1 00:00:00,160 --> 00:00:03,000 Speaker 1: Hello, and welcome back to Movie Mike's Movie Podcast. I 2 00:00:03,040 --> 00:00:04,960 Speaker 1: am your host Movie Mike. Today I want to share 3 00:00:04,960 --> 00:00:07,280 Speaker 1: with you what I believe to be are the top 4 00:00:07,360 --> 00:00:11,160 Speaker 1: ten Ryan Gossling movies of all time. In the movie review, 5 00:00:11,240 --> 00:00:15,760 Speaker 1: a movie that moved me immensely, Warfare based on a 6 00:00:15,800 --> 00:00:18,760 Speaker 1: true story set in Iraq in two thousand and six, 7 00:00:19,160 --> 00:00:21,560 Speaker 1: in real life account of one Day at War. And 8 00:00:21,600 --> 00:00:24,160 Speaker 1: in the trailer Park, we'll talk about the new horror 9 00:00:24,160 --> 00:00:27,440 Speaker 1: movie produced by Jordan Peel called Him. We'll talk about 10 00:00:27,440 --> 00:00:30,720 Speaker 1: what a producer does. Thank you for being here, Thank 11 00:00:30,760 --> 00:00:32,920 Speaker 1: you for being subscribed. Shout out to the Monday Morning 12 00:00:32,920 --> 00:00:36,280 Speaker 1: movie crew. I love you guys. And now let's talk 13 00:00:36,360 --> 00:00:41,040 Speaker 1: movies from the Nashville Podcast Network. This is Movie Mike 14 00:00:41,400 --> 00:00:45,159 Speaker 1: Movie Podcast. I wanted to dedicate today's episode to one 15 00:00:45,159 --> 00:00:48,280 Speaker 1: of my favorite actors that I feel I have not 16 00:00:48,479 --> 00:00:51,320 Speaker 1: highlighted enough. I've been talking recently about how much I 17 00:00:51,320 --> 00:00:54,840 Speaker 1: love Leonardo DiCaprio and how I will probably watch anything 18 00:00:54,880 --> 00:00:57,440 Speaker 1: that he is in, and I started thinking of who 19 00:00:57,680 --> 00:01:00,400 Speaker 1: are the other actors in that category that no matter 20 00:01:00,440 --> 00:01:02,920 Speaker 1: what they put out, I'm going to enjoy. And I 21 00:01:02,960 --> 00:01:07,040 Speaker 1: started thinking about Ryan Gostling. How every movie he puts 22 00:01:07,080 --> 00:01:09,600 Speaker 1: out is great. And not only that, but when I 23 00:01:09,640 --> 00:01:13,000 Speaker 1: look at his filmography, he has such a range of 24 00:01:13,040 --> 00:01:15,760 Speaker 1: different genres that he likes to dip his toes in. 25 00:01:16,200 --> 00:01:20,240 Speaker 1: Whether it's romance, whether it's thriller, whether it's a comedy, 26 00:01:20,480 --> 00:01:23,720 Speaker 1: whether it's sci fi. He can do it all, and 27 00:01:23,760 --> 00:01:26,880 Speaker 1: he does it really well, and unlike a lot of actors, 28 00:01:27,000 --> 00:01:29,560 Speaker 1: he rarely misses. So I wanted to share with you 29 00:01:29,600 --> 00:01:32,319 Speaker 1: what I believe to be are the top ten Ryan 30 00:01:32,360 --> 00:01:35,240 Speaker 1: Gosling movies of all time. But before we get into that, 31 00:01:35,400 --> 00:01:38,240 Speaker 1: let's talk about Ryan Gostling when he was just a 32 00:01:38,280 --> 00:01:41,399 Speaker 1: boy growing up in Canada who had big dreams of 33 00:01:41,440 --> 00:01:44,880 Speaker 1: becoming an actor. His first taste of the spotlight came 34 00:01:44,880 --> 00:01:47,720 Speaker 1: when he was just twelve years old after a successful 35 00:01:47,760 --> 00:01:51,360 Speaker 1: audition landed him in the Mickey Mouse Club, and suddenly 36 00:01:51,480 --> 00:01:53,360 Speaker 1: he was hanging out with a bunch of future stars 37 00:01:53,360 --> 00:01:57,920 Speaker 1: like Justin Timberlake, Britney Spears, Christina Aguilera. That show only 38 00:01:58,040 --> 00:02:01,240 Speaker 1: lasted a couple of seasons, but it started to lay 39 00:02:01,320 --> 00:02:05,720 Speaker 1: the foundation of his career in entertainment. After that, he 40 00:02:05,840 --> 00:02:09,120 Speaker 1: started to get small roles on TV shows like Goosebumps, 41 00:02:09,200 --> 00:02:12,240 Speaker 1: which I did revisit on Netflix. He's in the episode 42 00:02:12,280 --> 00:02:16,200 Speaker 1: See Che's and Die, a classic episode. I remember loving 43 00:02:16,560 --> 00:02:19,160 Speaker 1: reading those books as a kid and watching the TV show. 44 00:02:19,280 --> 00:02:22,480 Speaker 1: The theme song alone always gave me nightmares, But that's 45 00:02:22,520 --> 00:02:24,880 Speaker 1: a great episode, and it's always fun to go back 46 00:02:24,880 --> 00:02:27,720 Speaker 1: and see somebody before they were famous in that. He 47 00:02:27,760 --> 00:02:30,000 Speaker 1: also had a role and Are You Afraid of the Dark. 48 00:02:30,400 --> 00:02:33,640 Speaker 1: But his first big breakthrough role that had him at 49 00:02:33,680 --> 00:02:36,840 Speaker 1: the forefront was a two thousand film called The Believer. 50 00:02:37,360 --> 00:02:39,480 Speaker 1: Before that, he had also had a small role in 51 00:02:39,520 --> 00:02:42,880 Speaker 1: the two thousands movie Remember the Titan, So we started 52 00:02:42,880 --> 00:02:46,079 Speaker 1: gaining this momentum, and then in two thousand and four 53 00:02:46,440 --> 00:02:49,280 Speaker 1: he landed one of his biggest roles ever, The Notebook, 54 00:02:49,800 --> 00:02:53,200 Speaker 1: which went on to be a global sensation. From there, 55 00:02:53,560 --> 00:02:57,720 Speaker 1: he started building out an impressive resume in Hollywood, balancing 56 00:02:57,760 --> 00:03:00,600 Speaker 1: what I've been talking about, that indie credibility and also 57 00:03:00,639 --> 00:03:04,280 Speaker 1: that blockbuster appeal. Very few actors can pull both of 58 00:03:04,320 --> 00:03:07,560 Speaker 1: those things off. Why I love Ryan Gosling. He always 59 00:03:07,560 --> 00:03:11,200 Speaker 1: brings that intensity, that vulnerability as well, which is hard 60 00:03:11,200 --> 00:03:13,640 Speaker 1: to pair the two together because it's hard to be 61 00:03:13,720 --> 00:03:16,960 Speaker 1: an intense character that you believe can kick your butt, 62 00:03:17,200 --> 00:03:19,960 Speaker 1: but also a person who can be vulnerable that you 63 00:03:20,000 --> 00:03:23,000 Speaker 1: feel for emotionally, that you can see them like, oh, 64 00:03:23,080 --> 00:03:25,079 Speaker 1: pulling back the layers and they can shed a tear 65 00:03:25,120 --> 00:03:28,240 Speaker 1: and you feel it too. But he's also incredibly cool, 66 00:03:28,840 --> 00:03:32,200 Speaker 1: has charisma out the butt. All those things put together 67 00:03:32,320 --> 00:03:36,000 Speaker 1: is the Ryan Gosling signature style. So that is why 68 00:03:36,040 --> 00:03:38,520 Speaker 1: I want to share with you this list. Let's get 69 00:03:38,520 --> 00:03:42,000 Speaker 1: into it now. At number ten, I have First Man 70 00:03:42,040 --> 00:03:45,680 Speaker 1: from director Damien Chazelle. The movie costs fifty nine million 71 00:03:45,720 --> 00:03:48,280 Speaker 1: dollars to make and went on to earn about one 72 00:03:48,360 --> 00:03:51,240 Speaker 1: hundred and five million dollars back in twenty eighteen when 73 00:03:51,240 --> 00:03:53,280 Speaker 1: it came out. This movie was a look at the 74 00:03:53,320 --> 00:03:56,920 Speaker 1: life of the astronaut Neil Armstrong and the legendary space 75 00:03:56,960 --> 00:03:58,920 Speaker 1: mission that led him to become the first man to 76 00:03:59,000 --> 00:04:02,640 Speaker 1: walk on the Moon on July twentieth, nineteen sixty nine. 77 00:04:02,960 --> 00:04:05,920 Speaker 1: Biopicks are really hard to do, and I thought Ryan 78 00:04:05,960 --> 00:04:10,320 Speaker 1: Gosling nailed this role him as Neil Armstrong. I feel 79 00:04:10,480 --> 00:04:13,400 Speaker 1: was maybe a little bit too subdued for audiences where 80 00:04:13,440 --> 00:04:16,200 Speaker 1: they didn't quite get it, because it's hard to play 81 00:04:16,279 --> 00:04:21,120 Speaker 1: somebody that not everybody knows all the things about their personality, 82 00:04:21,240 --> 00:04:25,160 Speaker 1: because when somebody plays a famous figure like a musician, 83 00:04:25,240 --> 00:04:27,920 Speaker 1: you know how they are on stage and you know 84 00:04:28,040 --> 00:04:31,000 Speaker 1: the manurisms you're looking for. It is really hard to 85 00:04:31,000 --> 00:04:33,800 Speaker 1: take on a character like Neil Armstrong where you don't 86 00:04:33,839 --> 00:04:36,480 Speaker 1: really know all those idiosyncrasies. But I thought the way 87 00:04:36,480 --> 00:04:39,839 Speaker 1: you approached it was very methodical and really powerful, showing 88 00:04:39,880 --> 00:04:43,520 Speaker 1: you that not every hero that gets their own biopick 89 00:04:43,640 --> 00:04:46,520 Speaker 1: has to be somebody who flips out crazily, has to 90 00:04:46,560 --> 00:04:49,480 Speaker 1: scream like a madman, which I feel maybe that has 91 00:04:49,520 --> 00:04:53,120 Speaker 1: held them back on not winning an Oscar, because it 92 00:04:53,240 --> 00:04:57,120 Speaker 1: almost feels like anybody who wins Best Actor always has 93 00:04:57,120 --> 00:04:59,200 Speaker 1: a role where they're like freaking out and yelling at 94 00:04:59,200 --> 00:05:02,440 Speaker 1: somebody and tying that it almost takes that level of 95 00:05:02,480 --> 00:05:05,560 Speaker 1: intensity to win an Oscar, and I think a role 96 00:05:05,720 --> 00:05:09,080 Speaker 1: like Neil Armstrong was probably a lot harder to pull off. 97 00:05:09,360 --> 00:05:11,000 Speaker 1: So out of all the ten on my list, do 98 00:05:11,080 --> 00:05:12,760 Speaker 1: I think this is the one that should have won 99 00:05:12,800 --> 00:05:15,760 Speaker 1: him the Oscar? No, but I think this movie was fantastic. 