WEBVTT - Maino Interview

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<v Speaker 1>I'm real people, real celebrity join the Breakfast Yeah, I'm Charlomagne,

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<v Speaker 1>God Angelie, the world most Dangerous Morning to show the

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<v Speaker 1>Breakfast Club. Maybe had to run out to do something

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<v Speaker 1>and we got the King of Brooklyn here, Yeah, King

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<v Speaker 1>of Brooklyn. Three. Yeah, it could be deceiving. I go,

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<v Speaker 1>I'll go. I'll go maybe twice a month, really to

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<v Speaker 1>the gym twice a month, Yeah, maybe three times. I'm not.

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<v Speaker 1>I'm not doing as well as I should be. If

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<v Speaker 1>I was going to the gym maybe three times a week,

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<v Speaker 1>I'll be I'll be reallyster. But I don't. I don't

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<v Speaker 1>go as much as I should. But when I do,

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<v Speaker 1>when I do go, I'll do a lot of cardio. Yeah,

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<v Speaker 1>I mean too. You know. I like to try to

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<v Speaker 1>stay lean and burn the fat. I'm saying, you look lean.

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<v Speaker 1>What you changed to diet or something a little bit

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<v Speaker 1>like I was going I was doing. I was staying

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<v Speaker 1>away from the bread, staying away from all the carbs,

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<v Speaker 1>you know, saytoes, rice and stuff like that, and just

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<v Speaker 1>trying to maintained you know what I mean. Listen, these

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<v Speaker 1>dudes ain't better than me. And he definitely acute her.

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<v Speaker 1>You know what I mean, I gotta I gotta maintained understanding.

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<v Speaker 1>Girls be like cute, so I gotta can't be out

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<v Speaker 1>y'all flat. And you know, I know I saw the

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<v Speaker 1>most recent rumor was you in black China? I saw

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<v Speaker 1>you guys posted up on the glos and everything you

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<v Speaker 1>saw really, Yes, I didn't know shaw that. I google

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<v Speaker 1>it right now. You problem? Why do people think you

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<v Speaker 1>could just be friends with a woman though people don't

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<v Speaker 1>think I could be friends? Yeah? Why every time you

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<v Speaker 1>take a picture, Um, I don't think that. They don't think.

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<v Speaker 1>I don't think people believe that. Do you think people

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<v Speaker 1>believe that me and you look out relationship and we've

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<v Speaker 1>never ever like me and you like this even though

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<v Speaker 1>you don't handle certain business for me like a got

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<v Speaker 1>so much girl friends forces you in the position and

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<v Speaker 1>be like, you know what, let me just be your brother.

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<v Speaker 1>There you go, that's probably what it is. That's probably

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<v Speaker 1>what it is. There you go the kob three. Yeah

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<v Speaker 1>out right now, I like, all right, I'm gonna tell

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<v Speaker 1>you some of my favorite songs in there. I like

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<v Speaker 1>that pm P song with chings. That's right, that's that's joint.

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<v Speaker 1>That's it right. I think that should be a single

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<v Speaker 1>right there. That was you know what that was originally

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<v Speaker 1>what it was supposed to be. But I'm I'm gonna

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<v Speaker 1>go harder than them. It's been like it's been, it's

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<v Speaker 1>been moving and it's crazy that you know, a lot

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<v Speaker 1>of times, you know, when when you see records moving,

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<v Speaker 1>it's all about the machine that moves it, right, But

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<v Speaker 1>every now and then you get you get records that

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<v Speaker 1>move organically, like right now, you see all these people

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<v Speaker 1>posting these workout videos to it. You can't buy that.

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<v Speaker 1>That's that's that's just the natural, you know, progression of

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<v Speaker 1>a record that just you know, feels like it relates

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<v Speaker 1>to people. So it's it's been doing good man, and

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<v Speaker 1>I feel blessed. I feel good man working out and

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<v Speaker 1>you don't even work out there, you know, I did,

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<v Speaker 1>I did? You know, I did? I did? I did.

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<v Speaker 1>I did two workout videos or maybe three and posted

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<v Speaker 1>it and from there it was just crazy, you know,

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<v Speaker 1>with with everybody posting videos and you know, I see

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<v Speaker 1>one dude, he got the ball bell, he throwing up

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<v Speaker 1>like this, he's singing it at the same time, you know,

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<v Speaker 1>and it just feels good to be able to make

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<v Speaker 1>music that that touches people. Man, you know what I mean,

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<v Speaker 1>exactly a good problems man. Oh, I'll see you on

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<v Speaker 1>talking about it a lot. Now you got a song

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<v Speaker 1>about it. Yeah, yeah and shot listen man, shout out

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<v Speaker 1>the Chinks um, rest of God, God, blessing man. You

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<v Speaker 1>know I was, uh, I was. I was doing these

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<v Speaker 1>things on my on my on my instagram. You know why.

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<v Speaker 1>I was calling out dudes for some of the outrageous

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<v Speaker 1>behavior that they was having right that. And it was

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<v Speaker 1>funny because I would trying to make it funny purposely

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<v Speaker 1>because you know, it was like, these are the problems

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<v Speaker 1>that only you know what I'm saying, These are the

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<v Speaker 1>problems that only we'll have. So I would make it funny,

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<v Speaker 1>like I'd be like, yo, you know, if you're a

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<v Speaker 1>up and then you know what I'm saying. You got

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<v Speaker 1>your girl and you holy hands with a girl and

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<v Speaker 1>just come by and just touch your girl about her

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<v Speaker 1>ass and something like that, and you turn around, you

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<v Speaker 1>don't do nothing, and then you got your problems. You

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<v Speaker 1>know what I'm saying. So it was funny. And Chinks

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<v Speaker 1>called me one day and was like, yo, I see

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<v Speaker 1>your instagram, man, I got something for you. And he

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<v Speaker 1>came with that hook in that verse, and it was

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<v Speaker 1>just so crazy. Were supposed to shoot the video. Um

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<v Speaker 1>two days like two days before before he passed away,

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<v Speaker 1>we was talking about shooting videos. So I'm still gonna

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<v Speaker 1>do it regardless though death affect you because you dude, Yeah,

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<v Speaker 1>in the street, not as much, man, all I mean,

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<v Speaker 1>I'm I'm. I got out the streets and I'm fortunate,

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<v Speaker 1>you know, I see you and I see people in Jersey,

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<v Speaker 1>now you know what I nah. But he wasn't doing nothing.

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<v Speaker 1>I understand. I understand the question though, like it affects

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<v Speaker 1>me because at the end of the day, we all

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<v Speaker 1>black males getting trying to get away from that, that life,

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<v Speaker 1>and we all you know, sacrifice, you know, time with

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<v Speaker 1>our family and and and been through certain things in

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<v Speaker 1>our life and our development. And then we got here

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<v Speaker 1>and the whole objective was to try to get away

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<v Speaker 1>from that. So for that to come back and invite

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<v Speaker 1>you it, yo, listen. I was the first person to

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<v Speaker 1>post it. I was the first person to post it

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<v Speaker 1>because I had, I had, I was, I was. I

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<v Speaker 1>did a show and um and Unicut and I was

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<v Speaker 1>on my way back and the homeoms called me and

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<v Speaker 1>was like tax Stone called me and he said that

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<v Speaker 1>somebody called him from the hospital. And I spoke to

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<v Speaker 1>Buyino and then I posted it and then Meat called

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<v Speaker 1>me asked me was it true? And I was like, yeo,

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<v Speaker 1>it's true. You know, um, that could be any one

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<v Speaker 1>of us. We got kids, we got families, were all

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<v Speaker 1>trying to, you know, make this music work for us.

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<v Speaker 1>You understand, that's what the objective is. We've been in jail,

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<v Speaker 1>we've been we've been in the streets, we've been banging,

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<v Speaker 1>we've been going to war and all that or whatever

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<v Speaker 1>over over money and misunderstandings and stuff like that. And

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<v Speaker 1>we get into the game and the whole objective is

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<v Speaker 1>the is the is the win. It's just it's just unfortunate, man.

