WEBVTT - Grant Show

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<v Speaker 1>Still the Place with Laura Layton, Courtney Thorn Smith.

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<v Speaker 2>And Daphne's Aniga and iHeartRadio podcast.

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<v Speaker 3>Well, you guys, I.

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<v Speaker 2>Know it's weird, exactly what we were hoping for.

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<v Speaker 4>We really opened it.

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<v Speaker 3>It really is.

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<v Speaker 5>We are here on Still the Place with our friend

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<v Speaker 5>Grant show.

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<v Speaker 2>We've been talking about you, by the way, well.

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<v Speaker 3>Sorry in a good way.

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<v Speaker 5>We were so excited to have you on as our

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<v Speaker 5>first guest for the podcast. Your character was the bridge

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<v Speaker 5>to launch Melrose Place, bridging from nine two to oh,

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<v Speaker 5>and it just made perfect sense that we to talk

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<v Speaker 5>to you first, and we were so excited to so.

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<v Speaker 2>Grant, I don't even know on the nine O two

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<v Speaker 2>one oh show, were you a regular there?

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<v Speaker 4>Did you come in at the end of it?

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<v Speaker 3>No, they cast me from Melow's Place, and then knowing

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<v Speaker 3>that they were going to put that character on nine

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<v Speaker 3>on two to zero sort of to springboard Melrose Place.

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<v Speaker 3>It wasn't the spin off, It wasn't you know, any

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<v Speaker 3>of that kind of thing. It was like they knew

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<v Speaker 3>this all going in. And then I did three episodes

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<v Speaker 3>of nine two and oh and you played Jake.

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<v Speaker 2>Yeah, but what was your how did you get tied

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<v Speaker 2>up with the high school.

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<v Speaker 3>I was like building a gazebo for Kelly's family in

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<v Speaker 3>her backyard building and then what would now be illegal and.

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<v Speaker 4>We're going to be talking about that is the age.

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<v Speaker 5>Yes, we don't blame you for that.

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<v Speaker 4>Personally.

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<v Speaker 3>Well, I think we only kissed, but still, you know,

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<v Speaker 3>not good.

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<v Speaker 1>No, we were saying that when we were watching the

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<v Speaker 1>pilot and I thought it had been so long, and

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<v Speaker 1>I thought, as you guys are coming to kiss, I thought, well,

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<v Speaker 1>surely he's going to say, oh, I couldn't possibly are

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<v Speaker 1>too young? And then you're kissing him, Like, oh my god, Yeah.

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<v Speaker 6>We all hot?

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<v Speaker 3>Is it that we are more sort of and maybe

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<v Speaker 3>rightly so? I don't want to put a judgment more

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<v Speaker 3>to the other on it, but like more prudish now

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<v Speaker 3>than thirty years ago.

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<v Speaker 4>Yeah, you know, we definitely we thought weird.

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<v Speaker 2>I mean my whole body was just like, oh god,

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<v Speaker 2>this is so not right because we're here in twenty

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<v Speaker 2>twenty four. And then we talked to Jenny Garth because

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<v Speaker 2>we did their podcast, and we asked, how did you

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<v Speaker 2>feel doing that? Did it feel like he was too

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<v Speaker 2>old for you?

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<v Speaker 3>She's like, no, well we weren't We were relatively contemporaries.

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<v Speaker 3>I mean were we were actually both adults, So.

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<v Speaker 5>She was over eighteen and then she was just eighteen

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<v Speaker 5>and she said, didn't she you know, so just eighteen?

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<v Speaker 3>That's not that crazy and real life, but it's not.

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<v Speaker 1>It's the high school thing. Like I was watching the

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<v Speaker 1>scene in the second episode when you're being so sweet

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<v Speaker 1>at the door. You weren't a physical mismatch like you

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<v Speaker 1>guys were a gorgeous couple. It's the high school thing

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<v Speaker 1>that's the thing that's hard.

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<v Speaker 3>To get it right. Like she he was I don't know,

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<v Speaker 3>twenty five, and she was seventeen or sixteen, I don't know.

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<v Speaker 1>Any getting younger every time.

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<v Speaker 3>Well, now you think put it in those terms, it's

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<v Speaker 3>like it that's creepy.

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<v Speaker 2>So were you at ten or twenty years? That's what

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<v Speaker 2>everything is now? Like the husband's sixty and the wife's

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<v Speaker 2>thirty eight or something.

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<v Speaker 5>And were you aware of the weirdness, like we asked

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<v Speaker 5>you to watch the episode before coming here and that

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<v Speaker 5>did it bring that back?

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<v Speaker 1>Or like has that all?

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<v Speaker 2>Has that beened something in her mind about.

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<v Speaker 3>That at all? Really, because she was a grown up,

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<v Speaker 3>ptent professional actress, I didn't really think much of it

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<v Speaker 3>at the time we were shooting. When I watched it,

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<v Speaker 3>I was like, oh, yeah.

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<v Speaker 5>Yeah, well that's what we're finding is like watching the

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<v Speaker 5>episodes now, so many of the things we can't even remember.

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<v Speaker 5>But also just it just straight it just hits different now.

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<v Speaker 3>Oh yeah, yeah, I mean, and also like this was

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<v Speaker 3>the first year, it was different than what the show became.

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<v Speaker 3>I think I liked it. I liked the lot of

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<v Speaker 3>what happened in that episode was kind of corny and

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<v Speaker 3>a little hokey in places, but for the most part,

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<v Speaker 3>I thought it was a really solid episode.

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<v Speaker 1>Yeah, that's what we're saying. It was really sweet. So

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<v Speaker 1>what was your auditioning process, Like, do you remember it?

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<v Speaker 3>Yeah? I know. I think that they had seen like

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<v Speaker 3>like literally thousands of guys, and I remember I don't

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<v Speaker 3>remember my auditions. I think it was kind of normal.

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<v Speaker 3>You know, you go and do you do your initial

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<v Speaker 3>and then you do another one for you know whoever

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<v Speaker 3>that next level level is, and then the one for

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<v Speaker 3>the producers, and then then then your screen test. I

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<v Speaker 3>think that was relatively normal. But I do remember while

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<v Speaker 3>I was doing that, I'm auditioning for other things all

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<v Speaker 3>over town, and they were holding auditions for Jake. Almost

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<v Speaker 3>everywhere I went. It was like, there's more auditions for Jake.

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<v Speaker 3>There's more, Yeah, they really it was a wide like.

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<v Speaker 1>Where would it be if it wasn't at the studio?

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<v Speaker 3>You know. I just remember like being at other places

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<v Speaker 3>being thinking this is odd that there were auditions.

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<v Speaker 1>And then do you remember the meeting is Jake that

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<v Speaker 1>he was Jake?

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<v Speaker 4>Do you remember meeting Aaron and what that was like?

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<v Speaker 4>Was it his office? Probably?

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<v Speaker 3>You know, I didn't meet like like I know Andrew did.

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<v Speaker 3>I don't know if you guys did. I did not

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<v Speaker 3>meet him like that. He was in the screen test

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<v Speaker 3>room with everyone else like him. I'm sure I shook

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<v Speaker 3>his hand, but I don't remember. It wasn't like I

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<v Speaker 3>didn't go to his office until I was on the

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<v Speaker 3>show really unless the screen test was there. It was

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<v Speaker 3>so long ago. Do you remember that couch?

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<v Speaker 4>Yeah?

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<v Speaker 3>That went on forever and then turned the corner.

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<v Speaker 5>The world's most giant sectional couch.

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<v Speaker 1>Yeah, well yeah, in the cigar the cigar it was.

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<v Speaker 3>An orange couch, wasn't it?

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<v Speaker 4>Was it orange or like brick red?

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<v Speaker 3>It was in that it was this weird like early sixties,

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<v Speaker 3>late fifties color classic.

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<v Speaker 2>Wow, and did you so?

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<v Speaker 5>You said you were auditioning for a bunch of other stuff,

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<v Speaker 5>like did you did you? Was this the role you wanted?

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<v Speaker 5>Were you like there.

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<v Speaker 3>Was another job? I don't know. I don't remember if

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<v Speaker 3>I actually had an option to take it or not,

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<v Speaker 3>but there was a medical show that either they were

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<v Speaker 3>about to get into the screen test negotiation for or

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<v Speaker 3>it was like I kind of had to make a

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<v Speaker 3>choice between the two. It was an obvious choice. It

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<v Speaker 3>was not going to do some unknown, untested medical show.

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<v Speaker 3>When this show we knew was it Partners?

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<v Speaker 1>Does that sound familiar?

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<v Speaker 3>That sure does?

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<v Speaker 5>Wow?

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<v Speaker 1>Okay, because my audition story bringing it back to me

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<v Speaker 1>finally was that that I didn't I auditioned, audition, didn't

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<v Speaker 1>get it, and then they said we're going to put

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<v Speaker 1>you on something, And they gave me the script for

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<v Speaker 1>Milor's place, a stack of scripts.

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<v Speaker 3>You didn't get Partners?

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<v Speaker 1>You were that you were like, they were like, we

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<v Speaker 1>want him for both, so you win this story.

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<v Speaker 3>I don't know. I don't know that they wanted me

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<v Speaker 3>because it's too long ago in my brain, but it

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<v Speaker 3>was like it was in there.

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<v Speaker 1>It wasn't back and back did you know that week

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<v Speaker 1>when you're back and back and back for that show.

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<v Speaker 1>I wonder, I wonder if we did cross paths and

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<v Speaker 1>we just don't remember you were having the same sort of.

