WEBVTT - Mini Crush #76

0:00:00.640 --> 0:00:30.240
<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,

0:00:30.280 --> 0:00:34.120
<v Speaker 1>welcome to Mini Crush. How are you? Are you talking

0:00:34.120 --> 0:00:36.920
<v Speaker 1>to them or to me? How's everybody? I'm okay, my

0:00:37.000 --> 0:00:38.839
<v Speaker 1>arm still hurts. It's been almost a month. Yeah, I

0:00:38.840 --> 0:00:42.160
<v Speaker 1>didn't check in. It's just like, you know, it's getting

0:00:42.200 --> 0:00:44.720
<v Speaker 1>stronger by the day. If anyone that hasn't, you know,

0:00:44.760 --> 0:00:46.920
<v Speaker 1>heard the backstory and this. I fell off one of

0:00:46.960 --> 0:00:50.240
<v Speaker 1>those stupid electric scooters and bang my arm up pretty

0:00:50.240 --> 0:00:54.840
<v Speaker 1>good and it still hurts. Obviously, I never went to

0:00:54.880 --> 0:00:56.200
<v Speaker 1>a doctor. I didn't go to the doctor. What are

0:00:56.200 --> 0:00:57.960
<v Speaker 1>they gonna do? What are they gonna do? They'll say,

0:00:58.000 --> 0:00:59.960
<v Speaker 1>you hurt your you hit your arm, don't write scooter,

0:01:00.000 --> 0:01:02.520
<v Speaker 1>So they'll say, don't ride scooters. They'll say, be a

0:01:02.560 --> 0:01:05.000
<v Speaker 1>little smarter, wise up kid, that's what they'll say. And

0:01:05.080 --> 0:01:07.320
<v Speaker 1>that's hurt. That'll hurt my feelings because my doctor is

0:01:07.360 --> 0:01:12.440
<v Speaker 1>a nineteen thirties mobster. Oh really, let's unpack this a

0:01:12.480 --> 0:01:14.400
<v Speaker 1>little bit. I want to hear a little bit more.

0:01:14.680 --> 0:01:16.720
<v Speaker 1>Don't name the doctor, but like, what do you mean

0:01:16.760 --> 0:01:19.800
<v Speaker 1>by that? I'm I mainly made it up entirely, and

0:01:19.800 --> 0:01:23.240
<v Speaker 1>I'm joking. But oh I'm sorry, should I have I

0:01:23.240 --> 0:01:26.120
<v Speaker 1>should have kept it going? Shouldn't all of his instruments

0:01:26.240 --> 0:01:29.040
<v Speaker 1>you'd be great at improv? Yeah, that was a hard no,

0:01:29.360 --> 0:01:31.720
<v Speaker 1>and nothing that was what that was. No, he keeps

0:01:31.720 --> 0:01:35.039
<v Speaker 1>all his instruments in a violent case. Um where's he

0:01:35.040 --> 0:01:37.759
<v Speaker 1>wears a fedora kind of cocked to the side, you know.

0:01:37.840 --> 0:01:42.160
<v Speaker 1>And uh, yeah, we did talk about taking improv classes

0:01:42.520 --> 0:01:44.800
<v Speaker 1>were I mean, it's it's definitely you know what they say,

0:01:44.840 --> 0:01:47.400
<v Speaker 1>and the first day is if you say something funny

0:01:47.400 --> 0:01:49.080
<v Speaker 1>and someone says, oh yeah, tell me more about it.

0:01:49.200 --> 0:01:51.080
<v Speaker 1>Don't say, oh no, I just made it all up. Yeah,

0:01:51.080 --> 0:01:55.240
<v Speaker 1>they do say that, that's definitely improv. One oh one. Yeah.

0:01:55.560 --> 0:01:58.600
<v Speaker 1>All right, Now we're gonna start because we got some

0:01:58.600 --> 0:02:02.200
<v Speaker 1>request for another edition of this. It's been a while

0:02:02.760 --> 0:02:05.720
<v Speaker 1>and this week, Noel, I'm gonna go for body doubles,

0:02:05.800 --> 0:02:09.640
<v Speaker 1>stunt doubles, and stand ins. Nice. Those are three different things,

0:02:10.560 --> 0:02:13.560
<v Speaker 1>and some people might not fully understand what all these

0:02:13.680 --> 0:02:16.720
<v Speaker 1>roles mean and what they do. So here's Chuck's version.

0:02:17.240 --> 0:02:20.000
<v Speaker 1>So a body double is you know what a body

0:02:20.040 --> 0:02:23.040
<v Speaker 1>double is, right, Well, I know what it is in

0:02:23.120 --> 0:02:25.920
<v Speaker 1>terms of like a political figure who has like a

0:02:25.960 --> 0:02:28.640
<v Speaker 1>body double that they you know, have standing in for

0:02:28.720 --> 0:02:33.120
<v Speaker 1>them at events and stuff like yeah, okay, like another country,

0:02:33.200 --> 0:02:34.880
<v Speaker 1>so I'll have like a fake Sadam. Yeah, and also

0:02:34.960 --> 0:02:38.200
<v Speaker 1>like famously had one. Well it's also to like confuse

0:02:38.240 --> 0:02:40.040
<v Speaker 1>people and throw them off the trail of the real one.

0:02:40.080 --> 0:02:42.080
<v Speaker 1>So they'll send the body double one to one location

0:02:42.280 --> 0:02:44.120
<v Speaker 1>all the real one is somewhere else, and it keeps

0:02:44.160 --> 0:02:46.040
<v Speaker 1>the heat off of the real one. All right, Well

0:02:46.080 --> 0:02:48.440
<v Speaker 1>that's not how it works in movies. I I've never

0:02:48.520 --> 0:02:51.200
<v Speaker 1>understood the difference between these three things except for the stunt.

0:02:51.320 --> 0:02:53.080
<v Speaker 1>But what does body double? So a body double in

0:02:53.120 --> 0:02:58.400
<v Speaker 1>a movie is when there is a body part usually

0:02:58.520 --> 0:03:01.920
<v Speaker 1>that isn't quite right on the real actor and they

0:03:02.000 --> 0:03:05.359
<v Speaker 1>use someone else. So most often it's used for like

0:03:05.400 --> 0:03:08.399
<v Speaker 1>a nude scene. So an actor someone's got a weird

0:03:08.400 --> 0:03:14.760
<v Speaker 1>looking penis not even weird looking, but um, an actor

0:03:14.840 --> 0:03:17.880
<v Speaker 1>will uh usually how it works, as an actor will

0:03:17.880 --> 0:03:20.600
<v Speaker 1>not want to do a nude scene. Um. So like

0:03:20.760 --> 0:03:22.960
<v Speaker 1>maybe if it's a young woman, she'd be like no, no no, no,

0:03:23.040 --> 0:03:25.320
<v Speaker 1>I'm not doing a nude scene. So they will body

0:03:25.360 --> 0:03:28.040
<v Speaker 1>double her. And it's very obvious because you know, you

0:03:28.080 --> 0:03:30.240
<v Speaker 1>see just the body and the body like from the

0:03:30.320 --> 0:03:34.640
<v Speaker 1>neck down. Um. But also it could be like, you know,

0:03:34.680 --> 0:03:38.200
<v Speaker 1>if you need the lead actor has to grab the

0:03:38.240 --> 0:03:41.320
<v Speaker 1>sword from the stone and it turns out he's got

0:03:41.320 --> 0:03:44.840
<v Speaker 1>a little like baby hands, then they will get in

0:03:44.960 --> 0:03:48.200
<v Speaker 1>some big burly man hands to grab the sword and

0:03:48.280 --> 0:03:50.200
<v Speaker 1>just do the insert shot of the hand. This is

0:03:50.240 --> 0:03:52.320
<v Speaker 1>really helpful that this makes a lot of sense. Sometimes

0:03:52.320 --> 0:03:55.120
<v Speaker 1>it's used when like we need a shot of the

0:03:55.160 --> 0:03:57.200
<v Speaker 1>actor picking up a cup of coffee, but like we

0:03:57.200 --> 0:03:59.440
<v Speaker 1>don't want to pay Morgan Freeman to come in and

0:03:59.440 --> 0:04:01.480
<v Speaker 1>do just that. They'll do that. That's like a whole

0:04:01.520 --> 0:04:03.560
<v Speaker 1>series of pickup shots they'll do as well. Yeah, they'll

0:04:03.600 --> 0:04:06.280
<v Speaker 1>go on a different day doubles about this to do

0:04:06.320 --> 0:04:08.040
<v Speaker 1>that and save money. And I had a pal who's

0:04:08.080 --> 0:04:10.160
<v Speaker 1>assistant director, and she would tell me about how like

0:04:10.200 --> 0:04:13.640
<v Speaker 1>they would literally do a whole days of insert shots

0:04:13.680 --> 0:04:16.720
<v Speaker 1>like that with somebody else so they could keep things

0:04:16.800 --> 0:04:19.839
<v Speaker 1>moving to just the action. You don't pay George Clooney

0:04:20.360 --> 0:04:22.040
<v Speaker 1>his rate to come in there and pick up a

0:04:22.040 --> 0:04:25.160
<v Speaker 1>coffee gup. So that's basically what a body double is.

