WEBVTT - #300 - Jay Worthy 0:00:00.480 --> 0:00:03.400 Hey is Jayworthy, And I'm right here with my man 0:00:03.440 --> 0:00:06.199 Bootleg keV. And you can catch me on the Bootleg 0:00:06.280 --> 0:00:15.600 keV podcast Bootleg CAV Podcast, episode three hundred, three hundred 0:00:15.640 --> 0:00:20.200 of these things. Jayworthy's here, what's ub keV? Very rare 0:00:20.520 --> 0:00:24.720 Jayworthy interview in twenty twenty three. Good to see you, man, Yeah, 0:00:24.760 --> 0:00:26.800 good to see you too. Man. We always catch each 0:00:26.800 --> 0:00:29.760 other out and functions. Yes, sir, man, you've been working 0:00:29.800 --> 0:00:33.080 so hard. Bro, appreciate that you got the tour coming up. 0:00:33.360 --> 0:00:36.080 I got the tour coming up. Yeah, first leg of 0:00:36.120 --> 0:00:39.479 the tour. I excited about that, you know what I'm saying. 0:00:40.360 --> 0:00:44.040 Perform some new material about to come out. So always good, 0:00:44.120 --> 0:00:46.040 you know. Yeah, I feel like you have a pretty 0:00:46.440 --> 0:00:49.080 insane output when it comes to just like putting out 0:00:49.120 --> 0:00:52.440 bodies of work, Bro, Like for you, like, what would 0:00:52.440 --> 0:00:56.960 you kind of attribute the work ethic to? Just it 0:00:56.960 --> 0:01:01.240 feels like you figured it out. Yeah, you know, I 0:01:01.240 --> 0:01:04.200 don't know, man, You know, like I studied the greats, 0:01:04.240 --> 0:01:08.759 you know what I'm saying, And you know, just even 0:01:09.040 --> 0:01:11.360 I'm gonna say it just watching Pak like when he 0:01:11.480 --> 0:01:14.039 was in the studio, he would tell him like, look, 0:01:14.080 --> 0:01:17.120 we're gonna lay all this shit down, mix and master 0:01:17.240 --> 0:01:19.960 that shit later. Let's get the verses done on to 0:01:20.040 --> 0:01:21.840 the next. Like, I'm always trying to get to the 0:01:21.840 --> 0:01:25.920 finish line, and it's easy to do when you're like 0:01:26.040 --> 0:01:29.640 working on a project with one producer. So for example, 0:01:29.640 --> 0:01:32.560 if I lock in with Fraud, we're in there. Like 0:01:32.640 --> 0:01:35.479 I just left New York. I was there for a week. 0:01:35.560 --> 0:01:40.000 We did ten records and two sessions, you know what 0:01:40.040 --> 0:01:42.800 I'm saying. And you guys already got two albums. Yeah, 0:01:42.800 --> 0:01:45.319 we got two albums and this next one is me 0:01:45.440 --> 0:01:50.480 and Camaya, all produced by Fraud. Yeah. Man, I wanted 0:01:50.520 --> 0:01:53.680 to put her on you know, like shit, yeah, you know, 0:01:53.840 --> 0:01:56.960 because I feel like I'm good at you know, I 0:01:56.960 --> 0:02:00.280 can A and R and curate things well, so cool 0:02:00.320 --> 0:02:02.280 to like, you know, I'm like, well, you know what, 0:02:02.400 --> 0:02:04.600 that hasn't been done before. Let's do that. You know. 0:02:04.640 --> 0:02:07.080 For people who don't know, man, give us your background. Obviously, 0:02:07.080 --> 0:02:09.079 you're from LA kind of how long you've been making 0:02:09.120 --> 0:02:11.120 music where you're from a part of the city you're from, 0:02:11.160 --> 0:02:15.399 you know, from the West side of Compton. I've been 0:02:16.200 --> 0:02:18.079 doing this shit a little minute, you know. I kind 0:02:18.120 --> 0:02:20.200 of came into the game with Yams. He was the 0:02:20.240 --> 0:02:24.840 first one to kind of discover me, you know, put 0:02:24.880 --> 0:02:29.480 out a project in the SoundCloud era with Fools Gold, 0:02:30.000 --> 0:02:35.040 and then my debut EP was with Alchemist in twenty seventeen. 