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<v Speaker 1>And it bothers me. It bothered me a lot, because

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<v Speaker 1>it's like trouble. Trouble finds you like you're trying to

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<v Speaker 1>get you're trying to get away. You do what everything

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<v Speaker 1>you can to be out of it, if you know,

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<v Speaker 1>you know, sometimes it made me feel like because because

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<v Speaker 1>he was so humbled to me, you know, and and

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<v Speaker 1>and and watching him and I remember him from back

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<v Speaker 1>when stack Bundle days and stuff like that, and it

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<v Speaker 1>was like it's just like, damn, do it paid? Do you?

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<v Speaker 1>Like this is why you gotta punish all the time,

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<v Speaker 1>Like you know what I'm saying, like, do it? Do

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<v Speaker 1>it pay? To be a good Sometimes you question like

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<v Speaker 1>you should be the coolest. It just come blow your

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<v Speaker 1>head off. Like so it's sometimes it plays with your

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<v Speaker 1>mind and it's like, you know, but you know what,

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<v Speaker 1>we ain't gonna go to that negative route. We're gonna

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<v Speaker 1>stay We're gonna stay on the same path. We're gonna

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<v Speaker 1>do what we're supposed to do. And you know what

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<v Speaker 1>I mean, it's just unfortunate, man. And it touched me

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<v Speaker 1>because I look at my son. He twenty years old,

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<v Speaker 1>and I can't even think of a day where he

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<v Speaker 1>could be like, damn, my father ain't come home no more.

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<v Speaker 1>Absolutely well. I mean I always look at you as

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<v Speaker 1>a business person and I as well, you know, as

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<v Speaker 1>an artist. So let's talk about some other things that

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<v Speaker 1>you have going on. I know, King of Brooklyn three, Yeah,

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<v Speaker 1>is that right now? Right now? And I gave it

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<v Speaker 1>for free again, I did it for free. Did it

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<v Speaker 1>for free this midnight? Yeah, midnights for free. Let the

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<v Speaker 1>people have because I want the energy. It sounds like

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<v Speaker 1>a real album, not just the free They put my

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<v Speaker 1>heart and soul into it. That's what I want. I

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<v Speaker 1>want to such people's soul. But you know, I'll be

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<v Speaker 1>all doing you know, different things. You know, we're hustling.

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<v Speaker 1>You know, I tell you all my business. Right, you're

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<v Speaker 1>doing television and you finally go do the TV thing. Man, No,

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<v Speaker 1>not like you think, not like you think. Um, I

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<v Speaker 1>will share this with y'all because you know me, I

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<v Speaker 1>like I like to be unpredictable, you know what I mean.

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<v Speaker 1>I feel like I'm the underdog and I feel like

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<v Speaker 1>people they look at me one way, they don't really

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<v Speaker 1>understand me. So I like to do things and surprise people.

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<v Speaker 1>But I'm actually I actually developed developed the show. I

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<v Speaker 1>actually developed the show. I wrote, I wrote, I wrote

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<v Speaker 1>a few things out. You know, I got a couple

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<v Speaker 1>of things drafted, and I went and you know, shout

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<v Speaker 1>out to Isha Entertainment, Michael Holshon, shout out to Melissa Cooper.

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<v Speaker 1>We partnered it up on the show. I don't really

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<v Speaker 1>want to get a shot. I don't really want to

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<v Speaker 1>not it's not about me. Why didn't you do a

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<v Speaker 1>show about you? Because that wasn't the words that was

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<v Speaker 1>in the works. But yeah, but I didn't. I just

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<v Speaker 1>felt like I didn't want to show because you filmed

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<v Speaker 1>some of that. Yeah, yeah we did. We did you

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<v Speaker 1>know it was with VH one. Um, I just felt

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<v Speaker 1>like I didn't want to show that was that that

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<v Speaker 1>really just catered to my love life. I felt like

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<v Speaker 1>I was more, it was more parts to me than

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<v Speaker 1>just you know, my love life and stuff like that.

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<v Speaker 1>And then I guess I get spooked. I look at

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<v Speaker 1>these shows, I'd be like, damn. Part of being an

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<v Speaker 1>artist is some of the mystique that you don't know

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<v Speaker 1>about everything. And I look at some of these it

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<v Speaker 1>was in me like, damn, I liked you, man I

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<v Speaker 1>didn't know you was a lame like this. Damn. I

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<v Speaker 1>just like how Mano used a slick word like love life.

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<v Speaker 1>Yeah forever. I just want to say. And the first

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<v Speaker 1>thing I thought, man, is your love life is fascinating.

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<v Speaker 1>If you want to call life, why would you say

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<v Speaker 1>that because it is fascinating? How is that you're gonna

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<v Speaker 1>put because you're gonna you're gonna put a bad, bad name.

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<v Speaker 1>I feel like it is. Um, I'm trying to think

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<v Speaker 1>how can I say felt us? I feel like Mano

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<v Speaker 1>love life at certain points wants to be in love,

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<v Speaker 1>but then I felt at certain times you don't, and

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<v Speaker 1>I just don't. I feel like you might get with

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<v Speaker 1>a good girl and whatever, but you just can't. The

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<v Speaker 1>dots aren't connecting properly, and women fall in love with

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<v Speaker 1>Mano do they? I know one female in particular. You go, oh,

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<v Speaker 1>she was in the hospital. That's where I was should be. No,

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<v Speaker 1>you don't even know that I know this girl. And well, anyway,

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<v Speaker 1>she she was upset because I guess you stopped messing

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<v Speaker 1>with her. She said the dud was so good. She

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<v Speaker 1>was all broken up over it is that so got

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<v Speaker 1>a routine going here that reads really really so. But

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<v Speaker 1>what would make you cut a girl off? I'm I'm

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<v Speaker 1>I'm a simple guy. Man like I'm I'm gonna fall

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<v Speaker 1>out the chair. I'm an easy going dude, you know,

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<v Speaker 1>like you know, they think I'm cute, they say I'm handsome,

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<v Speaker 1>you feel me, they like my ways. But listen, I

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<v Speaker 1>stopped talking to a girl before for not voting. You

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<v Speaker 1>know it's good as a mother, ladies, make sure you

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<v Speaker 1>get out here. Man, you would rather she vote? It

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<v Speaker 1>don't matter who she votes for. It was something that

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<v Speaker 1>she said though that Obama. It was Obama re election

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<v Speaker 1>don't count and were in somehow we were talking about Obama.

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<v Speaker 1>You know, I'll be watching the news. Obama came up

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<v Speaker 1>and I was like, yo, you voted. She was like,

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<v Speaker 1>voting for what They're gonna kill him anyway, I said, Yo, man,

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<v Speaker 1>I ain't never spoke to that girl again. No, I'm

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<v Speaker 1>like that too. I don't like that kind of ignorant.

0:11:33.440 --> 0:11:35.120
<v Speaker 1>That's ignorant though, Like at the end of the day,

0:11:35.160 --> 0:11:38.720
<v Speaker 1>like listen, if we can't, you know, build and grow

0:11:38.840 --> 0:11:41.040
<v Speaker 1>and grow with each other and learn from each other,

0:11:41.080 --> 0:11:43.400
<v Speaker 1>and then it just just a waste of time. So after,

0:11:43.440 --> 0:11:45.120
<v Speaker 1>after you come away from the sex, then what is

0:11:45.120 --> 0:11:47.120
<v Speaker 1>it really about that. I used to date this girl

0:11:47.120 --> 0:11:49.520
<v Speaker 1>who she had an inverted nipple and I asked her

0:11:49.600 --> 0:11:51.400
<v Speaker 1>what is that? And she was like, asked the nipple.

0:11:51.400 --> 0:11:52.800
<v Speaker 1>All the guys like the suck on. I'm like, oh,

0:11:52.800 --> 0:11:58.520
<v Speaker 1>you gotta go, yeah, get some deformities out there situations.

