WEBVTT - The Science of False Memories

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and I'm Julie Douglas. You know, Julie,

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<v Speaker 1>we are basically our memories. We are. We are a

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<v Speaker 1>stack of cards. In each card is a memory, and

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<v Speaker 1>they form who we are. That that alone can be

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<v Speaker 1>kind of tricky to wrap your your head around, and

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<v Speaker 1>and it is kind of a simplification. But but still

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<v Speaker 1>we are made up of memories where where all these

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<v Speaker 1>these uh these recollections of things that have happened, things

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<v Speaker 1>we've learned, and they form who we are. So the

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<v Speaker 1>idea that some of those memories are false memories is

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<v Speaker 1>really fascinating. Yeah, because it means that part of what

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<v Speaker 1>we are is not factual. It's a fabrication and and

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<v Speaker 1>and it's and even more to the point, it's one

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<v Speaker 1>thing if you build some fabrication into who you are.

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<v Speaker 1>I'm a support Yeah, yeah, I try and believe something

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<v Speaker 1>that's not real every day, something new, you know, uh

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<v Speaker 1>and uh and build it up to him at least

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<v Speaker 1>fifty fifty. But but but the idea that there are

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<v Speaker 1>parts of us that we think are true, that are false.

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<v Speaker 1>That's that's the really fascinating and or chilling thing. Yeah,

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<v Speaker 1>and uh, what we're talking about is specifically a book

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<v Speaker 1>called Seventh Sins of Memory by Daniel Schockter. And he

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<v Speaker 1>was on a panel that you saw at the World

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<v Speaker 1>Science Festival covering memory and what happens with memory? Yes,

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<v Speaker 1>in New York City. Uh, as it was. Yeah, it

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<v Speaker 1>was a fascinating talk. We referred to to some of

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<v Speaker 1>the stuff that was brought up in our previous episode

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<v Speaker 1>on on memory. What do we talk about? That's what

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<v Speaker 1>happens when you record as many podcasts. That's that's a yeah,

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<v Speaker 1>false recall there. But but but but Yeah, as we've

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<v Speaker 1>discussed before, memory is uh is not this perfect thing.

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<v Speaker 1>It is a they in a sense, you could say

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<v Speaker 1>that it's it's a flawed system. It would be more

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<v Speaker 1>accurate to just say a memory is ephemeral because a

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<v Speaker 1>lot of the flaws that are there are a part

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<v Speaker 1>of its operating system, Like we can't remember everything, so

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<v Speaker 1>you're gonna forget things, um and uh, and in memories

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<v Speaker 1>are we were always having to update information. So there's

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<v Speaker 1>a potential for disaster there. And I know that we've

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<v Speaker 1>talked about this before that when you have a particularly

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<v Speaker 1>strong memory that has to do with like saying nine eleven, right,

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<v Speaker 1>you know, where were you on nine eleven, that your

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<v Speaker 1>potential for recall is actually hindered by the fact that

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<v Speaker 1>you're a magdala isn't on high alert your emotional center

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<v Speaker 1>of your brain, so your hypocampus is not necessarily really

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<v Speaker 1>accurately recording things at that moment because your amingdala is

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<v Speaker 1>kind of taking over. So that's just one example of how, um,

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<v Speaker 1>you know, you can come away from an experience having

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<v Speaker 1>really strong emotional feelings and saying, yes, I was there

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<v Speaker 1>and I was wearing this shirt and so on and

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<v Speaker 1>so forth, but um, you're actually hamstrung and your billy

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<v Speaker 1>to bring up those particular details, even if you feel

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<v Speaker 1>certain that that's the way it went down, right, and uh.

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<v Speaker 1>And it's also important to stress that memory is a

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<v Speaker 1>rather complex system. It's not just a situation of oh,

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<v Speaker 1>here's the part of my brain that does memory, and

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<v Speaker 1>it's doing memory right now. There it goes it remembered

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<v Speaker 1>something and then wrote a new memory. Now we have

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<v Speaker 1>There are several different types of memory, and they're all

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<v Speaker 1>sort of working in a in a chorus and uh,

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<v Speaker 1>uh you know, I mean it's it's very much like

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<v Speaker 1>an orchestra scenario where no no particular instrument is playing

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<v Speaker 1>the tune that everything together creates the song that you're hearing.

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<v Speaker 1>So you have things like episodic memory for events, semantic

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<v Speaker 1>memory for facts in general knowledge, uh, priming memory for

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<v Speaker 1>unconscious activation of memories and reminders. Conditioning from that Pavlovian

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<v Speaker 1>experience where the dog here's the dinner bell and starts

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<v Speaker 1>salivating even though the meal hasn't members in it. Yeah,

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<v Speaker 1>and the priming one is something we're gonna talk about

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<v Speaker 1>a little bit too, But that one is interesting. What

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<v Speaker 1>you're saying is you're can meeting sort of unconscious memories,

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<v Speaker 1>ain't even really aware of of this database that you're

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<v Speaker 1>building up. So in his book, Shackter lays out what

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<v Speaker 1>he calls the seven Deadly Sins of memory, and uh,

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<v Speaker 1>it's a fascinating look at it. I mean there's some

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<v Speaker 1>bleed over between one and another, but uh, like the

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<v Speaker 1>three first that he goes through transience and that's just

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<v Speaker 1>basically I'm not going to remember, um, this fact from

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<v Speaker 1>ten years ago because my brain forgets things over time.

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<v Speaker 1>That's that's pretty simple. Like when you and and then

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<v Speaker 1>there's gonna be this uh basic absent mindedness. And this

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<v Speaker 1>is where you don't remember what somebody told you because

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<v Speaker 1>you were you know, involved in another task or you

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<v Speaker 1>were driving and uh, you suddenly got distracted. You say,

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<v Speaker 1>you're listening to this podcast while driving, and suddenly you

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<v Speaker 1>have to you have to deal with some sort of

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<v Speaker 1>near wreck experience. You're maybe hoping me not, but you're

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<v Speaker 1>probably not going to commit to memory, at least not

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<v Speaker 1>committed strongly. Um, whatever you're listening to on a podcast

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<v Speaker 1>or radio. Uh. Then there there's a also blocking And

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<v Speaker 1>this is what happens when you're like, oh, um, what

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<v Speaker 1>was the actor in the Yeah, the actor and the

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<v Speaker 1>thing which I do all the time, what was what

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<v Speaker 1>was that film with Val Kilmer in it where he

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<v Speaker 1>has a sword? You know that that kind of thing.

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<v Speaker 1>And you'll sit there and will be agonizing, you know

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<v Speaker 1>what was that person's name? And someone will be like

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<v Speaker 1>look it up an IMDb and you're like, no, I

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<v Speaker 1>have to think of myself. And for me, I'm always

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<v Speaker 1>like that guy that was wearing shoes and like never

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<v Speaker 1>giving anybody good clues and so from there he breaks

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<v Speaker 1>out some of the things that can happen. Some of

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<v Speaker 1>them are are sins that basically color memory, like suggestibility,

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<v Speaker 1>which is really fascinating his own right. This is this

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<v Speaker 1>is like, for instance, the scenario where um, the police

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<v Speaker 1>are grilling a witness to a crime and trying and

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<v Speaker 1>trying to find out like who is the who they

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<v Speaker 1>saw at the scene, and they will sometimes sometimes even

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<v Speaker 1>kind of unconsciously hint that this is the person you

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<v Speaker 1>should pick, so sort of like leading the witness leading

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<v Speaker 1>in the courtroom before, where it's like that line of

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<v Speaker 1>questioning is really putting that idea in your head. Yeah,

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<v Speaker 1>like if I was to say, so, Julie, your favorite

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<v Speaker 1>food is pizza, right, well, yes it is actually yes.

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<v Speaker 1>I mean that's kind of a horrible example, but but

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<v Speaker 1>I'm leading you. You know, It's like the the answers

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<v Speaker 1>and the question. The answer that I want is in

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<v Speaker 1>the question that I ask you, like cheese, like sauce?

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<v Speaker 1>Do I ever? And then there's also just persistence, which

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<v Speaker 1>is for instance, a traumatic memory that keeps showing up.

