WEBVTT - "Blast from the Past" Recap Season 2, Episode 19

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<v Speaker 1>We were just busy here comparing fan notes, not fans

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<v Speaker 1>of the podcast or the show, but literal fans, like

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<v Speaker 1>when you're having a high flash, so hot flash fans.

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<v Speaker 2>Hot flash fans. Yeah.

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<v Speaker 1>I was telling her about my awesome one that I

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<v Speaker 1>got that has three little settings. You can put batteries

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<v Speaker 1>in it, take it with you. It's got a little

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<v Speaker 1>water mister on gend me.

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<v Speaker 2>The link for that. I think I need that in

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<v Speaker 2>my life.

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<v Speaker 1>I well, again, I think it was a team really,

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<v Speaker 1>which look that seems like hit or miss one of

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<v Speaker 1>the temu It absolutely, you're like, this could be great,

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<v Speaker 1>it could.

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<v Speaker 2>Be note and this one was great. Okay, good so far.

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<v Speaker 1>I mean I haven't had it for very long, so

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<v Speaker 1>it may just blow up at some point, but so far,

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<v Speaker 1>so good.

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<v Speaker 2>Well, yeah, you're in your in your office. You don't

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<v Speaker 2>have central air right or heating, so.

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<v Speaker 1>I have like my little wabble here what you can see.

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<v Speaker 1>But I don't turn it on obviously when we're recording,

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<v Speaker 1>because it sounds like a bus drive if you're writing,

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<v Speaker 1>unless it's really like in the summertime when I record

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<v Speaker 1>out here, like there's no I have to because it's

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<v Speaker 1>otherwise I'm just cooking. Pre show chatter, chatter, chatter, chatter.

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<v Speaker 2>High chatter, chatter, chatter.

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<v Speaker 1>Huh, do you sound like you're still not feeling great?

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<v Speaker 2>No, I mean I feel better. I feel better, but

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<v Speaker 2>I think I have COVID. I don't know.

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<v Speaker 1>Oh no, I well I test. I did.

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<v Speaker 2>I took a test, but it was an expired test

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<v Speaker 2>and it the line didn't show up after ten minutes.

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<v Speaker 2>It took like thirty minutes and then it was a

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<v Speaker 2>really faint line.

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<v Speaker 1>So yeah, but that's the thing. Act sitting too long,

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<v Speaker 1>they will sort of react possibly, and if it's expired,

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<v Speaker 1>you never know you need to. I would, I would

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<v Speaker 1>definitely get a new test, one that hasn't expired, when

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<v Speaker 1>it hasn't expired, and don't let it sit there for

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<v Speaker 1>thirty minutes and just see what happens.

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<v Speaker 2>Yeah, well it was clear after ten minutes, but I mean,

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<v Speaker 2>I'm not going anywhere anyways.

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<v Speaker 1>So it's sort of I mean, at this point, they

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<v Speaker 1>they're like, just go to work anyway. You know, we've

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<v Speaker 1>kind of know all of a sudden, we're like we've

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<v Speaker 1>been a one eighty. Yeah, seriously, regardless.

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<v Speaker 2>I'm here and you just have to I'm sorry, apologies

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<v Speaker 2>for listening.

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<v Speaker 1>To my nasalness for that's you know what, it's okay hour,

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<v Speaker 1>but it's okay. I love it. I'm so glad you're here.

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<v Speaker 1>I was a miserable allergy monster. Yesterday it was was

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<v Speaker 1>it was. Yesterday was a wash. Yesterday was like, oh

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<v Speaker 1>not completely. My friend Brooke, who you know, is staying

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<v Speaker 1>here for the weekend.

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<v Speaker 2>Brooks, Hello, Brook, Oh my gosh, this is the best.

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<v Speaker 1>Yes, he is the best. And he is here helping me,

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<v Speaker 1>uh do some redecorating because he is an incredible interior designer,

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<v Speaker 1>and so he was helping out some some friends redecorating

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<v Speaker 1>something down in San Diego, and he's been helping me

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<v Speaker 1>out with stuff. So he put a this gorgeous mural

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<v Speaker 1>on my wall, like up one of those peel and

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<v Speaker 1>stick like wallpaper murals. Basically yeah, yeah, redoing like the

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<v Speaker 1>downstairs room and it looks gorgeous and he painted yesterday

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<v Speaker 1>and it looks so awesome. And then it's been fun

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<v Speaker 1>just to get to hang out with them too, and

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<v Speaker 1>we've been I mean good time. Kend and b had

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<v Speaker 1>her Bye by berdie performance.

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<v Speaker 2>How was it? How does she do? Was?

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<v Speaker 1>She did great? She was nervous. Friday night we went

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<v Speaker 1>to opening night. The kids had a blast, and I

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<v Speaker 1>love seeing them perform. I like, you know, and it's

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<v Speaker 1>just it's so much fun. I have such admiration for

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<v Speaker 1>these kids, you know, these middle schoolers to get up

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<v Speaker 1>and get up there on stage and sing and you know,

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<v Speaker 1>because it's terrifying.

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<v Speaker 2>It is terrifying, terrifying, and at an age when you're

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<v Speaker 2>already so self conscious.

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<v Speaker 1>Well, at an age when you're self conscious, at an

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<v Speaker 1>age when your vocal range is not you know what

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<v Speaker 1>I mean. Like the boys are trying to hit the

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<v Speaker 1>low notes but they can't quite get low enough, and

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<v Speaker 1>the you know, and the girls are Yeah. I am

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<v Speaker 1>just so proud of them all, and they have so

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<v Speaker 1>much fun and I love it, like I love seeing

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<v Speaker 1>them all creative. And they have an awesome stage tech program.

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<v Speaker 1>Oh so they have you know, it's kids, they're running backstage.

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<v Speaker 1>It's kids, they're ads. And I loved to see at

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<v Speaker 1>the end of the show they bring all a stage

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<v Speaker 1>kid like the stage tech out to for an applause

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<v Speaker 1>and stuff. And they brought out the like the ad

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<v Speaker 1>the first a d at the end, just kind of

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<v Speaker 1>by himself and everyone just clapped and lost their minds.

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<v Speaker 2>He was.

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<v Speaker 1>He was like, he's so organized. He makes sure everybody's

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<v Speaker 1>on it, and you know he and then we went

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<v Speaker 1>to in and out after. I'm just gonna describe this

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<v Speaker 1>scene to you. It was it was about ten to

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<v Speaker 1>fifteen pm on a Saturday night, and that Saturday night

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<v Speaker 1>happened to be four twenty, and we went in and out,

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<v Speaker 1>so if you can imagine, And then there was some

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<v Speaker 1>sort of like a formal two there was there was

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<v Speaker 1>a group in tuxedos and formal war. There were forty

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<v Speaker 1>seven middle schoolers just losing their mind and all coming

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<v Speaker 1>in crying because it was the last show and they

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<v Speaker 1>were all sad, and it's you know, they're graduating in it, right,

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<v Speaker 1>just sobbing, just groups of girls walking and sobbing, and

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<v Speaker 1>then just like a sea of stoner's all in there

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<v Speaker 1>trying to you know, get food. And I was like,

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<v Speaker 1>oh my god.

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<v Speaker 2>And I was like the premise of a of a

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<v Speaker 2>not a sitcom, but something. You know, it's.

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<v Speaker 1>Yeah, something, but it was they look the kids were

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<v Speaker 1>having fun, and you know, I remember being in middle

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<v Speaker 1>school and high school and arriving somewhere and taking over.

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<v Speaker 1>Usually it was Denny's. Yeah, yeah, we got I remember

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<v Speaker 1>our musical theater department getting kicked out of the local

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<v Speaker 1>Denny's on several occasions, usually because someone started doing backflips

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<v Speaker 1>or cartwheels, or we all burst into song or you knows, well, yeah,

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<v Speaker 1>theaters such.

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<v Speaker 2>And we never spot them a mile away.

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<v Speaker 1>But she had a great time. I was very proud

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<v Speaker 1>of her. They did Bye bye, Bertie.

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<v Speaker 2>Do you give her tips? Do you like give her

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<v Speaker 2>or acting tips? No? No, okay, she doesn't because she

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<v Speaker 2>doesn't want it, or you're trying to stand back and

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<v Speaker 2>be both.

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<v Speaker 1>If I know that, the the advice that you'll listen

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<v Speaker 1>to the least is from your parent. Even if they

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<v Speaker 1>happen to be a professional in the field and have

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<v Speaker 1>done so for multiple decades, they have no respect for nothing,

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<v Speaker 1>and they're like, please stop talking your voices in way.

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<v Speaker 1>So yeah, I don't really like if you know, I'll

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<v Speaker 1>offer to run stuff. But now she and she's also

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<v Speaker 1>thirteen and a half, like, yeah, this is what you want.

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<v Speaker 1>Then you you have the rehearsal and you do all

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<v Speaker 1>the stuff, and you know, I try and just let

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<v Speaker 1>the teachers handle it and not and not do or

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<v Speaker 1>say anything unless ask for my opinion. And even then

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<v Speaker 1>i'm yeah, you know, as you know, as a parent

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<v Speaker 1>giving your opinion to a middle schooler when they ask

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<v Speaker 1>for it. They don't want an opinion and they just

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<v Speaker 1>want to agree exactly.

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<v Speaker 2>You have to mind read what they want you to say, and.

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<v Speaker 1>Right, right, right, you're like agree.

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<v Speaker 2>No, yeah, walking on eggshells all the time.

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<v Speaker 1>Oh my goodness. Yeah, but we it was so it

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<v Speaker 1>was a busy ho it was a busy weekend. There

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<v Speaker 1>was a girl Scout event as well that I took

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<v Speaker 1>her to on Sunday. So so what about you? You just

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<v Speaker 1>been home, home and sniffling.

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<v Speaker 2>I've just been yeah, coughing up all sorts of things.

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<v Speaker 1>Oh lovely.

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<v Speaker 2>What have I been doing. Oh, I've had well, I

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<v Speaker 2>have renewed interest in watching all the documentaries about O. J.

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<v Speaker 2>Simpson because he passed away last week.

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<v Speaker 1>Yeah.

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<v Speaker 2>No, well, I just I just have a whole new

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<v Speaker 2>perspective on the case now because well there, yeah, forty seven,

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<v Speaker 2>I'm not you know, sixteen or what however, right at

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<v Speaker 2>the time.

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<v Speaker 1>Yeah, I mean, you know, the case, it is a

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<v Speaker 1>it's a really interesting case. It's just you know, looking at.

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<v Speaker 2>Oh, it's fascinating fast procedure and courtroom procedure and defend procedure.

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<v Speaker 2>You know, it's in race relations. I mean, there's just

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<v Speaker 2>a whole lot going on, and I did not understand

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<v Speaker 2>at the time that I do understand now. So I'm like, oh,

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<v Speaker 2>this is I'm deep. I'm in it deep. And there's no, no, no,

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<v Speaker 2>fewer than like twenty documentaries about this.

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<v Speaker 1>Oh my god, wow, you are, You're in it. You're

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<v Speaker 1>in a hyper focused deep dive.

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<v Speaker 2>I haven't watched all twenty yet.

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<v Speaker 1>Oh I thought you said what you did this weekend

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<v Speaker 1>was watch twenty O. J. Simpson documentaries, in which case

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<v Speaker 1>I was like, forget oh House, let's just let's ask

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<v Speaker 1>some questions on your thoughts.

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<v Speaker 2>Yeah. No, full House was my palate cleanser at the

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<v Speaker 2>end of the weekend, after all of this, after my dark,

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<v Speaker 2>gory yeah, documentary watching.

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<v Speaker 1>But speaking of watching things, well, we've watched, We've watched

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<v Speaker 1>another episode.

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<v Speaker 2>We're we had our episode nineteen, Like, how did this

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<v Speaker 2>season go by so fast?

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<v Speaker 1>I don't know, but nineteen is my lucky number, so yeah, uh.

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<v Speaker 2>Is it really? I did not know that that's.

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<v Speaker 1>My birthday and I just always seem to see nineteens everywhere,

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<v Speaker 1>like on on you know, my little journey along life.

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<v Speaker 1>I don't know. Yeah, okay, but yeah to nineteen. How

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<v Speaker 1>many episodes are in this season twenty four?

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<v Speaker 2>I have no idea, but that sounds right. Yeah, they

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<v Speaker 2>were ending the twenty three twenty four Yeah, so yeah, wow,

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<v Speaker 2>closing in on the end of season two. This is

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<v Speaker 2>going really fast.

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<v Speaker 1>It is going really fast and gettinganicked.

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<v Speaker 2>I'm like, I don't want this to end.

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<v Speaker 1>Well, I want to keep going. But I feel like

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<v Speaker 1>we're really the the the dynamic of the family. We're

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<v Speaker 1>really ramping up and starting to starting to we have

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<v Speaker 1>our groove. Now, we're into our groove. And I can

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<v Speaker 1>see I believe around second season, like kind of halfway

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<v Speaker 1>through was when we really started kind of blowing up,

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<v Speaker 1>and I can see I can see it happening.

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<v Speaker 2>So yes, yes, I see.

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<v Speaker 1>It's the Michelle stuff, you know, A cute little baby,

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<v Speaker 1>all of that.

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<v Speaker 2>Everyone has their roles in the family. YEA personality traits, yeah,

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<v Speaker 2>there's there's there's there's no more sea crews. It is

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<v Speaker 2>all about the family dynamics, yes, and the baby. Yes, yes,

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<v Speaker 2>they definitely know what's going on. There was no sea cruise,

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<v Speaker 2>but there was Howie. What I said, there was no

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<v Speaker 2>sea crews, but there was how Oh in season two? Yeah,

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<v Speaker 2>or I thought you're talking about this episode.

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<v Speaker 1>I'm like, I'm just saying season two, like you know,

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<v Speaker 1>there's no more, no more? Are we talking about people?

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<v Speaker 1>The good episodes? It's all right, you're on cold medsine.

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<v Speaker 2>I'm on cold medic But you're right, yea, the Howie

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<v Speaker 2>was the sea cruise of season two?

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<v Speaker 1>Was the sea crews of the second perfect. I think

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<v Speaker 1>each season we will there will be the sea cruise

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<v Speaker 1>of the sea cruise.

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<v Speaker 2>Yeah, I agree. Oh good.

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<v Speaker 1>This is who gets crews of each season.

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<v Speaker 2>So maybe towards the later seasons there's multiple sea cruise.

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<v Speaker 1>There, could you know what I mean? Like, you never know,

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<v Speaker 1>it could be, but we'll.

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<v Speaker 2>See, we'll see. Well, let's get into today's episode, shall we?

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<v Speaker 2>Welcome back to how Rude Tanato's I'm Andrea Barber and

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<v Speaker 2>I'm Jody Sweeten, and today we're discussing season two, episode nineteen,

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<v Speaker 2>Last from the Past. It originally aired on April seventh,

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<v Speaker 2>nineteen eighty nine, and it goes a little something like this,

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<v Speaker 2>Joey gets a phone call from an old girlfriend he

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<v Speaker 2>had at college ten years ago. Kimmy spellbinds DJ and

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<v Speaker 2>Staff to a very close coexistence that lasts a lot

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<v Speaker 2>longer than originally anticipated. Danny's obsession with tax codes inspires

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<v Speaker 2>Michelle to do some monstrous cleaning. There's a lot of

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<v Speaker 2>storylines and.

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<v Speaker 1>Well, really an A to B. I feel like the

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<v Speaker 1>C storyline with the monstrous cleaning is really just kind

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<v Speaker 1>of one little bit yeah moment. But yeah, but it's

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<v Speaker 1>definitely uh yeah, three completely separate and non really interacting storylines.

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<v Speaker 2>Or so, maybe that's why I didn't love, Like, I

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<v Speaker 2>didn't love this episode. But I prefer the episodes where

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<v Speaker 2>the storylines intertwined, when the writers can get the you know,

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<v Speaker 2>the storyline so that all the characters are somehow interacting

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<v Speaker 2>together and yeah, mixing the A and B. So, but

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<v Speaker 2>these were definitely very separate. Yeah, but that's okay. This

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<v Speaker 2>was directed by Tom Ricard. Tom he was our our

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<v Speaker 2>second eighty.

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<v Speaker 1>Tom's card was yeah, I think one of our ads.

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<v Speaker 1>Yeah he I know he was in that department, but yes,

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<v Speaker 1>Tom Ricard, So he got an opportunity to direct one,

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<v Speaker 1>which is really cool.

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<v Speaker 2>That's great. Good for him. I can't remember that. That's awesome.

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<v Speaker 2>This was written by Lenny Rips, who we love. We

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<v Speaker 2>love Lenny, And we have one guest star this week.

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<v Speaker 2>We have Lisa Aleff as Patty Fogerty. She's known for dragon.