0:11:58.960 --> 0:12:01.040
<v Speaker 1>But he just didn't want thinking another man sucking on

0:12:01.080 --> 0:12:05.200
<v Speaker 1>that nipples disgusting, disgusting. Yeah, it's just stupid to say though,

0:12:05.280 --> 0:12:07.160
<v Speaker 1>Like for real, Like, we gotta be able to build.

0:12:07.200 --> 0:12:09.000
<v Speaker 1>We gotta be able to grow, you know what I

0:12:09.000 --> 0:12:11.120
<v Speaker 1>mean At the end of the day, when we after

0:12:11.160 --> 0:12:13.760
<v Speaker 1>the club, after the radio, after we're on the road,

0:12:13.840 --> 0:12:16.400
<v Speaker 1>after the shows, after the whole everything that's going on,

0:12:16.600 --> 0:12:19.720
<v Speaker 1>and we're just chilling in the crib, I need what's

0:12:19.720 --> 0:12:23.040
<v Speaker 1>your character? Like, we need to be able to talk.

0:12:23.760 --> 0:12:27.440
<v Speaker 1>Can we build? Can we talk outside of what's going

0:12:27.480 --> 0:12:29.760
<v Speaker 1>on in the club? Can we talk outside of music?

0:12:30.520 --> 0:12:34.079
<v Speaker 1>I can? And if we if I'm with a female

0:12:34.120 --> 0:12:36.280
<v Speaker 1>that that's just talking ignorant. It's crazy. It's like it's

0:12:36.280 --> 0:12:38.800
<v Speaker 1>a turn off for me. Now. I also saw you

0:12:38.960 --> 0:12:43.959
<v Speaker 1>this really made me laugh on CNN. Yeah, as a

0:12:44.200 --> 0:12:54.520
<v Speaker 1>as a as a a token inmate, yeah, correspondent in

0:12:54.559 --> 0:12:57.559
<v Speaker 1>this jail that. Yeah, they called me up the CNN

0:12:57.600 --> 0:12:59.400
<v Speaker 1>and I thought, I was like, you know, what cool

0:12:59.480 --> 0:13:02.120
<v Speaker 1>I do. I'll do it. You know, it's the first time.

0:13:02.520 --> 0:13:05.360
<v Speaker 1>But they kept calling me to come back, and I

0:13:05.400 --> 0:13:08.760
<v Speaker 1>was like, what they want to talk about? They want

0:13:08.800 --> 0:13:11.040
<v Speaker 1>to know, you know, you know, they want to know

0:13:11.040 --> 0:13:14.880
<v Speaker 1>the relationships between inmates, you know, female inmates and no

0:13:15.040 --> 0:13:17.079
<v Speaker 1>female guards and inmates. And I was like, listen, there's

0:13:17.120 --> 0:13:18.600
<v Speaker 1>certain things that go on in there and that should

0:13:18.679 --> 0:13:24.120
<v Speaker 1>that shouldn't be told exactly. I got friends that's in

0:13:24.160 --> 0:13:29.000
<v Speaker 1>prison that might be in situations where they they might

0:13:29.040 --> 0:13:32.440
<v Speaker 1>be situated. You feel me and you I can't be

0:13:32.520 --> 0:13:37.120
<v Speaker 1>on National International. This is what happened. Yeah, this is

0:13:37.120 --> 0:13:39.080
<v Speaker 1>what happens. You know, they bring in twinkies and you

0:13:39.080 --> 0:13:42.440
<v Speaker 1>know what sneaking and you know, fish sticks like that.

0:13:42.559 --> 0:13:45.160
<v Speaker 1>Like I can't be. I can't. I'm not no, right,

0:13:45.200 --> 0:13:47.320
<v Speaker 1>you can't break down. So I was very careful about

0:13:47.400 --> 0:13:49.400
<v Speaker 1>when even the first time when I you know, when

0:13:49.440 --> 0:13:51.360
<v Speaker 1>I went up there when I talked about But it

0:13:51.440 --> 0:13:57.520
<v Speaker 1>was a great experience though, you know exactly. I like

0:13:57.559 --> 0:14:00.600
<v Speaker 1>to see your dudes that are smart in those situations

0:14:00.600 --> 0:14:02.600
<v Speaker 1>though you're smart at the new gangster though, like be

0:14:02.679 --> 0:14:04.800
<v Speaker 1>elevating though, man, you know what I'm saying. Like the

0:14:04.840 --> 0:14:07.000
<v Speaker 1>whole thing is the inspired the hood, Like they know

0:14:07.080 --> 0:14:09.120
<v Speaker 1>what I come from. They know what it is. It

0:14:09.160 --> 0:14:12.320
<v Speaker 1>ain't like you don't know, like I still because I

0:14:12.400 --> 0:14:14.520
<v Speaker 1>pull up, I come, you know what it is. But

0:14:14.559 --> 0:14:16.839
<v Speaker 1>the whole thing is about showing them that we could

0:14:16.880 --> 0:14:20.480
<v Speaker 1>get to a whole nother plateau. We could do other things,

0:14:20.480 --> 0:14:22.800
<v Speaker 1>like we could have that dirt on us. There's felonies

0:14:23.200 --> 0:14:25.440
<v Speaker 1>in these in these situations in the streets, but we

0:14:25.480 --> 0:14:28.200
<v Speaker 1>could rise above it. And that's that's all my music

0:14:28.240 --> 0:14:31.920
<v Speaker 1>and that's all my whole being ever been about. The

0:14:32.000 --> 0:14:34.280
<v Speaker 1>last time you was here, and I salute you on this,

0:14:34.360 --> 0:14:37.000
<v Speaker 1>you predicted that the next time you was here, your

0:14:37.000 --> 0:14:39.200
<v Speaker 1>assault case would be dropped in your name would be clear,

0:14:39.840 --> 0:14:42.520
<v Speaker 1>and that I told you. I told you I ain't

0:14:42.520 --> 0:14:44.680
<v Speaker 1>because I didn't want to talk about it. Then about

0:14:44.720 --> 0:14:48.120
<v Speaker 1>the bitch line on me, like that line on a brother,

0:14:49.080 --> 0:14:53.240
<v Speaker 1>on a good brother, and you clean that, yeah, a

0:14:53.360 --> 0:14:56.360
<v Speaker 1>good brother. Yes. I was a very upset when when

0:14:57.440 --> 0:14:59.480
<v Speaker 1>they called you, they always calling you, they knew they

0:14:59.520 --> 0:15:02.240
<v Speaker 1>called you. It called you up and that, and wanted

0:15:02.280 --> 0:15:05.000
<v Speaker 1>to jump all over the radio and and and spill

0:15:05.080 --> 0:15:08.680
<v Speaker 1>these lies out and stuff like that. But I listen,

0:15:08.720 --> 0:15:10.440
<v Speaker 1>I ain't lose no sleep about that because at the

0:15:10.480 --> 0:15:14.680
<v Speaker 1>end of I said, what you're calling me about that? Man? Man,

0:15:14.720 --> 0:15:16.560
<v Speaker 1>hang up, man, I'm gonna sleep because at the end

0:15:16.560 --> 0:15:17.640
<v Speaker 1>of the day, we don't come out and the wash

0:15:17.720 --> 0:15:19.560
<v Speaker 1>donna come out. The rent So I knew I ain't ain't.

0:15:19.560 --> 0:15:21.240
<v Speaker 1>It wasn't worried about that. Does it piss you off?

0:15:21.280 --> 0:15:23.760
<v Speaker 1>Though that like when when the bad stuff happens, whether

0:15:23.760 --> 0:15:26.680
<v Speaker 1>it's true or not, media all over it. Case get dropped,

0:15:26.840 --> 0:15:30.160
<v Speaker 1>you might get one. I would have guarded. Listen that

0:15:30.240 --> 0:15:33.040
<v Speaker 1>she was in the paper four times when it first happened,

0:15:33.040 --> 0:15:34.960
<v Speaker 1>and then it was in paper maybe once or twice,

0:15:35.000 --> 0:15:38.880
<v Speaker 1>but it was on every blog, every blog when it happened.

