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Speaker 1: I listened to The Black Guy You Tips podcast because

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Speaker 1: Rod and carried.

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Speaker 2: To hut Hey, welcome to another episode of The Black

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Speaker 2: Guy to his podcast. I'm your host Rod, joined us

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Speaker 2: always by my co host Aran, and we are alive

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Speaker 2: on a Sunday morning, ready to give you some podcasting

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Speaker 2: on this snowed in Sunday. We got like eleven twelve

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Speaker 2: inches of snow. Alexendon steel of snow last night. Yeah,

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Speaker 2: we're in for the We're in for the weekend. Guys.

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Speaker 2: No one's going anywhere.

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Speaker 3: We had one hundred car accident up in Connapolis somewhere.

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Speaker 2: Yeah, yeah, it was bad out there. We made it

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Speaker 2: back for those that were concerned. We made it to

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Speaker 2: and from the Hornets game yesterday safely.

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Speaker 4: We saw it.

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Speaker 3: We moved it to twelve.

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Speaker 2: We saw when Bianna, we saw the Hornets win their

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Speaker 2: sixth game in a row. We don't give a fuck.

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Speaker 2: If you're the talisman in the earth, will still kick

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Speaker 2: your ass. It's just it's just what we do over here.

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Speaker 2: But that's just a Charlotte thing. I would about that.

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Speaker 3: That's a Charlat Horning season ticket thing.

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Speaker 2: But I say we keep the good times rolling. The

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Speaker 2: last time this man was on the show. We have

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Speaker 2: a guest that he was on the show. He was

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Speaker 2: promoting Maurice on Mars, his Comedy Central animated web series,

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Speaker 2: and now he's back to promote a new product project

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Speaker 2: and product too. I guess yeah, And we're all listen,

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Speaker 2: we're all selling out, We're.

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Speaker 3: All selling something.

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Speaker 2: Today's guest is comedian, podcast producer and writer Uh here

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Speaker 2: to promote his new upcoming scripted series scripted audio series,

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Speaker 2: Judge Travis. It's Tim Barnes with something on.

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Speaker 4: Brother.

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Speaker 5: I'm good, I'm good. Thanks again for having me on.

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Speaker 5: I can't wait for the world to hear Judge Travis.

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Speaker 5: And I appreciate you for yeah being so welcoming. Are

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Speaker 5: you facing each other?

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Speaker 2: So, Conda? Yeah, Like if I look this way, I'm

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Speaker 2: actually looking at Karen, so like, we're right. I could

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Speaker 2: turn my camera a little bit, y'all, you can see me.

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Speaker 3: This is me. Yeah. We do the illusion because a

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Speaker 3: lot of times people are like, are y'all even together?

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Speaker 2: Yeah? Very professional over here, No one would know. Uh

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Speaker 2: just peeking behind a four for while there. Tell us

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Speaker 2: about Judge Travis. Man, Like I have the audio clip

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Speaker 2: I can play too, But can you give people kind

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Speaker 2: of like a quick and dirty synopsis before I play

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Speaker 2: them this clip.

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Speaker 5: Yeah, it's about the behind the scenes of a TV judge,

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Speaker 5: like a judge mathis Judge Joe Brown, judge Judy type

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Speaker 5: judge and how it happens in his personal life affects

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Speaker 5: his verdict. So the Judge Travis character is played by

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Speaker 5: Bashir Salahudi. You see it on the South Side. He

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Speaker 5: plays the police officer, hilarious person. Yes, I got to

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Speaker 5: direct all eight of these episodes. I ran writers soon

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Speaker 5: for the show. It's really meant to feel like a

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Speaker 5: sitcom for your ears. Like my ideal world in which

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Speaker 5: people start tuning into the show is that they listen

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Speaker 5: to it in their cars with their friends. It becomes

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Speaker 5: something that feels like a party record. Like elements of

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Speaker 5: the Judge Travis character. It's like Red Fox. It's a

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Speaker 5: little bit of my grandfather who I lived with for

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Speaker 5: six months when I got my first TV writing job.

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Speaker 5: Is from Louisiana, had nothing with love, with love, had

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Speaker 5: nothing but awful things to say to people, and.

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Speaker 4: People like Steve Harvey.

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Speaker 5: It's like a He's like this Judge Travis character is

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Speaker 5: a mixture of like all these people that you kind

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Speaker 5: of love to hate and hate to love in a

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Speaker 5: weird way, and how you grapple with those types of characters.

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Speaker 5: So it's a real it's a real passion project in

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Speaker 5: that way. It's something that I pitched just like, oh,

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Speaker 5: it would be interesting to have a show about something

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Speaker 5: like this. But then by the time that I actually

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Speaker 5: wrote the pilot, I started to channel in a lot

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Speaker 5: of like actual personal dynamics and realizing that this isn't

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Speaker 5: just a comedy about the wacky things that happen on

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Speaker 5: court case on court shows, It's about the dividing line

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Speaker 5: of the stage and what's happening behind the scenes. That's

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Speaker 5: why I wanted to see how you're actually facing each other.

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Speaker 2: Oh did you grow up on the and or or

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Speaker 2: do you currently like watch these daytime judge TV shows?

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Speaker 2: Because I feel like I grew up on them for sure.

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Speaker 2: I don't know how big of a thing it was before,

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Speaker 2: you know, my before like the eighties, but I definitely.

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Speaker 3: Kind of came on the scene because I I think

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Speaker 3: they were a big thing and they old people watched

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Speaker 3: like soap operas well, most old people that I know.

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Speaker 2: It was like in the soap operas well. I was

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Speaker 2: gonna say I actually found it to be inter generation

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Speaker 2: on a bonding thing because like it was one of

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Speaker 2: the few things that my grandmama would watch with me

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Speaker 2: and we both were looking forward to it. It was like, oh, yeah, girls,

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Speaker 2: let's let's let's let's do this. Let's see what Judge

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Speaker 2: maths talking about. Yeah, what's going on with these divorces?

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Speaker 5: You know that I was tapping into too, because I

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Speaker 5: don't necessarily tune into them all the time, but I

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Speaker 5: do have it tethered to this memory of like the

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Speaker 5: summer that I got fat was the summer I spent

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Speaker 5: time with my my grandma's house when she would just

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Speaker 5: make a whole pan of biscuits and for you to

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Speaker 5: eat them. Yes, and she her and my uncle who

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Speaker 5: is there too, they would like sit down and want

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Speaker 5: to judge Judy, but almost like to actually take notes

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Speaker 5: on how the court system in America works. When I

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Speaker 5: started writing the show is like why is it always

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Speaker 5: playing at the laundromat? What is our actual dynamic with

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Speaker 5: these stern authority figures, male or female? Like why do

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Speaker 5: we just love seeing them ripped into people? And you know,

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Speaker 5: are who are these actual people in the intro to

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Speaker 5: the shows their whole backstory, But what's what's the truth

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Speaker 5: behind that? What what what happens when you get to

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Speaker 5: put on that rope and become that character? And how

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Speaker 5: does that you know, how does that actually mesh with

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Speaker 5: what's going on when you're when you're at home. So,

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Speaker 5: like the through line for this season and the hope

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Speaker 5: is that people enjoy this enough where it can easily

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Speaker 5: be seen as something that become a TV show, either

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Speaker 5: of live action animated. The thrust of the show of

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Speaker 5: this season is like, what's happening in Judge Travis's marriage?

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Speaker 5: And I need to say, you need to say I

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Speaker 5: pitched the show in the summer of twenty twenty one.

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Speaker 5: I knew about Judge Matthis' life was that he was

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Speaker 5: a good it was a good family man, and then

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Speaker 5: you know twenty one. I think in twenty twenty two,

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Speaker 5: I ran this writer's Room with Rebecca O'Neill, Ian Abramson,

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Speaker 5: Millie Tamaraz, and Ben Holbrook, and I was really just

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Speaker 5: kind of using my experience with my grandfather because he's

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Speaker 5: the reason I have so many I have so many

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Speaker 5: grandmas because of this man.

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Speaker 3: Who was a bit of a flut.

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Speaker 5: But then one day, you know, right before we started

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Speaker 5: ramping up to actually like recording the episodes, I saw

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Speaker 5: this TMZ video of Judge Mathis giving this like heartfelt

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Speaker 5: apology to some camera guy to his wife, and I

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Speaker 5: was like, oh, did we predict?

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Speaker 4: Did we predict?

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Speaker 2: Wow?

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Speaker 5: Wow?

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Speaker 2: That is crazy When that happens, man, I was, I

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Speaker 2: have a weird I'll call it a gift. It's not

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Speaker 2: because it's not on purpose of Like this happened at

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Speaker 2: Game Theory. When we were writing I think season two,

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Speaker 2: we spent a whole like everyone they're super sports fans,

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Speaker 2: Like I'm more of a fun sports fan than a like,

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Speaker 2: I know, the stats guy. Anyway, we were coming up

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Speaker 2: to a showtime. The show taped at the time, I

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Speaker 2: believe on Saturdays and and and air or Sundays and

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Speaker 2: aired on Sunday night, and man, they're just it's like

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Speaker 2: Friday or they're finishing the touches on things. And one

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Speaker 2: of the things was the MLB Baseball strike and they

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Speaker 2: were gonna like they were going in there was like

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Speaker 2: we gotta do this and we gotta write this, and

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Speaker 2: we're in the meeting and I go, hey, man, but

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Speaker 2: what if they resolved the strike before the show starts,

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Speaker 2: then we'll be fucked because we all worked on this.

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Speaker 2: We don't even have a backup plan. And they're like,

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Speaker 2: they're not going to resolve to strike. It's a fucking

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Speaker 2: baseball strike. It's been building for years. It's gonna go forever.

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Speaker 2: I was like, Okay, I don't know as much about

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Speaker 2: you this as you guys, but it just feels like

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Speaker 2: we should think think about that. Fifteen minutes later, Dave

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Speaker 2: was all, to strike.

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Speaker 6: You like word rot, Yeah.

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Speaker 5: You're so tapped into news that like you start to

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Speaker 5: predict the future, and this show is like one of

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Speaker 5: those where it's like tapped into Hollywood and pop culture

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Speaker 5: and politics. Because there this was a like this is

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Speaker 5: my first time, you know, show running. Essentially, this is

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Speaker 5: my first time directing actors, like really being involved on

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Speaker 5: that degree. So it's a lot of notes back and

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Speaker 5: forth with the network that originally picked up the show.

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Speaker 4: Uh And at one point the idea was.

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Speaker 5: That Judge Travis legitimately has an offer to become and

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Speaker 5: that is essentially that that's an element to this Judge

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Speaker 5: Travis has an offer to become a Supreme Court just

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Speaker 5: but we kind of tamped an element of it of

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Speaker 5: it down a bit. I think that originally the idea

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Speaker 5: is that he is going to become a Supreme Court

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Speaker 5: or something, and that seemed impossible, and that was back

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Speaker 5: with the idea of like the Steve Harveness, Yeah, that

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Speaker 5: type of a person.

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Speaker 3: But nowadays, this was written in the.

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Speaker 4: When it was still the Biden that.

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Speaker 2: Minute, right, it feels absolutely possible. Un Like if I

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Speaker 2: looked up and Judge, Yeah, if like Clarence Thomas resigned

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Speaker 2: and they were like, Judge Judy will be taking his place,

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Speaker 2: I'd be like, that makes sense in a Trump world

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Speaker 2: that that's He's not even gonna They're not even gonna

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Speaker 2: do the whole process of vetting her the way they

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Speaker 2: normally do. It's just gonna go rubber stamp, you know,

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Speaker 2: no matter what she's gotten her past. So yeah, I

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Speaker 2: and and honestly I could it's so bad now. I

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Speaker 2: could see them nominating Judge Judy and us the regular people,

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Speaker 2: normal people being like, you know what, she wasn't as

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Speaker 2: bad as the other choices, you know, he because it

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Speaker 2: was her Pauladine, And I don't think Pauladine would have

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Speaker 2: necessarily made it through the process like that, Like, that's

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Speaker 2: how fucked up we are now, right, Like it's hard

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Speaker 2: to write comedy that satirizes life anymore, yes, because so

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Speaker 2: many times you're like, oh, no, that that happened, that

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Speaker 2: could happen, or that it already happened, you know.

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Speaker 5: Yeah, not to mention the fact that I think a

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Speaker 5: little bit after the show got the green light, Steve

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Speaker 5: Harvey actually ended up having a court shop.

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Speaker 2: Yes he did.

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Speaker 6: And I'm not even gonna lie.

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Speaker 3: It was so much fun me and Roger with get Down,

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Speaker 3: we sit down and watch that show. I actually it

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Speaker 3: was ridiculous, it was outrageous, it was all over the place,

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Speaker 3: but it was just something about him that I just loved,

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Speaker 3: like that show.

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Speaker 2: Like you said, people have a love hate relationship with

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Speaker 2: these type of figures, and I think, you know, especially

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Speaker 2: on social media, it's easy to go for the hate

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Speaker 2: because hate is like more of a currency on social media.

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Speaker 2: But it's like the person's clearly around for years and decades,

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Speaker 2: making money, being in the guys, always getting a new job,

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Speaker 2: so clearly some of us love, like we love and

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Speaker 2: hate these people's you know, people that go, oh, Kevin

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Speaker 2: Harry so unfunny. I was like, he sold out of stadium.

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Speaker 2: Some some people clearly think the man's funny. And what

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Speaker 2: I liked about the Steve Harvey Judge Show was like,

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Speaker 2: this is the perfect nonsense to put this person in,

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Speaker 2: you know what I mean, Like, we don't really need

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Speaker 2: him doing serious stuff, Like I like that is his

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Speaker 2: lane family feud. He's probably the best family feud host

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Speaker 2: I'm we're ever going to see in our lifetime because

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Speaker 2: we are. That is exactly where he should be. The

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Speaker 2: areas I don't like Steve Harvey are all serious areas

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Speaker 2: where he's like, let me tell you what men's and

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Speaker 2: women's need to do. I'm like, none.

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Speaker 5: That is actually very personal to me. This I keep

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Speaker 5: mentioning Steve Harvey, but I genuinely think that he's a

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Speaker 5: hilarious comedian. I used to listen to his radio show.

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Speaker 5: My mom would plays radio show like taking Me to

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Speaker 5: School all the time, and we would get these deep

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Speaker 5: belly laughs all the time that I'm the flip side

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Speaker 5: of that as a young black man, I would I

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Speaker 5: would listen to it a start laughing, but then it

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Speaker 5: would like turn to was.

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Speaker 4: Like, this is my advice to the general monolithic trouble

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Speaker 4: making black right, And that's.

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Speaker 2: I'm like, not just Steve, not too much, not too much, Steve.

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Speaker 3: We was good. We was good.

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Speaker 2: When you was just picking on how people for now

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Speaker 2: stings wrong, that was better.

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Speaker 4: His joke about.

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Speaker 5: It's the only joke of his that I remember is

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Speaker 5: when it's like the Temptation style group and it's like

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Speaker 5: five singers one micah.

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Speaker 2: Yeah, it was. If I would have known laughing at

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Speaker 2: those jokes is going to lead to him writing books

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Speaker 2: about like now ladies, he had too whole movies about it.

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Speaker 4: Yes, I remember that once I got to meet him.

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Speaker 2: What was it like?

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Speaker 5: Because I started doing stand up in Chicago and he

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Speaker 5: used to have a talk show, like a daytime talk show,

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Speaker 5: and there was a segment called Ask Steve. And my

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Speaker 5: friend Ian Abramson, who's also a writer on the show, Uh,

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Speaker 5: he got to go into this this segment on the

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Speaker 5: show where it's kind of like they kind of hand you,

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Speaker 5: like a question to ask for it, and then he'll

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Speaker 5: he'll riff and tell some jokes. But then I asked

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Speaker 5: if I could ask a specific question because a couple

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Speaker 5: of days before I appeared, I actually did get heckled

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Speaker 5: on stage for the first time, so I asked if

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Speaker 5: I could ask a question.

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Speaker 4: About that, and it was the show.

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Speaker 2: The show.

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Speaker 4: That show was just as weird as his.

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Speaker 5: Court show, like so many you know you're trying to

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Speaker 5: like and and also court shows they take like eight

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Speaker 5: episodes a day. Right, family feud is similar. I think

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Speaker 5: they tape similar amount. It's like a yeah, revolving machine.

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Speaker 5: It's like it's like crazy, Yeah, I.

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Speaker 2: Can't imagine how much work it is too for him

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Speaker 2: because he's not a just read the Q cards guy.

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Speaker 2: He's a like he they ask a question and then

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Speaker 2: he like gets up from the judge chair and like yeah,

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Speaker 2: like walks all the way down to the defended and

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Speaker 2: like leans over the table and fucking like puts his

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Speaker 2: hand Like it's like he just never he's never just

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Speaker 2: satisfied with just uh the script. I've read that, I've

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Speaker 2: read the Q card and that's what we're gonna do here.

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Speaker 2: So like, yeah, I can't imagine doing eight of those

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Speaker 2: in a row. For Steve Harvey. I'm sure it's like

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Speaker 2: they must put the cape on him at the end,

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Speaker 2: like James Brown like all right, man, come on, you

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Speaker 2: gave it off.

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Speaker 5: And that's what what I will say is that he

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Speaker 5: is someone who became a there's a level of fame

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Speaker 5: where you become a caricature of yourself.

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Speaker 4: Yeah, and I'm so interested in that.

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Speaker 5: Like, you know, someone like Jay Leno isn't just a

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Speaker 5: human being to most people. He's just like right, right,

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Speaker 5: He's a character. Yeah, Steve Harvey is Isn't that similar? Lane,

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Speaker 5: I've been saying.

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Speaker 2: So many famous people, like so many people are like

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Speaker 2: like like if I saw them do something normal, it

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Speaker 2: would feel more weird than them, you know what I'm saying,

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Speaker 2: being the character that they are. You know what I mean?

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Speaker 2: If you just saw, like I don't know, Steve Harvey

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Speaker 2: waiting in line to DMV is, it's almost like you

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Speaker 2: be disappointed, Like what, You're not gonna france around and

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Speaker 2: get upset and exasperated with everybody in the DMV up.

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Speaker 2: You just know, so you just gonna wait in line

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Speaker 2: like a regular person like me. Okay, that's your choice,

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Speaker 2: but not very entertaining.

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Speaker 5: When I asked him the question, though, he stopped being

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Speaker 5: a character to me, Like there was a moment of

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Speaker 5: like he I think he had retired from stand up

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Speaker 5: at that point, and he seemed genuinely like inspired and

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Speaker 5: excited to like to give some genuine advice about that,

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Speaker 5: And of course it ended up turning into just like

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Speaker 5: some crazy rips on what you can say to a

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Speaker 5: heckler or whatever. Right, But that has always that has

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Speaker 5: always stayed to me. He's a character. He's someone that

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Speaker 5: you know, my family loves. She's someone that I have

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Speaker 5: very fond memories of, like watching his sitcom and everything.

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Speaker 5: But I'm really interested in the fact that I have

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Speaker 5: that a lot of people have complex feelings about him,

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Speaker 5: and I think this is a it's a worthy time

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Speaker 5: to just explore, you know, the ins and outs of.

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Speaker 4: That kind of thing.

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Speaker 5: Yeah.

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Speaker 2: Man, I'm gonna play this audio clip from the trailer

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Speaker 2: just because we were listening to it just more and

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Speaker 2: it is so funny, so good. So let me pull

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Speaker 2: this up and you guys should be able to hear

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Speaker 2: because I have it my setting set up. But if

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Speaker 2: it's not, if you don't hear this after about ten seconds,

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Speaker 2: you guys say something to show.

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Speaker 3: Yeah, let us know a chat.

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Speaker 2: I'll have me lek a studid. Justice may be blind,

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Speaker 2: but I can see right through your narrow behind.

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Speaker 6: You.

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Speaker 5: Watch reality TV court shows every day. For let's face it,

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Speaker 5: the insanity.

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Speaker 2: I'm suing this halfaahabladant thievery of my style, hefa, I

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Speaker 2: am just as clim thick as you.

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Speaker 4: All right, somebody bring out the measure and think. But

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Speaker 4: it turns out that things get even crazier behind the bench.

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Speaker 1: You're the center of my life and without you, I'll

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Speaker 1: be completely lost and apparently out of twenty eight million dollars.

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Speaker 5: Judge Travis is a new comedy audio series that highlights

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Speaker 5: fake leaked footage from America's favorite fake TV judge, Percy

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Speaker 5: Travis and Percy would have you think that in addition

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Speaker 5: to being America's top TV judge, he also has a

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Speaker 5: EA's most faithful marriage. But this yere footage tells a

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Speaker 5: different story.

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Speaker 1: Endship building behind her back is normal natural, I'm just spreading.

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Speaker 5: Them up, and to top it off, he's interested in

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Speaker 5: becoming the next Supreme Court Justice. The Judge Travis Podcast

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Speaker 5: features the voices of the Sheer Salahudin from HBO's South

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Speaker 5: Side as Judge Travis.

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Speaker 4: You must think I'm a donut.

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Speaker 2: I don't have this Frank Lolan shit.

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Speaker 4: Lanxton Kerman from HBO's Insecure as his producer Jax.

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Speaker 2: Don't overthink the hair. Anything can be fixed in post.

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Speaker 2: I know the effects people are Marvel, who made Robert

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Speaker 2: Downey Junior seem like h.

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Speaker 5: Brandy Denise from that Stars series Power as his bailiff Raquel.

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Speaker 2: I'm literally the most underpaid bailiff on TV.

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Speaker 5: Kishah Sharp from UPN's Girlfriends and Fox's Empire as his

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Speaker 5: wife Shirley.

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Speaker 2: You were no, It's about damn time to this show down.

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Speaker 5: Amber Ruffin from CNN's Have I Got News for You

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Speaker 5: as the narrator. Guess that means I'm out of a job.

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Speaker 2: Now get this. Judge Travis knows exactly who that man

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Speaker 2: in the suit is.

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Speaker 4: And even comedy legend George Wallace as is Barbara Gray.

