1
00:00:00,280 --> 00:00:03,680
Speaker 1: You asked, and we answered. Pre Orders are open for

2
00:00:03,760 --> 00:00:06,000
Speaker 1: our new T shirt, give us the B of the

3
00:00:06,120 --> 00:00:09,480
Speaker 1: D specially designed by a friend of the show, Sandra Pealock.

4
00:00:09,760 --> 00:00:13,080
Speaker 2: Pre Orders are very important, folks. Once we saw out

5
00:00:13,080 --> 00:00:15,400
Speaker 2: of these, they are gone forever.

6
00:00:15,520 --> 00:00:17,600
Speaker 1: It's also the best way to take advantage of our

7
00:00:17,640 --> 00:00:18,599
Speaker 1: inclusive sizing.

8
00:00:18,800 --> 00:00:21,040
Speaker 2: Yeah, so head over to the r M store at

9
00:00:21,120 --> 00:00:23,320
Speaker 2: my favorite Murder dot com.

10
00:00:22,960 --> 00:00:24,239
Speaker 3: To get your shirt today.

11
00:00:24,520 --> 00:00:27,760
Speaker 1: That's my favorite Murder dot com slash RM store to

12
00:00:27,960 --> 00:00:30,160
Speaker 1: order your give us the B of the D T

13
00:00:30,360 --> 00:00:31,320
Speaker 1: shirts to date.

14
00:00:41,960 --> 00:00:46,080
Speaker 2: Hey, everybody, welcome to another episode of I Saw What

15
00:00:46,159 --> 00:00:46,520
Speaker 2: You Did.

16
00:00:46,720 --> 00:00:48,519
Speaker 3: My name is Millie de Cherico.

17
00:00:48,800 --> 00:00:51,840
Speaker 1: And listen. I'm sorry, miss Jackson. I am for real.

18
00:00:52,520 --> 00:00:53,720
Speaker 1: I'm also Daniel Henderson.

19
00:00:54,040 --> 00:00:59,200
Speaker 2: Oh, the juice is loose. I can already fucking fail

20
00:00:59,280 --> 00:01:03,080
Speaker 2: it everyone. Danielle, how are you?

21
00:01:04,080 --> 00:01:07,000
Speaker 1: I'm doing great? And I think part of the reason

22
00:01:07,040 --> 00:01:10,919
Speaker 1: I'm so jacked is because I have a new serial

23
00:01:11,000 --> 00:01:16,959
Speaker 1: killer or self care for it. Yeah, and a summer edition.

24
00:01:17,040 --> 00:01:21,240
Speaker 1: It's a very special summer edition. So when you're answering these,

25
00:01:21,560 --> 00:01:25,600
Speaker 1: make sure that you remember this is a summer edition. Oh,

26
00:01:26,000 --> 00:01:27,120
Speaker 1: summer rules apply.

27
00:01:27,360 --> 00:01:32,840
Speaker 2: Okay, So tell the people maybe the people that don't

28
00:01:32,840 --> 00:01:35,400
Speaker 2: know what this game is. We've done it many times.

29
00:01:35,800 --> 00:01:38,200
Speaker 2: It's it's always a fave, So tell tell them what

30
00:01:38,240 --> 00:01:38,760
Speaker 2: the game is.

31
00:01:39,400 --> 00:01:41,800
Speaker 1: So essentially, one of us will come up with a

32
00:01:41,800 --> 00:01:45,680
Speaker 1: list of things that we are challenging the other person

33
00:01:45,760 --> 00:01:48,960
Speaker 1: to answer. Do you think this thing is self care

34
00:01:49,520 --> 00:01:51,560
Speaker 1: or do you think it possibly makes you a serial killer?

35
00:01:52,600 --> 00:01:55,120
Speaker 1: Because there's weirdly a fine line between the two. Sometimes

36
00:01:55,240 --> 00:01:58,840
Speaker 1: I have found and you have. You have to get

37
00:01:58,840 --> 00:02:02,040
Speaker 1: into the other person's head as you're answering. So this

38
00:02:02,040 --> 00:02:04,160
Speaker 1: wouldn't if I ask Millie, you know serial killer or

39
00:02:04,200 --> 00:02:07,280
Speaker 1: self Care? Red or blue? She has to think how

40
00:02:07,320 --> 00:02:08,400
Speaker 1: would Danielle answer that?

41
00:02:09,560 --> 00:02:09,800
Speaker 3: Right?

42
00:02:10,080 --> 00:02:10,280
Speaker 1: Right?

43
00:02:10,320 --> 00:02:12,880
Speaker 3: So I kind of jumping into the other person's brain.

44
00:02:13,480 --> 00:02:17,880
Speaker 2: It leans heavy on our knowledge of each other as friends.

45
00:02:18,880 --> 00:02:21,840
Speaker 2: And every time I find out something about you that

46
00:02:21,960 --> 00:02:23,119
Speaker 2: I didn't know before.

47
00:02:23,280 --> 00:02:28,440
Speaker 1: Ah, same same, it's great. Well let's get into it.

48
00:02:28,520 --> 00:02:32,919
Speaker 1: Serial Killer or Self Care Summer edition. Yes, and it's

49
00:02:32,960 --> 00:02:34,960
Speaker 1: a super size serial Killer or Self Care. There are

50
00:02:34,960 --> 00:02:35,680
Speaker 1: ten questions?

51
00:02:36,000 --> 00:02:37,200
Speaker 3: What fuck?

52
00:02:39,000 --> 00:02:41,079
Speaker 1: Chances to get it right? More chances to get it right?

53
00:02:41,160 --> 00:02:41,480
Speaker 4: All right?

54
00:02:41,520 --> 00:02:43,239
Speaker 3: Well, let me somebody take tally.

55
00:02:43,400 --> 00:02:45,239
Speaker 2: Now I'm gonna have to write some shit down, or

56
00:02:45,240 --> 00:02:47,320
Speaker 2: maybe we can get case to write, because I never know.

57
00:02:47,639 --> 00:02:50,720
Speaker 2: I'm always confused about if I'm winning or losing.

58
00:02:51,160 --> 00:02:53,440
Speaker 1: I've got it, I'm ready to go. I've got a

59
00:02:53,440 --> 00:02:54,920
Speaker 1: pen and a piece of paper. I've got it on

60
00:02:54,960 --> 00:02:57,600
Speaker 1: my phone. Perfect, perfect, I will make sure that we

61
00:02:57,680 --> 00:02:59,120
Speaker 1: know how many you have. Correct.

62
00:02:59,320 --> 00:03:01,480
Speaker 3: Okay, cool, let's hit it all right?

63
00:03:01,639 --> 00:03:05,840
Speaker 1: First? One serial killer or Self Care Summer edition cis

64
00:03:05,880 --> 00:03:10,800
Speaker 1: head men wearing flip flops. I'm imagining I'm in your body,

65
00:03:12,160 --> 00:03:14,920
Speaker 1: I'm in your big I'm walking around Warwick.

66
00:03:15,720 --> 00:03:16,560
Speaker 3: I will say.

67
00:03:18,240 --> 00:03:19,840
Speaker 1: Serial killer.

68
00:03:20,360 --> 00:03:23,320
Speaker 3: Okay, okay, hey, fucking god.

69
00:03:23,320 --> 00:03:25,680
Speaker 1: One hundred percent. And you know I'm not here to

70
00:03:25,680 --> 00:03:30,440
Speaker 1: body shame anyone ever. But if you're wearing flip flops

71
00:03:30,440 --> 00:03:32,560
Speaker 1: out in these streets, you gotta follow some fucking rules.

72
00:03:32,760 --> 00:03:35,520
Speaker 1: And we can't have your little corn chip toenails hanging

73
00:03:35,560 --> 00:03:37,960
Speaker 1: over the side of your goddamn Adida slides just because

74
00:03:37,960 --> 00:03:41,880
Speaker 1: it's hot out. You gotta shave a fucking toe knuckle like,

75
00:03:42,480 --> 00:03:45,600
Speaker 1: make it presentable, all right?

76
00:03:45,640 --> 00:03:48,000
Speaker 2: Can we can I back out of this a little

77
00:03:48,000 --> 00:03:50,960
Speaker 2: bit and ask a few exploratory questions about, of course,

78
00:03:51,040 --> 00:03:56,120
Speaker 2: the shoe. Okay, of course, so a flip flop. Are

79
00:03:56,120 --> 00:04:00,560
Speaker 2: we defining flip flop as is a or can stock

80
00:04:00,600 --> 00:04:01,280
Speaker 2: a flip flop?

81
00:04:01,400 --> 00:04:04,280
Speaker 3: Or is it just rubber rubber shoes?

82
00:04:04,520 --> 00:04:07,520
Speaker 1: No, I'll take any sandal, like a summer sandal.

83
00:04:07,760 --> 00:04:09,000
Speaker 3: Okay, I got it.

84
00:04:09,680 --> 00:04:15,960
Speaker 1: And this is specifically for set men totally hairy on that.

85
00:04:16,040 --> 00:04:18,560
Speaker 3: I gotta say, I agree.

86
00:04:19,120 --> 00:04:20,880
Speaker 1: There are some feet out there where you're like, did

87
00:04:20,960 --> 00:04:23,000
Speaker 1: you just climb a tree with your bare hands and

88
00:04:23,040 --> 00:04:25,600
Speaker 1: your bare feet, like sticking your toenails in like a

89
00:04:25,680 --> 00:04:29,200
Speaker 1: fucking climbing wall. Everyone's free to wear a flip flop,

90
00:04:29,440 --> 00:04:32,640
Speaker 1: but let's say you're you, You're just in the past

91
00:04:32,640 --> 00:04:34,880
Speaker 1: five ten years aside to wear open toe shoes. It's hot.

92
00:04:34,920 --> 00:04:36,360
Speaker 1: You want to be comfortable. You want everyone to have

93
00:04:36,440 --> 00:04:40,560
Speaker 1: the same level of comfort. Let's add some fungus into

94
00:04:40,600 --> 00:04:46,000
Speaker 1: the mix that you have not addressed or acknowledged. And

95
00:04:46,040 --> 00:04:49,400
Speaker 1: I'm in the grocery store behind you in line, and

96
00:04:49,440 --> 00:04:52,640
Speaker 1: I'm looking down and I'm confronting this fungus with my

97
00:04:52,680 --> 00:04:57,520
Speaker 1: bare eyes, and now that's in my head forever. Your

98
00:04:57,520 --> 00:04:59,320
Speaker 1: foot fungus is now in my head forever.

99
00:05:00,240 --> 00:05:02,960
Speaker 3: Yeah, I remember. Just a side note, because I know

100
00:05:03,000 --> 00:05:05,200
Speaker 3: we have ten nine more of these questions.

101
00:05:06,160 --> 00:05:09,799
Speaker 2: I remember, I remember April, my front April from high school,

102
00:05:09,839 --> 00:05:11,960
Speaker 2: was telling me that she knew a guy in our

103
00:05:12,040 --> 00:05:15,360
Speaker 2: high school that told her once in class that he

104
00:05:16,120 --> 00:05:17,760
Speaker 2: loved his athlete's foot.

105
00:05:18,520 --> 00:05:23,480
Speaker 1: No, nothing to love, nothing to love there, that's a kink.

106
00:05:23,520 --> 00:05:26,760
Speaker 1: We don't need to explore. That's a fetish. I don't

107
00:05:26,760 --> 00:05:30,799
Speaker 1: need to know exists. What you loving about athlete's foot.

108
00:05:31,440 --> 00:05:34,000
Speaker 1: I guess I love the sensation of itching his feet.

109
00:05:34,800 --> 00:05:37,599
Speaker 1: You can just itch your foot without athlete's foot. Just

110
00:05:37,640 --> 00:05:41,600
Speaker 1: get down there and start scratching, clean up that athlete's foot,

111
00:05:41,600 --> 00:05:44,799
Speaker 1: and then just get down there with a French tickler

112
00:05:44,800 --> 00:05:45,719
Speaker 1: and do your fucking thing.

113
00:05:46,480 --> 00:05:47,040
Speaker 3: He was as.

114
00:05:46,960 --> 00:05:50,400
Speaker 2: Sishet man, by the way, So this tracks, it's all tracks.

115
00:05:50,720 --> 00:05:53,960
Speaker 2: I'm telling you, put some put some loafers on. I

116
00:05:54,000 --> 00:05:56,880
Speaker 2: guess is the message that you're sending, because otherwise you're

117
00:05:56,880 --> 00:05:58,640
Speaker 2: a serial killer, or.

118
00:05:58,640 --> 00:06:00,240
Speaker 1: Like a covered birken sock. I have a hair of

119
00:06:00,320 --> 00:06:04,120
Speaker 1: birkenstocks that don't have toes out me to that I

120
00:06:04,279 --> 00:06:07,640
Speaker 1: like them. I'm just saying that I hate I hate

121
00:06:07,640 --> 00:06:11,400
Speaker 1: policing anyone's anything. But since since hep men have gotten

122
00:06:11,400 --> 00:06:13,920
Speaker 1: away with this for too long, Yes, for too long,

123
00:06:14,040 --> 00:06:16,320
Speaker 1: and if I don't have reproductive rights, they can. The

124
00:06:16,400 --> 00:06:18,560
Speaker 1: least they can do is get their fucking feet together.

125
00:06:18,839 --> 00:06:20,040
Speaker 3: That's right, we punch up.

126
00:06:20,160 --> 00:06:25,479
Speaker 1: Okay, okay, all right, okay, so I got one, you

127
00:06:25,520 --> 00:06:29,080
Speaker 1: got one. I'm so excited for this next one. Yes,

128
00:06:29,320 --> 00:06:32,520
Speaker 1: so excited. All right, you're ready? Serial Killer or Self

129
00:06:32,520 --> 00:06:36,360
Speaker 1: Care Summer edition. Taking a giant ship mid air in

130
00:06:36,440 --> 00:06:42,039
Speaker 1: an airplane bathroom. All right. I'm gonna try not to

131
00:06:42,400 --> 00:06:48,160
Speaker 1: uh think about what I would say for you self Care.

132
00:06:53,120 --> 00:06:56,600
Speaker 1: But just like with the Sandals, there's some protocols if

133
00:06:56,600 --> 00:06:58,599
Speaker 1: you're taking a giant shiit midair, because you don't know

134
00:06:58,600 --> 00:07:00,440
Speaker 1: what your bowels are doing when you're flying and traveling

135
00:07:00,440 --> 00:07:02,200
Speaker 1: a lot lately. You don't know what's gonna happen and

136
00:07:02,240 --> 00:07:04,760
Speaker 1: when it's gonna happen. Yeah, you got to release. I'm

137
00:07:04,880 --> 00:07:07,560
Speaker 1: I am all for that. However, if you are taking

138
00:07:07,600 --> 00:07:10,320
Speaker 1: a giant shit in an airplane bathroom, you got to

139
00:07:10,360 --> 00:07:12,160
Speaker 1: hang back for a couple of minutes. You can't just

140
00:07:12,440 --> 00:07:15,160
Speaker 1: trail that fucking scent behind you up and down the aisle,

141
00:07:16,680 --> 00:07:19,120
Speaker 1: because that is exactly what's happening, is you leave and

142
00:07:19,160 --> 00:07:21,520
Speaker 1: that scent follows you like a fucking ghost all the

143
00:07:21,520 --> 00:07:24,280
Speaker 1: way down the aisle and now we all hit with it.

144
00:07:24,320 --> 00:07:26,440
Speaker 1: So why don't you just just hang out for a

145
00:07:26,480 --> 00:07:29,480
Speaker 1: minute in your own funk, let it dissipate.

146
00:07:30,200 --> 00:07:35,160
Speaker 2: One hundred percent agree. Also, not for nothing. They make

147
00:07:35,440 --> 00:07:37,440
Speaker 2: what is that spray is it called?

148
00:07:38,920 --> 00:07:39,280
Speaker 3: Yeah?

149
00:07:39,360 --> 00:07:43,160
Speaker 2: They make these very discreet almost like a kind of

150
00:07:43,280 --> 00:07:49,080
Speaker 2: travel uh de parfume size of these like poopery things,

151
00:07:49,240 --> 00:07:51,480
Speaker 2: so you could just literally slide it in your pocket,

152
00:07:52,200 --> 00:07:54,600
Speaker 2: go to the shitter, do your business, and then do

153
00:07:54,640 --> 00:07:56,040
Speaker 2: a little couple of pumps to that.

154
00:07:56,680 --> 00:07:57,480
Speaker 3: No one would know.

155
00:07:59,160 --> 00:08:02,320
Speaker 1: Absolutely, And it's like an essential oil that covers the

156
00:08:02,360 --> 00:08:06,400
Speaker 1: toilet water, so it's not even like environmentally unfriendly. It's

157
00:08:06,440 --> 00:08:08,600
Speaker 1: just like your shit is just falling through and being

158
00:08:08,680 --> 00:08:13,880
Speaker 1: cloaked in oil, essential oil, wrapping it up like a

159
00:08:13,920 --> 00:08:17,960
Speaker 1: little little blanket so you can't even smell it. Yeah,

160
00:08:18,320 --> 00:08:21,720
Speaker 1: oh yeah, So there are ways to do it, but

161
00:08:21,800 --> 00:08:26,880
Speaker 1: I do agree that doing it is self care. Absolutely,

162
00:08:27,400 --> 00:08:30,600
Speaker 1: doing it is self care. Just follow mild protocols. If

163
00:08:30,640 --> 00:08:33,240
Speaker 1: you're not going to take pooperri with you, just hang

164
00:08:33,400 --> 00:08:39,360
Speaker 1: back for a minute. Okay, Okay, you're doing great, You're

165
00:08:39,360 --> 00:08:43,160
Speaker 1: doing great, so far stoked? All right? Serial killer is

166
00:08:43,160 --> 00:08:46,160
Speaker 1: self care Summer Edition, Going to the Beach.

167
00:08:47,320 --> 00:08:51,640
Speaker 3: Going to the Beach for you, serial killer.

168
00:08:51,640 --> 00:08:57,840
Speaker 1: App solutely three fought three three three. We have surpassed

169
00:08:57,880 --> 00:09:00,680
Speaker 1: global warming and we are now in global What are

170
00:09:00,679 --> 00:09:05,400
Speaker 1: you all doing now on the beach? It's disgusting. Sand

171
00:09:05,520 --> 00:09:08,120
Speaker 1: is horrible. No one ever has a good time at

172
00:09:08,160 --> 00:09:10,520
Speaker 1: the beach and everyone goes and I don't get it.

173
00:09:11,080 --> 00:09:12,959
Speaker 1: Everyone's like, oh my god, I fell asleep and I

174
00:09:13,000 --> 00:09:15,400
Speaker 1: got a sunburn, or I couldn't find anything to eat,

175
00:09:15,520 --> 00:09:17,800
Speaker 1: or I was dehydrated. Their sand in my crack, their

176
00:09:17,840 --> 00:09:20,200
Speaker 1: sand and everything. My kids had a horrible time. I

177
00:09:20,280 --> 00:09:22,680
Speaker 1: was worried that everyone was gonna drown all day. Why

178
00:09:22,679 --> 00:09:23,640
Speaker 1: are you going to the beach?

179
00:09:24,240 --> 00:09:24,760
Speaker 3: Yeah?

180
00:09:24,840 --> 00:09:29,080
Speaker 2: Yeah, Look, I think this is something that that is

181
00:09:29,240 --> 00:09:32,439
Speaker 2: different about you and I. I am a fucking pro

182
00:09:32,520 --> 00:09:36,520
Speaker 2: beach person. I am, I am always have been. It's

183
00:09:36,600 --> 00:09:40,199
Speaker 2: okay if you're not. That's what I like about you.

184
00:09:41,200 --> 00:09:42,200
Speaker 1: Okay, thank you.

185
00:09:42,720 --> 00:09:43,880
Speaker 3: Having said that I'm.

186
00:09:43,800 --> 00:09:47,079
Speaker 2: Pro beach, I totally see why you'd be anti beach

187
00:09:47,200 --> 00:09:49,359
Speaker 2: for those reasons that you just expressed.

188
00:09:50,000 --> 00:09:52,079
Speaker 1: Totally. And look, I went to Jamaica for the first

189
00:09:52,080 --> 00:09:55,079
Speaker 1: time in February, and they have where I was staying.

190
00:09:55,080 --> 00:09:58,960
Speaker 1: They had a little beach experience and it was fine,

191
00:09:59,559 --> 00:10:01,760
Speaker 1: but I didn't hang out there. I went there once, like,

192
00:10:01,800 --> 00:10:03,240
Speaker 1: all right, I'll go to the little beach once and

193
00:10:03,280 --> 00:10:05,920
Speaker 1: then get me in a fucking deck chair for the

194
00:10:05,920 --> 00:10:07,680
Speaker 1: rest of the time. I'm good.

195
00:10:08,920 --> 00:10:13,320
Speaker 3: Yeah, I mean remember that time. Now I forgot what

196
00:10:13,320 --> 00:10:14,080
Speaker 3: they were called.

197
00:10:15,559 --> 00:10:19,439
Speaker 2: Oh, now I remember, fucking remember that time last year?

198
00:10:20,120 --> 00:10:23,600
Speaker 2: Was it last year when I got no sums from

199
00:10:23,600 --> 00:10:24,000
Speaker 2: the beach?

200
00:10:24,080 --> 00:10:24,320
Speaker 3: Yes?

201
00:10:24,520 --> 00:10:29,560
Speaker 1: Those absolutely, those little san crab things are yeah, sand fleas.

202
00:10:29,840 --> 00:10:38,120
Speaker 2: And our old producer Alexis like corroborated my story because

203
00:10:38,200 --> 00:10:41,320
Speaker 2: apparently she had gotten them at one point in Puerto

204
00:10:41,360 --> 00:10:43,560
Speaker 2: Rico or something. I remember she said that, and she

205
00:10:43,640 --> 00:10:48,240
Speaker 2: was like, it was the most horrible experience of my life.

206
00:10:48,280 --> 00:10:51,439
Speaker 2: And I was like, thank God that somebody else has

207
00:10:51,480 --> 00:10:55,360
Speaker 2: experienced this, because it was truly the worst maybe.

208
00:10:55,120 --> 00:10:57,920
Speaker 3: Six months of my life. They would not go away,

209
00:10:58,440 --> 00:10:58,719
Speaker 3: Like the.

210
00:10:58,720 --> 00:11:02,040
Speaker 2: Itching was so bad that I was like, I think

211
00:11:02,080 --> 00:11:05,840
Speaker 2: I'm permanently scarred, Like I think that these things I

212
00:11:05,840 --> 00:11:07,120
Speaker 2: will be itching for the rest of my life. I

213
00:11:07,120 --> 00:11:09,560
Speaker 2: will have scars on my body from these stupid fucking

214
00:11:09,600 --> 00:11:11,760
Speaker 2: sand fleas. And it's because I went to the beach

215
00:11:11,880 --> 00:11:12,880
Speaker 2: in Florida, So.

216
00:11:12,920 --> 00:11:15,480
Speaker 1: Thank you, thank you. You know what else is in

217
00:11:15,480 --> 00:11:20,480
Speaker 1: that sand? Dog piss dog, shit child, piss child, shit, vomit,

218
00:11:20,720 --> 00:11:21,760
Speaker 1: all kinds of shit.

219
00:11:21,880 --> 00:11:25,280
Speaker 2: Full diapers, sometimes full fucking diapers buried under the sand.