0:15:38.920 --> 0:15:40.840
<v Speaker 1>I was like, people call me like, yo, you did this,

0:15:40.880 --> 0:15:42.920
<v Speaker 1>and I'm like, you really think I did that? I

0:15:43.000 --> 0:15:46.640
<v Speaker 1>was more mad at that. So when it when it

0:15:47.680 --> 0:15:49.840
<v Speaker 1>when they found out that she was lying and they

0:15:49.880 --> 0:15:52.560
<v Speaker 1>put the press release out, only like two three blogs

0:15:52.560 --> 0:15:55.360
<v Speaker 1>picked it up. I was like, wow, because nobody cares

0:15:55.400 --> 0:15:57.800
<v Speaker 1>about the truth and the live nobody cares about the truth.

0:15:58.000 --> 0:16:00.320
<v Speaker 1>And that's yeah, that's man, that's the real this thing

0:16:00.320 --> 0:16:02.920
<v Speaker 1>I heard on morning. Nobody cares about the truth when

0:16:02.920 --> 0:16:05.280
<v Speaker 1>the lives were entertaining, when the lives more entertaining, I

0:16:05.320 --> 0:16:07.960
<v Speaker 1>might I might run with that next album. Yeah yeah,

0:16:07.960 --> 0:16:09.680
<v Speaker 1>I might rum with that. A lot going on in

0:16:09.760 --> 0:16:12.320
<v Speaker 1>hip hop, man, everybody beefing, but you may know what's up. Man,

0:16:12.320 --> 0:16:13.840
<v Speaker 1>You ain't had to beef in a while. You know,

0:16:14.080 --> 0:16:16.920
<v Speaker 1>nobody want to beef for me? Man, I'm a ringer

0:16:18.240 --> 0:16:23.360
<v Speaker 1>I'll be playing rough. Nah, I mean listen, it's who

0:16:23.320 --> 0:16:25.760
<v Speaker 1>want my beef with? Though it's no, it's no, it's

0:16:25.760 --> 0:16:28.520
<v Speaker 1>nobody to Really, I don't know. I just think I

0:16:28.920 --> 0:16:31.720
<v Speaker 1>had to spend more time getting myself together than let

0:16:31.720 --> 0:16:34.440
<v Speaker 1>me beefing with niggas about nothing about frivolous stuff like that.

0:16:34.640 --> 0:16:36.920
<v Speaker 1>But who beef and beefing is good in music though? Absolutely,

0:16:36.920 --> 0:16:39.200
<v Speaker 1>it's if you competition? Could you because we had gun

0:16:39.240 --> 0:16:41.120
<v Speaker 1>play up here, play like he don't want nobody rapping

0:16:41.160 --> 0:16:43.640
<v Speaker 1>about him because he couldn't handle it. He had to

0:16:43.640 --> 0:16:47.560
<v Speaker 1>see you. Well, No, I can't say I couldn't handle it.

0:16:48.320 --> 0:16:51.120
<v Speaker 1>But it depends on the nature of what the situation is.

0:16:51.680 --> 0:16:55.800
<v Speaker 1>You know. Some some be disrespectful to the point where

0:16:55.800 --> 0:16:57.680
<v Speaker 1>it'll be like, you know what, let me see you.

0:16:57.880 --> 0:17:00.720
<v Speaker 1>I can't even. I just need to really, you know,

0:17:00.800 --> 0:17:04.200
<v Speaker 1>see about the situation and address it in a different way.

0:17:04.320 --> 0:17:09.520
<v Speaker 1>But what's going on right now? It's cool, man, it's cool.

0:17:09.560 --> 0:17:12.359
<v Speaker 1>I ain't got a problem with it. It's this is

0:17:12.440 --> 0:17:14.520
<v Speaker 1>I think it's it's good for the culture because I

0:17:14.520 --> 0:17:18.040
<v Speaker 1>think where hip hop fell into this whole fake love,

0:17:18.320 --> 0:17:22.760
<v Speaker 1>everybody friendly, everybody's no competition, everybody holding each other's hand

0:17:22.840 --> 0:17:25.919
<v Speaker 1>and kissing and holding and hugging and fake acting like

0:17:26.080 --> 0:17:29.960
<v Speaker 1>family and all that. Just it's just nasty. It's okay

0:17:29.960 --> 0:17:32.120
<v Speaker 1>not to like each other some people. If you don't,

0:17:32.119 --> 0:17:35.800
<v Speaker 1>you don't get along. I'm cool with not being cool

0:17:35.800 --> 0:17:38.040
<v Speaker 1>with everybody. I'm comfortable with with that. It's like you

0:17:38.080 --> 0:17:40.520
<v Speaker 1>build your own gang, right, I'm I'm down. I'm not

0:17:40.560 --> 0:17:43.160
<v Speaker 1>down with nobody. I'm I'm by myself and I've always

0:17:43.200 --> 0:17:46.600
<v Speaker 1>been by myself. But that's why my role been, you know,

0:17:47.080 --> 0:17:50.360
<v Speaker 1>the way it's been, because when when things not going

0:17:50.400 --> 0:17:52.560
<v Speaker 1>good for me, I can't. I don't have another artist

0:17:52.560 --> 0:17:55.080
<v Speaker 1>to lean on. I don't have a whole situation like

0:17:55.160 --> 0:17:58.000
<v Speaker 1>it's just me. When artists come up in Brooklyn, do

0:17:58.040 --> 0:18:00.320
<v Speaker 1>you feel like, for the most part, do we reach

0:18:00.359 --> 0:18:03.320
<v Speaker 1>out to men knows in particular from Brooklyn to be like, hey,

0:18:03.480 --> 0:18:06.920
<v Speaker 1>I just want to well, well, most artists that come

0:18:06.960 --> 0:18:13.600
<v Speaker 1>from Brooklyn. Nine times out of ten, I kind of know, yeah,

0:18:13.680 --> 0:18:17.360
<v Speaker 1>do some weight some you know some Yeah, I know them,

0:18:17.400 --> 0:18:21.440
<v Speaker 1>you know, and I always try to extend myself, you know,

0:18:21.640 --> 0:18:24.919
<v Speaker 1>um for them because like you got you got, you

0:18:24.960 --> 0:18:27.679
<v Speaker 1>got this artist that's coming up, you know too. Million

0:18:29.960 --> 0:18:32.520
<v Speaker 1>we did we didn't remix me shot the video and

0:18:32.560 --> 0:18:35.719
<v Speaker 1>all that, and that was just about me. Just they

0:18:35.840 --> 0:18:38.320
<v Speaker 1>from Gates Avenue and I just just feeling like this

0:18:38.480 --> 0:18:41.040
<v Speaker 1>is love, man. I love to see that, you know

0:18:41.119 --> 0:18:43.280
<v Speaker 1>what I mean. And I love because nobody helped me

0:18:43.680 --> 0:18:46.280
<v Speaker 1>like that. So I wanted to be able to just

0:18:46.400 --> 0:18:48.800
<v Speaker 1>give a little bit of support, you know, you know

0:18:48.800 --> 0:18:50.960
<v Speaker 1>what I mean, because the video was only on YouTube,

0:18:51.080 --> 0:18:52.520
<v Speaker 1>so I wanted to you know what I mean, if

0:18:52.520 --> 0:18:54.520
<v Speaker 1>we shoot it again, we got a chance to hit

0:18:55.119 --> 0:18:57.400
<v Speaker 1>whirld Stone and everywhere else, you know what I mean.