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Speaker 2: The King has returned.

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Speaker 5: So listen to Judge Travis wherever you get podcasts starting

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Speaker 5: on February eleventh, and subscribe now so you get the

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Speaker 5: first episodes as soon as they drop.

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Speaker 4: Oh and remember this show is totally fake.

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Speaker 2: Man, what what a cast?

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Speaker 3: Yes? Yeah, that was yeah, that was my thing. How

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Speaker 3: did you get so many people say that was.

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Speaker 5: The Journey project That was actually the biggest learning curve

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Speaker 5: for me, is like the casting process, because every time

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Speaker 5: that we reached out to someone, I wrote, I wrote

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Speaker 5: a letter to each one, and it's kind of like

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Speaker 5: a waiting game.

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Speaker 4: And then while you're waiting to.

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Speaker 5: Get attached to this idea of the person playing the role,

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Speaker 5: and then once you get a no, it's like, was

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Speaker 5: that a real no because they didn't like it, or

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Speaker 5: did their rep even send them the material, or they

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Speaker 5: genuinely too busy. Those are the things that go through

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Speaker 5: your head. So it's just like a long, painstaking process.

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Speaker 5: But I do ultimately I'm super happy with everyone. I

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Speaker 5: think the perfect voices, particularly Brandy Denise, who was one

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Speaker 5: of the funniest comics as the Bailiff. I think she

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Speaker 5: brings a lot of like authenticity to the whole project

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Speaker 5: because she's just talking in her very specific way of

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Speaker 5: communicating and directing this. I gave everyone room to riff

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Speaker 5: and the fun of it in the editing process was

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Speaker 5: finding the little moments that make it feel real, to

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Speaker 5: really make this feel like you're eavesdropping on, you know,

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Speaker 5: tapes from behind the scenes that no one wanted, that

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Speaker 5: no one wanted you to hear.

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Speaker 2: How involved are you in the like directing, production, recording,

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Speaker 2: all of that type of stuff. When it comes to

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Speaker 2: this project, very.

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Speaker 5: Very involved because I used to be a podcast producer.

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Speaker 5: So one of my goals for this is to open

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Speaker 5: the path for what audio scripted audio comedy can be,

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Speaker 5: because I think it can be very I think there's

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Speaker 5: there there's a tendency to use the whole palette.

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Speaker 4: Same with animation. It's like, oh, I can do anything,

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Speaker 4: therefore I should do anything.

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Speaker 2: With audio.

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Speaker 5: It's like, oh, might I have explosions and all this stuff.

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Speaker 5: One of the things I'm most proud of is that

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Speaker 5: this is a show where most of the sound effects

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Speaker 5: are doors opening and footsteps, and it's all about the

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Speaker 5: musicality of of just like human communication and some of

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Speaker 5: the awkwardness and crazy things and getting that balance of

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Speaker 5: different voices. Like I'm proud of getting Lengths and Kerman

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Speaker 5: to play a character that's not just a heart throb, Like.

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Speaker 4: They're just kind of a nerd. And I think when

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Speaker 4: you just listen to Lengths and Kerman, they're like he

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Speaker 4: violated for that that nerdy element.

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Speaker 2: Yeah, because his podcast is kind of nerdy. You know,

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Speaker 2: my mama told me with all the like you know,

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Speaker 2: hood conspiracies and whatnot. That's like, there's no, it's nothing

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Speaker 2: hard thrivy about that, you know. But yeah, whenever he's

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Speaker 2: on camera, it's always like, you know, the handsome guy.

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Speaker 2: So yeah, that is cool to see him out of

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Speaker 2: an element. And it is a different consideration in audio

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Speaker 2: form because like me and Cam we've done audio like

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Speaker 2: plays and audio work stuff before. Recently, I think two

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Speaker 2: years ago now, I was doing Drape Domainiac and we did, Yeah,

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Speaker 2: we did. I think I did a voice on every

438
00:21:29,320 --> 00:21:32,640
Speaker 2: episode and like different characters and stuff. It was because

439
00:21:33,359 --> 00:21:34,840
Speaker 2: to me it was just as fun as the writing,

440
00:21:35,119 --> 00:21:38,200
Speaker 2: like the like getting able to uh we do like

441
00:21:38,280 --> 00:21:40,119
Speaker 2: a you know, you do a table read before you

442
00:21:40,200 --> 00:21:42,600
Speaker 2: get their cast people, and and every once in a while,

443
00:21:43,000 --> 00:21:44,960
Speaker 2: like I do something good enough to like no, you

444
00:21:45,119 --> 00:21:47,520
Speaker 2: just just do that. We're not gonna reach out to

445
00:21:47,520 --> 00:21:48,040
Speaker 2: anyone else.

446
00:21:48,080 --> 00:21:52,680
Speaker 6: You just remember these lines, we'll record these and you

447
00:21:52,840 --> 00:21:53,480
Speaker 6: nailed the part.

448
00:21:53,720 --> 00:21:56,600
Speaker 2: Yeah. And I was gonna say, like the new technology

449
00:21:56,640 --> 00:21:58,960
Speaker 2: of it is is also making it easier because I

450
00:21:58,960 --> 00:22:01,200
Speaker 2: don't have we don't have to the same studio or

451
00:22:01,280 --> 00:22:04,760
Speaker 2: in the same place. Was that was that an easier

452
00:22:04,840 --> 00:22:07,240
Speaker 2: thing for you to be like, Okay, cool, but Sheer

453
00:22:07,280 --> 00:22:10,640
Speaker 2: can record his audio here, and then Likeson can record

454
00:22:10,720 --> 00:22:12,920
Speaker 2: his audio there, and then George Wilds can court. Like

455
00:22:13,119 --> 00:22:16,600
Speaker 2: was that easier or more complicated to organize all those schedules.

456
00:22:17,119 --> 00:22:18,639
Speaker 4: It got very complicated.

457
00:22:18,760 --> 00:22:23,720
Speaker 5: My original plan that kind of got shot down was

458
00:22:23,760 --> 00:22:25,920
Speaker 5: to get a cast that could actually record for like

459
00:22:26,400 --> 00:22:29,800
Speaker 5: a week together with actual live mics.

460
00:22:29,560 --> 00:22:31,600
Speaker 4: And they're actually always wow.

461
00:22:31,840 --> 00:22:33,760
Speaker 5: Actually like we captured that way because I had this

462
00:22:33,920 --> 00:22:36,000
Speaker 5: vision of like, well, I can just wear headphones and

463
00:22:36,080 --> 00:22:39,040
Speaker 5: direct it like a filmmaker and just like say walk

464
00:22:39,080 --> 00:22:41,480
Speaker 5: through that door and say this, and like it's all

465
00:22:41,600 --> 00:22:43,520
Speaker 5: it sounds authentic because it actually is right.

466
00:22:43,680 --> 00:22:45,520
Speaker 4: That became more and more impossible.

467
00:22:46,520 --> 00:22:48,640
Speaker 5: Then the plan was to get all the core characters

468
00:22:48,720 --> 00:22:50,439
Speaker 5: like recording together in the location.

469
00:22:50,600 --> 00:22:51,359
Speaker 4: That became.

470
00:22:52,600 --> 00:22:53,159
Speaker 3: Schedules.

471
00:22:53,320 --> 00:22:56,320
Speaker 4: Yeah, so yeah, I know that There was one moment.

472
00:22:56,920 --> 00:23:02,280
Speaker 4: There's a scene in episode four of the show No.

473
00:23:02,359 --> 00:23:05,440
Speaker 5: Episode five that was the first time that two of

474
00:23:05,480 --> 00:23:07,800
Speaker 5: the characters were actually in a room together, was Brandy

475
00:23:07,880 --> 00:23:11,320
Speaker 5: and Basher, and they just started riffing.

476
00:23:11,359 --> 00:23:13,720
Speaker 4: They started riffing for elements that were run on the page,

477
00:23:13,800 --> 00:23:14,639
Speaker 4: and that's it was.

478
00:23:15,600 --> 00:23:17,240
Speaker 5: It was magical to me because it was the first

479
00:23:17,240 --> 00:23:19,280
Speaker 5: time I could hear the show, because otherwise I'm recording

480
00:23:19,280 --> 00:23:21,320
Speaker 5: on people separately, and I'm telling them to try all

481
00:23:21,359 --> 00:23:23,480
Speaker 5: these different tonalities so that when we get to the

482
00:23:23,600 --> 00:23:25,720
Speaker 5: editing room, I can cobble it together to find the

483
00:23:25,800 --> 00:23:27,040
Speaker 5: ones that match the best.

484
00:23:27,680 --> 00:23:30,280
Speaker 4: But hearing that was like a revelation to me, and I.

485
00:23:30,320 --> 00:23:35,920
Speaker 3: Thought it was absolutely actors chemistry live is something else

486
00:23:36,000 --> 00:23:39,200
Speaker 3: to kind of watch in action because no matter what

487
00:23:39,400 --> 00:23:41,800
Speaker 3: you write or how much you plan, you also, and

488
00:23:41,840 --> 00:23:43,600
Speaker 3: I kind of learned this from Roger, you also have

489
00:23:43,720 --> 00:23:46,520
Speaker 3: to give the actor a chance to bring it to life,

490
00:23:46,600 --> 00:23:50,800
Speaker 3: and their vision of what it is a lot of

491
00:23:50,880 --> 00:23:55,120
Speaker 3: times enhances what you already have. It's like allowing them

492
00:23:55,160 --> 00:23:57,000
Speaker 3: to freestyle, allowing them to do certain things.

493
00:23:57,080 --> 00:24:00,280
Speaker 2: It's a collaborative project and not the you know, at

494
00:24:00,359 --> 00:24:03,520
Speaker 2: least like not the too long horn or whatever. But

495
00:24:03,680 --> 00:24:07,960
Speaker 2: I think one of my gifts is making everyone feel

496
00:24:08,119 --> 00:24:12,000
Speaker 2: valued in a collaboration right, and it and it's I

497
00:24:12,119 --> 00:24:15,040
Speaker 2: mean one everyone should be. But also it's like intentional, right,

498
00:24:15,200 --> 00:24:18,440
Speaker 2: because everyone's there to work on a thing. If people

499
00:24:18,560 --> 00:24:22,200
Speaker 2: start feeling like I'm just a piece on the board

500
00:24:22,280 --> 00:24:24,119
Speaker 2: that's just being wound up and told what to do,

501
00:24:25,520 --> 00:24:27,760
Speaker 2: like people check out, man, you're not gonna get the

502
00:24:27,800 --> 00:24:29,720
Speaker 2: best out of people. So like, and that was like

503
00:24:29,840 --> 00:24:32,000
Speaker 2: a lesson when while I was on game theory, we

504
00:24:32,160 --> 00:24:34,760
Speaker 2: have like sketches and stuff we wrote, and you're right,

505
00:24:34,880 --> 00:24:37,840
Speaker 2: I mean, you're a writer. I'm like, I'm a I'm

506
00:24:37,880 --> 00:24:41,040
Speaker 2: a hey, can we get ten punch ups for this thing?

507
00:24:41,119 --> 00:24:43,520
Speaker 2: I'm a punch up machine, Like bam, here you go.

508
00:24:43,680 --> 00:24:47,600
Speaker 2: That's ten. Let's go like, here's twenty like like and

509
00:24:47,720 --> 00:24:49,600
Speaker 2: I'm okay if some of them are shitty, Like the

510
00:24:49,680 --> 00:24:52,359
Speaker 2: goal is to shoot and then y'all, y'all find the

511
00:24:52,440 --> 00:24:55,119
Speaker 2: good ones and then we find something until we finish

512
00:24:55,200 --> 00:24:57,280
Speaker 2: it right and it can be a little bit exhausting,

513
00:24:58,440 --> 00:25:01,720
Speaker 2: but you just do it. It's part of but what

514
00:25:01,880 --> 00:25:04,639
Speaker 2: you write not necessarily what's making the screen, because like,

515
00:25:05,320 --> 00:25:08,680
Speaker 2: you can take something, an actor can get inspired, riff

516
00:25:08,720 --> 00:25:11,280
Speaker 2: a little bit. Uh, they can even come with the

517
00:25:11,359 --> 00:25:14,479
Speaker 2: opposite idea, but it's because of your idea. It's like, oh,

518
00:25:14,520 --> 00:25:16,440
Speaker 2: what if we play it this way and you just

519
00:25:16,520 --> 00:25:18,680
Speaker 2: find some gold and you're like, shit, that was better,

520
00:25:18,760 --> 00:25:22,320
Speaker 2: and like also having the humility to be like, yeah,

521
00:25:22,359 --> 00:25:24,360
Speaker 2: that was better than what I had, Like, let's roll

522
00:25:24,440 --> 00:25:28,359
Speaker 2: with that that's another big element, like all these collaborative things,

523
00:25:28,520 --> 00:25:32,680
Speaker 2: man are so it's so tenuous and being at the

524
00:25:32,800 --> 00:25:37,399
Speaker 2: center of something where it's your idea, it's like a

525
00:25:37,520 --> 00:25:42,280
Speaker 2: weird balance between like control but also freedom for people.

526
00:25:43,280 --> 00:25:47,040
Speaker 5: I liken it to someone like Duke Ellington, like it's

527
00:25:47,080 --> 00:25:51,520
Speaker 5: it's like it's like conducting a jazz jazz band because

528
00:25:52,800 --> 00:25:54,119
Speaker 5: and I know I used to. I went through like

529
00:25:54,119 --> 00:25:56,160
Speaker 5: a bit heavy heavy Duke Ellington pace where I read

530
00:25:56,240 --> 00:25:59,240
Speaker 5: his autobiography that was called Music Is My Mistress. And

531
00:25:59,359 --> 00:26:01,919
Speaker 5: sometimes some of the musicians in the band would be like, hey, man,

532
00:26:01,960 --> 00:26:04,080
Speaker 5: you stole this riff that I was just doing on

533
00:26:04,160 --> 00:26:09,440
Speaker 5: the side, and he was always listening and then and

534
00:26:09,760 --> 00:26:12,480
Speaker 5: you know, collaborating with people like Billy Strayhorn and stuff.

535
00:26:12,880 --> 00:26:15,640
Speaker 5: And I think that with this being my first time,

536
00:26:15,800 --> 00:26:18,240
Speaker 5: like Maurice on Mars is something I wrote every episode

537
00:26:18,280 --> 00:26:20,280
Speaker 5: of and I learned a lot of It wasn't a

538
00:26:20,320 --> 00:26:22,680
Speaker 5: perfect show, but I learned a lot of valuable.

539
00:26:22,400 --> 00:26:22,879
Speaker 4: Lessons from it.

540
00:26:22,960 --> 00:26:24,520
Speaker 5: And so when I got this project, I was like,

541
00:26:25,040 --> 00:26:27,119
Speaker 5: I need to get some writers in the room, and

542
00:26:27,200 --> 00:26:29,080
Speaker 5: I need to bring them on board in the way

543
00:26:29,119 --> 00:26:32,920
Speaker 5: that they feel positive ownership as well same thing with

544
00:26:33,000 --> 00:26:37,960
Speaker 5: all with all the actors, and when we got so

545
00:26:38,359 --> 00:26:40,480
Speaker 5: I don't know if all the actors even like read

546
00:26:40,560 --> 00:26:41,720
Speaker 5: the full eight episodes.

547
00:26:41,960 --> 00:26:43,440
Speaker 4: I never had a table read or anything.

548
00:26:43,800 --> 00:26:46,800
Speaker 5: And the way that we recorded this is like all

549
00:26:46,880 --> 00:26:49,080
Speaker 5: the lines are numbered and you say, okay, we're doing

550
00:26:49,160 --> 00:26:51,480
Speaker 5: line twenty two to start off, doing three different takes

551
00:26:51,520 --> 00:26:53,320
Speaker 5: of it, and I'll give you some feedback and try

552
00:26:53,359 --> 00:26:54,439
Speaker 5: three different takes of.

553
00:26:54,440 --> 00:26:56,439
Speaker 4: It, and so then you end up with like files

554
00:26:56,480 --> 00:26:57,399
Speaker 4: and files and files.

555
00:26:57,440 --> 00:26:59,240
Speaker 5: I tried to think of as like sipping through records

556
00:26:59,240 --> 00:27:01,840
Speaker 5: at a record shop of all these different versions.

557
00:27:01,560 --> 00:27:02,399
Speaker 4: Of all the lines.

558
00:27:02,480 --> 00:27:05,320
Speaker 5: And so the editor that we had had had a

559
00:27:05,440 --> 00:27:08,840
Speaker 5: list of my favorite takes from all these separate recording sessions.

560
00:27:08,920 --> 00:27:10,439
Speaker 4: So the first cut of it was.

561
00:27:11,160 --> 00:27:13,000
Speaker 5: Like it was like one thing, and then it's like

562
00:27:13,200 --> 00:27:15,000
Speaker 5: sifting back through the records if you like, well maybe

563
00:27:15,040 --> 00:27:18,400
Speaker 5: they say this, maybe we hear this, like authentic reactional

564
00:27:18,480 --> 00:27:22,240
Speaker 5: grunt to this thing like them. But when it came

565
00:27:22,280 --> 00:27:24,320
Speaker 5: to since I couldn't get all the actors on board,

566
00:27:25,000 --> 00:27:27,240
Speaker 5: we had I forget what the technical term for it,

567
00:27:27,280 --> 00:27:29,400
Speaker 5: but we had we had an actor, my friend James

568
00:27:29,440 --> 00:27:32,040
Speaker 5: the Third, come in and so he's in the room

569
00:27:32,119 --> 00:27:35,320
Speaker 5: mostly with like especially Basher Basher, I think it was

570
00:27:35,359 --> 00:27:39,280
Speaker 5: like four days of recording in la and so I

571
00:27:39,280 --> 00:27:41,359
Speaker 5: would have these moments where it was just like, read

572
00:27:41,880 --> 00:27:44,680
Speaker 5: this just we'll record it for safety, but just read

573
00:27:44,880 --> 00:27:49,120
Speaker 5: this chunk of dialogue together so you can really feel

574
00:27:49,160 --> 00:27:51,760
Speaker 5: what's what's what's the momentum of you as you're like

575
00:27:51,800 --> 00:27:54,280
Speaker 5: going in from this hallway into this room and having

576
00:27:54,320 --> 00:27:55,040
Speaker 5: this conversation.

577
00:27:55,480 --> 00:27:58,679
Speaker 4: And then we'll start doing the individual line.

578
00:27:58,480 --> 00:28:01,480
Speaker 5: So that we can edit it best in post. But

579
00:28:02,480 --> 00:28:04,680
Speaker 5: for me, it was all about trying to get to

580
00:28:04,800 --> 00:28:07,959
Speaker 5: some sort of authenticity to the to the scenes.

581
00:28:08,320 --> 00:28:12,639
Speaker 4: And then the court cases are absolutely, absolutely insane.

582
00:28:12,720 --> 00:28:15,680
Speaker 5: But that also adds to like the number of characters,

583
00:28:15,720 --> 00:28:21,000
Speaker 5: like each episode has at least two litigants, and I

584
00:28:21,080 --> 00:28:24,800
Speaker 5: can't I again just can't express how funny it's but

585
00:28:24,880 --> 00:28:27,240
Speaker 5: also like I want people to listen to it.

586
00:28:27,320 --> 00:28:30,159
Speaker 4: I want them to listen to with friends.

587
00:28:30,400 --> 00:28:34,400
Speaker 2: I want them to I think also sound is sound

588
00:28:34,560 --> 00:28:38,000
Speaker 2: is tough too, because like it's like movies, right, will

589
00:28:38,000 --> 00:28:39,920
Speaker 2: you watch a movie and then someone pulls out a

590
00:28:40,000 --> 00:28:43,400
Speaker 2: sword and it makes that sound effect that no sword

591
00:28:43,520 --> 00:28:46,480
Speaker 2: is ever made in life, because that's not how that's

592
00:28:46,520 --> 00:28:50,240
Speaker 2: not how sound works. You don't, like you don't look

593
00:28:50,240 --> 00:28:53,440
Speaker 2: at a knife and hear a schine because like it

594
00:28:53,560 --> 00:28:56,880
Speaker 2: in a certain way. But but our brains are wired

595
00:28:57,000 --> 00:28:59,280
Speaker 2: in a way that if they took that sound out

596
00:28:59,360 --> 00:29:01,400
Speaker 2: of the movie, where now the point where we'd be like, eh,

597
00:29:01,760 --> 00:29:03,920
Speaker 2: that this movie's not good. They didn't even put the

598
00:29:03,960 --> 00:29:07,760
Speaker 2: sing in there. I think the same thing about like

599
00:29:07,920 --> 00:29:11,760
Speaker 2: the audio drama of it. There's certain times where like

600
00:29:11,960 --> 00:29:15,200
Speaker 2: a sound effect has to be a sound effect because

601
00:29:15,680 --> 00:29:18,600
Speaker 2: the sound of a door opening in real life doesn't

602
00:29:18,640 --> 00:29:22,800
Speaker 2: sound like a door opening in people's imagination. It's so

603
00:29:23,360 --> 00:29:26,280
Speaker 2: it's such a weird thing to do. But yeah, like

604
00:29:26,800 --> 00:29:29,080
Speaker 2: when this type of production, like like I said, even

605
00:29:29,120 --> 00:29:32,040
Speaker 2: for drape Domaniacs, there's so many little moments where it

606
00:29:32,240 --> 00:29:35,280
Speaker 2: is like, uh no, it needs to sound like the

607
00:29:35,560 --> 00:29:38,760
Speaker 2: music from the car gets loud as the car approaches

608
00:29:38,800 --> 00:29:41,120
Speaker 2: and then phase out as it drives, like and you

609
00:29:41,240 --> 00:29:44,000
Speaker 2: have to catch those little things. So I'm sure your

610
00:29:44,080 --> 00:29:47,120
Speaker 2: producer was working over time with that stuff, and I'm

611
00:29:47,160 --> 00:29:50,040
Speaker 2: sure as'all were recording, you know, people were doing that too.

