WEBVTT - Love Actually with Debra DiGiovanni

0:00:00.520 --> 0:00:03.360
<v Speaker 1>On the be Dol Cast, the questions asked if movies

0:00:03.400 --> 0:00:07.000
<v Speaker 1>have women in um, are all their discussions just boyfriends

0:00:07.040 --> 0:00:11.200
<v Speaker 1>and husbands, or do they have individualism the patriarchy? Zef

0:00:11.400 --> 0:00:16.400
<v Speaker 1>and best start changing it with the Bedel Cast. Hi,

0:00:16.560 --> 0:00:20.160
<v Speaker 1>welcome to the Bechtel Cast. My name is Jamie Loftus,

0:00:20.200 --> 0:00:24.720
<v Speaker 1>my name is Caitlin Durante. And this is the Okay,

0:00:24.760 --> 0:00:31.080
<v Speaker 1>Caleb start to dope queens. Oh no, that's crap, we

0:00:31.280 --> 0:00:35.440
<v Speaker 1>funked up. It's okay, let's stop. No, this is great,

0:00:35.479 --> 0:00:38.360
<v Speaker 1>this is gold. We're keeping it. Our podcast is about

0:00:38.360 --> 0:00:41.479
<v Speaker 1>the portrayal of female characters in movies. That's true, and

0:00:41.520 --> 0:00:43.280
<v Speaker 1>that's why we call it the Bechtel Test. We just

0:00:43.320 --> 0:00:45.920
<v Speaker 1>had a long discussion if we should keep introducing what

0:00:45.960 --> 0:00:49.280
<v Speaker 1>the Bechtel Test is, and we decided no, no, We're

0:00:49.560 --> 0:00:54.840
<v Speaker 1>We're done. Aristotle are the man of the operation. He's

0:00:54.920 --> 0:00:58.279
<v Speaker 1>usually just tied to his chair, but he also does

0:00:58.280 --> 0:01:01.200
<v Speaker 1>an amazing job. We took the ball gug out of

0:01:01.240 --> 0:01:04.679
<v Speaker 1>his mouth right and he's like, well, he made a suggestion.

0:01:04.760 --> 0:01:07.240
<v Speaker 1>He gets to say one sentence every time they see him.

0:01:07.840 --> 0:01:11.399
<v Speaker 1>And he made the great recommendation that if you don't

0:01:11.440 --> 0:01:13.720
<v Speaker 1>know what it is. Just go back to the first

0:01:13.760 --> 0:01:15.800
<v Speaker 1>episode and listen. And in the time it took me

0:01:15.840 --> 0:01:17.360
<v Speaker 1>to say that, we could have just told you what

0:01:17.400 --> 0:01:21.920
<v Speaker 1>it was. Well, nobody's perfect. It's almost Christmas, it's Chris

0:01:21.920 --> 0:01:24.959
<v Speaker 1>it is. It's a Mike's Hard Lemonade day for me, Jamie,

0:01:25.400 --> 0:01:28.039
<v Speaker 1>I've had a really Christmas e day. Is Mike's Hard

0:01:28.080 --> 0:01:31.440
<v Speaker 1>Lemonade a Christmas e? No, this is a coping mechanism,

0:01:31.520 --> 0:01:34.880
<v Speaker 1>I see. But I spent all day chasing around mall

0:01:35.000 --> 0:01:38.840
<v Speaker 1>Santa's for my job, and none of them wanted to

0:01:38.880 --> 0:01:43.320
<v Speaker 1>talk to me except South Central Santa, who really gave

0:01:43.360 --> 0:01:45.240
<v Speaker 1>me a lot of things I need to think about.

0:01:45.840 --> 0:01:49.880
<v Speaker 1>That's great. No, it's a disgrace with my life and time.

0:01:51.160 --> 0:01:53.600
<v Speaker 1>It sounds like you're doing very interesting things. Who else

0:01:53.800 --> 0:01:57.040
<v Speaker 1>today in America or anywhere in the world being cont

0:02:00.000 --> 0:02:03.960
<v Speaker 1>and here the only one. Well, here's my Mike's Hard Lemonade.

0:02:03.960 --> 0:02:09.000
<v Speaker 1>To that, without much further ado, I say, we introduce

0:02:09.160 --> 0:02:12.120
<v Speaker 1>our wonderful guests. Hey, let's do it. She is a

0:02:12.160 --> 0:02:18.079
<v Speaker 1>comedian and a very wonderful person. I'm so happy. Oh yeah,

0:02:18.120 --> 0:02:25.799
<v Speaker 1>we love you so much. Debra. We're good. What is

0:02:25.840 --> 0:02:28.480
<v Speaker 1>your job? What do you what. So I write for

0:02:29.320 --> 0:02:32.920
<v Speaker 1>news outlet called Inverse, and I'm They're like, only West

0:02:32.960 --> 0:02:35.600
<v Speaker 1>Coast writer. They let me sort of do whatever, and

0:02:35.639 --> 0:02:37.320
<v Speaker 1>they were like, Jammian, we think would be really fun

0:02:37.320 --> 0:02:39.640
<v Speaker 1>if you talk to a lot of mall Santa's. And

0:02:39.680 --> 0:02:43.280
<v Speaker 1>I wasn't anticipating so many hoops to jump through to

0:02:43.320 --> 0:02:47.639
<v Speaker 1>talk to them. All there's a ton they don't want

0:02:47.639 --> 0:02:49.880
<v Speaker 1>to talk to you. I left it my apartment at

0:02:49.880 --> 0:02:54.200
<v Speaker 1>eight this morning and I went to Glendale. Both the

0:02:54.240 --> 0:02:57.280
<v Speaker 1>Santa said fuck off. No, I went to South Central

0:02:57.360 --> 0:02:59.160
<v Speaker 1>that Santa would talk to me. I went to the

0:02:59.200 --> 0:03:03.560
<v Speaker 1>Grove they said fun would say come on. They even

0:03:03.600 --> 0:03:06.600
<v Speaker 1>offered me like a really embarrassing consolation price. They're like,

0:03:06.760 --> 0:03:10.519
<v Speaker 1>you can take a picture with the gingerbread man. Now,

0:03:10.680 --> 0:03:13.840
<v Speaker 1>you guys fuck off. And then I tried to hit

0:03:13.919 --> 0:03:17.320
<v Speaker 1>up to Beverly Hills Santa's, who were assholes. And then

0:03:17.360 --> 0:03:19.760
<v Speaker 1>I have to go to Santa Monica after this if

0:03:19.800 --> 0:03:21.960
<v Speaker 1>my person is also going to be an ass like

0:03:21.960 --> 0:03:23.520
<v Speaker 1>I'm going to drive all that way and he's gonna

0:03:23.520 --> 0:03:27.880
<v Speaker 1>tell me to funk off. Trouble is like malls are

0:03:27.880 --> 0:03:31.040
<v Speaker 1>always in these like elitist neighborhoods, and they're like these

0:03:31.160 --> 0:03:35.440
<v Speaker 1>rich It's true, it's true. Yeah, malls are night little dicks,

0:03:35.800 --> 0:03:39.200
<v Speaker 1>It's true. But the South Central Santa was nice to you, right,

0:03:39.520 --> 0:03:42.560
<v Speaker 1>he was awesome. Yeah, if you're listening to this, maybe

0:03:42.640 --> 0:03:45.119
<v Speaker 1>check it out. It will be on in first dot com.

0:03:45.160 --> 0:03:47.120
<v Speaker 1>And I had a great conversation with him. He's the

0:03:47.160 --> 0:03:53.320
<v Speaker 1>first black mall Santa ever. Yeah, that's awesome. Yeah. So anyways, anyways,

0:03:53.400 --> 0:03:59.160
<v Speaker 1>that's what said about. Now, No, we're here to talk

0:03:59.200 --> 0:04:04.120
<v Speaker 1>about the movie love. Actually, oh no, I feel like

0:04:04.160 --> 0:04:09.640
<v Speaker 1>we're going to get in trouble. Yeah, people love this movie.

0:04:09.680 --> 0:04:14.880
<v Speaker 1>Like this was my first time watching. Okay, I have

0:04:15.000 --> 0:04:16.919
<v Speaker 1>avoided I don't know why I've avoided it, but I

0:04:16.960 --> 0:04:21.920
<v Speaker 1>have because it's a piece of shit. Makes me. PU said,

0:04:21.960 --> 0:04:25.440
<v Speaker 1>I used to love this movie. Me too. I remember

0:04:25.480 --> 0:04:27.840
<v Speaker 1>the first time watching and I love this movie. And

0:04:27.960 --> 0:04:31.760
<v Speaker 1>on every successive watch I hate it more and more. Kids,

0:04:32.720 --> 0:04:35.240
<v Speaker 1>And like I was trying to put myself in like

0:04:35.360 --> 0:04:37.000
<v Speaker 1>what if I watched this when it came out, and

0:04:37.000 --> 0:04:38.520
<v Speaker 1>I think I would have loved it. I love a

0:04:38.600 --> 0:04:41.800
<v Speaker 1>good one because I loved I love vignettes, love it.

0:04:42.040 --> 0:04:43.880
<v Speaker 1>But what year was it done to me? I didn't

0:04:43.880 --> 0:04:47.200
<v Speaker 1>even check two. Okay, so a long time ago, but

0:04:47.279 --> 0:04:50.120
<v Speaker 1>I have no excuse. I was not young, you know

0:04:50.160 --> 0:04:52.560
<v Speaker 1>what I mean. I feel like I was eleven, No, no,

0:04:53.800 --> 0:04:57.080
<v Speaker 1>with a grown woman. I was. It was reason enough

0:04:57.160 --> 0:04:59.960
<v Speaker 1>that it's like I was like, we're thinking that different,

0:05:01.000 --> 0:05:03.920
<v Speaker 1>That's what I mean. It's not like three. We could

0:05:03.960 --> 0:05:06.200
<v Speaker 1>give it a bit of a pass. But now no

0:05:06.720 --> 0:05:09.520
<v Speaker 1>sor it too recent for it to be this bad.

0:05:10.240 --> 0:05:12.720
<v Speaker 1>Oh my god. I had a lot of problems, but

0:05:12.800 --> 0:05:17.960
<v Speaker 1>I was also like sort of horny. The home confusing.

0:05:19.440 --> 0:05:21.360
<v Speaker 1>How do we launch into this, like with our rage

0:05:21.360 --> 0:05:25.279
<v Speaker 1>against Yeah, this is a tough one. We usually start

0:05:25.360 --> 0:05:29.400
<v Speaker 1>by doing just a very brief overview of the story,

0:05:29.600 --> 0:05:32.920
<v Speaker 1>of which there are around trillion Yeah, yeah, yeah, okay,

0:05:33.040 --> 0:05:37.000
<v Speaker 1>so yeah, this movie is full of just little micro stories.

0:05:37.120 --> 0:05:42.000
<v Speaker 1>It's a bunch of vignettes, sort of tidy wedding and

0:05:42.440 --> 0:05:47.560
<v Speaker 1>Harry poorly poorly connected like in the most unbelievable ways.

0:05:47.680 --> 0:05:50.400
<v Speaker 1>But anyway, tell like whenever this was like mapped out

0:05:50.520 --> 0:05:53.000
<v Speaker 1>in a room, like there's just a bunch of dudes

0:05:53.240 --> 0:05:58.600
<v Speaker 1>jerking off. Yeah, they so hard after this, like what

0:05:59.120 --> 0:06:03.279
<v Speaker 1>we make and Thompson and Hugh Grant brother and sister,

0:06:04.560 --> 0:06:06.880
<v Speaker 1>but never mentioned it until the very end, I mean

0:06:07.800 --> 0:06:10.480
<v Speaker 1>some Chronicles of Narnia ship. Yeah, no, And then I

0:06:10.600 --> 0:06:11.720
<v Speaker 1>was like at the end, I was like, was that

0:06:11.800 --> 0:06:14.920
<v Speaker 1>supposed to be a twist? Like and they're like, look

0:06:14.960 --> 0:06:17.440
<v Speaker 1>at this big reveal. It's like, no one gives a ship.

0:06:17.960 --> 0:06:21.200
<v Speaker 1>He was like, Oh, this movie was bad. So each

0:06:21.279 --> 0:06:25.160
<v Speaker 1>of these storylines depicts like a separate relationship because this

0:06:25.279 --> 0:06:29.680
<v Speaker 1>movie is about love, love actually. It's even like man

0:06:29.800 --> 0:06:36.200
<v Speaker 1>splaining in the title, isn't it actually actually love actually?

0:06:41.560 --> 0:06:44.839
<v Speaker 1>So each of these stories really, they're all so dumb

0:06:45.120 --> 0:06:48.120
<v Speaker 1>and they're they're focusing on a specific relationship, most of

0:06:48.160 --> 0:06:50.280
<v Speaker 1>them romantic, but not all of them. The first one

0:06:50.360 --> 0:06:52.920
<v Speaker 1>we see is Bill Nigh, whose name is Billy Mac.

0:06:53.200 --> 0:06:55.560
<v Speaker 1>He's trying to make a comeback as a musician. His

0:06:55.680 --> 0:07:00.560
<v Speaker 1>manager is his friend, so there's that storyline. They're friends. Yeah, No,

0:07:00.720 --> 0:07:03.440
<v Speaker 1>we love Bill Knight. We've said this before. Didn't give you,

0:07:03.520 --> 0:07:05.760
<v Speaker 1>we we forgive you, and we love you all the

0:07:05.839 --> 0:07:07.800
<v Speaker 1>same because he is, oh Night, He's made a lot

0:07:07.839 --> 0:07:15.240
<v Speaker 1>of missteps, still him, he's oh yeah, yeah, he's um. Yeah,

0:07:15.400 --> 0:07:17.800
<v Speaker 1>he's in the worst movie I've ever seen, which is

0:07:17.920 --> 0:07:22.480
<v Speaker 1>I Frankenstein Star. He's the villain and it looks like

0:07:22.560 --> 0:07:27.120
<v Speaker 1>he was not briefed on what the movie sinister and

0:07:27.240 --> 0:07:30.480
<v Speaker 1>then he leave, but he plays a gargoyle overlord. I

0:07:30.560 --> 0:07:35.040
<v Speaker 1>want it's also the weird octopus villain from Pirates of

0:07:35.080 --> 0:07:38.520
<v Speaker 1>the Caribbean. Oh yeah, he isn't forgot Okay, Because I

0:07:38.560 --> 0:07:41.080
<v Speaker 1>was wondering, I was like, did he and Kiera Knightley

0:07:41.120 --> 0:07:44.680
<v Speaker 1>already know each other because of the whole octopus guy things?

0:07:44.960 --> 0:07:48.120
<v Speaker 1>Maybe not think this movie came first? Okay? So they

0:07:48.160 --> 0:07:52.480
<v Speaker 1>were like, oh love actually on the set of Party cool.

0:07:52.840 --> 0:07:57.120
<v Speaker 1>Another storyline we get Colin Firth's character Jamie. I want

0:07:57.120 --> 0:08:01.360
<v Speaker 1>to say, uh Jamie, Look isn't Jamie? Oh yeah, he

0:08:01.600 --> 0:08:08.720
<v Speaker 1>luncle Jamie. He falls in love with Portuguese woman. No,

0:08:08.880 --> 0:08:15.560
<v Speaker 1>I'm sorry, but we'll get to a second. He gets

0:08:15.600 --> 0:08:21.000
<v Speaker 1>cuckolded by his brother, so that's another storyline. Liam Neeson

0:08:21.920 --> 0:08:25.000
<v Speaker 1>is sad about his dead wife and then he accepts

0:08:25.040 --> 0:08:27.280
<v Speaker 1>on who is in love with a girl at school. Yeah.

0:08:27.280 --> 0:08:32.800
<v Speaker 1>I've never hated a child more than that child. Next

0:08:32.840 --> 0:08:37.199
<v Speaker 1>storyline is Emma Thompson. I forget her character's name. She

0:08:37.880 --> 0:08:45.680
<v Speaker 1>is in a relationship with Alan Rickman. He assistant throws

0:08:46.160 --> 0:08:48.920
<v Speaker 1>herself at him and then he like kind of strays

0:08:48.960 --> 0:08:52.000
<v Speaker 1>a little bit. That's a storyline. There's the ugly guy

0:08:52.200 --> 0:09:02.240
<v Speaker 1>who wants to bang the American ladies. There's the porn standard.

0:09:02.280 --> 0:09:05.000
<v Speaker 1>Oh my god, I almost blocked that part out almost,

0:09:05.720 --> 0:09:07.760
<v Speaker 1>Oh god, And that's such a shame because we love him,

0:09:07.840 --> 0:09:11.400
<v Speaker 1>Martin Freeman. This, I feel like this was the big

0:09:11.520 --> 0:09:14.439
<v Speaker 1>very beginning, and like he really needed the money for this. Okay,

0:09:14.720 --> 0:09:17.040
<v Speaker 1>let's give him the benefit of the But that said,

0:09:17.080 --> 0:09:19.640
<v Speaker 1>I feel like I could have written that storyline like

0:09:20.040 --> 0:09:23.559
<v Speaker 1>in like a ninth grade short story, like wouldn't it

0:09:23.679 --> 0:09:26.480
<v Speaker 1>be wild? Yeah? And then you get expelled from school?

0:09:26.559 --> 0:09:31.920
<v Speaker 1>But right, and then I make actually love yeah okay,

0:09:38.400 --> 0:09:43.839
<v Speaker 1>the holidays okay, very atheist okay. Uh. Then we have

0:09:44.600 --> 0:09:47.840
<v Speaker 1>the walking dead guy and he's in love with Pure

0:09:47.880 --> 0:09:51.240
<v Speaker 1>Knightley even though she's married to his best friend. His

0:09:51.320 --> 0:09:55.880
<v Speaker 1>best friend. Yeah, but then it's still like, isn't this romantic? No,

0:09:56.120 --> 0:10:04.040
<v Speaker 1>it's horrible per worded. Yeah, that video I can't even Okay,

0:10:04.360 --> 0:10:07.880
<v Speaker 1>there's more stories? Is there one more? There's the Prime Minister,

0:10:09.679 --> 0:10:11.959
<v Speaker 1>I mean, perfect casting. How could Hugh Grant not be

0:10:12.040 --> 0:10:17.760
<v Speaker 1>playing the pri and he falls in love with I

0:10:17.760 --> 0:10:21.240
<v Speaker 1>don't know if she's an intern, she gets that's what

0:10:21.360 --> 0:10:25.120
<v Speaker 1>we know. She brings some biscuits, but also sometimes important files.