0:18:57.480 --> 0:19:00.760
<v Speaker 1>So you know it was it was all good. Does

0:19:00.800 --> 0:19:03.600
<v Speaker 1>it Does it help our hurt artists to keep it

0:19:03.640 --> 0:19:05.480
<v Speaker 1>so New York because I've seen you got this song

0:19:05.520 --> 0:19:08.080
<v Speaker 1>with Votto and Uncle Murder now yeah, but also got

0:19:08.080 --> 0:19:10.160
<v Speaker 1>a song with Kevin Gates. I've always been an artist

0:19:10.560 --> 0:19:13.560
<v Speaker 1>to work with artists outside of the thing. I'm like,

0:19:14.040 --> 0:19:17.680
<v Speaker 1>I with whoever, anybody. I don't I'm not confined to

0:19:17.840 --> 0:19:19.840
<v Speaker 1>just New York it, don't you know what I mean?

0:19:19.880 --> 0:19:24.639
<v Speaker 1>I love New York. Yeah. We just got back from Japan,

0:19:25.720 --> 0:19:28.760
<v Speaker 1>you know, so it it's it's it's cool like I

0:19:28.800 --> 0:19:31.720
<v Speaker 1>work with whoever and if we connect and the music

0:19:31.840 --> 0:19:34.240
<v Speaker 1>is dope, then it's all good. I mustn't miss it.

0:19:34.280 --> 0:19:35.720
<v Speaker 1>They said, you got a number one dance hit with

0:19:35.800 --> 0:19:37.960
<v Speaker 1>Erica Jane. Oh yeah yeah, number one. Yeah yeah, we

0:19:37.960 --> 0:19:40.639
<v Speaker 1>had a number one record. Yeah, like what happened? Yeah? Quiet,

0:19:40.640 --> 0:19:42.560
<v Speaker 1>this is what I'm saying. Quiet money, Quiet things going

0:19:42.600 --> 0:19:44.239
<v Speaker 1>on out here, you know what I'm saying. When you're

0:19:44.240 --> 0:19:47.200
<v Speaker 1>a hustler like you, you're into different things. You see.

0:19:47.600 --> 0:19:51.520
<v Speaker 1>It's not just putting your eggs in one basket, you know.

0:19:51.680 --> 0:19:55.119
<v Speaker 1>And and just because you may not have the number

0:19:55.119 --> 0:19:58.320
<v Speaker 1>one urban record going on, the other things you got

0:19:58.320 --> 0:20:00.159
<v Speaker 1>going on. That was a video And when we had fun,

0:20:00.280 --> 0:20:02.560
<v Speaker 1>we went, we went to la We had a great time.

0:20:02.760 --> 0:20:05.480
<v Speaker 1>And that's a whole other genre, you know. So yeah,

0:20:05.520 --> 0:20:08.000
<v Speaker 1>shout out to Erica Jane. You know that there was

0:20:08.080 --> 0:20:12.480
<v Speaker 1>in the Scott Starch because we put that together. Um,

0:20:12.560 --> 0:20:15.879
<v Speaker 1>I was in a club what was a greenhouse and

0:20:16.480 --> 0:20:20.600
<v Speaker 1>ran in the Scotts Starch and el Varna and um

0:20:20.640 --> 0:20:23.600
<v Speaker 1>we went yeah yeah, Scott Starch and el Vanna and

0:20:23.720 --> 0:20:25.879
<v Speaker 1>we went. He was like, yo, I got the studio,

0:20:25.960 --> 0:20:27.320
<v Speaker 1>let's go. So after the club, we went to the

0:20:27.320 --> 0:20:30.239
<v Speaker 1>studio and we wrote this song. We me and El

0:20:30.320 --> 0:20:35.040
<v Speaker 1>Varna wrote the song together Wow Crazy Yeah, which became

0:20:35.359 --> 0:20:38.439
<v Speaker 1>Erica Jane's song, which became a number one record on

0:20:38.520 --> 0:20:42.040
<v Speaker 1>the dance charts. Yeah damn. So what do you think

0:20:42.040 --> 0:20:45.200
<v Speaker 1>about this whole ghostwriting uh phenomenon in hip hop? Since

0:20:45.240 --> 0:20:50.080
<v Speaker 1>you mentioned writing not really a phenomenon. Can you respect

0:20:50.080 --> 0:20:53.520
<v Speaker 1>the artist if you know he got a ghostwriter? It

0:20:53.560 --> 0:20:58.200
<v Speaker 1>depends on what the situation is. If you're telling me

0:20:59.520 --> 0:21:01.560
<v Speaker 1>the word I right, rymes, I write checks, then I

0:21:01.640 --> 0:21:04.280
<v Speaker 1>understand what what's going on? Like, that's the Puff, you

0:21:04.280 --> 0:21:07.640
<v Speaker 1>know what I mean? You we kind of always respected

0:21:07.760 --> 0:21:12.960
<v Speaker 1>Puff because we knew what it was, even straight out

0:21:12.960 --> 0:21:15.320
<v Speaker 1>of Compton. Ice Cube wrote Everybody's wraps, right, but you

0:21:15.480 --> 0:21:20.080
<v Speaker 1>andre like and we kind of love those dudes regardless.

0:21:20.280 --> 0:21:22.760
<v Speaker 1>Um um, even Kanye we always know and he's had

0:21:22.840 --> 0:21:25.680
<v Speaker 1>help writing. That's never been a secret. Right. But when

0:21:25.680 --> 0:21:27.919
<v Speaker 1>you yea, I think it's different when you're trying to

0:21:27.960 --> 0:21:30.359
<v Speaker 1>say when you, when you, when you basically saying that

0:21:30.840 --> 0:21:35.040
<v Speaker 1>I'm that dude and this is right, I think it's

0:21:35.200 --> 0:21:37.880
<v Speaker 1>it becomes a little bit different. But I made care.

0:21:37.960 --> 0:21:43.760
<v Speaker 1>But I don't think that the the vast general public kids, No,

0:21:43.920 --> 0:21:46.080
<v Speaker 1>they don't care. You know what I'm saying not the fans, right.

0:21:46.400 --> 0:21:49.600
<v Speaker 1>Maybe like back in you know, in the nineties, if

0:21:49.640 --> 0:21:51.399
<v Speaker 1>something like that would have came out, it would have

0:21:51.440 --> 0:21:54.439
<v Speaker 1>been like, oh my god, it was like the Holy

0:21:54.440 --> 0:21:57.880
<v Speaker 1>Grail because you're not writing. Because here's the thing, all

0:21:57.960 --> 0:22:00.760
<v Speaker 1>our greats, all all the people that we put up

0:22:00.760 --> 0:22:06.120
<v Speaker 1>on that pedal stool. Let's say, big rights hole right,

0:22:06.720 --> 0:22:11.359
<v Speaker 1>who else? Um kiss kiss all those dudes we we like,

0:22:12.119 --> 0:22:14.760
<v Speaker 1>he's like our guards, right, I wrap guards and all

0:22:14.800 --> 0:22:17.840
<v Speaker 1>I'm wrote. So, then is it is it safe to

0:22:18.240 --> 0:22:21.960
<v Speaker 1>say that we put a dude up there that it

0:22:22.040 --> 0:22:26.280
<v Speaker 1>may be questionable? It may be questionable. I don't know.

0:22:26.840 --> 0:22:28.879
<v Speaker 1>Now we could be a fan of the music, you

0:22:28.960 --> 0:22:31.399
<v Speaker 1>know what I mean. I love the music, But is

0:22:31.440 --> 0:22:36.320
<v Speaker 1>it is he one of the greats? I don't know, true,

0:22:36.560 --> 0:22:40.360
<v Speaker 1>I don't know. I get it. But hip hop is good.

0:22:40.359 --> 0:22:42.040
<v Speaker 1>There's a lot of you know, it's beefing going on.

0:22:42.040 --> 0:22:45.760
<v Speaker 1>It's all good. It's a little you just need a

0:22:45.800 --> 0:22:47.679
<v Speaker 1>little bit more like I like how it is now.