100 00:05:15,880 --> 00:05:19,480 Speaker 1: I'm also fascinated with Space. Twenty ten's was pretty big 101 00:05:19,560 --> 00:05:22,279 Speaker 1: for space movies. You had movies like First Man and 102 00:05:22,320 --> 00:05:25,760 Speaker 1: The Martian and gravity. I mean, Hollywood has always been 103 00:05:25,800 --> 00:05:28,560 Speaker 1: obsessed with space, but I really love this movie. So 104 00:05:28,600 --> 00:05:31,719 Speaker 1: at number ten, I have First Man. At number nine 105 00:05:31,960 --> 00:05:34,760 Speaker 1: from twenty twenty four, I have The Fall Guy, which 106 00:05:34,800 --> 00:05:37,000 Speaker 1: had a budget of one hundred and thirty million dollars 107 00:05:37,200 --> 00:05:39,839 Speaker 1: only made one hundred and eighty one million dollars, so 108 00:05:39,960 --> 00:05:43,320 Speaker 1: not entirely profitable. It was the movie based on the 109 00:05:43,360 --> 00:05:46,600 Speaker 1: TV show from Back in the Day. Ryan Gosling plays 110 00:05:46,640 --> 00:05:51,040 Speaker 1: a stuntman who almost has essentially a fatal accident that 111 00:05:51,279 --> 00:05:53,560 Speaker 1: takes him out for a while. He retires from being 112 00:05:53,640 --> 00:05:56,679 Speaker 1: a stunt man, but then the love of his life 113 00:05:56,720 --> 00:06:00,159 Speaker 1: is directing a movie. She loses her movie star, and 114 00:06:00,240 --> 00:06:02,560 Speaker 1: Ryan Gosling comes in to save the day to be 115 00:06:02,600 --> 00:06:05,279 Speaker 1: a stuntman on her movie, but also help her find 116 00:06:05,320 --> 00:06:09,200 Speaker 1: your star to save the film. I really enjoyed how 117 00:06:09,240 --> 00:06:12,679 Speaker 1: meta this movie was because it is a movie about 118 00:06:12,760 --> 00:06:15,520 Speaker 1: making a movie. There's a lot of behind the scenes jokes, 119 00:06:15,600 --> 00:06:18,279 Speaker 1: so maybe at times it gets a little bit too meta, 120 00:06:18,320 --> 00:06:21,200 Speaker 1: and that's kind of what deterred audiences from it. I 121 00:06:21,200 --> 00:06:23,640 Speaker 1: also think at the time this movie came out was 122 00:06:23,640 --> 00:06:26,880 Speaker 1: like the start of the blockbuster season. It didn't really 123 00:06:26,880 --> 00:06:29,160 Speaker 1: build a lot of hype. Even though you had two 124 00:06:29,240 --> 00:06:32,279 Speaker 1: stars with Emily Blunt and Ryan Gosling together, I just 125 00:06:32,320 --> 00:06:34,919 Speaker 1: think the story was a little bit of a hard sell. 126 00:06:35,120 --> 00:06:37,480 Speaker 1: Even though this movie is a lot of fun. Ryan 127 00:06:37,520 --> 00:06:41,080 Speaker 1: Gosling has an amazing time in this doing all the stunts, 128 00:06:41,560 --> 00:06:44,320 Speaker 1: a lot of great costumes and fashion, which is always 129 00:06:44,320 --> 00:06:47,200 Speaker 1: something I'm infatuated with when it comes to Ryan Gosling, 130 00:06:47,400 --> 00:06:50,039 Speaker 1: and I just think he does action in comedy really 131 00:06:50,080 --> 00:06:53,040 Speaker 1: well together. And you put both of those things bam 132 00:06:53,120 --> 00:06:56,000 Speaker 1: right into this movie. It was everything I wanted from 133 00:06:56,000 --> 00:06:59,880 Speaker 1: a Ryan Gosling film. So maybe it's not as groundbreaking 134 00:07:00,160 --> 00:07:02,280 Speaker 1: all of his other work because I like the fact 135 00:07:02,320 --> 00:07:04,520 Speaker 1: that he can just have fun in a role, and 136 00:07:04,520 --> 00:07:07,080 Speaker 1: that is something he's handled going back and forth with 137 00:07:07,080 --> 00:07:09,520 Speaker 1: with all the roles he takes. He takes the fun roll, 138 00:07:09,800 --> 00:07:12,000 Speaker 1: he takes the more serious role, and he can go 139 00:07:12,080 --> 00:07:15,280 Speaker 1: back and forth and I don't second guess it whatsoever. 140 00:07:15,720 --> 00:07:19,240 Speaker 1: At number nine, I have The fall Guy. At number eight. 141 00:07:19,320 --> 00:07:22,560 Speaker 1: From two thousand and four, I have The Notebook. Had 142 00:07:22,600 --> 00:07:25,760 Speaker 1: a budget of twenty nine million dollars, made one hundred 143 00:07:25,800 --> 00:07:28,600 Speaker 1: and sixteen point two million dollars at the box office. 144 00:07:29,000 --> 00:07:31,559 Speaker 1: This is the movie that put him on the map 145 00:07:31,600 --> 00:07:35,280 Speaker 1: as far as a list level star. This comes out, 146 00:07:35,400 --> 00:07:38,400 Speaker 1: it's a hit. What's interesting about this even though it's 147 00:07:38,400 --> 00:07:40,960 Speaker 1: his most famous role, I don't think it's his best. 148 00:07:41,360 --> 00:07:43,360 Speaker 1: That's why I put it at number eight. And it 149 00:07:43,480 --> 00:07:46,520 Speaker 1: was his portrayal of Noah and his chemistry with Rachel 150 00:07:46,600 --> 00:07:50,000 Speaker 1: McAdams that made it one of the best romantic movies 151 00:07:50,240 --> 00:07:52,920 Speaker 1: of all time, but definitely of our generation. This is 152 00:07:52,960 --> 00:07:57,040 Speaker 1: the quintessential romance movie for the two thousands that everybody 153 00:07:57,120 --> 00:07:59,960 Speaker 1: watched that guys would be a shame that they watched 154 00:08:00,080 --> 00:08:03,760 Speaker 1: and enjoyed. And Ryan Gosling could have been that next 155 00:08:03,800 --> 00:08:07,040 Speaker 1: big romance guy because of this movie, much like what 156 00:08:07,160 --> 00:08:10,080 Speaker 1: happened with Matthew McConaughey, that started to be the rom 157 00:08:10,160 --> 00:08:12,720 Speaker 1: com guy that any rom com that came out and 158 00:08:12,760 --> 00:08:15,240 Speaker 1: they needed a nay list star, they would go to McConaughey. 159 00:08:15,760 --> 00:08:17,760 Speaker 1: And later in his career he realized, I don't want 160 00:08:17,800 --> 00:08:19,080 Speaker 1: to do that anymore. I don't want to be the 161 00:08:19,160 --> 00:08:22,360 Speaker 1: rom com guy, and he shifted and stopped taking those roles. 162 00:08:22,680 --> 00:08:26,680 Speaker 1: Ryan Gosling easily could have made a bank doing movie 163 00:08:26,800 --> 00:08:30,160 Speaker 1: after movie like this, And I think the Notebook at 164 00:08:30,200 --> 00:08:34,000 Speaker 1: times is classified as a rom com even though it's 165 00:08:34,000 --> 00:08:36,520 Speaker 1: more drama. But if you google it, it says the 166 00:08:36,559 --> 00:08:39,640 Speaker 1: notebook rom com. Ryan Gosling could have been a rom 167 00:08:39,679 --> 00:08:42,280 Speaker 1: com guy, but he was very strategic in the roles 168 00:08:42,280 --> 00:08:45,280 Speaker 1: he took and didn't typecast himself as this, which I 169 00:08:45,280 --> 00:08:48,080 Speaker 1: bet was so tempting to do because that's just money 170 00:08:48,120 --> 00:08:52,040 Speaker 1: on the table, probably throwing bags of cash at him. Ryan, 171 00:08:52,120 --> 00:08:53,920 Speaker 1: do this role, you'd be great in it. And he 172 00:08:53,920 --> 00:08:56,560 Speaker 1: could have done it and audiences would have accepted that, 173 00:08:56,720 --> 00:08:59,040 Speaker 1: but he would not have had as dynamic of a 174 00:08:59,120 --> 00:09:01,760 Speaker 1: career if he would have just taken the money. I 175 00:09:01,800 --> 00:09:04,000 Speaker 1: think he made the right decision because to me, he 176 00:09:04,040 --> 00:09:06,920 Speaker 1: has done so much better work since then. That's why 177 00:09:06,960 --> 00:09:10,320 Speaker 1: I have their notebook at number eight. At number seven, 178 00:09:10,520 --> 00:09:13,640 Speaker 1: I have The Big Short from twenty fifteen director Adam McKay. 179 00:09:14,000 --> 00:09:16,319 Speaker 1: Movie had a budget of twenty eight million dollars, made 180 00:09:16,320 --> 00:09:19,240 Speaker 1: one hundred and thirty two zero point six million dollars 181 00:09:19,240 --> 00:09:21,959 Speaker 1: at the box office. What it's about, It's about the bubble. 182 00:09:22,200 --> 00:09:24,520 Speaker 1: The bubble in two thousand and six. In two thousand 183 00:09:24,559 --> 00:09:27,800 Speaker 1: and seven, a group of investors bet against the US 184 00:09:27,840 --> 00:09:32,160 Speaker 1: mortgage market, and their research they discovered how flawed and 185 00:09:32,240 --> 00:09:35,560 Speaker 1: corrupt the market was. They started realizing that the banks 186 00:09:35,559 --> 00:09:39,160 Speaker 1: were giving out loans without any restrictions on them. Hey 187 00:09:39,240 --> 00:09:40,560 Speaker 1: you want some money, let me give it to you. You 188 00:09:40,679 --> 00:09:41,959 Speaker 1: want to buy a house that you're not gonna be 189 00:09:41,960 --> 00:09:45,559 Speaker 1: able to afford, I got you. And they saw this bubble, 190 00:09:46,120 --> 00:09:48,440 Speaker 1: they saw it was gonna pop, and they saw everything 191 00:09:48,559 --> 00:09:52,040 Speaker 1: was gonna come raining down, so they bet against the 192 00:09:52,200 --> 00:09:55,840 Speaker 1: US mortgage market. And not only did I enjoy all 193 00:09:56,120 --> 00:09:58,560 Speaker 1: the people involved in this movie, because obviously it's a 194 00:09:58,600 --> 00:10:00,880 Speaker 1: great Ryan Gosling role, which is why I have it 195 00:10:00,920 --> 00:10:03,880 Speaker 1: at number seven, but it proved to me how he 196 00:10:03,920 --> 00:10:06,280 Speaker 1: could stack up against other A List stars, because not 197 00:10:06,320 --> 00:10:08,720 Speaker 1: only do you have Ryan Gosling, you have Brad Pitt, 198 00:10:08,720 --> 00:10:11,400 Speaker 1: you have Christian Bale, you have Steve Carell. And out 199 00:10:11,440 --> 00:10:14,280 Speaker 1: of all those people in this movie sacked with A 200 00:10:14,320 --> 00:10:18,280 Speaker 1: List stars, Ryan Gosling still stood out his fourth wall 201 00:10:18,320 --> 00:10:22,360 Speaker 1: breaking narration. He played a very slick guy on Wall Street. 202 00:10:22,559 --> 00:10:27,360 Speaker 1: It showcased his versatility and comfort with satirical humor, fast 203 00:10:27,400 --> 00:10:30,280 Speaker 1: paced dialogue, and was a part of his collection of 204 00:10:30,320 --> 00:10:33,199 Speaker 1: movies in the twenty tens, which I feel if you 205 00:10:33,240 --> 00:10:38,160 Speaker 1: could dedicate one actor to an entire decade, twenty tens, 206 00:10:38,240 --> 00:10:41,440 Speaker 1: Ryan Gosling, Like that is it for me? I think 207 00:10:41,440 --> 00:10:44,320 Speaker 1: he shines out of any other actor he owned the 208 00:10:44,320 --> 00:10:47,319 Speaker 1: twenty tens. If I had one actor from the twenty tens, 209 00:10:47,360 --> 00:10:50,439 Speaker 1: it would be Ryan Gosling. One actors from the twenty tens, 210 00:10:50,679 --> 00:10:53,959 Speaker 1: it would be Jennifer Lawrence. A fantastic movie that also 211 00:10:54,040 --> 00:10:56,880 Speaker 1: teaches you about things you may have no idea about. 212 00:10:57,320 --> 00:10:59,960 Speaker 1: I feel like I learned a lot about the economy 213 00:11:00,520 --> 00:11:04,280 Speaker 1: from watching The Big Short. Amazing performances at number seven, 214 00:11:04,440 --> 00:11:08,640 Speaker 1: The Big Short at number six from twenty eleven, Crazy Stupid, 215 00:11:08,679 --> 00:11:13,559 Speaker 1: Love Again. Twenty ten's Ryan Gosling Is Just Untouchable. Had 216 00:11:13,600 --> 00:11:16,120 Speaker 1: a budget of fifty million dollars, made one hundred and 217 00:11:16,120 --> 00:11:19,160 Speaker 1: forty six million dollars at the box office. You have, 218 00:11:19,240 --> 00:11:23,440 Speaker 1: of course, Ryan Gosling, Steve Carell again Emma Stone, and 219 00:11:23,480 --> 00:11:27,640 Speaker 1: the two of them have fantastic chemistry together. It's about 220 00:11:27,640 --> 00:11:30,480 Speaker 1: a middle aged husband's life who changes dramatically when his 221 00:11:30,520 --> 00:11:33,680 Speaker 1: wife asks him for a divorce. He seeks to rediscover 222 00:11:33,760 --> 00:11:36,360 Speaker 1: his manhood with the help of his newfound friend, Jacob 223 00:11:36,400 --> 00:11:39,600 Speaker 1: played by Ryan Gosling. Looking to pick up girls, at 224 00:11:39,600 --> 00:11:42,960 Speaker 1: bars he is coaching him and this movie has one 225 00:11:43,040 --> 00:11:46,440 Speaker 1: of the best twists of any rom com. And even 226 00:11:46,440 --> 00:11:48,600 Speaker 1: know the movie is ten years old, I won't spoil it, 227 00:11:48,679 --> 00:11:51,040 Speaker 1: but it is one that the first time I watched it, 228 00:11:51,120 --> 00:11:55,000 Speaker 1: I probably audibly gasped. I think this movie is one 229 00:11:55,040 --> 00:11:58,000 Speaker 1: of the best examples of his comedic timing, but it 230 00:11:58,040 --> 00:12:01,040 Speaker 1: all comes down to his romantic chemistry with Emma Stone. 