0:10:25.320 --> 0:10:30.160
<v Speaker 1>I don't know, we've all had that job. And finally

0:10:30.679 --> 0:10:33.720
<v Speaker 1>Laura Lenny who's in love with I don't know if

0:10:33.760 --> 0:10:39.400
<v Speaker 1>he's Italian, I'm not sure. And his name is Carl,

0:10:41.320 --> 0:10:46.680
<v Speaker 1>a hot barign man named You couldn't even given us

0:10:46.720 --> 0:10:50.480
<v Speaker 1>a Carlos at the very last, but you Carlo, Carl

0:10:50.800 --> 0:10:54.199
<v Speaker 1>Carl car so many letters to work with. Yeah, that's it.

0:10:56.040 --> 0:11:02.040
<v Speaker 1>So those are the you know, that's a different story lines, Hubris,

0:11:03.679 --> 0:11:07.120
<v Speaker 1>That's what I think about this. But I like, let's

0:11:07.200 --> 0:11:11.080
<v Speaker 1>lead with the concept of an ensemble movie is so great,

0:11:11.160 --> 0:11:15.240
<v Speaker 1>but I feel like it's so rarely works. Su I

0:11:15.320 --> 0:11:17.400
<v Speaker 1>think it's tough. I think it's tough because this is

0:11:17.480 --> 0:11:19.840
<v Speaker 1>this is huge, This is like this is a whole bunch,

0:11:20.280 --> 0:11:25.520
<v Speaker 1>Like all the British stars are in this, you know, honestly, Yeah, seriously, Yeah, Yeah,

0:11:26.080 --> 0:11:29.160
<v Speaker 1>it's it's tricky and again like the vignettes also tricky,

0:11:29.679 --> 0:11:32.240
<v Speaker 1>and there's a lot, there's too many, like it's just

0:11:32.559 --> 0:11:34.959
<v Speaker 1>nine or ten. Is just it's a lot to try

0:11:35.000 --> 0:11:39.599
<v Speaker 1>to interweave. Yes, is probably yes, Yeah, but this is

0:11:39.840 --> 0:11:42.800
<v Speaker 1>so now. Okay, basically, I think you get by now

0:11:42.840 --> 0:11:45.679
<v Speaker 1>that we really hate this movie. I think that is

0:11:45.960 --> 0:11:47.839
<v Speaker 1>you know, you've picked up on that unless you're you know,

0:11:48.000 --> 0:11:52.320
<v Speaker 1>troubled um. But the movie itself is you know, every

0:11:52.360 --> 0:11:54.960
<v Speaker 1>every single one, they're just it's just deplorable. It's awful.

0:11:55.040 --> 0:11:57.640
<v Speaker 1>But then when you go back, because I knew the

0:11:57.760 --> 0:11:59.079
<v Speaker 1>right away, I was like, this is gonna be fun

0:11:59.080 --> 0:12:01.000
<v Speaker 1>to talk about because it's so awful. But then when

0:12:01.040 --> 0:12:05.400
<v Speaker 1>you actually focus on the female characters, it made it

0:12:05.559 --> 0:12:09.160
<v Speaker 1>like double horrible. Like I just I literally felt sick

0:12:09.240 --> 0:12:11.640
<v Speaker 1>for a moment when you really go back and and

0:12:11.800 --> 0:12:14.719
<v Speaker 1>just figure out every So let's let's start from the

0:12:14.800 --> 0:12:18.160
<v Speaker 1>beginning and just talk about the women, how they're portrayed

0:12:18.160 --> 0:12:22.200
<v Speaker 1>in this it's so awful. Number one Okay, so well,

0:12:22.240 --> 0:12:24.679
<v Speaker 1>there's no female characters in the Bill Night storyline. And

0:12:24.920 --> 0:12:29.920
<v Speaker 1>on Calin Firth and Aurelia. Yeah, first of all, he

0:12:30.200 --> 0:12:32.840
<v Speaker 1>is cu colded by his by his brother and his wife. Right,

0:12:32.960 --> 0:12:35.760
<v Speaker 1>so um, but I have just the thing that drives

0:12:35.800 --> 0:12:38.599
<v Speaker 1>me insane. I already even just you know, everyone we

0:12:38.679 --> 0:12:41.120
<v Speaker 1>call every cock and that's a new word in our

0:12:41.200 --> 0:12:43.719
<v Speaker 1>life now. I find it interesting that men even just

0:12:43.880 --> 0:12:46.720
<v Speaker 1>get a word for when they're cheated on. Do women

0:12:46.840 --> 0:12:50.200
<v Speaker 1>get a word for when we're cheated on? We don't.

0:12:50.400 --> 0:12:53.680
<v Speaker 1>Basically that he was cuckolded and women, it's like it's

0:12:53.880 --> 0:12:56.280
<v Speaker 1>it's a part of life, like that's basically you know

0:12:56.280 --> 0:13:00.240
<v Speaker 1>what I mean. Boys get a special word because they

0:13:00.320 --> 0:13:03.120
<v Speaker 1>were cuckled, but no, we just live with it. We

0:13:06.000 --> 0:13:11.160
<v Speaker 1>call you're exactly right, right, fine, I know you know

0:13:12.840 --> 0:13:16.120
<v Speaker 1>that doesn't It's just it's always that's always irked me

0:13:16.320 --> 0:13:19.840
<v Speaker 1>that it's like, oh, dudes get a word for anyway whatever? Um,

0:13:20.200 --> 0:13:23.520
<v Speaker 1>but y yea and God forbid a man be cheated on?

0:13:23.640 --> 0:13:26.439
<v Speaker 1>Oh no, So he gets cheated on right away and

0:13:26.480 --> 0:13:30.880
<v Speaker 1>then goes to his cottage or something. Yeah, And and

0:13:31.000 --> 0:13:34.200
<v Speaker 1>there's um yeah, and there's a cleaning woman. I guess

0:13:34.280 --> 0:13:36.839
<v Speaker 1>the maid. Who is she? And she doesn't speak a

0:13:36.960 --> 0:13:43.559
<v Speaker 1>word of English deeply on a level where like none

0:13:43.559 --> 0:13:45.920
<v Speaker 1>of us have experienced in our lives yet, you know,

0:13:46.880 --> 0:13:49.320
<v Speaker 1>and they don't but they don't speak the same language

0:13:49.320 --> 0:13:51.520
<v Speaker 1>at all, which is me neither. I didn't like it

0:13:51.559 --> 0:13:54.599
<v Speaker 1>at all. This that I have in front of me

0:13:54.720 --> 0:13:57.400
<v Speaker 1>describes it as in spite of the fact that neither

0:13:57.559 --> 0:14:01.160
<v Speaker 1>of them speak the same language, their personnel. These are similar.

0:14:04.679 --> 0:14:07.280
<v Speaker 1>That's the problem. Because there are so many different storylines

0:14:07.640 --> 0:14:10.160
<v Speaker 1>and so many characters, there's not enough time to develop

0:14:10.200 --> 0:14:14.120
<v Speaker 1>anyone characters fair enough. Characters are under developed, and then

0:14:14.480 --> 0:14:17.880
<v Speaker 1>just the depiction of love and romantic love and relationships

0:14:18.080 --> 0:14:21.960
<v Speaker 1>is very glossed over because everything that's portrayed as very

0:14:22.320 --> 0:14:26.240
<v Speaker 1>surface level, and usually the character's relationships are based on

0:14:26.800 --> 0:14:29.600
<v Speaker 1>like a physical attraction rather than so like, yeah, they

0:14:29.640 --> 0:14:31.520
<v Speaker 1>were hot, that would have been fair. Like if they

0:14:31.560 --> 0:14:32.880
<v Speaker 1>would have just like you know what I mean, it

0:14:32.880 --> 0:14:35.760
<v Speaker 1>would just been a hot weekend of passion, fund right.

0:14:36.240 --> 0:14:37.840
<v Speaker 1>I think we all would have accepted that and been like,

0:14:37.960 --> 0:14:40.920
<v Speaker 1>all right, but no, But then they get married and

0:14:41.080 --> 0:14:44.120
<v Speaker 1>proposed stories like if that had just ended with like

0:14:44.520 --> 0:14:47.920
<v Speaker 1>he learned some Portuguese and as yeah, I would have

0:14:48.000 --> 0:14:52.160
<v Speaker 1>been like, that's actually very sweet, where he finds the

0:14:52.240 --> 0:14:54.480
<v Speaker 1>will to love again and then just moves on with

0:14:54.600 --> 0:14:59.000
<v Speaker 1>his life. No longer cook because yeah, because this story

0:14:59.080 --> 0:15:02.280
<v Speaker 1>takes place over the course of five weeks, so in

0:15:02.440 --> 0:15:06.560
<v Speaker 1>that time he manages to write a novel because it

0:15:06.680 --> 0:15:09.480
<v Speaker 1>only takes five weeks. I don't know. If you fall

0:15:09.600 --> 0:15:12.800
<v Speaker 1>in love and propose Mary, that's not too effort cook.

0:15:14.720 --> 0:15:17.840
<v Speaker 1>That's a free official work for a cook. And you

0:15:17.920 --> 0:15:20.160
<v Speaker 1>know what, we love calling Firth week you know, lovely,

0:15:20.520 --> 0:15:23.960
<v Speaker 1>he always you know, he's great, but this is you know,

0:15:24.280 --> 0:15:27.440
<v Speaker 1>they're just it's just too quick. You know. The whole

0:15:27.480 --> 0:15:28.880
<v Speaker 1>of the whole thing is that no one gets to

0:15:28.960 --> 0:15:31.320
<v Speaker 1>stretch the legs, no one gets to really you know,

0:15:31.560 --> 0:15:35.920
<v Speaker 1>be worthwhile in any capacity in this movie. So he's

0:15:36.000 --> 0:15:41.800
<v Speaker 1>just stuttering king exactly exactly you've seen. That really drives

0:15:41.840 --> 0:15:44.480
<v Speaker 1>me nuts in this storyline is where all of his

0:15:44.600 --> 0:15:48.280
<v Speaker 1>papers fly into the little pond and she just strips

0:15:48.680 --> 0:15:52.760
<v Speaker 1>down for no reason and jumps in the water, and

0:15:53.200 --> 0:15:56.280
<v Speaker 1>like the way the camera like lingers on her body

0:15:56.400 --> 0:16:00.480
<v Speaker 1>and pans up and down. Very gross. But the thing

0:16:00.520 --> 0:16:02.440
<v Speaker 1>I kept trying to put my head in, like what

0:16:02.520 --> 0:16:03.840
<v Speaker 1>if I saw this when it came out, because I

0:16:04.000 --> 0:16:06.160
<v Speaker 1>would have been eleven when this game out? Oh did

0:16:06.200 --> 0:16:11.080
<v Speaker 1>I not say eleven? Did I say? It's like I

0:16:11.120 --> 0:16:13.600
<v Speaker 1>think that if I had seen that scene, like you know,

0:16:13.680 --> 0:16:16.480
<v Speaker 1>when you're younger, I would have interpreted like, oh so

0:16:16.680 --> 0:16:22.520
<v Speaker 1>that's what you do. Yeah, someone's papers, a veritable stranger's

0:16:22.600 --> 0:16:25.360
<v Speaker 1>papers about I would have taken it as gospel like

0:16:25.480 --> 0:16:28.120
<v Speaker 1>the nice time someone drops something, I'm just gonna strip

0:16:28.360 --> 0:16:31.080
<v Speaker 1>new like and which is gross. And the way it

0:16:31.280 --> 0:16:33.600
<v Speaker 1>was like like the way that they pan her body

0:16:33.640 --> 0:16:36.160
<v Speaker 1>and just like come and really like would you you

0:16:36.360 --> 0:16:39.040
<v Speaker 1>have to save your your maids out for it from

0:16:39.080 --> 0:16:41.880
<v Speaker 1>getting wet? I mean seriously, like I would maybe take

0:16:41.880 --> 0:16:43.800
<v Speaker 1>off my shoes in my watch, but other than that,

0:16:43.960 --> 0:16:47.720
<v Speaker 1>I'm you know, you keep everything. He could get it, yes,

0:16:47.960 --> 0:16:51.560
<v Speaker 1>exactly yea, and he could be yeah, he can type

0:16:51.600 --> 0:16:56.880
<v Speaker 1>on a laptop and save it. Yes. And what I

0:16:57.040 --> 0:16:59.800
<v Speaker 1>really hated I hated the when they go to the

0:17:00.040 --> 0:17:03.160
<v Speaker 1>her family's restaurant and then the way they like they

0:17:03.320 --> 0:17:06.879
<v Speaker 1>pick the other sister against her and she's the gross sister.

0:17:07.200 --> 0:17:09.600
<v Speaker 1>I hated it so much. It was just I found

0:17:09.640 --> 0:17:12.320
<v Speaker 1>that part just like, oh, is this the comic relief

0:17:12.400 --> 0:17:15.960
<v Speaker 1>part where there's a un attractive one that should marry

0:17:16.040 --> 0:17:18.880
<v Speaker 1>for Oh, it's just there's I made notes of all

0:17:19.000 --> 0:17:23.720
<v Speaker 1>the times that women are reduced to nothing more than

0:17:24.040 --> 0:17:26.359
<v Speaker 1>either how attractive they are or what they look like,

0:17:26.640 --> 0:17:30.320
<v Speaker 1>and there are dozen't of course. Yeah, there's one instance

0:17:30.400 --> 0:17:33.719
<v Speaker 1>in this storyline where Aurelia's father is talking to her

0:17:33.800 --> 0:17:36.560
<v Speaker 1>other her sister and he calls her like miss Duncan

0:17:36.640 --> 0:17:40.240
<v Speaker 1>Donuts two thou or two thousand three because she's a

0:17:40.320 --> 0:17:43.720
<v Speaker 1>heavier woman. And it's just like that's like a Donald

0:17:43.840 --> 0:17:48.560
<v Speaker 1>Trump comic, frustrating, and there's tons of those. Were like,

0:17:49.240 --> 0:17:54.640
<v Speaker 1>I'm sorry anyway. Also, um Natalie, who is the love

0:17:54.720 --> 0:17:59.520
<v Speaker 1>interest of the gods, her father also calls her tubby

0:17:59.640 --> 0:18:03.280
<v Speaker 1>or bee. That's her And if that woman is fat,

0:18:04.000 --> 0:18:07.040
<v Speaker 1>like sign me up, Like are you kidding me? There

0:18:07.240 --> 0:18:10.080
<v Speaker 1>is nothing fat about her. She's a perfect hour glass

0:18:10.800 --> 0:18:13.520
<v Speaker 1>and she's gorgeous, and they they talk about her thighs

0:18:13.640 --> 0:18:19.159
<v Speaker 1>the entire character anyway, Yeah, disgusting. So has that happens

0:18:19.200 --> 0:18:22.560
<v Speaker 1>a lot. Women are just like they're either like objectified

0:18:22.720 --> 0:18:27.439
<v Speaker 1>or like deeply disappointed. That's all I get. That's all

0:18:27.480 --> 0:18:31.000
<v Speaker 1>I get. Okay, what's the next one after after Uncle

0:18:31.119 --> 0:18:35.240
<v Speaker 1>Jamie liam Neeson slash his stepson. Yeah, you know, I

0:18:35.320 --> 0:18:38.359
<v Speaker 1>will say the only okay, there was only two scenes

0:18:38.400 --> 0:18:41.720
<v Speaker 1>in this entire movie still that maybe kind of go okay.

0:18:41.880 --> 0:18:45.280
<v Speaker 1>Three in the beginning when they're at the funeral and

0:18:45.400 --> 0:18:47.840
<v Speaker 1>he plays her her favorite song, and that's still the

0:18:47.880 --> 0:18:50.320
<v Speaker 1>only part that I was like because and that's just

0:18:50.600 --> 0:18:52.840
<v Speaker 1>that's a lovely look, but that's it. But that is all.

0:18:53.080 --> 0:18:56.240
<v Speaker 1>And then Liam turns into a pitiful excuse of a

0:18:56.320 --> 0:18:58.960
<v Speaker 1>man and doesn't know how to relate to a child,

0:18:59.040 --> 0:19:01.400
<v Speaker 1>which I guess I understan dand but the whole thing

0:19:01.560 --> 0:19:04.000
<v Speaker 1>is just it's just contrived and awful. And that child,

0:19:04.160 --> 0:19:09.159
<v Speaker 1>oh god, he's just yeah, and how old was he

0:19:09.160 --> 0:19:13.199
<v Speaker 1>supposed to be and madly in love with I think

0:19:13.280 --> 0:19:16.119
<v Speaker 1>a girl much older than him. She seemed she did

0:19:16.160 --> 0:19:19.639
<v Speaker 1>see the way out of his story, out of his

0:19:19.720 --> 0:19:21.840
<v Speaker 1>leg and that's yeah, exactly supposed to be eleven and

0:19:21.920 --> 0:19:24.600
<v Speaker 1>she was like seventeen easy but there's no way, and

0:19:24.840 --> 0:19:28.120
<v Speaker 1>and just super duper out of his league whatever developed, Yeah,

0:19:28.359 --> 0:19:31.879
<v Speaker 1>very much and really beautiful. And then learning the drums

0:19:31.960 --> 0:19:34.680
<v Speaker 1>to who the whole thing is about him trying to

0:19:34.840 --> 0:19:37.520
<v Speaker 1>snag a girl even though like he just he never

0:19:37.600 --> 0:19:40.919
<v Speaker 1>even just spoke to her, but never even even at

0:19:40.960 --> 0:19:43.200
<v Speaker 1>that young age, like it was like he never even

0:19:43.920 --> 0:19:47.680
<v Speaker 1>say I guess think for Uncle James Portuguese is the

0:19:47.760 --> 0:19:52.040
<v Speaker 1>adult equivalent yeah, yeah, yeah, which again he was able

0:19:52.080 --> 0:19:55.000
<v Speaker 1>to do in two weeks. Yea, all it takes to

0:19:55.080 --> 0:19:58.800
<v Speaker 1>learn the drums. I can't believe. I can't believe none

0:19:58.840 --> 0:20:00.560
<v Speaker 1>of us have written a novel or learned to play

0:20:00.560 --> 0:20:02.919
<v Speaker 1>the drums. Wow, we've been talking like, I'm disgusted with us.