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<v Speaker 2>Ye drama escalating Grant. I'm wondering if you felt this

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<v Speaker 2>part of Jake. And I don't know how much they

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<v Speaker 2>had you read or there was to read, but if

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<v Speaker 2>you felt like a similarity to you, is that why

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<v Speaker 2>you resonated, you think, or.

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<v Speaker 3>Or just it is probably why I got the job

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<v Speaker 3>because I was an angry young man and so was Jake,

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<v Speaker 3>and you know, I mean I think it just I

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<v Speaker 3>don't know that I was aware of that, or maybe

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<v Speaker 3>it would have been so angry and your abs.

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<v Speaker 5>I think you were cast for your abs on.

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<v Speaker 3>The motorc Well, I've been riding motorcycles since I was

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<v Speaker 3>like ten, Okay, so I don't believe I owned one

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<v Speaker 3>at the time I got the show. But as soon

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<v Speaker 3>as I got the show.

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<v Speaker 4>I couldn't afford it. So then you got the show,

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<v Speaker 4>then you bought a hand.

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<v Speaker 3>I mean immediately, it is the first thing I did.

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<v Speaker 1>I let you drive it to work.

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<v Speaker 3>Yeah. They never said a word to me about it. Wow,

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<v Speaker 3>they never did. I was kind of surprised, But that's

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<v Speaker 3>amazing because I would have been like, you know, f off,

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<v Speaker 3>but you know I'm going to ride my bike. Wow,

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<v Speaker 3>because you had one too, I did.

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<v Speaker 4>I got one much later after I rode with you

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<v Speaker 4>on yours.

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<v Speaker 2>I told the story last time of the Then I

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<v Speaker 2>wanted my own, no offense, but I got those sports stores.

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<v Speaker 3>I just got rid of my bike that I bought that. Yeah,

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<v Speaker 3>well not just maybe three or four years ago, I

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<v Speaker 3>guess long as my daughter's ten. The first time I

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<v Speaker 3>got on it after my daughter was born, I was done.

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<v Speaker 4>Yeah.

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<v Speaker 3>I wasn't scared. It wasn't like I was afraid of

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<v Speaker 3>getting injured. And none of those thoughts came in my head.

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<v Speaker 3>It just was like, this isn't fun anymore.

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<v Speaker 2>Yeah, yeah, I get's interesting.

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<v Speaker 3>It wasn't even that clear. It just was this is

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<v Speaker 3>no longer.

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<v Speaker 2>Fun, yea, yeah, everything changes.

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<v Speaker 3>Yeah.

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<v Speaker 1>So when you were when you did the part on

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<v Speaker 1>nine or two and O did you three episodes on

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<v Speaker 1>nine two and oh? How did that feel going on

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<v Speaker 1>to that set? What was that set?

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<v Speaker 2>Like?

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<v Speaker 3>You know, I never watched that show. I just knew

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<v Speaker 3>how big the hype was. And Luke like we both

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<v Speaker 3>our first jobs were across the hall from each other

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<v Speaker 3>in New York. So I'd known Luke for a very

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<v Speaker 3>long time. We dated the same woman. Oh not at

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<v Speaker 3>the same time, almost at the same time. So like

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<v Speaker 3>I'd known him for a long time. So that was

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<v Speaker 3>he was welcoming, and that was made things a little easier,

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<v Speaker 3>you know. But you're also like thirty and cocky and

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<v Speaker 3>you know, think you have like so I wasn't intimidated.

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<v Speaker 3>I was like, I probably thought I was overqualified.

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<v Speaker 1>Like they have me.

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<v Speaker 5>Well, it was it was clear that you were older,

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<v Speaker 5>yeah too and.

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<v Speaker 1>Staid like that. Yeah, maybe not feel like a little

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<v Speaker 1>bit more some of the older castmates. I mean, wasn't

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<v Speaker 1>Iron in his late twenties been?

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<v Speaker 3>Yeah, I was thirty, so old was Luke wasn't?

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<v Speaker 4>Aren't you guys?

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<v Speaker 3>I think he? I think they were all like four

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<v Speaker 3>or five years show.

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<v Speaker 5>Okay, And so you mentioned you had been on a show,

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<v Speaker 5>you'd been working in New York and so where like

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<v Speaker 5>where were you? Like, where was your career?

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<v Speaker 3>I went so late to study theater arts because they

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<v Speaker 3>didn't have any idea what to do. I was like, well,

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<v Speaker 3>they have a theater arts program. At it's UCLA. It's

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<v Speaker 3>in LA and you know that's where they make movies.

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<v Speaker 3>So I went there and in my last quarter I

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<v Speaker 3>was auditioning just to get practice, and I got a

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<v Speaker 3>soap opera in New York. I thought it was like

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<v Speaker 3>three months because I had such a crap agent he

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<v Speaker 3>misinformed me. I went there, started the three months and

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<v Speaker 3>they were like, you know, you know, you're here for

0:10:23.000 --> 0:10:28.480
<v Speaker 3>three years. So I finished out that contract, went to London,

0:10:28.520 --> 0:10:32.160
<v Speaker 3>study for a year, came back from London, started doing

0:10:32.240 --> 0:10:34.800
<v Speaker 3>theater out of New York. And then occasionally I would

0:10:34.840 --> 0:10:36.719
<v Speaker 3>go out. I'd get a job in LA. I like

0:10:36.760 --> 0:10:38.120
<v Speaker 3>a small job. I'd go out in LA and do

0:10:38.160 --> 0:10:39.760
<v Speaker 3>that job. Then I come back to New York and

0:10:40.320 --> 0:10:43.240
<v Speaker 3>spend all my money because it's so expensive there. Eventually,

0:10:43.559 --> 0:10:46.240
<v Speaker 3>like nineteen ninety, I think, so this is the first

0:10:46.320 --> 0:10:48.880
<v Speaker 3>job was in eighty two, I believe. And then in

0:10:48.960 --> 0:10:51.920
<v Speaker 3>nineteen ninety I moved to LA and that's when all

0:10:52.120 --> 0:10:54.760
<v Speaker 3>like it's like wow, there's all these pilots, which weren't

0:10:54.800 --> 0:10:57.280
<v Speaker 3>all casting in New York. So it was like, you know,

0:10:57.480 --> 0:11:00.960
<v Speaker 3>two years of constantly, you know, either auditioning or getting

0:11:01.000 --> 0:11:02.720
<v Speaker 3>a pilot. That doesn't go. I think I did. I

0:11:02.720 --> 0:11:04.520
<v Speaker 3>think I got a pilot each year that didn't go.

0:11:04.760 --> 0:11:08.160
<v Speaker 2>And then finally, so you're really like New York and

0:11:08.559 --> 0:11:12.000
<v Speaker 2>London trained Lambda Lamba right, yeah, so.

0:11:12.040 --> 0:11:14.120
<v Speaker 4>New York And did you do a lot of theater

0:11:14.160 --> 0:11:14.600
<v Speaker 4>in New York?

0:11:14.640 --> 0:11:17.040
<v Speaker 3>I did? I got I did thea that cast out

0:11:17.080 --> 0:11:19.800
<v Speaker 3>of New York and then went outside, like I did

0:11:20.000 --> 0:11:25.480
<v Speaker 3>some theater in North Carolina, North Carolina and Cleveland and

0:11:25.920 --> 0:11:30.040
<v Speaker 3>you know, anyway, just around. I did one show. I

0:11:30.040 --> 0:11:32.200
<v Speaker 3>did one Broadway show that I understand on and I

0:11:32.240 --> 0:11:33.959
<v Speaker 3>was the only understudy that didn't get to go on.

0:11:34.080 --> 0:11:36.920
<v Speaker 3>I understudied Matt Dylan in a play about Vietnam called

0:11:36.920 --> 0:11:41.400
<v Speaker 3>The Boys of Winter. Oh okay, Don Moffett and oh

0:11:41.520 --> 0:11:43.160
<v Speaker 3>yeah sounds righting Raims.

0:11:43.480 --> 0:11:47.720
<v Speaker 1>Wow, Matt Dylan, Would you want to do that now

0:11:47.840 --> 0:11:48.880
<v Speaker 1>or do you want to go back into theater.

0:11:49.120 --> 0:11:51.719
<v Speaker 3>I'd love to And you did do some Yeah, I've

0:11:51.760 --> 0:11:55.240
<v Speaker 3>gone back back and forth, and it was crazy. It

0:11:55.280 --> 0:11:57.520
<v Speaker 3>was twenty years ago the last time I did professional theater.

0:11:57.600 --> 0:12:00.200
<v Speaker 3>I was like shocked when I went to re up

0:12:00.240 --> 0:12:04.120
<v Speaker 3>my equity membership, like, oh my god, yeah, it's just

0:12:05.280 --> 0:12:08.440
<v Speaker 3>I'd love to. It's just it's like I'm living in

0:12:08.480 --> 0:12:10.040
<v Speaker 3>Atlanta right now, and it's.

0:12:09.880 --> 0:12:11.040
<v Speaker 1>Hard, it's impractical.

0:12:11.240 --> 0:12:14.160
<v Speaker 3>Yeah, a ten year old and my wife is on

0:12:14.200 --> 0:12:18.000
<v Speaker 3>a show, and yeah, you know so I'm interested. Yeah,

0:12:18.120 --> 0:12:20.240
<v Speaker 3>and I'm pushing in that direction. I don't see that.

0:12:20.920 --> 0:12:22.480
<v Speaker 3>I don't see the path yet for it.

0:12:22.600 --> 0:12:25.040
<v Speaker 2>You can't really make plans in this business, can you.

0:12:25.120 --> 0:12:26.240
<v Speaker 2>Everything just changes.