231 00:12:01,640 --> 00:12:03,800 Speaker 1: That scene where she's looking at his abs and she's like, 232 00:12:03,840 --> 00:12:07,120 Speaker 1: oh my gosh, what are you photoshopped? I feel that 233 00:12:07,200 --> 00:12:11,160 Speaker 1: to most people, this is probably quintessential Ryan Gosling as 234 00:12:11,200 --> 00:12:14,840 Speaker 1: far as his physique. When people have an image of 235 00:12:14,840 --> 00:12:17,360 Speaker 1: an actor sometimes and they associate him with one role, 236 00:12:17,520 --> 00:12:19,200 Speaker 1: I feel like this is going to be that one 237 00:12:19,240 --> 00:12:21,520 Speaker 1: because he's probably in the best shape of his life, 238 00:12:21,520 --> 00:12:22,920 Speaker 1: even though it looks really great now, Like if you 239 00:12:22,960 --> 00:12:25,560 Speaker 1: saw his abs in Barbie Dude still has it, but 240 00:12:25,880 --> 00:12:29,760 Speaker 1: compared with all his other features and the age he 241 00:12:30,080 --> 00:12:33,160 Speaker 1: was while he made this movie, I feel like this 242 00:12:33,240 --> 00:12:35,679 Speaker 1: is the poster everybody would put up on their wall 243 00:12:35,760 --> 00:12:38,840 Speaker 1: of Ryan Gosling to show how attractive of a man 244 00:12:38,920 --> 00:12:41,760 Speaker 1: he is. And I think when we watch actors on 245 00:12:41,840 --> 00:12:45,680 Speaker 1: TV or in movies, we associate them with that age always, 246 00:12:45,720 --> 00:12:48,560 Speaker 1: so I feel like people have this image of Ryan 247 00:12:48,600 --> 00:12:52,760 Speaker 1: Gosling from Crazy Stupid Love that maybe in another twenty 248 00:12:52,840 --> 00:12:55,319 Speaker 1: years if you met him out in public, he'd be like, oh, man, 249 00:12:55,360 --> 00:12:57,800 Speaker 1: you don't look quiet like you did back in twenty eleven. 250 00:12:58,360 --> 00:13:01,040 Speaker 1: That is unfair to actors because we have associate them, 251 00:13:01,440 --> 00:13:04,880 Speaker 1: especially childhood actors, which he is a childhood actor, but 252 00:13:04,960 --> 00:13:08,200 Speaker 1: you associate them with the age they were in the 253 00:13:08,240 --> 00:13:10,000 Speaker 1: thing that you saw them in, and then you see 254 00:13:10,040 --> 00:13:11,720 Speaker 1: him older and you're like, oh, you don't look so 255 00:13:11,800 --> 00:13:15,560 Speaker 1: great anymore. Like bro, we all age. We treat them 256 00:13:15,559 --> 00:13:18,520 Speaker 1: so unfairly. But this is a great movie and one 257 00:13:18,559 --> 00:13:21,600 Speaker 1: that has great rewatchability. That's why it ranks pretty high 258 00:13:21,600 --> 00:13:25,119 Speaker 1: on my list at number six. I have Crazy Stupid 259 00:13:25,280 --> 00:13:28,960 Speaker 1: Love at number five from twenty twenty three. It is 260 00:13:29,000 --> 00:13:31,600 Speaker 1: Barbie director Greta Gerwig, who is one of my favorite 261 00:13:31,600 --> 00:13:35,200 Speaker 1: directors right now. Probably put her in my top ten, 262 00:13:35,320 --> 00:13:38,000 Speaker 1: if not my top five. The movie had a budget 263 00:13:38,040 --> 00:13:40,520 Speaker 1: of one hundred and forty five million dollars went on 264 00:13:40,559 --> 00:13:44,480 Speaker 1: to make a whopping one point forty four billion with 265 00:13:44,600 --> 00:13:48,840 Speaker 1: the Bead. It is Ryan Gosling's highest grossing movie that 266 00:13:48,920 --> 00:13:52,520 Speaker 1: he stars in. That says a lot. Kannuff said, also 267 00:13:52,640 --> 00:13:57,320 Speaker 1: showcases his incredible vocal talents, a very self aware role 268 00:13:57,520 --> 00:14:00,760 Speaker 1: that had such a pop culture moment, and I think 269 00:14:00,800 --> 00:14:03,680 Speaker 1: a large part of that was Ryan Gosling and the 270 00:14:03,720 --> 00:14:07,240 Speaker 1: singing it led up to the performance at the Oscars. 271 00:14:07,520 --> 00:14:11,200 Speaker 1: Even though I still feel like Margot Robbie is obviously 272 00:14:11,240 --> 00:14:14,240 Speaker 1: the star of the movie, it was also the journey 273 00:14:14,280 --> 00:14:17,120 Speaker 1: of Ken and their relationship that made it one of 274 00:14:17,160 --> 00:14:20,280 Speaker 1: the most memorable and biggest movies of that year, and 275 00:14:20,360 --> 00:14:24,760 Speaker 1: it allowed him to have that big mainstream success, finally 276 00:14:24,800 --> 00:14:27,400 Speaker 1: getting a billion dollar movie under his belt. And when 277 00:14:27,400 --> 00:14:29,600 Speaker 1: you think about that, that does still introduce you to 278 00:14:29,760 --> 00:14:32,720 Speaker 1: new audiences. Even though he was and still is at 279 00:14:32,760 --> 00:14:35,200 Speaker 1: the top of his game, everybody knows who Ryan Gosling is, 280 00:14:35,480 --> 00:14:38,520 Speaker 1: got him another Oscar nomination. I thought he would have 281 00:14:38,560 --> 00:14:41,240 Speaker 1: got close to winning one for this movie, but sadly 282 00:14:41,440 --> 00:14:44,560 Speaker 1: he did not. Still at number five, I have Barbie 283 00:14:44,680 --> 00:14:48,440 Speaker 1: at number four from twenty sixteen is La La Land. 284 00:14:48,680 --> 00:14:52,080 Speaker 1: Again we find him working with Damian Chazelle. Damien Chazelle 285 00:14:52,080 --> 00:14:55,400 Speaker 1: also did movies like Whiplash and Babylon. We mentioned him 286 00:14:55,400 --> 00:14:57,920 Speaker 1: earlier When talking about First Man, the movie coused thirty 287 00:14:57,960 --> 00:15:01,080 Speaker 1: million dollars to make, which is pretty nuts to make 288 00:15:01,120 --> 00:15:04,360 Speaker 1: a movie. They got so much critical acclaim. I would 289 00:15:04,400 --> 00:15:07,000 Speaker 1: say out of all the movies in Ryan Gosling's career, 290 00:15:07,440 --> 00:15:10,200 Speaker 1: this has the most critical acclaim And it's a rare 291 00:15:10,280 --> 00:15:13,600 Speaker 1: case of having that critical acclaim and also having a 292 00:15:13,640 --> 00:15:17,040 Speaker 1: big fan base because the movie made four hundred and 293 00:15:17,120 --> 00:15:20,280 Speaker 1: seventy two million dollars at the box office, and this 294 00:15:20,320 --> 00:15:24,440 Speaker 1: would be the best showcase of Ryan Gosling's musical talent. 295 00:15:24,800 --> 00:15:28,720 Speaker 1: He plays a character named Sebastian who plays piano, again 296 00:15:28,760 --> 00:15:31,080 Speaker 1: teaming up with Emma Stone who plays Mia, who is 297 00:15:31,120 --> 00:15:35,000 Speaker 1: an actress, both living in Los Angeles following their passion, 298 00:15:35,280 --> 00:15:38,440 Speaker 1: trying to achieve success in their respective fields, and they 299 00:15:38,440 --> 00:15:42,880 Speaker 1: find themselves torn between chasing their dreams and their love 300 00:15:42,920 --> 00:15:47,000 Speaker 1: for each other, which is just the great dynamic of storytelling. 301 00:15:47,480 --> 00:15:51,120 Speaker 1: And I think the relatability to people is what made 302 00:15:51,120 --> 00:15:54,360 Speaker 1: this movie really sink in emotionally. Then you also have 303 00:15:54,360 --> 00:15:58,120 Speaker 1: all the fantastic songs, the big musical numbers taking over 304 00:15:58,200 --> 00:16:00,800 Speaker 1: the LA Highway. I think this is one of the 305 00:16:00,800 --> 00:16:04,760 Speaker 1: best examples of him giving a performance that is charming, flawed, 306 00:16:05,160 --> 00:16:08,480 Speaker 1: and just outright human. He was singing, he was dancing, 307 00:16:08,520 --> 00:16:10,920 Speaker 1: he was playing piano, he was breaking hearts. He was 308 00:16:10,960 --> 00:16:13,960 Speaker 1: doing all the things that make him him and again 309 00:16:14,440 --> 00:16:16,960 Speaker 1: earning him an Oscar nomination. If there is one movie 310 00:16:17,000 --> 00:16:19,440 Speaker 1: he should have won an Oscar for, it should have 311 00:16:19,440 --> 00:16:21,840 Speaker 1: been This Role. Movie should have won Best Picture. It 312 00:16:21,880 --> 00:16:24,280 Speaker 1: did not. There was that entire controversy where they said 313 00:16:24,320 --> 00:16:26,720 Speaker 1: it did and then ended up not went to Moonlight, 314 00:16:26,880 --> 00:16:29,040 Speaker 1: which I love Moonlight, but I still think this would 315 00:16:29,040 --> 00:16:32,840 Speaker 1: have been a better representation of twenty sixteen because I 316 00:16:32,960 --> 00:16:37,080 Speaker 1: feel like La La Land is responsible for redefining the 317 00:16:37,160 --> 00:16:40,280 Speaker 1: musical genre, which is back now. If we wouldn't have 318 00:16:40,320 --> 00:16:42,080 Speaker 1: had La La Land, we would have never gotten Too 319 00:16:42,120 --> 00:16:45,400 Speaker 1: Wicked last year, Wicked two this year, I feel like 320 00:16:45,480 --> 00:16:48,400 Speaker 1: it brought back that passion and we had Greatest Showman 321 00:16:48,520 --> 00:16:51,840 Speaker 1: in twenty seventeen. I've had a lot of great musicals now. 322 00:16:52,000 --> 00:16:54,840 Speaker 1: It is harder now for me not to embrace the musical. 323 00:16:55,000 --> 00:16:57,800 Speaker 1: Got me loving musical, so at number four one of 324 00:16:57,840 --> 00:17:01,400 Speaker 1: my favorite musicals. La La Land at number three from 325 00:17:01,440 --> 00:17:05,200 Speaker 1: twenty seventeen, followed it up the next year with Blade 326 00:17:05,240 --> 00:17:09,480 Speaker 1: Runner twenty forty nine. From director Denivilneuve, who also is 327 00:17:09,560 --> 00:17:12,840 Speaker 1: responsible for the Dune franchise, being a director over there. 328 00:17:13,200 --> 00:17:15,679 Speaker 1: Movie had a budget of about one point fifty to 329 00:17:15,720 --> 00:17:18,600 Speaker 1: one eighty five million dollars made two hundred and fifty 330 00:17:18,640 --> 00:17:22,119 Speaker 1: eight million dollars at the box office. He plays a 331 00:17:22,160 --> 00:17:25,600 Speaker 1: young blade Runner named Kay whose discovery of a long 332 00:17:25,680 --> 00:17:29,280 Speaker 1: buried secret leads him to track down the former blade Runner, 333 00:17:29,480 --> 00:17:32,200 Speaker 1: who is played by Harrison Ford and in this movie 334 00:17:32,240 --> 00:17:35,280 Speaker 1: he has been missing for thirty years. Blade Runner twenty 335 00:17:35,280 --> 00:17:39,080 Speaker 1: forty nine has my favorite cinematography, my favorite set design 336 00:17:39,680 --> 00:17:42,119 Speaker 1: out of any movie in the twenty tens. If I 337 00:17:42,160 --> 00:17:45,240 Speaker 1: could find myself living in one world, it would be 338 00:17:45,520 --> 00:17:48,440 Speaker 1: in the future that is Blade Runner twenty forty nine. 339 00:17:49,200 --> 00:17:51,479 Speaker 1: I love the world that is built in this movie. 