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Speaker 1: I'm real people, real celebrity join the Breakfast Yeah, I'm Charlomagne,

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Speaker 1: God Angelie, the world most Dangerous Morning to show the

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Speaker 1: Breakfast Club. Maybe had to run out to do something

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Speaker 1: and we got the King of Brooklyn here, Yeah, King

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Speaker 1: of Brooklyn. Three. Yeah, it could be deceiving. I go,

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Speaker 1: I'll go. I'll go maybe twice a month, really to

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Speaker 1: the gym twice a month, Yeah, maybe three times. I'm not.

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Speaker 1: I'm not doing as well as I should be. If

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Speaker 1: I was going to the gym maybe three times a week,

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Speaker 1: I'll be I'll be reallyster. But I don't. I don't

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Speaker 1: go as much as I should. But when I do,

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Speaker 1: when I do go, I'll do a lot of cardio. Yeah,

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Speaker 1: I mean too. You know. I like to try to

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Speaker 1: stay lean and burn the fat. I'm saying, you look lean.

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Speaker 1: What you changed to diet or something a little bit

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Speaker 1: like I was going I was doing. I was staying

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Speaker 1: away from the bread, staying away from all the carbs,

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Speaker 1: you know, saytoes, rice and stuff like that, and just

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Speaker 1: trying to maintained you know what I mean. Listen, these

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Speaker 1: dudes ain't better than me. And he definitely acute her.

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Speaker 1: You know what I mean, I gotta I gotta maintained understanding.

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Speaker 1: Girls be like cute, so I gotta can't be out

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Speaker 1: y'all flat. And you know, I know I saw the

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Speaker 1: most recent rumor was you in black China? I saw

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Speaker 1: you guys posted up on the glos and everything you

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Speaker 1: saw really, Yes, I didn't know shaw that. I google

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Speaker 1: it right now. You problem? Why do people think you

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Speaker 1: could just be friends with a woman though people don't

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Speaker 1: think I could be friends? Yeah? Why every time you

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Speaker 1: take a picture, Um, I don't think that. They don't think.

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Speaker 1: I don't think people believe that. Do you think people

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Speaker 1: believe that me and you look out relationship and we've

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Speaker 1: never ever like me and you like this even though

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Speaker 1: you don't handle certain business for me like a got

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Speaker 1: so much girl friends forces you in the position and

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Speaker 1: be like, you know what, let me just be your brother.

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Speaker 1: There you go, that's probably what it is. That's probably

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Speaker 1: what it is. There you go the kob three. Yeah

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Speaker 1: out right now, I like, all right, I'm gonna tell

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Speaker 1: you some of my favorite songs in there. I like

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Speaker 1: that pm P song with chings. That's right, that's that's joint.

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Speaker 1: That's it right. I think that should be a single

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Speaker 1: right there. That was you know what that was originally

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Speaker 1: what it was supposed to be. But I'm I'm gonna

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Speaker 1: go harder than them. It's been like it's been, it's

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Speaker 1: been moving and it's crazy that you know, a lot

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Speaker 1: of times, you know, when when you see records moving,

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Speaker 1: it's all about the machine that moves it, right, But

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Speaker 1: every now and then you get you get records that

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Speaker 1: move organically, like right now, you see all these people

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Speaker 1: posting these workout videos to it. You can't buy that.

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Speaker 1: That's that's that's just the natural, you know, progression of

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Speaker 1: a record that just you know, feels like it relates

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Speaker 1: to people. So it's it's been doing good man, and

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Speaker 1: I feel blessed. I feel good man working out and

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Speaker 1: you don't even work out there, you know, I did,

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Speaker 1: I did? You know, I did? I did? I did.

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Speaker 1: I did two workout videos or maybe three and posted

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Speaker 1: it and from there it was just crazy, you know,

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Speaker 1: with with everybody posting videos and you know, I see

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Speaker 1: one dude, he got the ball bell, he throwing up

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Speaker 1: like this, he's singing it at the same time, you know,

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Speaker 1: and it just feels good to be able to make

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Speaker 1: music that that touches people. Man, you know what I mean,

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Speaker 1: exactly a good problems man. Oh, I'll see you on

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Speaker 1: talking about it a lot. Now you got a song

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Speaker 1: about it. Yeah, yeah and shot listen man, shout out

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Speaker 1: the Chinks um, rest of God, God, blessing man. You

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Speaker 1: know I was, uh, I was. I was doing these

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Speaker 1: things on my on my on my instagram. You know why.

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Speaker 1: I was calling out dudes for some of the outrageous

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Speaker 1: behavior that they was having right that. And it was

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Speaker 1: funny because I would trying to make it funny purposely

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Speaker 1: because you know, it was like, these are the problems

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Speaker 1: that only you know what I'm saying, These are the

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Speaker 1: problems that only we'll have. So I would make it funny,

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Speaker 1: like I'd be like, yo, you know, if you're a

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Speaker 1: up and then you know what I'm saying. You got

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Speaker 1: your girl and you holy hands with a girl and

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Speaker 1: just come by and just touch your girl about her

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Speaker 1: ass and something like that, and you turn around, you

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Speaker 1: don't do nothing, and then you got your problems. You

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Speaker 1: know what I'm saying. So it was funny. And Chinks

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Speaker 1: called me one day and was like, yo, I see

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Speaker 1: your instagram, man, I got something for you. And he

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Speaker 1: came with that hook in that verse, and it was

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Speaker 1: just so crazy. Were supposed to shoot the video. Um

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Speaker 1: two days like two days before before he passed away,

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Speaker 1: we was talking about shooting videos. So I'm still gonna

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Speaker 1: do it regardless though death affect you because you dude, Yeah,

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Speaker 1: in the street, not as much, man, all I mean,

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Speaker 1: I'm I'm. I got out the streets and I'm fortunate,

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Speaker 1: you know, I see you and I see people in Jersey,

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Speaker 1: now you know what I nah. But he wasn't doing nothing.

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Speaker 1: I understand. I understand the question though, like it affects

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Speaker 1: me because at the end of the day, we all

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Speaker 1: black males getting trying to get away from that, that life,

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Speaker 1: and we all you know, sacrifice, you know, time with

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Speaker 1: our family and and and been through certain things in

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Speaker 1: our life and our development. And then we got here

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Speaker 1: and the whole objective was to try to get away

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Speaker 1: from that. So for that to come back and invite

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Speaker 1: you it, yo, listen. I was the first person to

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Speaker 1: post it. I was the first person to post it

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Speaker 1: because I had, I had, I was, I was. I

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Speaker 1: did a show and um and Unicut and I was

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Speaker 1: on my way back and the homeoms called me and

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Speaker 1: was like tax Stone called me and he said that

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Speaker 1: somebody called him from the hospital. And I spoke to

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Speaker 1: Buyino and then I posted it and then Meat called

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Speaker 1: me asked me was it true? And I was like, yeo,

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Speaker 1: it's true. You know, um, that could be any one

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Speaker 1: of us. We got kids, we got families, were all

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Speaker 1: trying to, you know, make this music work for us.