220
00:11:25,320 --> 00:11:28,360
Speaker 2: I don't know why people have done that, absolutely, but

221
00:11:28,400 --> 00:11:29,880
Speaker 2: have you said that? I love the beach, so I

222
00:11:29,920 --> 00:11:30,320
Speaker 2: don't know.

223
00:11:30,720 --> 00:11:32,720
Speaker 1: More power to you, More power to you. And you

224
00:11:32,760 --> 00:11:34,480
Speaker 1: got this one right, You're three for three.

225
00:11:34,679 --> 00:11:36,360
Speaker 3: Yes, yes, yes, all right.

226
00:11:36,760 --> 00:11:39,920
Speaker 1: This next one. I can't wait to see your answer

227
00:11:40,200 --> 00:11:41,080
Speaker 1: or to hear your answer.

228
00:11:41,600 --> 00:11:42,760
Speaker 3: Okay, okay, okay.

229
00:11:43,200 --> 00:11:48,040
Speaker 1: Serial killer or self care summer dish reapplying an anti

230
00:11:48,120 --> 00:11:50,599
Speaker 1: chafing stick to your inner thighs in the middle of

231
00:11:50,640 --> 00:11:51,040
Speaker 1: the street.

232
00:11:51,760 --> 00:11:58,959
Speaker 3: Ha ha.

233
00:12:00,160 --> 00:12:05,640
Speaker 1: I have a personal story about this. I will say

234
00:12:05,640 --> 00:12:05,920
Speaker 1: for you.

235
00:12:06,000 --> 00:12:06,760
Speaker 3: That's self care.

236
00:12:07,720 --> 00:12:08,920
Speaker 1: It's actually serial killer.

237
00:12:09,440 --> 00:12:13,000
Speaker 3: Why no, you've betrayed me.

238
00:12:13,200 --> 00:12:16,120
Speaker 1: You've betrayed me. It could have gone obviously, could have

239
00:12:16,120 --> 00:12:18,760
Speaker 1: gone either way. I think it's serial killer only because

240
00:12:18,760 --> 00:12:21,760
Speaker 1: I've seen too many people out in these streets squatting

241
00:12:21,760 --> 00:12:25,080
Speaker 1: over a sewer grate like a fucking goblin, rubbing the

242
00:12:25,080 --> 00:12:28,560
Speaker 1: inside of their legs, and I'm like, look, I understand

243
00:12:28,600 --> 00:12:32,800
Speaker 1: why I understand why my thighs touch. I understand why,

244
00:12:33,559 --> 00:12:36,760
Speaker 1: but can you find a little bit of discreete area

245
00:12:37,240 --> 00:12:39,280
Speaker 1: to do this? I've just seen too many crotches this

246
00:12:39,320 --> 00:12:39,920
Speaker 1: fucking summer.

247
00:12:40,960 --> 00:12:44,360
Speaker 2: I mean, I for some reason I thought you were

248
00:12:44,360 --> 00:12:46,520
Speaker 2: going to go the other way with it, okay, But

249
00:12:46,800 --> 00:12:52,160
Speaker 2: having said now that you've ironed out your your reasoning

250
00:12:52,200 --> 00:12:54,280
Speaker 2: behind it, I totally see. I mean, it is not

251
00:12:54,360 --> 00:12:56,839
Speaker 2: a thing you should do in public. Weirdly enough, I guess,

252
00:12:56,880 --> 00:12:58,160
Speaker 2: I mean, it just looks weird.

253
00:12:58,559 --> 00:13:01,880
Speaker 1: Or if you do, just like wall, just turn around,

254
00:13:02,040 --> 00:13:05,160
Speaker 1: like why are doing in the middle of the fucking street.

255
00:13:05,440 --> 00:13:07,720
Speaker 2: My personal story about this was that like a week

256
00:13:07,800 --> 00:13:11,000
Speaker 2: or two ago, I was up at Mary's, which is

257
00:13:11,040 --> 00:13:12,720
Speaker 2: the bar that my friend Ben owns.

258
00:13:12,720 --> 00:13:14,959
Speaker 3: I used to DJ there, and I was.

259
00:13:14,920 --> 00:13:17,479
Speaker 2: There for a party in the middle of the afternoon,

260
00:13:17,520 --> 00:13:21,360
Speaker 2: and it was so fucking hot, like everybody was wearing

261
00:13:21,440 --> 00:13:25,520
Speaker 2: cut off jean shorts and you know, ripped up shirts,

262
00:13:25,760 --> 00:13:28,360
Speaker 2: you know where the sleeve holes are going down to

263
00:13:28,440 --> 00:13:33,440
Speaker 2: the fucking going down to the waist, and everybody was sweating.

264
00:13:33,559 --> 00:13:36,480
Speaker 2: And I remember I told Ben, I was like, you

265
00:13:36,520 --> 00:13:41,200
Speaker 2: should install a gold bond dispenser in this bar.

266
00:13:42,480 --> 00:13:44,880
Speaker 1: Each bathroom, just put it in. Yeah, it's like you

267
00:13:44,920 --> 00:13:47,280
Speaker 1: know when you just instead of it kind of comes

268
00:13:47,360 --> 00:13:51,920
Speaker 1: and it looks like, you know, a Purell dispenser, except

269
00:13:51,960 --> 00:13:53,760
Speaker 1: it's just a gold bond, and then you just take

270
00:13:53,840 --> 00:13:55,600
Speaker 1: a little bit of powder and slap it on your

271
00:13:55,679 --> 00:13:59,120
Speaker 1: wet parts and that's it. Just a puff comes out

272
00:13:59,160 --> 00:14:03,839
Speaker 1: in a puff. Yeah, I would. I would frequent many

273
00:14:04,000 --> 00:14:07,400
Speaker 1: establishments if that was it was possible in the summer,

274
00:14:08,360 --> 00:14:10,360
Speaker 1: a little refreshing moment in the summer.

275
00:14:11,400 --> 00:14:14,360
Speaker 2: Well, shit, I can't believe I fucking didn't get one, right,

276
00:14:14,720 --> 00:14:15,320
Speaker 2: It's only one.

277
00:14:15,400 --> 00:14:17,440
Speaker 1: It's look, it is a super size edition. The chance

278
00:14:17,520 --> 00:14:20,400
Speaker 1: this you're doing great. Okay, you're doing great. And this

279
00:14:20,520 --> 00:14:24,160
Speaker 1: next one I'm also it's this is going to take

280
00:14:24,200 --> 00:14:30,360
Speaker 1: some real knowledge of me. Okay, serial killer or self care,

281
00:14:31,000 --> 00:14:34,080
Speaker 1: personal around the neck fans.

282
00:14:35,880 --> 00:14:40,440
Speaker 3: Shit around the neck.

283
00:14:42,000 --> 00:14:47,120
Speaker 1: I'm gonna say serial killer absolutely, yay yay. And I

284
00:14:47,200 --> 00:14:49,520
Speaker 1: don't know why, I like at the comfort level is

285
00:14:49,520 --> 00:14:51,280
Speaker 1: probably there in a way that I'm not comfortable in

286
00:14:51,320 --> 00:14:53,680
Speaker 1: the summer because I feel like I even saw Lupita

287
00:14:53,720 --> 00:14:57,600
Speaker 1: and Yango wearing one on the strike line in a

288
00:14:57,640 --> 00:15:00,520
Speaker 1: cut article or something, or on the strat just like,

289
00:15:00,560 --> 00:15:02,520
Speaker 1: we finally found this fan she was wearing it. I'm like,

290
00:15:02,600 --> 00:15:05,320
Speaker 1: even her, who I have seen wheeled giant pairs of

291
00:15:05,320 --> 00:15:08,360
Speaker 1: scissors in movies and didn't think she was a serial killer.

292
00:15:08,480 --> 00:15:10,400
Speaker 1: She looks like a fucking serial killer with that thing on.

293
00:15:10,840 --> 00:15:14,960
Speaker 2: That to me, those types of devices are very Nathan

294
00:15:15,200 --> 00:15:15,680
Speaker 2: for you.

295
00:15:16,360 --> 00:15:21,760
Speaker 1: Yeah, adjacent like Amazon dot com shit, Like, I'm just like,

296
00:15:21,840 --> 00:15:26,080
Speaker 1: what is these gadgets, these gadgets that people can get.

297
00:15:26,200 --> 00:15:28,680
Speaker 1: I am not a gear head. I am a nerd.

298
00:15:28,760 --> 00:15:32,040
Speaker 1: I'm a true an actual nerd, and I will say

299
00:15:32,040 --> 00:15:33,440
Speaker 1: those things look too nerdy for me.

300
00:15:33,840 --> 00:15:35,760
Speaker 3: There we go. That's it.

301
00:15:35,840 --> 00:15:38,280
Speaker 1: I can't but you got it. You got it. You're

302
00:15:38,320 --> 00:15:40,120
Speaker 1: doing great? This next or.

303
00:15:40,120 --> 00:15:44,120
Speaker 3: Half halfway through? I'm four way through four and.

304
00:15:44,240 --> 00:15:47,400
Speaker 1: One right, yeah you're four correct? Halfway through?

305
00:15:47,720 --> 00:15:49,480
Speaker 3: Okay, all right?

306
00:15:49,520 --> 00:15:52,400
Speaker 1: This next one? Serial killer or self care summer a

307
00:15:52,440 --> 00:15:56,920
Speaker 1: dish sprintsing your face with rosewater or witch hazel?

308
00:15:59,080 --> 00:16:00,680
Speaker 3: I really hope you add right.

309
00:16:01,000 --> 00:16:07,120
Speaker 1: I'm gonna say self care absolutely, yes, suh, absolutely, I would. Now,

310
00:16:07,160 --> 00:16:12,760
Speaker 1: some people again protocols. Some people carry around rosewater with chasel,

311
00:16:12,800 --> 00:16:15,160
Speaker 1: they put it in their fridge. It's very refreshing. Yes,

312
00:16:15,280 --> 00:16:18,800
Speaker 1: some people use bottles, spray bottles that you could mix

313
00:16:18,880 --> 00:16:23,200
Speaker 1: household cleaners in. Yeah, keep the big stuff at home.

314
00:16:23,320 --> 00:16:25,240
Speaker 1: Take a little one. Just take a little one and

315
00:16:25,240 --> 00:16:26,600
Speaker 1: then it's not gonna get all over the face when

316
00:16:26,600 --> 00:16:28,040
Speaker 1: you spray your face. But I love it. I think

317
00:16:28,040 --> 00:16:33,440
Speaker 1: it feels very refreshing me too, without being overly smelly

318
00:16:33,680 --> 00:16:36,080
Speaker 1: or difficult. You don't have to squat over a sewer

319
00:16:36,120 --> 00:16:38,720
Speaker 1: grade like a fucking anti chafing stick. You could be

320
00:16:38,840 --> 00:16:42,120
Speaker 1: very discreete and just it really does spruce you up.

321
00:16:42,400 --> 00:16:43,800
Speaker 3: Do you have a favorite one?

322
00:16:44,720 --> 00:16:48,760
Speaker 1: I like that Mario Bidescu. Yes, Rosewater one. It's so

323
00:16:48,800 --> 00:16:50,560
Speaker 1: and it's like six bucks, it's so good.

324
00:16:51,040 --> 00:16:55,440
Speaker 3: Yeah, I like that one. There's this this this brand Vacation.

325
00:16:56,040 --> 00:16:57,960
Speaker 3: Have you heard of this brand? They do?

326
00:16:58,680 --> 00:17:02,160
Speaker 2: It is it is kind of wild. They do sunscreen

327
00:17:02,960 --> 00:17:09,200
Speaker 2: and it's very eight The branding of it is so specific.

328
00:17:09,560 --> 00:17:15,520
Speaker 2: It's very eighties, very like Club Tropicana. Yeah, it's the

329
00:17:15,560 --> 00:17:19,520
Speaker 2: whole line is I think, very very branded.

330
00:17:19,840 --> 00:17:22,400
Speaker 3: But they make a sprints and it smells.

331
00:17:22,000 --> 00:17:24,960
Speaker 2: Like being at the pool in the eighties. It's kind

332
00:17:24,960 --> 00:17:28,679
Speaker 2: of the weirdest smell and they promoted that way.

333
00:17:28,760 --> 00:17:31,639
Speaker 1: But it's yeah, but it's weird that it actually works.

334
00:17:32,440 --> 00:17:33,280
Speaker 3: Yeah, it feels.

335
00:17:33,440 --> 00:17:36,920
Speaker 2: It feels like I'm in middle school again or something.

336
00:17:36,960 --> 00:17:40,680
Speaker 1: It's send me a link. I will check it out, but.

337
00:17:40,960 --> 00:17:43,840
Speaker 2: It won't to send us free product. They can get

338
00:17:43,840 --> 00:17:44,399
Speaker 2: in touch with us.

339
00:17:44,400 --> 00:17:44,760
Speaker 3: I saw it.

340
00:17:44,800 --> 00:17:46,800
Speaker 1: She did pot a gmail dot com. Always, you know,

341
00:17:46,880 --> 00:17:48,879
Speaker 1: we'll always take free No one ever takes us up

342
00:17:48,880 --> 00:17:50,760
Speaker 1: on it, and we're always putting it out there. Dunkin Donuts,

343
00:17:50,800 --> 00:17:53,680
Speaker 1: I'm still waiting. We should have a fucking franchise offered

344
00:17:53,680 --> 00:17:54,960
Speaker 1: to us at this point.

345
00:17:55,440 --> 00:17:57,919
Speaker 2: Okay, for the times that you mentioned, Duncan, notice on

346
00:17:57,960 --> 00:18:04,239
Speaker 2: this podcast, you should have a slide where munchkins just

347
00:18:04,400 --> 00:18:06,200
Speaker 2: roll down it right into your mouth.

348
00:18:06,280 --> 00:18:10,800
Speaker 3: As you're recording this podcast, you just.

349
00:18:10,800 --> 00:18:13,240
Speaker 1: Pull up a little trap door and it's like munchkin avalanche.

350
00:18:13,400 --> 00:18:17,520
Speaker 3: Yes, Like, come on, Duncan, where are you at? Where

351
00:18:17,520 --> 00:18:19,199
Speaker 3: are you at? All right?

352
00:18:19,880 --> 00:18:21,280
Speaker 1: All right, you're doing great?

353
00:18:22,080 --> 00:18:23,679
Speaker 3: Five right? Five? Right? Okay?

354
00:18:24,359 --> 00:18:26,440
Speaker 1: No, you've got one, two, three, yeah, five right? Five

355
00:18:26,480 --> 00:18:29,280
Speaker 1: out of six? All right, but four more here we go.

356
00:18:29,680 --> 00:18:32,520
Speaker 1: This is the summer edition Zero Killer Self Care. So

357
00:18:32,560 --> 00:18:34,719
Speaker 1: as you answer this one, keep that in mind. Okay.

358
00:18:35,000 --> 00:18:38,520
Speaker 1: Saying hello to fellow bike riders, walkers, or hikers as

359
00:18:38,560 --> 00:18:39,720
Speaker 1: you pass.

360
00:18:41,240 --> 00:18:44,800
Speaker 3: For your ass. That's serial killer shit.

361
00:18:47,280 --> 00:18:49,000
Speaker 1: You want me to stop and say hello to you?

362
00:18:49,040 --> 00:18:50,960
Speaker 1: In this one hundred and six degree weather. Let's keep

363
00:18:51,000 --> 00:18:55,200
Speaker 1: it fucking moving. I don't need politeness at this point.

364
00:18:55,280 --> 00:18:57,159
Speaker 1: I'm out here for a walk or like trying to

365
00:18:57,160 --> 00:19:00,040
Speaker 1: get some exercise while the world is burning polite and

366
00:19:00,119 --> 00:19:02,159
Speaker 1: this is out the window. Just keep it moving.

367
00:19:03,680 --> 00:19:06,359
Speaker 2: I think I remember one of these games that we

368
00:19:06,400 --> 00:19:08,280
Speaker 2: played once where you said that you're not allowed to

369
00:19:08,320 --> 00:19:13,040
Speaker 2: take backpacks or any accouchamp with you. So you're like, a, no,

370
00:19:13,680 --> 00:19:16,359
Speaker 2: take nothing with you in the woods. Don't look at anybody,

371
00:19:16,480 --> 00:19:17,960
Speaker 2: don't smile at anybody.

372
00:19:18,119 --> 00:19:21,399
Speaker 1: Just go and have a private experience in the woods

373
00:19:23,280 --> 00:19:26,360
Speaker 1: is where I'm at. Do you remember that TikTok from

374
00:19:26,359 --> 00:19:28,360
Speaker 1: a few months ago of that guy that was like

375
00:19:28,840 --> 00:19:32,040
Speaker 1: white people going hiking and he's just like saying hi,

376
00:19:32,840 --> 00:19:35,520
Speaker 1: Like he's like breathlessly saying hi to people over and

377
00:19:35,560 --> 00:19:40,639
Speaker 1: over again. I that shit is so funny. It's so

378
00:19:40,720 --> 00:19:42,960
Speaker 1: funny because I'm like and also sometimes you know, I'm

379
00:19:42,960 --> 00:19:45,639
Speaker 1: also including bike riding and walking because sometimes you know,

380
00:19:45,680 --> 00:19:47,240
Speaker 1: I'll go for a walk down my street or like

381
00:19:47,280 --> 00:19:49,360
Speaker 1: in my what I guess passes from my neighborhood. It's

382
00:19:49,400 --> 00:19:51,720
Speaker 1: just in the country and people will say hi, but

383
00:19:51,760 --> 00:19:53,640
Speaker 1: they'll also be like, how are you, what's up, what's

384
00:19:53,680 --> 00:19:56,479
Speaker 1: going on? And it's very friendly, but it's also one

385
00:19:56,600 --> 00:19:59,520
Speaker 1: hundred degrees out here. You're like, let me give you

386
00:19:59,520 --> 00:20:01,000
Speaker 1: my email and we'll talk later.

387
00:20:01,600 --> 00:20:04,320
Speaker 3: Yeah, no time, no time.

388
00:20:04,040 --> 00:20:05,960
Speaker 1: Just in the summer, just in the summer, and you know,

389
00:20:06,119 --> 00:20:08,160
Speaker 1: the height of summer, height of winter. I don't want

390
00:20:08,160 --> 00:20:10,320
Speaker 1: to freeze. I don't want to boil this while I'm

391
00:20:10,320 --> 00:20:13,000
Speaker 1: saying hello to people. Just give me a wave, friendly

392
00:20:13,040 --> 00:20:14,880
Speaker 1: wave and a smile. Let me and you can see

393
00:20:14,880 --> 00:20:17,080
Speaker 1: me sweat and you can see these sweat rings already

394
00:20:17,480 --> 00:20:20,199
Speaker 1: pouring down. Looks like fucking half moons under my tits.

395
00:20:21,119 --> 00:20:25,439
Speaker 1: You can see what's happening. My body betrays me every

396
00:20:25,440 --> 00:20:27,199
Speaker 1: time I leave the house, so like, just let's keep

397
00:20:27,240 --> 00:20:27,600
Speaker 1: it moving.

398
00:20:28,040 --> 00:20:29,600
Speaker 3: Yeah, oh, you're doing so great.

399
00:20:30,200 --> 00:20:35,960
Speaker 1: Oh, speaking of speaking of titties, this next one, oh shit,

400
00:20:37,600 --> 00:20:41,399
Speaker 1: serial Killer or Self Care summer edition. Not wearing a

401
00:20:41,440 --> 00:20:42,400
Speaker 1: bra with a tank top.

402
00:20:42,800 --> 00:20:46,399
Speaker 3: Not wearing a bra with a tank top.

403
00:20:46,640 --> 00:20:54,680
Speaker 1: Huh for you, I would say self Care absolutely, Yeah,

404
00:20:54,800 --> 00:20:56,879
Speaker 1: you better let me have these titties out in the summer.

405
00:20:57,400 --> 00:20:59,800
Speaker 1: I don't even put it this way. If the choice

406
00:20:59,840 --> 00:21:02,400
Speaker 1: came up and it was like, you could have reparations

407
00:21:02,560 --> 00:21:04,560
Speaker 1: or you could go topless in the summer without getting

408
00:21:04,560 --> 00:21:09,960
Speaker 1: a ticket. Titties be out, keep your fucking money. Let

409
00:21:10,040 --> 00:21:12,439
Speaker 1: me get my fucking titties out. It's too hot in

410
00:21:12,480 --> 00:21:13,160
Speaker 1: these streets.

411
00:21:15,400 --> 00:21:15,760
Speaker 3: Listen.

412
00:21:15,960 --> 00:21:18,640
Speaker 2: I gotta say I and I don't know if it's

413
00:21:18,680 --> 00:21:20,879
Speaker 2: because I love urban cowboys so much, but you know

414
00:21:20,920 --> 00:21:23,840
Speaker 2: how I feel about no braw and a tight ass

415
00:21:23,880 --> 00:21:24,359
Speaker 2: tak top.

416
00:21:24,960 --> 00:21:29,840
Speaker 1: Thank you. It looks it looks hot, it's sexy, and yeah, again,

417
00:21:30,240 --> 00:21:31,440
Speaker 1: a little bit more comfortable.

418
00:21:31,880 --> 00:21:35,119
Speaker 2: Yeah, it doesn't even matter if you're a bee or

419
00:21:35,320 --> 00:21:36,359
Speaker 2: like a triple F.

420
00:21:37,000 --> 00:21:37,520
Speaker 1: I don't care.

421
00:21:37,680 --> 00:21:39,560
Speaker 3: Get them tickets out, it's great.

422
00:21:40,119 --> 00:21:42,639
Speaker 1: Yeah, knock yourself out all summer long. If we can't

423
00:21:42,680 --> 00:21:46,040
Speaker 1: go topless, if I can't look like Henry Rollins when

424
00:21:46,080 --> 00:21:49,400
Speaker 1: I leave the house, like an on stage Henry Rollins

425
00:21:49,400 --> 00:21:52,359
Speaker 1: when I leave the house, then you better shut the

426
00:21:52,400 --> 00:21:53,960
Speaker 1: fuck up about the fact that I'm not wearing a

427
00:21:53,960 --> 00:21:55,320
Speaker 1: bra with this goddamn tank top.

428
00:21:56,200 --> 00:22:02,160
Speaker 2: Yeah, you need a pair of Champion stock Well sports shorts.

429
00:22:02,880 --> 00:22:07,200
Speaker 1: No shirt on, no shoes, no shoes, no shorts, no service,

430
00:22:07,280 --> 00:22:10,639
Speaker 1: I don't care. Give me some service, all right?

431
00:22:10,720 --> 00:22:14,160
Speaker 3: What's my score? Am I? Seven and one six and

432
00:22:15,359 --> 00:22:15,840
Speaker 3: hang on.

433
00:22:15,720 --> 00:22:18,040
Speaker 1: One to three four five six. No, you're seven and

434
00:22:18,119 --> 00:22:23,280
Speaker 1: eight seven and one one two three four. You've gotten

435
00:22:23,320 --> 00:22:24,480
Speaker 1: seven correct? One wrong?

436
00:22:24,680 --> 00:22:27,280
Speaker 3: Oh my god, the one is fucking plaguing me.

437
00:22:27,400 --> 00:22:29,480
Speaker 1: All Right, it's all right, though. That was a tough one.