612
00:29:50,200 --> 00:29:50,400
Speaker 6: Yeah.

613
00:29:50,440 --> 00:29:53,120
Speaker 3: I was going to say, like when you say like sounds,

614
00:29:53,520 --> 00:29:56,920
Speaker 3: something that I think is hilarious is like women's heels,

615
00:29:57,640 --> 00:30:00,720
Speaker 3: because women's heels do click loud, but for most people

616
00:30:00,800 --> 00:30:04,840
Speaker 3: they don't. So it's just really funny that. Yeah, we

617
00:30:05,000 --> 00:30:08,160
Speaker 3: had it's almost like a boom boom boom, like when

618
00:30:08,160 --> 00:30:10,800
Speaker 3: you're watching you know, cause when you're talking about that,

619
00:30:10,880 --> 00:30:13,560
Speaker 3: I was like, yeah, I've heard women's heels clack and

620
00:30:13,600 --> 00:30:14,480
Speaker 3: they don't clack like that.

621
00:30:14,800 --> 00:30:17,680
Speaker 2: We had an episode of I think it was Draped

622
00:30:17,680 --> 00:30:21,920
Speaker 2: though Maniacs and it was about the trial of It

623
00:30:22,040 --> 00:30:25,600
Speaker 2: was either a finny or of Shakur. Yeah, and I

624
00:30:25,720 --> 00:30:29,600
Speaker 2: wrote it as how to get Away with Murder, And

625
00:30:29,760 --> 00:30:32,560
Speaker 2: so we had to add the high heel sound effect

626
00:30:32,600 --> 00:30:38,640
Speaker 2: because lads, it's like no louder the sound that heels

627
00:30:38,680 --> 00:30:40,240
Speaker 2: need to be a little bit loud.

628
00:30:40,080 --> 00:30:42,760
Speaker 6: Like just need to be a little louder than the

629
00:30:42,840 --> 00:30:43,480
Speaker 6: people talking.

630
00:30:43,720 --> 00:30:47,960
Speaker 2: Yeah, we need to know she stumped through that cord. Yeah,

631
00:30:48,040 --> 00:30:49,240
Speaker 2: we got up in there.

632
00:30:49,920 --> 00:30:50,000
Speaker 3: Now.

633
00:30:50,120 --> 00:30:52,800
Speaker 2: That's super fun man. And then like, in your mind

634
00:30:53,400 --> 00:30:58,400
Speaker 2: did this start as a live action or a cartoon

635
00:30:58,720 --> 00:31:02,040
Speaker 2: or what or was the original format of your head? Like, yeah,

636
00:31:02,120 --> 00:31:04,160
Speaker 2: audio drama and it will work our way up.

637
00:31:04,960 --> 00:31:08,080
Speaker 5: This was originally pitched as an audio drama, but I've

638
00:31:08,120 --> 00:31:10,520
Speaker 5: gotten to a point where I don't I don't, in

639
00:31:10,680 --> 00:31:13,760
Speaker 5: my heart have any divisions between animation, live action or

640
00:31:13,800 --> 00:31:16,120
Speaker 5: audio to be a story right, And I think that

641
00:31:16,520 --> 00:31:18,440
Speaker 5: if you listen to the show, you can see it translated,

642
00:31:19,240 --> 00:31:20,520
Speaker 5: just like you can watch a cartoon and you can

643
00:31:20,520 --> 00:31:21,640
Speaker 5: be like, oh, yeah, I can see how that I

644
00:31:21,680 --> 00:31:22,600
Speaker 5: can make this live action.

645
00:31:22,720 --> 00:31:23,000
Speaker 4: I could.

646
00:31:23,240 --> 00:31:26,560
Speaker 5: I don't care about the medium so much anymore because

647
00:31:26,560 --> 00:31:28,800
Speaker 5: the mediums are shifting so much. I just care about, like,

648
00:31:28,880 --> 00:31:31,120
Speaker 5: what is the funniest way to tell the story? And

649
00:31:32,160 --> 00:31:35,280
Speaker 5: having worked in audio is like, what is the best

650
00:31:35,320 --> 00:31:37,240
Speaker 5: way to ease people into the world of the show.

651
00:31:37,800 --> 00:31:40,480
Speaker 5: And so in doing that, you know, that's how I

652
00:31:40,520 --> 00:31:42,200
Speaker 5: came up with the idea of like, it's it's found

653
00:31:42,560 --> 00:31:45,040
Speaker 5: behind the scenes audio and then you're hearing that paired

654
00:31:45,080 --> 00:31:47,600
Speaker 5: with the actual court cases. But then you're also hearing

655
00:31:47,680 --> 00:31:50,640
Speaker 5: how you know, the producer links and is reacting to

656
00:31:50,680 --> 00:31:53,240
Speaker 5: stuff because of the because of the leaked audio.

657
00:31:53,680 --> 00:31:55,120
Speaker 2: But with that.

658
00:31:56,720 --> 00:32:00,160
Speaker 5: Came the general idea of like, we have amber And

659
00:32:00,200 --> 00:32:03,840
Speaker 5: as the narrator, but we're using her surprisingly sparingly. We're

660
00:32:03,880 --> 00:32:06,240
Speaker 5: not using her to like and then they opened the

661
00:32:06,320 --> 00:32:09,000
Speaker 5: door and now we're we're not surprisingly showing up at

662
00:32:09,000 --> 00:32:11,960
Speaker 5: people's houses, Like we're really following the logic of life.

663
00:32:12,360 --> 00:32:14,720
Speaker 5: It's only the bailiff and the judges Mike's that we're

664
00:32:14,720 --> 00:32:17,320
Speaker 5: hearing from behind, behind the scenes, and we're not calling

665
00:32:17,320 --> 00:32:19,440
Speaker 5: too much attention to it. But it's a limitation that

666
00:32:19,520 --> 00:32:23,400
Speaker 5: we stuck with and I think that that just enhances

667
00:32:23,440 --> 00:32:25,760
Speaker 5: the story. And I think, you know, we we went

668
00:32:25,800 --> 00:32:28,400
Speaker 5: through rams and like pitching it to you know, as

669
00:32:28,440 --> 00:32:30,400
Speaker 5: a live action show, as an animated show before the

670
00:32:30,560 --> 00:32:33,200
Speaker 5: episodes are coming out. He'll probably go through the same

671
00:32:33,320 --> 00:32:36,840
Speaker 5: rounds after the episodes come out. But I think that

672
00:32:36,960 --> 00:32:39,480
Speaker 5: it's it's something where it as animation, it would be

673
00:32:39,520 --> 00:32:41,480
Speaker 5: something that's more kin to like King of the Hill,

674
00:32:41,600 --> 00:32:43,360
Speaker 5: a show that you watch you're like, wait.

675
00:32:43,280 --> 00:32:44,680
Speaker 2: Why is this right?

676
00:32:44,800 --> 00:32:46,640
Speaker 4: Does this have to be a cartoon And you're like,

677
00:32:46,800 --> 00:32:48,960
Speaker 4: I guess so, But it just makes sense. It just works.

678
00:32:49,200 --> 00:32:52,959
Speaker 2: Yeah. And also like the way these streaming services are

679
00:32:53,160 --> 00:32:58,640
Speaker 2: like kind of mining for content and even content that

680
00:32:58,720 --> 00:33:01,600
Speaker 2: has proof of concept, right like Netflix just bought a

681
00:33:01,640 --> 00:33:05,240
Speaker 2: bunch of podcasts, like podcasts that aren't new, like these

682
00:33:05,280 --> 00:33:07,840
Speaker 2: are not even like oh hey coming soon the so

683
00:33:07,920 --> 00:33:10,320
Speaker 2: and so podcast, Like hey, remember how you were watching

684
00:33:10,360 --> 00:33:13,040
Speaker 2: that on YouTube? What if you can only watch it here? Yeah,

685
00:33:13,320 --> 00:33:16,600
Speaker 2: so like you really like, I think it behooves all

686
00:33:16,720 --> 00:33:22,600
Speaker 2: creatives to not have as much of a like attachment

687
00:33:22,680 --> 00:33:25,120
Speaker 2: to the idea of like a certain type of media,

688
00:33:25,560 --> 00:33:29,320
Speaker 2: because yeah, Fallout was a video game. Now it's a

689
00:33:29,400 --> 00:33:33,239
Speaker 2: hit TV show like one piece of of anime. Now

690
00:33:33,280 --> 00:33:36,800
Speaker 2: it's live action, like you just people and yeah.

691
00:33:37,440 --> 00:33:40,160
Speaker 5: These Netflix shows are audio dramas anyway, because they know

692
00:33:40,240 --> 00:33:41,560
Speaker 5: most people aren't looking at the screen.

693
00:33:41,720 --> 00:33:43,600
Speaker 4: Come on, My idea for this show is like one

694
00:33:43,640 --> 00:33:43,920
Speaker 4: where it.

695
00:33:44,000 --> 00:33:45,880
Speaker 5: Feels like if you're in the hallway and someone's listening

696
00:33:45,920 --> 00:33:47,640
Speaker 5: to the show, you might think that they're watching a

697
00:33:48,320 --> 00:33:52,640
Speaker 5: TV show right right, because like they're they're telling creators

698
00:33:52,760 --> 00:33:55,760
Speaker 5: to the writers of these shows to like explain it

699
00:33:56,040 --> 00:33:56,840
Speaker 5: through dialogue.

700
00:33:57,640 --> 00:33:58,160
Speaker 4: The opposite.

701
00:33:59,200 --> 00:34:03,040
Speaker 3: I just watched Watch the Rip and repeat yourself over

702
00:34:03,080 --> 00:34:05,800
Speaker 3: and over again. It's somebody like me paying attention, going,

703
00:34:06,080 --> 00:34:08,399
Speaker 3: I know you already told me, then I have to go, oh,

704
00:34:08,680 --> 00:34:10,480
Speaker 3: this is for the people that's in the kitchen right now.

705
00:34:10,560 --> 00:34:12,480
Speaker 2: Yeah, I just watched The Rip, and the Rip was

706
00:34:12,600 --> 00:34:15,719
Speaker 2: like that with Mark Wahlberg and Ben Affleck. It's like

707
00:34:15,920 --> 00:34:20,840
Speaker 2: every scene basically was a synopsis. Somewhere in the scene,

708
00:34:21,480 --> 00:34:23,360
Speaker 2: I was like, God, this must have been excruciating the

709
00:34:23,480 --> 00:34:26,600
Speaker 2: right like to have to be like, all right, man,

710
00:34:26,760 --> 00:34:29,160
Speaker 2: So in this scene, the cop is gonna like betray

711
00:34:29,200 --> 00:34:31,440
Speaker 2: the other cops. Okay, cool? Yeah, Well can he like

712
00:34:31,560 --> 00:34:33,560
Speaker 2: say that he's betraying him like two or three times?

713
00:34:33,680 --> 00:34:33,840
Speaker 3: Like what?

714
00:34:34,080 --> 00:34:34,120
Speaker 1: No?

715
00:34:34,600 --> 00:34:37,400
Speaker 2: Why would they need to keep repeating the betrayal is

716
00:34:37,480 --> 00:34:39,839
Speaker 2: happening to these people in real life? In real life,

717
00:34:40,000 --> 00:34:41,000
Speaker 2: you don't say it twice.

718
00:34:41,760 --> 00:34:44,200
Speaker 3: No, you don't. And so for me, I have a

719
00:34:44,400 --> 00:34:47,680
Speaker 3: brain glitch because I'm used to watching shows that don't

720
00:34:47,800 --> 00:34:50,279
Speaker 3: you know, depend on how to format it set. You

721
00:34:50,360 --> 00:34:53,279
Speaker 3: ain't gonna get no forty five explanations, but you do

722
00:34:53,360 --> 00:34:53,799
Speaker 3: to pay a top.

723
00:34:54,400 --> 00:34:56,480
Speaker 2: But you know what though, every once in a while,

724
00:34:57,320 --> 00:35:00,399
Speaker 2: I'll catch myself being like I was on my phone

725
00:35:00,440 --> 00:35:02,640
Speaker 2: Thank god they said that again, Like like I.

726
00:35:02,800 --> 00:35:03,480
Speaker 6: Like those people be.

727
00:35:03,600 --> 00:35:05,919
Speaker 2: Sometimes I'm part of the problem. Depending on my level

728
00:35:05,960 --> 00:35:08,640
Speaker 2: of interest in something, I can also be that person

729
00:35:08,719 --> 00:35:11,080
Speaker 2: that needs I'm like, what the fuck do I need

730
00:35:11,160 --> 00:35:13,160
Speaker 2: to rewind? It is like Netflix, like, no, I got you,

731
00:35:13,400 --> 00:35:16,399
Speaker 2: I got you. I can't believe you killed your son.

732
00:35:16,920 --> 00:35:19,719
Speaker 2: That is a wild thing to do. You killed your

733
00:35:19,920 --> 00:35:23,279
Speaker 2: son five seconds ago and then came in here for

734
00:35:23,440 --> 00:35:27,359
Speaker 2: me to be accessory to the crime. Wow, this is insane. Listen,

735
00:35:27,480 --> 00:35:29,800
Speaker 2: you know I killed my son, Okay, I need you

736
00:35:29,920 --> 00:35:33,239
Speaker 2: to be an accessory to this crime. Like I'm like,

737
00:35:33,360 --> 00:35:35,800
Speaker 2: thank god I was. I was playing word on and

738
00:35:36,200 --> 00:35:38,160
Speaker 2: I don't have to hit rewind I missed that part.

739
00:35:39,640 --> 00:35:41,520
Speaker 5: I think there's something about the black experience where I

740
00:35:41,600 --> 00:35:43,560
Speaker 5: am just used to like missing ship and having to

741
00:35:43,640 --> 00:35:47,120
Speaker 5: catch up. Yeah, like like I couldn't like my grandfather,

742
00:35:47,239 --> 00:35:50,880
Speaker 5: my grandfather, my papa from Louisiana, Like I couldn't understand

743
00:35:50,920 --> 00:35:51,640
Speaker 5: anything he said.

744
00:35:52,160 --> 00:35:53,640
Speaker 4: Most part, I just had to like catch up.

745
00:35:53,640 --> 00:35:55,319
Speaker 5: I had to wait a couple seconds, sometimes a couple

746
00:35:55,360 --> 00:35:58,560
Speaker 5: of minutes before I got the context, like but interrupting to.

747
00:35:58,600 --> 00:35:59,239
Speaker 4: Find out didn't.

748
00:35:59,320 --> 00:36:02,960
Speaker 5: So yeah, with the you know, not understanding something, and

749
00:36:03,040 --> 00:36:05,720
Speaker 5: that actually makes it almost more exciting, like what happens.

750
00:36:06,080 --> 00:36:09,560
Speaker 2: I kind of I kind of like a good I

751
00:36:09,760 --> 00:36:13,719
Speaker 2: like a good like you missed it and like they

752
00:36:13,840 --> 00:36:15,880
Speaker 2: got your ass. I like a good dat too, you

753
00:36:15,960 --> 00:36:18,280
Speaker 2: know what I mean? Where it's like wait a minute,

754
00:36:18,719 --> 00:36:22,600
Speaker 2: that little boy, he Bruce Williams was dead, Like I like,

755
00:36:23,640 --> 00:36:25,440
Speaker 2: you know what I mean like that's cool because then

756
00:36:25,480 --> 00:36:27,680
Speaker 2: you go back and rewatch the movie. It was like, shit,

757
00:36:27,840 --> 00:36:30,200
Speaker 2: he didn't pick up that cup like I thought it.

758
00:36:30,760 --> 00:36:33,319
Speaker 2: Why wouldn't he drink the Kobe because he can't touch

759
00:36:33,400 --> 00:36:35,680
Speaker 2: the coffee? Like I need that in my life. But

760
00:36:36,360 --> 00:36:39,520
Speaker 2: but yeah, we I mean, I guess the people that

761
00:36:39,680 --> 00:36:41,960
Speaker 2: know the algorithms and what we click on and watch

762
00:36:42,000 --> 00:36:46,400
Speaker 2: and all that shit, they probably like, we're fucked as creatives.

763
00:36:46,440 --> 00:36:46,600
Speaker 5: Dog.

764
00:36:46,680 --> 00:36:50,279
Speaker 2: There's just some executive somewhere like guys, they don't even

765
00:36:50,400 --> 00:36:53,200
Speaker 2: watch the shows. They just hit play and then they

766
00:36:53,320 --> 00:36:55,359
Speaker 2: go on Twitter and they argue about it like they

767
00:36:55,400 --> 00:36:56,040
Speaker 2: watched the show.

768
00:36:56,160 --> 00:36:58,200
Speaker 3: That's why sometimes some of the writing goes down, you

769
00:36:58,280 --> 00:37:00,480
Speaker 3: know what. I like, it dips because for some of

770
00:37:00,520 --> 00:37:02,160
Speaker 3: the reds like why am I right in my baby?

771
00:37:02,200 --> 00:37:06,719
Speaker 2: Well, even if it's good, like you get notes so.

772
00:37:06,880 --> 00:37:09,040
Speaker 3: Like you like, okay, the dumb it down?

773
00:37:09,239 --> 00:37:11,200
Speaker 2: Yeah. Once I feel like, once you've been part of

774
00:37:11,320 --> 00:37:13,840
Speaker 2: one of these processes, it's hard to at least for me,

775
00:37:14,680 --> 00:37:18,520
Speaker 2: I don't get as adamant or angry about certain writers

776
00:37:18,600 --> 00:37:21,000
Speaker 2: and directors and shit because I'm like that never really

777
00:37:21,040 --> 00:37:24,080
Speaker 2: fucking know what, like you might have earned in some

778
00:37:24,200 --> 00:37:28,040
Speaker 2: A plus premium, motherfucking art house ass ship.

779
00:37:29,040 --> 00:37:29,879
Speaker 6: Not what they put out.

780
00:37:30,080 --> 00:37:32,200
Speaker 2: Yeah, and then and I'm not even saying these people

781
00:37:32,239 --> 00:37:34,960
Speaker 2: are wrong, but someone else's job, who has to sell

782
00:37:35,040 --> 00:37:38,160
Speaker 2: the ship comes to you and as like, actually, we

783
00:37:38,400 --> 00:37:43,520
Speaker 2: can't make Captain America a silent film. It needs like

784
00:37:43,680 --> 00:37:46,640
Speaker 2: I appreciate the vision and the whole black and white,

785
00:37:47,440 --> 00:37:51,480
Speaker 2: but yeah, like Charlie Chaplin was amazing, and that's like, really.

786
00:37:51,400 --> 00:37:55,000
Speaker 6: Dope what you want to technicolor, But nah, dog, but

787
00:37:55,120 --> 00:37:56,120
Speaker 6: if this mod.

788
00:37:56,120 --> 00:37:58,799
Speaker 2: If this motherfucker doesn't make a billion dollars, we're all

789
00:37:58,880 --> 00:38:02,319
Speaker 2: getting fired. So please go back and make him beat

790
00:38:02,360 --> 00:38:03,000
Speaker 2: some people up.

791
00:38:03,560 --> 00:38:06,400
Speaker 5: And so I kind of get it though when you

792
00:38:06,440 --> 00:38:08,520
Speaker 5: can see the notes like some of those, like last

793
00:38:08,520 --> 00:38:11,279
Speaker 5: Star Wars movies, I geel like, oh fam notes might

794
00:38:11,320 --> 00:38:12,759
Speaker 5: as well have been subtitles that.

795
00:38:13,120 --> 00:38:19,160
Speaker 2: Oh my God, like Dog the last that's last trilogy

796
00:38:19,200 --> 00:38:20,799
Speaker 2: of Star Wars. And for the record, I'm a Star

797
00:38:20,880 --> 00:38:23,520
Speaker 2: Wars me and Karen, we're Star Wars sluts. Okay, we

798
00:38:24,480 --> 00:38:26,360
Speaker 2: love Star Wars. Don't take our word for it. We

799
00:38:26,440 --> 00:38:28,600
Speaker 2: love it. We love all of it, even the ship

800
00:38:28,640 --> 00:38:30,719
Speaker 2: everybody hates. I'm like, no, that was kind of good,

801
00:38:30,840 --> 00:38:34,600
Speaker 2: me too, But the way that that last trilogy was

802
00:38:34,840 --> 00:38:37,640
Speaker 2: just each movie was a referendum on the one before.

803
00:38:37,719 --> 00:38:40,960
Speaker 2: It was fucking crazy that that could happen at that

804
00:38:41,120 --> 00:38:44,040
Speaker 2: higher level where somebody like, like you said, you're feeling

805
00:38:44,120 --> 00:38:47,880
Speaker 2: the notes of them being like there's not enough Kylo

806
00:38:48,000 --> 00:38:50,360
Speaker 2: Wrin and this motherfucker, like what are y'all doing? And

807
00:38:50,400 --> 00:38:53,080
Speaker 2: then it's like that's a lot of Kylo Wren. Somebody

808
00:38:53,120 --> 00:38:53,840
Speaker 2: got some notes.

809
00:38:56,120 --> 00:38:57,680
Speaker 5: It kind of boils the undo, the fact like there's

810
00:38:57,719 --> 00:39:00,120
Speaker 5: this big group hug between the main characters.

811
00:38:59,760 --> 00:39:00,760
Speaker 2: That the fam.

812
00:39:02,160 --> 00:39:05,280
Speaker 5: And I felt nothing about it. Yeah, what what journey

813
00:39:05,400 --> 00:39:08,120
Speaker 5: have they been on as characters together? Where like I'm

814
00:39:08,120 --> 00:39:11,560
Speaker 5: supposed to feel something about this hug was the greatest.