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Speaker 1: You understand, that's what the objective is. We've been in jail,

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Speaker 1: we've been we've been in the streets, we've been banging,

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Speaker 1: we've been going to war and all that or whatever

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Speaker 1: over over money and misunderstandings and stuff like that. And

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Speaker 1: we get into the game and the whole objective is

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Speaker 1: the is the is the win. It's just it's just unfortunate, man.

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Speaker 1: And it bothers me. It bothered me a lot, because

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Speaker 1: it's like trouble. Trouble finds you like you're trying to

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Speaker 1: get you're trying to get away. You do what everything

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Speaker 1: you can to be out of it, if you know,

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Speaker 1: you know, sometimes it made me feel like because because

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Speaker 1: he was so humbled to me, you know, and and

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Speaker 1: and and watching him and I remember him from back

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Speaker 1: when stack Bundle days and stuff like that, and it

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Speaker 1: was like it's just like, damn, do it paid? Do you?

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Speaker 1: Like this is why you gotta punish all the time,

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Speaker 1: Like you know what I'm saying, like, do it? Do

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Speaker 1: it pay? To be a good Sometimes you question like

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Speaker 1: you should be the coolest. It just come blow your

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Speaker 1: head off. Like so it's sometimes it plays with your

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Speaker 1: mind and it's like, you know, but you know what,

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Speaker 1: we ain't gonna go to that negative route. We're gonna

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Speaker 1: stay We're gonna stay on the same path. We're gonna

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Speaker 1: do what we're supposed to do. And you know what

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Speaker 1: I mean, it's just unfortunate, man. And it touched me

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Speaker 1: because I look at my son. He twenty years old,

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Speaker 1: and I can't even think of a day where he

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Speaker 1: could be like, damn, my father ain't come home no more.

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Speaker 1: Absolutely well. I mean I always look at you as

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Speaker 1: a business person and I as well, you know, as

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Speaker 1: an artist. So let's talk about some other things that

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Speaker 1: you have going on. I know, King of Brooklyn three, Yeah,

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Speaker 1: is that right now? Right now? And I gave it

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Speaker 1: for free again, I did it for free. Did it

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Speaker 1: for free this midnight? Yeah, midnights for free. Let the

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Speaker 1: people have because I want the energy. It sounds like

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Speaker 1: a real album, not just the free They put my

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Speaker 1: heart and soul into it. That's what I want. I

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Speaker 1: want to such people's soul. But you know, I'll be

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Speaker 1: all doing you know, different things. You know, we're hustling.

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Speaker 1: You know, I tell you all my business. Right, you're

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Speaker 1: doing television and you finally go do the TV thing. Man, No,

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Speaker 1: not like you think, not like you think. Um, I

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Speaker 1: will share this with y'all because you know me, I

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Speaker 1: like I like to be unpredictable, you know what I mean.

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Speaker 1: I feel like I'm the underdog and I feel like

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Speaker 1: people they look at me one way, they don't really

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Speaker 1: understand me. So I like to do things and surprise people.

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Speaker 1: But I'm actually I actually developed developed the show. I

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Speaker 1: actually developed the show. I wrote, I wrote, I wrote

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Speaker 1: a few things out. You know, I got a couple

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Speaker 1: of things drafted, and I went and you know, shout

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Speaker 1: out to Isha Entertainment, Michael Holshon, shout out to Melissa Cooper.

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Speaker 1: We partnered it up on the show. I don't really

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Speaker 1: want to get a shot. I don't really want to

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Speaker 1: not it's not about me. Why didn't you do a

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Speaker 1: show about you? Because that wasn't the words that was

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Speaker 1: in the works. But yeah, but I didn't. I just

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Speaker 1: felt like I didn't want to show because you filmed

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Speaker 1: some of that. Yeah, yeah we did. We did you

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Speaker 1: know it was with VH one. Um, I just felt

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Speaker 1: like I didn't want to show that was that that

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Speaker 1: really just catered to my love life. I felt like

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Speaker 1: I was more, it was more parts to me than

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Speaker 1: just you know, my love life and stuff like that.

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Speaker 1: And then I guess I get spooked. I look at

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Speaker 1: these shows, I'd be like, damn. Part of being an

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Speaker 1: artist is some of the mystique that you don't know

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Speaker 1: about everything. And I look at some of these it

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Speaker 1: was in me like, damn, I liked you, man I

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Speaker 1: didn't know you was a lame like this. Damn. I

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Speaker 1: just like how Mano used a slick word like love life.

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Speaker 1: Yeah forever. I just want to say. And the first

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Speaker 1: thing I thought, man, is your love life is fascinating.

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Speaker 1: If you want to call life, why would you say

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Speaker 1: that because it is fascinating? How is that you're gonna

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Speaker 1: put because you're gonna you're gonna put a bad, bad name.

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Speaker 1: I feel like it is. Um, I'm trying to think

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Speaker 1: how can I say felt us? I feel like Mano

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Speaker 1: love life at certain points wants to be in love,

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Speaker 1: but then I felt at certain times you don't, and

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Speaker 1: I just don't. I feel like you might get with

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Speaker 1: a good girl and whatever, but you just can't. The

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Speaker 1: dots aren't connecting properly, and women fall in love with

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Speaker 1: Mano do they? I know one female in particular. You go, oh,

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Speaker 1: she was in the hospital. That's where I was should be. No,

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Speaker 1: you don't even know that I know this girl. And well, anyway,

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Speaker 1: she she was upset because I guess you stopped messing

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Speaker 1: with her. She said the dud was so good. She

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Speaker 1: was all broken up over it is that so got

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Speaker 1: a routine going here that reads really really so. But

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Speaker 1: what would make you cut a girl off? I'm I'm

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Speaker 1: I'm a simple guy. Man like I'm I'm gonna fall

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Speaker 1: out the chair. I'm an easy going dude, you know,

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Speaker 1: like you know, they think I'm cute, they say I'm handsome,

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Speaker 1: you feel me, they like my ways. But listen, I

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Speaker 1: stopped talking to a girl before for not voting. You

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Speaker 1: know it's good as a mother, ladies, make sure you

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Speaker 1: get out here. Man, you would rather she vote? It

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Speaker 1: don't matter who she votes for. It was something that

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Speaker 1: she said though that Obama. It was Obama re election

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Speaker 1: don't count and were in somehow we were talking about Obama.

