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Speaker 1: We were just busy here comparing fan notes, not fans

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Speaker 1: of the podcast or the show, but literal fans, like

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Speaker 1: when you're having a high flash, so hot flash fans.

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Speaker 2: Hot flash fans. Yeah.

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Speaker 1: I was telling her about my awesome one that I

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Speaker 1: got that has three little settings. You can put batteries

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Speaker 1: in it, take it with you. It's got a little

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Speaker 1: water mister on gend me.

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Speaker 2: The link for that. I think I need that in

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Speaker 2: my life.

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Speaker 1: I well, again, I think it was a team really,

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Speaker 1: which look that seems like hit or miss one of

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Speaker 1: the temu It absolutely, you're like, this could be great,

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Speaker 1: it could.

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Speaker 2: Be note and this one was great. Okay, good so far.

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Speaker 1: I mean I haven't had it for very long, so

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Speaker 1: it may just blow up at some point, but so far,

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Speaker 1: so good.

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Speaker 2: Well, yeah, you're in your in your office. You don't

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Speaker 2: have central air right or heating, so.

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Speaker 1: I have like my little wabble here what you can see.

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Speaker 1: But I don't turn it on obviously when we're recording,

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Speaker 1: because it sounds like a bus drive if you're writing,

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Speaker 1: unless it's really like in the summertime when I record

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Speaker 1: out here, like there's no I have to because it's

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Speaker 1: otherwise I'm just cooking. Pre show chatter, chatter, chatter, chatter.

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Speaker 2: High chatter, chatter, chatter.

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Speaker 1: Huh, do you sound like you're still not feeling great?

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Speaker 2: No, I mean I feel better. I feel better, but

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Speaker 2: I think I have COVID. I don't know.

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Speaker 1: Oh no, I well I test. I did.

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Speaker 2: I took a test, but it was an expired test

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Speaker 2: and it the line didn't show up after ten minutes.

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Speaker 2: It took like thirty minutes and then it was a

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Speaker 2: really faint line.

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Speaker 1: So yeah, but that's the thing. Act sitting too long,

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Speaker 1: they will sort of react possibly, and if it's expired,

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Speaker 1: you never know you need to. I would, I would

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Speaker 1: definitely get a new test, one that hasn't expired, when

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Speaker 1: it hasn't expired, and don't let it sit there for

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Speaker 1: thirty minutes and just see what happens.

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Speaker 2: Yeah, well it was clear after ten minutes, but I mean,

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Speaker 2: I'm not going anywhere anyways.

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Speaker 1: So it's sort of I mean, at this point, they

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Speaker 1: they're like, just go to work anyway. You know, we've

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Speaker 1: kind of know all of a sudden, we're like we've

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Speaker 1: been a one eighty. Yeah, seriously, regardless.

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Speaker 2: I'm here and you just have to I'm sorry, apologies

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Speaker 2: for listening.

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Speaker 1: To my nasalness for that's you know what, it's okay hour,

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Speaker 1: but it's okay. I love it. I'm so glad you're here.

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Speaker 1: I was a miserable allergy monster. Yesterday it was was

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Speaker 1: it was. Yesterday was a wash. Yesterday was like, oh

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Speaker 1: not completely. My friend Brooke, who you know, is staying

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Speaker 1: here for the weekend.

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Speaker 2: Brooks, Hello, Brook, Oh my gosh, this is the best.

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Speaker 1: Yes, he is the best. And he is here helping me,

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Speaker 1: uh do some redecorating because he is an incredible interior designer,

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Speaker 1: and so he was helping out some some friends redecorating

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Speaker 1: something down in San Diego, and he's been helping me

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Speaker 1: out with stuff. So he put a this gorgeous mural

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Speaker 1: on my wall, like up one of those peel and

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Speaker 1: stick like wallpaper murals. Basically yeah, yeah, redoing like the

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Speaker 1: downstairs room and it looks gorgeous and he painted yesterday

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Speaker 1: and it looks so awesome. And then it's been fun

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Speaker 1: just to get to hang out with them too, and

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Speaker 1: we've been I mean good time. Kend and b had

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Speaker 1: her Bye by berdie performance.

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Speaker 2: How was it? How does she do? Was?

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Speaker 1: She did great? She was nervous. Friday night we went

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Speaker 1: to opening night. The kids had a blast, and I

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Speaker 1: love seeing them perform. I like, you know, and it's

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Speaker 1: just it's so much fun. I have such admiration for

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Speaker 1: these kids, you know, these middle schoolers to get up

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Speaker 1: and get up there on stage and sing and you know,

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Speaker 1: because it's terrifying.

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Speaker 2: It is terrifying, terrifying, and at an age when you're

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Speaker 2: already so self conscious.

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Speaker 1: Well, at an age when you're self conscious, at an

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Speaker 1: age when your vocal range is not you know what

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Speaker 1: I mean. Like the boys are trying to hit the

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Speaker 1: low notes but they can't quite get low enough, and

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Speaker 1: the you know, and the girls are Yeah. I am

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Speaker 1: just so proud of them all, and they have so

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Speaker 1: much fun and I love it, like I love seeing

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Speaker 1: them all creative. And they have an awesome stage tech program.

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Speaker 1: Oh so they have you know, it's kids, they're running backstage.

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Speaker 1: It's kids, they're ads. And I loved to see at

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Speaker 1: the end of the show they bring all a stage

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Speaker 1: kid like the stage tech out to for an applause

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Speaker 1: and stuff. And they brought out the like the ad

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Speaker 1: the first a d at the end, just kind of

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Speaker 1: by himself and everyone just clapped and lost their minds.

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Speaker 2: He was.

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Speaker 1: He was like, he's so organized. He makes sure everybody's

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Speaker 1: on it, and you know he and then we went

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Speaker 1: to in and out after. I'm just gonna describe this

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Speaker 1: scene to you. It was it was about ten to

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Speaker 1: fifteen pm on a Saturday night, and that Saturday night

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Speaker 1: happened to be four twenty, and we went in and out,

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Speaker 1: so if you can imagine, And then there was some

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Speaker 1: sort of like a formal two there was there was

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Speaker 1: a group in tuxedos and formal war. There were forty

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Speaker 1: seven middle schoolers just losing their mind and all coming

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Speaker 1: in crying because it was the last show and they

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Speaker 1: were all sad, and it's you know, they're graduating in it, right,

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Speaker 1: just sobbing, just groups of girls walking and sobbing, and

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Speaker 1: then just like a sea of stoner's all in there

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Speaker 1: trying to you know, get food. And I was like,

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Speaker 1: oh my god.

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Speaker 2: And I was like the premise of a of a

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Speaker 2: not a sitcom, but something. You know, it's.

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Speaker 1: Yeah, something, but it was they look the kids were

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Speaker 1: having fun, and you know, I remember being in middle

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Speaker 1: school and high school and arriving somewhere and taking over.

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Speaker 1: Usually it was Denny's. Yeah, yeah, we got I remember

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Speaker 1: our musical theater department getting kicked out of the local

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Speaker 1: Denny's on several occasions, usually because someone started doing backflips

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Speaker 1: or cartwheels, or we all burst into song or you knows, well, yeah,

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Speaker 1: theaters such.

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Speaker 2: And we never spot them a mile away.

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Speaker 1: But she had a great time. I was very proud

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Speaker 1: of her. They did Bye bye, Bertie.

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Speaker 2: Do you give her tips? Do you like give her

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Speaker 2: or acting tips? No? No, okay, she doesn't because she

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Speaker 2: doesn't want it, or you're trying to stand back and

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Speaker 2: be both.

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Speaker 1: If I know that, the the advice that you'll listen

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Speaker 1: to the least is from your parent. Even if they

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Speaker 1: happen to be a professional in the field and have

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Speaker 1: done so for multiple decades, they have no respect for nothing,

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Speaker 1: and they're like, please stop talking your voices in way.

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Speaker 1: So yeah, I don't really like if you know, I'll

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Speaker 1: offer to run stuff. But now she and she's also

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Speaker 1: thirteen and a half, like, yeah, this is what you want.

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Speaker 1: Then you you have the rehearsal and you do all

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Speaker 1: the stuff, and you know, I try and just let

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Speaker 1: the teachers handle it and not and not do or

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Speaker 1: say anything unless ask for my opinion. And even then

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Speaker 1: i'm yeah, you know, as you know, as a parent

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Speaker 1: giving your opinion to a middle schooler when they ask

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Speaker 1: for it. They don't want an opinion and they just

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Speaker 1: want to agree exactly.

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Speaker 2: You have to mind read what they want you to say, and.

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Speaker 1: Right, right, right, you're like agree.

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Speaker 2: No, yeah, walking on eggshells all the time.

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Speaker 1: Oh my goodness. Yeah, but we it was so it

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Speaker 1: was a busy ho it was a busy weekend. There

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Speaker 1: was a girl Scout event as well that I took

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Speaker 1: her to on Sunday. So so what about you? You just

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Speaker 1: been home, home and sniffling.

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Speaker 2: I've just been yeah, coughing up all sorts of things.

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Speaker 1: Oh lovely.

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Speaker 2: What have I been doing. Oh, I've had well, I

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Speaker 2: have renewed interest in watching all the documentaries about O. J.

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Speaker 2: Simpson because he passed away last week.

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Speaker 1: Yeah.

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Speaker 2: No, well, I just I just have a whole new

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Speaker 2: perspective on the case now because well there, yeah, forty seven,

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Speaker 2: I'm not you know, sixteen or what however, right at

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Speaker 2: the time.

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Speaker 1: Yeah, I mean, you know, the case, it is a

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Speaker 1: it's a really interesting case. It's just you know, looking at.

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Speaker 2: Oh, it's fascinating fast procedure and courtroom procedure and defend procedure.

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Speaker 2: You know, it's in race relations. I mean, there's just

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Speaker 2: a whole lot going on, and I did not understand

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Speaker 2: at the time that I do understand now. So I'm like, oh,

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Speaker 2: this is I'm deep. I'm in it deep. And there's no, no, no,

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Speaker 2: fewer than like twenty documentaries about this.

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Speaker 1: Oh my god, wow, you are, You're in it. You're

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Speaker 1: in a hyper focused deep dive.

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Speaker 2: I haven't watched all twenty yet.

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Speaker 1: Oh I thought you said what you did this weekend

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Speaker 1: was watch twenty O. J. Simpson documentaries, in which case

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Speaker 1: I was like, forget oh House, let's just let's ask

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Speaker 1: some questions on your thoughts.

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Speaker 2: Yeah. No, full House was my palate cleanser at the

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Speaker 2: end of the weekend, after all of this, after my dark,

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Speaker 2: gory yeah, documentary watching.

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Speaker 1: But speaking of watching things, well, we've watched, We've watched

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Speaker 1: another episode.

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Speaker 2: We're we had our episode nineteen, Like, how did this

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Speaker 2: season go by so fast?

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Speaker 1: I don't know, but nineteen is my lucky number, so yeah, uh.

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Speaker 2: Is it really? I did not know that that's.

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Speaker 1: My birthday and I just always seem to see nineteens everywhere,

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Speaker 1: like on on you know, my little journey along life.

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Speaker 1: I don't know. Yeah, okay, but yeah to nineteen. How

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Speaker 1: many episodes are in this season twenty four?

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Speaker 2: I have no idea, but that sounds right. Yeah, they

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Speaker 2: were ending the twenty three twenty four Yeah, so yeah, wow,

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Speaker 2: closing in on the end of season two. This is

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Speaker 2: going really fast.

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Speaker 1: It is going really fast and gettinganicked.

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Speaker 2: I'm like, I don't want this to end.

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Speaker 1: Well, I want to keep going. But I feel like

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Speaker 1: we're really the the the dynamic of the family. We're

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Speaker 1: really ramping up and starting to starting to we have

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Speaker 1: our groove. Now, we're into our groove. And I can

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Speaker 1: see I believe around second season, like kind of halfway

201
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Speaker 1: through was when we really started kind of blowing up,

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Speaker 1: and I can see I can see it happening.

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Speaker 2: So yes, yes, I see.

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Speaker 1: It's the Michelle stuff, you know, A cute little baby,

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Speaker 1: all of that.

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Speaker 2: Everyone has their roles in the family. YEA personality traits, yeah,

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Speaker 2: there's there's there's there's no more sea crews. It is

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Speaker 2: all about the family dynamics, yes, and the baby. Yes, yes,

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Speaker 2: they definitely know what's going on. There was no sea cruise,

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Speaker 2: but there was Howie. What I said, there was no

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Speaker 2: sea crews, but there was how Oh in season two? Yeah,

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Speaker 2: or I thought you're talking about this episode.

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Speaker 1: I'm like, I'm just saying season two, like you know,

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Speaker 1: there's no more, no more? Are we talking about people?

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Speaker 1: The good episodes? It's all right, you're on cold medsine.

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Speaker 2: I'm on cold medic But you're right, yea, the Howie

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Speaker 2: was the sea cruise of season two?

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Speaker 1: Was the sea crews of the second perfect. I think

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Speaker 1: each season we will there will be the sea cruise

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Speaker 1: of the sea cruise.

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Speaker 2: Yeah, I agree. Oh good.

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Speaker 1: This is who gets crews of each season.

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Speaker 2: So maybe towards the later seasons there's multiple sea cruise.

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Speaker 1: There, could you know what I mean? Like, you never know,

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Speaker 1: it could be, but we'll.

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Speaker 2: See, we'll see. Well, let's get into today's episode, shall we?

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Speaker 2: Welcome back to how Rude Tanato's I'm Andrea Barber and

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Speaker 2: I'm Jody Sweeten, and today we're discussing season two, episode nineteen,

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Speaker 2: Last from the Past. It originally aired on April seventh,

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Speaker 2: nineteen eighty nine, and it goes a little something like this,

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Speaker 2: Joey gets a phone call from an old girlfriend he

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Speaker 2: had at college ten years ago. Kimmy spellbinds DJ and

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Speaker 2: Staff to a very close coexistence that lasts a lot

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Speaker 2: longer than originally anticipated. Danny's obsession with tax codes inspires

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Speaker 2: Michelle to do some monstrous cleaning. There's a lot of

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Speaker 2: storylines and.

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Speaker 1: Well, really an A to B. I feel like the

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Speaker 1: C storyline with the monstrous cleaning is really just kind

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Speaker 1: of one little bit yeah moment. But yeah, but it's

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Speaker 1: definitely uh yeah, three completely separate and non really interacting storylines.

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Speaker 2: Or so, maybe that's why I didn't love, Like, I

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Speaker 2: didn't love this episode. But I prefer the episodes where

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Speaker 2: the storylines intertwined, when the writers can get the you know,

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Speaker 2: the storyline so that all the characters are somehow interacting

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Speaker 2: together and yeah, mixing the A and B. So, but

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Speaker 2: these were definitely very separate. Yeah, but that's okay. This

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Speaker 2: was directed by Tom Ricard. Tom he was our our

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Speaker 2: second eighty.

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Speaker 1: Tom's card was yeah, I think one of our ads.

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Speaker 1: Yeah he I know he was in that department, but yes,

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Speaker 1: Tom Ricard, So he got an opportunity to direct one,

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Speaker 1: which is really cool.

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Speaker 2: That's great. Good for him. I can't remember that. That's awesome.

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Speaker 2: This was written by Lenny Rips, who we love. We

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Speaker 2: love Lenny, And we have one guest star this week.

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Speaker 2: We have Lisa Aleff as Patty Fogerty. She's known for dragon.

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Speaker 1: Relation to John John Fogerty, which is why I'm sure

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Speaker 1: we picked the last name. For sure. John Fogerty actually

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Speaker 1: played one of our rat parties. Do you remember this?

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Speaker 2: No? Oh, of course.

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Speaker 1: It was the one that we had at like.

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Speaker 2: The l A. P.

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Speaker 1: D Training Center or something we had like we had

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Speaker 1: a and John Dodger Stadium and Dodger Stadium, Alegiant Park,

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Speaker 1: And yeah, I believe John Fogerty, who is the singer

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Speaker 1: of Creden's clear Water Revival and others. Uh, he performed

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Speaker 1: for us.

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Speaker 2: This is so random. Yeah, but that okay, that makes sense.

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Speaker 2: Why she's there?

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Speaker 1: We go, yeah, all right, and I'm gonna say Patty

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Speaker 1: because of Patty Pasarelli. Yeah, that's right.

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Speaker 2: Patty Pasarelli was our script eye on full and Fuller

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Speaker 2: and now she's Patty Mistari. Yes, okay, this is great. Oh,

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Speaker 2: this is like a game. We can Yes, why they've

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Speaker 2: named the guest stars.

