Speaker 1: Welcome to Movie Crush, a production of I Heart Radio. Hey, everybody,
Speaker 1: welcome to Mini Crush. How are you? Are you talking
Speaker 1: to them or to me? How's everybody? I'm okay, my
Speaker 1: arm still hurts. It's been almost a month. Yeah, I
Speaker 1: didn't check in. It's just like, you know, it's getting
Speaker 1: stronger by the day. If anyone that hasn't, you know,
Speaker 1: heard the backstory and this. I fell off one of
Speaker 1: those stupid electric scooters and bang my arm up pretty
Speaker 1: good and it still hurts. Obviously, I never went to
Speaker 1: a doctor. I didn't go to the doctor. What are
Speaker 1: they gonna do? What are they gonna do? They'll say,
Speaker 1: you hurt your you hit your arm, don't write scooter,
Speaker 1: So they'll say, don't ride scooters. They'll say, be a
Speaker 1: little smarter, wise up kid, that's what they'll say. And
Speaker 1: that's hurt. That'll hurt my feelings because my doctor is
Speaker 1: a nineteen thirties mobster. Oh really, let's unpack this a
Speaker 1: little bit. I want to hear a little bit more.
Speaker 1: Don't name the doctor, but like, what do you mean
Speaker 1: by that? I'm I mainly made it up entirely, and
Speaker 1: I'm joking. But oh I'm sorry, should I have I
Speaker 1: should have kept it going? Shouldn't all of his instruments
Speaker 1: you'd be great at improv? Yeah, that was a hard no,
Speaker 1: and nothing that was what that was. No, he keeps
Speaker 1: all his instruments in a violent case. Um where's he
Speaker 1: wears a fedora kind of cocked to the side, you know.
Speaker 1: And uh, yeah, we did talk about taking improv classes
Speaker 1: were I mean, it's it's definitely you know what they say,
Speaker 1: and the first day is if you say something funny
Speaker 1: and someone says, oh yeah, tell me more about it.
Speaker 1: Don't say, oh no, I just made it all up. Yeah,
Speaker 1: they do say that, that's definitely improv. One oh one. Yeah.
Speaker 1: All right, Now we're gonna start because we got some
Speaker 1: request for another edition of this. It's been a while
Speaker 1: and this week, Noel, I'm gonna go for body doubles,
Speaker 1: stunt doubles, and stand ins. Nice. Those are three different things,
Speaker 1: and some people might not fully understand what all these
Speaker 1: roles mean and what they do. So here's Chuck's version.
Speaker 1: So a body double is you know what a body
Speaker 1: double is, right, Well, I know what it is in
Speaker 1: terms of like a political figure who has like a
Speaker 1: body double that they you know, have standing in for
Speaker 1: them at events and stuff like yeah, okay, like another country,
Speaker 1: so I'll have like a fake Sadam. Yeah, and also
Speaker 1: like famously had one. Well it's also to like confuse
Speaker 1: people and throw them off the trail of the real one.
Speaker 1: So they'll send the body double one to one location
Speaker 1: all the real one is somewhere else, and it keeps
Speaker 1: the heat off of the real one. All right, Well
Speaker 1: that's not how it works in movies. I I've never
Speaker 1: understood the difference between these three things except for the stunt.
Speaker 1: But what does body double? So a body double in
Speaker 1: a movie is when there is a body part usually
Speaker 1: that isn't quite right on the real actor and they
Speaker 1: use someone else. So most often it's used for like
Speaker 1: a nude scene. So an actor someone's got a weird
Speaker 1: looking penis not even weird looking, but um, an actor
Speaker 1: will uh usually how it works, as an actor will
Speaker 1: not want to do a nude scene. Um. So like
Speaker 1: maybe if it's a young woman, she'd be like no, no no, no,
Speaker 1: I'm not doing a nude scene. So they will body
Speaker 1: double her. And it's very obvious because you know, you
Speaker 1: see just the body and the body like from the
Speaker 1: neck down. Um. But also it could be like, you know,
Speaker 1: if you need the lead actor has to grab the
Speaker 1: sword from the stone and it turns out he's got
Speaker 1: a little like baby hands, then they will get in
Speaker 1: some big burly man hands to grab the sword and
Speaker 1: just do the insert shot of the hand. This is
Speaker 1: really helpful that this makes a lot of sense. Sometimes
Speaker 1: it's used when like we need a shot of the
Speaker 1: actor picking up a cup of coffee, but like we
Speaker 1: don't want to pay Morgan Freeman to come in and
Speaker 1: do just that. They'll do that. That's like a whole
Speaker 1: series of pickup shots they'll do as well. Yeah, they'll
Speaker 1: go on a different day doubles about this to do
Speaker 1: that and save money. And I had a pal who's
Speaker 1: assistant director, and she would tell me about how like
Speaker 1: they would literally do a whole days of insert shots
Speaker 1: like that with somebody else so they could keep things
Speaker 1: moving to just the action. You don't pay George Clooney
Speaker 1: his rate to come in there and pick up a
Speaker 1: coffee gup. So that's basically what a body double is.