815
00:39:11,640 --> 00:39:13,680
Speaker 2: I think what killed it for me because what I

816
00:39:13,760 --> 00:39:15,800
Speaker 2: wanted it was a lot of nerves arguing online. So

817
00:39:15,960 --> 00:39:18,719
Speaker 2: then and then with Star Wars, you know, it gets

818
00:39:18,880 --> 00:39:23,480
Speaker 2: I think it's almost impossible to not have some polarized

819
00:39:24,360 --> 00:39:27,080
Speaker 2: view of it because some of the fan base is

820
00:39:27,200 --> 00:39:30,680
Speaker 2: like very disingenuous and like they are and toxic and shit,

821
00:39:30,719 --> 00:39:32,840
Speaker 2: and you're like, I don't want to be with like

822
00:39:32,920 --> 00:39:34,920
Speaker 2: I didn't like that part, but damn I don't want

823
00:39:35,040 --> 00:39:37,560
Speaker 2: like women to not have jobs or whatever the fuck,

824
00:39:37,680 --> 00:39:40,480
Speaker 2: Like why is a woman talking? You're like, well, no,

825
00:39:40,760 --> 00:39:43,440
Speaker 2: not not you, but I do, you know. So it

826
00:39:43,560 --> 00:39:46,280
Speaker 2: was kind of a hard thing to find any community

827
00:39:46,360 --> 00:39:48,960
Speaker 2: in that, and so I think it pushed me towards

828
00:39:49,080 --> 00:39:51,680
Speaker 2: like a place of like fuck it. It was originally

829
00:39:51,719 --> 00:39:53,640
Speaker 2: for kids. Anyway, I'm just gonna like all the ship,

830
00:39:53,800 --> 00:39:56,800
Speaker 2: watch all the cartoons and all that, and I understand

831
00:39:56,840 --> 00:40:00,000
Speaker 2: the criticism, but I'm scared to take a step toward

832
00:40:00,239 --> 00:40:02,040
Speaker 2: because I'm afraid we're gonna end up in you know,

833
00:40:02,280 --> 00:40:08,440
Speaker 2: like uh whatever, crazy land. But the way that the

834
00:40:09,520 --> 00:40:14,760
Speaker 2: Rihan Johnson Star Wars is so different from jj Abrams

835
00:40:14,760 --> 00:40:18,359
Speaker 2: Star Wars. It just felt like something was happening at

836
00:40:18,400 --> 00:40:21,440
Speaker 2: the top of Star Wars, like they just ain't have

837
00:40:21,560 --> 00:40:24,200
Speaker 2: nothing to do with like a specific but like someone

838
00:40:24,320 --> 00:40:29,919
Speaker 2: up there was like, fuck the Force awakens. Man, y'all serious, man,

839
00:40:30,040 --> 00:40:32,640
Speaker 2: this ship needs real pathos and drama. We need a

840
00:40:32,680 --> 00:40:35,759
Speaker 2: statement about capitalism and all that. And then they made

841
00:40:36,000 --> 00:40:38,719
Speaker 2: Rihan Johnson's Joint, which I did like I'm not gonna lie,

842
00:40:38,800 --> 00:40:41,920
Speaker 2: but but then like someone saw that at the top

843
00:40:42,120 --> 00:40:50,760
Speaker 2: was like man, fuck where I don't like saying It's.

844
00:40:48,440 --> 00:40:51,759
Speaker 4: Like I feel like at the time it was like

845
00:40:51,880 --> 00:40:53,040
Speaker 4: the peak of Twitter.

846
00:40:54,120 --> 00:40:55,720
Speaker 3: And they were actually listening.

847
00:40:55,880 --> 00:40:57,200
Speaker 4: Yeah, they were actually listening.

848
00:40:57,320 --> 00:41:00,640
Speaker 5: They were they were handling the French is the way

849
00:41:00,719 --> 00:41:02,040
Speaker 5: that Donald Trump is handled?

850
00:41:02,320 --> 00:41:04,919
Speaker 4: Yes, you know, like Donald Trump is looking at Twitter.

851
00:41:04,960 --> 00:41:06,359
Speaker 4: They're all looking at Yeah.

852
00:41:07,440 --> 00:41:07,960
Speaker 3: I can see that.

853
00:41:08,040 --> 00:41:09,239
Speaker 6: That completely made sense.

854
00:41:09,280 --> 00:41:12,239
Speaker 3: It's just as you go on, you go, oh, the

855
00:41:12,480 --> 00:41:17,080
Speaker 3: original vision was gonna be completely like not the same

856
00:41:17,160 --> 00:41:20,040
Speaker 3: as this vision right here, Like we ended and it's

857
00:41:20,040 --> 00:41:22,719
Speaker 3: almost like we got three separate like you said, three

858
00:41:22,800 --> 00:41:26,040
Speaker 3: separate stories, three separate and some there wasn't that middle

859
00:41:26,080 --> 00:41:28,759
Speaker 3: person that was like, okay, can we collaborate like you said? Right,

860
00:41:28,920 --> 00:41:30,680
Speaker 3: Like right, I said, you need that collaboration person. You

861
00:41:30,800 --> 00:41:33,840
Speaker 3: got somebody go okay, and we can go up five percent?

862
00:41:34,280 --> 00:41:36,640
Speaker 3: You know, okay, fifth, okay, can we get you fifteenth

863
00:41:36,960 --> 00:41:39,680
Speaker 3: like the negotiator to make the story makes sense?

864
00:41:39,719 --> 00:41:43,840
Speaker 2: Like somebody. I think also, when the thing you're actually

865
00:41:43,960 --> 00:41:49,320
Speaker 2: responding to is like social media stuff, those people aren't

866
00:41:49,640 --> 00:41:53,200
Speaker 2: necessarily even real or have any real stakes in the thing.

867
00:41:53,360 --> 00:41:53,560
Speaker 3: Right, And.

868
00:41:55,280 --> 00:41:58,440
Speaker 2: This was before studios really learned because I think it

869
00:41:58,560 --> 00:42:03,640
Speaker 2: was like not till morbious that they accepted this idea. Yeah,

870
00:42:04,000 --> 00:42:06,719
Speaker 2: but they accepted this idea of like, oh, the Internet

871
00:42:07,280 --> 00:42:10,040
Speaker 2: people aren't necessarily leaving their house to do this shit

872
00:42:10,239 --> 00:42:13,680
Speaker 2: like some of them they're part of the entertainment is

873
00:42:13,840 --> 00:42:16,400
Speaker 2: only saying Star Wars sucks and making like a YouTube

874
00:42:16,440 --> 00:42:20,400
Speaker 2: video about it. They're not going to go in droves

875
00:42:20,480 --> 00:42:23,000
Speaker 2: and be like, oh, you guys made the Han Solo

876
00:42:23,120 --> 00:42:25,879
Speaker 2: movie that we all played and say we don't want

877
00:42:25,920 --> 00:42:28,160
Speaker 2: to see this bullshit. Give us Han Solo. What happened?

878
00:42:28,200 --> 00:42:31,600
Speaker 2: And when white men had black bet friends and they

879
00:42:31,680 --> 00:42:33,120
Speaker 2: fucking ran the galaxy like.

880
00:42:33,320 --> 00:42:36,000
Speaker 3: And that shit was flames and I was like, let's

881
00:42:36,040 --> 00:42:37,680
Speaker 3: go number two and they didn't.

882
00:42:37,440 --> 00:42:40,920
Speaker 2: Even go support it. Yeah, they didn't even watch Han Solo,

883
00:42:41,040 --> 00:42:44,520
Speaker 2: And so I think it took that for them to

884
00:42:44,680 --> 00:42:47,840
Speaker 2: be like, okay, maybe not too much on giving the

885
00:42:47,920 --> 00:42:51,360
Speaker 2: Internet credit for this shit. So but yeah, but that

886
00:42:51,520 --> 00:42:53,719
Speaker 2: was a huge learning curve and it did kind of suck.

887
00:42:53,800 --> 00:42:56,080
Speaker 2: But yeah, you're right. There's so many times when you

888
00:42:56,160 --> 00:42:58,400
Speaker 2: watch something you're like, yep, they got notes and they

889
00:42:58,480 --> 00:43:01,120
Speaker 2: had to say this thing twelve time because if someone

890
00:43:01,200 --> 00:43:03,440
Speaker 2: told him this is confusing and people can't follow it

891
00:43:03,480 --> 00:43:06,000
Speaker 2: from their phones, and it is nice to be in

892
00:43:06,120 --> 00:43:08,120
Speaker 2: charge of something and not do that, you know what

893
00:43:08,200 --> 00:43:12,000
Speaker 2: I mean, like to be like, hey man, they need

894
00:43:12,080 --> 00:43:14,000
Speaker 2: to rewind the podcast a little bit so they can

895
00:43:14,040 --> 00:43:15,759
Speaker 2: see when he walked in the room if they really

896
00:43:15,800 --> 00:43:17,440
Speaker 2: don't understand he's in a different room now.

897
00:43:19,280 --> 00:43:21,040
Speaker 5: Yeah, Like I tried to go for the idea of, like,

898
00:43:21,239 --> 00:43:23,640
Speaker 5: you know, the audio version of show don't Tell, So

899
00:43:23,680 --> 00:43:25,279
Speaker 5: it's like here, don't tell, like you can hear that,

900
00:43:25,560 --> 00:43:27,959
Speaker 5: you know, someone got up from their chair or whatever.

901
00:43:29,600 --> 00:43:32,080
Speaker 4: But yeah, yeah, it's I hope it. You know, this

902
00:43:32,239 --> 00:43:35,200
Speaker 4: is just like added to the language of audio dramas

903
00:43:35,280 --> 00:43:36,000
Speaker 4: and audio.

904
00:43:36,160 --> 00:43:39,759
Speaker 2: Nah, I can't wait. Man, The trailer sounds amazing. The

905
00:43:39,920 --> 00:43:43,680
Speaker 2: concept is fire, and the people in the cast are

906
00:43:43,760 --> 00:43:46,120
Speaker 2: so hilarious that I know it's gonna they are So

907
00:43:46,200 --> 00:43:49,040
Speaker 2: I'm definitely my favorite shows definitely gonna be tapped in.

908
00:43:49,320 --> 00:43:51,600
Speaker 2: You said, February eleventh is when it releases.

909
00:43:51,920 --> 00:43:54,480
Speaker 5: When it releases, yeah, everyone can subscribe now wherever they

910
00:43:54,520 --> 00:43:56,560
Speaker 5: get podcasts. The trailers out and that that would be

911
00:43:56,600 --> 00:43:59,120
Speaker 5: a huge help. And then on February eleventh, the first

912
00:43:59,160 --> 00:44:02,880
Speaker 5: three episodes up, and then the following five Wednesdays the

913
00:44:02,920 --> 00:44:05,640
Speaker 5: remaining five episodes will come out. So I hope that

914
00:44:05,719 --> 00:44:07,960
Speaker 5: everyone tunes in and get all the information onto at

915
00:44:08,480 --> 00:44:09,440
Speaker 5: Judge Travis.

916
00:44:09,200 --> 00:44:12,920
Speaker 4: Dot com and you know, let's make it. Uh, let's

917
00:44:12,960 --> 00:44:14,560
Speaker 4: make it. It's making a dialogue. I don't know if

918
00:44:14,560 --> 00:44:15,640
Speaker 4: black Twitter's back.

919
00:44:16,120 --> 00:44:19,399
Speaker 2: Man, black Twitter is on threads now or some ship.

920
00:44:19,440 --> 00:44:21,120
Speaker 2: I don't even I can't keep up with what we.

921
00:44:21,239 --> 00:44:22,600
Speaker 4: Migrated to threads.

922
00:44:22,680 --> 00:44:26,279
Speaker 2: Yeah, I feel I feel like black Twitter did. There's

923
00:44:26,320 --> 00:44:29,640
Speaker 2: like a great migration happening. It is digitally and I'm

924
00:44:29,719 --> 00:44:31,480
Speaker 2: just like, I don't where are we going? Like I'm

925
00:44:31,960 --> 00:44:33,720
Speaker 2: I'm just in the middle of the street in Memphis

926
00:44:33,760 --> 00:44:35,879
Speaker 2: holding my ship, like, so where y'all going?

927
00:44:36,760 --> 00:44:37,200
Speaker 4: Came back?

928
00:44:37,320 --> 00:44:39,680
Speaker 2: I saw that it did for a little bit. Yeah,

929
00:44:40,080 --> 00:44:43,840
Speaker 2: I think, like, didn't a Laune investing that ship or something.

930
00:44:43,680 --> 00:44:44,000
Speaker 3: Like it was.

931
00:44:45,200 --> 00:44:47,800
Speaker 2: I don't know where they at, man, I'm not I

932
00:44:47,800 --> 00:44:50,040
Speaker 2: don't know where the blacks are these days. Cause I

933
00:44:50,120 --> 00:44:53,879
Speaker 2: also feel like the blacks we are, we are segregating

934
00:44:53,960 --> 00:44:58,560
Speaker 2: ourselves within blackness too. So it's like, listen, very uptight

935
00:44:59,160 --> 00:45:03,080
Speaker 2: political black Twitter were going to Blue Sky. I'm like, Okay,

936
00:45:03,239 --> 00:45:05,759
Speaker 2: I don't know if I I don't know if I

937
00:45:05,840 --> 00:45:08,640
Speaker 2: fuck with I agree with y'all. I just don't know

938
00:45:08,680 --> 00:45:09,960
Speaker 2: if I want to be living in.

939
00:45:09,960 --> 00:45:12,160
Speaker 6: Your neighborhood money, and we don't take jokes.

940
00:45:12,280 --> 00:45:14,839
Speaker 2: I like to do silly things sometimes it actually don't

941
00:45:14,840 --> 00:45:17,880
Speaker 2: make a lot of sense. And uh, I'm not offensive,

942
00:45:18,000 --> 00:45:19,560
Speaker 2: but I just don't I don't, you know, I don't

943
00:45:19,600 --> 00:45:21,960
Speaker 2: need y'all looking too too far into what I'm saying.

944
00:45:22,000 --> 00:45:25,280
Speaker 2: It's just a joke. And so then and then like threads,

945
00:45:25,760 --> 00:45:29,279
Speaker 2: I found, you know, one the ig baddies are also

946
00:45:29,400 --> 00:45:31,960
Speaker 2: on threads, so that's like that's a plus for them.

947
00:45:32,560 --> 00:45:34,719
Speaker 2: But then also they are a little uptight about shit

948
00:45:34,840 --> 00:45:37,279
Speaker 2: on threads. I'm like, ah. And then of course on

949
00:45:37,719 --> 00:45:41,160
Speaker 2: Twitter it's just burning crosses, like it's just like I'm like,

950
00:45:41,200 --> 00:45:45,840
Speaker 2: I don't know what, yeah, like can you find the

951
00:45:45,880 --> 00:45:50,920
Speaker 2: middle ground? Y'all? Teny Tuesday? Uh in seventeen seventy six, Like,

952
00:45:51,080 --> 00:45:54,120
Speaker 2: oh okay. That's At the same time, that's I don't

953
00:45:54,120 --> 00:45:56,120
Speaker 2: want to turn this into a king now. I gotta

954
00:45:56,160 --> 00:46:01,000
Speaker 2: live with this, Like, but yeah, it's crazy to to

955
00:46:01,200 --> 00:46:04,720
Speaker 2: be a bit, you know, digitally separated as black folks.

956
00:46:04,760 --> 00:46:07,640
Speaker 2: I don't know where we're going. And then like every

957
00:46:07,719 --> 00:46:10,200
Speaker 2: time I do look into something, I feel like I

958
00:46:10,600 --> 00:46:13,000
Speaker 2: hear a bad thing about it too, Like I think

959
00:46:13,120 --> 00:46:15,400
Speaker 2: one was like fan base or something. Everybody's like, oh,

960
00:46:15,480 --> 00:46:17,600
Speaker 2: I go to fan base, it's like for the black folks.

961
00:46:17,640 --> 00:46:20,320
Speaker 2: I was like, okay, that's and then I went in

962
00:46:21,000 --> 00:46:23,840
Speaker 2: to threads and like franchance go Ramsey had made like

963
00:46:23,880 --> 00:46:26,919
Speaker 2: a twelve thread post about don't fuck with fan base.

964
00:46:27,400 --> 00:46:30,000
Speaker 2: I was like, oh, okay, I didn't know that was

965
00:46:30,080 --> 00:46:32,480
Speaker 2: a problem. I'm gonna go back to Twitter with the

966
00:46:32,560 --> 00:46:33,120
Speaker 2: racest y'all.

967
00:46:33,200 --> 00:46:36,920
Speaker 3: Let me know, y'all, y'all me up, y'all, y'all.

968
00:46:37,520 --> 00:46:39,600
Speaker 2: Send me a dm if y'all over there to let

969
00:46:39,719 --> 00:46:40,239
Speaker 2: me know where to.

970
00:46:40,280 --> 00:46:42,080
Speaker 3: God, don't mind being the last one to move to

971
00:46:42,120 --> 00:46:44,239
Speaker 3: the neighborhood. And I'm old and I feel like this,

972
00:46:44,480 --> 00:46:46,600
Speaker 3: like I feel like all the food apps. Why I

973
00:46:46,719 --> 00:46:47,480
Speaker 3: need to get a why?

974
00:46:48,120 --> 00:46:49,839
Speaker 2: Like you know, I have a brain.

975
00:46:50,080 --> 00:46:53,359
Speaker 3: My brain goals has recent limit. I was like, okay,

976
00:46:53,480 --> 00:46:56,439
Speaker 3: no more sites for me, and I know this thing's

977
00:46:56,480 --> 00:46:58,960
Speaker 3: gonna be around forever. I'm not joining new shit just

978
00:46:59,040 --> 00:47:01,520
Speaker 3: to join it for y'all to abandoned and going somewhere else.

979
00:47:02,120 --> 00:47:06,680
Speaker 2: Well, I'm definitely. I'm definitely. Oh. I saw a Twitter

980
00:47:07,239 --> 00:47:10,600
Speaker 2: thing from like one of these pop culture things I follow,

981
00:47:11,360 --> 00:47:15,000
Speaker 2: and it was like a horse Girl serves at the

982
00:47:15,239 --> 00:47:28,760
Speaker 2: MTV awrse right, right right, This isn't no, sir, Jessica

983
00:47:28,840 --> 00:47:33,040
Speaker 2: Parker slander. This is like she got an actual horse face.

984
00:47:33,120 --> 00:47:34,239
Speaker 2: That's not exaggeration.

985
00:47:34,440 --> 00:47:35,560
Speaker 3: She got an actual horse face.

986
00:47:35,600 --> 00:47:35,960
Speaker 6: Yeah I can.

987
00:47:36,080 --> 00:47:38,160
Speaker 2: I'm I'm gonna scroll my Twitter and bring it up

988
00:47:38,200 --> 00:47:42,120
Speaker 2: for y'all. Uh yeah, I'm gonna pull it up for you.

989
00:47:42,640 --> 00:47:44,600
Speaker 2: Uh and I'll show y'all what I saw because I

990
00:47:44,719 --> 00:47:48,040
Speaker 2: was just like, oh my god, but yeah it was.

991
00:47:48,280 --> 00:47:53,000
Speaker 2: It was this tweet uh here from pop Crave. It

992
00:47:53,160 --> 00:47:55,640
Speaker 2: so as horse Girl, which is spelled h O R

993
00:47:55,840 --> 00:48:02,600
Speaker 2: s e g i I R capital L right serves

994
00:48:03,680 --> 00:48:08,120
Speaker 2: at Spotify's six Best New Artist party in Los Angeles.

995
00:48:08,440 --> 00:48:11,959
Speaker 2: And it's a video so you can see them zoom

996
00:48:12,080 --> 00:48:13,680
Speaker 2: in on horse girls serving.

997
00:48:14,120 --> 00:48:15,000
Speaker 3: Oh that's not CG.

998
00:48:15,640 --> 00:48:16,520
Speaker 2: No, that's no.

999
00:48:19,400 --> 00:48:20,799
Speaker 3: What I don't want to stand.

1000
00:48:21,000 --> 00:48:21,560
Speaker 4: Okay, I was.

1001
00:48:21,680 --> 00:48:24,759
Speaker 5: I was scrolling Twitter earlier today or last night, and

1002
00:48:24,840 --> 00:48:27,960
Speaker 5: I saw that a new wave of conspiracy theory that

1003
00:48:28,160 --> 00:48:31,120
Speaker 5: is like doctored AI photos.

1004
00:48:31,280 --> 00:48:35,320
Speaker 4: Saying that that Zori and mom Donnie's mom was on

1005
00:48:35,480 --> 00:48:37,200
Speaker 4: Epstein hung out with Epstein.

1006
00:48:37,440 --> 00:48:39,800
Speaker 2: The okay, okay, and now.

1007
00:48:39,800 --> 00:48:45,520
Speaker 5: Some fringe theories within that that perhaps Donnie is Epstein's son.

1008
00:48:46,000 --> 00:48:50,279
Speaker 2: Okay, nice is like and then, but that's all you

1009
00:48:50,360 --> 00:48:50,600
Speaker 2: can do.

1010
00:48:50,680 --> 00:48:51,640
Speaker 6: You can my brain.

1011
00:48:52,320 --> 00:48:56,040
Speaker 2: But what was crazy was crazy mom Donnie's Dayton horse Girl.

1012
00:48:59,640 --> 00:49:02,319
Speaker 2: I heard or that ship last night. It was crazy. Yeah,

1013
00:49:02,520 --> 00:49:06,440
Speaker 2: But I but I feel like I'm at that age

1014
00:49:06,560 --> 00:49:10,080
Speaker 2: now where all young people celebrity news sounds exactly like

1015
00:49:10,160 --> 00:49:14,279
Speaker 2: that sentence I read of horse Girls. Serves like even

1016
00:49:14,360 --> 00:49:16,880
Speaker 2: when they're not yeah, even when they're not looking like

1017
00:49:16,960 --> 00:49:20,480
Speaker 2: horse girl, just just like little baby is joined by

1018
00:49:20,600 --> 00:49:23,760
Speaker 2: dub Baby on stage with a real life actual baby

1019
00:49:24,000 --> 00:49:27,240
Speaker 2: to a baby fast And I'm like that all sounds

1020
00:49:27,280 --> 00:49:29,959
Speaker 2: like blah blah blah. I probably sound to the kids

1021
00:49:30,080 --> 00:49:33,319
Speaker 2: like the adults do in Peanuts. Yes, that's why they

1022
00:49:33,360 --> 00:49:34,800
Speaker 2: do that, because.