438
00:22:29,600 --> 00:22:32,080
Speaker 1: That was a tough one. But he's last two.

439
00:22:32,359 --> 00:22:36,199
Speaker 3: I got faith. I got faith, okay, all right?

440
00:22:37,000 --> 00:22:40,800
Speaker 1: Serial killer or self Care summer edition hair removal ads

441
00:22:40,840 --> 00:22:43,320
Speaker 1: that use a bonzeye tree or a tiny bush as

442
00:22:43,320 --> 00:22:56,639
Speaker 1: a representation for pubic hair. Let's see where would you

443
00:22:56,640 --> 00:23:00,840
Speaker 1: come down on nads. I'm gonna say that serial killer

444
00:23:00,880 --> 00:23:06,600
Speaker 1: for you hundred percent the same way that I feel

445
00:23:06,600 --> 00:23:09,240
Speaker 1: like when you're doing a maxipad ad. Don't show me

446
00:23:09,280 --> 00:23:12,400
Speaker 1: that toxic blue sludge. Give me some red. Don't show

447
00:23:12,440 --> 00:23:17,080
Speaker 1: me this cute sea bondzeye tree, tiny bush. I'm shaving

448
00:23:17,160 --> 00:23:19,720
Speaker 1: something in an ad. I don't even want to see

449
00:23:19,760 --> 00:23:21,280
Speaker 1: real pubs. I don't know what I want to see,

450
00:23:21,280 --> 00:23:22,119
Speaker 1: but I don't want to see that.

451
00:23:23,000 --> 00:23:27,000
Speaker 2: Yeah, there there has to be some kind of happy medium.

452
00:23:27,040 --> 00:23:28,480
Speaker 3: I'm not sure that we figured it out.

453
00:23:28,560 --> 00:23:32,840
Speaker 2: Yet because there there is actually a commercial that's currently

454
00:23:32,840 --> 00:23:33,240
Speaker 2: on TV.

455
00:23:34,280 --> 00:23:35,440
Speaker 3: I believe it's for.

456
00:23:36,960 --> 00:23:43,760
Speaker 2: A razor for bikini lines for women. And they get

457
00:23:43,920 --> 00:23:48,720
Speaker 2: right up on this woman's groin area and I feel

458
00:23:48,720 --> 00:23:51,679
Speaker 2: like there are some ingrowns or something like that, maybe

459
00:23:51,720 --> 00:23:55,280
Speaker 2: like a faint ingrown And I.

460
00:23:55,320 --> 00:23:59,440
Speaker 3: Was like, my dad is watching this chick, what does

461
00:23:59,480 --> 00:24:01,239
Speaker 3: he do? Righth?

462
00:24:01,280 --> 00:24:04,280
Speaker 1: And of course this girl was like beautiful and young

463
00:24:04,400 --> 00:24:06,199
Speaker 1: or whatever, and I'm just like, is my dad like

464
00:24:06,240 --> 00:24:11,679
Speaker 1: contemplating whether or not like young women have ingrown, fucking

465
00:24:11,840 --> 00:24:12,600
Speaker 1: crotch hairs.

466
00:24:12,640 --> 00:24:15,200
Speaker 3: I'm like, I'm not comfortable with this. I'm not going.

467
00:24:15,400 --> 00:24:19,120
Speaker 3: But I also don't want the you know.

468
00:24:19,200 --> 00:24:22,760
Speaker 2: The fucking we can't handle the Pubes version, which is

469
00:24:22,880 --> 00:24:24,800
Speaker 2: the Bondz eye tree. So I don't know what I

470
00:24:24,800 --> 00:24:25,560
Speaker 2: I don't.

471
00:24:25,240 --> 00:24:26,639
Speaker 1: That's the thing. You know what it is. You know

472
00:24:26,680 --> 00:24:31,640
Speaker 1: what the happy medium is American Start styling. Start styling

473
00:24:31,680 --> 00:24:36,880
Speaker 1: them murkins. Treat us like adults. Stop shaving fucking trees

474
00:24:37,119 --> 00:24:40,040
Speaker 1: and showing us real ingrown hairs, and just get a

475
00:24:40,200 --> 00:24:43,280
Speaker 1: murkin and shave that shit to show your product works

476
00:24:44,960 --> 00:24:47,720
Speaker 1: like every other fucking razor ever worked in the history

477
00:24:47,720 --> 00:24:49,160
Speaker 1: of man. That's the other thing. None of these things

478
00:24:49,200 --> 00:24:51,960
Speaker 1: are doing anything special, Like it's so it's just another

479
00:24:52,040 --> 00:24:54,280
Speaker 1: Razor great stop with the cute weird shit.

480
00:24:54,640 --> 00:24:57,800
Speaker 2: Yeah, I know, the ladies Razor, the you know whatever,

481
00:24:57,920 --> 00:24:59,280
Speaker 2: the Lady's pube raiser.

482
00:24:59,400 --> 00:25:03,200
Speaker 3: I'm like, what is anyway? I totally agree with you.

483
00:25:04,600 --> 00:25:05,840
Speaker 3: I'm just like, I don't know.

484
00:25:05,840 --> 00:25:08,840
Speaker 2: What the other there has we got to come up

485
00:25:08,880 --> 00:25:13,520
Speaker 2: with in America, like figure something out advertisement people exactly.

486
00:25:13,600 --> 00:25:16,200
Speaker 1: Even look, you don't here's the other thing. Why hasn't

487
00:25:16,200 --> 00:25:19,200
Speaker 1: anyone considered you don't need to show me the shaving.

488
00:25:19,480 --> 00:25:22,400
Speaker 1: You can just show the final product, like, hey, look

489
00:25:22,440 --> 00:25:25,199
Speaker 1: at this woman in a high cut French bikini and

490
00:25:25,240 --> 00:25:28,760
Speaker 1: there's no spiders poking out. There's nothing poking out because

491
00:25:28,760 --> 00:25:32,400
Speaker 1: she used our fucking product. When did they decide they

492
00:25:32,400 --> 00:25:35,600
Speaker 1: have to show the shaving, Like, I know what shaving is.

493
00:25:35,880 --> 00:25:39,000
Speaker 1: Just show me the final result and I'll buy your shit.

494
00:25:39,200 --> 00:25:43,639
Speaker 1: Maybe like, oh, look at her, she's fucking footloose and

495
00:25:43,680 --> 00:25:48,439
Speaker 1: fancy free wearing a thong bikini. Yeah, and it doesn't

496
00:25:48,440 --> 00:25:53,840
Speaker 1: look like she's got buokweet in a headlock. I mean, listen,

497
00:25:53,880 --> 00:25:56,480
Speaker 1: if you're going that road, you better show like some

498
00:25:56,640 --> 00:25:59,240
Speaker 1: sacks is all I'm saying, it always feels like, oh,

499
00:25:59,280 --> 00:26:02,720
Speaker 1: we can show we could show a ingrown on a

500
00:26:02,800 --> 00:26:05,919
Speaker 1: labial fold, but we can't show an ingrown on a ball.

501
00:26:06,640 --> 00:26:09,800
Speaker 1: Let me also tell you I would rather see some

502
00:26:09,920 --> 00:26:13,320
Speaker 1: balls poking out of a bathing suit than assist heat

503
00:26:13,359 --> 00:26:18,800
Speaker 1: man wearing flip flops if it came down to advertising,

504
00:26:18,840 --> 00:26:20,800
Speaker 1: and they're like, here's your choice, Like, you better show

505
00:26:20,840 --> 00:26:23,879
Speaker 1: me them fucking nuts. I'm not about a fucking flip flop,

506
00:26:25,359 --> 00:26:29,679
Speaker 1: corn Freedo tonel foot. Show us the balls. A lot

507
00:26:29,680 --> 00:26:34,040
Speaker 1: of people shave their balls, now that's right. Show us

508
00:26:34,040 --> 00:26:36,560
Speaker 1: some murkin, show us some nuts. Treat us like adults.

509
00:26:36,600 --> 00:26:39,879
Speaker 1: Stop with this bush shit. Yes, agreed, agreed. This is

510
00:26:39,920 --> 00:26:42,640
Speaker 1: the last one. This is the last one. I'm so excited.

511
00:26:42,680 --> 00:26:44,760
Speaker 1: I'm so proud of you. Oh my god, I'm so

512
00:26:45,040 --> 00:26:47,360
Speaker 1: I'm worried for me. I'm not proud for you.

513
00:26:47,800 --> 00:26:49,120
Speaker 3: Well, I'm I'm.

514
00:26:48,920 --> 00:26:52,960
Speaker 2: Worried for you too, But I'm also like, I'm loving

515
00:26:53,040 --> 00:26:53,679
Speaker 2: being a winner.

516
00:26:53,680 --> 00:26:57,400
Speaker 1: I'm loving winning. So you are winning and you're gonna.

517
00:26:57,880 --> 00:26:59,480
Speaker 1: I feel it in my bones that you'll win with

518
00:26:59,520 --> 00:27:04,120
Speaker 1: this one as well. Okay, okay, And it's not easy, oh,

519
00:27:04,200 --> 00:27:07,920
Speaker 1: shut because you know me serial Killer or Self Care

520
00:27:07,960 --> 00:27:11,040
Speaker 1: Summer edition. Brushing your teeth in the shower?

521
00:27:12,080 --> 00:27:18,560
Speaker 2: Holy shit, this is maybe the hardest one that you've

522
00:27:18,560 --> 00:27:19,199
Speaker 2: ever done.

523
00:27:19,400 --> 00:27:21,640
Speaker 1: I know, because you know I'm a hippie.

524
00:27:23,119 --> 00:27:23,640
Speaker 3: But I know.

525
00:27:25,640 --> 00:27:28,720
Speaker 1: I also know a bunch of people brush their teeth exactly.

526
00:27:31,720 --> 00:27:34,679
Speaker 1: So it's like, ooh, she hates watching people brush their teeth.

527
00:27:35,160 --> 00:27:36,600
Speaker 1: If they do it in the shower, she never has

528
00:27:36,640 --> 00:27:38,600
Speaker 1: to see it. Or is it something else.

529
00:27:39,760 --> 00:27:42,680
Speaker 3: I'm like trying to gauge your aversion.

530
00:27:44,280 --> 00:27:50,040
Speaker 2: To toothpaste in a shower scenario.

531
00:27:50,960 --> 00:27:53,680
Speaker 1: Let me think of smart road to go down. Fuck

532
00:27:55,440 --> 00:27:57,200
Speaker 1: brushing your teeth in the shower?

533
00:27:57,520 --> 00:27:59,040
Speaker 3: Okay, I am.

534
00:27:59,440 --> 00:28:02,720
Speaker 2: I feel like I'm closing my eyes before I shoot

535
00:28:02,720 --> 00:28:03,200
Speaker 2: this gun.

536
00:28:04,000 --> 00:28:06,520
Speaker 3: I'm gonna say serial killer.

537
00:28:07,000 --> 00:28:13,560
Speaker 1: Absolutely, yes, Yes, you're putting a fucking hot tooth rush

538
00:28:13,640 --> 00:28:16,679
Speaker 1: in your hot mouth against your hot gums, and then

539
00:28:16,680 --> 00:28:19,680
Speaker 1: you're spitting on your own feet. The fuck are you doing?

540
00:28:20,560 --> 00:28:20,840
Speaker 1: Ha ha?

541
00:28:23,880 --> 00:28:26,480
Speaker 3: I am so relieved. I am so relieved.

542
00:28:27,280 --> 00:28:30,240
Speaker 1: You killed it. You got nine out of ten? Correct?

543
00:28:30,560 --> 00:28:34,719
Speaker 2: Okay, I have that one blemish. I will not sleep tonight.

544
00:28:34,840 --> 00:28:36,480
Speaker 3: Okay, Well, at least I got nine.

545
00:28:36,480 --> 00:28:39,680
Speaker 1: At least I got a supersized edition. You did you

546
00:28:39,760 --> 00:28:42,200
Speaker 1: knocked it out of the park, and that one was tough.

547
00:28:42,240 --> 00:28:43,720
Speaker 1: The one that you got wrong was tough because you

548
00:28:43,760 --> 00:28:45,760
Speaker 1: know how Again, I'm all about body positivity.

549
00:28:46,080 --> 00:28:46,720
Speaker 3: Yes, so an.

550
00:28:46,600 --> 00:28:49,720
Speaker 1: Anti chase sick you would think would be something I'd

551
00:28:49,720 --> 00:28:51,479
Speaker 1: be down for, But I've just seen too many crashes

552
00:28:51,520 --> 00:28:52,000
Speaker 1: this summer.

553
00:28:52,520 --> 00:28:56,240
Speaker 2: Look, I don't blame you at all, but I am again,

554
00:28:57,040 --> 00:29:01,320
Speaker 2: what a giant picture window into your fucking brain. This

555
00:29:01,480 --> 00:29:05,040
Speaker 2: game gives and gives every week we play it.

556
00:29:05,360 --> 00:29:08,280
Speaker 1: We should just compile these answers and hand them out

557
00:29:08,320 --> 00:29:12,920
Speaker 1: like a resume to any potential suitors. Be like, here's

558
00:29:12,960 --> 00:29:15,080
Speaker 1: what she thinks about brushing your teeth in the shower.

559
00:29:15,120 --> 00:29:16,600
Speaker 1: She thinks you're fucking serial killer.

560
00:29:18,600 --> 00:29:21,920
Speaker 2: I also love the trail of texts and emails that

561
00:29:21,960 --> 00:29:23,400
Speaker 2: we get after we play this game to be.

562
00:29:23,360 --> 00:29:28,080
Speaker 3: Like, oh, fuck, I brush your teeth in shower. That's

563
00:29:28,120 --> 00:29:28,600
Speaker 3: the other thing.

564
00:29:28,720 --> 00:29:31,600
Speaker 1: This is a generalized thing for me, and it's specific

565
00:29:31,680 --> 00:29:33,760
Speaker 1: to me. Do your thing. You don't have to tell

566
00:29:33,800 --> 00:29:36,440
Speaker 1: me if you do half or all of these things

567
00:29:36,480 --> 00:29:39,840
Speaker 1: that I think are serial killer moves, that's fine. You

568
00:29:39,920 --> 00:29:41,760
Speaker 1: just have to live with yourself and maybe don't kill

569
00:29:41,760 --> 00:29:44,040
Speaker 1: because you know you have it. In you to do that.

570
00:29:44,040 --> 00:29:46,080
Speaker 1: That's right, you do these things.

571
00:29:46,680 --> 00:29:50,800
Speaker 2: I'm so happy that I got all but one right.

572
00:29:50,960 --> 00:29:52,560
Speaker 2: And I fucking love play this game.

573
00:29:52,560 --> 00:29:53,080
Speaker 1: It's so fun.

574
00:29:57,840 --> 00:30:00,160
Speaker 3: Are you ready to get into two?

575
00:30:01,120 --> 00:30:07,400
Speaker 2: The very last week of this month long Hot Movies celebration.

576
00:30:08,120 --> 00:30:11,120
Speaker 1: We did it, folks. We did it, a month long theme.

577
00:30:11,880 --> 00:30:16,840
Speaker 2: We did it. It's been so fun watching these movies.

578
00:30:16,920 --> 00:30:22,000
Speaker 2: And I gotta say this. We go out with a

579
00:30:22,200 --> 00:30:24,040
Speaker 2: fucking bang.

580
00:30:25,600 --> 00:30:27,720
Speaker 1: And we also we kind of ran out of movies

581
00:30:27,720 --> 00:30:31,520
Speaker 1: with hot in the title that we also thought would

582
00:30:31,560 --> 00:30:34,200
Speaker 1: be appropriate for a double feel like we know the

583
00:30:34,200 --> 00:30:37,080
Speaker 1: heat of the night. We know there's like more movies

584
00:30:37,120 --> 00:30:38,920
Speaker 1: out there, but we wanted to have, you know, a

585
00:30:38,920 --> 00:30:43,760
Speaker 1: good double feet and I feel like we weirdly paired

586
00:30:43,840 --> 00:30:45,920
Speaker 1: up some good. This might be our most unhinged.

587
00:30:46,160 --> 00:30:46,360
Speaker 3: Yeah.

588
00:30:46,400 --> 00:30:48,000
Speaker 1: I know we say that every once in a while,

589
00:30:48,000 --> 00:30:50,560
Speaker 1: but I truly think this might be our most unhinged episode.

590
00:30:51,080 --> 00:30:55,400
Speaker 1: I agree, and I it makes me laugh because again

591
00:30:55,680 --> 00:30:59,440
Speaker 1: we decided to go down the road of like preparation

592
00:30:59,720 --> 00:31:02,520
Speaker 1: hot preparation cooking terms.

593
00:31:02,560 --> 00:31:05,120
Speaker 3: Perhaps. Yeah, you don't want to know. When I was

594
00:31:05,160 --> 00:31:05,800
Speaker 3: like trying.

595
00:31:05,560 --> 00:31:08,200
Speaker 2: To come up with my movie, I literally went into

596
00:31:08,240 --> 00:31:13,720
Speaker 2: Google and was like, uh, movies about cooking, movies with

597
00:31:13,840 --> 00:31:19,560
Speaker 2: cooking terms in the title, movies about making food, like

598
00:31:19,600 --> 00:31:21,080
Speaker 2: I was, and it was like pulling up all these

599
00:31:21,080 --> 00:31:24,360
Speaker 2: bad results, and so I just had to essentially find

600
00:31:24,480 --> 00:31:28,040
Speaker 2: go on IMDb and just like type the word all

601
00:31:28,080 --> 00:31:30,040
Speaker 2: the words that could apply, Like I went down a

602
00:31:30,080 --> 00:31:35,280
Speaker 2: list of cooking terms like broil, brais, bake, you know,

603
00:31:35,600 --> 00:31:36,640
Speaker 2: like burn, Like.

604
00:31:36,600 --> 00:31:39,280
Speaker 3: It was all this stuff. I'm like, you know, even.

605
00:31:39,200 --> 00:31:44,000
Speaker 1: That movie brazm Brazen High kind of about Brazen High, those

606
00:31:44,040 --> 00:31:45,960
Speaker 1: high schoolers who can't stop brazen shit.

607
00:31:48,200 --> 00:31:53,920
Speaker 2: At a university for the top braziers in America. One

608
00:31:54,280 --> 00:32:01,920
Speaker 2: teenager discovers, No, I was, let's yeah, it was fun.

609
00:32:02,080 --> 00:32:04,600
Speaker 3: I think that we these two movies couldn't be any different.

610
00:32:06,520 --> 00:32:08,920
Speaker 2: I also feel like they might be watched by the

611
00:32:08,920 --> 00:32:11,480
Speaker 2: same person, though, which.

612
00:32:10,760 --> 00:32:13,120
Speaker 1: We agree, and that person is us.

613
00:32:13,320 --> 00:32:16,440
Speaker 3: Yeah, that person is us. I'm going first this week.

614
00:32:17,720 --> 00:32:22,920
Speaker 3: This is a classic for people who smoke a lot

615
00:32:22,920 --> 00:32:23,320
Speaker 3: of weed.

616
00:32:24,680 --> 00:32:27,680
Speaker 2: So my movie is from nineteen ninety eight. It was

617
00:32:27,720 --> 00:32:31,360
Speaker 2: written by Dave Chappelle and Neil Brennan. It was directed

618
00:32:31,360 --> 00:32:34,000
Speaker 2: by Tamar Davis, and it's called half Baked.

619
00:32:34,360 --> 00:32:38,120
Speaker 1: I got it. I know I can get Kenny out Well,

620
00:32:38,240 --> 00:32:42,040
Speaker 1: so Weed, I absolutely forgot that Tamar Davis directed this.

621
00:32:42,480 --> 00:32:44,479
Speaker 3: Well, that's that's who I want to talk about, right

622
00:32:44,560 --> 00:32:44,880
Speaker 3: up top.

623
00:32:45,200 --> 00:32:46,320
Speaker 1: Oh, go for it, my dear.

624
00:32:46,800 --> 00:32:47,000
Speaker 3: Yes.

625
00:32:47,200 --> 00:32:49,600
Speaker 2: So, I mean we're gonna we're gonna talk a little

626
00:32:49,640 --> 00:32:52,760
Speaker 2: bit about tamra H. She was a little bit of

627
00:32:52,800 --> 00:32:53,920
Speaker 2: a director crush for.

628
00:32:53,920 --> 00:32:55,400
Speaker 3: Me in the nineties. I have to say.

629
00:32:56,040 --> 00:32:59,440
Speaker 2: She made lots and lots of TV and film in

630
00:32:59,480 --> 00:33:04,560
Speaker 2: her career, but she really cut her teeth making music videos,

631
00:33:04,640 --> 00:33:07,760
Speaker 2: which we've talked about on the podcast before directors that

632
00:33:07,800 --> 00:33:11,840
Speaker 2: make music videos, and I've read some interviews with her

633
00:33:11,840 --> 00:33:15,479
Speaker 2: when she talked about making music videos at the beginning

634
00:33:15,480 --> 00:33:20,320
Speaker 2: of her career was really fundamental to her finding her

635
00:33:20,400 --> 00:33:25,400
Speaker 2: sort of directorial style right. And she said, which I

636
00:33:25,400 --> 00:33:29,719
Speaker 2: think is really interesting, that the music video world was

637
00:33:29,840 --> 00:33:34,840
Speaker 2: generally way more accepting of women as directors, and there

638
00:33:34,960 --> 00:33:39,480
Speaker 2: was generally more women making music videos than they were

639
00:33:39,600 --> 00:33:45,320
Speaker 2: making feature films, certainly, and that there's just less misogyny

640
00:33:45,560 --> 00:33:47,600
Speaker 2: in that world, which I think is really cool.

641
00:33:47,960 --> 00:33:50,720
Speaker 1: That's incredibly cool, and it's very interesting. And I wonder

642
00:33:50,760 --> 00:33:54,320
Speaker 1: if it's because so many bands in the nineties were

643
00:33:54,320 --> 00:33:57,840
Speaker 1: female fronted. Yeah, and so maybe that was just kind

644
00:33:57,840 --> 00:34:00,000
Speaker 1: of on the or just maybe that's just the way

645
00:34:00,080 --> 00:34:02,480
Speaker 1: that that particular sect of the business developed. But I

646
00:34:02,480 --> 00:34:03,080
Speaker 1: think it's great.

647
00:34:03,680 --> 00:34:05,840
Speaker 2: Yeah, I think so too, And I wonder, you know,

648
00:34:05,920 --> 00:34:09,040
Speaker 2: I feel like, I h I don't know why that is.

649
00:34:09,160 --> 00:34:12,200
Speaker 2: And I mean, there's certainly a lot of female directors

650
00:34:12,200 --> 00:34:14,200
Speaker 2: that made Like we talked about this when we talked

651
00:34:14,239 --> 00:34:17,120
Speaker 2: about Penelope Spheris, So it's like, I don't know, there's

652
00:34:17,120 --> 00:34:18,560
Speaker 2: something to that that's very interesting.

653
00:34:19,040 --> 00:34:20,400
Speaker 3: So of course I first.

654
00:34:20,280 --> 00:34:22,840
Speaker 2: Heard of Tamra Davis in the nineties because, you know,

655
00:34:23,160 --> 00:34:25,160
Speaker 2: because she made music videos. I saw her name on

656
00:34:25,239 --> 00:34:28,480
Speaker 2: MTV a lot, and when I was a kid, I

657
00:34:28,560 --> 00:34:33,560
Speaker 2: was obsessed with the video for bust a Move by

658
00:34:33,600 --> 00:34:40,319
Speaker 2: Young EMC, which played pretty much every afternoon when I

659
00:34:40,360 --> 00:34:43,920
Speaker 2: came home from school for like a solid year or so.