Speaker 1: There's all sorts of ways you can use them, but
Speaker 1: it's generally just when you want to shoot another part
Speaker 1: of a body for whatever reason, uh, than the the
Speaker 1: actors stunt Doublesknoll, You know what a stunt double is, Yeah,
Speaker 1: I mean it's someone who has the same build uh
Speaker 1: and often similar enough face that from far away shots
Speaker 1: they could pass for the real one. But it's the
Speaker 1: person who actually does the scary, dangerous stunts. Yeah. And
Speaker 1: there's there's a bit of a thing there. There can
Speaker 1: be just like a stunt person who does like some
Speaker 1: really big stunt, like a big fall from a wind
Speaker 1: or a huge um something that requires a lot of expertise,
Speaker 1: and they don't always have to look um as much
Speaker 1: like the actor if they can costume them up and
Speaker 1: wig them up um to the point where, like you said,
Speaker 1: from whatever angle or from far away, they can pass
Speaker 1: for it. But a true stunt double double is these
Speaker 1: are the people that do look a lot like the
Speaker 1: actor in her size similarly, and we'll do like the
Speaker 1: fighting scenes and stuff that's a little more close up
Speaker 1: than like someone who jumps off a building onto an
Speaker 1: air bag. There was a going around with side by
Speaker 1: side shots of like what's her name, uh, Captain Marvell,
Speaker 1: Captain Marvel No no no, I saw that one. There
Speaker 1: was another one though with like um the Bride Uma Thurman,
Speaker 1: and then the woman who is her double, lifelong stunt double,
Speaker 1: and she was actually in uh sure it's uh she's
Speaker 1: Australian and I can't think of her name. I can't think.
Speaker 1: But it also had uh some other ones um I
Speaker 1: believe it was huge Ackman and they all looked very
Speaker 1: very very similar, had the same air cut, same you know,
Speaker 1: style and everything. But then there was a picture of
Speaker 1: Jackie Chan just by himself because I did see that's
Speaker 1: it's a gag because he does it sound stunts, as
Speaker 1: does Keanu reeves Man in those John Wick movies. I
Speaker 1: finally saw the third one, by the way, what was it? Was?
Speaker 1: It good? It's just like sensory overload I've heard, just
Speaker 1: like I really enjoy those films too. Zoe Bell by
Speaker 1: the way, shout out to her. But yeah, so stunt
Speaker 1: double is a lot of times an actor will take
Speaker 1: this double throughout their career um or at least to
Speaker 1: a bunch of movies. But if they land on someone
Speaker 1: that's really good and looks like them and can do
Speaker 1: their thing, you might see someone work with the same
Speaker 1: stunt double for for many many films or their their
Speaker 1: whole career um and they the actor will get them
Speaker 1: work and and in fact, we might as well to
Speaker 1: say this since we're on it a lot of times.
Speaker 1: Actors and know, if they're big enough, we'll have their
Speaker 1: own stylists and their own wardrobe person that travels with
Speaker 1: them from movie to movie as well, and they are
Speaker 1: hired at the premium rate, and they're they're called their
Speaker 1: personal at the request of the actor probably too, my personally,
Speaker 1: this is my might always do my movies. They know
Speaker 1: how to do my hair right, my makeup right, and
Speaker 1: they're comfortable with them personally, and they don't want to
Speaker 1: be assigned just whoever on the crew. I wonder if
Speaker 1: that ever becomes a clash where like maybe sure it happened,
Speaker 1: maybe the production team or the directors like we need
Speaker 1: to go We're gonna go a little different direction than
Speaker 1: this one. You know. Yeah, I knew someone who was
Speaker 1: mailed from Mitzi was Jennifer Lopez's personal stylist for a
Speaker 1: while for wardrobe. However, heard j lo Is is a
Speaker 1: little bit. You know, she actually said the opposite because
Speaker 1: I was like, oh, I've heard stories, and she was like,
Speaker 1: she's really nice. Actually a lot of that was blown
Speaker 1: out of proportion. Well that's nice to clear the air
Speaker 1: on that one. Yeah, but I mean this was her opinion,
Speaker 1: of course, but she worked closely with her. I'll say that,
Speaker 1: what about a stand in? I think I know what
Speaker 1: a stand in is to catch the light. It's like
Speaker 1: so that the actor doesn't have to actually be in
Speaker 1: there while they're adjusting marks and lighting and things right
Speaker 1: exactly right now. Also a stand in what happens is
Speaker 1: usually on set is what happens is they will bring
Speaker 1: in the jors for a run through, the real electors,
Speaker 1: and they will kind of run through the scene, um
Speaker 1: and block it and blocking me you know what this is.
Speaker 1: But blocking is like you're gonna stand here here here
Speaker 1: the camera person puts down tape marks on the floor.
Speaker 1: Because you can't just willie nilly light things. It's very exact,
Speaker 1: not to mention, it has to sync up with the
Speaker 1: way the camera moves all the things that dance, you know, like,
Speaker 1: so you will you will get your blocking done, do
Speaker 1: your little run through with the director. Uh, And then
Speaker 1: they say they will dismiss the actors for what they
Speaker 1: call last looks, which is go back to hair and
Speaker 1: make up, just to make sure you're already go make
Speaker 1: sure your flyes zipped up in your wardrobe looks just right.
Speaker 1: And during last looks is when the grips and the
Speaker 1: electricians and the camera department were really finally set their
Speaker 1: equipment and they do that with the help of stand in.
Speaker 1: And the stand in doesn't really have to look like
Speaker 1: the actor, but they should be similarly sized, similar height,
Speaker 1: similar similar colored um like hair and skin tone. Usually
Speaker 1: like you wouldn't hire like a tall after an American
Speaker 1: to play Elijah to stand in for Elijah Wood, let's say, um,
Speaker 1: but they don't have to like facially look as much
Speaker 1: like them as like a double. And I would say realistically,
Speaker 1: a stand in its probably also an aspiring actor or
Speaker 1: possibly an extra they just pull out for from the
Speaker 1: fray and say, hey, you're good enough to be the
Speaker 1: stand in. Yeah, but a standing can also travel with
Speaker 1: an actor as well and be used like on multiple films.