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<v Speaker 1>Relation to John John Fogerty, which is why I'm sure

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<v Speaker 1>we picked the last name. For sure. John Fogerty actually

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<v Speaker 1>played one of our rat parties. Do you remember this?

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<v Speaker 2>No? Oh, of course.

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<v Speaker 1>It was the one that we had at like.

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<v Speaker 2>The l A. P.

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<v Speaker 1>D Training Center or something we had like we had

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<v Speaker 1>a and John Dodger Stadium and Dodger Stadium, Alegiant Park,

0:12:40.080 --> 0:12:42.720
<v Speaker 1>And yeah, I believe John Fogerty, who is the singer

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<v Speaker 1>of Creden's clear Water Revival and others. Uh, he performed

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<v Speaker 1>for us.

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<v Speaker 2>This is so random. Yeah, but that okay, that makes sense.

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<v Speaker 2>Why she's there?

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<v Speaker 1>We go, yeah, all right, and I'm gonna say Patty

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<v Speaker 1>because of Patty Pasarelli. Yeah, that's right.

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<v Speaker 2>Patty Pasarelli was our script eye on full and Fuller

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<v Speaker 2>and now she's Patty Mistari. Yes, okay, this is great. Oh,

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<v Speaker 2>this is like a game. We can Yes, why they've

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<v Speaker 2>named the guest stars.

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<v Speaker 1>That's what I always like to do. Why they named Yeah, yeah,

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<v Speaker 1>we had the we had the Howie Anderson, which I

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<v Speaker 1>felt like was how Candell and Louis Anderson combined. Yeah.

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<v Speaker 2>Well, Lisa was known for Dragonnet, you Can't Take It

0:13:21.720 --> 0:13:25.480
<v Speaker 2>with You and remote Control. I don't think she did

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<v Speaker 2>much acting after the eighties. Once again, we are discouraging.

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<v Speaker 1>People's from killing ever acting again for their full House appearance,

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<v Speaker 1>So we start uh in with the teaser.

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<v Speaker 2>In Michelle's room, Jesse is crouched down next to Michelle

0:13:41.760 --> 0:13:44.920
<v Speaker 2>and asks to see her temmy. She lifts up her

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<v Speaker 2>shirt and he gasps, oh my gosh, you're getting fatter

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<v Speaker 2>than your uncle, Jesse, what is even happened?

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<v Speaker 1>Sorry, this whole thing, I was like this, this was

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<v Speaker 1>I was like, what is happening?

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<v Speaker 2>This was terrible. It was even for the eight in

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<v Speaker 2>nineteen eighty nine.

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<v Speaker 1>This is terrible.

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<v Speaker 2>You don't say that too a baby, a girl, a

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<v Speaker 2>human like, that's that's terrible, like way to give her

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<v Speaker 2>a complex that they are.

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<v Speaker 1>We fat shaming a baby. Yes, with the working out

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<v Speaker 1>member was just oh.

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<v Speaker 2>Yeah, oh and it's always Jesse too.

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<v Speaker 1>Wow.

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<v Speaker 2>A weird way to encourage a toddler to get dressed

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<v Speaker 2>to you fat shame them in order to encourage you should.

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<v Speaker 1>Yeah, I don't, I don't like. I don't like Lari's

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<v Speaker 1>problem with this one like this.

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<v Speaker 2>So he encourages her to put the sweater on, and

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<v Speaker 2>Michelle demands that she is going to put the sweater

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<v Speaker 2>on herself. Jesse's surprised, feeling a little independent, are you?

0:14:41.080 --> 0:14:43.760
<v Speaker 2>He walks over to the rocking chair and he says, Okay,

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<v Speaker 2>that's fine with me. I'll just sit down and catch

0:14:46.080 --> 0:14:49.600
<v Speaker 2>up on my doctor Seuss. He whistles as he reads Horton,

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<v Speaker 2>Here's a Who.

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<v Speaker 1>Do they have any other Michelle books for Michelle? Other

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<v Speaker 1>than Horton? Here's a Who.

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<v Speaker 2>That's the only one that they owns. That's the only

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<v Speaker 2>one that they read.

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<v Speaker 1>Right, it's I mean, needs to pick it up. We

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<v Speaker 1>probably all have it memorized by now, right, right.

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<v Speaker 2>It's like, come on, I know we had it in

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<v Speaker 2>the budget to get at least one other doctor.

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<v Speaker 1>Another doctor. Well maybe that was all we could get cleared.

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<v Speaker 2>Oh yeah, I know they were probably more accurate. Yeah.

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<v Speaker 2>So Michelle is struggling to put on her sweater and

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<v Speaker 2>she shouts help. Jesse gives an over the top laugh

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<v Speaker 2>and grabs her spastically, putting her sweater on. He sighs,

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<v Speaker 2>I told you it was a two man job. Michelle

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<v Speaker 2>smiles and claims, I did it. Good for you, Michelle. Good.

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<v Speaker 1>You tell him, you tell him, Michelle.

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<v Speaker 2>Yeah, this is they're terrible lessons happening. He's fat shaming

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<v Speaker 2>a baby. He's saying that she can't do it without

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<v Speaker 2>a man.

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<v Speaker 1>Right, he's you know, this is this is well, it's

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<v Speaker 1>again very very telling of you know, kind of where

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<v Speaker 1>Jesse is at, still in season two, still really working

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<v Speaker 1>on on on, you know, uh, reshaping himself. Uh not

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<v Speaker 1>in the image of Grandpa Nick, who we see is

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<v Speaker 1>also uh incredibly problematic.

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<v Speaker 2>So yeah, every time Jesse makes some growth, it's they

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<v Speaker 2>got a reeling back in and remind you that no, no, no,

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<v Speaker 2>he's not there yet.

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<v Speaker 1>He's not there yet.

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<v Speaker 2>He's on his way.

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<v Speaker 1>He's trying. There, he's trying. And you know again, I

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<v Speaker 1>just from the moment he was like, let me see it,

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<v Speaker 1>I was like, why are we doing why?

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<v Speaker 2>Why? Yeah, this whole teaser was problematic, but yeah, thank goodness,

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<v Speaker 2>it's just the teaser and that does nothing to do

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<v Speaker 2>with the rest of the episode. Because yeah, yeah, all right,

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<v Speaker 2>well let's get out of that. Let's get out of that.

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<v Speaker 2>We start again in Joey's room. Jesse is sitting at

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<v Speaker 2>his desk throwing darts, Michelle is coloring on the floor,

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<v Speaker 2>and Joey lays on his bed. It's a very productive

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<v Speaker 2>work day, indeed.

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<v Speaker 1>Indeed, well at least Michelle's not by herself in her crib.

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<v Speaker 2>Yeah, that's true. This is an improvement.

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<v Speaker 1>Yeah.

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<v Speaker 2>Joey asks if Jesse's had any thoughts on their muffler

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<v Speaker 2>commercial yet. Jesse admits no, but I found something very interesting.

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<v Speaker 2>If you shake a pencil just right, it looks like

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<v Speaker 2>it's turned to rubber, and he wiggles his pencil to

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<v Speaker 2>prove it. That's what I remember when I learned that. Yeah,

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<v Speaker 2>in elementary did Jesse just learn this though? Yeah? I

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<v Speaker 2>think that's what I got from this. Yeah, yeah, at

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<v Speaker 2>twenty eight he just learned this.

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<v Speaker 1>Well, he was very busy, you know, chasing girls around school,

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<v Speaker 1>not making rubber pencils.

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<v Speaker 2>He wasn't spending a lot of time writing with number

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<v Speaker 2>two pencils. Do home work or tests. Danny walks in

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<v Speaker 2>and asks the guys if they're working. Michelle answers no

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<v Speaker 2>for them, Yes, Michelle, you tell it like it is, Yeah,

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<v Speaker 2>Joey mutters. Snitch. Danny tells them that he loves this

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<v Speaker 2>time of year, first spring cleaning and now it's income

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<v Speaker 2>tax time.

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<v Speaker 1>I worried about Danny sometimes, you know, I work. Sometimes

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<v Speaker 1>I'm like, are you so square?

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<v Speaker 2>You know?

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<v Speaker 1>Yeah, who likes income taxes? I don't even think tax

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<v Speaker 1>people like income tax time, and only because they're like,

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<v Speaker 1>I'm so busy, Like I know, you know next month,

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<v Speaker 1>I'll get a break in a vacation, baby, But.

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<v Speaker 2>Yeah, no, my tax. Anytime I see my cpa, he's

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<v Speaker 2>always I've been up since two. I am sorry, buddy,

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<v Speaker 2>He's on his tenth cup of coffee. By eight am,

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<v Speaker 2>the phone rings, and Michelle stands up to get it. Hello,

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<v Speaker 2>hi lady, she says. The boys stare at her with

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<v Speaker 2>big smiles. Michelle continues, I went poop poo in the potty.

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<v Speaker 2>That's so true. That is what they do. Though they're

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<v Speaker 2>so proud when they finally poop in the potty. They

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<v Speaker 2>want to tell everyone that they see.

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<v Speaker 1>Very true. Although I'm surprised that they're still letting Michelle

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<v Speaker 1>answer the phone because every time she does. It doesn't

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<v Speaker 1>go well, and yet they're like, oh, look, here we

0:18:36.920 --> 0:18:40.400
<v Speaker 1>go again. Michelle's going to answer the phone. Yeah, like's

0:18:40.440 --> 0:18:40.800
<v Speaker 1>so cute.

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<v Speaker 2>She's a little secretary.

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<v Speaker 1>Yes, we're just gonna stand here and wait for the

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<v Speaker 1>toddler to screw it up.

0:18:47.040 --> 0:18:49.639
<v Speaker 2>Jesse says, I hope that's the wrong number. He races

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<v Speaker 2>over to grab the phone and he tells Joey it's

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<v Speaker 2>for him. There's a woman on the other line named

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<v Speaker 2>Patty Fogerty. Joey is shocked. Patty Danny really finishes foger tea.

0:19:02.880 --> 0:19:06.760
<v Speaker 2>Jesse asks who that is by mimicking their reactions. Joey

0:19:06.800 --> 0:19:09.560
<v Speaker 2>tells him it's his old girlfriend from college, but he

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<v Speaker 2>can't talk to her. He says, Patty was the one

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<v Speaker 2>I was going to ask her to marry me. Danny adds,

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<v Speaker 2>until she walked out on you. No phone call, no goodbye.

0:19:21.800 --> 0:19:24.240
<v Speaker 2>Joey says she left him a note, and Danny reminds

0:19:24.320 --> 0:19:29.960
<v Speaker 2>him on her new boyfriend's stationary. Yes, first of all,

0:19:31.080 --> 0:19:35.080
<v Speaker 2>what yeah, what college god stationary?

0:19:35.359 --> 0:19:38.200
<v Speaker 1>Like that is? I mean, you know again, not if

0:19:38.240 --> 0:19:42.000
<v Speaker 1>you do great to you, sir, because you obviously are

0:19:42.119 --> 0:19:42.760
<v Speaker 1>quite fancy.

0:19:43.160 --> 0:19:46.720
<v Speaker 2>But I just feel like, that's not a priority for

0:19:46.800 --> 0:19:51.800
<v Speaker 2>college any college student, male, female or otherwise. That's just yeah.

0:19:51.840 --> 0:19:53.359
<v Speaker 1>I mean, I have stationary with my name on it

0:19:53.400 --> 0:19:54.800
<v Speaker 1>now that I don't use, yeah.

0:19:55.000 --> 0:19:58.160
<v Speaker 2>Exactly, so I take it out once a year when

0:19:58.160 --> 0:20:00.240
<v Speaker 2>I'm writing to someone really import.

0:20:00.359 --> 0:20:05.080
<v Speaker 1>Apparently this guy had quite the stationary collection, so Danny.

0:20:04.840 --> 0:20:07.400
<v Speaker 2>Tells Joey to face it. She ripped out his heart,

0:20:07.720 --> 0:20:09.920
<v Speaker 2>threw it on the ground, and did a Mexican hat

0:20:10.040 --> 0:20:12.359
<v Speaker 2>dance on it, and he does the dance right on

0:20:12.440 --> 0:20:12.840
<v Speaker 2>the point home.

0:20:12.960 --> 0:20:14.520
<v Speaker 1>We don't know, We don't don't.

0:20:14.200 --> 0:20:17.480
<v Speaker 2>Do that anymore. They could have just said dance and yeah,

0:20:17.800 --> 0:20:21.680
<v Speaker 2>made something up, but okay, okay. Nineteen eighty nine, Jesse

0:20:21.800 --> 0:20:24.520
<v Speaker 2>hands the phone to Joey. Joey is willing to speak

0:20:24.560 --> 0:20:26.840
<v Speaker 2>to her, but he but assures the guys that he

0:20:26.920 --> 0:20:31.520
<v Speaker 2>will not see her. He answers, Hello, Patricia, come on over.

0:20:31.720 --> 0:20:34.280
<v Speaker 2>My address is eighteen eighty two Gerard. I'll see you

0:20:34.320 --> 0:20:37.600
<v Speaker 2>tonight at seven. The last time we heard the address

0:20:37.640 --> 0:20:40.920
<v Speaker 2>of the house was the Thanksgiving episode in season That's

0:20:41.000 --> 0:20:41.400
<v Speaker 2>I was going.

0:20:41.400 --> 0:20:43.800
<v Speaker 1>To say, have we heard the I knew we had

0:20:43.840 --> 0:20:47.080
<v Speaker 1>heard Gerard before, but I couldn't remember. But now yes,

0:20:47.160 --> 0:20:49.600
<v Speaker 1>I do remember, because they are the women and the

0:20:49.640 --> 0:20:51.840
<v Speaker 1>women are calling, they're like eighteen eighty two Gerard.

0:20:51.960 --> 0:20:57.000
<v Speaker 2>Yeah, yeah, So Danny gives a disapproving look. Joey defends himself.

0:20:57.359 --> 0:21:01.320
<v Speaker 2>She said, please, Danny sighs, why don't just leave your

0:21:01.440 --> 0:21:03.719
<v Speaker 2>heart on the front doorstep so she can wipe her

0:21:03.800 --> 0:21:07.520
<v Speaker 2>feet on it. Jesse sticks up for Joey, saying he's

0:21:07.560 --> 0:21:10.800
<v Speaker 2>able to make his own decisions. Then he proceeds to

0:21:10.800 --> 0:21:12.760
<v Speaker 2>tell Joey everything he needs to do. When he sees

0:21:12.800 --> 0:21:16.240
<v Speaker 2>Patty Danny motions ripping out his heart, throwing it on

0:21:16.280 --> 0:21:17.879
<v Speaker 2>the floor and then dancing on it.

0:21:19.320 --> 0:21:22.440
<v Speaker 1>Was this, I mean this was this the origin of

0:21:22.560 --> 0:21:28.119
<v Speaker 1>the when he's like ripping Yeah, yeah, that's I didn't

0:21:28.160 --> 0:21:29.680
<v Speaker 1>think it. I don't think it. I don't think it is.

0:21:29.760 --> 0:21:31.080
<v Speaker 1>I don't think it was the origin.

0:21:32.440 --> 0:21:36.440
<v Speaker 2>We're talking about Bob's tendency to do this bit, yeah,

0:21:36.640 --> 0:21:41.080
<v Speaker 2>where he pretends he's Indiana jonesbody rips open his chest.

0:21:40.920 --> 0:21:43.640
<v Speaker 1>Cavity right, and he's like using his like the intestine

0:21:44.720 --> 0:21:47.480
<v Speaker 1>and people are like, what is his organs as a lasso?

0:21:47.920 --> 0:21:50.680
<v Speaker 1>Like that's not funny. I know it doesn't sound like it,

0:21:50.960 --> 0:21:54.520
<v Speaker 1>but it is strangely when Bob did the song and

0:21:54.640 --> 0:21:56.320
<v Speaker 1>went completely bananas with it.

0:21:56.480 --> 0:21:59.600
<v Speaker 2>Yeah, but this was all the time, every note session,

0:22:00.040 --> 0:22:01.439
<v Speaker 2>he would always be doing this bit.

0:22:01.560 --> 0:22:03.720
<v Speaker 1>But this is what this is what it reminds me

0:22:03.760 --> 0:22:05.080
<v Speaker 1>of when he rips his heart out and does his

0:22:05.119 --> 0:22:09.320
<v Speaker 1>little dance exactly. There's any time Bob dances, it's just ridiculous.

0:22:10.440 --> 0:22:13.840
<v Speaker 1>Just he's just you know, he's flailing around, you know,

0:22:14.359 --> 0:22:15.000
<v Speaker 1>he's like Gumby.

0:22:15.200 --> 0:22:27.040
<v Speaker 2>Yeah. Yeah. So next we're in Stephan DJ's room. Kimmy

0:22:27.320 --> 0:22:30.679
<v Speaker 2>is standing in front of DJ Stephan Michelle displaying an

0:22:30.720 --> 0:22:34.920
<v Speaker 2>empty tube. My wolf Man hair is back. It's starting

0:22:34.960 --> 0:22:35.560
<v Speaker 2>to resemble.