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<v Speaker 1>But the one that we're going to discuss in detail

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<v Speaker 1>today is misattribution. This is a particularly fascinating. This. This

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<v Speaker 1>is like memory distortion on steroids can be. Sometimes it

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<v Speaker 1>can be pretty simple, like a day to day thing.

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<v Speaker 1>There's a predictability factor that we rely on when we're

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<v Speaker 1>bringing up a memory, right, we're taking it out of

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<v Speaker 1>the drawer, and misattribution seems to fall prey to our

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<v Speaker 1>need to fit details into a framework right, even if

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<v Speaker 1>the pieces don't fit. Um. There's a kind of familiarity

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<v Speaker 1>that exists, right because you you have some of the

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<v Speaker 1>facts right, you have some of the facts wrong, but

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<v Speaker 1>your mind wants to try to square that and um,

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<v Speaker 1>so you know, even though it's it could be wrong,

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<v Speaker 1>it feels right to you because on some level you're

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<v Speaker 1>familiar with some of the details. And there a bunch

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<v Speaker 1>of examples of what misattribution can be. Like one of

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<v Speaker 1>the most most obvious ones would be an example of

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<v Speaker 1>where you try and remember, um, like where you met

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<v Speaker 1>somebody or a year and you end up the memory

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<v Speaker 1>is fine, except that there's a detail wrong in it,

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<v Speaker 1>or a couple of details wrong, and it's basically got

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<v Speaker 1>gotten a little mixed up, that your order has been

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<v Speaker 1>slightly mixed up. From the kitchen they bring they bring

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<v Speaker 1>you the burger you ordered, but they give you fries

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<v Speaker 1>instead of the side salad that you requested, right right.

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<v Speaker 1>So you actually recall something, but you might map it

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<v Speaker 1>to the wrong place or time or to the wrong person,

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<v Speaker 1>and then you've got an imagined event that you ascribe

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<v Speaker 1>to a reality. Which this is really fascinating, where we

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<v Speaker 1>end up remembering something as fact, like we remembering something

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<v Speaker 1>as action that we merely imagined or thought about doing.

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<v Speaker 1>And the great example of this is something happens to

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<v Speaker 1>me way too often, and that is where I'll leave

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<v Speaker 1>the house and I'll actually lock the door, but then

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<v Speaker 1>I'll check it again, double sure that I locked it,

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<v Speaker 1>or sometimes walked to the car and then walk back

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<v Speaker 1>and then check that I locked it again, which is

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<v Speaker 1>just unexcusable to come back for the third time. But

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<v Speaker 1>it's but I can't I can't remember if I thought

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<v Speaker 1>about locking it or I did lock it. The same

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<v Speaker 1>with the things like blowing out the candle in the

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<v Speaker 1>bathroom or turning off a burner. These are vital things

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<v Speaker 1>we need to do, and we're making the middle note,

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<v Speaker 1>do it, do it, do it, But then after the fact,

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<v Speaker 1>we can't remember did I just think about doing that?

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<v Speaker 1>Or did I actually do it? Did I imagine myself

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<v Speaker 1>doing it? And um, if you go on the World

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<v Speaker 1>Science Festival site, you'll actually see a clip of this

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<v Speaker 1>example in In the example, it's not necessarily the person

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<v Speaker 1>imagining themselves doing something or himself doing something, but it's

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<v Speaker 1>this clip of this guy talking about how for many

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<v Speaker 1>years he harbored this resentment against his cousin for ruining

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<v Speaker 1>his eighth birthday party by swinging the bat, the pinona,

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<v Speaker 1>all the candy out. So he sees his cousin at

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<v Speaker 1>some point, you know, a couple of years ago, he's

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<v Speaker 1>now an adult, and he says, remember that time that

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<v Speaker 1>you completely ruined my eighth birthday party? And his cousin says,

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<v Speaker 1>what are you talking about. I was away at summer

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<v Speaker 1>camp at your eighth birthday party. And he said that

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<v Speaker 1>he immediately realized that he had concocted this, this memory,

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<v Speaker 1>and it's just just like that. He thought, Oh, that's

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<v Speaker 1>completely right, this he was at summer camp. And I

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<v Speaker 1>think that's fascinating. And I know that there are examples

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<v Speaker 1>for myself that you know, I've done the same thing. Um,

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<v Speaker 1>And for whatever reason, our minds kind of conjure these

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<v Speaker 1>these alternate realities. These are these are basically um binding errors,

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<v Speaker 1>um binding failures. Even in memory binding and and again

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<v Speaker 1>they you basically have two kinds um I mean memory

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<v Speaker 1>binding is the is the gluing together of various components

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<v Speaker 1>of an experience into a whole. Is the bringing together

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<v Speaker 1>of the different um the saw had the main dish,

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<v Speaker 1>the garnish, and the condiments into the complete order. And

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<v Speaker 1>in a binding failure, the the time that the event

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<v Speaker 1>occurs at the action or the object, et cetera, is

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<v Speaker 1>not bound to the particular time and place. And again

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<v Speaker 1>it can It can deal with with real events and

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<v Speaker 1>just sort of mix them around or imagined or just

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<v Speaker 1>purely thought about events. Yeah. Yeah, So that's really interesting

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<v Speaker 1>that you'd have to have that sort of sequential binding

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<v Speaker 1>in your head. Otherwise things kind of go awry if

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<v Speaker 1>you don't have that glue in place. In the books,

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<v Speaker 1>Actor describes an experiment where younger and older adults were

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<v Speaker 1>shown one object and then as to imagine a second object.

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<v Speaker 1>All right, So in the first case they had them imagine, say,

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<v Speaker 1>a magnifying glass. So that's easy to imagine, you know,

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<v Speaker 1>it's like a stick with a round thing. At the

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<v Speaker 1>top that you look through to see, you know. Um.

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<v Speaker 1>And then they imagined that they saw that they actually

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<v Speaker 1>saw a magnifying class there it is, so the actual

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<v Speaker 1>object with it. And then they imagined a lollipop, and

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<v Speaker 1>a lollipop is also a stick with a own thing

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<v Speaker 1>at the top, but with an entirely different purpose. Um.

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<v Speaker 1>Then they also did a dissimilar thing where it was

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<v Speaker 1>like a screwdriver and a coat hanger. And when they

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<v Speaker 1>looked at at the results, they found that that older

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<v Speaker 1>adults were more likely to say they'd actually seen the lolly,

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<v Speaker 1>which yeah, But but they had a number of tests

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<v Speaker 1>subbosely that were actually said, yeah, I saw the law,

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<v Speaker 1>you showed it to me. So the examples of of

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<v Speaker 1>the thing we imagine in the thing we perceived becoming confused,

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<v Speaker 1>which is more it's more likely when there is some

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<v Speaker 1>sort of semantic link between the two. Yeah, yeah, Well,

0:11:36.960 --> 0:11:40.079
<v Speaker 1>and again there's that familiarity, right, it's the context, and

0:11:40.160 --> 0:11:42.240
<v Speaker 1>it gives a sort of fire to your convictions. And

0:11:42.320 --> 0:11:45.000
<v Speaker 1>you do see that more in the elderly, who rely

0:11:45.120 --> 0:11:48.120
<v Speaker 1>on that sense of familiarity to corroborate their memories, and

0:11:48.200 --> 0:11:52.920
<v Speaker 1>they have a harder time recalling specific recollections. You also

0:11:53.000 --> 0:11:56.360
<v Speaker 1>see this sometimes uh like the misuh the misattribution of

0:11:56.679 --> 0:11:59.199
<v Speaker 1>the source of a memory, and that this may have

0:11:59.240 --> 0:12:01.000
<v Speaker 1>happened to a number of you. Where are you So

0:12:01.200 --> 0:12:04.120
<v Speaker 1>you hear something from a friend and then you misremember

0:12:04.160 --> 0:12:07.680
<v Speaker 1>it as being something you saw on the news, which

0:12:07.720 --> 0:12:09.599
<v Speaker 1>can get you into some trouble sometime if you're you know,

0:12:09.679 --> 0:12:11.600
<v Speaker 1>in a dinner party and you're like, oh, yeah, such,

0:12:11.679 --> 0:12:13.480
<v Speaker 1>such and such, and then people were like, I don't

0:12:13.480 --> 0:12:16.200
<v Speaker 1>think that's right. I think you you may have got

0:12:16.240 --> 0:12:18.559
<v Speaker 1>the wrong You're like, no, I saw that on Fox News.