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Speaker 1: That's what I always like to do. Why they named Yeah, yeah,

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Speaker 1: we had the we had the Howie Anderson, which I

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Speaker 1: felt like was how Candell and Louis Anderson combined. Yeah.

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Speaker 2: Well, Lisa was known for Dragonnet, you Can't Take It

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Speaker 2: with You and remote Control. I don't think she did

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Speaker 2: much acting after the eighties. Once again, we are discouraging.

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Speaker 1: People's from killing ever acting again for their full House appearance,

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Speaker 1: So we start uh in with the teaser.

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Speaker 2: In Michelle's room, Jesse is crouched down next to Michelle

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Speaker 2: and asks to see her temmy. She lifts up her

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Speaker 2: shirt and he gasps, oh my gosh, you're getting fatter

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Speaker 2: than your uncle, Jesse, what is even happened?

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Speaker 1: Sorry, this whole thing, I was like this, this was

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Speaker 1: I was like, what is happening?

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Speaker 2: This was terrible. It was even for the eight in

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Speaker 2: nineteen eighty nine.

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Speaker 1: This is terrible.

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Speaker 2: You don't say that too a baby, a girl, a

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Speaker 2: human like, that's that's terrible, like way to give her

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Speaker 2: a complex that they are.

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Speaker 1: We fat shaming a baby. Yes, with the working out

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Speaker 1: member was just oh.

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Speaker 2: Yeah, oh and it's always Jesse too.

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Speaker 1: Wow.

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Speaker 2: A weird way to encourage a toddler to get dressed

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Speaker 2: to you fat shame them in order to encourage you should.

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Speaker 1: Yeah, I don't, I don't like. I don't like Lari's

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Speaker 1: problem with this one like this.

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Speaker 2: So he encourages her to put the sweater on, and

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Speaker 2: Michelle demands that she is going to put the sweater

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Speaker 2: on herself. Jesse's surprised, feeling a little independent, are you?

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Speaker 2: He walks over to the rocking chair and he says, Okay,

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Speaker 2: that's fine with me. I'll just sit down and catch

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Speaker 2: up on my doctor Seuss. He whistles as he reads Horton,

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Speaker 2: Here's a Who.

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Speaker 1: Do they have any other Michelle books for Michelle? Other

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Speaker 1: than Horton? Here's a Who.

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Speaker 2: That's the only one that they owns. That's the only

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Speaker 2: one that they read.

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Speaker 1: Right, it's I mean, needs to pick it up. We

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Speaker 1: probably all have it memorized by now, right, right.

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Speaker 2: It's like, come on, I know we had it in

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Speaker 2: the budget to get at least one other doctor.

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Speaker 1: Another doctor. Well maybe that was all we could get cleared.

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Speaker 2: Oh yeah, I know they were probably more accurate. Yeah.

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Speaker 2: So Michelle is struggling to put on her sweater and

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Speaker 2: she shouts help. Jesse gives an over the top laugh

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Speaker 2: and grabs her spastically, putting her sweater on. He sighs,

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Speaker 2: I told you it was a two man job. Michelle

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Speaker 2: smiles and claims, I did it. Good for you, Michelle. Good.

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Speaker 1: You tell him, you tell him, Michelle.

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Speaker 2: Yeah, this is they're terrible lessons happening. He's fat shaming

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Speaker 2: a baby. He's saying that she can't do it without

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Speaker 2: a man.

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Speaker 1: Right, he's you know, this is this is well, it's

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Speaker 1: again very very telling of you know, kind of where

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Speaker 1: Jesse is at, still in season two, still really working

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Speaker 1: on on on, you know, uh, reshaping himself. Uh not

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Speaker 1: in the image of Grandpa Nick, who we see is

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Speaker 1: also uh incredibly problematic.

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Speaker 2: So yeah, every time Jesse makes some growth, it's they

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Speaker 2: got a reeling back in and remind you that no, no, no,

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Speaker 2: he's not there yet.

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Speaker 1: He's not there yet.

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Speaker 2: He's on his way.

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Speaker 1: He's trying. There, he's trying. And you know again, I

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Speaker 1: just from the moment he was like, let me see it,

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Speaker 1: I was like, why are we doing why?

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Speaker 2: Why? Yeah, this whole teaser was problematic, but yeah, thank goodness,

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Speaker 2: it's just the teaser and that does nothing to do

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Speaker 2: with the rest of the episode. Because yeah, yeah, all right,

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Speaker 2: well let's get out of that. Let's get out of that.

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Speaker 2: We start again in Joey's room. Jesse is sitting at

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Speaker 2: his desk throwing darts, Michelle is coloring on the floor,

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Speaker 2: and Joey lays on his bed. It's a very productive

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Speaker 2: work day, indeed.

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Speaker 1: Indeed, well at least Michelle's not by herself in her crib.

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Speaker 2: Yeah, that's true. This is an improvement.

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Speaker 1: Yeah.

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Speaker 2: Joey asks if Jesse's had any thoughts on their muffler

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Speaker 2: commercial yet. Jesse admits no, but I found something very interesting.

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Speaker 2: If you shake a pencil just right, it looks like

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Speaker 2: it's turned to rubber, and he wiggles his pencil to

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Speaker 2: prove it. That's what I remember when I learned that. Yeah,

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Speaker 2: in elementary did Jesse just learn this though? Yeah? I

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Speaker 2: think that's what I got from this. Yeah, yeah, at

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Speaker 2: twenty eight he just learned this.

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Speaker 1: Well, he was very busy, you know, chasing girls around school,

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Speaker 1: not making rubber pencils.

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Speaker 2: He wasn't spending a lot of time writing with number

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Speaker 2: two pencils. Do home work or tests. Danny walks in

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Speaker 2: and asks the guys if they're working. Michelle answers no

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Speaker 2: for them, Yes, Michelle, you tell it like it is, Yeah,

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Speaker 2: Joey mutters. Snitch. Danny tells them that he loves this

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Speaker 2: time of year, first spring cleaning and now it's income

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Speaker 2: tax time.

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Speaker 1: I worried about Danny sometimes, you know, I work. Sometimes

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Speaker 1: I'm like, are you so square?

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Speaker 2: You know?

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Speaker 1: Yeah, who likes income taxes? I don't even think tax

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Speaker 1: people like income tax time, and only because they're like,

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Speaker 1: I'm so busy, Like I know, you know next month,

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Speaker 1: I'll get a break in a vacation, baby, But.

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Speaker 2: Yeah, no, my tax. Anytime I see my cpa, he's

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Speaker 2: always I've been up since two. I am sorry, buddy,

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Speaker 2: He's on his tenth cup of coffee. By eight am,

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Speaker 2: the phone rings, and Michelle stands up to get it. Hello,

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Speaker 2: hi lady, she says. The boys stare at her with

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Speaker 2: big smiles. Michelle continues, I went poop poo in the potty.

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Speaker 2: That's so true. That is what they do. Though they're

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Speaker 2: so proud when they finally poop in the potty. They

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Speaker 2: want to tell everyone that they see.

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Speaker 1: Very true. Although I'm surprised that they're still letting Michelle

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Speaker 1: answer the phone because every time she does. It doesn't

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Speaker 1: go well, and yet they're like, oh, look, here we

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Speaker 1: go again. Michelle's going to answer the phone. Yeah, like's

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Speaker 1: so cute.

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Speaker 2: She's a little secretary.

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Speaker 1: Yes, we're just gonna stand here and wait for the

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Speaker 1: toddler to screw it up.

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Speaker 2: Jesse says, I hope that's the wrong number. He races

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Speaker 2: over to grab the phone and he tells Joey it's

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Speaker 2: for him. There's a woman on the other line named

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Speaker 2: Patty Fogerty. Joey is shocked. Patty Danny really finishes foger tea.

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Speaker 2: Jesse asks who that is by mimicking their reactions. Joey

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Speaker 2: tells him it's his old girlfriend from college, but he

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Speaker 2: can't talk to her. He says, Patty was the one

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Speaker 2: I was going to ask her to marry me. Danny adds,

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Speaker 2: until she walked out on you. No phone call, no goodbye.

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Speaker 2: Joey says she left him a note, and Danny reminds

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Speaker 2: him on her new boyfriend's stationary. Yes, first of all,

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Speaker 2: what yeah, what college god stationary?

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Speaker 1: Like that is? I mean, you know again, not if

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Speaker 1: you do great to you, sir, because you obviously are

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Speaker 1: quite fancy.

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Speaker 2: But I just feel like, that's not a priority for

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Speaker 2: college any college student, male, female or otherwise. That's just yeah.

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Speaker 1: I mean, I have stationary with my name on it

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Speaker 1: now that I don't use, yeah.

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Speaker 2: Exactly, so I take it out once a year when

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Speaker 2: I'm writing to someone really import.

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Speaker 1: Apparently this guy had quite the stationary collection, so Danny.

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Speaker 2: Tells Joey to face it. She ripped out his heart,

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Speaker 2: threw it on the ground, and did a Mexican hat

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Speaker 2: dance on it, and he does the dance right on

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Speaker 2: the point home.

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Speaker 1: We don't know, We don't don't.

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Speaker 2: Do that anymore. They could have just said dance and yeah,

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Speaker 2: made something up, but okay, okay. Nineteen eighty nine, Jesse

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Speaker 2: hands the phone to Joey. Joey is willing to speak

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Speaker 2: to her, but he but assures the guys that he

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Speaker 2: will not see her. He answers, Hello, Patricia, come on over.

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Speaker 2: My address is eighteen eighty two Gerard. I'll see you

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Speaker 2: tonight at seven. The last time we heard the address

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Speaker 2: of the house was the Thanksgiving episode in season That's

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Speaker 2: I was going.

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Speaker 1: To say, have we heard the I knew we had

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Speaker 1: heard Gerard before, but I couldn't remember. But now yes,

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Speaker 1: I do remember, because they are the women and the

435
00:20:49,640 --> 00:20:51,840
Speaker 1: women are calling, they're like eighteen eighty two Gerard.

436
00:20:51,960 --> 00:20:57,000
Speaker 2: Yeah, yeah, So Danny gives a disapproving look. Joey defends himself.

437
00:20:57,359 --> 00:21:01,320
Speaker 2: She said, please, Danny sighs, why don't just leave your

438
00:21:01,440 --> 00:21:03,719
Speaker 2: heart on the front doorstep so she can wipe her

439
00:21:03,800 --> 00:21:07,520
Speaker 2: feet on it. Jesse sticks up for Joey, saying he's

440
00:21:07,560 --> 00:21:10,800
Speaker 2: able to make his own decisions. Then he proceeds to

441
00:21:10,800 --> 00:21:12,760
Speaker 2: tell Joey everything he needs to do. When he sees

442
00:21:12,800 --> 00:21:16,240
Speaker 2: Patty Danny motions ripping out his heart, throwing it on

443
00:21:16,280 --> 00:21:17,879
Speaker 2: the floor and then dancing on it.

444
00:21:19,320 --> 00:21:22,440
Speaker 1: Was this, I mean this was this the origin of

445
00:21:22,560 --> 00:21:28,119
Speaker 1: the when he's like ripping Yeah, yeah, that's I didn't

446
00:21:28,160 --> 00:21:29,680
Speaker 1: think it. I don't think it. I don't think it is.

447
00:21:29,760 --> 00:21:31,080
Speaker 1: I don't think it was the origin.

448
00:21:32,440 --> 00:21:36,440
Speaker 2: We're talking about Bob's tendency to do this bit, yeah,

449
00:21:36,640 --> 00:21:41,080
Speaker 2: where he pretends he's Indiana jonesbody rips open his chest.

450
00:21:40,920 --> 00:21:43,640
Speaker 1: Cavity right, and he's like using his like the intestine

451
00:21:44,720 --> 00:21:47,480
Speaker 1: and people are like, what is his organs as a lasso?

452
00:21:47,920 --> 00:21:50,680
Speaker 1: Like that's not funny. I know it doesn't sound like it,

453
00:21:50,960 --> 00:21:54,520
Speaker 1: but it is strangely when Bob did the song and

454
00:21:54,640 --> 00:21:56,320
Speaker 1: went completely bananas with it.

455
00:21:56,480 --> 00:21:59,600
Speaker 2: Yeah, but this was all the time, every note session,

456
00:22:00,040 --> 00:22:01,439
Speaker 2: he would always be doing this bit.

457
00:22:01,560 --> 00:22:03,720
Speaker 1: But this is what this is what it reminds me

458
00:22:03,760 --> 00:22:05,080
Speaker 1: of when he rips his heart out and does his

459
00:22:05,119 --> 00:22:09,320
Speaker 1: little dance exactly. There's any time Bob dances, it's just ridiculous.

460
00:22:10,440 --> 00:22:13,840
Speaker 1: Just he's just you know, he's flailing around, you know,

461
00:22:14,359 --> 00:22:15,000
Speaker 1: he's like Gumby.

462
00:22:15,200 --> 00:22:27,040
Speaker 2: Yeah. Yeah. So next we're in Stephan DJ's room. Kimmy

463
00:22:27,320 --> 00:22:30,679
Speaker 2: is standing in front of DJ Stephan Michelle displaying an

464
00:22:30,720 --> 00:22:34,920
Speaker 2: empty tube. My wolf Man hair is back. It's starting

465
00:22:34,960 --> 00:22:35,560
Speaker 2: to resemble.

466
00:22:36,200 --> 00:22:38,120
Speaker 1: He kind of curves out this time.

467
00:22:38,800 --> 00:22:41,600
Speaker 2: Yeah, I mean to resemble the mullet. It's starting to

468
00:22:41,680 --> 00:22:44,359
Speaker 2: resemble a little bit, a little bit Jesse's mullet.

469
00:22:44,800 --> 00:22:48,840
Speaker 1: Yeah, it's got some wing action for sure, like turned

470
00:22:48,960 --> 00:22:51,760
Speaker 1: out like it's a pearl brush that's been you know,

471
00:22:52,080 --> 00:22:53,320
Speaker 1: turned out for that feathered look.

472
00:22:54,040 --> 00:22:57,280
Speaker 2: I don't know if they're trying to improve it and failing,

473
00:22:58,040 --> 00:23:00,359
Speaker 2: or if this maybe I requested this, I don't. I

474
00:23:00,400 --> 00:23:02,400
Speaker 2: don't know, but it's bad. What if this wasn't.

475
00:23:02,200 --> 00:23:07,680
Speaker 1: Improvement what happened? Maybe maybe maybe it just wasn't doing it.

476
00:23:08,400 --> 00:23:09,520
Speaker 2: We have to mold this.

477
00:23:10,440 --> 00:23:12,240
Speaker 1: I don't know, like Clay, I don't know.

478
00:23:12,400 --> 00:23:16,960
Speaker 2: It's it's physically painful to look at like it. I well,

479
00:23:17,240 --> 00:23:19,320
Speaker 2: we need to move to a different season or a

480
00:23:19,400 --> 00:23:21,080
Speaker 2: different hair sty for something.

481
00:23:21,119 --> 00:23:23,000
Speaker 1: But for the rest of us, it's a joy. For

482
00:23:23,000 --> 00:23:27,960
Speaker 1: the rest of us, it's it's it's like a marker

483
00:23:28,000 --> 00:23:31,040
Speaker 1: of time, you know. It's like Jesse the length of

484
00:23:31,080 --> 00:23:34,040
Speaker 1: Jesse's mullet, like as you can you know where you

485
00:23:34,200 --> 00:23:38,960
Speaker 1: are in in the decade by like a mullet like

486
00:23:39,240 --> 00:23:45,200
Speaker 1: yours in shape and shrinks and shifts depending on where

487
00:23:45,280 --> 00:23:49,359
Speaker 1: we are in the season. It's actually responding to the

488
00:23:50,000 --> 00:23:54,720
Speaker 1: weather and the the curt events. So it's yeah, yeah, yeah.

489
00:23:54,920 --> 00:23:58,159
Speaker 1: Kimmy's hair is uh, it's a weather vein basically, and

490
00:23:58,320 --> 00:24:01,639
Speaker 1: it tells you if it's Carl the fog must be

491
00:24:01,720 --> 00:24:04,159
Speaker 1: coming in because her hair is just really poofy. The

492
00:24:04,280 --> 00:24:09,879
Speaker 1: humidity is out of control. I love Did I break you?

493
00:24:11,119 --> 00:24:13,720
Speaker 1: I think I broke you? Oh my god, I broke

494
00:24:13,760 --> 00:24:14,120
Speaker 1: it big.