0:22:36.200 --> 0:22:38.120
<v Speaker 1>He kind of curves out this time.

0:22:38.800 --> 0:22:41.600
<v Speaker 2>Yeah, I mean to resemble the mullet. It's starting to

0:22:41.680 --> 0:22:44.359
<v Speaker 2>resemble a little bit, a little bit Jesse's mullet.

0:22:44.800 --> 0:22:48.840
<v Speaker 1>Yeah, it's got some wing action for sure, like turned

0:22:48.960 --> 0:22:51.760
<v Speaker 1>out like it's a pearl brush that's been you know,

0:22:52.080 --> 0:22:53.320
<v Speaker 1>turned out for that feathered look.

0:22:54.040 --> 0:22:57.280
<v Speaker 2>I don't know if they're trying to improve it and failing,

0:22:58.040 --> 0:23:00.359
<v Speaker 2>or if this maybe I requested this, I don't. I

0:23:00.400 --> 0:23:02.400
<v Speaker 2>don't know, but it's bad. What if this wasn't.

0:23:02.200 --> 0:23:07.680
<v Speaker 1>Improvement what happened? Maybe maybe maybe it just wasn't doing it.

0:23:08.400 --> 0:23:09.520
<v Speaker 2>We have to mold this.

0:23:10.440 --> 0:23:12.240
<v Speaker 1>I don't know, like Clay, I don't know.

0:23:12.400 --> 0:23:16.960
<v Speaker 2>It's it's physically painful to look at like it. I well,

0:23:17.240 --> 0:23:19.320
<v Speaker 2>we need to move to a different season or a

0:23:19.400 --> 0:23:21.080
<v Speaker 2>different hair sty for something.

0:23:21.119 --> 0:23:23.000
<v Speaker 1>But for the rest of us, it's a joy. For

0:23:23.000 --> 0:23:27.960
<v Speaker 1>the rest of us, it's it's it's like a marker

0:23:28.000 --> 0:23:31.040
<v Speaker 1>of time, you know. It's like Jesse the length of

0:23:31.080 --> 0:23:34.040
<v Speaker 1>Jesse's mullet, like as you can you know where you

0:23:34.200 --> 0:23:38.960
<v Speaker 1>are in in the decade by like a mullet like

0:23:39.240 --> 0:23:45.200
<v Speaker 1>yours in shape and shrinks and shifts depending on where

0:23:45.280 --> 0:23:49.359
<v Speaker 1>we are in the season. It's actually responding to the

0:23:50.000 --> 0:23:54.720
<v Speaker 1>weather and the the curt events. So it's yeah, yeah, yeah.

0:23:54.920 --> 0:23:58.159
<v Speaker 1>Kimmy's hair is uh, it's a weather vein basically, and

0:23:58.320 --> 0:24:01.639
<v Speaker 1>it tells you if it's Carl the fog must be

0:24:01.720 --> 0:24:04.159
<v Speaker 1>coming in because her hair is just really poofy. The

0:24:04.280 --> 0:24:09.879
<v Speaker 1>humidity is out of control. I love Did I break you?

0:24:11.119 --> 0:24:13.720
<v Speaker 1>I think I broke you? Oh my god, I broke

0:24:13.760 --> 0:24:14.120
<v Speaker 1>it big.

0:24:15.960 --> 0:24:18.000
<v Speaker 2>I'm dying. I'm dying.

0:24:19.240 --> 0:24:23.560
<v Speaker 1>I have actual tears. I didn't know that was gonna

0:24:23.640 --> 0:24:26.879
<v Speaker 1>hit that hard. I'm so happy, I'm so glad I

0:24:26.880 --> 0:24:29.600
<v Speaker 1>could make you laugh. Also, I think I'll I think

0:24:29.640 --> 0:24:32.560
<v Speaker 1>you're a much better audience on cold beds, So I'm

0:24:32.600 --> 0:24:33.800
<v Speaker 1>gonna require that from now on.

0:24:34.320 --> 0:24:37.680
<v Speaker 2>That's true. Anytime. That's the next time you go do

0:24:37.760 --> 0:24:38.120
<v Speaker 2>a set.

0:24:39.480 --> 0:24:42.840
<v Speaker 1>Gave everybody cold misone, some like Nate, Nike Wull or

0:24:42.880 --> 0:24:44.240
<v Speaker 1>DG and Yeah, and she'd be like, this is gonna

0:24:44.240 --> 0:24:45.080
<v Speaker 1>be a great set, you guys.

0:24:47.600 --> 0:24:49.680
<v Speaker 2>I would crack up every time I see her hair

0:24:50.119 --> 0:24:50.920
<v Speaker 2>her my hair.

0:24:51.080 --> 0:24:52.680
<v Speaker 1>Well, now you can refer to it as her hair

0:24:52.680 --> 0:24:54.679
<v Speaker 1>because it's you might want to distance yourself.

0:24:54.400 --> 0:24:56.159
<v Speaker 2>A little and be like her. Yeah. Well, it's got

0:24:56.240 --> 0:24:58.399
<v Speaker 2>a heartbeat of its own, for sure. It is definitely

0:24:59.440 --> 0:25:00.440
<v Speaker 2>connected to me at all.

0:25:00.560 --> 0:25:01.960
<v Speaker 1>It is its title card.

0:25:05.000 --> 0:25:10.560
<v Speaker 2>Yeah. So okay, deep breath, Entera, deep breath. Okay, I'm

0:25:10.560 --> 0:25:12.080
<v Speaker 2>gonna have to look at your forehead now and not

0:25:12.240 --> 0:25:14.960
<v Speaker 2>your dies because that's like just like back in the day. Yeah,

0:25:15.800 --> 0:25:18.080
<v Speaker 2>where are we? Okay, so we're still into stuff in

0:25:18.160 --> 0:25:21.720
<v Speaker 2>DJ's room. We're only on scene two. Sorry, that's okay.

0:25:22.680 --> 0:25:26.080
<v Speaker 2>Kimmy asks Michelle to say the magic words, so Michelle

0:25:26.160 --> 0:25:29.639
<v Speaker 2>shouts please and thank you. Kimmy magically pulls out a

0:25:29.680 --> 0:25:32.680
<v Speaker 2>bouquet of fake flowers from the tube. The girl's clap

0:25:32.880 --> 0:25:36.720
<v Speaker 2>and Michelle compliments her good magic. DJ stands up to

0:25:36.760 --> 0:25:39.920
<v Speaker 2>take a turn. She's rocking an amazing little half upside

0:25:40.320 --> 0:25:42.080
<v Speaker 2>yeah thing, it was super cute, a.

0:25:42.080 --> 0:25:42.920
<v Speaker 1>Little half and half.

0:25:43.800 --> 0:25:46.240
<v Speaker 2>She grabs a small black curtain and tells the girls

0:25:46.480 --> 0:25:51.000
<v Speaker 2>and now the ball of mystery. A yellow ball appears

0:25:51.040 --> 0:25:53.680
<v Speaker 2>to be floating behind the curtain. She tosses the ball

0:25:53.760 --> 0:25:56.880
<v Speaker 2>in the air and accidentally throws it towards Steph. Steph

0:25:56.960 --> 0:25:59.119
<v Speaker 2>grabs it and hands it back to DJ, and the

0:25:59.240 --> 0:26:02.840
<v Speaker 2>magic trick is revealed. A fake hand was holding the

0:26:02.920 --> 0:26:04.160
<v Speaker 2>curtain the whole time.

0:26:05.160 --> 0:26:07.600
<v Speaker 1>You'd never know that fake hand looked so real.

0:26:08.359 --> 0:26:13.520
<v Speaker 2>It looks so it looked very genuine. Yeah, Kimmy butts in,

0:26:13.800 --> 0:26:16.680
<v Speaker 2>let's get back to some real magic. She asks for

0:26:16.760 --> 0:26:19.680
<v Speaker 2>two volunteers, and Michelle shoots her hand up in the air.

0:26:19.920 --> 0:26:23.320
<v Speaker 2>Me me, me, me, Kimmy points to Stephan DJ I'll

0:26:23.400 --> 0:26:28.119
<v Speaker 2>pick you and you. Michelle responds, on nuts, was this

0:26:28.240 --> 0:26:28.960
<v Speaker 2>the that.

0:26:29.080 --> 0:26:33.080
<v Speaker 1>Was something that she that would like? Betchelle catchphrase was

0:26:33.119 --> 0:26:35.200
<v Speaker 1>on yeah this is our first.

0:26:35.440 --> 0:26:37.400
<v Speaker 2>Uh I think this is our first? Aw nuts? Yeah,

0:26:37.880 --> 0:26:40.359
<v Speaker 2>she's very funny. She throws the magic flower bouquet on

0:26:40.400 --> 0:26:42.679
<v Speaker 2>the on the ground and runs out and the audience

0:26:42.720 --> 0:26:46.040
<v Speaker 2>loves it. The audience cheering, Yeah, they loved aw nuts.

0:26:46.520 --> 0:26:48.359
<v Speaker 2>You know. At that moment, Jeff's making a note in

0:26:48.400 --> 0:26:49.760
<v Speaker 2>a script. He's like, Oh, this is gonna be a

0:26:49.800 --> 0:26:54.040
<v Speaker 2>catchphrase because it got a good response. Yep. Kimmy directs

0:26:54.359 --> 0:26:56.800
<v Speaker 2>their attention back to her and shows them a pair

0:26:56.880 --> 0:27:00.399
<v Speaker 2>of solid steel handcuffs. She looks to Steph and asks,

0:27:01.920 --> 0:27:05.760
<v Speaker 2>have we ever met before? Steph nods, unfortunately, we have.

0:27:07.320 --> 0:27:10.080
<v Speaker 2>Kimmy places the handcuffs on her two volunteers and puts

0:27:10.119 --> 0:27:13.280
<v Speaker 2>a red scarf on top. She waves her hands over

0:27:13.400 --> 0:27:18.480
<v Speaker 2>the scarf. Presto Chaninjoh, you're free, Stephan, DJ tuck on

0:27:18.760 --> 0:27:22.800
<v Speaker 2>tug on the handcuffs, but they're still locked together. H.

0:27:24.040 --> 0:27:26.600
<v Speaker 2>Kimmy panics, I'll go home and get the key. If

0:27:26.640 --> 0:27:29.040
<v Speaker 2>your dad finds out, he'll call my mom and she'll

0:27:29.080 --> 0:27:31.440
<v Speaker 2>tell my brother I took his magic set and he'll

0:27:31.520 --> 0:27:35.719
<v Speaker 2>make my life disappear. Steph Glarre's at her. He already

0:27:35.840 --> 0:27:38.560
<v Speaker 2>major brain disappear and.

0:27:38.640 --> 0:27:41.840
<v Speaker 1>DJ laughs at this, Yeah, I mean there's no loyalty.

0:27:41.960 --> 0:27:44.800
<v Speaker 1>She's well, she's handcuffed to her sister. Who she can't stand.

0:27:44.920 --> 0:27:50.840
<v Speaker 1>So you know, she's Kimmy's Kimmy's enemy. Kimmy is gonna

0:27:50.840 --> 0:27:51.280
<v Speaker 1>be laughed at.

0:27:52.119 --> 0:27:54.320
<v Speaker 2>So next, in the living room, Danny's on the couch

0:27:54.480 --> 0:27:56.840
<v Speaker 2>with a whole table of forms and papers spread out

0:27:56.880 --> 0:28:01.640
<v Speaker 2>in front of him. Jesse walks in, eating cold fried chicken. Yeah,

0:28:03.040 --> 0:28:06.240
<v Speaker 2>it's like every episode now it's it's it's like, it's

0:28:07.200 --> 0:28:10.359
<v Speaker 2>it's a thing. It's a thing now. Uh. He asks

0:28:10.520 --> 0:28:13.440
<v Speaker 2>why he isn't doing the short form to save time,

0:28:13.680 --> 0:28:17.000
<v Speaker 2>and Danny responds, you wouldn't ask such silly questions if

0:28:17.040 --> 0:28:19.760
<v Speaker 2>you would take the time to read your tax codes.

0:28:20.200 --> 0:28:24.520
<v Speaker 1>Which everyone does, including accountants. Nobody reads a tips, nobody reads.

0:28:24.400 --> 0:28:28.240
<v Speaker 2>The tax codes now. Danny holds a thick book in

0:28:28.280 --> 0:28:31.760
<v Speaker 2>front of Jesse and tells him to study, learn save.

0:28:32.480 --> 0:28:36.399
<v Speaker 2>Jesse adds snooze. Danny tells him he could get a

0:28:36.480 --> 0:28:40.120
<v Speaker 2>refund of thousands of dollars, and Jesse immediately shows interest.

0:28:41.240 --> 0:28:43.680
<v Speaker 2>Joey walks in wearing a suit and tie and asks

0:28:43.720 --> 0:28:47.040
<v Speaker 2>the boys what they think. Dave really does look great.

0:28:46.880 --> 0:28:51.240
<v Speaker 1>And he looks great. He looks great, but like definitely

0:28:51.360 --> 0:28:53.840
<v Speaker 1>not you know, low key.

0:28:55.240 --> 0:28:55.760
<v Speaker 2>For the state.

0:28:56.600 --> 0:28:58.920
<v Speaker 1>Yeah, well it's not even antaement. She's just like coming

0:28:58.920 --> 0:29:01.920
<v Speaker 1>to stop. She looks like she's going on a date.

0:29:02.440 --> 0:29:05.560
<v Speaker 2>Yeah. Yeah, they're definitely dressed like they're going on a date.

0:29:06.320 --> 0:29:08.400
<v Speaker 2>They're not trying to impress each other, but they are

0:29:08.600 --> 0:29:12.400
<v Speaker 2>like they're trying too hard, right. Jesse claps and goes

0:29:12.440 --> 0:29:16.040
<v Speaker 2>over to straighten Joey's jacket, while Danny pleads don't try

0:29:16.080 --> 0:29:18.840
<v Speaker 2>to impress her. Joe just wants to show her what

0:29:19.080 --> 0:29:22.680
<v Speaker 2>she gave up ten years ago. Okay. The doorbell rings

0:29:22.720 --> 0:29:25.320
<v Speaker 2>and he gets nervous. Jesse tells him just do everything

0:29:25.360 --> 0:29:28.400
<v Speaker 2>we worked on. Be cool, be smooth, be a heartbreaker.

0:29:30.200 --> 0:29:32.640
<v Speaker 2>Joey answers the door to Patty and they both say hi.

0:29:33.520 --> 0:29:35.880
<v Speaker 2>Joey tells her she looks great and asks, did you

0:29:35.960 --> 0:29:40.640
<v Speaker 2>bring back my Peter Frampton album. Patty responds with a smile, Oh,

0:29:40.760 --> 0:29:44.320
<v Speaker 2>you're still making me laugh. Joey walks over to Jesse

0:29:44.440 --> 0:29:47.040
<v Speaker 2>and introduces the two of them. Then he moves on

0:29:47.120 --> 0:29:49.280
<v Speaker 2>to Danny, who gets up from the couch and shakes

0:29:49.320 --> 0:29:53.120
<v Speaker 2>her hand. Patty admits seeing you and joe together brings

0:29:53.200 --> 0:29:56.720
<v Speaker 2>back so many memories. Danny responds, I'll bet seeing you

0:29:56.960 --> 0:30:00.720
<v Speaker 2>brings back a few memories for Joey too. Patty turns

0:30:00.760 --> 0:30:02.360
<v Speaker 2>to Joey, saying how great it is that he and

0:30:02.480 --> 0:30:05.680
<v Speaker 2>Danny are still friends, and Danny motions the ripping his

0:30:05.760 --> 0:30:07.560
<v Speaker 2>heart out, throwing it on the floor and dancing on

0:30:07.600 --> 0:30:10.640
<v Speaker 2>it shpiel that he did earlier, but Patty catches him

0:30:10.680 --> 0:30:14.520
<v Speaker 2>doing the dance. Danny tells her, oh, reminiscing always makes

0:30:14.560 --> 0:30:19.080
<v Speaker 2>me feel like dancing. Patty's confused, so Joey invites her

0:30:19.120 --> 0:30:20.680
<v Speaker 2>down to his room because it's kind of hard to

0:30:20.760 --> 0:30:24.120
<v Speaker 2>talk in the middle of a fiesta. Jesse tells Danny

0:30:24.200 --> 0:30:26.800
<v Speaker 2>he looks depressed. He hands in the tax codebook to

0:30:26.880 --> 0:30:27.719
<v Speaker 2>try and cheer him up.

0:30:27.880 --> 0:30:30.160
<v Speaker 1>Can I say, though, Patty looks a lot like Pam.