0:22:47.800 --> 0:22:50.119
<v Speaker 1>It's a little scary. Just look like when a rabd

0:22:50.160 --> 0:22:54.680
<v Speaker 1>him start getting into it with me, go like that,

0:22:55.200 --> 0:22:57.040
<v Speaker 1>it was a little scary, a little scared. It's a

0:22:57.040 --> 0:22:59.520
<v Speaker 1>little my thing with that, Like last night I was

0:22:59.520 --> 0:23:03.240
<v Speaker 1>a griffin and um, and I saw something happening that

0:23:03.440 --> 0:23:09.400
<v Speaker 1>really really bothered me. They put on an um sus one,

0:23:09.440 --> 0:23:12.920
<v Speaker 1>shout out the sus one, throw on a m drake

0:23:12.960 --> 0:23:16.679
<v Speaker 1>the drake back to back record and um, you know,

0:23:16.720 --> 0:23:18.879
<v Speaker 1>everybody was like going crazy. And then he threw on

0:23:18.960 --> 0:23:25.040
<v Speaker 1>the meat record and the crowd started boring. No, man,

0:23:25.080 --> 0:23:27.080
<v Speaker 1>if they were doing that, it was born a little

0:23:27.080 --> 0:23:28.880
<v Speaker 1>bit and I and I was like, and I asked

0:23:28.960 --> 0:23:31.919
<v Speaker 1>village a turnaround, say they born? Said yeah, they born him,

0:23:32.840 --> 0:23:34.879
<v Speaker 1>And I grabbed the MICA said, I just you know,

0:23:34.960 --> 0:23:38.760
<v Speaker 1>I'm an I hold on this New York City. We

0:23:38.800 --> 0:23:43.440
<v Speaker 1>can't do that. You're not gonna make no street uncool.

0:23:44.520 --> 0:23:49.000
<v Speaker 1>All you streets in here, that's that's supposedly representing a

0:23:49.000 --> 0:23:53.560
<v Speaker 1>certain type of lifestyle. You're not gonna allow somebody to

0:23:53.640 --> 0:23:58.480
<v Speaker 1>make you feel like where he represented his uncool meat

0:23:58.880 --> 0:24:01.600
<v Speaker 1>is the only urban this right now on that level

0:24:02.080 --> 0:24:05.840
<v Speaker 1>that represent the street. We can't allow people to make

0:24:05.920 --> 0:24:09.920
<v Speaker 1>us feel like he's that's not cool. But no good point.

0:24:09.960 --> 0:24:13.560
<v Speaker 1>But what about figuring himself looking cool with the twitters?

0:24:13.640 --> 0:24:18.800
<v Speaker 1>That's a battle cool and he's a man and if if,

0:24:18.840 --> 0:24:22.639
<v Speaker 1>if he's he's if he lost the battle or whatever.

0:24:23.240 --> 0:24:27.840
<v Speaker 1>Cool you, that's a battle. But you're not gonna You're

0:24:27.840 --> 0:24:31.760
<v Speaker 1>not gonna tell me his music. It's not good you.

0:24:31.960 --> 0:24:34.800
<v Speaker 1>You're not you. You was just partying to his music

0:24:36.040 --> 0:24:38.760
<v Speaker 1>two weeks ago. Now all of us, all of a sudden,

0:24:38.760 --> 0:24:41.040
<v Speaker 1>you're born it down. I'm no, we can't do We

0:24:41.080 --> 0:24:43.880
<v Speaker 1>can't allow that to happen, because what do you represent?

0:24:45.480 --> 0:24:48.240
<v Speaker 1>It affects me, you understand. I feel like what he

0:24:48.320 --> 0:24:51.480
<v Speaker 1>represent we need that in hip hop. If you look

0:24:51.520 --> 0:24:54.919
<v Speaker 1>at the charts, he's the only artist that sold that

0:24:55.000 --> 0:24:57.800
<v Speaker 1>amount of records and still he talk mut cracky street,

0:24:58.400 --> 0:25:03.480
<v Speaker 1>you're crazy. We need that. As a rap fan. Though,

0:25:03.920 --> 0:25:08.879
<v Speaker 1>it's a battle, and I'm comfortable saying, Okay, Drake, situation

0:25:09.000 --> 0:25:12.240
<v Speaker 1>was well thought out. He put it together and he

0:25:12.280 --> 0:25:15.199
<v Speaker 1>did his thing. Cool. I like both of them, But

0:25:15.280 --> 0:25:17.000
<v Speaker 1>with some step that you think that me took, that

0:25:17.160 --> 0:25:20.159
<v Speaker 1>he should have executed better. I just think it should

0:25:20.160 --> 0:25:22.120
<v Speaker 1>maybe should have been a little bit more thought out.

0:25:22.560 --> 0:25:26.280
<v Speaker 1>And I think sometimes we underestimate our enemies because sometimes

0:25:26.359 --> 0:25:29.680
<v Speaker 1>a lot is going on. You see, it's an art

0:25:29.720 --> 0:25:36.080
<v Speaker 1>to that, you know, opposition thinking steps ahead. You feel

0:25:36.119 --> 0:25:40.000
<v Speaker 1>me I try to always be a step You know,

0:25:40.040 --> 0:25:42.280
<v Speaker 1>if I do this, then what what are you doing?

0:25:43.240 --> 0:25:46.320
<v Speaker 1>You understand? So that's that's all. But I think that

0:25:46.520 --> 0:25:48.200
<v Speaker 1>come on, here, a young artist, he could he could,

0:25:48.200 --> 0:25:50.880
<v Speaker 1>he could grow from that. We we we we get

0:25:50.960 --> 0:25:55.240
<v Speaker 1>wounded in the field, we pick ourselves up and we

0:25:55.359 --> 0:25:59.560
<v Speaker 1>keep going. We don't stop going with good music just

0:25:59.600 --> 0:26:03.639
<v Speaker 1>because of battle. They said Hove lost the NAS. That's debatable.

0:26:03.640 --> 0:26:09.080
<v Speaker 1>Thought what I said. They said Hove lost the NAS,

0:26:09.119 --> 0:26:13.600
<v Speaker 1>that's debatable. Cool. So for the people that felt like

0:26:13.680 --> 0:26:16.359
<v Speaker 1>Hove lost, I don't think that they stopped dealing with

0:26:16.400 --> 0:26:21.200
<v Speaker 1>whole music. True. All I'm saying is I don't. I don't.

0:26:21.240 --> 0:26:23.159
<v Speaker 1>I don't like I don't like what that representation. And

0:26:23.200 --> 0:26:24.639
<v Speaker 1>I just felt like New York City, we ain't going

0:26:24.640 --> 0:26:25.960
<v Speaker 1>about to We ain't about to do that now on

0:26:26.080 --> 0:26:28.199
<v Speaker 1>my watch. I also think it's just temporary because it

0:26:28.240 --> 0:26:30.120
<v Speaker 1>just happened, and people will forget it. I think people

0:26:30.160 --> 0:26:34.760
<v Speaker 1>want to fight temporary cool all that. What you're saying

0:26:35.000 --> 0:26:40.760
<v Speaker 1>is they still cheering for him, crazy whatever. I think

0:26:40.760 --> 0:26:42.840
<v Speaker 1>it's just temper. I couldn't. I couldn't. I couldn't been

0:26:42.880 --> 0:26:47.159
<v Speaker 1>in being a club and seeing dudes I know is

0:26:47.200 --> 0:26:49.440
<v Speaker 1>in the street, and this is the only street artist

0:26:49.480 --> 0:26:52.080
<v Speaker 1>rapping about streets that I know you relate to. I

0:26:52.160 --> 0:26:54.840
<v Speaker 1>know you relate to it. I know you relate. You

0:26:54.880 --> 0:26:58.880
<v Speaker 1>relate to this more than anything else because you in there,

0:27:00.119 --> 0:27:02.760
<v Speaker 1>y'all can't you can't do that. You can't tell that

0:27:01.960 --> 0:27:07.600
<v Speaker 1>because what we got, I mean, that's selling the movie.

