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Speaker 1: Hey, everybody, welcome to another episode of I Saw What

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Speaker 1: You Did.

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Speaker 2: My name is Millie to Jericho.

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Speaker 1: I'm Daniel Henderson and Ho Ho Ho ho Ho.

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Speaker 2: And Mazzle Top and what are the other Christmas mascots?

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Speaker 2: Is there? Jimmy?

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Speaker 1: What is Jimminy Cricket? No, I'm thinking of tiny Tim.

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Speaker 1: I always get that confessed. Why is that because they

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Speaker 1: both have canes?

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Speaker 3: Like which one of these small fucks on talking? Okay,

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Speaker 3: we are giddy for the season.

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Speaker 2: Okay, let me let me say this. I think Jimminy

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Speaker 2: Cricket has an umbrella, not a cane.

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Speaker 3: I mean, look, you completely got that fucked up and

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Speaker 3: turned around Jimminy Cricket.

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Speaker 4: You might as well said like fucking Scrooge McDuck.

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Speaker 2: It's him as a crutch. That feels so bad. I

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Speaker 2: am so embarrassed that I got those two condos. So

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Speaker 2: it's awesome.

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Speaker 3: Look, we're giddy for the season and that's all that matters.

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Speaker 1: Well, okay, folks, So we have a mail bag today.

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Speaker 3: This mail bag is it's very special and I think

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Speaker 3: when we read this email, we both were like, we

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Speaker 3: know who to call for this one. We know what

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Speaker 3: ringer to bring in for this one, and our guest

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Speaker 3: today is the amazing comedian and co host of The

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Speaker 3: Bananas Podcast. Please welcome Banana Boy number one, Kurt Brown Older.

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Speaker 4: Hello. Hi, I'm excited to be here.

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Speaker 5: But I do I do I take issue with being

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Speaker 5: called Banana Boy number one.

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Speaker 4: There is no banana Boy number one.

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Speaker 3: Look, we already tried to work this out when Scotty

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Speaker 3: was on the show and he insisted that he was

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Speaker 3: Banana Boy number two.

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Speaker 5: He insists, and I have never claymed banana Boy number one.

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Speaker 5: So there is a nebulous banana Boy number one floating

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Speaker 5: out there that is not as yet to be claimed,

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Speaker 5: and I will let the proper person claim that. But

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Speaker 5: I am not Banana Boy number one. I am simply Kurt.

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Speaker 4: You are more than simply Kurt.

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Speaker 3: I would extend this intro and say that you are

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Speaker 3: so much more than just an amazing comedian, which you are.

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Speaker 3: I had the pleasure of seeing you a couple of

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Speaker 3: months ago in Connecticut for the first time live, and

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Speaker 3: you brought the house down. But you're also just the

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Speaker 3: nicest man on earth and a great friend. What thank

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Speaker 3: You're a great friend and a good guy. Thank you

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Speaker 3: so much. No, stop it and look mark mark the date.

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Speaker 3: I'm never gonna say this about a white man ever again.

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Speaker 4: Put it on your calendar.

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Speaker 5: This is what we mean by white Christmas, that you

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Speaker 5: give one white person a Christmas present that's for me today.

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Speaker 3: We like to call it reverse reparations. So, Kurt, we

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Speaker 3: got this question in our mail bag that we thought

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Speaker 3: would be so great for you to try to help

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Speaker 3: us answer.

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Speaker 4: Yes, I'm excited. Let's do it.

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Speaker 5: Let's read some mail. I love mail, I love movies.

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Speaker 5: I love you guys. I mean I'm excited.

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Speaker 2: Let me read this right now.

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Speaker 1: Hi, Danielle and Millie, love the pod and love all

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Speaker 1: your other projects. Danielle, I read The Ugly Cry in

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Speaker 1: twenty four hours and didn't stop talking about it for

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Speaker 1: the next twenty four hours.

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Speaker 2: Ow, it's very sweet.

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Speaker 1: I'm writing during the week where you talked about John

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Speaker 1: Belueh's chilling boner in Old Boyfriends from nineteen seventy nine.

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Speaker 1: It made me think of how Julie Andrew's nude scene

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Speaker 1: in SOB from nineteen ninety one has absolutely haunted me

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Speaker 1: ever since I saw that movie a few months ago.

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Speaker 1: Mad respect to Julie and her complex sensual humanity, but

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Speaker 1: it was like seeing.

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Speaker 2: My mom naked. What other nude.

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Speaker 1: Slash sexy slash romantic scenes and films have shaken you

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Speaker 1: to your core but not in a hoardy way? Old

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Speaker 1: as fuck? Eli Wallach kissing Melanie Mayron and Girlfriends is

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Speaker 1: another example.

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Speaker 2: Thanks for reading.

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Speaker 3: Emily, Wow, Emily, out the Gate, out the Gate with

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Speaker 3: the complex sensual humanity.

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Speaker 1: It's a writer, a writer, right, I know who wrote

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Speaker 1: this totally incredible email.

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Speaker 3: And part of why we thought of you for this question,

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Speaker 3: even though there were so many to choose from that

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Speaker 3: you would have been incredible to answer was when we

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Speaker 3: were guests on the Bananas podcast, you had mentioned that

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Speaker 3: you loved the movie Xana Do and didn't know it

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Speaker 3: was a.

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Speaker 4: Bad movie for a while.

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Speaker 3: Oh yeah, and we asked if it was because of

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Speaker 3: like the sexiness. We kind of just ended up talking

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Speaker 3: about some sexy movie scenes from when we were younger.

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Speaker 3: So we would love your thoughts on Emily's question about

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Speaker 3: other nudes romantic scenes in films that have shaken you

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Speaker 3: to your core but not in a horny way.

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Speaker 5: This is a great question. It is such a I

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Speaker 5: thought about it for a long time and I do.

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Speaker 5: I think I have two answers. The first one that

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Speaker 5: came to mind immediately was Harvey Kaitel's penis in the Piano.

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Speaker 4: Okay, thank you for bringing that up right away.

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Speaker 5: I mean, I think that's the one, right, that's like

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Speaker 5: the one where you're just like, oh no, yes, quint essential.

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Speaker 3: Oh no, penis indeed and his butt in bad Lieutenant.

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Speaker 5: Yeah, yes, yes, exactly. I remember just being as surprised.

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Speaker 5: But I went back and watched it and it's like,

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Speaker 5: it's not even like a lot of penis, do you

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Speaker 5: know what I mean?

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Speaker 4: Not looking at it for a long time, it's just

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Speaker 4: a little glimpse.

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Speaker 2: Yeah.

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Speaker 5: But the amount that it was talked about amongst my

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Speaker 5: friends and I was it was way more than the

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Speaker 5: amount of time.

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Speaker 4: It was on screen for Well, did you see it

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Speaker 4: in the theater?

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Speaker 3: Or like how old were you when that movie came out?

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Speaker 3: Or like when did you see it? And how old

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Speaker 3: was your friend group when you were talking about this.

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Speaker 5: Let's find out the year of that. I'm assuming it's

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Speaker 5: nineteen ninety one. No, it's nineteen ninety three, So I

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Speaker 5: was like sixteen or seventeen years old, and I did

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Speaker 5: see it in the movie theater of course.

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Speaker 3: Now tell me how that came to be that a

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Speaker 3: sixteen year old boy was like, you know what's up

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Speaker 3: on a Saturday night, Let's gather the dudes and go

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Speaker 3: see the piano.

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Speaker 5: Well, you have to remember that this is post smells

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Speaker 5: like Teen Spirit, So that my whole world changed the

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Speaker 5: day I heard smells like teen Spirit. And then by

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Speaker 5: like seventeen, I was just like, we only watch independent cinema,

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Speaker 5: We only listen to music.

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Speaker 4: No I is heard of.

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Speaker 3: I am laughing because wow, does that ring true?

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Speaker 4: For me? Everything was fuck.

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Speaker 3: The man, even though you know this movie was made

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Speaker 3: by the man. We didn't know that we're supporting women

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Speaker 3: were supporting this Australian movie.

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Speaker 4: Yeah, and then that dick comes up. It was Miramax, right,

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Speaker 4: wasn't it? Yeah Jane Campion, Yeah, yeah, yep.

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Speaker 3: I definitely think that was a non horny romantic scene. Yes,

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Speaker 3: for sure. I also am flashing back to the Natural

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Speaker 3: Born Killer scene where Natural Born Killers is a Woody

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Speaker 3: Harrelson and Juliet Lewis, and there's a scene with Tom

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Speaker 3: Sizemore in a hotel room in a thong, just sweaty

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Speaker 3: and on a bed and like talking, and I'm like this,

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Speaker 3: this is not romantic at all.

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Speaker 4: This is this is a little bit jarring.

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Speaker 1: Very complex humanity, maybe not sensual, but definitely complex.

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Speaker 3: And I feel like maybe maybe we're figuring out today

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Speaker 3: the crux of the matter here is is it ever

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Speaker 3: okay to see a surprise penis on film?

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Speaker 4: Yeah?

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Speaker 5: I mean it's okay in the Crying Game, definitely. That

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Speaker 5: was like the point of the movie exactly. And like

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Speaker 5: the opposite of The Crying Game really, where you're just like,

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Speaker 5: it's just it's a surprise, like everyone was genuinely surprised.

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Speaker 5: The opposite of that is Boogie Nights, where everyone talks

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Speaker 5: about the penis, but then you don't see the penis

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Speaker 5: until the end. And so I looked up I don't

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Speaker 5: know what I googled, Like, actually, I'll tell you exactly

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Speaker 5: what I googled.

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Speaker 4: I googled Marky Mark's Big Dong and.

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Speaker 3: Also the name of the new water ride at.

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Speaker 2: Six Flags.

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Speaker 4: Six Flags created.

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Speaker 5: Marky Mark's Funky Funky Junk, Marky Marx Funky Junk, Funky Junk,

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Speaker 5: And I found this Vulture article from twenty sixteen, which

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Speaker 5: is all there. Apparently there's a sixteen thousand word oral

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Speaker 5: history of Boogie Knights.

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Speaker 4: Now, wow, and it's all about his penis.

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Speaker 5: And if I could, if I could just read from

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Speaker 5: this article, I think it's very interesting about this fake

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Speaker 5: prosthetic penis they used. Yes, the model itself was made

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Speaker 5: of plaster with a little pubic Mrkin specially made to

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Speaker 5: match Mark Wahlberg's hair color. The team also created a

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Speaker 5: special bulge for his pants quote a woman's stocking knee

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Speaker 5: filled with bird seed. Oh, I mean, like, which is unnecessary.

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Speaker 4: There are stuffers. There's stuffers that exist. I mean, I'm

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Speaker 4: sure they existed. Back there.

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Speaker 3: We had silicone, Like, right, we had silicone.

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Speaker 4: No seed, bird seed, bird seed.

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Speaker 5: No one decided to just go to a store where

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Speaker 5: people are trying to have fake penises. Anyway, After the

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Speaker 5: team tested some prototypes, the final penis ended up being

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Speaker 5: a little smaller than Diggler's oft mentioned thirteen inches quote.

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Speaker 5: We sculpted a version that was twelve inches long, and

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Speaker 5: we tested it and it was just way too big.

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Speaker 5: Special makeup effects coordinator Howard Bergman told Grantline it looked

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Speaker 5: like a weird monster penis. The version scene at the

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Speaker 5: end of the film was seven slightly two messin inches.

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Speaker 3: That was not seven inches.

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Speaker 4: It was seven inches.

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Speaker 5: That's a According to the editor Dylan tick schnor So,

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Speaker 5: they were like.

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Speaker 3: Look, we can't give you the full We don't even

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Speaker 3: have the lens to get a full thirteen inch ber

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Speaker 3: seed penis in your life. We haven't even created the

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Speaker 3: technology for that yet.

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Speaker 4: Clearly.

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Speaker 5: Yeah, I guess thirteen inches, like hanging would have looked

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Speaker 5: so insane.

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Speaker 3: That, I mean, it does make sense when you think

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Speaker 3: about it, Yeah, that it would look rather insane. Yeah.

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Speaker 3: And I don't think we're offending anyone with a thirteen

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Speaker 3: inch penis, because I think that they have one. They

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Speaker 3: probably know it looks a little bit bonker.

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Speaker 4: Yeah, they've been told, they've been told.

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Speaker 3: That was such a shocking moment and again a very

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Speaker 3: weirdly not horny moment in that film. It was just shocking,

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Speaker 3: not horny at all. Yeah, Millie, what about you.

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Speaker 1: Well, I mean, obviously the chilling boner from Old Boyfriend's

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Speaker 1: was what kicked this off for me. I mean, that

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Speaker 1: was my that's my choice, no matter what, And it

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Speaker 1: was in that I swear I feel like to this day,

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Speaker 1: I must have been the only person that saw that

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Speaker 1: because I've been trying to google it and no one

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Speaker 1: else has mentioned it, Like I've read about Old Boyfriends,

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Speaker 1: the movie written about several times by different film writers

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Speaker 1: or different people, and I'm like, did nobody.

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Speaker 2: Else catch this?

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Speaker 1: It was I dropping acid during this movie and I

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Speaker 1: didn't know I saw.

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Speaker 2: I saw something I didn't actually see.

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Speaker 3: And everyone who made who was involved in the movie

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Speaker 3: is dead, so nobody can confirm. Talia Shire refuses to

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Speaker 3: talk about it.

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Speaker 1: Yeah, I honestly thought that was I was not at

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Speaker 1: all prepared for that whatsoever, and in the context of

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Speaker 1: the scene, it was kind of creepy, to be honest.

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Speaker 3: Well, also because we discussed it on the show a

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Speaker 3: little bit during that episode, but there's no way they

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Speaker 3: had the prosthetic for that back then. Yeah, like that

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Speaker 3: was just and the scene was like him and his

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Speaker 3: boxers rolling around on the ground like they were not

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Speaker 3: prepared for the bird seed dick in that scene out.

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Speaker 1: Had I known it was just bird seed, that was

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Speaker 1: the Hollywood trick.

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Speaker 2: That's crazy.

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Speaker 4: I went and googled.

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Speaker 5: I just I have so many googles of like John

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Speaker 5: Belushi's penis, John Blucy's penis, boyfriend, but John Belushy's penis

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Speaker 5: girlfriend Like, it's so many and there is just simply

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Speaker 5: no mention of it online. There's no images. You would

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Speaker 5: think it would be like screen grabs somewhere.

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Speaker 4: It is not.

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Speaker 3: No.

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Speaker 1: I mean, was a professional reputation manager just out there

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Speaker 1: like wiping the internet clean of evidence of.

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Speaker 2: This of John Belushi's dick.

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Speaker 1: So I'm it's a true puzzle. In fact, I feel

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Speaker 1: like we need to do. I say that the three

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Speaker 1: of us do a investigative podcast.

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Speaker 2: This is our next project.

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Speaker 1: Yes, we'll figure out the real story about this stunt

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Speaker 1: dick and it'll be.

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Speaker 3: A hit and it'll turn into a TV show that

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Speaker 3: Richard Simmons podcast. Move out of the way. You're gonna

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Speaker 3: find the truth about John She's penis. And I still

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Speaker 3: maintain that it is Jim Belushi's full time job to

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Speaker 3: wipe all mentions of his brother's dick.

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Speaker 4: That is how he's maintained. Here's my question.

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Speaker 5: My question is when you're watching it, Millie, did it

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Speaker 5: require or rewind to confirm?

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Speaker 2: Yeah.

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Speaker 1: I begrudgingly rewound it because I was like, I don't

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Speaker 1: It was that thing where I was like, I don't

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Speaker 1: know if I'm ready to see that again. But I

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Speaker 1: did because I thought maybe it was like a Lens

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Speaker 1: flair or something like, I don't know, And I truly

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Speaker 1: was like, yeah, I didn't imagine that.

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Speaker 5: So I think that's our answer right there. I don't

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Speaker 5: think that movie has been watched since you could rewind sins.

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Speaker 5: I think you're the first person to watch it wo

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Speaker 5: you could rewind it check. So everyone saw it in

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Speaker 5: the theaters, they thought it was a Lens flair.

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Speaker 4: Nobody ever mentioned it, and it's been buried ever since.

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Speaker 2: Yeah.

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Speaker 4: I love that you found something new in the world

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Speaker 4: that's so rare. Makes sense.

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Speaker 3: I mean, it kills our podcast idea, but it makes

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Speaker 3: perfect sense. This is a one episode podcast where you're like, oh,

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Speaker 3: nobody could rewind. Nobody knew they weren't checking the dailies

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Speaker 3: for dicks back then. I Also, what I love in

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Speaker 3: this question is is this this concept of Eli Wallach

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Speaker 3: kissing Melanie Mayron, Because I think we tend to get

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Speaker 3: a little ageist sometimes in our non horniness. I don't know,

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Speaker 3: I don't think that that one bothered me too much.

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Speaker 1: Well, if anything, the reason why that's disturbing is because

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Speaker 1: Eli Wallack's character is a married rabbi, and maybe there's

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Speaker 1: something to that end, but just Eli Wallack getting some.

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Speaker 2: I'm cool with that.

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Speaker 1: He's handsome dude, and he was handsome for a very

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Speaker 1: long time and he's cool, so I'm.