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Speaker 1: You know, I'll be watching the news. Obama came up

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Speaker 1: and I was like, yo, you voted. She was like,

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Speaker 1: voting for what They're gonna kill him anyway, I said, Yo, man,

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Speaker 1: I ain't never spoke to that girl again. No, I'm

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Speaker 1: like that too. I don't like that kind of ignorant.

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Speaker 1: That's ignorant though, Like at the end of the day,

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Speaker 1: like listen, if we can't, you know, build and grow

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Speaker 1: and grow with each other and learn from each other,

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Speaker 1: and then it just just a waste of time. So after,

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Speaker 1: after you come away from the sex, then what is

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Speaker 1: it really about that. I used to date this girl

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Speaker 1: who she had an inverted nipple and I asked her

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Speaker 1: what is that? And she was like, asked the nipple.

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Speaker 1: All the guys like the suck on. I'm like, oh,

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Speaker 1: you gotta go, yeah, get some deformities out there situations.

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Speaker 1: But he just didn't want thinking another man sucking on

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Speaker 1: that nipples disgusting, disgusting. Yeah, it's just stupid to say though,

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Speaker 1: Like for real, Like, we gotta be able to build.

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Speaker 1: We gotta be able to grow, you know what I

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Speaker 1: mean At the end of the day, when we after

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Speaker 1: the club, after the radio, after we're on the road,

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Speaker 1: after the shows, after the whole everything that's going on,

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Speaker 1: and we're just chilling in the crib, I need what's

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Speaker 1: your character? Like, we need to be able to talk.

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Speaker 1: Can we build? Can we talk outside of what's going

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Speaker 1: on in the club? Can we talk outside of music?

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Speaker 1: I can? And if we if I'm with a female

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Speaker 1: that that's just talking ignorant. It's crazy. It's like it's

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Speaker 1: a turn off for me. Now. I also saw you

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Speaker 1: this really made me laugh on CNN. Yeah, as a

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Speaker 1: as a as a a token inmate, yeah, correspondent in

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Speaker 1: this jail that. Yeah, they called me up the CNN

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Speaker 1: and I thought, I was like, you know, what cool

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Speaker 1: I do. I'll do it. You know, it's the first time.

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Speaker 1: But they kept calling me to come back, and I

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Speaker 1: was like, what they want to talk about? They want

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Speaker 1: to know, you know, you know, they want to know

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Speaker 1: the relationships between inmates, you know, female inmates and no

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Speaker 1: female guards and inmates. And I was like, listen, there's

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Speaker 1: certain things that go on in there and that should

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Speaker 1: that shouldn't be told exactly. I got friends that's in

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Speaker 1: prison that might be in situations where they they might

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Speaker 1: be situated. You feel me and you I can't be

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Speaker 1: on National International. This is what happened. Yeah, this is

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Speaker 1: what happens. You know, they bring in twinkies and you

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Speaker 1: know what sneaking and you know, fish sticks like that.

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Speaker 1: Like I can't be. I can't. I'm not no, right,

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Speaker 1: you can't break down. So I was very careful about

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Speaker 1: when even the first time when I you know, when

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Speaker 1: I went up there when I talked about But it

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Speaker 1: was a great experience though, you know exactly. I like

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Speaker 1: to see your dudes that are smart in those situations

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Speaker 1: though you're smart at the new gangster though, like be

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Speaker 1: elevating though, man, you know what I'm saying. Like the

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Speaker 1: whole thing is the inspired the hood, Like they know

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Speaker 1: what I come from. They know what it is. It

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Speaker 1: ain't like you don't know, like I still because I

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Speaker 1: pull up, I come, you know what it is. But

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Speaker 1: the whole thing is about showing them that we could

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Speaker 1: get to a whole nother plateau. We could do other things,

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Speaker 1: like we could have that dirt on us. There's felonies

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Speaker 1: in these in these situations in the streets, but we

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Speaker 1: could rise above it. And that's that's all my music

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Speaker 1: and that's all my whole being ever been about. The

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Speaker 1: last time you was here, and I salute you on this,

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Speaker 1: you predicted that the next time you was here, your

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Speaker 1: assault case would be dropped in your name would be clear,

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Speaker 1: and that I told you. I told you I ain't

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Speaker 1: because I didn't want to talk about it. Then about

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Speaker 1: the bitch line on me, like that line on a brother,

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Speaker 1: on a good brother, and you clean that, yeah, a

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Speaker 1: good brother. Yes. I was a very upset when when

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Speaker 1: they called you, they always calling you, they knew they

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Speaker 1: called you. It called you up and that, and wanted

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Speaker 1: to jump all over the radio and and and spill

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Speaker 1: these lies out and stuff like that. But I listen,

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Speaker 1: I ain't lose no sleep about that because at the

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Speaker 1: end of I said, what you're calling me about that? Man? Man,

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Speaker 1: hang up, man, I'm gonna sleep because at the end

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Speaker 1: of the day, we don't come out and the wash

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Speaker 1: donna come out. The rent So I knew I ain't ain't.

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Speaker 1: It wasn't worried about that. Does it piss you off?

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Speaker 1: Though that like when when the bad stuff happens, whether

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Speaker 1: it's true or not, media all over it. Case get dropped,

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Speaker 1: you might get one. I would have guarded. Listen that

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Speaker 1: she was in the paper four times when it first happened,

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Speaker 1: and then it was in paper maybe once or twice,

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Speaker 1: but it was on every blog, every blog when it happened.

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Speaker 1: I was like, people call me like, yo, you did this,

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Speaker 1: and I'm like, you really think I did that? I

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Speaker 1: was more mad at that. So when it when it

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Speaker 1: when they found out that she was lying and they

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Speaker 1: put the press release out, only like two three blogs

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Speaker 1: picked it up. I was like, wow, because nobody cares

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Speaker 1: about the truth and the live nobody cares about the truth.

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Speaker 1: And that's yeah, that's man, that's the real this thing

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Speaker 1: I heard on morning. Nobody cares about the truth when

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Speaker 1: the lives were entertaining, when the lives more entertaining, I

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Speaker 1: might I might run with that next album. Yeah yeah,

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Speaker 1: I might rum with that. A lot going on in

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Speaker 1: hip hop, man, everybody beefing, but you may know what's up. Man,

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Speaker 1: You ain't had to beef in a while. You know,

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Speaker 1: nobody want to beef for me? Man, I'm a ringer

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Speaker 1: I'll be playing rough. Nah, I mean listen, it's who

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Speaker 1: want my beef with? Though it's no, it's no, it's

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Speaker 1: nobody to Really, I don't know. I just think I

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Speaker 1: had to spend more time getting myself together than let

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Speaker 1: me beefing with niggas about nothing about frivolous stuff like that.