0:27:07.680 --> 0:27:10.440
<v Speaker 1>You're not seeing the movie. He's you know, he's the herb.

0:27:10.520 --> 0:27:16.040
<v Speaker 1>He's the face of urban music the street just not

0:27:16.160 --> 0:27:18.520
<v Speaker 1>just you know, you got big seans, you got, you got,

0:27:18.600 --> 0:27:22.000
<v Speaker 1>you got Jake Cole's. But they represent something different. And

0:27:22.000 --> 0:27:24.760
<v Speaker 1>they and it's all good music, but they represent something different.

0:27:24.960 --> 0:27:26.800
<v Speaker 1>I'm not saying if he lost all cool whatever, but

0:27:26.840 --> 0:27:29.280
<v Speaker 1>you can't tell that that guy ain't not hell no

0:27:29.280 --> 0:27:30.680
<v Speaker 1>that I think that they might be born because they

0:27:30.680 --> 0:27:32.080
<v Speaker 1>feel like you let the streets down. It's like, if

0:27:32.080 --> 0:27:34.439
<v Speaker 1>we saw you doing something crazy, we'd be like, come on,

0:27:34.600 --> 0:27:36.800
<v Speaker 1>main no, I no, no, I no, I get it.

0:27:36.880 --> 0:27:39.119
<v Speaker 1>I get it, I get it. I get it. Sometimes

0:27:39.119 --> 0:27:41.080
<v Speaker 1>you got to take that L and you know, move

0:27:41.119 --> 0:27:42.920
<v Speaker 1>on from. But but that's what the L is. We're

0:27:42.960 --> 0:27:45.000
<v Speaker 1>supposed to learn from. I took playing els in my life.

0:27:45.200 --> 0:27:47.920
<v Speaker 1>You know, we all make decisions sometimes that we said, damn,

0:27:48.080 --> 0:27:50.720
<v Speaker 1>shouldn't have done that. You see what I'm saying. You know,

0:27:50.760 --> 0:27:53.200
<v Speaker 1>Sharlo Man, he waking up in hotels with strange women

0:27:53.240 --> 0:27:58.560
<v Speaker 1>all the time, Like, damn, not anymore. I'm married now,

0:27:58.560 --> 0:28:02.800
<v Speaker 1>I'm out the game, out the game. But I know

0:28:02.840 --> 0:28:05.680
<v Speaker 1>for a fact, man has definitely woken up. You got

0:28:05.600 --> 0:28:13.360
<v Speaker 1>a chill, definitely said yeah, man, I shouldn't have done that. Yeah, yeah,

0:28:13.520 --> 0:28:18.000
<v Speaker 1>plenty times. I'm gonna try the end of the day.

0:28:18.000 --> 0:28:20.160
<v Speaker 1>We listen at the end of the day, it's hip hop.

0:28:20.640 --> 0:28:22.760
<v Speaker 1>Let's keep it. Let's let's keep it hip hop. I mean,

0:28:22.840 --> 0:28:24.639
<v Speaker 1>you know, the fans is upset. Let's keeping hip hop.

0:28:24.840 --> 0:28:28.840
<v Speaker 1>It's cool side. You know, we all they all winners,

0:28:28.840 --> 0:28:31.400
<v Speaker 1>We all winners. I see on your Killed Me three.

0:28:31.400 --> 0:28:32.920
<v Speaker 1>You got like a lot of new people on that

0:28:33.400 --> 0:28:38.040
<v Speaker 1>of course. Of course Reds Dil Samrano, here you go,

0:28:38.640 --> 0:28:42.880
<v Speaker 1>shout out the tweezy you know. Um that's what it's about, though,

0:28:42.920 --> 0:28:46.680
<v Speaker 1>like making way for that new wave. You see what

0:28:46.720 --> 0:28:48.720
<v Speaker 1>I'm saying. Like I was fortunate to work with a

0:28:48.720 --> 0:28:53.400
<v Speaker 1>lot of artists, big artists, whoever in these young boys

0:28:53.400 --> 0:28:55.959
<v Speaker 1>they coming up right now, they they got that sound

0:28:56.120 --> 0:28:58.160
<v Speaker 1>and they got that wave. But that's how you stay new,

0:28:58.280 --> 0:29:00.680
<v Speaker 1>that's how you stay you keep it alive. Like you

0:29:00.720 --> 0:29:04.040
<v Speaker 1>know what. I've been around for a few years now.

0:29:04.080 --> 0:29:06.880
<v Speaker 1>So it's like he got that new and new wave

0:29:06.960 --> 0:29:09.080
<v Speaker 1>and it's like, Okay, cool, I like that, come on,

0:29:09.160 --> 0:29:11.720
<v Speaker 1>bring it on. Look, Doctor Drape was with nw way

0:29:11.760 --> 0:29:13.960
<v Speaker 1>and then he went and found snooping like kind of

0:29:14.360 --> 0:29:17.280
<v Speaker 1>caught him another wave and and then called him another wave.

0:29:17.280 --> 0:29:19.320
<v Speaker 1>You see what I'm saying. That's the new energy. It's

0:29:19.360 --> 0:29:21.440
<v Speaker 1>the same thing what I like about you. Man. You

0:29:21.480 --> 0:29:23.240
<v Speaker 1>came out with All the Above is a big record,

0:29:23.320 --> 0:29:25.600
<v Speaker 1>but you never went and chase that again. You know,

0:29:25.840 --> 0:29:32.440
<v Speaker 1>I'm gonna do another All Above. Yeah, listen, it's just

0:29:32.480 --> 0:29:36.560
<v Speaker 1>about Yeah, it's about It's about position. And I wasn't

0:29:36.600 --> 0:29:39.360
<v Speaker 1>able to because I wasn't able to have it at

0:29:39.400 --> 0:29:44.520
<v Speaker 1>this time because that comes with being with a major

0:29:44.560 --> 0:29:47.400
<v Speaker 1>corporation that's gonna spend a lot of money. Because I

0:29:47.480 --> 0:29:50.240
<v Speaker 1>believe me, I got a couple of those but if if,

0:29:50.400 --> 0:29:53.160
<v Speaker 1>if we you can't waste them though, and if you

0:29:53.400 --> 0:29:56.560
<v Speaker 1>can't just throw them away, um, if you're not, if

0:29:56.600 --> 0:29:59.680
<v Speaker 1>you don't have a big situation, then it's like what

0:29:59.800 --> 0:30:01.680
<v Speaker 1>I because I do. But so it's just like boxing.

0:30:01.760 --> 0:30:04.200
<v Speaker 1>It's like every punch is not gonna be a knockout.

0:30:04.560 --> 0:30:06.760
<v Speaker 1>You head hunting and you might lose the fight. So

0:30:06.960 --> 0:30:08.400
<v Speaker 1>what you do? You gotta some sign saying, you know what,

0:30:08.440 --> 0:30:10.600
<v Speaker 1>whole on me, go to the body. So I'm going

0:30:10.640 --> 0:30:12.160
<v Speaker 1>to the body on these niggas. You know what I'm saying.

0:30:12.160 --> 0:30:14.040
<v Speaker 1>I had to break it back down, go to the body.

0:30:14.200 --> 0:30:16.360
<v Speaker 1>That's what cal B three is, That's what that's what

0:30:16.480 --> 0:30:19.560
<v Speaker 1>these these street records and going straight to the core,

0:30:20.560 --> 0:30:22.400
<v Speaker 1>that's what. That's what it is. And look what's happening.

0:30:22.400 --> 0:30:24.480
<v Speaker 1>And it's something that's happening for me that ain't been

0:30:24.520 --> 0:30:28.320
<v Speaker 1>happening in a long time. It's moving organically, you understand.

0:30:28.440 --> 0:30:32.400
<v Speaker 1>And it feels good. Man, I feel good? You feel good? Man? No?

