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Speaker 1: On the be Dol Cast, the questions asked if movies

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Speaker 1: have women in um, are all their discussions just boyfriends

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Speaker 1: and husbands, or do they have individualism the patriarchy? Zef

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Speaker 1: and best start changing it with the Bedel Cast. Hi,

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Speaker 1: welcome to the Bechtel Cast. My name is Jamie Loftus,

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Speaker 1: my name is Caitlin Durante. And this is the Okay,

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Speaker 1: Caleb start to dope queens. Oh no, that's crap, we

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Speaker 1: funked up. It's okay, let's stop. No, this is great,

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Speaker 1: this is gold. We're keeping it. Our podcast is about

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Speaker 1: the portrayal of female characters in movies. That's true, and

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Speaker 1: that's why we call it the Bechtel Test. We just

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Speaker 1: had a long discussion if we should keep introducing what

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Speaker 1: the Bechtel Test is, and we decided no, no, We're

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Speaker 1: We're done. Aristotle are the man of the operation. He's

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Speaker 1: usually just tied to his chair, but he also does

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Speaker 1: an amazing job. We took the ball gug out of

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Speaker 1: his mouth right and he's like, well, he made a suggestion.

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Speaker 1: He gets to say one sentence every time they see him.

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Speaker 1: And he made the great recommendation that if you don't

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Speaker 1: know what it is. Just go back to the first

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Speaker 1: episode and listen. And in the time it took me

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Speaker 1: to say that, we could have just told you what

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Speaker 1: it was. Well, nobody's perfect. It's almost Christmas, it's Chris

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Speaker 1: it is. It's a Mike's Hard Lemonade day for me, Jamie,

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Speaker 1: I've had a really Christmas e day. Is Mike's Hard

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Speaker 1: Lemonade a Christmas e? No, this is a coping mechanism,

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Speaker 1: I see. But I spent all day chasing around mall

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Speaker 1: Santa's for my job, and none of them wanted to

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Speaker 1: talk to me except South Central Santa, who really gave

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Speaker 1: me a lot of things I need to think about.

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Speaker 1: That's great. No, it's a disgrace with my life and time.

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Speaker 1: It sounds like you're doing very interesting things. Who else

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Speaker 1: today in America or anywhere in the world being cont

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Speaker 1: and here the only one. Well, here's my Mike's Hard Lemonade.

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Speaker 1: To that, without much further ado, I say, we introduce

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Speaker 1: our wonderful guests. Hey, let's do it. She is a

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Speaker 1: comedian and a very wonderful person. I'm so happy. Oh yeah,

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Speaker 1: we love you so much. Debra. We're good. What is

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Speaker 1: your job? What do you what. So I write for

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Speaker 1: news outlet called Inverse, and I'm They're like, only West

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Speaker 1: Coast writer. They let me sort of do whatever, and

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Speaker 1: they were like, Jammian, we think would be really fun

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Speaker 1: if you talk to a lot of mall Santa's. And

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Speaker 1: I wasn't anticipating so many hoops to jump through to

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Speaker 1: talk to them. All there's a ton they don't want

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Speaker 1: to talk to you. I left it my apartment at

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Speaker 1: eight this morning and I went to Glendale. Both the

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Speaker 1: Santa said fuck off. No, I went to South Central

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Speaker 1: that Santa would talk to me. I went to the

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Speaker 1: Grove they said fun would say come on. They even

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Speaker 1: offered me like a really embarrassing consolation price. They're like,

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Speaker 1: you can take a picture with the gingerbread man. Now,

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Speaker 1: you guys fuck off. And then I tried to hit

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Speaker 1: up to Beverly Hills Santa's, who were assholes. And then

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Speaker 1: I have to go to Santa Monica after this if

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Speaker 1: my person is also going to be an ass like

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Speaker 1: I'm going to drive all that way and he's gonna

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Speaker 1: tell me to funk off. Trouble is like malls are

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Speaker 1: always in these like elitist neighborhoods, and they're like these

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Speaker 1: rich It's true, it's true. Yeah, malls are night little dicks,

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Speaker 1: It's true. But the South Central Santa was nice to you, right,

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Speaker 1: he was awesome. Yeah, if you're listening to this, maybe

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Speaker 1: check it out. It will be on in first dot com.

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Speaker 1: And I had a great conversation with him. He's the

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Speaker 1: first black mall Santa ever. Yeah, that's awesome. Yeah. So anyways, anyways,

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Speaker 1: that's what said about. Now, No, we're here to talk

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Speaker 1: about the movie love. Actually, oh no, I feel like

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Speaker 1: we're going to get in trouble. Yeah, people love this movie.

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Speaker 1: Like this was my first time watching. Okay, I have

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Speaker 1: avoided I don't know why I've avoided it, but I

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Speaker 1: have because it's a piece of shit. Makes me. PU said,

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Speaker 1: I used to love this movie. Me too. I remember

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Speaker 1: the first time watching and I love this movie. And

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Speaker 1: on every successive watch I hate it more and more. Kids,

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Speaker 1: And like I was trying to put myself in like

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Speaker 1: what if I watched this when it came out, and

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Speaker 1: I think I would have loved it. I love a

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Speaker 1: good one because I loved I love vignettes, love it.

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Speaker 1: But what year was it done to me? I didn't

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Speaker 1: even check two. Okay, so a long time ago, but

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Speaker 1: I have no excuse. I was not young, you know

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Speaker 1: what I mean. I feel like I was eleven, No, no,

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Speaker 1: with a grown woman. I was. It was reason enough

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Speaker 1: that it's like I was like, we're thinking that different,

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Speaker 1: That's what I mean. It's not like three. We could

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Speaker 1: give it a bit of a pass. But now no

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Speaker 1: sor it too recent for it to be this bad.

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Speaker 1: Oh my god. I had a lot of problems, but

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Speaker 1: I was also like sort of horny. The home confusing.

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Speaker 1: How do we launch into this, like with our rage

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Speaker 1: against Yeah, this is a tough one. We usually start

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Speaker 1: by doing just a very brief overview of the story,

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Speaker 1: of which there are around trillion Yeah, yeah, yeah, okay,

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Speaker 1: so yeah, this movie is full of just little micro stories.

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Speaker 1: It's a bunch of vignettes, sort of tidy wedding and

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Speaker 1: Harry poorly poorly connected like in the most unbelievable ways.

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Speaker 1: But anyway, tell like whenever this was like mapped out

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Speaker 1: in a room, like there's just a bunch of dudes

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Speaker 1: jerking off. Yeah, they so hard after this, like what

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Speaker 1: we make and Thompson and Hugh Grant brother and sister,

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Speaker 1: but never mentioned it until the very end, I mean

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Speaker 1: some Chronicles of Narnia ship. Yeah, no, And then I

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Speaker 1: was like at the end, I was like, was that

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Speaker 1: supposed to be a twist? Like and they're like, look

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Speaker 1: at this big reveal. It's like, no one gives a ship.

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Speaker 1: He was like, Oh, this movie was bad. So each

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Speaker 1: of these storylines depicts like a separate relationship because this

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Speaker 1: movie is about love, love actually. It's even like man

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Speaker 1: splaining in the title, isn't it actually actually love actually?

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Speaker 1: So each of these stories really, they're all so dumb

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Speaker 1: and they're they're focusing on a specific relationship, most of

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Speaker 1: them romantic, but not all of them. The first one

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Speaker 1: we see is Bill Nigh, whose name is Billy Mac.

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Speaker 1: He's trying to make a comeback as a musician. His

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Speaker 1: manager is his friend, so there's that storyline. They're friends. Yeah, No,

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Speaker 1: we love Bill Knight. We've said this before. Didn't give you,

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Speaker 1: we we forgive you, and we love you all the

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Speaker 1: same because he is, oh Night, He's made a lot

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Speaker 1: of missteps, still him, he's oh yeah, yeah, he's um. Yeah,

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Speaker 1: he's in the worst movie I've ever seen, which is

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Speaker 1: I Frankenstein Star. He's the villain and it looks like

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Speaker 1: he was not briefed on what the movie sinister and

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Speaker 1: then he leave, but he plays a gargoyle overlord. I

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Speaker 1: want it's also the weird octopus villain from Pirates of

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Speaker 1: the Caribbean. Oh yeah, he isn't forgot Okay, Because I

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Speaker 1: was wondering, I was like, did he and Kiera Knightley

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Speaker 1: already know each other because of the whole octopus guy things?

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Speaker 1: Maybe not think this movie came first? Okay? So they

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Speaker 1: were like, oh love actually on the set of Party cool.

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Speaker 1: Another storyline we get Colin Firth's character Jamie. I want

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Speaker 1: to say, uh Jamie, Look isn't Jamie? Oh yeah, he

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Speaker 1: luncle Jamie. He falls in love with Portuguese woman. No,

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Speaker 1: I'm sorry, but we'll get to a second. He gets

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Speaker 1: cuckolded by his brother, so that's another storyline. Liam Neeson

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Speaker 1: is sad about his dead wife and then he accepts

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Speaker 1: on who is in love with a girl at school. Yeah.

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Speaker 1: I've never hated a child more than that child. Next

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Speaker 1: storyline is Emma Thompson. I forget her character's name. She

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Speaker 1: is in a relationship with Alan Rickman. He assistant throws

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Speaker 1: herself at him and then he like kind of strays

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Speaker 1: a little bit. That's a storyline. There's the ugly guy

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Speaker 1: who wants to bang the American ladies. There's the porn standard.

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Speaker 1: Oh my god, I almost blocked that part out almost,

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Speaker 1: Oh god, And that's such a shame because we love him,

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Speaker 1: Martin Freeman. This, I feel like this was the big

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Speaker 1: very beginning, and like he really needed the money for this. Okay,

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Speaker 1: let's give him the benefit of the But that said,

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Speaker 1: I feel like I could have written that storyline like

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Speaker 1: in like a ninth grade short story, like wouldn't it

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Speaker 1: be wild? Yeah? And then you get expelled from school?

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Speaker 1: But right, and then I make actually love yeah okay,

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Speaker 1: the holidays okay, very atheist okay. Uh. Then we have

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Speaker 1: the walking dead guy and he's in love with Pure

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Speaker 1: Knightley even though she's married to his best friend. His

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Speaker 1: best friend. Yeah, but then it's still like, isn't this romantic? No,

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Speaker 1: it's horrible per worded. Yeah, that video I can't even Okay,

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Speaker 1: there's more stories? Is there one more? There's the Prime Minister,

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Speaker 1: I mean, perfect casting. How could Hugh Grant not be

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Speaker 1: playing the pri and he falls in love with I

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Speaker 1: don't know if she's an intern, she gets that's what

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Speaker 1: we know. She brings some biscuits, but also sometimes important files.

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Speaker 1: I don't know, we've all had that job. And finally

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Speaker 1: Laura Lenny who's in love with I don't know if

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Speaker 1: he's Italian, I'm not sure. And his name is Carl,

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Speaker 1: a hot barign man named You couldn't even given us

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Speaker 1: a Carlos at the very last, but you Carlo, Carl

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Speaker 1: Carl car so many letters to work with. Yeah, that's it.

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Speaker 1: So those are the you know, that's a different story lines, Hubris,

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Speaker 1: That's what I think about this. But I like, let's

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Speaker 1: lead with the concept of an ensemble movie is so great,

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Speaker 1: but I feel like it's so rarely works. Su I

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Speaker 1: think it's tough. I think it's tough because this is

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Speaker 1: this is huge, This is like this is a whole bunch,

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Speaker 1: Like all the British stars are in this, you know, honestly, Yeah, seriously, Yeah, Yeah,

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Speaker 1: it's it's tricky and again like the vignettes also tricky,

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Speaker 1: and there's a lot, there's too many, like it's just

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Speaker 1: nine or ten. Is just it's a lot to try

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Speaker 1: to interweave. Yes, is probably yes, Yeah, but this is

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Speaker 1: so now. Okay, basically, I think you get by now

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Speaker 1: that we really hate this movie. I think that is

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Speaker 1: you know, you've picked up on that unless you're you know,

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Speaker 1: troubled um. But the movie itself is you know, every

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Speaker 1: every single one, they're just it's just deplorable. It's awful.

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Speaker 1: But then when you go back, because I knew the

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Speaker 1: right away, I was like, this is gonna be fun

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Speaker 1: to talk about because it's so awful. But then when

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Speaker 1: you actually focus on the female characters, it made it

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Speaker 1: like double horrible. Like I just I literally felt sick

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Speaker 1: for a moment when you really go back and and

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Speaker 1: just figure out every So let's let's start from the

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Speaker 1: beginning and just talk about the women, how they're portrayed

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Speaker 1: in this it's so awful. Number one Okay, so well,

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Speaker 1: there's no female characters in the Bill Night storyline. And

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Speaker 1: on Calin Firth and Aurelia. Yeah, first of all, he

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Speaker 1: is cu colded by his by his brother and his wife. Right,

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Speaker 1: so um, but I have just the thing that drives

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Speaker 1: me insane. I already even just you know, everyone we

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Speaker 1: call every cock and that's a new word in our

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Speaker 1: life now. I find it interesting that men even just

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Speaker 1: get a word for when they're cheated on. Do women

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Speaker 1: get a word for when we're cheated on? We don't.

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Speaker 1: Basically that he was cuckolded and women, it's like it's

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Speaker 1: it's a part of life, like that's basically you know

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Speaker 1: what I mean. Boys get a special word because they

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Speaker 1: were cuckled, but no, we just live with it. We

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Speaker 1: call you're exactly right, right, fine, I know you know

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Speaker 1: that doesn't It's just it's always that's always irked me

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Speaker 1: that it's like, oh, dudes get a word for anyway whatever? Um,

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Speaker 1: but y yea and God forbid a man be cheated on?

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Speaker 1: Oh no, So he gets cheated on right away and

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Speaker 1: then goes to his cottage or something. Yeah, And and

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Speaker 1: there's um yeah, and there's a cleaning woman. I guess

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Speaker 1: the maid. Who is she? And she doesn't speak a

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Speaker 1: word of English deeply on a level where like none

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Speaker 1: of us have experienced in our lives yet, you know,

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Speaker 1: and they don't but they don't speak the same language

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Speaker 1: at all, which is me neither. I didn't like it

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Speaker 1: at all. This that I have in front of me

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Speaker 1: describes it as in spite of the fact that neither

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Speaker 1: of them speak the same language, their personnel. These are similar.

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Speaker 1: That's the problem. Because there are so many different storylines

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Speaker 1: and so many characters, there's not enough time to develop

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Speaker 1: anyone characters fair enough. Characters are under developed, and then

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Speaker 1: just the depiction of love and romantic love and relationships

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Speaker 1: is very glossed over because everything that's portrayed as very

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Speaker 1: surface level, and usually the character's relationships are based on

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Speaker 1: like a physical attraction rather than so like, yeah, they

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Speaker 1: were hot, that would have been fair. Like if they

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Speaker 1: would have just like you know what I mean, it

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Speaker 1: would just been a hot weekend of passion, fund right.

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Speaker 1: I think we all would have accepted that and been like,

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Speaker 1: all right, but no, But then they get married and

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Speaker 1: proposed stories like if that had just ended with like

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Speaker 1: he learned some Portuguese and as yeah, I would have

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Speaker 1: been like, that's actually very sweet, where he finds the

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Speaker 1: will to love again and then just moves on with

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Speaker 1: his life. No longer cook because yeah, because this story

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Speaker 1: takes place over the course of five weeks, so in

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Speaker 1: that time he manages to write a novel because it

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Speaker 1: only takes five weeks. I don't know. If you fall

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Speaker 1: in love and propose Mary, that's not too effort cook.