0:20:04.960 --> 0:20:10.199
<v Speaker 1>Where is our Maybe it's like in the matrix when

0:20:10.280 --> 0:20:15.920
<v Speaker 1>you can just like plug in and three. It would

0:20:15.920 --> 0:20:20.000
<v Speaker 1>be like a floppy disk I missed. I found a

0:20:20.040 --> 0:20:22.080
<v Speaker 1>bunch of floppy disks in my house when I was

0:20:22.200 --> 0:20:24.080
<v Speaker 1>visiting home in the most recent time. I was like,

0:20:24.160 --> 0:20:31.240
<v Speaker 1>we'll just never know. There's a line of dialogue I wrote,

0:20:31.280 --> 0:20:34.920
<v Speaker 1>also wrote down my favorite lines of dialogue. So as

0:20:35.200 --> 0:20:39.680
<v Speaker 1>Liam Neeson is lamenting about his dead wife, Emma Thompson

0:20:39.920 --> 0:20:43.440
<v Speaker 1>says to him, how how how are they related? Again,

0:20:43.880 --> 0:20:50.960
<v Speaker 1>they don't specify. Okay, okay. He starts crying and she says,

0:20:51.600 --> 0:20:54.560
<v Speaker 1>get a grip. People hate sissies. No one is going

0:20:54.640 --> 0:20:57.440
<v Speaker 1>to shag you if you cry all the time, which

0:20:57.560 --> 0:21:01.800
<v Speaker 1>is like, what now the good message for the kids? Yeah,

0:21:01.920 --> 0:21:05.160
<v Speaker 1>he's like pouring his heart out to her. Her response

0:21:05.320 --> 0:21:07.760
<v Speaker 1>is just like to perpetuate this like idea of like

0:21:08.080 --> 0:21:10.520
<v Speaker 1>the word masculinity, and it wor to be like a

0:21:10.720 --> 0:21:16.159
<v Speaker 1>funny moment. It's just like I'll only fucking man if

0:21:16.240 --> 0:21:20.280
<v Speaker 1>he's crying. Yeah, that's my power give you something to

0:21:20.359 --> 0:21:26.760
<v Speaker 1>cry with me. Yeah, it's like you want to cry.

0:21:28.040 --> 0:21:37.479
<v Speaker 1>Actually one time promised tears. But even the words sissy,

0:21:37.720 --> 0:21:42.120
<v Speaker 1>it's like really like it's suddenly it's all. It's just yeah,

0:21:42.119 --> 0:21:45.639
<v Speaker 1>it's it's ochaic and ridiculous. Anyway, I forgot about that,

0:21:45.760 --> 0:21:47.920
<v Speaker 1>Like I glossed over that, Like I don't even think

0:21:48.280 --> 0:21:51.600
<v Speaker 1>I even heard that. The second it is like yeah,

0:21:54.119 --> 0:21:56.639
<v Speaker 1>because and his wife is barely cold and dead in

0:21:56.680 --> 0:21:59.080
<v Speaker 1>the ground, and like it's been twenty minutes, and they're like,

0:21:59.320 --> 0:22:02.920
<v Speaker 1>you should be fine, king already. What Jesus give him

0:22:02.920 --> 0:22:05.760
<v Speaker 1>a minute, you know. Anyway, and that's another very male

0:22:05.920 --> 0:22:09.680
<v Speaker 1>thing of like you got to get back out. They're

0:22:09.800 --> 0:22:12.600
<v Speaker 1>like women, they're like, we're black for a year exactly.

0:22:12.960 --> 0:22:16.760
<v Speaker 1>You have to cover your face, yea. So okay, are

0:22:16.800 --> 0:22:19.000
<v Speaker 1>we say that the whole movie is five weeks? Because

0:22:19.040 --> 0:22:21.200
<v Speaker 1>that's fair, all right. So then at the end two

0:22:21.280 --> 0:22:25.480
<v Speaker 1>of his vignette, he meets Claudia Schiffer. Of course he does, um, yes,

0:22:25.600 --> 0:22:29.480
<v Speaker 1>because that makes perfect sense. Um because she's the mother

0:22:29.600 --> 0:22:36.240
<v Speaker 1>of the of the beautiful, the teacher or something. Yeah.

0:22:36.280 --> 0:22:39.960
<v Speaker 1>And so then at five weeks of mourning the loss

0:22:40.000 --> 0:22:44.480
<v Speaker 1>of his wife, he's ready for Claudia. Sure, I mean

0:22:44.560 --> 0:22:47.000
<v Speaker 1>I guess who knew, I get who wouldn't be Let's

0:22:47.000 --> 0:22:55.399
<v Speaker 1>be honest. Anyway, Yeah, the next early on two, by

0:22:55.440 --> 0:22:59.800
<v Speaker 1>the way, that really I think unbelievable. Okay, the next

0:22:59.840 --> 0:23:03.960
<v Speaker 1>one is Emma Thompson. Again I don't remember. Okay, me neither,

0:23:04.080 --> 0:23:06.159
<v Speaker 1>but I will say again we'll do a little you know.

0:23:06.600 --> 0:23:10.600
<v Speaker 1>I love Emma Thompson usually and thank you, and we

0:23:10.760 --> 0:23:14.959
<v Speaker 1>love of course Alan Rickman as well. Uh, this one

0:23:15.080 --> 0:23:18.959
<v Speaker 1>it's they're seeing there is repugnant as well. But at

0:23:19.000 --> 0:23:21.320
<v Speaker 1>the same time, I don't know, like they just they

0:23:21.359 --> 0:23:23.000
<v Speaker 1>may just because I like the both of them, they

0:23:23.080 --> 0:23:26.280
<v Speaker 1>felt the least disgusting to me. Um, but I mean,

0:23:26.800 --> 0:23:29.800
<v Speaker 1>you know the his stories of course, the beautiful young

0:23:30.119 --> 0:23:34.360
<v Speaker 1>chippy at the office, she's just like so slutty. It's ridiculous,

0:23:34.440 --> 0:23:36.440
<v Speaker 1>Like it's just the kind of behavior that like at

0:23:36.480 --> 0:23:39.600
<v Speaker 1>the office. Really with the sitting with the legs apart,

0:23:41.440 --> 0:23:44.560
<v Speaker 1>it's like, whoa, I mean, it's just it's ridiculous. That

0:23:44.640 --> 0:23:52.520
<v Speaker 1>reminded me of Margot Robbie in Yes, Yeah, and also

0:23:53.000 --> 0:23:58.520
<v Speaker 1>what's the movie with Sharon Yes, Yes, I mean ridiculous

0:23:58.560 --> 0:24:01.480
<v Speaker 1>And this is at the office Okay, the whole story

0:24:01.560 --> 0:24:02.840
<v Speaker 1>is is that, you know, obviously he's been married to

0:24:02.840 --> 0:24:04.879
<v Speaker 1>Emma Thompson for a while, they have children, you know,

0:24:04.960 --> 0:24:08.479
<v Speaker 1>they're a regular couple. And then he is tempted by

0:24:08.560 --> 0:24:12.760
<v Speaker 1>this the young hot girl, the psychopath, it's going to say,

0:24:12.800 --> 0:24:14.879
<v Speaker 1>who will clearly go through your trash and never leave

0:24:14.920 --> 0:24:17.960
<v Speaker 1>you alone. Um, but he falls, you know, he likes

0:24:18.080 --> 0:24:21.159
<v Speaker 1>but we nothing, nothing happens between the two of them.

0:24:21.160 --> 0:24:23.280
<v Speaker 1>He buys her a present that should have been for

0:24:23.480 --> 0:24:25.600
<v Speaker 1>you know, she thinks it's the wife thinks it's for her,

0:24:26.040 --> 0:24:28.080
<v Speaker 1>it's not. It's jewelry. And he then he gets her

0:24:28.160 --> 0:24:31.280
<v Speaker 1>Joni Mitchell c d's, which, let's be honest, you know whatever,

0:24:31.560 --> 0:24:33.879
<v Speaker 1>and it kind of sucks. But so nothing but he

0:24:34.119 --> 0:24:37.320
<v Speaker 1>but he does think about it, obviously, and that's enough

0:24:37.400 --> 0:24:39.520
<v Speaker 1>for her. Now I'm going to say this, this is

0:24:40.200 --> 0:24:42.280
<v Speaker 1>really like you don't go to therapy or try to

0:24:42.320 --> 0:24:44.560
<v Speaker 1>work it out. He thinks of another woman, and you're done,

0:24:45.240 --> 0:24:47.600
<v Speaker 1>yes or no? Are we like? That seems to be

0:24:47.720 --> 0:24:51.280
<v Speaker 1>a bit impetuous. I mean, yes, okay, that was a

0:24:51.400 --> 0:24:56.520
<v Speaker 1>mental emotional cheat. But I would maybe we have kids,

0:24:56.600 --> 0:24:58.640
<v Speaker 1>I would maybe think about it. I mean, I would

0:24:58.800 --> 0:25:01.040
<v Speaker 1>go for some therapy and then figure it out. No, yes,

0:25:01.119 --> 0:25:04.880
<v Speaker 1>I'm wrong, No, I think she has an appropriate reaction

0:25:04.920 --> 0:25:07.359
<v Speaker 1>with just to be just be upset when she comes up.

0:25:07.359 --> 0:25:11.200
<v Speaker 1>But then yes, she pretty really readily just ye oh yeah,

0:25:11.240 --> 0:25:13.200
<v Speaker 1>I mean she she's broken. And I will say again,

0:25:13.240 --> 0:25:15.840
<v Speaker 1>Emma Thompson is a fabulous crier. She just did. She's

0:25:15.880 --> 0:25:17.800
<v Speaker 1>a good crier. And the scene where she goes and

0:25:17.840 --> 0:25:19.560
<v Speaker 1>cries in the bedroom and then comes back and she's like,

0:25:19.720 --> 0:25:22.600
<v Speaker 1>all right, let's go to the pageant. I find me too.

0:25:22.680 --> 0:25:25.239
<v Speaker 1>I did feel that too, because she's a really good crier. Yes,

0:25:25.400 --> 0:25:29.200
<v Speaker 1>but of yeah, I get it. Yes you'd be heartbroken

0:25:29.240 --> 0:25:30.879
<v Speaker 1>because you know what your husband's thinking and doing. But

0:25:30.960 --> 0:25:34.600
<v Speaker 1>I would have gone to therapy after all of these

0:25:34.800 --> 0:25:40.520
<v Speaker 1>character Yes, therapist if they moved into that family would

0:25:40.560 --> 0:25:43.639
<v Speaker 1>make a killing killing But I don't know, Like, especially

0:25:43.640 --> 0:25:46.280
<v Speaker 1>because Emma Thompson's character is introduced as being like so

0:25:46.600 --> 0:25:48.920
<v Speaker 1>set in her ways and like this is the life

0:25:49.000 --> 0:25:51.639
<v Speaker 1>path she's chosen and she's sticking to it, it seems

0:25:51.720 --> 0:25:54.000
<v Speaker 1>almost like out of character about the very little we

0:25:54.080 --> 0:25:55.760
<v Speaker 1>know about her that she would just be like you

0:25:55.840 --> 0:25:59.920
<v Speaker 1>know what, fusk However, many exactly she's made this she

0:26:00.160 --> 0:26:02.440
<v Speaker 1>so big into her family, and it's like she'said and

0:26:02.560 --> 0:26:04.760
<v Speaker 1>she's this wonderful mother and she takes care of everything

0:26:04.800 --> 0:26:06.440
<v Speaker 1>and then she's like I'm done. I mean it just

0:26:06.600 --> 0:26:08.800
<v Speaker 1>it's very like she would do it my mom did,

0:26:08.960 --> 0:26:11.920
<v Speaker 1>which is just be like you will obey me. Now

0:26:14.320 --> 0:26:16.600
<v Speaker 1>I'm in charge and you have a very short law.

0:26:16.840 --> 0:26:22.359
<v Speaker 1>If I'm the cock, that's it. That's it. And they

0:26:22.400 --> 0:26:24.359
<v Speaker 1>also portray her, you know, as that sort of like

0:26:25.080 --> 0:26:28.040
<v Speaker 1>pitiful type of oh and she's let herself go and

0:26:28.280 --> 0:26:30.199
<v Speaker 1>I don't know, like they just really gave her kind

0:26:30.240 --> 0:26:34.280
<v Speaker 1>of like a schleppy type vibe. The whole thing is like,

0:26:34.760 --> 0:26:36.440
<v Speaker 1>you know, and we love Alan Rickman, but like what

0:26:36.640 --> 0:26:38.600
<v Speaker 1>I mean, it's not like you know what I mean,

0:26:38.680 --> 0:26:42.119
<v Speaker 1>it's yes, you know what I mean, like they are

0:26:42.240 --> 0:26:45.280
<v Speaker 1>equally matched, that is, you know, it's not at all

0:26:45.400 --> 0:26:48.320
<v Speaker 1>like shocking, and they just make it so like she's,

0:26:48.359 --> 0:26:51.080
<v Speaker 1>you know, whatever deserves to be cheated on or something.

0:26:51.240 --> 0:26:55.280
<v Speaker 1>I don't know. There's a scene where me A, the

0:26:55.520 --> 0:26:58.159
<v Speaker 1>young assistant that's in love with him, that's throwing at him,

0:26:58.680 --> 0:27:01.600
<v Speaker 1>takes off all of her clothes and it's just like

0:27:01.720 --> 0:27:05.560
<v Speaker 1>in a red bra and underwear, and she like and

0:27:05.680 --> 0:27:09.639
<v Speaker 1>it's like, why is this in the movie? What? And

0:27:09.800 --> 0:27:12.200
<v Speaker 1>I like, for a second, like, I guess you could

0:27:12.320 --> 0:27:16.400
<v Speaker 1>argue that it serves to contrast because in the scene

0:27:16.600 --> 0:27:19.480
<v Speaker 1>shot right before that you see Emma Thompson having taken

0:27:19.520 --> 0:27:21.800
<v Speaker 1>off her dress. That's exactly what I thought of too,

0:27:22.080 --> 0:27:24.720
<v Speaker 1>and she's in like a full like slip. Yeah, yeah, yeah,

0:27:24.840 --> 0:27:30.040
<v Speaker 1>and its evil but yeah, what you know, and what

0:27:30.160 --> 0:27:32.679
<v Speaker 1>bothers me about that is is guess what. Mia, By

0:27:32.720 --> 0:27:36.480
<v Speaker 1>the way, Earth is also going to age at some

0:27:36.640 --> 0:27:38.840
<v Speaker 1>point and she will one day be Emma Thompson. So

0:27:39.040 --> 0:27:41.840
<v Speaker 1>just get the funk over yourself. Man. Anyway, Oh I

0:27:41.880 --> 0:27:45.760
<v Speaker 1>got angry there for a second. Does she not? Also

0:27:45.920 --> 0:27:47.919
<v Speaker 1>does she not also answer the door in the same bra?

0:27:48.320 --> 0:27:49.800
<v Speaker 1>Am I wrong? Or she wearing the top when she

0:27:49.840 --> 0:27:52.720
<v Speaker 1>answers the answer? She's wearing it? Okay, Okay, I just

0:27:52.760 --> 0:27:56.840
<v Speaker 1>feel like she's in that red rob the very She's

0:27:57.119 --> 0:27:59.600
<v Speaker 1>like one of those cartoon character closets. It's just so

0:28:00.640 --> 0:28:04.440
<v Speaker 1>red bros. I thought she's the Einstein of Red Brass

0:28:05.280 --> 0:28:10.600
<v Speaker 1>to dug or something totally anyway, Yeah, professor's name was

0:28:14.800 --> 0:28:19.280
<v Speaker 1>My mom loves this storyline, and I'm like what mom,

0:28:20.640 --> 0:28:26.000
<v Speaker 1>But she like so much for Emma Thompson's character. But

0:28:26.080 --> 0:28:28.280
<v Speaker 1>as you mentioned, like there was sort of like an

0:28:28.320 --> 0:28:31.440
<v Speaker 1>emotional infidelity that happened. But and that would and that

0:28:31.520 --> 0:28:33.880
<v Speaker 1>would don't get it wrong, that would it would happen.

0:28:33.960 --> 0:28:36.880
<v Speaker 1>But if you're married to someone else, you still find

0:28:36.960 --> 0:28:41.560
<v Speaker 1>yourself attracted. Absolutely. Yeah. And this wasn't like a boyfriend.

0:28:41.720 --> 0:28:46.400
<v Speaker 1>This was her like husband for Dick. Yeah, absolutely, And

0:28:46.520 --> 0:28:48.600
<v Speaker 1>you know, and again I were not, you know whatever

0:28:48.720 --> 0:28:50.480
<v Speaker 1>to each is that one how you think about it?