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Speaker 3: Like, good for him, Eli Wallack getting some again. Apologies

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Speaker 3: to grandchildren, former spouses.

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Speaker 1: All we do is take old, classic Hollywood actors and

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Speaker 1: objectify them.

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Speaker 2: That's all we do.

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Speaker 3: Well, that's a podcast we could definitely do. We call

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Speaker 3: it dismantling that Dick, Gregory Peck. We had all kinds

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Speaker 3: of folks lined up for that one. But I do

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Speaker 3: think that there are like some definite you know, we

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Speaker 3: tend to think of, you know, older men and younger

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Speaker 3: women as fine. So I kind of like that. This

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Speaker 3: that Emily wrote in was kind of like, Nah, I

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Speaker 3: didn't like that. I didn't like seeing that at all.

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Speaker 4: It was disturbing.

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Speaker 3: Yeah, But I was also when I read this question

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Speaker 3: trying to think of are there any any actors that

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Speaker 3: I just feel like I just never want to see

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Speaker 3: kiss another human being? Like I don't think I want

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Speaker 3: to see the Rock in a love scene, you know

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Speaker 3: what I mean? Like I just I can't imagine him

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Speaker 3: like macking on somebody on screen, because he's like the

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Speaker 3: Jumanji guy and like the kind of kids movie guy

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Speaker 3: and the action guy. And I don't want to see

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Speaker 3: him like squeak in his little muscles around to hug someone.

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Speaker 5: And he has never I don't think. I can't think

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Speaker 5: of a movie where he kisses anyone.

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Speaker 4: I can't either.

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Speaker 5: That must be part of his you know, brand, the

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Speaker 5: Rock brand. The Rock doesn't kiss.

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Speaker 3: I just want to see that rider of like I

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Speaker 3: will not have read Eminem's I.

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Speaker 4: Will not kiss anyone.

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Speaker 5: We're getting a chat that he does kiss at the

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Speaker 5: end of Jungle Cruise.

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Speaker 3: Who saw Jungle Cruise, Alexis Yep, how dare you.

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Speaker 2: Just outed herself.

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Speaker 3: She's like, look as a president of the Rock Kissing

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Speaker 3: People fan club, I have to tell you. And I

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Speaker 3: thought that was when she wrote Jungle Cruise in our

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Speaker 3: zoom chat. I thought that was her telling us that, like,

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Speaker 3: don't forget to mention that Kurt's going to do a

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Speaker 3: Jungle cruise.

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Speaker 4: Like you're on tour.

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Speaker 3: It could happen.

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Speaker 5: Before they started to do trailers for Jungle Cruise in

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Speaker 5: the States. I was in Bulgaria doing a movie, and

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Speaker 5: they just so I walked down into the subway and

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Speaker 5: there's just a huge poster of The Rock and Emily

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Speaker 5: Blunt and then and like in a jungle with like

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Speaker 5: some cyrillic lettering, and I'm.

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Speaker 4: Like, what is this? This is crazy?

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Speaker 5: And that it was like a month later and that

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Speaker 5: it was like, oh, it's jungle Cruise. But it was like,

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Speaker 5: what could this possibly be?

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Speaker 4: Is this only here in Bulgaria? Like amazing?

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Speaker 3: And without the context, it's like it might as well

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Speaker 3: be saying welcome to Hell.

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Speaker 4: Like we know what's going on? Is I exit this station?

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Speaker 4: He's dressed as a steamboat captain. You know, it's just

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Speaker 4: like so confusing.

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Speaker 2: I know, I.

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Speaker 3: Couldn't figure out what time period that I haven't seen

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Speaker 3: the movie, So sorry like this, but I couldn't figure

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Speaker 3: out what's time period it was supposed to be in

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Speaker 3: based on the ads. Like it was a very confounding time.

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Speaker 3: I think we were all out of practice of looking

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Speaker 3: at ads at that point. But yes, the Rock doesn't kiss,

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Speaker 3: Oh my goodness, I think I think that's that kind

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00:18:03,160 --> 00:18:07,000
Speaker 3: of sums it all up for me. Rock doesn't Kiss,

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Speaker 3: bird Seed Boners and Harvey Kaitel, Yeah, and Harvey Kitel.

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Speaker 1: I love that answer. I think that is that is

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Speaker 1: almost the perfect answer to this question.

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Speaker 3: No, Emily, we hope that this helps you on your

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Speaker 3: journey as you try to avoid these complex, sensual human

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00:18:26,200 --> 00:18:29,000
Speaker 3: But Kurt, we cannot thank you enough for coming to

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Speaker 3: talk with us and talk about this question specifically. But please,

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Speaker 3: let's tell these people where they can find you in

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Speaker 3: the new year. We know it's the holidays, you're going

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00:18:39,000 --> 00:18:41,840
Speaker 3: to take a break and hang out with your incredibly

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Speaker 3: cool family, but we're going to go after that.

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Speaker 4: Any New Year's.

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Speaker 5: Plans, New Year's I nope, no New Year's plans.

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Speaker 4: Awesome.

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00:18:49,400 --> 00:18:53,240
Speaker 5: People can just find me at Bananas. Go listen to bananas, guys.

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00:18:53,280 --> 00:18:57,080
Speaker 5: If you like strange news and stories, that's what we do.

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Speaker 3: If you're not listening to bananas, I don't even know

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Speaker 3: you're listening to us.

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00:19:01,800 --> 00:19:02,679
Speaker 4: We can't handle it.

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00:19:02,680 --> 00:19:05,040
Speaker 3: If you're not listening to bananas, we don't want to

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00:19:05,080 --> 00:19:05,320
Speaker 3: know it.

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00:19:05,400 --> 00:19:06,159
Speaker 2: I bought merch.

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00:19:06,280 --> 00:19:09,240
Speaker 1: I bought merch from the exactly right shop. You guys

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00:19:09,280 --> 00:19:12,400
Speaker 1: are the first non I saw what you did merch.

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00:19:12,200 --> 00:19:14,000
Speaker 4: That I own. Oh that's amazing.

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Speaker 2: And I love my long sleeve shirt. I love a

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Speaker 2: long sleeve shirt. It's so fun.

390
00:19:19,760 --> 00:19:23,639
Speaker 3: Millie shows up very passive, aggressively almost every recording with

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Speaker 3: a best in the Biz shirt, and I'm like, I

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00:19:26,920 --> 00:19:28,920
Speaker 3: get it. You want to be a host of that show.

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00:19:29,000 --> 00:19:35,000
Speaker 3: I get it. But we're doing this one today. Anytime

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Speaker 3: you guys come back, anytime, we just adore you to

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Speaker 3: absolute pieces. We will continue to send you questions your way.

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00:19:41,200 --> 00:19:44,040
Speaker 3: You're welcome back, genuinely anytime. We would just love to

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Speaker 3: talk with you.

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Speaker 5: I would love to come back. And now I'm going

399
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Speaker 5: to go watch Jungle Cruise and I'm only watching the end.

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00:19:49,880 --> 00:19:52,119
Speaker 4: Just fast forward to the end. I'm only watching the kiss.

401
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Speaker 3: And then get ready because dismantling that dick is coming

402
00:19:55,440 --> 00:20:00,840
Speaker 3: at you on the airwaves in twenty twenty two. Folks, Oh, Kurt,

403
00:20:00,880 --> 00:20:02,840
Speaker 3: thank you so much. We really appreciate it.

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Speaker 2: Thanks Kurt.

405
00:20:03,760 --> 00:20:10,400
Speaker 4: Thanks guys. Oh I love that guy.

406
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Speaker 2: The Rock doesn't kiss.

407
00:20:12,520 --> 00:20:14,120
Speaker 4: I cracked up.

408
00:20:14,320 --> 00:20:19,080
Speaker 3: That's my next tattoo, The Rock doesn't Kiss.

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Speaker 4: Well.

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Speaker 3: Before we get into our theme this week, which is

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Speaker 3: a great one, I wanted to mention something that I'm

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00:20:26,080 --> 00:20:28,760
Speaker 3: hoping will set us up in a more positive way

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Speaker 3: in the new year, because it's something I'm thinking about

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00:20:31,440 --> 00:20:36,040
Speaker 3: a lot, and it's been bugging me, and I don't

415
00:20:36,040 --> 00:20:38,320
Speaker 3: know there's no real gentle way into it. So I'm

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00:20:38,320 --> 00:20:41,600
Speaker 3: just gonna say it because I've noticed that in our

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Speaker 3: lovely reviews and in our wonderful comments that we get

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00:20:45,560 --> 00:20:50,040
Speaker 3: from all of our incredible listeners, there's always a bunch

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Speaker 3: that say, I don't watch the movies that they talk

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Speaker 3: about and I don't even listen to that part of

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Speaker 3: the podcast. I just love their friendship, and we are

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00:21:00,760 --> 00:21:03,200
Speaker 3: so grateful for you. We're I mean we do. We're

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00:21:03,240 --> 00:21:06,359
Speaker 3: not performing a friendship here, we're actual friends. Yes, So

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00:21:06,400 --> 00:21:08,439
Speaker 3: we love that you can hear that and connect to that.

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00:21:08,880 --> 00:21:11,520
Speaker 3: But it also isn't really the compliment you think it

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Speaker 3: is to say.

427
00:21:13,320 --> 00:21:14,960
Speaker 4: I don't watch the movies or.

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00:21:15,359 --> 00:21:18,040
Speaker 3: Listen to that part of the podcast, because that's what

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Speaker 3: our podcast is about, and that's where we put all

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Speaker 3: of our work and effort and energy. So even if

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Speaker 3: you don't do those things, maybe you just don't tell us.

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Speaker 4: About him anymore.

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Speaker 3: Maybe you don't have to put that in your review

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Speaker 3: or your comments, because it hurts our feelings and.

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Speaker 4: We want to feel.

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Speaker 3: Like people will eventually watch the movies or at least

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00:21:37,200 --> 00:21:40,800
Speaker 3: listen to, you know, the hour long rest of the

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Speaker 3: podcast that is about the movies.

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Speaker 2: Listen.

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Speaker 1: I guess I'm flattered that you think that us talking

441
00:21:47,520 --> 00:21:53,199
Speaker 1: about butts and farts, squirrels and things of this nature

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00:21:53,400 --> 00:21:57,720
Speaker 1: are fascinating and are better. That's the part that we

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Speaker 1: actually spend a lot of time I'm on, meaning that

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Speaker 1: we rewatch the films.

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Speaker 2: We do notes.

446
00:22:04,119 --> 00:22:06,000
Speaker 1: I mean I write out everything like I'm doing a

447
00:22:06,000 --> 00:22:08,520
Speaker 1: grad school paper. So that's how hard I work. I'm

448
00:22:08,520 --> 00:22:11,479
Speaker 1: probably doing too much work, but almost so. This is like,

449
00:22:11,800 --> 00:22:14,000
Speaker 1: you know, this is the whole reason why we're here

450
00:22:14,359 --> 00:22:17,240
Speaker 1: to talk about film, share our passion for films. So yeah,

451
00:22:17,320 --> 00:22:20,040
Speaker 1: if you don't watch the movies and don't even listen

452
00:22:20,080 --> 00:22:21,840
Speaker 1: to that part, that's actually a new to me.

453
00:22:22,400 --> 00:22:22,800
Speaker 3: I have.

454
00:22:24,280 --> 00:22:26,560
Speaker 1: No one has approached me to tell me that they

455
00:22:26,560 --> 00:22:29,280
Speaker 1: don't listen to the films on the on.

456
00:22:29,359 --> 00:22:31,160
Speaker 2: The second half of the podcast, because.

457
00:22:30,920 --> 00:22:33,040
Speaker 1: That would mean that they would get a punch in

458
00:22:33,080 --> 00:22:34,159
Speaker 1: the face for me.

459
00:22:34,840 --> 00:22:36,919
Speaker 3: Well, for me, it's like if you want, if you

460
00:22:36,960 --> 00:22:39,560
Speaker 3: want to know the number one way to break my heart,

461
00:22:40,359 --> 00:22:40,760
Speaker 3: that's it.

462
00:22:41,960 --> 00:22:44,000
Speaker 4: Just tell me I don't even listen.

463
00:22:43,880 --> 00:22:47,000
Speaker 3: To that part of the podcast, and I will crumble

464
00:22:47,760 --> 00:22:52,159
Speaker 3: like an old ruin, like I will just crumble to

465
00:22:52,240 --> 00:22:56,240
Speaker 3: the ground completely. So and again we know that it's

466
00:22:56,280 --> 00:22:59,720
Speaker 3: not not everyone has time to watch two movies a week.

467
00:22:59,800 --> 00:23:01,720
Speaker 3: Some times we feel like we don't have time to

468
00:23:01,760 --> 00:23:04,879
Speaker 3: watch two movies a week, and it's our job. We

469
00:23:05,040 --> 00:23:07,480
Speaker 3: holly get it. We're not saying you have to watch

470
00:23:07,480 --> 00:23:09,439
Speaker 3: the movies or else don't listen. That is not it

471
00:23:09,640 --> 00:23:12,879
Speaker 3: at all. We're just saying, don't tell us. If you

472
00:23:13,119 --> 00:23:17,040
Speaker 3: are stopping the podcast after the first twenty minutes.

473
00:23:17,040 --> 00:23:22,160
Speaker 1: Listen, do the southern thing, which is just lie, just lie.

474
00:23:22,320 --> 00:23:24,760
Speaker 1: Don't tell us the hard part. Just you know, don't

475
00:23:24,800 --> 00:23:27,240
Speaker 1: tell us what you really think. Just put out a

476
00:23:27,280 --> 00:23:31,800
Speaker 1: smile and be like, yes, it's great, fine, this is yeah.

477
00:23:31,840 --> 00:23:34,040
Speaker 1: I listen to the whole thing and love the whole thing.

478
00:23:34,400 --> 00:23:36,040
Speaker 1: Just lie, Okay, Well, you don't.

479
00:23:35,960 --> 00:23:37,400
Speaker 3: Leave us a review and be like, you know what,

480
00:23:37,480 --> 00:23:40,000
Speaker 3: I just love listening to those two talk about their friendship.

481
00:23:40,160 --> 00:23:42,679
Speaker 4: That's a great review. That's a great review.

482
00:23:42,920 --> 00:23:45,280
Speaker 3: You do not need to put the other three paragraphs

483
00:23:45,280 --> 00:23:48,639
Speaker 3: in about how you don't listen to the rest.

484
00:23:49,200 --> 00:23:52,080
Speaker 1: But also, the thing that is actually heartbreaking is that

485
00:23:52,320 --> 00:23:54,240
Speaker 1: our friendship is movies.

486
00:23:54,320 --> 00:23:58,080
Speaker 2: Like that is a huge part of our friendship. I mean,

487
00:23:58,119 --> 00:24:02,800
Speaker 2: it's just like so crazy. I'm just like, okay, well cool.

488
00:24:05,200 --> 00:24:07,919
Speaker 3: I never even considered that, but you're totally right.

489
00:24:09,880 --> 00:24:12,000
Speaker 1: It's just like, I don't know, like we get to

490
00:24:12,040 --> 00:24:15,240
Speaker 1: watch movies together, like we don't live in the same town.

491
00:24:15,400 --> 00:24:18,480
Speaker 1: And yes, so I like the idea that we're both

492
00:24:18,520 --> 00:24:21,399
Speaker 1: watching the same movie as the same week and we

493
00:24:21,440 --> 00:24:23,639
Speaker 1: get to come to talk about it. Because listen, a

494
00:24:23,640 --> 00:24:25,639
Speaker 1: lot of times, even if I've seen the movie that

495
00:24:25,680 --> 00:24:30,040
Speaker 1: you're about to present, I want to hear you tell

496
00:24:30,080 --> 00:24:31,640
Speaker 1: me about the movie.

497
00:24:31,800 --> 00:24:34,200
Speaker 2: That's all I want. I don't care like I could

498
00:24:34,200 --> 00:24:35,240
Speaker 2: read a review of it.

499
00:24:35,320 --> 00:24:37,480
Speaker 1: I could go to the Roger Hebert website and read

500
00:24:37,480 --> 00:24:38,960
Speaker 1: what he has to say, but I want to hear

501
00:24:38,960 --> 00:24:39,480
Speaker 1: it from you.

502
00:24:39,560 --> 00:24:43,080
Speaker 2: I want your specific take on a movie.

503
00:24:43,200 --> 00:24:44,320
Speaker 4: So exactly.

504
00:24:44,560 --> 00:24:46,840
Speaker 1: That's what it's about for me to come to this

505
00:24:46,920 --> 00:24:49,800
Speaker 1: podcast every week. We hope you like that part too.

506
00:24:50,240 --> 00:24:53,240
Speaker 1: Maybe if you don't like it, grow to just try it.

507
00:24:53,280 --> 00:24:54,040
Speaker 2: You might like it.

508
00:24:54,359 --> 00:24:54,760
Speaker 4: Try it.

509
00:24:54,840 --> 00:24:57,240
Speaker 3: Just try the whole episode. Try the whole I promise

510
00:24:57,240 --> 00:25:00,000
Speaker 3: we're funny. We pepper in stuff about our personal life

511
00:25:00,359 --> 00:25:04,240
Speaker 3: throughout the movie viewing experience and Yeah, we're having a

512
00:25:04,280 --> 00:25:08,399
Speaker 3: real fivele Goes West under the same moon Tonight experience

513
00:25:08,440 --> 00:25:12,400
Speaker 3: as friends connecting over these movies that we're watching.