0:02:35.080 --> 0:02:38.960 That's when I started like streaming and putting music out. 0:02:39.080 --> 0:02:43.040 So you know, we got we still knew, were still 0:02:43.080 --> 0:02:44.640 on the first run. You know what I'm saying. I'm 0:02:44.639 --> 0:02:47.240 finn to run it up some more, but you know, 0:02:48.360 --> 0:02:50.760 I've been in the game of you know a little second. 0:02:50.800 --> 0:02:55.480 I guess how did Asap Yams discover you? So me 0:02:55.560 --> 0:03:00.000 and Yams we met in Texas, you know what I'm saying. 0:03:00.040 --> 0:03:05.560 And the way that we met was kind of crazy. 0:03:05.639 --> 0:03:09.399 I was out fucking around at south By Southwest. We 0:03:09.400 --> 0:03:14.360 was on the same like showcases or whatnot, and he 0:03:14.480 --> 0:03:16.560 just took a liking to me. Bro. He was like, man, 0:03:16.639 --> 0:03:19.240 I fucked with this dude, And you know, we had 0:03:19.360 --> 0:03:22.000 mutual friends like Dash and stuff, and there was a 0:03:22.040 --> 0:03:23.919 lot of shit going on at the South but I 0:03:23.960 --> 0:03:27.000 think there was like a rumble somewhere at the Fader 0:03:27.120 --> 0:03:29.240 for it or some shit like that. It was that year. 0:03:29.600 --> 0:03:31.760 But anyways, we was wild and out there. We got 0:03:31.760 --> 0:03:35.640 along and at the time I was living with Big 0:03:35.680 --> 0:03:39.960 Face Games brother on Brazil and Wilmington, and I brought 0:03:40.120 --> 0:03:43.640 Dash over there. That's I don't know if you know 0:03:43.680 --> 0:03:46.160 who Dashes, but he used to rap with them a 0:03:46.160 --> 0:03:50.000 lot too, that's Dame Dash nephew. And I put him 0:03:50.040 --> 0:03:53.760 on a joint and we shot a video and Yams 0:03:54.240 --> 0:03:56.520 liked it, and you know what I'm saying. And at 0:03:56.600 --> 0:03:58.720 this time, I was kind of figuring out my sound. 0:03:58.760 --> 0:04:00.640 I was like, you know, I just wanted to rap 0:04:00.720 --> 0:04:05.120 over oldies and you know, loop shit up. Yeah, you know, 0:04:05.280 --> 0:04:07.640 so he kind of gave me the direction. Like, you know, 0:04:07.720 --> 0:04:11.000 he put the confidence in me, because before I was 0:04:11.080 --> 0:04:13.840 just wrapping in the hood with the homies and the 0:04:13.880 --> 0:04:18.400 only like, you know, success I had seen at the time, 0:04:18.680 --> 0:04:24.479 you know, was like game or h you know, I 0:04:24.560 --> 0:04:26.640 used to run around with Sug and you know, just 0:04:26.680 --> 0:04:30.159 soak up game from him. But this was some new shit, 0:04:30.279 --> 0:04:32.240 you know what I'm saying. And I like the way 0:04:32.279 --> 0:04:36.360 the direction, Like I liked the way the music was going, 0:04:36.400 --> 0:04:39.440 and like this was around like everybody was hanging out 0:04:39.480 --> 0:04:42.000 at Fairfax and I'm just you know what I'm saying, 0:04:42.080 --> 0:04:45.080 streetwear culture, skateboard and all that type of shit, and 0:04:45.080 --> 0:04:46.680 I was like, oh, this shit is cool and it 0:04:46.680 --> 0:04:50.039 can get me out of the hoods. So