0:04:25.200 --> 0:04:26.599
<v Speaker 1>There's all sorts of ways you can use them, but

0:04:26.640 --> 0:04:29.560
<v Speaker 1>it's generally just when you want to shoot another part

0:04:29.640 --> 0:04:32.840
<v Speaker 1>of a body for whatever reason, uh, than the the

0:04:32.839 --> 0:04:38.000
<v Speaker 1>actors stunt Doublesknoll, You know what a stunt double is, Yeah,

0:04:38.000 --> 0:04:41.240
<v Speaker 1>I mean it's someone who has the same build uh

0:04:41.279 --> 0:04:46.000
<v Speaker 1>and often similar enough face that from far away shots

0:04:46.080 --> 0:04:47.919
<v Speaker 1>they could pass for the real one. But it's the

0:04:47.960 --> 0:04:51.000
<v Speaker 1>person who actually does the scary, dangerous stunts. Yeah. And

0:04:51.000 --> 0:04:52.720
<v Speaker 1>there's there's a bit of a thing there. There can

0:04:52.760 --> 0:04:57.080
<v Speaker 1>be just like a stunt person who does like some

0:04:57.240 --> 0:04:59.920
<v Speaker 1>really big stunt, like a big fall from a wind

0:05:00.440 --> 0:05:04.400
<v Speaker 1>or a huge um something that requires a lot of expertise,

0:05:04.960 --> 0:05:08.320
<v Speaker 1>and they don't always have to look um as much

0:05:08.360 --> 0:05:10.479
<v Speaker 1>like the actor if they can costume them up and

0:05:10.560 --> 0:05:13.840
<v Speaker 1>wig them up um to the point where, like you said,

0:05:13.960 --> 0:05:16.159
<v Speaker 1>from whatever angle or from far away, they can pass

0:05:16.200 --> 0:05:20.520
<v Speaker 1>for it. But a true stunt double double is these

0:05:20.560 --> 0:05:22.440
<v Speaker 1>are the people that do look a lot like the

0:05:22.480 --> 0:05:25.280
<v Speaker 1>actor in her size similarly, and we'll do like the

0:05:25.320 --> 0:05:27.920
<v Speaker 1>fighting scenes and stuff that's a little more close up

0:05:28.279 --> 0:05:30.320
<v Speaker 1>than like someone who jumps off a building onto an

0:05:30.320 --> 0:05:33.640
<v Speaker 1>air bag. There was a going around with side by

0:05:33.640 --> 0:05:37.760
<v Speaker 1>side shots of like what's her name, uh, Captain Marvell,

0:05:37.960 --> 0:05:40.520
<v Speaker 1>Captain Marvel No no no, I saw that one. There

0:05:40.560 --> 0:05:43.240
<v Speaker 1>was another one though with like um the Bride Uma Thurman,

0:05:43.600 --> 0:05:46.359
<v Speaker 1>and then the woman who is her double, lifelong stunt double,

0:05:46.400 --> 0:05:51.800
<v Speaker 1>and she was actually in uh sure it's uh she's

0:05:51.839 --> 0:05:53.560
<v Speaker 1>Australian and I can't think of her name. I can't think.

0:05:53.720 --> 0:05:56.719
<v Speaker 1>But it also had uh some other ones um I

0:05:56.720 --> 0:05:58.760
<v Speaker 1>believe it was huge Ackman and they all looked very

0:05:58.839 --> 0:06:01.359
<v Speaker 1>very very similar, had the same air cut, same you know,

0:06:01.440 --> 0:06:03.599
<v Speaker 1>style and everything. But then there was a picture of

0:06:03.640 --> 0:06:06.800
<v Speaker 1>Jackie Chan just by himself because I did see that's

0:06:06.880 --> 0:06:09.320
<v Speaker 1>it's a gag because he does it sound stunts, as

0:06:09.360 --> 0:06:12.000
<v Speaker 1>does Keanu reeves Man in those John Wick movies. I

0:06:12.000 --> 0:06:14.000
<v Speaker 1>finally saw the third one, by the way, what was it? Was?

0:06:14.000 --> 0:06:17.800
<v Speaker 1>It good? It's just like sensory overload I've heard, just

0:06:17.880 --> 0:06:22.240
<v Speaker 1>like I really enjoy those films too. Zoe Bell by

0:06:22.240 --> 0:06:25.120
<v Speaker 1>the way, shout out to her. But yeah, so stunt

0:06:25.160 --> 0:06:28.680
<v Speaker 1>double is a lot of times an actor will take

0:06:28.760 --> 0:06:31.840
<v Speaker 1>this double throughout their career um or at least to

0:06:31.880 --> 0:06:33.599
<v Speaker 1>a bunch of movies. But if they land on someone

0:06:33.600 --> 0:06:35.680
<v Speaker 1>that's really good and looks like them and can do

0:06:35.760 --> 0:06:38.040
<v Speaker 1>their thing, you might see someone work with the same

0:06:38.120 --> 0:06:41.000
<v Speaker 1>stunt double for for many many films or their their

0:06:41.000 --> 0:06:43.960
<v Speaker 1>whole career um and they the actor will get them

0:06:44.000 --> 0:06:45.479
<v Speaker 1>work and and in fact, we might as well to

0:06:45.480 --> 0:06:47.920
<v Speaker 1>say this since we're on it a lot of times.

0:06:47.960 --> 0:06:49.840
<v Speaker 1>Actors and know, if they're big enough, we'll have their

0:06:49.880 --> 0:06:53.760
<v Speaker 1>own stylists and their own wardrobe person that travels with

0:06:53.800 --> 0:06:55.839
<v Speaker 1>them from movie to movie as well, and they are

0:06:55.920 --> 0:06:59.400
<v Speaker 1>hired at the premium rate, and they're they're called their

0:06:59.440 --> 0:07:03.120
<v Speaker 1>personal at the request of the actor probably too, my personally,

0:07:03.160 --> 0:07:05.120
<v Speaker 1>this is my might always do my movies. They know

0:07:05.160 --> 0:07:07.120
<v Speaker 1>how to do my hair right, my makeup right, and

0:07:07.160 --> 0:07:09.920
<v Speaker 1>they're comfortable with them personally, and they don't want to

0:07:09.920 --> 0:07:12.680
<v Speaker 1>be assigned just whoever on the crew. I wonder if

0:07:12.680 --> 0:07:15.960
<v Speaker 1>that ever becomes a clash where like maybe sure it happened,

0:07:15.960 --> 0:07:18.920
<v Speaker 1>maybe the production team or the directors like we need

0:07:18.960 --> 0:07:20.800
<v Speaker 1>to go We're gonna go a little different direction than

0:07:20.800 --> 0:07:22.520
<v Speaker 1>this one. You know. Yeah, I knew someone who was

0:07:23.720 --> 0:07:27.120
<v Speaker 1>mailed from Mitzi was Jennifer Lopez's personal stylist for a

0:07:27.160 --> 0:07:29.800
<v Speaker 1>while for wardrobe. However, heard j lo Is is a

0:07:29.840 --> 0:07:32.560
<v Speaker 1>little bit. You know, she actually said the opposite because

0:07:32.600 --> 0:07:34.320
<v Speaker 1>I was like, oh, I've heard stories, and she was like,

0:07:34.360 --> 0:07:36.040
<v Speaker 1>she's really nice. Actually a lot of that was blown

0:07:36.040 --> 0:07:37.920
<v Speaker 1>out of proportion. Well that's nice to clear the air

0:07:37.960 --> 0:07:39.920
<v Speaker 1>on that one. Yeah, but I mean this was her opinion,

0:07:40.000 --> 0:07:42.800
<v Speaker 1>of course, but she worked closely with her. I'll say that,

0:07:43.440 --> 0:07:45.040
<v Speaker 1>what about a stand in? I think I know what

0:07:45.120 --> 0:07:47.040
<v Speaker 1>a stand in is to catch the light. It's like

0:07:47.080 --> 0:07:48.840
<v Speaker 1>so that the actor doesn't have to actually be in

0:07:48.880 --> 0:07:52.200
<v Speaker 1>there while they're adjusting marks and lighting and things right

0:07:52.360 --> 0:07:56.720
<v Speaker 1>exactly right now. Also a stand in what happens is

0:07:56.800 --> 0:07:58.960
<v Speaker 1>usually on set is what happens is they will bring

0:07:59.000 --> 0:08:01.640
<v Speaker 1>in the jors for a run through, the real electors,

0:08:02.120 --> 0:08:04.559
<v Speaker 1>and they will kind of run through the scene, um

0:08:04.600 --> 0:08:06.920
<v Speaker 1>and block it and blocking me you know what this is.

0:08:06.960 --> 0:08:10.040
<v Speaker 1>But blocking is like you're gonna stand here here here

0:08:10.440 --> 0:08:12.920
<v Speaker 1>the camera person puts down tape marks on the floor.

0:08:13.200 --> 0:08:16.560
<v Speaker 1>Because you can't just willie nilly light things. It's very exact,

0:08:17.000 --> 0:08:18.480
<v Speaker 1>not to mention, it has to sync up with the

0:08:18.480 --> 0:08:20.960
<v Speaker 1>way the camera moves all the things that dance, you know, like,

0:08:21.640 --> 0:08:24.680
<v Speaker 1>so you will you will get your blocking done, do

0:08:24.760 --> 0:08:27.720
<v Speaker 1>your little run through with the director. Uh, And then

0:08:27.800 --> 0:08:30.560
<v Speaker 1>they say they will dismiss the actors for what they

0:08:30.560 --> 0:08:33.040
<v Speaker 1>call last looks, which is go back to hair and

0:08:33.080 --> 0:08:35.679
<v Speaker 1>make up, just to make sure you're already go make

0:08:35.720 --> 0:08:38.360
<v Speaker 1>sure your flyes zipped up in your wardrobe looks just right.

0:08:38.720 --> 0:08:41.240
<v Speaker 1>And during last looks is when the grips and the

0:08:41.240 --> 0:08:44.040
<v Speaker 1>electricians and the camera department were really finally set their

0:08:44.080 --> 0:08:46.600
<v Speaker 1>equipment and they do that with the help of stand in.

0:08:47.320 --> 0:08:49.760
<v Speaker 1>And the stand in doesn't really have to look like

0:08:49.800 --> 0:08:52.400
<v Speaker 1>the actor, but they should be similarly sized, similar height,

0:08:52.640 --> 0:08:56.760
<v Speaker 1>similar similar colored um like hair and skin tone. Usually

0:08:57.200 --> 0:09:00.600
<v Speaker 1>like you wouldn't hire like a tall after an American

0:09:00.720 --> 0:09:04.800
<v Speaker 1>to play Elijah to stand in for Elijah Wood, let's say, um,

0:09:04.800 --> 0:09:07.400
<v Speaker 1>but they don't have to like facially look as much

0:09:07.440 --> 0:09:09.559
<v Speaker 1>like them as like a double. And I would say realistically,

0:09:09.600 --> 0:09:13.120
<v Speaker 1>a stand in its probably also an aspiring actor or

0:09:13.240 --> 0:09:15.760
<v Speaker 1>possibly an extra they just pull out for from the

0:09:15.760 --> 0:09:17.559
<v Speaker 1>fray and say, hey, you're good enough to be the

0:09:17.600 --> 0:09:19.959
<v Speaker 1>stand in. Yeah, but a standing can also travel with

0:09:20.000 --> 0:09:22.920
<v Speaker 1>an actor as well and be used like on multiple films.