340 00:17:51,520 --> 00:17:54,879 Speaker 1: I love the wardrobe, his big jacket. I love the 341 00:17:54,960 --> 00:17:58,000 Speaker 1: use of color in this movie. The oranges that are 342 00:17:58,119 --> 00:18:02,240 Speaker 1: very deep and burning and contrasting with the blues that 343 00:18:02,320 --> 00:18:07,119 Speaker 1: are cool. Pairing those two together just looks fantastic. You 344 00:18:07,200 --> 00:18:10,200 Speaker 1: have Dave Batista in this movie, and it is hard 345 00:18:10,240 --> 00:18:13,840 Speaker 1: to make a sequel to a sci fi classic, and 346 00:18:13,880 --> 00:18:17,280 Speaker 1: putting Ryan Gosling in this role ensured that it was 347 00:18:17,359 --> 00:18:21,200 Speaker 1: gonna work because he gave a fantastic performance as k 348 00:18:21,920 --> 00:18:23,960 Speaker 1: I also just love his ring tone in this movie, 349 00:18:24,680 --> 00:18:27,800 Speaker 1: which is the use of Peter in the Wolf, which 350 00:18:27,880 --> 00:18:30,960 Speaker 1: was something I learned in music class in elementary school 351 00:18:31,000 --> 00:18:38,040 Speaker 1: at d and End. So every time I think about 352 00:18:38,119 --> 00:18:40,439 Speaker 1: that tone, every time I think about that song, I 353 00:18:40,480 --> 00:18:43,040 Speaker 1: think about Ryan Gosling in Blade Runner twenty forty nine. 354 00:18:43,400 --> 00:18:46,080 Speaker 1: I have it at number three. At number two, I 355 00:18:46,160 --> 00:18:49,880 Speaker 1: have The Place Beyond the Pines from twenty twelve from 356 00:18:49,920 --> 00:18:53,399 Speaker 1: the same director as Blue Valentine, which is another great 357 00:18:53,480 --> 00:18:56,480 Speaker 1: Ryan Gostling movie didn't quite make my list. Had a 358 00:18:56,480 --> 00:18:58,920 Speaker 1: budget of fifteen million dollars and went on to make 359 00:18:59,000 --> 00:19:02,960 Speaker 1: forty seven million. Also in this movie is Bradley Cooper 360 00:19:03,040 --> 00:19:05,720 Speaker 1: and Dane Dehn, who is a very quintessential twenty tens 361 00:19:05,800 --> 00:19:09,080 Speaker 1: actor for me. Ryan Gosling plays a stunt writer who 362 00:19:09,119 --> 00:19:13,040 Speaker 1: is traveling around essentially kind of in a traveling circus, 363 00:19:13,280 --> 00:19:16,359 Speaker 1: kind of fair type thing. Finds out he got a 364 00:19:16,359 --> 00:19:18,960 Speaker 1: girl pregnant played by Eva Mendez, which this is also 365 00:19:19,000 --> 00:19:21,720 Speaker 1: the movie that they met on and now have been 366 00:19:21,720 --> 00:19:25,359 Speaker 1: married have kids together, but in this movie he accidentally 367 00:19:25,400 --> 00:19:28,600 Speaker 1: gets their pregnant, finds out he has a kid leaves 368 00:19:28,640 --> 00:19:31,640 Speaker 1: his life of being a stunt driver to settle down 369 00:19:32,119 --> 00:19:35,520 Speaker 1: trying to make ends meet, not really finding luck with 370 00:19:35,920 --> 00:19:38,439 Speaker 1: getting a job that could earn him enough money to 371 00:19:38,480 --> 00:19:40,800 Speaker 1: take care of his new son, so he decides to 372 00:19:40,840 --> 00:19:44,160 Speaker 1: do what any normal person would decide to do, turn 373 00:19:44,240 --> 00:19:46,560 Speaker 1: to a life of crime and start robbing banks. And 374 00:19:46,600 --> 00:19:51,320 Speaker 1: the movie is a big, deep dive into the vicious 375 00:19:51,320 --> 00:19:55,960 Speaker 1: cycle of violence. Also not trying to be like your parents, 376 00:19:56,320 --> 00:20:00,239 Speaker 1: and the way it interweaves all these lives together, from 377 00:20:00,359 --> 00:20:04,880 Speaker 1: Ryan Gosling to Bradley Cooper to Dane Dehan, and how 378 00:20:04,920 --> 00:20:08,680 Speaker 1: the movie shifts focus two or three times throughout. It's 379 00:20:08,720 --> 00:20:11,119 Speaker 1: a very complex way to tell a story. But if 380 00:20:11,160 --> 00:20:14,400 Speaker 1: you really sit down, allow yourself to enjoy this movie, 381 00:20:14,440 --> 00:20:17,040 Speaker 1: because I don't think it's entirely for everybody, but I 382 00:20:17,160 --> 00:20:20,600 Speaker 1: just love the aesthetic of this movie. And Ryan Gosling's 383 00:20:20,720 --> 00:20:26,200 Speaker 1: character is so just infatuating in this where instantly when 384 00:20:26,200 --> 00:20:28,199 Speaker 1: you see him on screen, even though he's not a 385 00:20:28,240 --> 00:20:32,080 Speaker 1: great guy, you never really root for him. He's so cool. 386 00:20:32,600 --> 00:20:36,080 Speaker 1: He has like vintage T shirts, tight black pants, He 387 00:20:36,200 --> 00:20:39,399 Speaker 1: rides a motorcycle which is more of a dirt bike. 388 00:20:39,920 --> 00:20:43,000 Speaker 1: He has tattoos, everywhere. I'd say more so than his 389 00:20:43,119 --> 00:20:45,280 Speaker 1: other roles. The best he's ever looked at a role, 390 00:20:45,400 --> 00:20:49,159 Speaker 1: and quite possibly the best any actor has ever looked 391 00:20:49,480 --> 00:20:52,240 Speaker 1: in a movie. He has bleach blonde hair. He's just 392 00:20:52,280 --> 00:20:54,600 Speaker 1: so cool because even though you don't like him and 393 00:20:54,680 --> 00:20:58,000 Speaker 1: root for him because he is doing bad things, because 394 00:20:58,040 --> 00:21:00,720 Speaker 1: he is screwing up time and time again, he's just 395 00:21:00,760 --> 00:21:03,160 Speaker 1: so cool. You're like, man, I want to hang out 396 00:21:03,160 --> 00:21:05,280 Speaker 1: with that guy. I can see what even men is 397 00:21:05,280 --> 00:21:08,080 Speaker 1: in this movie season him. I can see why after 398 00:21:08,160 --> 00:21:12,159 Speaker 1: this movie they became a real couple. He's intoxicating, and 399 00:21:12,200 --> 00:21:14,960 Speaker 1: it's those types of people that were meant to be 400 00:21:15,040 --> 00:21:18,840 Speaker 1: movie stars that you just can't help but not take 401 00:21:18,880 --> 00:21:20,800 Speaker 1: your eyes off of them when they are on screen. 402 00:21:21,359 --> 00:21:23,560 Speaker 1: You hang on to every word. And the interesting thing 403 00:21:23,600 --> 00:21:25,760 Speaker 1: about Ryan Gossling that I'll probably get into more in 404 00:21:25,800 --> 00:21:28,560 Speaker 1: my Number one is sometimes his characters don't have to 405 00:21:28,560 --> 00:21:31,440 Speaker 1: say a lot, but it's that mysteriousness. I mean, also 406 00:21:31,520 --> 00:21:33,720 Speaker 1: the fact that he's incredibly good looking, so he doesn't 407 00:21:33,760 --> 00:21:36,560 Speaker 1: have to say a whole lot. But to know as 408 00:21:36,600 --> 00:21:40,240 Speaker 1: an actor that you can take breath and be subtle 409 00:21:40,280 --> 00:21:43,959 Speaker 1: in your performance and really let the character breathe. That 410 00:21:44,119 --> 00:21:47,320 Speaker 1: is just a really hard thing to do, and he 411 00:21:47,400 --> 00:21:50,119 Speaker 1: does it so well in this role that proves to 412 00:21:50,200 --> 00:21:52,600 Speaker 1: you that he can do something that nobody else really can. 413 00:21:53,080 --> 00:21:56,080 Speaker 1: To take a character who you don't like, who is 414 00:21:56,160 --> 00:21:58,840 Speaker 1: kind of the antagonist in his own life, but you 415 00:21:59,040 --> 00:22:01,560 Speaker 1: still go on a root for him a little bit. 416 00:22:01,920 --> 00:22:04,040 Speaker 1: But I love this movie so much. I think it 417 00:22:04,080 --> 00:22:08,320 Speaker 1: makes a great statement on the harsh nature of family, 418 00:22:08,800 --> 00:22:10,679 Speaker 1: the hard things that you do just to try to 419 00:22:10,720 --> 00:22:12,520 Speaker 1: make it in this world. And I just think it 420 00:22:12,560 --> 00:22:16,119 Speaker 1: has such an unorthodox method of storytelling. And there's a 421 00:22:16,160 --> 00:22:18,960 Speaker 1: little long it's about two hours and twenty minutes, But 422 00:22:19,000 --> 00:22:21,040 Speaker 1: from when you start this movie to when you finish it, 423 00:22:21,320 --> 00:22:23,880 Speaker 1: you feel a lot of things. There are always great 424 00:22:23,880 --> 00:22:26,479 Speaker 1: things either, and I think it's because for me, I 425 00:22:26,600 --> 00:22:29,040 Speaker 1: like movies that don't wrap up how you want them to, 426 00:22:29,520 --> 00:22:32,520 Speaker 1: that maybe at times leave some unanswered questions. And this 427 00:22:32,560 --> 00:22:34,920 Speaker 1: is a movie that also where you try to find 428 00:22:34,960 --> 00:22:38,040 Speaker 1: where do the good things happen? Sometimes I just like 429 00:22:38,160 --> 00:22:40,760 Speaker 1: not good things to happen, because that's how life is. 430 00:22:41,359 --> 00:22:44,720 Speaker 1: Not everything works out well in life. Sometimes bad things 431 00:22:44,760 --> 00:22:47,520 Speaker 1: happen for no reason whatsoever that you try to explain 432 00:22:47,800 --> 00:22:51,480 Speaker 1: and sometimes movies always have to have an explanation, always 433 00:22:51,520 --> 00:22:54,479 Speaker 1: have to have a happy ending, sometimes always have to 434 00:22:54,520 --> 00:22:57,840 Speaker 1: have something that you learn. You do really have to 435 00:22:57,880 --> 00:23:01,359 Speaker 1: dig deep in this movie to find that lesson because 436 00:23:01,359 --> 00:23:03,960 Speaker 1: a lot of it is sad, so it'll kind of 437 00:23:04,000 --> 00:23:06,760 Speaker 1: make you depressed if you watch it. But I rewatched 438 00:23:06,800 --> 00:23:09,399 Speaker 1: it recently on Netflix, which I don't always like to 439 00:23:09,400 --> 00:23:12,440 Speaker 1: say what streaming services all these movies are on, because 440 00:23:12,480 --> 00:23:14,920 Speaker 1: depending on when you listen, they get moves around so much. 441 00:23:14,960 --> 00:23:18,640 Speaker 1: So sometimes I use an app called just Watch, where 442 00:23:18,640 --> 00:23:20,360 Speaker 1: you can put in any movie title and they tell 443 00:23:20,359 --> 00:23:22,680 Speaker 1: you where it's streaming for free, and you can kind 444 00:23:22,680 --> 00:23:25,159 Speaker 1: of match that with what services you have. And this 445 00:23:25,280 --> 00:23:27,399 Speaker 1: sounds dumb to say, but if you just google it, 446 00:23:27,440 --> 00:23:30,760 Speaker 1: that's usually my best way to find where it's streaming 447 00:23:31,480 --> 00:23:34,000 Speaker 1: or where you can rent it for pretty cheap. But 448 00:23:34,119 --> 00:23:36,160 Speaker 1: I just love this movie. I want to rip off 449 00:23:36,160 --> 00:23:39,159 Speaker 1: his wardrobe from this movie. At number two is the 450 00:23:39,200 --> 00:23:42,800 Speaker 1: Place Beyond the PONNDS. I do have some honorable mentions 451 00:23:42,840 --> 00:23:45,440 Speaker 1: before I get into my number one, The Nice Guys 452 00:23:45,480 --> 00:23:48,280 Speaker 1: from twenty sixteen, which was him and Russell Crowe. I 453 00:23:48,320 --> 00:23:51,439 Speaker 1: just think this movie wasn't marketed well it didn't do 454 00:23:51,560 --> 00:23:54,280 Speaker 1: so well at the box office, only had a profit 455 00:23:54,320 --> 00:23:56,920 Speaker 1: of about nine million dollars. But that's a really good 456 00:23:56,960 --> 00:23:59,560 Speaker 1: movie that just doesn't get enough credit. Remember The Titans, 457 00:23:59,560 --> 00:24:02,240 Speaker 1: which we made earlier. I just feel that's not really 458 00:24:02,240 --> 00:24:04,239 Speaker 1: a Ryan Gosling movie, even though he is in it. 459 00:24:04,720 --> 00:24:07,199 Speaker 1: Also The Gray Man on Netflix, which came out in 460 00:24:07,240 --> 00:24:10,160 Speaker 1: twenty twenty two, which was directed by the Russo Brothers, 461 00:24:10,600 --> 00:24:14,520 Speaker 1: also starred Chris Sevans, wasn't really critically beloved, but it 462 00:24:14,640 --> 00:24:17,560 Speaker 1: kind of marked his return to this style of action. 