Speaker 1: And again if it's they like someone and they do
Speaker 1: a good job, you know, stand in and extras. If
Speaker 1: if you're doing a good job, that means you're keeping
Speaker 1: your mouth shut and you're just doing what you're told
Speaker 1: it's it kind of sucks to say that. Well, but
Speaker 1: the worst extras are are the ones that have too
Speaker 1: many questions and too many needs. No you got you
Speaker 1: stand your lane. You stay in your lane. And and
Speaker 1: really pro extras in California know that ship and they
Speaker 1: know just to like get their work done, and they
Speaker 1: know when to a moat and when when to not
Speaker 1: overdo it. You know, like what the scene calls for.
Speaker 1: Because being a professional extra, I mean, it's not just
Speaker 1: standing around like you gotta do all kinds of don't
Speaker 1: if everyone realizes this in a big dinner party or
Speaker 1: restaurant scene, no one else is talking when it looks
Speaker 1: like everyone else is laughing and talking and you hear
Speaker 1: that that's all audio soundtrack stuff. Everyone is fake talking.
Speaker 1: It's really uh hard to do. Because I was an
Speaker 1: extra couple of times. My brother got me on some jobs.
Speaker 1: It's not easy. And that also probably makes it easier
Speaker 1: for the real actors to not get distracted or whatever,
Speaker 1: you know, to make sure that they can don't get
Speaker 1: in their eyeline. Don't like stare at Jennifer Lopez when
Speaker 1: she walks in like be a pro. Uh. There's a
Speaker 1: great part I might have mentioned this before, but in
Speaker 1: the movie Pollock the Great Ed Harris in the director's commentary,
Speaker 1: there's one party scene where the camera's going by and
Speaker 1: there's this extra that's just way overdoing it, and Ed Harris,
Speaker 1: who seems kind of cranky anyway, just goes that fucking
Speaker 1: extra guys handing it up. Oh man, so good? All right, No,
Speaker 1: I guess what's next. I couldn't possibly Hiku Theater, Yes,
Speaker 1: my favorite. It's been a while. I realized we've been
Speaker 1: getting the high coups the short shrift. So I did
Speaker 1: a Hi Ku Theater Action Movie edition, and I had
Speaker 1: people and we'll see if they if they follow directions. Well, geez,
Speaker 1: now we have two hundred and fifty high cus. That's
Speaker 1: pretty good. That's very good, good haul. Actually we don't.
Speaker 1: We have a hundred and seven, but it's still pretty respectable. Yeah,
Speaker 1: and you know, we've got a whole series of high
Speaker 1: cous because I'm just leaving these up now so we
Speaker 1: can draw from this well for months to come. We're
Speaker 1: actually working on a Hi Ku Coffee table book with
Speaker 1: all of this stuff, and you will each get you
Speaker 1: a residual check of one dollar. That's right, that's too
Speaker 1: much for a high coup. How about one cent? One cent? Alright, um,
Speaker 1: actual movie edition. Everyone, We're gonna start with J. J. Rabino,
Speaker 1: one of Earl Pal's Kill Bill Volume two, Pie May
Speaker 1: Taught Kiddo Texas, Funeral Escape, Exploding Heart Shot. I love it.
Speaker 1: Arl Powell Robe, Rebecca Robe, who was doing great by
Speaker 1: the way, says um, this is King Arthur Legend of
Speaker 1: the Sword. I don't know that movie. Was that the
Speaker 1: most recent one that guy Ritchie did. Maybe he did
Speaker 1: a very poorly reviewed King Arthur movie pretty recently. But
Speaker 1: here here's my dirty secret. Uls. I think guy Richie
Speaker 1: kind of sucks. He's definitely sucked for a long time.
Speaker 1: I just don't I enjoyed Snatch. I thought Snatch was fine.
Speaker 1: I'm trying to remember back. I guess I might have
Speaker 1: liked lock Stock and Snatch. Maybe those are the only
Speaker 1: two that I ever liked. He did a bunch of
Speaker 1: weird ones after that. He did like Castaway movie with
Speaker 1: Madonna that was supposed to be ungodly. And I did
Speaker 1: not see those Sherlock Holmes movies, so maybe they're good,
Speaker 1: but I didn't see him. He did the most recent
Speaker 1: Aladdin movie. It's the theaters right now that everyone in
Speaker 1: a childhood Killer. Yeah, so r all bal robe, says
Speaker 1: Studley Chuck Huntman about Charlie Hunman, Eric Banna and Elephants.
Speaker 1: Jude Law is an ass true app all right. Jude
Speaker 1: Law does tend to play like cop a cocky little ship,
Speaker 1: doesn't he. Yeah. You know Emily story about Jude Law
Speaker 1: that she uh, And this is kind of funny because
Speaker 1: she told me the story many many years ago. She
Speaker 1: was like, you know, Jude Law asked for my number
Speaker 1: when I was in high school. It's like what. She
Speaker 1: was on tour in England with her show choir and
Speaker 1: went to the hard Rock Cafe London and she said
Speaker 1: je Law was the bartender and we were talking and
Speaker 1: talking and he asked for my phone number at the end.
Speaker 1: And I was like, this sounds very suspect, not that
Speaker 1: jud Law would ask for a phone number, but just
Speaker 1: all the whole scenario, the whole scenario seems very outlandish. Uh.
Speaker 1: She dug through her photos from her trip in a
Speaker 1: box in the corner, pulled out a photo a fucking
Speaker 1: Jude Law in his hard rock Cafe shirt and I
Speaker 1: was like, wow, that's straight up. That's amazing, pretty amazing,
Speaker 1: But I got her Jude back off Jeff Clark. Carl
Speaker 1: Pal says the movie Free Fire. Don't know it? Uh,
Speaker 1: charlto Copley too late, Now I'm offended. Bree Larson in Jeans,
Speaker 1: I don't know that movie. Don't know either, but it
Speaker 1: sounds kind of dull. Actually, if if the highlight the
Speaker 1: punch line of the of the Haiku is Bree Larson
Speaker 1: in Jeans, I don't. I don't think I'm interested, Arl
Speaker 1: Palvanessa Lopez does the matrix red pill or blue pill?