0:09:23.320 --> 0:09:25.360
<v Speaker 1>And again if it's they like someone and they do

0:09:25.400 --> 0:09:28.199
<v Speaker 1>a good job, you know, stand in and extras. If

0:09:28.840 --> 0:09:30.960
<v Speaker 1>if you're doing a good job, that means you're keeping

0:09:31.000 --> 0:09:32.640
<v Speaker 1>your mouth shut and you're just doing what you're told

0:09:33.160 --> 0:09:35.440
<v Speaker 1>it's it kind of sucks to say that. Well, but

0:09:35.520 --> 0:09:38.560
<v Speaker 1>the worst extras are are the ones that have too

0:09:38.600 --> 0:09:41.080
<v Speaker 1>many questions and too many needs. No you got you

0:09:41.200 --> 0:09:43.600
<v Speaker 1>stand your lane. You stay in your lane. And and

0:09:43.760 --> 0:09:47.439
<v Speaker 1>really pro extras in California know that ship and they

0:09:47.480 --> 0:09:50.120
<v Speaker 1>know just to like get their work done, and they

0:09:50.120 --> 0:09:51.920
<v Speaker 1>know when to a moat and when when to not

0:09:52.000 --> 0:09:54.240
<v Speaker 1>overdo it. You know, like what the scene calls for.

0:09:54.280 --> 0:09:57.240
<v Speaker 1>Because being a professional extra, I mean, it's not just

0:09:57.440 --> 0:09:59.959
<v Speaker 1>standing around like you gotta do all kinds of don't

0:10:00.000 --> 0:10:02.160
<v Speaker 1>if everyone realizes this in a big dinner party or

0:10:02.200 --> 0:10:06.200
<v Speaker 1>restaurant scene, no one else is talking when it looks

0:10:06.200 --> 0:10:08.800
<v Speaker 1>like everyone else is laughing and talking and you hear

0:10:08.880 --> 0:10:13.080
<v Speaker 1>that that's all audio soundtrack stuff. Everyone is fake talking.

0:10:13.520 --> 0:10:15.960
<v Speaker 1>It's really uh hard to do. Because I was an

0:10:15.960 --> 0:10:18.720
<v Speaker 1>extra couple of times. My brother got me on some jobs.

0:10:18.920 --> 0:10:21.760
<v Speaker 1>It's not easy. And that also probably makes it easier

0:10:21.840 --> 0:10:24.720
<v Speaker 1>for the real actors to not get distracted or whatever,

0:10:24.960 --> 0:10:27.439
<v Speaker 1>you know, to make sure that they can don't get

0:10:27.440 --> 0:10:30.600
<v Speaker 1>in their eyeline. Don't like stare at Jennifer Lopez when

0:10:30.640 --> 0:10:34.640
<v Speaker 1>she walks in like be a pro. Uh. There's a

0:10:34.679 --> 0:10:36.880
<v Speaker 1>great part I might have mentioned this before, but in

0:10:36.880 --> 0:10:41.400
<v Speaker 1>the movie Pollock the Great Ed Harris in the director's commentary,

0:10:41.440 --> 0:10:44.480
<v Speaker 1>there's one party scene where the camera's going by and

0:10:44.520 --> 0:10:48.440
<v Speaker 1>there's this extra that's just way overdoing it, and Ed Harris,

0:10:48.440 --> 0:10:51.480
<v Speaker 1>who seems kind of cranky anyway, just goes that fucking

0:10:51.520 --> 0:11:04.839
<v Speaker 1>extra guys handing it up. Oh man, so good? All right, No,

0:11:05.120 --> 0:11:09.520
<v Speaker 1>I guess what's next. I couldn't possibly Hiku Theater, Yes,

0:11:09.840 --> 0:11:13.320
<v Speaker 1>my favorite. It's been a while. I realized we've been

0:11:13.320 --> 0:11:18.200
<v Speaker 1>getting the high coups the short shrift. So I did

0:11:18.200 --> 0:11:22.040
<v Speaker 1>a Hi Ku Theater Action Movie edition, and I had

0:11:22.040 --> 0:11:26.880
<v Speaker 1>people and we'll see if they if they follow directions. Well, geez,

0:11:26.920 --> 0:11:29.480
<v Speaker 1>now we have two hundred and fifty high cus. That's

0:11:29.480 --> 0:11:32.920
<v Speaker 1>pretty good. That's very good, good haul. Actually we don't.

0:11:32.960 --> 0:11:37.040
<v Speaker 1>We have a hundred and seven, but it's still pretty respectable. Yeah,

0:11:37.040 --> 0:11:39.160
<v Speaker 1>and you know, we've got a whole series of high

0:11:39.160 --> 0:11:41.760
<v Speaker 1>cous because I'm just leaving these up now so we

0:11:41.800 --> 0:11:43.959
<v Speaker 1>can draw from this well for months to come. We're

0:11:43.960 --> 0:11:46.960
<v Speaker 1>actually working on a Hi Ku Coffee table book with

0:11:47.000 --> 0:11:49.440
<v Speaker 1>all of this stuff, and you will each get you

0:11:49.440 --> 0:11:53.240
<v Speaker 1>a residual check of one dollar. That's right, that's too

0:11:53.280 --> 0:11:57.960
<v Speaker 1>much for a high coup. How about one cent? One cent? Alright, um,

0:11:58.000 --> 0:12:00.559
<v Speaker 1>actual movie edition. Everyone, We're gonna start with J. J. Rabino,

0:12:00.640 --> 0:12:05.360
<v Speaker 1>one of Earl Pal's Kill Bill Volume two, Pie May

0:12:05.720 --> 0:12:13.240
<v Speaker 1>Taught Kiddo Texas, Funeral Escape, Exploding Heart Shot. I love it.

0:12:14.679 --> 0:12:18.000
<v Speaker 1>Arl Powell Robe, Rebecca Robe, who was doing great by

0:12:18.000 --> 0:12:22.520
<v Speaker 1>the way, says um, this is King Arthur Legend of

0:12:22.520 --> 0:12:25.360
<v Speaker 1>the Sword. I don't know that movie. Was that the

0:12:25.360 --> 0:12:28.320
<v Speaker 1>most recent one that guy Ritchie did. Maybe he did

0:12:28.360 --> 0:12:31.640
<v Speaker 1>a very poorly reviewed King Arthur movie pretty recently. But

0:12:31.720 --> 0:12:34.520
<v Speaker 1>here here's my dirty secret. Uls. I think guy Richie

0:12:34.600 --> 0:12:37.720
<v Speaker 1>kind of sucks. He's definitely sucked for a long time.

0:12:38.120 --> 0:12:41.079
<v Speaker 1>I just don't I enjoyed Snatch. I thought Snatch was fine.

0:12:41.120 --> 0:12:43.280
<v Speaker 1>I'm trying to remember back. I guess I might have

0:12:43.320 --> 0:12:47.079
<v Speaker 1>liked lock Stock and Snatch. Maybe those are the only

0:12:47.120 --> 0:12:49.000
<v Speaker 1>two that I ever liked. He did a bunch of

0:12:49.000 --> 0:12:51.240
<v Speaker 1>weird ones after that. He did like Castaway movie with

0:12:51.320 --> 0:12:54.120
<v Speaker 1>Madonna that was supposed to be ungodly. And I did

0:12:54.200 --> 0:12:56.640
<v Speaker 1>not see those Sherlock Holmes movies, so maybe they're good,

0:12:56.640 --> 0:12:58.760
<v Speaker 1>but I didn't see him. He did the most recent

0:12:58.760 --> 0:13:01.319
<v Speaker 1>Aladdin movie. It's the theaters right now that everyone in

0:13:01.679 --> 0:13:06.600
<v Speaker 1>a childhood Killer. Yeah, so r all bal robe, says

0:13:08.120 --> 0:13:14.640
<v Speaker 1>Studley Chuck Huntman about Charlie Hunman, Eric Banna and Elephants.

0:13:15.440 --> 0:13:20.400
<v Speaker 1>Jude Law is an ass true app all right. Jude

0:13:20.440 --> 0:13:23.480
<v Speaker 1>Law does tend to play like cop a cocky little ship,

0:13:23.600 --> 0:13:27.920
<v Speaker 1>doesn't he. Yeah. You know Emily story about Jude Law

0:13:29.080 --> 0:13:31.840
<v Speaker 1>that she uh, And this is kind of funny because

0:13:31.840 --> 0:13:33.520
<v Speaker 1>she told me the story many many years ago. She

0:13:33.600 --> 0:13:36.319
<v Speaker 1>was like, you know, Jude Law asked for my number

0:13:36.320 --> 0:13:39.080
<v Speaker 1>when I was in high school. It's like what. She

0:13:39.200 --> 0:13:41.720
<v Speaker 1>was on tour in England with her show choir and

0:13:41.760 --> 0:13:44.040
<v Speaker 1>went to the hard Rock Cafe London and she said

0:13:44.120 --> 0:13:47.480
<v Speaker 1>je Law was the bartender and we were talking and

0:13:47.520 --> 0:13:50.679
<v Speaker 1>talking and he asked for my phone number at the end.

0:13:50.760 --> 0:13:54.360
<v Speaker 1>And I was like, this sounds very suspect, not that

0:13:54.440 --> 0:13:56.040
<v Speaker 1>jud Law would ask for a phone number, but just

0:13:56.600 --> 0:14:00.760
<v Speaker 1>all the whole scenario, the whole scenario seems very outlandish. Uh.

