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Speaker 1: The volume. What up, y'all's your boy fat Joe? Well,

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Speaker 1: you know what is your boy? Kiss? Know what? This

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Speaker 1: is the Joe and Jadas show.

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Speaker 2: Fucking right, pal pal pal pal Yo. Listen, I figured

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Speaker 2: it out right. Were the rookies thus far? We're the

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Speaker 2: rookies of the year, you know what I'm saying. So

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Speaker 2: when you say, uh, you know it's podcast has been

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Speaker 2: out there for a long time.

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Speaker 1: They've been doing their thing, but we the.

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Speaker 2: Most likely to succeed. That's how I'm looking at it, like,

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Speaker 2: cause I shit, you shit man, Nah, you see, he

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Speaker 2: want to always be humble. I'm keeping the real shit.

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Speaker 2: I'm keeping it real. Shits smoking out there. We got

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Speaker 2: a ten on the streets right now. I'm telling you,

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Speaker 2: I see the algorithms. I know what's going on. But anyway, Jada,

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Speaker 2: how was your weekend?

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Speaker 1: Man?

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Speaker 3: Nice weekend, A little bit of work, a little bit

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Speaker 3: of family time, little know, the grill, a couple of cigars. Uh,

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Speaker 3: I was on the water yesterday. You know what I mean?

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Speaker 3: This is a typical weekend for for guys like us.

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Speaker 1: That sounded like a smooth weekend.

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Speaker 4: Me.

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Speaker 2: You, I don't know if you know, I'm some Tanama.

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Speaker 2: You see that fucking suntan, y'all. Be let me tell

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Speaker 2: you something. I was like some old Jewish guys in

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Speaker 2: Palm Beach eight in the morning.

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Speaker 1: You look out the window.

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Speaker 2: Joe Krack was outside, all you duck ready to get

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Speaker 2: my son, tan go get that glow because you know

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Speaker 2: these people, they be fucking me up. They make me

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Speaker 2: look like I'm past Suasian ghosts to ship be like

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Speaker 2: I'm the whitest. They got you light skin and they

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Speaker 2: got me ghostly, you know, so they gotta you gotta

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Speaker 2: make sure you get the lighting right, man.

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Speaker 1: Be cause this guy's nuts, y'all. What's going on?

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Speaker 2: Man?

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Speaker 1: So we out here? Man?

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Speaker 2: You know well, I was definitely in the crib, surrounded

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Speaker 2: by family and friends, and I really I come to

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Speaker 2: realize that is the happiest time for me in life,

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Speaker 2: like just talking, telling jokes.

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Speaker 1: You know. Fucking Norri. He was in my house all week.

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Speaker 1: He wouldn't leave.

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Speaker 2: He came in for one day day in that shot

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Speaker 2: out my sister neary Noah, the whole crew.

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Speaker 1: Day in there. Every day. He's supposed to come today

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Speaker 1: he was our guest. Missed it flight, you know what

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Speaker 1: I mean?

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Speaker 3: And We got to say that because when the balls

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Speaker 3: in the other court, he would have had mister Lee.

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Speaker 3: He would have sent mister Lee to fly us back.

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Speaker 3: He would have mister Lee would have been calling uncontrollable.

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Speaker 3: You know, my brother missed the flight, and we're gonna

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Speaker 3: talk about that. Noor, he was supposed to be here

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Speaker 3: to He's both of our brothers, and he missed it flight.

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Speaker 3: He was in his crib all week.

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Speaker 1: You know, he's a special guy. And the thing that

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Speaker 1: Noriy don't know is that he tells me the same

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Speaker 1: stories over and over it and over again.

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Speaker 2: You think I'm a bit I am a big talker.

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Speaker 2: I talk a lot of shit, but when I get

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Speaker 2: around Nori, I let him tell his stories. But he

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Speaker 2: tell me the same story every time, three stories every time.

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Speaker 1: Keeping yo yo yo. Check this out. You know the

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Speaker 1: time with Kanye this, I'm like, I know the whole shit.

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Speaker 2: I ain't gonna fuck up this vibe. He telling this story.

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Speaker 2: I'm like, at that time such and such came in.

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Speaker 2: Norriy He's like, oh, you know, yeah, I know the story.

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Speaker 2: But my brother, like I said, we the rookies of

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Speaker 2: the year. You know, the certain podcasts is like Dream Champs.