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Speaker 1: But who beef and beefing is good in music though? Absolutely,

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Speaker 1: it's if you competition? Could you because we had gun

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Speaker 1: play up here, play like he don't want nobody rapping

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Speaker 1: about him because he couldn't handle it. He had to

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Speaker 1: see you. Well, No, I can't say I couldn't handle it.

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Speaker 1: But it depends on the nature of what the situation is.

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Speaker 1: You know. Some some be disrespectful to the point where

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Speaker 1: it'll be like, you know what, let me see you.

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Speaker 1: I can't even. I just need to really, you know,

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Speaker 1: see about the situation and address it in a different way.

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Speaker 1: But what's going on right now? It's cool, man, it's cool.

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Speaker 1: I ain't got a problem with it. It's this is

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Speaker 1: I think it's it's good for the culture because I

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Speaker 1: think where hip hop fell into this whole fake love,

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Speaker 1: everybody friendly, everybody's no competition, everybody holding each other's hand

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Speaker 1: and kissing and holding and hugging and fake acting like

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Speaker 1: family and all that. Just it's just nasty. It's okay

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Speaker 1: not to like each other some people. If you don't,

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Speaker 1: you don't get along. I'm cool with not being cool

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Speaker 1: with everybody. I'm comfortable with with that. It's like you

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Speaker 1: build your own gang, right, I'm I'm down. I'm not

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Speaker 1: down with nobody. I'm I'm by myself and I've always

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Speaker 1: been by myself. But that's why my role been, you know,

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Speaker 1: the way it's been, because when when things not going

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Speaker 1: good for me, I can't. I don't have another artist

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Speaker 1: to lean on. I don't have a whole situation like

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Speaker 1: it's just me. When artists come up in Brooklyn, do

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Speaker 1: you feel like, for the most part, do we reach

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Speaker 1: out to men knows in particular from Brooklyn to be like, hey,

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Speaker 1: I just want to well, well, most artists that come

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Speaker 1: from Brooklyn. Nine times out of ten, I kind of know, yeah,

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Speaker 1: do some weight some you know some Yeah, I know them,

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Speaker 1: you know, and I always try to extend myself, you know,

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Speaker 1: um for them because like you got you got, you

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Speaker 1: got this artist that's coming up, you know too. Million

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Speaker 1: we did we didn't remix me shot the video and

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Speaker 1: all that, and that was just about me. Just they

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Speaker 1: from Gates Avenue and I just just feeling like this

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Speaker 1: is love, man. I love to see that, you know

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Speaker 1: what I mean. And I love because nobody helped me

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Speaker 1: like that. So I wanted to be able to just

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Speaker 1: give a little bit of support, you know, you know

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Speaker 1: what I mean, because the video was only on YouTube,

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Speaker 1: so I wanted to you know what I mean, if

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Speaker 1: we shoot it again, we got a chance to hit

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Speaker 1: whirld Stone and everywhere else, you know what I mean.

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Speaker 1: So you know it was it was all good. Does

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Speaker 1: it Does it help our hurt artists to keep it

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Speaker 1: so New York because I've seen you got this song

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Speaker 1: with Votto and Uncle Murder now yeah, but also got

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Speaker 1: a song with Kevin Gates. I've always been an artist

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Speaker 1: to work with artists outside of the thing. I'm like,

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Speaker 1: I with whoever, anybody. I don't I'm not confined to

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Speaker 1: just New York it, don't you know what I mean?

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Speaker 1: I love New York. Yeah. We just got back from Japan,

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Speaker 1: you know, so it it's it's it's cool like I

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Speaker 1: work with whoever and if we connect and the music

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Speaker 1: is dope, then it's all good. I mustn't miss it.

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Speaker 1: They said, you got a number one dance hit with

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Speaker 1: Erica Jane. Oh yeah yeah, number one. Yeah yeah, we

385
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Speaker 1: had a number one record. Yeah, like what happened? Yeah? Quiet,

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Speaker 1: this is what I'm saying. Quiet money, Quiet things going

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Speaker 1: on out here, you know what I'm saying. When you're

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Speaker 1: a hustler like you, you're into different things. You see.

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Speaker 1: It's not just putting your eggs in one basket, you know.

390
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Speaker 1: And and just because you may not have the number

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Speaker 1: one urban record going on, the other things you got

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Speaker 1: going on. That was a video And when we had fun,

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00:20:00,280 --> 00:20:02,560
Speaker 1: we went, we went to la We had a great time.

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Speaker 1: And that's a whole other genre, you know. So yeah,

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Speaker 1: shout out to Erica Jane. You know that there was

396
00:20:08,080 --> 00:20:12,480
Speaker 1: in the Scott Starch because we put that together. Um,

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Speaker 1: I was in a club what was a greenhouse and

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Speaker 1: ran in the Scotts Starch and el Varna and um

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Speaker 1: we went yeah yeah, Scott Starch and el Vanna and

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Speaker 1: we went. He was like, yo, I got the studio,

401
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Speaker 1: let's go. So after the club, we went to the

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Speaker 1: studio and we wrote this song. We me and El

403
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Speaker 1: Varna wrote the song together Wow Crazy Yeah, which became

404
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Speaker 1: Erica Jane's song, which became a number one record on

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Speaker 1: the dance charts. Yeah damn. So what do you think

406
00:20:42,040 --> 00:20:45,200
Speaker 1: about this whole ghostwriting uh phenomenon in hip hop? Since

407
00:20:45,240 --> 00:20:50,080
Speaker 1: you mentioned writing not really a phenomenon. Can you respect

408
00:20:50,080 --> 00:20:53,520
Speaker 1: the artist if you know he got a ghostwriter? It

409
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Speaker 1: depends on what the situation is. If you're telling me

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Speaker 1: the word I right, rymes, I write checks, then I

411
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Speaker 1: understand what what's going on? Like, that's the Puff, you

412
00:21:04,280 --> 00:21:07,640
Speaker 1: know what I mean? You we kind of always respected

413
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Speaker 1: Puff because we knew what it was, even straight out

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Speaker 1: of Compton. Ice Cube wrote Everybody's wraps, right, but you

415
00:21:15,480 --> 00:21:20,080
Speaker 1: andre like and we kind of love those dudes regardless.