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Speaker 1: That's a free official work for a cook. And you

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Speaker 1: know what, we love calling Firth week you know, lovely,

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Speaker 1: he always you know, he's great, but this is you know,

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Speaker 1: they're just it's just too quick. You know. The whole

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Speaker 1: of the whole thing is that no one gets to

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Speaker 1: stretch the legs, no one gets to really you know,

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Speaker 1: be worthwhile in any capacity in this movie. So he's

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Speaker 1: just stuttering king exactly exactly you've seen. That really drives

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Speaker 1: me nuts in this storyline is where all of his

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Speaker 1: papers fly into the little pond and she just strips

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Speaker 1: down for no reason and jumps in the water, and

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Speaker 1: like the way the camera like lingers on her body

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Speaker 1: and pans up and down. Very gross. But the thing

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Speaker 1: I kept trying to put my head in, like what

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Speaker 1: if I saw this when it came out, because I

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Speaker 1: would have been eleven when this game out? Oh did

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Speaker 1: I not say eleven? Did I say? It's like I

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Speaker 1: think that if I had seen that scene, like you know,

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Speaker 1: when you're younger, I would have interpreted like, oh so

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Speaker 1: that's what you do. Yeah, someone's papers, a veritable stranger's

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Speaker 1: papers about I would have taken it as gospel like

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Speaker 1: the nice time someone drops something, I'm just gonna strip

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Speaker 1: new like and which is gross. And the way it

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Speaker 1: was like like the way that they pan her body

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Speaker 1: and just like come and really like would you you

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Speaker 1: have to save your your maids out for it from

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Speaker 1: getting wet? I mean seriously, like I would maybe take

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Speaker 1: off my shoes in my watch, but other than that,

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Speaker 1: I'm you know, you keep everything. He could get it, yes,

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Speaker 1: exactly yea, and he could be yeah, he can type

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Speaker 1: on a laptop and save it. Yes. And what I

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Speaker 1: really hated I hated the when they go to the

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Speaker 1: her family's restaurant and then the way they like they

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Speaker 1: pick the other sister against her and she's the gross sister.

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Speaker 1: I hated it so much. It was just I found

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Speaker 1: that part just like, oh, is this the comic relief

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Speaker 1: part where there's a un attractive one that should marry

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Speaker 1: for Oh, it's just there's I made notes of all

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Speaker 1: the times that women are reduced to nothing more than

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Speaker 1: either how attractive they are or what they look like,

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Speaker 1: and there are dozen't of course. Yeah, there's one instance

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Speaker 1: in this storyline where Aurelia's father is talking to her

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Speaker 1: other her sister and he calls her like miss Duncan

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Speaker 1: Donuts two thou or two thousand three because she's a

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Speaker 1: heavier woman. And it's just like that's like a Donald

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Speaker 1: Trump comic, frustrating, and there's tons of those. Were like,

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Speaker 1: I'm sorry anyway. Also, um Natalie, who is the love

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Speaker 1: interest of the gods, her father also calls her tubby

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Speaker 1: or bee. That's her And if that woman is fat,

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Speaker 1: like sign me up, Like are you kidding me? There

292
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Speaker 1: is nothing fat about her. She's a perfect hour glass

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Speaker 1: and she's gorgeous, and they they talk about her thighs

294
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Speaker 1: the entire character anyway, Yeah, disgusting. So has that happens

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Speaker 1: a lot. Women are just like they're either like objectified

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Speaker 1: or like deeply disappointed. That's all I get. That's all

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Speaker 1: I get. Okay, what's the next one after after Uncle

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Speaker 1: Jamie liam Neeson slash his stepson. Yeah, you know, I

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Speaker 1: will say the only okay, there was only two scenes

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Speaker 1: in this entire movie still that maybe kind of go okay.

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Speaker 1: Three in the beginning when they're at the funeral and

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Speaker 1: he plays her her favorite song, and that's still the

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Speaker 1: only part that I was like because and that's just

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Speaker 1: that's a lovely look, but that's it. But that is all.

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Speaker 1: And then Liam turns into a pitiful excuse of a

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Speaker 1: man and doesn't know how to relate to a child,

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Speaker 1: which I guess I understan dand but the whole thing

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Speaker 1: is just it's just contrived and awful. And that child,

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Speaker 1: oh god, he's just yeah, and how old was he

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Speaker 1: supposed to be and madly in love with I think

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Speaker 1: a girl much older than him. She seemed she did

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Speaker 1: see the way out of his story, out of his

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Speaker 1: leg and that's yeah, exactly supposed to be eleven and

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Speaker 1: she was like seventeen easy but there's no way, and

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Speaker 1: and just super duper out of his league whatever developed, Yeah,

316
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Speaker 1: very much and really beautiful. And then learning the drums

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Speaker 1: to who the whole thing is about him trying to

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Speaker 1: snag a girl even though like he just he never

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Speaker 1: even just spoke to her, but never even even at

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Speaker 1: that young age, like it was like he never even

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Speaker 1: say I guess think for Uncle James Portuguese is the

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Speaker 1: adult equivalent yeah, yeah, yeah, which again he was able

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Speaker 1: to do in two weeks. Yea, all it takes to

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Speaker 1: learn the drums. I can't believe. I can't believe none

325
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Speaker 1: of us have written a novel or learned to play

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Speaker 1: the drums. Wow, we've been talking like, I'm disgusted with us.

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Speaker 1: Where is our Maybe it's like in the matrix when

328
00:20:10,280 --> 00:20:15,920
Speaker 1: you can just like plug in and three. It would

329
00:20:15,920 --> 00:20:20,000
Speaker 1: be like a floppy disk I missed. I found a

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Speaker 1: bunch of floppy disks in my house when I was

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Speaker 1: visiting home in the most recent time. I was like,

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Speaker 1: we'll just never know. There's a line of dialogue I wrote,

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Speaker 1: also wrote down my favorite lines of dialogue. So as

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Speaker 1: Liam Neeson is lamenting about his dead wife, Emma Thompson

335
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Speaker 1: says to him, how how how are they related? Again,

336
00:20:43,880 --> 00:20:50,960
Speaker 1: they don't specify. Okay, okay. He starts crying and she says,

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Speaker 1: get a grip. People hate sissies. No one is going

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Speaker 1: to shag you if you cry all the time, which

339
00:20:57,560 --> 00:21:01,800
Speaker 1: is like, what now the good message for the kids? Yeah,

340
00:21:01,920 --> 00:21:05,160
Speaker 1: he's like pouring his heart out to her. Her response

341
00:21:05,320 --> 00:21:07,760
Speaker 1: is just like to perpetuate this like idea of like

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Speaker 1: the word masculinity, and it wor to be like a

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Speaker 1: funny moment. It's just like I'll only fucking man if

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Speaker 1: he's crying. Yeah, that's my power give you something to

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Speaker 1: cry with me. Yeah, it's like you want to cry.

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Speaker 1: Actually one time promised tears. But even the words sissy,

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Speaker 1: it's like really like it's suddenly it's all. It's just yeah,

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00:21:42,119 --> 00:21:45,639
Speaker 1: it's it's ochaic and ridiculous. Anyway, I forgot about that,

349
00:21:45,760 --> 00:21:47,920
Speaker 1: Like I glossed over that, Like I don't even think

350
00:21:48,280 --> 00:21:51,600
Speaker 1: I even heard that. The second it is like yeah,

351
00:21:54,119 --> 00:21:56,639
Speaker 1: because and his wife is barely cold and dead in

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Speaker 1: the ground, and like it's been twenty minutes, and they're like,

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Speaker 1: you should be fine, king already. What Jesus give him

354
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Speaker 1: a minute, you know. Anyway, and that's another very male

355
00:22:05,920 --> 00:22:09,680
Speaker 1: thing of like you got to get back out. They're

356
00:22:09,800 --> 00:22:12,600
Speaker 1: like women, they're like, we're black for a year exactly.

357
00:22:12,960 --> 00:22:16,760
Speaker 1: You have to cover your face, yea. So okay, are

358
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Speaker 1: we say that the whole movie is five weeks? Because

359
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Speaker 1: that's fair, all right. So then at the end two

360
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Speaker 1: of his vignette, he meets Claudia Schiffer. Of course he does, um, yes,

361
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Speaker 1: because that makes perfect sense. Um because she's the mother

362
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Speaker 1: of the of the beautiful, the teacher or something. Yeah.

363
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Speaker 1: And so then at five weeks of mourning the loss

364
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Speaker 1: of his wife, he's ready for Claudia. Sure, I mean

365
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Speaker 1: I guess who knew, I get who wouldn't be Let's

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Speaker 1: be honest. Anyway, Yeah, the next early on two, by

367
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Speaker 1: the way, that really I think unbelievable. Okay, the next

368
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Speaker 1: one is Emma Thompson. Again I don't remember. Okay, me neither,

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00:23:04,080 --> 00:23:06,159
Speaker 1: but I will say again we'll do a little you know.

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Speaker 1: I love Emma Thompson usually and thank you, and we

371
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Speaker 1: love of course Alan Rickman as well. Uh, this one

372
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Speaker 1: it's they're seeing there is repugnant as well. But at

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Speaker 1: the same time, I don't know, like they just they

374
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Speaker 1: may just because I like the both of them, they

375
00:23:23,080 --> 00:23:26,280
Speaker 1: felt the least disgusting to me. Um, but I mean,

376
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Speaker 1: you know the his stories of course, the beautiful young

377
00:23:30,119 --> 00:23:34,360
Speaker 1: chippy at the office, she's just like so slutty. It's ridiculous,

378
00:23:34,440 --> 00:23:36,440
Speaker 1: Like it's just the kind of behavior that like at

379
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Speaker 1: the office. Really with the sitting with the legs apart,

380
00:23:41,440 --> 00:23:44,560
Speaker 1: it's like, whoa, I mean, it's just it's ridiculous. That

381
00:23:44,640 --> 00:23:52,520
Speaker 1: reminded me of Margot Robbie in Yes, Yeah, and also

382
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Speaker 1: what's the movie with Sharon Yes, Yes, I mean ridiculous

383
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Speaker 1: And this is at the office Okay, the whole story

384
00:24:01,560 --> 00:24:02,840
Speaker 1: is is that, you know, obviously he's been married to

385
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Speaker 1: Emma Thompson for a while, they have children, you know,

386
00:24:04,960 --> 00:24:08,479
Speaker 1: they're a regular couple. And then he is tempted by

387
00:24:08,560 --> 00:24:12,760
Speaker 1: this the young hot girl, the psychopath, it's going to say,

388
00:24:12,800 --> 00:24:14,879
Speaker 1: who will clearly go through your trash and never leave

389
00:24:14,920 --> 00:24:17,960
Speaker 1: you alone. Um, but he falls, you know, he likes

390
00:24:18,080 --> 00:24:21,159
Speaker 1: but we nothing, nothing happens between the two of them.

391
00:24:21,160 --> 00:24:23,280
Speaker 1: He buys her a present that should have been for

392
00:24:23,480 --> 00:24:25,600
Speaker 1: you know, she thinks it's the wife thinks it's for her,

393
00:24:26,040 --> 00:24:28,080
Speaker 1: it's not. It's jewelry. And he then he gets her

394
00:24:28,160 --> 00:24:31,280
Speaker 1: Joni Mitchell c d's, which, let's be honest, you know whatever,

395
00:24:31,560 --> 00:24:33,879
Speaker 1: and it kind of sucks. But so nothing but he

396
00:24:34,119 --> 00:24:37,320
Speaker 1: but he does think about it, obviously, and that's enough

397
00:24:37,400 --> 00:24:39,520
Speaker 1: for her. Now I'm going to say this, this is

398
00:24:40,200 --> 00:24:42,280
Speaker 1: really like you don't go to therapy or try to

399
00:24:42,320 --> 00:24:44,560
Speaker 1: work it out. He thinks of another woman, and you're done,

400
00:24:45,240 --> 00:24:47,600
Speaker 1: yes or no? Are we like? That seems to be

401
00:24:47,720 --> 00:24:51,280
Speaker 1: a bit impetuous. I mean, yes, okay, that was a

402
00:24:51,400 --> 00:24:56,520
Speaker 1: mental emotional cheat. But I would maybe we have kids,

403
00:24:56,600 --> 00:24:58,640
Speaker 1: I would maybe think about it. I mean, I would

404
00:24:58,800 --> 00:25:01,040
Speaker 1: go for some therapy and then figure it out. No, yes,

405
00:25:01,119 --> 00:25:04,880
Speaker 1: I'm wrong, No, I think she has an appropriate reaction

406
00:25:04,920 --> 00:25:07,359
Speaker 1: with just to be just be upset when she comes up.

407
00:25:07,359 --> 00:25:11,200
Speaker 1: But then yes, she pretty really readily just ye oh yeah,

408
00:25:11,240 --> 00:25:13,200
Speaker 1: I mean she she's broken. And I will say again,

409
00:25:13,240 --> 00:25:15,840
Speaker 1: Emma Thompson is a fabulous crier. She just did. She's

410
00:25:15,880 --> 00:25:17,800
Speaker 1: a good crier. And the scene where she goes and

411
00:25:17,840 --> 00:25:19,560
Speaker 1: cries in the bedroom and then comes back and she's like,

412
00:25:19,720 --> 00:25:22,600
Speaker 1: all right, let's go to the pageant. I find me too.

413
00:25:22,680 --> 00:25:25,239
Speaker 1: I did feel that too, because she's a really good crier. Yes,

414
00:25:25,400 --> 00:25:29,200
Speaker 1: but of yeah, I get it. Yes you'd be heartbroken

415
00:25:29,240 --> 00:25:30,879
Speaker 1: because you know what your husband's thinking and doing. But

416
00:25:30,960 --> 00:25:34,600
Speaker 1: I would have gone to therapy after all of these

417
00:25:34,800 --> 00:25:40,520
Speaker 1: character Yes, therapist if they moved into that family would

418
00:25:40,560 --> 00:25:43,639
Speaker 1: make a killing killing But I don't know, Like, especially

419
00:25:43,640 --> 00:25:46,280
Speaker 1: because Emma Thompson's character is introduced as being like so

420
00:25:46,600 --> 00:25:48,920
Speaker 1: set in her ways and like this is the life

421
00:25:49,000 --> 00:25:51,639
Speaker 1: path she's chosen and she's sticking to it, it seems

422
00:25:51,720 --> 00:25:54,000
Speaker 1: almost like out of character about the very little we

423
00:25:54,080 --> 00:25:55,760
Speaker 1: know about her that she would just be like you

424
00:25:55,840 --> 00:25:59,920
Speaker 1: know what, fusk However, many exactly she's made this she

425
00:26:00,160 --> 00:26:02,440
Speaker 1: so big into her family, and it's like she'said and

426
00:26:02,560 --> 00:26:04,760
Speaker 1: she's this wonderful mother and she takes care of everything

427
00:26:04,800 --> 00:26:06,440
Speaker 1: and then she's like I'm done. I mean it just

428
00:26:06,600 --> 00:26:08,800
Speaker 1: it's very like she would do it my mom did,

429
00:26:08,960 --> 00:26:11,920
Speaker 1: which is just be like you will obey me. Now

430
00:26:14,320 --> 00:26:16,600
Speaker 1: I'm in charge and you have a very short law.

431
00:26:16,840 --> 00:26:22,359
Speaker 1: If I'm the cock, that's it. That's it. And they

432
00:26:22,400 --> 00:26:24,359
Speaker 1: also portray her, you know, as that sort of like

433
00:26:25,080 --> 00:26:28,040
Speaker 1: pitiful type of oh and she's let herself go and

434
00:26:28,280 --> 00:26:30,199
Speaker 1: I don't know, like they just really gave her kind

435
00:26:30,240 --> 00:26:34,280
Speaker 1: of like a schleppy type vibe. The whole thing is like,

436
00:26:34,760 --> 00:26:36,440
Speaker 1: you know, and we love Alan Rickman, but like what

437
00:26:36,640 --> 00:26:38,600
Speaker 1: I mean, it's not like you know what I mean,

438
00:26:38,680 --> 00:26:42,119
Speaker 1: it's yes, you know what I mean, like they are

439
00:26:42,240 --> 00:26:45,280
Speaker 1: equally matched, that is, you know, it's not at all

440
00:26:45,400 --> 00:26:48,320
Speaker 1: like shocking, and they just make it so like she's,

441
00:26:48,359 --> 00:26:51,080
Speaker 1: you know, whatever deserves to be cheated on or something.