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Speaker 2: You know, I was the first guinea pig on Drink Champs,

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Speaker 2: and boy if they let all that footage out, Like

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Speaker 2: I knew walking out of there that I was gonna

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Speaker 2: have beef with a bunch of rappers. I knew the

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Speaker 2: first taping of Drink Champs, I knew I had beef

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Speaker 2: with everybody because they was asking the craziest shit in

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Speaker 2: the world. And and so you know Norri coming, he coming,

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Speaker 2: he coming real soon. A lot of beautiful guests. Hip

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Speaker 2: hop you you dropped the joint.

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Speaker 1: Yeah, I made it something for you to.

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Speaker 3: Enjoy with your potato salad and all that. It wasn't

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Speaker 3: about nothing, just to you know what I mean, something

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Speaker 3: for the fire like no fireworks.

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Speaker 1: I was for the kids. So I gat the.

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Speaker 3: Grown up some fireworks. Shout out to Drake. He dropped

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Speaker 3: something too new tracks went crazy.

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Speaker 1: I love that track, bro, know that that that that

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Speaker 1: what did I meant?

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Speaker 2: You know I almost reposted because he had like a

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Speaker 2: little video. You know, I'm you know, I'm not gonna

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Speaker 2: say it's cereal, right, but I'm a liker. You know,

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Speaker 2: some people lurk. They go on Instagram and they and

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Speaker 2: and you get your under a lot of I see

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Speaker 2: you like a lot of things, like I like ship. Yeah,

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Speaker 2: so I'm not. I'm not gonna just be on Instagram

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Speaker 2: and act like I don't like shit.

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Speaker 1: If I like it, I like it.

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Speaker 3: See a lot of people take it. You'll offishal for that,

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Speaker 3: because a lot of people take that. One little flick

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Speaker 3: of the thumb could cause a world in fucking Ward seven.

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Speaker 1: And it's just all it is is liking shit. You

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Speaker 1: like something, you hit the button.

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Speaker 2: Nowadays, I be careful, you know. So Like when Drake

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Speaker 2: you threw a little video with the new single, I

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Speaker 2: was almost ready to repost that shit on my story.

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Speaker 2: I said, you know what, man, I don't really know

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Speaker 2: who he dissing or nothing like that. Let me just

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Speaker 2: like it and keep it moving. But I felt like

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Speaker 2: the new track was really dope. I listen to it

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Speaker 2: a couple of times, and uh, you know, he's one one,

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Speaker 2: number one away from Michael Jackson's record, and I think

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Speaker 2: the soul of Michael Jackson is fighting that shit, because

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Speaker 2: every time he put out one, you think it's gonna

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Speaker 2: take that. That joint is just back down. But you

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Speaker 2: know that that uh, baby.

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Speaker 5: Girls and anywhere else I mean, lessen man, if we're

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Speaker 5: gonna talk the truth, you know, everybody was like they

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Speaker 5: thought the retirement was in effect with Drake and he

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Speaker 5: came back.

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Speaker 3: No, No, they thought that they was out there acting

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Speaker 3: like this day. Nobody thought he was retiring. He ain't

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Speaker 3: fucking ready to retire.

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Speaker 1: Listen to me. They was out there acting like it

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Speaker 1: was over. Uh.

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Speaker 2: He hits a very important thing in his new single

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Speaker 2: where he said, like, Yo, I thought these people was.

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Speaker 3: My guys, like the taste of the rap industry, Man,

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Speaker 3: they flip on you.

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Speaker 1: In fact, whatever felt like they game.

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Speaker 3: They flipped rappers, rappers, the game executives, everybody you could

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Speaker 3: think of stoners. Yeah, they fucking flipped. That's part of this.

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Speaker 3: That's what that's the game were in. I ain't understand that,

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Speaker 3: Like how God.

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Speaker 1: He made so many the world changed though the.

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Speaker 2: World definitely changed on them because I didn't understand that ship.

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Speaker 1: You know what I'm saying.

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Speaker 2: But I was just like, yo, how all these guys

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Speaker 2: was his man's anyway? He addresses that on a single

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Speaker 2: right And so I know because my temperature was everybody

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Speaker 2: was like yo, sofa man had to run this this

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Speaker 2: and that. I never believed that, but then he came

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Speaker 2: back with that baby girl. When let me see a twelvel,

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Speaker 2: I was like, oh shit, you know, and he's back

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Speaker 2: on that ship. And then he dropped this new song.

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Speaker 2: Is like he back on that ship.

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Speaker 1: Ship. You know what I'm saying.