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Speaker 1: Um um, even Kanye we always know and he's had

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Speaker 1: help writing. That's never been a secret. Right. But when

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Speaker 1: you yea, I think it's different when you're trying to

419
00:21:27,960 --> 00:21:30,359
Speaker 1: say when you, when you, when you basically saying that

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00:21:30,840 --> 00:21:35,040
Speaker 1: I'm that dude and this is right, I think it's

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00:21:35,200 --> 00:21:37,880
Speaker 1: it becomes a little bit different. But I made care.

422
00:21:37,960 --> 00:21:43,760
Speaker 1: But I don't think that the the vast general public kids, No,

423
00:21:43,920 --> 00:21:46,080
Speaker 1: they don't care. You know what I'm saying not the fans, right.

424
00:21:46,400 --> 00:21:49,600
Speaker 1: Maybe like back in you know, in the nineties, if

425
00:21:49,640 --> 00:21:51,399
Speaker 1: something like that would have came out, it would have

426
00:21:51,440 --> 00:21:54,439
Speaker 1: been like, oh my god, it was like the Holy

427
00:21:54,440 --> 00:21:57,880
Speaker 1: Grail because you're not writing. Because here's the thing, all

428
00:21:57,960 --> 00:22:00,760
Speaker 1: our greats, all all the people that we put up

429
00:22:00,760 --> 00:22:06,120
Speaker 1: on that pedal stool. Let's say, big rights hole right,

430
00:22:06,720 --> 00:22:11,359
Speaker 1: who else? Um kiss kiss all those dudes we we like,

431
00:22:12,119 --> 00:22:14,760
Speaker 1: he's like our guards, right, I wrap guards and all

432
00:22:14,800 --> 00:22:17,840
Speaker 1: I'm wrote. So, then is it is it safe to

433
00:22:18,240 --> 00:22:21,960
Speaker 1: say that we put a dude up there that it

434
00:22:22,040 --> 00:22:26,280
Speaker 1: may be questionable? It may be questionable. I don't know.

435
00:22:26,840 --> 00:22:28,879
Speaker 1: Now we could be a fan of the music, you

436
00:22:28,960 --> 00:22:31,399
Speaker 1: know what I mean. I love the music, But is

437
00:22:31,440 --> 00:22:36,320
Speaker 1: it is he one of the greats? I don't know, true,

438
00:22:36,560 --> 00:22:40,360
Speaker 1: I don't know. I get it. But hip hop is good.

439
00:22:40,359 --> 00:22:42,040
Speaker 1: There's a lot of you know, it's beefing going on.

440
00:22:42,040 --> 00:22:45,760
Speaker 1: It's all good. It's a little you just need a

441
00:22:45,800 --> 00:22:47,679
Speaker 1: little bit more like I like how it is now.

442
00:22:47,800 --> 00:22:50,119
Speaker 1: It's a little scary. Just look like when a rabd

443
00:22:50,160 --> 00:22:54,680
Speaker 1: him start getting into it with me, go like that,

444
00:22:55,200 --> 00:22:57,040
Speaker 1: it was a little scary, a little scared. It's a

445
00:22:57,040 --> 00:22:59,520
Speaker 1: little my thing with that, Like last night I was

446
00:22:59,520 --> 00:23:03,240
Speaker 1: a griffin and um, and I saw something happening that

447
00:23:03,440 --> 00:23:09,400
Speaker 1: really really bothered me. They put on an um sus one,

448
00:23:09,440 --> 00:23:12,920
Speaker 1: shout out the sus one, throw on a m drake

449
00:23:12,960 --> 00:23:16,679
Speaker 1: the drake back to back record and um, you know,

450
00:23:16,720 --> 00:23:18,879
Speaker 1: everybody was like going crazy. And then he threw on

451
00:23:18,960 --> 00:23:25,040
Speaker 1: the meat record and the crowd started boring. No, man,

452
00:23:25,080 --> 00:23:27,080
Speaker 1: if they were doing that, it was born a little

453
00:23:27,080 --> 00:23:28,880
Speaker 1: bit and I and I was like, and I asked

454
00:23:28,960 --> 00:23:31,919
Speaker 1: village a turnaround, say they born? Said yeah, they born him,

455
00:23:32,840 --> 00:23:34,879
Speaker 1: And I grabbed the MICA said, I just you know,

456
00:23:34,960 --> 00:23:38,760
Speaker 1: I'm an I hold on this New York City. We

457
00:23:38,800 --> 00:23:43,440
Speaker 1: can't do that. You're not gonna make no street uncool.

458
00:23:44,520 --> 00:23:49,000
Speaker 1: All you streets in here, that's that's supposedly representing a

459
00:23:49,000 --> 00:23:53,560
Speaker 1: certain type of lifestyle. You're not gonna allow somebody to

460
00:23:53,640 --> 00:23:58,480
Speaker 1: make you feel like where he represented his uncool meat

461
00:23:58,880 --> 00:24:01,600
Speaker 1: is the only urban this right now on that level

462
00:24:02,080 --> 00:24:05,840
Speaker 1: that represent the street. We can't allow people to make

463
00:24:05,920 --> 00:24:09,920
Speaker 1: us feel like he's that's not cool. But no good point.

464
00:24:09,960 --> 00:24:13,560
Speaker 1: But what about figuring himself looking cool with the twitters?

465
00:24:13,640 --> 00:24:18,800
Speaker 1: That's a battle cool and he's a man and if if,

466
00:24:18,840 --> 00:24:22,639
Speaker 1: if he's he's if he lost the battle or whatever.

467
00:24:23,240 --> 00:24:27,840
Speaker 1: Cool you, that's a battle. But you're not gonna You're

468
00:24:27,840 --> 00:24:31,760
Speaker 1: not gonna tell me his music. It's not good you.

469
00:24:31,960 --> 00:24:34,800
Speaker 1: You're not you. You was just partying to his music

470
00:24:36,040 --> 00:24:38,760
Speaker 1: two weeks ago. Now all of us, all of a sudden,

471
00:24:38,760 --> 00:24:41,040
Speaker 1: you're born it down. I'm no, we can't do We

472
00:24:41,080 --> 00:24:43,880
Speaker 1: can't allow that to happen, because what do you represent?