0:12:26.400 --> 0:12:28.480
<v Speaker 1>Well, even talking about pilot season. There used to be

0:12:28.559 --> 0:12:31.240
<v Speaker 1>a pilot season like that's gone. That used to make sense.

0:12:31.240 --> 0:12:33.880
<v Speaker 1>I was talking to a friend of mine whose son's

0:12:33.920 --> 0:12:36.880
<v Speaker 1>an actor. Now they did six episodes and they had

0:12:36.920 --> 0:12:39.960
<v Speaker 1>him on hold for eighteen months, like we used to have.

0:12:40.400 --> 0:12:42.719
<v Speaker 1>You knew by July if you'd be working the next year.

0:12:42.840 --> 0:12:44.439
<v Speaker 1>The rules are all gone now.

0:12:44.520 --> 0:12:46.360
<v Speaker 4>It's do they pay him for those?

0:12:46.440 --> 0:12:46.719
<v Speaker 3>All those?

0:12:46.840 --> 0:12:48.120
<v Speaker 1>He did not pay him for those.

0:12:49.000 --> 0:12:52.840
<v Speaker 3>In our last contract. Yeah, well I did, because you

0:12:52.840 --> 0:12:55.120
<v Speaker 3>know that you do now nowadays they're doing like a

0:12:55.920 --> 0:12:59.600
<v Speaker 3>streamer show. You could do eighty's and even if you

0:12:59.640 --> 0:13:01.960
<v Speaker 3>do eight for four years, they want to hold you.

0:13:02.000 --> 0:13:03.959
<v Speaker 3>And that when eight episodes takes what three and a

0:13:04.000 --> 0:13:05.880
<v Speaker 3>half four months? Yeah, then you want to hold.

0:13:05.679 --> 0:13:08.360
<v Speaker 2>You for the twelve You cannot. I can't make a

0:13:08.400 --> 0:13:09.160
<v Speaker 2>living in that anymore.

0:13:09.640 --> 0:13:12.600
<v Speaker 4>Things were different back then. Another that's a major.

0:13:12.440 --> 0:13:14.040
<v Speaker 1>Well, well, that's one of the things we're talking about.

0:13:14.040 --> 0:13:16.880
<v Speaker 1>When when we did the first episode, was doing thirty

0:13:16.920 --> 0:13:21.240
<v Speaker 1>two episodes a year. That's so insane. Now we're so lucky,

0:13:21.280 --> 0:13:24.040
<v Speaker 1>as hard as it was, like, we're so lucky we

0:13:24.120 --> 0:13:27.080
<v Speaker 1>did that and made that money because now it's even

0:13:27.080 --> 0:13:28.760
<v Speaker 1>if you're a regular in a series, it can be

0:13:28.800 --> 0:13:31.840
<v Speaker 1>hard to make a living, which is crazy, but we

0:13:32.040 --> 0:13:33.320
<v Speaker 1>really lucked out in the timing.

0:13:33.400 --> 0:13:36.679
<v Speaker 3>I can't believe crazy. I did five years on the

0:13:36.720 --> 0:13:39.240
<v Speaker 3>remake of Dynasty. We just wrapped. Yeah, two years ago

0:13:39.760 --> 0:13:43.080
<v Speaker 3>we did twenty two and that that's a lot, truly. Yeah, yes,

0:13:43.400 --> 0:13:46.840
<v Speaker 3>so thirty two. I'm amazed we were that much younger.

0:13:46.960 --> 0:13:50.000
<v Speaker 1>We had energy, Yeah, yeah, because we and the cast

0:13:50.040 --> 0:13:52.439
<v Speaker 1>got bigger and bigger and bigger. Remember like one year,

0:13:52.480 --> 0:13:55.880
<v Speaker 1>I think we had fourteen regular cast members. So then

0:13:55.920 --> 0:13:57.400
<v Speaker 1>you got some some space.

0:13:57.960 --> 0:14:01.920
<v Speaker 5>So what is your recollection like when you first started Melrose, Like,

0:14:02.040 --> 0:14:04.520
<v Speaker 5>do you remember like meeting the rest of the cast

0:14:04.559 --> 0:14:05.960
<v Speaker 5>and what was your take and what do you what

0:14:05.960 --> 0:14:06.160
<v Speaker 5>do you.

0:14:06.240 --> 0:14:08.520
<v Speaker 3>Remember when we all went to the soundstage for the

0:14:08.520 --> 0:14:10.360
<v Speaker 3>first time and we saw that they had dug a

0:14:10.480 --> 0:14:14.320
<v Speaker 3>swimming pool into the stage and we were all like, Okay,

0:14:14.480 --> 0:14:15.319
<v Speaker 3>we're gonna be here for him.

0:14:15.320 --> 0:14:15.719
<v Speaker 4>Pretty cool.

0:14:17.320 --> 0:14:19.760
<v Speaker 1>Well, we were sold for thirteen. I remember when we

0:14:19.800 --> 0:14:23.680
<v Speaker 1>shot the credits. Yes, I remember meeting everybody on Melrose

0:14:23.680 --> 0:14:24.520
<v Speaker 1>at Johnny Rocketts.

0:14:24.520 --> 0:14:28.120
<v Speaker 3>You remember, no o.

0:14:28.760 --> 0:14:31.240
<v Speaker 5>You remember that to tell us all about So.

0:14:31.280 --> 0:14:33.160
<v Speaker 3>We were standing on the corner right in front of

0:14:33.280 --> 0:14:34.320
<v Speaker 3>Johnny Rockets.

0:14:34.920 --> 0:14:36.600
<v Speaker 4>Do we think he was like his character?

0:14:38.000 --> 0:14:40.440
<v Speaker 3>Some guy pulls up on his motor right on the corner.

0:14:40.760 --> 0:14:43.920
<v Speaker 3>Some guy pulls up on his motorcycle right next to

0:14:43.960 --> 0:14:46.080
<v Speaker 3>the curve, and he starts reving his engine, and you

0:14:46.120 --> 0:14:48.320
<v Speaker 3>guys all started kind of laughing. And I looked over

0:14:48.400 --> 0:14:51.240
<v Speaker 3>and I went, I went, hey, they're laughing at you,

0:14:51.400 --> 0:14:56.120
<v Speaker 3>not with you. Remember anyway, what they're laughing at you?

0:14:56.280 --> 0:14:56.840
<v Speaker 3>Not with you?

0:14:57.000 --> 0:14:57.800
<v Speaker 5>So you picked a fight?

0:14:57.960 --> 0:15:02.000
<v Speaker 3>Yeah, he jumped office fight. He gets in my face.

0:15:02.040 --> 0:15:04.320
<v Speaker 3>I'm look, I'm working right now, and see all those

0:15:04.320 --> 0:15:06.920
<v Speaker 3>guys over there. All those guys are with me. So

0:15:06.960 --> 0:15:08.440
<v Speaker 3>you might want to wait till we've done work in

0:15:08.520 --> 0:15:11.240
<v Speaker 3>and then you can finish this. He goes and he

0:15:11.280 --> 0:15:14.480
<v Speaker 3>sits down at Giant Rockets and he waits. He starts waiting,

0:15:14.600 --> 0:15:16.640
<v Speaker 3>and then I find out that it is the son

0:15:16.840 --> 0:15:19.680
<v Speaker 3>of this actor who is like one of the most

0:15:19.760 --> 0:15:25.720
<v Speaker 3>like cool, macho like dudes, Steve McQueen, Steve mcca.

0:15:25.840 --> 0:15:31.600
<v Speaker 5>Okay, but wait a second, he's stuck around fight.

0:15:31.760 --> 0:15:33.680
<v Speaker 3>No, no, I find out that Steve McQueen's son.

0:15:34.200 --> 0:15:35.480
<v Speaker 5>How did you find that part out?

0:15:35.680 --> 0:15:38.800
<v Speaker 3>I don't know. Somebody told me, and I'm like, I'm

0:15:38.840 --> 0:15:42.160
<v Speaker 3>not gonna fight with Steve McQueen's you had the back,

0:15:43.480 --> 0:15:45.560
<v Speaker 3>I'm not going to do it. It's like, I'm not

0:15:45.840 --> 0:15:49.000
<v Speaker 3>He's like one of my biggest heroes ever. So I

0:15:49.040 --> 0:15:50.600
<v Speaker 3>went over and I told him, I said, listen, I'm

0:15:50.600 --> 0:15:52.480
<v Speaker 3>not going to fight you. You might as well just

0:15:52.520 --> 0:15:53.560
<v Speaker 3>go home. It's not going to happen.

0:15:53.760 --> 0:15:54.800
<v Speaker 4>Did you apologize?

0:15:56.520 --> 0:16:01.440
<v Speaker 2>We would, you know, Chad McQueen is who it was.

0:16:01.800 --> 0:16:05.040
<v Speaker 3>Years later we had run into each other and you know,

0:16:05.200 --> 0:16:08.160
<v Speaker 3>we we made you know, we hugged it out and nice.

0:16:08.880 --> 0:16:11.840
<v Speaker 2>That's an amazing Hollywood story, just like shooting on the side.

0:16:11.640 --> 0:16:14.520
<v Speaker 4>On Melrose Avenue. You guys were shooting.

0:16:14.200 --> 0:16:17.160
<v Speaker 2>Right, yeah, and that you almost got a fight with

0:16:17.160 --> 0:16:20.000
<v Speaker 2>Steve McQueen's son, who's just hanging out on motorcycle and

0:16:20.000 --> 0:16:21.280
<v Speaker 2>you're shooting your TV show.