0:14:01.040 --> 0:14:04.280
<v Speaker 1>She dug through her photos from her trip in a

0:14:04.360 --> 0:14:07.680
<v Speaker 1>box in the corner, pulled out a photo a fucking

0:14:07.760 --> 0:14:10.960
<v Speaker 1>Jude Law in his hard rock Cafe shirt and I

0:14:11.000 --> 0:14:15.840
<v Speaker 1>was like, wow, that's straight up. That's amazing, pretty amazing,

0:14:17.320 --> 0:14:22.240
<v Speaker 1>But I got her Jude back off Jeff Clark. Carl

0:14:22.280 --> 0:14:27.720
<v Speaker 1>Pal says the movie Free Fire. Don't know it? Uh,

0:14:28.120 --> 0:14:34.480
<v Speaker 1>charlto Copley too late, Now I'm offended. Bree Larson in Jeans,

0:14:35.960 --> 0:14:37.840
<v Speaker 1>I don't know that movie. Don't know either, but it

0:14:38.000 --> 0:14:41.320
<v Speaker 1>sounds kind of dull. Actually, if if the highlight the

0:14:41.360 --> 0:14:43.560
<v Speaker 1>punch line of the of the Haiku is Bree Larson

0:14:43.640 --> 0:14:46.880
<v Speaker 1>in Jeans, I don't. I don't think I'm interested, Arl

0:14:46.920 --> 0:14:50.800
<v Speaker 1>Palvanessa Lopez does the matrix red pill or blue pill?

0:14:51.640 --> 0:14:56.720
<v Speaker 1>Just follow the white rabbit? Whoa, I know, kung Fu?

0:14:56.920 --> 0:15:00.480
<v Speaker 1>Of course that's a good one. Good job, Vanessa. That's

0:15:00.520 --> 0:15:05.120
<v Speaker 1>the matrix too, right, No, I know concue was one right? Okay,

0:15:05.320 --> 0:15:07.920
<v Speaker 1>back on my trip from the last episode we did,

0:15:08.080 --> 0:15:10.400
<v Speaker 1>you know, me and Maddie Frederick are gonna do the

0:15:10.400 --> 0:15:13.600
<v Speaker 1>matrix in here? Is that right? Old Maddie, good good boy, Maddy?

0:15:13.640 --> 0:15:15.920
<v Speaker 1>All right? T J Danny for mad Max fury Road says,

0:15:15.960 --> 0:15:20.240
<v Speaker 1>this time to just relax and enjoy a nice movie.

0:15:21.080 --> 0:15:27.240
<v Speaker 1>J K Acid Trip, Jki Trip. Very psychedelic, that movie

0:15:28.200 --> 0:15:31.080
<v Speaker 1>very psychedelic. Our old friend Dylan Thomas, he always comes

0:15:31.080 --> 0:15:34.000
<v Speaker 1>out of the would work with the poetry, no surprise. Yeah,

0:15:34.000 --> 0:15:38.680
<v Speaker 1>he's a fantastic poet. The Expendables old action stars in

0:15:39.880 --> 0:15:45.320
<v Speaker 1>a film that's basically one big explosion. I didn't see that,

0:15:45.360 --> 0:15:47.920
<v Speaker 1>did you? The first I saw the first one. There

0:15:47.960 --> 0:15:50.240
<v Speaker 1>were they were at least at least one more, maybe

0:15:50.240 --> 0:15:52.480
<v Speaker 1>two more. I didn't see it. I gotta say it's

0:15:52.600 --> 0:15:55.240
<v Speaker 1>it was a pretty interesting idea to put together, like

0:15:55.280 --> 0:15:57.800
<v Speaker 1>all the biggest action heroes. Yeah, they just doubled down

0:15:57.800 --> 0:15:59.720
<v Speaker 1>on the second one. I think they added some added

0:15:59.760 --> 0:16:01.920
<v Speaker 1>some like Bruce Bruce Willis, I think he's in the

0:16:01.920 --> 0:16:04.880
<v Speaker 1>second one, and Adolph Lungern is in maybe all of them,

0:16:04.880 --> 0:16:09.320
<v Speaker 1>but he's definitely in the second one. All right, our

0:16:09.360 --> 0:16:12.640
<v Speaker 1>old friend Cube's Don Cuby. She does the movie speed. No,

0:16:13.640 --> 0:16:17.800
<v Speaker 1>this bus, the bus couldn't stop otherwise it would explode.

0:16:18.280 --> 0:16:24.120
<v Speaker 1>He shoots the hostage pretty straightforward. Which hostage did he shoot? Well,

0:16:24.120 --> 0:16:26.880
<v Speaker 1>I remember that was the whole thing, like whether or

0:16:26.880 --> 0:16:28.640
<v Speaker 1>not you're going to shoot the hostage. That was the

0:16:28.800 --> 0:16:32.760
<v Speaker 1>sort of the big incident at the beginning of shot

0:16:32.840 --> 0:16:36.160
<v Speaker 1>Jeff Daniels in the leg right, Yeah, that's why I

0:16:36.200 --> 0:16:40.560
<v Speaker 1>ended up pushing paper. Oh, duh, yeah, of course exactly, yes, yes, yes,

0:16:41.120 --> 0:16:43.760
<v Speaker 1>Megan Carol, our old friend, as pirates of the Caribbean,

0:16:44.320 --> 0:16:49.640
<v Speaker 1>sea ships, lots of swords, unnecessary sequels. Why is the

0:16:49.720 --> 0:16:55.040
<v Speaker 1>rum gone? I like it. I have to have to

0:16:55.120 --> 0:17:01.280
<v Speaker 1>raise a question here, shuck. You say Caribbean, some say Caribbean.

0:17:01.640 --> 0:17:04.760
<v Speaker 1>What do you say? I say Caribbean? But Caribbean is

0:17:04.760 --> 0:17:08.919
<v Speaker 1>like Caribbean queen, like the vally Ocean song. It's not

0:17:09.000 --> 0:17:13.080
<v Speaker 1>airing the same. Yeah, no more love in the run.

0:17:13.280 --> 0:17:15.399
<v Speaker 1>A lot of times people say pirates of the Caribbean,

0:17:15.760 --> 0:17:19.680
<v Speaker 1>you know, as opposed to Pirates of the Caribbean. Let's

0:17:19.680 --> 0:17:21.920
<v Speaker 1>say pirates of the Caribbean. I think i'd say pirates

0:17:21.960 --> 0:17:25.359
<v Speaker 1>of the Caribbean. I think you said. I don't think

0:17:25.359 --> 0:17:27.560
<v Speaker 1>either is right or wrong. It's just more of a taste,

0:17:27.600 --> 0:17:29.640
<v Speaker 1>personal taste thing. Yeah, I'm just trying to see which

0:17:29.640 --> 0:17:32.000
<v Speaker 1>side we fall on. Let us know which side do

0:17:32.040 --> 0:17:34.200
<v Speaker 1>you fall on? Well? What's interesting, though, is I think

0:17:34.200 --> 0:17:36.119
<v Speaker 1>I say pirates of the Caribbean, but I think I

0:17:36.119 --> 0:17:39.320
<v Speaker 1>would go visit the Caribbean. Exactly what's that all about?

0:17:39.440 --> 0:17:43.800
<v Speaker 1>It's no one knows. Just one of those things or

0:17:43.800 --> 0:17:48.760
<v Speaker 1>old pal Alec Glasnovich says this, Chuck and nol, you

0:17:48.800 --> 0:17:53.879
<v Speaker 1>know it's not d C. When I say this is

0:17:53.960 --> 0:18:01.120
<v Speaker 1>bad Country. Oh okay, do you know what that is? Well,

0:18:01.160 --> 0:18:04.600
<v Speaker 1>I mean that's it's not d C. I don't quite

0:18:04.600 --> 0:18:07.160
<v Speaker 1>get that one. Is he implying like a Batman connection

0:18:07.200 --> 0:18:09.399
<v Speaker 1>because of d C comics? But then that back country

0:18:09.440 --> 0:18:11.000
<v Speaker 1>is not at all Spear and Loathing and lassan that's

0:18:11.000 --> 0:18:13.200
<v Speaker 1>what he's talking about was DC? Me? What whit was

0:18:13.240 --> 0:18:15.320
<v Speaker 1>the DC reference in there? I don't know. It's not

0:18:15.760 --> 0:18:20.960
<v Speaker 1>d C. When I say I don't know, I don't

0:18:21.000 --> 0:18:22.480
<v Speaker 1>write it has nothing to do with the movie. And

0:18:22.480 --> 0:18:25.720
<v Speaker 1>it's just let us give us a little clarification. Alright.

0:18:25.720 --> 0:18:30.960
<v Speaker 1>The movie Volcano from Lauren Mantle La Sienega. La Sienega

0:18:31.760 --> 0:18:37.879
<v Speaker 1>burns brightly in lava flows Mount Wilsher Alive. Nice. So

0:18:37.920 --> 0:18:40.000
<v Speaker 1>I assume this movie is about a volcano that erupts

0:18:40.000 --> 0:18:42.040
<v Speaker 1>in Los Angeles. Yeah, you didn't see that one. No,

0:18:42.320 --> 0:18:45.440
<v Speaker 1>what's which volcano with this? I believe Volcano had Tommy

0:18:45.480 --> 0:18:49.320
<v Speaker 1>Lee Jones and in hey I'm not mistaken, got it?