495
00:24:15,960 --> 00:24:18,000
Speaker 2: I'm dying. I'm dying.

496
00:24:19,240 --> 00:24:23,560
Speaker 1: I have actual tears. I didn't know that was gonna

497
00:24:23,640 --> 00:24:26,879
Speaker 1: hit that hard. I'm so happy, I'm so glad I

498
00:24:26,880 --> 00:24:29,600
Speaker 1: could make you laugh. Also, I think I'll I think

499
00:24:29,640 --> 00:24:32,560
Speaker 1: you're a much better audience on cold beds, So I'm

500
00:24:32,600 --> 00:24:33,800
Speaker 1: gonna require that from now on.

501
00:24:34,320 --> 00:24:37,680
Speaker 2: That's true. Anytime. That's the next time you go do

502
00:24:37,760 --> 00:24:38,120
Speaker 2: a set.

503
00:24:39,480 --> 00:24:42,840
Speaker 1: Gave everybody cold misone, some like Nate, Nike Wull or

504
00:24:42,880 --> 00:24:44,240
Speaker 1: DG and Yeah, and she'd be like, this is gonna

505
00:24:44,240 --> 00:24:45,080
Speaker 1: be a great set, you guys.

506
00:24:47,600 --> 00:24:49,680
Speaker 2: I would crack up every time I see her hair

507
00:24:50,119 --> 00:24:50,920
Speaker 2: her my hair.

508
00:24:51,080 --> 00:24:52,680
Speaker 1: Well, now you can refer to it as her hair

509
00:24:52,680 --> 00:24:54,679
Speaker 1: because it's you might want to distance yourself.

510
00:24:54,400 --> 00:24:56,159
Speaker 2: A little and be like her. Yeah. Well, it's got

511
00:24:56,240 --> 00:24:58,399
Speaker 2: a heartbeat of its own, for sure. It is definitely

512
00:24:59,440 --> 00:25:00,440
Speaker 2: connected to me at all.

513
00:25:00,560 --> 00:25:01,960
Speaker 1: It is its title card.

514
00:25:05,000 --> 00:25:10,560
Speaker 2: Yeah. So okay, deep breath, Entera, deep breath. Okay, I'm

515
00:25:10,560 --> 00:25:12,080
Speaker 2: gonna have to look at your forehead now and not

516
00:25:12,240 --> 00:25:14,960
Speaker 2: your dies because that's like just like back in the day. Yeah,

517
00:25:15,800 --> 00:25:18,080
Speaker 2: where are we? Okay, so we're still into stuff in

518
00:25:18,160 --> 00:25:21,720
Speaker 2: DJ's room. We're only on scene two. Sorry, that's okay.

519
00:25:22,680 --> 00:25:26,080
Speaker 2: Kimmy asks Michelle to say the magic words, so Michelle

520
00:25:26,160 --> 00:25:29,639
Speaker 2: shouts please and thank you. Kimmy magically pulls out a

521
00:25:29,680 --> 00:25:32,680
Speaker 2: bouquet of fake flowers from the tube. The girl's clap

522
00:25:32,880 --> 00:25:36,720
Speaker 2: and Michelle compliments her good magic. DJ stands up to

523
00:25:36,760 --> 00:25:39,920
Speaker 2: take a turn. She's rocking an amazing little half upside

524
00:25:40,320 --> 00:25:42,080
Speaker 2: yeah thing, it was super cute, a.

525
00:25:42,080 --> 00:25:42,920
Speaker 1: Little half and half.

526
00:25:43,800 --> 00:25:46,240
Speaker 2: She grabs a small black curtain and tells the girls

527
00:25:46,480 --> 00:25:51,000
Speaker 2: and now the ball of mystery. A yellow ball appears

528
00:25:51,040 --> 00:25:53,680
Speaker 2: to be floating behind the curtain. She tosses the ball

529
00:25:53,760 --> 00:25:56,880
Speaker 2: in the air and accidentally throws it towards Steph. Steph

530
00:25:56,960 --> 00:25:59,119
Speaker 2: grabs it and hands it back to DJ, and the

531
00:25:59,240 --> 00:26:02,840
Speaker 2: magic trick is revealed. A fake hand was holding the

532
00:26:02,920 --> 00:26:04,160
Speaker 2: curtain the whole time.

533
00:26:05,160 --> 00:26:07,600
Speaker 1: You'd never know that fake hand looked so real.

534
00:26:08,359 --> 00:26:13,520
Speaker 2: It looks so it looked very genuine. Yeah, Kimmy butts in,

535
00:26:13,800 --> 00:26:16,680
Speaker 2: let's get back to some real magic. She asks for

536
00:26:16,760 --> 00:26:19,680
Speaker 2: two volunteers, and Michelle shoots her hand up in the air.

537
00:26:19,920 --> 00:26:23,320
Speaker 2: Me me, me, me, Kimmy points to Stephan DJ I'll

538
00:26:23,400 --> 00:26:28,119
Speaker 2: pick you and you. Michelle responds, on nuts, was this

539
00:26:28,240 --> 00:26:28,960
Speaker 2: the that.

540
00:26:29,080 --> 00:26:33,080
Speaker 1: Was something that she that would like? Betchelle catchphrase was

541
00:26:33,119 --> 00:26:35,200
Speaker 1: on yeah this is our first.

542
00:26:35,440 --> 00:26:37,400
Speaker 2: Uh I think this is our first? Aw nuts? Yeah,

543
00:26:37,880 --> 00:26:40,359
Speaker 2: she's very funny. She throws the magic flower bouquet on

544
00:26:40,400 --> 00:26:42,679
Speaker 2: the on the ground and runs out and the audience

545
00:26:42,720 --> 00:26:46,040
Speaker 2: loves it. The audience cheering, Yeah, they loved aw nuts.

546
00:26:46,520 --> 00:26:48,359
Speaker 2: You know. At that moment, Jeff's making a note in

547
00:26:48,400 --> 00:26:49,760
Speaker 2: a script. He's like, Oh, this is gonna be a

548
00:26:49,800 --> 00:26:54,040
Speaker 2: catchphrase because it got a good response. Yep. Kimmy directs

549
00:26:54,359 --> 00:26:56,800
Speaker 2: their attention back to her and shows them a pair

550
00:26:56,880 --> 00:27:00,399
Speaker 2: of solid steel handcuffs. She looks to Steph and asks,

551
00:27:01,920 --> 00:27:05,760
Speaker 2: have we ever met before? Steph nods, unfortunately, we have.

552
00:27:07,320 --> 00:27:10,080
Speaker 2: Kimmy places the handcuffs on her two volunteers and puts

553
00:27:10,119 --> 00:27:13,280
Speaker 2: a red scarf on top. She waves her hands over

554
00:27:13,400 --> 00:27:18,480
Speaker 2: the scarf. Presto Chaninjoh, you're free, Stephan, DJ tuck on

555
00:27:18,760 --> 00:27:22,800
Speaker 2: tug on the handcuffs, but they're still locked together. H.

556
00:27:24,040 --> 00:27:26,600
Speaker 2: Kimmy panics, I'll go home and get the key. If

557
00:27:26,640 --> 00:27:29,040
Speaker 2: your dad finds out, he'll call my mom and she'll

558
00:27:29,080 --> 00:27:31,440
Speaker 2: tell my brother I took his magic set and he'll

559
00:27:31,520 --> 00:27:35,719
Speaker 2: make my life disappear. Steph Glarre's at her. He already

560
00:27:35,840 --> 00:27:38,560
Speaker 2: major brain disappear and.

561
00:27:38,640 --> 00:27:41,840
Speaker 1: DJ laughs at this, Yeah, I mean there's no loyalty.

562
00:27:41,960 --> 00:27:44,800
Speaker 1: She's well, she's handcuffed to her sister. Who she can't stand.

563
00:27:44,920 --> 00:27:50,840
Speaker 1: So you know, she's Kimmy's Kimmy's enemy. Kimmy is gonna

564
00:27:50,840 --> 00:27:51,280
Speaker 1: be laughed at.

565
00:27:52,119 --> 00:27:54,320
Speaker 2: So next, in the living room, Danny's on the couch

566
00:27:54,480 --> 00:27:56,840
Speaker 2: with a whole table of forms and papers spread out

567
00:27:56,880 --> 00:28:01,640
Speaker 2: in front of him. Jesse walks in, eating cold fried chicken. Yeah,

568
00:28:03,040 --> 00:28:06,240
Speaker 2: it's like every episode now it's it's it's like, it's

569
00:28:07,200 --> 00:28:10,359
Speaker 2: it's a thing. It's a thing now. Uh. He asks

570
00:28:10,520 --> 00:28:13,440
Speaker 2: why he isn't doing the short form to save time,

571
00:28:13,680 --> 00:28:17,000
Speaker 2: and Danny responds, you wouldn't ask such silly questions if

572
00:28:17,040 --> 00:28:19,760
Speaker 2: you would take the time to read your tax codes.

573
00:28:20,200 --> 00:28:24,520
Speaker 1: Which everyone does, including accountants. Nobody reads a tips, nobody reads.

574
00:28:24,400 --> 00:28:28,240
Speaker 2: The tax codes now. Danny holds a thick book in

575
00:28:28,280 --> 00:28:31,760
Speaker 2: front of Jesse and tells him to study, learn save.

576
00:28:32,480 --> 00:28:36,399
Speaker 2: Jesse adds snooze. Danny tells him he could get a

577
00:28:36,480 --> 00:28:40,120
Speaker 2: refund of thousands of dollars, and Jesse immediately shows interest.

578
00:28:41,240 --> 00:28:43,680
Speaker 2: Joey walks in wearing a suit and tie and asks

579
00:28:43,720 --> 00:28:47,040
Speaker 2: the boys what they think. Dave really does look great.

580
00:28:46,880 --> 00:28:51,240
Speaker 1: And he looks great. He looks great, but like definitely

581
00:28:51,360 --> 00:28:53,840
Speaker 1: not you know, low key.

582
00:28:55,240 --> 00:28:55,760
Speaker 2: For the state.

583
00:28:56,600 --> 00:28:58,920
Speaker 1: Yeah, well it's not even antaement. She's just like coming

584
00:28:58,920 --> 00:29:01,920
Speaker 1: to stop. She looks like she's going on a date.

585
00:29:02,440 --> 00:29:05,560
Speaker 2: Yeah. Yeah, they're definitely dressed like they're going on a date.

586
00:29:06,320 --> 00:29:08,400
Speaker 2: They're not trying to impress each other, but they are

587
00:29:08,600 --> 00:29:12,400
Speaker 2: like they're trying too hard, right. Jesse claps and goes

588
00:29:12,440 --> 00:29:16,040
Speaker 2: over to straighten Joey's jacket, while Danny pleads don't try

589
00:29:16,080 --> 00:29:18,840
Speaker 2: to impress her. Joe just wants to show her what

590
00:29:19,080 --> 00:29:22,680
Speaker 2: she gave up ten years ago. Okay. The doorbell rings

591
00:29:22,720 --> 00:29:25,320
Speaker 2: and he gets nervous. Jesse tells him just do everything

592
00:29:25,360 --> 00:29:28,400
Speaker 2: we worked on. Be cool, be smooth, be a heartbreaker.

593
00:29:30,200 --> 00:29:32,640
Speaker 2: Joey answers the door to Patty and they both say hi.

594
00:29:33,520 --> 00:29:35,880
Speaker 2: Joey tells her she looks great and asks, did you

595
00:29:35,960 --> 00:29:40,640
Speaker 2: bring back my Peter Frampton album. Patty responds with a smile, Oh,

596
00:29:40,760 --> 00:29:44,320
Speaker 2: you're still making me laugh. Joey walks over to Jesse

597
00:29:44,440 --> 00:29:47,040
Speaker 2: and introduces the two of them. Then he moves on

598
00:29:47,120 --> 00:29:49,280
Speaker 2: to Danny, who gets up from the couch and shakes

599
00:29:49,320 --> 00:29:53,120
Speaker 2: her hand. Patty admits seeing you and joe together brings

600
00:29:53,200 --> 00:29:56,720
Speaker 2: back so many memories. Danny responds, I'll bet seeing you

601
00:29:56,960 --> 00:30:00,720
Speaker 2: brings back a few memories for Joey too. Patty turns

602
00:30:00,760 --> 00:30:02,360
Speaker 2: to Joey, saying how great it is that he and

603
00:30:02,480 --> 00:30:05,680
Speaker 2: Danny are still friends, and Danny motions the ripping his

604
00:30:05,760 --> 00:30:07,560
Speaker 2: heart out, throwing it on the floor and dancing on

605
00:30:07,600 --> 00:30:10,640
Speaker 2: it shpiel that he did earlier, but Patty catches him

606
00:30:10,680 --> 00:30:14,520
Speaker 2: doing the dance. Danny tells her, oh, reminiscing always makes

607
00:30:14,560 --> 00:30:19,080
Speaker 2: me feel like dancing. Patty's confused, so Joey invites her

608
00:30:19,120 --> 00:30:20,680
Speaker 2: down to his room because it's kind of hard to

609
00:30:20,760 --> 00:30:24,120
Speaker 2: talk in the middle of a fiesta. Jesse tells Danny

610
00:30:24,200 --> 00:30:26,800
Speaker 2: he looks depressed. He hands in the tax codebook to

611
00:30:26,880 --> 00:30:27,719
Speaker 2: try and cheer him up.

612
00:30:27,880 --> 00:30:30,160
Speaker 1: Can I say, though, Patty looks a lot like Pam.

613
00:30:31,080 --> 00:30:33,239
Speaker 2: Oh my gosh. Yes. I was looking at the two

614
00:30:33,280 --> 00:30:34,760
Speaker 2: of them on the door stoop and I was like,

615
00:30:34,840 --> 00:30:37,440
Speaker 2: they could be the Tanner girl's parents like they look.

616
00:30:37,560 --> 00:30:41,320
Speaker 1: So I'm just back to the conspiracy theory.

617
00:30:41,880 --> 00:30:44,840
Speaker 2: Yeah, yeah, she does look like she could be related.

618
00:30:44,960 --> 00:30:48,760
Speaker 1: If this were a soap opera, that would be Pam's

619
00:30:48,800 --> 00:30:51,320
Speaker 1: twin that came back the evil. Then you find out

620
00:30:51,400 --> 00:30:54,440
Speaker 1: later that it's actually her back from the dead or something. Yeah,

621
00:30:55,160 --> 00:30:56,320
Speaker 1: and that joe is actually the father.

622
00:30:57,720 --> 00:31:00,960
Speaker 2: Patti is definitely the Stefano Demera of episode. Yes, for

623
00:31:01,080 --> 00:31:04,600
Speaker 2: sure the villain. So as Joey and Patty walked downstairs,

624
00:31:04,720 --> 00:31:07,240
Speaker 2: he explains he moved in with Danny to help raise

625
00:31:07,280 --> 00:31:10,240
Speaker 2: the three girls. She tells him he hasn't changed a

626
00:31:10,440 --> 00:31:13,320
Speaker 2: bit and reaches towards him for a big hug, but

627
00:31:13,440 --> 00:31:16,840
Speaker 2: Joey doesn't hug her back. He asks, why are you here?

628
00:31:17,480 --> 00:31:18,600
Speaker 1: Yeah? Where are you here?

629
00:31:18,760 --> 00:31:18,920
Speaker 2: Yeah?

630
00:31:19,360 --> 00:31:21,960
Speaker 1: And why is your jacket made out of a couch?

631
00:31:23,200 --> 00:31:25,880
Speaker 2: It does look a little it's like the seventies.

632
00:31:25,680 --> 00:31:28,720
Speaker 1: Made out of a seventies couch or something that you

633
00:31:28,760 --> 00:31:31,960
Speaker 1: would make Mary Poppins like carpetbag out of. Oh yeah,

634
00:31:32,280 --> 00:31:33,400
Speaker 1: it's exactly what it looked like.

635
00:31:33,880 --> 00:31:37,200
Speaker 2: It was heavy and hot, like a right thick heavy material.

636
00:31:37,360 --> 00:31:38,520
Speaker 2: You know, she was sweating under that.

637
00:31:38,720 --> 00:31:41,360
Speaker 1: Yeah, you could make curtains out of It's like the

638
00:31:42,120 --> 00:31:44,120
Speaker 1: blackout curtains, right right? You take yeah, you take the

639
00:31:44,440 --> 00:31:45,719
Speaker 1: shirt and actually make curtains.