442
00:26:51,240 --> 00:26:55,280
Speaker 1: I don't know. There's a scene where me A, the

443
00:26:55,520 --> 00:26:58,159
Speaker 1: young assistant that's in love with him, that's throwing at him,

444
00:26:58,680 --> 00:27:01,600
Speaker 1: takes off all of her clothes and it's just like

445
00:27:01,720 --> 00:27:05,560
Speaker 1: in a red bra and underwear, and she like and

446
00:27:05,680 --> 00:27:09,639
Speaker 1: it's like, why is this in the movie? What? And

447
00:27:09,800 --> 00:27:12,200
Speaker 1: I like, for a second, like, I guess you could

448
00:27:12,320 --> 00:27:16,400
Speaker 1: argue that it serves to contrast because in the scene

449
00:27:16,600 --> 00:27:19,480
Speaker 1: shot right before that you see Emma Thompson having taken

450
00:27:19,520 --> 00:27:21,800
Speaker 1: off her dress. That's exactly what I thought of too,

451
00:27:22,080 --> 00:27:24,720
Speaker 1: and she's in like a full like slip. Yeah, yeah, yeah,

452
00:27:24,840 --> 00:27:30,040
Speaker 1: and its evil but yeah, what you know, and what

453
00:27:30,160 --> 00:27:32,679
Speaker 1: bothers me about that is is guess what. Mia, By

454
00:27:32,720 --> 00:27:36,480
Speaker 1: the way, Earth is also going to age at some

455
00:27:36,640 --> 00:27:38,840
Speaker 1: point and she will one day be Emma Thompson. So

456
00:27:39,040 --> 00:27:41,840
Speaker 1: just get the funk over yourself. Man. Anyway, Oh I

457
00:27:41,880 --> 00:27:45,760
Speaker 1: got angry there for a second. Does she not? Also

458
00:27:45,920 --> 00:27:47,919
Speaker 1: does she not also answer the door in the same bra?

459
00:27:48,320 --> 00:27:49,800
Speaker 1: Am I wrong? Or she wearing the top when she

460
00:27:49,840 --> 00:27:52,720
Speaker 1: answers the answer? She's wearing it? Okay, Okay, I just

461
00:27:52,760 --> 00:27:56,840
Speaker 1: feel like she's in that red rob the very She's

462
00:27:57,119 --> 00:27:59,600
Speaker 1: like one of those cartoon character closets. It's just so

463
00:28:00,640 --> 00:28:04,440
Speaker 1: red bros. I thought she's the Einstein of Red Brass

464
00:28:05,280 --> 00:28:10,600
Speaker 1: to dug or something totally anyway, Yeah, professor's name was

465
00:28:14,800 --> 00:28:19,280
Speaker 1: My mom loves this storyline, and I'm like what mom,

466
00:28:20,640 --> 00:28:26,000
Speaker 1: But she like so much for Emma Thompson's character. But

467
00:28:26,080 --> 00:28:28,280
Speaker 1: as you mentioned, like there was sort of like an

468
00:28:28,320 --> 00:28:31,440
Speaker 1: emotional infidelity that happened. But and that would and that

469
00:28:31,520 --> 00:28:33,880
Speaker 1: would don't get it wrong, that would it would happen.

470
00:28:33,960 --> 00:28:36,880
Speaker 1: But if you're married to someone else, you still find

471
00:28:36,960 --> 00:28:41,560
Speaker 1: yourself attracted. Absolutely. Yeah. And this wasn't like a boyfriend.

472
00:28:41,720 --> 00:28:46,400
Speaker 1: This was her like husband for Dick. Yeah, absolutely, And

473
00:28:46,520 --> 00:28:48,600
Speaker 1: you know, and again I were not, you know whatever

474
00:28:48,720 --> 00:28:50,480
Speaker 1: to each is that one how you think about it?

475
00:28:50,520 --> 00:28:53,360
Speaker 1: But you're right men and of course women too, but

476
00:28:53,520 --> 00:28:56,400
Speaker 1: men have a tendency to have a wandering eye a

477
00:28:56,480 --> 00:28:59,240
Speaker 1: little bit more because you know, they're way more visual

478
00:28:59,360 --> 00:29:01,520
Speaker 1: than women are. And so yeah, you look at the

479
00:29:01,560 --> 00:29:03,680
Speaker 1: hot girl at the office, Okay, I mean it gets

480
00:29:03,720 --> 00:29:06,560
Speaker 1: the buying of the gift means something he does, he does,

481
00:29:06,640 --> 00:29:09,280
Speaker 1: act on it, he does. And also really, I mean

482
00:29:09,360 --> 00:29:12,680
Speaker 1: I guess and she young, slutty, sexy Mia, she's going

483
00:29:12,760 --> 00:29:15,760
Speaker 1: for a man like thirty years or senior. Really, yeah,

484
00:29:15,880 --> 00:29:19,160
Speaker 1: like what's the motive? I mean, wasn't at the same

485
00:29:19,240 --> 00:29:24,400
Speaker 1: office that Carl works at. I mean she's like yeah

486
00:29:24,480 --> 00:29:26,080
Speaker 1: the whole time. That was just sort of like you

487
00:29:26,160 --> 00:29:31,560
Speaker 1: know all due respect exactly anyway, we all have a

488
00:29:31,640 --> 00:29:34,600
Speaker 1: radic tape A little weird. That's problem with almost every

489
00:29:34,640 --> 00:29:38,720
Speaker 1: storyline in this movie is that the character's personalities aren't established,

490
00:29:38,760 --> 00:29:41,560
Speaker 1: so you have no idea what anyone likes anywhere. We're

491
00:29:41,560 --> 00:29:43,600
Speaker 1: just we're facing it on agent. Looks that's what we're doing,

492
00:29:43,920 --> 00:29:46,720
Speaker 1: right right. I forgot a line of dialogue that I

493
00:29:46,760 --> 00:29:50,680
Speaker 1: wrote down that is just what a gem. He's telling

494
00:29:51,240 --> 00:29:54,800
Speaker 1: his assistant or whatever Mia to plan the Christmas party,

495
00:29:55,000 --> 00:29:57,160
Speaker 1: and he says it's one of the things to do

496
00:29:57,880 --> 00:30:00,880
Speaker 1: advise the girls to avoid Kevin if they want their

497
00:30:01,000 --> 00:30:06,600
Speaker 1: breasts unfondled, which the implications of that are he is

498
00:30:06,760 --> 00:30:10,520
Speaker 1: the boss and he knowingly has an employee who sexually

499
00:30:10,600 --> 00:30:16,239
Speaker 1: assaults women, and his advance is just to keep your

500
00:30:16,280 --> 00:30:22,160
Speaker 1: breaths away from this. Yeah, whatst That is really disgusting.

501
00:30:22,880 --> 00:30:26,120
Speaker 1: Will I think that his secretary she has to change

502
00:30:26,120 --> 00:30:31,920
Speaker 1: her panties every five she's just like the yeah from

503
00:30:31,960 --> 00:30:37,720
Speaker 1: a Yeah, she's just gooping. Yeah, I've totally forgot that

504
00:30:37,800 --> 00:30:41,280
Speaker 1: line that. I don't know if I even never noticed

505
00:30:41,320 --> 00:30:44,960
Speaker 1: it Inte neither, but I know I know that that, Yeah,

506
00:30:45,160 --> 00:30:47,200
Speaker 1: it's just like a throwaway line. But it's like, wait

507
00:30:47,280 --> 00:30:55,160
Speaker 1: a minute, condoning sucking asshole. Yeah. Anyway, next storyline, when

508
00:30:55,800 --> 00:30:59,440
Speaker 1: Colin got a X wants to go to America to Wisconsin.

509
00:30:59,800 --> 00:31:03,840
Speaker 1: They this is my most hated I hate this one

510
00:31:04,000 --> 00:31:11,560
Speaker 1: so much. It's really dumb. Alright, Akay, let's get into Okay.

511
00:31:11,600 --> 00:31:13,560
Speaker 1: First of all, you at the beginning called him ugly,

512
00:31:13,880 --> 00:31:15,800
Speaker 1: and it's so true because he's got like God bless

513
00:31:15,880 --> 00:31:20,000
Speaker 1: He's friend calls him ugly. He is. He's one of

514
00:31:20,080 --> 00:31:22,360
Speaker 1: those eyes with too much space, you know what I'm saying,

515
00:31:22,400 --> 00:31:24,040
Speaker 1: Like it's like the eyes on a bit of a

516
00:31:24,120 --> 00:31:30,240
Speaker 1: fish with it's on the opposite and you know whatever

517
00:31:30,400 --> 00:31:31,960
Speaker 1: I mean. Please, I know what I look like. But

518
00:31:32,280 --> 00:31:34,320
Speaker 1: this boy, this is a little unfortunately. Of course, what

519
00:31:34,440 --> 00:31:36,680
Speaker 1: saves him, of course in this whole thing is the

520
00:31:36,720 --> 00:31:39,160
Speaker 1: British accent. And that's the only part that's clever in

521
00:31:39,200 --> 00:31:41,080
Speaker 1: this whole thing is the fact that he's a British

522
00:31:41,120 --> 00:31:44,080
Speaker 1: accent and then American women go crazy for him. Now,

523
00:31:44,200 --> 00:31:48,200
Speaker 1: this is we sometimes do this. I'm not gonna lie.

524
00:31:48,280 --> 00:31:50,080
Speaker 1: We have moments when we do this because there is

525
00:31:50,160 --> 00:31:52,360
Speaker 1: something about a British accent that it's so able and

526
00:31:52,440 --> 00:31:55,120
Speaker 1: it's wrong, and I feel stupid for saying it, but

527
00:31:55,280 --> 00:31:58,040
Speaker 1: it's true. They have cute and the little and their

528
00:31:58,080 --> 00:32:00,680
Speaker 1: words in there. And that's the only part about the

529
00:32:00,760 --> 00:32:03,520
Speaker 1: whole scene, his whole storyline that is actually like, okay,

530
00:32:03,600 --> 00:32:05,920
Speaker 1: remotely clever. When they're asking him to name things, what

531
00:32:06,000 --> 00:32:09,479
Speaker 1: do you call this, and it's yeah, exactly, it's all right,

532
00:32:09,600 --> 00:32:11,920
Speaker 1: that's cute. But of course then he goes to America

533
00:32:11,920 --> 00:32:15,520
Speaker 1: because he says, and where does he go? Idaho or something? Wisconsin? Okay,

534
00:32:15,640 --> 00:32:18,440
Speaker 1: So he shows up and he just walks into a

535
00:32:18,560 --> 00:32:21,880
Speaker 1: diner of some sort and then meets those three women

536
00:32:22,040 --> 00:32:25,240
Speaker 1: who like they hurt my soul, like I just it

537
00:32:25,440 --> 00:32:31,440
Speaker 1: was January. That was January jar oh my gosh. Yeah.

538
00:32:31,760 --> 00:32:34,240
Speaker 1: And then um, the other with the Chris, the Canadian

539
00:32:34,240 --> 00:32:38,719
Speaker 1: girl what's her name, yeah, Cuthbert yeah. And then um,

540
00:32:38,880 --> 00:32:44,239
Speaker 1: of course the girl from American Pie Oh, Elizabeth, yes, Shannon, yeah, right,

541
00:32:44,320 --> 00:32:47,480
Speaker 1: And there was there was one more oh yes, and

542
00:32:47,560 --> 00:32:49,920
Speaker 1: then that that other one, the third girl who I

543
00:32:50,000 --> 00:32:53,160
Speaker 1: can I don't know her name anyway, all hot, gorgeous

544
00:32:53,200 --> 00:32:56,480
Speaker 1: girls and the way they they portray them is just ridiculous.

545
00:32:56,920 --> 00:32:59,680
Speaker 1: It's just it's it is. It's absolutely really. I think

546
00:32:59,680 --> 00:33:03,600
Speaker 1: they're all wearing cowboy hats, aren't they. They're like it's

547
00:33:03,640 --> 00:33:10,360
Speaker 1: like someone google yeah, yeah, yeah, and it's ridiculous. Yeah,

548
00:33:10,440 --> 00:33:12,480
Speaker 1: it's so stupid, And I think it's meant to be,

549
00:33:12,720 --> 00:33:15,880
Speaker 1: like sure, they want to balance certain storylines out. Some

550
00:33:15,960 --> 00:33:17,640
Speaker 1: of them are going to be more comical, some of

551
00:33:17,680 --> 00:33:20,640
Speaker 1: them are going to be more emotionally. Yeah, but it's like,

552
00:33:20,960 --> 00:33:24,960
Speaker 1: oh God, try harder. I don't know, like they're so

553
00:33:25,320 --> 00:33:28,920
Speaker 1: not just even their backstory they all lived together and

554
00:33:29,000 --> 00:33:35,680
Speaker 1: then they shared it's so gross and they as like

555
00:33:37,840 --> 00:33:41,880
Speaker 1: absolutely absolutely, like they accidentally sprayed each other with ketchup

556
00:33:41,960 --> 00:33:44,480
Speaker 1: or something and it's just, oh, my top and they

557
00:33:44,600 --> 00:33:47,480
Speaker 1: it's just it's so like cue the music, Like the

558
00:33:47,560 --> 00:33:50,080
Speaker 1: nineteen seventies porn should have happened immediately because it was

559
00:33:50,200 --> 00:33:52,120
Speaker 1: just ridiculous. But I thought was going to happen like

560
00:33:52,240 --> 00:33:54,680
Speaker 1: this would be like that sort of and it's hacky

561
00:33:54,760 --> 00:33:57,000
Speaker 1: and terrible too, but it would have been less offensive

562
00:33:57,320 --> 00:34:00,200
Speaker 1: if like he shows up and there's two slow any

563
00:34:00,360 --> 00:34:03,200
Speaker 1: chicks and one is like not like the others, and

564
00:34:03,360 --> 00:34:05,280
Speaker 1: she's like, I don't fall for your and I was

565
00:34:05,320 --> 00:34:09,719
Speaker 1: waiting for her to come to yea no, she doesn't know.

566
00:34:09,840 --> 00:34:13,600
Speaker 1: It just it just gets worse and he just immediately

567
00:34:13,719 --> 00:34:16,600
Speaker 1: kisses him, and it's just like she walks in. She's

568
00:34:16,640 --> 00:34:18,520
Speaker 1: just like God, because that's what Americans do, by the way,

569
00:34:18,520 --> 00:34:20,200
Speaker 1: I don't know if you know that they immediately kiss

570
00:34:20,239 --> 00:34:22,279
Speaker 1: you on the mouth. I mean, it's just it's it's

571
00:34:23,800 --> 00:34:27,399
Speaker 1: it's absolutely ridiculous. It's just and the whole like they're back,

572
00:34:27,440 --> 00:34:29,759
Speaker 1: they're all roommates and they sleep together, and it's just

573
00:34:30,080 --> 00:34:33,440
Speaker 1: like who taught you about women? Whoever wrote this scene?

574
00:34:33,520 --> 00:34:36,560
Speaker 1: Like it is just it is some thirteen year old

575
00:34:36,560 --> 00:34:39,440
Speaker 1: boys fantasy and they put it on the director of

576
00:34:39,520 --> 00:34:45,560
Speaker 1: this movie because some googling. Anyways, we'll get there. He

577
00:34:45,640 --> 00:34:52,080
Speaker 1: wrote it to write and directed. Oh he's a yeah.