0:12:18.600 --> 0:12:20.920
<v Speaker 1>It must be true. Well, seeing I was thinking about that,

0:12:21.000 --> 0:12:24.480
<v Speaker 1>and I was thinking, that is why language is so

0:12:24.679 --> 0:12:26.760
<v Speaker 1>flawed for us. And of course it's great because it's

0:12:26.760 --> 0:12:29.160
<v Speaker 1>what we have to communicate with each other with. But

0:12:29.679 --> 0:12:32.720
<v Speaker 1>I was thinking, here's here's a good example of something

0:12:32.880 --> 0:12:36.079
<v Speaker 1>like the health care bill in the United States. This

0:12:36.200 --> 0:12:39.120
<v Speaker 1>conversation began to happen around it, and there are all

0:12:39.200 --> 0:12:42.679
<v Speaker 1>sorts of bits of information, information that's unleashed and and

0:12:42.880 --> 0:12:46.240
<v Speaker 1>some of that has been misremembered, intentionally or not. And

0:12:46.320 --> 0:12:49.560
<v Speaker 1>you have these conversations going on and it's being processed

0:12:49.600 --> 0:12:52.920
<v Speaker 1>by the public at large, and then mass confusion ensues

0:12:53.320 --> 0:12:55.199
<v Speaker 1>and you're talking about things like the death panels and

0:12:55.240 --> 0:12:59.360
<v Speaker 1>all that. Yeah, yeah, I really have any any any origin.

0:12:59.440 --> 0:13:02.240
<v Speaker 1>In fact, it was more about people coloring the debate

0:13:02.400 --> 0:13:07.640
<v Speaker 1>with exaggerated ideas or just misconstruing information. And maybe they

0:13:08.080 --> 0:13:11.280
<v Speaker 1>weren't trying to do that intentionally, but I think it's

0:13:11.360 --> 0:13:14.400
<v Speaker 1>fascinating that you have this black and white document that exists,

0:13:15.080 --> 0:13:18.199
<v Speaker 1>and yet the reality that's been created around it, or

0:13:18.400 --> 0:13:20.599
<v Speaker 1>had been created around I guess depending on how you

0:13:20.640 --> 0:13:23.280
<v Speaker 1>look at it, uh, is quite different from what the

0:13:23.360 --> 0:13:25.640
<v Speaker 1>actual document is. And a lot of this I think

0:13:25.920 --> 0:13:31.000
<v Speaker 1>again has there's that suggestibility factor and um this uh

0:13:31.720 --> 0:13:34.800
<v Speaker 1>also this the the wrong source, right, because you could

0:13:35.080 --> 0:13:38.640
<v Speaker 1>sit around in a dinner party and mistake what someone

0:13:38.760 --> 0:13:42.160
<v Speaker 1>might say at the table for fact that was you know,

0:13:42.320 --> 0:13:46.120
<v Speaker 1>reported Fox News or NBC, and so it just really

0:13:46.240 --> 0:13:49.880
<v Speaker 1>muddles the conversations that we have and the reality of

0:13:50.280 --> 0:13:53.920
<v Speaker 1>of um of what we're all looking at. You know. Yeah.

0:13:53.920 --> 0:13:56.800
<v Speaker 1>Another possibility is that if you're watching say twenty four

0:13:56.800 --> 0:13:59.880
<v Speaker 1>hour news show, and you don't really end up in

0:14:00.120 --> 0:14:02.360
<v Speaker 1>remembering whether you heard something on an opinion based section

0:14:02.600 --> 0:14:06.079
<v Speaker 1>or um a more a factual news report. Um, you

0:14:06.120 --> 0:14:07.559
<v Speaker 1>know it's the same. Gonna go with a you know,

0:14:07.640 --> 0:14:09.719
<v Speaker 1>a newspaper did you get on the opinion page or

0:14:09.800 --> 0:14:12.679
<v Speaker 1>from the like the ap stories right? Or a blog

0:14:12.840 --> 0:14:16.040
<v Speaker 1>right that it's that a blog that's been researched and

0:14:16.280 --> 0:14:19.160
<v Speaker 1>documented or is it just someone's blog that says I

0:14:19.240 --> 0:14:22.800
<v Speaker 1>hate Monday's right. Well, I like in my own research

0:14:22.880 --> 0:14:25.000
<v Speaker 1>for articles, here at how stuff works. Like, sometimes I'll

0:14:25.000 --> 0:14:27.040
<v Speaker 1>find myself in a situation where and we'recalling a fact

0:14:27.200 --> 0:14:29.560
<v Speaker 1>from the research I've done, and I have to I

0:14:29.840 --> 0:14:32.240
<v Speaker 1>try to steer away from even looking at sources that

0:14:32.400 --> 0:14:36.360
<v Speaker 1>I that could potentially be problematic because ideally, like I've heard,

0:14:36.680 --> 0:14:38.840
<v Speaker 1>like some people can argue that, say, a Wikipedia article

0:14:38.920 --> 0:14:42.520
<v Speaker 1>is a good starting place for legitimate research because even

0:14:42.600 --> 0:14:45.200
<v Speaker 1>though you you have to cast out on the article itself,

0:14:45.200 --> 0:14:49.120
<v Speaker 1>since anybody can update it and in quality varies sometimes

0:14:50.840 --> 0:14:53.880
<v Speaker 1>right in quality very significantly. There's some fine Wikipedia articles

0:14:53.920 --> 0:14:55.320
<v Speaker 1>out there, but then there are some that are just

0:14:55.480 --> 0:15:00.440
<v Speaker 1>really incorrect, really flawed, or poorly written. So some people

0:15:00.440 --> 0:15:02.360
<v Speaker 1>say start there, then you know, use that as a

0:15:02.440 --> 0:15:05.520
<v Speaker 1>jumping off place for real research. But the problem there

0:15:06.280 --> 0:15:08.560
<v Speaker 1>is that you'll run across other facts you'll start putting

0:15:08.560 --> 0:15:10.880
<v Speaker 1>together an article or something, and then you'll put something

0:15:10.960 --> 0:15:14.880
<v Speaker 1>in and you'll misremember the source. So something you ended

0:15:14.960 --> 0:15:17.720
<v Speaker 1>up thinking is from say this New York Times article

0:15:18.120 --> 0:15:20.760
<v Speaker 1>or something published in a perior view journal is actually

0:15:20.880 --> 0:15:24.760
<v Speaker 1>from the Wikipedia article or a blog referring to one

0:15:24.840 --> 0:15:28.280
<v Speaker 1>of the uh, the primary sources and uh, and it

0:15:28.400 --> 0:15:31.920
<v Speaker 1>just gets confusing. So it's a topsy turvy world. All right,

0:15:31.920 --> 0:15:33.640
<v Speaker 1>we're gonna take a quick break and when we come back,

0:15:33.680 --> 0:15:35.760
<v Speaker 1>we're gonna look at a little something called a memory

0:15:35.840 --> 0:15:40.440
<v Speaker 1>conjunction error and how you and I could possibly be

0:15:40.640 --> 0:15:43.280
<v Speaker 1>ripping off things without us even knowing we're doing it.

0:15:45.680 --> 0:15:48.560
<v Speaker 1>This podcast is brought to you by Intel, the sponsors

0:15:48.560 --> 0:15:52.400
<v Speaker 1>of Tomorrow and the Discovery Channel. At Intel, we believe

0:15:52.520 --> 0:15:56.520
<v Speaker 1>curiosity is the spark which drives innovation. Join us at

0:15:56.560 --> 0:16:00.280
<v Speaker 1>curiosity dot com and explore the answers to life's questions.