1023
00:49:34,760 --> 00:49:37,000
Speaker 6: Parents don't you know, the adults don't matter to the kids.

1024
00:49:37,080 --> 00:49:41,000
Speaker 2: Yeah, and they sound like I watched I watch.

1025
00:49:41,600 --> 00:49:44,000
Speaker 4: For the most part now, just because it's like channels,

1026
00:49:45,000 --> 00:49:45,960
Speaker 4: I can watch my backer.

1027
00:49:49,320 --> 00:49:51,839
Speaker 2: I just listen through back up. We'll turned to our

1028
00:49:52,160 --> 00:49:54,880
Speaker 2: our grandparents, not even our I'm stipping my parents to

1029
00:49:54,920 --> 00:49:57,040
Speaker 2: turn to my grandparents. You know what I like to do,

1030
00:49:57,239 --> 00:50:00,279
Speaker 2: curl up with a good episode in the heat the.

1031
00:50:00,400 --> 00:50:04,520
Speaker 3: Night girl, you think that's something. Girl, I sent my

1032
00:50:04,760 --> 00:50:07,440
Speaker 3: grandson down. I tell them you better eat this so

1033
00:50:07,560 --> 00:50:08,919
Speaker 3: you ain't gonna be eating nothing else.

1034
00:50:09,040 --> 00:50:11,319
Speaker 2: I like, I like to just take a little put

1035
00:50:11,360 --> 00:50:14,680
Speaker 2: a little rum in my teeth. They just sit down

1036
00:50:14,760 --> 00:50:17,439
Speaker 2: in front of television, turn on murder. She rode.

1037
00:50:17,760 --> 00:50:20,320
Speaker 6: Yes, girl, I'm not with you.

1038
00:50:20,640 --> 00:50:22,880
Speaker 3: And you know what, when I put my cat up,

1039
00:50:22,920 --> 00:50:25,200
Speaker 3: I take my my feet and I put him in

1040
00:50:25,280 --> 00:50:27,400
Speaker 3: some ips and south. Girl, you feel like a brand

1041
00:50:27,440 --> 00:50:28,480
Speaker 3: new woman in the morning.

1042
00:50:29,120 --> 00:50:32,800
Speaker 5: It's just like it's simplified. It's and the fact that

1043
00:50:32,880 --> 00:50:35,000
Speaker 5: it feels like it's curated. I think that's what I

1044
00:50:35,120 --> 00:50:37,759
Speaker 5: miss about. You know, this is my We're gonna talk

1045
00:50:37,760 --> 00:50:43,320
Speaker 5: about conspiracy theories. My conspiracy theories is that these major

1046
00:50:44,360 --> 00:50:47,839
Speaker 5: broadcasters don't want you to know that you can buy

1047
00:50:47,920 --> 00:50:49,760
Speaker 5: an antenna to watch.

1048
00:50:49,640 --> 00:50:51,040
Speaker 4: TV or free.

1049
00:50:51,640 --> 00:50:55,239
Speaker 3: Yeah yeah, yeah, yeah, you can't purchase those TVs anymore.

1050
00:50:55,320 --> 00:50:57,360
Speaker 4: But yeah, why have I never seen an ad for

1051
00:50:57,440 --> 00:50:59,960
Speaker 4: an antenna? That's a good I never you would think

1052
00:51:00,120 --> 00:51:03,160
Speaker 4: to force you to page right, the.

1053
00:51:04,719 --> 00:51:09,040
Speaker 5: Television company that sells TVs, can you can you have

1054
00:51:09,200 --> 00:51:10,520
Speaker 5: a version that comes with an.

1055
00:51:10,480 --> 00:51:13,839
Speaker 2: Antenna, which is which is crazy on two levels, cause

1056
00:51:13,880 --> 00:51:17,000
Speaker 2: one You're right, I've never seen an ad for antenna,

1057
00:51:17,840 --> 00:51:20,480
Speaker 2: I mean, which I mean, I guess it's kind of yeah,

1058
00:51:20,560 --> 00:51:23,160
Speaker 2: why why haven't I seen an ad for antenna, especially

1059
00:51:23,239 --> 00:51:26,719
Speaker 2: like if you're want these tent pole stations. But it's

1060
00:51:26,760 --> 00:51:29,680
Speaker 2: also kind of funny because like they let Netflix put

1061
00:51:29,760 --> 00:51:33,120
Speaker 2: ads on NBC, you know, like like Netflix is one

1062
00:51:33,760 --> 00:51:36,120
Speaker 2: the competitor, like they taking people away from y'all, and

1063
00:51:36,160 --> 00:51:39,279
Speaker 2: they're like, you can do that. And then the other

1064
00:51:39,400 --> 00:51:43,560
Speaker 2: thing is, now I'm almost scared to tell somebody just

1065
00:51:43,600 --> 00:51:48,200
Speaker 2: get an antenna because the major stations have capitulated the

1066
00:51:48,239 --> 00:51:50,120
Speaker 2: Trump now, Like because it used to be like, no,

1067
00:51:50,360 --> 00:51:53,440
Speaker 2: you go to ABC, CBS, that's not the crazy news,

1068
00:51:53,840 --> 00:51:57,200
Speaker 2: that's the news news, that's what really happened today. And

1069
00:51:57,360 --> 00:51:59,600
Speaker 2: now I'm like, I don't know if Barry White's gonna

1070
00:51:59,640 --> 00:52:02,800
Speaker 2: let them tell everybody that don Lemon got arrested. You know,

1071
00:52:02,960 --> 00:52:03,880
Speaker 2: she don't agree with that.

1072
00:52:04,320 --> 00:52:07,080
Speaker 3: Yeah, you better get an antenna so you can hear,

1073
00:52:07,200 --> 00:52:10,600
Speaker 3: so you can hear what's happening. Uh, an American covering

1074
00:52:10,680 --> 00:52:11,920
Speaker 3: America from another country.

1075
00:52:11,920 --> 00:52:14,799
Speaker 2: You're like, oh, that's the truth of radio antenna, Yes,

1076
00:52:16,280 --> 00:52:18,120
Speaker 2: but but you know, a credit to all the black

1077
00:52:18,200 --> 00:52:20,960
Speaker 2: children that won't be beaten with antenna's. Okay, that we did.

1078
00:52:21,040 --> 00:52:23,879
Speaker 2: We don't think about that. We said the whole generation. Yeah,

1079
00:52:23,960 --> 00:52:26,200
Speaker 2: I had. I had a friend Eric. He's never been

1080
00:52:26,320 --> 00:52:29,680
Speaker 2: right because his mama believed in hitting people with the mantana's.

1081
00:52:29,680 --> 00:52:31,640
Speaker 2: I was like, that's too far, that's amused to me,

1082
00:52:31,760 --> 00:52:32,560
Speaker 2: but she'd agreed.

1083
00:52:33,520 --> 00:52:36,400
Speaker 5: Also, I've had a wormhole on YouTube where it's a

1084
00:52:36,480 --> 00:52:39,480
Speaker 5: bunch of black sitcom pilots.

1085
00:52:39,600 --> 00:52:42,120
Speaker 4: Some of them, like pilots, have never turn.

1086
00:52:41,960 --> 00:52:44,359
Speaker 5: Into full TV shows. It's fascinating, and some of it's

1087
00:52:44,400 --> 00:52:47,759
Speaker 5: like a one season, a one season wonder. There's one

1088
00:52:47,840 --> 00:52:50,360
Speaker 5: with David Allen Greer I for what's called but he

1089
00:52:50,440 --> 00:52:53,279
Speaker 5: plays just like this, this nerd who works in a

1090
00:52:53,760 --> 00:52:55,840
Speaker 5: a detective he works at a he works at a

1091
00:52:55,920 --> 00:52:59,520
Speaker 5: magazine called stuff. Huh it's called it's called the Spencer

1092
00:52:59,600 --> 00:53:02,960
Speaker 5: Episode or something like that. So weird, but I'm enjoying that,

1093
00:53:03,160 --> 00:53:06,160
Speaker 5: just like washing, Like whoa, this was our sineos.

1094
00:53:05,760 --> 00:53:09,120
Speaker 2: Time getting all the way, getting all the way to

1095
00:53:09,320 --> 00:53:12,640
Speaker 2: pilot and not getting green lit. That's gotta suck. Man.

1096
00:53:13,120 --> 00:53:13,879
Speaker 3: That happens a lot.

1097
00:53:14,040 --> 00:53:17,040
Speaker 2: That's part of the industry. But man, because like once

1098
00:53:17,120 --> 00:53:19,800
Speaker 2: that happens pretty much. The idea is dead too, because

1099
00:53:19,880 --> 00:53:24,000
Speaker 2: like they own all that ship basically, so no matter

1100
00:53:24,080 --> 00:53:26,399
Speaker 2: how much work it took to get to almost green lit,

1101
00:53:27,160 --> 00:53:31,719
Speaker 2: it's over crushing. But I remember they had that. Dude,

1102
00:53:33,840 --> 00:53:36,680
Speaker 2: it wasn't a shade something. He's such a great actor,

1103
00:53:37,239 --> 00:53:38,840
Speaker 2: but he was. There was a sitcom where he was

1104
00:53:38,840 --> 00:53:44,239
Speaker 2: gonna play a slave for Lincoln that essentially wrote the Yeah,

1105
00:53:44,440 --> 00:53:46,560
Speaker 2: it was like the such and such a Desmond whatever

1106
00:53:46,760 --> 00:53:52,239
Speaker 2: and uh, Jesse Jackson at nat All, that show never

1107
00:53:52,320 --> 00:53:55,960
Speaker 2: got released. They heard that idea before that ship came out. Boy,

1108
00:53:56,600 --> 00:53:59,680
Speaker 2: I think they had one episode exactly like I think

1109
00:53:59,719 --> 00:54:01,920
Speaker 2: in my play it at the like Living Color to

1110
00:54:01,960 --> 00:54:04,160
Speaker 2: the super Bowl, and I don't think the rest of

1111
00:54:04,239 --> 00:54:06,040
Speaker 2: that season hit the work hit the world.

1112
00:54:06,600 --> 00:54:08,560
Speaker 3: I know because me and you I remember watching that

1113
00:54:08,640 --> 00:54:13,680
Speaker 3: with you know it, yes, because they was like new Yeah.

1114
00:54:14,120 --> 00:54:17,640
Speaker 2: The season the Secret Life of Desmond Fighter was was

1115
00:54:17,719 --> 00:54:24,960
Speaker 2: the name of it, The Misadventures of Abraham Dog. Yeah, Homeboys,

1116
00:54:25,120 --> 00:54:27,040
Speaker 2: out of face. That's another one. I was like, man,

1117
00:54:27,280 --> 00:54:29,920
Speaker 2: that ship never got off the ground. Sean McBride was

1118
00:54:30,000 --> 00:54:33,800
Speaker 2: in it was in this Secret Diary of Desmond Fighter,

1119
00:54:34,280 --> 00:54:37,640
Speaker 2: The Misadventures of Abraham Lincoln, his Luney associates, and the

1120
00:54:37,760 --> 00:54:41,800
Speaker 2: only same man among them, the President's black butler, Desmond Fighter,

1121
00:54:42,239 --> 00:54:44,719
Speaker 2: who is the one who really got us democracy and

1122
00:54:44,800 --> 00:54:48,560
Speaker 2: freed the slaves, according to the pilot or whatever. And

1123
00:54:50,280 --> 00:54:53,359
Speaker 2: apparently at that time you were not allowed to laugh

1124
00:54:53,400 --> 00:54:58,239
Speaker 2: about that, and so that dream died. You know, maybe

1125
00:54:58,239 --> 00:54:59,800
Speaker 2: it came along at the wrong time. I feel like

1126
00:54:59,840 --> 00:55:02,000
Speaker 2: you pitch a slavery show now it might get green lit.

1127
00:55:03,680 --> 00:55:06,160
Speaker 2: It's like CBS, Look, man, come on, I know what

1128
00:55:06,280 --> 00:55:10,200
Speaker 2: y'all trying to do over there. Let's bring slavery back. Okay,

1129
00:55:10,400 --> 00:55:17,400
Speaker 2: it's kind of we're telling the same story. Yeah, all right,

1130
00:55:17,520 --> 00:55:20,040
Speaker 2: Let's do a couple if you don't mind. Let's do

1131
00:55:20,120 --> 00:55:24,320
Speaker 2: a couple of segments. Uh here with Tim Okay, before

1132
00:55:24,360 --> 00:55:26,560
Speaker 2: we wrap up. You know we got we do segments

1133
00:55:26,600 --> 00:55:30,000
Speaker 2: here on the podcast. Some of them have like music

1134
00:55:30,280 --> 00:55:35,760
Speaker 2: and intro songs. This one does. Uh, let's do Black

1135
00:55:35,880 --> 00:55:41,120
Speaker 2: Capitalism with Tim and we'll explain the black capitalism segment. Uh.

1136
00:55:41,719 --> 00:55:44,880
Speaker 2: Will we come back from this short intermission?

1137
00:55:46,000 --> 00:55:51,399
Speaker 4: Boom Will Smith, he'll talking. But the only thing I'm

1138
00:55:51,440 --> 00:55:52,480
Speaker 4: listening to is that page.

1139
00:55:54,360 --> 00:56:01,040
Speaker 1: Every day we get into that patage. I hear them

1140
00:56:01,120 --> 00:56:13,400
Speaker 1: money talk to later. Every day we get people I

1141
00:56:13,520 --> 00:56:15,319
Speaker 1: hear them money talk to see later.

1142
00:56:22,440 --> 00:56:26,240
Speaker 2: So black capitalisms, we go around the globe, find different articles,

1143
00:56:26,480 --> 00:56:29,719
Speaker 2: uh that are talking about things black people are doing

1144
00:56:30,040 --> 00:56:34,960
Speaker 2: getting money, and then we just support them, okay, because honestly,

1145
00:56:35,080 --> 00:56:37,319
Speaker 2: they're the only black Black capitalists are the only people

1146
00:56:37,360 --> 00:56:39,320
Speaker 2: that really give to the black community except for McKenzie

1147
00:56:39,360 --> 00:56:42,840
Speaker 2: Bezos or mcause Scott. So we we like to celebrate

1148
00:56:43,400 --> 00:56:45,520
Speaker 2: our black capitalism. We feel like it's not the same

1149
00:56:45,560 --> 00:56:49,160
Speaker 2: as white capitalism. Okay. Beyonce don't own slaves, Okay, so

1150
00:56:49,239 --> 00:56:50,640
Speaker 2: I'm I'm gonna give her some credit.

1151
00:56:51,239 --> 00:56:51,319
Speaker 5: Uh.

1152
00:56:51,480 --> 00:56:55,480
Speaker 2: Beyonce teases Act three with a rock and roll bodyguard team.

1153
00:56:56,560 --> 00:57:02,000
Speaker 2: People think the third act, first she had the house music,

1154
00:57:02,960 --> 00:57:05,759
Speaker 2: then she had the country. They think it's rock and roll.

1155
00:57:05,840 --> 00:57:08,480
Speaker 2: Care I was right.

1156
00:57:10,080 --> 00:57:13,600
Speaker 3: I remember years ago you did when they was like,

1157
00:57:13,640 --> 00:57:15,680
Speaker 3: it's gonna be a three acts and people I don't

1158
00:57:15,719 --> 00:57:18,560
Speaker 3: even remember back two, back to man have been pronounced

1159
00:57:18,600 --> 00:57:20,920
Speaker 3: just like they just said somebody and I was like,

1160
00:57:21,040 --> 00:57:24,560
Speaker 3: I bet you her, Yes, I was like, it's gonna

1161
00:57:24,600 --> 00:57:26,880
Speaker 3: be rock. And the biggest reason why I said that

1162
00:57:26,960 --> 00:57:29,880
Speaker 3: is because of Lemonade. She had that song they was doing.

1163
00:57:30,160 --> 00:57:33,240
Speaker 3: They were doing the guitar riffs and she was out

1164
00:57:33,280 --> 00:57:35,920
Speaker 3: there with Yeah. I was like, you know what, that

1165
00:57:36,040 --> 00:57:39,320
Speaker 3: ship is gonna be flames because it's gonna be the

1166
00:57:39,440 --> 00:57:41,320
Speaker 3: white folks gonna be mad because it's gonna be a rick,

1167
00:57:41,840 --> 00:57:45,600
Speaker 3: a mixture of them guitars, them them real heavy metal

1168
00:57:45,640 --> 00:57:50,720
Speaker 3: guitars along with beats, along with bops along. You're like like, like,

1169
00:57:50,920 --> 00:57:53,400
Speaker 3: you know, cause she kind of re redoes it in

1170
00:57:53,480 --> 00:57:56,800
Speaker 3: her own way, and so I'm not gonna lie.

1171
00:57:57,000 --> 00:57:57,800
Speaker 2: She do that rock.

1172
00:57:58,160 --> 00:57:59,960
Speaker 3: It's gonna be fucking flames, you know.

1173
00:58:00,320 --> 00:58:01,760
Speaker 2: And let me give you a prop. So I'm gonna

1174
00:58:01,800 --> 00:58:03,080
Speaker 2: play your sound for you.

1175
00:58:22,280 --> 00:58:24,880
Speaker 3: I was right about something. That's that's my that's my

1176
00:58:25,000 --> 00:58:26,160
Speaker 3: little theme music.

1177
00:58:26,280 --> 00:58:29,360
Speaker 2: Yeah, Karen, you do be knowing And you didn't know that.

1178
00:58:30,240 --> 00:58:32,440
Speaker 2: I remember when you said that years and years and

1179
00:58:32,520 --> 00:58:37,080
Speaker 2: years ago. Uh, it might have even been before Renaissance.

1180
00:58:37,280 --> 00:58:39,520
Speaker 2: I think you were like, she's gonna make a rock

1181
00:58:39,520 --> 00:58:42,400
Speaker 2: and roll yeah, because we were doing for Lemonade, and

1182
00:58:42,560 --> 00:58:45,480
Speaker 2: I was like, wow, that's you know, and now that's

1183
00:58:46,160 --> 00:58:47,520
Speaker 2: everyone's catching up to you care.

1184
00:58:47,800 --> 00:58:50,080
Speaker 3: Yeah. They was now I say rock and roll, and

1185
00:58:50,480 --> 00:58:53,360
Speaker 3: you know what, and uh, since we in the black capitalism,

1186
00:58:53,480 --> 00:58:56,680
Speaker 3: I you know, for what, I love Beyonce. So I'm

1187
00:58:56,720 --> 00:58:58,200
Speaker 3: just saying. I'm just saying that for the most far,

1188
00:58:58,200 --> 00:59:01,000
Speaker 3: I move on with my sentences. I hope she put

1189
00:59:01,040 --> 00:59:02,840
Speaker 3: a rock appum and that she is like number one

1190
00:59:02,880 --> 00:59:05,640
Speaker 3: on the charts. I hope they can't ignore it. So

1191
00:59:05,720 --> 00:59:07,479
Speaker 3: when they had a rock and roll Hall of Fame,

1192
00:59:07,880 --> 00:59:09,720
Speaker 3: like like they think they think where the pans to do,

1193
00:59:10,200 --> 00:59:12,600
Speaker 3: like the country, when she got to be there, like I.

1194
00:59:13,200 --> 00:59:14,720
Speaker 2: Can't wait.

1195
00:59:17,040 --> 00:59:20,360
Speaker 4: And is already like they know that rock and roll

1196
00:59:21,040 --> 00:59:25,080
Speaker 4: is kind of like it doesn't exist.

1197
00:59:26,400 --> 00:59:31,560
Speaker 2: Like and fame, right, It's kind of becomes the music

1198
00:59:31,640 --> 00:59:36,360
Speaker 2: Hall of Fame. I think, yeah, yeah, like Missy's in

1199
00:59:36,440 --> 00:59:38,520
Speaker 2: there and stuff now or something. It's like, oh yeah,

1200
00:59:38,560 --> 00:59:40,480
Speaker 2: y'all just doing with y'all whatever y'all want to do.

1201
00:59:41,880 --> 00:59:44,600
Speaker 2: So yeah, I love it, and I think the one

1202
00:59:44,680 --> 00:59:48,040
Speaker 2: thing I will hope is that rock will be less

1203
00:59:48,760 --> 00:59:53,640
Speaker 2: antagonistic towards someone experimenting with it as because country was

1204
00:59:53,720 --> 00:59:56,280
Speaker 2: they were, they'd be getting too uptight over there, especially

1205
00:59:56,320 --> 01:00:00,480
Speaker 2: when look white folks, I tell you, okay, I hear

1206
01:00:00,600 --> 01:00:04,240
Speaker 2: what this country music is. It's a lot of rap

1207
01:00:04,320 --> 01:00:05,200
Speaker 2: in this new country.

1208
01:00:05,680 --> 01:00:08,600
Speaker 3: And I'm like hey and bragging about shit.

1209
01:00:08,760 --> 01:00:11,920
Speaker 2: Right, Yeah, I'm like, I heard these songs. These ain't my.

1210
01:00:12,080 --> 01:00:15,160
Speaker 3: Dog got shy, Like this ain't that shit, And that's

1211
01:00:15,200 --> 01:00:18,000
Speaker 3: what a certain generation think with country. But yeah, country

1212
01:00:18,040 --> 01:00:19,080
Speaker 3: has evolved a lot.