578
00:34:52,280 --> 00:34:55,279
Speaker 1: I did fall for that though. Whenever I was a young,

579
00:34:55,760 --> 00:34:58,799
Speaker 1: younger person and I was living in New York City

580
00:34:58,920 --> 00:35:01,480
Speaker 1: and there was a British guy in a bar and

581
00:35:01,600 --> 00:35:08,839
Speaker 1: he's like, yeah, yeah, yeah, it's Australian. Yeah. We had

582
00:35:08,840 --> 00:35:11,200
Speaker 1: a little bit of a romance on the fact that

583
00:35:11,280 --> 00:35:13,840
Speaker 1: he was British not that attractive. If he was, that

584
00:35:14,719 --> 00:35:19,520
Speaker 1: American accent have been repulsive. Once a British navy men

585
00:35:19,640 --> 00:35:22,759
Speaker 1: offered me m d m A and I was so

586
00:35:22,960 --> 00:35:24,920
Speaker 1: close to taking it just and he looked like a

587
00:35:25,080 --> 00:35:31,240
Speaker 1: foot that like maybe I didn't. It's we're suckers. It's awful,

588
00:35:31,280 --> 00:35:34,720
Speaker 1: but it's true. Yeah. The next one is the porn

589
00:35:35,080 --> 00:35:37,680
Speaker 1: stand ins, which, first of all, I want to see

590
00:35:39,280 --> 00:35:43,560
Speaker 1: that's as high production value enough that they hire standing

591
00:35:44,440 --> 00:35:48,560
Speaker 1: where's where's that porn? It's not on porn hub. That

592
00:35:48,760 --> 00:35:54,040
Speaker 1: tends to be a full service job. So it's Martin

593
00:35:54,120 --> 00:35:57,680
Speaker 1: Freeman and a character whose name is just Judy and

594
00:35:57,840 --> 00:36:03,480
Speaker 1: she's credited in the Oh no, I guess like the

595
00:36:03,560 --> 00:36:07,239
Speaker 1: gimmick here is that they're shy and they're afraid to

596
00:36:07,360 --> 00:36:10,280
Speaker 1: like ask each other l even though they're like miming

597
00:36:10,840 --> 00:36:13,920
Speaker 1: Fallacio and each other and stuff. And she's they're naked,

598
00:36:14,000 --> 00:36:18,040
Speaker 1: like she's full naked. Yeah, she's like bouncing on his

599
00:36:18,280 --> 00:36:20,920
Speaker 1: like dick at one point, but they're too shy to

600
00:36:21,000 --> 00:36:26,960
Speaker 1: actually ask each other for coffee. And oh again, just

601
00:36:27,120 --> 00:36:28,920
Speaker 1: another like this is supposed to be one of the

602
00:36:28,960 --> 00:36:32,680
Speaker 1: funny ones and it's just it's yeah, and that sits

603
00:36:32,719 --> 00:36:35,640
Speaker 1: it and that's all it is, Like that's the whole thing,

604
00:36:35,719 --> 00:36:37,799
Speaker 1: that's the whole scene. They just every scene we see

605
00:36:37,840 --> 00:36:41,560
Speaker 1: them in a more graphic sexual position, and them talking

606
00:36:41,600 --> 00:36:44,000
Speaker 1: about the books they've read, and that's not even They

607
00:36:44,040 --> 00:36:46,480
Speaker 1: talk about traffic at one point like I don't even

608
00:36:46,560 --> 00:36:48,960
Speaker 1: know again another and they fall in love. But I

609
00:36:49,080 --> 00:36:50,680
Speaker 1: do wonder, like I looked at us and I'm like, oh,

610
00:36:50,719 --> 00:36:53,400
Speaker 1: that's probably kick them one two days to yeah, they

611
00:36:53,480 --> 00:36:55,160
Speaker 1: probably made a lot of money and two days I

612
00:36:55,239 --> 00:36:58,040
Speaker 1: know you can't. I was going to say, you can't

613
00:36:58,040 --> 00:37:00,200
Speaker 1: get mad at anyone here because this is the page check.

614
00:37:00,280 --> 00:37:03,320
Speaker 1: It's it's always a paycheck. But you know, hopefully you

615
00:37:03,440 --> 00:37:05,480
Speaker 1: saved that money and you can be more discriminating from you.

616
00:37:06,040 --> 00:37:09,040
Speaker 1: What I'm learning from this movie is that the people

617
00:37:09,080 --> 00:37:10,920
Speaker 1: you fall in love with are just the ones who

618
00:37:10,960 --> 00:37:13,279
Speaker 1: are near you. Oh my god. Oh it's totally a

619
00:37:13,360 --> 00:37:20,719
Speaker 1: proximity game. Absolutely was this before? Oh my god, we're

620
00:37:20,760 --> 00:37:24,759
Speaker 1: always in the same room. Everyone loves Aristotle. Everyone loves Aristotle.

621
00:37:29,280 --> 00:37:31,560
Speaker 1: Was this before? I guess this is way before online dating.

622
00:37:31,600 --> 00:37:33,200
Speaker 1: Of course there is this two thousand and three. Well,

623
00:37:33,440 --> 00:37:36,640
Speaker 1: I think it existed, but there wasn't. There was no

624
00:37:36,800 --> 00:37:38,319
Speaker 1: swipe thing at this pot. I think it was still

625
00:37:38,360 --> 00:37:41,239
Speaker 1: like there was a stigma around ye yes, dot com,

626
00:37:41,320 --> 00:37:44,200
Speaker 1: but you were a weirdo in the basement. I remember, yeah, wait,

627
00:37:44,239 --> 00:37:46,200
Speaker 1: do I have to move my car? What's happening? Okay?

628
00:37:47,520 --> 00:37:49,839
Speaker 1: Oh oh yeah, you drive a Prius. You know how

629
00:37:49,880 --> 00:37:58,520
Speaker 1: to drive a Prius. Guys, sorry, guys, more druma than

630
00:37:58,880 --> 00:38:01,920
Speaker 1: is in Love. This is actually way more exciting than

631
00:38:02,000 --> 00:38:09,239
Speaker 1: the entire movie. What's going to happen Christmas? Everybody? Okay,

632
00:38:09,280 --> 00:38:12,840
Speaker 1: I get it. We're real people, still real people. To

633
00:38:12,960 --> 00:38:15,640
Speaker 1: move it, you know, just like everybody else. What do

634
00:38:15,719 --> 00:38:21,680
Speaker 1: we talk about now that Aristotle's gone? We can say anything? Oh,

635
00:38:21,800 --> 00:38:23,880
Speaker 1: maybe this is just a route. Maybe he doesn't my

636
00:38:24,000 --> 00:38:25,880
Speaker 1: car doesn't have to move. Maybe he just has to poop.

637
00:38:27,280 --> 00:38:30,239
Speaker 1: He took your keys to go and poop in my car?

638
00:38:32,040 --> 00:38:34,560
Speaker 1: You pooped in my car? No, I think he went

639
00:38:34,600 --> 00:38:39,520
Speaker 1: to poop in the bathroom with the cricket. That's yeah,

640
00:38:39,520 --> 00:38:42,839
Speaker 1: that's a good cover. I'm not gonna take to take

641
00:38:42,880 --> 00:38:47,759
Speaker 1: you a long time and seriously, wow, wows, I'll use

642
00:38:47,840 --> 00:38:53,200
Speaker 1: that one one time. I really will love. Actually, do

643
00:38:53,320 --> 00:38:56,120
Speaker 1: we have anything else to say about that? The chable one?

644
00:38:57,120 --> 00:38:58,879
Speaker 1: I think, yeah, I don't think I had any other

645
00:38:58,960 --> 00:39:02,319
Speaker 1: nuts on that one. Do we have left we have? Mark?

646
00:39:02,480 --> 00:39:04,719
Speaker 1: I think? Is this character's name the guy from Walking Down.

647
00:39:05,480 --> 00:39:08,680
Speaker 1: This is like the iconic who doesn't speak. Does how

648
00:39:08,719 --> 00:39:12,759
Speaker 1: many words you say in the whole movie? Heeping? Yeah?

649
00:39:14,960 --> 00:39:16,480
Speaker 1: I know that this one. They're trying to make this

650
00:39:16,600 --> 00:39:19,960
Speaker 1: one so romantic and it's supposed to be, like it's not.

651
00:39:20,239 --> 00:39:28,160
Speaker 1: It's just creepy parodied like this, just like because that

652
00:39:28,320 --> 00:39:31,640
Speaker 1: scene became so iconic somehow, where he's like, it's a

653
00:39:31,719 --> 00:39:34,680
Speaker 1: rip off of say anything basically, like, but it's also

654
00:39:34,680 --> 00:39:37,360
Speaker 1: a rip off of you know, subterranean homes like blues. Basically,

655
00:39:37,440 --> 00:39:39,600
Speaker 1: that's what that is. That's Bob Dylan with It's a

656
00:39:39,640 --> 00:39:43,279
Speaker 1: Bob Dylan video where he just stands with the yeah

657
00:39:43,320 --> 00:39:47,000
Speaker 1: and that's his whole song, like and it's so early seventies.

658
00:39:47,520 --> 00:39:51,120
Speaker 1: I met Richard Curtis, the director, it was like, it's

659
00:39:51,160 --> 00:39:55,120
Speaker 1: oh much, but I'm saying, this is the whole case,

660
00:39:55,200 --> 00:39:57,680
Speaker 1: the whole thing. It's Cure Nightly and her lovely husband

661
00:39:57,920 --> 00:39:59,600
Speaker 1: and you know we see them right it's at the

662
00:39:59,640 --> 00:40:02,279
Speaker 1: wedding and we find out that Um Walking Dead is

663
00:40:02,680 --> 00:40:06,400
Speaker 1: best friends and he's also taken the wedding video and

664
00:40:06,480 --> 00:40:08,480
Speaker 1: then she goes to see it and the most the

665
00:40:08,520 --> 00:40:10,520
Speaker 1: most exciting thing about this whole scene is that she

666
00:40:10,600 --> 00:40:15,279
Speaker 1: mentions banoffie pie. Have you had Boffell? I didn't know. God,

667
00:40:15,760 --> 00:40:19,879
Speaker 1: it's caramel banana pie. Everybody look into it and get

668
00:40:20,040 --> 00:40:22,279
Speaker 1: into it. That's the only That's what I have to

669
00:40:22,360 --> 00:40:26,680
Speaker 1: tell you from this whole movie. But Affie, my stuff

670
00:40:26,840 --> 00:40:30,920
Speaker 1: just lift. What do you get so romantic? I tell

671
00:40:30,920 --> 00:40:32,719
Speaker 1: you know. There was a little place, um, there was

672
00:40:32,800 --> 00:40:35,439
Speaker 1: a little place in the grove actually that um called

673
00:40:35,560 --> 00:40:39,360
Speaker 1: Simple Santa. Yes, it's called Simple Things. It's in the

674
00:40:39,480 --> 00:40:43,280
Speaker 1: you know, it's in the Yeah, it's it does fabulous sandwiches.

675
00:40:43,520 --> 00:40:45,360
Speaker 1: But they used to do a bonoffy pie there that

676
00:40:45,440 --> 00:40:47,160
Speaker 1: Oh my god. A friend took me and I've I've

677
00:40:47,400 --> 00:40:49,000
Speaker 1: it's one of those ones that I had like three

678
00:40:49,040 --> 00:40:51,600
Speaker 1: years ago and I still think about it sometimes, one

679
00:40:51,640 --> 00:40:53,680
Speaker 1: of those of you're just like, but yeah, anyway, So

680
00:40:53,719 --> 00:40:57,960
Speaker 1: that's the highlight of that scene. My favorite part of

681
00:40:58,000 --> 00:41:02,439
Speaker 1: the entire movie is when they played Titanic and it's

682
00:41:02,520 --> 00:41:06,200
Speaker 1: just the other movie happening in this movie, because that's

683
00:41:06,280 --> 00:41:12,279
Speaker 1: the best. I can't Titanic because I feel like that

684
00:41:12,320 --> 00:41:20,520
Speaker 1: would be a three hour special because I think it's beautiful, dude.

685
00:41:20,800 --> 00:41:24,719
Speaker 1: My favorite part of okay, quick Titanic. I have read

686
00:41:24,800 --> 00:41:28,279
Speaker 1: the script to Titanic like the way James Cameron wrote it,

687
00:41:28,680 --> 00:41:33,200
Speaker 1: and he is a perfect There's a scene, the sex

688
00:41:33,239 --> 00:41:35,080
Speaker 1: scene in the car. I remember because I read it

689
00:41:35,080 --> 00:41:38,880
Speaker 1: when I was like thirteen. I was like, it says like,

690
00:41:39,120 --> 00:41:43,200
Speaker 1: and this is so like Victorian romance novel. He says

691
00:41:43,320 --> 00:41:47,160
Speaker 1: like Jack gets on top of Rose and she flourishes

692
00:41:47,360 --> 00:41:52,960
Speaker 1: under his welcome weight. I was like, whoa what flourishes

693
00:41:53,080 --> 00:41:56,640
Speaker 1: under his welcome I was like, who has ever flourished

694
00:41:56,760 --> 00:42:01,840
Speaker 1: under someone's welcome That sounds like your first day at

695
00:42:01,880 --> 00:42:04,920
Speaker 1: wait watchers. Here's my welcome way. It's just so great.

696
00:42:05,800 --> 00:42:08,439
Speaker 1: That's so gross. Oh I love that little that's scene.

697
00:42:08,480 --> 00:42:10,200
Speaker 1: We never would have known that, but now we go. No,

698
00:42:10,640 --> 00:42:14,719
Speaker 1: I might be the only person besides James Cameron. Yeah,

699
00:42:14,920 --> 00:42:19,600
Speaker 1: that's that's nice anyway. Okay, okay, so what did you

700
00:42:19,640 --> 00:42:20,879
Speaker 1: what do you have to say about this one? Because

701
00:42:20,920 --> 00:42:23,799
Speaker 1: this is a you know, well number one. So they

702
00:42:24,680 --> 00:42:27,399
Speaker 1: show him being really mean to her, Yes, she doesn't.

703
00:42:27,440 --> 00:42:30,719
Speaker 1: He pretends like he doesn't like her. Yeah, and I'll

704
00:42:30,760 --> 00:42:36,040
Speaker 1: get into that Khaki ship like come on, yeah, it's god. Yeah,

705
00:42:36,760 --> 00:42:40,319
Speaker 1: their their wedding and Laura, Lenny's there because guess what, guys,

706
00:42:40,320 --> 00:42:44,400
Speaker 1: they're all connected. Yeah, and she sees him like staring

707
00:42:44,440 --> 00:42:46,960
Speaker 1: at them dancing like the Mary couple dancing, and she's like,

708
00:42:47,040 --> 00:42:49,200
Speaker 1: do you love him? And he's like what. She's like,

709
00:42:49,280 --> 00:42:51,120
Speaker 1: you know, it's not maybe might love him. I just

710
00:42:51,200 --> 00:42:53,920
Speaker 1: want to ask a question. And he's like absolutely not,

711
00:42:54,160 --> 00:42:57,840
Speaker 1: no way, no way in hell, gross no. And it's like, okay,

712
00:42:58,160 --> 00:43:06,160
Speaker 1: you're he's well, he talking very being dismissive of the

713
00:43:06,239 --> 00:43:08,440
Speaker 1: fact that he might be that she was suggesting that

714
00:43:08,520 --> 00:43:12,919
Speaker 1: he was in love with her husband because it's two three, Yeah,

715
00:43:13,840 --> 00:43:19,440
Speaker 1: queer eyes. So there's a few other instances of like

716
00:43:19,560 --> 00:43:23,040
Speaker 1: some subtle homophobia. I sort of assumed that that would

717
00:43:23,040 --> 00:43:25,000
Speaker 1: be the case for any two thousand three movie, and

718
00:43:25,040 --> 00:43:27,239
Speaker 1: feel like these are the waning years where people make

719
00:43:27,320 --> 00:43:30,880
Speaker 1: gay jokes in mainstream films and it's like, this is funny.