660
00:34:43,960 --> 00:34:47,440
Speaker 1: It's also a weirdly well documented fact on our podcast,

661
00:34:47,480 --> 00:34:50,440
Speaker 1: because wasn't that also like the first LP you purchased

662
00:34:50,760 --> 00:34:52,959
Speaker 1: through like the first single you purchased?

663
00:34:53,360 --> 00:34:56,400
Speaker 3: No, it was like the first the first record I ever.

664
00:34:56,239 --> 00:34:59,600
Speaker 1: Purchased was pump up the Volume, by the Volume, but

665
00:35:00,320 --> 00:35:03,000
Speaker 1: era really it was like late eighties kind of stuff,

666
00:35:03,040 --> 00:35:05,960
Speaker 1: and I loved the Busted Move video because it referenced

667
00:35:05,960 --> 00:35:07,040
Speaker 1: Delicious Vinyl.

668
00:35:07,239 --> 00:35:09,680
Speaker 2: Do you remember like Delicious and like it was like

669
00:35:10,120 --> 00:35:13,600
Speaker 2: a lot of people in a fake high school type

670
00:35:13,600 --> 00:35:15,480
Speaker 2: of thing. Anyway, I loved it and I thought it

671
00:35:15,520 --> 00:35:18,560
Speaker 2: was so funny. So she directed that video. She also

672
00:35:18,640 --> 00:35:21,600
Speaker 2: directed two Sonic Youth videos. She did the video for

673
00:35:21,719 --> 00:35:23,720
Speaker 2: Cool Thing and Bull in the Heather.

674
00:35:24,360 --> 00:35:26,239
Speaker 1: That's how I know her for sure.

675
00:35:26,280 --> 00:35:30,480
Speaker 2: Absolutely, but she went even as far back she directed

676
00:35:30,520 --> 00:35:34,680
Speaker 2: two Smith's videos. I mean, come on, yes, I mean

677
00:35:34,719 --> 00:35:38,160
Speaker 2: it's like she's been around forever and so to me,

678
00:35:38,239 --> 00:35:40,960
Speaker 2: she's always seemed adjacent to that whole kind of cool,

679
00:35:41,200 --> 00:35:45,600
Speaker 2: alternative world, and not for nothing. She was married to

680
00:35:45,640 --> 00:35:48,600
Speaker 2: Mike d of the Beastie Boys for many years, but

681
00:35:49,680 --> 00:35:53,239
Speaker 2: when she made the jump to feature films, she directed

682
00:35:53,400 --> 00:35:57,680
Speaker 2: two other huge comedies prior to Half Baked, which was

683
00:35:57,920 --> 00:36:00,000
Speaker 2: CB four with Chris Rock.

684
00:36:01,440 --> 00:36:03,400
Speaker 3: Which have we ever talked about C before?

685
00:36:05,080 --> 00:36:07,160
Speaker 1: I don't know if I don't remember if we have,

686
00:36:07,480 --> 00:36:11,080
Speaker 1: but we really should get it on. I'm curious to

687
00:36:11,080 --> 00:36:12,000
Speaker 1: see if it holds up.

688
00:36:12,760 --> 00:36:15,840
Speaker 2: Me too, because I I know we did when we

689
00:36:15,880 --> 00:36:17,960
Speaker 2: did Black History Month. One year we did Black Parody,

690
00:36:18,000 --> 00:36:20,960
Speaker 2: and I feel like we Yeah, we did Wayan's Brothers.

691
00:36:20,960 --> 00:36:23,040
Speaker 2: So maybe maybe we have to. Maybe we'll have to

692
00:36:23,080 --> 00:36:24,600
Speaker 2: sneak it in another theme.

693
00:36:25,520 --> 00:36:28,520
Speaker 1: I know that every February I post that clip from

694
00:36:28,680 --> 00:36:31,760
Speaker 1: CB four that's just the guy saying I'm black, y'all.

695
00:36:32,040 --> 00:36:35,319
Speaker 1: I'm black, y'all, I'm Blackidie black because I'm black, y'all.

696
00:36:35,640 --> 00:36:37,440
Speaker 1: Maybe we could drop that clip. Oh.

697
00:36:37,560 --> 00:36:40,600
Speaker 2: I thought that movie was so fucking funny when I

698
00:36:40,840 --> 00:36:41,600
Speaker 2: when it came out.

699
00:36:41,800 --> 00:36:43,640
Speaker 3: So we'll have to we'll have to watch it again.

700
00:36:43,920 --> 00:36:45,879
Speaker 2: But so she directed c before and then she also

701
00:36:45,920 --> 00:36:48,800
Speaker 2: directed Billy Madison with Adam Sandler. Oh, so I didn't

702
00:36:48,840 --> 00:36:52,440
Speaker 2: know that absolutely. And yeah, so she's perfect fit for

703
00:36:52,480 --> 00:36:53,799
Speaker 2: a movie like Half Baked.

704
00:36:54,320 --> 00:36:55,760
Speaker 3: So here's another.

705
00:36:55,560 --> 00:36:59,359
Speaker 2: Thing that rocked me when I was doing research. So

706
00:36:59,480 --> 00:37:03,160
Speaker 2: this film was obviously written by Dave Chappelle and Neil Brennan,

707
00:37:03,640 --> 00:37:09,240
Speaker 2: who have worked together forever. Right, they apparently were twenty

708
00:37:09,400 --> 00:37:14,680
Speaker 2: three years old when they wrote this. You're friends with Neil, right,

709
00:37:14,760 --> 00:37:16,440
Speaker 2: So I don't know. Maybe you have some infro that

710
00:37:16,480 --> 00:37:16,960
Speaker 2: I don't have.

711
00:37:17,200 --> 00:37:19,239
Speaker 1: Yes, I'm very good friends with Neil Brennan. I was

712
00:37:19,280 --> 00:37:21,200
Speaker 1: gonna call him or text him to see if he

713
00:37:21,400 --> 00:37:24,240
Speaker 1: had any thoughts for the show, but he's very busy,

714
00:37:24,320 --> 00:37:25,359
Speaker 1: and then I forgot well.

715
00:37:25,400 --> 00:37:30,400
Speaker 2: But also that is wild to me that, yeah, twenty

716
00:37:30,440 --> 00:37:33,439
Speaker 2: three is so young, but that I had to look

717
00:37:33,560 --> 00:37:35,560
Speaker 2: up how old Dave Chappelle was because I was like,

718
00:37:35,600 --> 00:37:38,160
Speaker 2: I thought Dave Chappelle was way older than me. He's

719
00:37:38,200 --> 00:37:40,880
Speaker 2: old in a few years older than me, Like yeah,

720
00:37:41,120 --> 00:37:45,760
Speaker 2: which I'm like, wow, he's really successful and he's my age,

721
00:37:46,000 --> 00:37:46,879
Speaker 2: you know that feeling well.

722
00:37:46,880 --> 00:37:49,799
Speaker 1: These are also I mean, I know just from like

723
00:37:49,880 --> 00:37:53,720
Speaker 1: listening to interviews and stuff, that Dave was doing stand

724
00:37:53,760 --> 00:37:55,799
Speaker 1: up in high school, like he started doing stand up

725
00:37:55,840 --> 00:37:57,960
Speaker 1: but he was like fourteen years old or something like that.

726
00:37:58,000 --> 00:38:01,000
Speaker 1: And Neil same way. Just talking to him. I know

727
00:38:01,080 --> 00:38:03,880
Speaker 1: that he you know, he dropped out of college and

728
00:38:04,160 --> 00:38:07,560
Speaker 1: just started working, ye like when he was eighteen years old.

729
00:38:07,719 --> 00:38:10,399
Speaker 1: So to them, to us, we're looking at it as oh,

730
00:38:10,440 --> 00:38:12,560
Speaker 1: you're twenty three, and to them it's like we've been

731
00:38:12,600 --> 00:38:16,360
Speaker 1: doing this for five years already or ten years already.

732
00:38:16,040 --> 00:38:19,680
Speaker 3: It makes me wish that I had gotten started earlier

733
00:38:19,719 --> 00:38:21,040
Speaker 3: instead of smoking.

734
00:38:20,640 --> 00:38:27,640
Speaker 1: Weed every day when I was eighteen and twenty three.

735
00:38:30,280 --> 00:38:32,319
Speaker 1: But you know what I mean, like it's just that thing,

736
00:38:32,400 --> 00:38:34,759
Speaker 1: were like, wow, I can't believe they were so young

737
00:38:34,840 --> 00:38:37,719
Speaker 1: when they Yes, some people really do just know what

738
00:38:37,760 --> 00:38:39,640
Speaker 1: they want to do with their life, and I was

739
00:38:39,719 --> 00:38:41,920
Speaker 1: not one of those. And I, you know, like, they

740
00:38:41,920 --> 00:38:43,359
Speaker 1: know what they want to do and they know how

741
00:38:43,400 --> 00:38:46,520
Speaker 1: to do it, and I didn't have either of those things.

742
00:38:47,160 --> 00:38:49,120
Speaker 1: But it's also it's weird to me that Dave Chappelle

743
00:38:49,160 --> 00:38:52,080
Speaker 1: is not that much older than us, because his opinions

744
00:38:52,200 --> 00:38:55,200
Speaker 1: about the world are like Grandpa archaic.

745
00:38:55,840 --> 00:38:59,719
Speaker 2: Yeah, that is something that I was going to touch

746
00:38:59,760 --> 00:39:04,040
Speaker 2: upon obviously. I mean, there are certain people in this

747
00:39:04,239 --> 00:39:09,920
Speaker 2: film that have said or have aligned themselves with things

748
00:39:09,960 --> 00:39:11,279
Speaker 2: in their personal lives that I.

749
00:39:11,320 --> 00:39:14,000
Speaker 3: Do not agree with right neither.

750
00:39:14,600 --> 00:39:16,319
Speaker 2: You know, I would be lying if I said I

751
00:39:16,320 --> 00:39:19,240
Speaker 2: didn't think about that at least once when I watched

752
00:39:19,280 --> 00:39:25,280
Speaker 2: this movie again. Yeah, but generally I came into watch

753
00:39:25,360 --> 00:39:27,839
Speaker 2: rewatching this movie because it has been a really long time.

754
00:39:27,880 --> 00:39:30,359
Speaker 2: I haven't seen this since probably nineteen ninety eight, ninety

755
00:39:30,440 --> 00:39:31,200
Speaker 2: nine or whenever.

756
00:39:31,000 --> 00:39:31,480
Speaker 3: It came out.

757
00:39:32,160 --> 00:39:33,839
Speaker 2: I did come in with an open mind. I mean,

758
00:39:33,880 --> 00:39:36,560
Speaker 2: I'm cognizant of having liked it back in the day.

759
00:39:36,719 --> 00:39:38,600
Speaker 2: So it's like, you know, and I know that that

760
00:39:38,680 --> 00:39:40,680
Speaker 2: was an era where we just did not know about

761
00:39:40,800 --> 00:39:43,880
Speaker 2: people's personal lives as we do now, Like we didn't

762
00:39:43,920 --> 00:39:45,799
Speaker 2: know about famous people in their opinions on things.

763
00:39:45,840 --> 00:39:48,520
Speaker 1: We just didn't. And we also, this was back in

764
00:39:48,560 --> 00:39:51,600
Speaker 1: the day where before means people just shouted quotes from

765
00:39:51,600 --> 00:39:55,600
Speaker 1: this movie at each other as a way of communicating yeah, exactly,

766
00:39:56,320 --> 00:39:57,719
Speaker 1: and it was just everywhere.

767
00:39:57,760 --> 00:40:04,040
Speaker 2: But yeah, but to your point, yes, I was like it.

768
00:40:03,760 --> 00:40:06,840
Speaker 3: It did surprise me that he's our age. I gotta

769
00:40:06,880 --> 00:40:07,280
Speaker 3: be honest.

770
00:40:07,600 --> 00:40:10,520
Speaker 1: Well, and also I found it strange. I think the

771
00:40:10,560 --> 00:40:12,239
Speaker 1: reason I brought it up too, And I know we've

772
00:40:12,320 --> 00:40:14,520
Speaker 1: we talked about it a little bit, but I really

773
00:40:15,440 --> 00:40:18,680
Speaker 1: when I was watching the movie, it takes me out

774
00:40:18,680 --> 00:40:24,000
Speaker 1: of the experience of enjoying the movie knowing how hateful

775
00:40:24,400 --> 00:40:29,440
Speaker 1: Dave Chappelle is and knowing how right wing Jim Brewer is.

776
00:40:30,640 --> 00:40:33,000
Speaker 1: And I'm just gonna say it in those bold and

777
00:40:33,160 --> 00:40:36,640
Speaker 1: bald terms because I don't agree with either of them.

778
00:40:36,800 --> 00:40:40,520
Speaker 1: And I think that Dave Chappelle's transphobia is horrifying. It's

779
00:40:40,560 --> 00:40:45,240
Speaker 1: not even it's not just horrifying, it's dangerous. It's incredibly dangerous,

780
00:40:46,040 --> 00:40:49,240
Speaker 1: and I can't I don't enjoy him as a performer

781
00:40:49,280 --> 00:40:54,320
Speaker 1: anymore because his opinions are so hateful and same with like,

782
00:40:54,400 --> 00:40:56,520
Speaker 1: Jim Brewer hasn't been on my radar since he left SNL,

783
00:40:56,560 --> 00:40:59,640
Speaker 1: to be completely honest, But I it's hard to watch

784
00:40:59,719 --> 00:41:03,120
Speaker 1: him in this movie being like acting like he's part

785
00:41:03,160 --> 00:41:06,880
Speaker 1: of a certain subculture, knowing that he is so hateful

786
00:41:07,120 --> 00:41:10,560
Speaker 1: of that subculture and he is so hateful of people

787
00:41:10,800 --> 00:41:15,439
Speaker 1: who represent that very thing. So it's very interesting because this, again,

788
00:41:15,480 --> 00:41:17,120
Speaker 1: this is a movie that was a big part of

789
00:41:17,480 --> 00:41:19,160
Speaker 1: for a lot of us. It was a big part

790
00:41:19,200 --> 00:41:23,279
Speaker 1: of kind of ore sub you know, are subconscious as

791
00:41:24,120 --> 00:41:27,400
Speaker 1: people who are just trading jokes back and forth, and

792
00:41:27,640 --> 00:41:30,120
Speaker 1: you know, it's but it really it was very interesting

793
00:41:30,120 --> 00:41:32,480
Speaker 1: because I know that we we do talk quite a

794
00:41:32,480 --> 00:41:34,959
Speaker 1: bit about revisiting films and what they meant then versus

795
00:41:35,040 --> 00:41:37,680
Speaker 1: what they meant now. This is not a film I

796
00:41:37,840 --> 00:41:40,440
Speaker 1: ever would have thought I would have a different opinion on.

797
00:41:40,640 --> 00:41:43,440
Speaker 1: And it's not even the content of the film itself.

798
00:41:43,520 --> 00:41:46,120
Speaker 1: It's that I've just reached a point in my personal

799
00:41:46,160 --> 00:41:49,960
Speaker 1: life where I cannot separate the art from the artist

800
00:41:50,280 --> 00:41:55,120
Speaker 1: enough to enjoy something like this knowing who they are

801
00:41:56,320 --> 00:41:58,680
Speaker 1: in the world. And I think that's Yeah, it's definitely

802
00:41:58,719 --> 00:42:01,319
Speaker 1: like A facet of the modern world that is very

803
00:42:01,360 --> 00:42:03,640
Speaker 1: different is that now we you know, we know all

804
00:42:03,680 --> 00:42:07,440
Speaker 1: these opinions that people are had previously kept hidden or

805
00:42:07,440 --> 00:42:09,520
Speaker 1: that you know, they were able to have entire careers

806
00:42:09,560 --> 00:42:12,440
Speaker 1: while being absolute monsters behind the scenes because we just

807
00:42:12,480 --> 00:42:15,279
Speaker 1: didn't know anything, but now we do. And so I

808
00:42:15,320 --> 00:42:18,240
Speaker 1: felt I felt weird watching it, and I felt weird

809
00:42:19,719 --> 00:42:21,279
Speaker 1: knowing that we were gonna have to talk about it

810
00:42:21,520 --> 00:42:26,400
Speaker 1: because I just one hundred percent do not agree with

811
00:42:26,400 --> 00:42:29,600
Speaker 1: with either of them. Yeah, and it's hard to present

812
00:42:29,760 --> 00:42:32,719
Speaker 1: the art of someone that you are so misaligned with.

813
00:42:33,080 --> 00:42:37,440
Speaker 2: Yeah, And like we've done this, I mean this, movies

814
00:42:37,719 --> 00:42:41,400
Speaker 2: are complicated. I mean we've talked about this so many

815
00:42:41,400 --> 00:42:44,400
Speaker 2: times on the podcast. We've presented movies on this podcast

816
00:42:44,440 --> 00:42:49,160
Speaker 2: where people involved in it are not people that we agree.

817
00:42:48,920 --> 00:42:52,160
Speaker 3: With and we like even And.

818
00:42:53,560 --> 00:42:59,120
Speaker 2: It's so interesting because I I did come at this

819
00:42:59,120 --> 00:43:01,840
Speaker 2: this week thinking, Okay, like I'm giving it a fair shot,

820
00:43:01,960 --> 00:43:04,120
Speaker 2: like I'm trying to honor the person that I was

821
00:43:04,120 --> 00:43:06,000
Speaker 2: in it nenty eight who really liked this movie.

822
00:43:06,800 --> 00:43:08,560
Speaker 3: And but also I did.

823
00:43:08,360 --> 00:43:10,040
Speaker 2: Go on Twitter and was like I went on Jim

824
00:43:10,080 --> 00:43:13,240
Speaker 2: Brew's Twitter account and I'm like, he does like live

825
00:43:13,920 --> 00:43:16,760
Speaker 2: things with this movie, which I think is so interesting

826
00:43:16,800 --> 00:43:19,880
Speaker 2: because I'm like, it seems to like you said, it

827
00:43:19,920 --> 00:43:23,759
Speaker 2: doesn't seem to kind of gel with sort of what

828
00:43:23,840 --> 00:43:27,400
Speaker 2: that movie was, the fact that the movie was directed

829
00:43:27,400 --> 00:43:29,680
Speaker 2: by a woman, written by a black person. Like I

830
00:43:29,760 --> 00:43:34,040
Speaker 2: just was like, Oh, that's very interesting that somebody who

831
00:43:34,320 --> 00:43:39,160
Speaker 2: kind of is publicly not aligned with things like that

832
00:43:39,960 --> 00:43:42,719
Speaker 2: would continue to sort of champion the film that he

833
00:43:42,760 --> 00:43:43,440
Speaker 2: was I don't.

834
00:43:43,239 --> 00:43:45,560
Speaker 1: Know it's and profit off of it and try to

835
00:43:45,560 --> 00:43:46,399
Speaker 1: profit off of it.

836
00:43:46,440 --> 00:43:49,879
Speaker 2: Well, And look, a lot of people have to make

837
00:43:49,920 --> 00:43:52,520
Speaker 2: decisions like that and I and I don't know, I

838
00:43:52,960 --> 00:43:56,040
Speaker 2: make them too sometimes. But it's that thing of like, yeah,

839
00:43:56,080 --> 00:43:59,520
Speaker 2: it's it's a it's a complicated one for sure. And

840
00:43:59,800 --> 00:44:02,840
Speaker 2: I'm I'm gonna basically talk about this movie in the

841
00:44:02,920 --> 00:44:04,640
Speaker 2: in the way that I saw it before and maybe

842
00:44:04,719 --> 00:44:07,720
Speaker 2: kind of some thoughts that I have now, but because

843
00:44:07,719 --> 00:44:10,200
Speaker 2: that's the thing is that when this movie came out,

844
00:44:10,360 --> 00:44:13,280
Speaker 2: I was in college. I smoked a lot of weed

845
00:44:14,760 --> 00:44:18,080
Speaker 2: and that's pretty much it. Like I didn't want anything

846
00:44:18,120 --> 00:44:23,279
Speaker 2: more from life than that. And you know, I think

847
00:44:23,320 --> 00:44:27,880
Speaker 2: this movie actually was part of a kind of trajectory

848
00:44:28,000 --> 00:44:30,120
Speaker 2: of stoner comedies that came out in the nineties.

849
00:44:30,160 --> 00:44:31,799
Speaker 3: I mean it was like I remember, you know.

850
00:44:32,320 --> 00:44:36,600
Speaker 2: Obviously stuff like Days Confused in The Big Lebowski, and

851
00:44:36,640 --> 00:44:39,080
Speaker 2: I remember seeing this movie. I want to say it

852
00:44:39,120 --> 00:44:41,440
Speaker 2: was in my dorm, of course, but I want to

853
00:44:41,480 --> 00:44:43,600
Speaker 2: see my sister was visiting, and it was like my

854
00:44:43,640 --> 00:44:45,759
Speaker 2: sister and her friends and we all watched this movie

855
00:44:45,760 --> 00:44:50,640
Speaker 2: together and.

856
00:44:48,920 --> 00:44:50,320
Speaker 3: We all quoted it forever.

857
00:44:50,400 --> 00:44:52,479
Speaker 1: We all thought it was fun, you know, and fuck

858
00:44:52,560 --> 00:44:57,960
Speaker 1: we named an episode Anita Bachiotomy, so we won't quote

859
00:44:57,960 --> 00:45:00,880
Speaker 1: it well. And that's well larious to me too, is

860
00:45:00,880 --> 00:45:03,040
Speaker 1: that I did not smoke weed when I watched this movie.

861
00:45:03,080 --> 00:45:05,560
Speaker 1: Like I've never been a prominent weed smoker, but I

862
00:45:05,600 --> 00:45:07,640
Speaker 1: hadn't even tried it by the time when I watched

863
00:45:07,680 --> 00:45:10,680
Speaker 1: this film, and I still found it funny because you

864
00:45:10,719 --> 00:45:13,479
Speaker 1: know all those subjects of people that they run through,

865
00:45:13,520 --> 00:45:15,279
Speaker 1: and you know, people like this, so it was and

866
00:45:15,320 --> 00:45:18,399
Speaker 1: it's it is a funny movie, like I will say that,

867
00:45:18,480 --> 00:45:20,480
Speaker 1: like it's it's of its time. There are a couple

868
00:45:20,480 --> 00:45:22,040
Speaker 1: of jokes and we'll talk about it, but there are

869
00:45:22,080 --> 00:45:23,759
Speaker 1: a couple of jokes that I feel like have not

870
00:45:23,840 --> 00:45:27,960
Speaker 1: aged well. But I definitely thought it was funny. Then

871
00:45:28,040 --> 00:45:31,040
Speaker 1: and there's things that I laughed at now and I

872
00:45:31,120 --> 00:45:35,399
Speaker 1: but it's yeah, it's it's it was part of everyone's

873
00:45:35,760 --> 00:45:38,560
Speaker 1: mind frame I think back then, and it was just

874
00:45:38,640 --> 00:45:40,800
Speaker 1: flat out it was it almos. It was also different,

875
00:45:40,840 --> 00:45:43,480
Speaker 1: It wasn't really like I feel like they take some

876
00:45:43,600 --> 00:45:47,080
Speaker 1: cues from exploitation films and kind of seventies comedies and

877
00:45:47,600 --> 00:45:50,200
Speaker 1: you know, other movies that that had been out, but

878
00:45:50,280 --> 00:45:52,759
Speaker 1: they made it into something kind of different and new.