you know, 0:04:50.080 --> 0:04:52.720 I started sucking around and moving in those circles a 0:04:52.760 --> 0:04:55.600 little bit. Okay, what year were you running around with 0:04:55.640 --> 0:05:01.680 Shug Night Damn Sug Probably like young, like two thousand 0:05:01.720 --> 0:05:06.920 and eight, nine, maybe two thousand and seven even Yeah, yeah, yeah, 0:05:07.080 --> 0:05:10.080 Sugar would give me a lot of game, man, you know, 0:05:10.200 --> 0:05:14.560 and bring bring us around and stuff. And but you know, 0:05:15.560 --> 0:05:20.080 IVE seen the game change, and you know I had 0:05:20.120 --> 0:05:24.479 to take a different approach, and you know, you gotta 0:05:24.560 --> 0:05:26.400 move with the times, you know what I'm saying. How 0:05:26.440 --> 0:05:29.279 did you guys initially connect with me? And should well 0:05:29.480 --> 0:05:32.159 just you know, just Compton shit, you know what I'm saying. 0:05:32.240 --> 0:05:37.400 So you know some of the big homies, you know, 0:05:37.440 --> 0:05:40.120 it was fucking with him and you know, brought me 0:05:40.200 --> 0:05:42.440 around him and he took a liking to me. And 0:05:42.760 --> 0:05:45.080 are you making music at this time? I was, But 0:05:45.160 --> 0:05:48.080 I was like, you know, I kind of like i'd 0:05:48.160 --> 0:05:51.240 gotten you know, more caught up in street shit. I'm 0:05:51.279 --> 0:05:53.880 not gonna lie, and like music was just like second 0:05:54.120 --> 0:05:56.320 secondary to me. Yeah, it was like a hobby. But 0:05:57.440 --> 0:06:00.440 I you know, I definitely still did it, but it 0:06:00.520 --> 0:06:02.960 wasn't like you know what I'm saying, I was I 0:06:02.960 --> 0:06:05.520 didn't know really what direction to go in yet, you 0:06:05.560 --> 0:06:08.080 know what I'm saying, I didn't really have my sound. 0:06:08.160 --> 0:06:11.600 Like before I started doing the stuff as Lendon Drugs, 0:06:12.400 --> 0:06:18.000 I'd put out one tape with Mustard and I would 0:06:18.040 --> 0:06:20.960 just take different songs from different studios, and I'm like, 0:06:21.080 --> 0:06:25.480 Mustard was the homie saw yeah, this was he was 0:06:25.520 --> 0:06:28.440 making beats. He had just did Rack City, so like, 0:06:28.480 --> 0:06:30.320 and then Nima had hit me. That's how I got 0:06:30.320 --> 0:06:32.640 in the Empire system because I remember I just threw 0:06:32.640 --> 0:06:35.000 the tape out there and this is still like like 0:06:35.120 --> 0:06:39.400 physicals and like a couple of my boys that were 0:06:39.760 --> 0:06:42.880 from like the Jungles, they were like, instead of just 0:06:42.920 --> 0:06:48.240 putting the tapes and swap meets and liquor stores around 0:06:48.240 --> 0:06:50.159 the hood, you should go up to Fairfax and put 0:06:50.200 --> 0:06:54.280 it in the hundreds and Supreme and Diamond and yeah yeah, yeah. 0:06:54.320 --> 0:06:56.080 So that kind of like brought me up there, and 0:06:56.120 --> 0:06:59.800 then you know, people on that side of town started 0:06:59.800 --> 0:07:02.039 here and my shit. So I was like, you know, 0:07:02.160 --> 0:07:04.320 I had the right intentions to do it, but I 0:07:04.600 --> 0:07:08.080 wasn't like it wasn't until like you know, I got 0:07:08.080 --> 0:07:11.600 with Sean and started like you know, really figuring out 0:07:11.640 --> 0:07:14.400 my sound and what