Speaker 1: Just follow the white rabbit? Whoa, I know, kung Fu?
Speaker 1: Of course that's a good one. Good job, Vanessa. That's
Speaker 1: the matrix too, right, No, I know concue was one right? Okay,
Speaker 1: back on my trip from the last episode we did,
Speaker 1: you know, me and Maddie Frederick are gonna do the
Speaker 1: matrix in here? Is that right? Old Maddie, good good boy, Maddy?
Speaker 1: All right? T J Danny for mad Max fury Road says,
Speaker 1: this time to just relax and enjoy a nice movie.
Speaker 1: J K Acid Trip, Jki Trip. Very psychedelic, that movie
Speaker 1: very psychedelic. Our old friend Dylan Thomas, he always comes
Speaker 1: out of the would work with the poetry, no surprise. Yeah,
Speaker 1: he's a fantastic poet. The Expendables old action stars in
Speaker 1: a film that's basically one big explosion. I didn't see that,
Speaker 1: did you? The first I saw the first one. There
Speaker 1: were they were at least at least one more, maybe
Speaker 1: two more. I didn't see it. I gotta say it's
Speaker 1: it was a pretty interesting idea to put together, like
Speaker 1: all the biggest action heroes. Yeah, they just doubled down
Speaker 1: on the second one. I think they added some added
Speaker 1: some like Bruce Bruce Willis, I think he's in the
Speaker 1: second one, and Adolph Lungern is in maybe all of them,
Speaker 1: but he's definitely in the second one. All right, our
Speaker 1: old friend Cube's Don Cuby. She does the movie speed. No,
Speaker 1: this bus, the bus couldn't stop otherwise it would explode.
Speaker 1: He shoots the hostage pretty straightforward. Which hostage did he shoot? Well,
Speaker 1: I remember that was the whole thing, like whether or
Speaker 1: not you're going to shoot the hostage. That was the
Speaker 1: sort of the big incident at the beginning of shot
Speaker 1: Jeff Daniels in the leg right, Yeah, that's why I
Speaker 1: ended up pushing paper. Oh, duh, yeah, of course exactly, yes, yes, yes,
Speaker 1: Megan Carol, our old friend, as pirates of the Caribbean,
Speaker 1: sea ships, lots of swords, unnecessary sequels. Why is the
Speaker 1: rum gone? I like it. I have to have to
Speaker 1: raise a question here, shuck. You say Caribbean, some say Caribbean.
Speaker 1: What do you say? I say Caribbean? But Caribbean is
Speaker 1: like Caribbean queen, like the vally Ocean song. It's not
Speaker 1: airing the same. Yeah, no more love in the run.
Speaker 1: A lot of times people say pirates of the Caribbean,
Speaker 1: you know, as opposed to Pirates of the Caribbean. Let's
Speaker 1: say pirates of the Caribbean. I think i'd say pirates
Speaker 1: of the Caribbean. I think you said. I don't think
Speaker 1: either is right or wrong. It's just more of a taste,
Speaker 1: personal taste thing. Yeah, I'm just trying to see which
Speaker 1: side we fall on. Let us know which side do
Speaker 1: you fall on? Well? What's interesting, though, is I think
Speaker 1: I say pirates of the Caribbean, but I think I
Speaker 1: would go visit the Caribbean. Exactly what's that all about?
Speaker 1: It's no one knows. Just one of those things or
Speaker 1: old pal Alec Glasnovich says this, Chuck and nol, you
Speaker 1: know it's not d C. When I say this is
Speaker 1: bad Country. Oh okay, do you know what that is? Well,
Speaker 1: I mean that's it's not d C. I don't quite
Speaker 1: get that one. Is he implying like a Batman connection
Speaker 1: because of d C comics? But then that back country
Speaker 1: is not at all Spear and Loathing and lassan that's
Speaker 1: what he's talking about was DC? Me? What whit was
Speaker 1: the DC reference in there? I don't know. It's not
Speaker 1: d C. When I say I don't know, I don't
Speaker 1: write it has nothing to do with the movie. And
Speaker 1: it's just let us give us a little clarification. Alright.
Speaker 1: The movie Volcano from Lauren Mantle La Sienega. La Sienega
Speaker 1: burns brightly in lava flows Mount Wilsher Alive. Nice. So
Speaker 1: I assume this movie is about a volcano that erupts
Speaker 1: in Los Angeles. Yeah, you didn't see that one. No,
Speaker 1: what's which volcano with this? I believe Volcano had Tommy
Speaker 1: Lee Jones and in hey I'm not mistaken, got it?