879
00:45:52,920 --> 00:45:54,920
Speaker 1: But he's still very easy to access.

880
00:45:54,960 --> 00:45:58,040
Speaker 2: So yeah, well and like and and to be completely

881
00:45:58,120 --> 00:46:01,480
Speaker 2: honest with you, because we just have so much more

882
00:46:01,480 --> 00:46:05,799
Speaker 2: information now, even about the people in the you know,

883
00:46:05,840 --> 00:46:09,719
Speaker 2: like this was pre Chappelle's show, right, So in this way,

884
00:46:10,600 --> 00:46:13,640
Speaker 2: I feel like this you can see how this movie

885
00:46:13,760 --> 00:46:17,840
Speaker 2: is a blueprint for Chappelle's show obviously with like certain characters,

886
00:46:18,120 --> 00:46:20,840
Speaker 2: but also just kind of Dave Chappelle and Neil Brennan's

887
00:46:20,880 --> 00:46:24,840
Speaker 2: like comic style, right, And so and I thought Chappelle's

888
00:46:24,840 --> 00:46:26,960
Speaker 2: show at the time that it was on, when I

889
00:46:26,960 --> 00:46:29,160
Speaker 2: thought it was fucking unbelievable. Like I was like, this

890
00:46:29,239 --> 00:46:33,239
Speaker 2: is the best funniest show ever. So it's funny to

891
00:46:33,320 --> 00:46:36,520
Speaker 2: watch this thing, which very much feels like a prototype,

892
00:46:36,560 --> 00:46:38,200
Speaker 2: and so I'm kind of like, well, now do I

893
00:46:38,280 --> 00:46:42,919
Speaker 2: not think Half Baked is as funny because Chappelle's show

894
00:46:43,120 --> 00:46:43,720
Speaker 2: was funnier?

895
00:46:44,160 --> 00:46:45,000
Speaker 3: Does that make sense?

896
00:46:45,480 --> 00:46:47,200
Speaker 1: Yeah, that totally makes sense, because now you have you've

897
00:46:47,200 --> 00:46:49,640
Speaker 1: seen the evolution of the comedy, We're like, oh good,

898
00:46:49,640 --> 00:46:51,800
Speaker 1: this had been different. But I think if we're looking

899
00:46:51,800 --> 00:46:54,320
Speaker 1: at it just from the content of the film, knowing

900
00:46:54,360 --> 00:46:55,960
Speaker 1: all of this, like I want our listeners to know

901
00:46:55,960 --> 00:46:58,120
Speaker 1: that we've thought about all of this and this is

902
00:46:58,160 --> 00:47:00,799
Speaker 1: how we kind of processed the film that if you

903
00:47:00,840 --> 00:47:02,880
Speaker 1: look at it just from the perspective of the content

904
00:47:02,960 --> 00:47:05,440
Speaker 1: of the film, it is a funny movie. Like, I

905
00:47:05,440 --> 00:47:08,640
Speaker 1: don't think we can vilify the film itself for the

906
00:47:08,680 --> 00:47:12,720
Speaker 1: outside actions of the people in it. But I also

907
00:47:12,840 --> 00:47:15,200
Speaker 1: understand if you're like, I'm not watching this because of

908
00:47:15,239 --> 00:47:17,200
Speaker 1: the people in it, Like, I totally get it. Like,

909
00:47:17,280 --> 00:47:20,960
Speaker 1: now you have different information, and it's again, I'm at

910
00:47:20,960 --> 00:47:22,839
Speaker 1: a point where I just I can't separate art from

911
00:47:22,920 --> 00:47:25,080
Speaker 1: artists as easily, you know, I have to do a

912
00:47:25,080 --> 00:47:27,239
Speaker 1: lot of soul searching and a lot more questioning and

913
00:47:27,280 --> 00:47:30,480
Speaker 1: even a lot of research sometimes. But I definitely understand

914
00:47:30,480 --> 00:47:32,279
Speaker 1: that people are like, yeah, that's great, but I'm still

915
00:47:32,320 --> 00:47:35,640
Speaker 1: not watching it, Like I'm still I totally understand that.

916
00:47:36,000 --> 00:47:43,719
Speaker 3: Right, Okay, Well on that note, I know, no, no, no,

917
00:47:43,840 --> 00:47:45,359
Speaker 3: it's it. We have to talk about it.

918
00:47:45,400 --> 00:47:48,080
Speaker 2: I mean, it just feels like it would it's an

919
00:47:48,120 --> 00:47:54,280
Speaker 2: elephant in the room. So so just generally because this movie,

920
00:47:54,440 --> 00:47:57,239
Speaker 2: I mean, this movie is pretty stupid, like in terms

921
00:47:57,280 --> 00:47:59,759
Speaker 2: of the plot, like to go beat my beat would

922
00:47:59,760 --> 00:48:04,440
Speaker 2: be kind. Generally, the movie is about a group of

923
00:48:05,400 --> 00:48:07,800
Speaker 2: childhood best friends who are living in New York City.

924
00:48:08,400 --> 00:48:12,680
Speaker 2: You've got Thirgood, who is played by des Chappelle, Brian

925
00:48:12,840 --> 00:48:17,000
Speaker 2: who's played by Jim Brewer, Kenny who's played by Harlan Williams,

926
00:48:17,239 --> 00:48:21,239
Speaker 2: and Scarface, who was played by gear Moo Diaz. And

927
00:48:21,520 --> 00:48:23,799
Speaker 2: you know, obviously these are young guys living in New

928
00:48:23,880 --> 00:48:26,680
Speaker 2: York City, so they spend all their days smoking weed,

929
00:48:26,760 --> 00:48:30,359
Speaker 2: buying weed, buying snacks because they're high. You know, this

930
00:48:30,440 --> 00:48:34,520
Speaker 2: is all typical stoner stuff, as you can imagine. And

931
00:48:34,600 --> 00:48:37,560
Speaker 2: so one night in the beginning of the film, Kenny,

932
00:48:37,760 --> 00:48:41,120
Speaker 2: the Harlan Williams character, goes out for snacks and you know,

933
00:48:41,120 --> 00:48:43,600
Speaker 2: they've just smoked a bunch of weed. He goes to

934
00:48:43,640 --> 00:48:46,960
Speaker 2: the grocery store, comes out with like two bags of groceries,

935
00:48:47,000 --> 00:48:51,880
Speaker 2: and then spots this horse, this police horse that's standing

936
00:48:51,920 --> 00:48:54,759
Speaker 2: outside of the grocery store, and he's so high. He

937
00:48:54,800 --> 00:48:58,520
Speaker 2: starts feeding the horse food, not knowing that the horse

938
00:48:58,560 --> 00:49:02,200
Speaker 2: is actually diabetic, and it basically kills the horse right

939
00:49:02,200 --> 00:49:07,320
Speaker 2: then and there, like feeding this this horse snacks pizza,

940
00:49:08,040 --> 00:49:09,799
Speaker 2: I don't know, pop tarts, whatever you had in the bag,

941
00:49:09,800 --> 00:49:13,280
Speaker 2: and then the horse just literally kills over and dies.

942
00:49:14,400 --> 00:49:17,000
Speaker 1: I have that still is funny to me, when the

943
00:49:17,160 --> 00:49:19,440
Speaker 1: when the when the human cop comes over and it's

944
00:49:19,440 --> 00:49:21,279
Speaker 1: like you just killed an officer like that is a

945
00:49:21,360 --> 00:49:22,520
Speaker 1: very funny premise to me.

946
00:49:23,120 --> 00:49:27,000
Speaker 2: Totally, totally, And I read something like I want to say,

947
00:49:27,080 --> 00:49:30,800
Speaker 2: there might be a slight oral history that Tamar Davis

948
00:49:30,840 --> 00:49:32,920
Speaker 2: gave about Half Baked that I read.

949
00:49:33,719 --> 00:49:36,080
Speaker 3: I'm just telling you, of course.

950
00:49:36,120 --> 00:49:38,960
Speaker 1: But she talked about how she was like, yeah, we

951
00:49:39,040 --> 00:49:41,080
Speaker 1: you know, we killed a horse in our movie, and

952
00:49:41,120 --> 00:49:45,440
Speaker 1: I feel like, you can't really do that anymore. I

953
00:49:45,480 --> 00:49:50,440
Speaker 1: can't fake kill a horse in your movie anymore. Just

954
00:49:50,440 --> 00:49:52,240
Speaker 1: the idea of like, you can't really do that anymore

955
00:49:52,280 --> 00:49:54,440
Speaker 1: these days, you can't kill a horse in a movie.

956
00:49:55,440 --> 00:49:57,760
Speaker 1: That is the craziest sentence of fault.

957
00:49:58,640 --> 00:50:00,520
Speaker 3: I know me up.

958
00:50:00,719 --> 00:50:05,280
Speaker 1: So, so what happens is Kenny goes to prison because

959
00:50:05,280 --> 00:50:08,960
Speaker 1: he killed a cop, obviously a horse cop, and in

960
00:50:09,000 --> 00:50:09,640
Speaker 1: an effort to.

961
00:50:09,560 --> 00:50:12,120
Speaker 2: Get the money, it's to spring him from the jail.

962
00:50:12,880 --> 00:50:15,880
Speaker 2: The rest of the guys decided that they're good, is

963
00:50:15,920 --> 00:50:19,719
Speaker 2: going to go to his job, which he is a

964
00:50:19,880 --> 00:50:25,680
Speaker 2: janitor at a laboratory that's called Frankincense and Burr. He

965
00:50:25,960 --> 00:50:30,279
Speaker 2: is going to steal medical marijuana that the lab is

966
00:50:30,400 --> 00:50:35,280
Speaker 2: testing and they're going to sell it on the street under.

967
00:50:35,040 --> 00:50:36,759
Speaker 3: The name mister nice Guy.

968
00:50:36,880 --> 00:50:39,680
Speaker 2: So they've created this, you know, they're they're now drug dealers,

969
00:50:39,719 --> 00:50:42,080
Speaker 2: and they and they take the money and they try

970
00:50:42,120 --> 00:50:43,560
Speaker 2: to spring their front out of jail.

971
00:50:43,600 --> 00:50:44,200
Speaker 3: Right, that's their.

972
00:50:44,120 --> 00:50:47,040
Speaker 1: Plan because his bail was like a million dollars because

973
00:50:47,040 --> 00:50:50,160
Speaker 1: he killed a cop. So yeah, something simple, yes.

974
00:50:50,800 --> 00:50:54,440
Speaker 2: And the weed that they have stolen from this laboratory

975
00:50:54,480 --> 00:50:57,680
Speaker 2: apparently is so amazing it makes people feel like they're

976
00:50:57,719 --> 00:51:01,400
Speaker 2: flying through the air, as indicated by there are several

977
00:51:01,440 --> 00:51:04,080
Speaker 2: scenes of people and animals by the way, who are

978
00:51:04,080 --> 00:51:05,600
Speaker 2: flying through the air.

979
00:51:07,880 --> 00:51:09,560
Speaker 3: And they're on wires obviously.

980
00:51:10,120 --> 00:51:14,239
Speaker 2: Now and another thing that I read in this this

981
00:51:14,320 --> 00:51:16,440
Speaker 2: Tamra Davis interview. But I think she said in another

982
00:51:16,480 --> 00:51:20,800
Speaker 2: interview too, was that she knew of only two times

983
00:51:20,840 --> 00:51:21,440
Speaker 2: where there.

984
00:51:21,320 --> 00:51:23,200
Speaker 3: Was actual weed on the set.

985
00:51:23,480 --> 00:51:23,640
Speaker 1: Right.

986
00:51:23,719 --> 00:51:26,839
Speaker 2: Oh, so one of the times was when they were

987
00:51:26,880 --> 00:51:31,360
Speaker 2: on the wires being you know, doing that green screen

988
00:51:31,360 --> 00:51:34,400
Speaker 2: of them flying through the air as in they've just

989
00:51:34,440 --> 00:51:37,560
Speaker 2: smoked this medical marijuana. The other scene was the one

990
00:51:37,560 --> 00:51:43,239
Speaker 2: with Snoop Dogg, and only because Snoop Dogg refused to

991
00:51:43,280 --> 00:51:44,240
Speaker 2: smoke fake weed.

992
00:51:45,440 --> 00:51:47,200
Speaker 1: That is incredible.

993
00:51:47,920 --> 00:51:50,640
Speaker 3: Yes, I think we know that tracks. If we know Snoop.

994
00:51:50,400 --> 00:51:52,200
Speaker 1: Doggs, that tracks for sure.

995
00:51:52,960 --> 00:51:56,560
Speaker 3: So anyway, the guys are selling weed.

996
00:51:56,719 --> 00:52:00,480
Speaker 2: It's a very profitable business, and then it's so popular

997
00:52:00,600 --> 00:52:05,360
Speaker 2: that it alerts and anchors the local drug kingpin Samson,

998
00:52:05,680 --> 00:52:08,360
Speaker 2: who was played by Clarence Williams, the third who we

999
00:52:08,440 --> 00:52:11,200
Speaker 2: talked about on our episode from a long time ago

1000
00:52:11,560 --> 00:52:14,440
Speaker 2: about Tales from the Hood, and he comes in and

1001
00:52:14,600 --> 00:52:16,520
Speaker 2: is basically like, you need to give me a cut

1002
00:52:17,040 --> 00:52:21,320
Speaker 2: of your profits or else, right, And also tucked in

1003
00:52:21,400 --> 00:52:24,080
Speaker 2: there is a woman the Thirgood meets named.

1004
00:52:24,080 --> 00:52:25,359
Speaker 3: Mary Jane.

1005
00:52:29,000 --> 00:52:31,360
Speaker 2: Played by Rachel True who you know probably from the

1006
00:52:31,440 --> 00:52:35,880
Speaker 2: Craft but many other things as well. And Mary Jane

1007
00:52:36,600 --> 00:52:39,960
Speaker 2: oddly enough, is very anti pot. She hates weed, she

1008
00:52:40,080 --> 00:52:44,279
Speaker 2: hates drugs, and so now you know she's tried to

1009
00:52:44,400 --> 00:52:48,239
Speaker 2: date Thirgood, and Good is a weed smoker and a

1010
00:52:48,280 --> 00:52:49,920
Speaker 2: pot dealer, so he's got to hide all this stuff

1011
00:52:49,920 --> 00:52:52,480
Speaker 2: from her. So that is kind of a best story

1012
00:52:52,560 --> 00:52:53,319
Speaker 2: that happens.

1013
00:52:53,040 --> 00:52:55,239
Speaker 1: In the film. And that's a question that I have

1014
00:52:55,400 --> 00:52:58,120
Speaker 1: for you, because they meet a prison. So the guys

1015
00:52:58,160 --> 00:53:02,760
Speaker 1: are in the prison visiting the Harlan Williams character, Kenny,

1016
00:53:03,320 --> 00:53:05,719
Speaker 1: and she's there visiting her dad, and you come to

1017
00:53:05,760 --> 00:53:08,640
Speaker 1: find out that her dad is in prison for selling drugs,

1018
00:53:09,400 --> 00:53:12,000
Speaker 1: so that's why she's like so super against it. But

1019
00:53:12,600 --> 00:53:14,600
Speaker 1: she gives them a ride back into the city. And

1020
00:53:14,640 --> 00:53:17,640
Speaker 1: I'm thinking to myself, Okay, are you picking up three

1021
00:53:17,840 --> 00:53:20,800
Speaker 1: stoners at prison and giving them a lift home of

1022
00:53:20,840 --> 00:53:24,600
Speaker 1: you're a single woman? No? Oh, I think that has

1023
00:53:24,719 --> 00:53:27,319
Speaker 1: also changed from nineteen ninety eight to present day.

1024
00:53:27,880 --> 00:53:33,520
Speaker 3: Also, typically prisons are far away, Yeah, they're way out in.

1025
00:53:33,520 --> 00:53:35,200
Speaker 2: The cut, So she's probably in a car with these

1026
00:53:35,239 --> 00:53:38,120
Speaker 2: people for like what an hour? Two hours or two?

1027
00:53:38,960 --> 00:53:42,480
Speaker 1: Yeah, No, you don't know. I just thought that was

1028
00:53:42,520 --> 00:53:45,000
Speaker 1: a very interesting I thought that was a very interesting

1029
00:53:45,719 --> 00:53:48,319
Speaker 1: beat of like Oh, she's just picking up these three

1030
00:53:48,440 --> 00:53:50,520
Speaker 1: dudes at a prison and driving them into New York

1031
00:53:50,560 --> 00:53:54,040
Speaker 1: City where anything could. They could have killed her instantly

1032
00:53:54,080 --> 00:53:56,400
Speaker 1: and stolen her car and left her body in the woods.

1033
00:53:56,520 --> 00:53:59,600
Speaker 3: Like hmm, yeah, I wouldn't have done it. Let's just

1034
00:53:59,640 --> 00:53:59,880
Speaker 3: say that.

1035
00:54:00,520 --> 00:54:00,560
Speaker 1: No.

1036
00:54:01,560 --> 00:54:07,480
Speaker 2: But in a very Dave Chappelle like fashion, he plays

1037
00:54:07,520 --> 00:54:10,719
Speaker 2: another character in the film name Sir Smokes a lot.

1038
00:54:11,440 --> 00:54:14,600
Speaker 2: I would say that he's a prototype for what would

1039
00:54:14,640 --> 00:54:18,239
Speaker 2: be the Rick James impression that he did on Chappelle's show.

1040
00:54:19,000 --> 00:54:21,320
Speaker 2: And this is where the backiotomy thing comes in. So

1041
00:54:22,239 --> 00:54:26,640
Speaker 2: but there's also so many freaking cameos in this movie.

1042
00:54:27,080 --> 00:54:30,959
Speaker 2: I mean you've got the aforementioned Snoop Dogg, Tommy Chong

1043
00:54:31,080 --> 00:54:32,200
Speaker 2: of Cheech and Chong.

1044
00:54:32,560 --> 00:54:33,280
Speaker 3: Willie Nelson.

1045
00:54:33,360 --> 00:54:36,400
Speaker 2: I mean, those three right there would definitely be on

1046
00:54:36,520 --> 00:54:40,040
Speaker 2: the stoner Mount Rushmore if there was one. But then

1047
00:54:40,120 --> 00:54:44,960
Speaker 2: you also have a very young John Stewart, Janine Garoffalo,

1048
00:54:45,320 --> 00:54:50,239
Speaker 2: Bob Saggett, rest In Peace King, Steven Baldwin, Stephen.

1049
00:54:50,000 --> 00:54:52,879
Speaker 1: Wright, David from the second season of Real World.

1050
00:54:53,480 --> 00:54:58,440
Speaker 2: Absolutely, I was fucking shocked by that. Tracy Morgan's in

1051
00:54:58,480 --> 00:55:00,879
Speaker 2: the movie, So there's just surprise this is at every turn.

1052
00:55:01,480 --> 00:55:05,040
Speaker 2: But I think to kind of sum up the feelings

1053
00:55:05,120 --> 00:55:06,640
Speaker 2: that I had when I watched this again, I mean

1054
00:55:06,680 --> 00:55:09,200
Speaker 2: there were so many dumb stoner jokes in this movie.

1055
00:55:09,680 --> 00:55:13,239
Speaker 2: Of course, right, I gotta admit I can't say they

1056
00:55:13,480 --> 00:55:16,759
Speaker 2: like totally landed for me in the same way as

1057
00:55:16,800 --> 00:55:17,960
Speaker 2: they did in nineteen ninety eight.

1058
00:55:18,560 --> 00:55:21,680
Speaker 3: Right, but people still love this movie. I mean it

1059
00:55:21,840 --> 00:55:23,239
Speaker 3: is like quoted all the time.

1060
00:55:24,160 --> 00:55:26,520
Speaker 2: I think my sister and her friends like still talk

1061
00:55:26,560 --> 00:55:28,360
Speaker 2: about it, like they help me, Like remember when we

1062
00:55:28,440 --> 00:55:30,480
Speaker 2: watched Half Baked and this, you know, I was like yeah, yeah,

1063
00:55:30,960 --> 00:55:36,839
Speaker 2: and these are like forty year olds. So also, also,

1064
00:55:36,960 --> 00:55:42,680
Speaker 2: I have to say this, I have had and continue

1065
00:55:42,760 --> 00:55:46,439
Speaker 2: to have an embarrassingly big crush.

1066
00:55:46,200 --> 00:55:53,080
Speaker 3: On Garamo Diaz. And I know, I know he's gay. Okay,

1067
00:55:53,760 --> 00:55:55,440
Speaker 3: I know he's gay, but I can't help it.

1068
00:55:55,840 --> 00:55:57,080
Speaker 1: That means nothing for a crush.

1069
00:55:57,600 --> 00:56:01,840
Speaker 2: I know it transcends all baddies. And I just have

1070
00:56:01,920 --> 00:56:03,799
Speaker 2: to say, he is so fucking cute in this movie.

1071
00:56:04,880 --> 00:56:09,200
Speaker 2: And he was actually the first celebrities sighting that I

1072
00:56:09,320 --> 00:56:12,080
Speaker 2: had when I first moved to Los Angeles in twenty sixteen.

1073
00:56:12,520 --> 00:56:18,359
Speaker 2: Yes he was, I saw him at Costco. No, Yes,

1074
00:56:18,960 --> 00:56:22,120
Speaker 2: and I was so fucking excited to see him that

1075
00:56:22,239 --> 00:56:23,160
Speaker 2: I actually.

1076
00:56:23,239 --> 00:56:27,960
Speaker 1: Called one of my friends back in Atlanta while I

1077
00:56:28,120 --> 00:56:29,480
Speaker 1: was in the store, and I.

1078
00:56:29,640 --> 00:56:32,840
Speaker 2: Was like, I apparently acted as if I saw fucking

1079
00:56:32,960 --> 00:56:34,960
Speaker 2: Timothy Challamey, Like I.

1080
00:56:35,200 --> 00:56:38,880
Speaker 1: Was that excited, Like guess who's moving to la and

1081
00:56:38,960 --> 00:56:40,080
Speaker 1: making her dreams come true?

1082
00:56:40,719 --> 00:56:43,359
Speaker 3: Yes, I was like, I saw a fucking hot ass

1083
00:56:43,400 --> 00:56:44,920
Speaker 3: Giermo Diaz at Costco.

1084
00:56:46,160 --> 00:56:47,640
Speaker 1: I loved that he was at Costco.

1085
00:56:48,080 --> 00:56:50,319
Speaker 3: I love it too. And I was like, but seeing

1086
00:56:50,360 --> 00:56:51,360
Speaker 3: him in this movie again, I was like, I have

1087
00:56:51,400 --> 00:56:55,080
Speaker 3: such a crush on him. He's so cute. Anyway, he's

1088
00:56:56,000 --> 00:56:57,960
Speaker 3: this podcast. He cannot listen to this podcast.

1089
00:56:58,239 --> 00:57:00,440
Speaker 1: Look, Adam, to the list of people that add them

1090
00:57:00,480 --> 00:57:04,480
Speaker 1: to the fucking Qsax and the Pecks and the Clines.

