00:16:10,760 --> 00:16:13,880 Speaker 4: John runs St John imaging voice. 335 00:16:14,480 --> 00:16:17,360 Speaker 2: Of our station, and it was, you know, kind of 336 00:16:17,400 --> 00:16:20,600 Speaker 2: plane in Vanilla. But he was a great job, great voice. 337 00:16:21,600 --> 00:16:24,040 Speaker 2: But Dan wanted something different. He wanted our show to 338 00:16:24,120 --> 00:16:26,840 Speaker 2: stand out. We had the rest of the radio station 339 00:16:27,000 --> 00:16:28,120 Speaker 2: at beginning who. 340 00:16:28,000 --> 00:16:30,240 Speaker 3: Wasn't before us It was it was Craig Minervini and 341 00:16:30,320 --> 00:16:33,960 Speaker 3: Jason Slotkin. Yes, with Morning Joe Rose from the launch. 342 00:16:34,920 --> 00:16:36,280 Speaker 4: Joe Rose was there from the launch. 343 00:16:36,280 --> 00:16:39,360 Speaker 2: He was doing morning Drive and Dan and I were 344 00:16:39,400 --> 00:16:42,680 Speaker 2: doing afternoons in between that I think it was Actually 345 00:16:43,800 --> 00:16:46,160 Speaker 2: we had to run some Dan Patrick because of our 346 00:16:46,160 --> 00:16:48,800 Speaker 2: affiliation with ESPN, and then I think it was minter 347 00:16:48,920 --> 00:16:50,280 Speaker 2: Vedy and Oj mcduffy. 348 00:16:50,520 --> 00:16:52,760 Speaker 3: I want to say, I think it was Silotkin at first. 349 00:16:52,960 --> 00:16:55,760 Speaker 2: Well maybe it was, it doesn't matter, but regardless, so 350 00:16:55,800 --> 00:16:59,560 Speaker 2: I always wonder. So I knew, because you would ask 351 00:16:59,560 --> 00:17:02,360 Speaker 2: Taste too, I'm gonna go seek out a different voice 352 00:17:02,360 --> 00:17:05,520 Speaker 2: for our show. And I was fine with that, but 353 00:17:05,600 --> 00:17:08,120 Speaker 2: I never really asked you, and never cared to ask. 354 00:17:08,200 --> 00:17:09,720 Speaker 2: And now that I'm thinking about it, I don't know 355 00:17:09,760 --> 00:17:11,480 Speaker 2: why I didn't ask, because he was such a big 356 00:17:11,520 --> 00:17:13,600 Speaker 2: part of our show, and I'm not certain how our 357 00:17:13,640 --> 00:17:17,080 Speaker 2: listeners asked about a person more than they asked about 358 00:17:17,160 --> 00:17:18,960 Speaker 2: the Big Voice. And so I'm just wondering how we 359 00:17:19,080 --> 00:17:20,320 Speaker 2: arrived at the Big Voice. 360 00:17:20,359 --> 00:17:23,240 Speaker 3: So in two thousand and four, which is when that 361 00:17:23,280 --> 00:17:26,560 Speaker 3: took place, it wasn't as easy to go online and 362 00:17:26,600 --> 00:17:30,040 Speaker 3: search audio, but that's exactly what I did. I started 363 00:17:30,119 --> 00:17:35,040 Speaker 3: searching for voiceover artists and I wanted someone whose voice 364 00:17:35,440 --> 00:17:41,199 Speaker 3: was just fucking ballsy, just gonna grab you from the jump. 365 00:17:41,680 --> 00:17:44,240 Speaker 3: And I had listened to a few and I remember 366 00:17:44,240 --> 00:17:46,440 Speaker 3: I heard the Big Voice. His name is David Lee, 367 00:17:46,760 --> 00:17:50,880 Speaker 3: lives in Wisconsin. Yes, and he does Westwood One and 368 00:17:51,320 --> 00:17:52,880 Speaker 3: he does you know, a lot of commercials. 369 00:17:53,000 --> 00:17:56,480 Speaker 2: This is one of the most successful voiceover people in 370 00:17:56,520 --> 00:17:57,800 Speaker 2: the history of radio. 371 00:17:57,960 --> 00:18:02,560 Speaker 3: I mean, he's fantastic. It's a recognizable voice. Yes, And 372 00:18:03,480 --> 00:18:06,520 Speaker 3: I remember I called him and I'm like, we're a 373 00:18:06,560 --> 00:18:09,000 Speaker 3: startup radio show. I don't have a ton of money. 