463 00:24:18,080 --> 00:24:21,639 Speaker 1: He played a rogue Cia assassin. So maybe not the 464 00:24:21,680 --> 00:24:25,600 Speaker 1: biggest bright spot in all of his filmography, but came 465 00:24:25,640 --> 00:24:27,760 Speaker 1: out at a time that maybe you missed a lot 466 00:24:27,760 --> 00:24:30,000 Speaker 1: of movies that came out in twenty twenty two. But 467 00:24:30,119 --> 00:24:32,119 Speaker 1: that is still a good watch on Netflix if you 468 00:24:32,240 --> 00:24:36,120 Speaker 1: haven't seen it. But at number one from twenty eleven 469 00:24:36,640 --> 00:24:39,480 Speaker 1: and I would put this movie in my top ten 470 00:24:39,600 --> 00:24:42,240 Speaker 1: movies of all time, but it makes number one on 471 00:24:42,280 --> 00:24:45,840 Speaker 1: this list. It is Drive, which had a budget of 472 00:24:45,920 --> 00:24:49,399 Speaker 1: fifteen million dollars, went on to make eighty one point 473 00:24:49,440 --> 00:24:53,040 Speaker 1: four million dollars at the box office. Ryan Gosling plays 474 00:24:53,080 --> 00:24:56,920 Speaker 1: a mysterious Hollywood action stuntman. I guess he does kind 475 00:24:56,960 --> 00:25:00,879 Speaker 1: of have a history of playing stuntman. Between the Place 476 00:25:00,920 --> 00:25:04,440 Speaker 1: Beyond the Pines and the Fog guy. Ah, here's my 477 00:25:04,560 --> 00:25:08,760 Speaker 1: dream interview now. I think him. Leonardo DiCaprio and Quentin 478 00:25:08,760 --> 00:25:11,800 Speaker 1: Tarantino are topped here. If I ever got to talk 479 00:25:11,840 --> 00:25:14,879 Speaker 1: to them would be amazing. I would want to know 480 00:25:14,920 --> 00:25:17,320 Speaker 1: what his fascination is with stuntman. Did he want to 481 00:25:17,320 --> 00:25:20,399 Speaker 1: be a stuntman? His character finds himself in some trouble 482 00:25:20,440 --> 00:25:22,720 Speaker 1: with some gangsters when he tries to help his neighbor's 483 00:25:22,760 --> 00:25:26,160 Speaker 1: husband rob a ponn chopped while serving as his getaway driver. 484 00:25:26,320 --> 00:25:29,520 Speaker 1: So that's his thing. He works as a stuntman driving 485 00:25:29,560 --> 00:25:32,240 Speaker 1: cars during the day and then he works as the 486 00:25:32,240 --> 00:25:35,679 Speaker 1: getaway driver at night. His love interest in this movie 487 00:25:35,760 --> 00:25:39,119 Speaker 1: is Carrie Mulligan, and out of all the movies, this 488 00:25:39,200 --> 00:25:42,639 Speaker 1: is the one with his best wardrobe of that iconic jacket. 489 00:25:43,000 --> 00:25:45,399 Speaker 1: He's the coolest in this movie. Him leaning up on 490 00:25:45,440 --> 00:25:49,320 Speaker 1: the car at night is a fantastic shot him driving 491 00:25:49,440 --> 00:25:54,160 Speaker 1: with the gloves, the elevator scene where he basically pummels 492 00:25:54,200 --> 00:25:57,080 Speaker 1: the dude right in front of Carry Mulligan. The fact 493 00:25:57,160 --> 00:25:59,119 Speaker 1: that he doesn't even have a name in this movie. 494 00:25:59,160 --> 00:26:01,639 Speaker 1: He's just known as the Driver. That is it again 495 00:26:01,720 --> 00:26:05,040 Speaker 1: with Ryan Gosling. His roles are always very mysterious and like, 496 00:26:05,080 --> 00:26:09,280 Speaker 1: oh what is he thinking? But Drive also contains one 497 00:26:09,280 --> 00:26:13,359 Speaker 1: of my favorite uses of songs in a movie. There's 498 00:26:13,359 --> 00:26:17,199 Speaker 1: a really beautiful scene where him and Kerry Mulligan go 499 00:26:17,320 --> 00:26:20,359 Speaker 1: for a drive driving in Los Angeles with the sun 500 00:26:20,440 --> 00:26:23,639 Speaker 1: going down, and you hear the song A Real Hero, 501 00:26:24,200 --> 00:26:27,080 Speaker 1: which is by an artist called College and Electric Youth, 502 00:26:27,840 --> 00:26:30,960 Speaker 1: which also feels very twenty tens, but it has like 503 00:26:31,040 --> 00:26:34,080 Speaker 1: that eighty synth style to it, that dun dum dum 504 00:26:34,200 --> 00:26:38,680 Speaker 1: dum and a Real Hero. I don't really sing a 505 00:26:38,680 --> 00:26:41,000 Speaker 1: whole lot, but I can't play clips that is how 506 00:26:41,040 --> 00:26:44,119 Speaker 1: that song goes. The moment that that happens in the movie, 507 00:26:44,160 --> 00:26:48,399 Speaker 1: I just feel this warm fuzziness inside that makes me 508 00:26:48,520 --> 00:26:52,080 Speaker 1: realize why I love movies so much. Those scenes such 509 00:26:52,080 --> 00:26:55,680 Speaker 1: a simple story and to me, has great rewatchability. Even 510 00:26:55,760 --> 00:26:58,280 Speaker 1: though it's not really what you would consider to be 511 00:26:58,359 --> 00:27:01,440 Speaker 1: a comfort movie to most, it is to me one 512 00:27:01,520 --> 00:27:04,560 Speaker 1: of my favorites of all time. I have it as 513 00:27:04,680 --> 00:27:09,560 Speaker 1: number one my favorite Ryan Gosling movie. Twenty eleven's drive. 514 00:27:09,920 --> 00:27:11,879 Speaker 1: Thanks to everybody who shared your picks with me on 515 00:27:11,920 --> 00:27:13,800 Speaker 1: social media. If you ever want to let me know 516 00:27:13,880 --> 00:27:18,240 Speaker 1: your feedback, you can always hit me up on Facebook, Twitter, Instagram, 517 00:27:18,640 --> 00:27:21,760 Speaker 1: or send me an email moviemke d at gmail dot com. 518 00:27:21,760 --> 00:27:24,639 Speaker 1: I'll come back with my spoiler free review of Warfare. 519 00:27:28,240 --> 00:27:30,480 Speaker 1: Let's get into it now. A spoiler free movie review 520 00:27:30,520 --> 00:27:33,480 Speaker 1: of Warfare. Based on a true story about a surveillance 521 00:27:33,480 --> 00:27:37,360 Speaker 1: mission gone wrong for a group of American Navy Seals. 522 00:27:38,080 --> 00:27:42,639 Speaker 1: This movie is gut wrenching. The action is visceral. It 523 00:27:42,760 --> 00:27:46,919 Speaker 1: left me feeling stressed so much throughout this entire movie. 524 00:27:47,720 --> 00:27:51,000 Speaker 1: I knew it wasn't gonna be a happy watch just 525 00:27:51,000 --> 00:27:52,919 Speaker 1: by the looks of the trailer. Whenever they show you 526 00:27:52,960 --> 00:27:55,000 Speaker 1: at the beginning of the movie where it's all the 527 00:27:55,040 --> 00:27:58,400 Speaker 1: soldiers having a good time bonding. This movie starts out 528 00:27:58,400 --> 00:28:01,760 Speaker 1: there all watching a music video, they laughing, hanging out. 529 00:28:02,119 --> 00:28:04,720 Speaker 1: You just know it's gonna get bad, and it gets 530 00:28:04,720 --> 00:28:07,800 Speaker 1: bad really quickly. This movie centers around a Navy seal 531 00:28:07,880 --> 00:28:11,720 Speaker 1: platoon who find themselves in a firefight with al Qaeda insurgents. 532 00:28:12,240 --> 00:28:14,159 Speaker 1: They in the middle of the night go to this 533 00:28:14,240 --> 00:28:17,520 Speaker 1: house take over it so they can overlook this market 534 00:28:18,000 --> 00:28:20,080 Speaker 1: by all these people coming in and out of it. 535 00:28:20,280 --> 00:28:23,840 Speaker 1: And while they're in that house, the enemy becomes aware 536 00:28:23,880 --> 00:28:27,120 Speaker 1: of their location and they find themselves in an all 537 00:28:27,160 --> 00:28:30,800 Speaker 1: out firefight having to be extracted from this location. And 538 00:28:30,880 --> 00:28:33,680 Speaker 1: the entire movie is set on one day, November nineteenth, 539 00:28:33,760 --> 00:28:36,320 Speaker 1: two thousand and six, in the wake of the Battle 540 00:28:36,359 --> 00:28:39,000 Speaker 1: of Ramandi. I hope I'm saying that correctly. It is 541 00:28:39,040 --> 00:28:41,680 Speaker 1: directed by Alex Garland, who last year did Civil War 542 00:28:41,760 --> 00:28:45,040 Speaker 1: also for A twenty four and co directed by Raymondoza, 543 00:28:45,200 --> 00:28:47,760 Speaker 1: who is the actual leader of this platoon in two 544 00:28:47,800 --> 00:28:50,440 Speaker 1: thousand and six, and it's all based on his and 545 00:28:50,520 --> 00:28:54,640 Speaker 1: everybody involves real accounts and real memories. That is how 546 00:28:54,720 --> 00:28:57,880 Speaker 1: the story was written. So essentially it is a reenactment 547 00:28:57,960 --> 00:29:00,520 Speaker 1: of that day, and you feel it from the very 548 00:29:00,520 --> 00:29:04,000 Speaker 1: beginning of the movie. It is so silent and chilling. 549 00:29:04,440 --> 00:29:06,840 Speaker 1: I haven't been in a theater where it's been so quiet. 550 00:29:06,880 --> 00:29:09,120 Speaker 1: For about twenty to twenty five minutes early on in 551 00:29:09,120 --> 00:29:11,640 Speaker 1: the movie, when they're just doing surveillance, you hear people 552 00:29:11,640 --> 00:29:16,000 Speaker 1: eating popcorn, swirling their drinks, taking SIPs, and it was 553 00:29:16,040 --> 00:29:19,360 Speaker 1: that quiet, and I struggle with movies that are really 554 00:29:19,400 --> 00:29:21,480 Speaker 1: quiet at the beginning, because that's always my snacking time 555 00:29:21,480 --> 00:29:23,479 Speaker 1: and I'm like, oh man, I'm over here stuff in 556 00:29:23,480 --> 00:29:26,760 Speaker 1: my face, crunching it up, and it's so loud. But 557 00:29:26,880 --> 00:29:30,560 Speaker 1: that's how just absent of any sound. The beginning of 558 00:29:30,600 --> 00:29:33,440 Speaker 1: this movie was because you hear how quiet they have 559 00:29:33,520 --> 00:29:36,040 Speaker 1: to be getting into this house and setting up. They 560 00:29:36,040 --> 00:29:37,920 Speaker 1: don't want to alert anybody, so they do it in 561 00:29:37,920 --> 00:29:40,400 Speaker 1: the middle of the night, and they are quiet the 562 00:29:40,640 --> 00:29:44,760 Speaker 1: entire time they are doing surveillance until the enemy becomes 563 00:29:44,800 --> 00:29:48,440 Speaker 1: aware of their location and they start firing at this house. 564 00:29:48,800 --> 00:29:51,000 Speaker 1: That's when it gets really loud. And when I say loud, 565 00:29:51,080 --> 00:29:53,560 Speaker 1: this is one of the loudest movies I've seen in theaters, 566 00:29:54,400 --> 00:29:59,000 Speaker 1: probably since I remember going to see Venom two and 567 00:29:59,040 --> 00:30:01,880 Speaker 1: for some reason, the it was so loud during the movie. 