1213
01:00:19,320 --> 01:00:21,800
Speaker 2: Yeah, So I'm just saying, we don't do like we

1214
01:00:21,960 --> 01:00:24,320
Speaker 2: be letting Post Malone come to the BT Awards. We

1215
01:00:24,440 --> 01:00:26,760
Speaker 2: gonna be mean to them. So the least y'all can

1216
01:00:26,840 --> 01:00:29,240
Speaker 2: do is let our greatest artist because post Malone not

1217
01:00:29,320 --> 01:00:32,000
Speaker 2: even y'all greatest. Like, let's be honest. Okay, y'all just

1218
01:00:32,040 --> 01:00:35,240
Speaker 2: be sending to anybody to BT Wars, but we send

1219
01:00:35,320 --> 01:00:38,320
Speaker 2: our best and brightest to the Country Music Awards. You

1220
01:00:38,720 --> 01:00:41,160
Speaker 2: just show some respect, man, it's all all the music

1221
01:00:41,240 --> 01:00:43,200
Speaker 2: is black anyway, y'all didn't come up with none of

1222
01:00:43,280 --> 01:00:46,320
Speaker 2: this shit. Just show a little respect. So hopefully rock

1223
01:00:46,320 --> 01:00:49,760
Speaker 2: and roll will not be whatever that country bullshit is

1224
01:00:49,800 --> 01:00:52,880
Speaker 2: where it's like we're not playing her sounds on our

1225
01:00:53,040 --> 01:00:56,400
Speaker 2: top one hundred. Like if you don't, first of all,

1226
01:00:56,800 --> 01:00:59,400
Speaker 2: you don't even exist. You're not even a person. That's

1227
01:00:59,400 --> 01:01:02,760
Speaker 2: an algorithm them somewhere just playing whatever the music is

1228
01:01:03,360 --> 01:01:05,400
Speaker 2: in that area of the country. It's like there's like

1229
01:01:05,480 --> 01:01:09,080
Speaker 2: a fucking computer playlist. Stop pretending that you're somewhere like

1230
01:01:09,160 --> 01:01:14,120
Speaker 2: a DJ's a disc jockey turning tapes between like giving takes.

1231
01:01:14,160 --> 01:01:16,680
Speaker 2: That's not what's happening in there. Just play the fucking

1232
01:01:16,880 --> 01:01:18,560
Speaker 2: song because that's what everybody wants to hear.

1233
01:01:18,800 --> 01:01:21,680
Speaker 3: And I think with rock and roll. Rock and roll

1234
01:01:21,760 --> 01:01:25,760
Speaker 3: has always been known as the rebellious music SOTU. I

1235
01:01:25,800 --> 01:01:28,480
Speaker 3: could see, like you say, you're gonna have a sub section,

1236
01:01:28,960 --> 01:01:31,400
Speaker 3: but the most of them gonna be like, hey, I

1237
01:01:31,480 --> 01:01:33,640
Speaker 3: hold genre is rebell yus. So come on up here

1238
01:01:33,640 --> 01:01:34,480
Speaker 3: in rebel.

1239
01:01:34,440 --> 01:01:40,920
Speaker 4: Yeah, yeah, ever since but duncan donk come on? Like

1240
01:01:41,360 --> 01:01:42,120
Speaker 4: when did that come out?

1241
01:01:42,240 --> 01:01:42,280
Speaker 5: Like?

1242
01:01:42,360 --> 01:01:44,080
Speaker 4: Ever since that, the argument has.

1243
01:01:43,920 --> 01:01:49,480
Speaker 2: Been get out of here. That's hilarious. I don't know

1244
01:01:49,520 --> 01:01:52,800
Speaker 2: about this old town this old town road, like, shut

1245
01:01:52,880 --> 01:02:00,800
Speaker 2: up right, Canadian hip hop legends, Okay, it's not I'm

1246
01:02:00,880 --> 01:02:03,840
Speaker 2: not Canada. I love y'all. I'm not trying to be shady,

1247
01:02:03,920 --> 01:02:06,919
Speaker 2: but that is not a phrase I had ever thought

1248
01:02:07,120 --> 01:02:10,720
Speaker 2: i'd be saying in my life. But Canadian hip hop

1249
01:02:10,840 --> 01:02:14,959
Speaker 2: legends are getting their own stamps for Black History Month.

1250
01:02:15,760 --> 01:02:21,360
Speaker 2: Mmmm mm hmm. Let's go MEETCHI me can't stop celebrating

1251
01:02:21,400 --> 01:02:24,200
Speaker 2: at the Canada Post Call with news that will make

1252
01:02:24,280 --> 01:02:27,840
Speaker 2: hip hop history. The Toronto rap legend will appear on

1253
01:02:27,920 --> 01:02:32,520
Speaker 2: an official Canadian stamp this February, along with Maystro Fresh

1254
01:02:32,600 --> 01:02:40,120
Speaker 2: West and West and in Quebec Trio museon. I'm not

1255
01:02:40,240 --> 01:02:42,760
Speaker 2: from Canada, y'all. These not my legends. I'm not meaning

1256
01:02:42,840 --> 01:02:46,400
Speaker 2: no disrespect. Please don't take it as disrespect Canadians. And

1257
01:02:46,840 --> 01:02:50,240
Speaker 2: because I know America got beef right now with y'all.

1258
01:02:50,800 --> 01:02:53,760
Speaker 2: I know it's real, y'all. Not even drinking liquor here,

1259
01:02:53,880 --> 01:02:54,320
Speaker 2: I get.

1260
01:02:54,240 --> 01:02:56,840
Speaker 3: It, y'all. Y'all was like they ain't got maple syrup.

1261
01:02:56,880 --> 01:02:57,840
Speaker 3: Get it off our shelves.

1262
01:02:57,920 --> 01:03:00,360
Speaker 2: I'm gonna be honest. I'm just proud of y'all. I'm

1263
01:03:00,360 --> 01:03:02,960
Speaker 2: proud of y'all for not putting Drake on here or

1264
01:03:03,200 --> 01:03:04,320
Speaker 2: Snow the informer.

1265
01:03:04,720 --> 01:03:05,600
Speaker 3: I ain't that the truth.

1266
01:03:05,760 --> 01:03:10,160
Speaker 2: Congrat Thank y'all. Let's see. Yeah. Meeting me said she

1267
01:03:10,280 --> 01:03:13,000
Speaker 2: was in disbelief, you're kidding me, and then I was

1268
01:03:13,080 --> 01:03:15,000
Speaker 2: just overjoyed. I'm still screaming at the top of my

1269
01:03:15,120 --> 01:03:18,200
Speaker 2: lungs inside. The Jamaican born Torono Ray's rapper earned her

1270
01:03:18,240 --> 01:03:21,720
Speaker 2: spot by bringing Jamaican Patois into Canadian hip hop during

1271
01:03:21,760 --> 01:03:24,920
Speaker 2: the late nineteen eighties. She became the first Canadian hip

1272
01:03:24,920 --> 01:03:27,880
Speaker 2: hop artist signed to a US label nineteen eighty eight,

1273
01:03:28,360 --> 01:03:31,520
Speaker 2: paving away for future generations. So without her, there is

1274
01:03:31,640 --> 01:03:32,120
Speaker 2: no Drake.

1275
01:03:32,800 --> 01:03:33,680
Speaker 3: I didn't even know that.

1276
01:03:34,240 --> 01:03:37,040
Speaker 2: And she the one that put the Jamaican patois into

1277
01:03:37,920 --> 01:03:41,240
Speaker 2: the Canadian hip hop just for snow the informa to

1278
01:03:41,400 --> 01:03:46,520
Speaker 2: steal that shit that white man in farm. I was like,

1279
01:03:46,560 --> 01:03:47,400
Speaker 2: that's not even Jamaican.

1280
01:03:47,520 --> 01:03:47,560
Speaker 3: No.

1281
01:03:47,760 --> 01:03:50,520
Speaker 2: I was like that, don't make a nigga boom boom down.

1282
01:03:50,680 --> 01:03:53,200
Speaker 2: That's the only part of that song that's Jamaican is

1283
01:03:53,320 --> 01:03:57,560
Speaker 2: licking boom boom down. But that's fucked up. He took

1284
01:03:57,640 --> 01:04:02,680
Speaker 2: all meeting me credit the godmother Canadian rap. She built

1285
01:04:02,720 --> 01:04:05,360
Speaker 2: her career when the country barely had urban radio stations.

1286
01:04:06,320 --> 01:04:09,120
Speaker 2: I've never thought of the fact that Canada would have

1287
01:04:09,320 --> 01:04:13,000
Speaker 2: urban radio stations. Yeah, but I guess in the cities,

1288
01:04:13,000 --> 01:04:15,000
Speaker 2: that's probably where the black people live, so they probably

1289
01:04:15,040 --> 01:04:15,520
Speaker 2: got them there.

1290
01:04:15,880 --> 01:04:16,720
Speaker 3: Yep, huh.

1291
01:04:17,480 --> 01:04:19,720
Speaker 6: And like you allowge to the populated cities.

1292
01:04:20,080 --> 01:04:23,600
Speaker 2: Yeah, So shout out to her and Maestro Fresh West,

1293
01:04:24,480 --> 01:04:27,200
Speaker 2: who made this mark in nineteen eighty nine with his single,

1294
01:04:27,320 --> 01:04:31,840
Speaker 2: Let your backbone slide, Not let your backbone slide.

1295
01:04:34,440 --> 01:04:37,840
Speaker 3: Oh chow, you and grandma need to go sit down somewhere.

1296
01:04:38,640 --> 01:04:43,200
Speaker 2: Oh my god, let your backbone slide. That sounded like, yeah,

1297
01:04:43,240 --> 01:04:43,760
Speaker 2: it sound.

1298
01:04:43,640 --> 01:04:44,880
Speaker 6: Like some stand up in it music.

1299
01:04:45,000 --> 01:04:48,400
Speaker 2: It is right, Clarence Carter. Let your backbone slide.

1300
01:04:50,280 --> 01:04:51,200
Speaker 3: Something it would make.

1301
01:04:54,360 --> 01:04:57,520
Speaker 2: Let your backbone slide sound like a song where a

1302
01:04:57,600 --> 01:05:01,880
Speaker 2: person that's singing it does a talking intro before they

1303
01:05:02,040 --> 01:05:07,720
Speaker 2: start singing. Yes, you know now I was raised in Mississippi. Yeah,

1304
01:05:08,680 --> 01:05:11,240
Speaker 2: and down there we gotta let her dance like yees.

1305
01:05:14,640 --> 01:05:18,120
Speaker 2: Montrails Museeon for In the nineteen eighty six the mixed French,

1306
01:05:18,240 --> 01:05:22,720
Speaker 2: English and Haitian Creole in their rhymes. Their multi lingual

1307
01:05:22,800 --> 01:05:25,600
Speaker 2: approach show hip hop can speak every language and represent

1308
01:05:25,720 --> 01:05:30,000
Speaker 2: every community. This year, Mark hey man, this is beautiful.

1309
01:05:30,040 --> 01:05:30,200
Speaker 3: Man.

1310
01:05:30,240 --> 01:05:34,040
Speaker 2: Shout out to Canada if I was If I was Canadian,

1311
01:05:34,120 --> 01:05:36,400
Speaker 2: not go get these stamps. I want to support the

1312
01:05:36,440 --> 01:05:37,040
Speaker 2: black hip hop.

1313
01:05:37,080 --> 01:05:38,680
Speaker 6: I don't think we can buy them over here, but yes,

1314
01:05:38,880 --> 01:05:39,520
Speaker 6: so shout out.

1315
01:05:39,400 --> 01:05:42,080
Speaker 2: To the black capitalism of Canada. Hopefully they all got

1316
01:05:42,160 --> 01:05:44,080
Speaker 2: paid to get put on the stamp too. You know,

1317
01:05:44,240 --> 01:05:46,720
Speaker 2: I don't know how that part works good for them.

1318
01:05:48,000 --> 01:05:50,200
Speaker 5: Does Canada have a Steve Harvey or it's just Steve

1319
01:05:50,240 --> 01:05:52,960
Speaker 5: Harvey and the Steve Harvey of the entire right.

1320
01:05:53,280 --> 01:05:57,200
Speaker 2: That's I have been assuming the American Steve Harvey is

1321
01:05:57,240 --> 01:06:00,640
Speaker 2: the Steve Harvey, prime of all Steve Harvey's. But I

1322
01:06:00,720 --> 01:06:03,800
Speaker 2: don't know that they could be an Indian Steve Harvey

1323
01:06:03,840 --> 01:06:06,440
Speaker 2: that's twice as powerful as our Steve Harvey were. Like, damn,

1324
01:06:07,120 --> 01:06:09,800
Speaker 2: now that's a Steve Harvey. Now that's a Harvey for you,

1325
01:06:12,840 --> 01:06:16,720
Speaker 2: Sames Stash. They both do family fuse, but he's just

1326
01:06:16,800 --> 01:06:20,240
Speaker 2: a little bit better, Like he do a whole Bollywood

1327
01:06:20,320 --> 01:06:22,120
Speaker 2: thing when he get off the stage. Instead of just

1328
01:06:22,200 --> 01:06:24,600
Speaker 2: getting off the stage and walking over, He's like, dance

1329
01:06:25,120 --> 01:06:30,560
Speaker 2: to you, drop from I would love that. Yes, everybody

1330
01:06:30,680 --> 01:06:34,160
Speaker 2: break out into a too many routine. I want all

1331
01:06:34,200 --> 01:06:37,520
Speaker 2: the Steve Harvey's to combine, like like jet Lee and

1332
01:06:37,640 --> 01:06:43,440
Speaker 2: one uh. This is one all powerful, cosmic Steve Harvey

1333
01:06:44,080 --> 01:06:49,280
Speaker 2: that has harnessed all the powers that Steve Harvey's making

1334
01:06:49,400 --> 01:06:54,200
Speaker 2: us all think like women, think like act like ladies.

1335
01:06:57,600 --> 01:06:58,120
Speaker 5: For justice.

1336
01:06:58,160 --> 01:06:59,040
Speaker 4: That's the thing I feel like.

1337
01:06:59,120 --> 01:07:01,360
Speaker 2: That is where it's like it's not funny.

1338
01:07:01,400 --> 01:07:04,480
Speaker 5: There's a way to make like a man act like

1339
01:07:04,880 --> 01:07:08,680
Speaker 5: if you're trying to like voting right right, there's a

1340
01:07:08,720 --> 01:07:11,840
Speaker 5: way that that's kind of like liberal and almost like trans.

1341
01:07:12,000 --> 01:07:16,320
Speaker 2: Yeah, yeah, yeah, I would love to see his platform.

1342
01:07:16,960 --> 01:07:19,400
Speaker 2: Although I feel like if we let Steve Harvey a

1343
01:07:19,480 --> 01:07:21,640
Speaker 2: Supreme Court justice, all of a sudden they be ruling

1344
01:07:21,680 --> 01:07:24,360
Speaker 2: on ship was like, should people pull their pants all

1345
01:07:24,400 --> 01:07:28,480
Speaker 2: the way up? You know what's about their waistline? This

1346
01:07:28,720 --> 01:07:31,240
Speaker 2: this week, the Supreme Court is taking on what's with

1347
01:07:31,400 --> 01:07:39,160
Speaker 2: all this new hip hop? In a landmark trial. They're

1348
01:07:39,200 --> 01:07:42,040
Speaker 2: trying to put They're trying to put NBA Young Boy

1349
01:07:42,200 --> 01:07:46,000
Speaker 2: in the rico for some reason, because Steve Harvey don't

1350
01:07:46,080 --> 01:07:50,200
Speaker 2: understand what the fuck is all this hip hop hip hop?

1351
01:07:53,320 --> 01:07:57,080
Speaker 2: The Supreme Court is taken what happened to chivalry? Uh,

1352
01:07:58,000 --> 01:08:01,080
Speaker 2: We're not really sure how this judgment will affect the

1353
01:08:01,120 --> 01:08:05,960
Speaker 2: rest of us. They passed over the whole citizenship thing,

1354
01:08:06,360 --> 01:08:08,600
Speaker 2: uh and sent that back down to the lower courtse

1355
01:08:08,680 --> 01:08:14,960
Speaker 2: but why don't men open doors? Apparently is what the ruin.

1356
01:08:14,880 --> 01:08:17,000
Speaker 3: Is gonna be at noon today.

1357
01:08:18,960 --> 01:08:25,040
Speaker 2: They just came from seeing it. I'm live outside the crowd, right, yes, well, Uh,

1358
01:08:25,320 --> 01:08:29,519
Speaker 2: they have taken on mixing plaid with stripes, and it

1359
01:08:29,600 --> 01:08:35,680
Speaker 2: doesn't look good for stripes. Get in some early comments.

1360
01:08:36,360 --> 01:08:38,880
Speaker 3: Just just it were they're gonna say, should we be

1361
01:08:38,960 --> 01:08:40,719
Speaker 3: buying Cadillacs A Buicks?

1362
01:08:41,640 --> 01:08:45,679
Speaker 2: That is the next I'm sending some bipartisan support because

1363
01:08:45,720 --> 01:08:49,600
Speaker 2: Clarence Thomas also seems to be pro Cadillac. All right,

1364
01:08:49,640 --> 01:08:53,000
Speaker 2: we're gonna find out when we get back. All right,

1365
01:08:53,040 --> 01:08:56,160
Speaker 2: let's do one more game. Let's play some guests the

1366
01:08:56,320 --> 01:09:01,080
Speaker 2: race with tem all right, and tell you how if

1367
01:09:01,400 --> 01:09:11,040
Speaker 2: I'll tell you the rules. After this break, it's time

1368
01:09:11,240 --> 01:09:12,160
Speaker 2: to guess the race.

1369
01:09:13,120 --> 01:09:13,719
Speaker 5: It's time.

1370
01:09:15,800 --> 01:09:19,639
Speaker 2: It's time to guess the race. It's time to guess

1371
01:09:19,720 --> 01:09:22,280
Speaker 2: the race. Guess the race is the gay. We go

1372
01:09:22,400 --> 01:09:26,120
Speaker 2: around the globe, find different articles, normally crimes, and we

1373
01:09:26,320 --> 01:09:31,439
Speaker 2: guess the race of the people involved, and the chat

1374
01:09:31,560 --> 01:09:38,800
Speaker 2: room Karen and comedian writer podcast producer Ten Barnes will

1375
01:09:38,840 --> 01:09:41,559
Speaker 2: play along and they're all races.

1376
01:09:41,720 --> 01:09:44,120
Speaker 5: I love this segment because I feel like whenever you,

1377
01:09:44,600 --> 01:09:49,320
Speaker 5: whenever I talk about something that happens that's like, you know, intense.

1378
01:09:49,840 --> 01:09:52,160
Speaker 5: I feel like the lingering question in someone's head is

1379
01:09:52,240 --> 01:09:54,720
Speaker 5: some people, alright, ask you, like what race was he?

1380
01:09:55,000 --> 01:09:57,919
Speaker 5: I'm always like, what sometimes like, what is the adage?

1381
01:09:58,640 --> 01:09:59,560
Speaker 2: We're all playing it.

1382
01:10:00,280 --> 01:10:02,719
Speaker 3: We're all playing playing the game all of the time.

1383
01:10:02,960 --> 01:10:06,479
Speaker 2: Yeah, it's America. It's like it doesn't have to be crimes.

1384
01:10:06,560 --> 01:10:08,680
Speaker 2: Like sometimes these articles will be nice things, but the

1385
01:10:08,800 --> 01:10:12,880
Speaker 2: point being it's the undercurrent that we're always all thinking

1386
01:10:12,920 --> 01:10:16,639
Speaker 2: about it is kind of wild. It's just like even

1387
01:10:16,680 --> 01:10:19,559
Speaker 2: when I hear nice things, or just like a celebrity

1388
01:10:19,600 --> 01:10:21,280
Speaker 2: I don't know about yet, and you just tell me

1389
01:10:21,360 --> 01:10:23,200
Speaker 2: a few context clues and I'll be thinking, like that

1390
01:10:23,320 --> 01:10:24,760
Speaker 2: sounds like a white man.

1391
01:10:25,200 --> 01:10:29,240
Speaker 3: Yeah, Or you hear certain names because I know, as

1392
01:10:29,320 --> 01:10:32,040
Speaker 3: I got older, I was like, over my lifetime because

1393
01:10:32,080 --> 01:10:33,599
Speaker 3: my name is simple Karing.

1394
01:10:33,720 --> 01:10:33,880
Speaker 4: I know.

1395
01:10:33,960 --> 01:10:36,280
Speaker 6: They walked in the room looking pobby, blinked their eyes twice.

1396
01:10:36,680 --> 01:10:41,960
Speaker 2: I was like, okay, yeah. Getting a jump on Valentine's Day,

1397
01:10:42,000 --> 01:10:45,759
Speaker 2: A misguided romantic past three hundred dollars in counterfeit currency

1398
01:10:45,880 --> 01:10:49,240
Speaker 2: to purchase a floral buquet and chocolates for the object

1399
01:10:49,320 --> 01:10:52,479
Speaker 2: of his affections, a dancer at a Florida strip club.

1400
01:10:52,840 --> 01:10:59,639
Speaker 2: Oh No. Investigators alleged that Alexander Bacon Depew thirty two

1401
01:11:00,000 --> 01:11:07,639
Speaker 2: Wait Alexander Baker Depew thirty two used the funny Money.

1402
01:11:07,720 --> 01:11:11,679
Speaker 2: Tuesday at at Clearwater Florist, the accused man handed over

1403
01:11:12,000 --> 01:11:14,679
Speaker 2: fifteen to twenty dollars bills to cover his two hundred

1404
01:11:14,680 --> 01:11:18,120
Speaker 2: and eighty eight dollars purchase. It was only after Baker

1405
01:11:18,160 --> 01:11:20,840
Speaker 2: Depew departed that a worker realized the bills were fake,

1406
01:11:21,080 --> 01:11:24,240
Speaker 2: marked with the word replica and the notation that the

1407
01:11:24,400 --> 01:11:27,240
Speaker 2: item was not legal tender and only to be used

1408
01:11:27,240 --> 01:11:31,759
Speaker 2: for motion pictures. After leaving the floors, Baker Depew headed

1409
01:11:31,800 --> 01:11:36,839
Speaker 2: to the nearby Oasis Cabaret, which advertised itself as a topless,

1410
01:11:36,960 --> 01:11:39,160
Speaker 2: full contact entertainment facility.

1411
01:11:39,800 --> 01:11:41,360
Speaker 3: Oh they could be full contact.