473
00:24:45,480 --> 00:24:48,240
Speaker 1: It affects me, you understand. I feel like what he

474
00:24:48,320 --> 00:24:51,480
Speaker 1: represent we need that in hip hop. If you look

475
00:24:51,520 --> 00:24:54,919
Speaker 1: at the charts, he's the only artist that sold that

476
00:24:55,000 --> 00:24:57,800
Speaker 1: amount of records and still he talk mut cracky street,

477
00:24:58,400 --> 00:25:03,480
Speaker 1: you're crazy. We need that. As a rap fan. Though,

478
00:25:03,920 --> 00:25:08,879
Speaker 1: it's a battle, and I'm comfortable saying, Okay, Drake, situation

479
00:25:09,000 --> 00:25:12,240
Speaker 1: was well thought out. He put it together and he

480
00:25:12,280 --> 00:25:15,199
Speaker 1: did his thing. Cool. I like both of them, But

481
00:25:15,280 --> 00:25:17,000
Speaker 1: with some step that you think that me took, that

482
00:25:17,160 --> 00:25:20,159
Speaker 1: he should have executed better. I just think it should

483
00:25:20,160 --> 00:25:22,120
Speaker 1: maybe should have been a little bit more thought out.

484
00:25:22,560 --> 00:25:26,280
Speaker 1: And I think sometimes we underestimate our enemies because sometimes

485
00:25:26,359 --> 00:25:29,680
Speaker 1: a lot is going on. You see, it's an art

486
00:25:29,720 --> 00:25:36,080
Speaker 1: to that, you know, opposition thinking steps ahead. You feel

487
00:25:36,119 --> 00:25:40,000
Speaker 1: me I try to always be a step You know,

488
00:25:40,040 --> 00:25:42,280
Speaker 1: if I do this, then what what are you doing?

489
00:25:43,240 --> 00:25:46,320
Speaker 1: You understand? So that's that's all. But I think that

490
00:25:46,520 --> 00:25:48,200
Speaker 1: come on, here, a young artist, he could he could,

491
00:25:48,200 --> 00:25:50,880
Speaker 1: he could grow from that. We we we we get

492
00:25:50,960 --> 00:25:55,240
Speaker 1: wounded in the field, we pick ourselves up and we

493
00:25:55,359 --> 00:25:59,560
Speaker 1: keep going. We don't stop going with good music just

494
00:25:59,600 --> 00:26:03,639
Speaker 1: because of battle. They said Hove lost the NAS. That's debatable.

495
00:26:03,640 --> 00:26:09,080
Speaker 1: Thought what I said. They said Hove lost the NAS,

496
00:26:09,119 --> 00:26:13,600
Speaker 1: that's debatable. Cool. So for the people that felt like

497
00:26:13,680 --> 00:26:16,359
Speaker 1: Hove lost, I don't think that they stopped dealing with

498
00:26:16,400 --> 00:26:21,200
Speaker 1: whole music. True. All I'm saying is I don't. I don't.

499
00:26:21,240 --> 00:26:23,159
Speaker 1: I don't like I don't like what that representation. And

500
00:26:23,200 --> 00:26:24,639
Speaker 1: I just felt like New York City, we ain't going

501
00:26:24,640 --> 00:26:25,960
Speaker 1: about to We ain't about to do that now on

502
00:26:26,080 --> 00:26:28,199
Speaker 1: my watch. I also think it's just temporary because it

503
00:26:28,240 --> 00:26:30,120
Speaker 1: just happened, and people will forget it. I think people

504
00:26:30,160 --> 00:26:34,760
Speaker 1: want to fight temporary cool all that. What you're saying

505
00:26:35,000 --> 00:26:40,760
Speaker 1: is they still cheering for him, crazy whatever. I think

506
00:26:40,760 --> 00:26:42,840
Speaker 1: it's just temper. I couldn't. I couldn't. I couldn't been

507
00:26:42,880 --> 00:26:47,159
Speaker 1: in being a club and seeing dudes I know is

508
00:26:47,200 --> 00:26:49,440
Speaker 1: in the street, and this is the only street artist

509
00:26:49,480 --> 00:26:52,080
Speaker 1: rapping about streets that I know you relate to. I

510
00:26:52,160 --> 00:26:54,840
Speaker 1: know you relate to it. I know you relate. You

511
00:26:54,880 --> 00:26:58,880
Speaker 1: relate to this more than anything else because you in there,

512
00:27:00,119 --> 00:27:02,760
Speaker 1: y'all can't you can't do that. You can't tell that

513
00:27:01,960 --> 00:27:07,600
Speaker 1: because what we got, I mean, that's selling the movie.

514
00:27:07,680 --> 00:27:10,440
Speaker 1: You're not seeing the movie. He's you know, he's the herb.

515
00:27:10,520 --> 00:27:16,040
Speaker 1: He's the face of urban music the street just not

516
00:27:16,160 --> 00:27:18,520
Speaker 1: just you know, you got big seans, you got, you got,

517
00:27:18,600 --> 00:27:22,000
Speaker 1: you got Jake Cole's. But they represent something different. And

518
00:27:22,000 --> 00:27:24,760
Speaker 1: they and it's all good music, but they represent something different.

519
00:27:24,960 --> 00:27:26,800
Speaker 1: I'm not saying if he lost all cool whatever, but

520
00:27:26,840 --> 00:27:29,280
Speaker 1: you can't tell that that guy ain't not hell no

521
00:27:29,280 --> 00:27:30,680
Speaker 1: that I think that they might be born because they

522
00:27:30,680 --> 00:27:32,080
Speaker 1: feel like you let the streets down. It's like, if

523
00:27:32,080 --> 00:27:34,439
Speaker 1: we saw you doing something crazy, we'd be like, come on,

524
00:27:34,600 --> 00:27:36,800
Speaker 1: main no, I no, no, I no, I get it.

525
00:27:36,880 --> 00:27:39,119
Speaker 1: I get it, I get it. I get it. Sometimes

526
00:27:39,119 --> 00:27:41,080
Speaker 1: you got to take that L and you know, move

527
00:27:41,119 --> 00:27:42,920
Speaker 1: on from. But but that's what the L is. We're

528
00:27:42,960 --> 00:27:45,000
Speaker 1: supposed to learn from. I took playing els in my life.

529
00:27:45,200 --> 00:27:47,920
Speaker 1: You know, we all make decisions sometimes that we said, damn,

530
00:27:48,080 --> 00:27:50,720
Speaker 1: shouldn't have done that. You see what I'm saying. You know,

531
00:27:50,760 --> 00:27:53,200
Speaker 1: Sharlo Man, he waking up in hotels with strange women

532
00:27:53,240 --> 00:27:58,560
Speaker 1: all the time, Like, damn, not anymore. I'm married now,

533
00:27:58,560 --> 00:28:02,800
Speaker 1: I'm out the game, out the game. But I know

534
00:28:02,840 --> 00:28:05,680
Speaker 1: for a fact, man has definitely woken up. You got

535
00:28:05,600 --> 00:28:13,360
Speaker 1: a chill, definitely said yeah, man, I shouldn't have done that. Yeah, yeah,

536
00:28:13,520 --> 00:28:18,000
Speaker 1: plenty times. I'm gonna try the end of the day.