0:16:24.720 --> 0:16:26.640
<v Speaker 1>Nobody really were. It was one of those things where

0:16:26.680 --> 0:16:28.480
<v Speaker 1>people were filming us, so they were like, who are

0:16:28.520 --> 0:16:29.760
<v Speaker 1>you were on the show, and then they would take

0:16:29.760 --> 0:16:32.240
<v Speaker 1>pictures with us, even and they had had cameras, there

0:16:32.280 --> 0:16:35.000
<v Speaker 1>were no phones. People wanted to take pictures just in case,

0:16:35.160 --> 0:16:38.400
<v Speaker 1>just in case. Obviously we were then just in case

0:16:38.440 --> 0:16:41.840
<v Speaker 1>we came. But I remember feeling pretty cool and all walking.

0:16:42.320 --> 0:16:46.440
<v Speaker 3>Yes, we spent we spent a month doing pre publicity

0:16:46.440 --> 0:16:48.720
<v Speaker 3>for that show. Remember like all that stuff up in

0:16:49.280 --> 0:16:51.600
<v Speaker 3>like Tapanga or wherever it was with that we did

0:16:51.640 --> 0:16:54.040
<v Speaker 3>for that magazine and all those super cool shots that

0:16:54.080 --> 0:16:54.480
<v Speaker 3>we did.

0:16:54.560 --> 0:16:57.160
<v Speaker 1>And but that was after it started taking on.

0:16:57.400 --> 0:17:01.400
<v Speaker 3>Was it no? No, because because Amy was in that Yeah.

0:17:01.240 --> 0:17:04.439
<v Speaker 1>I remember shooting was Entertainment Weekly, Yeah, and that was

0:17:04.440 --> 0:17:06.639
<v Speaker 1>I think I might have that somewhere. I should find that.

0:17:06.840 --> 0:17:08.399
<v Speaker 3>I think it was even before the air show this

0:17:08.520 --> 0:17:09.080
<v Speaker 3>show aired.

0:17:09.720 --> 0:17:12.440
<v Speaker 4>I think so did a lot of Entertainment Weekly.

0:17:12.640 --> 0:17:15.520
<v Speaker 1>There was a lot of you're right, they were so

0:17:15.560 --> 0:17:17.440
<v Speaker 1>excited because we were a spin off. There was all

0:17:17.600 --> 0:17:20.800
<v Speaker 1>this buzz and then it's sort of like fizzled until

0:17:20.800 --> 0:17:24.800
<v Speaker 1>Heather came came on. And then that really the Heather

0:17:24.960 --> 0:17:27.679
<v Speaker 1>came on and and Michael. That was funny watching the

0:17:27.760 --> 0:17:30.720
<v Speaker 1>second episode, is that you were so angry and Michael

0:17:30.840 --> 0:17:31.440
<v Speaker 1>was so nice.

0:17:31.600 --> 0:17:38.880
<v Speaker 6>Yeah, and then as you become like the tough guy

0:17:38.920 --> 0:17:41.719
<v Speaker 6>with the heart of gold, and he becomes just like

0:17:41.840 --> 0:17:42.840
<v Speaker 6>the bad guy.

0:17:43.359 --> 0:17:45.000
<v Speaker 1>Yeah, it was fun to see where we started. Wasn't

0:17:45.000 --> 0:17:45.639
<v Speaker 1>it fun to watch?

0:17:45.680 --> 0:17:47.679
<v Speaker 3>It was? It was really really fun to watch. I

0:17:47.680 --> 0:17:48.680
<v Speaker 3>had a lot of big emotions.

0:17:48.720 --> 0:17:51.400
<v Speaker 1>Actually, what were your big emotions?

0:17:51.480 --> 0:17:54.960
<v Speaker 3>Just a lot of like real nostalgia, and there was

0:17:55.000 --> 0:17:58.879
<v Speaker 3>like such a it was such a time of potential,

0:17:59.760 --> 0:18:02.720
<v Speaker 3>and you know that just that reliving that feeling of

0:18:02.720 --> 0:18:05.360
<v Speaker 3>potential was just really you know, had a lot of

0:18:05.480 --> 0:18:07.640
<v Speaker 3>like and you know, as you're in your sixties now,

0:18:07.680 --> 0:18:10.720
<v Speaker 3>it's like their potential has changed. So there was a

0:18:10.720 --> 0:18:13.760
<v Speaker 3>lot of like like joy and also loss in the

0:18:13.840 --> 0:18:16.919
<v Speaker 3>sense that that doesn't exist anymore and it can't exist anymore,

0:18:16.920 --> 0:18:18.600
<v Speaker 3>but also the joy of having had it. It was

0:18:18.840 --> 0:18:19.880
<v Speaker 3>just a lot of really big.

0:18:19.720 --> 0:18:23.399
<v Speaker 2>Emotion, really good point grant, really insightful. I feel like

0:18:24.160 --> 0:18:26.159
<v Speaker 2>and I'm not even have we've only watched too but

0:18:26.200 --> 0:18:28.440
<v Speaker 2>I did see a few before it, and I feel

0:18:28.480 --> 0:18:30.119
<v Speaker 2>like the same, you know, and that she was so

0:18:30.240 --> 0:18:33.600
<v Speaker 2>young while seeing myself and I'm watching We're watching Courtney

0:18:33.640 --> 0:18:37.000
<v Speaker 2>now and you guys. But to relate to yourself that way,

0:18:37.160 --> 0:18:40.399
<v Speaker 2>it is, it's pretty profound, because it was profound. I

0:18:41.040 --> 0:18:43.520
<v Speaker 2>lately I've been seeing time as like people that were

0:18:43.560 --> 0:18:45.920
<v Speaker 2>losing people our age are a little bit that we

0:18:46.000 --> 0:18:48.800
<v Speaker 2>used to look up to. You know, they're dying, you know,

0:18:48.840 --> 0:18:51.960
<v Speaker 2>we're getting older and the life and the life, I mean,

0:18:52.040 --> 0:18:53.560
<v Speaker 2>the world has changed so much.

0:18:53.680 --> 0:18:55.080
<v Speaker 4>But to go back and see it.

0:18:55.040 --> 0:19:01.720
<v Speaker 3>Through youth and so well recorded and so seminal a

0:19:01.720 --> 0:19:05.240
<v Speaker 3>time in my life, so you know, I have deep

0:19:05.320 --> 0:19:07.680
<v Speaker 3>emotional memories about it. Yeah, it's a big deal.

0:19:07.960 --> 0:19:10.680
<v Speaker 5>Well it's exceptional that we even have the video footage

0:19:10.760 --> 0:19:13.800
<v Speaker 5>of those years in our lives, which are for everyone

0:19:14.280 --> 0:19:17.360
<v Speaker 5>such an important period of time. Yeah, but it's captured

0:19:17.359 --> 0:19:19.040
<v Speaker 5>on film and we get to go back and look

0:19:19.080 --> 0:19:19.640
<v Speaker 5>at it.

0:19:19.400 --> 0:19:22.520
<v Speaker 3>And it was a huge social event, you know what

0:19:22.560 --> 0:19:25.359
<v Speaker 3>I mean. We were involved in something that not a

0:19:25.359 --> 0:19:26.360
<v Speaker 3>lot of people get to do.

0:19:26.640 --> 0:19:27.480
<v Speaker 2>Yeah.

0:19:28.080 --> 0:19:32.000
<v Speaker 1>I'm a nostalgia. I don't have the sad part. I

0:19:32.040 --> 0:19:35.280
<v Speaker 1>feel like because I feel like I can look back

0:19:35.320 --> 0:19:37.119
<v Speaker 1>at that time and it was such a sweet time.

0:19:37.760 --> 0:19:40.440
<v Speaker 1>I'm so much happier now in my life and in myself,

0:19:40.520 --> 0:19:43.960
<v Speaker 1>like I also see my insecurity and my fear, and

0:19:44.000 --> 0:19:46.679
<v Speaker 1>I go, wow, it's so nice to be older and

0:19:46.800 --> 0:19:49.960
<v Speaker 1>grounded and in my body. And I really do, like

0:19:50.040 --> 0:19:52.080
<v Speaker 1>I love my life so much. I almost felt like

0:19:52.720 --> 0:19:54.960
<v Speaker 1>I couldn't quite be in it because I wasn't quite

0:19:55.000 --> 0:19:56.480
<v Speaker 1>in my body yet at that time.

0:19:57.359 --> 0:19:59.119
<v Speaker 4>Nobody in their twenty eight seeing.

0:19:58.880 --> 0:20:01.120
<v Speaker 1>You guys now getting to spend the time see you today,

0:20:01.320 --> 0:20:04.560
<v Speaker 1>spend the time with I'm Lauren Dafney. It's so nice

0:20:04.600 --> 0:20:08.200
<v Speaker 1>to be together, like as friends without the noise, because

0:20:08.200 --> 0:20:10.800
<v Speaker 1>there was so much noise. There's so much attention and

0:20:10.920 --> 0:20:14.920
<v Speaker 1>noise and this like created competitiveness that isn't here now.

0:20:15.040 --> 0:20:17.879
<v Speaker 1>It's like, I'm just so happy to be with you guys.

0:20:18.440 --> 0:20:20.119
<v Speaker 1>So it's nice to get too.

0:20:20.480 --> 0:20:23.800
<v Speaker 3>Do you mean competitiveness between you guys, because I never

0:20:23.840 --> 0:20:24.479
<v Speaker 3>saw any of that.

0:20:25.200 --> 0:20:30.199
<v Speaker 1>No, no, no, but I felt this need to prove myself.