0:28:50.520 --> 0:28:53.360
<v Speaker 1>But you're right men and of course women too, but

0:28:53.520 --> 0:28:56.400
<v Speaker 1>men have a tendency to have a wandering eye a

0:28:56.480 --> 0:28:59.240
<v Speaker 1>little bit more because you know, they're way more visual

0:28:59.360 --> 0:29:01.520
<v Speaker 1>than women are. And so yeah, you look at the

0:29:01.560 --> 0:29:03.680
<v Speaker 1>hot girl at the office, Okay, I mean it gets

0:29:03.720 --> 0:29:06.560
<v Speaker 1>the buying of the gift means something he does, he does,

0:29:06.640 --> 0:29:09.280
<v Speaker 1>act on it, he does. And also really, I mean

0:29:09.360 --> 0:29:12.680
<v Speaker 1>I guess and she young, slutty, sexy Mia, she's going

0:29:12.760 --> 0:29:15.760
<v Speaker 1>for a man like thirty years or senior. Really, yeah,

0:29:15.880 --> 0:29:19.160
<v Speaker 1>like what's the motive? I mean, wasn't at the same

0:29:19.240 --> 0:29:24.400
<v Speaker 1>office that Carl works at. I mean she's like yeah

0:29:24.480 --> 0:29:26.080
<v Speaker 1>the whole time. That was just sort of like you

0:29:26.160 --> 0:29:31.560
<v Speaker 1>know all due respect exactly anyway, we all have a

0:29:31.640 --> 0:29:34.600
<v Speaker 1>radic tape A little weird. That's problem with almost every

0:29:34.640 --> 0:29:38.720
<v Speaker 1>storyline in this movie is that the character's personalities aren't established,

0:29:38.760 --> 0:29:41.560
<v Speaker 1>so you have no idea what anyone likes anywhere. We're

0:29:41.560 --> 0:29:43.600
<v Speaker 1>just we're facing it on agent. Looks that's what we're doing,

0:29:43.920 --> 0:29:46.720
<v Speaker 1>right right. I forgot a line of dialogue that I

0:29:46.760 --> 0:29:50.680
<v Speaker 1>wrote down that is just what a gem. He's telling

0:29:51.240 --> 0:29:54.800
<v Speaker 1>his assistant or whatever Mia to plan the Christmas party,

0:29:55.000 --> 0:29:57.160
<v Speaker 1>and he says it's one of the things to do

0:29:57.880 --> 0:30:00.880
<v Speaker 1>advise the girls to avoid Kevin if they want their

0:30:01.000 --> 0:30:06.600
<v Speaker 1>breasts unfondled, which the implications of that are he is

0:30:06.760 --> 0:30:10.520
<v Speaker 1>the boss and he knowingly has an employee who sexually

0:30:10.600 --> 0:30:16.239
<v Speaker 1>assaults women, and his advance is just to keep your

0:30:16.280 --> 0:30:22.160
<v Speaker 1>breaths away from this. Yeah, whatst That is really disgusting.

0:30:22.880 --> 0:30:26.120
<v Speaker 1>Will I think that his secretary she has to change

0:30:26.120 --> 0:30:31.920
<v Speaker 1>her panties every five she's just like the yeah from

0:30:31.960 --> 0:30:37.720
<v Speaker 1>a Yeah, she's just gooping. Yeah, I've totally forgot that

0:30:37.800 --> 0:30:41.280
<v Speaker 1>line that. I don't know if I even never noticed

0:30:41.320 --> 0:30:44.960
<v Speaker 1>it Inte neither, but I know I know that that, Yeah,

0:30:45.160 --> 0:30:47.200
<v Speaker 1>it's just like a throwaway line. But it's like, wait

0:30:47.280 --> 0:30:55.160
<v Speaker 1>a minute, condoning sucking asshole. Yeah. Anyway, next storyline, when

0:30:55.800 --> 0:30:59.440
<v Speaker 1>Colin got a X wants to go to America to Wisconsin.

0:30:59.800 --> 0:31:03.840
<v Speaker 1>They this is my most hated I hate this one

0:31:04.000 --> 0:31:11.560
<v Speaker 1>so much. It's really dumb. Alright, Akay, let's get into Okay.

0:31:11.600 --> 0:31:13.560
<v Speaker 1>First of all, you at the beginning called him ugly,

0:31:13.880 --> 0:31:15.800
<v Speaker 1>and it's so true because he's got like God bless

0:31:15.880 --> 0:31:20.000
<v Speaker 1>He's friend calls him ugly. He is. He's one of

0:31:20.080 --> 0:31:22.360
<v Speaker 1>those eyes with too much space, you know what I'm saying,

0:31:22.400 --> 0:31:24.040
<v Speaker 1>Like it's like the eyes on a bit of a

0:31:24.120 --> 0:31:30.240
<v Speaker 1>fish with it's on the opposite and you know whatever

0:31:30.400 --> 0:31:31.960
<v Speaker 1>I mean. Please, I know what I look like. But

0:31:32.280 --> 0:31:34.320
<v Speaker 1>this boy, this is a little unfortunately. Of course, what

0:31:34.440 --> 0:31:36.680
<v Speaker 1>saves him, of course in this whole thing is the

0:31:36.720 --> 0:31:39.160
<v Speaker 1>British accent. And that's the only part that's clever in

0:31:39.200 --> 0:31:41.080
<v Speaker 1>this whole thing is the fact that he's a British

0:31:41.120 --> 0:31:44.080
<v Speaker 1>accent and then American women go crazy for him. Now,

0:31:44.200 --> 0:31:48.200
<v Speaker 1>this is we sometimes do this. I'm not gonna lie.

0:31:48.280 --> 0:31:50.080
<v Speaker 1>We have moments when we do this because there is

0:31:50.160 --> 0:31:52.360
<v Speaker 1>something about a British accent that it's so able and

0:31:52.440 --> 0:31:55.120
<v Speaker 1>it's wrong, and I feel stupid for saying it, but

0:31:55.280 --> 0:31:58.040
<v Speaker 1>it's true. They have cute and the little and their

0:31:58.080 --> 0:32:00.680
<v Speaker 1>words in there. And that's the only part about the

0:32:00.760 --> 0:32:03.520
<v Speaker 1>whole scene, his whole storyline that is actually like, okay,

0:32:03.600 --> 0:32:05.920
<v Speaker 1>remotely clever. When they're asking him to name things, what

0:32:06.000 --> 0:32:09.479
<v Speaker 1>do you call this, and it's yeah, exactly, it's all right,

0:32:09.600 --> 0:32:11.920
<v Speaker 1>that's cute. But of course then he goes to America

0:32:11.920 --> 0:32:15.520
<v Speaker 1>because he says, and where does he go? Idaho or something? Wisconsin? Okay,

0:32:15.640 --> 0:32:18.440
<v Speaker 1>So he shows up and he just walks into a

0:32:18.560 --> 0:32:21.880
<v Speaker 1>diner of some sort and then meets those three women

0:32:22.040 --> 0:32:25.240
<v Speaker 1>who like they hurt my soul, like I just it

0:32:25.440 --> 0:32:31.440
<v Speaker 1>was January. That was January jar oh my gosh. Yeah.

0:32:31.760 --> 0:32:34.240
<v Speaker 1>And then um, the other with the Chris, the Canadian

0:32:34.240 --> 0:32:38.719
<v Speaker 1>girl what's her name, yeah, Cuthbert yeah. And then um,

0:32:38.880 --> 0:32:44.239
<v Speaker 1>of course the girl from American Pie Oh, Elizabeth, yes, Shannon, yeah, right,

0:32:44.320 --> 0:32:47.480
<v Speaker 1>And there was there was one more oh yes, and

0:32:47.560 --> 0:32:49.920
<v Speaker 1>then that that other one, the third girl who I

0:32:50.000 --> 0:32:53.160
<v Speaker 1>can I don't know her name anyway, all hot, gorgeous

0:32:53.200 --> 0:32:56.480
<v Speaker 1>girls and the way they they portray them is just ridiculous.

0:32:56.920 --> 0:32:59.680
<v Speaker 1>It's just it's it is. It's absolutely really. I think

0:32:59.680 --> 0:33:03.600
<v Speaker 1>they're all wearing cowboy hats, aren't they. They're like it's

0:33:03.640 --> 0:33:10.360
<v Speaker 1>like someone google yeah, yeah, yeah, and it's ridiculous. Yeah,

0:33:10.440 --> 0:33:12.480
<v Speaker 1>it's so stupid, And I think it's meant to be,

0:33:12.720 --> 0:33:15.880
<v Speaker 1>like sure, they want to balance certain storylines out. Some

0:33:15.960 --> 0:33:17.640
<v Speaker 1>of them are going to be more comical, some of

0:33:17.680 --> 0:33:20.640
<v Speaker 1>them are going to be more emotionally. Yeah, but it's like,

0:33:20.960 --> 0:33:24.960
<v Speaker 1>oh God, try harder. I don't know, like they're so

0:33:25.320 --> 0:33:28.920
<v Speaker 1>not just even their backstory they all lived together and

0:33:29.000 --> 0:33:35.680
<v Speaker 1>then they shared it's so gross and they as like

0:33:37.840 --> 0:33:41.880
<v Speaker 1>absolutely absolutely, like they accidentally sprayed each other with ketchup

0:33:41.960 --> 0:33:44.480
<v Speaker 1>or something and it's just, oh, my top and they

0:33:44.600 --> 0:33:47.480
<v Speaker 1>it's just it's so like cue the music, Like the

0:33:47.560 --> 0:33:50.080
<v Speaker 1>nineteen seventies porn should have happened immediately because it was

0:33:50.200 --> 0:33:52.120
<v Speaker 1>just ridiculous. But I thought was going to happen like

0:33:52.240 --> 0:33:54.680
<v Speaker 1>this would be like that sort of and it's hacky

0:33:54.760 --> 0:33:57.000
<v Speaker 1>and terrible too, but it would have been less offensive

0:33:57.320 --> 0:34:00.200
<v Speaker 1>if like he shows up and there's two slow any

0:34:00.360 --> 0:34:03.200
<v Speaker 1>chicks and one is like not like the others, and

0:34:03.360 --> 0:34:05.280
<v Speaker 1>she's like, I don't fall for your and I was

0:34:05.320 --> 0:34:09.719
<v Speaker 1>waiting for her to come to yea no, she doesn't know.

0:34:09.840 --> 0:34:13.600
<v Speaker 1>It just it just gets worse and he just immediately

0:34:13.719 --> 0:34:16.600
<v Speaker 1>kisses him, and it's just like she walks in. She's

0:34:16.640 --> 0:34:18.520
<v Speaker 1>just like God, because that's what Americans do, by the way,

0:34:18.520 --> 0:34:20.200
<v Speaker 1>I don't know if you know that they immediately kiss

0:34:20.239 --> 0:34:22.279
<v Speaker 1>you on the mouth. I mean, it's just it's it's

0:34:23.800 --> 0:34:27.399
<v Speaker 1>it's absolutely ridiculous. It's just and the whole like they're back,

0:34:27.440 --> 0:34:29.759
<v Speaker 1>they're all roommates and they sleep together, and it's just

0:34:30.080 --> 0:34:33.440
<v Speaker 1>like who taught you about women? Whoever wrote this scene?

0:34:33.520 --> 0:34:36.560
<v Speaker 1>Like it is just it is some thirteen year old

0:34:36.560 --> 0:34:39.440
<v Speaker 1>boys fantasy and they put it on the director of

0:34:39.520 --> 0:34:45.560
<v Speaker 1>this movie because some googling. Anyways, we'll get there. He

0:34:45.640 --> 0:34:52.080
<v Speaker 1>wrote it to write and directed. Oh he's a yeah.

0:34:52.280 --> 0:34:55.279
<v Speaker 1>I did fall for that though. Whenever I was a young,

0:34:55.760 --> 0:34:58.799
<v Speaker 1>younger person and I was living in New York City

0:34:58.920 --> 0:35:01.480
<v Speaker 1>and there was a British guy in a bar and

0:35:01.600 --> 0:35:08.839
<v Speaker 1>he's like, yeah, yeah, yeah, it's Australian. Yeah. We had

0:35:08.840 --> 0:35:11.200
<v Speaker 1>a little bit of a romance on the fact that

0:35:11.280 --> 0:35:13.840
<v Speaker 1>he was British not that attractive. If he was, that

0:35:14.719 --> 0:35:19.520
<v Speaker 1>American accent have been repulsive. Once a British navy men

0:35:19.640 --> 0:35:22.759
<v Speaker 1>offered me m d m A and I was so

0:35:22.960 --> 0:35:24.920
<v Speaker 1>close to taking it just and he looked like a

0:35:25.080 --> 0:35:31.240
<v Speaker 1>foot that like maybe I didn't. It's we're suckers. It's awful,

0:35:31.280 --> 0:35:34.720
<v Speaker 1>but it's true. Yeah. The next one is the porn

0:35:35.080 --> 0:35:37.680
<v Speaker 1>stand ins, which, first of all, I want to see

0:35:39.280 --> 0:35:43.560
<v Speaker 1>that's as high production value enough that they hire standing

0:35:44.440 --> 0:35:48.560
<v Speaker 1>where's where's that porn? It's not on porn hub. That

0:35:48.760 --> 0:35:54.040
<v Speaker 1>tends to be a full service job. So it's Martin

0:35:54.120 --> 0:35:57.680
<v Speaker 1>Freeman and a character whose name is just Judy and

0:35:57.840 --> 0:36:03.480
<v Speaker 1>she's credited in the Oh no, I guess like the

0:36:03.560 --> 0:36:07.239
<v Speaker 1>gimmick here is that they're shy and they're afraid to

0:36:07.360 --> 0:36:10.280
<v Speaker 1>like ask each other l even though they're like miming

0:36:10.840 --> 0:36:13.920
<v Speaker 1>Fallacio and each other and stuff. And she's they're naked,

0:36:14.000 --> 0:36:18.040
<v Speaker 1>like she's full naked. Yeah, she's like bouncing on his

0:36:18.280 --> 0:36:20.920
<v Speaker 1>like dick at one point, but they're too shy to

0:36:21.000 --> 0:36:26.960
<v Speaker 1>actually ask each other for coffee. And oh again, just

0:36:27.120 --> 0:36:28.920
<v Speaker 1>another like this is supposed to be one of the

0:36:28.960 --> 0:36:32.680
<v Speaker 1>funny ones and it's just it's yeah, and that sits

0:36:32.719 --> 0:36:35.640
<v Speaker 1>it and that's all it is, Like that's the whole thing,

0:36:35.719 --> 0:36:37.799
<v Speaker 1>that's the whole scene. They just every scene we see

0:36:37.840 --> 0:36:41.560
<v Speaker 1>them in a more graphic sexual position, and them talking

0:36:41.600 --> 0:36:44.000
<v Speaker 1>about the books they've read, and that's not even They

0:36:44.040 --> 0:36:46.480
<v Speaker 1>talk about traffic at one point like I don't even

0:36:46.560 --> 0:36:48.960
<v Speaker 1>know again another and they fall in love. But I

0:36:49.080 --> 0:36:50.680
<v Speaker 1>do wonder, like I looked at us and I'm like, oh,

0:36:50.719 --> 0:36:53.400
<v Speaker 1>that's probably kick them one two days to yeah, they

0:36:53.480 --> 0:36:55.160
<v Speaker 1>probably made a lot of money and two days I

0:36:55.239 --> 0:36:58.040
<v Speaker 1>know you can't. I was going to say, you can't

0:36:58.040 --> 0:37:00.200
<v Speaker 1>get mad at anyone here because this is the page check.

0:37:00.280 --> 0:37:03.320
<v Speaker 1>It's it's always a paycheck. But you know, hopefully you

0:37:03.440 --> 0:37:05.480
<v Speaker 1>saved that money and you can be more discriminating from you.

0:37:06.040 --> 0:37:09.040
<v Speaker 1>What I'm learning from this movie is that the people

0:37:09.080 --> 0:37:10.920
<v Speaker 1>you fall in love with are just the ones who

0:37:10.960 --> 0:37:13.279
<v Speaker 1>are near you. Oh my god. Oh it's totally a

0:37:13.360 --> 0:37:20.719
<v Speaker 1>proximity game. Absolutely was this before? Oh my god, we're

0:37:20.760 --> 0:37:24.759
<v Speaker 1>always in the same room. Everyone loves Aristotle. Everyone loves Aristotle.

0:37:29.280 --> 0:37:31.560
<v Speaker 1>Was this before? I guess this is way before online dating.

0:37:31.600 --> 0:37:33.200
<v Speaker 1>Of course there is this two thousand and three. Well,

0:37:33.440 --> 0:37:36.640
<v Speaker 1>I think it existed, but there wasn't. There was no

0:37:36.800 --> 0:37:38.319
<v Speaker 1>swipe thing at this pot. I think it was still

0:37:38.360 --> 0:37:41.239
<v Speaker 1>like there was a stigma around ye yes, dot com,

0:37:41.320 --> 0:37:44.200
<v Speaker 1>but you were a weirdo in the basement. I remember, yeah, wait,

0:37:44.239 --> 0:37:46.200
<v Speaker 1>do I have to move my car? What's happening? Okay?

0:37:47.520 --> 0:37:49.839
<v Speaker 1>Oh oh yeah, you drive a Prius. You know how

0:37:49.880 --> 0:37:58.520
<v Speaker 1>to drive a Prius. Guys, sorry, guys, more druma than

0:37:58.880 --> 0:38:01.920
<v Speaker 1>is in Love. This is actually way more exciting than

0:38:02.000 --> 0:38:09.239
<v Speaker 1>the entire movie. What's going to happen Christmas? Everybody? Okay,

0:38:09.280 --> 0:38:12.840
<v Speaker 1>I get it. We're real people, still real people. To

0:38:12.960 --> 0:38:15.640
<v Speaker 1>move it, you know, just like everybody else. What do

0:38:15.719 --> 0:38:21.680
<v Speaker 1>we talk about now that Aristotle's gone? We can say anything? Oh,

0:38:21.800 --> 0:38:23.880
<v Speaker 1>maybe this is just a route. Maybe he doesn't my

0:38:24.000 --> 0:38:25.880
<v Speaker 1>car doesn't have to move. Maybe he just has to poop.

0:38:27.280 --> 0:38:30.239
<v Speaker 1>He took your keys to go and poop in my car?

0:38:32.040 --> 0:38:34.560
<v Speaker 1>You pooped in my car? No, I think he went

0:38:34.600 --> 0:38:39.520
<v Speaker 1>to poop in the bathroom with the cricket. That's yeah,

0:38:39.520 --> 0:38:42.839
<v Speaker 1>that's a good cover. I'm not gonna take to take

0:38:42.880 --> 0:38:47.759
<v Speaker 1>you a long time and seriously, wow, wows, I'll use

0:38:47.840 --> 0:38:53.200
<v Speaker 1>that one one time. I really will love. Actually, do

0:38:53.320 --> 0:38:56.120
<v Speaker 1>we have anything else to say about that? The chable one?