720
00:43:31,760 --> 00:43:34,320
Speaker 1: We cap out and I now pronounce you Chuck and

721
00:43:34,440 --> 00:43:39,319
Speaker 1: Larry two hour Engage. It always bugged me that there

722
00:43:39,440 --> 00:43:46,120
Speaker 1: was no like a depiction of a gay yeah characters. Yeah,

723
00:43:46,320 --> 00:43:51,759
Speaker 1: statistically there would be yeah, absolutely to yeah, but we

724
00:43:51,880 --> 00:43:55,080
Speaker 1: don't see that, right, So he yeah, he's being very

725
00:43:55,120 --> 00:43:58,600
Speaker 1: dismissive that someone suggests that he might be gay. Horrified. Yeah,

726
00:43:58,640 --> 00:44:01,560
Speaker 1: he's very, very disgusted by it. Now I feel like

727
00:44:01,719 --> 00:44:04,640
Speaker 1: that is more like this whole thing, like he loves

728
00:44:04,719 --> 00:44:08,920
Speaker 1: his best friend's wife is more of a cheat than

729
00:44:09,000 --> 00:44:12,920
Speaker 1: Alan Rickman even buying a present for what I mean,

730
00:44:13,520 --> 00:44:16,080
Speaker 1: that would that would and your I would be like,

731
00:44:16,200 --> 00:44:18,920
Speaker 1: we're not friends anymore like you he I mean he is.

732
00:44:19,239 --> 00:44:23,680
Speaker 1: He is obsessed over his best friends, right, and and

733
00:44:24,000 --> 00:44:28,360
Speaker 1: the way she reacts because she like granted, she like

734
00:44:28,480 --> 00:44:30,759
Speaker 1: extends in all of branch and it's like, oh, let's

735
00:44:30,760 --> 00:44:34,239
Speaker 1: be friends, but it doesn't seem like she is. But

736
00:44:34,360 --> 00:44:38,120
Speaker 1: she kisses him right after he does the whole thing.

737
00:44:38,160 --> 00:44:39,520
Speaker 1: He shows up at the door and says, you know,

738
00:44:39,560 --> 00:44:41,960
Speaker 1: I'll always love you, and then she runs out and

739
00:44:42,040 --> 00:44:44,600
Speaker 1: she's like, this is you know, because you missed out,

740
00:44:44,760 --> 00:44:46,719
Speaker 1: So she gives him a pity kiss, but it's still

741
00:44:46,800 --> 00:44:50,080
Speaker 1: like honestly, it's still more and she's just been married.

742
00:44:50,400 --> 00:44:52,920
Speaker 1: They're like, they're like three weeks married, you guys are,

743
00:44:53,520 --> 00:44:56,600
Speaker 1: but like I got we don't know when I saw

744
00:44:56,680 --> 00:44:58,960
Speaker 1: that scene where like when kier And Nightly kisses him,

745
00:44:59,160 --> 00:45:02,560
Speaker 1: like you bet you just want the attention the only

746
00:45:02,920 --> 00:45:04,560
Speaker 1: but that's the only thing I could think of, because

747
00:45:04,560 --> 00:45:07,360
Speaker 1: they don't like she doesn't seem to particularly. She's like,

748
00:45:07,400 --> 00:45:09,560
Speaker 1: I want to be friends with my husband's friend, even

749
00:45:09,600 --> 00:45:12,400
Speaker 1: though I know he's declared as that. Wouldn't you be

750
00:45:12,520 --> 00:45:14,600
Speaker 1: like come and wouldn't you be like no, stop and

751
00:45:14,640 --> 00:45:17,400
Speaker 1: then go away. I'm okay, maybe I'm stupid, but I

752
00:45:17,440 --> 00:45:19,120
Speaker 1: would go in and I would say to my husband,

753
00:45:19,280 --> 00:45:21,919
Speaker 1: your best friend just totally hit on me and told

754
00:45:21,920 --> 00:45:26,120
Speaker 1: me they loves me. And I would tell scary video

755
00:45:26,239 --> 00:45:28,640
Speaker 1: of me on our wedding day that we I think

756
00:45:28,680 --> 00:45:31,200
Speaker 1: we paid him to do the video. He only took

757
00:45:31,200 --> 00:45:33,880
Speaker 1: footage of me, I mean. And then all she says is, oh,

758
00:45:33,960 --> 00:45:37,360
Speaker 1: I look very pretty. Okay, first of all, take it

759
00:45:37,440 --> 00:45:38,960
Speaker 1: down or not tonight? Like you know what I'm saying,

760
00:45:39,280 --> 00:45:41,800
Speaker 1: But you know, but I don't know. I don't know

761
00:45:41,840 --> 00:45:43,879
Speaker 1: if other women would keep that quiet, but I would.

762
00:45:44,000 --> 00:45:46,640
Speaker 1: I would be like, yeah, I would you keep acquired?

763
00:45:46,640 --> 00:45:48,560
Speaker 1: Would you tell your husband? No? I would. I wouldn't

764
00:45:48,719 --> 00:45:51,200
Speaker 1: tell I want to put that scene on YouTube with

765
00:45:51,280 --> 00:45:55,040
Speaker 1: horror movie playing and be like that would that would

766
00:45:55,080 --> 00:45:57,520
Speaker 1: be scary for me? If I'm like that was four

767
00:45:57,640 --> 00:46:00,279
Speaker 1: three years later, he rapes her like there's no way. Okay,

768
00:46:00,320 --> 00:46:04,160
Speaker 1: maybe that was a jump that, but she's dead somewhere

769
00:46:04,520 --> 00:46:08,320
Speaker 1: and that's all we know. And don't like, don't kiss

770
00:46:08,400 --> 00:46:10,800
Speaker 1: that man, because now he's never going to let it go.

771
00:46:11,000 --> 00:46:12,800
Speaker 1: I know, I just I just think the kiss was

772
00:46:13,000 --> 00:46:16,719
Speaker 1: super super unnecessary, right, well, the way, like the way

773
00:46:16,880 --> 00:46:20,560
Speaker 1: his love for her is also I know, well it's

774
00:46:20,680 --> 00:46:26,560
Speaker 1: like also extremely cartoonishly represented because he loves her so

775
00:46:27,680 --> 00:46:31,919
Speaker 1: like why why why number one? Number two? If when

776
00:46:31,960 --> 00:46:35,400
Speaker 1: he knows that his best friend is marrying her, he

777
00:46:35,520 --> 00:46:39,239
Speaker 1: needs to work on himself and get yes, he needs

778
00:46:39,320 --> 00:46:41,800
Speaker 1: to do something. Yeah. The fact that he just allows

779
00:46:41,880 --> 00:46:49,480
Speaker 1: himself to keep loving her from in absolutely is borderline insane. Yeah,

780
00:46:49,719 --> 00:46:52,400
Speaker 1: he's insane because again we know that they're trying to

781
00:46:52,480 --> 00:46:56,520
Speaker 1: make this this big romantic like unrequited love, and it's like, no,

782
00:46:56,719 --> 00:46:59,480
Speaker 1: it's it's really not. It's it's weird. And you're right,

783
00:46:59,520 --> 00:47:02,280
Speaker 1: he's a grow man. Get over it, you know, seek

784
00:47:02,360 --> 00:47:04,640
Speaker 1: some therapy and and find yourself your own girl. And

785
00:47:04,680 --> 00:47:07,200
Speaker 1: if I can't get over it, then stop hanging out

786
00:47:07,239 --> 00:47:10,319
Speaker 1: with them. Yeah, exactly, move Like I just I tried

787
00:47:10,360 --> 00:47:14,400
Speaker 1: to contextualize this with anyone i'd ever dated friend, and

788
00:47:14,560 --> 00:47:17,239
Speaker 1: I just like I would tell someone right away. I

789
00:47:17,280 --> 00:47:21,880
Speaker 1: would be so freaked out, like and I I, and

790
00:47:22,040 --> 00:47:24,840
Speaker 1: this is what's so like damaging, and I feel like

791
00:47:24,880 --> 00:47:28,759
Speaker 1: it results in all these creepy love moves from men

792
00:47:28,920 --> 00:47:31,520
Speaker 1: in real life. Is like that, this is like, oh,

793
00:47:31,840 --> 00:47:34,160
Speaker 1: this is how you do it exactly. And then someone

794
00:47:34,280 --> 00:47:37,359
Speaker 1: saying like sends you a creepy mix tape about your

795
00:47:37,560 --> 00:47:40,680
Speaker 1: feet and you're just like, what the fund is this?

796
00:47:40,920 --> 00:47:42,640
Speaker 1: And they're like, oh, I thought you'd like you Like, No,

797
00:47:42,840 --> 00:47:45,680
Speaker 1: I don't like it. It's about my feet. That's just

798
00:47:45,719 --> 00:47:52,759
Speaker 1: a little slice in my own life. There's it's not specifics.

799
00:47:55,120 --> 00:47:59,480
Speaker 1: Oh my god, I do love that. I love that

800
00:47:59,520 --> 00:48:02,640
Speaker 1: scene where like he runs outside and he's like blowing

801
00:48:02,680 --> 00:48:05,200
Speaker 1: off the steam because she just discovered that he loves her.

802
00:48:05,680 --> 00:48:08,080
Speaker 1: And they're like, I think it's an Enya song or something,

803
00:48:09,920 --> 00:48:12,200
Speaker 1: and it's so the music is so dated, and he's

804
00:48:12,239 --> 00:48:14,520
Speaker 1: just like he keeps like spinning around. He's like, do

805
00:48:14,600 --> 00:48:17,400
Speaker 1: I go back doing? And he like stomps around and

806
00:48:17,480 --> 00:48:21,080
Speaker 1: then like, oh god, it's so dumb. I just I

807
00:48:21,239 --> 00:48:24,120
Speaker 1: was like, who can relate with this? Just like yeah,

808
00:48:24,200 --> 00:48:27,120
Speaker 1: I don't know, it's it's rare, it's and then well,

809
00:48:27,120 --> 00:48:29,960
Speaker 1: the other thing is like shows how insane, like the

810
00:48:30,000 --> 00:48:33,120
Speaker 1: fact that he just treats her like absolute garbage, which

811
00:48:33,160 --> 00:48:36,239
Speaker 1: is the whole thing. If you're if you're watching that's

812
00:48:36,280 --> 00:48:39,640
Speaker 1: what younger exactly, if young boys are watching this, they

813
00:48:39,680 --> 00:48:42,120
Speaker 1: are you know, they don't have a chance. So okay,

814
00:48:42,160 --> 00:48:44,239
Speaker 1: so you like a girl, so twitter like garbage to

815
00:48:44,360 --> 00:48:46,440
Speaker 1: hide your feelings and lie to your best friend and

816
00:48:46,520 --> 00:48:49,880
Speaker 1: then follow her and spy on her, and it's just

817
00:48:50,080 --> 00:48:52,279
Speaker 1: the whole thing is weird. The whole thing is weird.

818
00:48:52,440 --> 00:48:54,839
Speaker 1: It's like, oh, I hope, I hope young men aren't

819
00:48:54,840 --> 00:48:57,399
Speaker 1: watching this or young women. To be honest, yeah yeah

820
00:48:57,480 --> 00:49:01,799
Speaker 1: please yea god. I kept put myself in like if

821
00:49:01,840 --> 00:49:05,160
Speaker 1: I watched that scene to I was not a man

822
00:49:05,239 --> 00:49:07,839
Speaker 1: to do this for exactly. I want him to spin

823
00:49:07,920 --> 00:49:12,680
Speaker 1: around to a yeah yeah, but you don't know, probably

824
00:49:12,680 --> 00:49:15,200
Speaker 1: at eleven you would have, like, seriously, at eleven years old,

825
00:49:15,200 --> 00:49:17,160
Speaker 1: you might think he loves to be so much, and

826
00:49:17,239 --> 00:49:19,799
Speaker 1: it's it's so deluded and crazy. I used to watch

827
00:49:19,840 --> 00:49:23,000
Speaker 1: a ton of these movies. I loved Matthew McConaughey when

828
00:49:23,040 --> 00:49:26,120
Speaker 1: I was younger, Like the Wedding planner is my face.

829
00:49:27,239 --> 00:49:29,440
Speaker 1: I was like, I want to plan matth, you know.

830
00:49:30,600 --> 00:49:32,439
Speaker 1: I was like, this is how it happens and that's

831
00:49:32,520 --> 00:49:37,279
Speaker 1: so plan Oh my god, that was a quote. I'm

832
00:49:37,360 --> 00:49:42,880
Speaker 1: so so Harry. It's so it's so awful gross. Okay,

833
00:49:42,920 --> 00:49:45,880
Speaker 1: what next one? So the next storyline after that is uh,

834
00:49:46,560 --> 00:49:53,279
Speaker 1: Hugh Grant of the Prime Minister and his caters, like

835
00:49:53,520 --> 00:49:57,160
Speaker 1: not too dissimilar from the secretary thing. It's just like, oh,

836
00:49:57,280 --> 00:50:00,560
Speaker 1: you're inferior. What I am is that is that his

837
00:50:00,680 --> 00:50:03,640
Speaker 1: thing is niche first of all, when he dances, and

838
00:50:03,880 --> 00:50:06,239
Speaker 1: is this the one that he dances? Right? That makes

839
00:50:06,480 --> 00:50:08,399
Speaker 1: I wanted to cry that. I was like so sad

840
00:50:08,480 --> 00:50:10,319
Speaker 1: for him and this. I was like, really, they make

841
00:50:10,400 --> 00:50:13,640
Speaker 1: him dance in the office and they're to be cheeky

842
00:50:13,880 --> 00:50:19,440
Speaker 1: and he's also yeah, but oh my god, and when

843
00:50:19,480 --> 00:50:22,640
Speaker 1: you actually watch him dancing, you're like, this is the whitest, yeah,

844
00:50:23,400 --> 00:50:27,720
Speaker 1: most horrible. What is like here? What is like something

845
00:50:27,800 --> 00:50:32,960
Speaker 1: good he's done? I don't know, can you think of one? Honestly,

846
00:50:33,200 --> 00:50:35,759
Speaker 1: I always confuse Colin Firth and Grant. I'm like, like

847
00:50:35,840 --> 00:50:37,640
Speaker 1: Colin first the good, but you don't know. I think

848
00:50:37,760 --> 00:50:40,520
Speaker 1: I think I think he had like there's an old

849
00:50:40,640 --> 00:50:42,920
Speaker 1: British movie that apparently he was amazing in and then

850
00:50:42,960 --> 00:50:44,520
Speaker 1: we all just don't know about it. There has to

851
00:50:44,560 --> 00:50:47,320
Speaker 1: be because you know, even even Three Weddings and a Funeral,

852
00:50:47,800 --> 00:50:51,960
Speaker 1: it's really nothing same written by the same guy as

853
00:50:52,440 --> 00:50:56,040
Speaker 1: Actually God, no wonder also that either I didn't like

854
00:50:56,120 --> 00:50:58,160
Speaker 1: it either, by the way, and everyone loved that movie,

855
00:50:58,560 --> 00:51:00,720
Speaker 1: and I was just like, I don't see why everyone's

856
00:51:00,760 --> 00:51:02,680
Speaker 1: going so crazy over that movie. Never liked it. So

857
00:51:02,719 --> 00:51:04,399
Speaker 1: I think that that's why Hugh. That's why I think

858
00:51:04,480 --> 00:51:06,400
Speaker 1: Hugh Grant is in this movie. It's because it's the

859
00:51:06,560 --> 00:51:09,680
Speaker 1: same writer. Because of this man. Yeah, seriously, there anything

860
00:51:09,719 --> 00:51:14,040
Speaker 1: else anything. Most of his career have been like rom com. Yeah,

861
00:51:14,800 --> 00:51:17,440
Speaker 1: absolutely well. He was also in another Richard Curtis movie,

862
00:51:17,520 --> 00:51:21,320
Speaker 1: Notting Hill Julie Roberts, which is another weirdly sexist Britain

863
00:51:21,360 --> 00:51:27,040
Speaker 1: every Oh no, that's saying that. Um let's see. He

864
00:51:27,120 --> 00:51:29,319
Speaker 1: was in Bridget Jones. Oh yeah, he's been in every

865
00:51:29,440 --> 00:51:35,160
Speaker 1: Richard Curtis movie. That's Oh my gosh, Richard Curtis. He

866
00:51:35,280 --> 00:51:37,120
Speaker 1: was in Cloud Alice. I don't know if he's ever

867
00:51:37,200 --> 00:51:39,560
Speaker 1: done anything good. He was in Sense and Sensibility the

868
00:51:40,280 --> 00:51:46,239
Speaker 1: one with Kate Winslet. Oh that's right, that's maybe that

869
00:51:46,400 --> 00:51:48,360
Speaker 1: was his jumping off point. But it's like I just

870
00:51:48,440 --> 00:51:50,719
Speaker 1: don't every time I see him, like, why are you?