Speaker 1: But but this is this is an imaginary volcano? Is
Speaker 1: there potentially a active volcano? And know it was. It
Speaker 1: was a real volcano. Really, it was not a movie
Speaker 1: about an imaginary volcano. No, I mean, in real life,
Speaker 1: which volcano might this have been. I think it had
Speaker 1: to do with the lab tart, but yeah, that makes sense. Yeah,
Speaker 1: I was wondering if I'm not mistaken. Which is always
Speaker 1: a fun visit, by the way, is and it really
Speaker 1: smells like fresh paving. Yeah, yeah, it's pretty the cool
Speaker 1: like the mammoth and the mammoth baby that's stuck in
Speaker 1: the sad they break your heart before you even walking
Speaker 1: the door. I think I told the story once. But
Speaker 1: you know, there's the big tar pit, but there's tar
Speaker 1: like sort of around because I was we were shooting
Speaker 1: a job there and I was a p a and
Speaker 1: I was just standing sort of off to the side
Speaker 1: and the grass, and I looked down and there was
Speaker 1: little bubbly tar about eight inches wide, just a little
Speaker 1: bitty tar bubbles. Even the little ones, though they they
Speaker 1: cordon off, usually they have little you know, this one
Speaker 1: was not yet. M there's a there's a medium sized one,
Speaker 1: and then there's some smaller ones. But even some of
Speaker 1: the smaller ones have a little square boxes around them. Interesting, Yeah,
Speaker 1: this one was. I would describe it as Tine's got it.
Speaker 1: Our old pal Louis Silva. For the movie Rocky. I
Speaker 1: don't know if that's an action movie, but we'll count it.
Speaker 1: You're a bomb, Rocky, the champ has given you a shot.
Speaker 1: Adrian loves you well called him a bum? Uh? Well,
Speaker 1: was it the trainer Mickey certainly said the word bumb
Speaker 1: a lot. I don't remember him calling Rocky a bum.
Speaker 1: He very well might have, alright, Nol from Commando, our
Speaker 1: old pal Gary m Strange. Do you remember I said
Speaker 1: I would kill you last Well, my friend, I lied
Speaker 1: Snap Arnie, I haven't seen Commando, Oh boy, I mean,
Speaker 1: I bet it's a lot of fun if you if
Speaker 1: you want to take a nostalgia trip down Mines action
Speaker 1: Arnie Commando is kind of the best one. A lot
Speaker 1: of great Arnie one liners. I mean, if you consider
Speaker 1: those great. Yeah, he kind of goes over the top
Speaker 1: of Commando. Jeffrey Fleming, I think he's an old friend.
Speaker 1: For the movie Zoro Masked, Bandit and Black gets revenge
Speaker 1: for dead brother. Zoro saves the day. Baird Williams Swedman
Speaker 1: does point Break. Johnny Utah said I'm an FBI agent.
Speaker 1: I'm fucking surfing. Should pair that with I know, kung Fu.
Speaker 1: He's got a lot of those kind of like real dumb,
Speaker 1: dumb kind of one liners, doesn't he sort of thing? Yeah,
Speaker 1: that's great though. Barry King, our old friend for Jurassic Parks,
Speaker 1: says this, we have a t Rex. Welcome to Jurassic Park.
Speaker 1: Hold onto your butts. That's my Sam Jackson. It's pretty good,
Speaker 1: motherfucker's Yeah. Alright, how much time do we have. Let's
Speaker 1: do a couple of more. Let me see here. Hot
Speaker 1: Fuzz is the movie all and our old friend Rob
Speaker 1: Johnson says this village of the year hooted killer on
Speaker 1: the loose for the Greater Good good movie, very good.
Speaker 1: I haven't seen him a long time, but that's part
Speaker 1: of his little trilogy, right, He's got Shaun of the Dead,
Speaker 1: Hot Fuzz Fuzz, and then the End of the World
Speaker 1: or what's it called. Oh yeah, yeah, yeah, the World's End,
Speaker 1: The World's End. That was good. And then finally we're
Speaker 1: gonna finish with top Gun and john shawl requesting fly
Speaker 1: By let the man have his coffee. The pattern is full,
Speaker 1: all right, not bad? Everyone, not bad? All right? No, you.
Speaker 1: We're gonna finish with today, do tell We're gonna do
Speaker 1: about ten minutes of up with fuck Yes Love. Ramsey's
Speaker 1: a sound designed for this bit. So I think I
Speaker 1: lost the original one and uh reposted last night. So
Speaker 1: these are all new Fox everyone, and here we go.
Speaker 1: Francesca Marie says this from Empire Records. Stop calling me Warren.
Speaker 1: My name isn't fucking Warren. Not bad. I got a
Speaker 1: lot of up likes for that. That's a beloved movie
Speaker 1: in certain circles. Did you ever see that one Records? Yeah, yeah, yeah, yeah,
Speaker 1: with Rex Manning, Rex Manning, Yeah yeah. Isn't he like
Speaker 1: the Is he a DJ or? He's like a big star.
Speaker 1: He's like a big I think a big star. It's Tyler.
Speaker 1: I thought was very fetching in that sweater. Well nol.
Speaker 1: I will say this. I had a and I guess
Speaker 1: continue to have a big fat crush on lip Tyler
Speaker 1: all those Aerosmith videos. She just is very pretty. She's
Speaker 1: got a way about her and very talented. She No,
Speaker 1: you don't I think she like took old time off.
Speaker 1: Vanessa Lopez are old friends says this, and this is
Speaker 1: one of my favorites. As well. Vanessa Harvey Kitel is
Speaker 1: the wolf in pulp fiction Pretty Please with sugar on top.
Speaker 1: Clean the fucking car, Clean the car. Great. I haven't
Speaker 1: seen that in a while. I have that reserve for
Speaker 1: Jack O'Brien. He he called DIBs on pulp fiction. So
Speaker 1: we're gonna make that happen at some point. How stoked
Speaker 1: are you about Once upon a Time in Hollywood? Have
Speaker 1: you seen the full length trailers for that? I have,
Speaker 1: but now I want to know nothing more. I want
Speaker 1: to just say him down. But that does go back
Speaker 1: to our previous conversation because that movie, Uh, A lot
Speaker 1: of it is the due relationship between an actor and
Speaker 1: his stunt double, stunt double who he has to like
Speaker 1: his career. I heard a really interesting interview with Timothy Oliphant,
Speaker 1: who I love, who was apparently really good friends with
Speaker 1: Conan O'Brien, and he was on his podcast and it's
Speaker 1: a great interview. No, this is from something different, uh,
Speaker 1: Timothy Oliphant, And you probably know this. Tarantino allows no
Speaker 1: phones on his set. Did not know that, like as
Speaker 1: a a huge, huge like rule. But they have a
Speaker 1: tent set up where you check your phone in before
Speaker 1: you go on set, and it's not even because of leaks.