514
00:25:12,840 --> 00:25:17,000
Speaker 1: Listen, I can't imagine a world where people stopped rolling

515
00:25:17,840 --> 00:25:20,720
Speaker 1: before hearing about your thoughts on Gregory Peck's Dick.

516
00:25:20,920 --> 00:25:22,159
Speaker 2: I can't live in that.

517
00:25:22,040 --> 00:25:24,359
Speaker 4: World, I know, think about what they're missing.

518
00:25:24,400 --> 00:25:27,960
Speaker 3: They have no idea what any of the comments for

519
00:25:28,080 --> 00:25:28,879
Speaker 3: that week are about.

520
00:25:29,080 --> 00:25:31,760
Speaker 4: None, They're like, what is what? In the what?

521
00:25:32,760 --> 00:25:33,440
Speaker 2: Oh boy?

522
00:25:33,880 --> 00:25:35,760
Speaker 3: But yeah, I just wanted to make sure that I

523
00:25:35,880 --> 00:25:38,720
Speaker 3: cleansed myself of that thought before we head into the

524
00:25:38,760 --> 00:25:41,960
Speaker 3: new year. We are so excited. We truly do love

525
00:25:41,960 --> 00:25:46,240
Speaker 3: our listeners and commenters. You guys are very excited about

526
00:25:46,520 --> 00:25:48,879
Speaker 3: the show, and I just I don't want to.

527
00:25:48,880 --> 00:25:49,680
Speaker 4: Take away from that.

528
00:25:49,720 --> 00:25:52,840
Speaker 3: I love and appreciate that, but yes, just don't walk

529
00:25:52,920 --> 00:25:54,520
Speaker 3: up to someone you know. Don't don't walk up to

530
00:25:55,240 --> 00:25:57,080
Speaker 3: Adele on the street and be like, you know what,

531
00:25:57,680 --> 00:26:00,439
Speaker 3: I really loved that one song you did about James Bond,

532
00:26:01,080 --> 00:26:02,840
Speaker 3: but I didn't listen to the rest of it. I've

533
00:26:02,840 --> 00:26:05,480
Speaker 3: never listened to another one of your records. She doesn't

534
00:26:05,480 --> 00:26:09,160
Speaker 3: want to hear it. She doesn't want to hear it.

535
00:26:09,560 --> 00:26:09,879
Speaker 2: Well.

536
00:26:10,160 --> 00:26:13,760
Speaker 1: On that note, we could actually say, now officially, we

537
00:26:13,880 --> 00:26:19,119
Speaker 1: have a holiday tradition. I saw what she did, because

538
00:26:19,160 --> 00:26:21,800
Speaker 1: we got a recurring theme, and we did it this

539
00:26:21,920 --> 00:26:25,199
Speaker 1: time last year. What is it called, Danielle.

540
00:26:24,800 --> 00:26:30,120
Speaker 3: Our theme this week is Christmas assholes?

541
00:26:30,600 --> 00:26:34,480
Speaker 1: Yes, quite simply. I think this is the best version

542
00:26:34,520 --> 00:26:39,120
Speaker 1: of us. I think that it's us honoring a holiday, our.

543
00:26:39,280 --> 00:26:43,840
Speaker 3: Way, our style, right, Yes, it is definitely. I like

544
00:26:43,960 --> 00:26:46,840
Speaker 3: it is a tradition now in each of our homes

545
00:26:46,920 --> 00:26:50,240
Speaker 3: and our families and our lives, and we hope that

546
00:26:50,280 --> 00:26:53,160
Speaker 3: it will become a tradition for yours because there are

547
00:26:53,200 --> 00:26:58,159
Speaker 3: an astonishing amount of Christmas and holiday movies that feature

548
00:26:58,160 --> 00:26:59,480
Speaker 3: a number of assholes.

549
00:27:00,080 --> 00:27:03,760
Speaker 1: Yes, there would be no Christmas without an asshole. They're

550
00:27:03,840 --> 00:27:06,480
Speaker 1: just simply wouldn't. And you know, last year we had

551
00:27:06,520 --> 00:27:08,440
Speaker 1: two really good ones. You're gonna have to go back

552
00:27:08,480 --> 00:27:11,200
Speaker 1: into the archives and dig that up. We had probably

553
00:27:11,280 --> 00:27:14,840
Speaker 1: like one of the best movies about Christmas assholes, Scrooge,

554
00:27:14,920 --> 00:27:17,480
Speaker 1: which was Danielle's pick, and mine was a.

555
00:27:17,440 --> 00:27:20,119
Speaker 2: Little offbeat but still applies.

556
00:27:20,480 --> 00:27:23,399
Speaker 1: I did a movie called a Solid Partner, and we

557
00:27:23,440 --> 00:27:25,199
Speaker 1: had a lot of fun talking about those and I

558
00:27:25,200 --> 00:27:26,880
Speaker 1: feel like this time around.

559
00:27:26,960 --> 00:27:31,480
Speaker 2: This year's Christmas Householes episode is really great.

560
00:27:31,760 --> 00:27:35,240
Speaker 3: Oh, we are priming the pump because this is going

561
00:27:35,359 --> 00:27:38,240
Speaker 3: to be It can't help but be good, just because

562
00:27:38,240 --> 00:27:40,080
Speaker 3: of the movies that we picked. Yeah, and I feel

563
00:27:40,119 --> 00:27:41,560
Speaker 3: like we should just jump right into them.

564
00:27:41,720 --> 00:27:42,160
Speaker 2: Let's go.

565
00:27:42,520 --> 00:27:45,640
Speaker 3: All right, Well, I'm going first this week, so I'm

566
00:27:45,640 --> 00:27:49,120
Speaker 3: just gonna let you know that my pick for the

567
00:27:49,119 --> 00:27:52,920
Speaker 3: theme of Christmas. Assholes was released in two thousand and five,

568
00:27:53,400 --> 00:27:56,320
Speaker 3: written and directed by Shane Black and based on a

569
00:27:56,359 --> 00:28:00,760
Speaker 3: novel by Brett Halliday, and it's called Kiss, Kiss, Bang Bang.

570
00:28:01,640 --> 00:28:04,320
Speaker 3: Do not play Detective Moron, go home before the bad

571
00:28:04,320 --> 00:28:04,920
Speaker 3: guys do something?

572
00:28:05,000 --> 00:28:05,680
Speaker 5: Bands here.

573
00:28:07,680 --> 00:28:09,240
Speaker 4: Two corpses in three hours.

574
00:28:09,280 --> 00:28:11,040
Speaker 5: I mean that's unusual, right.

575
00:28:11,280 --> 00:28:15,000
Speaker 3: Yes, I love this movie as a holiday film, but

576
00:28:15,080 --> 00:28:17,440
Speaker 3: I also love it as just a movie. You can

577
00:28:17,480 --> 00:28:20,560
Speaker 3: watch it at any point, but it's particularly hilarious around

578
00:28:20,600 --> 00:28:22,760
Speaker 3: the holidays. Like I said, the movie was written and

579
00:28:22,760 --> 00:28:26,160
Speaker 3: directed by Shane Black, and this was actually his directorial debut.

580
00:28:26,280 --> 00:28:29,080
Speaker 3: He's been a very prominent screenwriter for a long time.

581
00:28:29,920 --> 00:28:33,840
Speaker 3: He loves a movie set at Christmas time. He wrote

582
00:28:34,280 --> 00:28:37,560
Speaker 3: die Hard, The Last Boy Scout, he did The Nice Guys.

583
00:28:37,600 --> 00:28:41,560
Speaker 3: He loves a holiday themed movie, especially if it's set

584
00:28:41,600 --> 00:28:45,640
Speaker 3: in LA, which is like such a niche that I appreciate.

585
00:28:45,880 --> 00:28:47,480
Speaker 2: Oh my god, I appreciate that too.

586
00:28:47,480 --> 00:28:49,080
Speaker 1: That was like one of the first things that I

587
00:28:49,120 --> 00:28:52,840
Speaker 1: wrote down was just researching this week for our movies,

588
00:28:53,560 --> 00:28:57,480
Speaker 1: just his whole reason for wanting to put Christmas in

589
00:28:57,520 --> 00:28:59,880
Speaker 1: his films, and about how he was watching Three to

590
00:29:00,280 --> 00:29:03,360
Speaker 1: the Condor and was sort of inspired to put just

591
00:29:03,400 --> 00:29:05,480
Speaker 1: a little bit of Christmas in all of his films

592
00:29:05,520 --> 00:29:08,040
Speaker 1: because I mean, it's kind of like a little boost

593
00:29:08,080 --> 00:29:10,920
Speaker 1: to the storyline. It makes something like a little bit

594
00:29:10,920 --> 00:29:13,360
Speaker 1: more tense, yes, And I have to agree with that.

595
00:29:13,480 --> 00:29:15,120
Speaker 1: And it was the thing where I was like, oh,

596
00:29:15,160 --> 00:29:16,720
Speaker 1: he said it, and then I was like, oh my god,

597
00:29:16,800 --> 00:29:19,760
Speaker 1: that's so true. And also he said the thing about

598
00:29:19,920 --> 00:29:22,440
Speaker 1: La during Christmas, which I totally experienced.

599
00:29:22,440 --> 00:29:23,400
Speaker 2: I'm sure you did too.

600
00:29:24,120 --> 00:29:27,000
Speaker 1: There's a lot of people who are not originally from

601
00:29:27,120 --> 00:29:29,120
Speaker 1: LA and so a lot of times LA's empty during

602
00:29:29,160 --> 00:29:32,360
Speaker 1: Christmas because everybody goes home. And maybe that's the reason

603
00:29:32,360 --> 00:29:36,080
Speaker 1: why there isn't a lot of like Christmas spirit in

604
00:29:36,160 --> 00:29:37,840
Speaker 1: the city like most you know, it's not like you

605
00:29:37,880 --> 00:29:39,479
Speaker 1: go to New York and see like the big Christmas

606
00:29:39,520 --> 00:29:42,600
Speaker 1: tree and yeah, you know, or you're in like Georgia

607
00:29:42,680 --> 00:29:46,160
Speaker 1: where it's like cinnamon brooms and fucking like Rootolph everywhere

608
00:29:46,840 --> 00:29:48,920
Speaker 1: you have to try a little harder to find Christmas.

609
00:29:48,960 --> 00:29:51,080
Speaker 1: And so I think that he was sort of inspired

610
00:29:51,120 --> 00:29:53,160
Speaker 1: by that notion, which I think is so cool.

611
00:29:53,440 --> 00:29:55,440
Speaker 3: It's so cool, and he does it in a way

612
00:29:55,480 --> 00:29:59,720
Speaker 3: that's not saccharine or overwrought. So the presence of Christmas

613
00:29:59,760 --> 00:30:03,239
Speaker 3: in the majority of his films. He did write The

614
00:30:03,280 --> 00:30:06,120
Speaker 3: Predator that was released in twenty eighteen. I don't know

615
00:30:06,160 --> 00:30:08,640
Speaker 3: if there was Christmas in that. I sadly haven't seen it,

616
00:30:09,040 --> 00:30:12,480
Speaker 3: but I would love a Christmas Predator movie.

617
00:30:12,600 --> 00:30:14,920
Speaker 4: Oh my god, just throwing that out there.

618
00:30:15,240 --> 00:30:17,920
Speaker 2: Please, I will be there opening night.

619
00:30:18,200 --> 00:30:21,320
Speaker 3: This is a holiday Predator movie. So yeah, I absolutely

620
00:30:21,400 --> 00:30:25,160
Speaker 3: love this movie. It is probably one of my favorites

621
00:30:25,240 --> 00:30:27,840
Speaker 3: of his, next to The Nice Guys, which I thought

622
00:30:27,920 --> 00:30:30,400
Speaker 3: was again when we will have to discuss on the

623
00:30:30,400 --> 00:30:31,040
Speaker 3: pod one day.

624
00:30:31,440 --> 00:30:35,120
Speaker 1: I've never seen it and it is, I know, shocking,

625
00:30:35,480 --> 00:30:38,360
Speaker 1: but it is a movie that gets recommended to me

626
00:30:38,760 --> 00:30:43,440
Speaker 1: so often by everyone, like not just hardcore centophile friends,

627
00:30:43,520 --> 00:30:45,960
Speaker 1: but like you know, people in my family who don't

628
00:30:45,960 --> 00:30:46,400
Speaker 1: really know.

629
00:30:46,400 --> 00:30:47,160
Speaker 4: Much about movies.

630
00:30:47,240 --> 00:30:49,040
Speaker 1: It's like, it's a movie that I think a lot

631
00:30:49,120 --> 00:30:53,200
Speaker 1: of people across the entire spectrum of film appreciation like,

632
00:30:53,480 --> 00:30:55,120
Speaker 1: so that is always interesting to me.

633
00:30:55,520 --> 00:30:56,720
Speaker 2: Will I definitely want to see it.

634
00:30:56,800 --> 00:31:00,640
Speaker 3: So I'm going to suggest or recommend or hope that

635
00:31:01,080 --> 00:31:03,320
Speaker 3: when you decide to watch it, and when we decide

636
00:31:03,320 --> 00:31:05,000
Speaker 3: to put it on the podcast, that we can watch

637
00:31:05,000 --> 00:31:05,479
Speaker 3: it together.

638
00:31:05,640 --> 00:31:06,760
Speaker 2: Oh my god, let's do it.

639
00:31:06,960 --> 00:31:09,480
Speaker 3: I think this movie is so up your alley, and

640
00:31:09,520 --> 00:31:12,600
Speaker 3: the actors in it, like Russell Crowe and Ryan Gosling

641
00:31:13,120 --> 00:31:17,000
Speaker 3: are playing characters that you would not normally see them play. Yeah,

642
00:31:17,360 --> 00:31:20,520
Speaker 3: which heightens it for me because it's so they're not

643
00:31:20,640 --> 00:31:21,880
Speaker 3: being type cast at all.

644
00:31:22,160 --> 00:31:24,800
Speaker 4: Yeah, So it's great, let's watch it together. But I

645
00:31:24,840 --> 00:31:26,040
Speaker 4: love this I love this movie.

646
00:31:26,120 --> 00:31:28,520
Speaker 3: I think I really struggled to do a one sentence

647
00:31:28,560 --> 00:31:31,400
Speaker 3: synopsis because it's a very sprawling movie.

648
00:31:31,880 --> 00:31:33,480
Speaker 4: But I'm going to give it a shot. Go for it.

649
00:31:33,480 --> 00:31:34,520
Speaker 4: I'm going to give it a shot.

650
00:31:34,840 --> 00:31:38,360
Speaker 3: My one sentence synopsis of Kiss, Kiss, Bang Bang is

651
00:31:39,200 --> 00:31:44,040
Speaker 3: a thief accidentally happens upon a life in acting, which

652
00:31:44,240 --> 00:31:48,120
Speaker 3: brings him back to a high school crush, just in

653
00:31:48,200 --> 00:31:55,280
Speaker 3: time for them to become embroiled in multiple la murders molt,

654
00:31:58,040 --> 00:32:01,240
Speaker 3: here's your high school crush, Here's a Chabadi.

655
00:32:02,920 --> 00:32:06,000
Speaker 2: That is so great, great synopsis.

656
00:32:05,400 --> 00:32:08,040
Speaker 3: Thank you, thank you, and I think that you know

657
00:32:08,080 --> 00:32:10,160
Speaker 3: we're gonna have to start. Was talking about the cast,

658
00:32:10,480 --> 00:32:13,200
Speaker 3: which is just phenomenal because in order to get to

659
00:32:13,240 --> 00:32:17,000
Speaker 3: the part of discussing the Christmas asshole or as wholes

660
00:32:17,160 --> 00:32:20,440
Speaker 3: in this film, we have to understand who these characters are.

661
00:32:21,000 --> 00:32:24,720
Speaker 3: So we have Robert Downey Junior playing Harry Lockhart, who

662
00:32:24,760 --> 00:32:29,720
Speaker 3: is again the East Coast based criminal who accidentally happens

663
00:32:29,760 --> 00:32:32,760
Speaker 3: into an audition while he's running away from a theft,

664
00:32:32,960 --> 00:32:36,160
Speaker 3: running away from a crime scene, and he gets taken

665
00:32:36,200 --> 00:32:38,959
Speaker 3: out to La to be shopped around and kind of,

666
00:32:39,040 --> 00:32:41,080
Speaker 3: you know, feed it a little bit because they love

667
00:32:41,160 --> 00:32:44,400
Speaker 3: his realness when he is reading this part. And then

668
00:32:44,400 --> 00:32:48,200
Speaker 3: we also have Val Kilmer who plays Perry van Schreike,

669
00:32:48,400 --> 00:32:51,560
Speaker 3: who is primarily known in the film as Gay Perry

670
00:32:52,440 --> 00:32:55,000
Speaker 3: because he is a gay man. We have Michelle Monaghan

671
00:32:55,120 --> 00:33:00,120
Speaker 3: playing Harmony faith Lane, Corbyn Burnson plays Harlan Dexter, and

672
00:33:00,200 --> 00:33:05,120
Speaker 3: Larry Miller plays Dabney Shaw. So it's a pretty great

673
00:33:05,240 --> 00:33:07,960
Speaker 3: and full cast. What Chaine Black also does well is

674
00:33:08,000 --> 00:33:11,600
Speaker 3: he will cast people in roles that are kind of

675
00:33:11,640 --> 00:33:15,200
Speaker 3: similar to how they're portrayed in public, but then it's heightened.