871
00:51:50,960 --> 00:51:52,640
Speaker 1: Why do we know you? Yeah, why do we know you?

872
00:51:52,640 --> 00:51:55,280
Speaker 1: Why are you around? Like you're not. You could usually

873
00:51:55,280 --> 00:51:57,040
Speaker 1: you could be like, oh, Kean isn' ship because he

874
00:51:57,160 --> 00:52:00,279
Speaker 1: was in the Matrix, right, but like he is, like what, yeah,

875
00:52:00,280 --> 00:52:02,360
Speaker 1: how did you do it? Like there's never been Oscar

876
00:52:02,400 --> 00:52:05,600
Speaker 1: buzz around Hugh Grant, Like that's never happened. Anybody's just

877
00:52:05,680 --> 00:52:12,120
Speaker 1: British American women just gobbled enough, which Britain is a

878
00:52:12,239 --> 00:52:16,640
Speaker 1: calling Firth or Hugh Grant, who is in that Amanda

879
00:52:16,680 --> 00:52:19,319
Speaker 1: bind movie from two thousand to call What a Girl

880
00:52:19,400 --> 00:52:26,000
Speaker 1: Wants okay, because I love that movie that I wanted okay,

881
00:52:31,960 --> 00:52:34,360
Speaker 1: never saw it. I think we don't watch any of

882
00:52:34,400 --> 00:52:38,600
Speaker 1: the same types of that I've only seen like okay

883
00:52:38,719 --> 00:52:41,800
Speaker 1: movies and I've seen The Jinks eight times. That's like

884
00:52:45,280 --> 00:52:47,960
Speaker 1: I watched it last week and it's like, well, because

885
00:52:48,000 --> 00:52:51,120
Speaker 1: that news came out where he released to stevement Robert,

886
00:52:51,560 --> 00:52:54,160
Speaker 1: he was like, yeah, everything I said in that series,

887
00:52:54,360 --> 00:52:55,800
Speaker 1: I was high on meth. I was like, oh, I

888
00:52:55,880 --> 00:52:59,520
Speaker 1: gotta watch it again, and I did and I threw mathighs.

889
00:53:00,000 --> 00:53:04,359
Speaker 1: I'm going to his trial anyways, oh my god. Really well,

890
00:53:04,480 --> 00:53:08,360
Speaker 1: he's like being tried in Pasadena in February, and so

891
00:53:08,440 --> 00:53:12,279
Speaker 1: it's in my calendar. I want to go. Anyone can go.

892
00:53:12,560 --> 00:53:16,480
Speaker 1: It's like, you can go. I'm gonna get dug In

893
00:53:16,520 --> 00:53:21,760
Speaker 1: Donuts and go real early. Oh god, if you should

894
00:53:21,760 --> 00:53:23,920
Speaker 1: follow you around with you if ever you guys want

895
00:53:23,960 --> 00:53:27,120
Speaker 1: to come, though, like might be into that. I was

896
00:53:27,200 --> 00:53:30,480
Speaker 1: trying to. I was like, right, I was like, and

897
00:53:30,520 --> 00:53:33,680
Speaker 1: then we can just like have a chat. But it's

898
00:53:33,719 --> 00:53:36,239
Speaker 1: hard to not like, I wouldn't want to reach out

899
00:53:36,280 --> 00:53:38,000
Speaker 1: to the wrong person and say, do you want to

900
00:53:38,040 --> 00:53:41,560
Speaker 1: go to Roberts trial with me? Because because he is

901
00:53:41,760 --> 00:53:44,719
Speaker 1: probably a murderer. Well he is a murderer, absolutely with

902
00:53:45,280 --> 00:53:52,040
Speaker 1: killed them, of course a murderer. Anyways, February's interesting romantic

903
00:53:52,120 --> 00:53:56,279
Speaker 1: time of yeard. We can all get horny for he

904
00:53:56,360 --> 00:54:04,520
Speaker 1: wears a neck brace. Now pure yeah okay, sorry. So

905
00:54:05,239 --> 00:54:10,040
Speaker 1: most of the jokes on this storyline, or just mentions

906
00:54:10,120 --> 00:54:14,520
Speaker 1: of anything, are that she is fat. Yeah, this gorgeous

907
00:54:14,600 --> 00:54:17,600
Speaker 1: girl is fat. Her boyfriend broke up with because she's fat.

908
00:54:18,040 --> 00:54:20,800
Speaker 1: So basically what they're telling everyone in the world is

909
00:54:21,200 --> 00:54:25,040
Speaker 1: fat women don't deserve love. And again, please just look

910
00:54:25,080 --> 00:54:28,239
Speaker 1: at her for one minute. She is not fat. Yeah,

911
00:54:28,640 --> 00:54:32,680
Speaker 1: it's like she's like the Hollywood Yeah really, and and

912
00:54:32,760 --> 00:54:34,320
Speaker 1: then it's you know, then the whole thing is that

913
00:54:34,400 --> 00:54:37,560
Speaker 1: you know, he's the prime minister and she is an underling,

914
00:54:38,080 --> 00:54:40,680
Speaker 1: and you know they hook up, and that's I'm pretty

915
00:54:40,719 --> 00:54:43,360
Speaker 1: sure against the rules. But I don't know what goes on.

916
00:54:43,640 --> 00:54:48,200
Speaker 1: So well that evolved like the heatero romantic relationships, it's

917
00:54:48,200 --> 00:54:50,719
Speaker 1: almost always between like a man in like a lot

918
00:54:50,760 --> 00:54:54,839
Speaker 1: more power. And then that's subordinate because none of the women, yeah,

919
00:54:54,880 --> 00:54:57,320
Speaker 1: none of the women in this movie. If if we

920
00:54:57,400 --> 00:55:01,760
Speaker 1: even know what their jobs are, it's usually a cleaning lady.

921
00:55:03,360 --> 00:55:05,880
Speaker 1: Laura Lenny. I think she's the only one that seems

922
00:55:05,920 --> 00:55:07,960
Speaker 1: to be that we don't even know what her I

923
00:55:08,040 --> 00:55:11,120
Speaker 1: just assume that she was on the same level as Carl. Yeah,

924
00:55:11,200 --> 00:55:15,279
Speaker 1: that's yeah, that's it. But it's like, what is Carl creative?

925
00:55:15,600 --> 00:55:19,400
Speaker 1: He was like a graphic design Yeah, somebody, I don't know.

926
00:55:19,520 --> 00:55:22,440
Speaker 1: It was big. It's weird. Yeah, yeah, it's a lot

927
00:55:22,680 --> 00:55:25,200
Speaker 1: like the men, like Alan Rickman is the boss or

928
00:55:25,200 --> 00:55:28,359
Speaker 1: whatever company that is. There's a male prime minister. It's

929
00:55:28,400 --> 00:55:30,920
Speaker 1: all these men in like positions of power and authority.

930
00:55:31,040 --> 00:55:32,600
Speaker 1: And then it's a bunch of women who are like

931
00:55:32,840 --> 00:55:39,920
Speaker 1: homemakers or cleaning ladies or maids. Yeah, and it's another

932
00:55:40,120 --> 00:55:43,879
Speaker 1: like I was anticipating so many like super basic rom

933
00:55:44,000 --> 00:55:46,920
Speaker 1: com trupes. I'm well versed in round Concert. It's like,

934
00:55:47,000 --> 00:55:49,120
Speaker 1: it's weird that I haven't seen this movie, but I

935
00:55:49,280 --> 00:55:51,640
Speaker 1: was expecting, you know, with this many storylines. I'm like, oh,

936
00:55:51,680 --> 00:55:53,520
Speaker 1: there's going to be like a like a herald and

937
00:55:53,600 --> 00:55:55,880
Speaker 1: mod kind of thing. They're going to invert it and

938
00:55:55,960 --> 00:55:58,200
Speaker 1: there's going to be one younger man older but that

939
00:55:58,320 --> 00:56:01,440
Speaker 1: never nebit. It's the same thing over and overno thing.

940
00:56:01,760 --> 00:56:04,319
Speaker 1: There's no Yeah, there could be a lesbian couple. Why

941
00:56:04,360 --> 00:56:07,239
Speaker 1: not have that, right, let's throw this and like there.

942
00:56:07,360 --> 00:56:09,680
Speaker 1: But they had so many opportunities to do it and

943
00:56:09,760 --> 00:56:13,160
Speaker 1: they had to do it, and they just like, Nope,

944
00:56:13,280 --> 00:56:15,920
Speaker 1: it's just going to be a bunch of straight white people.

945
00:56:16,080 --> 00:56:18,600
Speaker 1: I bet they thought they were using each other. I

946
00:56:18,680 --> 00:56:20,640
Speaker 1: bet they thought they were so progressive to have like

947
00:56:20,719 --> 00:56:26,879
Speaker 1: an interracial marriage. You know. It was another high five. Yeah,

948
00:56:28,120 --> 00:56:30,280
Speaker 1: he's only going to say like three words the entire movie,

949
00:56:30,920 --> 00:56:35,560
Speaker 1: and he's the cock and he's the but you know

950
00:56:35,640 --> 00:56:39,560
Speaker 1: with a white guy, like absolutely, oh yeah, the one

951
00:56:39,640 --> 00:56:44,680
Speaker 1: interracial marriage is ruined by a white male psychopath. I'm

952
00:56:44,719 --> 00:56:46,759
Speaker 1: just thinking about the Prime Minister one again. And then

953
00:56:46,800 --> 00:56:49,680
Speaker 1: of course they bring in the American Billy Bob Thornton.

954
00:56:49,719 --> 00:56:56,040
Speaker 1: Am I wrong? And depiction of Americans are terrible? But

955
00:56:56,160 --> 00:56:58,480
Speaker 1: not at all? But if you need to choose someone

956
00:56:58,560 --> 00:57:02,440
Speaker 1: to depict a sleezy American, can he your go to?

957
00:57:02,719 --> 00:57:04,960
Speaker 1: He is your go to? He does the job, and

958
00:57:05,160 --> 00:57:08,120
Speaker 1: just play the president. Am I wrong? He does? Okay,

959
00:57:08,200 --> 00:57:12,200
Speaker 1: so I didn't. Basically that is a that was foretelling.

960
00:57:12,280 --> 00:57:14,399
Speaker 1: We didn't know this, but that was basically he's Donald

961
00:57:14,440 --> 00:57:17,240
Speaker 1: Trump in it, Like he's basically much more attractive and

962
00:57:17,320 --> 00:57:20,240
Speaker 1: less stupid and disgusting and horrible. Let's not go there.

963
00:57:20,240 --> 00:57:27,520
Speaker 1: I can't right now. Yeah, I got music, um, and yeah,

964
00:57:27,600 --> 00:57:30,000
Speaker 1: and he makes a move, he grabs her ass or

965
00:57:30,160 --> 00:57:33,040
Speaker 1: something and yeah, and then and then he's of course

966
00:57:33,680 --> 00:57:35,880
Speaker 1: he stands up for her because he loves her, and

967
00:57:36,440 --> 00:57:38,360
Speaker 1: well that was enough for you Grant to be like,

968
00:57:38,760 --> 00:57:41,520
Speaker 1: she shouldn't have a job with me? Anymore. Yeah, because

969
00:57:41,560 --> 00:57:45,240
Speaker 1: he walked in on like like yeah, he like he

970
00:57:45,360 --> 00:57:49,680
Speaker 1: fired devotes her or whatever for that publishment for the

971
00:57:49,800 --> 00:57:53,480
Speaker 1: President of the United States hitting on you exactly demoted

972
00:57:54,160 --> 00:57:56,320
Speaker 1: girl who didn't ask for this and who was the

973
00:57:56,400 --> 00:57:59,560
Speaker 1: one being assaulted, but yeah, you get your job taken

974
00:57:59,600 --> 00:58:01,320
Speaker 1: away and away. If I were her, I would have

975
00:58:01,360 --> 00:58:03,760
Speaker 1: been like, yeah, American president sucked me right now. I

976
00:58:03,800 --> 00:58:05,400
Speaker 1: don't care if the Prime minister's in the next room.

977
00:58:05,440 --> 00:58:07,400
Speaker 1: If he walks in, I'll be like your next buddy.

978
00:58:08,160 --> 00:58:10,479
Speaker 1: After this, we're gonna fun. Let's have a three sum

979
00:58:10,680 --> 00:58:14,720
Speaker 1: and then any kalin. I'm just in control of my sexuality.

980
00:58:17,040 --> 00:58:19,880
Speaker 1: I would be like, can I just like escape through

981
00:58:19,920 --> 00:58:22,760
Speaker 1: a window, or like hide under a curvet or call

982
00:58:22,880 --> 00:58:27,200
Speaker 1: this c I a yes, someone get Billy bobbed from

983
00:58:27,280 --> 00:58:29,640
Speaker 1: my body? Well I would, I mean, I would only

984
00:58:29,640 --> 00:58:34,320
Speaker 1: do that his welcome wife, I am not. Oh my god,

985
00:58:34,400 --> 00:58:38,440
Speaker 1: that language. He was still married to what's her name,

986
00:58:38,520 --> 00:58:42,800
Speaker 1: the director of the hurt Locker, Catherine Bigelow Bigelow, I'm like,

987
00:58:43,000 --> 00:58:46,680
Speaker 1: is this does she flourish under his welcome away? He

988
00:58:46,840 --> 00:58:52,760
Speaker 1: always hated him. I always hated James anyway. Terminator two

989
00:58:52,840 --> 00:58:56,320
Speaker 1: is a fantastic movie. Okay, everyone everyone has a good link.

990
00:58:59,080 --> 00:59:01,120
Speaker 1: But I don't get him as a man. He seems

991
00:59:01,120 --> 00:59:03,920
Speaker 1: like it's just like a dork, doesn't he just really

992
00:59:04,040 --> 00:59:07,200
Speaker 1: like dork is his word? Yeah, like a dork who

993
00:59:07,280 --> 00:59:09,480
Speaker 1: read a lot of fame fiction when he was younger.