640
00:31:48,000 --> 00:31:51,840
Speaker 2: So Patty admits she was married and just got a divorce.

641
00:31:52,400 --> 00:31:54,880
Speaker 2: So she started to think about the last time she

642
00:31:55,120 --> 00:31:58,360
Speaker 2: was really happy, and that was when she was with Joey.

643
00:31:59,480 --> 00:32:01,200
Speaker 2: Can we say rebound, right?

644
00:32:01,360 --> 00:32:04,280
Speaker 1: I was like I literally wrote down rebound. Be careful.

645
00:32:04,760 --> 00:32:08,800
Speaker 2: Yeah, there's a big old red flag, Joey. Joey begins

646
00:32:08,880 --> 00:32:10,800
Speaker 2: to say there were a lot of good times, but

647
00:32:10,880 --> 00:32:14,040
Speaker 2: then Patty interrupts him. Oh, Popeye, you still have the

648
00:32:14,160 --> 00:32:14,880
Speaker 2: doll I gave you.

649
00:32:15,280 --> 00:32:17,960
Speaker 1: Ah, now we have an origin story for that. Okay.

650
00:32:18,080 --> 00:32:21,480
Speaker 2: Oh yeah, yeah, okay, it's starting. It's all we're piecing

651
00:32:21,520 --> 00:32:24,320
Speaker 2: it all together. She picks up the doll and sits

652
00:32:24,360 --> 00:32:26,600
Speaker 2: on his bed. You remember the first time you did

653
00:32:26,640 --> 00:32:29,440
Speaker 2: the voice for me? Joey takes a seat next to her,

654
00:32:29,680 --> 00:32:32,120
Speaker 2: remembering it was after their first kiss.

655
00:32:32,640 --> 00:32:36,440
Speaker 1: Can you imagine if you kiss somebody and then they

656
00:32:36,480 --> 00:32:37,840
Speaker 1: did a pop Eye voice, that.

657
00:32:38,280 --> 00:32:40,920
Speaker 2: Would be an immediate no. That would be a break

658
00:32:41,040 --> 00:32:41,480
Speaker 2: in the date.

659
00:32:41,600 --> 00:32:48,840
Speaker 1: I'm glad you did that now. Yes, nothing that I'm

660
00:32:48,840 --> 00:32:51,520
Speaker 1: not I've lost. Yeah, its not.

661
00:32:52,080 --> 00:32:53,840
Speaker 2: There is a time and a place, and a first

662
00:32:53,920 --> 00:32:55,320
Speaker 2: kiss is not it or anything.

663
00:32:55,360 --> 00:32:59,080
Speaker 1: But apparently she was very impressed with the pope bye

664
00:32:59,160 --> 00:33:00,600
Speaker 1: because she she's in a botom a doll.

665
00:33:01,400 --> 00:33:04,120
Speaker 2: Oh yeah, she's she's that's that turns her on. For

666
00:33:04,200 --> 00:33:08,280
Speaker 2: some reason. Patty says that anytime she needs a good laugh,

667
00:33:08,400 --> 00:33:12,000
Speaker 2: she thinks about the first time she saw him. Joey laughs,

668
00:33:12,080 --> 00:33:16,640
Speaker 2: Oh no, not halftime at the homecoming game. She nods, Yep,

669
00:33:17,200 --> 00:33:19,920
Speaker 2: fifty six thousand people waiting to see the crowning of

670
00:33:20,000 --> 00:33:24,440
Speaker 2: the homecoming queen, and there's this maniac streaker streaking the

671
00:33:24,560 --> 00:33:27,320
Speaker 2: full length of the football field. Fuck naked.

672
00:33:27,640 --> 00:33:29,400
Speaker 1: No, they were in college, right, because I was like,

673
00:33:29,480 --> 00:33:32,480
Speaker 1: fifty six thousand people at a high school. Oh yeah,

674
00:33:32,480 --> 00:33:34,360
Speaker 1: but then, okay, it was like collegeh.

675
00:33:34,040 --> 00:33:35,880
Speaker 2: That's a lot, even for college. It seems like a lot.

676
00:33:35,920 --> 00:33:39,000
Speaker 2: They must have gone to a big university, San Francisco

677
00:33:39,120 --> 00:33:42,680
Speaker 2: State fifty six. And does everyone show up? Well, I

678
00:33:42,680 --> 00:33:45,280
Speaker 2: guess yeah, the homecoming game is popular, but that did

679
00:33:45,360 --> 00:33:46,800
Speaker 2: seem like an extraordinary.

680
00:33:46,600 --> 00:33:48,200
Speaker 1: It was an extraordinary amount of people.

681
00:33:48,880 --> 00:33:51,520
Speaker 2: Joey insists he was not buck naked. He was wearing

682
00:33:51,600 --> 00:33:56,760
Speaker 2: high tops and a Nixon mask. Okay, Patty rests, that's a.

683
00:33:57,640 --> 00:33:58,240
Speaker 1: That's a choyce.

684
00:33:59,120 --> 00:34:02,920
Speaker 2: Yeah, okay. Patty rests her hand on Joey's shoulder and

685
00:34:03,080 --> 00:34:06,560
Speaker 2: tells him she misses the fun they had. Joey smiles.

686
00:34:06,800 --> 00:34:09,960
Speaker 2: It was a lot of fun, wasn't it. His demeanor changes,

687
00:34:10,120 --> 00:34:13,200
Speaker 2: and he stands up, saying, until you walked out on me?

688
00:34:13,719 --> 00:34:15,879
Speaker 2: How could you do that to me? You never even

689
00:34:15,920 --> 00:34:18,800
Speaker 2: said goodbye. You just took off with Michael Winchester and

690
00:34:18,920 --> 00:34:21,160
Speaker 2: left me a lousy note. Do you know how much

691
00:34:21,239 --> 00:34:23,319
Speaker 2: that hurt? Do you have any idea what you put

692
00:34:23,400 --> 00:34:23,680
Speaker 2: me through?

693
00:34:24,320 --> 00:34:24,960
Speaker 1: Joey's upset.

694
00:34:25,480 --> 00:34:29,320
Speaker 2: Joey's upset that Joey's upset, Patty tells him she wanted

695
00:34:29,360 --> 00:34:32,920
Speaker 2: to say goodbye, but she just couldn't face him. Joey shrugs.

696
00:34:33,239 --> 00:34:35,200
Speaker 2: I still don't know why you left me for Michael.

697
00:34:36,000 --> 00:34:39,759
Speaker 2: Patty sighs, because despite all the fun we were having,

698
00:34:40,080 --> 00:34:43,040
Speaker 2: I needed some romance in my life. I wanted someone

699
00:34:43,080 --> 00:34:45,000
Speaker 2: to sweep me up in their arms and say I

700
00:34:45,280 --> 00:34:49,040
Speaker 2: love you. Joey emphasizes that he did say I love you.

701
00:34:49,800 --> 00:34:54,600
Speaker 2: Patty nods yeah, as Bullwinkle, Yosemite, sam Elmer fudd. I

702
00:34:54,680 --> 00:34:56,879
Speaker 2: wanted to hear you say it for real.

703
00:34:57,320 --> 00:34:59,399
Speaker 1: For she's got she has got a very.

704
00:34:59,560 --> 00:35:01,439
Speaker 2: I don't I don't like this Patty woman, but she's

705
00:35:01,480 --> 00:35:02,480
Speaker 2: got a point, right. Yeah.

706
00:35:02,480 --> 00:35:05,200
Speaker 1: I feel like she's kind of she's, you know, grasping

707
00:35:05,239 --> 00:35:06,920
Speaker 1: at some strawslo but trying to just put her life

708
00:35:06,960 --> 00:35:08,920
Speaker 1: back together. Poor thing, I you know, get it. It's

709
00:35:09,000 --> 00:35:12,919
Speaker 1: rough she's stressed, but she has a very valid point

710
00:35:13,080 --> 00:35:19,280
Speaker 1: in that Bullwinkle does not make for a romantic evening.

711
00:35:19,640 --> 00:35:21,880
Speaker 2: No, but it just seems like a joke. It doesn't

712
00:35:21,880 --> 00:35:24,000
Speaker 2: seem it doesn't seem sincere. If he's seen I Love

713
00:35:24,040 --> 00:35:26,799
Speaker 2: You as Bullwinkle, it seems like he's just cracking jokes again. Yeah,

714
00:35:27,600 --> 00:35:30,400
Speaker 2: Joey sincerely tells her, I can't believe you didn't know

715
00:35:30,480 --> 00:35:33,520
Speaker 2: how I felt about you, Patty. I wanted to spend

716
00:35:33,560 --> 00:35:36,200
Speaker 2: the rest of my life with you. We hear the

717
00:35:36,280 --> 00:35:40,200
Speaker 2: sentimental violins and Patty gives him a big hug. Joey's

718
00:35:40,239 --> 00:35:42,640
Speaker 2: wondered for ten years what it would be like to

719
00:35:42,719 --> 00:35:46,800
Speaker 2: hold her again. Patty asks how does it feel, and

720
00:35:46,920 --> 00:35:51,719
Speaker 2: Joey says wonderful and kisses her. He tells her, I

721
00:35:51,840 --> 00:35:54,800
Speaker 2: really did love you. I don't think I ever stopped.

722
00:35:55,080 --> 00:35:56,320
Speaker 1: Oh my lord.

723
00:35:56,719 --> 00:35:59,640
Speaker 2: Wow. Yeah, this was a really long scene. But I

724
00:35:59,760 --> 00:36:02,080
Speaker 2: like Dave does so well. Like Dave does really well

725
00:36:02,120 --> 00:36:04,200
Speaker 2: with these dramatic these dramatic bits.

726
00:36:04,239 --> 00:36:06,200
Speaker 1: You know what I said, serious Dave was here for

727
00:36:06,239 --> 00:36:07,040
Speaker 1: your Dave.

728
00:36:07,360 --> 00:36:09,440
Speaker 2: I like it. He's got such range and you don't

729
00:36:09,480 --> 00:36:11,879
Speaker 2: see it very often because he's always the goofball right,

730
00:36:12,120 --> 00:36:13,200
Speaker 2: dud voices.

731
00:36:13,000 --> 00:36:14,160
Speaker 1: But Joey was upset.

732
00:36:14,800 --> 00:36:16,680
Speaker 2: Joey I was upset. Jo's upset.

733
00:36:16,920 --> 00:36:19,160
Speaker 1: So if it was ten years ago, what how old

734
00:36:19,160 --> 00:36:19,800
Speaker 1: were they? Nineteen?

735
00:36:21,880 --> 00:36:28,759
Speaker 2: Yes, okay, yeah, I don't know, nineteen, you know, young

736
00:36:28,840 --> 00:36:31,920
Speaker 2: love some people, Yeah, some people find their soulmates at nineteen.

737
00:36:32,040 --> 00:36:34,040
Speaker 1: Absolutely. Oh no, I didn't. Wasn't It wasn't that. I

738
00:36:34,160 --> 00:36:35,719
Speaker 1: was just like trying to kind of piece it together.

739
00:36:35,760 --> 00:36:37,960
Speaker 1: I was like, oh, yeah, nineteen, Okay.

740
00:36:39,280 --> 00:36:41,839
Speaker 2: No, wait, is he the same age as is Joey

741
00:36:41,880 --> 00:36:44,200
Speaker 2: the same age as Bob or as Danny?

742
00:36:44,800 --> 00:36:46,160
Speaker 1: Danny they were in the same grade.

743
00:36:46,480 --> 00:36:49,320
Speaker 2: Yes, well, Danny's already had his thirtieth birthday. Okay, so

744
00:36:49,600 --> 00:36:51,920
Speaker 2: they've got to be they were thirty. Okay, Well, not

745
00:36:52,040 --> 00:36:54,279
Speaker 2: that this matters. We're splitting hairs like this really doesn't matter.

746
00:36:54,360 --> 00:36:55,799
Speaker 2: But for some reason, it feels like I just want

747
00:36:55,880 --> 00:36:59,160
Speaker 2: I just was I was trying to place it, you know, Okay, Okay,

748
00:36:59,360 --> 00:37:01,560
Speaker 2: So yes, there, Now this was ten years ago, so

749
00:37:01,600 --> 00:37:04,919
Speaker 2: they were twenty. So we cut to a sentimental commercial break,

750
00:37:13,280 --> 00:37:15,800
Speaker 2: and we're back in the living room. Danny is happily

751
00:37:15,920 --> 00:37:20,040
Speaker 2: singing about doing his taxes. Jesse walks in carrying a

752
00:37:20,080 --> 00:37:22,560
Speaker 2: box of receipts from last year, Ready to do the

753
00:37:22,640 --> 00:37:26,000
Speaker 2: long form if it'll actually make him more money, he

754
00:37:26,080 --> 00:37:29,160
Speaker 2: dumps the receipts on top of Danny's neatly organized piles.

755
00:37:29,920 --> 00:37:32,120
Speaker 2: Jesse starts with a receipt that's from a time he

756
00:37:32,200 --> 00:37:35,640
Speaker 2: went to lunch with his boss. He jokingly asks, now

757
00:37:35,680 --> 00:37:39,520
Speaker 2: would that be considered a Mick write off? Danny doesn't

758
00:37:39,560 --> 00:37:42,880
Speaker 2: laugh because he's too worried about Joey. He wonders how

759
00:37:43,000 --> 00:37:44,960
Speaker 2: long does it take to say Patty, I never want

760
00:37:45,000 --> 00:37:47,720
Speaker 2: to see you again. Jesse tells him not to worry

761
00:37:47,760 --> 00:37:50,879
Speaker 2: about it, but Danny's just hoping he doesn't fall back

762
00:37:51,040 --> 00:37:55,120
Speaker 2: under her spell. On cue, Joey and Patty walk in

763
00:37:55,239 --> 00:37:58,080
Speaker 2: with their arms wrapped around each other. They're laughing, and

764
00:37:58,160 --> 00:37:59,920
Speaker 2: they give each other a kiss as they head for

765
00:38:00,160 --> 00:38:03,640
Speaker 2: the front door. Danny looks at them with disgust, and

766
00:38:03,800 --> 00:38:06,120
Speaker 2: Jesse smiles. See nothing to worry about.

767
00:38:06,840 --> 00:38:08,040
Speaker 1: The spell has been cast.

768
00:38:09,160 --> 00:38:12,480
Speaker 2: Back upstairs, Stephan dj scurry from the bathroom back into

769
00:38:12,520 --> 00:38:16,080
Speaker 2: their bedroom, still handcuffed together, relieved that they made it

770
00:38:16,160 --> 00:38:20,840
Speaker 2: back without anyone seeing them. Suddenly, Kimmy gives them a

771
00:38:20,920 --> 00:38:23,919
Speaker 2: jump scare when she greets them. Steph asks if Kimmy

772
00:38:24,000 --> 00:38:27,799
Speaker 2: got the key, and she admits she did not. Kimmy

773
00:38:27,880 --> 00:38:29,959
Speaker 2: tells them the key is in Reno with her brother.

774
00:38:30,560 --> 00:38:32,480
Speaker 2: But the good news is he'll be back tomorrow morning

775
00:38:32,560 --> 00:38:34,040
Speaker 2: to pick up his unemployment check.

776
00:38:34,480 --> 00:38:37,200
Speaker 1: So so Kimmy had to tell her brother then. Wasn't

777
00:38:37,239 --> 00:38:39,520
Speaker 1: she afraid that her brother was gonna kill her? Yeah?

778
00:38:39,600 --> 00:38:41,600
Speaker 2: But I feel like she got this message from her

779
00:38:41,680 --> 00:38:43,600
Speaker 2: mom maybe like she went home to get the key

780
00:38:43,640 --> 00:38:45,480
Speaker 2: and the mom's like, oh no, sorry, Garth is in Reno,

781
00:38:45,760 --> 00:38:46,520
Speaker 2: you know till tomorrow.

782
00:38:47,719 --> 00:38:48,799
Speaker 1: Oh yeah maybe yah?

783
00:38:48,840 --> 00:38:52,319
Speaker 2: Can I think so, Danny? Why are they so afraid

784
00:38:52,320 --> 00:38:54,560
Speaker 2: of this big brother? I mean, he doesn't seem like

785
00:38:54,640 --> 00:38:57,920
Speaker 2: a very menacing person. Yeah, Garth's unemployed. He is in Reno,

786
00:38:58,120 --> 00:38:59,040
Speaker 2: like he's Yeah.

787
00:38:59,120 --> 00:39:02,600
Speaker 1: It was like, how old is Garth? What he ever?