568 00:30:01,960 --> 00:30:04,280 Speaker 1: Whenever cartage was going off, I was like, I think 569 00:30:04,320 --> 00:30:07,240 Speaker 1: it's too loud. This was the loudest movie since that. 570 00:30:07,440 --> 00:30:11,560 Speaker 1: The gunshots had this level of base that I feel 571 00:30:11,640 --> 00:30:14,000 Speaker 1: sorry for any theater that was next to us, because 572 00:30:14,000 --> 00:30:16,600 Speaker 1: I'm sure it was overpowering. Probably down the hall you 573 00:30:16,600 --> 00:30:19,720 Speaker 1: hear everybody screaming for chicken jockey and we're in here 574 00:30:20,440 --> 00:30:24,280 Speaker 1: experiencing something that felt so real and made me realize 575 00:30:24,320 --> 00:30:28,280 Speaker 1: that I don't know stress. Like I sometimes get caught 576 00:30:28,320 --> 00:30:30,840 Speaker 1: up into my weeks thinking I have a stressful job, 577 00:30:30,920 --> 00:30:34,440 Speaker 1: thinking life is stressful. When I look at what I 578 00:30:34,480 --> 00:30:36,640 Speaker 1: have going on in my life, it is nothing like 579 00:30:36,840 --> 00:30:40,000 Speaker 1: this one day that all these soldiers experience. That is 580 00:30:40,040 --> 00:30:43,760 Speaker 1: true stress. When there is the question of life and death. 581 00:30:44,280 --> 00:30:47,239 Speaker 1: Getting out of a really dangerous situation, not knowing if 582 00:30:47,280 --> 00:30:49,680 Speaker 1: you're gonna go home, not knowing if you're gonna be 583 00:30:49,680 --> 00:30:52,640 Speaker 1: able to get your brothers out of this situation, that 584 00:30:52,840 --> 00:30:55,160 Speaker 1: is real stress. And as soon as I thought there's 585 00:30:55,200 --> 00:30:57,800 Speaker 1: no way this scenario could get any more stressful, there 586 00:30:57,800 --> 00:31:01,000 Speaker 1: were so many added layers as the story on, and 587 00:31:01,120 --> 00:31:03,800 Speaker 1: it just feels like when you hear them talk about 588 00:31:03,840 --> 00:31:06,520 Speaker 1: five minutes out, ten minutes out, that feels like an 589 00:31:06,520 --> 00:31:09,360 Speaker 1: eternity to us. Five minutes, ten minutes, no problem, We'll 590 00:31:09,400 --> 00:31:11,800 Speaker 1: get you right out of there. But when it comes 591 00:31:11,840 --> 00:31:15,120 Speaker 1: to you don't know if you can make it one minute, 592 00:31:15,240 --> 00:31:18,560 Speaker 1: much less five minutes, you just realize how stressful all 593 00:31:18,600 --> 00:31:21,960 Speaker 1: these situations are. And I think that was just my 594 00:31:22,080 --> 00:31:28,720 Speaker 1: biggest takeaway of appreciation for anybody who fights for this country. 595 00:31:29,640 --> 00:31:32,360 Speaker 1: I've always appreciated it because I've always known that I 596 00:31:32,440 --> 00:31:35,320 Speaker 1: never had the courage to do that. It takes a 597 00:31:35,440 --> 00:31:39,239 Speaker 1: much different type of person to go experience that. It 598 00:31:39,280 --> 00:31:41,840 Speaker 1: also got me to thinking about those people coming back 599 00:31:41,880 --> 00:31:44,120 Speaker 1: to this country and how we need to be taking 600 00:31:44,160 --> 00:31:47,000 Speaker 1: care of them more. Because watching an account like this 601 00:31:47,400 --> 00:31:49,880 Speaker 1: in a movie, oh, it's hard to say that it's 602 00:31:50,040 --> 00:31:53,720 Speaker 1: entertaining for us. That is also why I struggled whenever 603 00:31:53,720 --> 00:31:55,680 Speaker 1: this trailer first came out, because I saw it and 604 00:31:55,760 --> 00:31:58,440 Speaker 1: I thought, that is my favorite type of war movie 605 00:31:58,440 --> 00:32:01,200 Speaker 1: that feels like a real life account that has that 606 00:32:01,440 --> 00:32:05,280 Speaker 1: gritty nature to it, and I see it as entertainment 607 00:32:05,320 --> 00:32:08,680 Speaker 1: because it is a great film. It's polarizing, it's really 608 00:32:08,880 --> 00:32:13,280 Speaker 1: has this level of excitement to it. But then you realize, 609 00:32:13,320 --> 00:32:16,840 Speaker 1: in situations when we're talking about real people, this isn't 610 00:32:16,880 --> 00:32:19,640 Speaker 1: a made up storyline. This is all from memory. This 611 00:32:19,720 --> 00:32:22,640 Speaker 1: is all things that they experienced and what they remember 612 00:32:22,760 --> 00:32:27,400 Speaker 1: so vividly from that day. So I struggle sometimes thinking, oh, 613 00:32:27,440 --> 00:32:30,240 Speaker 1: this is my favorite type of war movie because it's 614 00:32:30,360 --> 00:32:32,840 Speaker 1: awful that people have to go through this. It's just 615 00:32:32,880 --> 00:32:35,720 Speaker 1: something I want to show an appreciation for and I 616 00:32:35,760 --> 00:32:37,880 Speaker 1: hope that we watch movies like this and think about 617 00:32:37,920 --> 00:32:40,920 Speaker 1: that how we need to appreciate these individuals, not only 618 00:32:40,960 --> 00:32:44,320 Speaker 1: support them while they are overseas fighting for this country, 619 00:32:44,600 --> 00:32:46,680 Speaker 1: but also when they get back and have to deal 620 00:32:46,760 --> 00:32:50,600 Speaker 1: with the aftermath of this. Because while I'm watching this movie, 621 00:32:50,680 --> 00:32:52,840 Speaker 1: all I want is for all of them to get 622 00:32:52,880 --> 00:32:57,280 Speaker 1: out safely. I'm also starting to think about that's a 623 00:32:57,320 --> 00:32:59,960 Speaker 1: long recovery process when they get back home, pain for them, 624 00:33:00,080 --> 00:33:02,920 Speaker 1: medical bills. There are so many added layers to it 625 00:33:03,000 --> 00:33:06,160 Speaker 1: that we don't see in this story. So I hope 626 00:33:06,200 --> 00:33:09,040 Speaker 1: movies like this do shed more light on how we 627 00:33:09,080 --> 00:33:11,920 Speaker 1: treat men and women from the military once they come back. 628 00:33:12,240 --> 00:33:14,200 Speaker 1: I think the way they told this story with that 629 00:33:14,240 --> 00:33:17,479 Speaker 1: real time account is probably the most impactful way they 630 00:33:17,480 --> 00:33:21,120 Speaker 1: could do this story, because the entire movie just feels 631 00:33:21,160 --> 00:33:23,960 Speaker 1: like a journey. It's about ninety minutes long, and it 632 00:33:24,000 --> 00:33:27,000 Speaker 1: went by so quickly, and it is a graphic movie. 633 00:33:27,600 --> 00:33:31,680 Speaker 1: And that is obviously the main storyline of them fighting 634 00:33:31,720 --> 00:33:34,160 Speaker 1: back getting themselves out of there, but there are also 635 00:33:34,200 --> 00:33:36,479 Speaker 1: some bigger themes. I think the biggest theme I took 636 00:33:36,520 --> 00:33:39,280 Speaker 1: away from it is the theme of brotherhood. How all 637 00:33:39,800 --> 00:33:44,160 Speaker 1: these individuals care for each other. How tight knit of 638 00:33:44,200 --> 00:33:47,800 Speaker 1: a group you have to be in these stressful situations, 639 00:33:48,400 --> 00:33:51,040 Speaker 1: knowing that everybody is doing their job to their best 640 00:33:51,040 --> 00:33:57,479 Speaker 1: of their ability, exceeding expectations, and also realizing the fact 641 00:33:57,520 --> 00:34:00,600 Speaker 1: that these are real humans, young men that are going 642 00:34:00,680 --> 00:34:03,800 Speaker 1: through these situations, and you think they have to be superheroes, 643 00:34:04,360 --> 00:34:08,200 Speaker 1: they have to not let things affect them. But when 644 00:34:08,239 --> 00:34:11,520 Speaker 1: things get so crazy and they're in shock, I was 645 00:34:11,560 --> 00:34:15,240 Speaker 1: really grateful that the movie showed how that affects somebody 646 00:34:15,680 --> 00:34:19,400 Speaker 1: and how everybody reacts in a different way. They showed 647 00:34:19,400 --> 00:34:23,320 Speaker 1: it primarily with Will Poulter's character, who just witnessed something 648 00:34:23,400 --> 00:34:26,200 Speaker 1: heinous and it affected him in a way that he 649 00:34:26,280 --> 00:34:28,680 Speaker 1: wasn't expecting to. He was the leader of them and 650 00:34:28,760 --> 00:34:30,840 Speaker 1: had to kind of take a step back because he 651 00:34:30,960 --> 00:34:34,360 Speaker 1: realized he wasn't good. I also learned five military terms 652 00:34:34,560 --> 00:34:38,080 Speaker 1: by watching this movie. Number one, show a force, which 653 00:34:38,120 --> 00:34:42,319 Speaker 1: is a demonstration of military power meant to intimidate or 654 00:34:42,400 --> 00:34:44,759 Speaker 1: warn the enemy. In the movie, they did this with 655 00:34:44,880 --> 00:34:48,560 Speaker 1: jets flying over where they would fly really low and 656 00:34:48,640 --> 00:34:51,400 Speaker 1: quickly across where they were and it would cause just 657 00:34:51,440 --> 00:34:54,160 Speaker 1: like this big rush of wind and you see all 658 00:34:54,200 --> 00:34:58,360 Speaker 1: this dust and dirt go everywhere, and it would create 659 00:34:58,400 --> 00:35:00,200 Speaker 1: a little bit of a chaos, create a little bit 660 00:35:00,200 --> 00:35:03,080 Speaker 1: of a shield for them in situations where they were 661 00:35:03,120 --> 00:35:05,520 Speaker 1: setting up either them getting out, or they just needed 662 00:35:05,560 --> 00:35:07,759 Speaker 1: the enemy to chill off for a little bit. So 663 00:35:08,040 --> 00:35:10,520 Speaker 1: that was probably the thing I had had no idea about, 664 00:35:10,520 --> 00:35:13,960 Speaker 1: but show force is number one. Number two was blood sweep. 