0:16:02.920 --> 0:16:06.480
<v Speaker 1>And we're back. So memory conjunction air. This is another

0:16:06.800 --> 0:16:11.800
<v Speaker 1>fascinating aspect of misattribution UM where two memories are combined

0:16:11.840 --> 0:16:14.760
<v Speaker 1>into one. Generally, this is going to revolve around words

0:16:14.800 --> 0:16:18.760
<v Speaker 1>and faces and uh, and with with words especially, it's uh,

0:16:19.360 --> 0:16:21.640
<v Speaker 1>it's important that there's some sort of semantic link there

0:16:21.840 --> 0:16:26.800
<v Speaker 1>is that the example of Varnish and Spaniel, and sometimes

0:16:26.840 --> 0:16:30.040
<v Speaker 1>people mistake that for Spanish. Right they've seen or they've

0:16:30.080 --> 0:16:31.760
<v Speaker 1>seen that sort of sequence and they think, oh, I

0:16:31.840 --> 0:16:34.640
<v Speaker 1>heard the word Spanish. Yeah, there's list of a semantic

0:16:34.720 --> 0:16:37.440
<v Speaker 1>link there, but more of a like a linguistic link.

0:16:37.480 --> 0:16:38.960
<v Speaker 1>I guess that's the sound of the words. You know,

0:16:39.320 --> 0:16:42.640
<v Speaker 1>like you're you're You're probably not going to have a

0:16:42.720 --> 0:16:46.200
<v Speaker 1>memory conjunction error involving like two things that are completely different.

0:16:46.640 --> 0:16:48.440
<v Speaker 1>But say you didn't know anything about wrap and you

0:16:48.480 --> 0:16:51.080
<v Speaker 1>were introduced, because it will it will actually like happen

0:16:51.280 --> 0:16:53.320
<v Speaker 1>with you know, people you're introduced to, Like if you're

0:16:53.520 --> 0:16:55.120
<v Speaker 1>in a in some sort of line of work or

0:16:55.200 --> 0:16:57.000
<v Speaker 1>just in your social life, find yourself meeting a lot

0:16:57.040 --> 0:17:00.280
<v Speaker 1>of new people, you may have a memory conjunction error

0:17:00.680 --> 0:17:03.360
<v Speaker 1>um when you try to recall information about them later,

0:17:03.720 --> 0:17:06.119
<v Speaker 1>Like say you're introduced to Snoop Dogg and Little Wayne,

0:17:06.480 --> 0:17:09.240
<v Speaker 1>both rappers, and if you weren't familiar with them, you

0:17:09.400 --> 0:17:13.480
<v Speaker 1>might instead remember that you met one person like a

0:17:13.640 --> 0:17:20.040
<v Speaker 1>name like little Dog or you did it correctly or

0:17:20.040 --> 0:17:24.000
<v Speaker 1>a little Snoop Snoop or something yeah, so um and

0:17:24.119 --> 0:17:26.960
<v Speaker 1>But then even crazier is it can occur with faces

0:17:27.280 --> 0:17:30.120
<v Speaker 1>where you'll meet two people with similar faces and then

0:17:30.160 --> 0:17:33.560
<v Speaker 1>you'll commit to memory a face that is um a

0:17:33.680 --> 0:17:38.600
<v Speaker 1>combination of the two, which is so great, Yeah, and

0:17:38.720 --> 0:17:41.160
<v Speaker 1>so like that your mind would construct this third person

0:17:41.800 --> 0:17:43.399
<v Speaker 1>out of the two people. Like a lot of what

0:17:43.480 --> 0:17:46.280
<v Speaker 1>we're talking about with memory, it does raise some problematic

0:17:46.400 --> 0:17:49.439
<v Speaker 1>questions when the memory is important, because it's one thing

0:17:49.520 --> 0:17:51.280
<v Speaker 1>if you just met some people at a party and

0:17:51.359 --> 0:17:54.040
<v Speaker 1>then you get their names mixed up, or you know,

0:17:54.119 --> 0:17:56.399
<v Speaker 1>if it's some piddling thing you know where you you

0:17:56.520 --> 0:17:59.280
<v Speaker 1>accidentally say that you're, you know, the source of some

0:17:59.359 --> 0:18:01.359
<v Speaker 1>little news it was in New York Times when it

0:18:01.440 --> 0:18:05.200
<v Speaker 1>was really Washington Post or something. But when people's lives

0:18:05.200 --> 0:18:07.560
<v Speaker 1>are on the line, when you have criminal investigations and

0:18:07.880 --> 0:18:10.920
<v Speaker 1>witness testimonies. Yeah, And one of the best examples of

0:18:11.000 --> 0:18:15.040
<v Speaker 1>this is Donald Thompson, who is a memory researcher himself. Yeah,

0:18:15.080 --> 0:18:20.000
<v Speaker 1>Australian guy, and uh, he was arrested one morning in

0:18:20.080 --> 0:18:24.480
<v Speaker 1>connection with this rudal right, horrible saw it on this

0:18:24.640 --> 0:18:27.440
<v Speaker 1>lady who said, this is the guy, he was there,

0:18:27.480 --> 0:18:29.880
<v Speaker 1>this is the one arrested him. She was so sure

0:18:29.920 --> 0:18:32.479
<v Speaker 1>of it that police were actually able to track him

0:18:32.520 --> 0:18:34.640
<v Speaker 1>down by the way he looked right like she had

0:18:34.800 --> 0:18:37.720
<v Speaker 1>this idea of him cemented in her mind. Yeah, and

0:18:37.800 --> 0:18:39.879
<v Speaker 1>so they brought him in. But the thing is, Donald

0:18:39.960 --> 0:18:43.359
<v Speaker 1>Thompson had this just air tight alibi because he would

0:18:43.480 --> 0:18:45.320
<v Speaker 1>at the time of the attack, he was doing a

0:18:45.560 --> 0:18:50.200
<v Speaker 1>live TV interview and I ironically enough, he was talking

0:18:50.280 --> 0:18:54.200
<v Speaker 1>about the the the ephemeral nature of memory and about

0:18:54.280 --> 0:18:57.000
<v Speaker 1>false memories while this is going on. But the person

0:18:57.119 --> 0:18:59.239
<v Speaker 1>was like, no, that's him, this is the guy, that's right.

0:18:59.359 --> 0:19:01.680
<v Speaker 1>So while while she was being attacked, while she was

0:19:01.720 --> 0:19:04.480
<v Speaker 1>being raped, she was that that television program was on,

0:19:04.960 --> 0:19:08.840
<v Speaker 1>and she actually encoded his face onto the rapist face. Yeah,

0:19:08.880 --> 0:19:11.560
<v Speaker 1>it was a misastribution of of the face to the

0:19:11.600 --> 0:19:14.800
<v Speaker 1>wrong context or the wrong context to the right face,

0:19:15.400 --> 0:19:20.159
<v Speaker 1>which I mean, it's such a simple example of of this, uh,

0:19:20.480 --> 0:19:22.760
<v Speaker 1>but but just such a telling one. The idea that

0:19:22.920 --> 0:19:25.399
<v Speaker 1>she saw the face on the TV and then that

0:19:25.560 --> 0:19:28.200
<v Speaker 1>becomes the face fixed in the memory of the event. Well,

0:19:28.680 --> 0:19:31.280
<v Speaker 1>and then she had mentioned though that the big takeaway

0:19:31.320 --> 0:19:34.119
<v Speaker 1>from this is that I eye witness testimony is just

0:19:34.480 --> 0:19:38.560
<v Speaker 1>egregiously flawed. In the nineteen eighties, more than seventy five

0:19:38.640 --> 0:19:41.960
<v Speaker 1>thousand criminal trials per year were decided on the basis

0:19:42.080 --> 0:19:45.560
<v Speaker 1>of eyewitness testimony. This is from Daniel stractor Um who

0:19:45.600 --> 0:19:49.600
<v Speaker 1>wrote about this in several different articles. Uh. And then

0:19:50.240 --> 0:19:53.040
<v Speaker 1>another point that he likes to make is that in

0:19:53.119 --> 0:19:57.800
<v Speaker 1>an analysis of forty cases in which DNA exonerated wrongfully

0:19:57.880 --> 0:20:00.800
<v Speaker 1>imprisoned people, thirty six of them were put in the

0:20:00.880 --> 0:20:05.240
<v Speaker 1>clinker because of eyewitness testimony. So it's really one of

0:20:05.280 --> 0:20:07.000
<v Speaker 1>those things you need to back up and actually look

0:20:07.040 --> 0:20:11.200
<v Speaker 1>at the system and how it's conducted um eyewitness testimony

0:20:11.880 --> 0:20:15.040
<v Speaker 1>and UM and in fact, Janet Reno I believe tried

0:20:15.160 --> 0:20:18.679
<v Speaker 1>to reform this system and has to a certain degree.