1091
00:57:08,239 --> 00:57:11,320
Speaker 2: Oh, and I have before I before I go, I

1092
00:57:11,440 --> 00:57:14,160
Speaker 2: have one more fact that is really fucking funny about

1093
00:57:14,200 --> 00:57:17,280
Speaker 2: this movie, which is that when I was reading some

1094
00:57:17,400 --> 00:57:22,840
Speaker 2: more stuff about Tama Davis, she said that somebody once

1095
00:57:23,080 --> 00:57:25,960
Speaker 2: came up to her and told her that Half Baked

1096
00:57:26,840 --> 00:57:29,640
Speaker 2: was the most stolen movie at Blockbuster Video.

1097
00:57:30,400 --> 00:57:32,960
Speaker 1: Oh of course that makes that makes total sense. That

1098
00:57:33,120 --> 00:57:37,680
Speaker 1: is hilarious. Oh my god, that is so yeah, because

1099
00:57:37,680 --> 00:57:39,320
Speaker 1: you don't want to just put it on your account

1100
00:57:39,360 --> 00:57:40,840
Speaker 1: and then not bring it back because then they make

1101
00:57:40,880 --> 00:57:41,480
Speaker 1: you pay for it.

1102
00:57:41,960 --> 00:57:44,600
Speaker 3: Yeah. And plus it's like the people who were really

1103
00:57:44,760 --> 00:57:48,240
Speaker 3: gun for fucking half Baked, do they remember to return

1104
00:57:48,360 --> 00:57:49,640
Speaker 3: videos on time absent?

1105
00:57:49,720 --> 00:57:52,760
Speaker 1: Thank you, thank you. And I'm gonna go one further

1106
00:57:52,840 --> 00:57:54,440
Speaker 1: and say, I bet it was stolen by most of

1107
00:57:54,440 --> 00:57:58,880
Speaker 1: the people who work there exactly more often than not.

1108
00:58:00,280 --> 00:58:01,440
Speaker 3: Listen, I love it.

1109
00:58:01,600 --> 00:58:04,720
Speaker 1: I love that. There's the thing that really made me

1110
00:58:04,840 --> 00:58:06,880
Speaker 1: laugh this time. And maybe this says more about my

1111
00:58:07,000 --> 00:58:10,400
Speaker 1: mental state right now than anything. But Tommy Chong plays

1112
00:58:10,440 --> 00:58:13,000
Speaker 1: a character called the Squirrel Master, and he befriends Kenny

1113
00:58:13,040 --> 00:58:16,880
Speaker 1: in prison, and Kenny's whole storyline is just a very

1114
00:58:17,120 --> 00:58:21,080
Speaker 1: outdated mode about prison rape. And it's just like it's

1115
00:58:21,120 --> 00:58:23,440
Speaker 1: just an outdated joke that does not age well and

1116
00:58:23,600 --> 00:58:27,480
Speaker 1: is cringey to watch. But Tommy Chong is kind of

1117
00:58:27,560 --> 00:58:31,000
Speaker 1: his protector in prison. And at one point he's working

1118
00:58:31,080 --> 00:58:34,280
Speaker 1: on the food line and he's got a hairnet on

1119
00:58:34,400 --> 00:58:36,720
Speaker 1: in his jumpsuit, and then he opens his coat and

1120
00:58:36,800 --> 00:58:40,560
Speaker 1: his squirrel also has a hairnet on. Yes, love, And

1121
00:58:40,680 --> 00:58:42,800
Speaker 1: I don't know why that makes me laugh. So hard,

1122
00:58:43,480 --> 00:58:48,520
Speaker 1: But it really makes me laugh so hard, like harder

1123
00:58:48,560 --> 00:58:51,680
Speaker 1: than when they talk about Billy Bong Thornton and Wesley Pipes.

1124
00:58:53,840 --> 00:58:55,800
Speaker 1: It just made me laugh so But that was the

1125
00:58:55,840 --> 00:58:57,120
Speaker 1: other one that made me laugh was when they were

1126
00:58:57,200 --> 00:58:59,840
Speaker 1: naming their bongs and talking about the different kind of smokers.

1127
00:58:59,880 --> 00:59:00,600
Speaker 1: Was really funny.

1128
00:59:01,480 --> 00:59:05,080
Speaker 3: But yes, that that moment was cute.

1129
00:59:05,320 --> 00:59:07,600
Speaker 2: The other the thing that actually did make me laugh

1130
00:59:07,640 --> 00:59:11,840
Speaker 2: again pretty hard was when they break into the lab

1131
00:59:12,080 --> 00:59:14,240
Speaker 2: and then they go into like the closet with all

1132
00:59:14,320 --> 00:59:18,680
Speaker 2: of the weed and Dave Chappelle losing his shit in

1133
00:59:18,800 --> 00:59:21,760
Speaker 2: the most pure way, like.

1134
00:59:21,880 --> 00:59:27,240
Speaker 3: Screaming, and me like yam mawie wowie or whatever. I was, like,

1135
00:59:28,800 --> 00:59:30,920
Speaker 3: stoners are so dumb and fun.

1136
00:59:31,160 --> 00:59:34,000
Speaker 1: Are weird and hilarious. As long as you don't have

1137
00:59:34,040 --> 00:59:38,760
Speaker 1: to date them or marry them or care for them anyway,

1138
00:59:38,760 --> 00:59:39,200
Speaker 1: they're great.

1139
00:59:39,320 --> 00:59:42,880
Speaker 2: They're great well, And like I I will be honest,

1140
00:59:43,120 --> 00:59:49,280
Speaker 2: I my my weed consumption was real fucking high back then,

1141
00:59:49,440 --> 00:59:53,560
Speaker 2: Like I was smoking like every day. I don't smoke

1142
00:59:53,720 --> 00:59:55,600
Speaker 2: nearly as much as I did, make that, but like

1143
00:59:55,760 --> 00:59:59,000
Speaker 2: that's that was like how I got through high school, folks, Honestly,

1144
00:59:59,240 --> 01:00:01,080
Speaker 2: like fucking hated high school.

1145
01:00:01,480 --> 01:00:03,600
Speaker 3: Smoke weed every day is what I.

1146
01:00:05,280 --> 01:00:08,200
Speaker 1: Truly wonder if what my life would have been like

1147
01:00:08,280 --> 01:00:11,920
Speaker 1: if I had discovered weed earlier. I don't hate it.

1148
01:00:12,040 --> 01:00:13,720
Speaker 1: I just can't do it, you know what I mean,

1149
01:00:13,840 --> 01:00:18,440
Speaker 1: Like because I'm too unproductive and I just can't balance

1150
01:00:18,520 --> 01:00:20,360
Speaker 1: it out. So that's why I don't do it. And

1151
01:00:20,480 --> 01:00:24,040
Speaker 1: I just, you know, I have my own personal experience

1152
01:00:24,160 --> 01:00:27,120
Speaker 1: with drug addiction in my life, so it's hard for

1153
01:00:27,240 --> 01:00:29,920
Speaker 1: me to, you know, kind of get to that point.

1154
01:00:30,440 --> 01:00:32,240
Speaker 1: And I'm not saying you were an addict or anything,

1155
01:00:32,280 --> 01:00:34,800
Speaker 1: but I think that it's something that's not discussed, is

1156
01:00:34,840 --> 01:00:38,600
Speaker 1: that marijuana is also addictive. And I think that, you know,

1157
01:00:38,720 --> 01:00:41,560
Speaker 1: I just but I do wonder because I think if

1158
01:00:41,600 --> 01:00:44,080
Speaker 1: you're gonna smoke, if you're gonna imbuy up a drug

1159
01:00:44,160 --> 01:00:46,520
Speaker 1: that makes you deeply unproductive and just makes you laugh,

1160
01:00:46,680 --> 01:00:48,600
Speaker 1: I feel like high school's the best time to do it.

1161
01:00:49,320 --> 01:00:50,360
Speaker 3: Oh yeah, listen.

1162
01:00:50,480 --> 01:00:53,720
Speaker 2: I did all my partying when I was really young,

1163
01:00:54,120 --> 01:00:56,640
Speaker 2: and that might be shocking to people because there's people

1164
01:00:56,720 --> 01:00:59,720
Speaker 2: that I know now that were like, when did you

1165
01:01:00,160 --> 01:01:02,560
Speaker 2: When was the first time we ever drank alcohol?

1166
01:01:02,560 --> 01:01:04,200
Speaker 3: I was like, I don't know, thirteen, and they're.

1167
01:01:04,040 --> 01:01:07,080
Speaker 1: Like, what like they can't imagine at thirteen, when I

1168
01:01:07,160 --> 01:01:10,320
Speaker 1: was like, listen, it was a it was a different era.

1169
01:01:11,520 --> 01:01:14,840
Speaker 1: When I was a teenager, I fucking was real bummed,

1170
01:01:15,000 --> 01:01:16,480
Speaker 1: Like I just was awkward.

1171
01:01:16,560 --> 01:01:17,280
Speaker 3: I got bullied.

1172
01:01:17,400 --> 01:01:22,200
Speaker 1: So my escape was movies, music and we basically and so,

1173
01:01:23,200 --> 01:01:26,120
Speaker 1: you know, at the time I was young, I could

1174
01:01:27,080 --> 01:01:28,360
Speaker 1: I didn't really have much going on.

1175
01:01:28,720 --> 01:01:31,800
Speaker 2: I could be high every day and that would be cool.

1176
01:01:32,160 --> 01:01:36,080
Speaker 2: But when I got older, it was that thing of like, well,

1177
01:01:36,160 --> 01:01:38,960
Speaker 2: now I feel like life is getting better. I feel

1178
01:01:39,000 --> 01:01:42,800
Speaker 2: like I have more agency and autonomy with things. I

1179
01:01:42,840 --> 01:01:44,400
Speaker 2: don't want to be high every day. I want to

1180
01:01:44,480 --> 01:01:47,080
Speaker 2: like go out there and do shit. So it was

1181
01:01:47,160 --> 01:01:49,400
Speaker 2: a time and place and circumstance for me to have

1182
01:01:49,760 --> 01:01:52,640
Speaker 2: done all that. I don't think I ever have a

1183
01:01:52,720 --> 01:01:55,040
Speaker 2: problem with it. Addiction is not in my family, thank God.

1184
01:01:55,200 --> 01:01:57,120
Speaker 2: But it's like, but yeah, I was just like a

1185
01:01:57,880 --> 01:02:01,680
Speaker 2: dumb kid who experimented a lot with alcohol. And now

1186
01:02:01,720 --> 01:02:03,160
Speaker 2: I'm a productive adult.

1187
01:02:03,520 --> 01:02:05,440
Speaker 1: So it didn't hurt you.

1188
01:02:05,600 --> 01:02:08,400
Speaker 2: It didn't hurt you, Yeah, thank cluck God, because I

1189
01:02:08,480 --> 01:02:11,360
Speaker 2: know it could could have with you know, and I

1190
01:02:11,400 --> 01:02:15,240
Speaker 2: could have gone harder, which is yeah, actually, you know,

1191
01:02:15,520 --> 01:02:16,160
Speaker 2: I gotta.

1192
01:02:15,920 --> 01:02:18,840
Speaker 3: Say I wouldn't have. I'm just not There's just certain

1193
01:02:18,920 --> 01:02:20,320
Speaker 3: drugs that I was like, I don't want to do that.

1194
01:02:20,440 --> 01:02:21,280
Speaker 3: That doesn't look fun.

1195
01:02:21,680 --> 01:02:23,240
Speaker 1: I don't think you're that person at all. I think

1196
01:02:23,280 --> 01:02:25,520
Speaker 1: you're more of a fun, fun time person.

1197
01:02:25,680 --> 01:02:29,600
Speaker 3: So thank you. I think I'm fun too. Speaking of degrees,

1198
01:02:30,000 --> 01:02:32,240
Speaker 3: Oh hey, Carot, I don't know if you guys.

1199
01:02:32,280 --> 01:02:34,320
Speaker 1: Can hear him perring all loud in the microphone, but

1200
01:02:34,400 --> 01:02:36,120
Speaker 1: he's like, I got some shit to say about weed.

1201
01:02:37,760 --> 01:02:38,880
Speaker 3: I need a mac eatomy.

1202
01:02:39,360 --> 01:02:41,400
Speaker 1: He's he's a New York City trash cat. I'm sure

1203
01:02:41,400 --> 01:02:42,720
Speaker 1: he's been high more times than I have.

1204
01:02:43,840 --> 01:02:49,360
Speaker 3: Right I Speaking of fun, dude, are you ready to

1205
01:02:49,440 --> 01:02:50,280
Speaker 3: talk about your movie?

1206
01:02:50,720 --> 01:02:53,760
Speaker 1: Oh? I'm fucking ready. Oh me too. My movie was

1207
01:02:53,800 --> 01:02:57,240
Speaker 1: released in nineteen ninety three. The screenplay is by Gordon Chan,

1208
01:02:57,640 --> 01:03:00,360
Speaker 1: Barry Wong, and John Wu. It was directed by John

1209
01:03:00,400 --> 01:03:07,680
Speaker 1: Wu and my movie is Hard Boiled. Now. I don't

1210
01:03:07,680 --> 01:03:09,880
Speaker 1: know about you, but I didn't see this movie until

1211
01:03:09,920 --> 01:03:11,840
Speaker 1: like the early two thousands. I didn't see it when

1212
01:03:11,880 --> 01:03:14,280
Speaker 1: it came out. So I wasn't like a day Wanner

1213
01:03:14,360 --> 01:03:17,600
Speaker 1: with this movie. Oh yeah, me neither me neither. But

1214
01:03:17,720 --> 01:03:19,560
Speaker 1: I was a day Wanner from the first day I

1215
01:03:19,680 --> 01:03:23,320
Speaker 1: saw it. It has been high on my legs of movies.

1216
01:03:23,360 --> 01:03:26,240
Speaker 1: I fucking love Yes, Oh.

1217
01:03:26,240 --> 01:03:28,720
Speaker 3: My god, oh and oh.

1218
01:03:28,880 --> 01:03:30,920
Speaker 1: Just a quick one sentence synopsis because there's a lot

1219
01:03:30,960 --> 01:03:34,320
Speaker 1: of mayhem and chaos in this movie. One sentence synopsis is,

1220
01:03:34,520 --> 01:03:37,200
Speaker 1: after his partner gets killed in a tea house shootout,

1221
01:03:37,360 --> 01:03:42,280
Speaker 1: a hardened cop goes rogue in Gangland, Hong Kong. Also,

1222
01:03:42,400 --> 01:03:48,520
Speaker 1: babies are thrown out of windows. So the cast is

1223
01:03:48,560 --> 01:03:53,000
Speaker 1: pretty incredible and recognizable. Chaw Yon Fat plays the inspector

1224
01:03:53,160 --> 01:03:56,160
Speaker 1: Tequila Yuen. He goes by Tequila in the whole film

1225
01:03:56,800 --> 01:04:01,040
Speaker 1: and Tequila and then one of the main criminal guys

1226
01:04:01,480 --> 01:04:04,920
Speaker 1: is this character named Alan, who's played by Tony Leung,

1227
01:04:05,640 --> 01:04:07,360
Speaker 1: who we have talked about because he's been in a

1228
01:04:07,400 --> 01:04:10,080
Speaker 1: lot of wandkar Wi movies, so we discussed when we

1229
01:04:10,120 --> 01:04:12,240
Speaker 1: discussed in the Mood for Love, he was in that film.

1230
01:04:12,640 --> 01:04:15,760
Speaker 1: And then you have Teresa Moe who's playing this incredible

1231
01:04:15,840 --> 01:04:18,520
Speaker 1: character Philip Chan, like just these great actors that I

1232
01:04:18,600 --> 01:04:20,440
Speaker 1: know you've seen in other thing since this movie has

1233
01:04:20,520 --> 01:04:24,440
Speaker 1: come out. But the premise of this movie is that Tequila,

1234
01:04:25,600 --> 01:04:28,080
Speaker 1: he's just out here buying birds and playing as clarinet

1235
01:04:29,080 --> 01:04:31,640
Speaker 1: and the whole city is under siege. People are really

1236
01:04:31,680 --> 01:04:33,680
Speaker 1: mad at and killing cops, and people are pissed off

1237
01:04:33,720 --> 01:04:36,479
Speaker 1: about it. But we soon soon learned because he's buying

1238
01:04:36,560 --> 01:04:39,560
Speaker 1: birds in a tea house with his friend who's his partner,

1239
01:04:39,760 --> 01:04:41,720
Speaker 1: and we're like, what is up with these birds? Well,

1240
01:04:41,760 --> 01:04:44,080
Speaker 1: we soon learned that they're a code because as the

1241
01:04:44,120 --> 01:04:47,120
Speaker 1: cops are spying on the criminals, we realize that they're

1242
01:04:47,120 --> 01:04:50,600
Speaker 1: selling guns and the guns are in the bottom of

1243
01:04:50,680 --> 01:04:55,440
Speaker 1: the bird cages, which is ingenius. So there's an immediate shootout,

1244
01:04:55,520 --> 01:04:58,520
Speaker 1: and the shootout is chaos, like boiled water gets thrown

1245
01:04:58,600 --> 01:05:02,320
Speaker 1: on someone along with the kettle, like it's just chaos.

1246
01:05:03,040 --> 01:05:06,640
Speaker 1: Tequila at one point is sliding down a banister holding

1247
01:05:06,720 --> 01:05:11,200
Speaker 1: two guns and shooting the whole time while he has

1248
01:05:11,240 --> 01:05:15,640
Speaker 1: a toothpick in his mouth. It's wild. So his partner

1249
01:05:15,760 --> 01:05:20,760
Speaker 1: gets very killed and Tequila and Tequila gets the guy

1250
01:05:20,800 --> 01:05:23,760
Speaker 1: who does it while he's covered in flower by the way,

1251
01:05:23,800 --> 01:05:26,160
Speaker 1: because there's so much chaos happening, and if I were

1252
01:05:26,600 --> 01:05:28,600
Speaker 1: doing this as an academic study, I would make an

1253
01:05:28,600 --> 01:05:31,840
Speaker 1: equation for how him being covered in white is how

1254
01:05:31,960 --> 01:05:33,840
Speaker 1: he would we would indicate that he's the good guy.

1255
01:05:34,960 --> 01:05:39,360
Speaker 1: But instead it's not an academic dissertation. So I'm just

1256
01:05:39,400 --> 01:05:42,120
Speaker 1: gonna say that it looks really funny that he's fucking

1257
01:05:42,200 --> 01:05:44,160
Speaker 1: covered in flower and he shoots this guy in the

1258
01:05:44,200 --> 01:05:48,520
Speaker 1: fucking face. And then his boss comes in and he's like, uh, oops,

1259
01:05:48,760 --> 01:05:50,840
Speaker 1: I was supposed to catch him alive. Sorry, I just

1260
01:05:50,840 --> 01:05:54,240
Speaker 1: shot him in the fucking head. So is boss's passed

1261
01:05:54,240 --> 01:05:55,720
Speaker 1: because he's like, I worked for months on that guy,

1262
01:05:55,760 --> 01:05:59,760
Speaker 1: blah blah. So this is what's happening. Tequila is so

1263
01:06:00,160 --> 01:06:04,360
Speaker 1: upset and angry because his partner has died. May him chaos.

1264
01:06:04,600 --> 01:06:07,640
Speaker 1: So on the criminal side, we have Alan, and Alan

1265
01:06:07,760 --> 01:06:13,000
Speaker 1: works for a character named Uncle Hoy, and Uncle Hoy

1266
01:06:13,440 --> 01:06:18,480
Speaker 1: is really chill. He just really wants everyone to eat

1267
01:06:19,840 --> 01:06:22,440
Speaker 1: and like, you know, he just wants everyone to kind

1268
01:06:22,440 --> 01:06:25,560
Speaker 1: of like he accepts gifts of beef jerky and like

1269
01:06:25,640 --> 01:06:28,200
Speaker 1: he doesn't want to retire anytime soon because he like

1270
01:06:28,320 --> 01:06:30,600
Speaker 1: everyone we meet in the movie, he makes it explicit

1271
01:06:30,720 --> 01:06:33,480
Speaker 1: that he wants to die in Hong Kong and you're like,

1272
01:06:33,480 --> 01:06:35,919
Speaker 1: all right, dude, I'm not forcing you onto a boat

1273
01:06:36,000 --> 01:06:37,840
Speaker 1: or pushing you out on an ice floe, like you

1274
01:06:37,920 --> 01:06:40,640
Speaker 1: can die here if you want. His chill, so Alan

1275
01:06:41,200 --> 01:06:43,840
Speaker 1: when we meet him, he just walks into a library

1276
01:06:43,920 --> 01:06:47,959
Speaker 1: and shoots a guy in the head, but he uses

1277
01:06:48,000 --> 01:06:50,440
Speaker 1: a silencer because he's polite and he knows the rules.

1278
01:06:51,600 --> 01:06:53,560
Speaker 1: So he uses the silencer, shoots someone in a in

1279
01:06:53,640 --> 01:06:57,560
Speaker 1: a library, and then a few minutes later, Tequila comes

1280
01:06:57,600 --> 01:07:00,000
Speaker 1: in and he's just eating McDonald's right over the dead body.

1281
01:07:02,200 --> 01:07:04,480
Speaker 1: Does not give a shit. This is part of him

1282
01:07:04,520 --> 01:07:06,640
Speaker 1: being a hard boiled cop. He does not give a shit.

1283
01:07:07,040 --> 01:07:09,720
Speaker 1: And he also finds the gun, which was left in

1284
01:07:09,800 --> 01:07:12,400
Speaker 1: a hidden in a book that been cut out. The

1285
01:07:12,480 --> 01:07:14,200
Speaker 1: pages had been cut out so the gun could fit,

1286
01:07:15,040 --> 01:07:17,800
Speaker 1: and he finds the book by measuring the space left

1287
01:07:17,840 --> 01:07:20,080
Speaker 1: by the pool of blood, which is a bit far

1288
01:07:20,160 --> 01:07:23,320
Speaker 1: fetched for me in terms of a CoP's ability to

1289
01:07:23,440 --> 01:07:24,960
Speaker 1: do some investigation.

1290
01:07:26,160 --> 01:07:29,320
Speaker 2: Listen, there's a lot of far fetched scenarios in this film.

1291
01:07:29,440 --> 01:07:33,280
Speaker 2: I will say that being one of them for sure completely.

1292
01:07:33,360 --> 01:07:35,280
Speaker 1: And then look, Allan's got his own shit going on.

1293
01:07:35,600 --> 01:07:38,480
Speaker 1: So he meets with this other crime boss, Johnny, who's

1294
01:07:38,520 --> 01:07:40,880
Speaker 1: actually trying to poach him, which leads me to question,

1295
01:07:41,200 --> 01:07:47,480
Speaker 1: are there headhunters in the criminal underworld? Like that guy

1296
01:07:47,520 --> 01:07:49,840
Speaker 1: shoots so well, we need to get him on our side.

1297
01:07:51,120 --> 01:07:56,400
Speaker 1: Job seekers job a LinkedIn a LinkedIn. It's kind of

1298
01:07:56,560 --> 01:08:01,680
Speaker 1: like the freelance Assassin game, like Free Lance Assassin. Does

1299
01:08:01,760 --> 01:08:04,160
Speaker 1: Dracula have a job? These are the questions we have.