374 00:18:09,480 --> 00:18:13,119 Speaker 3: I think we paid him six hundred dollars a month. Wow, 375 00:18:13,320 --> 00:18:16,800 Speaker 3: And he gave me unlimited lines. A lot of voiceover 376 00:18:17,000 --> 00:18:19,800 Speaker 3: artists will give you, you know whatever, it's one thousand 377 00:18:19,840 --> 00:18:23,320 Speaker 3: dollars a month. You get four pages a month. They 378 00:18:23,359 --> 00:18:25,480 Speaker 3: have to be double spaced, you know, you can't fuck 379 00:18:25,560 --> 00:18:29,040 Speaker 3: around and you know, write the you know, a year's 380 00:18:29,040 --> 00:18:31,439 Speaker 3: worth of liners or whatever. Like they're strict about what 381 00:18:31,480 --> 00:18:36,200 Speaker 3: they do. David Lee kind of enjoyed the vibe that 382 00:18:36,320 --> 00:18:39,239 Speaker 3: we were given. So anyway, when when you think of 383 00:18:39,400 --> 00:18:44,000 Speaker 3: the big voice, so, I mean, I've got files upon files. 384 00:18:44,440 --> 00:18:47,439 Speaker 3: I would send him most of the time, just some 385 00:18:47,880 --> 00:18:51,600 Speaker 3: cuts and he would give me different reads on them, right, 386 00:18:51,680 --> 00:18:53,480 Speaker 3: and some I would use and some I wouldn't like. 387 00:18:53,640 --> 00:18:55,880 Speaker 3: Play BV one here I guess this. 388 00:18:55,920 --> 00:18:58,800 Speaker 2: Is but before we get to that, hok, I'm wondering 389 00:18:58,840 --> 00:19:01,879 Speaker 2: were there any other voices were considering I don't speak 390 00:19:01,880 --> 00:19:02,760 Speaker 2: to David Lee, and. 391 00:19:02,720 --> 00:19:03,159 Speaker 4: That was it. 392 00:19:03,760 --> 00:19:07,800 Speaker 3: No, there were a couple and I don't remember what 393 00:19:07,920 --> 00:19:10,600 Speaker 3: the actual hang ups were. And I'm sure you listened 394 00:19:10,640 --> 00:19:13,119 Speaker 3: to them, because I remember playing samples for you and 395 00:19:13,160 --> 00:19:15,840 Speaker 3: for Dan. There were like three that were in the 396 00:19:16,320 --> 00:19:20,320 Speaker 3: final running. But if I remember correctly, like it was 397 00:19:20,560 --> 00:19:24,280 Speaker 3: unanimous that you know, you guys heard that guy like 398 00:19:24,680 --> 00:19:27,239 Speaker 3: it stands out in a way that like, it just 399 00:19:27,280 --> 00:19:31,080 Speaker 3: stands out like you literally can't not hear it differently, 400 00:19:31,280 --> 00:19:33,880 Speaker 3: And if you wanted the show to sound different than 401 00:19:33,960 --> 00:19:36,760 Speaker 3: any other thing that was on our station, Yes, that 402 00:19:36,920 --> 00:19:39,119 Speaker 3: was a really good way to start, right. 403 00:19:39,760 --> 00:19:41,520 Speaker 2: Have you listened to any of these yet before we 404 00:19:41,520 --> 00:19:42,280 Speaker 2: play them? 405 00:19:42,640 --> 00:19:45,440 Speaker 4: Yeah? I have, so he you love David Lee the 406 00:19:45,480 --> 00:19:46,240 Speaker 4: way we do now? 407 00:19:47,000 --> 00:19:49,920 Speaker 3: Yes, yeah, listen, listen. Listen to some of these cots 408 00:19:49,920 --> 00:19:52,640 Speaker 3: play here. These are just some raw cuts from David Lee. 409 00:19:53,160 --> 00:19:56,760 Speaker 1: You're listening to the Dan Lebotzard Show. You're listening to 410 00:19:56,800 --> 00:20:02,800 Speaker 1: the Dan Lebotard Show. Power Vite pin Head powered by Pinhead, 411 00:20:03,680 --> 00:20:10,439 Speaker 1: powered by Roy, powered by Fakes, powered by Fakes, powered 412 00:20:10,480 --> 00:20:14,840 Speaker 1: by Jaron the Boardop powered Bye Yourn the board up 413 00:20:15,720 --> 00:20:20,840 Speaker 1: powered by Stuve Gots his cliches, powered by Stu Gots 414 00:20:20,880 --> 00:20:27,760 Speaker 1: Cliches powered by Stuve Gots his Cliches More. Dan Lebatade 415 00:20:27,800 --> 00:20:30,320 Speaker 1: showing minutes but first time to pay white? 