0:18:49.640 --> 0:18:51.919
<v Speaker 1>But but this is this is an imaginary volcano? Is

0:18:51.920 --> 0:18:55.879
<v Speaker 1>there potentially a active volcano? And know it was. It

0:18:55.920 --> 0:18:57.680
<v Speaker 1>was a real volcano. Really, it was not a movie

0:18:57.680 --> 0:19:00.560
<v Speaker 1>about an imaginary volcano. No, I mean, in real life,

0:19:00.840 --> 0:19:03.760
<v Speaker 1>which volcano might this have been. I think it had

0:19:03.800 --> 0:19:06.040
<v Speaker 1>to do with the lab tart, but yeah, that makes sense. Yeah,

0:19:06.080 --> 0:19:08.560
<v Speaker 1>I was wondering if I'm not mistaken. Which is always

0:19:08.640 --> 0:19:10.320
<v Speaker 1>a fun visit, by the way, is and it really

0:19:10.520 --> 0:19:15.640
<v Speaker 1>smells like fresh paving. Yeah, yeah, it's pretty the cool

0:19:15.680 --> 0:19:18.520
<v Speaker 1>like the mammoth and the mammoth baby that's stuck in

0:19:18.520 --> 0:19:21.520
<v Speaker 1>the sad they break your heart before you even walking

0:19:21.560 --> 0:19:23.520
<v Speaker 1>the door. I think I told the story once. But

0:19:23.600 --> 0:19:26.400
<v Speaker 1>you know, there's the big tar pit, but there's tar

0:19:26.640 --> 0:19:29.520
<v Speaker 1>like sort of around because I was we were shooting

0:19:29.560 --> 0:19:30.840
<v Speaker 1>a job there and I was a p a and

0:19:30.840 --> 0:19:33.399
<v Speaker 1>I was just standing sort of off to the side

0:19:33.400 --> 0:19:35.280
<v Speaker 1>and the grass, and I looked down and there was

0:19:35.320 --> 0:19:39.440
<v Speaker 1>little bubbly tar about eight inches wide, just a little

0:19:39.520 --> 0:19:42.880
<v Speaker 1>bitty tar bubbles. Even the little ones, though they they

0:19:42.920 --> 0:19:46.320
<v Speaker 1>cordon off, usually they have little you know, this one

0:19:46.400 --> 0:19:50.520
<v Speaker 1>was not yet. M there's a there's a medium sized one,

0:19:50.840 --> 0:19:52.240
<v Speaker 1>and then there's some smaller ones. But even some of

0:19:52.280 --> 0:19:55.040
<v Speaker 1>the smaller ones have a little square boxes around them. Interesting, Yeah,

0:19:55.040 --> 0:19:57.600
<v Speaker 1>this one was. I would describe it as Tine's got it.

0:19:58.280 --> 0:20:01.879
<v Speaker 1>Our old pal Louis Silva. For the movie Rocky. I

0:20:01.920 --> 0:20:03.639
<v Speaker 1>don't know if that's an action movie, but we'll count it.

0:20:04.000 --> 0:20:07.680
<v Speaker 1>You're a bomb, Rocky, the champ has given you a shot.

0:20:08.440 --> 0:20:15.840
<v Speaker 1>Adrian loves you well called him a bum? Uh? Well,

0:20:16.040 --> 0:20:18.440
<v Speaker 1>was it the trainer Mickey certainly said the word bumb

0:20:18.440 --> 0:20:20.440
<v Speaker 1>a lot. I don't remember him calling Rocky a bum.

0:20:20.560 --> 0:20:24.040
<v Speaker 1>He very well might have, alright, Nol from Commando, our

0:20:24.080 --> 0:20:28.440
<v Speaker 1>old pal Gary m Strange. Do you remember I said

0:20:28.560 --> 0:20:32.439
<v Speaker 1>I would kill you last Well, my friend, I lied

0:20:33.359 --> 0:20:39.240
<v Speaker 1>Snap Arnie, I haven't seen Commando, Oh boy, I mean,

0:20:39.440 --> 0:20:40.879
<v Speaker 1>I bet it's a lot of fun if you if

0:20:40.920 --> 0:20:44.560
<v Speaker 1>you want to take a nostalgia trip down Mines action

0:20:44.680 --> 0:20:49.000
<v Speaker 1>Arnie Commando is kind of the best one. A lot

0:20:49.080 --> 0:20:53.639
<v Speaker 1>of great Arnie one liners. I mean, if you consider

0:20:53.680 --> 0:20:57.200
<v Speaker 1>those great. Yeah, he kind of goes over the top

0:20:57.200 --> 0:21:01.040
<v Speaker 1>of Commando. Jeffrey Fleming, I think he's an old friend.

0:21:01.800 --> 0:21:06.200
<v Speaker 1>For the movie Zoro Masked, Bandit and Black gets revenge

0:21:06.240 --> 0:21:11.400
<v Speaker 1>for dead brother. Zoro saves the day. Baird Williams Swedman

0:21:11.720 --> 0:21:16.800
<v Speaker 1>does point Break. Johnny Utah said I'm an FBI agent.

0:21:17.400 --> 0:21:22.520
<v Speaker 1>I'm fucking surfing. Should pair that with I know, kung Fu.

0:21:22.760 --> 0:21:25.520
<v Speaker 1>He's got a lot of those kind of like real dumb,

0:21:25.600 --> 0:21:28.200
<v Speaker 1>dumb kind of one liners, doesn't he sort of thing? Yeah,

0:21:28.320 --> 0:21:32.000
<v Speaker 1>that's great though. Barry King, our old friend for Jurassic Parks,

0:21:32.000 --> 0:21:37.160
<v Speaker 1>says this, we have a t Rex. Welcome to Jurassic Park.

0:21:38.680 --> 0:21:43.040
<v Speaker 1>Hold onto your butts. That's my Sam Jackson. It's pretty good,

0:21:43.480 --> 0:21:47.800
<v Speaker 1>motherfucker's Yeah. Alright, how much time do we have. Let's

0:21:47.840 --> 0:21:53.399
<v Speaker 1>do a couple of more. Let me see here. Hot

0:21:53.440 --> 0:21:56.639
<v Speaker 1>Fuzz is the movie all and our old friend Rob

0:21:56.760 --> 0:22:00.760
<v Speaker 1>Johnson says this village of the year hooted killer on

0:22:00.800 --> 0:22:06.160
<v Speaker 1>the loose for the Greater Good good movie, very good.

0:22:06.160 --> 0:22:07.680
<v Speaker 1>I haven't seen him a long time, but that's part

0:22:07.680 --> 0:22:10.359
<v Speaker 1>of his little trilogy, right, He's got Shaun of the Dead,

0:22:10.520 --> 0:22:12.600
<v Speaker 1>Hot Fuzz Fuzz, and then the End of the World

0:22:12.680 --> 0:22:14.879
<v Speaker 1>or what's it called. Oh yeah, yeah, yeah, the World's End,

0:22:14.920 --> 0:22:17.640
<v Speaker 1>The World's End. That was good. And then finally we're

0:22:17.640 --> 0:22:21.240
<v Speaker 1>gonna finish with top Gun and john shawl requesting fly

0:22:21.359 --> 0:22:26.840
<v Speaker 1>By let the man have his coffee. The pattern is full,

0:22:29.080 --> 0:22:42.560
<v Speaker 1>all right, not bad? Everyone, not bad? All right? No, you.

0:22:42.560 --> 0:22:45.159
<v Speaker 1>We're gonna finish with today, do tell We're gonna do

0:22:45.240 --> 0:22:57.640
<v Speaker 1>about ten minutes of up with fuck Yes Love. Ramsey's

0:22:57.480 --> 0:23:00.720
<v Speaker 1>a sound designed for this bit. So I think I

0:23:00.760 --> 0:23:05.879
<v Speaker 1>lost the original one and uh reposted last night. So

0:23:05.960 --> 0:23:09.160
<v Speaker 1>these are all new Fox everyone, and here we go.

0:23:10.480 --> 0:23:16.440
<v Speaker 1>Francesca Marie says this from Empire Records. Stop calling me Warren.

0:23:16.840 --> 0:23:21.680
<v Speaker 1>My name isn't fucking Warren. Not bad. I got a

0:23:21.720 --> 0:23:24.040
<v Speaker 1>lot of up likes for that. That's a beloved movie

0:23:24.160 --> 0:23:29.000
<v Speaker 1>in certain circles. Did you ever see that one Records? Yeah, yeah, yeah, yeah,

0:23:29.000 --> 0:23:32.359
<v Speaker 1>with Rex Manning, Rex Manning, Yeah yeah. Isn't he like

0:23:32.400 --> 0:23:34.400
<v Speaker 1>the Is he a DJ or? He's like a big star.

0:23:34.480 --> 0:23:38.879
<v Speaker 1>He's like a big I think a big star. It's Tyler.

0:23:38.920 --> 0:23:42.679
<v Speaker 1>I thought was very fetching in that sweater. Well nol.

0:23:43.119 --> 0:23:45.760
<v Speaker 1>I will say this. I had a and I guess

0:23:45.760 --> 0:23:48.440
<v Speaker 1>continue to have a big fat crush on lip Tyler

0:23:49.720 --> 0:23:53.760
<v Speaker 1>all those Aerosmith videos. She just is very pretty. She's

0:23:53.800 --> 0:23:57.760
<v Speaker 1>got a way about her and very talented. She No,

0:23:57.880 --> 0:23:59.760
<v Speaker 1>you don't I think she like took old time off.

0:24:00.400 --> 0:24:03.000
<v Speaker 1>Vanessa Lopez are old friends says this, and this is

0:24:03.040 --> 0:24:06.200
<v Speaker 1>one of my favorites. As well. Vanessa Harvey Kitel is

0:24:06.240 --> 0:24:09.320
<v Speaker 1>the wolf in pulp fiction Pretty Please with sugar on top.

0:24:09.480 --> 0:24:12.840
<v Speaker 1>Clean the fucking car, Clean the car. Great. I haven't

0:24:12.840 --> 0:24:14.159
<v Speaker 1>seen that in a while. I have that reserve for

0:24:14.280 --> 0:24:18.919
<v Speaker 1>Jack O'Brien. He he called DIBs on pulp fiction. So

0:24:18.960 --> 0:24:21.080
<v Speaker 1>we're gonna make that happen at some point. How stoked

0:24:21.080 --> 0:24:23.040
<v Speaker 1>are you about Once upon a Time in Hollywood? Have

0:24:23.040 --> 0:24:25.359
<v Speaker 1>you seen the full length trailers for that? I have,

0:24:25.480 --> 0:24:27.480
<v Speaker 1>but now I want to know nothing more. I want

0:24:27.480 --> 0:24:30.600
<v Speaker 1>to just say him down. But that does go back

0:24:30.640 --> 0:24:34.280
<v Speaker 1>to our previous conversation because that movie, Uh, A lot

0:24:34.320 --> 0:24:36.399
<v Speaker 1>of it is the due relationship between an actor and

0:24:36.440 --> 0:24:38.520
<v Speaker 1>his stunt double, stunt double who he has to like

0:24:39.040 --> 0:24:42.639
<v Speaker 1>his career. I heard a really interesting interview with Timothy Oliphant,

0:24:42.680 --> 0:24:45.080
<v Speaker 1>who I love, who was apparently really good friends with

0:24:45.080 --> 0:24:47.240
<v Speaker 1>Conan O'Brien, and he was on his podcast and it's

0:24:47.240 --> 0:24:49.320
<v Speaker 1>a great interview. No, this is from something different, uh,

0:24:49.359 --> 0:24:52.359
<v Speaker 1>Timothy Oliphant, And you probably know this. Tarantino allows no

0:24:52.520 --> 0:24:54.800
<v Speaker 1>phones on his set. Did not know that, like as

0:24:54.800 --> 0:24:59.000
<v Speaker 1>a a huge, huge like rule. But they have a

0:24:59.080 --> 0:25:01.960
<v Speaker 1>tent set up where you check your phone in before

0:25:02.000 --> 0:25:06.720
<v Speaker 1>you go on set, and it's not even because of leaks.