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Speaker 2: She shout out to Drake Man the sixth God. What

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Speaker 2: else we got to talk about?

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Speaker 1: Man ship?

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Speaker 3: We got a lot of shit. You're gonna talk about

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Speaker 3: the Knicks though. First, Oh main, supposedly we hired Mike Brown.

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Speaker 3: What you feel about here?

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Speaker 1: You out? What do you what do you feel about that?

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Speaker 1: Because you always put me can Mitch cup check and

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Speaker 1: none of them. How you wanna hear me? My opinion

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Speaker 1: is like yours. You got a great opinion. What you

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Speaker 1: think about Mike Brown?

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Speaker 3: I think he's I think he's qualified. The coaches, you

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Speaker 3: know what I mean?

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Speaker 1: His act. Let's read his accolades.

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Speaker 3: Two time Coach of the Year two thousand and nine

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Speaker 3: with the Cleveland Cavaliers to two thousand and two twenty

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Speaker 3: twenty three with the Sacramento Kings. Four time NBA champ

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Speaker 3: as an assistant coach. That's important for US two thousand

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Speaker 3: and three to twenty seventeen, twenty eighteen, twenty twenty two.

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Speaker 1: We didn't to give him. We did no.

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Speaker 2: I said, we get we get the accolades. Yeah, now

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Speaker 2: if we get a few pieces, you.

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Speaker 1: Know what I mean.

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Speaker 2: We got some people, We got a couple, got Jordan Clarkson,

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Speaker 2: we got Class twenty off the back you got for France.

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Speaker 2: I love this guy, we got him, getting French guy.

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Speaker 2: We got no this he got him. Y'all yoah yah

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Speaker 2: yeah yah yah, y'all. I fuck I start.

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Speaker 3: I love this guy you got always wanted them on

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Speaker 3: out to him.

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Speaker 1: Ask the man guy?

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Speaker 2: Well he dunked on on Lebron in that championship game.

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Speaker 1: He was holding down the whole French team.

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Speaker 2: That guy right there with the Philly He's tough.

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Speaker 1: I love it. What's his name, Gershwan? Ger Sean? What's

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Speaker 1: his last name? Yabull? That's not the name ger Seawan.

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Speaker 1: You know what I'm saying.

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Speaker 2: But is my guy yabu ya man yer Shan. Now

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Speaker 2: let's get into the real ship. That short Mike Brown

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Speaker 2: is better than Tims.

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Speaker 1: I'm not.

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Speaker 2: I'm gonna be honest with you. I'm not sure, and

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Speaker 2: I don't really like uh. Coach is just kind of

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Speaker 2: like cool with the players, Like, I don't you know

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Speaker 2: what you know, you just shut me down saying coach

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Speaker 2: of the year two years and no, that's.

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Speaker 1: What eat this damn thing? Man. I don't know Mike Brown.

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Speaker 2: I thought they brought Mike Brown because he's like this

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Speaker 2: with Lebron and it would be a play to bring

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Speaker 2: Lebron over to the Knicks. So when we talk about Lebron,

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Speaker 2: he opted out. He took a one year contact contract.

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Speaker 3: So if what they don't herd weshing them, enriching them

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Speaker 3: ain't the coolest.

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Speaker 1: They don't really rock like that.

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Speaker 3: So the kids, you know, it gotta be in their favor.

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Speaker 3: They on even make deals that they ConTroll, so.

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Speaker 1: That's not happening alright.

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Speaker 2: What I'm saying is, so Mike Brown, man, let's let's uh,

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Speaker 2: let's hope he's the best. You know, I would have

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Speaker 2: never got rid of TIBs. I'm just keeping it a

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Speaker 2: buck with you.

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Speaker 3: I feel I thought we should have brought him back,

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Speaker 3: and then the whole campaign we sorry come back.

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Speaker 1: Yeah, I think so you should bring him back.

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Speaker 2: They should have brought him back. I mean, but Mike Brown,

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Speaker 2: you know, let's let's salute him. He's at the Knicks

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Speaker 2: is a different place now.

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Speaker 1: You got you all we got right now.

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Speaker 3: I think he's hiring some good assistance though they said

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Speaker 3: he got some strong, some strong assistance.

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Speaker 1: So I don't be a listen. Let me tell you something, man,

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Speaker 1: shout out the BLS.