0:20:30.320 --> 0:20:33.320
<v Speaker 1>There was sort of like this this intensity and this

0:20:33.400 --> 0:20:37.359
<v Speaker 1>competitiveness was from the outside in. But there were publicists

0:20:37.400 --> 0:20:39.720
<v Speaker 1>and stories and this kind of stuff, and I just

0:20:39.800 --> 0:20:42.480
<v Speaker 1>don't have that anymore. I'm just happy to spend this

0:20:42.600 --> 0:20:46.240
<v Speaker 1>time and connect with you guys. So that's my overwhelming feeling,

0:20:46.280 --> 0:20:48.520
<v Speaker 1>which is so like I'm watching it and I'm texting Andrew,

0:20:48.880 --> 0:20:51.400
<v Speaker 1>and my real feeling about this is I'm so excited

0:20:51.440 --> 0:20:54.960
<v Speaker 1>that we all get to spend time together again now

0:20:54.960 --> 0:20:59.320
<v Speaker 1>that we're all in such a different suite place in

0:20:59.359 --> 0:21:01.840
<v Speaker 1>our lives. So for me, it wasn't like there's all

0:21:01.840 --> 0:21:04.200
<v Speaker 1>this potential I felt. I think I felt more pressure

0:21:04.200 --> 0:21:07.760
<v Speaker 1>then that I don't feel now like I'm really enjoying

0:21:08.440 --> 0:21:10.680
<v Speaker 1>my life today in a way I couldn't then because

0:21:10.680 --> 0:21:11.639
<v Speaker 1>I was like, oh am I going to be What's

0:21:11.640 --> 0:21:13.320
<v Speaker 1>going to happen? It's like and I was like, I'm good,

0:21:13.400 --> 0:21:16.320
<v Speaker 1>It's good, I'm good. This is so much fun to

0:21:16.359 --> 0:21:17.360
<v Speaker 1>be together and do this.

0:21:17.960 --> 0:21:21.160
<v Speaker 2>That is a gift of getting older, isn't it. Yes,

0:21:21.320 --> 0:21:22.040
<v Speaker 2>I mean that is.

0:21:22.400 --> 0:21:23.160
<v Speaker 4>It's just there.

0:21:23.240 --> 0:21:24.760
<v Speaker 2>I just want to say that if there's any I know,

0:21:24.880 --> 0:21:26.720
<v Speaker 2>most of our fans are probably our age.

0:21:26.840 --> 0:21:28.439
<v Speaker 4>Well, I'm your age.

0:21:28.600 --> 0:21:31.840
<v Speaker 2>You guys are younger, yeah, a lot younger, just a

0:21:31.880 --> 0:21:34.600
<v Speaker 2>little bit. Well, but I feel like our fans are

0:21:34.680 --> 0:21:36.639
<v Speaker 2>kind of our age. I mean there is a younger

0:21:37.200 --> 0:21:41.959
<v Speaker 2>group too that I think watches. But you know, I

0:21:42.000 --> 0:21:44.640
<v Speaker 2>just hope that everyone, I think that everyone in our

0:21:44.680 --> 0:21:46.680
<v Speaker 2>audience being that age, they feel the same thing, which

0:21:46.720 --> 0:21:48.639
<v Speaker 2>is partially why I was excited about doing this. You

0:21:48.680 --> 0:21:51.280
<v Speaker 2>know that we all deserve a little reprieve from the

0:21:51.320 --> 0:21:53.320
<v Speaker 2>world today and like to go back and to when

0:21:53.320 --> 0:21:55.200
<v Speaker 2>we all have potential, when we're all we're young and

0:21:56.080 --> 0:21:59.959
<v Speaker 2>and watching Meloe's Place and just the nineties in general,

0:22:00.280 --> 0:22:05.640
<v Speaker 2>there's just a projection that it was easier and lighter

0:22:05.680 --> 0:22:09.160
<v Speaker 2>and colorful. And I don't know, that's what I that's

0:22:09.200 --> 0:22:13.280
<v Speaker 2>what I project onto those times from the outside the nineties,

0:22:13.320 --> 0:22:16.119
<v Speaker 2>you know, and like you goofed up, but that was

0:22:16.200 --> 0:22:18.399
<v Speaker 2>taken care of and there'd be next week and I

0:22:18.440 --> 0:22:20.920
<v Speaker 2>don't know, things were just it's just to me, that's

0:22:20.920 --> 0:22:25.320
<v Speaker 2>a that's a gift of this podcast at this age,

0:22:25.480 --> 0:22:29.560
<v Speaker 2>to your point to enjoy with the audience. Does anyone

0:22:29.560 --> 0:22:31.120
<v Speaker 2>know what I'm saying with the audience to go back

0:22:31.119 --> 0:22:33.840
<v Speaker 2>to a time nostalgia, you know, And.

0:22:33.840 --> 0:22:37.280
<v Speaker 5>I think we've talked about it before that like what's

0:22:37.320 --> 0:22:42.119
<v Speaker 5>specific about watching this show is that people it evokes

0:22:42.200 --> 0:22:44.600
<v Speaker 5>where they were in their life at that time, because

0:22:44.640 --> 0:22:46.760
<v Speaker 5>they weren't they were watching it with someone and they

0:22:46.800 --> 0:22:49.520
<v Speaker 5>were watching it at a certain time. And so I

0:22:49.560 --> 0:22:52.560
<v Speaker 5>know we've all heard from friends like Wow, just watching

0:22:52.600 --> 0:22:55.400
<v Speaker 5>those episodes brings back a lot for the audience too,

0:22:55.520 --> 0:22:58.320
<v Speaker 5>because they'll say, I remember where I was and who

0:22:58.320 --> 0:23:00.439
<v Speaker 5>I was watching with at that time, and it brings

0:23:00.480 --> 0:23:03.439
<v Speaker 5>them back to their era of the twenties and so

0:23:04.119 --> 0:23:05.840
<v Speaker 5>like we were going through what we were going through

0:23:05.880 --> 0:23:09.119
<v Speaker 5>as people, but we were also going through show together.

0:23:09.320 --> 0:23:11.760
<v Speaker 5>So to have that memorialized on screen that we get

0:23:11.760 --> 0:23:12.680
<v Speaker 5>to revisit it and stuff.

0:23:12.680 --> 0:23:14.600
<v Speaker 2>I think the nostalgia is well and.

0:23:14.560 --> 0:23:17.960
<v Speaker 3>I think anytime you're having a deeply nostalgic moment, it's

0:23:18.200 --> 0:23:19.960
<v Speaker 3>going to be bittersweet.

0:23:19.440 --> 0:23:23.080
<v Speaker 2>Anytime, Yeah, because it's gone.

0:23:22.560 --> 0:23:26.680
<v Speaker 3>And our memories of things are always heightened. Like I

0:23:26.680 --> 0:23:30.600
<v Speaker 3>believe we always remember things as better than they were

0:23:30.640 --> 0:23:33.600
<v Speaker 3>in a way because you forget, you drop, I do.

0:23:33.920 --> 0:23:35.720
<v Speaker 3>I drop all the sort of negative stuff and I

0:23:35.720 --> 0:23:37.960
<v Speaker 3>hold on to the kind of positive stuff. So nostalgia

0:23:38.000 --> 0:23:40.159
<v Speaker 3>has that, but it's also it's always very bittersweet.

0:23:40.400 --> 0:23:40.760
<v Speaker 4>Yeah.

0:23:41.000 --> 0:23:41.400
<v Speaker 1>Yeah.

0:23:41.480 --> 0:23:45.000
<v Speaker 5>How do you do you feel like Melrose specifically? Do

0:23:45.040 --> 0:23:47.119
<v Speaker 5>you think it changed your life? Like, how do you

0:23:47.160 --> 0:23:48.800
<v Speaker 5>think it changed your life? What was that?

0:23:48.920 --> 0:23:52.920
<v Speaker 3>Like? What about you guys? But it turns it it

0:23:53.520 --> 0:23:58.840
<v Speaker 3>dictated the rest of my career. You know, not necessarily

0:23:58.880 --> 0:24:01.879
<v Speaker 3>for better or for worse. But I had a career.

0:24:02.000 --> 0:24:03.879
<v Speaker 3>I was going to work continued as long as I

0:24:03.920 --> 0:24:05.800
<v Speaker 3>put the effort in. I was going to continue to

0:24:05.800 --> 0:24:07.480
<v Speaker 3>work for as long as I wanted to because of

0:24:07.560 --> 0:24:08.280
<v Speaker 3>Melrose Place.

0:24:10.040 --> 0:24:14.080
<v Speaker 1>Do you find because I find still that's what people

0:24:14.119 --> 0:24:17.280
<v Speaker 1>remember me from. Like if someone says to me, like,

0:24:17.359 --> 0:24:20.200
<v Speaker 1>you look familiar, I could list the things I've done

0:24:20.280 --> 0:24:21.960
<v Speaker 1>in order I just go Malro's place.

0:24:22.000 --> 0:24:22.640
<v Speaker 4>So well, that's it.

0:24:22.760 --> 0:24:25.880
<v Speaker 1>Like, because it was, like we've talked about, was a

0:24:25.880 --> 0:24:28.040
<v Speaker 1>time in their lives. I lived in that apartment, I

0:24:28.080 --> 0:24:30.960
<v Speaker 1>watched it with my friends, I watched it in college.

0:24:31.119 --> 0:24:35.000
<v Speaker 1>It's like a part they have nostalgia for, not just

0:24:35.080 --> 0:24:37.960
<v Speaker 1>that time in their lives, but the show and what

0:24:38.080 --> 0:24:42.679
<v Speaker 1>the show meant connected to their college, high school experience.