0:38:57.120 --> 0:38:58.879
<v Speaker 1>I think, yeah, I don't think I had any other

0:38:58.960 --> 0:39:02.319
<v Speaker 1>nuts on that one. Do we have left we have? Mark?

0:39:02.480 --> 0:39:04.719
<v Speaker 1>I think? Is this character's name the guy from Walking Down.

0:39:05.480 --> 0:39:08.680
<v Speaker 1>This is like the iconic who doesn't speak. Does how

0:39:08.719 --> 0:39:12.759
<v Speaker 1>many words you say in the whole movie? Heeping? Yeah?

0:39:14.960 --> 0:39:16.480
<v Speaker 1>I know that this one. They're trying to make this

0:39:16.600 --> 0:39:19.960
<v Speaker 1>one so romantic and it's supposed to be, like it's not.

0:39:20.239 --> 0:39:28.160
<v Speaker 1>It's just creepy parodied like this, just like because that

0:39:28.320 --> 0:39:31.640
<v Speaker 1>scene became so iconic somehow, where he's like, it's a

0:39:31.719 --> 0:39:34.680
<v Speaker 1>rip off of say anything basically, like, but it's also

0:39:34.680 --> 0:39:37.360
<v Speaker 1>a rip off of you know, subterranean homes like blues. Basically,

0:39:37.440 --> 0:39:39.600
<v Speaker 1>that's what that is. That's Bob Dylan with It's a

0:39:39.640 --> 0:39:43.279
<v Speaker 1>Bob Dylan video where he just stands with the yeah

0:39:43.320 --> 0:39:47.000
<v Speaker 1>and that's his whole song, like and it's so early seventies.

0:39:47.520 --> 0:39:51.120
<v Speaker 1>I met Richard Curtis, the director, it was like, it's

0:39:51.160 --> 0:39:55.120
<v Speaker 1>oh much, but I'm saying, this is the whole case,

0:39:55.200 --> 0:39:57.680
<v Speaker 1>the whole thing. It's Cure Nightly and her lovely husband

0:39:57.920 --> 0:39:59.600
<v Speaker 1>and you know we see them right it's at the

0:39:59.640 --> 0:40:02.279
<v Speaker 1>wedding and we find out that Um Walking Dead is

0:40:02.680 --> 0:40:06.400
<v Speaker 1>best friends and he's also taken the wedding video and

0:40:06.480 --> 0:40:08.480
<v Speaker 1>then she goes to see it and the most the

0:40:08.520 --> 0:40:10.520
<v Speaker 1>most exciting thing about this whole scene is that she

0:40:10.600 --> 0:40:15.279
<v Speaker 1>mentions banoffie pie. Have you had Boffell? I didn't know. God,

0:40:15.760 --> 0:40:19.879
<v Speaker 1>it's caramel banana pie. Everybody look into it and get

0:40:20.040 --> 0:40:22.279
<v Speaker 1>into it. That's the only That's what I have to

0:40:22.360 --> 0:40:26.680
<v Speaker 1>tell you from this whole movie. But Affie, my stuff

0:40:26.840 --> 0:40:30.920
<v Speaker 1>just lift. What do you get so romantic? I tell

0:40:30.920 --> 0:40:32.719
<v Speaker 1>you know. There was a little place, um, there was

0:40:32.800 --> 0:40:35.439
<v Speaker 1>a little place in the grove actually that um called

0:40:35.560 --> 0:40:39.360
<v Speaker 1>Simple Santa. Yes, it's called Simple Things. It's in the

0:40:39.480 --> 0:40:43.280
<v Speaker 1>you know, it's in the Yeah, it's it does fabulous sandwiches.

0:40:43.520 --> 0:40:45.360
<v Speaker 1>But they used to do a bonoffy pie there that

0:40:45.440 --> 0:40:47.160
<v Speaker 1>Oh my god. A friend took me and I've I've

0:40:47.400 --> 0:40:49.000
<v Speaker 1>it's one of those ones that I had like three

0:40:49.040 --> 0:40:51.600
<v Speaker 1>years ago and I still think about it sometimes, one

0:40:51.640 --> 0:40:53.680
<v Speaker 1>of those of you're just like, but yeah, anyway, So

0:40:53.719 --> 0:40:57.960
<v Speaker 1>that's the highlight of that scene. My favorite part of

0:40:58.000 --> 0:41:02.439
<v Speaker 1>the entire movie is when they played Titanic and it's

0:41:02.520 --> 0:41:06.200
<v Speaker 1>just the other movie happening in this movie, because that's

0:41:06.280 --> 0:41:12.279
<v Speaker 1>the best. I can't Titanic because I feel like that

0:41:12.320 --> 0:41:20.520
<v Speaker 1>would be a three hour special because I think it's beautiful, dude.

0:41:20.800 --> 0:41:24.719
<v Speaker 1>My favorite part of okay, quick Titanic. I have read

0:41:24.800 --> 0:41:28.279
<v Speaker 1>the script to Titanic like the way James Cameron wrote it,

0:41:28.680 --> 0:41:33.200
<v Speaker 1>and he is a perfect There's a scene, the sex

0:41:33.239 --> 0:41:35.080
<v Speaker 1>scene in the car. I remember because I read it

0:41:35.080 --> 0:41:38.880
<v Speaker 1>when I was like thirteen. I was like, it says like,

0:41:39.120 --> 0:41:43.200
<v Speaker 1>and this is so like Victorian romance novel. He says

0:41:43.320 --> 0:41:47.160
<v Speaker 1>like Jack gets on top of Rose and she flourishes

0:41:47.360 --> 0:41:52.960
<v Speaker 1>under his welcome weight. I was like, whoa what flourishes

0:41:53.080 --> 0:41:56.640
<v Speaker 1>under his welcome I was like, who has ever flourished

0:41:56.760 --> 0:42:01.840
<v Speaker 1>under someone's welcome That sounds like your first day at

0:42:01.880 --> 0:42:04.920
<v Speaker 1>wait watchers. Here's my welcome way. It's just so great.

0:42:05.800 --> 0:42:08.439
<v Speaker 1>That's so gross. Oh I love that little that's scene.

0:42:08.480 --> 0:42:10.200
<v Speaker 1>We never would have known that, but now we go. No,

0:42:10.640 --> 0:42:14.719
<v Speaker 1>I might be the only person besides James Cameron. Yeah,

0:42:14.920 --> 0:42:19.600
<v Speaker 1>that's that's nice anyway. Okay, okay, so what did you

0:42:19.640 --> 0:42:20.879
<v Speaker 1>what do you have to say about this one? Because

0:42:20.920 --> 0:42:23.799
<v Speaker 1>this is a you know, well number one. So they

0:42:24.680 --> 0:42:27.399
<v Speaker 1>show him being really mean to her, Yes, she doesn't.

0:42:27.440 --> 0:42:30.719
<v Speaker 1>He pretends like he doesn't like her. Yeah, and I'll

0:42:30.760 --> 0:42:36.040
<v Speaker 1>get into that Khaki ship like come on, yeah, it's god. Yeah,

0:42:36.760 --> 0:42:40.319
<v Speaker 1>their their wedding and Laura, Lenny's there because guess what, guys,

0:42:40.320 --> 0:42:44.400
<v Speaker 1>they're all connected. Yeah, and she sees him like staring

0:42:44.440 --> 0:42:46.960
<v Speaker 1>at them dancing like the Mary couple dancing, and she's like,

0:42:47.040 --> 0:42:49.200
<v Speaker 1>do you love him? And he's like what. She's like,

0:42:49.280 --> 0:42:51.120
<v Speaker 1>you know, it's not maybe might love him. I just

0:42:51.200 --> 0:42:53.920
<v Speaker 1>want to ask a question. And he's like absolutely not,

0:42:54.160 --> 0:42:57.840
<v Speaker 1>no way, no way in hell, gross no. And it's like, okay,

0:42:58.160 --> 0:43:06.160
<v Speaker 1>you're he's well, he talking very being dismissive of the

0:43:06.239 --> 0:43:08.440
<v Speaker 1>fact that he might be that she was suggesting that

0:43:08.520 --> 0:43:12.919
<v Speaker 1>he was in love with her husband because it's two three, Yeah,

0:43:13.840 --> 0:43:19.440
<v Speaker 1>queer eyes. So there's a few other instances of like

0:43:19.560 --> 0:43:23.040
<v Speaker 1>some subtle homophobia. I sort of assumed that that would

0:43:23.040 --> 0:43:25.000
<v Speaker 1>be the case for any two thousand three movie, and

0:43:25.040 --> 0:43:27.239
<v Speaker 1>feel like these are the waning years where people make

0:43:27.320 --> 0:43:30.880
<v Speaker 1>gay jokes in mainstream films and it's like, this is funny.

0:43:31.760 --> 0:43:34.320
<v Speaker 1>We cap out and I now pronounce you Chuck and

0:43:34.440 --> 0:43:39.319
<v Speaker 1>Larry two hour Engage. It always bugged me that there

0:43:39.440 --> 0:43:46.120
<v Speaker 1>was no like a depiction of a gay yeah characters. Yeah,

0:43:46.320 --> 0:43:51.759
<v Speaker 1>statistically there would be yeah, absolutely to yeah, but we

0:43:51.880 --> 0:43:55.080
<v Speaker 1>don't see that, right, So he yeah, he's being very

0:43:55.120 --> 0:43:58.600
<v Speaker 1>dismissive that someone suggests that he might be gay. Horrified. Yeah,

0:43:58.640 --> 0:44:01.560
<v Speaker 1>he's very, very disgusted by it. Now I feel like

0:44:01.719 --> 0:44:04.640
<v Speaker 1>that is more like this whole thing, like he loves

0:44:04.719 --> 0:44:08.920
<v Speaker 1>his best friend's wife is more of a cheat than

0:44:09.000 --> 0:44:12.920
<v Speaker 1>Alan Rickman even buying a present for what I mean,

0:44:13.520 --> 0:44:16.080
<v Speaker 1>that would that would and your I would be like,

0:44:16.200 --> 0:44:18.920
<v Speaker 1>we're not friends anymore like you he I mean he is.

0:44:19.239 --> 0:44:23.680
<v Speaker 1>He is obsessed over his best friends, right, and and

0:44:24.000 --> 0:44:28.360
<v Speaker 1>the way she reacts because she like granted, she like

0:44:28.480 --> 0:44:30.759
<v Speaker 1>extends in all of branch and it's like, oh, let's

0:44:30.760 --> 0:44:34.239
<v Speaker 1>be friends, but it doesn't seem like she is. But

0:44:34.360 --> 0:44:38.120
<v Speaker 1>she kisses him right after he does the whole thing.

0:44:38.160 --> 0:44:39.520
<v Speaker 1>He shows up at the door and says, you know,

0:44:39.560 --> 0:44:41.960
<v Speaker 1>I'll always love you, and then she runs out and

0:44:42.040 --> 0:44:44.600
<v Speaker 1>she's like, this is you know, because you missed out,

0:44:44.760 --> 0:44:46.719
<v Speaker 1>So she gives him a pity kiss, but it's still

0:44:46.800 --> 0:44:50.080
<v Speaker 1>like honestly, it's still more and she's just been married.

0:44:50.400 --> 0:44:52.920
<v Speaker 1>They're like, they're like three weeks married, you guys are,

0:44:53.520 --> 0:44:56.600
<v Speaker 1>but like I got we don't know when I saw

0:44:56.680 --> 0:44:58.960
<v Speaker 1>that scene where like when kier And Nightly kisses him,

0:44:59.160 --> 0:45:02.560
<v Speaker 1>like you bet you just want the attention the only

0:45:02.920 --> 0:45:04.560
<v Speaker 1>but that's the only thing I could think of, because

0:45:04.560 --> 0:45:07.360
<v Speaker 1>they don't like she doesn't seem to particularly. She's like,

0:45:07.400 --> 0:45:09.560
<v Speaker 1>I want to be friends with my husband's friend, even

0:45:09.600 --> 0:45:12.400
<v Speaker 1>though I know he's declared as that. Wouldn't you be

0:45:12.520 --> 0:45:14.600
<v Speaker 1>like come and wouldn't you be like no, stop and

0:45:14.640 --> 0:45:17.400
<v Speaker 1>then go away. I'm okay, maybe I'm stupid, but I

0:45:17.440 --> 0:45:19.120
<v Speaker 1>would go in and I would say to my husband,

0:45:19.280 --> 0:45:21.919
<v Speaker 1>your best friend just totally hit on me and told

0:45:21.920 --> 0:45:26.120
<v Speaker 1>me they loves me. And I would tell scary video

0:45:26.239 --> 0:45:28.640
<v Speaker 1>of me on our wedding day that we I think

0:45:28.680 --> 0:45:31.200
<v Speaker 1>we paid him to do the video. He only took

0:45:31.200 --> 0:45:33.880
<v Speaker 1>footage of me, I mean. And then all she says is, oh,

0:45:33.960 --> 0:45:37.360
<v Speaker 1>I look very pretty. Okay, first of all, take it

0:45:37.440 --> 0:45:38.960
<v Speaker 1>down or not tonight? Like you know what I'm saying,

0:45:39.280 --> 0:45:41.800
<v Speaker 1>But you know, but I don't know. I don't know

0:45:41.840 --> 0:45:43.879
<v Speaker 1>if other women would keep that quiet, but I would.

0:45:44.000 --> 0:45:46.640
<v Speaker 1>I would be like, yeah, I would you keep acquired?

0:45:46.640 --> 0:45:48.560
<v Speaker 1>Would you tell your husband? No? I would. I wouldn't

0:45:48.719 --> 0:45:51.200
<v Speaker 1>tell I want to put that scene on YouTube with

0:45:51.280 --> 0:45:55.040
<v Speaker 1>horror movie playing and be like that would that would

0:45:55.080 --> 0:45:57.520
<v Speaker 1>be scary for me? If I'm like that was four

0:45:57.640 --> 0:46:00.279
<v Speaker 1>three years later, he rapes her like there's no way. Okay,

0:46:00.320 --> 0:46:04.160
<v Speaker 1>maybe that was a jump that, but she's dead somewhere

0:46:04.520 --> 0:46:08.320
<v Speaker 1>and that's all we know. And don't like, don't kiss

0:46:08.400 --> 0:46:10.800
<v Speaker 1>that man, because now he's never going to let it go.

0:46:11.000 --> 0:46:12.800
<v Speaker 1>I know, I just I just think the kiss was

0:46:13.000 --> 0:46:16.719
<v Speaker 1>super super unnecessary, right, well, the way, like the way

0:46:16.880 --> 0:46:20.560
<v Speaker 1>his love for her is also I know, well it's

0:46:20.680 --> 0:46:26.560
<v Speaker 1>like also extremely cartoonishly represented because he loves her so

0:46:27.680 --> 0:46:31.919
<v Speaker 1>like why why why number one? Number two? If when

0:46:31.960 --> 0:46:35.400
<v Speaker 1>he knows that his best friend is marrying her, he

0:46:35.520 --> 0:46:39.239
<v Speaker 1>needs to work on himself and get yes, he needs

0:46:39.320 --> 0:46:41.800
<v Speaker 1>to do something. Yeah. The fact that he just allows

0:46:41.880 --> 0:46:49.480
<v Speaker 1>himself to keep loving her from in absolutely is borderline insane. Yeah,

0:46:49.719 --> 0:46:52.400
<v Speaker 1>he's insane because again we know that they're trying to

0:46:52.480 --> 0:46:56.520
<v Speaker 1>make this this big romantic like unrequited love, and it's like, no,

0:46:56.719 --> 0:46:59.480
<v Speaker 1>it's it's really not. It's it's weird. And you're right,

0:46:59.520 --> 0:47:02.280
<v Speaker 1>he's a grow man. Get over it, you know, seek

0:47:02.360 --> 0:47:04.640
<v Speaker 1>some therapy and and find yourself your own girl. And

0:47:04.680 --> 0:47:07.200
<v Speaker 1>if I can't get over it, then stop hanging out

0:47:07.239 --> 0:47:10.319
<v Speaker 1>with them. Yeah, exactly, move Like I just I tried

0:47:10.360 --> 0:47:14.400
<v Speaker 1>to contextualize this with anyone i'd ever dated friend, and

0:47:14.560 --> 0:47:17.239
<v Speaker 1>I just like I would tell someone right away. I

0:47:17.280 --> 0:47:21.880
<v Speaker 1>would be so freaked out, like and I I, and

0:47:22.040 --> 0:47:24.840
<v Speaker 1>this is what's so like damaging, and I feel like

0:47:24.880 --> 0:47:28.759
<v Speaker 1>it results in all these creepy love moves from men

0:47:28.920 --> 0:47:31.520
<v Speaker 1>in real life. Is like that, this is like, oh,

0:47:31.840 --> 0:47:34.160
<v Speaker 1>this is how you do it exactly. And then someone

0:47:34.280 --> 0:47:37.359
<v Speaker 1>saying like sends you a creepy mix tape about your

0:47:37.560 --> 0:47:40.680
<v Speaker 1>feet and you're just like, what the fund is this?

0:47:40.920 --> 0:47:42.640
<v Speaker 1>And they're like, oh, I thought you'd like you Like, No,

0:47:42.840 --> 0:47:45.680
<v Speaker 1>I don't like it. It's about my feet. That's just

0:47:45.719 --> 0:47:52.759
<v Speaker 1>a little slice in my own life. There's it's not specifics.

0:47:55.120 --> 0:47:59.480
<v Speaker 1>Oh my god, I do love that. I love that

0:47:59.520 --> 0:48:02.640
<v Speaker 1>scene where like he runs outside and he's like blowing

0:48:02.680 --> 0:48:05.200
<v Speaker 1>off the steam because she just discovered that he loves her.