994
00:59:10,040 --> 00:59:11,840
Speaker 1: And now he's like, now you can make hot people

995
00:59:11,920 --> 00:59:16,720
Speaker 1: do what I want. Yeah, Like, there's no way he

996
00:59:16,760 --> 00:59:19,480
Speaker 1: didn't write fan faction, Like, there's no way. Right, I

997
00:59:19,480 --> 00:59:22,640
Speaker 1: don't like Avatar me neither. Okay, on the next one,

998
00:59:22,720 --> 00:59:25,360
Speaker 1: so there's well, there's a couple of I think we're on,

999
00:59:26,120 --> 00:59:34,120
Speaker 1: we're not. There's a cup lines of dialogue. The Prime

1000
00:59:34,160 --> 00:59:38,640
Speaker 1: Minister is talking to one of his staff members. Yes,

1001
00:59:38,800 --> 00:59:40,640
Speaker 1: and he's like, oh, you know Natalie who works here,

1002
00:59:41,080 --> 00:59:44,280
Speaker 1: and she's like the chubby girl. I know. Okay, first

1003
00:59:44,280 --> 00:59:46,280
Speaker 1: of all, she's the one who introduced Natalie. I know,

1004
00:59:46,400 --> 00:59:49,920
Speaker 1: you know what her name is. And then he goes,

1005
00:59:50,480 --> 00:59:53,200
Speaker 1: what I call her chubby Yeah, and she's like there's

1006
00:59:53,240 --> 00:59:56,720
Speaker 1: a pretty sizeable ask this huge thighs and it's like

1007
00:59:57,560 --> 01:00:00,560
Speaker 1: you're talking about someone you work with to the minister,

1008
01:00:00,680 --> 01:00:04,760
Speaker 1: the Prime Minister, you have time to documentary diploma. Seriously,

1009
01:00:04,920 --> 01:00:06,120
Speaker 1: this is what we do at that. This is what

1010
01:00:06,200 --> 01:00:08,320
Speaker 1: we're doing in the whatever house they live in, you

1011
01:00:08,400 --> 01:00:10,120
Speaker 1: know that, Yeah, and this is that, this is this

1012
01:00:10,280 --> 01:00:14,120
Speaker 1: is what we're talking about that and then and it's

1013
01:00:14,120 --> 01:00:16,840
Speaker 1: a woman and woman also like tearing down another woman

1014
01:00:17,040 --> 01:00:20,040
Speaker 1: that way. It's like really in that moment, I was like,

1015
01:00:20,120 --> 01:00:22,880
Speaker 1: what's this movie made? During like Lewinsky air but it

1016
01:00:23,520 --> 01:00:26,880
Speaker 1: was years after you had no reason for it. And

1017
01:00:26,960 --> 01:00:29,880
Speaker 1: then at the very very end, whenever the Prime Minister

1018
01:00:30,440 --> 01:00:32,800
Speaker 1: is coming out of the gate at Heathrow because you know,

1019
01:00:33,640 --> 01:00:36,960
Speaker 1: why don't they have an air force one equivalent anyone, anyone?

1020
01:00:37,040 --> 01:00:42,320
Speaker 1: Why is he just walking out like they talk about

1021
01:00:42,360 --> 01:00:45,640
Speaker 1: Heathrow Airport Like there's that happens at the very beginning. Yeah, yeah, yeah,

1022
01:00:45,640 --> 01:00:47,760
Speaker 1: I know if they if they bring it back. But

1023
01:00:47,920 --> 01:00:50,520
Speaker 1: he's like walking and she like runs and jumps into

1024
01:00:50,560 --> 01:00:55,160
Speaker 1: his arms and he goes, oh god, you weigh a lot. Yeah,

1025
01:00:56,400 --> 01:01:00,120
Speaker 1: her weight just commented on and she really did. Was

1026
01:01:00,160 --> 01:01:03,720
Speaker 1: never the big man. I mean seriously, he easily you know,

1027
01:01:03,960 --> 01:01:06,080
Speaker 1: caught her. It's just gross. And also you're right, like

1028
01:01:06,160 --> 01:01:08,520
Speaker 1: no that would they wouldn't like have shot her down

1029
01:01:08,840 --> 01:01:11,560
Speaker 1: or at least billy clubbed her down. I mean seriously,

1030
01:01:11,840 --> 01:01:15,840
Speaker 1: you can just run up to the come on again,

1031
01:01:15,920 --> 01:01:19,400
Speaker 1: why is he not using a private jet? And like

1032
01:01:24,520 --> 01:01:30,640
Speaker 1: whenever he knocks on like a hundred different doors. She

1033
01:01:30,840 --> 01:01:33,480
Speaker 1: works for you. You have her tax form somewhere with

1034
01:01:33,600 --> 01:01:36,000
Speaker 1: her address on. Also, you the prime minister. You can

1035
01:01:36,040 --> 01:01:40,640
Speaker 1: figure out where anyone lives. Why did he go? It

1036
01:01:40,760 --> 01:01:45,120
Speaker 1: was so stupid? Oh okay about it. The last storyline

1037
01:01:45,480 --> 01:01:51,320
Speaker 1: is Carla, which the thing that really bugged me about

1038
01:01:51,400 --> 01:01:55,200
Speaker 1: this is that she puts the needs of another man

1039
01:01:55,480 --> 01:01:57,600
Speaker 1: before her own. That drove me crazy. And I know

1040
01:01:57,720 --> 01:02:00,919
Speaker 1: it's her brother and stuff and the crazy. Yes, he's

1041
01:02:01,240 --> 01:02:04,680
Speaker 1: he's mentally ill, but he's at a he's at a hospital,

1042
01:02:04,920 --> 01:02:07,560
Speaker 1: he's cared for. He's not just sitting by himself at home.

1043
01:02:07,640 --> 01:02:10,480
Speaker 1: He's at a hospital with attendance. And yet she has

1044
01:02:10,520 --> 01:02:12,280
Speaker 1: to be the one to give over her entire life.

1045
01:02:12,720 --> 01:02:14,920
Speaker 1: And yes, okay, are we awful people? I don't know?

1046
01:02:15,040 --> 01:02:18,040
Speaker 1: Are we? Probably? No? I mean, you have to like

1047
01:02:18,520 --> 01:02:23,000
Speaker 1: fulfill your life and desires. Come on, sometimes there could

1048
01:02:23,040 --> 01:02:27,080
Speaker 1: have been some sort of balance struck because like all this,

1049
01:02:27,480 --> 01:02:30,040
Speaker 1: this whole fucking movie is about like women having to

1050
01:02:30,160 --> 01:02:34,800
Speaker 1: sacrifice their dignity or like Meg extreme compromise to meet

1051
01:02:34,880 --> 01:02:38,000
Speaker 1: like a philandering person in like Beyond the Middle, and

1052
01:02:38,200 --> 01:02:39,919
Speaker 1: so like when you see her do that, like she's

1053
01:02:39,920 --> 01:02:42,560
Speaker 1: the only female character, you're like, oh, she has a

1054
01:02:42,720 --> 01:02:49,360
Speaker 1: job that isn't nine dollars an hour. And then it's like, oh, nope,

1055
01:02:49,440 --> 01:02:53,200
Speaker 1: she's stuck too. I was really excited, like whenever she

1056
01:02:53,320 --> 01:02:55,840
Speaker 1: starts making out with this guy who she's been pining

1057
01:02:55,880 --> 01:02:58,800
Speaker 1: over in like a probably kind of creepy way, but

1058
01:02:58,880 --> 01:03:02,480
Speaker 1: like we've all done that. They don't, we don't. They

1059
01:03:02,480 --> 01:03:04,360
Speaker 1: don't reveal that she like spies on him or anything.

1060
01:03:04,960 --> 01:03:09,040
Speaker 1: Everyone in the office as a crush. She keeps it together. Yeah,

1061
01:03:09,080 --> 01:03:12,120
Speaker 1: it's not like a Mark video. No. Yeah, and she's

1062
01:03:12,160 --> 01:03:14,040
Speaker 1: not mean to him, you know, she's like, hi, Carl,

1063
01:03:14,400 --> 01:03:17,280
Speaker 1: Carl apparently tried to keep it together. It's cute. She's

1064
01:03:17,280 --> 01:03:20,280
Speaker 1: actually does it pretty well. It's cute crush. But then

1065
01:03:20,320 --> 01:03:24,000
Speaker 1: as soon as they like start making up and getting

1066
01:03:24,040 --> 01:03:26,960
Speaker 1: and then like she's like, no, my brother's calling, even

1067
01:03:27,000 --> 01:03:28,720
Speaker 1: though he's in a hospital on other people take care

1068
01:03:28,720 --> 01:03:30,280
Speaker 1: of them. I have to talk to him. I have

1069
01:03:30,320 --> 01:03:31,760
Speaker 1: to choose this moment to talk to him on the

1070
01:03:31,800 --> 01:03:35,520
Speaker 1: phone and not have you inside. She's half naked. She's

1071
01:03:35,520 --> 01:03:39,280
Speaker 1: half naked inside exactly, and she's like, I have to

1072
01:03:39,320 --> 01:03:41,760
Speaker 1: take the call now, like let it go, turn off

1073
01:03:41,800 --> 01:03:43,720
Speaker 1: your ringer and you know what I mean, come on

1074
01:03:43,840 --> 01:03:47,160
Speaker 1: eighteen minutes later. That's how we gotta do. Say you

1075
01:03:47,240 --> 01:03:57,240
Speaker 1: were in the tunnel and that's love. But yeah, it's

1076
01:03:57,280 --> 01:03:59,160
Speaker 1: it is. It's just very much just like give over

1077
01:03:59,240 --> 01:04:01,480
Speaker 1: And is that love? Really? I mean that's you know,

1078
01:04:01,680 --> 01:04:03,800
Speaker 1: that's she loves her brother so much that she gives

1079
01:04:03,880 --> 01:04:09,960
Speaker 1: up her own desires. I mean, not right, And I

1080
01:04:10,040 --> 01:04:12,720
Speaker 1: will say again what the three things that I enjoyed

1081
01:04:12,880 --> 01:04:15,520
Speaker 1: this movie is the ending when they're at the airport

1082
01:04:16,000 --> 01:04:19,480
Speaker 1: and everyone they do the montage with the song and everybody,

1083
01:04:19,720 --> 01:04:21,720
Speaker 1: you know, then you're they're watching people greet each other

1084
01:04:21,800 --> 01:04:24,240
Speaker 1: at the airport. Literally probably I think the only thing

1085
01:04:24,280 --> 01:04:26,680
Speaker 1: that makes you just go because it's not it is

1086
01:04:26,800 --> 01:04:28,880
Speaker 1: watching people greet each other at the airport is lovely.

1087
01:04:29,600 --> 01:04:31,920
Speaker 1: It is it is. It is coming to running into

1088
01:04:31,960 --> 01:04:35,200
Speaker 1: each other's someone who is almost never greeted at they ever,

1089
01:04:35,360 --> 01:04:38,280
Speaker 1: never never my entire life, and just like Nell and

1090
01:04:38,440 --> 01:04:42,320
Speaker 1: trudges out and I'm just I'm just sweaty and where's

1091
01:04:42,360 --> 01:04:44,600
Speaker 1: my bag? And don't touch me and yeah, yeah, yeah, right,

1092
01:04:44,720 --> 01:04:48,920
Speaker 1: like it seems nice. I've never ever to It's it's fantasy.

1093
01:04:49,760 --> 01:04:52,120
Speaker 1: It's never seen it happen. I've picked someone up from

1094
01:04:52,120 --> 01:04:54,680
Speaker 1: the airport before. Yeah, yeah, but you never like park

1095
01:04:54,720 --> 01:04:56,800
Speaker 1: your car and go wait if they're like gate right,

1096
01:04:56,880 --> 01:05:06,760
Speaker 1: you just will did but really about my feets? Never again.

1097
01:05:07,360 --> 01:05:12,280
Speaker 1: So the thing is is that this movie is about relationships,

1098
01:05:12,840 --> 01:05:20,320
Speaker 1: yet there are almost no women on women relationships. Yeah,

1099
01:05:20,400 --> 01:05:25,120
Speaker 1: there's no friend relationships in this and I have cataloged

1100
01:05:25,560 --> 01:05:28,640
Speaker 1: all of the instances where women talk to each other

1101
01:05:28,760 --> 01:05:31,920
Speaker 1: and or are near each other. Given given the number

1102
01:05:32,160 --> 01:05:35,760
Speaker 1: of women in this movie, it's absurd how few there are. Yeah.

1103
01:05:35,960 --> 01:05:38,400
Speaker 1: So the first one we see is Emma Thompson talking

1104
01:05:38,440 --> 01:05:40,840
Speaker 1: to her daughter about the Christmas pageant and how she's

1105
01:05:40,840 --> 01:05:47,000
Speaker 1: a lobster that technically passes the bed. It last ten

1106
01:05:47,120 --> 01:05:51,280
Speaker 1: to fifteen seconds, but it does, it does pass. The

1107
01:05:51,400 --> 01:05:55,280
Speaker 1: next one is when they were in the British White House. Whatever,

1108
01:05:56,440 --> 01:06:01,440
Speaker 1: I can't I'm at a loss for some reason. Natalie

1109
01:06:01,880 --> 01:06:05,440
Speaker 1: kind of turns to the older housekeeper woman. She's like, oh,

1110
01:06:05,520 --> 01:06:08,200
Speaker 1: did you see what I did? In referencing the fact

1111
01:06:08,240 --> 01:06:10,600
Speaker 1: that she swore in front of the Prime Minister. It's

1112
01:06:10,720 --> 01:06:15,000
Speaker 1: barely audible and it lasts about two seconds, but it

1113
01:06:15,080 --> 01:06:19,000
Speaker 1: does it count if she doesn't respond. Really, these are

1114
01:06:19,080 --> 01:06:22,280
Speaker 1: just instances where they actually they're near each other and

1115
01:06:22,440 --> 01:06:25,480
Speaker 1: talked to each other, just don't know. It depends because yeah,

1116
01:06:25,520 --> 01:06:27,400
Speaker 1: it's like we we've we've gone through this whole thing

1117
01:06:27,440 --> 01:06:29,400
Speaker 1: to every were like which version of the backtle sy

1118
01:06:29,400 --> 01:06:31,600
Speaker 1: story using? Because I don't think that that other has

1119
01:06:31,960 --> 01:06:35,240
Speaker 1: she doesn't have any. Either way, the point that I

1120
01:06:35,760 --> 01:06:39,200
Speaker 1: will be arriving at is that the movie is two

1121
01:06:39,280 --> 01:06:42,960
Speaker 1: hours and fifteen minutes long, and there's lemon then like

1122
01:06:43,400 --> 01:06:46,600
Speaker 1: three minutes of women interacting with each other during the

1123
01:06:46,800 --> 01:06:48,520
Speaker 1: entire thing. You know what else, even even with the

1124
01:06:48,760 --> 01:06:52,320
Speaker 1: Bill night his story is about him being his best friend,

1125
01:06:52,440 --> 01:06:54,840
Speaker 1: his manager, which is they gave that to the men

1126
01:06:55,000 --> 01:06:58,480
Speaker 1: to which is so unlikely, Like, of course men have friendships,

1127
01:06:58,520 --> 01:07:00,160
Speaker 1: but it's like we all know you know where then

1128
01:07:00,840 --> 01:07:03,760
Speaker 1: where Yeah, you would assume that you would give that,

1129
01:07:04,120 --> 01:07:07,680
Speaker 1: but no you can't too. That's like I mean, it's

1130
01:07:07,760 --> 01:07:10,560
Speaker 1: like a broken trust of male friendship, but it's still

1131
01:07:10,560 --> 01:07:13,480
Speaker 1: like a very strong male bond that's established and they

1132
01:07:13,520 --> 01:07:15,640
Speaker 1: don't get they don't make obviously we know, we've already

1133
01:07:15,720 --> 01:07:19,240
Speaker 1: established there are no lesbians, there's no homosexuals, there's nothing.

1134
01:07:19,360 --> 01:07:23,080
Speaker 1: But they don't even they don't even represent like female friendship,

1135
01:07:23,640 --> 01:07:27,640
Speaker 1: which is all. I can't believe that that's discussing two

1136
01:07:27,680 --> 01:07:30,720
Speaker 1: hours in fifteen minutes. Yeah, there's a few more. There's um,

1137
01:07:30,960 --> 01:07:33,360
Speaker 1: I guess, I guess, Ugly Colin. He probably has the

1138
01:07:33,440 --> 01:07:36,320
Speaker 1: most girls talking to each other. That scene does lass longest,

1139
01:07:36,400 --> 01:07:38,280
Speaker 1: But at no point did they ever actually talked to

1140
01:07:38,320 --> 01:07:41,440
Speaker 1: each other each other. They're they're talking to him beside

1141
01:07:41,440 --> 01:07:43,560
Speaker 1: each other, and that wasn't in furious because I was

1142
01:07:43,640 --> 01:07:45,760
Speaker 1: waiting for that, yeah, until I was like, oh, there's

1143
01:07:45,760 --> 01:07:48,480
Speaker 1: going to be a small but there isn't. It would

1144
01:07:48,520 --> 01:07:50,160
Speaker 1: have been the sexy one came in and said, what

1145
01:07:50,200 --> 01:07:53,760
Speaker 1: are you all doing? You idiots? Let's go back to college. Yeah,

1146
01:07:54,360 --> 01:07:56,800
Speaker 1: I want to put the girl and like the other girls,

1147
01:07:56,840 --> 01:08:02,760
Speaker 1: didn't it to be like guys are because she's not

1148
01:08:02,920 --> 01:08:07,200
Speaker 1: wearing a tummy shirt, like she has proper underpants on.