676
00:33:15,640 --> 00:33:17,640
Speaker 3: He uses the dialogue to heighten a lot of that

677
00:33:18,440 --> 00:33:21,400
Speaker 3: for their personalities. So, for example, Larry Miller, who's this

678
00:33:21,600 --> 00:33:25,760
Speaker 3: very dry, very acerbic comedian, is kind of perfect as this,

679
00:33:26,240 --> 00:33:30,280
Speaker 3: you know, Hollywood agent asshole who's just trying to use

680
00:33:30,640 --> 00:33:34,800
Speaker 3: Harry Lockhart to drive down Colin Farrell's price in the

681
00:33:34,840 --> 00:33:37,880
Speaker 3: next film that he's trying to make. And then you've

682
00:33:37,920 --> 00:33:41,560
Speaker 3: got Harry Harry Lockhart is He's actually a really sweet

683
00:33:41,680 --> 00:33:44,320
Speaker 3: character in a lot of ways, Like he has morals

684
00:33:44,320 --> 00:33:47,400
Speaker 3: and values that are that are constantly on display, but

685
00:33:47,520 --> 00:33:51,640
Speaker 3: he also just is so biting and cutting and sarcastic.

686
00:33:52,440 --> 00:33:55,880
Speaker 3: And I think in my mind the hero of the

687
00:33:55,960 --> 00:34:00,800
Speaker 3: Christmas asshole in this film is Gay Perry. Yes, Val

688
00:34:00,920 --> 00:34:03,240
Speaker 3: Kilmer is killing it in this role.

689
00:34:03,640 --> 00:34:06,840
Speaker 4: It is so good. He is so good in this role.

690
00:34:07,040 --> 00:34:11,040
Speaker 1: Yeah, everyone in this movie is pretty unimpeachable in my mind.

691
00:34:11,200 --> 00:34:14,200
Speaker 1: Like I think I never saw Iron Man. I'm just

692
00:34:14,239 --> 00:34:15,960
Speaker 1: gonna throw that out there right now. And I know

693
00:34:16,040 --> 00:34:19,440
Speaker 1: that this is sort of like this movie was Robert

694
00:34:19,480 --> 00:34:22,440
Speaker 1: Downey Junior's kind of resurgence, like, you know, after he

695
00:34:22,480 --> 00:34:24,960
Speaker 1: had kind of had some legal trouble and stuff and

696
00:34:25,080 --> 00:34:27,719
Speaker 1: wasn't really doing these big movies, and then he came

697
00:34:27,760 --> 00:34:30,160
Speaker 1: back and did this, and then you know, essentially this

698
00:34:30,320 --> 00:34:33,120
Speaker 1: kind of curtailed itself into his marvel work, right at

699
00:34:33,120 --> 00:34:33,520
Speaker 1: some point.

700
00:34:33,719 --> 00:34:35,719
Speaker 4: Yeah, and I think this is also the film where

701
00:34:35,719 --> 00:34:36,560
Speaker 4: he met his wife.

702
00:34:36,719 --> 00:34:39,600
Speaker 3: Oh interesting, Yeah, Susan Levin. Yeah, she was a producer

703
00:34:39,640 --> 00:34:40,080
Speaker 3: on the film.

704
00:34:40,280 --> 00:34:40,800
Speaker 2: Yeah.

705
00:34:40,840 --> 00:34:43,120
Speaker 1: So listen, I've never seen the Iron Man movie, so

706
00:34:43,480 --> 00:34:46,280
Speaker 1: my opinion is pure. I'll never be able to compare

707
00:34:46,360 --> 00:34:48,799
Speaker 1: this to what he was doing now. And to me,

708
00:34:49,320 --> 00:34:52,800
Speaker 1: he's incredible in this film. I mean he is clearly

709
00:34:53,280 --> 00:34:56,600
Speaker 1: like RDJ, fire out all cylinders. I mean he's just

710
00:34:56,800 --> 00:35:00,920
Speaker 1: really great completely. But then Val Kilmer is just as great.

711
00:35:01,040 --> 00:35:03,920
Speaker 1: Like That's the thing that is always like a true

712
00:35:04,000 --> 00:35:07,520
Speaker 1: joy is when you see like two really good, funny

713
00:35:07,600 --> 00:35:10,400
Speaker 1: actors that are like totally in sync together.

714
00:35:10,760 --> 00:35:13,160
Speaker 2: Val Kilmer is definitely my favorite character in this movie,

715
00:35:13,280 --> 00:35:13,759
Speaker 2: bar none.

716
00:35:13,960 --> 00:35:16,560
Speaker 3: Absolutely, and again it's not because the other characters are

717
00:35:16,600 --> 00:35:18,880
Speaker 3: not good, like you said, It's because he is just

718
00:35:19,200 --> 00:35:23,600
Speaker 3: playing it on a totally different level. That for Val Kilmer,

719
00:35:23,680 --> 00:35:25,720
Speaker 3: but just for any actor is a gift.

720
00:35:25,800 --> 00:35:26,320
Speaker 4: It's a gift.

721
00:35:26,680 --> 00:35:29,280
Speaker 1: Well, yeah, And I wanted to ask you too your

722
00:35:29,320 --> 00:35:32,759
Speaker 1: thoughts on sort of like the running gag in the

723
00:35:32,760 --> 00:35:35,760
Speaker 1: movie is that Harry.

724
00:35:35,880 --> 00:35:40,000
Speaker 2: Is constantly making fun of gay Perry for being gay.

725
00:35:40,160 --> 00:35:40,319
Speaker 4: Right.

726
00:35:40,360 --> 00:35:42,560
Speaker 2: I mean his name is not actually gay Perry.

727
00:35:42,360 --> 00:35:43,800
Speaker 4: Right, it's Perry van Shreike.

728
00:35:44,440 --> 00:35:44,959
Speaker 2: That's right.

729
00:35:45,320 --> 00:35:45,480
Speaker 3: You know.

730
00:35:45,520 --> 00:35:47,960
Speaker 1: I was reading a lot about this movie and reading

731
00:35:47,960 --> 00:35:50,960
Speaker 1: what Shane Black was saying about writing the character for

732
00:35:51,080 --> 00:35:54,919
Speaker 1: Perry van Schreich and about how he wrote him gay

733
00:35:55,000 --> 00:35:58,040
Speaker 1: because he personally at that point had never seen a

734
00:35:58,120 --> 00:36:03,000
Speaker 1: gay man play right man character. Like He's never like

735
00:36:03,400 --> 00:36:06,680
Speaker 1: he in his mind, you never saw a gay character

736
00:36:06,840 --> 00:36:09,319
Speaker 1: play that type of straight man role.

737
00:36:09,680 --> 00:36:09,919
Speaker 4: Yeah.

738
00:36:09,960 --> 00:36:11,719
Speaker 3: And this is again, like in two thousand and five

739
00:36:11,800 --> 00:36:13,840
Speaker 3: is when this film was released. So think about the

740
00:36:13,880 --> 00:36:17,840
Speaker 3: fact that it was a revelation in two thousand and

741
00:36:17,960 --> 00:36:20,400
Speaker 3: five to see a gay character play something that was

742
00:36:20,440 --> 00:36:23,200
Speaker 3: against the stereotype. Yeah, because I think that's kind of

743
00:36:23,200 --> 00:36:25,520
Speaker 3: what he was intimating there, is that you know, he'd

744
00:36:25,560 --> 00:36:28,080
Speaker 3: never seen a gay character in that that kind of role.

745
00:36:28,360 --> 00:36:28,680
Speaker 2: Yeah.

746
00:36:28,800 --> 00:36:31,440
Speaker 1: And I gotta say a little bit two thousand and

747
00:36:31,480 --> 00:36:33,480
Speaker 1: five ish in terms of the jokes, like, you know,

748
00:36:33,800 --> 00:36:35,799
Speaker 1: you watch it now and you're like, damn, all right,

749
00:36:35,880 --> 00:36:38,840
Speaker 1: you're going there. But I think that the Perry character

750
00:36:39,000 --> 00:36:40,960
Speaker 1: is so the best character of the movie.

751
00:36:41,280 --> 00:36:41,560
Speaker 4: Yeah.

752
00:36:41,600 --> 00:36:44,560
Speaker 3: And part of it for me too, is that Perry

753
00:36:44,640 --> 00:36:46,040
Speaker 3: is he's not in on the joke.

754
00:36:46,400 --> 00:36:49,000
Speaker 4: He's ready with the comeback, like he the character.

755
00:36:49,120 --> 00:36:51,719
Speaker 3: The way that it's set up is like Perry has

756
00:36:51,760 --> 00:36:54,520
Speaker 3: heard every joke you could possibly throw at him about himself.

757
00:36:54,680 --> 00:36:55,440
Speaker 2: Yes, so he is.

758
00:36:55,520 --> 00:36:59,680
Speaker 3: Ready with that cutting, biting comment and it makes every

759
00:36:59,719 --> 00:37:02,480
Speaker 3: scene ten times more hilarious because he's not letting you

760
00:37:03,080 --> 00:37:05,520
Speaker 3: treat him that way. Yeah. So I thought that was

761
00:37:05,560 --> 00:37:08,960
Speaker 3: really a smart, a smart twist on a movie that

762
00:37:09,080 --> 00:37:12,520
Speaker 3: still uses this very dubious language in the modern sense.

763
00:37:13,160 --> 00:37:15,200
Speaker 3: It could be a little bit uncomfortable for some people.

764
00:37:15,760 --> 00:37:17,640
Speaker 3: There are definitely some parts where I was like, oh,

765
00:37:17,719 --> 00:37:18,480
Speaker 3: I hate that word.

766
00:37:18,840 --> 00:37:19,120
Speaker 4: Again.

767
00:37:19,520 --> 00:37:22,799
Speaker 3: It's used to heighten what the character's experience is in

768
00:37:22,800 --> 00:37:25,719
Speaker 3: that world. So this is Look, I'll be shrugs to

769
00:37:25,760 --> 00:37:31,600
Speaker 3: funk to describe this plot because it is so spread out,

770
00:37:31,640 --> 00:37:35,600
Speaker 3: But what I will say is that Harry and Harmony

771
00:37:36,480 --> 00:37:39,800
Speaker 3: grew up together in Indiana and they come back together

772
00:37:39,840 --> 00:37:42,200
Speaker 3: at this party in la which is at the start

773
00:37:42,239 --> 00:37:45,480
Speaker 3: of the film without recognizing each other, or at least

774
00:37:45,520 --> 00:37:48,000
Speaker 3: he doesn't recognize her right away, So you get this

775
00:37:48,080 --> 00:37:51,160
Speaker 3: intense backstory about their childhood and how they're now kind

776
00:37:51,160 --> 00:37:55,520
Speaker 3: of reconnecting. But one of the things that Harmony has

777
00:37:55,920 --> 00:38:00,120
Speaker 3: always loved were these Johnny Gossamer crime books, and she

778
00:38:00,160 --> 00:38:01,919
Speaker 3: used to read them to her mother when her mother

779
00:38:02,320 --> 00:38:05,040
Speaker 3: was dying, and she kind of built her whole fantasy

780
00:38:05,080 --> 00:38:08,200
Speaker 3: life around these crime books that were set in la

781
00:38:08,800 --> 00:38:11,600
Speaker 3: and it also encouraged her to want to be an actress.

782
00:38:11,800 --> 00:38:15,120
Speaker 3: So what you discover in the watching of the film

783
00:38:15,719 --> 00:38:19,040
Speaker 3: is that the actual film itself is set up like

784
00:38:19,080 --> 00:38:22,160
Speaker 3: the Johnny Gossamer novels that are being discussed in the film,

785
00:38:22,200 --> 00:38:25,880
Speaker 3: which is to say, there are multiple different storylines happening

786
00:38:25,880 --> 00:38:29,000
Speaker 3: at the same time and they all end up interconnecting.

787
00:38:29,280 --> 00:38:31,680
Speaker 3: So it's from a screenwriting point of view, I think,

788
00:38:32,160 --> 00:38:36,360
Speaker 3: very creative and it's not confusing to watch, it's just

789
00:38:36,440 --> 00:38:37,560
Speaker 3: confusing to explain.

790
00:38:37,840 --> 00:38:41,120
Speaker 1: Yeah, I was sitting there thinking, because it's been literally

791
00:38:41,160 --> 00:38:43,759
Speaker 1: since this movie came out, since I've watched it, and

792
00:38:44,040 --> 00:38:47,640
Speaker 1: I was thinking, she is going to have a really hard.

793
00:38:47,440 --> 00:38:52,440
Speaker 2: Time, Oh Lord, like trying to go buy the beats

794
00:38:53,239 --> 00:38:55,759
Speaker 2: of the plot is impossible. Yeah, impossible.

795
00:38:55,880 --> 00:38:56,880
Speaker 4: I'm not even gonna try it.

796
00:38:56,960 --> 00:38:59,800
Speaker 3: Ye. What I'm gonna do instead is just give you

797
00:38:59,840 --> 00:39:02,719
Speaker 3: a few little beats about what to me makes this

798
00:39:02,760 --> 00:39:06,319
Speaker 3: film incredible and perfect for this theme. So right off

799
00:39:06,400 --> 00:39:09,000
Speaker 3: the bat, the way we meet Harmony at this party

800
00:39:09,080 --> 00:39:11,960
Speaker 3: is she's talking about how she's comparing the plight of

801
00:39:12,040 --> 00:39:15,600
Speaker 3: Rudolph the Red Nose Reindeer to racism and saying that

802
00:39:15,680 --> 00:39:18,480
Speaker 3: Rudolph is basically being treated like a black person in

803
00:39:18,480 --> 00:39:21,319
Speaker 3: our culture. And I'm like, I am into this bad.

804
00:39:25,200 --> 00:39:27,600
Speaker 3: This is the kind of conversation I always want at

805
00:39:27,600 --> 00:39:32,520
Speaker 3: a holiday party that I never get if. Oh so

806
00:39:32,560 --> 00:39:35,440
Speaker 3: she's just like out the gate, you know, just with

807
00:39:35,480 --> 00:39:37,279
Speaker 3: her story, which is, you know, she ran away from

808
00:39:37,320 --> 00:39:40,560
Speaker 3: home at sixteen, she had a really tough family life.

809
00:39:40,560 --> 00:39:43,680
Speaker 3: Her father was sexually assaulting her younger sister. She had

810
00:39:43,719 --> 00:39:46,160
Speaker 3: to put her younger sister in foster care before she left.

811
00:39:46,800 --> 00:39:48,480
Speaker 3: But then she came out to La to try to

812
00:39:48,520 --> 00:39:50,479
Speaker 3: make it as an actress. And now she's thirty four

813
00:39:50,560 --> 00:39:54,000
Speaker 3: and she's been in one commercial for this weird beer

814
00:39:54,080 --> 00:39:58,359
Speaker 3: commercial with a bear, a cartoon bear, which I.

815
00:39:58,320 --> 00:39:59,960
Speaker 4: Was looking it up on Wikipedia.

816
00:40:00,000 --> 00:40:03,400
Speaker 3: Apparently Lawrence Fishburne is the voice of the bear, but

817
00:40:03,480 --> 00:40:07,600
Speaker 3: he's uncredited. I love I love that.

818
00:40:07,600 --> 00:40:08,880
Speaker 2: That's so fun and funny.

819
00:40:08,960 --> 00:40:09,520
Speaker 4: I love that.

820
00:40:09,680 --> 00:40:12,319
Speaker 3: So she she kind of comes to this party and

821
00:40:12,600 --> 00:40:15,319
Speaker 3: her part of the story is set into play when

822
00:40:15,360 --> 00:40:19,160
Speaker 3: she accidentally kills an actor who plays a role called

823
00:40:19,280 --> 00:40:20,040
Speaker 3: proto Cop.

824
00:40:20,680 --> 00:40:23,120
Speaker 4: Apparently this guy, this.

825
00:40:23,239 --> 00:40:25,480
Speaker 3: Actor was on a bender, like was just having a

826
00:40:25,520 --> 00:40:28,760
Speaker 3: bad day and he was in his costume from the show,

827
00:40:29,200 --> 00:40:31,439
Speaker 3: tried to break into her house and she like pushed

828
00:40:31,480 --> 00:40:34,360
Speaker 3: him off a balcony, and Dabney Shaw saw her on

829
00:40:34,400 --> 00:40:36,480
Speaker 3: the news and was like, invite her to this party.

830
00:40:36,520 --> 00:40:37,839
Speaker 4: Let's get her in this world.