0:48:05.680 --> 0:48:08.080
<v Speaker 1>And they're like, I think it's an Enya song or something,

0:48:09.920 --> 0:48:12.200
<v Speaker 1>and it's so the music is so dated, and he's

0:48:12.239 --> 0:48:14.520
<v Speaker 1>just like he keeps like spinning around. He's like, do

0:48:14.600 --> 0:48:17.400
<v Speaker 1>I go back doing? And he like stomps around and

0:48:17.480 --> 0:48:21.080
<v Speaker 1>then like, oh god, it's so dumb. I just I

0:48:21.239 --> 0:48:24.120
<v Speaker 1>was like, who can relate with this? Just like yeah,

0:48:24.200 --> 0:48:27.120
<v Speaker 1>I don't know, it's it's rare, it's and then well,

0:48:27.120 --> 0:48:29.960
<v Speaker 1>the other thing is like shows how insane, like the

0:48:30.000 --> 0:48:33.120
<v Speaker 1>fact that he just treats her like absolute garbage, which

0:48:33.160 --> 0:48:36.239
<v Speaker 1>is the whole thing. If you're if you're watching that's

0:48:36.280 --> 0:48:39.640
<v Speaker 1>what younger exactly, if young boys are watching this, they

0:48:39.680 --> 0:48:42.120
<v Speaker 1>are you know, they don't have a chance. So okay,

0:48:42.160 --> 0:48:44.239
<v Speaker 1>so you like a girl, so twitter like garbage to

0:48:44.360 --> 0:48:46.440
<v Speaker 1>hide your feelings and lie to your best friend and

0:48:46.520 --> 0:48:49.880
<v Speaker 1>then follow her and spy on her, and it's just

0:48:50.080 --> 0:48:52.279
<v Speaker 1>the whole thing is weird. The whole thing is weird.

0:48:52.440 --> 0:48:54.839
<v Speaker 1>It's like, oh, I hope, I hope young men aren't

0:48:54.840 --> 0:48:57.399
<v Speaker 1>watching this or young women. To be honest, yeah yeah

0:48:57.480 --> 0:49:01.799
<v Speaker 1>please yea god. I kept put myself in like if

0:49:01.840 --> 0:49:05.160
<v Speaker 1>I watched that scene to I was not a man

0:49:05.239 --> 0:49:07.839
<v Speaker 1>to do this for exactly. I want him to spin

0:49:07.920 --> 0:49:12.680
<v Speaker 1>around to a yeah yeah, but you don't know, probably

0:49:12.680 --> 0:49:15.200
<v Speaker 1>at eleven you would have, like, seriously, at eleven years old,

0:49:15.200 --> 0:49:17.160
<v Speaker 1>you might think he loves to be so much, and

0:49:17.239 --> 0:49:19.799
<v Speaker 1>it's it's so deluded and crazy. I used to watch

0:49:19.840 --> 0:49:23.000
<v Speaker 1>a ton of these movies. I loved Matthew McConaughey when

0:49:23.040 --> 0:49:26.120
<v Speaker 1>I was younger, Like the Wedding planner is my face.

0:49:27.239 --> 0:49:29.440
<v Speaker 1>I was like, I want to plan matth, you know.

0:49:30.600 --> 0:49:32.439
<v Speaker 1>I was like, this is how it happens and that's

0:49:32.520 --> 0:49:37.279
<v Speaker 1>so plan Oh my god, that was a quote. I'm

0:49:37.360 --> 0:49:42.880
<v Speaker 1>so so Harry. It's so it's so awful gross. Okay,

0:49:42.920 --> 0:49:45.880
<v Speaker 1>what next one? So the next storyline after that is uh,

0:49:46.560 --> 0:49:53.279
<v Speaker 1>Hugh Grant of the Prime Minister and his caters, like

0:49:53.520 --> 0:49:57.160
<v Speaker 1>not too dissimilar from the secretary thing. It's just like, oh,

0:49:57.280 --> 0:50:00.560
<v Speaker 1>you're inferior. What I am is that is that his

0:50:00.680 --> 0:50:03.640
<v Speaker 1>thing is niche first of all, when he dances, and

0:50:03.880 --> 0:50:06.239
<v Speaker 1>is this the one that he dances? Right? That makes

0:50:06.480 --> 0:50:08.399
<v Speaker 1>I wanted to cry that. I was like so sad

0:50:08.480 --> 0:50:10.319
<v Speaker 1>for him and this. I was like, really, they make

0:50:10.400 --> 0:50:13.640
<v Speaker 1>him dance in the office and they're to be cheeky

0:50:13.880 --> 0:50:19.440
<v Speaker 1>and he's also yeah, but oh my god, and when

0:50:19.480 --> 0:50:22.640
<v Speaker 1>you actually watch him dancing, you're like, this is the whitest, yeah,

0:50:23.400 --> 0:50:27.720
<v Speaker 1>most horrible. What is like here? What is like something

0:50:27.800 --> 0:50:32.960
<v Speaker 1>good he's done? I don't know, can you think of one? Honestly,

0:50:33.200 --> 0:50:35.759
<v Speaker 1>I always confuse Colin Firth and Grant. I'm like, like

0:50:35.840 --> 0:50:37.640
<v Speaker 1>Colin first the good, but you don't know. I think

0:50:37.760 --> 0:50:40.520
<v Speaker 1>I think I think he had like there's an old

0:50:40.640 --> 0:50:42.920
<v Speaker 1>British movie that apparently he was amazing in and then

0:50:42.960 --> 0:50:44.520
<v Speaker 1>we all just don't know about it. There has to

0:50:44.560 --> 0:50:47.320
<v Speaker 1>be because you know, even even Three Weddings and a Funeral,

0:50:47.800 --> 0:50:51.960
<v Speaker 1>it's really nothing same written by the same guy as

0:50:52.440 --> 0:50:56.040
<v Speaker 1>Actually God, no wonder also that either I didn't like

0:50:56.120 --> 0:50:58.160
<v Speaker 1>it either, by the way, and everyone loved that movie,

0:50:58.560 --> 0:51:00.720
<v Speaker 1>and I was just like, I don't see why everyone's

0:51:00.760 --> 0:51:02.680
<v Speaker 1>going so crazy over that movie. Never liked it. So

0:51:02.719 --> 0:51:04.399
<v Speaker 1>I think that that's why Hugh. That's why I think

0:51:04.480 --> 0:51:06.400
<v Speaker 1>Hugh Grant is in this movie. It's because it's the

0:51:06.560 --> 0:51:09.680
<v Speaker 1>same writer. Because of this man. Yeah, seriously, there anything

0:51:09.719 --> 0:51:14.040
<v Speaker 1>else anything. Most of his career have been like rom com. Yeah,

0:51:14.800 --> 0:51:17.440
<v Speaker 1>absolutely well. He was also in another Richard Curtis movie,

0:51:17.520 --> 0:51:21.320
<v Speaker 1>Notting Hill Julie Roberts, which is another weirdly sexist Britain

0:51:21.360 --> 0:51:27.040
<v Speaker 1>every Oh no, that's saying that. Um let's see. He

0:51:27.120 --> 0:51:29.319
<v Speaker 1>was in Bridget Jones. Oh yeah, he's been in every

0:51:29.440 --> 0:51:35.160
<v Speaker 1>Richard Curtis movie. That's Oh my gosh, Richard Curtis. He

0:51:35.280 --> 0:51:37.120
<v Speaker 1>was in Cloud Alice. I don't know if he's ever

0:51:37.200 --> 0:51:39.560
<v Speaker 1>done anything good. He was in Sense and Sensibility the

0:51:40.280 --> 0:51:46.239
<v Speaker 1>one with Kate Winslet. Oh that's right, that's maybe that

0:51:46.400 --> 0:51:48.360
<v Speaker 1>was his jumping off point. But it's like I just

0:51:48.440 --> 0:51:50.719
<v Speaker 1>don't every time I see him, like, why are you?

0:51:50.960 --> 0:51:52.640
<v Speaker 1>Why do we know you? Yeah, why do we know you?

0:51:52.640 --> 0:51:55.280
<v Speaker 1>Why are you around? Like you're not. You could usually

0:51:55.280 --> 0:51:57.040
<v Speaker 1>you could be like, oh, Kean isn' ship because he

0:51:57.160 --> 0:52:00.279
<v Speaker 1>was in the Matrix, right, but like he is, like what, yeah,

0:52:00.280 --> 0:52:02.360
<v Speaker 1>how did you do it? Like there's never been Oscar

0:52:02.400 --> 0:52:05.600
<v Speaker 1>buzz around Hugh Grant, Like that's never happened. Anybody's just

0:52:05.680 --> 0:52:12.120
<v Speaker 1>British American women just gobbled enough, which Britain is a

0:52:12.239 --> 0:52:16.640
<v Speaker 1>calling Firth or Hugh Grant, who is in that Amanda

0:52:16.680 --> 0:52:19.319
<v Speaker 1>bind movie from two thousand to call What a Girl

0:52:19.400 --> 0:52:26.000
<v Speaker 1>Wants okay, because I love that movie that I wanted okay,

0:52:31.960 --> 0:52:34.360
<v Speaker 1>never saw it. I think we don't watch any of

0:52:34.400 --> 0:52:38.600
<v Speaker 1>the same types of that I've only seen like okay

0:52:38.719 --> 0:52:41.800
<v Speaker 1>movies and I've seen The Jinks eight times. That's like

0:52:45.280 --> 0:52:47.960
<v Speaker 1>I watched it last week and it's like, well, because

0:52:48.000 --> 0:52:51.120
<v Speaker 1>that news came out where he released to stevement Robert,

0:52:51.560 --> 0:52:54.160
<v Speaker 1>he was like, yeah, everything I said in that series,

0:52:54.360 --> 0:52:55.800
<v Speaker 1>I was high on meth. I was like, oh, I

0:52:55.880 --> 0:52:59.520
<v Speaker 1>gotta watch it again, and I did and I threw mathighs.

0:53:00.000 --> 0:53:04.359
<v Speaker 1>I'm going to his trial anyways, oh my god. Really well,

0:53:04.480 --> 0:53:08.360
<v Speaker 1>he's like being tried in Pasadena in February, and so

0:53:08.440 --> 0:53:12.279
<v Speaker 1>it's in my calendar. I want to go. Anyone can go.

0:53:12.560 --> 0:53:16.480
<v Speaker 1>It's like, you can go. I'm gonna get dug In

0:53:16.520 --> 0:53:21.760
<v Speaker 1>Donuts and go real early. Oh god, if you should

0:53:21.760 --> 0:53:23.920
<v Speaker 1>follow you around with you if ever you guys want

0:53:23.960 --> 0:53:27.120
<v Speaker 1>to come, though, like might be into that. I was

0:53:27.200 --> 0:53:30.480
<v Speaker 1>trying to. I was like, right, I was like, and

0:53:30.520 --> 0:53:33.680
<v Speaker 1>then we can just like have a chat. But it's

0:53:33.719 --> 0:53:36.239
<v Speaker 1>hard to not like, I wouldn't want to reach out

0:53:36.280 --> 0:53:38.000
<v Speaker 1>to the wrong person and say, do you want to

0:53:38.040 --> 0:53:41.560
<v Speaker 1>go to Roberts trial with me? Because because he is

0:53:41.760 --> 0:53:44.719
<v Speaker 1>probably a murderer. Well he is a murderer, absolutely with

0:53:45.280 --> 0:53:52.040
<v Speaker 1>killed them, of course a murderer. Anyways, February's interesting romantic

0:53:52.120 --> 0:53:56.279
<v Speaker 1>time of yeard. We can all get horny for he

0:53:56.360 --> 0:54:04.520
<v Speaker 1>wears a neck brace. Now pure yeah okay, sorry. So

0:54:05.239 --> 0:54:10.040
<v Speaker 1>most of the jokes on this storyline, or just mentions

0:54:10.120 --> 0:54:14.520
<v Speaker 1>of anything, are that she is fat. Yeah, this gorgeous

0:54:14.600 --> 0:54:17.600
<v Speaker 1>girl is fat. Her boyfriend broke up with because she's fat.

0:54:18.040 --> 0:54:20.800
<v Speaker 1>So basically what they're telling everyone in the world is

0:54:21.200 --> 0:54:25.040
<v Speaker 1>fat women don't deserve love. And again, please just look

0:54:25.080 --> 0:54:28.239
<v Speaker 1>at her for one minute. She is not fat. Yeah,

0:54:28.640 --> 0:54:32.680
<v Speaker 1>it's like she's like the Hollywood Yeah really, and and

0:54:32.760 --> 0:54:34.320
<v Speaker 1>then it's you know, then the whole thing is that

0:54:34.400 --> 0:54:37.560
<v Speaker 1>you know, he's the prime minister and she is an underling,

0:54:38.080 --> 0:54:40.680
<v Speaker 1>and you know they hook up, and that's I'm pretty

0:54:40.719 --> 0:54:43.360
<v Speaker 1>sure against the rules. But I don't know what goes on.

0:54:43.640 --> 0:54:48.200
<v Speaker 1>So well that evolved like the heatero romantic relationships, it's

0:54:48.200 --> 0:54:50.719
<v Speaker 1>almost always between like a man in like a lot

0:54:50.760 --> 0:54:54.839
<v Speaker 1>more power. And then that's subordinate because none of the women, yeah,

0:54:54.880 --> 0:54:57.320
<v Speaker 1>none of the women in this movie. If if we

0:54:57.400 --> 0:55:01.760
<v Speaker 1>even know what their jobs are, it's usually a cleaning lady.

0:55:03.360 --> 0:55:05.880
<v Speaker 1>Laura Lenny. I think she's the only one that seems

0:55:05.920 --> 0:55:07.960
<v Speaker 1>to be that we don't even know what her I

0:55:08.040 --> 0:55:11.120
<v Speaker 1>just assume that she was on the same level as Carl. Yeah,

0:55:11.200 --> 0:55:15.279
<v Speaker 1>that's yeah, that's it. But it's like, what is Carl creative?

0:55:15.600 --> 0:55:19.400
<v Speaker 1>He was like a graphic design Yeah, somebody, I don't know.

0:55:19.520 --> 0:55:22.440
<v Speaker 1>It was big. It's weird. Yeah, yeah, it's a lot

0:55:22.680 --> 0:55:25.200
<v Speaker 1>like the men, like Alan Rickman is the boss or

0:55:25.200 --> 0:55:28.359
<v Speaker 1>whatever company that is. There's a male prime minister. It's

0:55:28.400 --> 0:55:30.920
<v Speaker 1>all these men in like positions of power and authority.

0:55:31.040 --> 0:55:32.600
<v Speaker 1>And then it's a bunch of women who are like

0:55:32.840 --> 0:55:39.920
<v Speaker 1>homemakers or cleaning ladies or maids. Yeah, and it's another

0:55:40.120 --> 0:55:43.879
<v Speaker 1>like I was anticipating so many like super basic rom

0:55:44.000 --> 0:55:46.920
<v Speaker 1>com trupes. I'm well versed in round Concert. It's like,

0:55:47.000 --> 0:55:49.120
<v Speaker 1>it's weird that I haven't seen this movie, but I

0:55:49.280 --> 0:55:51.640
<v Speaker 1>was expecting, you know, with this many storylines. I'm like, oh,

0:55:51.680 --> 0:55:53.520
<v Speaker 1>there's going to be like a like a herald and

0:55:53.600 --> 0:55:55.880
<v Speaker 1>mod kind of thing. They're going to invert it and

0:55:55.960 --> 0:55:58.200
<v Speaker 1>there's going to be one younger man older but that

0:55:58.320 --> 0:56:01.440
<v Speaker 1>never nebit. It's the same thing over and overno thing.

0:56:01.760 --> 0:56:04.319
<v Speaker 1>There's no Yeah, there could be a lesbian couple. Why

0:56:04.360 --> 0:56:07.239
<v Speaker 1>not have that, right, let's throw this and like there.

0:56:07.360 --> 0:56:09.680
<v Speaker 1>But they had so many opportunities to do it and

0:56:09.760 --> 0:56:13.160
<v Speaker 1>they had to do it, and they just like, Nope,

0:56:13.280 --> 0:56:15.920
<v Speaker 1>it's just going to be a bunch of straight white people.

0:56:16.080 --> 0:56:18.600
<v Speaker 1>I bet they thought they were using each other. I

0:56:18.680 --> 0:56:20.640
<v Speaker 1>bet they thought they were so progressive to have like

0:56:20.719 --> 0:56:26.879
<v Speaker 1>an interracial marriage. You know. It was another high five. Yeah,

0:56:28.120 --> 0:56:30.280
<v Speaker 1>he's only going to say like three words the entire movie,

0:56:30.920 --> 0:56:35.560
<v Speaker 1>and he's the cock and he's the but you know

0:56:35.640 --> 0:56:39.560
<v Speaker 1>with a white guy, like absolutely, oh yeah, the one

0:56:39.640 --> 0:56:44.680
<v Speaker 1>interracial marriage is ruined by a white male psychopath. I'm

0:56:44.719 --> 0:56:46.759
<v Speaker 1>just thinking about the Prime Minister one again. And then

0:56:46.800 --> 0:56:49.680
<v Speaker 1>of course they bring in the American Billy Bob Thornton.

0:56:49.719 --> 0:56:56.040
<v Speaker 1>Am I wrong? And depiction of Americans are terrible? But

0:56:56.160 --> 0:56:58.480
<v Speaker 1>not at all? But if you need to choose someone

0:56:58.560 --> 0:57:02.440
<v Speaker 1>to depict a sleezy American, can he your go to?

0:57:02.719 --> 0:57:04.960
<v Speaker 1>He is your go to? He does the job, and

0:57:05.160 --> 0:57:08.120
<v Speaker 1>just play the president. Am I wrong? He does? Okay,

0:57:08.200 --> 0:57:12.200
<v Speaker 1>so I didn't. Basically that is a that was foretelling.

0:57:12.280 --> 0:57:14.399
<v Speaker 1>We didn't know this, but that was basically he's Donald

0:57:14.440 --> 0:57:17.240
<v Speaker 1>Trump in it, Like he's basically much more attractive and

0:57:17.320 --> 0:57:20.240
<v Speaker 1>less stupid and disgusting and horrible. Let's not go there.