788
00:39:02,800 --> 00:39:02,920
Speaker 2: You know?

789
00:39:03,560 --> 00:39:05,320
Speaker 1: He's in Reno? What is he doing in Reno?

790
00:39:05,920 --> 00:39:08,040
Speaker 2: Yeah? I don't know. The Skibbler's up to, you.

791
00:39:08,080 --> 00:39:10,799
Speaker 1: Know what he you know why he's in Reno. He's Uh,

792
00:39:11,280 --> 00:39:17,320
Speaker 1: he's helping the family exotic animal trade, remember the hostridges

793
00:39:17,360 --> 00:39:20,560
Speaker 1: and stuff. So he's he's in Rena one of their clients.

794
00:39:20,840 --> 00:39:24,440
Speaker 1: Uh and uh looking into selling a white tiger.

795
00:39:24,719 --> 00:39:28,760
Speaker 2: So that actually makes more sense than what was written.

796
00:39:29,080 --> 00:39:33,040
Speaker 1: Yeah, yeah, yeah, and that well, he's selling a white

797
00:39:33,080 --> 00:39:37,800
Speaker 1: t He's he's been studying on the sly with Sacred

798
00:39:37,800 --> 00:39:41,279
Speaker 1: and Mury, so he's that's why the magic, that's why

799
00:39:41,360 --> 00:39:45,200
Speaker 1: the exotic animal trade. Oh my gosh, Joyah.

800
00:39:44,920 --> 00:39:47,719
Speaker 2: You figured it out. How did you figure this out?

801
00:39:47,719 --> 00:39:49,680
Speaker 1: I don't know. If I just if I just let

802
00:39:49,760 --> 00:39:51,919
Speaker 1: my brain go long enough, it would make some really

803
00:39:51,960 --> 00:39:54,239
Speaker 1: weird connections. So yeah, so that's what it is.

804
00:39:55,200 --> 00:39:58,239
Speaker 2: Danny knocks on the door and Kimmy begs, please don't

805
00:39:58,280 --> 00:40:02,160
Speaker 2: get me in trouble. This whole storyline, I mean, it's

806
00:40:02,160 --> 00:40:04,120
Speaker 2: such a stretch, Like why don't they just tell Danny

807
00:40:04,120 --> 00:40:05,640
Speaker 2: and Danny can help them get uncuffed?

808
00:40:05,760 --> 00:40:08,279
Speaker 1: Like right, like help, I'm right.

809
00:40:09,400 --> 00:40:12,319
Speaker 2: It's it's much ado about nothing. But the joke's gotta work.

810
00:40:12,400 --> 00:40:16,480
Speaker 2: The jokes gotta work. So they panic Stephan Dj run

811
00:40:16,560 --> 00:40:19,239
Speaker 2: for the bed. Kimmy immediately hugs Danny as he walks

812
00:40:19,280 --> 00:40:21,560
Speaker 2: through the door. Oh, mister Tanner, I had to come

813
00:40:21,600 --> 00:40:24,600
Speaker 2: by and give you a good night hug. He pats

814
00:40:24,640 --> 00:40:26,560
Speaker 2: her on the back, telling her that her mom called.

815
00:40:27,000 --> 00:40:30,480
Speaker 2: I don't know why, but she wants you home. Wow. Yeah,

816
00:40:31,600 --> 00:40:35,760
Speaker 2: this is just the beginning of the mistreatment of Kimmy Gibbler.

817
00:40:36,040 --> 00:40:39,880
Speaker 2: You know, just makes me sad. Kimmy points at Steph

818
00:40:39,960 --> 00:40:43,040
Speaker 2: and DJ, who are both laying in DJ's bed, and

819
00:40:43,160 --> 00:40:45,399
Speaker 2: says she will see them in the morning. You better,

820
00:40:45,640 --> 00:40:49,480
Speaker 2: step DJ threatens. Danny walks over and asks why they

821
00:40:49,520 --> 00:40:52,560
Speaker 2: are in the same bed. DJ leans into Steph. I

822
00:40:53,040 --> 00:40:56,719
Speaker 2: love my little siss, and Stuff follows and I love

823
00:40:56,880 --> 00:40:57,640
Speaker 2: my big sis.

824
00:40:57,960 --> 00:41:03,640
Speaker 1: That's what I'm always suspicious. You're like they're actually something

825
00:41:03,840 --> 00:41:04,440
Speaker 1: up to something.

826
00:41:05,680 --> 00:41:08,719
Speaker 2: Danny's oblivious. He buys it and tells them they're gonna

827
00:41:08,719 --> 00:41:12,160
Speaker 2: grow closer and closer as they get older. It's true.

828
00:41:12,719 --> 00:41:15,480
Speaker 2: DJ smiles, Dad, we couldn't get any closer than we

829
00:41:15,560 --> 00:41:19,600
Speaker 2: are right now. Danny laughs and said says good night.

830
00:41:20,200 --> 00:41:22,200
Speaker 2: He turns to look at the girls before leaving and

831
00:41:22,280 --> 00:41:26,400
Speaker 2: admires this is so sweet. He turns off the lights

832
00:41:26,480 --> 00:41:30,920
Speaker 2: and DJ flings her arms out, exclaiming this is a nightmare.

833
00:41:31,680 --> 00:41:34,600
Speaker 2: DJ decides they should just go to sleep. They lay down,

834
00:41:34,680 --> 00:41:37,400
Speaker 2: and Stuff complains, I can't sleep on my back, so

835
00:41:37,520 --> 00:41:39,040
Speaker 2: she rolls on top of DJ.

836
00:41:39,560 --> 00:41:41,320
Speaker 1: Yeah, I can't sleep comfortable.

837
00:41:42,080 --> 00:41:43,719
Speaker 2: No, I'm not a back sleeper either. I am a

838
00:41:44,280 --> 00:41:47,240
Speaker 2: I love I'm a stomach sleeper, but sometimes a side sleeper.

839
00:41:47,360 --> 00:41:49,000
Speaker 1: Oh, I am a curl up in a little feetal

840
00:41:49,040 --> 00:41:52,920
Speaker 1: position side sleeper. Oh well that's how I start. Apparently

841
00:41:53,000 --> 00:41:56,880
Speaker 1: I startfish out during the night, according to Yeah.

842
00:41:56,680 --> 00:42:00,200
Speaker 2: Okay, so comfortable. Oh oh yeah, so DJ yell, there's

843
00:42:00,200 --> 00:42:02,560
Speaker 2: no way. She flips her over to the other side

844
00:42:02,560 --> 00:42:04,960
Speaker 2: of the bed. They both confirm that they are settled

845
00:42:05,000 --> 00:42:08,479
Speaker 2: and say good night after shutting their eyes. Stuff tells DJ,

846
00:42:08,840 --> 00:42:13,040
Speaker 2: I think I drank too much lemonade after dinner. J groans,

847
00:42:13,080 --> 00:42:15,480
Speaker 2: and Stuff pulls her out of bed. This was a

848
00:42:15,560 --> 00:42:17,919
Speaker 2: cute bit. I could tell you were loving this little

849
00:42:18,120 --> 00:42:18,360
Speaker 2: I was.

850
00:42:18,520 --> 00:42:21,000
Speaker 1: It was so much when I flopped on and then

851
00:42:21,040 --> 00:42:22,680
Speaker 1: I was like trying to keep a straight face, like

852
00:42:22,719 --> 00:42:25,600
Speaker 1: I wasn't totally having fun and being ridiculous.

853
00:42:25,920 --> 00:42:27,719
Speaker 2: He is, And Candas was probably annoyed, just like a

854
00:42:27,760 --> 00:42:29,480
Speaker 2: big sistery I. She's like, oh my god, like I

855
00:42:29,560 --> 00:42:30,239
Speaker 2: have to do I'm sure.

856
00:42:30,320 --> 00:42:33,560
Speaker 1: Yeah. She was like right, yeah, I with this kid. Yeah,

857
00:42:33,560 --> 00:42:36,160
Speaker 1: And I was like, yeah, just annoying.

858
00:42:36,360 --> 00:42:40,640
Speaker 2: So true alive and so back in the living room,

859
00:42:40,760 --> 00:42:43,640
Speaker 2: Danny is still on the couch. This time he's in

860
00:42:43,680 --> 00:42:47,319
Speaker 2: his pajamas, reviewing his tax forms with Michelle. He tells

861
00:42:47,360 --> 00:42:50,360
Speaker 2: her it's time to finish Uncle Jesse's taxes. He asks

862
00:42:50,400 --> 00:42:52,320
Speaker 2: her to help him add up all the numbers, and

863
00:42:52,440 --> 00:42:54,600
Speaker 2: Michelle presses a button on the machine that does so.

864
00:42:55,480 --> 00:42:59,640
Speaker 2: Danny asks, do you know how smart you are? Michelle responds,

865
00:43:00,080 --> 00:43:04,480
Speaker 2: Daddy's smart too, he repeats after her, Daddy's smart too,

866
00:43:05,120 --> 00:43:07,320
Speaker 2: and not all witness in the room, it would be

867
00:43:07,320 --> 00:43:09,759
Speaker 2: the last time you ever hear it. Jesse walks into

868
00:43:09,800 --> 00:43:12,279
Speaker 2: the living room in his pajamas, asking if they're done yet,

869
00:43:12,360 --> 00:43:15,600
Speaker 2: since they've been up all night. Wait, so is this morning?

870
00:43:15,760 --> 00:43:17,879
Speaker 2: Why is Michelle up? This isn't the middle of the night.

871
00:43:18,080 --> 00:43:20,279
Speaker 1: No, no, no, it's morning. It's they've been up, Yeah,

872
00:43:20,440 --> 00:43:21,000
Speaker 1: it's morning.

873
00:43:21,360 --> 00:43:21,840
Speaker 2: It's morning.

874
00:43:21,880 --> 00:43:24,200
Speaker 1: No, it's morning. And apparently they've been up all night

875
00:43:24,400 --> 00:43:25,160
Speaker 1: doing taxes.

876
00:43:25,760 --> 00:43:27,640
Speaker 2: Got it? So Michelle woke up and they just brought

877
00:43:27,760 --> 00:43:29,600
Speaker 2: her into the fold of tax time.

878
00:43:29,680 --> 00:43:32,360
Speaker 1: Okay, well, at least they got her out of her grip.

879
00:43:32,320 --> 00:43:35,920
Speaker 2: You know, Thank goodness, she's not in their lights on, right, Yeah, yeah,

880
00:43:36,320 --> 00:43:37,680
Speaker 2: yelling howie right? Right?

881
00:43:38,200 --> 00:43:43,000
Speaker 1: Yeah, she's just still yelling out for Howie months later alone.

882
00:43:43,000 --> 00:43:46,080
Speaker 2: Yeah, Danny announces, I'm about to make you a very

883
00:43:46,160 --> 00:43:49,560
Speaker 2: happy man. According to your short form, you were getting

884
00:43:49,640 --> 00:43:52,560
Speaker 2: back a measly three hundred and fifty two dollars tax refund,

885
00:43:52,960 --> 00:43:55,239
Speaker 2: but thanks to using the long form, you are now

886
00:43:55,480 --> 00:43:59,680
Speaker 2: entitled to pay the government forty eight dollars and seventeen cents.

887
00:44:00,360 --> 00:44:03,600
Speaker 2: Jesse glares at Danny, I have to pay. I've been

888
00:44:03,719 --> 00:44:07,120
Speaker 2: up all night with you. Haven't I paid enough? Michelle

889
00:44:07,200 --> 00:44:11,000
Speaker 2: chimes in, don't worry, be happy, poor Michelle.

890
00:44:11,080 --> 00:44:13,680
Speaker 1: Joe's just like trying to just lacate all the adults

891
00:44:13,680 --> 00:44:15,480
Speaker 1: in this house for the Bobby mcfarren's song.

892
00:44:15,680 --> 00:44:19,359
Speaker 2: You know she can feel the stress, so she can

893
00:44:19,440 --> 00:44:22,400
Speaker 2: feel the emotional stress, right, and like no one just

894
00:44:22,480 --> 00:44:27,160
Speaker 2: ignores her. Yeah, Joey cheerfully walks in through the front door,

895
00:44:27,320 --> 00:44:32,080
Speaker 2: singing an operatic love song. Jesse smirks and asks if

896
00:44:32,080 --> 00:44:33,520
Speaker 2: he was up, if he was out all night.

897
00:44:33,840 --> 00:44:35,600
Speaker 1: He just came back through the front door and the

898
00:44:35,640 --> 00:44:38,640
Speaker 1: same clothes that he's wearing. M And you ask him

899
00:44:39,719 --> 00:44:43,800
Speaker 1: right right now, I just just popped out to repark

900
00:44:43,840 --> 00:44:44,600
Speaker 1: my car in my suit.

901
00:44:45,680 --> 00:44:50,360
Speaker 2: Yep, why not? Joey responds in song that he was.

902
00:44:51,160 --> 00:44:53,479
Speaker 2: Danny asks if he was with Patty, and Joey says

903
00:44:53,600 --> 00:44:57,080
Speaker 2: yes again in song. He glides into the kitchen and

904
00:44:57,200 --> 00:45:00,880
Speaker 2: Jesse calls after him, Hey, Pava rotten wa waight up,

905
00:45:01,200 --> 00:45:04,560
Speaker 2: I want some details. Danny and Jesse quickly follow after him.

906
00:45:04,840 --> 00:45:08,400
Speaker 1: Pavaratti, of course, being a famous tenor for those all

907
00:45:08,440 --> 00:45:15,319
Speaker 1: pretendor for anyone who's like, who is Pava rotten, Pa Pavarattie.

908
00:45:14,320 --> 00:45:19,840
Speaker 2: Joe doing it all? I know we're cultured. So as

909
00:45:19,920 --> 00:45:22,440
Speaker 2: Danny walks away, Michelle clears the coffee table of the

910
00:45:22,520 --> 00:45:27,200
Speaker 2: text and says, look, daddy, table all clean. Danny is

911
00:45:27,280 --> 00:45:31,560
Speaker 2: extremely distraught. Yes, table all clean. Oh, I've taught you well,

912
00:45:32,000 --> 00:45:35,400
Speaker 2: but I think I've created a monster. Michelle makes monster

913
00:45:35,520 --> 00:45:38,880
Speaker 2: noises as she walks towards Danny, pretending to attack him.

914
00:45:39,320 --> 00:45:41,560
Speaker 1: Do you remember when they started doing that little monster

915
00:45:41,719 --> 00:45:42,200
Speaker 1: thing they.

916
00:45:42,160 --> 00:45:45,600
Speaker 2: Would like, This was written in because of that, right, because.

917
00:45:45,320 --> 00:45:47,560
Speaker 1: They thought it was hilarious to be like little zombie

918
00:45:47,600 --> 00:45:49,719
Speaker 1: monsters in the big and they'd make that little face

919
00:45:49,760 --> 00:45:52,120
Speaker 1: on like Grality, and they thought it was just hilarious,

920
00:45:52,239 --> 00:45:53,759
Speaker 1: and so we wrote it into the script because they

921
00:45:53,760 --> 00:45:55,880
Speaker 1: would try and do it sometimes in the middle of

922
00:45:55,920 --> 00:45:57,759
Speaker 1: a scene, you know, we're like, no, we can't, we

923
00:45:57,800 --> 00:45:58,759
Speaker 1: can't play monster right now.

924
00:46:00,320 --> 00:46:02,279
Speaker 2: See they finally got to do it right, you know

925
00:46:02,400 --> 00:46:05,360
Speaker 2: on TV. It's so great. It was super cute. So

926
00:46:05,520 --> 00:46:08,360
Speaker 2: in the kitchen, Jesse puts on an apron over his

927
00:46:08,560 --> 00:46:11,680
Speaker 2: robe as Joey sits at the counter describing his night

928
00:46:11,719 --> 00:46:14,640
Speaker 2: with Patty. He and Patty went back to all their

929
00:46:14,680 --> 00:46:17,919
Speaker 2: old hangouts. They talked about their old friends. She even

930
00:46:18,000 --> 00:46:21,320
Speaker 2: laughed at his old jokes. Jesse slips in a comment,

931
00:46:21,480 --> 00:46:23,799
Speaker 2: I've heard your old jokes. She must be in love

932
00:46:23,840 --> 00:46:27,279
Speaker 2: with you. Danny walks into the kitchen carrying Michelle and

933
00:46:27,400 --> 00:46:29,799
Speaker 2: tells him there are a million fish in the sea.

934
00:46:30,120 --> 00:46:32,959
Speaker 2: Why would he pick the fish that will break his heart?