0:20:19.680 --> 0:20:22.359
<v Speaker 1>And most police departments now when they do lineups, they

0:20:22.400 --> 0:20:26.119
<v Speaker 1>don't necessarily bring everybody in the room. Uh. And the

0:20:26.280 --> 0:20:29.399
<v Speaker 1>reason is is because even though you could have the

0:20:29.840 --> 0:20:33.600
<v Speaker 1>say someone um stole your wallet, even even if you

0:20:33.680 --> 0:20:36.320
<v Speaker 1>had the thief in that lineup, there could be someone

0:20:36.400 --> 0:20:39.560
<v Speaker 1>that looked a lot like that thief. In your mind

0:20:39.800 --> 0:20:43.440
<v Speaker 1>is misremembering and then uh fingering the other person who

0:20:43.560 --> 0:20:47.639
<v Speaker 1>is innocent because they look like the thief. So now

0:20:47.720 --> 0:20:49.840
<v Speaker 1>they're starting to take people in one at a time

0:20:49.960 --> 0:20:51.800
<v Speaker 1>so that your mind doesn't get too confused and you

0:20:51.880 --> 0:20:54.120
<v Speaker 1>can actually sort of fare it out, you know, yes

0:20:54.240 --> 0:20:55.840
<v Speaker 1>or no, is this the person that did it? But

0:20:55.960 --> 0:20:58.640
<v Speaker 1>even then, as we've discussed, the memory memory in them

0:20:59.040 --> 0:21:01.960
<v Speaker 1>is complex and flawed enough as it is, without the

0:21:03.320 --> 0:21:06.960
<v Speaker 1>without the the the investigation process, making it even worse. Yeah, yeah,

0:21:07.040 --> 0:21:09.800
<v Speaker 1>and yeah, you cannot do away with with uh this

0:21:10.080 --> 0:21:12.399
<v Speaker 1>you know, wholesale, because this is the person you know,

0:21:12.560 --> 0:21:16.280
<v Speaker 1>to which this act was uh, that this act happened to.

0:21:17.040 --> 0:21:19.440
<v Speaker 1>So you've got to have some sort of credence and

0:21:19.560 --> 0:21:21.880
<v Speaker 1>those details that some of that is going to be true.

0:21:22.160 --> 0:21:24.879
<v Speaker 1>There's another story that the chapter brings up in his

0:21:24.960 --> 0:21:28.040
<v Speaker 1>book that that I found particularly fascinating, and this involves

0:21:28.400 --> 0:21:32.280
<v Speaker 1>a British photographer who they just referred to by the

0:21:32.400 --> 0:21:37.320
<v Speaker 1>initials Mr. And this is the early nineties photographer you know,

0:21:38.359 --> 0:21:40.760
<v Speaker 1>deals with with a lot of faces in his time.

0:21:40.840 --> 0:21:43.119
<v Speaker 1>And he's I believe it was in London. He's, you know,

0:21:43.480 --> 0:21:46.439
<v Speaker 1>a lot of crowds around, and uh, he suddenly noticed

0:21:46.480 --> 0:21:49.680
<v Speaker 1>that he started seeing some more celebrities than usual, you know.

0:21:49.760 --> 0:21:51.879
<v Speaker 1>And you live in any big city or even a

0:21:52.160 --> 0:21:54.960
<v Speaker 1>you know, small smaller cities, occasionally you're gonna see somebody

0:21:54.960 --> 0:21:57.200
<v Speaker 1>and you're like, oh, is that is that Brad Pitt?

0:21:57.359 --> 0:22:01.480
<v Speaker 1>Is that you know William Schatton out front? Turner? Yeah,

0:22:01.760 --> 0:22:04.920
<v Speaker 1>Bonnie's my my wife, Bonnie, her dad looks kind of

0:22:05.000 --> 0:22:07.760
<v Speaker 1>like Ted Turner. Um. So he has been mistaken for

0:22:07.840 --> 0:22:09.920
<v Speaker 1>Ted Turner on on a few occasions where people are like,

0:22:10.160 --> 0:22:11.840
<v Speaker 1>I think they've actually come up and asked him before.

0:22:12.040 --> 0:22:14.879
<v Speaker 1>That's awesome. I hope he runs with that, just pretends

0:22:14.880 --> 0:22:16.960
<v Speaker 1>like he always has a Bison burger in his hand. Yeah.

0:22:18.000 --> 0:22:19.800
<v Speaker 1>But but this guy said, you know, he was noticing

0:22:19.840 --> 0:22:21.960
<v Speaker 1>it a little more often than his than his normal

0:22:22.119 --> 0:22:23.600
<v Speaker 1>because there's one thing to be like, oh I think

0:22:23.640 --> 0:22:26.720
<v Speaker 1>I saw that actor on on the tube this morning. Uh. No,

0:22:26.920 --> 0:22:29.480
<v Speaker 1>he was. He was seeing it regularly, and he'd be

0:22:29.520 --> 0:22:31.359
<v Speaker 1>out with his wife and he would he would be like,

0:22:31.560 --> 0:22:33.760
<v Speaker 1>is that who I think it is over there? And

0:22:33.800 --> 0:22:36.000
<v Speaker 1>she would like be like, no, I don't think that's anybody.

0:22:36.080 --> 0:22:38.760
<v Speaker 1>I think you're mistaken, And he got so strong that

0:22:38.840 --> 0:22:41.159
<v Speaker 1>he was. He would be he just feel compelled to

0:22:41.200 --> 0:22:43.760
<v Speaker 1>go and approach these people and and be like you're

0:22:43.920 --> 0:22:46.439
<v Speaker 1>you know, you're Brad Pitt or you're you know whoever,

0:22:46.560 --> 0:22:48.160
<v Speaker 1>and they would look at him like he was crazy.

0:22:48.359 --> 0:22:49.800
<v Speaker 1>So he went to the doctor and he found out

0:22:49.840 --> 0:22:55.320
<v Speaker 1>that he had multiple sclerosis, which had compromised his frontal lobe,

0:22:55.760 --> 0:22:58.600
<v Speaker 1>which is involved in the consolidation of information from short

0:22:58.720 --> 0:23:01.879
<v Speaker 1>term to long term as well as like spatial navigation.

0:23:02.080 --> 0:23:03.960
<v Speaker 1>When you see a face that looks sort of familiar,

0:23:04.000 --> 0:23:06.200
<v Speaker 1>we all have this happen, you know, where at first glance,

0:23:06.240 --> 0:23:08.320
<v Speaker 1>it looks like someone we know or a famous person,

0:23:08.359 --> 0:23:10.680
<v Speaker 1>and then we realize it's not. So when you see

0:23:10.720 --> 0:23:12.480
<v Speaker 1>the face, there's a part of the brain that identifies

0:23:12.520 --> 0:23:16.000
<v Speaker 1>it as a familiar face. Yeah, like your pattern recognition software. Yeah.

0:23:16.040 --> 0:23:18.040
<v Speaker 1>And then but there's another section that has all the

0:23:18.160 --> 0:23:21.120
<v Speaker 1>ideas and all the biographical information that kind of fact

0:23:21.200 --> 0:23:24.399
<v Speaker 1>checks the initial report. What so one part says, hey,

0:23:24.440 --> 0:23:26.040
<v Speaker 1>I think that's Brad Pitt over there, and the other

0:23:26.200 --> 0:23:28.280
<v Speaker 1>part of your brain says, no, that's not Brad pet

0:23:28.359 --> 0:23:30.400
<v Speaker 1>because he actually looks a little different and he would

0:23:30.440 --> 0:23:32.879
<v Speaker 1>never dress like that, you know, thanks like that. In

0:23:32.960 --> 0:23:36.520
<v Speaker 1>this British photographer, Mr, the frontal lobe damage had made

0:23:36.560 --> 0:23:39.520
<v Speaker 1>it so that his brain didn't sufficiently scrutinize the signals

0:23:39.560 --> 0:23:43.600
<v Speaker 1>that were generated by the weakly activated facial recognition system.