416 00:20:30,359 --> 00:20:30,639 Speaker 6: Are you? 417 00:20:31,520 --> 00:20:35,520 Speaker 1: More? Dan Lebizard showing minutes but first time to pay white? 418 00:20:35,560 --> 00:20:35,840 Speaker 6: Are you? 419 00:20:36,960 --> 00:20:40,679 Speaker 3: And we were, I mean so different than anything that 420 00:20:40,760 --> 00:20:43,480 Speaker 3: he was churning out. Sometimes he would call me and 421 00:20:43,520 --> 00:20:45,639 Speaker 3: he and he had that voice when he'd call me. 422 00:20:45,680 --> 00:20:47,800 Speaker 3: I think I still have a voicemail from him that 423 00:20:47,880 --> 00:20:50,400 Speaker 3: I saved just because I'm so tickled by his voice. 424 00:20:50,600 --> 00:20:52,960 Speaker 3: What a voice, I mean seriously, Like he'd leave you 425 00:20:52,960 --> 00:20:56,680 Speaker 3: a voicemail and it would it would be like, hey, 426 00:20:56,920 --> 00:21:01,200 Speaker 3: you sure you want me to say? You know, powered by. 427 00:21:01,240 --> 00:21:05,480 Speaker 2: They're like yeah, yeah, you got to speak to him 428 00:21:05,520 --> 00:21:09,480 Speaker 2: on the phone. I think that it must have been 429 00:21:11,520 --> 00:21:15,480 Speaker 2: QAM at the time. Was probably you're listening to QAM 430 00:21:15,520 --> 00:21:17,959 Speaker 2: powered by Comcast or whatever. 431 00:21:18,000 --> 00:21:20,800 Speaker 3: They probably sold into sponsorship. Dan would listen to the 432 00:21:20,920 --> 00:21:23,440 Speaker 3: competitor QAM and then he would come back and he 433 00:21:23,440 --> 00:21:25,320 Speaker 3: would tell me he's like, hey, can we do can 434 00:21:25,359 --> 00:21:28,240 Speaker 3: we parody them? Because his old idea was like parody 435 00:21:28,880 --> 00:21:33,120 Speaker 3: this real radio, this real sports radio station and let's 436 00:21:33,119 --> 00:21:34,800 Speaker 3: make fun of them. So that's where all the powered 437 00:21:34,800 --> 00:21:36,880 Speaker 3: by stuff Ye came by. 438 00:21:37,320 --> 00:21:39,199 Speaker 2: Yes, he used to have those discussions with me, and 439 00:21:39,200 --> 00:21:41,439 Speaker 2: I'd be like, real, you realize that people who are 440 00:21:41,480 --> 00:21:43,880 Speaker 2: powering WQAM are spending like seven. 441 00:21:43,720 --> 00:21:44,879 Speaker 4: Hundred thousand dollars. 442 00:21:45,119 --> 00:21:47,439 Speaker 2: I like to have power up, and we're trying to 443 00:21:47,440 --> 00:21:50,800 Speaker 2: get them, like I'm actively having lunch with them to 444 00:21:50,880 --> 00:21:54,080 Speaker 2: try to get our station powered by Comcast. And Dan 445 00:21:54,240 --> 00:21:57,040 Speaker 2: was actively rooting for us to not sell anything so 446 00:21:57,080 --> 00:21:59,280 Speaker 2: we can use the inventory to mock WQAM. 447 00:21:59,480 --> 00:21:59,640 Speaker 4: Right. 448 00:21:59,800 --> 00:22:03,080 Speaker 3: This is another series of cuts from the Big Voice. 