0:24:42.760 --> 0:24:45.639
<v Speaker 3>It was sort of the last era of you know,

0:24:45.680 --> 0:24:46.840
<v Speaker 3>watercooler television.

0:24:46.920 --> 0:24:49.120
<v Speaker 1>Yeah, but do you find that that's what people recognize?

0:24:49.119 --> 0:24:51.480
<v Speaker 3>It depends in the age group, Like, yeah, because I

0:24:51.520 --> 0:24:55.399
<v Speaker 3>did Dynasty for so long. Like anybody like I don't know,

0:24:55.480 --> 0:24:57.960
<v Speaker 3>thirty five, forty or younger, they're going to say Dynasty.

0:24:58.200 --> 0:25:00.000
<v Speaker 1>Really yeah, oh that's fast.

0:25:00.240 --> 0:25:02.960
<v Speaker 2>So you know, if they're your age or if they're yeah,

0:25:03.040 --> 0:25:04.680
<v Speaker 2>you know that much be the agent.

0:25:04.720 --> 0:25:07.119
<v Speaker 5>Are you finding those to be also the same audience,

0:25:07.160 --> 0:25:09.160
<v Speaker 5>like do they know you from Dynasty and from Momos

0:25:09.240 --> 0:25:11.439
<v Speaker 5>or is it oh no, they discovered you.

0:25:11.520 --> 0:25:15.119
<v Speaker 2>Okay, so they are younger because Dynasty was CW.

0:25:15.520 --> 0:25:17.880
<v Speaker 3>Yeah, it was mostly Netflix, which we.

0:25:17.880 --> 0:25:20.360
<v Speaker 4>Got to join you on, Laura.

0:25:19.880 --> 0:25:23.320
<v Speaker 3>Literally, don't make people watch it on CW. Seriously, two

0:25:23.400 --> 0:25:26.600
<v Speaker 3>hundred and fifty thousand. Wow, I know right.

0:25:26.800 --> 0:25:29.240
<v Speaker 1>Well, you said that's big Internationally it was big.

0:25:29.640 --> 0:25:31.119
<v Speaker 4>I think it Soflix.

0:25:31.520 --> 0:25:35.040
<v Speaker 3>On Netflix it would consistently be every time it dropped,

0:25:35.040 --> 0:25:36.560
<v Speaker 3>it would be in the top ten for like a month.

0:25:37.080 --> 0:25:39.720
<v Speaker 1>Crazy, that's so cool every time it dropped meaning a

0:25:39.720 --> 0:25:43.760
<v Speaker 1>new season. Yeah, oh was it fun? Did it feel

0:25:43.760 --> 0:25:44.800
<v Speaker 1>Melrose placy at all?

0:25:45.359 --> 0:25:46.040
<v Speaker 3>Not at all?

0:25:46.040 --> 0:25:46.280
<v Speaker 1>Why?

0:25:46.800 --> 0:25:49.720
<v Speaker 3>Because no one watched it in America, so like we

0:25:49.800 --> 0:25:52.879
<v Speaker 3>didn't get any of that. Like it was very It

0:25:52.920 --> 0:25:54.800
<v Speaker 3>was an international show, but the.

0:25:54.800 --> 0:25:57.440
<v Speaker 1>Drama, the sort of heightened drama, didn't have the same

0:25:57.440 --> 0:25:57.960
<v Speaker 1>feels a.

0:25:58.280 --> 0:26:01.840
<v Speaker 3>No, it's yeah and no, it had a very it

0:26:01.840 --> 0:26:05.320
<v Speaker 3>was very different feel. We were we were self aware,

0:26:05.480 --> 0:26:09.160
<v Speaker 3>whereas Meldoe's place was not. So we knew we were

0:26:09.200 --> 0:26:11.639
<v Speaker 3>doing tongue in cheek in some comedy. We would do

0:26:12.359 --> 0:26:18.480
<v Speaker 3>the exact storylines of the original show from our own perspective. Yeah, yeah,

0:26:18.560 --> 0:26:21.639
<v Speaker 3>I mean, like you know the story where it was

0:26:21.760 --> 0:26:27.320
<v Speaker 3>kidnapped baby and it was taken up to the building

0:26:27.440 --> 0:26:29.080
<v Speaker 3>and we're all on the roof of the building and

0:26:29.119 --> 0:26:31.760
<v Speaker 3>then the baby the person who kidnapped the baby was crazy,

0:26:31.840 --> 0:26:34.520
<v Speaker 3>threw the baby off the roof and it turns out

0:26:34.560 --> 0:26:38.200
<v Speaker 3>it was a doll. We did the whole thing exactly

0:26:38.400 --> 0:26:41.480
<v Speaker 3>like that. It was crazy standing on top of a

0:26:41.600 --> 0:26:44.240
<v Speaker 3>roof in the middle of Atlanta in the middle of winter.

0:26:44.280 --> 0:26:48.440
<v Speaker 3>It was freezing cold, so throwing dog it was a doll.

0:26:48.560 --> 0:26:49.760
<v Speaker 3>It was a doll.

0:26:52.000 --> 0:26:55.040
<v Speaker 2>Well, Graham, let's use that segue. What about our storylines?

0:26:55.080 --> 0:26:56.919
<v Speaker 2>But were some of them one of the ones that

0:26:57.000 --> 0:26:59.879
<v Speaker 2>stood out for you? For Melrose's place for Jake, Oh my,

0:27:00.160 --> 0:27:01.120
<v Speaker 2>I don't remember that.

0:27:01.200 --> 0:27:03.760
<v Speaker 3>You remember being in the middle of the ocean because

0:27:03.800 --> 0:27:04.840
<v Speaker 3>my boat grew up?

0:27:04.920 --> 0:27:07.560
<v Speaker 4>There was a boat. Yeah, there's a boat explosion. Yeah,

0:27:07.680 --> 0:27:08.719
<v Speaker 4>the blew up.

0:27:08.800 --> 0:27:10.399
<v Speaker 3>She had a lot of bad luck.

0:27:10.280 --> 0:27:14.239
<v Speaker 1>On the show. Jake had romances with each of us.

0:27:14.359 --> 0:27:17.920
<v Speaker 3>You were the first one, and of the people on

0:27:17.960 --> 0:27:20.520
<v Speaker 3>the show other than Amy and if I'm not mistaken

0:27:20.520 --> 0:27:20.920
<v Speaker 3>by the.

0:27:20.840 --> 0:27:24.080
<v Speaker 1>Time I before I show, I was at the end.

0:27:24.320 --> 0:27:26.280
<v Speaker 3>No, then we came back around to it. There was

0:27:26.320 --> 0:27:28.399
<v Speaker 3>something in the beginning of the show, because I remember

0:27:28.400 --> 0:27:30.280
<v Speaker 3>it was like, oh, I'm going back for seconds.

0:27:32.200 --> 0:27:32.920
<v Speaker 4>Sloppy second.

0:27:33.040 --> 0:27:34.840
<v Speaker 2>I believe me.

0:27:35.480 --> 0:27:38.200
<v Speaker 4>Joe I was your life.

0:27:38.200 --> 0:27:39.760
<v Speaker 3>That's right, it was.

0:27:40.240 --> 0:27:41.240
<v Speaker 4>But then she came on.

0:27:41.400 --> 0:27:42.680
<v Speaker 1>You guys were together.

0:27:42.480 --> 0:27:45.640
<v Speaker 3>But she came on the season middle of season one, right.

0:27:47.760 --> 0:27:49.359
<v Speaker 1>Listen together before Billy and.

0:27:49.359 --> 0:27:52.280
<v Speaker 3>I don't think there was some flirtation catalyst. I think

0:27:52.320 --> 0:27:54.479
<v Speaker 3>it might have been. There was some I don't remember exactly,

0:27:54.480 --> 0:27:55.120
<v Speaker 3>but I know I.

0:27:55.000 --> 0:27:56.480
<v Speaker 2>Can't wait to get to those episodes.

0:27:56.600 --> 0:27:58.359
<v Speaker 3>That sounds right to me. It sounds to me like

0:27:58.400 --> 0:28:00.840
<v Speaker 3>maybe there was some flirtation with you and I and

0:28:00.880 --> 0:28:06.320
<v Speaker 3>that's what got Billy to come around, similar to his

0:28:06.359 --> 0:28:10.360
<v Speaker 3>flirtation with what was her name in the episode two.

0:28:10.200 --> 0:28:16.080
<v Speaker 2>That Marcy the taxi girl so furious about it. She

0:28:16.240 --> 0:28:18.840
<v Speaker 2>was great, she was great the last episode.

0:28:18.920 --> 0:28:19.120
<v Speaker 4>Yeah.

0:28:19.640 --> 0:28:21.360
<v Speaker 2>No, but Corney's running into her.

0:28:21.560 --> 0:28:23.760
<v Speaker 1>I've run into a probably thirty times since the show,

0:28:23.800 --> 0:28:26.520
<v Speaker 1>and remember each other from meloth I run under her everything.

0:28:26.920 --> 0:28:27.840
<v Speaker 3>She was terrific.

0:28:27.880 --> 0:28:32.560
<v Speaker 5>We're giving her all sorts of props and yes, Jensen

0:28:33.320 --> 0:28:34.160
<v Speaker 5>Jensen Daggett.

0:28:34.160 --> 0:28:35.520
<v Speaker 3>Okay, what a name.

0:28:35.720 --> 0:28:36.439
<v Speaker 4>But we'll have to.