831
00:40:37,920 --> 00:40:41,440
Speaker 3: So that's where she reconnects with Harry, who again Harry

832
00:40:41,480 --> 00:40:44,400
Speaker 3: is in La because Dabney thought he was an actor

833
00:40:44,840 --> 00:40:46,680
Speaker 3: and has brought him to this party to kind of

834
00:40:47,120 --> 00:40:51,400
Speaker 3: start showing him around town. And he also Harry is

835
00:40:51,440 --> 00:40:56,800
Speaker 3: there to take detective lessons with Perry, which is supposed

836
00:40:56,840 --> 00:41:00,759
Speaker 3: to enhance his acting style. So that's how we get

837
00:41:00,800 --> 00:41:04,200
Speaker 3: all the characters together. I think that it's hilarious to

838
00:41:04,239 --> 00:41:07,960
Speaker 3: watch this party scene and to watch the subsequent bar

839
00:41:08,120 --> 00:41:12,359
Speaker 3: scenes because again, like Shane Black always nodding to little

840
00:41:12,360 --> 00:41:15,480
Speaker 3: things about La and one thing that he constantly has

841
00:41:15,840 --> 00:41:18,799
Speaker 3: these characters experience is someone walking up to them and

842
00:41:18,840 --> 00:41:21,319
Speaker 3: the first thing they say is so what do you do?

843
00:41:21,640 --> 00:41:23,319
Speaker 4: Yeah, which is so my.

844
00:41:23,480 --> 00:41:25,440
Speaker 3: Experience of Los Angeles.

845
00:41:25,680 --> 00:41:26,080
Speaker 2: Yeah.

846
00:41:26,239 --> 00:41:30,160
Speaker 1: I gotta say, like the LA centricness of this film

847
00:41:30,320 --> 00:41:34,080
Speaker 1: was a joy to watch just because, you know, but

848
00:41:34,160 --> 00:41:38,239
Speaker 1: it also has this amazing kind of tradition when you

849
00:41:38,280 --> 00:41:41,399
Speaker 1: think about, like how this film is sort of pang

850
00:41:41,440 --> 00:41:48,279
Speaker 1: homage to like the Raymond Chandler Mickey Spillane type of detectives, right,

851
00:41:48,600 --> 00:41:52,120
Speaker 1: because the greatest part of this movie is that it

852
00:41:52,160 --> 00:41:53,920
Speaker 1: is it does remind you of something like The Law

853
00:41:53,960 --> 00:41:55,960
Speaker 1: and Goodbye or something like that. It's kind of in

854
00:41:56,040 --> 00:41:59,680
Speaker 1: that tradition of a noir but also kind of funny

855
00:41:59,680 --> 00:42:02,960
Speaker 1: and and so much of that I think is because

856
00:42:03,000 --> 00:42:06,040
Speaker 1: it's said in LA. Yes, And I also love how

857
00:42:06,160 --> 00:42:08,520
Speaker 1: Harry is like an East Coaster, so he has this

858
00:42:08,600 --> 00:42:12,520
Speaker 1: sort of like distance between the ridiculousness of LA and

859
00:42:12,600 --> 00:42:15,040
Speaker 1: sort of his experiences on the East Coast. And so

860
00:42:15,080 --> 00:42:18,680
Speaker 1: it's just such a perfect like little crust that this

861
00:42:19,440 --> 00:42:20,799
Speaker 1: pie basin do you.

862
00:42:20,840 --> 00:42:21,319
Speaker 2: Know what I mean?

863
00:42:21,719 --> 00:42:25,640
Speaker 3: That is a beautiful sentence. And yes, I completely agree

864
00:42:25,680 --> 00:42:29,000
Speaker 3: because it is. And again it's not Overwraw. It's not like, well,

865
00:42:29,040 --> 00:42:31,520
Speaker 3: if you don't live in La, you won't understand these jokes.

866
00:42:31,560 --> 00:42:34,120
Speaker 3: It's like he uses these characters from different places to

867
00:42:34,239 --> 00:42:38,400
Speaker 3: exacerbate how strange La can be in those different ways.

868
00:42:38,640 --> 00:42:40,400
Speaker 4: But I love that he just says everyone walking up

869
00:42:40,440 --> 00:42:41,480
Speaker 4: and being like, so, what do you do?

870
00:42:42,640 --> 00:42:45,360
Speaker 3: And I also love how in that first bar scene

871
00:42:46,000 --> 00:42:49,440
Speaker 3: with Harry and Harmony, they fall into this rhythm of

872
00:42:49,480 --> 00:42:52,520
Speaker 3: a personal joke where they start pointing to other people

873
00:42:52,520 --> 00:42:54,719
Speaker 3: in the bar and kind of saying what they are.

874
00:42:55,360 --> 00:42:57,319
Speaker 3: So at one point she's like, yeah, go stand over

875
00:42:57,320 --> 00:42:59,520
Speaker 3: there next to punk rock Stephen Segal, and then they'll

876
00:42:59,560 --> 00:43:01,480
Speaker 3: cut to the and it looks like a punk rock

877
00:43:01,480 --> 00:43:05,920
Speaker 3: Stephen Segal or a Native American Joe Peschi, which made

878
00:43:05,920 --> 00:43:07,880
Speaker 3: me is my fucking fans.

879
00:43:07,840 --> 00:43:13,360
Speaker 1: Oh my god when they cut to him, I screamed, laughing.

880
00:43:14,880 --> 00:43:16,720
Speaker 3: Ah, it's too good.

881
00:43:17,600 --> 00:43:20,120
Speaker 4: It's too good. And they fall into this rhythm.

882
00:43:20,200 --> 00:43:22,480
Speaker 3: So then it totally makes sense that, like, of course

883
00:43:22,520 --> 00:43:24,680
Speaker 3: they knew each other when there were kids, even if

884
00:43:24,719 --> 00:43:27,000
Speaker 3: Harry doesn't remember because she, you know, again, bolted from

885
00:43:27,040 --> 00:43:29,960
Speaker 3: town when she was sixteen, they have this language together

886
00:43:30,000 --> 00:43:34,800
Speaker 3: and it's hilarious, Like they're both hilarious. And Michelle Monnigan

887
00:43:35,040 --> 00:43:39,120
Speaker 3: is a great actress. I think she is also phenomenal

888
00:43:39,160 --> 00:43:42,120
Speaker 3: in this role because she's she's personal and she's friendly,

889
00:43:42,160 --> 00:43:45,640
Speaker 3: but she's so weird and she's kind of a motherfucker

890
00:43:45,920 --> 00:43:49,200
Speaker 3: and she's kind of like a mess, and she's great.

891
00:43:49,320 --> 00:43:51,640
Speaker 3: She is great in this movie. But I just I

892
00:43:51,719 --> 00:43:54,120
Speaker 3: love those little scenes in the beginning. And then you

893
00:43:54,200 --> 00:43:58,520
Speaker 3: also have what I think of is one of the

894
00:43:58,520 --> 00:44:02,600
Speaker 3: first Christmas asshole moments from Harry, where after that night

895
00:44:02,640 --> 00:44:05,040
Speaker 3: at the bar, he wakes up in bed next to

896
00:44:05,080 --> 00:44:08,520
Speaker 3: her best friend who was like trying to cock block

897
00:44:08,640 --> 00:44:11,520
Speaker 3: him the whole night and literally looks at her, gets

898
00:44:11,600 --> 00:44:17,120
Speaker 3: dressed and runs out of the apartment and she sits

899
00:44:17,200 --> 00:44:19,080
Speaker 3: up and is like, eh, and I'm like, that is

900
00:44:19,120 --> 00:44:23,319
Speaker 3: a dick move. Yeah, it's a Christmas asshole move. One

901
00:44:23,320 --> 00:44:26,560
Speaker 3: thing I also super duper love about Shane Black is

902
00:44:26,600 --> 00:44:32,120
Speaker 3: he in his films absolutely loves sending a car kreening

903
00:44:32,120 --> 00:44:36,799
Speaker 3: through midair, Like he fucking loves it, like kreening over

904
00:44:36,840 --> 00:44:38,640
Speaker 3: a palm tree or into the valley.

905
00:44:39,080 --> 00:44:41,000
Speaker 4: He loves it. He loves it.

906
00:44:41,040 --> 00:44:44,800
Speaker 3: And in this film, this is how Harry and Harry

907
00:44:45,320 --> 00:44:48,960
Speaker 3: get locked into the first crime is they see this

908
00:44:49,080 --> 00:44:53,279
Speaker 3: car kreening into a leak and there's a woman's dead

909
00:44:53,280 --> 00:44:56,160
Speaker 3: body in the trunk that Perry kind of saved but

910
00:44:56,239 --> 00:44:58,400
Speaker 3: also might have killed because he had to shoot the

911
00:44:58,440 --> 00:45:00,480
Speaker 3: lock open, and he ends up shooting here in the

912
00:45:00,560 --> 00:45:02,880
Speaker 3: head and he's like, no, our neck was broken, and

913
00:45:02,880 --> 00:45:05,080
Speaker 3: Harry's like, or it's because you shot her in the

914
00:45:05,120 --> 00:45:06,040
Speaker 3: fucking face.

915
00:45:07,120 --> 00:45:10,880
Speaker 1: All these little details that are peppered into this movie

916
00:45:10,920 --> 00:45:14,720
Speaker 1: like that yes, are fucking insane, Like just the little

917
00:45:14,760 --> 00:45:18,600
Speaker 1: moments of like the oopsie Daisy moment of like I

918
00:45:18,640 --> 00:45:21,920
Speaker 1: accidentally shot this corpse. Now they're gonna think that I

919
00:45:22,040 --> 00:45:26,440
Speaker 1: murdered this woman. I accidentally peeded on a corpse, Like

920
00:45:27,120 --> 00:45:29,200
Speaker 1: now they're gonna be able to know that they're tying

921
00:45:29,239 --> 00:45:32,120
Speaker 1: me to this person and I did not commit this crime,

922
00:45:32,200 --> 00:45:35,920
Speaker 1: like the oh good, just that whole Like those details

923
00:45:35,960 --> 00:45:37,319
Speaker 1: just make me laugh so much.

924
00:45:37,360 --> 00:45:38,360
Speaker 2: They're just so funny.

925
00:45:38,640 --> 00:45:43,000
Speaker 3: Completely, I completely agree where it's like they're almost throwaways,

926
00:45:43,040 --> 00:45:45,480
Speaker 3: but they're important to the plot. But the thing that

927
00:45:45,840 --> 00:45:48,360
Speaker 3: happens with this film that I also love is it

928
00:45:48,480 --> 00:45:51,560
Speaker 3: is a quick movie. Like the dialogue is fast paste.

929
00:45:51,800 --> 00:45:54,920
Speaker 3: You have to pay attention. It is a quick movie,

930
00:45:54,960 --> 00:45:56,920
Speaker 3: and that means that every time you watch it, you

931
00:45:56,960 --> 00:45:59,960
Speaker 3: can pick up something else that you might have totally missed.

932
00:46:00,200 --> 00:46:03,840
Speaker 3: The dialogue and the jokes are non stop on fire.

933
00:46:04,200 --> 00:46:06,920
Speaker 2: Yeah, so rapid fire. Love it, love it, love it.

934
00:46:07,120 --> 00:46:09,600
Speaker 3: Oh, and then you know, Harmony gets pulled into this

935
00:46:09,680 --> 00:46:12,319
Speaker 3: when she discovers that her sister was in LA she

936
00:46:12,400 --> 00:46:16,200
Speaker 3: didn't know, and her sister has died by suicide, and

937
00:46:16,239 --> 00:46:19,239
Speaker 3: she wants Harry's help to find the killer because he's

938
00:46:19,239 --> 00:46:21,319
Speaker 3: told her that he is a private eye. He told

939
00:46:21,360 --> 00:46:26,520
Speaker 3: her that he's so they're pulled into this world together.

940
00:46:26,880 --> 00:46:29,560
Speaker 3: One of the other running gags that I absolutely love

941
00:46:29,719 --> 00:46:32,480
Speaker 3: and heightens the Christmas assholeness of this for me with

942
00:46:32,520 --> 00:46:37,240
Speaker 3: Perry and with Harmony is they are both constantly capping

943
00:46:37,480 --> 00:46:41,040
Speaker 3: on how bad Harry is at using grammar.

944
00:46:42,120 --> 00:46:43,680
Speaker 4: It's like a small.

945
00:46:43,320 --> 00:46:46,319
Speaker 3: Thread, but it is a perfect thread where both of

946
00:46:46,320 --> 00:46:47,560
Speaker 3: them are like, who the fuck taught you.

947
00:46:47,520 --> 00:46:48,240
Speaker 4: Had her read?

948
00:46:50,680 --> 00:46:53,640
Speaker 3: And he tries so hard to be like, oh, it's badly,

949
00:46:53,760 --> 00:46:55,920
Speaker 3: because you know I heard Harmony say badly is the

950
00:46:55,960 --> 00:46:57,520
Speaker 3: way to say it, and Perry's like, no, it's not.

951
00:46:58,760 --> 00:47:02,840
Speaker 3: It's just so quick and awesome but Perry again my

952
00:47:03,080 --> 00:47:06,680
Speaker 3: favorite asshole. He has the funniest lines. He just wants

953
00:47:06,719 --> 00:47:09,480
Speaker 3: to do his job. He thinks that Harry's an idiot.

954
00:47:09,920 --> 00:47:13,520
Speaker 3: There's this one scene where Harry gets out of the

955
00:47:13,560 --> 00:47:16,560
Speaker 3: car and he gets this phone called It's kind of disturbing,

956
00:47:17,000 --> 00:47:19,080
Speaker 3: and he kind of slides down and sits next to

957
00:47:19,120 --> 00:47:22,719
Speaker 3: the driver's side door, and Perry's like, okay, like I

958
00:47:22,760 --> 00:47:25,760
Speaker 3: gotta go, I have to go, And you realize that

959
00:47:25,760 --> 00:47:28,040
Speaker 3: that Harry is like leaning against his door, so he

960
00:47:28,120 --> 00:47:30,680
Speaker 3: just kind of gently reaches down and pushes him forward

961
00:47:30,719 --> 00:47:32,280
Speaker 3: so he could start driving away.

962
00:47:35,000 --> 00:47:37,120
Speaker 2: Kay, Perry love it.

963
00:47:37,440 --> 00:47:40,920
Speaker 3: Perry is not here for it in any sense of

964
00:47:40,960 --> 00:47:46,120
Speaker 3: the imagination. And also Harry is constantly getting beat up,

965
00:47:46,320 --> 00:47:49,680
Speaker 3: mostly because of what Perry does or says. So he's

966
00:47:49,719 --> 00:47:53,120
Speaker 3: just this constant punching bag. And as the movie progresses,

967
00:47:53,600 --> 00:47:56,520
Speaker 3: he has lost a finger and regained a finger and

968
00:47:56,600 --> 00:48:01,440
Speaker 3: lost it again. He has his balls like he is

969
00:48:01,920 --> 00:48:05,319
Speaker 3: completely gets hit in the head constantly, like he has

970
00:48:05,360 --> 00:48:09,239
Speaker 3: been beat the fuck up because of Perry's involvement with

971
00:48:09,480 --> 00:48:12,080
Speaker 3: this trying to solve this crime. It is a beautiful

972
00:48:12,120 --> 00:48:15,480
Speaker 3: friendship to behold absolute Christmas assholes to each other.

973
00:48:16,000 --> 00:48:18,080
Speaker 4: Uh, and I just I love it. I love this movie.

974
00:48:18,120 --> 00:48:20,600
Speaker 3: I think that one of the funnier scenes is when

975
00:48:21,239 --> 00:48:25,600
Speaker 3: they're both been caught and Perry ends up shooting a

976
00:48:25,640 --> 00:48:28,320
Speaker 3: guy with a gun that he keeps tucked under his balls,

977
00:48:28,920 --> 00:48:32,640
Speaker 3: and he says, yeah, like, homophobes never checked there. They

978
00:48:32,680 --> 00:48:35,080
Speaker 3: never check your ball, So I always keep a little

979
00:48:35,120 --> 00:48:37,920
Speaker 3: tiny darringer like under my dick.

980
00:48:39,000 --> 00:48:41,680
Speaker 1: I mean I was kind of like, yeah, that is true,

981
00:48:41,880 --> 00:48:42,800
Speaker 1: that would be true.

982
00:48:43,000 --> 00:48:43,960
Speaker 4: It would be true.

983
00:48:44,040 --> 00:48:45,960
Speaker 3: But again, like this is the way that Perry is

984
00:48:46,040 --> 00:48:49,279
Speaker 3: kind of in on it and knows he's already preempting

985
00:48:49,400 --> 00:48:51,239
Speaker 3: anything you could do or say, so he knows that

986
00:48:51,280 --> 00:48:55,160
Speaker 3: if anyone ever frisks him, they're not gonna check his package. Yeah,

987
00:48:55,200 --> 00:48:58,320
Speaker 3: and he keeps a gun there. It's just it's a brilliant, beautiful,

988
00:48:58,440 --> 00:49:02,880
Speaker 3: hilarious movie. The dialogue is so crisp and so beautiful.

989
00:49:03,239 --> 00:49:05,960
Speaker 3: And this movie is filled to the brim with Christmas

990
00:49:06,000 --> 00:49:10,920
Speaker 3: assholes in many different representations, but it is one to

991
00:49:10,960 --> 00:49:13,640
Speaker 3: be watched and enjoyed. You know, tuck in with a

992
00:49:13,680 --> 00:49:17,560
Speaker 3: pizza if you prefer a beverage, whatever you want. This

993
00:49:17,600 --> 00:49:19,319
Speaker 3: is the Christmas movie that I would say to watch

994
00:49:19,360 --> 00:49:21,120
Speaker 3: again and again, it's my pick for sure.