935
00:46:33,560 --> 00:46:36,440
Speaker 1: A million fish in the sea back then, only about

936
00:46:36,760 --> 00:46:38,040
Speaker 1: two hundred thousand now, I'd say.

937
00:46:40,680 --> 00:46:43,880
Speaker 2: Joey stops him. Danny, I'm back with Patty. It feels

938
00:46:43,960 --> 00:46:46,360
Speaker 2: great now. Why can't you just be happy for me?

939
00:46:47,360 --> 00:46:49,479
Speaker 2: Danny agrees that he may have been a little down

940
00:46:49,560 --> 00:46:53,640
Speaker 2: on this whole thing. Jesse scoffs a little, don't you remember,

941
00:46:54,000 --> 00:46:55,879
Speaker 2: and then he proceeds to do Danny's rip your heart

942
00:46:55,880 --> 00:46:57,680
Speaker 2: out thrown on the floor and dance on it. Motion.

943
00:46:59,280 --> 00:47:02,880
Speaker 2: Danny apologies, he just doesn't want Joey to get hurt again.

944
00:47:03,760 --> 00:47:06,439
Speaker 2: Joey tells him not to worry, because this time he's

945
00:47:06,480 --> 00:47:09,440
Speaker 2: going to do everything right. He's cooking dinner for her,

946
00:47:09,600 --> 00:47:11,840
Speaker 2: and he's gonna be mister Romance.

947
00:47:12,120 --> 00:47:17,200
Speaker 1: Oh okay, okay, Jesse, Joey, well, well, hold.

948
00:47:17,000 --> 00:47:19,720
Speaker 2: On, Jesse. Jesse says, hey, that that title has already

949
00:47:19,719 --> 00:47:20,200
Speaker 2: been claimed.

950
00:47:20,360 --> 00:47:22,960
Speaker 1: Oh see, that's why I instantly was like, that's.

951
00:47:22,760 --> 00:47:27,000
Speaker 2: Why you went to Jesse Stephan DJ walk into the

952
00:47:27,080 --> 00:47:31,520
Speaker 2: kitchen side by side with mister Bear, covering their handcuffed hands.

953
00:47:32,480 --> 00:47:35,040
Speaker 2: DJ says they came downstairs to inform the boys they

954
00:47:35,080 --> 00:47:36,400
Speaker 2: aren't hungry for breakfast.

955
00:47:36,760 --> 00:47:38,279
Speaker 1: If you don't want anyone to know, you should have

956
00:47:38,320 --> 00:47:44,399
Speaker 1: just stayed upstairs. This like manufactured, right, Whenever your kids

957
00:47:44,440 --> 00:47:46,520
Speaker 1: come to tell you something they're not doing, you're like,

958
00:47:47,840 --> 00:47:50,399
Speaker 1: why red flag? You're yeah, yeah, yeah, like, hey, we're

959
00:47:50,440 --> 00:47:53,880
Speaker 1: not doing that. I didn't ask, that's weird. Why are

960
00:47:53,920 --> 00:47:55,319
Speaker 1: you here? What do you really want? And what are

961
00:47:55,320 --> 00:47:55,600
Speaker 1: you up to?

962
00:47:55,719 --> 00:47:57,360
Speaker 2: Now? You've drawn attention to my right and.

963
00:47:57,760 --> 00:47:59,760
Speaker 1: Exactly now you're just like, don't look over.

964
00:47:59,680 --> 00:48:04,919
Speaker 2: Here, right, So Danny stops the girls before they're about

965
00:48:04,960 --> 00:48:07,960
Speaker 2: to leave. He notices that they're wearing the exact same

966
00:48:08,120 --> 00:48:14,040
Speaker 2: clothes as yesterday. Stuff points out, so is Joey. Joey stutters, Well,

967
00:48:14,640 --> 00:48:17,000
Speaker 2: that's because I had so much fun in them yesterday

968
00:48:17,480 --> 00:48:19,520
Speaker 2: that I woke up early, washed them and put them

969
00:48:19,600 --> 00:48:25,720
Speaker 2: back on again. DJ nods us too. Yep. Kimmy struts

970
00:48:25,760 --> 00:48:28,160
Speaker 2: in through the door, wearing a fabulous red plaid skirt

971
00:48:28,480 --> 00:48:32,080
Speaker 2: and says hi to the Tanners. She leans into DJ

972
00:48:32,200 --> 00:48:35,440
Speaker 2: and staff, whispering, bad news. My brother is staying in

973
00:48:35,520 --> 00:48:36,439
Speaker 2: Reno for a week.

974
00:48:36,800 --> 00:48:39,840
Speaker 1: Well, I mean, you can't sell tigers overnight, you know

975
00:48:39,880 --> 00:48:42,640
Speaker 1: what I mean. You gotta It's like permits, there's permits,

976
00:48:42,719 --> 00:48:45,319
Speaker 1: there's things you've gotta you gotta transport. You can't bring

977
00:48:45,360 --> 00:48:46,560
Speaker 1: them with you, you know what I mean. You gotta

978
00:48:46,560 --> 00:48:50,080
Speaker 1: be like here's what I've gone, a couple new ones.

979
00:48:50,480 --> 00:48:53,720
Speaker 1: You know it's and all of this is highly illegal.

980
00:48:53,760 --> 00:48:56,640
Speaker 1: I'm sure. Well, noa Novada, I don't know Nevada kind

981
00:48:56,640 --> 00:48:59,279
Speaker 1: of anything goes. I think you could probably own a

982
00:48:59,320 --> 00:49:00,920
Speaker 1: white tiger. Well, I mean you can if you're sick

983
00:49:00,960 --> 00:49:06,840
Speaker 1: reading Roy. So anyway, he's he's on some family company business.

984
00:49:07,400 --> 00:49:10,000
Speaker 2: Yeah, Arth is doing shady stuff and he needs a

985
00:49:10,040 --> 00:49:13,600
Speaker 2: little bit longer to do it. Yeah, yeah, yeah, stuff

986
00:49:13,840 --> 00:49:17,680
Speaker 2: is upset. She yells, you can't get the key, let

987
00:49:17,760 --> 00:49:21,799
Speaker 2: me at her. She reaches to strangle Kimmy and exposes

988
00:49:21,880 --> 00:49:26,480
Speaker 2: the handcuffs. Danny is startled and asks Kimmy, did you

989
00:49:26,600 --> 00:49:31,200
Speaker 2: handcuff my daughters together? Kimmy just smiles. Boy, nothing gets

990
00:49:31,320 --> 00:49:35,319
Speaker 2: by you. Jesse jumps in and says, no problem. Those

991
00:49:35,360 --> 00:49:38,400
Speaker 2: are magic cuffs Hadham when I was a kid. Very simple.

992
00:49:38,880 --> 00:49:42,279
Speaker 2: I'll need an assistant. Danny raises his hand and Jesse says,

993
00:49:42,480 --> 00:49:46,040
Speaker 2: not you. Jesse picks Kimmy and proceeds to throw the

994
00:49:46,080 --> 00:49:49,880
Speaker 2: apron over the handcuffs to recreate the magic trick. He

995
00:49:49,960 --> 00:49:52,399
Speaker 2: tells Kimy to place her hands under the apron while

996
00:49:52,640 --> 00:49:56,440
Speaker 2: with the girls and says Abra cadabra. He lifts the

997
00:49:56,520 --> 00:50:00,800
Speaker 2: apron off and reveals that the handcuffs are now on Kimmy. Wow.

998
00:50:01,200 --> 00:50:04,200
Speaker 1: Jesse's a magician too. Yeah, how many magicians in this house?

999
00:50:04,200 --> 00:50:04,759
Speaker 1: I had no idea.

1000
00:50:04,960 --> 00:50:09,000
Speaker 2: This is you know this two beat Michael Campion. This

1001
00:50:09,160 --> 00:50:12,320
Speaker 2: was this was pre Michael Campion that played Jackson on

1002
00:50:12,400 --> 00:50:15,440
Speaker 2: fuller house and he was also is a magician.

1003
00:50:15,640 --> 00:50:15,879
Speaker 1: Yeap.

1004
00:50:16,640 --> 00:50:19,840
Speaker 2: Kimmy wants the handcuffs off, but Jesse asks the girls

1005
00:50:19,920 --> 00:50:23,440
Speaker 2: if he should take them off. Both reply nah, and

1006
00:50:23,560 --> 00:50:27,839
Speaker 2: Michelle repeats after them Nah. Jesse and the girls turn

1007
00:50:27,920 --> 00:50:30,520
Speaker 2: to walk away, and Kimmy tells them, wait, don't go,

1008
00:50:30,760 --> 00:50:34,200
Speaker 2: I'm stuck, and she tugs at the handcuffs. Kimmy turns

1009
00:50:34,239 --> 00:50:36,719
Speaker 2: to face Danny and he mocks her, boy, nothing gets

1010
00:50:36,760 --> 00:50:39,880
Speaker 2: by you. Danny walks away and she continues to fidget

1011
00:50:39,920 --> 00:50:40,680
Speaker 2: with the handcuffs.

1012
00:50:40,760 --> 00:50:44,959
Speaker 1: Alone, have we just left a child handcuffed?

1013
00:50:45,360 --> 00:50:45,560
Speaker 2: Yeah?

1014
00:50:45,880 --> 00:50:49,880
Speaker 1: And away and basically been like, so what up for you?

1015
00:50:50,400 --> 00:50:53,400
Speaker 2: Like she is such a scapegoat, Kimmy, Like they just

1016
00:50:53,560 --> 00:50:57,040
Speaker 2: use and abuse her. This is tame, This is tame.

1017
00:50:57,400 --> 00:51:01,600
Speaker 2: Just wait, I just said we left Kimmy handcuff my god. Yeah,

1018
00:51:02,040 --> 00:51:03,640
Speaker 2: it's not like she did it on Purp. I mean,

1019
00:51:03,840 --> 00:51:07,680
Speaker 2: like I kind of I forgive Greg as I forgive her.

1020
00:51:07,760 --> 00:51:10,800
Speaker 2: It's not like she deliberately handcuffed together. She's just an idiot,

1021
00:51:10,840 --> 00:51:13,560
Speaker 2: didn't have the key. And her brother's selling white tigers,

1022
00:51:13,640 --> 00:51:15,040
Speaker 2: buying white tigers and yeah.

1023
00:51:15,160 --> 00:51:17,640
Speaker 1: Yeah, her brother's trying to make some money for the

1024
00:51:17,680 --> 00:51:22,720
Speaker 1: family with his magic connections and and exotic animal pets

1025
00:51:23,120 --> 00:51:25,839
Speaker 1: and yeah, and Kimmy's just like, look, I'm doing my best.

1026
00:51:26,200 --> 00:51:27,200
Speaker 2: Yeah, cut her some slack.

1027
00:51:27,800 --> 00:51:29,880
Speaker 1: Well there, you know she's trying. She's gonna have to

1028
00:51:29,920 --> 00:51:34,680
Speaker 1: step into his shoes eventually and be the magic animal

1029
00:51:34,840 --> 00:51:36,640
Speaker 1: pet trained person. Yeah.

1030
00:51:36,719 --> 00:51:39,160
Speaker 2: Yeah, yeah, it's got big shoes to fill.

1031
00:51:39,280 --> 00:51:39,440
Speaker 1: Yeah.

1032
00:51:39,800 --> 00:51:44,239
Speaker 2: So in the backyard, this is now Joey and Patty's date.

1033
00:51:45,160 --> 00:51:47,640
Speaker 2: Joey and Patty are seated at a table and he

1034
00:51:47,760 --> 00:51:50,839
Speaker 2: holds up his wine glass to Patty and toasts, May

1035
00:51:50,880 --> 00:51:54,600
Speaker 2: the magic of this moment live forever. They clink and

1036
00:51:54,680 --> 00:51:57,840
Speaker 2: take a sip of their wine while Italian music plays

1037
00:51:57,920 --> 00:52:01,200
Speaker 2: in the background. Patty down at her plate and says,

1038
00:52:01,719 --> 00:52:05,600
Speaker 2: you know what this spaghetti reminds me of? Joey doesn't answer,

1039
00:52:05,840 --> 00:52:09,200
Speaker 2: and she encourages him to remember. He admits that's a

1040
00:52:09,280 --> 00:52:12,399
Speaker 2: little silly, don't you think? She insists, well, for old

1041
00:52:12,480 --> 00:52:16,440
Speaker 2: time's sake, Joey gives in, Well, Lady in the Tramp

1042
00:52:16,680 --> 00:52:20,480
Speaker 2: was the most romantic cartoon ever made. He picks up

1043
00:52:20,480 --> 00:52:23,040
Speaker 2: a long piece of his spaghetti and places it in

1044
00:52:23,160 --> 00:52:26,160
Speaker 2: their mouths. They recreate the scene from the movie and

1045
00:52:26,360 --> 00:52:28,200
Speaker 2: end it with a kiss. This is so gross.

1046
00:52:29,040 --> 00:52:31,399
Speaker 1: Why because half of her noodle winds up in his mouth?

1047
00:52:31,640 --> 00:52:35,240
Speaker 2: Yes, yes, she swallows half of it and then regurgitates

1048
00:52:35,280 --> 00:52:36,440
Speaker 2: and he swallows, swallow.

1049
00:52:36,440 --> 00:52:38,640
Speaker 1: It was just like, I mean, if you've kissed someone,

1050
00:52:38,880 --> 00:52:40,960
Speaker 1: I don't. I mean, I'm not saying that like baby

1051
00:52:41,000 --> 00:52:44,200
Speaker 1: birding food, but I feel like a you know what

1052
00:52:44,239 --> 00:52:47,320
Speaker 1: I mean, I feel like a slightly this. I was

1053
00:52:47,360 --> 00:52:49,560
Speaker 1: gonna say something a slightly licked noodle, and then I

1054
00:52:49,640 --> 00:52:53,000
Speaker 1: was like, that's not that doesn't make it better, Joey,

1055
00:52:53,200 --> 00:52:57,759
Speaker 1: I know, I know. I was like, no, I need

1056
00:52:57,800 --> 00:52:59,480
Speaker 1: to say it because it's funny. But yeah, like a

1057
00:52:59,719 --> 00:53:05,279
Speaker 1: you know, a slightly licked limp noodle. It's getting worse.

1058
00:53:05,400 --> 00:53:07,319
Speaker 1: It's getting worse very quick.

1059
00:53:07,400 --> 00:53:11,200
Speaker 2: Keep going, stop talking, stop talking, Okay, Patty admires, you

1060
00:53:11,400 --> 00:53:17,000
Speaker 2: always make Patty admires the sorry, never mind the slightly slightly.

1061
00:53:17,480 --> 00:53:20,239
Speaker 2: Oh god, we have to stop or I'm gonna lose it.

1062
00:53:21,560 --> 00:53:24,400
Speaker 2: Joey grabs her hand and they lovingly stare at each other.

1063
00:53:25,080 --> 00:53:29,279
Speaker 2: She breaks the silence. Joey, let's streak. Whoa, whoa what

1064
00:53:30,000 --> 00:53:31,839
Speaker 2: this came out a left field right?

1065
00:53:32,400 --> 00:53:32,640
Speaker 1: Yeah?

1066
00:53:33,360 --> 00:53:34,920
Speaker 2: She wants him to take off all their clothes and

1067
00:53:35,040 --> 00:53:36,640
Speaker 2: run through the neighborhood. What.

1068
00:53:37,680 --> 00:53:41,480
Speaker 1: Yeah, that's a recipe for an indecent exposure ticket, Hannah,

1069
00:53:41,719 --> 00:53:42,279
Speaker 1: you know what I mean?

1070
00:53:42,440 --> 00:53:45,000
Speaker 2: Like, and this woman is thirty years old, Like, haven't

1071
00:53:45,040 --> 00:53:46,880
Speaker 2: you outgrown this this by now?

1072
00:53:47,080 --> 00:53:49,439
Speaker 1: Like I don't think you ever really outgrow running around

1073
00:53:49,520 --> 00:53:50,480
Speaker 1: naked somewhere.

1074
00:53:50,280 --> 00:53:50,919
Speaker 2: As a joke.

1075
00:53:51,080 --> 00:53:55,120
Speaker 1: But I just feel like it's such a It was abrupt,

1076
00:53:55,440 --> 00:53:56,480
Speaker 1: It was very abrupt.

1077
00:53:57,040 --> 00:53:58,920
Speaker 2: Yeah, it was. It was a turn which I think

1078
00:53:59,040 --> 00:54:02,160
Speaker 2: was intentional. Yeah, it was a shocker.