0:25:07.040 --> 0:25:11.080
<v Speaker 1>It's to create an environment where everyone is undistracted and

0:25:11.240 --> 0:25:14.720
<v Speaker 1>they're to make something together. You know, yes, no, I

0:25:14.760 --> 0:25:17.399
<v Speaker 1>think it's huge. I went to the pool just to

0:25:17.520 --> 0:25:19.719
<v Speaker 1>me soapboxet for one. I went to the pool at

0:25:19.720 --> 0:25:22.840
<v Speaker 1>my in law's house with my family on Father's Day.

0:25:22.920 --> 0:25:26.840
<v Speaker 1>Happy Father's Day by the way, thanks. And uh, both

0:25:27.840 --> 0:25:32.399
<v Speaker 1>both fucking lifeguards sitting in their chairs staring at their phones.

0:25:32.880 --> 0:25:35.560
<v Speaker 1>Can you believe that that's that's a I mean, it's

0:25:35.560 --> 0:25:38.239
<v Speaker 1>a liability. It's a big time liability. And it's just

0:25:38.440 --> 0:25:44.280
<v Speaker 1>like I finally, uh, we've said something because I was like,

0:25:44.359 --> 0:25:47.800
<v Speaker 1>that's just not like, that's not only not cool, it's

0:25:47.800 --> 0:25:51.440
<v Speaker 1>a liability, and like there's no reason because I lifeguarded,

0:25:51.480 --> 0:25:54.000
<v Speaker 1>So it was in a personal affront to me of

0:25:54.119 --> 0:25:56.679
<v Speaker 1>a reason to have your phone in a chair. You

0:25:56.680 --> 0:25:58.719
<v Speaker 1>shouldn't even have it. You should check it in when

0:25:58.760 --> 0:26:01.199
<v Speaker 1>you go to work on your break, look at your

0:26:01.240 --> 0:26:03.920
<v Speaker 1>fucking phone, but don't sit in a lifeguard chair. Well

0:26:03.920 --> 0:26:06.520
<v Speaker 1>that's crazy because like the lifeguards at Whitewater, which is

0:26:06.560 --> 0:26:09.560
<v Speaker 1>like a local water park here in Atlanta, they do

0:26:09.640 --> 0:26:15.480
<v Speaker 1>this really unsettling thing where they scan the the their

0:26:16.080 --> 0:26:20.880
<v Speaker 1>field of vision, like with their heads fully turning right

0:26:20.960 --> 0:26:23.400
<v Speaker 1>and it's they do it every so often, and it's

0:26:23.600 --> 0:26:26.280
<v Speaker 1>very strange to witness. But like that's the level of

0:26:26.320 --> 0:26:29.160
<v Speaker 1>attention you're supposed to be doing as a lifeguard, especially

0:26:29.160 --> 0:26:30.680
<v Speaker 1>at a place like that. I mean, you gotta really

0:26:30.680 --> 0:26:32.240
<v Speaker 1>be watching. That's the point it was in like the

0:26:32.240 --> 0:26:35.280
<v Speaker 1>wave pool, you know, because a kid man, they just

0:26:35.320 --> 0:26:37.480
<v Speaker 1>go down. Josh and I did a show on drowning,

0:26:37.480 --> 0:26:40.440
<v Speaker 1>Like drowning does not often look like drowning. It's very

0:26:40.440 --> 0:26:43.240
<v Speaker 1>silent and sometimes not splashy, and like, agreed, you gotta

0:26:43.280 --> 0:26:49.680
<v Speaker 1>fucking watch totally. Yeah, right off my soapbox, all lifeguards,

0:26:49.680 --> 0:26:53.520
<v Speaker 1>get off your phones. Jimmy Mallory from the movie The Ringer,

0:26:54.440 --> 0:26:58.240
<v Speaker 1>When the fund did we get ice Cream? I haven't

0:26:58.240 --> 0:27:00.359
<v Speaker 1>seen that movie The Ringer. I don't know The Ringer.

0:27:01.000 --> 0:27:05.879
<v Speaker 1>You don't know who was that. I have no idea

0:27:07.760 --> 0:27:12.560
<v Speaker 1>The Ringer. Why don't I know that? It comes right up?

0:27:13.520 --> 0:27:16.800
<v Speaker 1>Let's see, it looks to be a sports Yeah, I

0:27:16.840 --> 0:27:19.080
<v Speaker 1>did not see Johnny Knoxville. Yeah, that was a Johnny

0:27:19.119 --> 0:27:22.240
<v Speaker 1>Knoxville movie. I believe that's probably not a movie you

0:27:22.240 --> 0:27:26.600
<v Speaker 1>can make today. I believe he uh fakes his way

0:27:26.600 --> 0:27:31.840
<v Speaker 1>into the special Olympics or something. Oh yeah, that's that

0:27:31.960 --> 0:27:34.320
<v Speaker 1>movie smacks up two thousand five. Sure it does. And

0:27:34.359 --> 0:27:37.760
<v Speaker 1>it came out in two thousand and five. Um and

0:27:37.760 --> 0:27:40.800
<v Speaker 1>it cost twenty million dollars. Uh and it made forty

0:27:40.920 --> 0:27:43.240
<v Speaker 1>point four million of the box office, so quite quite

0:27:43.240 --> 0:27:48.080
<v Speaker 1>a success. Um. And Mark Mother's bought did the music,

0:27:48.119 --> 0:27:50.399
<v Speaker 1>which is interesting. He'll do it. He'll do whatever you

0:27:50.440 --> 0:27:54.359
<v Speaker 1>pay him to do. I gotta god feeling, I gotta

0:27:54.440 --> 0:27:59.320
<v Speaker 1>god feeling. So good. Ruby loves Devo. Oh they're fantastic. Yeah,

0:27:59.480 --> 0:28:03.120
<v Speaker 1>good stuff, really good. Our oldest pal, Rebecca Robes, says

0:28:03.119 --> 0:28:06.240
<v Speaker 1>this from Lockstock into Smoking Barrels, which he says, so

0:28:06.280 --> 0:28:09.160
<v Speaker 1>many great funks in that movie. You're carrying a wasted

0:28:09.200 --> 0:28:12.160
<v Speaker 1>girl in a bag of fertilizer. Yeah, yeah, you don't

0:28:12.160 --> 0:28:15.800
<v Speaker 1>look like your average hoard of fucking culturist. Not bad.

0:28:16.160 --> 0:28:19.080
<v Speaker 1>I like inserting the fuck in between in the middle

0:28:19.119 --> 0:28:22.639
<v Speaker 1>of a word. That's always a good move. Uh. This

0:28:22.760 --> 0:28:25.960
<v Speaker 1>is classic, of course. But Gabriel Ferrair the dinner scene

0:28:26.000 --> 0:28:28.800
<v Speaker 1>and Goodfellas, the what the funk is so funny about me?

0:28:29.560 --> 0:28:31.480
<v Speaker 1>Certainly a lot of good f bombs in that scene,

0:28:32.359 --> 0:28:36.159
<v Speaker 1>one of the classic classics. Uh, well, you know what.

0:28:36.200 --> 0:28:39.440
<v Speaker 1>Clement Scott also chimes in with the ringer when the

0:28:39.440 --> 0:28:41.800
<v Speaker 1>fund did we get ice cream? Apparently that's the line

0:28:41.800 --> 0:28:45.920
<v Speaker 1>of the movie. Really, did you not recall the existence

0:28:45.960 --> 0:28:50.040
<v Speaker 1>of that movie at all? I don't either, Jeff Clark,

0:28:50.120 --> 0:28:53.000
<v Speaker 1>arl pal, I've had it with these motherfucking snakes on

0:28:53.000 --> 0:28:57.240
<v Speaker 1>this motherfucking plane. Yeah, that was from the color Purple.

0:28:57.800 --> 0:29:03.000
<v Speaker 1>I think you're right, Beth Lander's the thing, You've gotta

0:29:03.040 --> 0:29:06.040
<v Speaker 1>be fucking kidding me, as the dude's head pulls away,

0:29:06.120 --> 0:29:09.480
<v Speaker 1>grows spider legs and scurries away. But I think it

0:29:09.480 --> 0:29:12.640
<v Speaker 1>was more like, You've gotta be fucking kidding me. It's

0:29:12.640 --> 0:29:15.840
<v Speaker 1>a bad line reading. I'm no actor. Everyone, all right,

0:29:15.880 --> 0:29:20.720
<v Speaker 1>let's do a few more of these. All right, here's

0:29:20.720 --> 0:29:24.760
<v Speaker 1>your old pal Dennis Quaid. No, yeah, I'm on a

0:29:24.760 --> 0:29:27.960
<v Speaker 1>text tread with him that he never responded to. Really

0:29:28.160 --> 0:29:32.160
<v Speaker 1>was crushing for me. You've Dennis Quaid's phone number. Wow,

0:29:33.280 --> 0:29:36.160
<v Speaker 1>it's power move, It's it's it's been a very useless

0:29:36.160 --> 0:29:38.760
<v Speaker 1>power move. It's funny at MAXI fon comments back for

0:29:38.800 --> 0:29:40.720
<v Speaker 1>the past year, and it was relevant to the conversation.