665 00:35:14,080 --> 00:35:16,400 Speaker 1: Whenever a bomb goes off or you're caught in a 666 00:35:16,440 --> 00:35:19,719 Speaker 1: firefight and you need to check everybody to make sure 667 00:35:19,760 --> 00:35:22,640 Speaker 1: they don't have injuries that maybe they're not aware of, 668 00:35:22,719 --> 00:35:24,359 Speaker 1: so you do a blood sweep. You would see them 669 00:35:24,360 --> 00:35:26,400 Speaker 1: padding down their brothers to make sure they weren't bleeding 670 00:35:26,440 --> 00:35:29,480 Speaker 1: from an area and not even know it. Because if 671 00:35:29,480 --> 00:35:32,279 Speaker 1: you miss something because you're adrenaline is running, maybe you 672 00:35:32,320 --> 00:35:34,880 Speaker 1: don't feel it, and maybe you have a really serious 673 00:35:34,920 --> 00:35:36,920 Speaker 1: injury that you don't know about, so you do a 674 00:35:36,920 --> 00:35:39,600 Speaker 1: blood sweep. Number three was Mike's, which I learned is 675 00:35:39,640 --> 00:35:42,719 Speaker 1: not movie Mike's. It is slaying for minutes. Never heard 676 00:35:42,760 --> 00:35:45,360 Speaker 1: that before. The one I had heard before and I 677 00:35:45,400 --> 00:35:49,120 Speaker 1: was familiar with was clicks, which is kilometers. They use 678 00:35:49,200 --> 00:35:51,440 Speaker 1: that a lot in this movie as well. But that 679 00:35:51,480 --> 00:35:54,799 Speaker 1: one I knew Mike's, I did not. Number four was Bradley's, 680 00:35:54,880 --> 00:35:59,600 Speaker 1: which is a Bradley Fighting Vehicle also known as a BfV. 681 00:36:00,239 --> 00:36:03,480 Speaker 1: It is essentially an armed combat vehicle that they use 682 00:36:04,000 --> 00:36:07,640 Speaker 1: heavily armed. It's designed to transport them in and out 683 00:36:07,640 --> 00:36:10,960 Speaker 1: of situations. They also support them in battle. And number 684 00:36:10,960 --> 00:36:14,000 Speaker 1: five was OP one, which I didn't know what it 685 00:36:14,000 --> 00:36:15,840 Speaker 1: stood for. Had to look it up after the movie, 686 00:36:16,160 --> 00:36:19,840 Speaker 1: but it stands for Observation Post number one, which in 687 00:36:19,880 --> 00:36:21,880 Speaker 1: this case was the location they set up in this 688 00:36:21,960 --> 00:36:25,720 Speaker 1: house that they took over in order to observe, report 689 00:36:26,080 --> 00:36:28,960 Speaker 1: on their enemies and potentially direct fire on. So those 690 00:36:28,960 --> 00:36:33,120 Speaker 1: are the five terms I learned show Force, Blood, Sweep, Mike's, Bradley's, 691 00:36:33,160 --> 00:36:35,560 Speaker 1: and OP one. There were a lot of cast standouts 692 00:36:35,600 --> 00:36:38,600 Speaker 1: in this movie. I would say number one was Joseph Quinn, 693 00:36:38,640 --> 00:36:41,239 Speaker 1: who you might know from Stranger Things. He's going to 694 00:36:41,280 --> 00:36:43,719 Speaker 1: be in the New Fantastic Four movie this summer. He 695 00:36:44,160 --> 00:36:46,840 Speaker 1: is a star on the rise. I probably felt for 696 00:36:46,920 --> 00:36:49,279 Speaker 1: his character the most, and I feel like you had 697 00:36:49,320 --> 00:36:51,440 Speaker 1: to go to some real links to get this performance 698 00:36:51,440 --> 00:36:53,800 Speaker 1: out of them. Will Poulter was also great. Well. A 699 00:36:53,800 --> 00:36:56,000 Speaker 1: lot of people just associate him with the kid from 700 00:36:56,040 --> 00:36:58,600 Speaker 1: where the miller's the wait, you guys are getting paid guy. 701 00:36:58,719 --> 00:37:01,360 Speaker 1: But he's also a really good actor. The Pharaoh Wona 702 00:37:01,360 --> 00:37:04,520 Speaker 1: Tie was also really good. He played Raymondoza, who co 703 00:37:04,600 --> 00:37:08,400 Speaker 1: directed the movie. I could tell that he was telling 704 00:37:08,440 --> 00:37:12,319 Speaker 1: the story from his perspective as the director because how 705 00:37:12,360 --> 00:37:15,080 Speaker 1: they focused on his character. I think that was one 706 00:37:15,120 --> 00:37:17,960 Speaker 1: of the most humanizing elements of the story. He really 707 00:37:18,000 --> 00:37:20,920 Speaker 1: won me over. You might know him from Reservation Dogs, 708 00:37:21,400 --> 00:37:24,080 Speaker 1: but I think he was one of the newest standouts 709 00:37:24,080 --> 00:37:27,239 Speaker 1: of this cast. Michael Gandolfini was also really good in 710 00:37:27,280 --> 00:37:30,880 Speaker 1: this movie. He is James Gandalfini's son. I've been watching 711 00:37:31,000 --> 00:37:34,680 Speaker 1: actually just finish Daredevil Born Again, which he's also in 712 00:37:34,800 --> 00:37:38,040 Speaker 1: that of the two performances that he gives, and Daredevil 713 00:37:38,080 --> 00:37:40,839 Speaker 1: in Warfare Think Here has a pretty good range there. 714 00:37:41,080 --> 00:37:44,440 Speaker 1: And also Taylor john Smith, who you might remember from 715 00:37:44,480 --> 00:37:46,960 Speaker 1: Where the Crawdads Sing. I would also put him in 716 00:37:46,960 --> 00:37:49,719 Speaker 1: my top five from this cast. But overall, I thought 717 00:37:49,719 --> 00:37:53,799 Speaker 1: this movie was fantastic. I think it might enter in 718 00:37:53,920 --> 00:37:57,399 Speaker 1: as one of my favorite war movies. And I do 719 00:37:57,600 --> 00:38:00,719 Speaker 1: have a bias because I find anything that I was 720 00:38:00,760 --> 00:38:04,920 Speaker 1: alive during is just more impactful to me, So anything 721 00:38:04,960 --> 00:38:07,919 Speaker 1: from the Iraq War just really stands out above any 722 00:38:07,920 --> 00:38:10,960 Speaker 1: other war movie. I think it's also a really important movie, 723 00:38:11,080 --> 00:38:14,040 Speaker 1: and it really benefits by seeing it in theaters because 724 00:38:14,080 --> 00:38:17,440 Speaker 1: you can feel it. That silence at the beginning is 725 00:38:17,480 --> 00:38:20,160 Speaker 1: just so chilling, and how it gets so loud so quickly. 726 00:38:20,719 --> 00:38:23,000 Speaker 1: I don't really think that that would translate the same 727 00:38:23,040 --> 00:38:26,520 Speaker 1: way at home. I love that anticipation, I love that 728 00:38:26,560 --> 00:38:30,480 Speaker 1: feeling of anxiety. I go to the movies to experience that. 729 00:38:31,000 --> 00:38:33,480 Speaker 1: So if you can still go see this movie in theaters, 730 00:38:33,880 --> 00:38:36,680 Speaker 1: I give it four point five out of five shows 731 00:38:36,680 --> 00:38:43,080 Speaker 1: a force. It's time to head down to movie. Mike 732 00:38:43,480 --> 00:38:46,920 Speaker 1: Tylor Paul. A football movie is not going to be 733 00:38:47,000 --> 00:38:49,960 Speaker 1: just a football movie if it's produced by Jordan Peel 734 00:38:50,520 --> 00:38:54,399 Speaker 1: was one of my favorite directors working right now. Even 735 00:38:54,400 --> 00:38:56,640 Speaker 1: though he's not directing this movie, he's producing this movie, 736 00:38:56,680 --> 00:38:58,480 Speaker 1: which I do want to get into what a producer 737 00:38:58,600 --> 00:39:02,120 Speaker 1: actually does on a film. I think sometimes you hear 738 00:39:02,200 --> 00:39:05,440 Speaker 1: that thrown around, like, oh, George Corney is a producer 739 00:39:05,480 --> 00:39:08,880 Speaker 1: on this, and different producers have different roles. Sometimes a 740 00:39:08,880 --> 00:39:11,760 Speaker 1: producer is merely just a name attached to a movie. 741 00:39:12,719 --> 00:39:16,720 Speaker 1: They get that credit. Sometimes maybe they pay a certain 742 00:39:16,760 --> 00:39:20,200 Speaker 1: amount and they are listed as a producer. Sometimes it's 743 00:39:20,200 --> 00:39:22,560 Speaker 1: just a vanity thing. But in the case of Jordan Peele, 744 00:39:22,640 --> 00:39:24,960 Speaker 1: it is much different, and we'll get into that. But 745 00:39:25,040 --> 00:39:27,880 Speaker 1: the movie we are talking about, it's called Him. It 746 00:39:28,000 --> 00:39:31,479 Speaker 1: is a psychological horror movie. And what the movie is about. 747 00:39:31,520 --> 00:39:35,080 Speaker 1: You have this pro quarterback prospect named Cameron Caid. He's 748 00:39:35,080 --> 00:39:38,160 Speaker 1: training for the NFL Combine. He goes through a pretty 749 00:39:38,160 --> 00:39:41,960 Speaker 1: traumatic experience and then he starts working with Marlon Wayne's character, 750 00:39:42,480 --> 00:39:46,480 Speaker 1: who is a legendary quarterback in this world named Isaiah White. 751 00:39:46,520 --> 00:39:49,680 Speaker 1: They start working out on his isolated compound. And the 752 00:39:49,800 --> 00:39:53,640 Speaker 1: question that this movie asks how much are you willing 753 00:39:53,640 --> 00:39:57,040 Speaker 1: to sacrifice to be the greatest of all time? This 754 00:39:57,080 --> 00:40:00,280 Speaker 1: movie is coming out on September nineteenth this year. Before 755 00:40:00,320 --> 00:40:02,279 Speaker 1: we get into it more, here's just a little bit 756 00:40:02,320 --> 00:40:07,160 Speaker 1: of the hymn trailer. Do you want this? I said, 757 00:40:07,239 --> 00:40:07,840 Speaker 1: do you want this? 758 00:40:10,080 --> 00:40:14,279 Speaker 2: If you want to transcend the game, you have to 759 00:40:14,320 --> 00:40:18,319 Speaker 2: dig deep your mind, your body, have to be a 760 00:40:18,360 --> 00:40:22,479 Speaker 2: sink call it is. 761 00:40:22,400 --> 00:40:24,040 Speaker 1: How hard you're willing to work? 762 00:40:25,960 --> 00:40:33,279 Speaker 2: No days off. Mostly we grind. I'm never good enough. 763 00:40:34,360 --> 00:40:40,759 Speaker 2: I'm never good enough. That's how great people think. 764 00:40:40,360 --> 00:40:44,840 Speaker 1: Him stars former college wide receiver tay Rick Withers. You 765 00:40:44,920 --> 00:40:47,239 Speaker 1: might know him from Atlanta. He's also in the new 766 00:40:47,680 --> 00:40:50,000 Speaker 1: I Know What You Did Last Summer reboot, but he 767 00:40:50,040 --> 00:40:52,760 Speaker 1: plays a character named Cameron Caid who was a rising 768 00:40:52,840 --> 00:40:56,880 Speaker 1: star quarterback who has devoted his life his identity to football. 769 00:40:56,960 --> 00:40:59,360 Speaker 1: But on the eve of the Combine, he gets attacked 770 00:40:59,400 --> 00:41:02,840 Speaker 1: by an unh H fan and suffers a potentially career 771 00:41:03,040 --> 00:41:06,680 Speaker 1: ending brain trauma. Right when all seems lost, he gets 772 00:41:06,680 --> 00:41:10,480 Speaker 1: a call from his hero, Isaiah White played by Marlon Wayans, 773 00:41:10,760 --> 00:41:14,120 Speaker 1: who in this movie is a legendary eight time championship 774 00:41:14,200 --> 00:41:18,520 Speaker 1: quarterback and cultural megastar. He offers to train Cam at 775 00:41:18,560 --> 00:41:22,600 Speaker 1: his isolated compound that he shares with his celebrity influencer wife, 776 00:41:22,600 --> 00:41:26,240 Speaker 1: Elise White, who was played by Julia Fox from Uncut Gems. 777 00:41:26,320 --> 00:41:29,320 Speaker 1: You know she was Josh Safti's muse and Uncut Gems. 778 00:41:29,480 --> 00:41:33,800 Speaker 1: But as Cam's training accelerates, Isaiah's charisma begins to curdle 779 00:41:33,800 --> 00:41:38,160 Speaker 1: into something darker, sending his potential protege down a disorienting 780 00:41:38,239 --> 00:41:41,880 Speaker 1: rabbit hole that may cost him more than he bargained for. 781 00:41:42,600 --> 00:41:46,920 Speaker 1: This plot sounds fantastic. This trailer looks really good, really slick, 782 00:41:47,440 --> 00:41:50,120 Speaker 1: and since he is a former college athlete, you can 783 00:41:50,160 --> 00:41:54,120 Speaker 1: tell in the trailer that he has the athleticism downright, 784 00:41:54,120 --> 00:41:57,759 Speaker 1: because sometimes in movies and really in TV shows, you 785 00:41:57,920 --> 00:42:00,600 Speaker 1: get somebody who looks the part when they try to 786 00:42:00,640 --> 00:42:04,000 Speaker 1: do all the mechanics of throwing of running, it just 787 00:42:04,080 --> 00:42:06,880 Speaker 1: doesn't look right. And for me sports movies, I always 788 00:42:06,960 --> 00:42:09,640 Speaker 1: get taken out of them whenever you have somebody there 789 00:42:09,840 --> 00:42:12,120 Speaker 1: who just looks that they can't really throw a ball. 790 00:42:12,239 --> 00:42:15,080 Speaker 1: In this case, the first thirty forty seconds of this 791 00:42:15,120 --> 00:42:18,680 Speaker 1: trailer just look like a straight up Nike ad. It 792 00:42:18,719 --> 00:42:21,520 Speaker 1: looks like, it looks dark. You see him just working 793 00:42:21,560 --> 00:42:24,759 Speaker 1: so hard up until he has this traumatic event where 794 00:42:24,760 --> 00:42:27,440 Speaker 1: you see his head get mashed in by somebody else 795 00:42:27,760 --> 00:42:30,520 Speaker 1: and you see his brain kind of slosh around inside 796 00:42:30,520 --> 00:42:32,279 Speaker 1: of his helmet. So I feel like this movie is 797 00:42:32,320 --> 00:42:35,320 Speaker 1: also going to be a commentary on CTE, but really 798 00:42:35,400 --> 00:42:38,040 Speaker 1: just asking that question, how much are you willing to 799 00:42:38,080 --> 00:42:41,520 Speaker 1: sacrifice to be the greatest of all time? Because after 800 00:42:41,520 --> 00:42:44,080 Speaker 1: that injury you see in the trailer, you see things 801 00:42:44,080 --> 00:42:46,120 Speaker 1: get weird and it looks like we're going to go 802 00:42:46,160 --> 00:42:49,799 Speaker 1: on a journey with this character of questioning reality. There 803 00:42:49,800 --> 00:42:51,360 Speaker 1: are a lot of scenes where there's a lot of 804 00:42:51,400 --> 00:42:54,279 Speaker 1: fantasy elements where you see these characters who look straight 805 00:42:54,360 --> 00:42:57,200 Speaker 1: out of a horror movie attacking him. You see him 806 00:42:57,239 --> 00:42:59,360 Speaker 1: at the club and he's partying, but you see people 807 00:42:59,520 --> 00:43:03,000 Speaker 1: with these So this trailer has a lot of style. 