449 00:22:03,920 --> 00:22:08,200 Speaker 1: You're listening to the Dan Levoton Show. Powered by Julio Francos, 450 00:22:08,240 --> 00:22:15,040 Speaker 1: Monster Cock powered by Contrary Views, powered by Contrary Views, 451 00:22:16,119 --> 00:22:22,320 Speaker 1: powered by Contrary Views, powered by Mark Hawkman, powered by 452 00:22:22,440 --> 00:22:26,639 Speaker 1: Mark Hawkman, Dan powered by hawk On that One powered 453 00:22:26,680 --> 00:22:32,080 Speaker 1: by Chuck Norris, Powered by Chuck Norris, Powered by Brandon 454 00:22:32,160 --> 00:22:36,679 Speaker 1: Guzio's Sports Flashes AH powered by Dance. Friend of the 455 00:22:36,720 --> 00:22:39,720 Speaker 1: Hall of Fame Powered by Dance. Friend of the Hall 456 00:22:39,760 --> 00:22:43,000 Speaker 1: of Fame. Where you can keep your window rolled up 457 00:22:43,040 --> 00:22:45,560 Speaker 1: and we don't care if your toes are tingling. 458 00:22:48,600 --> 00:22:51,520 Speaker 2: That's a little nod to Jamandic who always asked you 459 00:22:51,560 --> 00:22:55,000 Speaker 2: to have your windows rolled down and your toes dingling. Yes, 460 00:22:55,119 --> 00:22:56,960 Speaker 2: and the big boy saying we don't care about your 461 00:22:57,000 --> 00:22:59,960 Speaker 2: toes tingling or if your windows are Dad at Hockey 462 00:23:00,080 --> 00:23:00,440 Speaker 2: were right. 463 00:23:00,520 --> 00:23:02,439 Speaker 4: All those I think made air, except the ones that 464 00:23:02,480 --> 00:23:03,399 Speaker 4: had you powering up. 465 00:23:03,480 --> 00:23:05,680 Speaker 3: Yeah, that was immediately discarded. 466 00:23:05,840 --> 00:23:10,760 Speaker 2: My dad surprised you still have it, the one, the 467 00:23:10,800 --> 00:23:13,680 Speaker 2: one on the previous one powered by Jerram the board up. 468 00:23:13,720 --> 00:23:16,160 Speaker 3: I mean if you were listening to this show from 469 00:23:16,600 --> 00:23:20,959 Speaker 3: twenty years ago. Twenty yeah, twenty years ago. Yeah, you 470 00:23:21,040 --> 00:23:23,960 Speaker 3: remember Jiran. I'm still friendly with Giron. I still see 471 00:23:24,000 --> 00:23:24,760 Speaker 3: him around every now. 472 00:23:24,800 --> 00:23:27,919 Speaker 2: I haven't spoken to giron and since I left seven ninety, 473 00:23:28,000 --> 00:23:29,520 Speaker 2: but I would like to see Geron again and have 474 00:23:29,600 --> 00:23:32,399 Speaker 2: him on the show. Ghuzio now he was all the time. 475 00:23:32,600 --> 00:23:34,920 Speaker 3: Yes, are you in touch with Guzio? 476 00:23:35,200 --> 00:23:37,159 Speaker 4: I don't respond. It's a one way conversation. 477 00:23:42,080 --> 00:23:44,600 Speaker 3: And I imagine this is again that this is so 478 00:23:44,720 --> 00:23:47,760 Speaker 3: long ago, but we you're not. Are you familiar Taylor 479 00:23:47,840 --> 00:23:49,439 Speaker 3: with our Julio Franco story? 480 00:23:50,840 --> 00:23:50,959 Speaker 1: Uh? 481 00:23:52,200 --> 00:23:54,520 Speaker 4: I know of the Julio Franco story. 482 00:23:55,240 --> 00:23:57,960 Speaker 3: I'll have to find that call for a future episode 483 00:23:57,960 --> 00:23:59,720 Speaker 3: as well. It was a caller who was in the 484 00:23:59,760 --> 00:24:03,800 Speaker 3: locker room once as a stringer in a Mexican baseball league, 485 00:24:03,840 --> 00:24:07,880 Speaker 3: and he got a gander of Julio Franco coming out 486 00:24:07,880 --> 00:24:10,399 Speaker 3: of the shower, and it became show fodder because the 487 00:24:10,400 --> 00:24:15,400 Speaker 3: way that he described it was amazing. But I believe 488 00:24:15,520 --> 00:24:18,360 Speaker 3: my guess is when I wrote all that stuff out 489 00:24:18,400 --> 00:24:21,480 Speaker 3: for David Lee to voice, my guess is my plan 490 00:24:21,680 --> 00:24:26,800 Speaker 3: was to beep cock because there was no chance on 491 00:24:27,040 --> 00:24:31,399 Speaker 3: terrestrial radio that we were gonna play Powered by Julio 492 00:24:31,480 --> 00:24:34,159 Speaker 3: Franco's monster Cock. So I'm imagining. 