1412
01:11:41,880 --> 01:11:46,720
Speaker 2: That feels extremely legal, like legal eese like it's a well,

1413
01:11:46,760 --> 01:11:48,400
Speaker 2: you work at a strip club. Now I work at

1414
01:11:48,400 --> 01:11:53,760
Speaker 2: a topless, full contact entertainment facility. Let's not disrespect my job.

1415
01:11:53,840 --> 01:11:56,200
Speaker 2: I went to school for this. I have three degrees

1416
01:11:56,280 --> 01:12:00,320
Speaker 2: and titties. Okay, I'm gonna get my master's going back

1417
01:12:00,360 --> 01:12:08,679
Speaker 2: from our PhD devil D's. But it employs a woman

1418
01:12:08,800 --> 01:12:12,080
Speaker 2: that he fancies. Uh. And while at the strip club,

1419
01:12:12,360 --> 01:12:14,840
Speaker 2: he allegedly tried to pay for his bar tab with

1420
01:12:14,960 --> 01:12:19,160
Speaker 2: the phony twenties. How much can you really say you

1421
01:12:19,280 --> 01:12:23,200
Speaker 2: respect this woman? You claim the like, because you're gonna

1422
01:12:23,200 --> 01:12:25,920
Speaker 2: make it rain with fake money she can't spend. That's

1423
01:12:26,240 --> 01:12:30,160
Speaker 2: that's you started a relationship on the lot. You got

1424
01:12:30,240 --> 01:12:35,960
Speaker 2: to think like a man, act like We're questioned about

1425
01:12:36,040 --> 01:12:40,040
Speaker 2: his bouquete chocolates purchase, he repeated. He reportedly admitted to

1426
01:12:40,120 --> 01:12:42,320
Speaker 2: obtaining the merchandise from the forest in order to give

1427
01:12:42,360 --> 01:12:44,960
Speaker 2: it to the stripper, I mean, the female dancer at

1428
01:12:44,960 --> 01:12:48,240
Speaker 2: the strip club. Court records do not indicate what, if

1429
01:12:48,280 --> 01:12:51,760
Speaker 2: any relationship existed between the dancer and defended one. Fill

1430
01:12:51,840 --> 01:12:55,200
Speaker 2: with lies is what I say. He is listed. He

1431
01:12:55,360 --> 01:12:57,800
Speaker 2: is listed as a transient and is a rest report.

1432
01:12:57,920 --> 01:13:01,200
Speaker 2: So you got no Yeah, what was he gonna take her?

1433
01:13:02,160 --> 01:13:03,400
Speaker 2: Let's go back to your place.

1434
01:13:05,400 --> 01:13:05,519
Speaker 1: Uh.

1435
01:13:05,840 --> 01:13:10,000
Speaker 2: So he's hit with other felony counts because a frisk

1436
01:13:10,200 --> 01:13:16,400
Speaker 2: of his person turned up with cocaine and methamphetamine. Oh,

1437
01:13:17,240 --> 01:13:19,760
Speaker 2: he's being held in the county jail in little twenty

1438
01:13:19,800 --> 01:13:23,240
Speaker 2: one thousand dollars bond. Karen, I'll let you go first.

1439
01:13:23,960 --> 01:13:30,280
Speaker 2: Guess the race of mister Alexander Baker. DIPW DIP.

1440
01:13:30,840 --> 01:13:34,240
Speaker 3: I'm going white, Okay, Tim.

1441
01:13:35,040 --> 01:13:37,400
Speaker 4: I'm going white as well, just because what you mentioned.

1442
01:13:37,600 --> 01:13:40,439
Speaker 4: I don't know if the level of the.

1443
01:13:40,920 --> 01:13:45,439
Speaker 5: Legal ease as you described been written for black man.

1444
01:13:46,360 --> 01:13:50,880
Speaker 2: Let's check the chat room. See what they believe. Uh you,

1445
01:13:51,280 --> 01:13:55,200
Speaker 2: that's not a race, meth white. If he wanted to,

1446
01:13:55,400 --> 01:13:59,799
Speaker 2: he would pass as Haitian in Okay, three names white

1447
01:14:00,360 --> 01:14:04,960
Speaker 2: the pew equal du white, making flowers rain with fake money,

1448
01:14:05,080 --> 01:14:09,400
Speaker 2: black snake SnO Johnson, no snow white. Okay, chat GBT

1449
01:14:09,600 --> 01:14:12,479
Speaker 2: is my therapist white? Damn that that does feel very

1450
01:14:12,560 --> 01:14:17,680
Speaker 2: white though white method actor number two white. That is

1451
01:14:17,760 --> 01:14:20,920
Speaker 2: white girls mixed up, white and meth white. The correct

1452
01:14:21,080 --> 01:14:24,320
Speaker 2: answer is and I do like that got the white

1453
01:14:24,360 --> 01:14:25,880
Speaker 2: girls mixed up. I'll see what you did with the

1454
01:14:25,960 --> 01:14:29,639
Speaker 2: cocaine that was frong. The correct answer is white. Most

1455
01:14:29,680 --> 01:14:36,120
Speaker 2: of you got it correct. I think one person missed it,

1456
01:14:36,160 --> 01:14:37,559
Speaker 2: so I had to play the booze and then I'll

1457
01:14:37,600 --> 01:14:51,439
Speaker 2: bring up his his picture. Okay, and that's him. Wow.

1458
01:14:51,920 --> 01:14:55,080
Speaker 2: Alexander Baker de peugh h. So you so far you

1459
01:14:55,120 --> 01:14:57,880
Speaker 2: guys are one and one. Let's go to the second

1460
01:14:57,920 --> 01:15:03,200
Speaker 2: one h Order Man fifty one has been busted for

1461
01:15:03,320 --> 01:15:09,080
Speaker 2: sexual performance with a vacuum cleaner. Oh mm hmmm mm hmm.

1462
01:15:10,320 --> 01:15:11,599
Speaker 3: Now you wonder how I got here?

1463
01:15:13,080 --> 01:15:14,800
Speaker 2: I could have got away with it clean. That's what

1464
01:15:14,880 --> 01:15:16,640
Speaker 2: the vacuum cleaner was for. I didn't think would leave

1465
01:15:16,680 --> 01:15:23,679
Speaker 2: any prince like I. I just this is kind of gross.

1466
01:15:23,880 --> 01:15:28,040
Speaker 2: But I just pictured the police when they did the evidence,

1467
01:15:28,160 --> 01:15:32,200
Speaker 2: like CSI, they would like I had the fingerprint the

1468
01:15:32,479 --> 01:15:35,560
Speaker 2: tube of the on the vacuum cleaner, for like his

1469
01:15:35,680 --> 01:15:38,439
Speaker 2: dick print, Like, yep, that's his dick right there. You

1470
01:15:38,720 --> 01:15:43,120
Speaker 2: just trace it around with the dust. Pull your penis out. Yep,

1471
01:15:45,160 --> 01:15:46,479
Speaker 2: you're going to jail, buddy.

1472
01:15:46,600 --> 01:15:48,880
Speaker 3: I'm just gonna tell you right now, we're about to

1473
01:15:49,000 --> 01:15:49,280
Speaker 3: take you.

1474
01:15:49,720 --> 01:15:52,240
Speaker 2: This better than DNA evidence. Right here, this is your

1475
01:15:52,400 --> 01:15:57,040
Speaker 2: dick on this tape. Florida man was arrested yesterday for

1476
01:15:57,120 --> 01:16:00,320
Speaker 2: a decent exposure after he allegedly engage in a sexual

1477
01:16:00,360 --> 01:16:03,759
Speaker 2: performance with a vacuum cleaner at a gated resort community

1478
01:16:04,000 --> 01:16:08,439
Speaker 2: near Disney World. Oh but we don't know what the

1479
01:16:08,560 --> 01:16:12,040
Speaker 2: sexual performance is, right, We don't could have been a

1480
01:16:12,120 --> 01:16:14,880
Speaker 2: lot because maybe he put the handle inside himself. We

1481
01:16:14,960 --> 01:16:19,559
Speaker 2: don't know that's that's true. I guess something up. Yeah,

1482
01:16:21,439 --> 01:16:26,640
Speaker 2: According to According to police, witnesses provided statements and a

1483
01:16:26,760 --> 01:16:31,600
Speaker 2: cell phone recording showing him partially clothed and communing with

1484
01:16:31,760 --> 01:16:33,240
Speaker 2: the appliance.

1485
01:16:34,280 --> 01:16:36,840
Speaker 4: These words, this is amazing commuting.

1486
01:16:37,280 --> 01:16:42,120
Speaker 2: Shout out to us, the SARS dot com, the deputies.

1487
01:16:42,680 --> 01:16:45,920
Speaker 2: It was like some some somebody was like, we can't

1488
01:16:46,040 --> 01:16:48,800
Speaker 2: just put fucking in the article, right, No, no, we can't.

1489
01:16:48,880 --> 01:16:50,639
Speaker 6: We can't. We have to be creative.

1490
01:16:50,840 --> 01:16:54,160
Speaker 2: Can you look up some some some synonyms for fucking

1491
01:16:54,200 --> 01:16:55,040
Speaker 2: a vacuum cleaner?

1492
01:16:56,200 --> 01:16:57,600
Speaker 3: And this is the one that came up with.

1493
01:16:58,280 --> 01:17:00,320
Speaker 2: Have you looked up? Have you seen? Don't want to

1494
01:17:00,320 --> 01:17:04,360
Speaker 2: say communion with the appliance? Okay, that's that's good enough

1495
01:17:04,400 --> 01:17:04,600
Speaker 2: for me.

1496
01:17:05,160 --> 01:17:05,280
Speaker 3: Uh.

1497
01:17:05,400 --> 01:17:09,320
Speaker 2: Deputies responded last Thursday to Windsor Hills Resort and kissing

1498
01:17:09,400 --> 01:17:13,360
Speaker 2: me after receiving nine one one calls about a male

1499
01:17:13,479 --> 01:17:15,360
Speaker 2: suspects lude vacuum encounter.

1500
01:17:15,680 --> 01:17:18,080
Speaker 3: I mean, my thing is this, did he go out

1501
01:17:18,080 --> 01:17:20,200
Speaker 3: there like two o'clock in the morning, everybody sleeping her?

1502
01:17:20,240 --> 01:17:23,719
Speaker 6: They everybody?

1503
01:17:24,360 --> 01:17:29,160
Speaker 2: The fuck is that? It's not an applying it's not

1504
01:17:29,160 --> 01:17:31,320
Speaker 2: an appliance. You can fuck quietly. It's a good point.

1505
01:17:31,400 --> 01:17:33,559
Speaker 3: And he probably outside out of the open. So if

1506
01:17:33,560 --> 01:17:35,680
Speaker 3: you're doing it like late at night, you probably walk up.

1507
01:17:35,720 --> 01:17:37,600
Speaker 3: Everybody in the pole community.

1508
01:17:37,280 --> 01:17:40,280
Speaker 2: Who's vacuuming at a time like this, I thought the

1509
01:17:40,360 --> 01:17:42,800
Speaker 2: poort was closed. Honey, go back to bed. Honey, he's

1510
01:17:42,840 --> 01:17:46,600
Speaker 2: not vacuuming. Just turn around. Is he fucking that vacuum? No,

1511
01:17:46,680 --> 01:17:49,080
Speaker 2: he's communing with an appliance.

1512
01:17:49,400 --> 01:17:52,800
Speaker 3: Okay, league, leave that man alone for their husband's like,

1513
01:17:52,840 --> 01:17:54,760
Speaker 3: I don't know how to do whatever bullshit is gonna happen,

1514
01:17:54,840 --> 01:17:56,240
Speaker 3: and she tell me to go out there, so let

1515
01:17:56,320 --> 01:17:58,559
Speaker 3: me let me end this fun She make that demand

1516
01:17:58,880 --> 01:17:59,360
Speaker 3: a lude.

1517
01:17:59,400 --> 01:18:02,400
Speaker 2: Vacuum down Er also feels like, you know how they

1518
01:18:02,439 --> 01:18:06,120
Speaker 2: have those weird sex novels that go that will be

1519
01:18:06,200 --> 01:18:09,960
Speaker 2: on like I fucked the werewolf or whatever. Yeah, there's

1520
01:18:09,960 --> 01:18:14,280
Speaker 2: gotta be a vacuum. One of those gotta be somewhere now.

1521
01:18:14,760 --> 01:18:16,840
Speaker 6: I haven't found it yet, but I guarantee you somewhere

1522
01:18:16,840 --> 01:18:17,160
Speaker 6: out there.

1523
01:18:18,000 --> 01:18:20,559
Speaker 5: My favorite thing about the Libby app, the app from

1524
01:18:20,600 --> 01:18:23,519
Speaker 5: the public librari is that, like most of the books

1525
01:18:23,560 --> 01:18:25,680
Speaker 5: that either are checked out are those weird kind of

1526
01:18:25,840 --> 01:18:29,799
Speaker 5: like wow sexuals with an alien kind.

1527
01:18:29,680 --> 01:18:33,960
Speaker 3: Of people actually really enjoyed those things. I think a

1528
01:18:34,000 --> 01:18:36,280
Speaker 3: lot of people don't talk about them publicly, but when

1529
01:18:36,320 --> 01:18:39,599
Speaker 3: it comes to that with werewolves and vampire like, they've

1530
01:18:39,600 --> 01:18:40,640
Speaker 3: been doing these things for.

1531
01:18:41,160 --> 01:18:44,640
Speaker 2: No vacuum cleaners and vacuum cleaners.

1532
01:18:44,320 --> 01:18:47,240
Speaker 3: In there somewhere is their version of easty co I

1533
01:18:47,360 --> 01:18:49,320
Speaker 3: got reincarnated as a vacuum cleaner.

1534
01:18:49,400 --> 01:18:53,200
Speaker 2: I'm some well. But by the time the cops are

1535
01:18:53,240 --> 01:18:55,360
Speaker 2: riding to scene, the man that left the area, Oh

1536
01:18:55,400 --> 01:18:58,360
Speaker 2: he gone? Yeah was he? He cleaned up the crime

1537
01:18:58,400 --> 01:19:04,600
Speaker 2: scene with her. A subsequent investigation, Yeah, what do you

1538
01:19:04,720 --> 01:19:11,360
Speaker 2: do with the appliance? It's evidence now, it's evidence. I

1539
01:19:11,479 --> 01:19:13,439
Speaker 2: think that I think that thing is gone with the

1540
01:19:13,520 --> 01:19:14,320
Speaker 2: police found.

1541
01:19:15,360 --> 01:19:16,719
Speaker 3: They don't pick it off the bricks.

1542
01:19:17,600 --> 01:19:21,679
Speaker 4: The context if you caught your husbands oh.

1543
01:19:21,680 --> 01:19:24,759
Speaker 2: Yeah, oh no. Well, first of all, if I catch

1544
01:19:25,439 --> 01:19:28,639
Speaker 2: Careen having sex with the vacuum cleaner, one of them

1545
01:19:28,680 --> 01:19:34,000
Speaker 2: gotta go okay, because it's not gonna be fair happening

1546
01:19:34,080 --> 01:19:35,400
Speaker 2: in my house, not on my wife.

1547
01:19:35,479 --> 01:19:38,080
Speaker 6: One of them got to go, okay, you are a

1548
01:19:38,160 --> 01:19:38,840
Speaker 6: vacuum cleaner.

1549
01:19:38,920 --> 01:19:42,759
Speaker 2: You design one of y'all does not stay here anymore. Okay,

1550
01:19:43,640 --> 01:19:46,280
Speaker 2: this is a dust bent We sweep now now we

1551
01:19:46,400 --> 01:19:49,080
Speaker 2: sleep the house, so you're happy. It's a lot harder

1552
01:19:49,120 --> 01:19:50,040
Speaker 2: than sweep carpet.

1553
01:19:50,400 --> 01:19:50,680
Speaker 3: It is.

1554
01:19:52,120 --> 01:19:54,840
Speaker 2: But so the the cops got there, he was gone.

1555
01:19:54,920 --> 01:19:58,280
Speaker 2: A subsequent investigation resulted in the identification of Western Hold.

1556
01:19:59,080 --> 01:20:03,200
Speaker 2: That's this guy's name, Kevin Dale Westerhold fifty one, who

1557
01:20:03,280 --> 01:20:06,240
Speaker 2: cops say is suspected based on witness accounts and video

1558
01:20:06,320 --> 01:20:10,880
Speaker 2: evidence of several other instances of indecent exposure on the property. UH.

1559
01:20:11,120 --> 01:20:14,599
Speaker 2: Western Holder and his wife. Oh and she finds out

1560
01:20:14,600 --> 01:20:22,320
Speaker 2: about this vacuum cleaner. She's dell, you were fucking the

1561
01:20:22,479 --> 01:20:27,200
Speaker 2: vacuum cleaner. I could understood if you were to fucked

1562
01:20:27,240 --> 01:20:31,320
Speaker 2: the nanny or even the main. Right, the vacuum cleaner

1563
01:20:31,400 --> 01:20:32,160
Speaker 2: is not a person.

1564
01:20:33,160 --> 01:20:35,559
Speaker 3: We didn't have a conversation if you go to cheat,

1565
01:20:35,640 --> 01:20:36,320
Speaker 3: cheat right.

1566
01:20:37,720 --> 01:20:43,160
Speaker 2: They rent out of Airbnb together in UH. I guess wait,

1567
01:20:43,760 --> 01:20:47,240
Speaker 2: they owned condos at this resort and they rent out

1568
01:20:47,960 --> 01:20:51,200
Speaker 2: via vent them out via Airbnb. Okay, so he's a

1569
01:20:51,280 --> 01:20:54,439
Speaker 2: property owner with a wife and he fucking vacuum cleaners

1570
01:20:54,479 --> 01:20:58,720
Speaker 2: in public. He was arrested Tuesday. Oh they didn't even

1571
01:20:58,760 --> 01:21:00,720
Speaker 2: catch on the same day. You know how shameful that's

1572
01:21:00,720 --> 01:21:04,360
Speaker 2: gotta be forty eight hours later, Like you come with us,

1573
01:21:04,439 --> 01:21:07,160
Speaker 2: you know what this is about. I know what this

1574
01:21:07,280 --> 01:21:10,280
Speaker 2: is about. You got the right demands? How I know?

1575
01:21:10,439 --> 01:21:10,800
Speaker 2: All right?

1576
01:21:12,360 --> 01:21:12,719
Speaker 3: Daddy?

1577
01:21:12,840 --> 01:21:16,759
Speaker 2: Why like driving his kids off her daycare? So, daddy,

1578
01:21:16,840 --> 01:21:21,280
Speaker 2: why what happened? Don't don't worry about it. Don't tell

1579
01:21:21,280 --> 01:21:22,800
Speaker 2: your mom to just come get me out of jail.

1580
01:21:25,920 --> 01:21:30,559
Speaker 2: Charges were he's charged exposing sexual organs a misdemeanor because

1581
01:21:30,600 --> 01:21:33,400
Speaker 2: it is Florida's just a misdemeanor. Uh what, He's good

1582
01:21:33,479 --> 01:21:36,040
Speaker 2: in county jail on twenty five hundred dollars bond. He

1583
01:21:36,160 --> 01:21:41,599
Speaker 2: did not appear to still be in custody, and yeah,

1584
01:21:41,720 --> 01:21:44,760
Speaker 2: that's that's him. So guess the race of mister Dale

1585
01:21:45,000 --> 01:21:47,280
Speaker 2: Kevin Dale Westernhold White?

1586
01:21:47,640 --> 01:21:50,559
Speaker 5: All right, Yeah that sounds like I mean, I guess

1587
01:21:50,600 --> 01:21:52,559
Speaker 5: white just because that sounds like a name from Game

1588
01:21:52,600 --> 01:21:53,040
Speaker 5: of Thrones.

1589
01:21:53,280 --> 01:21:55,360
Speaker 2: Mm, they kind of do. I can hear the I

1590
01:21:55,479 --> 01:21:58,960
Speaker 2: heard the trump is when you say n. Yeah, Mikester

1591
01:21:59,080 --> 01:22:02,400
Speaker 2: western Hold, Like, hey, I mean it could be Kevin,

1592
01:22:02,439 --> 01:22:04,800
Speaker 2: but it's gotta be spelled with like three wives, you know,

1593
01:22:05,000 --> 01:22:09,360
Speaker 2: George George like to be unorthodized. Kevin k y V

1594
01:22:09,760 --> 01:22:15,040
Speaker 2: y y n apparently didn't suck about the evidence afterwards.

1595
01:22:15,080 --> 01:22:18,880
Speaker 2: Dice and White. He loves his suction on this electrolux

1596
01:22:18,960 --> 01:22:24,639
Speaker 2: white nonsense, white night goofy from scary movie. White. That's

1597
01:22:24,680 --> 01:22:26,880
Speaker 2: a good, that's a that's a good reference. Kiss me

1598
01:22:27,040 --> 01:22:32,920
Speaker 2: communing white. He just writing it for performists white. I

1599
01:22:33,000 --> 01:22:35,640
Speaker 2: give it three stars. Honestly, it wasn't the best. I

1600
01:22:35,760 --> 01:22:38,439
Speaker 2: asked Jesus. It said to go for it, white, good

1601
01:22:38,520 --> 01:22:41,960
Speaker 2: Lord White. Only a caccasion could call such dice a

1602
01:22:42,080 --> 01:22:49,479
Speaker 2: dicing situation a white wreck. You suck white? Correct? Everyone

1603
01:22:49,600 --> 01:22:52,400
Speaker 2: said the same thing. Everyone got it correct. He was white.

1604
01:22:55,880 --> 01:22:58,160
Speaker 4: They do if you end up being a black man.

1605
01:23:00,240 --> 01:23:02,160
Speaker 3: That that does happened before and everybody be.

1606
01:23:02,320 --> 01:23:06,920
Speaker 2: Like, listen, those are my favorite ones. Is when everyone

1607
01:23:07,439 --> 01:23:09,839
Speaker 2: is dead set on like that's a that's a whatever

1608
01:23:10,000 --> 01:23:12,599
Speaker 2: race and it don't be and they be like, oh

1609
01:23:12,720 --> 01:23:17,800
Speaker 2: my god, what kind of monster am I? But that's

1610
01:23:17,840 --> 01:23:18,759
Speaker 2: why we play the game.