808 00:43:03,120 --> 00:43:05,560 Speaker 1: It is what is referred to as a genre trailer, 809 00:43:05,560 --> 00:43:08,000 Speaker 1: where it doesn't give you a whole lot about the plot. 810 00:43:08,320 --> 00:43:11,280 Speaker 1: It's really putting it out there to show you the aesthetic, 811 00:43:11,320 --> 00:43:14,480 Speaker 1: to give you the vibe, to create that sense of horror. 812 00:43:14,600 --> 00:43:18,640 Speaker 1: Because Marlon Wayans looks unhinged in the best way. I 813 00:43:18,680 --> 00:43:21,040 Speaker 1: don't think I've seen him in a movie since Air, 814 00:43:21,120 --> 00:43:23,280 Speaker 1: which he was really good in. He had a smaller 815 00:43:23,400 --> 00:43:25,239 Speaker 1: role in that, but that was more of a straight 816 00:43:25,280 --> 00:43:28,680 Speaker 1: ahead dramatic role. I used to love Wayns Brothers. I 817 00:43:28,719 --> 00:43:31,520 Speaker 1: would watch that TV show all the time, one of 818 00:43:31,560 --> 00:43:34,239 Speaker 1: the first TV shows that I got on DVD back 819 00:43:34,280 --> 00:43:37,200 Speaker 1: when that was huge. Whenever they would have seasons of 820 00:43:37,280 --> 00:43:40,120 Speaker 1: a show on DVD, I was big into collecting those. 821 00:43:40,200 --> 00:43:43,319 Speaker 1: Had almost every season of The Simpsons on DVD box set, 822 00:43:43,320 --> 00:43:45,040 Speaker 1: and as soon as they put The Wayns Brothers out, 823 00:43:45,040 --> 00:43:47,960 Speaker 1: I'm like, we gotta get Season one of the Wayns Brothers. 824 00:43:48,000 --> 00:43:50,520 Speaker 1: But I love Marlon Wayans. He is an actor I've 825 00:43:50,560 --> 00:43:53,680 Speaker 1: always rooted for. I still think Hollywood did him dirty 826 00:43:53,719 --> 00:43:56,160 Speaker 1: when he was supposed to be Robin and Batman Returns 827 00:43:56,560 --> 00:43:58,839 Speaker 1: ended up being cut from that film, even though he's 828 00:43:58,840 --> 00:44:01,719 Speaker 1: still made his hundred thousand dollars and actually still gets 829 00:44:01,800 --> 00:44:04,920 Speaker 1: royalty checks from that. But let's also talk about what 830 00:44:05,080 --> 00:44:08,719 Speaker 1: it means to be a producer on a movie. I'll 831 00:44:08,800 --> 00:44:12,759 Speaker 1: use Jordan Peel as an example here because this is 832 00:44:12,800 --> 00:44:15,960 Speaker 1: the time when I feel it really matters a producer 833 00:44:16,520 --> 00:44:18,920 Speaker 1: in the sense of Jordan Peele, because if you look 834 00:44:18,960 --> 00:44:22,160 Speaker 1: at some of the movies that Jordan Peele has produced recently, 835 00:44:22,200 --> 00:44:27,360 Speaker 1: like Monkey Man, Candy Man, Black Klansman, even Keanu in 836 00:44:27,400 --> 00:44:30,120 Speaker 1: twenty sixteen, which he also started, and that was I 837 00:44:30,200 --> 00:44:33,440 Speaker 1: believe his first credit as a producer, and I feel 838 00:44:33,440 --> 00:44:37,000 Speaker 1: like over time it has become a lot different to 839 00:44:37,040 --> 00:44:39,600 Speaker 1: say that you have Jordan Peele producing your movie. But 840 00:44:39,719 --> 00:44:43,480 Speaker 1: what a producer's responsibility is, if you're a great producer 841 00:44:43,600 --> 00:44:47,040 Speaker 1: like Jordan Peele, they choose and they develop the story, 842 00:44:47,200 --> 00:44:51,440 Speaker 1: They hire some creative key talent, some producers even provide 843 00:44:51,480 --> 00:44:54,960 Speaker 1: financial backing or they find people to fund the movie. 844 00:44:55,640 --> 00:44:57,680 Speaker 1: And in the case of Jordan Peele, where I feel 845 00:44:57,680 --> 00:45:01,440 Speaker 1: he really shines is giving create guidance. For Candy Man, 846 00:45:01,840 --> 00:45:04,440 Speaker 1: he was hands on part of the creative force. He 847 00:45:04,480 --> 00:45:07,760 Speaker 1: also co wrote that movie and was responsible for shaping 848 00:45:07,760 --> 00:45:11,279 Speaker 1: the direction of the movie. He is the overseer, the 849 00:45:11,400 --> 00:45:14,640 Speaker 1: guiding light to the director in that case. For Candy 850 00:45:14,719 --> 00:45:17,680 Speaker 1: Man and Monkey Man, he played more of the role 851 00:45:17,800 --> 00:45:20,360 Speaker 1: of champion. He was a big advocate for that movie. 852 00:45:20,400 --> 00:45:22,719 Speaker 1: He saw an early cut of Def Patel's movie and 853 00:45:22,800 --> 00:45:25,279 Speaker 1: was so impressed that he helped him secure a deal 854 00:45:25,320 --> 00:45:28,319 Speaker 1: with Universal Pictures. So that another big part of being 855 00:45:28,400 --> 00:45:31,959 Speaker 1: a producer is finding somebody to distribute the movie. Jordan 856 00:45:32,040 --> 00:45:36,399 Speaker 1: Peel himself has his company Monkey Pop Productions, which also 857 00:45:36,520 --> 00:45:39,680 Speaker 1: just putting his production company's name on a movie gives 858 00:45:39,680 --> 00:45:42,800 Speaker 1: it that seal of approval. So it's having the connections, 859 00:45:43,239 --> 00:45:47,920 Speaker 1: giving that creative support, having oversight on the project without 860 00:45:47,960 --> 00:45:50,880 Speaker 1: shadowing the director's vision. That is the role of a 861 00:45:50,880 --> 00:45:53,480 Speaker 1: great producer. But I'm definitely going to be there on 862 00:45:53,520 --> 00:45:57,560 Speaker 1: September nineteenth, that check out him said. That was this 863 00:45:57,760 --> 00:46:01,960 Speaker 1: Link's edition of movie line bar and that is going 864 00:46:02,000 --> 00:46:04,680 Speaker 1: to do it for another episode here of the podcast. 865 00:46:04,719 --> 00:46:06,800 Speaker 1: But before I go, I got to give my listener 866 00:46:06,880 --> 00:46:10,520 Speaker 1: shout out of the week. Last week had Ryan Coogler 867 00:46:10,600 --> 00:46:13,840 Speaker 1: on the podcast, which was awesome. I was so happy 868 00:46:13,840 --> 00:46:17,600 Speaker 1: to see Sinner's Crush at the box office, which shows 869 00:46:17,640 --> 00:46:19,880 Speaker 1: that we are taking a step in the right direction. 870 00:46:20,239 --> 00:46:23,040 Speaker 1: I want to see more original movies be number one 871 00:46:23,040 --> 00:46:25,000 Speaker 1: at the box office, so I'm always going to share 872 00:46:25,040 --> 00:46:27,600 Speaker 1: those reviews with you, always going to share those original 873 00:46:27,680 --> 00:46:30,160 Speaker 1: films with you on the Trailer Park. But since we 874 00:46:30,239 --> 00:46:32,840 Speaker 1: had an interview last week, we had the secret emoji, 875 00:46:33,000 --> 00:46:36,520 Speaker 1: the vampire emoji. This week's listener shout out goes to 876 00:46:36,640 --> 00:46:39,799 Speaker 1: Tammy C who hit me with that vampire emoji on 877 00:46:40,120 --> 00:46:42,720 Speaker 1: X and said, thank you for taking me down memory 878 00:46:42,800 --> 00:46:45,839 Speaker 1: lane with a goofy movie. I watched it after with 879 00:46:45,880 --> 00:46:49,520 Speaker 1: my twelve year old son. He laughed, submission accomplished. I 880 00:46:49,560 --> 00:46:53,040 Speaker 1: will watch the documentary Vampire Emoji. That is one of 881 00:46:53,120 --> 00:46:56,719 Speaker 1: the coolest messages I've ever sived, because I'm still waiting 882 00:46:56,760 --> 00:46:58,320 Speaker 1: for that to have a kid to share a goofy 883 00:46:58,360 --> 00:47:00,680 Speaker 1: movie with. But to know that a twelve year old 884 00:47:00,680 --> 00:47:03,600 Speaker 1: watched that and enjoyed it and it didn't feel ancient 885 00:47:03,640 --> 00:47:08,040 Speaker 1: to them because even rewatching it on Disney Plus, I 886 00:47:08,160 --> 00:47:11,560 Speaker 1: realize now that the animation. I still think the actual 887 00:47:11,640 --> 00:47:14,040 Speaker 1: mechanics of the animation is great. There's a lot of 888 00:47:14,120 --> 00:47:16,920 Speaker 1: attention to detail. There's one scene that still blew my 889 00:47:17,000 --> 00:47:20,400 Speaker 1: mind in a Goofy movie Whenever Goofy is laying down 890 00:47:20,920 --> 00:47:24,400 Speaker 1: in the hotel bed depressed, and then the camera pans 891 00:47:24,440 --> 00:47:26,200 Speaker 1: in a way where it kind of tilts, and then 892 00:47:26,239 --> 00:47:29,880 Speaker 1: it's him driving the car. I thought that was fantastic animation, 893 00:47:30,320 --> 00:47:33,880 Speaker 1: but the style itself feels a little bit dated at times. 894 00:47:33,880 --> 00:47:36,400 Speaker 1: So to know because they didn't have the budget, but 895 00:47:36,480 --> 00:47:38,800 Speaker 1: to know that a twelve year old watched it, enjoyed 896 00:47:38,840 --> 00:47:41,560 Speaker 1: it and could see past that and laughed at the movie, 897 00:47:41,840 --> 00:47:44,440 Speaker 1: that is a major win. So thank you for sharing that, 898 00:47:44,480 --> 00:47:47,080 Speaker 1: Tammy C. Hope you go and watch and enjoy that 899 00:47:47,120 --> 00:47:50,120 Speaker 1: documentary and maybe I can recommend some more classics for 900 00:47:50,200 --> 00:47:52,479 Speaker 1: you and your twelve year old son to check out. 901 00:47:52,560 --> 00:47:55,160 Speaker 1: So you're this week's listener shout out of the week. 902 00:47:55,480 --> 00:47:58,799 Speaker 1: Thank you everybody for listening, and until next time, go 903 00:47:58,880 --> 00:48:00,879 Speaker 1: out and watch good movie. He said, I will talk 904 00:48:00,920 --> 00:48:02,080 Speaker 1: to you later.