Speaker 1: It's to create an environment where everyone is undistracted and
Speaker 1: they're to make something together. You know, yes, no, I
Speaker 1: think it's huge. I went to the pool just to
Speaker 1: me soapboxet for one. I went to the pool at
Speaker 1: my in law's house with my family on Father's Day.
Speaker 1: Happy Father's Day by the way, thanks. And uh, both
Speaker 1: both fucking lifeguards sitting in their chairs staring at their phones.
Speaker 1: Can you believe that that's that's a I mean, it's
Speaker 1: a liability. It's a big time liability. And it's just
Speaker 1: like I finally, uh, we've said something because I was like,
Speaker 1: that's just not like, that's not only not cool, it's
Speaker 1: a liability, and like there's no reason because I lifeguarded,
Speaker 1: So it was in a personal affront to me of
Speaker 1: a reason to have your phone in a chair. You
Speaker 1: shouldn't even have it. You should check it in when
Speaker 1: you go to work on your break, look at your
Speaker 1: fucking phone, but don't sit in a lifeguard chair. Well
Speaker 1: that's crazy because like the lifeguards at Whitewater, which is
Speaker 1: like a local water park here in Atlanta, they do
Speaker 1: this really unsettling thing where they scan the the their
Speaker 1: field of vision, like with their heads fully turning right
Speaker 1: and it's they do it every so often, and it's
Speaker 1: very strange to witness. But like that's the level of
Speaker 1: attention you're supposed to be doing as a lifeguard, especially
Speaker 1: at a place like that. I mean, you gotta really
Speaker 1: be watching. That's the point it was in like the
Speaker 1: wave pool, you know, because a kid man, they just
Speaker 1: go down. Josh and I did a show on drowning,
Speaker 1: Like drowning does not often look like drowning. It's very
Speaker 1: silent and sometimes not splashy, and like, agreed, you gotta
Speaker 1: fucking watch totally. Yeah, right off my soapbox, all lifeguards,
Speaker 1: get off your phones. Jimmy Mallory from the movie The Ringer,
Speaker 1: When the fund did we get ice Cream? I haven't
Speaker 1: seen that movie The Ringer. I don't know The Ringer.
Speaker 1: You don't know who was that. I have no idea
Speaker 1: The Ringer. Why don't I know that? It comes right up?
Speaker 1: Let's see, it looks to be a sports Yeah, I
Speaker 1: did not see Johnny Knoxville. Yeah, that was a Johnny
Speaker 1: Knoxville movie. I believe that's probably not a movie you
Speaker 1: can make today. I believe he uh fakes his way
Speaker 1: into the special Olympics or something. Oh yeah, that's that
Speaker 1: movie smacks up two thousand five. Sure it does. And
Speaker 1: it came out in two thousand and five. Um and
Speaker 1: it cost twenty million dollars. Uh and it made forty
Speaker 1: point four million of the box office, so quite quite
Speaker 1: a success. Um. And Mark Mother's bought did the music,
Speaker 1: which is interesting. He'll do it. He'll do whatever you
Speaker 1: pay him to do. I gotta god feeling, I gotta
Speaker 1: god feeling. So good. Ruby loves Devo. Oh they're fantastic. Yeah,
Speaker 1: good stuff, really good. Our oldest pal, Rebecca Robes, says
Speaker 1: this from Lockstock into Smoking Barrels, which he says, so
Speaker 1: many great funks in that movie. You're carrying a wasted
Speaker 1: girl in a bag of fertilizer. Yeah, yeah, you don't
Speaker 1: look like your average hoard of fucking culturist. Not bad.
Speaker 1: I like inserting the fuck in between in the middle
Speaker 1: of a word. That's always a good move. Uh. This
Speaker 1: is classic, of course. But Gabriel Ferrair the dinner scene
Speaker 1: and Goodfellas, the what the funk is so funny about me?
Speaker 1: Certainly a lot of good f bombs in that scene,
Speaker 1: one of the classic classics. Uh, well, you know what.
Speaker 1: Clement Scott also chimes in with the ringer when the
Speaker 1: fund did we get ice cream? Apparently that's the line
Speaker 1: of the movie. Really, did you not recall the existence
Speaker 1: of that movie at all? I don't either, Jeff Clark,
Speaker 1: arl pal, I've had it with these motherfucking snakes on
Speaker 1: this motherfucking plane. Yeah, that was from the color Purple.
Speaker 1: I think you're right, Beth Lander's the thing, You've gotta
Speaker 1: be fucking kidding me, as the dude's head pulls away,
Speaker 1: grows spider legs and scurries away. But I think it
Speaker 1: was more like, You've gotta be fucking kidding me. It's
Speaker 1: a bad line reading. I'm no actor. Everyone, all right,
Speaker 1: let's do a few more of these. All right, here's
Speaker 1: your old pal Dennis Quaid. No, yeah, I'm on a
Speaker 1: text tread with him that he never responded to. Really
Speaker 1: was crushing for me. You've Dennis Quaid's phone number. Wow,
Speaker 1: it's power move, It's it's it's been a very useless
Speaker 1: power move. It's funny at MAXI fon comments back for
Speaker 1: the past year, and it was relevant to the conversation.