0:23:43.640 --> 0:23:45.440
<v Speaker 1>In his brain. So was it the fact checker that

0:23:45.520 --> 0:23:48.800
<v Speaker 1>was down? Yeah, but or basically the the connection between

0:23:48.880 --> 0:23:52.480
<v Speaker 1>the two the signals were. It's kind of like in

0:23:52.600 --> 0:23:54.920
<v Speaker 1>the in like a movie where one person is telling

0:23:54.960 --> 0:23:57.280
<v Speaker 1>the other what to say to like a radio headset,

0:23:57.560 --> 0:24:00.359
<v Speaker 1>and the signal gets distorted so that the ancication from

0:24:00.359 --> 0:24:02.720
<v Speaker 1>this hilarity us and hilarity us we're in this case

0:24:02.960 --> 0:24:06.080
<v Speaker 1>um not not exactly hilaritous no, no, no, But I

0:24:06.119 --> 0:24:09.399
<v Speaker 1>do think it's interesting that his his database, his backup

0:24:09.480 --> 0:24:13.400
<v Speaker 1>database with celebrities, you know, as a photographer. Yeah, well,

0:24:13.400 --> 0:24:15.760
<v Speaker 1>I think and also I mean celebrity is they're the

0:24:15.880 --> 0:24:19.760
<v Speaker 1>modern deities of our pop culture. So even though we

0:24:19.880 --> 0:24:24.040
<v Speaker 1>don't know like Madonna, we have seen so many images

0:24:24.160 --> 0:24:27.280
<v Speaker 1>of her, and we have biographical information, we have biographical informations,

0:24:27.280 --> 0:24:28.920
<v Speaker 1>so it's almost as if we do know her, even

0:24:28.960 --> 0:24:32.000
<v Speaker 1>though we don't have personal knowledge of her. Um. And

0:24:32.080 --> 0:24:34.560
<v Speaker 1>it's just this tail us just so fascinating too, because

0:24:34.600 --> 0:24:37.080
<v Speaker 1>it underlies just how complex memory is, that there are

0:24:37.119 --> 0:24:40.800
<v Speaker 1>multiple systems going on in something as simple as saying, hey,

0:24:40.920 --> 0:24:42.400
<v Speaker 1>is that who I think it is? Oh no, it's

0:24:42.440 --> 0:24:45.000
<v Speaker 1>not right, and that you could have some of the

0:24:45.240 --> 0:24:47.680
<v Speaker 1>smother wiring just not quite right, and then of a

0:24:47.720 --> 0:24:53.000
<v Speaker 1>sudden you're seeing Madge everywhere. So let's get to plagiarism

0:24:53.720 --> 0:24:57.320
<v Speaker 1>and uh yeah, amnesia. This is pretty fascinating and scary,

0:24:57.520 --> 0:25:00.760
<v Speaker 1>especially for us since we work uh in a field

0:25:00.960 --> 0:25:03.680
<v Speaker 1>of composed of research and writing well, and there's so

0:25:03.960 --> 0:25:06.480
<v Speaker 1>much research that we're filtering on a day to day

0:25:06.520 --> 0:25:09.520
<v Speaker 1>basis that Yeah. Um. I first became aware of it

0:25:09.760 --> 0:25:13.359
<v Speaker 1>when we were talking about the music podcast not excuse me,

0:25:13.440 --> 0:25:16.479
<v Speaker 1>not music, but dreaming and you know what, what can

0:25:16.520 --> 0:25:19.560
<v Speaker 1>happen in our dreams? And Paul McCartney when he wrote Yesterday,

0:25:19.640 --> 0:25:23.640
<v Speaker 1>he wrote it in a dream, woke up and immediately

0:25:23.680 --> 0:25:25.680
<v Speaker 1>went to the piano and he was fearful that he

0:25:25.760 --> 0:25:29.120
<v Speaker 1>had actually ripped that off, which is called kryptome kryptomnesia.

0:25:29.680 --> 0:25:31.960
<v Speaker 1>Uh yeah, there's a there's a great scene in the

0:25:32.640 --> 0:25:35.359
<v Speaker 1>by the way, Yeah, um, not in this and maybe

0:25:35.359 --> 0:25:37.040
<v Speaker 1>he had access into the world through his dreams and

0:25:37.080 --> 0:25:41.639
<v Speaker 1>still there from a parallel universe, parallel Paul. There's a

0:25:41.720 --> 0:25:44.560
<v Speaker 1>there's a great example of this in the HBO series

0:25:44.600 --> 0:25:47.600
<v Speaker 1>trem ay Um that takes place in New Orleans does

0:25:47.640 --> 0:25:51.920
<v Speaker 1>with the Aftermathickatrina, where there is a violinist and she's

0:25:51.920 --> 0:25:54.560
<v Speaker 1>trying to write her first song, and she she worked

0:25:54.600 --> 0:25:55.960
<v Speaker 1>really hard on this, and she's so proud of it

0:25:56.000 --> 0:25:58.560
<v Speaker 1>when she finished, and she plays it for a couple

0:25:58.560 --> 0:26:00.480
<v Speaker 1>of friends and they're like, oh, that that's sounds good,

0:26:00.560 --> 0:26:02.520
<v Speaker 1>and they don't have the heart to break it to

0:26:02.600 --> 0:26:06.760
<v Speaker 1>her that she just played a Bob Dylan song. Uh see.

0:26:06.840 --> 0:26:10.080
<v Speaker 1>And and so that's exactly what ends up happening with people.

0:26:10.359 --> 0:26:14.399
<v Speaker 1>Crypto Amnesia is when we produce from memory another person's writings,

0:26:14.560 --> 0:26:18.720
<v Speaker 1>writings or ideas, and and we end up having a

0:26:19.040 --> 0:26:21.399
<v Speaker 1>memory misattribution going on, and that we don't remember that

0:26:21.480 --> 0:26:23.760
<v Speaker 1>it was this other person's ideas. We we idea, we

0:26:23.800 --> 0:26:25.560
<v Speaker 1>think it's our own, we think it's a novel thought.

0:26:25.720 --> 0:26:28.320
<v Speaker 1>And you can see this just at the very basic levels.

0:26:28.359 --> 0:26:30.240
<v Speaker 1>If you've ever been in a meeting and you've said

0:26:30.320 --> 0:26:32.560
<v Speaker 1>something or you've heard someone else say something, and then

0:26:32.680 --> 0:26:36.360
<v Speaker 1>like you know, on to five minutes later, someone else says, hey,

0:26:36.440 --> 0:26:38.959
<v Speaker 1>I've got this idea, and they say the exact same thing.

0:26:39.240 --> 0:26:41.280
<v Speaker 1>It happens all the time. I'm sure I've done that.

0:26:41.440 --> 0:26:44.160
<v Speaker 1>I'm sure I've ripped off people ideas and meeting before

0:26:44.160 --> 0:26:46.000
<v Speaker 1>you just don't even know that you're doing it right,

0:26:46.119 --> 0:26:49.560
<v Speaker 1>because you're processing this is new information to you. Um. Yeah.

0:26:49.920 --> 0:26:52.639
<v Speaker 1>Unintentional plagiarism has been examined in a number of studies,

0:26:52.800 --> 0:26:54.159
<v Speaker 1>and there there was one where people were asked to

0:26:54.200 --> 0:26:58.000
<v Speaker 1>generate examples of particular categories of items, like a species

0:26:58.040 --> 0:27:00.920
<v Speaker 1>of bird, and they were found that up without realizing,

0:27:01.320 --> 0:27:04.280
<v Speaker 1>people plagiarized each other about four percent of the time,

0:27:04.880 --> 0:27:08.480
<v Speaker 1>and subsequent studies using more like natural procedures have found

0:27:08.840 --> 0:27:13.040
<v Speaker 1>even higher rates like that, sometimes as much. Yeah, yeah, yeah.