0:28:36.680 --> 0:28:39.040
<v Speaker 5>I mean, I'm so glad we have the opportunity to

0:28:39.080 --> 0:28:41.680
<v Speaker 5>rewatch all of our episodes so we can clarify these storylines,

0:28:41.680 --> 0:28:44.000
<v Speaker 5>because obviously we all have questions. You have a recollection,

0:28:44.240 --> 0:28:45.320
<v Speaker 5>like I think I was.

0:28:45.280 --> 0:28:48.320
<v Speaker 1>With think Jake was with everybody in the apartment.

0:28:48.400 --> 0:28:50.720
<v Speaker 2>Oh for sure at some point, for sure.

0:28:51.240 --> 0:28:52.880
<v Speaker 1>Oh so sure it was in my contract.

0:28:52.880 --> 0:28:55.520
<v Speaker 2>But by the way, we kept talking about Jake as

0:28:55.520 --> 0:28:58.600
<v Speaker 2>a stand up guy. That's like Laura's favorite thing. He

0:28:58.640 --> 0:29:01.080
<v Speaker 2>was a stand up guy, but he was a lay

0:29:01.200 --> 0:29:04.520
<v Speaker 2>down guy. This guy just laid down.

0:29:06.400 --> 0:29:08.360
<v Speaker 5>Well, but he would stick up for people in a way.

0:29:08.360 --> 0:29:10.800
<v Speaker 5>That's like that was the thing right and wrong and

0:29:11.200 --> 0:29:15.280
<v Speaker 5>I'm gonna yeah, like defending the lady and in the

0:29:15.360 --> 0:29:17.160
<v Speaker 5>unemployment office, I.

0:29:17.080 --> 0:29:21.160
<v Speaker 3>Remember that, you do. My daughter was watching with me

0:29:21.320 --> 0:29:24.400
<v Speaker 3>when that scene came on, and she went, as soon

0:29:24.440 --> 0:29:27.000
<v Speaker 3>as I pushed that cash, no, no, no, no, no.

0:29:26.600 --> 0:29:29.240
<v Speaker 5>No no, doesn't want to see it, doesn't want to

0:29:29.240 --> 0:29:29.520
<v Speaker 5>see it.

0:29:29.640 --> 0:29:30.640
<v Speaker 4>I don't want to see a fight.

0:29:30.920 --> 0:29:31.160
<v Speaker 1>Yeah.

0:29:31.800 --> 0:29:32.360
<v Speaker 4>Oh my god.

0:29:32.360 --> 0:29:34.240
<v Speaker 5>It's so funny to see things through the eyes of

0:29:34.240 --> 0:29:37.800
<v Speaker 5>our children, because they do not feel comfortable watching this

0:29:38.080 --> 0:29:40.960
<v Speaker 5>or like another version of us that they just don't

0:29:40.960 --> 0:29:41.200
<v Speaker 5>want to.

0:29:41.920 --> 0:29:44.240
<v Speaker 2>What about you bear chested and she's like, daddy, put

0:29:44.320 --> 0:29:45.080
<v Speaker 2>some clothes on.

0:29:45.480 --> 0:29:46.960
<v Speaker 3>She's daddy, you got a six pack?

0:29:48.400 --> 0:29:51.280
<v Speaker 2>That is your daughter? Why do you think your shirt

0:29:51.320 --> 0:29:51.640
<v Speaker 2>was off?

0:29:51.760 --> 0:29:52.520
<v Speaker 4>Okay, we have a.

0:29:52.520 --> 0:29:54.920
<v Speaker 2>Question because I don't remember seeing this, But did you

0:29:54.960 --> 0:29:57.280
<v Speaker 2>ever work out or do those push ups that guys

0:29:57.280 --> 0:29:58.240
<v Speaker 2>would do like before?

0:29:58.880 --> 0:30:00.760
<v Speaker 3>No, we never did.

0:30:00.600 --> 0:30:02.960
<v Speaker 4>That, worked with and they'll do push ups right before.

0:30:03.200 --> 0:30:05.800
<v Speaker 1>Well no, because we had these genetically gifted guys like

0:30:05.840 --> 0:30:08.640
<v Speaker 1>Grant and Andrew. You eat nine doughnuts and then go

0:30:08.720 --> 0:30:12.520
<v Speaker 1>do a topless just so your body just doesn't make found.

0:30:12.960 --> 0:30:13.720
<v Speaker 3>It still doesn't.

0:30:13.800 --> 0:30:16.680
<v Speaker 1>I'm still oh you poor baby, Yeah, you poor, how

0:30:16.720 --> 0:30:17.200
<v Speaker 1>you suffer.

0:30:20.320 --> 0:30:22.000
<v Speaker 3>It is a little different, though, it is.

0:30:23.400 --> 0:30:24.400
<v Speaker 4>Yeah, okay, all.

0:30:24.360 --> 0:30:27.800
<v Speaker 5>Right, weren't Yeah, let me let me get.

0:30:27.680 --> 0:30:31.200
<v Speaker 2>A violin because Grant six packs all these year thirty

0:30:31.280 --> 0:30:31.680
<v Speaker 2>years later.

0:30:31.680 --> 0:30:40.960
<v Speaker 4>It's a little bit different anyway.

0:30:41.800 --> 0:30:45.120
<v Speaker 5>So okay, so you remember the boat blowing up and

0:30:45.760 --> 0:30:49.000
<v Speaker 5>shooters like burns, something burned.

0:30:48.800 --> 0:30:52.880
<v Speaker 2>Down the motorcycle motorcycle shop, yeahtorcycle shop.

0:30:53.040 --> 0:30:56.360
<v Speaker 3>Yeah, maybe shooters stick stuck around. Maybe nothing happened to shooters.

0:30:56.360 --> 0:30:58.400
<v Speaker 2>That was like the last thing I remember the motorcycle

0:30:58.440 --> 0:31:00.960
<v Speaker 2>shop burned down to dineer somewhere.

0:31:01.800 --> 0:31:03.440
<v Speaker 5>Did you take anything, did you keep anything? Do you

0:31:03.440 --> 0:31:06.400
<v Speaker 5>have any like memorabilia, keep sakes, anything like clothes?

0:31:06.480 --> 0:31:09.320
<v Speaker 3>I mean I had a basement full of you know,

0:31:09.560 --> 0:31:14.000
<v Speaker 3>Melose place bags and melos place CDP players place hats

0:31:14.040 --> 0:31:17.160
<v Speaker 3>in Melos place. You know that felt followed me around

0:31:17.160 --> 0:31:24.000
<v Speaker 3>for decades. Yeah, right, I just had that kind of crap.

0:31:24.040 --> 0:31:25.440
<v Speaker 3>And I didn't take anything of the set.

0:31:25.600 --> 0:31:28.000
<v Speaker 5>I think my sister in law still has shooters glasses

0:31:28.040 --> 0:31:28.920
<v Speaker 5>in her cabinet.

0:31:29.240 --> 0:31:29.720
<v Speaker 3>That's cool.

0:31:29.840 --> 0:31:31.360
<v Speaker 2>Yeah, she inherited those.

0:31:32.320 --> 0:31:35.360
<v Speaker 3>See. I was fascinated by, like when I found out

0:31:35.400 --> 0:31:38.080
<v Speaker 3>about all the art installation stuff that was stuck in there.

0:31:38.120 --> 0:31:42.440
<v Speaker 3>Although yes, no idea they tricked us those people the

0:31:42.440 --> 0:31:44.080
<v Speaker 3>only time they tricked us on that whole show.

0:31:44.880 --> 0:31:48.560
<v Speaker 2>Yeah, the only time, the only time, what do you.

0:31:48.520 --> 0:31:52.680
<v Speaker 3>Mean art installations? Installations was like I think was like.

0:31:53.360 --> 0:31:56.560
<v Speaker 4>Political t shirts.

0:31:56.560 --> 0:31:59.480
<v Speaker 5>But Mattah in the art department would just like slip

0:31:59.520 --> 0:31:59.840
<v Speaker 5>down it.

0:32:00.200 --> 0:32:01.760
<v Speaker 3>But it was but it was a whole big plan

0:32:01.920 --> 0:32:04.720
<v Speaker 3>with the like they'd come to them and the producers

0:32:04.760 --> 0:32:06.240
<v Speaker 3>were aware of it, and it was a whole.

0:32:07.520 --> 0:32:09.200
<v Speaker 2>I feel like back then, I don't know about these

0:32:09.200 --> 0:32:11.360
<v Speaker 2>nonprofits that you're talking about, but like, don't you remember

0:32:11.360 --> 0:32:14.040
<v Speaker 2>a product placement was like a new thing and they

0:32:14.160 --> 0:32:17.840
<v Speaker 2>just took everything because it was like free money, you know,

0:32:17.960 --> 0:32:23.280
<v Speaker 2>Evyon Bottles and just product was like a thing back then,

0:32:23.520 --> 0:32:25.200
<v Speaker 2>and then it got really into it and then.

0:32:25.040 --> 0:32:27.880
<v Speaker 4>Before you know it, I remember like, hold.

0:32:27.640 --> 0:32:29.840
<v Speaker 2>This Dunkin Donuts like this, So they can't.

0:32:29.600 --> 0:32:30.400
<v Speaker 3>Do that on that show.

0:32:30.680 --> 0:32:33.240
<v Speaker 4>No, no, we didn't do it. It was very limit somewhere.

0:32:33.320 --> 0:32:35.760
<v Speaker 2>I remember Denise used to get like jewelry from all

0:32:35.760 --> 0:32:37.600
<v Speaker 2>the new you know, jewelry makers and all the new

0:32:37.640 --> 0:32:40.560
<v Speaker 2>designers would send us those clothes and all that.