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Speaker 2: I was in the weekend heavy in BLS and I

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Speaker 2: heard one of my mentors read alert and let boop

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Speaker 2: poo started me and to hear him on the radio,

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Speaker 2: like like somebody google how old is read alert?

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Speaker 6: Right?

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Speaker 2: He's been just an inception of hip hop and he's

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Speaker 2: still rocking on the radio, still current, still incredible, and

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Speaker 2: a lot els, a lot of fluid.

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Speaker 3: Shout out to his wife, a lot of movie the

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Speaker 3: groove it. I usually see Uncle Red with his wife.

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Speaker 3: We was on Rock the Bells day sixty eight sixty

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Speaker 3: eight eight Rocket and it won't let him go.

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Speaker 1: I spoke to him last weekend. I was like, yo, Rad.

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Speaker 1: He was like yo man. I wanted just chilling that land.

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Speaker 2: I got a nice house on one of my He said,

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Speaker 2: they keep forcing me to DJ, like he's stuck, like

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Speaker 2: they will not get rid of right father.

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Speaker 1: Then he can't stop, he can't stop man.

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Speaker 2: But after you know, I've been listening to red so

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Speaker 2: long that whenever you go, you just see yea like

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Speaker 2: I already could finish the ship.

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Speaker 1: But shout out the.

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Speaker 2: BLS for keeping it a stack, and anybody who can

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Speaker 2: entertainment business that to keep your workers working, because you

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Speaker 2: know they firing a lot of people, good people out there.

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Speaker 2: So shout out to everybody who ain't been fired and

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Speaker 2: every company that could keep your employees. Cause this shit crazy.

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Speaker 2: He's taking away shit.

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Speaker 1: Man.

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Speaker 3: No, I'm telling the taking away. They're trying to take

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Speaker 3: everything away from the people.

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Speaker 1: Man. What's up, y'all? Was going down?

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Speaker 3: Friday, July eleventh, Netflix and Most Valuable Promotions are bringing

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Speaker 3: the fight the whole world's been waiting for.

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Speaker 2: It's the trilogy, the biggest fight of all Fights Continue Continue.

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Speaker 3: You already know what it is on the past fights.

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Speaker 3: Katie Taylor is chasing ultimate glory. Amanda Serrano is fighting

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Speaker 3: for redemption and revenge.

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Speaker 1: This is more than a fight.

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Speaker 3: It's the first ever women's boxing trilogy in the world

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Speaker 3: is watching.

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Speaker 2: Do not move your seat off of Netflix and go

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Speaker 2: get popcorn or go get a soda, because somebody is

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Speaker 2: getting hit through the rope.

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Speaker 1: That's a fact.

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Speaker 3: Live from the iconic Madison Square Garden in New York

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Speaker 3: City's Tailor Verse Serrano one last time. It's about to

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Speaker 3: get personal. You don't want to miss this. Smoke, the steaks,

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Speaker 3: the sky high, the rivalry, legendary. Who will win?

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Speaker 2: Saranda's gonna win this one. This is about to go five.

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Speaker 2: Netflix is gonna have to sign the next fight too.

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Speaker 1: Check it out.

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Speaker 3: If you are not tapped into this fight, what are

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Speaker 3: you even doing? Watch Katie Taylor versus Amanda Surround on Friday,

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Speaker 3: July eleventh, at eight pm Eastern five pm Pacific, Live

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Speaker 3: only on Netflix.

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Speaker 1: Dudes, be wil until they get a goal. Fund me.

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Speaker 1: You know what I'm saying. I don't like.

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Speaker 3: You don't like go for me, I'll come back and

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Speaker 3: kill my family if they call you put up a gold.

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Speaker 1: But Jaden, man, you know I got to regardless. But

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Speaker 1: let me tell you about you ain't never getting going.

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Speaker 1: But they go fun me, Like, what the fucking I mean?

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Speaker 3: If it's for causes, if you're trying to get the

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Speaker 3: organ or something, you know what I mean.

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Speaker 1: When it's needed, I'm all for it.

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Speaker 3: But when not regular people that you know got red

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Speaker 3: as soon as something happened is my.

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Speaker 1: Man, friend of mine, he had to go first. I

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Speaker 1: had to call him up.

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Speaker 2: I said, Yo, bro on one phone, call away, man,

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Speaker 2: you're looking crazy out here with the gold for me?

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Speaker 1: Why this that? Yo? How much you need man? Because

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Speaker 1: because we can't do that ship.

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Speaker 2: I guess you mean like if you got a real

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Speaker 2: family structure and y'all got a couple of dollars.