I wanted to do. And then 0:07:15.040 --> 0:07:17.120 you know, with the help of Yams just kind of 0:07:18.200 --> 0:07:20.400 showing me the ropes a little bit. You know, Yams 0:07:20.400 --> 0:07:23.080 did a lot. He put me with Vice, and then 0:07:23.240 --> 0:07:28.200 that led into me producing that documentary with Kendrick or 0:07:28.240 --> 0:07:31.040 about Kendrick in my Home He's called Noisy bompt In 0:07:31.120 --> 0:07:34.840 and that they also had Vice was doing all of 0:07:34.880 --> 0:07:38.040 my videos. Then I had Fool's Gold, you know what 0:07:38.080 --> 0:07:40.200 I'm saying. So that was like kind of the push 0:07:40.280 --> 0:07:43.600 that pushed me into like, all right, I'm gonna take 0:07:43.680 --> 0:07:46.440 music serious all the way, you know what I'm saying. Yeah, 0:07:46.480 --> 0:07:48.240 I feel like you've kind of like done a really 0:07:48.280 --> 0:07:51.800 good job of, like I guess, being in the right circles, 0:07:51.920 --> 0:07:54.800 having the right people co sign you. Yeah. Yeah, And 0:07:54.840 --> 0:07:58.440 I think that's really important too, you know, like the 0:07:58.480 --> 0:08:01.200 whole shit with Al that was like monumental for me 0:08:01.320 --> 0:08:03.640 to be able to have like him do my first 0:08:03.680 --> 0:08:08.560 solo you know EP, and then through there that's how 0:08:08.640 --> 0:08:12.320 like you know, me and Gun and Conway met, you 0:08:12.360 --> 0:08:14.960 know what I'm saying, Like the first tour I ever 0:08:15.040 --> 0:08:20.280 went on was it was just me and Conway, Gun 0:08:20.280 --> 0:08:24.520 and Benny. It was just us for Yeah, what's the sidetrack? 0:08:24.600 --> 0:08:27.960 What's up with the Griselda debut? So you know, it's 0:08:28.400 --> 0:08:31.520 guns a busy dude. I'm a busy dude. We want 0:08:31.560 --> 0:08:33.840 to make sure that it's done right. We want to 0:08:33.840 --> 0:08:36.320 be in the lab at the same time. You know, 0:08:36.640 --> 0:08:41.920 I have, you know, producers that I work closely with. 0:08:42.000 --> 0:08:45.040 He has the producers that he works closely with, and 0:08:45.920 --> 0:08:48.240 we're just gonna come put it together and it's got 0:08:48.280 --> 0:08:49.600 to be a pot of gumbo. But you guys got 0:08:49.600 --> 0:08:52.000 to kind of be actively working on it for sure, 0:08:52.080 --> 0:08:54.120 because like you know, you need to be in there 0:08:54.160 --> 0:08:57.840 with conductor and all conductor, you know what I'm saying. 0:08:57.960 --> 0:09:00.800 And Darrenger, Well, me and Darrener got it ep done, 0:09:00.800 --> 0:09:06.040 but we keep like changing it up. But yeah, and Monk, 0:09:06.200 --> 0:09:09.040 you know what I'm saying. But the thing is with that, 0:09:09.360 --> 0:09:13.559 it's like it's just timing. Man. Everybody's busy and moving around. 0:09:13.559 --> 0:09:16.200 But it's gonna come. I want my debut solo to 0:09:16.240 --> 0:09:19.560 come out on Griselda. So it's crazy you say that 0:09:19.640 --> 0:09:22.400 and you have so much music yeah, because I won't 0:09:22.440 --> 0:09:24.680 even be able to put out my solo album. This year. 0:09:24.720 --> 0:09:28.760 I got me and Rock Marcy album the Me Kamaia 0:09:28.840 --> 0:09:31.840 and Harry Fraud, and then I got a funk album 0:09:31.920 --> 0:09:36.520 with with Dame Funk and and then I got another 0:09:36.559 --> 