Speaker 1: But we we did a thing where like who's the
Speaker 1: most famous person in your phone? And I was like, well,
Speaker 1: you know, mine is all you guys, it's like Hodgeman
Speaker 1: or maybe not. I don't know who the most famous
Speaker 1: person in my phone is Ira Glass. You got IRI's number? Yeah?
Speaker 1: Or Mark Maron. Okay, it's solid. It's about as big
Speaker 1: as it gets. I think I was. I was kind
Speaker 1: of a big deal. Dude. No, he's a huge deal.
Speaker 1: But I had no like I was no match for
Speaker 1: these people. Yeah, well I got Dennis Quaid, Baby, Dennis Quaid,
Speaker 1: that's up there. But we we prank texted when on
Speaker 1: a writer when we were all drunk from someone else's phone. Oh,
Speaker 1: I bet she's a good sport. I bet she has
Speaker 1: a good time. Yes, yes, I'm not sure about that.
Speaker 1: You don't know. I don't know. She's a little neurotic.
Speaker 1: I don't know. She seems fun, Okay, I don't know. No,
Speaker 1: that's all I'm gonna say. That's totally fair. Uh, well, yeah,
Speaker 1: we'll see, we'll see. I don't even know what we'll see.
Speaker 1: Means like, you haven't you haven't seen obviously she did
Speaker 1: not respond or else you would have had a story
Speaker 1: about the back end. He didn't respond. I'm wondering if
Speaker 1: there was going to be a back end of that text.
Speaker 1: You probably just ignored it. Probably so alright, So Dennis,
Speaker 1: I'm sorry Bennett to Duckworth or old pal about Dennis
Speaker 1: Quaid in the Todd Haynes movie Far from Heaven. Great film.
Speaker 1: I just want to get this fucking thing over with,
Speaker 1: so simple as a stunning effect, since the entire movie
Speaker 1: is capturing the tone of fifto melodrama where such words
Speaker 1: did not exist. So Bennett kind of laid a heavy
Speaker 1: one on us. You know, most of these are fun,
Speaker 1: but that was very meaningful. Not yikes, I just mean,
Speaker 1: I don't know what I mean meaningful, That's what I mean.
Speaker 1: A lot of people are just putting videos up. That's fun.
Speaker 1: She had more clips. What do a clip show do
Speaker 1: a clip shop? I don't know about that. And it's
Speaker 1: it's fair use. Man. We're talking about the fact that
Speaker 1: they said fuck and uh and we can just have
Speaker 1: it play Mike Blake from the Blues Brothers. You'd look
Speaker 1: pretty stupid eating corn off the cob with no fucking teeth. Interesting.
Speaker 1: There's a lot to unpack there born off the cob.
Speaker 1: Corn on the cob. Well, I mean you're eating the
Speaker 1: corn off the cob. Yeah, technically that is true. Yeah,
Speaker 1: you know it's funny, Nolan. When I was missing my
Speaker 1: front tooth and I ate corn on from the cob
Speaker 1: and off the cob, there was a little, uh little
Speaker 1: line all the way around where that front tooth would
Speaker 1: not get that row of corn. So I had single
Speaker 1: little rings of corn all around my cob. That's what
Speaker 1: they don't tell you when you lose a tooth, No,
Speaker 1: they don't. You're gonna have little rings of corn. My
Speaker 1: kid lost a giant mueller over the weekend. She was
Speaker 1: eating like like a chewy candy thing, and then this
Speaker 1: big old mueller popped right out. She wasn't even expecting it. Really,
Speaker 1: she's at that age where she's almost she's almost through
Speaker 1: losing all the baby teeth, but occasionally it'll it'll happen. Well,
Speaker 1: I forgot about the see when does that start? When
Speaker 1: do you lose teeth? Oh gosh, when did it start?
Speaker 1: I mean I would say five, I don't know, So
Speaker 1: we're getting there. No, maybe later than that. Does it take?
Speaker 1: How long did it take to lose all your baby teeth.
Speaker 1: I have no idea, Chuck, I no, I forget all
Speaker 1: that stuff. I do too, and I've been through it,
Speaker 1: so I remember when I lost my front teeth the
Speaker 1: first time when I was a child. Uh. Nick Kelly
Speaker 1: from the movie The Edge, Anthony Hopkins says this, We're
Speaker 1: going to kill the motherfucker when he's talking about the bear.
Speaker 1: That's a bit of a guilty pleasure for me? Or
Speaker 1: is that considered a guilty pleasure? Edge? With Alec Baldwin
Speaker 1: and Baldwin l McPherson. Did she play the bear? She does. No,
Speaker 1: it's Alec Baldwin and Anthony Hopkins, yeah, and al mcphers
Speaker 1: and she plays the lady? Got it? Who plays the bear?
Speaker 1: I believe? Is it Meryl Streep? I think she was
Speaker 1: great in the new Godzilla movie as Mathra. Did you
Speaker 1: see that? It sucks? Oh that's right, but you didn't
Speaker 1: you say at least had some good monster Actually it's
Speaker 1: got some fine monster action, but it's like it tries
Speaker 1: to surround it with all this like fake story that
Speaker 1: is just absolutely absurd and just boring, and none of
Speaker 1: the characters do anything that makes sense, and it's just
Speaker 1: not worth it. Like, there's a couple of good monster fights.
Speaker 1: But I was just I fell asleep several times. Wow,
Speaker 1: you're a movie sleeper, Null, I'm a bit of a
Speaker 1: movie sleeper, Chuck, because that's several times now you've said
Speaker 1: you fell asleep during a movie. Yeah, I'm not. I'm not.