0:30:31.080 --> 0:30:33.239
<v Speaker 2>Oh my gosh. Yes. I was looking at the two

0:30:33.280 --> 0:30:34.760
<v Speaker 2>of them on the door stoop and I was like,

0:30:34.840 --> 0:30:37.440
<v Speaker 2>they could be the Tanner girl's parents like they look.

0:30:37.560 --> 0:30:41.320
<v Speaker 1>So I'm just back to the conspiracy theory.

0:30:41.880 --> 0:30:44.840
<v Speaker 2>Yeah, yeah, she does look like she could be related.

0:30:44.960 --> 0:30:48.760
<v Speaker 1>If this were a soap opera, that would be Pam's

0:30:48.800 --> 0:30:51.320
<v Speaker 1>twin that came back the evil. Then you find out

0:30:51.400 --> 0:30:54.440
<v Speaker 1>later that it's actually her back from the dead or something. Yeah,

0:30:55.160 --> 0:30:56.320
<v Speaker 1>and that joe is actually the father.

0:30:57.720 --> 0:31:00.960
<v Speaker 2>Patti is definitely the Stefano Demera of episode. Yes, for

0:31:01.080 --> 0:31:04.600
<v Speaker 2>sure the villain. So as Joey and Patty walked downstairs,

0:31:04.720 --> 0:31:07.240
<v Speaker 2>he explains he moved in with Danny to help raise

0:31:07.280 --> 0:31:10.240
<v Speaker 2>the three girls. She tells him he hasn't changed a

0:31:10.440 --> 0:31:13.320
<v Speaker 2>bit and reaches towards him for a big hug, but

0:31:13.440 --> 0:31:16.840
<v Speaker 2>Joey doesn't hug her back. He asks, why are you here?

0:31:17.480 --> 0:31:18.600
<v Speaker 1>Yeah? Where are you here?

0:31:18.760 --> 0:31:18.920
<v Speaker 2>Yeah?

0:31:19.360 --> 0:31:21.960
<v Speaker 1>And why is your jacket made out of a couch?

0:31:23.200 --> 0:31:25.880
<v Speaker 2>It does look a little it's like the seventies.

0:31:25.680 --> 0:31:28.720
<v Speaker 1>Made out of a seventies couch or something that you

0:31:28.760 --> 0:31:31.960
<v Speaker 1>would make Mary Poppins like carpetbag out of. Oh yeah,

0:31:32.280 --> 0:31:33.400
<v Speaker 1>it's exactly what it looked like.

0:31:33.880 --> 0:31:37.200
<v Speaker 2>It was heavy and hot, like a right thick heavy material.

0:31:37.360 --> 0:31:38.520
<v Speaker 2>You know, she was sweating under that.

0:31:38.720 --> 0:31:41.360
<v Speaker 1>Yeah, you could make curtains out of It's like the

0:31:42.120 --> 0:31:44.120
<v Speaker 1>blackout curtains, right right? You take yeah, you take the

0:31:44.440 --> 0:31:45.719
<v Speaker 1>shirt and actually make curtains.

0:31:48.000 --> 0:31:51.840
<v Speaker 2>So Patty admits she was married and just got a divorce.

0:31:52.400 --> 0:31:54.880
<v Speaker 2>So she started to think about the last time she

0:31:55.120 --> 0:31:58.360
<v Speaker 2>was really happy, and that was when she was with Joey.

0:31:59.480 --> 0:32:01.200
<v Speaker 2>Can we say rebound, right?

0:32:01.360 --> 0:32:04.280
<v Speaker 1>I was like I literally wrote down rebound. Be careful.

0:32:04.760 --> 0:32:08.800
<v Speaker 2>Yeah, there's a big old red flag, Joey. Joey begins

0:32:08.880 --> 0:32:10.800
<v Speaker 2>to say there were a lot of good times, but

0:32:10.880 --> 0:32:14.040
<v Speaker 2>then Patty interrupts him. Oh, Popeye, you still have the

0:32:14.160 --> 0:32:14.880
<v Speaker 2>doll I gave you.

0:32:15.280 --> 0:32:17.960
<v Speaker 1>Ah, now we have an origin story for that. Okay.

0:32:18.080 --> 0:32:21.480
<v Speaker 2>Oh yeah, yeah, okay, it's starting. It's all we're piecing

0:32:21.520 --> 0:32:24.320
<v Speaker 2>it all together. She picks up the doll and sits

0:32:24.360 --> 0:32:26.600
<v Speaker 2>on his bed. You remember the first time you did

0:32:26.640 --> 0:32:29.440
<v Speaker 2>the voice for me? Joey takes a seat next to her,

0:32:29.680 --> 0:32:32.120
<v Speaker 2>remembering it was after their first kiss.

0:32:32.640 --> 0:32:36.440
<v Speaker 1>Can you imagine if you kiss somebody and then they

0:32:36.480 --> 0:32:37.840
<v Speaker 1>did a pop Eye voice, that.

0:32:38.280 --> 0:32:40.920
<v Speaker 2>Would be an immediate no. That would be a break

0:32:41.040 --> 0:32:41.480
<v Speaker 2>in the date.

0:32:41.600 --> 0:32:48.840
<v Speaker 1>I'm glad you did that now. Yes, nothing that I'm

0:32:48.840 --> 0:32:51.520
<v Speaker 1>not I've lost. Yeah, its not.

0:32:52.080 --> 0:32:53.840
<v Speaker 2>There is a time and a place, and a first

0:32:53.920 --> 0:32:55.320
<v Speaker 2>kiss is not it or anything.

0:32:55.360 --> 0:32:59.080
<v Speaker 1>But apparently she was very impressed with the pope bye

0:32:59.160 --> 0:33:00.600
<v Speaker 1>because she she's in a botom a doll.

0:33:01.400 --> 0:33:04.120
<v Speaker 2>Oh yeah, she's she's that's that turns her on. For

0:33:04.200 --> 0:33:08.280
<v Speaker 2>some reason. Patty says that anytime she needs a good laugh,

0:33:08.400 --> 0:33:12.000
<v Speaker 2>she thinks about the first time she saw him. Joey laughs,

0:33:12.080 --> 0:33:16.640
<v Speaker 2>Oh no, not halftime at the homecoming game. She nods, Yep,

0:33:17.200 --> 0:33:19.920
<v Speaker 2>fifty six thousand people waiting to see the crowning of

0:33:20.000 --> 0:33:24.440
<v Speaker 2>the homecoming queen, and there's this maniac streaker streaking the

0:33:24.560 --> 0:33:27.320
<v Speaker 2>full length of the football field. Fuck naked.

0:33:27.640 --> 0:33:29.400
<v Speaker 1>No, they were in college, right, because I was like,

0:33:29.480 --> 0:33:32.480
<v Speaker 1>fifty six thousand people at a high school. Oh yeah,

0:33:32.480 --> 0:33:34.360
<v Speaker 1>but then, okay, it was like collegeh.

0:33:34.040 --> 0:33:35.880
<v Speaker 2>That's a lot, even for college. It seems like a lot.

0:33:35.920 --> 0:33:39.000
<v Speaker 2>They must have gone to a big university, San Francisco

0:33:39.120 --> 0:33:42.680
<v Speaker 2>State fifty six. And does everyone show up? Well, I

0:33:42.680 --> 0:33:45.280
<v Speaker 2>guess yeah, the homecoming game is popular, but that did

0:33:45.360 --> 0:33:46.800
<v Speaker 2>seem like an extraordinary.

0:33:46.600 --> 0:33:48.200
<v Speaker 1>It was an extraordinary amount of people.

0:33:48.880 --> 0:33:51.520
<v Speaker 2>Joey insists he was not buck naked. He was wearing

0:33:51.600 --> 0:33:56.760
<v Speaker 2>high tops and a Nixon mask. Okay, Patty rests, that's a.

0:33:57.640 --> 0:33:58.240
<v Speaker 1>That's a choyce.

0:33:59.120 --> 0:34:02.920
<v Speaker 2>Yeah, okay. Patty rests her hand on Joey's shoulder and

0:34:03.080 --> 0:34:06.560
<v Speaker 2>tells him she misses the fun they had. Joey smiles.

0:34:06.800 --> 0:34:09.960
<v Speaker 2>It was a lot of fun, wasn't it. His demeanor changes,

0:34:10.120 --> 0:34:13.200
<v Speaker 2>and he stands up, saying, until you walked out on me?

0:34:13.719 --> 0:34:15.879
<v Speaker 2>How could you do that to me? You never even

0:34:15.920 --> 0:34:18.800
<v Speaker 2>said goodbye. You just took off with Michael Winchester and

0:34:18.920 --> 0:34:21.160
<v Speaker 2>left me a lousy note. Do you know how much

0:34:21.239 --> 0:34:23.319
<v Speaker 2>that hurt? Do you have any idea what you put

0:34:23.400 --> 0:34:23.680
<v Speaker 2>me through?

0:34:24.320 --> 0:34:24.960
<v Speaker 1>Joey's upset.

0:34:25.480 --> 0:34:29.320
<v Speaker 2>Joey's upset that Joey's upset, Patty tells him she wanted

0:34:29.360 --> 0:34:32.920
<v Speaker 2>to say goodbye, but she just couldn't face him. Joey shrugs.

0:34:33.239 --> 0:34:35.200
<v Speaker 2>I still don't know why you left me for Michael.

0:34:36.000 --> 0:34:39.759
<v Speaker 2>Patty sighs, because despite all the fun we were having,

0:34:40.080 --> 0:34:43.040
<v Speaker 2>I needed some romance in my life. I wanted someone

0:34:43.080 --> 0:34:45.000
<v Speaker 2>to sweep me up in their arms and say I

0:34:45.280 --> 0:34:49.040
<v Speaker 2>love you. Joey emphasizes that he did say I love you.

0:34:49.800 --> 0:34:54.600
<v Speaker 2>Patty nods yeah, as Bullwinkle, Yosemite, sam Elmer fudd. I

0:34:54.680 --> 0:34:56.879
<v Speaker 2>wanted to hear you say it for real.

0:34:57.320 --> 0:34:59.399
<v Speaker 1>For she's got she has got a very.

0:34:59.560 --> 0:35:01.439
<v Speaker 2>I don't I don't like this Patty woman, but she's

0:35:01.480 --> 0:35:02.480
<v Speaker 2>got a point, right. Yeah.

0:35:02.480 --> 0:35:05.200
<v Speaker 1>I feel like she's kind of she's, you know, grasping

0:35:05.239 --> 0:35:06.920
<v Speaker 1>at some strawslo but trying to just put her life

0:35:06.960 --> 0:35:08.920
<v Speaker 1>back together. Poor thing, I you know, get it. It's

0:35:09.000 --> 0:35:12.919
<v Speaker 1>rough she's stressed, but she has a very valid point

0:35:13.080 --> 0:35:19.280
<v Speaker 1>in that Bullwinkle does not make for a romantic evening.

0:35:19.640 --> 0:35:21.880
<v Speaker 2>No, but it just seems like a joke. It doesn't

0:35:21.880 --> 0:35:24.000
<v Speaker 2>seem it doesn't seem sincere. If he's seen I Love

0:35:24.040 --> 0:35:26.799
<v Speaker 2>You as Bullwinkle, it seems like he's just cracking jokes again. Yeah,

0:35:27.600 --> 0:35:30.400
<v Speaker 2>Joey sincerely tells her, I can't believe you didn't know

0:35:30.480 --> 0:35:33.520
<v Speaker 2>how I felt about you, Patty. I wanted to spend

0:35:33.560 --> 0:35:36.200
<v Speaker 2>the rest of my life with you. We hear the

0:35:36.280 --> 0:35:40.200
<v Speaker 2>sentimental violins and Patty gives him a big hug. Joey's

0:35:40.239 --> 0:35:42.640
<v Speaker 2>wondered for ten years what it would be like to

0:35:42.719 --> 0:35:46.800
<v Speaker 2>hold her again. Patty asks how does it feel, and

0:35:46.920 --> 0:35:51.719
<v Speaker 2>Joey says wonderful and kisses her. He tells her, I

0:35:51.840 --> 0:35:54.800
<v Speaker 2>really did love you. I don't think I ever stopped.

0:35:55.080 --> 0:35:56.320
<v Speaker 1>Oh my lord.

0:35:56.719 --> 0:35:59.640
<v Speaker 2>Wow. Yeah, this was a really long scene. But I

0:35:59.760 --> 0:36:02.080
<v Speaker 2>like Dave does so well. Like Dave does really well

0:36:02.120 --> 0:36:04.200
<v Speaker 2>with these dramatic these dramatic bits.

0:36:04.239 --> 0:36:06.200
<v Speaker 1>You know what I said, serious Dave was here for

0:36:06.239 --> 0:36:07.040
<v Speaker 1>your Dave.

0:36:07.360 --> 0:36:09.440
<v Speaker 2>I like it. He's got such range and you don't

0:36:09.480 --> 0:36:11.879
<v Speaker 2>see it very often because he's always the goofball right,

0:36:12.120 --> 0:36:13.200
<v Speaker 2>dud voices.

0:36:13.000 --> 0:36:14.160
<v Speaker 1>But Joey was upset.

0:36:14.800 --> 0:36:16.680
<v Speaker 2>Joey I was upset. Jo's upset.

0:36:16.920 --> 0:36:19.160
<v Speaker 1>So if it was ten years ago, what how old

0:36:19.160 --> 0:36:19.800
<v Speaker 1>were they? Nineteen?

0:36:21.880 --> 0:36:28.759
<v Speaker 2>Yes, okay, yeah, I don't know, nineteen, you know, young

0:36:28.840 --> 0:36:31.920
<v Speaker 2>love some people, Yeah, some people find their soulmates at nineteen.

0:36:32.040 --> 0:36:34.040
<v Speaker 1>Absolutely. Oh no, I didn't. Wasn't It wasn't that. I

0:36:34.160 --> 0:36:35.719
<v Speaker 1>was just like trying to kind of piece it together.

0:36:35.760 --> 0:36:37.960
<v Speaker 1>I was like, oh, yeah, nineteen, Okay.

0:36:39.280 --> 0:36:41.839
<v Speaker 2>No, wait, is he the same age as is Joey

0:36:41.880 --> 0:36:44.200
<v Speaker 2>the same age as Bob or as Danny?

0:36:44.800 --> 0:36:46.160
<v Speaker 1>Danny they were in the same grade.

0:36:46.480 --> 0:36:49.320
<v Speaker 2>Yes, well, Danny's already had his thirtieth birthday. Okay, so

0:36:49.600 --> 0:36:51.920
<v Speaker 2>they've got to be they were thirty. Okay, Well, not

0:36:52.040 --> 0:36:54.279
<v Speaker 2>that this matters. We're splitting hairs like this really doesn't matter.

0:36:54.360 --> 0:36:55.799
<v Speaker 2>But for some reason, it feels like I just want

0:36:55.880 --> 0:36:59.160
<v Speaker 2>I just was I was trying to place it, you know, Okay, Okay,

0:36:59.360 --> 0:37:01.560
<v Speaker 2>So yes, there, Now this was ten years ago, so

0:37:01.600 --> 0:37:04.919
<v Speaker 2>they were twenty. So we cut to a sentimental commercial break,

0:37:13.280 --> 0:37:15.800
<v Speaker 2>and we're back in the living room. Danny is happily

0:37:15.920 --> 0:37:20.040
<v Speaker 2>singing about doing his taxes. Jesse walks in carrying a

0:37:20.080 --> 0:37:22.560
<v Speaker 2>box of receipts from last year, Ready to do the

0:37:22.640 --> 0:37:26.000
<v Speaker 2>long form if it'll actually make him more money, he

0:37:26.080 --> 0:37:29.160
<v Speaker 2>dumps the receipts on top of Danny's neatly organized piles.

0:37:29.920 --> 0:37:32.120
<v Speaker 2>Jesse starts with a receipt that's from a time he

0:37:32.200 --> 0:37:35.640
<v Speaker 2>went to lunch with his boss. He jokingly asks, now

0:37:35.680 --> 0:37:39.520
<v Speaker 2>would that be considered a Mick write off? Danny doesn't

0:37:39.560 --> 0:37:42.880
<v Speaker 2>laugh because he's too worried about Joey. He wonders how

0:37:43.000 --> 0:37:44.960
<v Speaker 2>long does it take to say Patty, I never want

0:37:45.000 --> 0:37:47.720
<v Speaker 2>to see you again. Jesse tells him not to worry

0:37:47.760 --> 0:37:50.879
<v Speaker 2>about it, but Danny's just hoping he doesn't fall back

0:37:51.040 --> 0:37:55.120
<v Speaker 2>under her spell. On cue, Joey and Patty walk in

0:37:55.239 --> 0:37:58.080
<v Speaker 2>with their arms wrapped around each other. They're laughing, and

0:37:58.160 --> 0:37:59.920
<v Speaker 2>they give each other a kiss as they head for

0:38:00.160 --> 0:38:03.640
<v Speaker 2>the front door. Danny looks at them with disgust, and

0:38:03.800 --> 0:38:06.120
<v Speaker 2>Jesse smiles. See nothing to worry about.