0:57:20.240 --> 0:57:27.520
<v Speaker 1>I can't right now. Yeah, I got music, um, and yeah,

0:57:27.600 --> 0:57:30.000
<v Speaker 1>and he makes a move, he grabs her ass or

0:57:30.160 --> 0:57:33.040
<v Speaker 1>something and yeah, and then and then he's of course

0:57:33.680 --> 0:57:35.880
<v Speaker 1>he stands up for her because he loves her, and

0:57:36.440 --> 0:57:38.360
<v Speaker 1>well that was enough for you Grant to be like,

0:57:38.760 --> 0:57:41.520
<v Speaker 1>she shouldn't have a job with me? Anymore. Yeah, because

0:57:41.560 --> 0:57:45.240
<v Speaker 1>he walked in on like like yeah, he like he

0:57:45.360 --> 0:57:49.680
<v Speaker 1>fired devotes her or whatever for that publishment for the

0:57:49.800 --> 0:57:53.480
<v Speaker 1>President of the United States hitting on you exactly demoted

0:57:54.160 --> 0:57:56.320
<v Speaker 1>girl who didn't ask for this and who was the

0:57:56.400 --> 0:57:59.560
<v Speaker 1>one being assaulted, but yeah, you get your job taken

0:57:59.600 --> 0:58:01.320
<v Speaker 1>away and away. If I were her, I would have

0:58:01.360 --> 0:58:03.760
<v Speaker 1>been like, yeah, American president sucked me right now. I

0:58:03.800 --> 0:58:05.400
<v Speaker 1>don't care if the Prime minister's in the next room.

0:58:05.440 --> 0:58:07.400
<v Speaker 1>If he walks in, I'll be like your next buddy.

0:58:08.160 --> 0:58:10.479
<v Speaker 1>After this, we're gonna fun. Let's have a three sum

0:58:10.680 --> 0:58:14.720
<v Speaker 1>and then any kalin. I'm just in control of my sexuality.

0:58:17.040 --> 0:58:19.880
<v Speaker 1>I would be like, can I just like escape through

0:58:19.920 --> 0:58:22.760
<v Speaker 1>a window, or like hide under a curvet or call

0:58:22.880 --> 0:58:27.200
<v Speaker 1>this c I a yes, someone get Billy bobbed from

0:58:27.280 --> 0:58:29.640
<v Speaker 1>my body? Well I would, I mean, I would only

0:58:29.640 --> 0:58:34.320
<v Speaker 1>do that his welcome wife, I am not. Oh my god,

0:58:34.400 --> 0:58:38.440
<v Speaker 1>that language. He was still married to what's her name,

0:58:38.520 --> 0:58:42.800
<v Speaker 1>the director of the hurt Locker, Catherine Bigelow Bigelow, I'm like,

0:58:43.000 --> 0:58:46.680
<v Speaker 1>is this does she flourish under his welcome away? He

0:58:46.840 --> 0:58:52.760
<v Speaker 1>always hated him. I always hated James anyway. Terminator two

0:58:52.840 --> 0:58:56.320
<v Speaker 1>is a fantastic movie. Okay, everyone everyone has a good link.

0:58:59.080 --> 0:59:01.120
<v Speaker 1>But I don't get him as a man. He seems

0:59:01.120 --> 0:59:03.920
<v Speaker 1>like it's just like a dork, doesn't he just really

0:59:04.040 --> 0:59:07.200
<v Speaker 1>like dork is his word? Yeah, like a dork who

0:59:07.280 --> 0:59:09.480
<v Speaker 1>read a lot of fame fiction when he was younger.

0:59:10.040 --> 0:59:11.840
<v Speaker 1>And now he's like, now you can make hot people

0:59:11.920 --> 0:59:16.720
<v Speaker 1>do what I want. Yeah, Like, there's no way he

0:59:16.760 --> 0:59:19.480
<v Speaker 1>didn't write fan faction, Like, there's no way. Right, I

0:59:19.480 --> 0:59:22.640
<v Speaker 1>don't like Avatar me neither. Okay, on the next one,

0:59:22.720 --> 0:59:25.360
<v Speaker 1>so there's well, there's a couple of I think we're on,

0:59:26.120 --> 0:59:34.120
<v Speaker 1>we're not. There's a cup lines of dialogue. The Prime

0:59:34.160 --> 0:59:38.640
<v Speaker 1>Minister is talking to one of his staff members. Yes,

0:59:38.800 --> 0:59:40.640
<v Speaker 1>and he's like, oh, you know Natalie who works here,

0:59:41.080 --> 0:59:44.280
<v Speaker 1>and she's like the chubby girl. I know. Okay, first

0:59:44.280 --> 0:59:46.280
<v Speaker 1>of all, she's the one who introduced Natalie. I know,

0:59:46.400 --> 0:59:49.920
<v Speaker 1>you know what her name is. And then he goes,

0:59:50.480 --> 0:59:53.200
<v Speaker 1>what I call her chubby Yeah, and she's like there's

0:59:53.240 --> 0:59:56.720
<v Speaker 1>a pretty sizeable ask this huge thighs and it's like

0:59:57.560 --> 1:00:00.560
<v Speaker 1>you're talking about someone you work with to the minister,

1:00:00.680 --> 1:00:04.760
<v Speaker 1>the Prime Minister, you have time to documentary diploma. Seriously,

1:00:04.920 --> 1:00:06.120
<v Speaker 1>this is what we do at that. This is what

1:00:06.200 --> 1:00:08.320
<v Speaker 1>we're doing in the whatever house they live in, you

1:00:08.400 --> 1:00:10.120
<v Speaker 1>know that, Yeah, and this is that, this is this

1:00:10.280 --> 1:00:14.120
<v Speaker 1>is what we're talking about that and then and it's

1:00:14.120 --> 1:00:16.840
<v Speaker 1>a woman and woman also like tearing down another woman

1:00:17.040 --> 1:00:20.040
<v Speaker 1>that way. It's like really in that moment, I was like,

1:00:20.120 --> 1:00:22.880
<v Speaker 1>what's this movie made? During like Lewinsky air but it

1:00:23.520 --> 1:00:26.880
<v Speaker 1>was years after you had no reason for it. And

1:00:26.960 --> 1:00:29.880
<v Speaker 1>then at the very very end, whenever the Prime Minister

1:00:30.440 --> 1:00:32.800
<v Speaker 1>is coming out of the gate at Heathrow because you know,

1:00:33.640 --> 1:00:36.960
<v Speaker 1>why don't they have an air force one equivalent anyone, anyone?

1:00:37.040 --> 1:00:42.320
<v Speaker 1>Why is he just walking out like they talk about

1:00:42.360 --> 1:00:45.640
<v Speaker 1>Heathrow Airport Like there's that happens at the very beginning. Yeah, yeah, yeah,

1:00:45.640 --> 1:00:47.760
<v Speaker 1>I know if they if they bring it back. But

1:00:47.920 --> 1:00:50.520
<v Speaker 1>he's like walking and she like runs and jumps into

1:00:50.560 --> 1:00:55.160
<v Speaker 1>his arms and he goes, oh god, you weigh a lot. Yeah,

1:00:56.400 --> 1:01:00.120
<v Speaker 1>her weight just commented on and she really did. Was

1:01:00.160 --> 1:01:03.720
<v Speaker 1>never the big man. I mean seriously, he easily you know,

1:01:03.960 --> 1:01:06.080
<v Speaker 1>caught her. It's just gross. And also you're right, like

1:01:06.160 --> 1:01:08.520
<v Speaker 1>no that would they wouldn't like have shot her down

1:01:08.840 --> 1:01:11.560
<v Speaker 1>or at least billy clubbed her down. I mean seriously,

1:01:11.840 --> 1:01:15.840
<v Speaker 1>you can just run up to the come on again,

1:01:15.920 --> 1:01:19.400
<v Speaker 1>why is he not using a private jet? And like

1:01:24.520 --> 1:01:30.640
<v Speaker 1>whenever he knocks on like a hundred different doors. She

1:01:30.840 --> 1:01:33.480
<v Speaker 1>works for you. You have her tax form somewhere with

1:01:33.600 --> 1:01:36.000
<v Speaker 1>her address on. Also, you the prime minister. You can

1:01:36.040 --> 1:01:40.640
<v Speaker 1>figure out where anyone lives. Why did he go? It

1:01:40.760 --> 1:01:45.120
<v Speaker 1>was so stupid? Oh okay about it. The last storyline

1:01:45.480 --> 1:01:51.320
<v Speaker 1>is Carla, which the thing that really bugged me about

1:01:51.400 --> 1:01:55.200
<v Speaker 1>this is that she puts the needs of another man

1:01:55.480 --> 1:01:57.600
<v Speaker 1>before her own. That drove me crazy. And I know

1:01:57.720 --> 1:02:00.919
<v Speaker 1>it's her brother and stuff and the crazy. Yes, he's

1:02:01.240 --> 1:02:04.680
<v Speaker 1>he's mentally ill, but he's at a he's at a hospital,

1:02:04.920 --> 1:02:07.560
<v Speaker 1>he's cared for. He's not just sitting by himself at home.

1:02:07.640 --> 1:02:10.480
<v Speaker 1>He's at a hospital with attendance. And yet she has

1:02:10.520 --> 1:02:12.280
<v Speaker 1>to be the one to give over her entire life.

1:02:12.720 --> 1:02:14.920
<v Speaker 1>And yes, okay, are we awful people? I don't know?

1:02:15.040 --> 1:02:18.040
<v Speaker 1>Are we? Probably? No? I mean, you have to like

1:02:18.520 --> 1:02:23.000
<v Speaker 1>fulfill your life and desires. Come on, sometimes there could

1:02:23.040 --> 1:02:27.080
<v Speaker 1>have been some sort of balance struck because like all this,

1:02:27.480 --> 1:02:30.040
<v Speaker 1>this whole fucking movie is about like women having to

1:02:30.160 --> 1:02:34.800
<v Speaker 1>sacrifice their dignity or like Meg extreme compromise to meet

1:02:34.880 --> 1:02:38.000
<v Speaker 1>like a philandering person in like Beyond the Middle, and

1:02:38.200 --> 1:02:39.919
<v Speaker 1>so like when you see her do that, like she's

1:02:39.920 --> 1:02:42.560
<v Speaker 1>the only female character, you're like, oh, she has a

1:02:42.720 --> 1:02:49.360
<v Speaker 1>job that isn't nine dollars an hour. And then it's like, oh, nope,

1:02:49.440 --> 1:02:53.200
<v Speaker 1>she's stuck too. I was really excited, like whenever she

1:02:53.320 --> 1:02:55.840
<v Speaker 1>starts making out with this guy who she's been pining

1:02:55.880 --> 1:02:58.800
<v Speaker 1>over in like a probably kind of creepy way, but

1:02:58.880 --> 1:03:02.480
<v Speaker 1>like we've all done that. They don't, we don't. They

1:03:02.480 --> 1:03:04.360
<v Speaker 1>don't reveal that she like spies on him or anything.

1:03:04.960 --> 1:03:09.040
<v Speaker 1>Everyone in the office as a crush. She keeps it together. Yeah,

1:03:09.080 --> 1:03:12.120
<v Speaker 1>it's not like a Mark video. No. Yeah, and she's

1:03:12.160 --> 1:03:14.040
<v Speaker 1>not mean to him, you know, she's like, hi, Carl,

1:03:14.400 --> 1:03:17.280
<v Speaker 1>Carl apparently tried to keep it together. It's cute. She's

1:03:17.280 --> 1:03:20.280
<v Speaker 1>actually does it pretty well. It's cute crush. But then

1:03:20.320 --> 1:03:24.000
<v Speaker 1>as soon as they like start making up and getting

1:03:24.040 --> 1:03:26.960
<v Speaker 1>and then like she's like, no, my brother's calling, even

1:03:27.000 --> 1:03:28.720
<v Speaker 1>though he's in a hospital on other people take care

1:03:28.720 --> 1:03:30.280
<v Speaker 1>of them. I have to talk to him. I have

1:03:30.320 --> 1:03:31.760
<v Speaker 1>to choose this moment to talk to him on the

1:03:31.800 --> 1:03:35.520
<v Speaker 1>phone and not have you inside. She's half naked. She's

1:03:35.520 --> 1:03:39.280
<v Speaker 1>half naked inside exactly, and she's like, I have to

1:03:39.320 --> 1:03:41.760
<v Speaker 1>take the call now, like let it go, turn off

1:03:41.800 --> 1:03:43.720
<v Speaker 1>your ringer and you know what I mean, come on

1:03:43.840 --> 1:03:47.160
<v Speaker 1>eighteen minutes later. That's how we gotta do. Say you

1:03:47.240 --> 1:03:57.240
<v Speaker 1>were in the tunnel and that's love. But yeah, it's

1:03:57.280 --> 1:03:59.160
<v Speaker 1>it is. It's just very much just like give over

1:03:59.240 --> 1:04:01.480
<v Speaker 1>And is that love? Really? I mean that's you know,

1:04:01.680 --> 1:04:03.800
<v Speaker 1>that's she loves her brother so much that she gives

1:04:03.880 --> 1:04:09.960
<v Speaker 1>up her own desires. I mean, not right, And I

1:04:10.040 --> 1:04:12.720
<v Speaker 1>will say again what the three things that I enjoyed

1:04:12.880 --> 1:04:15.520
<v Speaker 1>this movie is the ending when they're at the airport

1:04:16.000 --> 1:04:19.480
<v Speaker 1>and everyone they do the montage with the song and everybody,

1:04:19.720 --> 1:04:21.720
<v Speaker 1>you know, then you're they're watching people greet each other

1:04:21.800 --> 1:04:24.240
<v Speaker 1>at the airport. Literally probably I think the only thing

1:04:24.280 --> 1:04:26.680
<v Speaker 1>that makes you just go because it's not it is

1:04:26.800 --> 1:04:28.880
<v Speaker 1>watching people greet each other at the airport is lovely.

1:04:29.600 --> 1:04:31.920
<v Speaker 1>It is it is. It is coming to running into

1:04:31.960 --> 1:04:35.200
<v Speaker 1>each other's someone who is almost never greeted at they ever,

1:04:35.360 --> 1:04:38.280
<v Speaker 1>never never my entire life, and just like Nell and

1:04:38.440 --> 1:04:42.320
<v Speaker 1>trudges out and I'm just I'm just sweaty and where's

1:04:42.360 --> 1:04:44.600
<v Speaker 1>my bag? And don't touch me and yeah, yeah, yeah, right,

1:04:44.720 --> 1:04:48.920
<v Speaker 1>like it seems nice. I've never ever to It's it's fantasy.

1:04:49.760 --> 1:04:52.120
<v Speaker 1>It's never seen it happen. I've picked someone up from

1:04:52.120 --> 1:04:54.680
<v Speaker 1>the airport before. Yeah, yeah, but you never like park

1:04:54.720 --> 1:04:56.800
<v Speaker 1>your car and go wait if they're like gate right,

1:04:56.880 --> 1:05:06.760
<v Speaker 1>you just will did but really about my feets? Never again.

1:05:07.360 --> 1:05:12.280
<v Speaker 1>So the thing is is that this movie is about relationships,

1:05:12.840 --> 1:05:20.320
<v Speaker 1>yet there are almost no women on women relationships. Yeah,

1:05:20.400 --> 1:05:25.120
<v Speaker 1>there's no friend relationships in this and I have cataloged

1:05:25.560 --> 1:05:28.640
<v Speaker 1>all of the instances where women talk to each other

1:05:28.760 --> 1:05:31.920
<v Speaker 1>and or are near each other. Given given the number

1:05:32.160 --> 1:05:35.760
<v Speaker 1>of women in this movie, it's absurd how few there are. Yeah.

1:05:35.960 --> 1:05:38.400
<v Speaker 1>So the first one we see is Emma Thompson talking

1:05:38.440 --> 1:05:40.840
<v Speaker 1>to her daughter about the Christmas pageant and how she's

1:05:40.840 --> 1:05:47.000
<v Speaker 1>a lobster that technically passes the bed. It last ten

1:05:47.120 --> 1:05:51.280
<v Speaker 1>to fifteen seconds, but it does, it does pass. The

1:05:51.400 --> 1:05:55.280
<v Speaker 1>next one is when they were in the British White House. Whatever,

1:05:56.440 --> 1:06:01.440
<v Speaker 1>I can't I'm at a loss for some reason. Natalie

1:06:01.880 --> 1:06:05.440
<v Speaker 1>kind of turns to the older housekeeper woman. She's like, oh,

1:06:05.520 --> 1:06:08.200
<v Speaker 1>did you see what I did? In referencing the fact

1:06:08.240 --> 1:06:10.600
<v Speaker 1>that she swore in front of the Prime Minister. It's

1:06:10.720 --> 1:06:15.000
<v Speaker 1>barely audible and it lasts about two seconds, but it

1:06:15.080 --> 1:06:19.000
<v Speaker 1>does it count if she doesn't respond. Really, these are

1:06:19.080 --> 1:06:22.280
<v Speaker 1>just instances where they actually they're near each other and

1:06:22.440 --> 1:06:25.480
<v Speaker 1>talked to each other, just don't know. It depends because yeah,

1:06:25.520 --> 1:06:27.400
<v Speaker 1>it's like we we've we've gone through this whole thing

1:06:27.440 --> 1:06:29.400
<v Speaker 1>to every were like which version of the backtle sy

1:06:29.400 --> 1:06:31.600
<v Speaker 1>story using? Because I don't think that that other has

1:06:31.960 --> 1:06:35.240
<v Speaker 1>she doesn't have any. Either way, the point that I

1:06:35.760 --> 1:06:39.200
<v Speaker 1>will be arriving at is that the movie is two

1:06:39.280 --> 1:06:42.960
<v Speaker 1>hours and fifteen minutes long, and there's lemon then like

1:06:43.400 --> 1:06:46.600
<v Speaker 1>three minutes of women interacting with each other during the

1:06:46.800 --> 1:06:48.520
<v Speaker 1>entire thing. You know what else, even even with the

1:06:48.760 --> 1:06:52.320
<v Speaker 1>Bill night his story is about him being his best friend,

1:06:52.440 --> 1:06:54.840
<v Speaker 1>his manager, which is they gave that to the men

1:06:55.000 --> 1:06:58.480
<v Speaker 1>to which is so unlikely, Like, of course men have friendships,

1:06:58.520 --> 1:07:00.160
<v Speaker 1>but it's like we all know you know where then

1:07:00.840 --> 1:07:03.760
<v Speaker 1>where Yeah, you would assume that you would give that,

1:07:04.120 --> 1:07:07.680
<v Speaker 1>but no you can't too. That's like I mean, it's

1:07:07.760 --> 1:07:10.560
<v Speaker 1>like a broken trust of male friendship, but it's still

1:07:10.560 --> 1:07:13.480
<v Speaker 1>like a very strong male bond that's established and they

1:07:13.520 --> 1:07:15.640
<v Speaker 1>don't get they don't make obviously we know, we've already

1:07:15.720 --> 1:07:19.240
<v Speaker 1>established there are no lesbians, there's no homosexuals, there's nothing.