493 00:24:34,240 --> 00:24:35,720 Speaker 2: I don't know if it if it ever made the 494 00:24:35,760 --> 00:24:37,439 Speaker 2: air or not, but if it did, it was beeped. 495 00:24:37,480 --> 00:24:40,440 Speaker 2: I can guarantee you that we used to play that. 496 00:24:41,160 --> 00:24:42,960 Speaker 2: I think after you left. Did we ever play it 497 00:24:42,960 --> 00:24:47,280 Speaker 2: for Kirchin when you were there, I don't know. We 498 00:24:47,320 --> 00:24:51,240 Speaker 2: played that story for Tim Kirchin, and I think it's 499 00:24:51,359 --> 00:24:55,000 Speaker 2: probably safe to say that that's one of the three 500 00:24:55,480 --> 00:24:58,680 Speaker 2: greatest things that Tim Kirchin has ever heard in his life. 501 00:24:58,720 --> 00:25:00,800 Speaker 2: And I say that only because he's until this day 502 00:25:00,880 --> 00:25:02,680 Speaker 2: references that story all the time. 503 00:25:02,960 --> 00:25:07,879 Speaker 3: Yes, one of those no pun that has legs twenty 504 00:25:07,920 --> 00:25:10,840 Speaker 3: years later where people will still see you and say, 505 00:25:10,960 --> 00:25:13,600 Speaker 3: you know something along the lines of Julio Franco and 506 00:25:13,720 --> 00:25:14,080 Speaker 3: I just. 507 00:25:14,080 --> 00:25:25,600 Speaker 4: Responded to Guzia. 508 00:25:24,040 --> 00:25:26,520 Speaker 3: Play this one. This is the big voice we had had. 509 00:25:26,560 --> 00:25:31,680 Speaker 3: Do you remember we had Helio Castro Neves on the show. Yeah, yeah, yeah, 510 00:25:31,680 --> 00:25:33,320 Speaker 3: he was a race car driver, but he had just 511 00:25:33,440 --> 00:25:36,040 Speaker 3: won Dancing with the Stars, right, And a lot of 512 00:25:36,040 --> 00:25:40,880 Speaker 3: times I would create rejoins and imaging around these big 513 00:25:41,000 --> 00:25:43,480 Speaker 3: names because no other local host was getting. 514 00:25:43,200 --> 00:25:48,240 Speaker 2: Real big names, right, And Helio Castro Nevis for a minute, 515 00:25:48,280 --> 00:25:48,879 Speaker 2: do you know who he is? 516 00:25:48,920 --> 00:25:53,720 Speaker 3: Taylor? No, yeah, I mean for a minute, because he 517 00:25:53,840 --> 00:25:55,719 Speaker 3: was a very famous race car driver and he had 518 00:25:55,720 --> 00:25:57,280 Speaker 3: won Dancing with the Stars, was like. 519 00:25:57,520 --> 00:26:00,359 Speaker 4: Perhaps the most famous race car driver. Yeah he was. 520 00:26:00,480 --> 00:26:01,320 Speaker 3: No, I don't think so. 521 00:26:02,119 --> 00:26:03,359 Speaker 4: Mario Andretti A J. 522 00:26:03,560 --> 00:26:12,960 Speaker 3: Foyt Cordon would like a word until Unser mount rushmore 523 00:26:12,960 --> 00:26:17,119 Speaker 3: of race car driver. But this is the kind of 524 00:26:17,119 --> 00:26:19,280 Speaker 3: stuff that I would get back from David Lee. So 525 00:26:19,440 --> 00:26:22,920 Speaker 3: this is him trying to say, Hellio Castro Nevis. 