0:38:06.840 --> 0:38:08.040
<v Speaker 1>The spell has been cast.

0:38:09.160 --> 0:38:12.480
<v Speaker 2>Back upstairs, Stephan dj scurry from the bathroom back into

0:38:12.520 --> 0:38:16.080
<v Speaker 2>their bedroom, still handcuffed together, relieved that they made it

0:38:16.160 --> 0:38:20.840
<v Speaker 2>back without anyone seeing them. Suddenly, Kimmy gives them a

0:38:20.920 --> 0:38:23.919
<v Speaker 2>jump scare when she greets them. Steph asks if Kimmy

0:38:24.000 --> 0:38:27.799
<v Speaker 2>got the key, and she admits she did not. Kimmy

0:38:27.880 --> 0:38:29.959
<v Speaker 2>tells them the key is in Reno with her brother.

0:38:30.560 --> 0:38:32.480
<v Speaker 2>But the good news is he'll be back tomorrow morning

0:38:32.560 --> 0:38:34.040
<v Speaker 2>to pick up his unemployment check.

0:38:34.480 --> 0:38:37.200
<v Speaker 1>So so Kimmy had to tell her brother then. Wasn't

0:38:37.239 --> 0:38:39.520
<v Speaker 1>she afraid that her brother was gonna kill her? Yeah?

0:38:39.600 --> 0:38:41.600
<v Speaker 2>But I feel like she got this message from her

0:38:41.680 --> 0:38:43.600
<v Speaker 2>mom maybe like she went home to get the key

0:38:43.640 --> 0:38:45.480
<v Speaker 2>and the mom's like, oh no, sorry, Garth is in Reno,

0:38:45.760 --> 0:38:46.520
<v Speaker 2>you know till tomorrow.

0:38:47.719 --> 0:38:48.799
<v Speaker 1>Oh yeah maybe yah?

0:38:48.840 --> 0:38:52.319
<v Speaker 2>Can I think so, Danny? Why are they so afraid

0:38:52.320 --> 0:38:54.560
<v Speaker 2>of this big brother? I mean, he doesn't seem like

0:38:54.640 --> 0:38:57.920
<v Speaker 2>a very menacing person. Yeah, Garth's unemployed. He is in Reno,

0:38:58.120 --> 0:38:59.040
<v Speaker 2>like he's Yeah.

0:38:59.120 --> 0:39:02.600
<v Speaker 1>It was like, how old is Garth? What he ever?

0:39:02.800 --> 0:39:02.920
<v Speaker 2>You know?

0:39:03.560 --> 0:39:05.320
<v Speaker 1>He's in Reno? What is he doing in Reno?

0:39:05.920 --> 0:39:08.040
<v Speaker 2>Yeah? I don't know. The Skibbler's up to, you.

0:39:08.080 --> 0:39:10.799
<v Speaker 1>Know what he you know why he's in Reno. He's Uh,

0:39:11.280 --> 0:39:17.320
<v Speaker 1>he's helping the family exotic animal trade, remember the hostridges

0:39:17.360 --> 0:39:20.560
<v Speaker 1>and stuff. So he's he's in Rena one of their clients.

0:39:20.840 --> 0:39:24.440
<v Speaker 1>Uh and uh looking into selling a white tiger.

0:39:24.719 --> 0:39:28.760
<v Speaker 2>So that actually makes more sense than what was written.

0:39:29.080 --> 0:39:33.040
<v Speaker 1>Yeah, yeah, yeah, and that well, he's selling a white

0:39:33.080 --> 0:39:37.800
<v Speaker 1>t He's he's been studying on the sly with Sacred

0:39:37.800 --> 0:39:41.279
<v Speaker 1>and Mury, so he's that's why the magic, that's why

0:39:41.360 --> 0:39:45.200
<v Speaker 1>the exotic animal trade. Oh my gosh, Joyah.

0:39:44.920 --> 0:39:47.719
<v Speaker 2>You figured it out. How did you figure this out?

0:39:47.719 --> 0:39:49.680
<v Speaker 1>I don't know. If I just if I just let

0:39:49.760 --> 0:39:51.919
<v Speaker 1>my brain go long enough, it would make some really

0:39:51.960 --> 0:39:54.239
<v Speaker 1>weird connections. So yeah, so that's what it is.

0:39:55.200 --> 0:39:58.239
<v Speaker 2>Danny knocks on the door and Kimmy begs, please don't

0:39:58.280 --> 0:40:02.160
<v Speaker 2>get me in trouble. This whole storyline, I mean, it's

0:40:02.160 --> 0:40:04.120
<v Speaker 2>such a stretch, Like why don't they just tell Danny

0:40:04.120 --> 0:40:05.640
<v Speaker 2>and Danny can help them get uncuffed?

0:40:05.760 --> 0:40:08.279
<v Speaker 1>Like right, like help, I'm right.

0:40:09.400 --> 0:40:12.319
<v Speaker 2>It's it's much ado about nothing. But the joke's gotta work.

0:40:12.400 --> 0:40:16.480
<v Speaker 2>The jokes gotta work. So they panic Stephan Dj run

0:40:16.560 --> 0:40:19.239
<v Speaker 2>for the bed. Kimmy immediately hugs Danny as he walks

0:40:19.280 --> 0:40:21.560
<v Speaker 2>through the door. Oh, mister Tanner, I had to come

0:40:21.600 --> 0:40:24.600
<v Speaker 2>by and give you a good night hug. He pats

0:40:24.640 --> 0:40:26.560
<v Speaker 2>her on the back, telling her that her mom called.

0:40:27.000 --> 0:40:30.480
<v Speaker 2>I don't know why, but she wants you home. Wow. Yeah,

0:40:31.600 --> 0:40:35.760
<v Speaker 2>this is just the beginning of the mistreatment of Kimmy Gibbler.

0:40:36.040 --> 0:40:39.880
<v Speaker 2>You know, just makes me sad. Kimmy points at Steph

0:40:39.960 --> 0:40:43.040
<v Speaker 2>and DJ, who are both laying in DJ's bed, and

0:40:43.160 --> 0:40:45.399
<v Speaker 2>says she will see them in the morning. You better,

0:40:45.640 --> 0:40:49.480
<v Speaker 2>step DJ threatens. Danny walks over and asks why they

0:40:49.520 --> 0:40:52.560
<v Speaker 2>are in the same bed. DJ leans into Steph. I

0:40:53.040 --> 0:40:56.719
<v Speaker 2>love my little siss, and Stuff follows and I love

0:40:56.880 --> 0:40:57.640
<v Speaker 2>my big sis.

0:40:57.960 --> 0:41:03.640
<v Speaker 1>That's what I'm always suspicious. You're like they're actually something

0:41:03.840 --> 0:41:04.440
<v Speaker 1>up to something.

0:41:05.680 --> 0:41:08.719
<v Speaker 2>Danny's oblivious. He buys it and tells them they're gonna

0:41:08.719 --> 0:41:12.160
<v Speaker 2>grow closer and closer as they get older. It's true.

0:41:12.719 --> 0:41:15.480
<v Speaker 2>DJ smiles, Dad, we couldn't get any closer than we

0:41:15.560 --> 0:41:19.600
<v Speaker 2>are right now. Danny laughs and said says good night.

0:41:20.200 --> 0:41:22.200
<v Speaker 2>He turns to look at the girls before leaving and

0:41:22.280 --> 0:41:26.400
<v Speaker 2>admires this is so sweet. He turns off the lights

0:41:26.480 --> 0:41:30.920
<v Speaker 2>and DJ flings her arms out, exclaiming this is a nightmare.

0:41:31.680 --> 0:41:34.600
<v Speaker 2>DJ decides they should just go to sleep. They lay down,

0:41:34.680 --> 0:41:37.400
<v Speaker 2>and Stuff complains, I can't sleep on my back, so

0:41:37.520 --> 0:41:39.040
<v Speaker 2>she rolls on top of DJ.

0:41:39.560 --> 0:41:41.320
<v Speaker 1>Yeah, I can't sleep comfortable.

0:41:42.080 --> 0:41:43.719
<v Speaker 2>No, I'm not a back sleeper either. I am a

0:41:44.280 --> 0:41:47.240
<v Speaker 2>I love I'm a stomach sleeper, but sometimes a side sleeper.

0:41:47.360 --> 0:41:49.000
<v Speaker 1>Oh, I am a curl up in a little feetal

0:41:49.040 --> 0:41:52.920
<v Speaker 1>position side sleeper. Oh well that's how I start. Apparently

0:41:53.000 --> 0:41:56.880
<v Speaker 1>I startfish out during the night, according to Yeah.

0:41:56.680 --> 0:42:00.200
<v Speaker 2>Okay, so comfortable. Oh oh yeah, so DJ yell, there's

0:42:00.200 --> 0:42:02.560
<v Speaker 2>no way. She flips her over to the other side

0:42:02.560 --> 0:42:04.960
<v Speaker 2>of the bed. They both confirm that they are settled

0:42:05.000 --> 0:42:08.479
<v Speaker 2>and say good night after shutting their eyes. Stuff tells DJ,

0:42:08.840 --> 0:42:13.040
<v Speaker 2>I think I drank too much lemonade after dinner. J groans,

0:42:13.080 --> 0:42:15.480
<v Speaker 2>and Stuff pulls her out of bed. This was a

0:42:15.560 --> 0:42:17.919
<v Speaker 2>cute bit. I could tell you were loving this little

0:42:18.120 --> 0:42:18.360
<v Speaker 2>I was.

0:42:18.520 --> 0:42:21.000
<v Speaker 1>It was so much when I flopped on and then

0:42:21.040 --> 0:42:22.680
<v Speaker 1>I was like trying to keep a straight face, like

0:42:22.719 --> 0:42:25.600
<v Speaker 1>I wasn't totally having fun and being ridiculous.

0:42:25.920 --> 0:42:27.719
<v Speaker 2>He is, And Candas was probably annoyed, just like a

0:42:27.760 --> 0:42:29.480
<v Speaker 2>big sistery I. She's like, oh my god, like I

0:42:29.560 --> 0:42:30.239
<v Speaker 2>have to do I'm sure.

0:42:30.320 --> 0:42:33.560
<v Speaker 1>Yeah. She was like right, yeah, I with this kid. Yeah,

0:42:33.560 --> 0:42:36.160
<v Speaker 1>And I was like, yeah, just annoying.

0:42:36.360 --> 0:42:40.640
<v Speaker 2>So true alive and so back in the living room,

0:42:40.760 --> 0:42:43.640
<v Speaker 2>Danny is still on the couch. This time he's in

0:42:43.680 --> 0:42:47.319
<v Speaker 2>his pajamas, reviewing his tax forms with Michelle. He tells

0:42:47.360 --> 0:42:50.360
<v Speaker 2>her it's time to finish Uncle Jesse's taxes. He asks

0:42:50.400 --> 0:42:52.320
<v Speaker 2>her to help him add up all the numbers, and

0:42:52.440 --> 0:42:54.600
<v Speaker 2>Michelle presses a button on the machine that does so.

0:42:55.480 --> 0:42:59.640
<v Speaker 2>Danny asks, do you know how smart you are? Michelle responds,

0:43:00.080 --> 0:43:04.480
<v Speaker 2>Daddy's smart too, he repeats after her, Daddy's smart too,

0:43:05.120 --> 0:43:07.320
<v Speaker 2>and not all witness in the room, it would be

0:43:07.320 --> 0:43:09.759
<v Speaker 2>the last time you ever hear it. Jesse walks into

0:43:09.800 --> 0:43:12.279
<v Speaker 2>the living room in his pajamas, asking if they're done yet,

0:43:12.360 --> 0:43:15.600
<v Speaker 2>since they've been up all night. Wait, so is this morning?

0:43:15.760 --> 0:43:17.879
<v Speaker 2>Why is Michelle up? This isn't the middle of the night.

0:43:18.080 --> 0:43:20.279
<v Speaker 1>No, no, no, it's morning. It's they've been up, Yeah,

0:43:20.440 --> 0:43:21.000
<v Speaker 1>it's morning.

0:43:21.360 --> 0:43:21.840
<v Speaker 2>It's morning.

0:43:21.880 --> 0:43:24.200
<v Speaker 1>No, it's morning. And apparently they've been up all night

0:43:24.400 --> 0:43:25.160
<v Speaker 1>doing taxes.

0:43:25.760 --> 0:43:27.640
<v Speaker 2>Got it? So Michelle woke up and they just brought

0:43:27.760 --> 0:43:29.600
<v Speaker 2>her into the fold of tax time.

0:43:29.680 --> 0:43:32.360
<v Speaker 1>Okay, well, at least they got her out of her grip.

0:43:32.320 --> 0:43:35.920
<v Speaker 2>You know, Thank goodness, she's not in their lights on, right, Yeah, yeah,

0:43:36.320 --> 0:43:37.680
<v Speaker 2>yelling howie right? Right?

0:43:38.200 --> 0:43:43.000
<v Speaker 1>Yeah, she's just still yelling out for Howie months later alone.

0:43:43.000 --> 0:43:46.080
<v Speaker 2>Yeah, Danny announces, I'm about to make you a very

0:43:46.160 --> 0:43:49.560
<v Speaker 2>happy man. According to your short form, you were getting

0:43:49.640 --> 0:43:52.560
<v Speaker 2>back a measly three hundred and fifty two dollars tax refund,

0:43:52.960 --> 0:43:55.239
<v Speaker 2>but thanks to using the long form, you are now

0:43:55.480 --> 0:43:59.680
<v Speaker 2>entitled to pay the government forty eight dollars and seventeen cents.

0:44:00.360 --> 0:44:03.600
<v Speaker 2>Jesse glares at Danny, I have to pay. I've been

0:44:03.719 --> 0:44:07.120
<v Speaker 2>up all night with you. Haven't I paid enough? Michelle

0:44:07.200 --> 0:44:11.000
<v Speaker 2>chimes in, don't worry, be happy, poor Michelle.

0:44:11.080 --> 0:44:13.680
<v Speaker 1>Joe's just like trying to just lacate all the adults

0:44:13.680 --> 0:44:15.480
<v Speaker 1>in this house for the Bobby mcfarren's song.

0:44:15.680 --> 0:44:19.359
<v Speaker 2>You know she can feel the stress, so she can

0:44:19.440 --> 0:44:22.400
<v Speaker 2>feel the emotional stress, right, and like no one just

0:44:22.480 --> 0:44:27.160
<v Speaker 2>ignores her. Yeah, Joey cheerfully walks in through the front door,

0:44:27.320 --> 0:44:32.080
<v Speaker 2>singing an operatic love song. Jesse smirks and asks if

0:44:32.080 --> 0:44:33.520
<v Speaker 2>he was up, if he was out all night.

0:44:33.840 --> 0:44:35.600
<v Speaker 1>He just came back through the front door and the

0:44:35.640 --> 0:44:38.640
<v Speaker 1>same clothes that he's wearing. M And you ask him

0:44:39.719 --> 0:44:43.800
<v Speaker 1>right right now, I just just popped out to repark

0:44:43.840 --> 0:44:44.600
<v Speaker 1>my car in my suit.

0:44:45.680 --> 0:44:50.360
<v Speaker 2>Yep, why not? Joey responds in song that he was.

0:44:51.160 --> 0:44:53.479
<v Speaker 2>Danny asks if he was with Patty, and Joey says

0:44:53.600 --> 0:44:57.080
<v Speaker 2>yes again in song. He glides into the kitchen and

0:44:57.200 --> 0:45:00.880
<v Speaker 2>Jesse calls after him, Hey, Pava rotten wa waight up,

0:45:01.200 --> 0:45:04.560
<v Speaker 2>I want some details. Danny and Jesse quickly follow after him.

0:45:04.840 --> 0:45:08.400
<v Speaker 1>Pavaratti, of course, being a famous tenor for those all

0:45:08.440 --> 0:45:15.319
<v Speaker 1>pretendor for anyone who's like, who is Pava rotten, Pa Pavarattie.

0:45:14.320 --> 0:45:19.840
<v Speaker 2>Joe doing it all? I know we're cultured. So as

0:45:19.920 --> 0:45:22.440
<v Speaker 2>Danny walks away, Michelle clears the coffee table of the

0:45:22.520 --> 0:45:27.200
<v Speaker 2>text and says, look, daddy, table all clean. Danny is

0:45:27.280 --> 0:45:31.560
<v Speaker 2>extremely distraught. Yes, table all clean. Oh, I've taught you well,

0:45:32.000 --> 0:45:35.400
<v Speaker 2>but I think I've created a monster. Michelle makes monster

0:45:35.520 --> 0:45:38.880
<v Speaker 2>noises as she walks towards Danny, pretending to attack him.