0:29:40.760 --> 0:29:43.000
<v Speaker 1>But we we did a thing where like who's the

0:29:43.000 --> 0:29:46.600
<v Speaker 1>most famous person in your phone? And I was like, well,

0:29:46.640 --> 0:29:49.400
<v Speaker 1>you know, mine is all you guys, it's like Hodgeman

0:29:50.320 --> 0:29:53.040
<v Speaker 1>or maybe not. I don't know who the most famous

0:29:53.040 --> 0:29:56.960
<v Speaker 1>person in my phone is Ira Glass. You got IRI's number? Yeah?

0:29:57.640 --> 0:30:01.719
<v Speaker 1>Or Mark Maron. Okay, it's solid. It's about as big

0:30:01.720 --> 0:30:03.600
<v Speaker 1>as it gets. I think I was. I was kind

0:30:03.600 --> 0:30:05.960
<v Speaker 1>of a big deal. Dude. No, he's a huge deal.

0:30:06.520 --> 0:30:09.040
<v Speaker 1>But I had no like I was no match for

0:30:09.160 --> 0:30:11.880
<v Speaker 1>these people. Yeah, well I got Dennis Quaid, Baby, Dennis Quaid,

0:30:11.960 --> 0:30:14.840
<v Speaker 1>that's up there. But we we prank texted when on

0:30:14.960 --> 0:30:17.880
<v Speaker 1>a writer when we were all drunk from someone else's phone. Oh,

0:30:17.920 --> 0:30:20.040
<v Speaker 1>I bet she's a good sport. I bet she has

0:30:20.080 --> 0:30:23.640
<v Speaker 1>a good time. Yes, yes, I'm not sure about that.

0:30:23.680 --> 0:30:25.360
<v Speaker 1>You don't know. I don't know. She's a little neurotic.

0:30:25.480 --> 0:30:30.520
<v Speaker 1>I don't know. She seems fun, Okay, I don't know. No,

0:30:30.720 --> 0:30:34.600
<v Speaker 1>that's all I'm gonna say. That's totally fair. Uh, well, yeah,

0:30:34.640 --> 0:30:37.880
<v Speaker 1>we'll see, we'll see. I don't even know what we'll see.

0:30:37.880 --> 0:30:40.840
<v Speaker 1>Means like, you haven't you haven't seen obviously she did

0:30:40.840 --> 0:30:42.400
<v Speaker 1>not respond or else you would have had a story

0:30:42.440 --> 0:30:45.160
<v Speaker 1>about the back end. He didn't respond. I'm wondering if

0:30:45.200 --> 0:30:47.000
<v Speaker 1>there was going to be a back end of that text.

0:30:47.040 --> 0:30:49.920
<v Speaker 1>You probably just ignored it. Probably so alright, So Dennis,

0:30:50.200 --> 0:30:52.960
<v Speaker 1>I'm sorry Bennett to Duckworth or old pal about Dennis

0:30:53.040 --> 0:30:57.560
<v Speaker 1>Quaid in the Todd Haynes movie Far from Heaven. Great film.

0:30:57.600 --> 0:30:59.479
<v Speaker 1>I just want to get this fucking thing over with,

0:31:01.040 --> 0:31:03.640
<v Speaker 1>so simple as a stunning effect, since the entire movie

0:31:03.680 --> 0:31:07.320
<v Speaker 1>is capturing the tone of fifto melodrama where such words

0:31:07.680 --> 0:31:10.960
<v Speaker 1>did not exist. So Bennett kind of laid a heavy

0:31:10.960 --> 0:31:14.880
<v Speaker 1>one on us. You know, most of these are fun,

0:31:14.920 --> 0:31:19.080
<v Speaker 1>but that was very meaningful. Not yikes, I just mean,

0:31:19.800 --> 0:31:23.480
<v Speaker 1>I don't know what I mean meaningful, That's what I mean.

0:31:24.840 --> 0:31:28.760
<v Speaker 1>A lot of people are just putting videos up. That's fun.

0:31:29.120 --> 0:31:32.840
<v Speaker 1>She had more clips. What do a clip show do

0:31:32.880 --> 0:31:35.200
<v Speaker 1>a clip shop? I don't know about that. And it's

0:31:35.200 --> 0:31:37.080
<v Speaker 1>it's fair use. Man. We're talking about the fact that

0:31:37.080 --> 0:31:39.640
<v Speaker 1>they said fuck and uh and we can just have

0:31:39.720 --> 0:31:44.400
<v Speaker 1>it play Mike Blake from the Blues Brothers. You'd look

0:31:44.440 --> 0:31:50.160
<v Speaker 1>pretty stupid eating corn off the cob with no fucking teeth. Interesting.

0:31:50.160 --> 0:31:54.080
<v Speaker 1>There's a lot to unpack there born off the cob.

0:31:54.520 --> 0:31:57.640
<v Speaker 1>Corn on the cob. Well, I mean you're eating the

0:31:57.680 --> 0:32:00.560
<v Speaker 1>corn off the cob. Yeah, technically that is true. Yeah,

0:32:00.720 --> 0:32:02.240
<v Speaker 1>you know it's funny, Nolan. When I was missing my

0:32:02.280 --> 0:32:05.280
<v Speaker 1>front tooth and I ate corn on from the cob

0:32:05.360 --> 0:32:09.320
<v Speaker 1>and off the cob, there was a little, uh little

0:32:09.440 --> 0:32:11.800
<v Speaker 1>line all the way around where that front tooth would

0:32:11.800 --> 0:32:14.600
<v Speaker 1>not get that row of corn. So I had single

0:32:14.680 --> 0:32:20.000
<v Speaker 1>little rings of corn all around my cob. That's what

0:32:20.080 --> 0:32:21.440
<v Speaker 1>they don't tell you when you lose a tooth, No,

0:32:21.800 --> 0:32:23.680
<v Speaker 1>they don't. You're gonna have little rings of corn. My

0:32:23.760 --> 0:32:26.280
<v Speaker 1>kid lost a giant mueller over the weekend. She was

0:32:26.320 --> 0:32:28.800
<v Speaker 1>eating like like a chewy candy thing, and then this

0:32:28.880 --> 0:32:31.560
<v Speaker 1>big old mueller popped right out. She wasn't even expecting it. Really,

0:32:31.600 --> 0:32:33.920
<v Speaker 1>she's at that age where she's almost she's almost through

0:32:33.960 --> 0:32:37.440
<v Speaker 1>losing all the baby teeth, but occasionally it'll it'll happen. Well,

0:32:37.440 --> 0:32:39.440
<v Speaker 1>I forgot about the see when does that start? When

0:32:39.440 --> 0:32:41.760
<v Speaker 1>do you lose teeth? Oh gosh, when did it start?

0:32:41.840 --> 0:32:45.120
<v Speaker 1>I mean I would say five, I don't know, So

0:32:45.360 --> 0:32:48.120
<v Speaker 1>we're getting there. No, maybe later than that. Does it take?

0:32:48.360 --> 0:32:50.040
<v Speaker 1>How long did it take to lose all your baby teeth.

0:32:50.160 --> 0:32:52.200
<v Speaker 1>I have no idea, Chuck, I no, I forget all

0:32:52.240 --> 0:32:53.760
<v Speaker 1>that stuff. I do too, and I've been through it,

0:32:53.840 --> 0:32:56.320
<v Speaker 1>so I remember when I lost my front teeth the

0:32:56.320 --> 0:33:00.520
<v Speaker 1>first time when I was a child. Uh. Nick Kelly

0:33:00.600 --> 0:33:05.360
<v Speaker 1>from the movie The Edge, Anthony Hopkins says this, We're

0:33:05.360 --> 0:33:08.480
<v Speaker 1>going to kill the motherfucker when he's talking about the bear.

0:33:09.520 --> 0:33:12.080
<v Speaker 1>That's a bit of a guilty pleasure for me? Or

0:33:12.320 --> 0:33:16.000
<v Speaker 1>is that considered a guilty pleasure? Edge? With Alec Baldwin

0:33:16.000 --> 0:33:21.160
<v Speaker 1>and Baldwin l McPherson. Did she play the bear? She does. No,

0:33:21.280 --> 0:33:24.320
<v Speaker 1>it's Alec Baldwin and Anthony Hopkins, yeah, and al mcphers

0:33:24.400 --> 0:33:26.200
<v Speaker 1>and she plays the lady? Got it? Who plays the bear?

0:33:27.640 --> 0:33:32.960
<v Speaker 1>I believe? Is it Meryl Streep? I think she was

0:33:33.000 --> 0:33:37.400
<v Speaker 1>great in the new Godzilla movie as Mathra. Did you

0:33:37.440 --> 0:33:40.360
<v Speaker 1>see that? It sucks? Oh that's right, but you didn't

0:33:40.360 --> 0:33:42.560
<v Speaker 1>you say at least had some good monster Actually it's

0:33:42.560 --> 0:33:44.640
<v Speaker 1>got some fine monster action, but it's like it tries

0:33:44.680 --> 0:33:47.640
<v Speaker 1>to surround it with all this like fake story that

0:33:47.800 --> 0:33:51.640
<v Speaker 1>is just absolutely absurd and just boring, and none of

0:33:51.640 --> 0:33:54.719
<v Speaker 1>the characters do anything that makes sense, and it's just

0:33:54.800 --> 0:33:57.000
<v Speaker 1>not worth it. Like, there's a couple of good monster fights.

0:33:57.000 --> 0:34:00.520
<v Speaker 1>But I was just I fell asleep several times. Wow,

0:34:00.800 --> 0:34:02.520
<v Speaker 1>you're a movie sleeper, Null, I'm a bit of a

0:34:02.520 --> 0:34:05.760
<v Speaker 1>movie sleeper, Chuck, because that's several times now you've said

0:34:05.800 --> 0:34:08.480
<v Speaker 1>you fell asleep during a movie. Yeah, I'm not. I'm not.