1149
01:08:07,720 --> 01:08:10,600
Speaker 1: She's wearing a flannel and briefs. And she's like, we've

1150
01:08:10,680 --> 01:08:14,480
Speaker 1: got model you in you just described me. But anyway,

1151
01:08:16,160 --> 01:08:19,960
Speaker 1: literally it's time to go to model you. We gotta go.

1152
01:08:21,320 --> 01:08:24,559
Speaker 1: There's a scene where Laura Lenny asks me to turn

1153
01:08:24,640 --> 01:08:28,400
Speaker 1: down the music that lasts about four seconds. It technically

1154
01:08:28,479 --> 01:08:31,880
Speaker 1: passes the test, I think, but maybe not even There's

1155
01:08:31,920 --> 01:08:36,519
Speaker 1: a scene where the woman is introducing Aurelia to Colin Firth,

1156
01:08:36,800 --> 01:08:39,559
Speaker 1: being like, this is your new cleaning lady, but doesn't

1157
01:08:39,560 --> 01:08:42,280
Speaker 1: pass the test because they don't talk to each other.

1158
01:08:42,760 --> 01:08:48,960
Speaker 1: She only talks to Colin Firth about her. There's the

1159
01:08:49,240 --> 01:08:51,719
Speaker 1: we get a few different shots of Bill little NIE's

1160
01:08:52,080 --> 01:08:55,759
Speaker 1: music video, which is just women. There's just a shot

1161
01:08:55,920 --> 01:08:59,200
Speaker 1: of a woman's breasts. At some point there's a woman

1162
01:08:59,200 --> 01:09:02,599
Speaker 1: who did maybe playing the drums, and her legs are

1163
01:09:02,680 --> 01:09:06,800
Speaker 1: just like completely spread eagle for no reason. And then

1164
01:09:06,800 --> 01:09:09,200
Speaker 1: the rest of the women are just like licking their

1165
01:09:09,280 --> 01:09:11,760
Speaker 1: lips the entire time. That's how it so they are.

1166
01:09:13,040 --> 01:09:15,280
Speaker 1: Those women are near each other, but again they don't

1167
01:09:15,360 --> 01:09:20,040
Speaker 1: they don't speak. They're mostly salivating over themselves. Old man

1168
01:09:20,479 --> 01:09:23,679
Speaker 1: Richard Curtis is a perfect I feel so strongly about

1169
01:09:23,800 --> 01:09:25,880
Speaker 1: how much I dislike him. The more we read about him,

1170
01:09:26,040 --> 01:09:28,240
Speaker 1: the matter I get. Yeah, I want to hear what

1171
01:09:28,360 --> 01:09:30,920
Speaker 1: you find. Can I ask is this basically? Is this

1172
01:09:31,040 --> 01:09:33,080
Speaker 1: the average for every movie that you've discussed so far

1173
01:09:35,120 --> 01:09:38,600
Speaker 1: a very bad. I think that a lot like some

1174
01:09:38,960 --> 01:09:42,080
Speaker 1: that we do, don't pass, but they're usually older and

1175
01:09:42,160 --> 01:09:45,200
Speaker 1: they usually have far less female characters, So I think

1176
01:09:45,240 --> 01:09:47,839
Speaker 1: this is probably this is a lot of female characters

1177
01:09:48,000 --> 01:09:53,840
Speaker 1: and just barely passes. They're scene where Emma Thompson is

1178
01:09:54,240 --> 01:09:57,320
Speaker 1: talking to Natalie when they're at like the school play,

1179
01:09:58,160 --> 01:09:59,880
Speaker 1: but there does not pass the test because they are

1180
01:10:00,000 --> 01:10:03,160
Speaker 1: talking about the Prime Minister who's standing right there. They're

1181
01:10:03,200 --> 01:10:06,320
Speaker 1: just seeing where Natalie is talking to. She says something

1182
01:10:06,360 --> 01:10:08,400
Speaker 1: to her mom whenever the Prime Minister shows up at

1183
01:10:08,400 --> 01:10:10,280
Speaker 1: the door, and she's just like, too much detailed, mom,

1184
01:10:10,760 --> 01:10:16,400
Speaker 1: that's a line it. Emma Thompson talks to her daughter

1185
01:10:16,520 --> 01:10:20,680
Speaker 1: after the school pageant about being an orange lobster. I

1186
01:10:20,800 --> 01:10:23,679
Speaker 1: guess that passes, but like it kind of happens sort

1187
01:10:23,720 --> 01:10:28,760
Speaker 1: of off screen even and then Aurelia's sister tells her

1188
01:10:28,880 --> 01:10:31,200
Speaker 1: not to marry Colin for us, she's just like marry

1189
01:10:31,479 --> 01:10:34,160
Speaker 1: someone else, and it does not pass because they're talking

1190
01:10:34,240 --> 01:10:37,920
Speaker 1: about a man. So in the two hours and fifteen

1191
01:10:37,920 --> 01:10:42,519
Speaker 1: minutes this movie lasts, there's thirty seconds where women are

1192
01:10:42,680 --> 01:10:45,800
Speaker 1: passing the Bechdel tests. Having a conversation where they're talking

1193
01:10:45,800 --> 01:10:48,240
Speaker 1: about something other than a man. Every single other scenes

1194
01:10:48,960 --> 01:10:52,000
Speaker 1: or conversation is either two men talking to each other

1195
01:10:52,320 --> 01:10:56,000
Speaker 1: or a woman talking to a man, or even less frequently,

1196
01:10:56,160 --> 01:10:58,320
Speaker 1: two women talking to each other, but it's about a man.

1197
01:10:59,360 --> 01:11:04,840
Speaker 1: So it's pitiful attack having Can I can I talk

1198
01:11:04,920 --> 01:11:09,200
Speaker 1: about Richard Curtis a little because I need to execute

1199
01:11:09,320 --> 01:11:13,200
Speaker 1: him immediately. Okay, So a brief rund out of what

1200
01:11:13,360 --> 01:11:16,200
Speaker 1: he's written Four Weddings in the Funeral. Haven't seen it.

1201
01:11:16,640 --> 01:11:19,760
Speaker 1: It's probably not good to probably, and I don't remember

1202
01:11:19,880 --> 01:11:21,960
Speaker 1: very well. I just remember not liking it. He's a

1203
01:11:22,040 --> 01:11:24,960
Speaker 1: co writer of Bridget Jones Diary, which is an adaptation

1204
01:11:25,360 --> 01:11:29,160
Speaker 1: but is consistently very condescending to the protagonists of like

1205
01:11:29,680 --> 01:11:31,320
Speaker 1: she's kind of fat and kind of dumb, like and

1206
01:11:31,439 --> 01:11:37,360
Speaker 1: that's the whole character. So that was his and her friend. Yeah,

1207
01:11:37,720 --> 01:11:39,519
Speaker 1: it's just I don't know if you worked on a sequel.

1208
01:11:39,520 --> 01:11:42,680
Speaker 1: Space and then love actually awful. Uh. And then he

1209
01:11:43,200 --> 01:11:45,679
Speaker 1: did this movie that I did see for some reason,

1210
01:11:45,720 --> 01:11:48,080
Speaker 1: called The Girl in the Cafe and it has Bill

1211
01:11:48,200 --> 01:11:51,680
Speaker 1: Night and a very young woman fucking each other and

1212
01:11:51,800 --> 01:11:56,400
Speaker 1: it's supposed to be nice. Uh. And then he did

1213
01:11:56,479 --> 01:12:01,280
Speaker 1: that movie about pirate radio that is all men and

1214
01:12:01,680 --> 01:12:04,800
Speaker 1: slutty women, and that was in two thousand nine. And

1215
01:12:04,880 --> 01:12:08,679
Speaker 1: then he wrote war Horse, which I think is very funny,

1216
01:12:09,720 --> 01:12:12,240
Speaker 1: just because like who knows, I'm I don't want to

1217
01:12:12,280 --> 01:12:14,800
Speaker 1: see war Horse, but I don't think it doesn't sound

1218
01:12:14,880 --> 01:12:19,640
Speaker 1: like a feminist master. And then the last one I

1219
01:12:19,680 --> 01:12:22,360
Speaker 1: haven't seen. It's a movie called Trash. And that is

1220
01:12:22,439 --> 01:12:28,160
Speaker 1: how I feel about Richard Curtis. He's a cock. He

1221
01:12:28,400 --> 01:12:32,160
Speaker 1: is sixty years old, and I hope that he contracts something.

1222
01:12:32,280 --> 01:12:36,320
Speaker 1: He's a vile man. He would have infected my eleven

1223
01:12:36,400 --> 01:12:41,960
Speaker 1: year old brain with some funked up ship. Oh god, Okay,

1224
01:12:42,120 --> 01:12:44,360
Speaker 1: I feel better. We gotta wrap up so because I

1225
01:12:44,439 --> 01:12:49,600
Speaker 1: have to go to work downstairs. A nerd nelt but

1226
01:12:50,960 --> 01:12:56,560
Speaker 1: we is there any final, any final thoughts about this

1227
01:12:56,720 --> 01:13:00,519
Speaker 1: movie that we want to know. I'm not surprised. I knew,

1228
01:13:00,640 --> 01:13:02,360
Speaker 1: like when we when you suggested that. When I saw

1229
01:13:02,360 --> 01:13:03,840
Speaker 1: it on the list, I was pretty exciting, so I

1230
01:13:03,920 --> 01:13:05,439
Speaker 1: was like, oh, this is gonna be good. But I

1231
01:13:05,600 --> 01:13:07,960
Speaker 1: have to tell you when you break it down like that,

1232
01:13:08,160 --> 01:13:10,439
Speaker 1: I'm actually a little shocked. I don't I don't know why.

1233
01:13:10,760 --> 01:13:13,840
Speaker 1: I just don't love it. I am. I mean it is,

1234
01:13:14,120 --> 01:13:17,400
Speaker 1: but even just like hearing like thirty seconds it's it's

1235
01:13:17,520 --> 01:13:20,000
Speaker 1: it's shocking to me. I didn't realize how bad and

1236
01:13:20,080 --> 01:13:22,320
Speaker 1: it's it's super bad. I want to watch it again,

1237
01:13:22,600 --> 01:13:25,040
Speaker 1: just because I was like pulling away by how much

1238
01:13:25,040 --> 01:13:26,840
Speaker 1: I didn't like it. This is one of those movies

1239
01:13:26,920 --> 01:13:30,120
Speaker 1: it just does not hold up, but it is really beloved,

1240
01:13:30,160 --> 01:13:33,200
Speaker 1: like it is a beloved Christmas movie. They put it

1241
01:13:33,280 --> 01:13:35,080
Speaker 1: up there with you know, like every oh we watch

1242
01:13:35,360 --> 01:13:37,719
Speaker 1: sound to music, it's a wonderful life and love actually,

1243
01:13:37,760 --> 01:13:40,439
Speaker 1: And I'm like, well it's yeah, it's a crazy cap yeah,

1244
01:13:40,640 --> 01:13:43,320
Speaker 1: and as there's like the other movie I always associated with,

1245
01:13:43,400 --> 01:13:45,000
Speaker 1: like oh, this one doesn't hold up, but they loved

1246
01:13:45,000 --> 01:13:46,960
Speaker 1: it at the time is American Beauty. But I feel

1247
01:13:46,960 --> 01:13:49,000
Speaker 1: like people are a little more forthcoming with like, oh

1248
01:13:49,120 --> 01:13:53,400
Speaker 1: that movie is pretty perverted and like, but people loved

1249
01:13:53,400 --> 01:13:55,880
Speaker 1: it at the time. Love actually, almost like people people

1250
01:13:56,000 --> 01:13:59,600
Speaker 1: still stand by it time. Yeah, I'm saying like, I

1251
01:13:59,680 --> 01:14:01,360
Speaker 1: feel like we're gonna people are gonna be like, how

1252
01:14:01,400 --> 01:14:03,080
Speaker 1: could you say that about Yeah, they love this movie.

1253
01:14:03,680 --> 01:14:05,519
Speaker 1: I think it's just because it's it's under the veil

1254
01:14:05,560 --> 01:14:13,639
Speaker 1: of Christmas and people hot over it looking at hot

1255
01:14:13,720 --> 01:14:18,760
Speaker 1: straight people. But yeah, but I don't think any surprises here.

1256
01:14:18,840 --> 01:14:21,200
Speaker 1: I think this is we sort of knew coming into

1257
01:14:21,240 --> 01:14:25,240
Speaker 1: this and each episode by rating the movie and in

1258
01:14:25,360 --> 01:14:28,479
Speaker 1: the context of its portrayal of its female characters on

1259
01:14:28,560 --> 01:14:33,080
Speaker 1: a scale of zero to five, nipples five being five

1260
01:14:33,120 --> 01:14:39,120
Speaker 1: being very good, your best number of nipples to have. Yeah, good,

1261
01:14:39,160 --> 01:14:43,679
Speaker 1: dispair tire. So yeah, I'm gonna give it half a nipple. Yeah, Yeah,

1262
01:14:44,000 --> 01:14:46,120
Speaker 1: that's it, okay, just because I don't feel like giving

1263
01:14:46,160 --> 01:14:49,160
Speaker 1: it a complete zero because some of these actresses, you know,

1264
01:14:49,240 --> 01:14:51,600
Speaker 1: they got paychecks, so I'm assuming all of them got

1265
01:14:51,680 --> 01:14:55,240
Speaker 1: probably not as big as the male counter, but I

1266
01:14:55,320 --> 01:14:59,120
Speaker 1: hope they gave some of it. I give it a

1267
01:14:59,160 --> 01:15:05,200
Speaker 1: half nipple, as Will did did nipple. I give it

1268
01:15:05,400 --> 01:15:08,120
Speaker 1: also I'm gonna go also with a half nipple, and

1269
01:15:08,280 --> 01:15:16,120
Speaker 1: it belongs to ugly Colin. Yeah. Simple. It just had

1270
01:15:16,160 --> 01:15:19,400
Speaker 1: so many opportunities to portray women so much better than

1271
01:15:19,479 --> 01:15:21,519
Speaker 1: it did, and it just failed on every single front.

1272
01:15:22,280 --> 01:15:25,160
Speaker 1: Rest in peace, bury it burn it by forever um.

1273
01:15:25,240 --> 01:15:29,360
Speaker 1: So yeah, thank you so much for being here. Wonderful.

1274
01:15:29,520 --> 01:15:32,200
Speaker 1: Where can people find you online if they want to follow? Yeah?

1275
01:15:32,240 --> 01:15:34,800
Speaker 1: This comes out this week. Oh yeah, my full name

1276
01:15:34,840 --> 01:15:36,880
Speaker 1: on Twitter, because you can find everything out on Twitter,

1277
01:15:37,080 --> 01:15:38,840
Speaker 1: you know, and it's I can't believe I didn't do

1278
01:15:38,920 --> 01:15:40,720
Speaker 1: like a little moniker, but it's my full name. It's

1279
01:15:42,080 --> 01:15:45,040
Speaker 1: I'm sorry for that, but yeah, there we go. It's good,

1280
01:15:45,200 --> 01:15:49,160
Speaker 1: it's good, it's easiest. Well, I'm now eight minutes late.

1281
01:15:50,840 --> 01:15:53,080
Speaker 1: I'm kinda thank you so much. Yes, thank you so

1282
01:15:53,200 --> 01:15:57,000
Speaker 1: much for being here. Fuck love. Actually, actually I got

1283
01:15:57,120 --> 01:16:02,320
Speaker 1: a Santa to attract under Santa, Happy holidays everyone, all right,