995
00:49:21,280 --> 00:49:22,839
Speaker 2: I love it. It's such a ride.

996
00:49:23,120 --> 00:49:24,759
Speaker 1: There was no way that you would have been able

997
00:49:24,800 --> 00:49:27,640
Speaker 1: to just give the plot of the film because it's

998
00:49:27,719 --> 00:49:31,719
Speaker 1: so textured. There's a lot of fourth wall breaking, which

999
00:49:31,719 --> 00:49:34,400
Speaker 1: I also think is really fascinating too. Like there's like

1000
00:49:34,440 --> 00:49:38,280
Speaker 1: a narration that Harry does throughout the film that truly

1001
00:49:38,280 --> 00:49:39,840
Speaker 1: does break the fourth wall. I mean there's like a

1002
00:49:39,880 --> 00:49:45,480
Speaker 1: moment where he's addressing people watching the film in Times Square. Yes,

1003
00:49:45,680 --> 00:49:49,360
Speaker 1: like crazy, but just fun. It's like a true ride,

1004
00:49:49,520 --> 00:49:51,600
Speaker 1: like you're just you just have to sit with it

1005
00:49:51,880 --> 00:49:55,520
Speaker 1: and take it all in. But I'm so glad that

1006
00:49:55,640 --> 00:49:58,480
Speaker 1: you I say this every week. I mean basically, you

1007
00:49:58,520 --> 00:50:00,640
Speaker 1: make me watch movies over a gonna haven't seen since

1008
00:50:00,640 --> 00:50:03,760
Speaker 1: they came out, And I am.

1009
00:50:03,640 --> 00:50:05,799
Speaker 2: So glad that I returned to this. It's just it

1010
00:50:05,800 --> 00:50:06,600
Speaker 2: had been too long.

1011
00:50:07,120 --> 00:50:09,239
Speaker 3: And it's a great film because it's a very non

1012
00:50:09,280 --> 00:50:12,800
Speaker 3: traditional holiday film. Yeah, And that to me is again

1013
00:50:12,880 --> 00:50:14,960
Speaker 3: like one of the reasons that I love watching it

1014
00:50:15,000 --> 00:50:17,840
Speaker 3: because I'm like, this is a kiss Kiss Bang Bang

1015
00:50:17,960 --> 00:50:20,640
Speaker 3: and the Nice Guys double feature for Christmas and I'm

1016
00:50:20,640 --> 00:50:23,520
Speaker 3: in heaven because they're both very non traditional holiday films.

1017
00:50:23,520 --> 00:50:24,960
Speaker 4: But you still get that holiday spirit.

1018
00:50:25,200 --> 00:50:25,439
Speaker 2: Yeah.

1019
00:50:25,520 --> 00:50:28,840
Speaker 1: If there's one thing that the Internet hasn't completely annoyed

1020
00:50:28,880 --> 00:50:33,040
Speaker 1: me about, it is the assistance that we take horror,

1021
00:50:33,400 --> 00:50:36,720
Speaker 1: action and other genre movies into the Christmas cannon.

1022
00:50:37,000 --> 00:50:38,440
Speaker 2: Like that's I love that.

1023
00:50:38,680 --> 00:50:41,360
Speaker 1: I mean, you know, obviously, as a kid, you would

1024
00:50:41,400 --> 00:50:44,960
Speaker 1: never think that die Hard was like a Christmas film, right,

1025
00:50:45,080 --> 00:50:47,799
Speaker 1: even when it came out. Like when Diehard came out

1026
00:50:47,840 --> 00:50:49,799
Speaker 1: and I saw it in the movie theater, I was like, oh,

1027
00:50:49,840 --> 00:50:52,200
Speaker 1: this is an action movie exactly, But I love that

1028
00:50:52,239 --> 00:50:55,879
Speaker 1: it's become a Christmas classic. And same thing with kiss

1029
00:50:55,960 --> 00:50:58,839
Speaker 1: Kiss Bang Bang. Great choice for Christmas.

1030
00:50:58,880 --> 00:50:59,680
Speaker 2: Assholes.

1031
00:51:00,120 --> 00:51:01,800
Speaker 4: Thank you, and so is yours.

1032
00:51:02,280 --> 00:51:02,680
Speaker 2: Thank you.

1033
00:51:03,040 --> 00:51:08,239
Speaker 1: I am excited to finally be discussing this film my

1034
00:51:08,440 --> 00:51:11,759
Speaker 1: movie for the theme Christmas. Assholes is a movie that

1035
00:51:11,880 --> 00:51:14,799
Speaker 1: was made in nineteen seventy four. It was written by

1036
00:51:15,160 --> 00:51:19,320
Speaker 1: Roy Moore, directed by Bob Clark, and it is called

1037
00:51:19,440 --> 00:51:20,520
Speaker 1: Black Christmas.

1038
00:51:22,360 --> 00:51:26,360
Speaker 3: He Loue Blue.

1039
00:51:29,320 --> 00:51:34,040
Speaker 2: Who is this?

1040
00:51:34,239 --> 00:51:34,719
Speaker 5: Stop?

1041
00:51:40,560 --> 00:51:42,360
Speaker 1: So let me just say I'm gonna get like the

1042
00:51:42,400 --> 00:51:45,800
Speaker 1: paperwork out of the way real quick. Yes, this movie

1043
00:51:46,040 --> 00:51:48,960
Speaker 1: was directed by the guy who made a Christmas Story,

1044
00:51:49,480 --> 00:51:55,880
Speaker 1: an actual family favorite Christmas movie. Yes, it is crazy

1045
00:51:56,480 --> 00:52:02,080
Speaker 1: that he directed several unreal, fucked up cult movies before

1046
00:52:02,239 --> 00:52:07,160
Speaker 1: doing probably the most famous, most beloved, most watched Christmas

1047
00:52:07,160 --> 00:52:08,000
Speaker 1: movie of all time.

1048
00:52:08,200 --> 00:52:11,040
Speaker 2: It is crazy. I think it goes without saying. I

1049
00:52:11,080 --> 00:52:13,720
Speaker 2: am a huge fan of Bob Clark.

1050
00:52:14,160 --> 00:52:17,560
Speaker 1: I have programmed his movies many times over the years,

1051
00:52:17,880 --> 00:52:23,520
Speaker 1: and Black Christmas is interesting on several fronts. One it

1052
00:52:23,640 --> 00:52:26,560
Speaker 1: was another film that was made during what is called

1053
00:52:26,560 --> 00:52:30,759
Speaker 1: the Canadian tax shelter era, alongside the movie that I

1054
00:52:30,840 --> 00:52:32,080
Speaker 1: talked about last.

1055
00:52:31,840 --> 00:52:33,520
Speaker 2: Year, The Silent Partner.

1056
00:52:33,680 --> 00:52:36,879
Speaker 1: So I picked two Canadian tax shelter movies in a row.

1057
00:52:37,000 --> 00:52:39,279
Speaker 2: I don't know why that happened, it just has. Now.

1058
00:52:39,280 --> 00:52:42,520
Speaker 1: You're just gonna have to google it or listen to

1059
00:52:42,640 --> 00:52:44,319
Speaker 1: the episode from last year if you want to know

1060
00:52:44,360 --> 00:52:48,560
Speaker 1: more about the tax shelter period in Canada. But essentially,

1061
00:52:48,560 --> 00:52:51,520
Speaker 1: Bob Clark, he's an American guy. He's from Florida in fact,

1062
00:52:51,600 --> 00:52:54,280
Speaker 1: and he went to Canada early in his film career

1063
00:52:54,680 --> 00:52:57,719
Speaker 1: to take advantage of these tax incentives there, and he

1064
00:52:57,760 --> 00:53:02,279
Speaker 1: made many movies in Canada, including Black Christmas, but also

1065
00:53:02,320 --> 00:53:08,640
Speaker 1: a little film called Porky's which essentially kicked off the

1066
00:53:08,680 --> 00:53:12,400
Speaker 1: teen sex comedy phenomenon of the eighties and beyond. I mean,

1067
00:53:12,440 --> 00:53:15,440
Speaker 1: I think that's pretty remarkable. Yes, But that leads me

1068
00:53:15,560 --> 00:53:19,160
Speaker 1: to the other interesting thing about Black Christmas, which is

1069
00:53:19,160 --> 00:53:23,240
Speaker 1: that many people have considered it the first slasher movie,

1070
00:53:23,560 --> 00:53:29,960
Speaker 1: and it certainly directly influenced John Carpenter's Halloween, which was

1071
00:53:30,160 --> 00:53:35,280
Speaker 1: essentially pitched first as a Black Christmas remake.

1072
00:53:35,600 --> 00:53:37,319
Speaker 2: So there you go. And a lot of.

1073
00:53:37,320 --> 00:53:39,759
Speaker 1: People think that the first Halloween movie is like a

1074
00:53:39,880 --> 00:53:42,759
Speaker 1: landmark modern horror film. So you know, I just think

1075
00:53:42,760 --> 00:53:46,320
Speaker 1: it's interesting that an incredible movie like Halloween was actually

1076
00:53:46,360 --> 00:53:48,719
Speaker 1: influenced directly by Black Christmas.

1077
00:53:49,040 --> 00:53:52,000
Speaker 3: Yes, that is fascinating and I can see that correlation

1078
00:53:52,120 --> 00:53:52,560
Speaker 3: for sure.

1079
00:53:52,840 --> 00:53:53,320
Speaker 2: Definitely.

1080
00:53:54,120 --> 00:53:57,239
Speaker 1: Just a quick one sentence synopsis of Black Christmas, a

1081
00:53:57,320 --> 00:54:02,320
Speaker 1: sorority house begins to receive some truly terrifying, obscene phone

1082
00:54:02,360 --> 00:54:05,840
Speaker 1: calls that eventually turn into the grizzly murders of the

1083
00:54:05,880 --> 00:54:08,800
Speaker 1: young women who have stayed there over the Christmas break.

1084
00:54:09,600 --> 00:54:11,759
Speaker 1: So that is the synopsis of Black Christmas.

1085
00:54:11,800 --> 00:54:13,520
Speaker 4: That's the long and short of it. Yeah, but it

1086
00:54:13,600 --> 00:54:14,799
Speaker 4: is so much deeper.

1087
00:54:14,520 --> 00:54:18,399
Speaker 1: Than that, truly, truly, truly, Yeah. I mean, you have

1088
00:54:18,920 --> 00:54:22,160
Speaker 1: a typical slasher film set up here, but you've got

1089
00:54:22,160 --> 00:54:26,320
Speaker 1: this great ensemble cast of women. First off, is Olivia Hussey,

1090
00:54:26,800 --> 00:54:31,760
Speaker 1: who I first knew as Juliet from the Zephyrelli version

1091
00:54:31,760 --> 00:54:33,240
Speaker 1: of Romeo and Juliet that they made.

1092
00:54:33,120 --> 00:54:34,000
Speaker 2: Us watch in high school.

1093
00:54:34,239 --> 00:54:34,520
Speaker 4: Yep.

1094
00:54:34,719 --> 00:54:38,239
Speaker 1: And not only in this movie is she wearing a

1095
00:54:38,320 --> 00:54:43,080
Speaker 1: great sweater that is basically two hands criss crossed over

1096
00:54:43,120 --> 00:54:48,440
Speaker 1: her boobs? Like, what is this sweater? But truly iconic?

1097
00:54:48,480 --> 00:54:53,240
Speaker 3: Nonetheless, look, seventy sweaters are unstoppable, unstoppable.

1098
00:54:53,239 --> 00:54:55,960
Speaker 1: Actually, there's a lot of great iconic weird looks in

1099
00:54:56,000 --> 00:54:58,560
Speaker 1: this film. Yeah, I'll get into that in just a second.

1100
00:54:58,640 --> 00:55:00,840
Speaker 1: But so, not only she's where in this great sweater,

1101
00:55:01,040 --> 00:55:04,640
Speaker 1: but in the movie she plays a character named Jess,

1102
00:55:04,800 --> 00:55:08,959
Speaker 1: and Jess has to deal with this asshole boyfriend who

1103
00:55:09,040 --> 00:55:12,239
Speaker 1: is played by Kieradulay of two thousand and one A

1104
00:55:12,280 --> 00:55:17,280
Speaker 1: Space Odyssey Fame, amongst many other films. And her boyfriend

1105
00:55:17,360 --> 00:55:19,480
Speaker 1: is basically forcing her to have.

1106
00:55:19,400 --> 00:55:21,479
Speaker 4: A baby and get married and.

1107
00:55:21,400 --> 00:55:23,719
Speaker 1: Get married, forcing her to have a baby and get

1108
00:55:23,760 --> 00:55:27,080
Speaker 1: married after they accidentally get pregnant. Now he is doing

1109
00:55:27,120 --> 00:55:29,759
Speaker 1: this when there is a killer on the loose and

1110
00:55:29,840 --> 00:55:30,760
Speaker 1: her sorority house.

1111
00:55:31,520 --> 00:55:34,200
Speaker 4: I mean, pick pick your moment. Man, So right off

1112
00:55:34,239 --> 00:55:34,640
Speaker 4: the bat.

1113
00:55:34,760 --> 00:55:38,440
Speaker 2: First Christmas asshole right out the gate is Jess's boyfriend.

1114
00:55:38,160 --> 00:55:41,400
Speaker 3: Oh, Peter can eat all the dicks. Like Peter is

1115
00:55:42,120 --> 00:55:44,719
Speaker 3: the worst and just.

1116
00:55:44,680 --> 00:55:47,719
Speaker 1: One of those like insufferable, fucking artsy white guys that

1117
00:55:47,880 --> 00:55:50,400
Speaker 1: has a bad haircut and like lives in a giant

1118
00:55:50,440 --> 00:55:51,920
Speaker 1: loft with a grand piano.

1119
00:55:52,000 --> 00:55:52,880
Speaker 2: It's just so annoying.

1120
00:55:53,080 --> 00:55:55,839
Speaker 3: And he's like mad at his girlfriend for telling him

1121
00:55:55,880 --> 00:55:58,200
Speaker 3: that she's pregnant and wants to have an abortion on

1122
00:55:58,239 --> 00:56:00,560
Speaker 3: the night of his big concert. Yes, and I'm like,

1123
00:56:00,600 --> 00:56:03,800
Speaker 3: can you focus for a moment, please on her plights.

1124
00:56:03,440 --> 00:56:07,400
Speaker 1: Exactly for just a moment, So very easily a Christmas

1125
00:56:07,400 --> 00:56:08,319
Speaker 1: asshole for sure.

1126
00:56:08,600 --> 00:56:10,000
Speaker 2: I also, I have to do this.

1127
00:56:10,080 --> 00:56:10,359
Speaker 4: I want.

1128
00:56:10,440 --> 00:56:12,320
Speaker 1: I want to sneak in something that I read about

1129
00:56:12,440 --> 00:56:16,320
Speaker 1: in multiple places about Olivia Hussey. So apparently she was

1130
00:56:16,960 --> 00:56:20,520
Speaker 1: at the time really into psychics and she was told

1131
00:56:20,560 --> 00:56:23,920
Speaker 1: by one that she would make a lot of money

1132
00:56:24,160 --> 00:56:28,040
Speaker 1: in Canada in a movie there, which is essentially what

1133
00:56:28,160 --> 00:56:30,120
Speaker 1: convinced her to do this movie, is that a psychic

1134
00:56:30,200 --> 00:56:30,680
Speaker 1: told her.

1135
00:56:30,560 --> 00:56:31,000
Speaker 2: To do it.

1136
00:56:31,280 --> 00:56:35,720
Speaker 4: Look, I've taken jobs for less, I know, damn.

1137
00:56:36,800 --> 00:56:38,120
Speaker 2: And not for nothing.

1138
00:56:38,440 --> 00:56:41,439
Speaker 1: She was also told that she was destined to fall

1139
00:56:41,480 --> 00:56:42,920
Speaker 1: in love with Paul McCartney.

1140
00:56:43,120 --> 00:56:46,040
Speaker 3: I mean that sounds like a psychic just working overtime

1141
00:56:46,080 --> 00:56:48,239
Speaker 3: in the sixties and seventies. Like, yeah, I just tell

1142
00:56:48,280 --> 00:56:49,920
Speaker 3: them they're going to fall in love with Paul McCartney.

1143
00:56:49,960 --> 00:56:50,960
Speaker 3: Give me twenty bucks.

1144
00:56:51,520 --> 00:56:51,840
Speaker 4: Listen.

1145
00:56:52,200 --> 00:56:55,320
Speaker 1: They're both still alive, so this could still technically happen.

1146
00:56:55,640 --> 00:56:56,600
Speaker 4: So could happen.

1147
00:56:56,719 --> 00:56:59,040
Speaker 2: I don't know. Maybe the psychic has not been proven

1148
00:56:59,080 --> 00:56:59,680
Speaker 2: wrong yet.

1149
00:57:00,080 --> 00:57:03,120
Speaker 1: I'm just saying it's a lot writing on these readings

1150
00:57:03,120 --> 00:57:06,640
Speaker 1: for Olivia. So also in this film, we have the

1151
00:57:06,760 --> 00:57:09,240
Speaker 1: Queen Margo Kidder as.