0:27:13.320 --> 0:27:15.480
<v Speaker 1>And it involves that thing that we talked about before,

0:27:15.520 --> 0:27:19.000
<v Speaker 1>which is called priming, And that's the unconscious influence of memory. Right,

0:27:19.080 --> 0:27:22.320
<v Speaker 1>your brain activates certain words or ideas and and just

0:27:22.520 --> 0:27:24.639
<v Speaker 1>kind of files them away, and then when you go

0:27:24.760 --> 0:27:29.640
<v Speaker 1>to create something novel concerning that topic, then then you're,

0:27:30.320 --> 0:27:33.840
<v Speaker 1>you know, unconsciously bringing up those exact words. And we've

0:27:33.880 --> 0:27:36.400
<v Speaker 1>seen those time and time and again in history. In fact,

0:27:37.000 --> 0:27:41.080
<v Speaker 1>Carl Young was looking through some of Nietzie's writings and

0:27:41.240 --> 0:27:44.840
<v Speaker 1>found a couple of paragraphs that were completely ripped off.

0:27:44.960 --> 0:27:48.679
<v Speaker 1>He probably didn't even know it from another person. Uh,

0:27:48.800 --> 0:27:52.760
<v Speaker 1>they were there, stunningly, some familiar and similar to each

0:27:52.800 --> 0:27:56.280
<v Speaker 1>other that Uh, you know, there are times that people

0:27:56.320 --> 0:27:59.000
<v Speaker 1>will take whole passages that they don't even realize that

0:27:59.040 --> 0:28:02.800
<v Speaker 1>they've committed to memory and bring them up just you know,

0:28:02.880 --> 0:28:04.080
<v Speaker 1>and it's sort of one of those things You're like,

0:28:04.200 --> 0:28:07.720
<v Speaker 1>why can't I have that sort of uh memory recall

0:28:07.800 --> 0:28:09.480
<v Speaker 1>when I want it and not when I want it?

0:28:09.640 --> 0:28:14.320
<v Speaker 1>But it's gonna gonna actually hurt my career, right, And

0:28:14.440 --> 0:28:16.879
<v Speaker 1>I've been counted that too, in like in the newspapers.

0:28:17.800 --> 0:28:21.679
<v Speaker 1>Remember one incident where a writer ended up being accused

0:28:21.720 --> 0:28:23.840
<v Speaker 1>of plagiarism and and at the time, I was kind

0:28:23.840 --> 0:28:26.400
<v Speaker 1>of like, wow, how why did they do this? Because

0:28:26.440 --> 0:28:28.600
<v Speaker 1>this person would never do do this, you know, because

0:28:28.640 --> 0:28:31.480
<v Speaker 1>it's as a writer you don't. I mean, it's the

0:28:31.520 --> 0:28:33.840
<v Speaker 1>worst thing that could happen pretty much as far as

0:28:33.880 --> 0:28:36.879
<v Speaker 1>your your actual career performance, because done intentionally, it's like

0:28:36.960 --> 0:28:41.120
<v Speaker 1>the lowest, laziest thing. But is this really underlines it?

0:28:41.320 --> 0:28:45.120
<v Speaker 1>It's not always an intentional act it there. Sometimes it's

0:28:45.160 --> 0:28:47.440
<v Speaker 1>just about the flawed nature of memory that we end

0:28:47.560 --> 0:28:51.720
<v Speaker 1>up recalling a source word for word, uh, when we

0:28:52.600 --> 0:28:55.160
<v Speaker 1>and think that those are our words on the page. Yeah.

0:28:55.520 --> 0:28:59.240
<v Speaker 1>They had another example in the seven sins um a

0:28:59.320 --> 0:29:02.280
<v Speaker 1>shocked her did and it was of George Daniels, who

0:29:02.360 --> 0:29:05.000
<v Speaker 1>wrote Science in American Society, and it was it was

0:29:05.080 --> 0:29:08.080
<v Speaker 1>doing really well. I got released and you know, great reviews,

0:29:08.400 --> 0:29:10.360
<v Speaker 1>and and then as he was sort of going through it,

0:29:10.480 --> 0:29:13.600
<v Speaker 1>he realized that he had quoted directly from a number

0:29:13.680 --> 0:29:17.160
<v Speaker 1>of sources, not ever meaning to thinking that those were

0:29:17.440 --> 0:29:21.680
<v Speaker 1>his complete novel thoughts. And he was completely horrified and

0:29:21.720 --> 0:29:24.440
<v Speaker 1>in fact came out and said, WHOA, I didn't realize that,

0:29:24.720 --> 0:29:27.440
<v Speaker 1>you know, these sources had gotten in my brain to

0:29:27.560 --> 0:29:30.840
<v Speaker 1>the extent that I was actually plagiarizing, which I believe them,

0:29:30.960 --> 0:29:33.560
<v Speaker 1>because you know, I think that he was. You know,

0:29:33.760 --> 0:29:36.280
<v Speaker 1>he had that moment of let me look back at

0:29:36.320 --> 0:29:39.200
<v Speaker 1>my my book that I created, and then all of

0:29:39.240 --> 0:29:43.360
<v Speaker 1>a sudden, that false, the falsity of that memory started

0:29:43.400 --> 0:29:45.960
<v Speaker 1>to fall away. Yeah. For our final section here, one

0:29:46.000 --> 0:29:48.920
<v Speaker 1>of the things that that really fascinated me reading about

0:29:49.040 --> 0:29:52.600
<v Speaker 1>mis attribution is, like we we talked about before, it's

0:29:52.640 --> 0:29:55.200
<v Speaker 1>the idea that these these memories form who we are,

0:29:55.680 --> 0:29:58.760
<v Speaker 1>and the idea that there could be a false memory

0:29:58.800 --> 0:30:01.720
<v Speaker 1>and they're making us up, composing who we are, and

0:30:01.800 --> 0:30:04.240
<v Speaker 1>we don't realize that it's false. But here's an even

0:30:04.280 --> 0:30:08.240
<v Speaker 1>crazier idea, then imagine we could scan the brain and

0:30:08.440 --> 0:30:11.480
<v Speaker 1>by scanning the brain tell if a memory is false

0:30:11.560 --> 0:30:14.240
<v Speaker 1>or not, even if we have no idea, and this

0:30:14.400 --> 0:30:16.960
<v Speaker 1>is it sounds very sci fi, but is in fact

0:30:17.160 --> 0:30:20.720
<v Speaker 1>something that we can do and has been done. Chapter

0:30:20.880 --> 0:30:24.160
<v Speaker 1>actually scans some brains with some test subject while just

0:30:24.400 --> 0:30:27.320
<v Speaker 1>for fun, well while they were citing list of words, uh,

0:30:27.440 --> 0:30:29.960
<v Speaker 1>and they were correctly and false recalling some of the

0:30:30.080 --> 0:30:32.520
<v Speaker 1>words in the list. And he reported that while the

0:30:32.600 --> 0:30:38.320
<v Speaker 1>scans were very similar, they were quote cantalyzing hints of difference. Yeah,

0:30:38.360 --> 0:30:41.200
<v Speaker 1>there have been a number of studies since then looking

0:30:41.240 --> 0:30:44.120
<v Speaker 1>into exactly what's going on um and and the idea

0:30:44.280 --> 0:30:46.280
<v Speaker 1>is that there's you know, there's that that fact checking

0:30:46.360 --> 0:30:48.840
<v Speaker 1>process similar to the whole I see the face, and

0:30:48.880 --> 0:30:51.280
<v Speaker 1>then another section of the brain determines whether or not

0:30:51.400 --> 0:30:53.920
<v Speaker 1>that that familiar faces actually who we think it think

0:30:53.960 --> 0:30:55.760
<v Speaker 1>it is. Some more things are going on. So the

0:30:55.840 --> 0:30:58.480
<v Speaker 1>idea is there's something in that activity and that fact

0:30:58.600 --> 0:31:01.280
<v Speaker 1>checking that can be scan and and therefore there'll be

0:31:01.320 --> 0:31:03.480
<v Speaker 1>some sort of little tell tale sign that that this

0:31:03.760 --> 0:31:07.040
<v Speaker 1>memory that you just recalled is flawed. So there's been

0:31:07.040 --> 0:31:09.640
<v Speaker 1>a number of additional studies since then, and looking at

0:31:09.680 --> 0:31:11.440
<v Speaker 1>them you'll see the results fall on both sides, but

0:31:11.520 --> 0:31:13.480
<v Speaker 1>a number of them do point to the idea that

0:31:13.560 --> 0:31:17.960
<v Speaker 1>there is a slight difference occurring when a false memory

0:31:18.440 --> 0:31:21.080
<v Speaker 1>is brought to mind as opposed to a true memory,

0:31:21.640 --> 0:31:25.360
<v Speaker 1>because you can see the basically the the fact checking

0:31:25.440 --> 0:31:31.080
<v Speaker 1>section of the brain is weaker in false memories. Okay, yeah,

0:31:31.400 --> 0:31:33.280
<v Speaker 1>sh doctor says this too, which I think is interesting.