Speaker 1: I'm not proud of it. But it's a thing that happens.
Speaker 1: That's why I don't go to late movies. I struggle,
Speaker 1: I struggle, Chuck. If I go to a late movie,
Speaker 1: struggle is real or old f and Gary Tigue from
Speaker 1: Pulp Fiction. If any of you fucking cricks move, you know,
Speaker 1: it's funny. Is like I had the soundtrack to Pulp
Speaker 1: Fiction before I ever saw the movie, and that's how
Speaker 1: the soundtrack opens up. The soundtrack, you know. He was
Speaker 1: he always had little clips from the movie and that's
Speaker 1: the very first thing you hear on the soundtrack. That's right,
Speaker 1: and then and then it goes right in an exactly Alright,
Speaker 1: I saw Dick Dale. It's just recently passed, right, I
Speaker 1: think in the last year two. Because he would always
Speaker 1: come and do shows at the Earl like he would
Speaker 1: he would tour in his car, I think, and like
Speaker 1: saw him like a lot of money. I saw him
Speaker 1: playing Athens. It was great. Dick Dale was very famous
Speaker 1: for using uh, I don't even like fucking piano wire. Basic.
Speaker 1: It was the heaviest gauge string you can get on
Speaker 1: a guitar. Yeah, because he just whales on it, you know,
Speaker 1: and he just needs something strong. Um. All right, let's
Speaker 1: finish this up with Tim robertson our old pal says
Speaker 1: this from Coming to America when they walk in front
Speaker 1: of the taxi, halt you dumb fuck? What does dumb
Speaker 1: fuck mean? That's pretty good, funny movie. They're doing a
Speaker 1: sequel to that? No, oh, really a sequel yeah, with
Speaker 1: everyone all all the originals are signed on you. I
Speaker 1: believe we have James Earl Jones, Eddie Murphy, and our
Speaker 1: Cineo Hall. And I think the plot, of course, is
Speaker 1: Eddie Murphy's son now wants to go to America or
Speaker 1: something like that, which is what you do in The
Speaker 1: Suspect many years later. It's a little worrisome because, like,
Speaker 1: is there any way to make that movie? Is good?
Speaker 1: It's coming to America? Was is it just going to
Speaker 1: be a big fat disappointment? Why does Eddie Murphy not
Speaker 1: do anything good ever anymore. Well, you know what I've
Speaker 1: said for a while is Eddie Murphy should go back
Speaker 1: and do get an hour of stand up together. Yeah,
Speaker 1: like something really good, go back to his roots and
Speaker 1: what made him funny. Or I'd love to see him
Speaker 1: cast interestingly and then like something, you know, sort of
Speaker 1: like the way Adam Sandler was used in Punch Drunk
Speaker 1: Love or something like that. Like, I'd love to see
Speaker 1: Eddie Murphy in something really intense. Yeah, I mean he
Speaker 1: tried to do that. I believe when he did uh
Speaker 1: uh dream Girls showed a different side. He got nominated
Speaker 1: for Academy Award, did not win, and I think he
Speaker 1: was very salty about losing that award. I think he
Speaker 1: thought he was gonna win um. And I think he
Speaker 1: tried to do one recently that was a full on
Speaker 1: drama that did not do well um at all. So okay,
Speaker 1: there you go. So he has attempted I just well,
Speaker 1: what I'm afraid of is that he's attempted this with
Speaker 1: the wrong material. He here's what he should do. No,
Speaker 1: he's doing this serious movie. That's some big Hollywood attempt
Speaker 1: at something. What he needs to do is get some
Speaker 1: young indie director to write him a real gritty, down
Speaker 1: to earth, gritty role and make it act like, don't
Speaker 1: do the Hollywood version of that, because it's still gonna suck.
Speaker 1: He's so insulated in his bubble he has. No you
Speaker 1: can't get to Eddie. Yeah, you can't get to Eddie
Speaker 1: Murphy with the independent film. I think a lot of
Speaker 1: people should do that. I'd love to see, uh, Tom
Speaker 1: Hanks start indie film. I had a movie idea a
Speaker 1: while back for Chevy Chase because he plays piano, to
Speaker 1: play to have his big comeback film Beat. Chevy Chase
Speaker 1: is a down on his luck, sad sack jazz piano player,
Speaker 1: but sort of mirror Chevy Chase's life, if you know
Speaker 1: what I mean. But through the lens of a chass
Speaker 1: piano player, that'd be pretty cool. Um, he just seems
Speaker 1: like he's I don't know, he seems like a real
Speaker 1: pill prick. Yeah he's supposed to be. Yeah, that was
Speaker 1: always the line on Jevy Chase. Not a fun guy.
Speaker 1: So no, we should, we should make these movies. I'm
Speaker 1: game Sharknado, Sharknado. I had that idea, stole that one. Well,
Speaker 1: it's that's just parallel thinking. Chuck parallel thinking. All right,
Speaker 1: I got nothing else, No, I don't either. You want
Speaker 1: to sign off with your favorite F bomb or just
Speaker 1: in life? What's your favorite way to use it? Um?
Speaker 1: I don't know, like sort of as a comma, you know,
Speaker 1: fucking whatever, fucking this, fucking you know, I don't know.
Speaker 1: It's pretty lazy use of it. Honestly, I'm lazy with it.
Speaker 1: I drop a lot of F bombs, but I think
Speaker 1: I think the term funked up is pretty crazy up
Speaker 1: as guy like that was fucked up. That was fucked up.
Speaker 1: Good by everyone. For more podcasts for my heart Radio,
Speaker 1: visit the I Heart Radio app, Apple Podcasts, or wherever
Speaker 1: you listen to your favorite show. It's