537
00:28:18,000 --> 00:28:20,160
Speaker 1: We listen at the end of the day, it's hip hop.

538
00:28:20,640 --> 00:28:22,760
Speaker 1: Let's keep it. Let's let's keep it hip hop. I mean,

539
00:28:22,840 --> 00:28:24,639
Speaker 1: you know, the fans is upset. Let's keeping hip hop.

540
00:28:24,840 --> 00:28:28,840
Speaker 1: It's cool side. You know, we all they all winners,

541
00:28:28,840 --> 00:28:31,400
Speaker 1: We all winners. I see on your Killed Me three.

542
00:28:31,400 --> 00:28:32,920
Speaker 1: You got like a lot of new people on that

543
00:28:33,400 --> 00:28:38,040
Speaker 1: of course. Of course Reds Dil Samrano, here you go,

544
00:28:38,640 --> 00:28:42,880
Speaker 1: shout out the tweezy you know. Um that's what it's about, though,

545
00:28:42,920 --> 00:28:46,680
Speaker 1: like making way for that new wave. You see what

546
00:28:46,720 --> 00:28:48,720
Speaker 1: I'm saying. Like I was fortunate to work with a

547
00:28:48,720 --> 00:28:53,400
Speaker 1: lot of artists, big artists, whoever in these young boys

548
00:28:53,400 --> 00:28:55,959
Speaker 1: they coming up right now, they they got that sound

549
00:28:56,120 --> 00:28:58,160
Speaker 1: and they got that wave. But that's how you stay new,

550
00:28:58,280 --> 00:29:00,680
Speaker 1: that's how you stay you keep it alive. Like you

551
00:29:00,720 --> 00:29:04,040
Speaker 1: know what. I've been around for a few years now.

552
00:29:04,080 --> 00:29:06,880
Speaker 1: So it's like he got that new and new wave

553
00:29:06,960 --> 00:29:09,080
Speaker 1: and it's like, Okay, cool, I like that, come on,

554
00:29:09,160 --> 00:29:11,720
Speaker 1: bring it on. Look, Doctor Drape was with nw way

555
00:29:11,760 --> 00:29:13,960
Speaker 1: and then he went and found snooping like kind of

556
00:29:14,360 --> 00:29:17,280
Speaker 1: caught him another wave and and then called him another wave.

557
00:29:17,280 --> 00:29:19,320
Speaker 1: You see what I'm saying. That's the new energy. It's

558
00:29:19,360 --> 00:29:21,440
Speaker 1: the same thing what I like about you. Man. You

559
00:29:21,480 --> 00:29:23,240
Speaker 1: came out with All the Above is a big record,

560
00:29:23,320 --> 00:29:25,600
Speaker 1: but you never went and chase that again. You know,

561
00:29:25,840 --> 00:29:32,440
Speaker 1: I'm gonna do another All Above. Yeah, listen, it's just

562
00:29:32,480 --> 00:29:36,560
Speaker 1: about Yeah, it's about It's about position. And I wasn't

563
00:29:36,600 --> 00:29:39,360
Speaker 1: able to because I wasn't able to have it at

564
00:29:39,400 --> 00:29:44,520
Speaker 1: this time because that comes with being with a major

565
00:29:44,560 --> 00:29:47,400
Speaker 1: corporation that's gonna spend a lot of money. Because I

566
00:29:47,480 --> 00:29:50,240
Speaker 1: believe me, I got a couple of those but if if,

567
00:29:50,400 --> 00:29:53,160
Speaker 1: if we you can't waste them though, and if you

568
00:29:53,400 --> 00:29:56,560
Speaker 1: can't just throw them away, um, if you're not, if

569
00:29:56,600 --> 00:29:59,680
Speaker 1: you don't have a big situation, then it's like what

570
00:29:59,800 --> 00:30:01,680
Speaker 1: I because I do. But so it's just like boxing.

571
00:30:01,760 --> 00:30:04,200
Speaker 1: It's like every punch is not gonna be a knockout.

572
00:30:04,560 --> 00:30:06,760
Speaker 1: You head hunting and you might lose the fight. So

573
00:30:06,960 --> 00:30:08,400
Speaker 1: what you do? You gotta some sign saying, you know what,

574
00:30:08,440 --> 00:30:10,600
Speaker 1: whole on me, go to the body. So I'm going

575
00:30:10,640 --> 00:30:12,160
Speaker 1: to the body on these niggas. You know what I'm saying.

576
00:30:12,160 --> 00:30:14,040
Speaker 1: I had to break it back down, go to the body.

577
00:30:14,200 --> 00:30:16,360
Speaker 1: That's what cal B three is, That's what that's what

578
00:30:16,480 --> 00:30:19,560
Speaker 1: these these street records and going straight to the core,

579
00:30:20,560 --> 00:30:22,400
Speaker 1: that's what. That's what it is. And look what's happening.

580
00:30:22,400 --> 00:30:24,480
Speaker 1: And it's something that's happening for me that ain't been

581
00:30:24,520 --> 00:30:28,320
Speaker 1: happening in a long time. It's moving organically, you understand.

582
00:30:28,440 --> 00:30:32,400
Speaker 1: And it feels good. Man, I feel good? You feel good? Man? No?

583
00:30:33,160 --> 00:30:35,760
Speaker 1: May no? Man? Are you feeling any backlash with these checks? Like?

584
00:30:35,920 --> 00:30:40,480
Speaker 1: You know, you cool? What backlash? Now? What I do? Now?

585
00:30:41,240 --> 00:30:42,880
Speaker 1: You know it might be a situation like say you

586
00:30:42,920 --> 00:30:45,040
Speaker 1: like somebody, but you don't smash their friend or other

587
00:30:45,040 --> 00:30:46,840
Speaker 1: people that they know, and right, but here's the thing

588
00:30:46,960 --> 00:30:50,880
Speaker 1: that causes some backlash. Yeah yeah, but check this out.

589
00:30:51,000 --> 00:30:53,400
Speaker 1: Don't go there with you No no, I'm gonna I'm

590
00:30:53,400 --> 00:30:56,280
Speaker 1: gonna go there, gonna put myself in the hole, myself

591
00:30:56,360 --> 00:30:58,160
Speaker 1: jammed up, you know what I mean? My phone gonna

592
00:30:58,160 --> 00:31:02,440
Speaker 1: be clicking. Check this out. A lot of times these

593
00:31:02,480 --> 00:31:06,160
Speaker 1: people paint wrong different pictures. You see what I'm saying.