1079
00:54:02,560 --> 00:54:03,920
Speaker 1: I mean, not as shocking as it would be if

1080
00:54:03,960 --> 00:54:07,000
Speaker 1: they stripped down the naked and ran through the neighborhood,

1081
00:54:07,080 --> 00:54:11,120
Speaker 1: but shocking nonetheless with their slightly licked with their slightly

1082
00:54:11,160 --> 00:54:14,720
Speaker 1: licked lip noodles. Joey.

1083
00:54:15,480 --> 00:54:18,600
Speaker 2: Joey immediately shuts this down. Oh thank god, Patty, I

1084
00:54:18,640 --> 00:54:20,920
Speaker 2: can't run through the streets naked. These people have a

1085
00:54:21,000 --> 00:54:26,000
Speaker 2: neighborhood watch program. Seriously, right, Patty offers I have a

1086
00:54:26,040 --> 00:54:29,319
Speaker 2: better idea food fight. She gets up from the table

1087
00:54:29,400 --> 00:54:33,239
Speaker 2: and starts throwing bread rolls at him. Joey gets up

1088
00:54:33,280 --> 00:54:36,120
Speaker 2: trying to stop her. Are you okay? She's not? Has

1089
00:54:36,160 --> 00:54:36,919
Speaker 2: she had too much wine?

1090
00:54:36,960 --> 00:54:40,399
Speaker 1: Like, what's going on? I felt like Patty was having

1091
00:54:40,560 --> 00:54:42,880
Speaker 1: just this a I don't know, just sort of a

1092
00:54:42,960 --> 00:54:44,960
Speaker 1: spiraling all that. She was like, we're gonna let's let's

1093
00:54:45,000 --> 00:54:46,640
Speaker 1: be a lady in the tramp and now we're gonna

1094
00:54:46,719 --> 00:54:49,600
Speaker 1: and now we're gonna streak and now food fight, and yeah,

1095
00:54:50,000 --> 00:54:52,799
Speaker 1: I expected her to just burst out crying like next,

1096
00:54:52,920 --> 00:54:54,879
Speaker 1: you know what I mean that she just some sort

1097
00:54:54,920 --> 00:54:55,480
Speaker 1: of yeah.

1098
00:54:55,640 --> 00:55:00,399
Speaker 2: Unhinged, indeed unhinged and lack of judgment for sure. Joey

1099
00:55:00,480 --> 00:55:04,359
Speaker 2: grabs the basket of buns and reminds her, I thought

1100
00:55:04,400 --> 00:55:08,040
Speaker 2: you wanted me to be romantic. She responds that was

1101
00:55:08,080 --> 00:55:11,080
Speaker 2: ten years ago. I came back for the old crazy Joey.

1102
00:55:12,400 --> 00:55:15,600
Speaker 2: Joey tells her he's not like that anymore. Patty doesn't

1103
00:55:15,640 --> 00:55:18,239
Speaker 2: believe him. He's still the same guy that always made

1104
00:55:18,280 --> 00:55:21,680
Speaker 2: her laugh. No, I am not the same guy, he insists.

1105
00:55:22,280 --> 00:55:25,120
Speaker 2: She says he is, and Joey sternly tells her, no,

1106
00:55:25,480 --> 00:55:28,880
Speaker 2: I'm not. You don't know anything about this, Joey. I

1107
00:55:28,960 --> 00:55:32,239
Speaker 2: work in advertising, I'm raising three little girls. I have

1108
00:55:32,360 --> 00:55:37,120
Speaker 2: a whole new life. Now Patty's expression changes and she asks,

1109
00:55:37,640 --> 00:55:40,080
Speaker 2: why are you getting so upset? I thought we were

1110
00:55:40,160 --> 00:55:43,839
Speaker 2: falling in love again. Joey thought so too, but he's

1111
00:55:43,920 --> 00:55:47,840
Speaker 2: realizing they're falling in love with the memories. All they

1112
00:55:48,000 --> 00:55:52,640
Speaker 2: have is their past. This is a very astute observation

1113
00:55:52,960 --> 00:55:53,480
Speaker 2: from Joey.

1114
00:55:54,000 --> 00:55:55,560
Speaker 1: I mean all they did was go back to their

1115
00:55:55,600 --> 00:55:59,000
Speaker 1: old places and talk about old things and jokes. Yeah, jokes.

1116
00:55:59,040 --> 00:56:00,160
Speaker 1: So I feel like he's not.

1117
00:56:00,160 --> 00:56:02,520
Speaker 2: A whole lot of substance there. Yeah. And then they

1118
00:56:02,560 --> 00:56:03,640
Speaker 2: sucked on some noodles, and.

1119
00:56:04,080 --> 00:56:06,439
Speaker 1: Then there was the you know, slightly limped, slightly wet,

1120
00:56:06,640 --> 00:56:09,600
Speaker 1: uh shared limp noodle and then it was just it

1121
00:56:09,760 --> 00:56:12,200
Speaker 1: always like I can't do this, all down all downhill

1122
00:56:12,280 --> 00:56:17,000
Speaker 1: from there. Yeah, so cue the violins, which I was

1123
00:56:17,080 --> 00:56:19,239
Speaker 1: impressed by the way the Italian music cut off and

1124
00:56:19,280 --> 00:56:23,640
Speaker 1: the violins cut in. So yeah, that was very nice music.

1125
00:56:23,880 --> 00:56:26,680
Speaker 1: You would turn off the Italian music in the background. Oh,

1126
00:56:27,800 --> 00:56:29,279
Speaker 1: I mean it was playing on a little stereo, but

1127
00:56:29,360 --> 00:56:31,279
Speaker 1: someone cut it off so the violins could play.

1128
00:56:32,280 --> 00:56:35,440
Speaker 2: It was just such a strange like, yeah, wait, if

1129
00:56:35,480 --> 00:56:37,040
Speaker 2: you think about it too hard, you're like, wait a minute,

1130
00:56:37,040 --> 00:56:37,759
Speaker 2: where did that come from?

1131
00:56:38,400 --> 00:56:39,680
Speaker 1: I try not to, but it's hard.

1132
00:56:40,520 --> 00:56:43,880
Speaker 2: Patty asks about their future. She believes they're getting the

1133
00:56:43,960 --> 00:56:47,080
Speaker 2: second chance, only this time they can have a happy ending.

1134
00:56:48,000 --> 00:56:50,959
Speaker 2: Joey sighs, I know you came back into my life

1135
00:56:51,160 --> 00:56:53,840
Speaker 2: just like I dreamed you would. It should be perfect,

1136
00:56:54,239 --> 00:56:57,560
Speaker 2: but it's not. Let's face it, we don't know each other.

1137
00:56:58,440 --> 00:57:02,279
Speaker 2: She sadly agrees. Joey says, in a way, it was

1138
00:57:02,320 --> 00:57:05,440
Speaker 2: a happy ending. He got to say things he needed

1139
00:57:05,480 --> 00:57:07,880
Speaker 2: to say, and here are things he wanted to hear.

1140
00:57:08,600 --> 00:57:10,640
Speaker 2: Now when he thinks back to them, he can feel

1141
00:57:10,680 --> 00:57:14,560
Speaker 2: good about it. Okay, this is growth like this is

1142
00:57:15,200 --> 00:57:19,680
Speaker 2: like a lot of great growth for Joey. Patty suddenly

1143
00:57:19,720 --> 00:57:23,520
Speaker 2: feels like they're strangers. Joey points out, we're standing here

1144
00:57:23,800 --> 00:57:26,160
Speaker 2: in front of two plates of spaghetti that are getting cold.

1145
00:57:26,640 --> 00:57:29,400
Speaker 2: Why don't we sit down, enjoy this beautiful dinner and

1146
00:57:29,520 --> 00:57:33,040
Speaker 2: get to know each other. Patty smiles and says okay.

1147
00:57:33,840 --> 00:57:36,480
Speaker 2: They sit back down. Joey extends his arm out for

1148
00:57:36,520 --> 00:57:40,600
Speaker 2: a handshake and introduces himself. Hi, I'm Joey Gladstone. She

1149
00:57:40,720 --> 00:57:44,800
Speaker 2: shakes his hand. Hi, Patricia Fogerty. Joey asks if she

1150
00:57:44,960 --> 00:57:48,440
Speaker 2: likes Italian food, and she says yes. He adds, the

1151
00:57:48,480 --> 00:57:50,720
Speaker 2: great part about it is it they don't deliver it

1152
00:57:50,800 --> 00:57:54,640
Speaker 2: within a half hour. It's free. Patty smirks and Joey

1153
00:57:54,720 --> 00:57:57,720
Speaker 2: does his Popeye impression and that is.

1154
00:57:57,920 --> 00:58:02,760
Speaker 1: Our show, ladies and gentlemen. Nah, he just said he's

1155
00:58:02,880 --> 00:58:04,880
Speaker 1: not He's a different person. And then he goes back

1156
00:58:04,920 --> 00:58:05,560
Speaker 1: to doing a poppy.

1157
00:58:05,680 --> 00:58:07,400
Speaker 2: He goes back to the pop Eye. Well, they needed

1158
00:58:07,440 --> 00:58:11,160
Speaker 2: a button. I know, I know the button, but it

1159
00:58:11,320 --> 00:58:14,000
Speaker 2: was a button nonetheless. But yeah, I know, if you're

1160
00:58:14,000 --> 00:58:16,720
Speaker 2: trying to show growth, you don't end the same way

1161
00:58:16,760 --> 00:58:18,120
Speaker 2: you began, which is with them, right.

1162
00:58:18,200 --> 00:58:20,760
Speaker 1: And I also feel like I also feel like Joey

1163
00:58:20,880 --> 00:58:22,960
Speaker 1: is still that guy. He's still that guy.

1164
00:58:23,040 --> 00:58:25,600
Speaker 2: Yeah. I mean he's got he's multie.

1165
00:58:25,120 --> 00:58:27,960
Speaker 1: He's multifaceted, but he's Yeah, I thought Joey would have

1166
00:58:28,000 --> 00:58:31,240
Speaker 1: been thrilled that someone was, but I guess he was

1167
00:58:31,280 --> 00:58:34,240
Speaker 1: trying to beat turn over a new romantic leaf, so

1168
00:58:34,360 --> 00:58:34,720
Speaker 1: to speak.

1169
00:58:35,280 --> 00:58:38,040
Speaker 2: Yeah. Well, in this episode made me sad that we

1170
00:58:38,120 --> 00:58:41,640
Speaker 2: don't really get like a great long term love interest

1171
00:58:42,600 --> 00:58:45,520
Speaker 2: for Joey do we Like, We've got Becky for Jesse,

1172
00:58:45,920 --> 00:58:49,360
Speaker 2: we eventually get Vicky for Danny, but joe never really

1173
00:58:49,440 --> 00:58:50,320
Speaker 2: has anyone, does he?

1174
00:58:50,560 --> 00:58:53,080
Speaker 1: Not that we see no, But uh but when he

1175
00:58:53,160 --> 00:58:55,560
Speaker 1: comes back and fuller, you know, he's got he's got

1176
00:58:55,560 --> 00:58:56,840
Speaker 1: a wife and four kids.

1177
00:58:57,320 --> 00:58:59,320
Speaker 2: That's true. That's true. Well I wish he had he

1178
00:58:59,360 --> 00:59:00,919
Speaker 2: had never seen her again.

1179
00:59:01,120 --> 00:59:01,919
Speaker 1: We saw her one time.

1180
00:59:02,880 --> 00:59:05,520
Speaker 2: Yeah, well the kids were wild, remember they were just

1181
00:59:05,760 --> 00:59:09,440
Speaker 2: sure they were They were definitely crazy, wild kids they made. Yeah,

1182
00:59:09,440 --> 00:59:11,080
Speaker 2: the wife and the kids weren't invited back to the

1183
00:59:11,120 --> 00:59:16,960
Speaker 2: full after that. But yeah, this was.

1184
00:59:18,560 --> 00:59:20,080
Speaker 1: This was you know, it was a it was a

1185
00:59:20,160 --> 00:59:20,800
Speaker 1: cute episode.

1186
00:59:20,800 --> 00:59:21,000
Speaker 2: I was.

1187
00:59:21,160 --> 00:59:22,960
Speaker 1: I was glad that we got to see Joey have

1188
00:59:23,040 --> 00:59:26,120
Speaker 1: a little range and like, you know, I know a

1189
00:59:26,120 --> 00:59:28,080
Speaker 1: little bit about his past and kind of what was

1190
00:59:28,120 --> 00:59:30,800
Speaker 1: going on. I love that Danny was super protective of him.

1191
00:59:30,840 --> 00:59:35,240
Speaker 1: I thought that was very cute in their relationship. But yeah,

1192
00:59:35,240 --> 00:59:36,840
Speaker 1: it was sort of it was like it was there

1193
00:59:36,920 --> 00:59:39,840
Speaker 1: was you know, the storylines were kind of it was.

1194
00:59:39,880 --> 00:59:42,520
Speaker 2: Kind of myth. Yeah, it wasn't bad, but it wasn't great. Yeah.

1195
00:59:42,880 --> 00:59:45,880
Speaker 1: Yeah, yeah it was the mid It was mid as

1196
00:59:45,920 --> 00:59:46,720
Speaker 1: the kids would.

1197
00:59:46,480 --> 00:59:48,600
Speaker 2: Say, oh yeah, it was definitely mid mid. I don't

1198
00:59:48,640 --> 00:59:51,000
Speaker 2: know why they made Patty out to be like this villain,

1199
00:59:51,240 --> 00:59:53,840
Speaker 2: like she's this she broke up with him, you know,

1200
00:59:53,960 --> 00:59:55,440
Speaker 2: in a post it note basically, and.

1201
00:59:56,920 --> 00:59:58,600
Speaker 1: She wants to streat her boyfriend's stationary.

1202
00:59:58,880 --> 01:00:00,800
Speaker 2: Oh yeah, that's right, that's I'm making a sex in

1203
01:00:00,880 --> 01:00:03,200
Speaker 2: the City reference. But yeah, yeah, on the boyfriend's stationary.

1204
01:00:04,080 --> 01:00:05,720
Speaker 2: And then she acts crazy during the Lady and the

1205
01:00:05,760 --> 01:00:07,560
Speaker 2: Tramp dinner, Like I don't know why they had to

1206
01:00:07,600 --> 01:00:09,080
Speaker 2: make her up to be like kind of the bad guy.

1207
01:00:09,120 --> 01:00:12,240
Speaker 2: Why can't they just be exes who come back together

1208
01:00:12,520 --> 01:00:14,880
Speaker 2: two years later and don't really know each other, because.

1209
01:00:14,600 --> 01:00:16,800
Speaker 1: Then there's no con. Then there's no there's then there's

1210
01:00:16,840 --> 01:00:18,960
Speaker 1: no there's no con, there's no steaks, there's no you

1211
01:00:19,000 --> 01:00:21,160
Speaker 1: know what I mean, Like it's not one person wanting

1212
01:00:21,200 --> 01:00:24,280
Speaker 1: one thing and one person wanting another. Okay, because you

1213
01:00:24,400 --> 01:00:26,520
Speaker 1: have to show there was some sort of conflict has

1214
01:00:26,600 --> 01:00:29,480
Speaker 1: to occur between the two characters, I guess, and not

1215
01:00:29,640 --> 01:00:32,960
Speaker 1: like conflict conflict, but like there are there what they want?

1216
01:00:33,040 --> 01:00:34,640
Speaker 1: Isn't a higher yeah yeah yeah yeah.

1217
01:00:35,040 --> 01:00:37,640
Speaker 2: But well it did show tremendous growth for Joey, which.

1218
01:00:37,640 --> 01:00:39,320
Speaker 1: And I think that was kind of the big thing too,

1219
01:00:39,520 --> 01:00:41,640
Speaker 1: was that we see because I and one of the

1220
01:00:41,720 --> 01:00:46,000
Speaker 1: things I wrote down too was that Joey's room seems

1221
01:00:46,080 --> 01:00:50,240
Speaker 1: a little less crazy or is it just me?

1222
01:00:50,400 --> 01:00:51,720
Speaker 2: Oh? Is he growing up?

1223
01:00:52,040 --> 01:00:52,160
Speaker 1: Is he?

1224
01:00:52,480 --> 01:00:54,720
Speaker 2: He? Has less like cartoons stuff.

1225
01:00:55,240 --> 01:01:02,439
Speaker 1: I felt a little bit like sorry it was dog.