0:45:39.320 --> 0:45:41.560
<v Speaker 1>Do you remember when they started doing that little monster

0:45:41.719 --> 0:45:42.200
<v Speaker 1>thing they.

0:45:42.160 --> 0:45:45.600
<v Speaker 2>Would like, This was written in because of that, right, because.

0:45:45.320 --> 0:45:47.560
<v Speaker 1>They thought it was hilarious to be like little zombie

0:45:47.600 --> 0:45:49.719
<v Speaker 1>monsters in the big and they'd make that little face

0:45:49.760 --> 0:45:52.120
<v Speaker 1>on like Grality, and they thought it was just hilarious,

0:45:52.239 --> 0:45:53.759
<v Speaker 1>and so we wrote it into the script because they

0:45:53.760 --> 0:45:55.880
<v Speaker 1>would try and do it sometimes in the middle of

0:45:55.920 --> 0:45:57.759
<v Speaker 1>a scene, you know, we're like, no, we can't, we

0:45:57.800 --> 0:45:58.759
<v Speaker 1>can't play monster right now.

0:46:00.320 --> 0:46:02.279
<v Speaker 2>See they finally got to do it right, you know

0:46:02.400 --> 0:46:05.360
<v Speaker 2>on TV. It's so great. It was super cute. So

0:46:05.520 --> 0:46:08.360
<v Speaker 2>in the kitchen, Jesse puts on an apron over his

0:46:08.560 --> 0:46:11.680
<v Speaker 2>robe as Joey sits at the counter describing his night

0:46:11.719 --> 0:46:14.640
<v Speaker 2>with Patty. He and Patty went back to all their

0:46:14.680 --> 0:46:17.919
<v Speaker 2>old hangouts. They talked about their old friends. She even

0:46:18.000 --> 0:46:21.320
<v Speaker 2>laughed at his old jokes. Jesse slips in a comment,

0:46:21.480 --> 0:46:23.799
<v Speaker 2>I've heard your old jokes. She must be in love

0:46:23.840 --> 0:46:27.279
<v Speaker 2>with you. Danny walks into the kitchen carrying Michelle and

0:46:27.400 --> 0:46:29.799
<v Speaker 2>tells him there are a million fish in the sea.

0:46:30.120 --> 0:46:32.959
<v Speaker 2>Why would he pick the fish that will break his heart?

0:46:33.560 --> 0:46:36.440
<v Speaker 1>A million fish in the sea back then, only about

0:46:36.760 --> 0:46:38.040
<v Speaker 1>two hundred thousand now, I'd say.

0:46:40.680 --> 0:46:43.880
<v Speaker 2>Joey stops him. Danny, I'm back with Patty. It feels

0:46:43.960 --> 0:46:46.360
<v Speaker 2>great now. Why can't you just be happy for me?

0:46:47.360 --> 0:46:49.479
<v Speaker 2>Danny agrees that he may have been a little down

0:46:49.560 --> 0:46:53.640
<v Speaker 2>on this whole thing. Jesse scoffs a little, don't you remember,

0:46:54.000 --> 0:46:55.879
<v Speaker 2>and then he proceeds to do Danny's rip your heart

0:46:55.880 --> 0:46:57.680
<v Speaker 2>out thrown on the floor and dance on it. Motion.

0:46:59.280 --> 0:47:02.880
<v Speaker 2>Danny apologies, he just doesn't want Joey to get hurt again.

0:47:03.760 --> 0:47:06.439
<v Speaker 2>Joey tells him not to worry, because this time he's

0:47:06.480 --> 0:47:09.440
<v Speaker 2>going to do everything right. He's cooking dinner for her,

0:47:09.600 --> 0:47:11.840
<v Speaker 2>and he's gonna be mister Romance.

0:47:12.120 --> 0:47:17.200
<v Speaker 1>Oh okay, okay, Jesse, Joey, well, well, hold.

0:47:17.000 --> 0:47:19.720
<v Speaker 2>On, Jesse. Jesse says, hey, that that title has already

0:47:19.719 --> 0:47:20.200
<v Speaker 2>been claimed.

0:47:20.360 --> 0:47:22.960
<v Speaker 1>Oh see, that's why I instantly was like, that's.

0:47:22.760 --> 0:47:27.000
<v Speaker 2>Why you went to Jesse Stephan DJ walk into the

0:47:27.080 --> 0:47:31.520
<v Speaker 2>kitchen side by side with mister Bear, covering their handcuffed hands.

0:47:32.480 --> 0:47:35.040
<v Speaker 2>DJ says they came downstairs to inform the boys they

0:47:35.080 --> 0:47:36.400
<v Speaker 2>aren't hungry for breakfast.

0:47:36.760 --> 0:47:38.279
<v Speaker 1>If you don't want anyone to know, you should have

0:47:38.320 --> 0:47:44.399
<v Speaker 1>just stayed upstairs. This like manufactured, right, Whenever your kids

0:47:44.440 --> 0:47:46.520
<v Speaker 1>come to tell you something they're not doing, you're like,

0:47:47.840 --> 0:47:50.399
<v Speaker 1>why red flag? You're yeah, yeah, yeah, like, hey, we're

0:47:50.440 --> 0:47:53.880
<v Speaker 1>not doing that. I didn't ask, that's weird. Why are

0:47:53.920 --> 0:47:55.319
<v Speaker 1>you here? What do you really want? And what are

0:47:55.320 --> 0:47:55.600
<v Speaker 1>you up to?

0:47:55.719 --> 0:47:57.360
<v Speaker 2>Now? You've drawn attention to my right and.

0:47:57.760 --> 0:47:59.760
<v Speaker 1>Exactly now you're just like, don't look over.

0:47:59.680 --> 0:48:04.919
<v Speaker 2>Here, right, So Danny stops the girls before they're about

0:48:04.960 --> 0:48:07.960
<v Speaker 2>to leave. He notices that they're wearing the exact same

0:48:08.120 --> 0:48:14.040
<v Speaker 2>clothes as yesterday. Stuff points out, so is Joey. Joey stutters, Well,

0:48:14.640 --> 0:48:17.000
<v Speaker 2>that's because I had so much fun in them yesterday

0:48:17.480 --> 0:48:19.520
<v Speaker 2>that I woke up early, washed them and put them

0:48:19.600 --> 0:48:25.720
<v Speaker 2>back on again. DJ nods us too. Yep. Kimmy struts

0:48:25.760 --> 0:48:28.160
<v Speaker 2>in through the door, wearing a fabulous red plaid skirt

0:48:28.480 --> 0:48:32.080
<v Speaker 2>and says hi to the Tanners. She leans into DJ

0:48:32.200 --> 0:48:35.440
<v Speaker 2>and staff, whispering, bad news. My brother is staying in

0:48:35.520 --> 0:48:36.439
<v Speaker 2>Reno for a week.

0:48:36.800 --> 0:48:39.840
<v Speaker 1>Well, I mean, you can't sell tigers overnight, you know

0:48:39.880 --> 0:48:42.640
<v Speaker 1>what I mean. You gotta It's like permits, there's permits,

0:48:42.719 --> 0:48:45.319
<v Speaker 1>there's things you've gotta you gotta transport. You can't bring

0:48:45.360 --> 0:48:46.560
<v Speaker 1>them with you, you know what I mean. You gotta

0:48:46.560 --> 0:48:50.080
<v Speaker 1>be like here's what I've gone, a couple new ones.

0:48:50.480 --> 0:48:53.720
<v Speaker 1>You know it's and all of this is highly illegal.

0:48:53.760 --> 0:48:56.640
<v Speaker 1>I'm sure. Well, noa Novada, I don't know Nevada kind

0:48:56.640 --> 0:48:59.279
<v Speaker 1>of anything goes. I think you could probably own a

0:48:59.320 --> 0:49:00.920
<v Speaker 1>white tiger. Well, I mean you can if you're sick

0:49:00.960 --> 0:49:06.840
<v Speaker 1>reading Roy. So anyway, he's he's on some family company business.

0:49:07.400 --> 0:49:10.000
<v Speaker 2>Yeah, Arth is doing shady stuff and he needs a

0:49:10.040 --> 0:49:13.600
<v Speaker 2>little bit longer to do it. Yeah, yeah, yeah, stuff

0:49:13.840 --> 0:49:17.680
<v Speaker 2>is upset. She yells, you can't get the key, let

0:49:17.760 --> 0:49:21.799
<v Speaker 2>me at her. She reaches to strangle Kimmy and exposes

0:49:21.880 --> 0:49:26.480
<v Speaker 2>the handcuffs. Danny is startled and asks Kimmy, did you

0:49:26.600 --> 0:49:31.200
<v Speaker 2>handcuff my daughters together? Kimmy just smiles. Boy, nothing gets

0:49:31.320 --> 0:49:35.319
<v Speaker 2>by you. Jesse jumps in and says, no problem. Those

0:49:35.360 --> 0:49:38.400
<v Speaker 2>are magic cuffs Hadham when I was a kid. Very simple.

0:49:38.880 --> 0:49:42.279
<v Speaker 2>I'll need an assistant. Danny raises his hand and Jesse says,

0:49:42.480 --> 0:49:46.040
<v Speaker 2>not you. Jesse picks Kimmy and proceeds to throw the

0:49:46.080 --> 0:49:49.880
<v Speaker 2>apron over the handcuffs to recreate the magic trick. He

0:49:49.960 --> 0:49:52.399
<v Speaker 2>tells Kimy to place her hands under the apron while

0:49:52.640 --> 0:49:56.440
<v Speaker 2>with the girls and says Abra cadabra. He lifts the

0:49:56.520 --> 0:50:00.800
<v Speaker 2>apron off and reveals that the handcuffs are now on Kimmy. Wow.

0:50:01.200 --> 0:50:04.200
<v Speaker 1>Jesse's a magician too. Yeah, how many magicians in this house?

0:50:04.200 --> 0:50:04.759
<v Speaker 1>I had no idea.

0:50:04.960 --> 0:50:09.000
<v Speaker 2>This is you know this two beat Michael Campion. This

0:50:09.160 --> 0:50:12.320
<v Speaker 2>was this was pre Michael Campion that played Jackson on

0:50:12.400 --> 0:50:15.440
<v Speaker 2>fuller house and he was also is a magician.

0:50:15.640 --> 0:50:15.879
<v Speaker 1>Yeap.

0:50:16.640 --> 0:50:19.840
<v Speaker 2>Kimmy wants the handcuffs off, but Jesse asks the girls

0:50:19.920 --> 0:50:23.440
<v Speaker 2>if he should take them off. Both reply nah, and

0:50:23.560 --> 0:50:27.839
<v Speaker 2>Michelle repeats after them Nah. Jesse and the girls turn

0:50:27.920 --> 0:50:30.520
<v Speaker 2>to walk away, and Kimmy tells them, wait, don't go,

0:50:30.760 --> 0:50:34.200
<v Speaker 2>I'm stuck, and she tugs at the handcuffs. Kimmy turns

0:50:34.239 --> 0:50:36.719
<v Speaker 2>to face Danny and he mocks her, boy, nothing gets

0:50:36.760 --> 0:50:39.880
<v Speaker 2>by you. Danny walks away and she continues to fidget

0:50:39.920 --> 0:50:40.680
<v Speaker 2>with the handcuffs.

0:50:40.760 --> 0:50:44.959
<v Speaker 1>Alone, have we just left a child handcuffed?

0:50:45.360 --> 0:50:45.560
<v Speaker 2>Yeah?

0:50:45.880 --> 0:50:49.880
<v Speaker 1>And away and basically been like, so what up for you?

0:50:50.400 --> 0:50:53.400
<v Speaker 2>Like she is such a scapegoat, Kimmy, Like they just

0:50:53.560 --> 0:50:57.040
<v Speaker 2>use and abuse her. This is tame, This is tame.

0:50:57.400 --> 0:51:01.600
<v Speaker 2>Just wait, I just said we left Kimmy handcuff my god. Yeah,

0:51:02.040 --> 0:51:03.640
<v Speaker 2>it's not like she did it on Purp. I mean,

0:51:03.840 --> 0:51:07.680
<v Speaker 2>like I kind of I forgive Greg as I forgive her.

0:51:07.760 --> 0:51:10.800
<v Speaker 2>It's not like she deliberately handcuffed together. She's just an idiot,

0:51:10.840 --> 0:51:13.560
<v Speaker 2>didn't have the key. And her brother's selling white tigers,

0:51:13.640 --> 0:51:15.040
<v Speaker 2>buying white tigers and yeah.

0:51:15.160 --> 0:51:17.640
<v Speaker 1>Yeah, her brother's trying to make some money for the

0:51:17.680 --> 0:51:22.720
<v Speaker 1>family with his magic connections and and exotic animal pets

0:51:23.120 --> 0:51:25.839
<v Speaker 1>and yeah, and Kimmy's just like, look, I'm doing my best.

0:51:26.200 --> 0:51:27.200
<v Speaker 2>Yeah, cut her some slack.

0:51:27.800 --> 0:51:29.880
<v Speaker 1>Well there, you know she's trying. She's gonna have to

0:51:29.920 --> 0:51:34.680
<v Speaker 1>step into his shoes eventually and be the magic animal

0:51:34.840 --> 0:51:36.640
<v Speaker 1>pet trained person. Yeah.

0:51:36.719 --> 0:51:39.160
<v Speaker 2>Yeah, yeah, it's got big shoes to fill.

0:51:39.280 --> 0:51:39.440
<v Speaker 1>Yeah.

0:51:39.800 --> 0:51:44.239
<v Speaker 2>So in the backyard, this is now Joey and Patty's date.

0:51:45.160 --> 0:51:47.640
<v Speaker 2>Joey and Patty are seated at a table and he

0:51:47.760 --> 0:51:50.839
<v Speaker 2>holds up his wine glass to Patty and toasts, May

0:51:50.880 --> 0:51:54.600
<v Speaker 2>the magic of this moment live forever. They clink and

0:51:54.680 --> 0:51:57.840
<v Speaker 2>take a sip of their wine while Italian music plays

0:51:57.920 --> 0:52:01.200
<v Speaker 2>in the background. Patty down at her plate and says,

0:52:01.719 --> 0:52:05.600
<v Speaker 2>you know what this spaghetti reminds me of? Joey doesn't answer,

0:52:05.840 --> 0:52:09.200
<v Speaker 2>and she encourages him to remember. He admits that's a

0:52:09.280 --> 0:52:12.399
<v Speaker 2>little silly, don't you think? She insists, well, for old

0:52:12.480 --> 0:52:16.440
<v Speaker 2>time's sake, Joey gives in, Well, Lady in the Tramp

0:52:16.680 --> 0:52:20.480
<v Speaker 2>was the most romantic cartoon ever made. He picks up

0:52:20.480 --> 0:52:23.040
<v Speaker 2>a long piece of his spaghetti and places it in

0:52:23.160 --> 0:52:26.160
<v Speaker 2>their mouths. They recreate the scene from the movie and

0:52:26.360 --> 0:52:28.200
<v Speaker 2>end it with a kiss. This is so gross.

0:52:29.040 --> 0:52:31.399
<v Speaker 1>Why because half of her noodle winds up in his mouth?

0:52:31.640 --> 0:52:35.240
<v Speaker 2>Yes, yes, she swallows half of it and then regurgitates

0:52:35.280 --> 0:52:36.440
<v Speaker 2>and he swallows, swallow.

0:52:36.440 --> 0:52:38.640
<v Speaker 1>It was just like, I mean, if you've kissed someone,

0:52:38.880 --> 0:52:40.960
<v Speaker 1>I don't. I mean, I'm not saying that like baby

0:52:41.000 --> 0:52:44.200
<v Speaker 1>birding food, but I feel like a you know what

0:52:44.239 --> 0:52:47.320
<v Speaker 1>I mean, I feel like a slightly this. I was

0:52:47.360 --> 0:52:49.560
<v Speaker 1>gonna say something a slightly licked noodle, and then I

0:52:49.640 --> 0:52:53.000
<v Speaker 1>was like, that's not that doesn't make it better, Joey,

0:52:53.200 --> 0:52:57.759
<v Speaker 1>I know, I know. I was like, no, I need

0:52:57.800 --> 0:52:59.480
<v Speaker 1>to say it because it's funny. But yeah, like a

0:52:59.719 --> 0:53:05.279
<v Speaker 1>you know, a slightly licked limp noodle. It's getting worse.

0:53:05.400 --> 0:53:07.319
<v Speaker 1>It's getting worse very quick.

0:53:07.400 --> 0:53:11.200
<v Speaker 2>Keep going, stop talking, stop talking, Okay, Patty admires, you

0:53:11.400 --> 0:53:17.000
<v Speaker 2>always make Patty admires the sorry, never mind the slightly slightly.