594
00:31:06,280 --> 00:31:08,600
Speaker 1: You sell dreams, May, No, I don't sell dreams. I

595
00:31:08,680 --> 00:31:12,560
Speaker 1: sell the truth. And that's why they liked me, because

596
00:31:12,600 --> 00:31:15,400
Speaker 1: I'm real. So you don't tell these girls it's like, oh,

597
00:31:15,520 --> 00:31:19,280
Speaker 1: you know we're gonna be together when I feel that

598
00:31:19,320 --> 00:31:21,560
Speaker 1: way at that moment that I only feel that way,

599
00:31:22,240 --> 00:31:31,320
Speaker 1: won't when the club. I only feel that way at

600
00:31:31,360 --> 00:31:34,080
Speaker 1: the club, right, all right, so you do feel that

601
00:31:34,080 --> 00:31:37,200
Speaker 1: way temporarily. Let me tell you something, man, Yo, I've

602
00:31:37,240 --> 00:31:42,680
Speaker 1: been so out of my mind at times that I remember,

603
00:31:42,880 --> 00:31:45,800
Speaker 1: do you believe in love at first sight? You said no?

604
00:31:45,880 --> 00:31:50,880
Speaker 1: Because I'm feeling something I've never felt. May don't come on, man,

605
00:31:51,000 --> 00:31:55,760
Speaker 1: talk to these girls, don't you out here? You love life?

606
00:31:57,160 --> 00:32:06,720
Speaker 1: Love life? I try listen sometimes people. I'm selling the

607
00:32:06,760 --> 00:32:10,120
Speaker 1: truth though, because outside of that, that's because that comes

608
00:32:10,120 --> 00:32:13,239
Speaker 1: with heavy intoxication. Right, So the King of the King

609
00:32:13,240 --> 00:32:24,280
Speaker 1: of book No, only heavy intoxic. When it's heavy intoxic, right, scary. Listen,

610
00:32:25,480 --> 00:32:28,360
Speaker 1: heavy intoxication could bring about certain things, man, and you

611
00:32:28,440 --> 00:32:32,320
Speaker 1: might say something you know what I mean, and it's okay, right,

612
00:32:32,440 --> 00:32:36,120
Speaker 1: But outside of that sober talking, no am I selling.

613
00:32:36,240 --> 00:32:38,080
Speaker 1: So when you're sober and the girl says you, you know,

614
00:32:38,200 --> 00:32:40,160
Speaker 1: last night in the club you said love at first

615
00:32:40,160 --> 00:32:41,920
Speaker 1: sight and it was this, isn't that you say, well,

616
00:32:41,920 --> 00:32:44,880
Speaker 1: I was drunk? Or do you just don't? It never

617
00:32:44,880 --> 00:32:46,960
Speaker 1: really comes back up though. It's just like, because I

618
00:32:47,000 --> 00:32:49,760
Speaker 1: think it's to sound so ridiculous, though you felt for

619
00:32:49,800 --> 00:32:54,400
Speaker 1: that that's kind of on your and that that that

620
00:32:54,400 --> 00:32:57,320
Speaker 1: hasn't happened a lot, but that hasn't. But what I'm saying,

621
00:32:57,480 --> 00:33:00,240
Speaker 1: it's about your question. It's like sometimes people they think

622
00:33:00,280 --> 00:33:02,960
Speaker 1: more of themselves than you think of them. So I'm saying,

623
00:33:03,000 --> 00:33:07,480
Speaker 1: suff I never kissed you before, I ain't never done things,

624
00:33:07,560 --> 00:33:11,120
Speaker 1: and I've only been around you three four times in

625
00:33:11,200 --> 00:33:14,440
Speaker 1: the whole five years we've known each other. What that

626
00:33:14,640 --> 00:33:18,520
Speaker 1: tell you? Like, like you ain't then you hate no

627
00:33:18,640 --> 00:33:23,600
Speaker 1: other situations because you because you really whatever you feel,

628
00:33:23,720 --> 00:33:25,520
Speaker 1: I don't know nothing about because if you know, it

629
00:33:25,520 --> 00:33:28,800
Speaker 1: ain't the same way because we ain't never was like that, right,

630
00:33:29,360 --> 00:33:30,920
Speaker 1: you just told on yourself. Now you would have girls

631
00:33:30,920 --> 00:33:36,959
Speaker 1: wanting to kiss now in public said kiss me and

632
00:33:37,080 --> 00:33:39,360
Speaker 1: take a picture. No, but I'm just saying we should know.

633
00:33:39,560 --> 00:33:41,400
Speaker 1: If I ain't never kissed you, you should know like

634
00:33:41,600 --> 00:33:45,200
Speaker 1: I don't I how how much like do I have

635
00:33:45,360 --> 00:33:49,280
Speaker 1: for you? If we ain't never even kiss not one time?

636
00:33:49,600 --> 00:33:51,640
Speaker 1: What about would you go down the girl if you've

637
00:33:51,680 --> 00:33:53,720
Speaker 1: never kissed her? This is what I'm saying. If I

638
00:33:53,760 --> 00:33:56,400
Speaker 1: never did either the two, what are you talking about?

639
00:33:56,480 --> 00:34:00,920
Speaker 1: No? No No, no. If I never done either up the two,

640
00:34:01,520 --> 00:34:04,760
Speaker 1: then how how do I? How much like do I

641
00:34:04,840 --> 00:34:07,480
Speaker 1: have for you? So you can't be out here misrepresentation

642
00:34:07,840 --> 00:34:11,680
Speaker 1: the situation act like oh yeah, me and him was

643
00:34:11,760 --> 00:34:14,680
Speaker 1: like that and we was gonna. I never did none

644
00:34:14,680 --> 00:34:16,720
Speaker 1: of these things with you, none of the no dating,

645
00:34:16,880 --> 00:34:20,319
Speaker 1: new hanging out, no, none of these things. Okay, I

646
00:34:20,320 --> 00:34:21,839
Speaker 1: just wanted to clear that up. Yeah, I just wanted

647
00:34:21,880 --> 00:34:24,040
Speaker 1: to clear that up. KOB three is out right now.

648
00:34:24,200 --> 00:34:28,120
Speaker 1: Ko B three is out right now, harder than them

649
00:34:28,239 --> 00:34:31,719
Speaker 1: is out right now, banging p and p all that Like,

650
00:34:31,880 --> 00:34:34,759
Speaker 1: I mean, listen, man, the real one's gonna come back

651
00:34:34,840 --> 00:34:37,840
Speaker 1: from me. Absolutely slew. My dog made a man that

652
00:34:37,960 --> 00:34:39,840
Speaker 1: he my brother love