1152
00:57:09,080 --> 00:57:14,759
Speaker 3: Barb Okay, my favorite Christmas asshole in this movie. Yes, absolutely,

1153
00:57:15,239 --> 00:57:20,160
Speaker 3: Barbe is shauce throughout to the point where she's literally

1154
00:57:20,240 --> 00:57:22,360
Speaker 3: getting children drunk at a party.

1155
00:57:22,400 --> 00:57:22,720
Speaker 2: Listen.

1156
00:57:23,760 --> 00:57:26,160
Speaker 1: At the very beginning of this film, like in the

1157
00:57:26,200 --> 00:57:28,760
Speaker 1: first like five minutes of the movie, she's on the

1158
00:57:28,760 --> 00:57:30,920
Speaker 1: phone with her mother in the sorority house, and I

1159
00:57:30,920 --> 00:57:33,520
Speaker 1: guess her mother is like, Hey, don't come home for

1160
00:57:33,600 --> 00:57:37,360
Speaker 1: the holidays this year. We're doing something, and she calls

1161
00:57:37,440 --> 00:57:40,080
Speaker 1: her mother a gold plated whore.

1162
00:57:40,640 --> 00:57:50,560
Speaker 3: I'm so glad you've brought that. I rewound that part

1163
00:57:51,080 --> 00:57:53,919
Speaker 3: at least ten times and laughed, my fucking ex because

1164
00:57:53,920 --> 00:57:55,240
Speaker 3: she's like, you're a gold.

1165
00:57:54,960 --> 00:57:59,000
Speaker 4: Plated and I'm like, why how did that.

1166
00:57:58,880 --> 00:58:02,439
Speaker 3: Come into the lexicon and why did it ever leave?

1167
00:58:02,920 --> 00:58:06,480
Speaker 1: Exactly so outrageous. I mean, like, it sounds like her

1168
00:58:06,480 --> 00:58:08,720
Speaker 1: mother is also a Christmas asshole. So it's that thing

1169
00:58:08,760 --> 00:58:11,800
Speaker 1: where I'm like, Okay, mother and daughter both maybe cut

1170
00:58:11,840 --> 00:58:15,440
Speaker 1: from the same Christmas asshole cloth here, but it is

1171
00:58:15,520 --> 00:58:17,520
Speaker 1: bold to call your mother a gold plated horror.

1172
00:58:17,520 --> 00:58:19,760
Speaker 2: I'll just say that, even if she deserves it.

1173
00:58:19,880 --> 00:58:22,120
Speaker 1: She's got a real sterly attitude and you know, out

1174
00:58:22,120 --> 00:58:24,880
Speaker 1: of all the girls in the house, she is the tough, talking,

1175
00:58:24,960 --> 00:58:26,400
Speaker 1: ones cigarette smoking.

1176
00:58:26,760 --> 00:58:28,800
Speaker 2: Her iconic look is that she's wearing this.

1177
00:58:28,800 --> 00:58:34,680
Speaker 1: Like oversized chambray shirt with a black choker that says

1178
00:58:34,880 --> 00:58:37,480
Speaker 1: yes and rhinestones.

1179
00:58:38,120 --> 00:58:41,920
Speaker 3: Again unstoppable seventies such a look.

1180
00:58:42,200 --> 00:58:44,440
Speaker 1: Yes, you're right, Barb is wasted twenty four hours a

1181
00:58:44,520 --> 00:58:47,600
Speaker 1: day and she's a mean drunk, so maybe she is

1182
00:58:47,720 --> 00:58:50,840
Speaker 1: in the Christmas asshole territory. So second Christmas asshole is

1183
00:58:50,840 --> 00:58:54,040
Speaker 1: probably Barb. Speaking of drunk though, you got maybe my

1184
00:58:54,120 --> 00:58:57,680
Speaker 1: favorite character in this entire film. Okay, who is Missus

1185
00:58:57,720 --> 00:59:00,000
Speaker 1: McHenry aka Missus Mac.

1186
00:59:00,120 --> 00:59:03,480
Speaker 3: Missus mag is short for missus mcgiver. I'm just gonna

1187
00:59:03,480 --> 00:59:05,600
Speaker 3: say exactly.

1188
00:59:06,160 --> 00:59:10,000
Speaker 1: She is the house mother of this soorty and this

1189
00:59:10,160 --> 00:59:14,880
Speaker 1: bitch is constantly searching for booze that she has hidden

1190
00:59:15,280 --> 00:59:16,000
Speaker 1: around the house.

1191
00:59:16,760 --> 00:59:20,600
Speaker 3: The one that sent me, truly sent me, was when

1192
00:59:20,640 --> 00:59:23,680
Speaker 3: she's brushing her fucking teeth to get ready for bed,

1193
00:59:25,560 --> 00:59:29,320
Speaker 3: pops open the top of the toilet tank and brings

1194
00:59:29,400 --> 00:59:33,520
Speaker 3: up a bottle of sherry on a string and then

1195
00:59:33,680 --> 00:59:36,000
Speaker 3: just rinses her mouth with it.

1196
00:59:35,680 --> 00:59:41,680
Speaker 1: Gargles with this hooch that is attached to this dirty

1197
00:59:41,720 --> 00:59:45,919
Speaker 1: little string that is covered with toilet water, And I'm

1198
00:59:45,960 --> 00:59:48,320
Speaker 1: just like, how much do you drink that?

1199
00:59:48,400 --> 00:59:50,400
Speaker 2: This is something you do? You know? She's got like

1200
00:59:50,440 --> 00:59:52,200
Speaker 2: to think where she's pulling.

1201
00:59:51,920 --> 00:59:54,880
Speaker 1: Books out of the bookcase and it's got like a

1202
00:59:54,960 --> 00:59:56,800
Speaker 1: bottle hidden in the book.

1203
00:59:57,320 --> 01:00:00,720
Speaker 3: The creativity of where these bottles are being old from

1204
01:00:01,000 --> 01:00:03,440
Speaker 3: makes me wonder why doesn't she just keep them in

1205
01:00:03,480 --> 01:00:03,800
Speaker 3: her room?

1206
01:00:03,840 --> 01:00:05,120
Speaker 4: Nobody's going in her room.

1207
01:00:05,120 --> 01:00:07,720
Speaker 1: Look at barb the bar made afraid. She's like, I'm

1208
01:00:07,800 --> 01:00:11,000
Speaker 1: just drinking wherever. And however, I am. I don't understand

1209
01:00:11,000 --> 01:00:13,160
Speaker 1: why missus mack is hiding it so much. It's just

1210
01:00:13,160 --> 01:00:16,439
Speaker 1: like you're in a sorority house. Just leave your bottles out.

1211
01:00:16,480 --> 01:00:19,560
Speaker 1: It's no big deal. Don't go through these like extreme

1212
01:00:19,600 --> 01:00:21,840
Speaker 1: measures to hide your drinking problem.

1213
01:00:21,960 --> 01:00:23,480
Speaker 3: I think part of it is she was hiding it

1214
01:00:23,480 --> 01:00:25,560
Speaker 3: so they wouldn't drink her stuff, so she'd always have

1215
01:00:25,600 --> 01:00:26,120
Speaker 3: it handy.

1216
01:00:26,440 --> 01:00:29,200
Speaker 2: Oh, you're right, that's probably what it really was.

1217
01:00:29,320 --> 01:00:30,440
Speaker 4: With Barb around.

1218
01:00:30,320 --> 01:00:32,560
Speaker 3: Especially, She's like, I can't just leave a bottle.

1219
01:00:32,280 --> 01:00:33,760
Speaker 4: Out around these ladies.

1220
01:00:34,280 --> 01:00:36,280
Speaker 2: I've got a really want something. To hide something in

1221
01:00:36,320 --> 01:00:37,240
Speaker 2: a toilet, I'm.

1222
01:00:37,120 --> 01:00:41,000
Speaker 3: Just there is I don't know. Have you ever watched

1223
01:00:41,000 --> 01:00:42,360
Speaker 3: the show Friday Night Dinner.

1224
01:00:42,680 --> 01:00:43,360
Speaker 2: No, I have not.

1225
01:00:43,520 --> 01:00:46,640
Speaker 3: It is a fantastic and hilarious British sitcom and there

1226
01:00:46,720 --> 01:00:49,400
Speaker 3: is an episode. It's got quite a few seasons, but

1227
01:00:49,400 --> 01:00:51,480
Speaker 3: there's an episode during one of the seasons where the

1228
01:00:51,560 --> 01:00:54,960
Speaker 3: dad is on a diet and when his kids come

1229
01:00:54,960 --> 01:00:58,840
Speaker 3: over for dinner that night, they've basically brought him contraband

1230
01:00:58,960 --> 01:01:03,200
Speaker 3: cheese and treats and he keeps them in a tupperware

1231
01:01:03,320 --> 01:01:06,160
Speaker 3: in the toilet tank. Like that is the level of

1232
01:01:06,400 --> 01:01:07,760
Speaker 3: desperation I need.

1233
01:01:07,600 --> 01:01:08,160
Speaker 2: To be and.

1234
01:01:10,000 --> 01:01:11,440
Speaker 4: To put something in a toilet.

1235
01:01:12,520 --> 01:01:15,479
Speaker 1: Listen, last year we had Elliott Gould hiding a key

1236
01:01:15,520 --> 01:01:17,480
Speaker 1: and a jam jar, and this year we've got missus

1237
01:01:17,560 --> 01:01:19,960
Speaker 1: mac hid and Booze in a toilet tank. What's up

1238
01:01:20,000 --> 01:01:20,600
Speaker 1: with Canada?

1239
01:01:21,000 --> 01:01:26,760
Speaker 4: That Canadian tax It's a firm rule.

1240
01:01:26,880 --> 01:01:29,800
Speaker 3: If you're making a movie under this Canadian tax law,

1241
01:01:30,160 --> 01:01:31,120
Speaker 3: you got to hide something.

1242
01:01:31,240 --> 01:01:33,880
Speaker 2: You must hide weird shit and weird things.

1243
01:01:34,160 --> 01:01:35,800
Speaker 4: Hie, weird shit and weird things.

1244
01:01:36,600 --> 01:01:39,920
Speaker 1: I also want to mention too, Andrew Martin from SCTV,

1245
01:01:40,080 --> 01:01:41,200
Speaker 1: who is cute.

1246
01:01:40,880 --> 01:01:42,160
Speaker 4: As a button, so adorable.

1247
01:01:42,240 --> 01:01:44,120
Speaker 1: She is one of the girls living in this house

1248
01:01:44,200 --> 01:01:47,560
Speaker 1: and her character was actually originally supposed to be played

1249
01:01:47,560 --> 01:01:49,960
Speaker 1: by Gilda Radner, but I guess she had to pull

1250
01:01:49,960 --> 01:01:52,280
Speaker 1: out the last minute and they replaced her with Andrew Martin,

1251
01:01:52,320 --> 01:01:55,200
Speaker 1: which is totally fine because she's so awesome and cute

1252
01:01:55,200 --> 01:01:55,680
Speaker 1: and sweet.

1253
01:01:55,920 --> 01:01:56,480
Speaker 2: So okay.

1254
01:01:56,520 --> 01:01:58,920
Speaker 1: One by one, the girls in this sority house are

1255
01:01:58,960 --> 01:02:03,120
Speaker 1: getting knocked off this maniac whom you never actually see,

1256
01:02:03,640 --> 01:02:06,720
Speaker 1: and over time the police get involved, and of course

1257
01:02:07,400 --> 01:02:09,600
Speaker 1: you got the big cop on the case, who was

1258
01:02:09,640 --> 01:02:14,720
Speaker 1: played by John Saxon, the king of playing cops and

1259
01:02:14,760 --> 01:02:15,520
Speaker 1: horror movies.

1260
01:02:16,400 --> 01:02:17,000
Speaker 2: He's the king.

1261
01:02:17,320 --> 01:02:17,560
Speaker 4: You know.

1262
01:02:17,600 --> 01:02:20,520
Speaker 2: He had this great career in Italy. He was doing

1263
01:02:20,560 --> 01:02:21,800
Speaker 2: like lots of Jello movies.

1264
01:02:21,840 --> 01:02:25,120
Speaker 1: He's worked with Mario Obava and Dario Argento, and he's

1265
01:02:25,160 --> 01:02:27,240
Speaker 1: also in Enter the Dragon, which I think a lot

1266
01:02:27,320 --> 01:02:30,280
Speaker 1: of people remember him from because on top of all

1267
01:02:30,440 --> 01:02:34,320
Speaker 1: this acting, he was a martial arts expert. So John

1268
01:02:34,400 --> 01:02:38,560
Speaker 1: Saxon is the goat essentially truly, and he's great in

1269
01:02:38,560 --> 01:02:39,080
Speaker 1: this movie.

1270
01:02:39,120 --> 01:02:40,160
Speaker 2: But you've definitely seen it.

1271
01:02:40,160 --> 01:02:42,160
Speaker 1: If you don't know him by name, you've definitely seen

1272
01:02:42,200 --> 01:02:43,760
Speaker 1: him now.

1273
01:02:43,880 --> 01:02:44,080
Speaker 3: I know.

1274
01:02:44,120 --> 01:02:46,200
Speaker 1: We debated this point a little bit when we did

1275
01:02:46,240 --> 01:02:49,320
Speaker 1: our prank Phone Calls episode and Danielle talked about what

1276
01:02:49,360 --> 01:02:52,600
Speaker 1: a stranger calls. But Black Christmas might have been the

1277
01:02:52,600 --> 01:02:55,400
Speaker 1: first time someone used the line the call is coming

1278
01:02:55,400 --> 01:02:58,560
Speaker 1: from inside the house. Yes, in a movie, which of

1279
01:02:58,560 --> 01:03:01,160
Speaker 1: course now is a belowdri is used by everybody.

1280
01:03:01,360 --> 01:03:03,760
Speaker 2: But I just kind of love that it might be

1281
01:03:03,800 --> 01:03:04,200
Speaker 2: from this.

1282
01:03:04,480 --> 01:03:06,400
Speaker 1: But we you know, that's still up for the bait,

1283
01:03:06,600 --> 01:03:09,240
Speaker 1: but I like to think that it makes sense.

1284
01:03:09,440 --> 01:03:12,360
Speaker 3: I like it too, And look, these calls. Can we

1285
01:03:12,400 --> 01:03:13,400
Speaker 3: talk about these calls?

1286
01:03:13,600 --> 01:03:15,960
Speaker 1: We got to talk about these calls.

1287
01:03:16,040 --> 01:03:20,400
Speaker 3: Truly terrifying prank calls, truly.

1288
01:03:20,480 --> 01:03:23,560
Speaker 2: Like obscene, scary as fuck.

1289
01:03:23,960 --> 01:03:26,080
Speaker 1: There's like multiple like I mean, I only know this

1290
01:03:26,120 --> 01:03:28,240
Speaker 1: because I know about the production history of Black Christmas.

1291
01:03:28,240 --> 01:03:30,840
Speaker 1: But like, there was multiple people doing the voices, including

1292
01:03:30,880 --> 01:03:34,520
Speaker 1: Bob Clark, So there's multiple people being creepy and it's

1293
01:03:34,520 --> 01:03:38,440
Speaker 1: supposed to be like one person, and that truly freaks

1294
01:03:38,480 --> 01:03:40,000
Speaker 1: me the fuck out completely.

1295
01:03:40,000 --> 01:03:43,080
Speaker 3: I mean, there are parts where the voice is like

1296
01:03:43,280 --> 01:03:47,000
Speaker 3: giggling like a little kid and then screaming, and the

1297
01:03:47,120 --> 01:03:51,640
Speaker 3: noises alone, let alone the disgusting things that they eventually say,

1298
01:03:51,880 --> 01:03:54,480
Speaker 3: but the noises freaked me the fuck out.

1299
01:03:54,640 --> 01:03:58,520
Speaker 1: Yes, and listen, we're gonna do the thing that we

1300
01:03:58,600 --> 01:04:01,600
Speaker 1: did in the episode about the Shining when we call

1301
01:04:01,880 --> 01:04:05,920
Speaker 1: Jack Torrance a fuck boy. Yes, the psycho killer who

1302
01:04:05,960 --> 01:04:09,960
Speaker 1: is systematically murdering girls in a house is a Christmas asshole.

1303
01:04:10,920 --> 01:04:12,160
Speaker 2: No, no debating that.

1304
01:04:12,440 --> 01:04:14,520
Speaker 4: It's not a far stretch. You don't have to convince me.

1305
01:04:14,760 --> 01:04:17,720
Speaker 2: Not a psychomaniac murderer.