0:09:39.960 album with Cocaine, the singer and those. Yeah, me and 0:09:40.000 --> 0:09:42.839 Cocaine got like a whole like kind of like a 0:09:42.840 --> 0:09:47.160 funk group we're doing called Billy Ocean, where I've taken 0:09:47.200 --> 0:09:50.040 some of the cats that produce for like selection like 0:09:50.160 --> 0:09:56.160 I Am Nobody, and then Jake One and Lavin Calli 0:09:56.320 --> 0:09:59.520 you know what I'm saying. And then me and Sean 0:09:59.600 --> 0:10:02.360 and you know, me and Coca got some cold ship. 0:10:02.520 --> 0:10:05.000 So it's a lot of it's tough because you know, 0:10:05.080 --> 0:10:08.959 like us in the indie, like I don't like saying underground, 0:10:09.040 --> 0:10:11.120 you know what I'm saying. I like to remove that word, 0:10:11.120 --> 0:10:13.720 but I said, underground is kind of thing anymore. It's 0:10:13.760 --> 0:10:16.240 to be a thing. But I feel like there's so 0:10:16.360 --> 0:10:18.839 much there's just sub genres of this ship. There's the 0:10:18.880 --> 0:10:21.840 independent I mean, yeah, I feel like the underground ship 0:10:21.960 --> 0:10:24.440 is out the door. I feel like it because it's 0:10:24.480 --> 0:10:28.760 like what you call what Larry and Alchemists are doing underground, 0:10:28.800 --> 0:10:31.360 I wouldn't. I was that's a major rollout, you know 0:10:31.360 --> 0:10:34.920 what I'm saying, Like, and it's being pushed back in 0:10:34.960 --> 0:10:36.920 the day you would think of like guys like Dilated 0:10:36.960 --> 0:10:40.160 People's is underground, yes, but it wouldn't even really be 0:10:40.240 --> 0:10:43.720 underground because they were on Capitol or like yeah, even 0:10:43.760 --> 0:10:46.640 like the Rockets record shit or but the real underground 0:10:46.640 --> 0:10:51.559 ship out of LA was Project Blow Project Blow. Yeah, 0:10:51.720 --> 0:10:54.320 bus Driver and I got a lot of history with 0:10:54.400 --> 0:10:58.440 those cats. When I was like thirteen, you know, I 0:10:58.520 --> 0:11:03.360 was running around like with uh with CVE and and 0:11:04.000 --> 0:11:06.360 l a cool rifle man and soaking up game. That 0:11:06.800 --> 0:11:10.240 type of music actually opened my whole ship up because 0:11:10.720 --> 0:11:13.640 I really only like was listening to gangster rap and 0:11:13.720 --> 0:11:15.480 like East Coast shit at the time. And then I 0:11:15.520 --> 0:11:18.079 was like, Oh, it's some ship coming out of LA 0:11:18.200 --> 0:11:21.880 that's like different, you know what I mean? So how 0:11:21.960 --> 0:11:25.439 do you ooh, we're gonna do that? I'm trying to 0:11:25.480 --> 0:11:28.199 figure out because I'm an eighties baby, you know what 0:11:28.280 --> 0:11:32.520 I'm saying. But I was my best friend's brothers and 0:11:32.559 --> 0:11:35.920 Dilated People's Oh yeah, who was your best friend's brother? 0:11:36.040 --> 0:11:39.600 Rock Oh ship? Yeah? I know evs my boy yeah, 0:11:39.840 --> 0:11:42.240 my boy too. Yeah that's crazy, no evidence. I was 0:11:42.240 --> 0:11:47.960 thirteen really yeah damn So, I like I remember seeing 0:11:47.960 --> 0:11:52.120 them on the Platform tour and then when they dropped 0:11:52.120 --> 0:11:53.880 Expansion Team. We came out here when I was like 0:11:53.960 --> 0:11:56.120 fourteen and went to the record release party at fucking 0:11:56.160 --> 0:11:58.600 Fat Beats and