526 00:26:23,080 --> 00:26:26,240 Speaker 1: The stars from Dancing with the Stars, Stark and the 527 00:26:26,359 --> 00:26:35,159 Speaker 1: Dan Lebotage show dancing champion, Hellyo Castro Naves dancing Champion, Hello, 528 00:26:35,560 --> 00:26:43,720 Speaker 1: Castro Naves Dancing Champion. Hello Castro Neves, Dancing Champion. Hello 529 00:26:44,200 --> 00:26:50,440 Speaker 1: Castro Naves, Dancing Champion. Hello Castro Nave's. 530 00:26:52,840 --> 00:26:58,000 Speaker 3: I I literally have I'm telling you eight hours worth 531 00:26:58,320 --> 00:27:02,360 Speaker 3: of raw cuts the Big Voice. I got nothing to do, 532 00:27:02,840 --> 00:27:07,199 Speaker 3: like a six seven year span where God blessed this 533 00:27:07,240 --> 00:27:11,359 Speaker 3: guy for being such a trooper because I mean, you know, 534 00:27:11,480 --> 00:27:14,680 Speaker 3: Westwood One would send him it's a matchup one and 535 00:27:14,800 --> 00:27:19,240 Speaker 3: two Ohio State and Indiana Night, Yes, and then he 536 00:27:19,280 --> 00:27:24,240 Speaker 3: would get from us powered by Julio Franco's Monster Cock. 537 00:27:24,680 --> 00:27:27,000 Speaker 2: I do remember having now that we're talking about this 538 00:27:27,040 --> 00:27:29,560 Speaker 2: one conversation with him, and he was like Stig Gott, 539 00:27:29,760 --> 00:27:31,560 Speaker 2: I have like he only had like three accounts and 540 00:27:31,560 --> 00:27:32,639 Speaker 2: they were monster accounts. 541 00:27:32,640 --> 00:27:33,960 Speaker 4: They were accounts that could feel you. 542 00:27:33,920 --> 00:27:36,560 Speaker 2: For a lifetime in terms of money, right, And this 543 00:27:36,600 --> 00:27:37,720 Speaker 2: guy makes a lot. 544 00:27:37,760 --> 00:27:38,320 Speaker 4: He still does. 545 00:27:38,359 --> 00:27:40,560 Speaker 2: I still hear his voice out there, and I said, 546 00:27:40,560 --> 00:27:43,000 Speaker 2: what are the accounts? And it was essentially CBS Sports 547 00:27:43,119 --> 00:27:46,440 Speaker 2: all of it, Like CBS it was the Monster Truck Jam. 548 00:27:46,560 --> 00:27:48,919 Speaker 3: And then he goes and then you idiots, Yes he 549 00:27:49,000 --> 00:27:51,640 Speaker 3: had the Monster Truck Show and it was so perfect 550 00:27:51,680 --> 00:27:54,840 Speaker 3: for them. Yeah, you know, yeah it was. But he 551 00:27:54,920 --> 00:27:58,400 Speaker 3: really loved doing this for us. As the show started 552 00:27:58,440 --> 00:28:01,800 Speaker 3: gaining some popularity, he realized that he was a big 553 00:28:01,880 --> 00:28:05,240 Speaker 3: part of what was making it sound different and become 554 00:28:05,320 --> 00:28:09,080 Speaker 3: popular because the voice is just so fantastic, and hawk. 555 00:28:08,920 --> 00:28:12,639 Speaker 4: You used it. You utilized his voice in the perfect ways. 556 00:28:12,760 --> 00:28:14,679 Speaker 3: You know, we used it well. We used him as 557 00:28:14,720 --> 00:28:17,240 Speaker 3: a character on the show, which is remarkable. There's no 558 00:28:17,560 --> 00:28:21,800 Speaker 3: like until Dan started utilizing him, like referencing the big voice. 