1611
01:23:18,720 --> 01:23:20,880
Speaker 6: Thinking to my stereotypes, either good.

1612
01:23:21,000 --> 01:23:24,400
Speaker 2: You're either good at the game or you're not racist.

1613
01:23:24,439 --> 01:23:27,400
Speaker 2: Those are the only two. If you miss them all

1614
01:23:27,439 --> 01:23:29,439
Speaker 2: the time, you're just not a racist person. You should

1615
01:23:29,479 --> 01:23:32,200
Speaker 2: be proud of yourself, very proud. But you suck it,

1616
01:23:32,280 --> 01:23:35,719
Speaker 2: guess the race. Just letting you know, all right, last round,

1617
01:23:36,280 --> 01:23:39,800
Speaker 2: you guys are both too for two, So we're gonna

1618
01:23:39,840 --> 01:23:46,200
Speaker 2: have to go more racist this round. Okay, more Why

1619
01:23:47,000 --> 01:23:48,000
Speaker 2: I ain't racist?

1620
01:23:49,000 --> 01:23:54,560
Speaker 3: How can I be racist? About anybody or anything in

1621
01:23:54,720 --> 01:23:55,280
Speaker 3: my life?

1622
01:23:56,080 --> 01:23:57,839
Speaker 2: How can I call them niggas?

1623
01:23:58,280 --> 01:24:03,719
Speaker 5: Just call them niggas. Go Chang.

1624
01:24:06,520 --> 01:24:13,400
Speaker 4: Monkey, big Jumping Spirit and sixteenth.

1625
01:24:13,000 --> 01:24:16,280
Speaker 2: Degree fasts all tied up here in the bonus round

1626
01:24:16,320 --> 01:24:19,080
Speaker 2: of guessed the race. Let's see if we end on

1627
01:24:19,200 --> 01:24:25,720
Speaker 2: the tie or if someone pulls ahead here? Okay. A

1628
01:24:25,840 --> 01:24:28,840
Speaker 2: man used a rock to rob taco bell, climb through

1629
01:24:28,960 --> 01:24:31,719
Speaker 2: drive through window, and chase the employees around the parking

1630
01:24:31,760 --> 01:24:32,920
Speaker 2: lot demanding money.

1631
01:24:35,320 --> 01:24:38,320
Speaker 3: He put it between a rock and a hard place, a.

1632
01:24:38,439 --> 01:24:39,439
Speaker 2: Rock and a hard shell.

1633
01:24:40,320 --> 01:24:40,559
Speaker 3: Yeah.

1634
01:24:44,320 --> 01:24:47,599
Speaker 2: Man is headed to prison after he robbed a Florida

1635
01:24:47,720 --> 01:24:51,000
Speaker 2: Taco bell with a rock and chased the employda the.

1636
01:24:51,000 --> 01:24:54,080
Speaker 6: Hotel beside him, beside this taco.

1637
01:24:53,920 --> 01:24:56,960
Speaker 3: Bell, the hotel, that hotel with a do work here?

1638
01:24:57,000 --> 01:24:58,160
Speaker 6: Abouy help with the vacuum clean?

1639
01:24:59,600 --> 01:25:03,519
Speaker 2: What's that? There's a lot of Florida today. Yes, I

1640
01:25:03,600 --> 01:25:06,519
Speaker 2: didn't even realize that's what happened. Yeah. Oh that's a

1641
01:25:06,560 --> 01:25:12,560
Speaker 2: good point, Karen. But no, he chased him around the

1642
01:25:12,800 --> 01:25:20,599
Speaker 2: parking lot, started demanding cash. Key Warren Anderson forty Key

1643
01:25:20,720 --> 01:25:25,559
Speaker 2: Warren Anderson was sentenced Thursday to serve four years behind

1644
01:25:25,600 --> 01:25:28,000
Speaker 2: bars for an arm ribery that occurred last year at

1645
01:25:28,040 --> 01:25:32,000
Speaker 2: Taco Bell. Cots were spawning around twelve thirty am, so

1646
01:25:32,120 --> 01:25:33,960
Speaker 2: it was about the time of fourth mil.

1647
01:25:38,120 --> 01:25:38,160
Speaker 3: And.

1648
01:25:38,640 --> 01:25:42,400
Speaker 2: Witnesses said a man with his shirt around his head

1649
01:25:43,120 --> 01:25:46,200
Speaker 2: entered the store through the drive through window, arm with

1650
01:25:46,280 --> 01:25:51,840
Speaker 2: a large rock and demanded money. The man chased him, right,

1651
01:25:52,720 --> 01:25:55,880
Speaker 2: I know, that's how killer when Batman was pretending to

1652
01:25:55,960 --> 01:25:58,920
Speaker 2: be Killer Crock and said he killed Batman. He did

1653
01:25:59,040 --> 01:26:02,240
Speaker 2: say he did it with a but. I don't think

1654
01:26:02,320 --> 01:26:04,840
Speaker 2: that's a but isn't Killer Croc. I don't know what

1655
01:26:05,000 --> 01:26:09,400
Speaker 2: race he is, you know, the man. The man chased

1656
01:26:09,439 --> 01:26:13,400
Speaker 2: the employees out of store and around the parking lot,

1657
01:26:13,520 --> 01:26:16,599
Speaker 2: still carrying the rock and clamoring for cash. He then

1658
01:26:16,760 --> 01:26:18,760
Speaker 2: left on foot. How big was this rock?

1659
01:26:19,720 --> 01:26:19,920
Speaker 5: Yeah?

1660
01:26:21,160 --> 01:26:21,360
Speaker 2: Yeah?

1661
01:26:23,080 --> 01:26:23,240
Speaker 6: Right?

1662
01:26:23,960 --> 01:26:27,720
Speaker 2: Like was he was? He above his head? We're able

1663
01:26:27,760 --> 01:26:29,559
Speaker 2: to track the man using a K nine.

1664
01:26:30,520 --> 01:26:30,640
Speaker 3: Uh.

1665
01:26:30,840 --> 01:26:32,920
Speaker 2: They tracked him to a dumpster nearby.

1666
01:26:34,080 --> 01:26:34,200
Speaker 3: Uh.

1667
01:26:34,800 --> 01:26:37,320
Speaker 2: The employees identified him as a suspect who was also

1668
01:26:37,479 --> 01:26:46,920
Speaker 2: known as Tony the Tiger. So that horse girl right right?

1669
01:26:48,280 --> 01:26:49,560
Speaker 3: See that's another crossover.

1670
01:26:50,080 --> 01:26:54,479
Speaker 2: Yeah, so Key Warren Anderson is also known as Tony

1671
01:26:54,520 --> 01:26:57,760
Speaker 2: the Tiger around there. He admitted to being at the

1672
01:26:57,840 --> 01:27:00,360
Speaker 2: Taco Bell with the rock during the robbery him. He

1673
01:27:00,360 --> 01:27:02,559
Speaker 2: said he was homeless and he needed money. Anderson did

1674
01:27:02,600 --> 01:27:05,720
Speaker 2: not get away with any cash. He was arrested on

1675
01:27:06,040 --> 01:27:08,880
Speaker 2: an arm robbery charge. He's been behind bars ever since.

1676
01:27:09,400 --> 01:27:13,040
Speaker 2: On Thursday, pleaded no contest. He was adjudicated guilty and

1677
01:27:13,080 --> 01:27:15,760
Speaker 2: giving credit for nearly two hundred days he's already served

1678
01:27:15,760 --> 01:27:18,320
Speaker 2: around bars. While he was in jail. He kicked and

1679
01:27:18,400 --> 01:27:21,560
Speaker 2: slapped the corrections officer while he was fighting.

1680
01:27:21,280 --> 01:27:22,960
Speaker 3: So they added todays back then.

1681
01:27:23,240 --> 01:27:25,719
Speaker 2: Well, he was fighting another in May at the time,

1682
01:27:26,520 --> 01:27:29,320
Speaker 2: so maybe that's why. I don't know. I don't know

1683
01:27:29,400 --> 01:27:31,120
Speaker 2: how they didn't say it added anything.

1684
01:27:31,400 --> 01:27:33,479
Speaker 3: No, I'm just making a joke. Yeah, you was like,

1685
01:27:33,560 --> 01:27:35,240
Speaker 3: they took to day. You say he got in a fight.

1686
01:27:35,320 --> 01:27:38,200
Speaker 2: I was like, then they added to Yeah, it's like, actually,

1687
01:27:38,280 --> 01:27:40,960
Speaker 2: you can keep them days. He also pleaded no contest

1688
01:27:41,040 --> 01:27:43,800
Speaker 2: the battery by a person attention facility. His sentence will

1689
01:27:43,880 --> 01:27:47,320
Speaker 2: run concurrently with the four year prison term for the

1690
01:27:47,479 --> 01:27:51,160
Speaker 2: robbery case. I guess the race of Key Warren Tony

1691
01:27:51,240 --> 01:27:53,040
Speaker 2: the Tiger Anderson.

1692
01:27:53,439 --> 01:27:54,439
Speaker 3: Tiger is black.

1693
01:27:55,479 --> 01:28:00,439
Speaker 2: I think you mean it's black. Go ahead, Uh tell

1694
01:28:00,520 --> 01:28:01,000
Speaker 2: you agree.

1695
01:28:01,760 --> 01:28:04,000
Speaker 5: I think I think you're just black. I think every

1696
01:28:04,080 --> 01:28:10,160
Speaker 5: black man has a moments moment in the hospital of

1697
01:28:10,280 --> 01:28:12,760
Speaker 5: the gun, sometimes taking over Taco Bell the rock.

1698
01:28:13,439 --> 01:28:13,880
Speaker 3: This is a.

1699
01:28:15,600 --> 01:28:15,800
Speaker 4: Man.

1700
01:28:16,800 --> 01:28:18,760
Speaker 2: He looked at that. He looked at that being was like,

1701
01:28:19,600 --> 01:28:22,519
Speaker 2: why is nothing ninety nine cents anymore? And then just

1702
01:28:23,760 --> 01:28:25,920
Speaker 2: how it starts. It's like I used to get a

1703
01:28:26,000 --> 01:28:31,320
Speaker 2: big beef Mexican melt for a dollar nineteen. Come uh,

1704
01:28:31,960 --> 01:28:35,599
Speaker 2: let's see. I know who deserve, who secured a home

1705
01:28:35,920 --> 01:28:39,600
Speaker 2: and means, bitch better have my money. Black Ti is

1706
01:28:39,680 --> 01:28:42,719
Speaker 2: a Negro. When negroes get into a myth, this happens,

1707
01:28:43,040 --> 01:28:46,960
Speaker 2: Black got a nickname known in the hood. Physically imposing

1708
01:28:47,320 --> 01:28:53,160
Speaker 2: feasts of athleticism equal Negro, Black, Rock Nation, Ninja and black.

1709
01:28:53,280 --> 01:29:02,200
Speaker 2: The correct answer is everyone got it correct. And here's

1710
01:29:02,240 --> 01:29:03,360
Speaker 2: his picture.

1711
01:29:08,760 --> 01:29:10,439
Speaker 4: Of the rocky.

1712
01:29:10,680 --> 01:29:12,439
Speaker 2: He kind of looks they don't have a picture of

1713
01:29:12,479 --> 01:29:14,960
Speaker 2: the rock, but he kind of looked like Antonio Brown

1714
01:29:15,040 --> 01:29:19,120
Speaker 2: to me, and the crime sounds like something Antonio Brown

1715
01:29:19,120 --> 01:29:22,559
Speaker 2: would do. I'm just saying, right, look into it, guys,

1716
01:29:24,000 --> 01:29:25,840
Speaker 2: I just sound like trumpet the end. Look into it

1717
01:29:26,080 --> 01:29:29,160
Speaker 2: like there's nothing looking to It's a joking. It's not real,

1718
01:29:30,400 --> 01:29:32,320
Speaker 2: all right. Last thing that we do here is we

1719
01:29:32,439 --> 01:29:34,680
Speaker 2: gotta do a little community service guy. It's trying to

1720
01:29:34,720 --> 01:29:38,360
Speaker 2: spread the word about swords and the violence they cause

1721
01:29:38,400 --> 01:29:42,240
Speaker 2: in the world. Sword Ratchetness, there's a long sound effect.

1722
01:29:42,360 --> 01:29:42,840
Speaker 3: Just it.

1723
01:29:42,920 --> 01:30:00,639
Speaker 2: We'll be back in about ten seconds, and and he's dead.

1724
01:30:01,439 --> 01:30:04,720
Speaker 2: Sword Ratchetness. It's time for us to spread the word

1725
01:30:04,840 --> 01:30:07,639
Speaker 2: and awareness about how much violence are still being caused

1726
01:30:07,680 --> 01:30:10,960
Speaker 2: by swords. Every day. We talk about gun control in

1727
01:30:11,000 --> 01:30:13,559
Speaker 2: this country, but what about sword control? And how are

1728
01:30:13,560 --> 01:30:15,519
Speaker 2: we going to control the guns if we can't control

1729
01:30:15,600 --> 01:30:20,000
Speaker 2: the swords. Let's think about it. A teenage boy was

1730
01:30:20,120 --> 01:30:24,439
Speaker 2: injured with a samurai sword at Busy Dudley Mall on

1731
01:30:24,680 --> 01:30:29,679
Speaker 2: Black Friday. I did not know they had Black Friday

1732
01:30:30,000 --> 01:30:33,240
Speaker 2: in other countries. This is the UK, So y'all do

1733
01:30:33,320 --> 01:30:38,679
Speaker 2: Black Friday over there too? Interesting? Does that mean y'all

1734
01:30:38,840 --> 01:30:44,320
Speaker 2: do Thanksgiving? Why would they do Thanksgiving? That's us.

1735
01:30:44,720 --> 01:30:46,640
Speaker 3: They might not take the day off, but they go

1736
01:30:46,920 --> 01:30:49,439
Speaker 3: in Americans doing Thanksgiving because you know what, I feel

1737
01:30:49,479 --> 01:30:52,639
Speaker 3: like they they might take it off like the Americans

1738
01:30:52,680 --> 01:30:53,120
Speaker 3: ain't working.

1739
01:30:53,160 --> 01:30:53,920
Speaker 6: What are we doing today?

1740
01:30:54,120 --> 01:30:54,320
Speaker 2: Huh?

1741
01:30:54,439 --> 01:30:58,800
Speaker 4: I feel like they should for some other colonization experiment.

1742
01:31:01,080 --> 01:31:05,200
Speaker 2: True is interesting. I did not because this is from

1743
01:31:05,240 --> 01:31:07,080
Speaker 2: the mirror in the UK. It's just like y'all do

1744
01:31:07,160 --> 01:31:11,200
Speaker 2: Black Friday. It'd be weird to do Black Friday and

1745
01:31:11,280 --> 01:31:13,880
Speaker 2: no Thanksgiving to me. I guess now, y'all don't get

1746
01:31:13,920 --> 01:31:15,879
Speaker 2: the good part of it. Y'all just get the sales.

1747
01:31:15,920 --> 01:31:18,519
Speaker 2: It's like, what about the food. They're like, man, fuck

1748
01:31:18,560 --> 01:31:20,719
Speaker 2: that food. Why did them Indians help them people?

1749
01:31:21,080 --> 01:31:21,200
Speaker 3: Right?

1750
01:31:21,600 --> 01:31:24,720
Speaker 2: First of all, fuck them people, and fuck the other

1751
01:31:24,840 --> 01:31:27,960
Speaker 2: day July fourth. That's also a bitch ass holiday, right.

1752
01:31:29,200 --> 01:31:31,519
Speaker 2: A teenage boy was taken to the hospital after being

1753
01:31:31,640 --> 01:31:34,120
Speaker 2: injured with a samurai saw at a busy shopping center

1754
01:31:34,200 --> 01:31:37,320
Speaker 2: on Black Friday. Police and paramedics will call it talk

1755
01:31:37,360 --> 01:31:40,240
Speaker 2: to the incident at mary Hill Shopping Center and in

1756
01:31:40,400 --> 01:31:44,120
Speaker 2: Briarly Hill, Dudley on Friday, November twenty eighth, when the

1757
01:31:44,200 --> 01:31:46,840
Speaker 2: team was hurt. It's treated for injuries before being taken

1758
01:31:46,880 --> 01:31:49,519
Speaker 2: to the hospital for further assessment, but he did not

1759
01:31:49,640 --> 01:31:53,840
Speaker 2: sustain serious injuries. Shoppers and restaurant workers said they saw

1760
01:31:54,000 --> 01:31:57,800
Speaker 2: knife men carrying a samurai saw at a busy shopping center.

1761
01:31:58,479 --> 01:32:02,040
Speaker 2: Witnesses told Birmingham Line that the incident took place at

1762
01:32:02,080 --> 01:32:06,720
Speaker 2: mary Hills food hall known as Each Central three or

1763
01:32:06,760 --> 01:32:10,200
Speaker 2: four guys, wrote, men come running through here. One guy

1764
01:32:10,400 --> 01:32:12,880
Speaker 2: was chasing and then slashed another guy. I don't know,

1765
01:32:12,960 --> 01:32:16,920
Speaker 2: that's probably how they talk the food hall. The food

1766
01:32:16,920 --> 01:32:20,960
Speaker 2: hall remained open after the incident. West Midlands Police said

1767
01:32:21,040 --> 01:32:23,400
Speaker 2: it was made aware of a group of people armed

1768
01:32:23,439 --> 01:32:26,880
Speaker 2: with a weapon just after three thirty pm. Wow, that's crazy.

1769
01:32:27,160 --> 01:32:29,760
Speaker 2: It was three people. How can three people be armed

1770
01:32:29,760 --> 01:32:32,639
Speaker 2: with a sword. It's a sword.

1771
01:32:32,720 --> 01:32:37,200
Speaker 4: Yeah, they got stricter gun laws out there. It's like

1772
01:32:37,280 --> 01:32:38,040
Speaker 4: Taco Bell guy.

1773
01:32:38,200 --> 01:32:43,160
Speaker 2: They're like, if any if y'all was walking close to him,

1774
01:32:43,280 --> 01:32:45,720
Speaker 2: you also was carrying the sword. Just that's how we

1775
01:32:45,840 --> 01:32:50,320
Speaker 2: do here the sword. They said they rode up to

1776
01:32:50,439 --> 01:32:54,080
Speaker 2: the mall and got called to the scene at three

1777
01:32:54,200 --> 01:32:57,960
Speaker 2: thirty nine. We are and they said that wherever incident

1778
01:32:58,000 --> 01:33:01,000
Speaker 2: that occurred to center this afternoon. Uh and the assistant

1779
01:33:01,040 --> 01:33:07,519
Speaker 2: and investigation and sounds like they still haven't necessarily found

1780
01:33:07,560 --> 01:33:11,040
Speaker 2: a person. So be careful of y'all by them all

1781
01:33:11,600 --> 01:33:13,360
Speaker 2: Mayor Hills Food Court Eat Central.

1782
01:33:14,000 --> 01:33:14,120
Speaker 4: Uh.

1783
01:33:14,360 --> 01:33:16,240
Speaker 2: We know we got some UK listeners. I'll be on

1784
01:33:16,320 --> 01:33:18,200
Speaker 2: the keep your head on the swivel, man, This motherfucker's

1785
01:33:18,240 --> 01:33:23,840
Speaker 2: got swords, all right, Tim, Tell the people about where

1786
01:33:23,880 --> 01:33:27,560
Speaker 2: to go to hear about Judge Travis and to subscribe

1787
01:33:27,640 --> 01:33:28,799
Speaker 2: and and all that stuff.

1788
01:33:29,840 --> 01:33:31,240
Speaker 4: Yeah, I'll put the link in the chat here.

1789
01:33:31,560 --> 01:33:34,360
Speaker 5: Just go to Judge Travis dot comic and subscribe anywhere

1790
01:33:34,360 --> 01:33:37,760
Speaker 5: you get podcast if it's I Heard, if it's Spotify,

1791
01:33:38,000 --> 01:33:43,000
Speaker 5: if it's Apple Podcasts, just just just do that.

1792
01:33:43,360 --> 01:33:43,600
Speaker 4: That's it.

1793
01:33:43,760 --> 01:33:44,000
Speaker 2: That's it.

1794
01:33:44,040 --> 01:33:44,639
Speaker 4: That's where you get.

1795
01:33:44,680 --> 01:33:47,760
Speaker 2: Information, all right, man, And we appreciate you coming.

1796
01:33:47,840 --> 01:33:47,960
Speaker 6: Man.

1797
01:33:48,040 --> 01:33:50,200
Speaker 2: You welcome back anytime. You don't just have to call

1798
01:33:50,320 --> 01:33:51,840
Speaker 2: you've got something to promote. If you ever just want

1799
01:33:51,880 --> 01:33:55,320
Speaker 2: to hang out, that's fine too, and you know we'll

1800
01:33:55,400 --> 01:33:58,920
Speaker 2: chop it up guys for us. I mean we're snowed in,

1801
01:33:59,120 --> 01:34:02,080
Speaker 2: so I imagine we'll be doing a show today. I mean,

1802
01:34:02,120 --> 01:34:05,479
Speaker 2: you got the show today. Tomorrow we might go to

1803
01:34:06,120 --> 01:34:08,599
Speaker 2: I don't know what's happening. We got a basketball game tomorrow.

1804
01:34:08,720 --> 01:34:11,280
Speaker 2: I have no idea what what like how that swok

1805
01:34:12,479 --> 01:34:14,200
Speaker 2: might change the time. So just keep your head on

1806
01:34:14,240 --> 01:34:16,120
Speaker 2: the swell and be looking out for us here and

1807
01:34:16,479 --> 01:34:18,360
Speaker 2: social media. We'll let you know what our next show is.

1808
01:34:19,040 --> 01:34:20,880
Speaker 2: All right, until next time, I love you.