0:34:08.520 --> 0:34:10.680
<v Speaker 1>I'm not proud of it. But it's a thing that happens.

0:34:10.760 --> 0:34:13.480
<v Speaker 1>That's why I don't go to late movies. I struggle,

0:34:14.000 --> 0:34:15.839
<v Speaker 1>I struggle, Chuck. If I go to a late movie,

0:34:16.560 --> 0:34:18.680
<v Speaker 1>struggle is real or old f and Gary Tigue from

0:34:18.680 --> 0:34:26.960
<v Speaker 1>Pulp Fiction. If any of you fucking cricks move, you know,

0:34:27.000 --> 0:34:29.000
<v Speaker 1>it's funny. Is like I had the soundtrack to Pulp

0:34:29.000 --> 0:34:31.560
<v Speaker 1>Fiction before I ever saw the movie, and that's how

0:34:31.560 --> 0:34:33.840
<v Speaker 1>the soundtrack opens up. The soundtrack, you know. He was

0:34:33.880 --> 0:34:36.120
<v Speaker 1>he always had little clips from the movie and that's

0:34:36.160 --> 0:34:38.759
<v Speaker 1>the very first thing you hear on the soundtrack. That's right,

0:34:38.840 --> 0:34:43.160
<v Speaker 1>and then and then it goes right in an exactly Alright,

0:34:44.000 --> 0:34:46.759
<v Speaker 1>I saw Dick Dale. It's just recently passed, right, I

0:34:46.800 --> 0:34:48.440
<v Speaker 1>think in the last year two. Because he would always

0:34:48.480 --> 0:34:50.279
<v Speaker 1>come and do shows at the Earl like he would

0:34:50.280 --> 0:34:52.200
<v Speaker 1>he would tour in his car, I think, and like

0:34:52.600 --> 0:34:53.960
<v Speaker 1>saw him like a lot of money. I saw him

0:34:53.960 --> 0:34:56.520
<v Speaker 1>playing Athens. It was great. Dick Dale was very famous

0:34:56.560 --> 0:34:59.960
<v Speaker 1>for using uh, I don't even like fucking piano wire. Basic.

0:35:00.160 --> 0:35:02.080
<v Speaker 1>It was the heaviest gauge string you can get on

0:35:02.080 --> 0:35:05.120
<v Speaker 1>a guitar. Yeah, because he just whales on it, you know,

0:35:05.360 --> 0:35:09.640
<v Speaker 1>and he just needs something strong. Um. All right, let's

0:35:09.640 --> 0:35:14.040
<v Speaker 1>finish this up with Tim robertson our old pal says

0:35:14.120 --> 0:35:16.560
<v Speaker 1>this from Coming to America when they walk in front

0:35:16.560 --> 0:35:21.879
<v Speaker 1>of the taxi, halt you dumb fuck? What does dumb

0:35:21.920 --> 0:35:25.960
<v Speaker 1>fuck mean? That's pretty good, funny movie. They're doing a

0:35:26.000 --> 0:35:29.680
<v Speaker 1>sequel to that? No, oh, really a sequel yeah, with

0:35:29.719 --> 0:35:31.880
<v Speaker 1>everyone all all the originals are signed on you. I

0:35:31.920 --> 0:35:34.359
<v Speaker 1>believe we have James Earl Jones, Eddie Murphy, and our

0:35:34.400 --> 0:35:37.440
<v Speaker 1>Cineo Hall. And I think the plot, of course, is

0:35:38.680 --> 0:35:42.759
<v Speaker 1>Eddie Murphy's son now wants to go to America or

0:35:42.840 --> 0:35:45.000
<v Speaker 1>something like that, which is what you do in The

0:35:45.000 --> 0:35:51.560
<v Speaker 1>Suspect many years later. It's a little worrisome because, like,

0:35:52.920 --> 0:35:55.000
<v Speaker 1>is there any way to make that movie? Is good?

0:35:55.600 --> 0:35:58.440
<v Speaker 1>It's coming to America? Was is it just going to

0:35:58.480 --> 0:36:00.759
<v Speaker 1>be a big fat disappointment? Why does Eddie Murphy not

0:36:00.880 --> 0:36:04.480
<v Speaker 1>do anything good ever anymore. Well, you know what I've

0:36:04.480 --> 0:36:06.560
<v Speaker 1>said for a while is Eddie Murphy should go back

0:36:06.680 --> 0:36:09.160
<v Speaker 1>and do get an hour of stand up together. Yeah,

0:36:09.280 --> 0:36:12.200
<v Speaker 1>like something really good, go back to his roots and

0:36:12.280 --> 0:36:14.520
<v Speaker 1>what made him funny. Or I'd love to see him

0:36:14.600 --> 0:36:17.080
<v Speaker 1>cast interestingly and then like something, you know, sort of

0:36:17.120 --> 0:36:19.520
<v Speaker 1>like the way Adam Sandler was used in Punch Drunk

0:36:19.560 --> 0:36:20.759
<v Speaker 1>Love or something like that. Like, I'd love to see

0:36:20.840 --> 0:36:24.040
<v Speaker 1>Eddie Murphy in something really intense. Yeah, I mean he

0:36:24.160 --> 0:36:28.440
<v Speaker 1>tried to do that. I believe when he did uh

0:36:28.760 --> 0:36:32.000
<v Speaker 1>uh dream Girls showed a different side. He got nominated

0:36:32.040 --> 0:36:34.080
<v Speaker 1>for Academy Award, did not win, and I think he

0:36:34.160 --> 0:36:36.400
<v Speaker 1>was very salty about losing that award. I think he

0:36:36.440 --> 0:36:39.120
<v Speaker 1>thought he was gonna win um. And I think he

0:36:39.239 --> 0:36:42.440
<v Speaker 1>tried to do one recently that was a full on

0:36:42.800 --> 0:36:49.440
<v Speaker 1>drama that did not do well um at all. So okay,

0:36:49.520 --> 0:36:51.239
<v Speaker 1>there you go. So he has attempted I just well,

0:36:51.239 --> 0:36:53.120
<v Speaker 1>what I'm afraid of is that he's attempted this with

0:36:53.160 --> 0:36:56.520
<v Speaker 1>the wrong material. He here's what he should do. No,

0:36:57.760 --> 0:37:02.360
<v Speaker 1>he's doing this serious movie. That's some big Hollywood attempt

0:37:02.360 --> 0:37:04.719
<v Speaker 1>at something. What he needs to do is get some

0:37:04.840 --> 0:37:09.200
<v Speaker 1>young indie director to write him a real gritty, down

0:37:09.280 --> 0:37:12.120
<v Speaker 1>to earth, gritty role and make it act like, don't

0:37:12.120 --> 0:37:14.479
<v Speaker 1>do the Hollywood version of that, because it's still gonna suck.

0:37:14.760 --> 0:37:18.279
<v Speaker 1>He's so insulated in his bubble he has. No you

0:37:18.320 --> 0:37:20.239
<v Speaker 1>can't get to Eddie. Yeah, you can't get to Eddie

0:37:20.280 --> 0:37:22.719
<v Speaker 1>Murphy with the independent film. I think a lot of

0:37:22.719 --> 0:37:25.160
<v Speaker 1>people should do that. I'd love to see, uh, Tom

0:37:25.200 --> 0:37:28.840
<v Speaker 1>Hanks start indie film. I had a movie idea a

0:37:28.840 --> 0:37:31.799
<v Speaker 1>while back for Chevy Chase because he plays piano, to

0:37:31.840 --> 0:37:35.279
<v Speaker 1>play to have his big comeback film Beat. Chevy Chase

0:37:35.440 --> 0:37:40.680
<v Speaker 1>is a down on his luck, sad sack jazz piano player,

0:37:41.400 --> 0:37:43.920
<v Speaker 1>but sort of mirror Chevy Chase's life, if you know

0:37:43.960 --> 0:37:46.120
<v Speaker 1>what I mean. But through the lens of a chass

0:37:46.200 --> 0:37:49.400
<v Speaker 1>piano player, that'd be pretty cool. Um, he just seems

0:37:49.400 --> 0:37:52.120
<v Speaker 1>like he's I don't know, he seems like a real

0:37:52.440 --> 0:37:56.160
<v Speaker 1>pill prick. Yeah he's supposed to be. Yeah, that was

0:37:56.200 --> 0:37:59.040
<v Speaker 1>always the line on Jevy Chase. Not a fun guy.

0:37:59.840 --> 0:38:04.279
<v Speaker 1>So no, we should, we should make these movies. I'm

0:38:04.360 --> 0:38:09.919
<v Speaker 1>game Sharknado, Sharknado. I had that idea, stole that one. Well,

0:38:10.080 --> 0:38:13.160
<v Speaker 1>it's that's just parallel thinking. Chuck parallel thinking. All right,

0:38:13.200 --> 0:38:15.239
<v Speaker 1>I got nothing else, No, I don't either. You want

0:38:15.239 --> 0:38:17.200
<v Speaker 1>to sign off with your favorite F bomb or just

0:38:17.320 --> 0:38:21.839
<v Speaker 1>in life? What's your favorite way to use it? Um?

0:38:21.880 --> 0:38:24.040
<v Speaker 1>I don't know, like sort of as a comma, you know,

0:38:24.840 --> 0:38:27.239
<v Speaker 1>fucking whatever, fucking this, fucking you know, I don't know.

0:38:27.280 --> 0:38:29.800
<v Speaker 1>It's pretty lazy use of it. Honestly, I'm lazy with it.

0:38:29.840 --> 0:38:32.120
<v Speaker 1>I drop a lot of F bombs, but I think

0:38:32.920 --> 0:38:34.880
<v Speaker 1>I think the term funked up is pretty crazy up

0:38:34.880 --> 0:38:37.440
<v Speaker 1>as guy like that was fucked up. That was fucked up.

0:38:39.120 --> 0:38:55.960
<v Speaker 1>Good by everyone. For more podcasts for my heart Radio,

0:38:56.120 --> 0:38:58.840
<v Speaker 1>visit the I Heart Radio app, Apple Podcasts, or wherever

0:38:58.880 --> 0:39:00.200
<v Speaker 1>you listen to your favorite show. It's