they had to show a Jurassic five 0:11:58.760 --> 0:12:02.600 at Ship. And then when they had the Marathon drop, 0:12:02.720 --> 0:12:06.079 they opened up for Kanye a House of Blues. Yeah. 0:12:06.520 --> 0:12:09.080 So I was around all that ship bro. Yeah yeah yeah, 0:12:09.120 --> 0:12:12.560 that ship was dope, man, that whole Like like that's 0:12:12.600 --> 0:12:15.160 why even like while we're talking about this, like I 0:12:15.240 --> 0:12:17.920 like to do ship and bring Like for me, I 0:12:18.000 --> 0:12:20.120 like to work with people that I grew up on. 0:12:20.240 --> 0:12:23.760 Like so I'm like I did a song with Tash 0:12:23.840 --> 0:12:25.520 and we just put out a video Shout to the 0:12:25.559 --> 0:12:28.240 Licks man, Shout outs to the Licks life. That's one 0:12:28.280 --> 0:12:30.280 of my favorite albums man. That was the ship that 0:12:30.400 --> 0:12:33.040 him and him and Rake one had that video. That 0:12:33.120 --> 0:12:35.240 was the ship. But you know, like for me, like 0:12:36.240 --> 0:12:39.520 you know, Ta Tash. I invited Tash and East Swift 0:12:39.559 --> 0:12:41.880 to my house and then I was like, let's shoot 0:12:41.880 --> 0:12:44.960 this video. I bought like a whole in Compton. I 0:12:45.000 --> 0:12:48.400 bought this whole fucking like warehouse full of like vintage 0:12:48.480 --> 0:12:54.199 denos and like I got dead stock for days like Fooboo, Avera, Rex, Pelly, 0:12:54.320 --> 0:13:00.439 Pelly Jackets, denim shirts, everything we about to launch. I'm 0:13:00.440 --> 0:13:05.360 about to launch a store with this reworks company called 0:13:05.440 --> 0:13:09.440 Frankie Collective. So that's gonna be coming in the spring, 0:13:09.920 --> 0:13:13.280 you know what I'm saying. Ax, When I was like fifteen, 0:13:13.400 --> 0:13:15.400 we'd get them from Burlington, but they'd be like fucking 0:13:15.440 --> 0:13:19.120 four X yeah. Yeah, you see they're coming back though, 0:13:19.200 --> 0:13:22.520 like and Ax, they all like relaunching this shit, and like, 0:13:22.880 --> 0:13:26.480 you know, I always been into fashion, Like people don't 0:13:26.480 --> 0:13:29.080 know this, but I'm like, you know, the you know 0:13:29.280 --> 0:13:32.680 kind of the I don't know what my title is, 0:13:32.720 --> 0:13:35.440 I would say, but you know, maybe the head of 0:13:35.480 --> 0:13:37.880 marketing over at Pro Club, you know what I mean. 0:13:37.920 --> 0:13:40.880 I took that and saw an opportunity to be like, 0:13:41.040 --> 0:13:44.280 this is a dope ass, this is a It's a staple. 0:13:44.320 --> 0:13:46.960 We grew up on it in the hood, everybody grew 0:13:47.040 --> 0:13:49.440 up on it in LA and like I wanted to 0:13:49.480 --> 0:13:51.920 see it just you know, still keep its roots in 0:13:51.920 --> 0:13:55.160 the swap meets and liquor stores, but start doing collaborations. 0:13:55.160 --> 0:13:57.840 So when I came on board, we did the collaboration 0:13:57.960 --> 0:14:02.160 with y GA Complex Con, started doing the three packs 0:14:02.160 --> 0:14:06.640 with FTP. We did the pop up for Shoreline at 0:14:07.520 --> 0:14:10.480 uh Sloss and Cookies. Just do a pro club, Yeah, 0:14:10.600 --> 0:14:13.000 we did that one, yep, and and then we had 0:14:13.080 --> 0:14:15.720 you know, bernerd was rocking that pro club on the Forbes, 0:14:15.720 --> 0:14:19.200 which was tight, you know