1226
01:01:02,760 --> 01:01:06,600
Speaker 1: Uh yeah, it felt Joey's room felt much less like

1227
01:01:06,800 --> 01:01:10,680
Speaker 1: chaotic and yeah, it felt like there was less and

1228
01:01:10,760 --> 01:01:12,640
Speaker 1: I think and I wonder, like, is some of that

1229
01:01:12,640 --> 01:01:14,800
Speaker 1: stuff gonna come back for the next episode? Was this

1230
01:01:15,560 --> 01:01:18,400
Speaker 1: they just removed it for this episode to sort of

1231
01:01:19,440 --> 01:01:22,240
Speaker 1: showed Joey's growth a little bit because I wrote that

1232
01:01:22,320 --> 01:01:24,600
Speaker 1: down in the very first scene, was Joey's room seems

1233
01:01:24,680 --> 01:01:28,640
Speaker 1: much cleaner. And now now I am tracking it and

1234
01:01:28,680 --> 01:01:31,160
Speaker 1: seeing maybe why that they were trying to show that

1235
01:01:31,280 --> 01:01:34,880
Speaker 1: he's grown a little bit. Like even his his outfit

1236
01:01:35,040 --> 01:01:36,960
Speaker 1: choice was a little bit. He had like the sweater

1237
01:01:37,080 --> 01:01:39,160
Speaker 1: and like a button up shirt under it, you know

1238
01:01:39,200 --> 01:01:41,360
Speaker 1: what I mean. He was just kind of maturing a

1239
01:01:41,400 --> 01:01:45,320
Speaker 1: little bit. So I think this is like Joey's Joey's

1240
01:01:45,360 --> 01:01:46,400
Speaker 1: growth era.

1241
01:01:46,800 --> 01:01:49,000
Speaker 2: Yeah, yeah, as compared to the.

1242
01:01:49,040 --> 01:01:51,040
Speaker 1: I mean compared to the pilot when he walked in

1243
01:01:51,320 --> 01:01:54,080
Speaker 1: in that red shirt with those ridiculous characters on it

1244
01:01:54,160 --> 01:01:58,360
Speaker 1: and like a clown. Yeah, with all of all of

1245
01:01:58,440 --> 01:02:01,480
Speaker 1: the cartoon stuff animal and the mannequin. Yeah, now it's

1246
01:02:01,480 --> 01:02:04,640
Speaker 1: like a mannequin a few animals, right, But and then

1247
01:02:04,720 --> 01:02:07,040
Speaker 1: like some cartoonish art. But yeah, and the mannequin is

1248
01:02:07,080 --> 01:02:09,280
Speaker 1: really hockey related. It's more sport, you know, he's in

1249
01:02:09,360 --> 01:02:12,080
Speaker 1: the Red Wings stuff. But it's a little match.

1250
01:02:12,240 --> 01:02:13,160
Speaker 2: They're not matching anymore.

1251
01:02:13,280 --> 01:02:18,080
Speaker 1: Yeah, not matching anymore. It just feels slightly less childish.

1252
01:02:18,720 --> 01:02:21,640
Speaker 2: Yeah, so yeah, I bet you that was an intentional

1253
01:02:21,840 --> 01:02:25,760
Speaker 2: move on the set deck. Yeah, part to yeah, trying

1254
01:02:25,800 --> 01:02:28,000
Speaker 2: to kind of show an adult, a more grown up

1255
01:02:28,360 --> 01:02:29,240
Speaker 2: adult Joey.

1256
01:02:29,520 --> 01:02:30,240
Speaker 1: Yep. And I like it.

1257
01:02:30,320 --> 01:02:30,840
Speaker 2: I'm here for it.

1258
01:02:30,960 --> 01:02:31,280
Speaker 1: I'm here.

1259
01:02:31,360 --> 01:02:33,840
Speaker 2: He's still the same Joey, Like, he's still funny and

1260
01:02:33,880 --> 01:02:37,160
Speaker 2: he's doing doing Popeye, So he's still doing Popeye, but

1261
01:02:37,360 --> 01:02:41,360
Speaker 2: he's got more depth to him. And I really appreciate, Yeah,

1262
01:02:41,440 --> 01:02:44,360
Speaker 2: seeing more depth from these these I mean, I'm also

1263
01:02:44,400 --> 01:02:48,000
Speaker 2: biased because I'm like the silly the pasilly punchline character too,

1264
01:02:48,120 --> 01:02:50,120
Speaker 2: So I love when we get to see more depth

1265
01:02:50,200 --> 01:02:53,000
Speaker 2: to these these side characters that are just like, yeah,

1266
01:02:53,080 --> 01:02:53,919
Speaker 2: balls all the time.

1267
01:02:54,080 --> 01:02:55,120
Speaker 1: Yeah exactly.

1268
01:02:56,240 --> 01:02:56,800
Speaker 2: Did you? Uh?

1269
01:02:56,960 --> 01:02:58,920
Speaker 1: Did you happen to have any everywhere he looks.

1270
01:02:58,720 --> 01:03:01,040
Speaker 2: In this one, I do, I have I have a

1271
01:03:01,120 --> 01:03:04,440
Speaker 2: tiny one. What is it? In the scene where Michelle

1272
01:03:04,640 --> 01:03:07,840
Speaker 2: is acting like a monster and walking over to Danny.

1273
01:03:09,440 --> 01:03:11,840
Speaker 2: Danny sitting against the wall and you can totally see

1274
01:03:11,880 --> 01:03:14,440
Speaker 2: a crack in the wall where where it swings out

1275
01:03:15,080 --> 01:03:18,440
Speaker 2: so the camera can fit in there. Really and then

1276
01:03:18,560 --> 01:03:20,720
Speaker 2: Bob leans back against.

1277
01:03:20,480 --> 01:03:23,080
Speaker 1: The wall and it's shakes and it's a set. The

1278
01:03:23,240 --> 01:03:25,440
Speaker 1: wall goes back. I didn't know.

1279
01:03:25,600 --> 01:03:28,840
Speaker 2: Yeah, yeah, it's funny just because you can you're like, oh, yeah,

1280
01:03:28,880 --> 01:03:32,200
Speaker 2: that's clearly a set that wall with studs or anything.

1281
01:03:32,480 --> 01:03:34,840
Speaker 1: These walls don't have hinges like that, so they can

1282
01:03:34,920 --> 01:03:35,960
Speaker 1: move slightly out of the way.

1283
01:03:37,800 --> 01:03:38,080
Speaker 2: Funny.

1284
01:03:39,360 --> 01:03:43,440
Speaker 1: I have had one small everywhere you look that was

1285
01:03:44,640 --> 01:03:47,080
Speaker 1: also kind of a set deck thing. But if you

1286
01:03:47,200 --> 01:03:50,520
Speaker 1: look in the scene, they're in the kitchen and in

1287
01:03:50,600 --> 01:03:54,680
Speaker 1: the background of one of the shots you see the

1288
01:03:54,760 --> 01:03:59,160
Speaker 1: laundry room and the laundry detergent, which has been what

1289
01:03:59,280 --> 01:04:01,240
Speaker 1: they call Greek which is where you kind of like

1290
01:04:01,360 --> 01:04:02,880
Speaker 1: make it look like something else that you don't have

1291
01:04:02,960 --> 01:04:05,680
Speaker 1: to pay, you know, the licensing fees for whatever the

1292
01:04:05,760 --> 01:04:08,480
Speaker 1: name of it is. It was all detergent A L

1293
01:04:08,640 --> 01:04:11,000
Speaker 1: L which is a brand of detergent, but they made

1294
01:04:11,040 --> 01:04:12,280
Speaker 1: it say ale a.

1295
01:04:12,560 --> 01:04:16,840
Speaker 2: I L A. Yeah, that's how they greeked it up.

1296
01:04:16,880 --> 01:04:23,400
Speaker 1: Yeah, yeah, it was we had ale like an ailment.

1297
01:04:23,920 --> 01:04:25,000
Speaker 1: Uh that was.

1298
01:04:27,200 --> 01:04:30,800
Speaker 2: Because Danny thinks of dirtiness as an aim that needs

1299
01:04:30,880 --> 01:04:34,480
Speaker 2: to be fixed and weird. Yeah, with the ale detergent,

1300
01:04:36,680 --> 01:04:38,720
Speaker 2: that's great. I didn't notice that. I'll have to go

1301
01:04:38,760 --> 01:04:39,240
Speaker 2: back in live.

1302
01:04:39,280 --> 01:04:39,920
Speaker 1: It's my little.

1303
01:04:41,640 --> 01:04:41,680
Speaker 2: That.

1304
01:04:41,960 --> 01:04:45,520
Speaker 1: And I also noticed that DJ and Steph when they

1305
01:04:45,640 --> 01:04:48,800
Speaker 1: jump into bed at that one scene where they're like

1306
01:04:48,920 --> 01:04:51,880
Speaker 1: both laying in DJ's bed, they fully have their shoes

1307
01:04:52,000 --> 01:04:55,480
Speaker 1: one under the I mean, I know they're trying to whatever,

1308
01:04:55,600 --> 01:04:56,840
Speaker 1: but still at.

1309
01:04:56,840 --> 01:04:57,920
Speaker 2: Least take your shoes off.

1310
01:04:58,400 --> 01:05:02,439
Speaker 1: Well, nobody ever has their shoes off. Well, Jesse did, true,

1311
01:05:02,640 --> 01:05:04,280
Speaker 1: he had socks on in this episode when he was

1312
01:05:04,320 --> 01:05:04,840
Speaker 1: in his rope.

1313
01:05:05,360 --> 01:05:07,960
Speaker 2: Oh you've noticed everything, wow, eagle eye Jodi.

1314
01:05:09,280 --> 01:05:11,560
Speaker 1: I think I wrote it down because I was like, finally,

1315
01:05:11,640 --> 01:05:17,040
Speaker 1: someone not wearing like normal, you know, not wearing shoes

1316
01:05:17,080 --> 01:05:18,960
Speaker 1: in the house at seven in the morning, when you've

1317
01:05:18,960 --> 01:05:22,160
Speaker 1: been up all night. You would be in socks, right, that's.

1318
01:05:22,080 --> 01:05:25,480
Speaker 2: I And for Danny, I'm surprised that Danny doesn't make

1319
01:05:25,520 --> 01:05:27,880
Speaker 2: people take off their shoes at the front door or

1320
01:05:27,960 --> 01:05:29,480
Speaker 2: the back door, you know, and it's not like it's

1321
01:05:29,520 --> 01:05:32,200
Speaker 2: just like socks only house. Yeah, because that's how I am.

1322
01:05:32,240 --> 01:05:33,640
Speaker 2: I'm like, take your shoes off. I don't know where

1323
01:05:33,640 --> 01:05:35,600
Speaker 2: those shoes have been, Like, I'm a barefoot I'm a

1324
01:05:35,680 --> 01:05:38,680
Speaker 2: barefoot person. Yeah, or socks if it's cold in my house.

1325
01:05:38,720 --> 01:05:40,640
Speaker 2: I don't like shoes in my house either, So I've

1326
01:05:40,720 --> 01:05:42,400
Speaker 2: never even thought about that. I just take it for

1327
01:05:42,480 --> 01:05:44,000
Speaker 2: granted that, Yeah, we're always wearing shoes.

1328
01:05:44,160 --> 01:05:47,000
Speaker 1: Yeah, well, it's partly because walking around on set you

1329
01:05:47,000 --> 01:05:47,840
Speaker 1: don't want to be barefoot.

1330
01:05:48,160 --> 01:05:49,600
Speaker 2: Oh yeah, there's nail they tell you not to do.

1331
01:05:49,640 --> 01:05:51,560
Speaker 2: They don't even want you wearing open toad shoes on

1332
01:05:51,640 --> 01:05:54,160
Speaker 2: a set because of the nails and all the stuff

1333
01:05:54,360 --> 01:05:56,320
Speaker 2: and the things you could get hurt on.

1334
01:05:56,440 --> 01:05:58,760
Speaker 1: You know, screws all the manner of things. But yeah,

1335
01:05:58,880 --> 01:06:01,800
Speaker 1: I did notice that Jesse actually was wearing socks in

1336
01:06:01,920 --> 01:06:04,440
Speaker 1: that scene. I was like, Oh, nice, look at you

1337
01:06:04,560 --> 01:06:07,800
Speaker 1: being like a real, you know, human being.

1338
01:06:08,640 --> 01:06:12,520
Speaker 2: Yep, Gina Traconis and Bob Squire our wordrobe people were

1339
01:06:12,960 --> 01:06:13,520
Speaker 2: attention of.

1340
01:06:15,520 --> 01:06:19,479
Speaker 1: Mahon. Yeah, well that was a That was another fun

1341
01:06:19,800 --> 01:06:22,840
Speaker 1: episode of Howard Tanrito's.

1342
01:06:22,720 --> 01:06:24,680
Speaker 2: Always more fun getting to talk about it with you.

1343
01:06:25,080 --> 01:06:29,720
Speaker 1: Oh yes, we can take even the meh episodes and

1344
01:06:29,880 --> 01:06:30,240
Speaker 1: make them.

1345
01:06:31,960 --> 01:06:34,640
Speaker 2: Yeah, so agreed.

1346
01:06:35,000 --> 01:06:41,680
Speaker 1: Here we go congratulations, Well everyone, thank you. That was

1347
01:06:41,800 --> 01:06:43,640
Speaker 1: just I'm sorry. My brain left for a minute.

1348
01:06:43,720 --> 01:06:46,040
Speaker 2: It came back, and I have to prepare for your

1349
01:06:46,080 --> 01:06:48,600
Speaker 2: outros pause and think.

1350
01:06:48,760 --> 01:06:51,160
Speaker 1: I got a pause. I think I have to make

1351
01:06:51,200 --> 01:06:54,040
Speaker 1: sure that I briefly read my bracelets so that I

1352
01:06:54,120 --> 01:06:55,080
Speaker 1: know what's happening.

1353
01:06:56,360 --> 01:06:56,480
Speaker 2: Now.

1354
01:06:56,560 --> 01:06:58,760
Speaker 1: But I wanted to say, bracelet, thank you everybody for

1355
01:06:58,880 --> 01:07:01,760
Speaker 1: joining us for another episod sort of how rud tannerto's uh.

1356
01:07:01,960 --> 01:07:03,880
Speaker 1: If you want to follow us or d m us

1357
01:07:03,920 --> 01:07:06,720
Speaker 1: on Instagram, you can follow us at how Rude Podcast.

1358
01:07:07,080 --> 01:07:09,840
Speaker 1: You can also send us an email at Howard podcast

1359
01:07:10,000 --> 01:07:12,720
Speaker 1: at gmail dot com. We're so glad that you joined

1360
01:07:12,760 --> 01:07:15,200
Speaker 1: us for another episode. We have so much fun doing

1361
01:07:15,280 --> 01:07:19,120
Speaker 1: this with everyone. And uh yeah. You also make sure

1362
01:07:19,160 --> 01:07:21,720
Speaker 1: that you're liking and subscribing to the podcast wherever you're

1363
01:07:21,720 --> 01:07:23,680
Speaker 1: listening to it so that you can make sure and

1364
01:07:23,840 --> 01:07:26,560
Speaker 1: get all the newest episodes as soon as they air.

1365
01:07:27,320 --> 01:07:31,080
Speaker 1: Uh and uh yeah, I think that's it.

1366
01:07:31,360 --> 01:07:32,920
Speaker 2: That's I think I think that that's you.

1367
01:07:33,480 --> 01:07:34,360
Speaker 1: That's the spiel and.

1368
01:07:34,440 --> 01:07:36,200
Speaker 2: Now you gotta yeah, you gotta gear up.

1369
01:07:36,600 --> 01:07:43,440
Speaker 1: Okay, say remember everybody, the world is small, but the

1370
01:07:43,520 --> 01:07:44,160
Speaker 1: house is full.

1371
01:07:45,280 --> 01:07:47,280
Speaker 2: See. I think it's it's you've now got a memory's

1372
01:07:47,320 --> 01:07:48,040
Speaker 2: stuck in your head.

1373
01:07:48,120 --> 01:07:54,400
Speaker 1: Now it's the I now have the months, yea, and

1374
01:07:54,440 --> 01:07:55,280
Speaker 1: then the yeah.

1375
01:07:55,960 --> 01:07:58,400
Speaker 2: I'm very proud of you. Thank you. Our fan Arritos

1376
01:07:58,440 --> 01:07:59,720
Speaker 2: are very proud of you than you

1377
01:08:01,400 --> 01:08:01,720
Speaker 1: Modern