1300
01:08:06,720 --> 01:08:11,160
Speaker 1: Oh my god, Then who's the ron stad for criminal

1301
01:08:11,280 --> 01:08:15,960
Speaker 1: underworld guys? Well, Johnny's trying to be the first, and

1302
01:08:16,040 --> 01:08:18,000
Speaker 1: he's like, look that guy you killed the library, he

1303
01:08:18,080 --> 01:08:20,160
Speaker 1: was one of my guys. But you do good work,

1304
01:08:21,000 --> 01:08:23,760
Speaker 1: so come work for us. And Alan's like, no, I'm

1305
01:08:24,000 --> 01:08:26,640
Speaker 1: loyal to Uncle Hoy. But when they leave the restaurant,

1306
01:08:26,840 --> 01:08:31,840
Speaker 1: their cars are covered in newspaper and Tequila is there.

1307
01:08:31,960 --> 01:08:35,120
Speaker 1: He basically declares war on Johnny, and even though Alan

1308
01:08:35,200 --> 01:08:38,120
Speaker 1: is with Uncle Hoy, he busts Tequila in the face

1309
01:08:38,200 --> 01:08:40,640
Speaker 1: and Johnny's like, oh cool, thanks for doing that. So

1310
01:08:40,760 --> 01:08:43,519
Speaker 1: then we get back to the police, the police precinct,

1311
01:08:43,520 --> 01:08:46,479
Speaker 1: and we meet Teresa, who works with the police, and

1312
01:08:48,040 --> 01:08:50,320
Speaker 1: she's at the office getting tons of flowers, and the

1313
01:08:50,400 --> 01:08:53,360
Speaker 1: flowers the cards will have lyrics in them, and the

1314
01:08:53,400 --> 01:08:56,479
Speaker 1: first one she gets is for Lionel richiees hello, and

1315
01:08:56,600 --> 01:08:59,880
Speaker 1: You're like, what the fuck. Meanwhile, while she's reading this card,

1316
01:09:00,000 --> 01:09:02,840
Speaker 1: Tequila is outside praying for help with his love life

1317
01:09:02,920 --> 01:09:04,960
Speaker 1: super casually. He keeps like looking at her and like

1318
01:09:05,040 --> 01:09:07,280
Speaker 1: lighting incense sticks, and you're like, dude, chill. But it

1319
01:09:07,360 --> 01:09:10,519
Speaker 1: turns out they dated. And it also turns out that

1320
01:09:10,640 --> 01:09:15,439
Speaker 1: the notes to the song are a code. So the

1321
01:09:15,640 --> 01:09:19,080
Speaker 1: big boss, you know, Tequila's big boss, is like, look,

1322
01:09:19,760 --> 01:09:21,519
Speaker 1: one of the he doesn't tell him what the messages say,

1323
01:09:21,560 --> 01:09:23,760
Speaker 1: but he's like, one of the messages is don't ever

1324
01:09:23,800 --> 01:09:26,559
Speaker 1: bite your own tail again. So he basically tells Tequila

1325
01:09:26,600 --> 01:09:28,719
Speaker 1: to lay off the case, which is not what happens.

1326
01:09:28,760 --> 01:09:31,519
Speaker 1: He immediately goes into a warehouse where there's a giant shootout.

1327
01:09:32,000 --> 01:09:34,559
Speaker 1: So if this movie is broken down into shootout scenes,

1328
01:09:35,000 --> 01:09:37,840
Speaker 1: this is the first, and it is prolific and it

1329
01:09:37,960 --> 01:09:42,479
Speaker 1: is iconic for several reasons. One of my questions, not

1330
01:09:42,640 --> 01:09:47,000
Speaker 1: only do I question, are their headhunters for assassins? Where

1331
01:09:47,120 --> 01:09:51,200
Speaker 1: is everyone getting the straw to pack guns? Because I

1332
01:09:51,240 --> 01:09:53,960
Speaker 1: feel like it seems like a decent way to find

1333
01:09:54,040 --> 01:09:57,080
Speaker 1: gun runners, Like are you buying a shitload of bales

1334
01:09:57,120 --> 01:10:00,479
Speaker 1: of hay but you don't own a farm? Might be

1335
01:10:00,600 --> 01:10:03,160
Speaker 1: packing guns. So they're all packing guns, and these fucking

1336
01:10:03,240 --> 01:10:06,479
Speaker 1: crates and then these guys on this is at uh

1337
01:10:06,560 --> 01:10:10,400
Speaker 1: uncle Hoy's. This is Uncle Hoy's warehouse, and these guys

1338
01:10:10,479 --> 01:10:13,320
Speaker 1: on motorcycles come in and just start shooting up the place.

1339
01:10:13,439 --> 01:10:16,639
Speaker 1: And one guy pulls maybe one of my favorite moves

1340
01:10:17,320 --> 01:10:21,599
Speaker 1: of all time, just drives a motorcycle up a ramp

1341
01:10:21,720 --> 01:10:24,599
Speaker 1: and directly into a guy in the back of a van.

1342
01:10:25,080 --> 01:10:25,719
Speaker 3: So funny.

1343
01:10:26,479 --> 01:10:30,040
Speaker 1: It is absolutely hilarious. I cannot explain how funny it

1344
01:10:30,120 --> 01:10:33,439
Speaker 1: is to see it. It is so good. And then

1345
01:10:33,520 --> 01:10:37,760
Speaker 1: that guy gets up, which I'm like, you were just

1346
01:10:38,000 --> 01:10:41,479
Speaker 1: run over by a motorcycle that was probably go what

1347
01:10:41,600 --> 01:10:44,880
Speaker 1: seventy five miles an hour and you were and you

1348
01:10:45,160 --> 01:10:47,960
Speaker 1: got up, and then the guy shoots him dead, so.

1349
01:10:48,000 --> 01:10:51,080
Speaker 2: I'm just like, wow, he didn't die from the initial impact,

1350
01:10:52,920 --> 01:10:56,240
Speaker 2: but then subsequently gets shot by the fucking motorcycle.

1351
01:10:56,280 --> 01:10:57,920
Speaker 3: Guy is wild, just had.

1352
01:10:57,840 --> 01:11:02,439
Speaker 1: His ribcage completely crushed in from this motorcycle and then

1353
01:11:02,479 --> 01:11:02,960
Speaker 1: gets shot.

1354
01:11:04,200 --> 01:11:06,679
Speaker 2: So, like I said, there's a lot of fantastical things

1355
01:11:06,720 --> 01:11:13,720
Speaker 2: happening in this movie. This warehouse sequence. I am absolutely

1356
01:11:14,080 --> 01:11:19,560
Speaker 2: gobsmacked by how they found more of the warehouse to

1357
01:11:20,080 --> 01:11:25,240
Speaker 2: fight in because these people are launching fucking grenades inside

1358
01:11:25,280 --> 01:11:29,680
Speaker 2: a warehouse. Ah, and it's like blowing up several sections

1359
01:11:29,840 --> 01:11:32,240
Speaker 2: of this warehouse that I'm like, Oh, there's another room,

1360
01:11:32,439 --> 01:11:36,920
Speaker 2: there's another section, this one hasn't been completely fucking detonated

1361
01:11:37,040 --> 01:11:42,080
Speaker 2: with like grenades, rocket launchers, shell bullets, shells.

1362
01:11:42,120 --> 01:11:45,760
Speaker 3: I'm just like the I'm surprised this entire.

1363
01:11:47,040 --> 01:11:50,840
Speaker 2: Place has not gone up in an Oppenheimer fucking bomb

1364
01:11:51,439 --> 01:11:52,120
Speaker 2: smoke plume.

1365
01:11:52,200 --> 01:11:53,640
Speaker 3: It doesn't make any sense to me.

1366
01:11:54,200 --> 01:11:55,880
Speaker 1: No, And they're in there and they're look, they're in

1367
01:11:55,920 --> 01:11:58,559
Speaker 1: there shooting at metal doors and there's no ricochet bullet

1368
01:11:58,680 --> 01:12:01,599
Speaker 1: killing people, And you figure, like, if you're this well

1369
01:12:01,640 --> 01:12:05,000
Speaker 1: prepared for a for an assault, why are you losing?

1370
01:12:05,400 --> 01:12:07,400
Speaker 1: Like if you have all this gear and all these

1371
01:12:07,520 --> 01:12:09,800
Speaker 1: rocket launchers, and like, why are you losing? Because the

1372
01:12:09,880 --> 01:12:12,360
Speaker 1: other side has the grenades they weren't that prepared and

1373
01:12:12,600 --> 01:12:14,920
Speaker 1: most of the grenades are being lobbed by a gulf.

1374
01:12:15,080 --> 01:12:17,640
Speaker 1: A guy I like to call Bowley because he has

1375
01:12:17,680 --> 01:12:21,280
Speaker 1: a bowl cut that's absolutely the prototype for Anton jigger

1376
01:12:21,400 --> 01:12:23,519
Speaker 1: from their set. Fact.

1377
01:12:24,080 --> 01:12:26,839
Speaker 2: I was like, that is a middle school girls haircut

1378
01:12:27,320 --> 01:12:31,840
Speaker 2: in nineteen eighty three, or it is from no country

1379
01:12:31,880 --> 01:12:32,360
Speaker 2: for old men.

1380
01:12:33,040 --> 01:12:36,880
Speaker 1: He had a Dorothy Hamil wedge. He was fucking but

1381
01:12:37,000 --> 01:12:39,240
Speaker 1: it's real. The character's real name is mad Dog, but

1382
01:12:39,360 --> 01:12:41,120
Speaker 1: I call him Bowley throughout the whole film.

1383
01:12:41,800 --> 01:12:42,800
Speaker 3: Oh and by the end of this.

1384
01:12:42,920 --> 01:12:49,120
Speaker 2: Film, he looks absolutely fucking crunched, like he's like, there's

1385
01:12:49,240 --> 01:12:53,400
Speaker 2: so many like ah, he's got a lot going on

1386
01:12:53,520 --> 01:12:54,320
Speaker 2: in that look.

1387
01:12:55,720 --> 01:12:59,320
Speaker 1: Crudged. But at the beginning of the film, he's cool

1388
01:12:59,360 --> 01:13:02,479
Speaker 1: as hell. He's lighting his cigarettes on, flaming bits of

1389
01:13:02,560 --> 01:13:06,080
Speaker 1: body off of the hood of a car. He's all right,

1390
01:13:06,160 --> 01:13:08,040
Speaker 1: he's intact at the beginning, but yeah, by the end

1391
01:13:08,080 --> 01:13:13,439
Speaker 1: of the film he is ragged, like his job is

1392
01:13:13,560 --> 01:13:18,120
Speaker 1: taking a toll. So this scene is also where we

1393
01:13:18,200 --> 01:13:20,639
Speaker 1: find out that the reason Johnny wants to kill Hoy

1394
01:13:20,840 --> 01:13:24,479
Speaker 1: is because he's basically killing his business because his prices

1395
01:13:24,520 --> 01:13:26,120
Speaker 1: are too low in the market. And you're like, oh,

1396
01:13:26,160 --> 01:13:27,639
Speaker 1: I forget that. A lot of these people are also

1397
01:13:27,720 --> 01:13:30,759
Speaker 1: businessmen and they know stuff like that. So he basically

1398
01:13:30,880 --> 01:13:33,160
Speaker 1: tells Alan, look, Hoy is gonna come here now that

1399
01:13:33,200 --> 01:13:36,080
Speaker 1: we've shot up the place, and you have to kill him. Tequila,

1400
01:13:36,360 --> 01:13:38,680
Speaker 1: by the way, while all this is going on, is

1401
01:13:38,760 --> 01:13:41,759
Speaker 1: just waiting, So during this scene he's just slowly loading

1402
01:13:41,800 --> 01:13:45,439
Speaker 1: a shotgun with bullets, and his loading of the shotgun

1403
01:13:45,479 --> 01:13:48,439
Speaker 1: it's clicking so loudly that I don't understand how they

1404
01:13:48,479 --> 01:13:52,000
Speaker 1: didn't know he was there. Ha. Just loading the gun

1405
01:13:52,120 --> 01:13:54,680
Speaker 1: was so loud. But he's hanging out. Bowley is still

1406
01:13:54,720 --> 01:13:59,160
Speaker 1: throwing grenades, and then Johnny's guys surround Hoy as soon

1407
01:13:59,200 --> 01:14:02,280
Speaker 1: as he gets there, and Hoy realizes, oh shit, Alan's

1408
01:14:02,280 --> 01:14:05,759
Speaker 1: a trader. But Uncle Hoy is also like Biggie Smalls.

1409
01:14:05,760 --> 01:14:08,719
Speaker 1: He's like, look, I'm ready to die, but don't kill

1410
01:14:08,800 --> 01:14:12,080
Speaker 1: my dudes. Like, don't kill my dudes, I want you

1411
01:14:12,160 --> 01:14:15,040
Speaker 1: to shoot me, and he does one to the chest.

1412
01:14:15,080 --> 01:14:17,799
Speaker 1: But then he also kills all the guys. Alan kills everybody.

1413
01:14:18,160 --> 01:14:21,080
Speaker 1: That's right, so you think, all right, he fulfilled his

1414
01:14:21,680 --> 01:14:25,280
Speaker 1: brief for Johnny. He was a trader to his old crew,

1415
01:14:25,320 --> 01:14:28,920
Speaker 1: but he killed his old crew. It's got to be over. No,

1416
01:14:29,080 --> 01:14:32,240
Speaker 1: it's not. Because Tequila is a one man wrecking crew

1417
01:14:32,880 --> 01:14:35,640
Speaker 1: and he's throwing smoke bombs and repelling down into the

1418
01:14:35,680 --> 01:14:38,400
Speaker 1: warehouse and swinging on a rope like a fucked up Tarzan.

1419
01:14:39,160 --> 01:14:42,000
Speaker 1: He's like taking out these motorcycle guys. Every time he

1420
01:14:42,439 --> 01:14:45,360
Speaker 1: shoots someone with an on a motorcycle, they instantly burst

1421
01:14:45,360 --> 01:14:51,439
Speaker 1: into flames, instantly Alan's protecting Johnny and he's like, Johnny,

1422
01:14:51,479 --> 01:14:52,439
Speaker 1: you gotta get out of here. I don't know what

1423
01:14:52,479 --> 01:14:54,960
Speaker 1: the fuck's going on, but apparently this fight isn't over,

1424
01:14:55,840 --> 01:14:58,920
Speaker 1: and Tequila's throwing grenades as well, like he also has

1425
01:14:59,000 --> 01:15:02,280
Speaker 1: his own grenade, and at one point it comes to this,

1426
01:15:02,680 --> 01:15:05,679
Speaker 1: the fight comes to fruition and he Tequila gets Alan

1427
01:15:06,160 --> 01:15:08,160
Speaker 1: point blank, but he's at it looks like he's at

1428
01:15:08,200 --> 01:15:10,120
Speaker 1: of bullets. He pulls a trigger and nothing happens, but

1429
01:15:10,280 --> 01:15:13,280
Speaker 1: Alan lets him go yeah, and then you look, he

1430
01:15:13,320 --> 01:15:15,000
Speaker 1: looks at his gun and he's like, wait, this gun

1431
01:15:15,120 --> 01:15:17,320
Speaker 1: was full of bullets. What just happened? It just jammed.

1432
01:15:18,439 --> 01:15:20,760
Speaker 1: And Alan's got a little bit of a backstory. So

1433
01:15:20,960 --> 01:15:24,080
Speaker 1: he when he's not busy being a trader to his

1434
01:15:24,280 --> 01:15:28,360
Speaker 1: crew and joining this other crew with this weirdo Johnny,

1435
01:15:28,840 --> 01:15:30,800
Speaker 1: he lives on a boat and he's always just kind

1436
01:15:30,840 --> 01:15:34,599
Speaker 1: of sailing and thinking and one hundred percent screaming at

1437
01:15:34,600 --> 01:15:37,080
Speaker 1: the top of his lungs in his bugle boy jeans

1438
01:15:37,720 --> 01:15:42,000
Speaker 1: ha Ha, and Tequila at the same time goes back

1439
01:15:42,040 --> 01:15:43,840
Speaker 1: to his boss, who's like, I told you to fucking

1440
01:15:43,880 --> 01:15:45,679
Speaker 1: give this case up. What were you doing in a warehouse?

1441
01:15:45,720 --> 01:15:49,840
Speaker 1: By yourself reckon shop and he's like, oh uh, I

1442
01:15:49,960 --> 01:15:51,600
Speaker 1: need you to tell me who are the cops and

1443
01:15:51,640 --> 01:15:53,439
Speaker 1: who are the bad guys because I don't understand why

1444
01:15:53,520 --> 01:15:56,720
Speaker 1: Alan let me go. And then he says something that

1445
01:15:57,360 --> 01:16:01,040
Speaker 1: is so fucking wild to me. He says, woe betide

1446
01:16:01,320 --> 01:16:04,160
Speaker 1: anyone who stops me. And I feel like, if you're

1447
01:16:04,200 --> 01:16:06,320
Speaker 1: not responding that way to a boss, what are you

1448
01:16:06,360 --> 01:16:09,360
Speaker 1: doing with your life? Ah if your boss is like,

1449
01:16:09,520 --> 01:16:11,599
Speaker 1: don't look at this file, and then you look at

1450
01:16:11,600 --> 01:16:12,840
Speaker 1: it and the boss is like, what the fuck, and

1451
01:16:12,880 --> 01:16:19,240
Speaker 1: you're like, woe betide anyone who stops me? Impressive, Daddy, impressive.

1452
01:16:19,479 --> 01:16:22,519
Speaker 1: I mean the superintendent. The superintendent in this movie is like, look,

1453
01:16:22,560 --> 01:16:25,080
Speaker 1: I will fucking fire you. But I still think it's cool.

1454
01:16:25,160 --> 01:16:27,880
Speaker 4: I think it's cool to say, how can you fire

1455
01:16:28,200 --> 01:16:30,719
Speaker 4: Shallo in fat though. That's the thing is that he's

1456
01:16:30,880 --> 01:16:35,240
Speaker 4: the coolest dude. Like he's the coolest I swear.

1457
01:16:35,320 --> 01:16:36,920
Speaker 1: That was the thing that I kept thinking about the

1458
01:16:37,080 --> 01:16:39,200
Speaker 1: entire time I was watching this again. I was like,

1459
01:16:40,040 --> 01:16:41,520
Speaker 1: he's the fucking.

1460
01:16:41,280 --> 01:16:43,559
Speaker 3: Coolest guy, Like he is so cool.

1461
01:16:43,800 --> 01:16:48,320
Speaker 2: He's cool in that forty nineties way, but he's cool

1462
01:16:48,520 --> 01:16:52,000
Speaker 2: in like a genuinely fucking cool way and I love it.

1463
01:16:52,360 --> 01:16:54,240
Speaker 1: I love I did too, and he just gets better

1464
01:16:54,280 --> 01:16:58,439
Speaker 1: with age. I absolutely love it. And what we come

1465
01:16:58,520 --> 01:17:02,280
Speaker 1: to find out is that Ellen is actually an undercover

1466
01:17:02,439 --> 01:17:05,880
Speaker 1: cop and he's doing this because he's like, look, I'm

1467
01:17:05,880 --> 01:17:07,719
Speaker 1: gonna cash out. I'm gonna get a Swiss bank account

1468
01:17:07,760 --> 01:17:10,240
Speaker 1: and a house in Guam with some high walls. But

1469
01:17:10,360 --> 01:17:12,360
Speaker 1: he's confused. He's like, I don't know if I'm a

1470
01:17:12,400 --> 01:17:14,360
Speaker 1: gangster or a cop, Like I'm kind of in between.

1471
01:17:14,600 --> 01:17:17,120
Speaker 1: But he definitely makes a paper crane every time he

1472
01:17:17,240 --> 01:17:19,920
Speaker 1: kills someone and hangs it on his little boat, so

1473
01:17:20,040 --> 01:17:22,639
Speaker 1: he's just, you know, on his own journey. That boat

1474
01:17:22,840 --> 01:17:27,639
Speaker 1: is under siege very soon after this scene, because essentially

1475
01:17:27,720 --> 01:17:29,400
Speaker 1: Tequila comes and it's like, yeah, were you a cop

1476
01:17:29,479 --> 01:17:32,760
Speaker 1: or what? And then Johnny's guys come and like people

1477
01:17:32,840 --> 01:17:35,280
Speaker 1: come to kill him essentially, and he gets shot in

1478
01:17:35,320 --> 01:17:38,360
Speaker 1: the back, but he survives. And at one point he's

1479
01:17:38,680 --> 01:17:43,080
Speaker 1: on the dock and Johnny is coming to confront him

1480
01:17:44,760 --> 01:17:46,160
Speaker 1: or you know, just kind of check in with him,

1481
01:17:47,200 --> 01:17:50,240
Speaker 1: and Alan's like, all right, Tequila, you gotta get out

1482
01:17:50,280 --> 01:17:55,800
Speaker 1: of here, and he jumps into the water and disappears,

1483
01:17:55,840 --> 01:17:57,559
Speaker 1: which is the best exit of all time.

1484
01:17:58,040 --> 01:18:03,560
Speaker 2: Sure, dude, I don't even know how to say this,

1485
01:18:04,120 --> 01:18:08,120
Speaker 2: because I'll just say, be as permitted. This is the

1486
01:18:08,160 --> 01:18:09,160
Speaker 2: best movie ever made.

1487
01:18:09,360 --> 01:18:09,600
Speaker 1: Like it.

1488
01:18:09,680 --> 01:18:12,519
Speaker 3: He is so fucking great.

1489
01:18:13,560 --> 01:18:16,000
Speaker 2: It is like for anybody who has not seen a

1490
01:18:16,120 --> 01:18:17,880
Speaker 2: John Woo movie before, I mean, I don't even know

1491
01:18:17,960 --> 01:18:21,719
Speaker 2: what to tell you. It is a symphony of fucking

1492
01:18:22,000 --> 01:18:26,560
Speaker 2: violence and weird shit and improbable things, and it's and

1493
01:18:27,040 --> 01:18:32,280
Speaker 2: every scene begins and ends spectacularly and like completely this

1494
01:18:32,600 --> 01:18:36,160
Speaker 2: it is literally the funniest thing ever. The two things

1495
01:18:36,200 --> 01:18:40,280
Speaker 2: that happened in this moment Chow Young Fat diving into

1496
01:18:40,560 --> 01:18:43,400
Speaker 2: the harbor or whatever. He's just like, okay, see.

1497
01:18:43,200 --> 01:18:46,720
Speaker 1: You later, and then into the water, no discussion, say

1498
01:18:46,800 --> 01:18:51,360
Speaker 1: no more boop. And then shortly after the bad guys come.

1499
01:18:51,479 --> 01:18:54,280
Speaker 1: And then there's a shot of his little face peeking

1500
01:18:54,479 --> 01:18:58,919
Speaker 1: right about the water underneath the fucking dock that cracks

1501
01:18:59,040 --> 01:19:03,640
Speaker 1: me up, just like trying that face like right in

1502
01:19:03,760 --> 01:19:05,280
Speaker 1: the corner how above the water.

1503
01:19:05,800 --> 01:19:08,160
Speaker 3: He's like, is anybody can anybody see me down here?