what I'm saying. So you know, uh, 0:14:19.520 --> 0:14:21.800 the fashion ship is always I feel like, been a 0:14:21.840 --> 0:14:26.320 part of you know, music, every every rapper had when 0:14:26.360 --> 0:14:28.680 they was popping. Every rapper had a brand. If it 0:14:28.720 --> 0:14:32.160 was Nas, it was Esco. Of course, I always thought 0:14:32.200 --> 0:14:36.880 Johnny Blaze was method Man, because ye Johnny Blair was. 0:14:36.960 --> 0:14:38.560 I just remember seeing the ship in the Source. I 0:14:38.600 --> 0:14:40.400 never got any of them. Yeah yeah yeah, so they 0:14:40.440 --> 0:14:42.320 had a gang of that ship. So I just grabbed 0:14:42.360 --> 0:14:44.000 all that ship. So we'll see what it do. But 0:14:44.040 --> 0:14:47.200 that I'm also gonna launch my own line this year. 0:14:47.240 --> 0:14:50.680 But you know, uh, back to the Tash story. Uh, 0:14:51.240 --> 0:14:53.160 I was like, Yo, let's shoot a commercial from my 0:14:53.360 --> 0:14:57.440 uh for my all the vintage pieces and jump jump 0:14:57.440 --> 0:14:59.360 on this old ship. And we shot a video. But 0:14:59.400 --> 0:15:02.160 I just liked to work with cats that you know 0:15:02.280 --> 0:15:05.080 I grew up listening to. So when I was able 0:15:05.120 --> 0:15:09.160 to meet Cube and you know, Corrupt and Bun and 0:15:09.200 --> 0:15:11.600 all these cats, it's like a blessing to me, man, 0:15:11.800 --> 0:15:15.440 because you know that's what inspired me to do what 0:15:15.480 --> 0:15:19.160 I do. So for me, it's like the thirteen year 0:15:19.240 --> 0:15:21.560 old me is like living your dream. I'm living in 0:15:21.560 --> 0:15:24.360 my dream. Yeah, you know it's Bootleg keV here. Got 0:15:24.360 --> 0:15:25.760 to stop the interview to tell you about our good 0:15:25.760 --> 0:15:29.680 friends at King Palm. Now listen, guys, all I do 0:15:29.800 --> 0:15:31.680 is smoke out of King Pom. If you see me smoking, 0:15:32.280 --> 0:15:34.160 it's out of King Pom, all right, and I'm gonna 0:15:34.160 --> 0:15:38.120 shout them out because it's all natural, no tobacco. It's 0:15:38.160 --> 0:15:43.920 a tobacco free product. Also, no additives, No need to 0:15:43.920 --> 0:15:46.600 split it open, no need to lick. It comes ready 0:15:46.600 --> 0:15:49.560 to go. All you have to do is put your 0:15:49.960 --> 0:15:53.120 your treat, your flower of choice right into here and 0:15:53.160 --> 0:15:54.840 you're good to go. Now. 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You you mentioned living 0:20:49.240 --> 0:20:52.080 with Big Face, and I just remember Big Face one 0:20:52.119 --> 0:20:54.479 hundred being like games brother, and then they had this 0:20:54.520 --> 0:20:59.479 falling out and this was like early like I wouldn't 0:20:59.520 --> 0:21:02.040 even say YouTube maybe, but it was like DVD ship. 0:21:02.119 --> 0:21:03.959 I just remember that there was like a big division 0:21:03.960 --> 0:21:08.199 between those two. Obviously Game being a Compton legend, his 0:21:08.200 --> 0:21:12.160 brother being a Compton legend. Yeah, what was your guy's relationship? Like, well, 0:21:12.240 --> 0:21:15.800 I didn't really know. Again, I met Game like maybe 0:21:15.840 --> 0:21:17.960 you know a couple of times when he was like 0:21:18.520 --> 0:21:20.560 you know, as he was blowing up and stuff. But 0:21:21.000 --> 0:21:23.760