0:53:17.480 --> 0:53:20.239
<v Speaker 2>Oh god, we have to stop or I'm gonna lose it.

0:53:21.560 --> 0:53:24.400
<v Speaker 2>Joey grabs her hand and they lovingly stare at each other.

0:53:25.080 --> 0:53:29.279
<v Speaker 2>She breaks the silence. Joey, let's streak. Whoa, whoa what

0:53:30.000 --> 0:53:31.839
<v Speaker 2>this came out a left field right?

0:53:32.400 --> 0:53:32.640
<v Speaker 1>Yeah?

0:53:33.360 --> 0:53:34.920
<v Speaker 2>She wants him to take off all their clothes and

0:53:35.040 --> 0:53:36.640
<v Speaker 2>run through the neighborhood. What.

0:53:37.680 --> 0:53:41.480
<v Speaker 1>Yeah, that's a recipe for an indecent exposure ticket, Hannah,

0:53:41.719 --> 0:53:42.279
<v Speaker 1>you know what I mean?

0:53:42.440 --> 0:53:45.000
<v Speaker 2>Like, and this woman is thirty years old, Like, haven't

0:53:45.040 --> 0:53:46.880
<v Speaker 2>you outgrown this this by now?

0:53:47.080 --> 0:53:49.439
<v Speaker 1>Like I don't think you ever really outgrow running around

0:53:49.520 --> 0:53:50.480
<v Speaker 1>naked somewhere.

0:53:50.280 --> 0:53:50.919
<v Speaker 2>As a joke.

0:53:51.080 --> 0:53:55.120
<v Speaker 1>But I just feel like it's such a It was abrupt,

0:53:55.440 --> 0:53:56.480
<v Speaker 1>It was very abrupt.

0:53:57.040 --> 0:53:58.920
<v Speaker 2>Yeah, it was. It was a turn which I think

0:53:59.040 --> 0:54:02.160
<v Speaker 2>was intentional. Yeah, it was a shocker.

0:54:02.560 --> 0:54:03.920
<v Speaker 1>I mean, not as shocking as it would be if

0:54:03.960 --> 0:54:07.000
<v Speaker 1>they stripped down the naked and ran through the neighborhood,

0:54:07.080 --> 0:54:11.120
<v Speaker 1>but shocking nonetheless with their slightly licked with their slightly

0:54:11.160 --> 0:54:14.720
<v Speaker 1>licked lip noodles. Joey.

0:54:15.480 --> 0:54:18.600
<v Speaker 2>Joey immediately shuts this down. Oh thank god, Patty, I

0:54:18.640 --> 0:54:20.920
<v Speaker 2>can't run through the streets naked. These people have a

0:54:21.000 --> 0:54:26.000
<v Speaker 2>neighborhood watch program. Seriously, right, Patty offers I have a

0:54:26.040 --> 0:54:29.319
<v Speaker 2>better idea food fight. She gets up from the table

0:54:29.400 --> 0:54:33.239
<v Speaker 2>and starts throwing bread rolls at him. Joey gets up

0:54:33.280 --> 0:54:36.120
<v Speaker 2>trying to stop her. Are you okay? She's not? Has

0:54:36.160 --> 0:54:36.919
<v Speaker 2>she had too much wine?

0:54:36.960 --> 0:54:40.399
<v Speaker 1>Like, what's going on? I felt like Patty was having

0:54:40.560 --> 0:54:42.880
<v Speaker 1>just this a I don't know, just sort of a

0:54:42.960 --> 0:54:44.960
<v Speaker 1>spiraling all that. She was like, we're gonna let's let's

0:54:45.000 --> 0:54:46.640
<v Speaker 1>be a lady in the tramp and now we're gonna

0:54:46.719 --> 0:54:49.600
<v Speaker 1>and now we're gonna streak and now food fight, and yeah,

0:54:50.000 --> 0:54:52.799
<v Speaker 1>I expected her to just burst out crying like next,

0:54:52.920 --> 0:54:54.879
<v Speaker 1>you know what I mean that she just some sort

0:54:54.920 --> 0:54:55.480
<v Speaker 1>of yeah.

0:54:55.640 --> 0:55:00.399
<v Speaker 2>Unhinged, indeed unhinged and lack of judgment for sure. Joey

0:55:00.480 --> 0:55:04.359
<v Speaker 2>grabs the basket of buns and reminds her, I thought

0:55:04.400 --> 0:55:08.040
<v Speaker 2>you wanted me to be romantic. She responds that was

0:55:08.080 --> 0:55:11.080
<v Speaker 2>ten years ago. I came back for the old crazy Joey.

0:55:12.400 --> 0:55:15.600
<v Speaker 2>Joey tells her he's not like that anymore. Patty doesn't

0:55:15.640 --> 0:55:18.239
<v Speaker 2>believe him. He's still the same guy that always made

0:55:18.280 --> 0:55:21.680
<v Speaker 2>her laugh. No, I am not the same guy, he insists.

0:55:22.280 --> 0:55:25.120
<v Speaker 2>She says he is, and Joey sternly tells her, no,

0:55:25.480 --> 0:55:28.880
<v Speaker 2>I'm not. You don't know anything about this, Joey. I

0:55:28.960 --> 0:55:32.239
<v Speaker 2>work in advertising, I'm raising three little girls. I have

0:55:32.360 --> 0:55:37.120
<v Speaker 2>a whole new life. Now Patty's expression changes and she asks,

0:55:37.640 --> 0:55:40.080
<v Speaker 2>why are you getting so upset? I thought we were

0:55:40.160 --> 0:55:43.839
<v Speaker 2>falling in love again. Joey thought so too, but he's

0:55:43.920 --> 0:55:47.840
<v Speaker 2>realizing they're falling in love with the memories. All they

0:55:48.000 --> 0:55:52.640
<v Speaker 2>have is their past. This is a very astute observation

0:55:52.960 --> 0:55:53.480
<v Speaker 2>from Joey.

0:55:54.000 --> 0:55:55.560
<v Speaker 1>I mean all they did was go back to their

0:55:55.600 --> 0:55:59.000
<v Speaker 1>old places and talk about old things and jokes. Yeah, jokes.

0:55:59.040 --> 0:56:00.160
<v Speaker 1>So I feel like he's not.

0:56:00.160 --> 0:56:02.520
<v Speaker 2>A whole lot of substance there. Yeah. And then they

0:56:02.560 --> 0:56:03.640
<v Speaker 2>sucked on some noodles, and.

0:56:04.080 --> 0:56:06.439
<v Speaker 1>Then there was the you know, slightly limped, slightly wet,

0:56:06.640 --> 0:56:09.600
<v Speaker 1>uh shared limp noodle and then it was just it

0:56:09.760 --> 0:56:12.200
<v Speaker 1>always like I can't do this, all down all downhill

0:56:12.280 --> 0:56:17.000
<v Speaker 1>from there. Yeah, so cue the violins, which I was

0:56:17.080 --> 0:56:19.239
<v Speaker 1>impressed by the way the Italian music cut off and

0:56:19.280 --> 0:56:23.640
<v Speaker 1>the violins cut in. So yeah, that was very nice music.

0:56:23.880 --> 0:56:26.680
<v Speaker 1>You would turn off the Italian music in the background. Oh,

0:56:27.800 --> 0:56:29.279
<v Speaker 1>I mean it was playing on a little stereo, but

0:56:29.360 --> 0:56:31.279
<v Speaker 1>someone cut it off so the violins could play.

0:56:32.280 --> 0:56:35.440
<v Speaker 2>It was just such a strange like, yeah, wait, if

0:56:35.480 --> 0:56:37.040
<v Speaker 2>you think about it too hard, you're like, wait a minute,

0:56:37.040 --> 0:56:37.759
<v Speaker 2>where did that come from?

0:56:38.400 --> 0:56:39.680
<v Speaker 1>I try not to, but it's hard.

0:56:40.520 --> 0:56:43.880
<v Speaker 2>Patty asks about their future. She believes they're getting the

0:56:43.960 --> 0:56:47.080
<v Speaker 2>second chance, only this time they can have a happy ending.

0:56:48.000 --> 0:56:50.959
<v Speaker 2>Joey sighs, I know you came back into my life

0:56:51.160 --> 0:56:53.840
<v Speaker 2>just like I dreamed you would. It should be perfect,

0:56:54.239 --> 0:56:57.560
<v Speaker 2>but it's not. Let's face it, we don't know each other.

0:56:58.440 --> 0:57:02.279
<v Speaker 2>She sadly agrees. Joey says, in a way, it was

0:57:02.320 --> 0:57:05.440
<v Speaker 2>a happy ending. He got to say things he needed

0:57:05.480 --> 0:57:07.880
<v Speaker 2>to say, and here are things he wanted to hear.

0:57:08.600 --> 0:57:10.640
<v Speaker 2>Now when he thinks back to them, he can feel

0:57:10.680 --> 0:57:14.560
<v Speaker 2>good about it. Okay, this is growth like this is

0:57:15.200 --> 0:57:19.680
<v Speaker 2>like a lot of great growth for Joey. Patty suddenly

0:57:19.720 --> 0:57:23.520
<v Speaker 2>feels like they're strangers. Joey points out, we're standing here

0:57:23.800 --> 0:57:26.160
<v Speaker 2>in front of two plates of spaghetti that are getting cold.

0:57:26.640 --> 0:57:29.400
<v Speaker 2>Why don't we sit down, enjoy this beautiful dinner and

0:57:29.520 --> 0:57:33.040
<v Speaker 2>get to know each other. Patty smiles and says okay.

0:57:33.840 --> 0:57:36.480
<v Speaker 2>They sit back down. Joey extends his arm out for

0:57:36.520 --> 0:57:40.600
<v Speaker 2>a handshake and introduces himself. Hi, I'm Joey Gladstone. She

0:57:40.720 --> 0:57:44.800
<v Speaker 2>shakes his hand. Hi, Patricia Fogerty. Joey asks if she

0:57:44.960 --> 0:57:48.440
<v Speaker 2>likes Italian food, and she says yes. He adds, the

0:57:48.480 --> 0:57:50.720
<v Speaker 2>great part about it is it they don't deliver it

0:57:50.800 --> 0:57:54.640
<v Speaker 2>within a half hour. It's free. Patty smirks and Joey

0:57:54.720 --> 0:57:57.720
<v Speaker 2>does his Popeye impression and that is.

0:57:57.920 --> 0:58:02.760
<v Speaker 1>Our show, ladies and gentlemen. Nah, he just said he's

0:58:02.880 --> 0:58:04.880
<v Speaker 1>not He's a different person. And then he goes back

0:58:04.920 --> 0:58:05.560
<v Speaker 1>to doing a poppy.

0:58:05.680 --> 0:58:07.400
<v Speaker 2>He goes back to the pop Eye. Well, they needed

0:58:07.440 --> 0:58:11.160
<v Speaker 2>a button. I know, I know the button, but it

0:58:11.320 --> 0:58:14.000
<v Speaker 2>was a button nonetheless. But yeah, I know, if you're

0:58:14.000 --> 0:58:16.720
<v Speaker 2>trying to show growth, you don't end the same way

0:58:16.760 --> 0:58:18.120
<v Speaker 2>you began, which is with them, right.

0:58:18.200 --> 0:58:20.760
<v Speaker 1>And I also feel like I also feel like Joey

0:58:20.880 --> 0:58:22.960
<v Speaker 1>is still that guy. He's still that guy.

0:58:23.040 --> 0:58:25.600
<v Speaker 2>Yeah. I mean he's got he's multie.

0:58:25.120 --> 0:58:27.960
<v Speaker 1>He's multifaceted, but he's Yeah, I thought Joey would have

0:58:28.000 --> 0:58:31.240
<v Speaker 1>been thrilled that someone was, but I guess he was

0:58:31.280 --> 0:58:34.240
<v Speaker 1>trying to beat turn over a new romantic leaf, so

0:58:34.360 --> 0:58:34.720
<v Speaker 1>to speak.

0:58:35.280 --> 0:58:38.040
<v Speaker 2>Yeah. Well, in this episode made me sad that we

0:58:38.120 --> 0:58:41.640
<v Speaker 2>don't really get like a great long term love interest

0:58:42.600 --> 0:58:45.520
<v Speaker 2>for Joey do we Like, We've got Becky for Jesse,

0:58:45.920 --> 0:58:49.360
<v Speaker 2>we eventually get Vicky for Danny, but joe never really

0:58:49.440 --> 0:58:50.320
<v Speaker 2>has anyone, does he?

0:58:50.560 --> 0:58:53.080
<v Speaker 1>Not that we see no, But uh but when he

0:58:53.160 --> 0:58:55.560
<v Speaker 1>comes back and fuller, you know, he's got he's got

0:58:55.560 --> 0:58:56.840
<v Speaker 1>a wife and four kids.

0:58:57.320 --> 0:58:59.320
<v Speaker 2>That's true. That's true. Well I wish he had he

0:58:59.360 --> 0:59:00.919
<v Speaker 2>had never seen her again.

0:59:01.120 --> 0:59:01.919
<v Speaker 1>We saw her one time.

0:59:02.880 --> 0:59:05.520
<v Speaker 2>Yeah, well the kids were wild, remember they were just

0:59:05.760 --> 0:59:09.440
<v Speaker 2>sure they were They were definitely crazy, wild kids they made. Yeah,

0:59:09.440 --> 0:59:11.080
<v Speaker 2>the wife and the kids weren't invited back to the

0:59:11.120 --> 0:59:16.960
<v Speaker 2>full after that. But yeah, this was.

0:59:18.560 --> 0:59:20.080
<v Speaker 1>This was you know, it was a it was a

0:59:20.160 --> 0:59:20.800
<v Speaker 1>cute episode.

0:59:20.800 --> 0:59:21.000
<v Speaker 2>I was.

0:59:21.160 --> 0:59:22.960
<v Speaker 1>I was glad that we got to see Joey have

0:59:23.040 --> 0:59:26.120
<v Speaker 1>a little range and like, you know, I know a

0:59:26.120 --> 0:59:28.080
<v Speaker 1>little bit about his past and kind of what was

0:59:28.120 --> 0:59:30.800
<v Speaker 1>going on. I love that Danny was super protective of him.

0:59:30.840 --> 0:59:35.240
<v Speaker 1>I thought that was very cute in their relationship. But yeah,

0:59:35.240 --> 0:59:36.840
<v Speaker 1>it was sort of it was like it was there

0:59:36.920 --> 0:59:39.840
<v Speaker 1>was you know, the storylines were kind of it was.

0:59:39.880 --> 0:59:42.520
<v Speaker 2>Kind of myth. Yeah, it wasn't bad, but it wasn't great. Yeah.

0:59:42.880 --> 0:59:45.880
<v Speaker 1>Yeah, yeah it was the mid It was mid as

0:59:45.920 --> 0:59:46.720
<v Speaker 1>the kids would.

0:59:46.480 --> 0:59:48.600
<v Speaker 2>Say, oh yeah, it was definitely mid mid. I don't

0:59:48.640 --> 0:59:51.000
<v Speaker 2>know why they made Patty out to be like this villain,

0:59:51.240 --> 0:59:53.840
<v Speaker 2>like she's this she broke up with him, you know,

0:59:53.960 --> 0:59:55.440
<v Speaker 2>in a post it note basically, and.

0:59:56.920 --> 0:59:58.600
<v Speaker 1>She wants to streat her boyfriend's stationary.

0:59:58.880 --> 1:00:00.800
<v Speaker 2>Oh yeah, that's right, that's I'm making a sex in

1:00:00.880 --> 1:00:03.200
<v Speaker 2>the City reference. But yeah, yeah, on the boyfriend's stationary.

1:00:04.080 --> 1:00:05.720
<v Speaker 2>And then she acts crazy during the Lady and the

1:00:05.760 --> 1:00:07.560
<v Speaker 2>Tramp dinner, Like I don't know why they had to

1:00:07.600 --> 1:00:09.080
<v Speaker 2>make her up to be like kind of the bad guy.

1:00:09.120 --> 1:00:12.240
<v Speaker 2>Why can't they just be exes who come back together

1:00:12.520 --> 1:00:14.880
<v Speaker 2>two years later and don't really know each other, because.

1:00:14.600 --> 1:00:16.800
<v Speaker 1>Then there's no con. Then there's no there's then there's

1:00:16.840 --> 1:00:18.960
<v Speaker 1>no there's no con, there's no steaks, there's no you

1:00:19.000 --> 1:00:21.160
<v Speaker 1>know what I mean, Like it's not one person wanting

1:00:21.200 --> 1:00:24.280
<v Speaker 1>one thing and one person wanting another. Okay, because you

1:00:24.400 --> 1:00:26.520
<v Speaker 1>have to show there was some sort of conflict has

1:00:26.600 --> 1:00:29.480
<v Speaker 1>to occur between the two characters, I guess, and not

1:00:29.640 --> 1:00:32.960
<v Speaker 1>like conflict conflict, but like there are there what they want?