0:32:40.640 --> 0:32:42.080
<v Speaker 4>But do you.

0:32:42.000 --> 0:32:45.360
<v Speaker 1>Guys remember that at about ten thirty every morning they'd

0:32:45.360 --> 0:32:49.080
<v Speaker 1>bring out a tub of tuna fish? Oh yes, I

0:32:49.120 --> 0:32:49.600
<v Speaker 1>remember that.

0:32:50.040 --> 0:32:50.560
<v Speaker 5>That choice.

0:32:51.040 --> 0:32:53.320
<v Speaker 1>Yeah, and you came in late, and if you were

0:32:53.360 --> 0:32:55.440
<v Speaker 1>in it when it came out, you sort of adjusted it.

0:32:55.440 --> 0:32:56.640
<v Speaker 1>If you came in at like eleven, you.

0:32:56.960 --> 0:33:00.440
<v Speaker 4>Who don'ty minutes?

0:33:01.640 --> 0:33:04.600
<v Speaker 3>You all? I don't.

0:33:04.640 --> 0:33:08.280
<v Speaker 1>I don't don't memory because that's not a.

0:33:08.320 --> 0:33:10.280
<v Speaker 2>Last starving by then, but we're like, if you have

0:33:10.280 --> 0:33:15.680
<v Speaker 2>a love scene, please, but the crew were starving you know.

0:33:15.880 --> 0:33:17.840
<v Speaker 1>Just like remember Heather been Jack trying to eat the

0:33:17.920 --> 0:33:19.959
<v Speaker 1>most disgusting thing before they're kissing.

0:33:20.360 --> 0:33:22.240
<v Speaker 3>Have you seen Heather recently?

0:33:22.560 --> 0:33:22.840
<v Speaker 4>Yes?

0:33:23.040 --> 0:33:23.360
<v Speaker 3>You have?

0:33:23.600 --> 0:33:26.160
<v Speaker 4>Yeah, Oh wow, we've been. We're going to see you

0:33:26.160 --> 0:33:27.480
<v Speaker 4>in Florida. It'll be great.

0:33:27.480 --> 0:33:29.440
<v Speaker 2>We're going to do just for those listening, we're going

0:33:29.480 --> 0:33:35.040
<v Speaker 2>to be doing a nineties con in Daytona, Florida, September thirteenth, fourteenth,

0:33:35.280 --> 0:33:37.880
<v Speaker 2>and fifteenth that weekend. I'll just pop that in.

0:33:37.880 --> 0:33:41.280
<v Speaker 5>It's a little fun. So what do you remember about

0:33:41.320 --> 0:33:45.960
<v Speaker 5>shooting that scene or just that shot of the refrigerator

0:33:46.000 --> 0:33:47.680
<v Speaker 5>opening and the light coming out of there.

0:33:48.040 --> 0:33:50.600
<v Speaker 3>I don't remember much. I was saying, like I know that,

0:33:50.800 --> 0:33:52.720
<v Speaker 3>I don't remember if it was even in a scene.

0:33:52.760 --> 0:33:54.800
<v Speaker 3>I don't remember if it was like let's shoot some

0:33:54.800 --> 0:33:58.280
<v Speaker 3>stuff for the for the title sequence, or if that

0:33:58.440 --> 0:34:00.880
<v Speaker 3>was pulled from a scene. I I just don't remember.

0:34:01.240 --> 0:34:01.959
<v Speaker 4>We'll look for it.

0:34:02.040 --> 0:34:04.240
<v Speaker 5>That's worth well, now it's unforgettable.

0:34:04.280 --> 0:34:05.480
<v Speaker 2>Did they tell you that was going to be on

0:34:05.720 --> 0:34:07.640
<v Speaker 2>every thing shot?

0:34:07.760 --> 0:34:09.759
<v Speaker 3>It was like one of those they were constantly having

0:34:09.800 --> 0:34:14.080
<v Speaker 3>to do that stuff. Like I remember standing over an

0:34:14.120 --> 0:34:15.800
<v Speaker 3>air conditioning unit with the air.

0:34:15.680 --> 0:34:18.000
<v Speaker 5>Blowing on and they had to put like probably a

0:34:18.040 --> 0:34:20.360
<v Speaker 5>special light in the fridge for when you opened.

0:34:20.080 --> 0:34:25.840
<v Speaker 1>It, like like the like yeah, watching the pilot episode

0:34:25.840 --> 0:34:31.760
<v Speaker 1>and then later on Andrew opens a refrigerator door, I'm like, nice,

0:34:30.840 --> 0:34:33.240
<v Speaker 1>nice everything.

0:34:33.719 --> 0:34:35.800
<v Speaker 2>Ever it is Melrose places.

0:34:36.520 --> 0:34:38.840
<v Speaker 1>We know they're throwing extra jackets on us, like you

0:34:38.880 --> 0:34:40.879
<v Speaker 1>can wear a sheet. Hey, guys, take your shirt off.

0:34:40.920 --> 0:34:43.360
<v Speaker 5>We were surprised to find that the guys were in

0:34:43.400 --> 0:34:45.600
<v Speaker 5>a constant state of shirtlessness.

0:34:46.640 --> 0:34:49.440
<v Speaker 3>Episode, Like, I do remember being shirtless a lot, but

0:34:49.520 --> 0:34:52.440
<v Speaker 3>I don't remember being this shirt everyone.

0:34:52.760 --> 0:34:55.480
<v Speaker 1>About at a certain point, at a certain point you

0:34:55.520 --> 0:34:57.680
<v Speaker 1>said I'm not doing another scene in the shower. I

0:34:57.880 --> 0:35:01.120
<v Speaker 1>remember you guys saying enough enough ready, right.

0:35:01.200 --> 0:35:03.919
<v Speaker 2>Yeah, I was just like better them than me, Like yeah,

0:35:03.960 --> 0:35:06.600
<v Speaker 2>he could face that way.

0:35:07.880 --> 0:35:10.799
<v Speaker 1>Aaron Spelling knew like he knew what the audience was

0:35:10.920 --> 0:35:11.640
<v Speaker 1>and he and.

0:35:11.600 --> 0:35:14.360
<v Speaker 4>I think the star probably something to do.

0:35:14.680 --> 0:35:17.480
<v Speaker 1>No, but it was pretty clothes on the women, yeah

0:35:17.520 --> 0:35:21.080
<v Speaker 1>for sure, and no hats on the men was kind

0:35:21.120 --> 0:35:21.600
<v Speaker 1>of the note.

0:35:22.600 --> 0:35:24.920
<v Speaker 3>It just made me think of something else. It shot

0:35:24.920 --> 0:35:27.319
<v Speaker 3>a whole lot better than I remember it being shot too. Yes,

0:35:27.360 --> 0:35:29.680
<v Speaker 3>I'm surprised. I was surprised at how well it was shot.

0:35:29.760 --> 0:35:33.040
<v Speaker 3>It was film that's true, But I'm just talking about

0:35:33.040 --> 0:35:35.760
<v Speaker 3>how the shots were set up. I remember being cran

0:35:36.440 --> 0:35:39.080
<v Speaker 3>close ups like this, but it wasn't later.

0:35:39.280 --> 0:35:41.919
<v Speaker 1>Well, this is the beginning, remember Later it was over

0:35:42.000 --> 0:35:44.040
<v Speaker 1>to close up, over to close up. So in this

0:35:44.160 --> 0:35:45.880
<v Speaker 1>second episode, do you remember the scene when you had

0:35:45.920 --> 0:35:46.719
<v Speaker 1>your sunglasses on?

0:35:47.239 --> 0:35:47.439
<v Speaker 3>Yep?

0:35:47.760 --> 0:35:50.160
<v Speaker 1>Do you remember if that was your choice? Because you

0:35:50.239 --> 0:35:52.960
<v Speaker 1>were thinking that was and then Aaron, no more sunglasses ever,

0:35:53.600 --> 0:35:54.200
<v Speaker 1>I'm sure.

0:35:54.080 --> 0:35:56.759
<v Speaker 3>I remember something about I don't remember who it was.

0:35:56.880 --> 0:35:57.520
<v Speaker 3>You were a hat?

0:35:57.960 --> 0:36:02.840
<v Speaker 2>Yeah, at gum because of the famous Barbis Dreisen's story

0:36:02.880 --> 0:36:04.719
<v Speaker 2>of faking having gum. I'm like, I'm going to show

0:36:04.760 --> 0:36:06.279
<v Speaker 2>them I'm really from New York. I'm going to be

0:36:06.360 --> 0:36:08.880
<v Speaker 2>chewing gum and wearing a hat, I guess. And Aaron

0:36:09.040 --> 0:36:11.560
<v Speaker 2>was like, whatever that is, get rid of it.

0:36:11.640 --> 0:36:12.360
<v Speaker 4>We're reshooting.

0:36:12.760 --> 0:36:14.560
<v Speaker 3>And then also we had a scene where we were

0:36:14.560 --> 0:36:17.640
<v Speaker 3>shooting in the pool and there were extras there, and

0:36:17.680 --> 0:36:20.239
<v Speaker 3>then that came back. No no, no, no no no, the

0:36:20.280 --> 0:36:21.440
<v Speaker 3>only people at this pool.

0:36:23.480 --> 0:36:25.719
<v Speaker 5>Well, we will be having you back. We are so

0:36:26.120 --> 0:36:29.200
<v Speaker 5>glad that you flew out and come and sit on

0:36:29.200 --> 0:36:34.960
<v Speaker 5>the couch and shot with us until next time.

0:36:35.040 --> 0:36:35.840
<v Speaker 2>I'm still the place