1306
01:04:18,040 --> 01:04:21,560
Speaker 1: Yes, also an asshole. There's the biggest Christmas asshole of

1307
01:04:21,600 --> 01:04:26,440
Speaker 1: them all. Maybe, But look after watching this movie several

1308
01:04:26,480 --> 01:04:29,000
Speaker 1: times in my life, and I've watched at this point

1309
01:04:29,040 --> 01:04:32,760
Speaker 1: so many slasher films that came after, it's I can't

1310
01:04:32,760 --> 01:04:35,479
Speaker 1: even see straight. Even in spite of all that, Black

1311
01:04:35,560 --> 01:04:39,959
Speaker 1: Christmas is still scary to me. Terrifying, but it's also

1312
01:04:40,080 --> 01:04:44,160
Speaker 1: funny and entertaining, and it's just a great film. I mean,

1313
01:04:44,520 --> 01:04:48,080
Speaker 1: I love how much history this movie actually has for

1314
01:04:48,120 --> 01:04:50,920
Speaker 1: being a slasher film, because, let's get serious, a lot

1315
01:04:50,920 --> 01:04:54,520
Speaker 1: of hoity toity film people don't take slasher movies very

1316
01:04:54,520 --> 01:04:58,200
Speaker 1: seriously as a genre. I think that's changing, but you know,

1317
01:04:58,440 --> 01:05:01,000
Speaker 1: for the most part, it's like people want to, you know,

1318
01:05:01,240 --> 01:05:05,080
Speaker 1: have like really intellectual discussions about slasher movies. But I

1319
01:05:05,080 --> 01:05:07,800
Speaker 1: think it's fine too, and I insist upon it in fact.

1320
01:05:08,400 --> 01:05:12,880
Speaker 1: And I will leave you with another random, amazing fact

1321
01:05:13,080 --> 01:05:16,800
Speaker 1: about this film, which is that Steve Martin apparently has

1322
01:05:16,800 --> 01:05:21,800
Speaker 1: seen this movie twenty seven times. Wow, which makes me

1323
01:05:21,920 --> 01:05:23,800
Speaker 1: just like him more than I already do.

1324
01:05:23,960 --> 01:05:27,360
Speaker 3: So there you go, top of the list. Steve Martin,

1325
01:05:27,560 --> 01:05:30,680
Speaker 3: you freak. I love it, straight up freak.

1326
01:05:34,200 --> 01:05:34,680
Speaker 4: I love it.

1327
01:05:34,720 --> 01:05:36,840
Speaker 3: I mean, look, how could you not watch this movie

1328
01:05:36,920 --> 01:05:38,240
Speaker 3: over and over and over again.

1329
01:05:38,320 --> 01:05:40,280
Speaker 4: It is so entertaining.

1330
01:05:40,400 --> 01:05:43,960
Speaker 3: It is so full of gore, and you know, it's

1331
01:05:44,000 --> 01:05:46,880
Speaker 3: like a real scream at the screen kind of slasher flick.

1332
01:05:46,960 --> 01:05:51,240
Speaker 3: But it's also truly scary to watch and to behold.

1333
01:05:51,440 --> 01:05:53,479
Speaker 3: And I think that, you know, much like with Shane Black,

1334
01:05:53,480 --> 01:05:55,600
Speaker 3: when you were talking about how, you know, setting a

1335
01:05:55,640 --> 01:05:57,920
Speaker 3: movie at Christmas time kind of heightens the suspense.

1336
01:05:58,040 --> 01:05:59,720
Speaker 4: Yeah, this movie does that all day.

1337
01:05:59,760 --> 01:06:02,200
Speaker 3: Like the first girl in the sorority is killed and

1338
01:06:02,240 --> 01:06:04,120
Speaker 3: her dad comes looking for her because he's like, she

1339
01:06:04,160 --> 01:06:07,320
Speaker 3: was supposed to meet me at this spot. And let

1340
01:06:07,400 --> 01:06:10,200
Speaker 3: me just tell you, they just show this chick just

1341
01:06:10,360 --> 01:06:12,880
Speaker 3: dead with a bag over her head the whole movie. Yep,

1342
01:06:12,960 --> 01:06:14,240
Speaker 3: nobody ever finds her.

1343
01:06:15,000 --> 01:06:18,919
Speaker 4: She is just dead. Yeah, it is so scary. Yeah.

1344
01:06:18,960 --> 01:06:22,360
Speaker 1: I'm a big proponent of watching horror movies at Christmas time,

1345
01:06:22,480 --> 01:06:24,040
Speaker 1: and there's a lot of them. There's a lot of

1346
01:06:24,120 --> 01:06:27,960
Speaker 1: Christmas themed horror films, especially now, Yes, and they're just

1347
01:06:28,000 --> 01:06:30,720
Speaker 1: so they're just so fun. I mean, I I'm glad

1348
01:06:30,720 --> 01:06:33,400
Speaker 1: that we got to tackle these two movies together because

1349
01:06:33,400 --> 01:06:34,400
Speaker 1: they're very different.

1350
01:06:34,640 --> 01:06:36,560
Speaker 2: Like Kiss Bank Bang is just.

1351
01:06:36,560 --> 01:06:42,560
Speaker 1: Such a rollicking, fun, great time and Black Christmas is tense.

1352
01:06:42,600 --> 01:06:45,800
Speaker 2: I mean, it's also fun, but it's tense, you know

1353
01:06:45,840 --> 01:06:46,240
Speaker 2: what I mean.

1354
01:06:46,760 --> 01:06:49,760
Speaker 4: Completely. Oh, I'm so glad you picked it.

1355
01:06:49,760 --> 01:06:52,280
Speaker 3: It's such a great film in general, but it is

1356
01:06:52,320 --> 01:06:57,040
Speaker 3: a fantastic Christmas movie and it fits Christmas asshole that

1357
01:06:57,120 --> 01:06:58,600
Speaker 3: theme so beautifully.

1358
01:06:59,000 --> 01:06:59,760
Speaker 4: I'm so glad.

1359
01:06:59,760 --> 01:07:01,360
Speaker 3: I got to watch this again, and it reminds me

1360
01:07:01,400 --> 01:07:04,080
Speaker 3: that I should probab watch it with my grandmother's Christmas listen.

1361
01:07:04,160 --> 01:07:05,280
Speaker 2: I was gonna suggest it.

1362
01:07:05,320 --> 01:07:08,600
Speaker 1: I was like, this might actually be a one because

1363
01:07:08,680 --> 01:07:10,520
Speaker 1: there's enough blood going on.

1364
01:07:10,680 --> 01:07:12,040
Speaker 2: She might it might keep her attention.

1365
01:07:12,400 --> 01:07:14,480
Speaker 3: Oh yeah, she's definitely seen it. I just think she

1366
01:07:14,480 --> 01:07:16,360
Speaker 3: hasn't seen it in a long time, so it will

1367
01:07:16,440 --> 01:07:17,480
Speaker 3: be like totally new to her.

1368
01:07:17,920 --> 01:07:18,720
Speaker 4: Yeah for sure.

1369
01:07:19,680 --> 01:07:23,680
Speaker 3: Well, so we've got a bit of an announcement.

1370
01:07:24,360 --> 01:07:25,120
Speaker 2: Yes we do.

1371
01:07:26,280 --> 01:07:31,760
Speaker 3: We are actually going on hiatus until February first. We

1372
01:07:31,800 --> 01:07:36,720
Speaker 3: will return that week with some movies for you, and yeah,

1373
01:07:36,760 --> 01:07:39,520
Speaker 3: we're just taking a little break. This was a long,

1374
01:07:39,600 --> 01:07:43,320
Speaker 3: hard year for us in many ways, and we've just

1375
01:07:43,320 --> 01:07:46,280
Speaker 3: got some shit to wrap up before we can come

1376
01:07:46,320 --> 01:07:48,840
Speaker 3: back and be our full and lively selves.

1377
01:07:49,040 --> 01:07:51,760
Speaker 2: That's right. We're gonna hunker down for the winter, and

1378
01:07:52,360 --> 01:07:54,320
Speaker 2: we'll not for the whole winter, damn, Millie.

1379
01:07:54,360 --> 01:07:57,720
Speaker 1: We are coming back, but January, that's like the hardest

1380
01:07:57,720 --> 01:08:01,040
Speaker 1: month that its hunkering down mode.

1381
01:08:01,200 --> 01:08:02,400
Speaker 2: January is the hardest.

1382
01:08:02,640 --> 01:08:05,040
Speaker 1: Yeah, But we're coming back in February, so it's not

1383
01:08:05,040 --> 01:08:07,480
Speaker 1: going to be too too long. But we just wanted

1384
01:08:07,480 --> 01:08:09,600
Speaker 1: to let everybody know that you want to hear episodes

1385
01:08:09,640 --> 01:08:13,240
Speaker 1: in the next couple weeks, but what are the movies

1386
01:08:13,880 --> 01:08:15,600
Speaker 1: for when we come back.

1387
01:08:15,920 --> 01:08:18,840
Speaker 3: So when we come back, you've got a month, a

1388
01:08:18,840 --> 01:08:22,040
Speaker 3: little over a month actually to watch literally.

1389
01:08:21,680 --> 01:08:28,400
Speaker 2: No excuses this time, you have over a month too.

1390
01:08:28,520 --> 01:08:30,160
Speaker 4: I just want to emphasize that.

1391
01:08:30,479 --> 01:08:34,599
Speaker 3: To watch Time and Judgment from nineteen eighty eight and

1392
01:08:34,920 --> 01:08:38,760
Speaker 3: Burning an Illusion from nineteen eighty one. You can guess

1393
01:08:38,800 --> 01:08:41,559
Speaker 3: the theme amongst yourselves because we probably won't be posting

1394
01:08:41,600 --> 01:08:45,880
Speaker 3: on social while we're gone, but you know, text a

1395
01:08:45,920 --> 01:08:48,799
Speaker 3: friend and you know while you're at it, that's something

1396
01:08:48,800 --> 01:08:50,439
Speaker 3: that maybe if you if you miss us in the

1397
01:08:50,479 --> 01:08:53,240
Speaker 3: next month, go back and listen to your favorite episodes.

1398
01:08:53,280 --> 01:08:57,000
Speaker 4: But this is a perfect time for you to dip into.

1399
01:08:56,439 --> 01:09:02,120
Speaker 3: That sweet sweet review section. Drop us a five star review,

1400
01:09:02,800 --> 01:09:06,040
Speaker 3: explain why you like the cast, and then maybe tell

1401
01:09:06,120 --> 01:09:08,320
Speaker 3: five friends about it. I would love to come back

1402
01:09:08,360 --> 01:09:11,280
Speaker 3: to like two hundred more social media followers.

1403
01:09:11,360 --> 01:09:14,439
Speaker 1: That would be so great, And we said we are

1404
01:09:14,840 --> 01:09:17,200
Speaker 1: always available at I saw what you did pot at

1405
01:09:17,200 --> 01:09:20,280
Speaker 1: gmail dot com. If you are really missing us and

1406
01:09:20,320 --> 01:09:21,920
Speaker 1: you just want to talk, if you just want to

1407
01:09:22,200 --> 01:09:22,800
Speaker 1: spill all.

1408
01:09:22,720 --> 01:09:23,759
Speaker 2: Your thoughts in an email.

1409
01:09:24,240 --> 01:09:27,120
Speaker 1: Danielle and I are on a break technically, so we'll

1410
01:09:27,200 --> 01:09:30,160
Speaker 1: see about checking it. But when we get back, we

1411
01:09:30,240 --> 01:09:33,599
Speaker 1: are definitely digging into that email, so please please send

1412
01:09:33,680 --> 01:09:34,280
Speaker 1: us your thoughts.

1413
01:09:34,560 --> 01:09:37,640
Speaker 3: I genuinely, genuinely can't believe you just told people to

1414
01:09:37,680 --> 01:09:40,120
Speaker 3: send us stories if they just want to check, because

1415
01:09:40,120 --> 01:09:44,240
Speaker 3: we're coming back to mile long emails I know, which

1416
01:09:44,280 --> 01:09:47,320
Speaker 3: is fine, which is fine, but we're coming you're checking

1417
01:09:47,320 --> 01:09:49,240
Speaker 3: the email first when we get back from the high

1418
01:09:49,479 --> 01:09:52,879
Speaker 3: because we're coming back to a mile long email.

1419
01:09:53,280 --> 01:09:57,120
Speaker 1: It's a deal. That's That's what I'm doing for everybody.

1420
01:09:57,400 --> 01:09:59,320
Speaker 1: I'm just saying, I saw what you did. Pot at

1421
01:09:59,400 --> 01:10:01,879
Speaker 1: gmail dot com open twenty four hours a day.

1422
01:10:04,840 --> 01:10:06,880
Speaker 3: And look, you can dig through our socials if you're

1423
01:10:06,920 --> 01:10:09,040
Speaker 3: really you know, if you really miss us, go to

1424
01:10:09,080 --> 01:10:12,600
Speaker 3: I saw pod at Twitter and Instagram and relive some

1425
01:10:12,640 --> 01:10:13,240
Speaker 3: glory days.

1426
01:10:13,520 --> 01:10:14,000
Speaker 2: That's right.

1427
01:10:15,240 --> 01:10:17,519
Speaker 1: And look, you're gonna have to be real last minute

1428
01:10:17,520 --> 01:10:19,879
Speaker 1: about your holiday merch. If you still need a present

1429
01:10:20,120 --> 01:10:22,160
Speaker 1: and you might want to give it to them after

1430
01:10:22,240 --> 01:10:24,920
Speaker 1: the holiday, maybe then you can try to get some.

1431
01:10:25,120 --> 01:10:28,880
Speaker 1: It's at the exactly right shop at exactly rightmybia dot com.

1432
01:10:29,320 --> 01:10:30,920
Speaker 3: And look, you can even get a gift for yourself

1433
01:10:30,920 --> 01:10:33,240
Speaker 3: at this point if that's what you need. We've got

1434
01:10:33,320 --> 01:10:36,520
Speaker 3: great holiday merch this year. We've got a great bargellow

1435
01:10:36,600 --> 01:10:40,200
Speaker 3: kit which you can order and you can start stitching

1436
01:10:40,720 --> 01:10:45,280
Speaker 3: this great wall hanging while you're watching movies. And I've

1437
01:10:45,280 --> 01:10:47,679
Speaker 3: got some signed books in there and they're very limited.

1438
01:10:47,760 --> 01:10:49,880
Speaker 3: Both are limited. Once they're gone, they are gone. So

1439
01:10:50,000 --> 01:10:51,920
Speaker 3: get yourself a gift and then you know if you

1440
01:10:51,920 --> 01:10:54,040
Speaker 3: want more from us. In the meantime, we got a

1441
01:10:54,040 --> 01:10:56,600
Speaker 3: whole bunch of bonus episodes up at Stitch your Premium,

1442
01:10:56,760 --> 01:10:58,680
Speaker 3: so you can use the promo code SAW for a

1443
01:10:58,720 --> 01:11:01,040
Speaker 3: free month and just have more reasons to not talk

1444
01:11:01,080 --> 01:11:02,439
Speaker 3: to your family for a few hours.

1445
01:11:03,920 --> 01:11:07,480
Speaker 1: Well, listen, Danielle Henderson. I have to say, the holidays

1446
01:11:07,920 --> 01:11:11,000
Speaker 1: make me realize how much I love doing this podcast

1447
01:11:11,040 --> 01:11:13,840
Speaker 1: with you. I would never do this podcast with another

1448
01:11:13,920 --> 01:11:14,719
Speaker 1: Christmas asshole.

1449
01:11:14,840 --> 01:11:15,839
Speaker 4: I completely agree.

1450
01:11:15,960 --> 01:11:18,200
Speaker 3: I think that the fact that I got to see

1451
01:11:18,200 --> 01:11:20,519
Speaker 3: you this year was a gift and we got to

1452
01:11:20,600 --> 01:11:23,800
Speaker 3: hang out. Yes, but I love doing this podcast with you.

1453
01:11:24,000 --> 01:11:27,280
Speaker 3: I love picking these movies and themes and it just

1454
01:11:27,840 --> 01:11:30,000
Speaker 3: truly makes me excited for what We've to take a

1455
01:11:30,000 --> 01:11:32,559
Speaker 3: little break, so we can come back refreshed and give

1456
01:11:32,600 --> 01:11:35,360
Speaker 3: you some incredible themes next year. I'm already psyched to

1457
01:11:35,360 --> 01:11:37,120
Speaker 3: talk about so many of them.

1458
01:11:37,280 --> 01:11:37,920
Speaker 2: Oh my gosh.

1459
01:11:37,960 --> 01:11:41,759
Speaker 1: Thank you everybody for being a supporter and for listening

1460
01:11:41,800 --> 01:11:45,400
Speaker 1: to us, and we will see you in the new year.

1461
01:11:46,040 --> 01:11:47,360
Speaker 2: That hie.

1462
01:11:55,720 --> 01:11:57,200
Speaker 4: This has been an exactly right production.

1463
01:11:57,400 --> 01:12:00,639
Speaker 3: Our producer is Alexis Summerrosi, Our engineer is Ryo Baum.

1464
01:12:00,920 --> 01:12:03,599
Speaker 3: Our theme song is by Tom bry Fogel, artwork by

1465
01:12:03,600 --> 01:12:07,280
Speaker 3: Garrett Ross. Our executive producers are Georgia Hardstart, Karen kil

1466
01:12:07,320 --> 01:12:10,200
Speaker 3: Gareth and Danielle Kramer. You can follow us on Instagram

1467
01:12:10,240 --> 01:12:12,920
Speaker 3: and Twitter at I Saw Pod. You can email us

1468
01:12:12,960 --> 01:12:15,160
Speaker 3: at I Saw what you Did Pod at gmail, and

1469
01:12:15,240 --> 01:12:17,760
Speaker 3: please don't forget to listen, subscribe and leave us a

1470
01:12:17,800 --> 01:12:21,519
Speaker 3: review on Apple Podcasts, Stitcher, or wherever you listen.