559 00:28:21,840 --> 00:28:24,320 Speaker 3: You know, usually in radio you wouldn't reference the stinger 560 00:28:24,359 --> 00:28:26,600 Speaker 3: that you heard at the end, or the rejoin at 561 00:28:26,600 --> 00:28:29,720 Speaker 3: the beginning or whatever. And he became like we would 562 00:28:29,720 --> 00:28:32,520 Speaker 3: refer to him as big Voice. And the only time 563 00:28:32,560 --> 00:28:35,840 Speaker 3: that I can recall that happening since, and it happened since, 564 00:28:36,520 --> 00:28:41,040 Speaker 3: was Howard Stern when he moved to satellite radio, got 565 00:28:41,120 --> 00:28:44,760 Speaker 3: George t Kai to be the station voice and would 566 00:28:44,840 --> 00:28:46,680 Speaker 3: have him. You know, they had goofed on his voice 567 00:28:46,720 --> 00:28:48,640 Speaker 3: for years when they were on terrestrial radio, and then 568 00:28:48,680 --> 00:28:50,360 Speaker 3: they had him they hired him as their voice when 569 00:28:50,360 --> 00:28:52,560 Speaker 3: they would have him in studio, but he was already 570 00:28:52,560 --> 00:28:56,360 Speaker 3: a recognizable name. This was just you know, like a headless, 571 00:28:56,600 --> 00:29:00,320 Speaker 3: faceless voice that would come down from on God. Then 572 00:29:00,400 --> 00:29:03,320 Speaker 3: all of a sudden, you know, start the show and 573 00:29:03,560 --> 00:29:06,720 Speaker 3: the show interrupt the show, and it was it became 574 00:29:06,760 --> 00:29:08,720 Speaker 3: a character, like he became a part of the show. 575 00:29:08,960 --> 00:29:10,200 Speaker 3: I became a character. 576 00:29:10,560 --> 00:29:14,240 Speaker 2: Yes, Taylor, are you familiar with the person with Howard 577 00:29:14,280 --> 00:29:16,280 Speaker 2: Stern who did the imaging various stage? 578 00:29:16,400 --> 00:29:18,320 Speaker 4: Are you familiar with who is talking? 579 00:29:18,720 --> 00:29:21,840 Speaker 3: George de kay was on Star Trek. He was a 580 00:29:21,920 --> 00:29:24,080 Speaker 3: character on Star Trek. He's in it the nineties now 581 00:29:24,120 --> 00:29:24,920 Speaker 3: like he's still. 582 00:29:25,000 --> 00:29:27,840 Speaker 4: Tailor another homework assignment. Watched all of Star Trek over 583 00:29:27,840 --> 00:29:29,480 Speaker 4: the weekend. Okay, I will. 584 00:29:29,360 --> 00:29:31,760 Speaker 3: Tell you I've never seen an episode of Star Trek. 585 00:29:32,080 --> 00:29:34,800 Speaker 3: What I have never seen an you know what, I've 586 00:29:34,840 --> 00:29:38,320 Speaker 3: never seen an episode of this always shocks people. WKRP 587 00:29:38,480 --> 00:29:43,200 Speaker 3: in Cincinnati, Come on, Hawk, I know is that weird? Listen, 588 00:29:43,320 --> 00:29:45,480 Speaker 3: Johnny Fever, you never watched I mean, I know who 589 00:29:45,480 --> 00:29:48,560 Speaker 3: all the characters are, right, I've just never seen an episode. 590 00:29:48,720 --> 00:29:50,880 Speaker 3: You would love this show. I'll make you a deal. 591 00:29:51,000 --> 00:29:53,800 Speaker 2: I will watch whatever I need to watch the uncut 592 00:29:53,840 --> 00:29:58,720 Speaker 2: Gems thing if you watch the entire the entire five 593 00:29:58,800 --> 00:30:02,040 Speaker 2: seasons I believe it was of w k RP in Cincinnati. 594 00:30:02,040 --> 00:30:02,920 Speaker 4: Okay, because you'll love it. 595 00:30:03,320 --> 00:30:06,880 Speaker 3: You'll talk about it at the Christmas Tree at Meisner Park. 596 00:30:07,120 --> 00:30:09,960 Speaker 3: We're doing cameos at the Christmas Tree at Meisner Park. 597 00:30:11,160 --> 00:30:13,480 Speaker 3: Sending in your cameos now on the cameo app, look 598 00:30:13,520 --> 00:30:15,920 Speaker 3: for Mark Hawkman. All right, I gotta go. Everybody's got 599 00:30:16,000 --> 00:30:18,240 Speaker 3: what you gotta go. I gotta go. I got things 600 00:30:18,240 --> 00:30:18,440 Speaker 3: to do. 601 00:30:18,760 --> 00:30:21,480 Speaker 4: It was fum up I told Guzi seven and ten 602 00:30:24,920 --> 00:30:26,560 Speaker 1: With Stu Gotts and Hawkman.