0:30:33.160 --> 0:30:35.760
<v Speaker 1>May no? Man? Are you feeling any backlash with these checks? Like?

0:30:35.920 --> 0:30:40.480
<v Speaker 1>You know, you cool? What backlash? Now? What I do? Now?

0:30:41.240 --> 0:30:42.880
<v Speaker 1>You know it might be a situation like say you

0:30:42.920 --> 0:30:45.040
<v Speaker 1>like somebody, but you don't smash their friend or other

0:30:45.040 --> 0:30:46.840
<v Speaker 1>people that they know, and right, but here's the thing

0:30:46.960 --> 0:30:50.880
<v Speaker 1>that causes some backlash. Yeah yeah, but check this out.

0:30:51.000 --> 0:30:53.400
<v Speaker 1>Don't go there with you No no, I'm gonna I'm

0:30:53.400 --> 0:30:56.280
<v Speaker 1>gonna go there, gonna put myself in the hole, myself

0:30:56.360 --> 0:30:58.160
<v Speaker 1>jammed up, you know what I mean? My phone gonna

0:30:58.160 --> 0:31:02.440
<v Speaker 1>be clicking. Check this out. A lot of times these

0:31:02.480 --> 0:31:06.160
<v Speaker 1>people paint wrong different pictures. You see what I'm saying.

0:31:06.280 --> 0:31:08.600
<v Speaker 1>You sell dreams, May, No, I don't sell dreams. I

0:31:08.680 --> 0:31:12.560
<v Speaker 1>sell the truth. And that's why they liked me, because

0:31:12.600 --> 0:31:15.400
<v Speaker 1>I'm real. So you don't tell these girls it's like, oh,

0:31:15.520 --> 0:31:19.280
<v Speaker 1>you know we're gonna be together when I feel that

0:31:19.320 --> 0:31:21.560
<v Speaker 1>way at that moment that I only feel that way,

0:31:22.240 --> 0:31:31.320
<v Speaker 1>won't when the club. I only feel that way at

0:31:31.360 --> 0:31:34.080
<v Speaker 1>the club, right, all right, so you do feel that

0:31:34.080 --> 0:31:37.200
<v Speaker 1>way temporarily. Let me tell you something, man, Yo, I've

0:31:37.240 --> 0:31:42.680
<v Speaker 1>been so out of my mind at times that I remember,

0:31:42.880 --> 0:31:45.800
<v Speaker 1>do you believe in love at first sight? You said no?

0:31:45.880 --> 0:31:50.880
<v Speaker 1>Because I'm feeling something I've never felt. May don't come on, man,

0:31:51.000 --> 0:31:55.760
<v Speaker 1>talk to these girls, don't you out here? You love life?

0:31:57.160 --> 0:32:06.720
<v Speaker 1>Love life? I try listen sometimes people. I'm selling the

0:32:06.760 --> 0:32:10.120
<v Speaker 1>truth though, because outside of that, that's because that comes

0:32:10.120 --> 0:32:13.239
<v Speaker 1>with heavy intoxication. Right, So the King of the King

0:32:13.240 --> 0:32:24.280
<v Speaker 1>of book No, only heavy intoxic. When it's heavy intoxic, right, scary. Listen,

0:32:25.480 --> 0:32:28.360
<v Speaker 1>heavy intoxication could bring about certain things, man, and you

0:32:28.440 --> 0:32:32.320
<v Speaker 1>might say something you know what I mean, and it's okay, right,

0:32:32.440 --> 0:32:36.120
<v Speaker 1>But outside of that sober talking, no am I selling.

0:32:36.240 --> 0:32:38.080
<v Speaker 1>So when you're sober and the girl says you, you know,

0:32:38.200 --> 0:32:40.160
<v Speaker 1>last night in the club you said love at first

0:32:40.160 --> 0:32:41.920
<v Speaker 1>sight and it was this, isn't that you say, well,

0:32:41.920 --> 0:32:44.880
<v Speaker 1>I was drunk? Or do you just don't? It never

0:32:44.880 --> 0:32:46.960
<v Speaker 1>really comes back up though. It's just like, because I

0:32:47.000 --> 0:32:49.760
<v Speaker 1>think it's to sound so ridiculous, though you felt for

0:32:49.800 --> 0:32:54.400
<v Speaker 1>that that's kind of on your and that that that

0:32:54.400 --> 0:32:57.320
<v Speaker 1>hasn't happened a lot, but that hasn't. But what I'm saying,

0:32:57.480 --> 0:33:00.240
<v Speaker 1>it's about your question. It's like sometimes people they think

0:33:00.280 --> 0:33:02.960
<v Speaker 1>more of themselves than you think of them. So I'm saying,

0:33:03.000 --> 0:33:07.480
<v Speaker 1>suff I never kissed you before, I ain't never done things,

0:33:07.560 --> 0:33:11.120
<v Speaker 1>and I've only been around you three four times in

0:33:11.200 --> 0:33:14.440
<v Speaker 1>the whole five years we've known each other. What that

0:33:14.640 --> 0:33:18.520
<v Speaker 1>tell you? Like, like you ain't then you hate no

0:33:18.640 --> 0:33:23.600
<v Speaker 1>other situations because you because you really whatever you feel,

0:33:23.720 --> 0:33:25.520
<v Speaker 1>I don't know nothing about because if you know, it

0:33:25.520 --> 0:33:28.800
<v Speaker 1>ain't the same way because we ain't never was like that, right,

0:33:29.360 --> 0:33:30.920
<v Speaker 1>you just told on yourself. Now you would have girls

0:33:30.920 --> 0:33:36.959
<v Speaker 1>wanting to kiss now in public said kiss me and

0:33:37.080 --> 0:33:39.360
<v Speaker 1>take a picture. No, but I'm just saying we should know.

0:33:39.560 --> 0:33:41.400
<v Speaker 1>If I ain't never kissed you, you should know like

0:33:41.600 --> 0:33:45.200
<v Speaker 1>I don't I how how much like do I have

0:33:45.360 --> 0:33:49.280
<v Speaker 1>for you? If we ain't never even kiss not one time?

0:33:49.600 --> 0:33:51.640
<v Speaker 1>What about would you go down the girl if you've

0:33:51.680 --> 0:33:53.720
<v Speaker 1>never kissed her? This is what I'm saying. If I

0:33:53.760 --> 0:33:56.400
<v Speaker 1>never did either the two, what are you talking about?

0:33:56.480 --> 0:34:00.920
<v Speaker 1>No? No No, no. If I never done either up the two,

0:34:01.520 --> 0:34:04.760
<v Speaker 1>then how how do I? How much like do I

0:34:04.840 --> 0:34:07.480
<v Speaker 1>have for you? So you can't be out here misrepresentation

0:34:07.840 --> 0:34:11.680
<v Speaker 1>the situation act like oh yeah, me and him was

0:34:11.760 --> 0:34:14.680
<v Speaker 1>like that and we was gonna. I never did none

0:34:14.680 --> 0:34:16.720
<v Speaker 1>of these things with you, none of the no dating,

0:34:16.880 --> 0:34:20.319
<v Speaker 1>new hanging out, no, none of these things. Okay, I

0:34:20.320 --> 0:34:21.839
<v Speaker 1>just wanted to clear that up. Yeah, I just wanted

0:34:21.880 --> 0:34:24.040
<v Speaker 1>to clear that up. KOB three is out right now.

0:34:24.200 --> 0:34:28.120
<v Speaker 1>Ko B three is out right now, harder than them

0:34:28.239 --> 0:34:31.719
<v Speaker 1>is out right now, banging p and p all that Like,

0:34:31.880 --> 0:34:34.759
<v Speaker 1>I mean, listen, man, the real one's gonna come back

0:34:34.840 --> 0:34:37.840
<v Speaker 1>from me. Absolutely slew. My dog made a man that

0:34:37.960 --> 0:34:39.840
<v Speaker 1>he my brother love