1504
01:19:08,760 --> 01:19:12,160
Speaker 1: Oh god, it's so good, it's so good, so good,

1505
01:19:13,840 --> 01:19:16,320
Speaker 1: Oh goodness, I love this scene. Stuff like that, Like

1506
01:19:16,560 --> 01:19:19,679
Speaker 1: like you said, beat per minute It is just the best.

1507
01:19:19,960 --> 01:19:22,920
Speaker 1: It is just the best. And look, there's still shit

1508
01:19:23,040 --> 01:19:26,639
Speaker 1: going on because that We also learned that this guy

1509
01:19:26,920 --> 01:19:30,160
Speaker 1: fox Foxy, who's he's kind of a trader. He's working

1510
01:19:30,200 --> 01:19:32,840
Speaker 1: for both the cops and for Johnny, but look, you

1511
01:19:32,880 --> 01:19:35,559
Speaker 1: can't play both sides. And Johnny feels the same way.

1512
01:19:35,680 --> 01:19:38,120
Speaker 1: So he tells Alan, look, I need you to shoot him,

1513
01:19:39,080 --> 01:19:41,479
Speaker 1: and Alan sets it up so that he will shoot him,

1514
01:19:41,520 --> 01:19:43,479
Speaker 1: but he won't die. So he puts a lighter that

1515
01:19:43,560 --> 01:19:46,320
Speaker 1: he just got from his boss, like his police boss.

1516
01:19:46,360 --> 01:19:48,960
Speaker 1: He puts it in his pocket before he shoots Foxy.

1517
01:19:49,479 --> 01:19:53,479
Speaker 1: So Foxy survives, but he goes into the water and

1518
01:19:53,560 --> 01:19:56,519
Speaker 1: then he runs and finds Tequila, and Tequila is in

1519
01:19:56,520 --> 01:20:00,200
Speaker 1: the middle of confiding in this bartender who is a

1520
01:20:00,280 --> 01:20:03,919
Speaker 1: former cop but is also john wu the director mmmmm,

1521
01:20:04,520 --> 01:20:09,960
Speaker 1: which I love. And Johnny is like, yo, Alan, kill

1522
01:20:10,040 --> 01:20:13,040
Speaker 1: Foxy and the cop Foxy didn't work, but we know

1523
01:20:13,160 --> 01:20:15,639
Speaker 1: he's alive. Now you gotta kill him both and tell

1524
01:20:16,439 --> 01:20:18,760
Speaker 1: and then he tells Old Bowley. He's like, you gotta

1525
01:20:18,760 --> 01:20:20,360
Speaker 1: follow him because I don't know if I trust that dude.

1526
01:20:20,960 --> 01:20:21,400
Speaker 3: That's right.

1527
01:20:22,120 --> 01:20:25,000
Speaker 1: So Foxy does eventually meet his end at the hospital

1528
01:20:25,040 --> 01:20:27,519
Speaker 1: because he knows something huge, which is the crux of

1529
01:20:27,560 --> 01:20:32,960
Speaker 1: the film. Foxy tells Tequila that Johnny's gunstash that there

1530
01:20:33,000 --> 01:20:35,360
Speaker 1: are all these cops are looking for, is in the

1531
01:20:35,479 --> 01:20:39,040
Speaker 1: basement of this hospital. Now he is recounting this tale

1532
01:20:39,680 --> 01:20:42,960
Speaker 1: while making Tequila turn off his oxygen so he can

1533
01:20:43,040 --> 01:20:46,280
Speaker 1: have a cigarette in the hospital. After being shot and

1534
01:20:46,439 --> 01:20:49,599
Speaker 1: dumped in the water and dragging himself to this bar,

1535
01:20:50,439 --> 01:20:52,160
Speaker 1: he still wants a cigarette. So he's like, can you

1536
01:20:52,160 --> 01:20:54,400
Speaker 1: turn out that fucking oxygen. Let me tell you two things. One,

1537
01:20:54,680 --> 01:20:57,040
Speaker 1: give me a cigarette. Two gun sash in the basement.

1538
01:20:59,400 --> 01:21:02,000
Speaker 1: And then he gets killed. They they try to save him,

1539
01:21:02,000 --> 01:21:03,920
Speaker 1: they try to hide him. It doesn't work. He gets killed.

1540
01:21:04,920 --> 01:21:08,320
Speaker 1: And what follows and what ends the film, and I

1541
01:21:08,320 --> 01:21:11,679
Speaker 1: will not ruin the very very ending, but what follows

1542
01:21:12,120 --> 01:21:16,639
Speaker 1: is a mess shootout at the hospital. It is complete

1543
01:21:16,880 --> 01:21:20,839
Speaker 1: mayhem and chaos. Teresa shows up. Teresa, Allen and Tequila

1544
01:21:20,840 --> 01:21:23,200
Speaker 1: are all working together. They're trying to clear the hospital

1545
01:21:23,240 --> 01:21:26,000
Speaker 1: so they can find this basement gun stash. And I

1546
01:21:26,080 --> 01:21:29,080
Speaker 1: will just say that the three things that happen that

1547
01:21:29,400 --> 01:21:33,200
Speaker 1: I absolutely adore, that don't give away the end of

1548
01:21:33,200 --> 01:21:37,479
Speaker 1: the movie. You see Chow Yun Fat sliding out of

1549
01:21:37,520 --> 01:21:38,599
Speaker 1: a more drawer with a gun.

1550
01:21:39,040 --> 01:21:42,439
Speaker 3: Fuck yeah, the best iconics.

1551
01:21:42,920 --> 01:21:46,519
Speaker 1: Absolutely iconic. You see Tony the Young sliding on a

1552
01:21:46,600 --> 01:21:50,760
Speaker 1: hospital gurney down a hallway with some guns and thanks.

1553
01:21:51,080 --> 01:21:53,960
Speaker 1: This hospital is blowing the fuck up, like Johnny's dudes

1554
01:21:54,000 --> 01:21:56,240
Speaker 1: are like, everyone is there. This hospital is blowing the

1555
01:21:56,280 --> 01:22:01,840
Speaker 1: fuck up. While this is happening, Teresa is absessed with

1556
01:22:02,160 --> 01:22:06,120
Speaker 1: the babies in the hospital, so she wrangles some dudes

1557
01:22:06,560 --> 01:22:08,679
Speaker 1: and she's like, let's put cotton balls in their ears.

1558
01:22:09,000 --> 01:22:12,320
Speaker 1: We gotta protect the little ears. There's genuine explosions going

1559
01:22:12,479 --> 01:22:16,120
Speaker 1: on around everyone. Let's put cotton in their ears. Then

1560
01:22:16,160 --> 01:22:19,479
Speaker 1: we're gonna lower the bassin net down the side of

1561
01:22:19,520 --> 01:22:22,200
Speaker 1: the building with the baby in it, one by one

1562
01:22:23,680 --> 01:22:25,960
Speaker 1: until we clear all the babies out of here. And

1563
01:22:26,120 --> 01:22:28,759
Speaker 1: they do it, and it is fucking man. The guys

1564
01:22:28,760 --> 01:22:31,600
Speaker 1: who are holding the babies are being shot by snipers.

1565
01:22:32,280 --> 01:22:39,680
Speaker 2: Yes, these there are people repelling down wire with in

1566
01:22:40,000 --> 01:22:41,200
Speaker 2: fast infants.

1567
01:22:41,640 --> 01:22:47,519
Speaker 3: They're being shot at, They're being shot at. The building

1568
01:22:47,920 --> 01:22:49,040
Speaker 3: is exploding.

1569
01:22:49,280 --> 01:22:53,960
Speaker 1: Essentially, it is the wildest and most hilarious fucking scene

1570
01:22:55,439 --> 01:22:56,080
Speaker 1: of all time.

1571
01:22:56,720 --> 01:22:59,519
Speaker 2: I don't know what you say, Okay, this is what

1572
01:22:59,600 --> 01:23:01,600
Speaker 2: I want to get you in terms of the improbable,

1573
01:23:02,000 --> 01:23:03,080
Speaker 2: fantastical things.

1574
01:23:04,400 --> 01:23:06,439
Speaker 3: There's no way that some of these babies made it.

1575
01:23:06,720 --> 01:23:08,240
Speaker 3: They did not make it out, and.

1576
01:23:08,280 --> 01:23:10,040
Speaker 1: It made it seem like they got all them babies out.

1577
01:23:10,040 --> 01:23:12,560
Speaker 3: There's no way. And I know you don't want to

1578
01:23:12,560 --> 01:23:15,479
Speaker 3: give away the end, but I'm telling you right now,

1579
01:23:15,520 --> 01:23:18,920
Speaker 3: there is at least one baby that perish. There is

1580
01:23:19,200 --> 01:23:22,680
Speaker 3: no fucking way in hell, like, I just have to

1581
01:23:22,680 --> 01:23:22,920
Speaker 3: say it.

1582
01:23:22,960 --> 01:23:26,040
Speaker 1: I mean, I don't condone baby death, obviously, I am

1583
01:23:26,080 --> 01:23:28,240
Speaker 1: not that type of person, but in the context of

1584
01:23:28,360 --> 01:23:31,080
Speaker 1: this fucking insane movie, there's.

1585
01:23:31,200 --> 01:23:34,599
Speaker 3: No way that all of those babies made it out.

1586
01:23:35,240 --> 01:23:37,360
Speaker 1: No, and look, if they made it out, I guarantee

1587
01:23:37,400 --> 01:23:41,040
Speaker 1: half of them just perished. The next day. It was

1588
01:23:41,160 --> 01:23:44,439
Speaker 1: too much to adrenaline run through the little bodies.

1589
01:23:45,040 --> 01:23:47,160
Speaker 3: I was like, Oh, let's just put a little cut

1590
01:23:47,240 --> 01:23:47,760
Speaker 3: in their ears.

1591
01:23:47,840 --> 01:23:52,120
Speaker 1: Maybe they will be protected from the fucking grenades going

1592
01:23:52,240 --> 01:23:57,559
Speaker 1: off in this right now building. There's at least one

1593
01:23:57,640 --> 01:24:01,120
Speaker 1: baby at the end who had maybe been on the

1594
01:24:01,200 --> 01:24:05,720
Speaker 1: earth for two days and now permanently has PTSD. If

1595
01:24:05,760 --> 01:24:08,880
Speaker 1: that little guy survived, he has PTSD because the whole

1596
01:24:08,920 --> 01:24:11,559
Speaker 1: building was crumbling around his head. That cotton doesn't stop,

1597
01:24:11,600 --> 01:24:13,799
Speaker 1: that cotton doesn't stop trauma there.

1598
01:24:14,360 --> 01:24:16,599
Speaker 3: Listen, I know you're not gonna give away the end.

1599
01:24:16,800 --> 01:24:17,599
Speaker 3: I just can't.

1600
01:24:19,200 --> 01:24:21,639
Speaker 2: I can't get over it, though, Like you're just gonna

1601
01:24:21,760 --> 01:24:23,280
Speaker 2: that's just gonna have to be a like a dun

1602
01:24:23,360 --> 01:24:26,320
Speaker 2: dun dumb moment for anybody who hasn't seen it, because

1603
01:24:26,439 --> 01:24:31,320
Speaker 2: I swear to God, the ending of this movie is unreal,

1604
01:24:31,720 --> 01:24:33,439
Speaker 2: maybe one of the most unreal endings to a movie

1605
01:24:33,479 --> 01:24:34,040
Speaker 2: I've ever seen.

1606
01:24:34,160 --> 01:24:37,600
Speaker 3: And there was so much going on that I'm like,

1607
01:24:39,240 --> 01:24:43,000
Speaker 3: there's there's just there's just so much going on that

1608
01:24:43,160 --> 01:24:43,639
Speaker 3: I love.

1609
01:24:43,880 --> 01:24:46,519
Speaker 1: I love it so much. I love it so yeah,

1610
01:24:46,560 --> 01:24:50,920
Speaker 1: this movie ends, you know, the wildest way possible. It

1611
01:24:51,080 --> 01:24:53,599
Speaker 1: is so good beat for me, it's still it totally

1612
01:24:53,680 --> 01:24:57,720
Speaker 1: holds up. It is just as bizarre and wild as

1613
01:24:57,760 --> 01:24:59,400
Speaker 1: you think. It's as the first time I saw it,

1614
01:24:59,439 --> 01:25:01,320
Speaker 1: And if you've never seen it, do yourself the tree

1615
01:25:01,520 --> 01:25:05,920
Speaker 1: rent it. It's fucking great. I mean it is.

1616
01:25:07,800 --> 01:25:11,599
Speaker 2: It is such like we talked about Strakeye Camp back

1617
01:25:11,640 --> 01:25:14,160
Speaker 2: when we did Roadhouse. This is fucking strake Iye Camp

1618
01:25:14,200 --> 01:25:17,960
Speaker 2: all the way. It is so over the top violent

1619
01:25:18,479 --> 01:25:25,439
Speaker 2: that it's funny, Like every moment there's something happening, like

1620
01:25:25,600 --> 01:25:29,400
Speaker 2: in the frame, there's like one hundred different acts happening

1621
01:25:29,720 --> 01:25:32,840
Speaker 2: in one time. There is people like I mean the

1622
01:25:32,960 --> 01:25:37,240
Speaker 2: shot of showing at the beginning when he's sliding down

1623
01:25:37,280 --> 01:25:39,360
Speaker 2: the banister with his two guns. I mean, I'm just like,

1624
01:25:39,439 --> 01:25:41,880
Speaker 2: this is this is the best movie of all time.

1625
01:25:41,960 --> 01:25:46,439
Speaker 2: It's so improbable and fantastical. It is a like I said,

1626
01:25:46,439 --> 01:25:51,479
Speaker 2: a symphony of chaos and violence. I mean, like it's

1627
01:25:51,600 --> 01:25:56,800
Speaker 2: why we love John Wick. It's just an assault. Yes,

1628
01:25:57,280 --> 01:26:01,200
Speaker 2: it's it's that, It's not it it is so it

1629
01:26:01,360 --> 01:26:03,840
Speaker 2: is a fantasy violence. There's I mean, it's just as

1630
01:26:04,120 --> 01:26:06,120
Speaker 2: there's so many things happening in this movie that are

1631
01:26:06,200 --> 01:26:10,600
Speaker 2: like there's no way that could actually absolutely so in

1632
01:26:10,720 --> 01:26:13,920
Speaker 2: a way, it feels like a like a dream or something.

1633
01:26:14,000 --> 01:26:16,439
Speaker 2: It's not even realistic to me.

1634
01:26:16,960 --> 01:26:18,599
Speaker 1: Yeah, it takes you out of your head. For someone

1635
01:26:18,880 --> 01:26:22,040
Speaker 1: who abores violence in my day to day life, those

1636
01:26:22,120 --> 01:26:24,799
Speaker 1: kinds of movies take me out of my head because

1637
01:26:26,200 --> 01:26:29,400
Speaker 1: they're just like you said, they're so fantastical that there's

1638
01:26:29,479 --> 01:26:31,320
Speaker 1: no way they can actually work.

1639
01:26:32,120 --> 01:26:35,320
Speaker 2: And like all the people who are doing stunt work

1640
01:26:35,360 --> 01:26:37,080
Speaker 2: in this movie are unbelievable.

1641
01:26:37,920 --> 01:26:40,559
Speaker 3: I think Chow Young found Tony long Are. I mean,

1642
01:26:40,600 --> 01:26:45,080
Speaker 3: they're like two fucking rock stars in the world, in

1643
01:26:45,160 --> 01:26:50,680
Speaker 3: the Asian cinema world. They're both funny and charming. I

1644
01:26:50,880 --> 01:26:53,639
Speaker 3: love them to death. I don't know what else to say.

1645
01:26:53,680 --> 01:26:58,439
Speaker 2: I mean, this movie is maybe like the my favorite

1646
01:26:58,479 --> 01:26:59,879
Speaker 2: that we've maybe done on this podcast.

1647
01:27:00,040 --> 01:27:02,640
Speaker 3: I have. I have to say, yay that, Yeah, that

1648
01:27:02,720 --> 01:27:03,479
Speaker 3: makes me happy.

1649
01:27:03,520 --> 01:27:05,880
Speaker 1: I agree. I think it's just I was laughing. I

1650
01:27:06,000 --> 01:27:08,360
Speaker 1: was just riveted. It was just as good as I remembered.

1651
01:27:08,880 --> 01:27:09,080
Speaker 3: Yeah.

1652
01:27:09,760 --> 01:27:11,760
Speaker 2: Yeah, it had been like ten years since I've seen

1653
01:27:11,800 --> 01:27:13,560
Speaker 2: this movie, and now I want to go back and

1654
01:27:13,640 --> 01:27:15,519
Speaker 2: watch a better tomorrow and all the other stuff I

1655
01:27:15,520 --> 01:27:20,360
Speaker 2: hadn't seen in a long time. But it is almost

1656
01:27:20,400 --> 01:27:23,400
Speaker 2: the perfect ending to this Hot Month, to this summer

1657
01:27:23,479 --> 01:27:27,760
Speaker 2: movie experience that we've had. I don't know, it's it's

1658
01:27:27,800 --> 01:27:28,439
Speaker 2: such a good one.

1659
01:27:29,120 --> 01:27:31,240
Speaker 1: We did it. I love that we ended with it.

1660
01:27:31,400 --> 01:27:34,200
Speaker 1: I think Hot Month was great. It was a successful

1661
01:27:34,600 --> 01:27:38,200
Speaker 1: endeavor for us. Yes, and I'm just so glad that

1662
01:27:38,280 --> 01:27:40,160
Speaker 1: you pitch that and that we got the chance to

1663
01:27:40,320 --> 01:27:42,040
Speaker 1: do it. It was a lot of fun.

1664
01:27:42,520 --> 01:27:44,439
Speaker 3: Yeah, and it was hope we hope you had fun too.

1665
01:27:44,479 --> 01:27:46,280
Speaker 2: I mean, for us, it was just getting to watch

1666
01:27:46,400 --> 01:27:52,240
Speaker 2: like a bunch of fun, hilarious, sometimes dumb, sometimes violent,

1667
01:27:52,360 --> 01:27:55,160
Speaker 2: sometimes great movies and it just is a good summertime

1668
01:27:55,640 --> 01:27:57,200
Speaker 2: haang for us, and we love it and we hope

1669
01:27:57,200 --> 01:27:59,400
Speaker 2: you did too. All right, well, listen, if you want

1670
01:27:59,439 --> 01:28:00,880
Speaker 2: to email us, we are at I Saw what you

1671
01:28:00,960 --> 01:28:02,120
Speaker 2: did Pod at gmail dot com.

1672
01:28:03,120 --> 01:28:04,120
Speaker 3: If you send us.

1673
01:28:04,120 --> 01:28:08,000
Speaker 2: Email, we might read it on the air, so please

1674
01:28:08,600 --> 01:28:10,360
Speaker 2: tell us not to if you don't want us to,

1675
01:28:11,040 --> 01:28:13,160
Speaker 2: and throw in some pronouns if you want.

1676
01:28:13,560 --> 01:28:15,080
Speaker 1: And we also have a po box if you want

1677
01:28:15,120 --> 01:28:17,280
Speaker 1: to send us handwritten letters. You can find that on

1678
01:28:17,560 --> 01:28:21,800
Speaker 1: our socials at I saw Pod on Instagram. We'll check

1679
01:28:21,840 --> 01:28:24,800
Speaker 1: our link tree, and we are also on whatever Twitter

1680
01:28:24,960 --> 01:28:25,360
Speaker 1: is now.

1681
01:28:26,680 --> 01:28:27,400
Speaker 3: Yes we are.

1682
01:28:28,200 --> 01:28:30,760
Speaker 2: Who knows if we'll be on other services. I know

1683
01:28:30,840 --> 01:28:33,639
Speaker 2: there's like Blue Sky right now. I don't know why

1684
01:28:33,640 --> 01:28:37,400
Speaker 2: I feeling about all that stuff, but yeah, maybe we'll

1685
01:28:37,400 --> 01:28:41,800
Speaker 2: be on those platforms soon. Who knows, let's see. Oh, yes,

1686
01:28:42,120 --> 01:28:44,880
Speaker 2: so we as you probably know, we have new merch

1687
01:28:46,120 --> 01:28:50,760
Speaker 2: and it's limited edition stuff, so if you gotta get

1688
01:28:50,800 --> 01:28:52,880
Speaker 2: it now or else, it'll be gone. Once it's gone,

1689
01:28:52,880 --> 01:28:57,040
Speaker 2: it's gone, and it's great. We also have other merch,

1690
01:28:57,120 --> 01:28:58,920
Speaker 2: the old merch too is there. If you go to

1691
01:28:59,120 --> 01:29:01,120
Speaker 2: the I Saw what You Did section of the Exactly

1692
01:29:01,200 --> 01:29:02,080
Speaker 2: Right shop you can find it.

1693
01:29:02,200 --> 01:29:04,719
Speaker 1: Don't forget the bonus episodes. The new ones are dropping

1694
01:29:04,840 --> 01:29:07,599
Speaker 1: every third Thursday of the month on the main feed,

1695
01:29:07,800 --> 01:29:10,320
Speaker 1: and our old bonus episodes are trickling out into the

1696
01:29:10,400 --> 01:29:13,000
Speaker 1: main feed every couple of weeks on Wednesdays.

1697
01:29:13,880 --> 01:29:14,320
Speaker 3: Amazing.

1698
01:29:14,479 --> 01:29:17,560
Speaker 2: Well, sorry, I just looked at our episode title for

1699
01:29:17,640 --> 01:29:19,160
Speaker 2: next week, but just start laughing.

1700
01:29:20,640 --> 01:29:23,320
Speaker 3: Ah, do you want to tell them the movies?

1701
01:29:24,600 --> 01:29:29,120
Speaker 1: I absolutely do. Our movies for next week are Shallow

1702
01:29:29,240 --> 01:29:33,200
Speaker 1: Grave from nineteen ninety four and Single White Female from

1703
01:29:33,320 --> 01:29:34,240
Speaker 1: nineteen ninety one.

1704
01:29:34,800 --> 01:29:38,040
Speaker 2: Ooh, A couple of bangers. A couple of bangers. Well,

1705
01:29:38,920 --> 01:29:40,439
Speaker 2: Danielle is always a fucking pleasure.

1706
01:29:40,520 --> 01:29:41,479
Speaker 3: Join this podcast with you.

1707
01:29:42,000 --> 01:29:42,920
Speaker 1: I absolutely love it.

1708
01:29:43,400 --> 01:29:43,920
Speaker 3: See you later.

1709
01:29:44,640 --> 01:29:54,320
Speaker 1: All. This has been an Exactly Right production produced by

1710
01:29:54,400 --> 01:29:57,519
Speaker 1: Casey O'Brien, mixed by Edson Choi. Our theme song is

1711
01:29:57,560 --> 01:30:01,080
Speaker 1: by Tom bry Fogel, artwork by Garrett Ross. Our executive

1712
01:30:01,120 --> 01:30:04,800
Speaker 1: producers are Georgia Hartstart, Karenkilgarriff and Daniel Kramer. You can

1713
01:30:04,840 --> 01:30:07,519
Speaker 1: follow us on Instagram and Twitter at I Saw Pod,

1714
01:30:07,960 --> 01:30:10,160
Speaker 1: and you can email us at I saw what you did.

1715
01:30:10,240 --> 01:30:11,200
Speaker 1: Pod at Gmail