1:07:19.360 --> 1:07:23.080
<v Speaker 1>But they don't even they don't even represent like female friendship,

1:07:23.640 --> 1:07:27.640
<v Speaker 1>which is all. I can't believe that that's discussing two

1:07:27.680 --> 1:07:30.720
<v Speaker 1>hours in fifteen minutes. Yeah, there's a few more. There's um,

1:07:30.960 --> 1:07:33.360
<v Speaker 1>I guess, I guess, Ugly Colin. He probably has the

1:07:33.440 --> 1:07:36.320
<v Speaker 1>most girls talking to each other. That scene does lass longest,

1:07:36.400 --> 1:07:38.280
<v Speaker 1>But at no point did they ever actually talked to

1:07:38.320 --> 1:07:41.440
<v Speaker 1>each other each other. They're they're talking to him beside

1:07:41.440 --> 1:07:43.560
<v Speaker 1>each other, and that wasn't in furious because I was

1:07:43.640 --> 1:07:45.760
<v Speaker 1>waiting for that, yeah, until I was like, oh, there's

1:07:45.760 --> 1:07:48.480
<v Speaker 1>going to be a small but there isn't. It would

1:07:48.520 --> 1:07:50.160
<v Speaker 1>have been the sexy one came in and said, what

1:07:50.200 --> 1:07:53.760
<v Speaker 1>are you all doing? You idiots? Let's go back to college. Yeah,

1:07:54.360 --> 1:07:56.800
<v Speaker 1>I want to put the girl and like the other girls,

1:07:56.840 --> 1:08:02.760
<v Speaker 1>didn't it to be like guys are because she's not

1:08:02.920 --> 1:08:07.200
<v Speaker 1>wearing a tummy shirt, like she has proper underpants on.

1:08:07.720 --> 1:08:10.600
<v Speaker 1>She's wearing a flannel and briefs. And she's like, we've

1:08:10.680 --> 1:08:14.480
<v Speaker 1>got model you in you just described me. But anyway,

1:08:16.160 --> 1:08:19.960
<v Speaker 1>literally it's time to go to model you. We gotta go.

1:08:21.320 --> 1:08:24.559
<v Speaker 1>There's a scene where Laura Lenny asks me to turn

1:08:24.640 --> 1:08:28.400
<v Speaker 1>down the music that lasts about four seconds. It technically

1:08:28.479 --> 1:08:31.880
<v Speaker 1>passes the test, I think, but maybe not even There's

1:08:31.920 --> 1:08:36.519
<v Speaker 1>a scene where the woman is introducing Aurelia to Colin Firth,

1:08:36.800 --> 1:08:39.559
<v Speaker 1>being like, this is your new cleaning lady, but doesn't

1:08:39.560 --> 1:08:42.280
<v Speaker 1>pass the test because they don't talk to each other.

1:08:42.760 --> 1:08:48.960
<v Speaker 1>She only talks to Colin Firth about her. There's the

1:08:49.240 --> 1:08:51.719
<v Speaker 1>we get a few different shots of Bill little NIE's

1:08:52.080 --> 1:08:55.759
<v Speaker 1>music video, which is just women. There's just a shot

1:08:55.920 --> 1:08:59.200
<v Speaker 1>of a woman's breasts. At some point there's a woman

1:08:59.200 --> 1:09:02.599
<v Speaker 1>who did maybe playing the drums, and her legs are

1:09:02.680 --> 1:09:06.800
<v Speaker 1>just like completely spread eagle for no reason. And then

1:09:06.800 --> 1:09:09.200
<v Speaker 1>the rest of the women are just like licking their

1:09:09.280 --> 1:09:11.760
<v Speaker 1>lips the entire time. That's how it so they are.

1:09:13.040 --> 1:09:15.280
<v Speaker 1>Those women are near each other, but again they don't

1:09:15.360 --> 1:09:20.040
<v Speaker 1>they don't speak. They're mostly salivating over themselves. Old man

1:09:20.479 --> 1:09:23.679
<v Speaker 1>Richard Curtis is a perfect I feel so strongly about

1:09:23.800 --> 1:09:25.880
<v Speaker 1>how much I dislike him. The more we read about him,

1:09:26.040 --> 1:09:28.240
<v Speaker 1>the matter I get. Yeah, I want to hear what

1:09:28.360 --> 1:09:30.920
<v Speaker 1>you find. Can I ask is this basically? Is this

1:09:31.040 --> 1:09:33.080
<v Speaker 1>the average for every movie that you've discussed so far

1:09:35.120 --> 1:09:38.600
<v Speaker 1>a very bad. I think that a lot like some

1:09:38.960 --> 1:09:42.080
<v Speaker 1>that we do, don't pass, but they're usually older and

1:09:42.160 --> 1:09:45.200
<v Speaker 1>they usually have far less female characters, So I think

1:09:45.240 --> 1:09:47.839
<v Speaker 1>this is probably this is a lot of female characters

1:09:48.000 --> 1:09:53.840
<v Speaker 1>and just barely passes. They're scene where Emma Thompson is

1:09:54.240 --> 1:09:57.320
<v Speaker 1>talking to Natalie when they're at like the school play,

1:09:58.160 --> 1:09:59.880
<v Speaker 1>but there does not pass the test because they are

1:10:00.000 --> 1:10:03.160
<v Speaker 1>talking about the Prime Minister who's standing right there. They're

1:10:03.200 --> 1:10:06.320
<v Speaker 1>just seeing where Natalie is talking to. She says something

1:10:06.360 --> 1:10:08.400
<v Speaker 1>to her mom whenever the Prime Minister shows up at

1:10:08.400 --> 1:10:10.280
<v Speaker 1>the door, and she's just like, too much detailed, mom,

1:10:10.760 --> 1:10:16.400
<v Speaker 1>that's a line it. Emma Thompson talks to her daughter

1:10:16.520 --> 1:10:20.680
<v Speaker 1>after the school pageant about being an orange lobster. I

1:10:20.800 --> 1:10:23.679
<v Speaker 1>guess that passes, but like it kind of happens sort

1:10:23.720 --> 1:10:28.760
<v Speaker 1>of off screen even and then Aurelia's sister tells her

1:10:28.880 --> 1:10:31.200
<v Speaker 1>not to marry Colin for us, she's just like marry

1:10:31.479 --> 1:10:34.160
<v Speaker 1>someone else, and it does not pass because they're talking

1:10:34.240 --> 1:10:37.920
<v Speaker 1>about a man. So in the two hours and fifteen

1:10:37.920 --> 1:10:42.519
<v Speaker 1>minutes this movie lasts, there's thirty seconds where women are

1:10:42.680 --> 1:10:45.800
<v Speaker 1>passing the Bechdel tests. Having a conversation where they're talking

1:10:45.800 --> 1:10:48.240
<v Speaker 1>about something other than a man. Every single other scenes

1:10:48.960 --> 1:10:52.000
<v Speaker 1>or conversation is either two men talking to each other

1:10:52.320 --> 1:10:56.000
<v Speaker 1>or a woman talking to a man, or even less frequently,

1:10:56.160 --> 1:10:58.320
<v Speaker 1>two women talking to each other, but it's about a man.

1:10:59.360 --> 1:11:04.840
<v Speaker 1>So it's pitiful attack having Can I can I talk

1:11:04.920 --> 1:11:09.200
<v Speaker 1>about Richard Curtis a little because I need to execute

1:11:09.320 --> 1:11:13.200
<v Speaker 1>him immediately. Okay, So a brief rund out of what

1:11:13.360 --> 1:11:16.200
<v Speaker 1>he's written Four Weddings in the Funeral. Haven't seen it.

1:11:16.640 --> 1:11:19.760
<v Speaker 1>It's probably not good to probably, and I don't remember

1:11:19.880 --> 1:11:21.960
<v Speaker 1>very well. I just remember not liking it. He's a

1:11:22.040 --> 1:11:24.960
<v Speaker 1>co writer of Bridget Jones Diary, which is an adaptation

1:11:25.360 --> 1:11:29.160
<v Speaker 1>but is consistently very condescending to the protagonists of like

1:11:29.680 --> 1:11:31.320
<v Speaker 1>she's kind of fat and kind of dumb, like and

1:11:31.439 --> 1:11:37.360
<v Speaker 1>that's the whole character. So that was his and her friend. Yeah,

1:11:37.720 --> 1:11:39.519
<v Speaker 1>it's just I don't know if you worked on a sequel.

1:11:39.520 --> 1:11:42.680
<v Speaker 1>Space and then love actually awful. Uh. And then he

1:11:43.200 --> 1:11:45.679
<v Speaker 1>did this movie that I did see for some reason,

1:11:45.720 --> 1:11:48.080
<v Speaker 1>called The Girl in the Cafe and it has Bill

1:11:48.200 --> 1:11:51.680
<v Speaker 1>Night and a very young woman fucking each other and

1:11:51.800 --> 1:11:56.400
<v Speaker 1>it's supposed to be nice. Uh. And then he did

1:11:56.479 --> 1:12:01.280
<v Speaker 1>that movie about pirate radio that is all men and

1:12:01.680 --> 1:12:04.800
<v Speaker 1>slutty women, and that was in two thousand nine. And

1:12:04.880 --> 1:12:08.679
<v Speaker 1>then he wrote war Horse, which I think is very funny,

1:12:09.720 --> 1:12:12.240
<v Speaker 1>just because like who knows, I'm I don't want to

1:12:12.280 --> 1:12:14.800
<v Speaker 1>see war Horse, but I don't think it doesn't sound

1:12:14.880 --> 1:12:19.640
<v Speaker 1>like a feminist master. And then the last one I

1:12:19.680 --> 1:12:22.360
<v Speaker 1>haven't seen. It's a movie called Trash. And that is

1:12:22.439 --> 1:12:28.160
<v Speaker 1>how I feel about Richard Curtis. He's a cock. He

1:12:28.400 --> 1:12:32.160
<v Speaker 1>is sixty years old, and I hope that he contracts something.

1:12:32.280 --> 1:12:36.320
<v Speaker 1>He's a vile man. He would have infected my eleven

1:12:36.400 --> 1:12:41.960
<v Speaker 1>year old brain with some funked up ship. Oh god, Okay,

1:12:42.120 --> 1:12:44.360
<v Speaker 1>I feel better. We gotta wrap up so because I

1:12:44.439 --> 1:12:49.600
<v Speaker 1>have to go to work downstairs. A nerd nelt but

1:12:50.960 --> 1:12:56.560
<v Speaker 1>we is there any final, any final thoughts about this

1:12:56.720 --> 1:13:00.519
<v Speaker 1>movie that we want to know. I'm not surprised. I knew,

1:13:00.640 --> 1:13:02.360
<v Speaker 1>like when we when you suggested that. When I saw

1:13:02.360 --> 1:13:03.840
<v Speaker 1>it on the list, I was pretty exciting, so I

1:13:03.920 --> 1:13:05.439
<v Speaker 1>was like, oh, this is gonna be good. But I

1:13:05.600 --> 1:13:07.960
<v Speaker 1>have to tell you when you break it down like that,

1:13:08.160 --> 1:13:10.439
<v Speaker 1>I'm actually a little shocked. I don't I don't know why.

1:13:10.760 --> 1:13:13.840
<v Speaker 1>I just don't love it. I am. I mean it is,

1:13:14.120 --> 1:13:17.400
<v Speaker 1>but even just like hearing like thirty seconds it's it's

1:13:17.520 --> 1:13:20.000
<v Speaker 1>it's shocking to me. I didn't realize how bad and

1:13:20.080 --> 1:13:22.320
<v Speaker 1>it's it's super bad. I want to watch it again,

1:13:22.600 --> 1:13:25.040
<v Speaker 1>just because I was like pulling away by how much

1:13:25.040 --> 1:13:26.840
<v Speaker 1>I didn't like it. This is one of those movies

1:13:26.920 --> 1:13:30.120
<v Speaker 1>it just does not hold up, but it is really beloved,

1:13:30.160 --> 1:13:33.200
<v Speaker 1>like it is a beloved Christmas movie. They put it

1:13:33.280 --> 1:13:35.080
<v Speaker 1>up there with you know, like every oh we watch

1:13:35.360 --> 1:13:37.719
<v Speaker 1>sound to music, it's a wonderful life and love actually,

1:13:37.760 --> 1:13:40.439
<v Speaker 1>And I'm like, well it's yeah, it's a crazy cap yeah,

1:13:40.640 --> 1:13:43.320
<v Speaker 1>and as there's like the other movie I always associated with,

1:13:43.400 --> 1:13:45.000
<v Speaker 1>like oh, this one doesn't hold up, but they loved

1:13:45.000 --> 1:13:46.960
<v Speaker 1>it at the time is American Beauty. But I feel

1:13:46.960 --> 1:13:49.000
<v Speaker 1>like people are a little more forthcoming with like, oh

1:13:49.120 --> 1:13:53.400
<v Speaker 1>that movie is pretty perverted and like, but people loved

1:13:53.400 --> 1:13:55.880
<v Speaker 1>it at the time. Love actually, almost like people people

1:13:56.000 --> 1:13:59.600
<v Speaker 1>still stand by it time. Yeah, I'm saying like, I

1:13:59.680 --> 1:14:01.360
<v Speaker 1>feel like we're gonna people are gonna be like, how

1:14:01.400 --> 1:14:03.080
<v Speaker 1>could you say that about Yeah, they love this movie.

1:14:03.680 --> 1:14:05.519
<v Speaker 1>I think it's just because it's it's under the veil

1:14:05.560 --> 1:14:13.639
<v Speaker 1>of Christmas and people hot over it looking at hot

1:14:13.720 --> 1:14:18.760
<v Speaker 1>straight people. But yeah, but I don't think any surprises here.

1:14:18.840 --> 1:14:21.200
<v Speaker 1>I think this is we sort of knew coming into

1:14:21.240 --> 1:14:25.240
<v Speaker 1>this and each episode by rating the movie and in

1:14:25.360 --> 1:14:28.479
<v Speaker 1>the context of its portrayal of its female characters on

1:14:28.560 --> 1:14:33.080
<v Speaker 1>a scale of zero to five, nipples five being five

1:14:33.120 --> 1:14:39.120
<v Speaker 1>being very good, your best number of nipples to have. Yeah, good,

1:14:39.160 --> 1:14:43.679
<v Speaker 1>dispair tire. So yeah, I'm gonna give it half a nipple. Yeah, Yeah,

1:14:44.000 --> 1:14:46.120
<v Speaker 1>that's it, okay, just because I don't feel like giving

1:14:46.160 --> 1:14:49.160
<v Speaker 1>it a complete zero because some of these actresses, you know,

1:14:49.240 --> 1:14:51.600
<v Speaker 1>they got paychecks, so I'm assuming all of them got

1:14:51.680 --> 1:14:55.240
<v Speaker 1>probably not as big as the male counter, but I

1:14:55.320 --> 1:14:59.120
<v Speaker 1>hope they gave some of it. I give it a

1:14:59.160 --> 1:15:05.200
<v Speaker 1>half nipple, as Will did did nipple. I give it

1:15:05.400 --> 1:15:08.120
<v Speaker 1>also I'm gonna go also with a half nipple, and

1:15:08.280 --> 1:15:16.120
<v Speaker 1>it belongs to ugly Colin. Yeah. Simple. It just had

1:15:16.160 --> 1:15:19.400
<v Speaker 1>so many opportunities to portray women so much better than

1:15:19.479 --> 1:15:21.519
<v Speaker 1>it did, and it just failed on every single front.

1:15:22.280 --> 1:15:25.160
<v Speaker 1>Rest in peace, bury it burn it by forever um.

1:15:25.240 --> 1:15:29.360
<v Speaker 1>So yeah, thank you so much for being here. Wonderful.

1:15:29.520 --> 1:15:32.200
<v Speaker 1>Where can people find you online if they want to follow? Yeah?

1:15:32.240 --> 1:15:34.800
<v Speaker 1>This comes out this week. Oh yeah, my full name

1:15:34.840 --> 1:15:36.880
<v Speaker 1>on Twitter, because you can find everything out on Twitter,

1:15:37.080 --> 1:15:38.840
<v Speaker 1>you know, and it's I can't believe I didn't do

1:15:38.920 --> 1:15:40.720
<v Speaker 1>like a little moniker, but it's my full name. It's

1:15:42.080 --> 1:15:45.040
<v Speaker 1>I'm sorry for that, but yeah, there we go. It's good,

1:15:45.200 --> 1:15:49.160
<v Speaker 1>it's good, it's easiest. Well, I'm now eight minutes late.

1:15:50.840 --> 1:15:53.080
<v Speaker 1>I'm kinda thank you so much. Yes, thank you so

1:15:53.200 --> 1:15:57.000
<v Speaker 1>much for being here. Fuck love. Actually, actually I got

1:15:57.120 --> 1:16:02.320
<v Speaker 1>a Santa to attract under Santa, Happy holidays everyone, all right,