1:00:33.040 --> 1:00:34.640
<v Speaker 1>Isn't a higher yeah yeah yeah yeah.

1:00:35.040 --> 1:00:37.640
<v Speaker 2>But well it did show tremendous growth for Joey, which.

1:00:37.640 --> 1:00:39.320
<v Speaker 1>And I think that was kind of the big thing too,

1:00:39.520 --> 1:00:41.640
<v Speaker 1>was that we see because I and one of the

1:00:41.720 --> 1:00:46.000
<v Speaker 1>things I wrote down too was that Joey's room seems

1:00:46.080 --> 1:00:50.240
<v Speaker 1>a little less crazy or is it just me?

1:00:50.400 --> 1:00:51.720
<v Speaker 2>Oh? Is he growing up?

1:00:52.040 --> 1:00:52.160
<v Speaker 1>Is he?

1:00:52.480 --> 1:00:54.720
<v Speaker 2>He? Has less like cartoons stuff.

1:00:55.240 --> 1:01:02.439
<v Speaker 1>I felt a little bit like sorry it was dog.

1:01:02.760 --> 1:01:06.600
<v Speaker 1>Uh yeah, it felt Joey's room felt much less like

1:01:06.800 --> 1:01:10.680
<v Speaker 1>chaotic and yeah, it felt like there was less and

1:01:10.760 --> 1:01:12.640
<v Speaker 1>I think and I wonder, like, is some of that

1:01:12.640 --> 1:01:14.800
<v Speaker 1>stuff gonna come back for the next episode? Was this

1:01:15.560 --> 1:01:18.400
<v Speaker 1>they just removed it for this episode to sort of

1:01:19.440 --> 1:01:22.240
<v Speaker 1>showed Joey's growth a little bit because I wrote that

1:01:22.320 --> 1:01:24.600
<v Speaker 1>down in the very first scene, was Joey's room seems

1:01:24.680 --> 1:01:28.640
<v Speaker 1>much cleaner. And now now I am tracking it and

1:01:28.680 --> 1:01:31.160
<v Speaker 1>seeing maybe why that they were trying to show that

1:01:31.280 --> 1:01:34.880
<v Speaker 1>he's grown a little bit. Like even his his outfit

1:01:35.040 --> 1:01:36.960
<v Speaker 1>choice was a little bit. He had like the sweater

1:01:37.080 --> 1:01:39.160
<v Speaker 1>and like a button up shirt under it, you know

1:01:39.200 --> 1:01:41.360
<v Speaker 1>what I mean. He was just kind of maturing a

1:01:41.400 --> 1:01:45.320
<v Speaker 1>little bit. So I think this is like Joey's Joey's

1:01:45.360 --> 1:01:46.400
<v Speaker 1>growth era.

1:01:46.800 --> 1:01:49.000
<v Speaker 2>Yeah, yeah, as compared to the.

1:01:49.040 --> 1:01:51.040
<v Speaker 1>I mean compared to the pilot when he walked in

1:01:51.320 --> 1:01:54.080
<v Speaker 1>in that red shirt with those ridiculous characters on it

1:01:54.160 --> 1:01:58.360
<v Speaker 1>and like a clown. Yeah, with all of all of

1:01:58.440 --> 1:02:01.480
<v Speaker 1>the cartoon stuff animal and the mannequin. Yeah, now it's

1:02:01.480 --> 1:02:04.640
<v Speaker 1>like a mannequin a few animals, right, But and then

1:02:04.720 --> 1:02:07.040
<v Speaker 1>like some cartoonish art. But yeah, and the mannequin is

1:02:07.080 --> 1:02:09.280
<v Speaker 1>really hockey related. It's more sport, you know, he's in

1:02:09.360 --> 1:02:12.080
<v Speaker 1>the Red Wings stuff. But it's a little match.

1:02:12.240 --> 1:02:13.160
<v Speaker 2>They're not matching anymore.

1:02:13.280 --> 1:02:18.080
<v Speaker 1>Yeah, not matching anymore. It just feels slightly less childish.

1:02:18.720 --> 1:02:21.640
<v Speaker 2>Yeah, so yeah, I bet you that was an intentional

1:02:21.840 --> 1:02:25.760
<v Speaker 2>move on the set deck. Yeah, part to yeah, trying

1:02:25.800 --> 1:02:28.000
<v Speaker 2>to kind of show an adult, a more grown up

1:02:28.360 --> 1:02:29.240
<v Speaker 2>adult Joey.

1:02:29.520 --> 1:02:30.240
<v Speaker 1>Yep. And I like it.

1:02:30.320 --> 1:02:30.840
<v Speaker 2>I'm here for it.

1:02:30.960 --> 1:02:31.280
<v Speaker 1>I'm here.

1:02:31.360 --> 1:02:33.840
<v Speaker 2>He's still the same Joey, Like, he's still funny and

1:02:33.880 --> 1:02:37.160
<v Speaker 2>he's doing doing Popeye, So he's still doing Popeye, but

1:02:37.360 --> 1:02:41.360
<v Speaker 2>he's got more depth to him. And I really appreciate, Yeah,

1:02:41.440 --> 1:02:44.360
<v Speaker 2>seeing more depth from these these I mean, I'm also

1:02:44.400 --> 1:02:48.000
<v Speaker 2>biased because I'm like the silly the pasilly punchline character too,

1:02:48.120 --> 1:02:50.120
<v Speaker 2>So I love when we get to see more depth

1:02:50.200 --> 1:02:53.000
<v Speaker 2>to these these side characters that are just like, yeah,

1:02:53.080 --> 1:02:53.919
<v Speaker 2>balls all the time.

1:02:54.080 --> 1:02:55.120
<v Speaker 1>Yeah exactly.

1:02:56.240 --> 1:02:56.800
<v Speaker 2>Did you? Uh?

1:02:56.960 --> 1:02:58.920
<v Speaker 1>Did you happen to have any everywhere he looks.

1:02:58.720 --> 1:03:01.040
<v Speaker 2>In this one, I do, I have I have a

1:03:01.120 --> 1:03:04.440
<v Speaker 2>tiny one. What is it? In the scene where Michelle

1:03:04.640 --> 1:03:07.840
<v Speaker 2>is acting like a monster and walking over to Danny.

1:03:09.440 --> 1:03:11.840
<v Speaker 2>Danny sitting against the wall and you can totally see

1:03:11.880 --> 1:03:14.440
<v Speaker 2>a crack in the wall where where it swings out

1:03:15.080 --> 1:03:18.440
<v Speaker 2>so the camera can fit in there. Really and then

1:03:18.560 --> 1:03:20.720
<v Speaker 2>Bob leans back against.

1:03:20.480 --> 1:03:23.080
<v Speaker 1>The wall and it's shakes and it's a set. The

1:03:23.240 --> 1:03:25.440
<v Speaker 1>wall goes back. I didn't know.

1:03:25.600 --> 1:03:28.840
<v Speaker 2>Yeah, yeah, it's funny just because you can you're like, oh, yeah,

1:03:28.880 --> 1:03:32.200
<v Speaker 2>that's clearly a set that wall with studs or anything.

1:03:32.480 --> 1:03:34.840
<v Speaker 1>These walls don't have hinges like that, so they can

1:03:34.920 --> 1:03:35.960
<v Speaker 1>move slightly out of the way.

1:03:37.800 --> 1:03:38.080
<v Speaker 2>Funny.

1:03:39.360 --> 1:03:43.440
<v Speaker 1>I have had one small everywhere you look that was

1:03:44.640 --> 1:03:47.080
<v Speaker 1>also kind of a set deck thing. But if you

1:03:47.200 --> 1:03:50.520
<v Speaker 1>look in the scene, they're in the kitchen and in

1:03:50.600 --> 1:03:54.680
<v Speaker 1>the background of one of the shots you see the

1:03:54.760 --> 1:03:59.160
<v Speaker 1>laundry room and the laundry detergent, which has been what

1:03:59.280 --> 1:04:01.240
<v Speaker 1>they call Greek which is where you kind of like

1:04:01.360 --> 1:04:02.880
<v Speaker 1>make it look like something else that you don't have

1:04:02.960 --> 1:04:05.680
<v Speaker 1>to pay, you know, the licensing fees for whatever the

1:04:05.760 --> 1:04:08.480
<v Speaker 1>name of it is. It was all detergent A L

1:04:08.640 --> 1:04:11.000
<v Speaker 1>L which is a brand of detergent, but they made

1:04:11.040 --> 1:04:12.280
<v Speaker 1>it say ale a.

1:04:12.560 --> 1:04:16.840
<v Speaker 2>I L A. Yeah, that's how they greeked it up.

1:04:16.880 --> 1:04:23.400
<v Speaker 1>Yeah, yeah, it was we had ale like an ailment.

1:04:23.920 --> 1:04:25.000
<v Speaker 1>Uh that was.

1:04:27.200 --> 1:04:30.800
<v Speaker 2>Because Danny thinks of dirtiness as an aim that needs

1:04:30.880 --> 1:04:34.480
<v Speaker 2>to be fixed and weird. Yeah, with the ale detergent,

1:04:36.680 --> 1:04:38.720
<v Speaker 2>that's great. I didn't notice that. I'll have to go

1:04:38.760 --> 1:04:39.240
<v Speaker 2>back in live.

1:04:39.280 --> 1:04:39.920
<v Speaker 1>It's my little.

1:04:41.640 --> 1:04:41.680
<v Speaker 2>That.

1:04:41.960 --> 1:04:45.520
<v Speaker 1>And I also noticed that DJ and Steph when they

1:04:45.640 --> 1:04:48.800
<v Speaker 1>jump into bed at that one scene where they're like

1:04:48.920 --> 1:04:51.880
<v Speaker 1>both laying in DJ's bed, they fully have their shoes

1:04:52.000 --> 1:04:55.480
<v Speaker 1>one under the I mean, I know they're trying to whatever,

1:04:55.600 --> 1:04:56.840
<v Speaker 1>but still at.

1:04:56.840 --> 1:04:57.920
<v Speaker 2>Least take your shoes off.

1:04:58.400 --> 1:05:02.439
<v Speaker 1>Well, nobody ever has their shoes off. Well, Jesse did, true,

1:05:02.640 --> 1:05:04.280
<v Speaker 1>he had socks on in this episode when he was

1:05:04.320 --> 1:05:04.840
<v Speaker 1>in his rope.

1:05:05.360 --> 1:05:07.960
<v Speaker 2>Oh you've noticed everything, wow, eagle eye Jodi.

1:05:09.280 --> 1:05:11.560
<v Speaker 1>I think I wrote it down because I was like, finally,

1:05:11.640 --> 1:05:17.040
<v Speaker 1>someone not wearing like normal, you know, not wearing shoes

1:05:17.080 --> 1:05:18.960
<v Speaker 1>in the house at seven in the morning, when you've

1:05:18.960 --> 1:05:22.160
<v Speaker 1>been up all night. You would be in socks, right, that's.

1:05:22.080 --> 1:05:25.480
<v Speaker 2>I And for Danny, I'm surprised that Danny doesn't make

1:05:25.520 --> 1:05:27.880
<v Speaker 2>people take off their shoes at the front door or

1:05:27.960 --> 1:05:29.480
<v Speaker 2>the back door, you know, and it's not like it's

1:05:29.520 --> 1:05:32.200
<v Speaker 2>just like socks only house. Yeah, because that's how I am.

1:05:32.240 --> 1:05:33.640
<v Speaker 2>I'm like, take your shoes off. I don't know where

1:05:33.640 --> 1:05:35.600
<v Speaker 2>those shoes have been, Like, I'm a barefoot I'm a

1:05:35.680 --> 1:05:38.680
<v Speaker 2>barefoot person. Yeah, or socks if it's cold in my house.

1:05:38.720 --> 1:05:40.640
<v Speaker 2>I don't like shoes in my house either, So I've

1:05:40.720 --> 1:05:42.400
<v Speaker 2>never even thought about that. I just take it for

1:05:42.480 --> 1:05:44.000
<v Speaker 2>granted that, Yeah, we're always wearing shoes.

1:05:44.160 --> 1:05:47.000
<v Speaker 1>Yeah, well, it's partly because walking around on set you

1:05:47.000 --> 1:05:47.840
<v Speaker 1>don't want to be barefoot.

1:05:48.160 --> 1:05:49.600
<v Speaker 2>Oh yeah, there's nail they tell you not to do.

1:05:49.640 --> 1:05:51.560
<v Speaker 2>They don't even want you wearing open toad shoes on

1:05:51.640 --> 1:05:54.160
<v Speaker 2>a set because of the nails and all the stuff

1:05:54.360 --> 1:05:56.320
<v Speaker 2>and the things you could get hurt on.

1:05:56.440 --> 1:05:58.760
<v Speaker 1>You know, screws all the manner of things. But yeah,

1:05:58.880 --> 1:06:01.800
<v Speaker 1>I did notice that Jesse actually was wearing socks in

1:06:01.920 --> 1:06:04.440
<v Speaker 1>that scene. I was like, Oh, nice, look at you

1:06:04.560 --> 1:06:07.800
<v Speaker 1>being like a real, you know, human being.

1:06:08.640 --> 1:06:12.520
<v Speaker 2>Yep, Gina Traconis and Bob Squire our wordrobe people were

1:06:12.960 --> 1:06:13.520
<v Speaker 2>attention of.

1:06:15.520 --> 1:06:19.479
<v Speaker 1>Mahon. Yeah, well that was a That was another fun

1:06:19.800 --> 1:06:22.840
<v Speaker 1>episode of Howard Tanrito's.

1:06:22.720 --> 1:06:24.680
<v Speaker 2>Always more fun getting to talk about it with you.

1:06:25.080 --> 1:06:29.720
<v Speaker 1>Oh yes, we can take even the meh episodes and

1:06:29.880 --> 1:06:30.240
<v Speaker 1>make them.

1:06:31.960 --> 1:06:34.640
<v Speaker 2>Yeah, so agreed.

1:06:35.000 --> 1:06:41.680
<v Speaker 1>Here we go congratulations, Well everyone, thank you. That was

1:06:41.800 --> 1:06:43.640
<v Speaker 1>just I'm sorry. My brain left for a minute.

1:06:43.720 --> 1:06:46.040
<v Speaker 2>It came back, and I have to prepare for your

1:06:46.080 --> 1:06:48.600
<v Speaker 2>outros pause and think.

1:06:48.760 --> 1:06:51.160
<v Speaker 1>I got a pause. I think I have to make

1:06:51.200 --> 1:06:54.040
<v Speaker 1>sure that I briefly read my bracelets so that I

1:06:54.120 --> 1:06:55.080
<v Speaker 1>know what's happening.

1:06:56.360 --> 1:06:56.480
<v Speaker 2>Now.

1:06:56.560 --> 1:06:58.760
<v Speaker 1>But I wanted to say, bracelet, thank you everybody for

1:06:58.880 --> 1:07:01.760
<v Speaker 1>joining us for another episod sort of how rud tannerto's uh.

1:07:01.960 --> 1:07:03.880
<v Speaker 1>If you want to follow us or d m us

1:07:03.920 --> 1:07:06.720
<v Speaker 1>on Instagram, you can follow us at how Rude Podcast.

1:07:07.080 --> 1:07:09.840
<v Speaker 1>You can also send us an email at Howard podcast

1:07:10.000 --> 1:07:12.720
<v Speaker 1>at gmail dot com. We're so glad that you joined

1:07:12.760 --> 1:07:15.200
<v Speaker 1>us for another episode. We have so much fun doing

1:07:15.280 --> 1:07:19.120
<v Speaker 1>this with everyone. And uh yeah. You also make sure

1:07:19.160 --> 1:07:21.720
<v Speaker 1>that you're liking and subscribing to the podcast wherever you're

1:07:21.720 --> 1:07:23.680
<v Speaker 1>listening to it so that you can make sure and

1:07:23.840 --> 1:07:26.560
<v Speaker 1>get all the newest episodes as soon as they air.

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<v Speaker 1>Uh and uh yeah, I think that's it.

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<v Speaker 2>That's I think I think that that's you.

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<v Speaker 1>That's the spiel and.

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<v Speaker 2>Now you gotta yeah, you gotta gear up.

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<v Speaker 1>Okay, say remember everybody, the world is small, but the

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<v Speaker 1>house is full.

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<v Speaker 2>See. I think it's it's you've now got a memory's

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<v Speaker 2>stuck in your head.

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<v Speaker 1>Now it's the I now have the months, yea, and

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<v Speaker 1>then the yeah.

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<v Speaker 2>I'm very proud of you. Thank you. Our fan Arritos

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<v Speaker 2>are very proud of you than you

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<v Speaker 1>Modern