0:31:33.800 --> 0:31:37.479
<v Speaker 1>Beyond an exercise and scientific fortune telling, these studies managed

0:31:37.520 --> 0:31:39.520
<v Speaker 1>to trace some of the roots of transience to the

0:31:39.680 --> 0:31:43.720
<v Speaker 1>split second encoding operations that take place during the birth

0:31:43.800 --> 0:31:47.120
<v Speaker 1>of a memory. What happens in frontal and temporal regions

0:31:47.200 --> 0:31:50.480
<v Speaker 1>during those critical moments determines, at least in part, whether

0:31:50.560 --> 0:31:53.800
<v Speaker 1>an experience will be remembered for a lifetime or drop

0:31:53.880 --> 0:31:56.920
<v Speaker 1>into the oblivion of the forgotten, which I think is

0:31:57.000 --> 0:31:59.160
<v Speaker 1>fascinating that you can take these scans and you can

0:31:59.280 --> 0:32:02.160
<v Speaker 1>see a fall memory at work. Yeah, and it's the

0:32:02.280 --> 0:32:06.600
<v Speaker 1>mere fact that it's like the the the illusion of

0:32:06.640 --> 0:32:09.000
<v Speaker 1>a false memory becomes a part of the illusion of

0:32:09.040 --> 0:32:11.840
<v Speaker 1>who we are, and then the machine can see through

0:32:12.440 --> 0:32:16.160
<v Speaker 1>the self believing illusion. It's just mind blown to me.

0:32:16.320 --> 0:32:17.840
<v Speaker 1>I think so too. And I think that that we

0:32:17.920 --> 0:32:21.120
<v Speaker 1>should end the podcast by by doing a little exercise.

0:32:21.200 --> 0:32:24.240
<v Speaker 1>And this was actually done on the panel that you attended, right,

0:32:24.800 --> 0:32:27.120
<v Speaker 1>And this is this is a little test to see

0:32:27.160 --> 0:32:29.160
<v Speaker 1>how good your memory is. And this is the one

0:32:29.200 --> 0:32:31.280
<v Speaker 1>that they used at the World Science Festival. It's a

0:32:31.360 --> 0:32:34.320
<v Speaker 1>word list and I'm going to repeat some words and

0:32:34.880 --> 0:32:36.480
<v Speaker 1>I just want you guys to to listen for a

0:32:36.600 --> 0:32:45.320
<v Speaker 1>moment I really think about them. Here's the word list. Candy, sour, sugar, bitter, good,

0:32:46.040 --> 0:32:56.280
<v Speaker 1>taste tooth, nice, honey, soda, chocolate, heart cake, eat pie. Okay, okay,

0:32:56.480 --> 0:32:59.680
<v Speaker 1>this is the list. And this list, of course is

0:32:59.720 --> 0:33:02.280
<v Speaker 1>bringing up a bunch of ideas for you, right, there

0:33:02.320 --> 0:33:07.240
<v Speaker 1>are some associations for you. Um and what semantic link

0:33:07.720 --> 0:33:10.320
<v Speaker 1>going on? Yeah, there's a semantic link. There's there's a

0:33:10.400 --> 0:33:13.240
<v Speaker 1>story that your idea is conjuring right now and shocked.

0:33:13.280 --> 0:33:15.760
<v Speaker 1>He actually does this to the audience and then he

0:33:15.880 --> 0:33:19.320
<v Speaker 1>reads out some of the words to test whether or

0:33:19.400 --> 0:33:25.160
<v Speaker 1>not people have actually remembered or misremembered something on that list. Now,

0:33:25.240 --> 0:33:29.920
<v Speaker 1>that's a long list, but it's interesting because there could

0:33:29.920 --> 0:33:35.120
<v Speaker 1>be a suggestibility factor here, right, Okay, So here's the test.

0:33:36.280 --> 0:33:40.640
<v Speaker 1>How about the word taste. Was the word taste on

0:33:40.760 --> 0:33:44.200
<v Speaker 1>that list? Yes, yes, okay, you're right correct? Good? What

0:33:44.440 --> 0:33:50.600
<v Speaker 1>about the word point no correct dissimilar from everything on

0:33:50.640 --> 0:33:52.320
<v Speaker 1>the list? Yeah? Yeah, that just kind of stands out,

0:33:52.360 --> 0:33:54.760
<v Speaker 1>doesn't it. Okay, Um, we got a couple more words.

0:33:54.880 --> 0:34:02.920
<v Speaker 1>What about the word sweet? Yes, no, it was not see,

0:34:03.240 --> 0:34:05.480
<v Speaker 1>but the semantic link is there. I just assume sweet

0:34:05.520 --> 0:34:09.640
<v Speaker 1>because everything else was around right, right, But you can't

0:34:09.680 --> 0:34:12.200
<v Speaker 1>help it, right because your your brain is already making

0:34:12.239 --> 0:34:15.319
<v Speaker 1>the framework in that connection, that familiarity that we talked

0:34:15.360 --> 0:34:18.520
<v Speaker 1>about that makes us feel certain about the decisions or

0:34:18.600 --> 0:34:21.680
<v Speaker 1>the memories that come up for us. So I don't know,

0:34:22.280 --> 0:34:24.759
<v Speaker 1>I would love to hear from from the audience about

0:34:24.800 --> 0:34:28.600
<v Speaker 1>whether or not they also I thought that sweet was

0:34:28.640 --> 0:34:31.279
<v Speaker 1>part of that list, because in the audience that I

0:34:31.400 --> 0:34:34.680
<v Speaker 1>think the majority of people, yeah, we were like, yeah, yeah, totally.

0:34:34.760 --> 0:34:37.120
<v Speaker 1>We heard that. Maybe some people were you know, hip

0:34:37.239 --> 0:34:39.120
<v Speaker 1>to what he was doing, and they were, well, yeah,

0:34:39.160 --> 0:34:41.279
<v Speaker 1>the panelists are like they all had that trush our

0:34:41.360 --> 0:34:43.280
<v Speaker 1>cat smile, or they had their and their their iPad

0:34:43.320 --> 0:34:44.799
<v Speaker 1>out and they were like jotting them down if they

0:34:44.920 --> 0:34:48.480
<v Speaker 1>they were said, which is cheating. But for the record,

0:34:49.280 --> 0:34:51.720
<v Speaker 1>But hey, if any of you have any any comments

0:34:51.800 --> 0:34:54.359
<v Speaker 1>on on this, if you have some experiences with false

0:34:54.480 --> 0:34:58.000
<v Speaker 1>memory you'd like to share, be they simple things that

0:34:58.040 --> 0:34:59.680
<v Speaker 1>occur every day, or if you have some of the

0:34:59.760 --> 0:35:02.200
<v Speaker 1>fun nominal Star story you would like to tell us

0:35:02.200 --> 0:35:03.799
<v Speaker 1>so we would love to hear about it. You can

0:35:03.840 --> 0:35:06.439
<v Speaker 1>find us on Facebook and Twitter, we'll blow the Mind

0:35:06.560 --> 0:35:09.120
<v Speaker 1>on both of those, and you can also drop us

0:35:09.120 --> 0:35:11.520
<v Speaker 1>an email at blow the Mind at how stuffworks dot com.

0:35:16.880 --> 0:35:19.440
<v Speaker 1>Be sure to check out our new video podcast, Stuff

0:35:19.520 --> 0:35:22.080
<v Speaker 1>from the Future. Join how Stuff Work staff as we

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<v Speaker 1>explore the most promising and perplexing possibilities of tomorrow.