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Speaker 3: Don't let your from me, then you put up a

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Speaker 3: go fundme. That's like something happened north of been one

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Speaker 3: of us and we gotta go fund me.

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Speaker 1: That's a crocket. Somebody's stealing. I'm not having stealing. Yeah,

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Speaker 1: but somebody always have nothing to do it. It's just

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Speaker 1: somebody that knows. They just say it's ugly. It's an

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Speaker 1: ugly staying. You know. I pay for like a hundred

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Speaker 1: funerals in the whole Bronx. I paid a little bit

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Speaker 1: under that, a lot of funerals. Anybody's mother died, anybody

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Speaker 1: this my my my accountant. She'd be like, yo, Joe,

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Speaker 1: you need to just start a funeral home. No no,

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Speaker 1: but a funeral no nah.

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Speaker 2: She dead asked, like, yo, you gotta start like a

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Speaker 2: funeral or charity or something, because, Yo, you pay for

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Speaker 2: so much funerals. But you know it's a bit of survivors,

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Speaker 2: you know what I'm saying. So you grew up in

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Speaker 2: the hood. You remember when your homie you grew up with,

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Speaker 2: mother used to give you chicken wings when you stopped

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Speaker 2: belly was aching. They had no clue you was kissing Joe, right,

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Speaker 2: and then she comes and goes.

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Speaker 3: Some of the funerals we paid for a one and

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Speaker 3: the son of some niggas want the hell.

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Speaker 1: Some niggas with the hell. How are you gonna pay

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Speaker 1: for a funeral with the hell? Right though?

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Speaker 2: To lot to tell you something, somebody also told me,

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Speaker 2: yo would Somebody told me, yo, everybody wanted to go

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Speaker 2: to heaven, but the real party downstairs.

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Speaker 1: No, I'm telling you whole idy didn't pay for nobody

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Speaker 1: that went the hell. I hope not. Even we prayed

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Speaker 1: for him.

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Speaker 2: Every time the priests come, he comes like, yo, well

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Speaker 2: you found guard minutes before.

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Speaker 1: Well, you know, some niggas is down there. Part. I'm

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Speaker 1: just telling you nobody. Everybody want to go to heaven,

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Speaker 1: but there's a hell of a party going on down

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Speaker 1: They got nothing. Fetter meine a type of shit going

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Speaker 1: on pet cocaine. It's crowded down there. There is clouded

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Speaker 1: down it down there. That shit crowded down there. Man.

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Speaker 1: This week in hip hop history all up.

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Speaker 3: July fifth, shout out to the Abbic the Rizzi is

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Speaker 3: celebrated his fifty sixth birthday. Riz I mean big shout

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00:17:21,880 --> 00:17:25,560
Speaker 3: out to the Resume, one of my favorite producers. July seventh,

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Speaker 3: nineteen ninety four, One and G releases debut album Regulate

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Speaker 3: G funk Erad.

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Speaker 2: Save Death Jam Records. Save that one record, that one

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Speaker 2: album Sol saved Death Jam Records.

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Speaker 1: This is a fact. Cool it. Figure it out that

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Speaker 1: boy saved Death Jam Records.

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Speaker 3: Also, Happy birthday the fifth fifty turn fifty Dan, you

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00:17:53,240 --> 00:17:54,440
Speaker 3: know what I mean, big shout out.

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Speaker 1: Welcome to the fifty club. That my man fifty, I

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00:17:57,160 --> 00:17:59,239
Speaker 1: mean turn fifty, yo.

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00:17:59,359 --> 00:18:01,160
Speaker 2: You know what's He's just you know, the man been

349
00:18:01,200 --> 00:18:05,399
Speaker 2: supporting this show, man reposting clips and all that of

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Speaker 2: this show.

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00:18:06,160 --> 00:18:07,879
Speaker 1: You know what I'm saying, that's a big deal. You know,

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00:18:08,440 --> 00:18:09,600
Speaker 1: I got friends in Dubai.

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Speaker 2: They look at fifty cent like he's the news. No,

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00:18:13,119 --> 00:18:15,600
Speaker 2: I swear to God, like they don't watch seeing that

355
00:18:15,680 --> 00:18:18,240
Speaker 2: in the Fox. They're looking at fifty cent like he

356
00:18:18,359 --> 00:18:21,159
Speaker 2: the News of America. They're like, yo, fifty cent this this,

357
00:18:21,520 --> 00:18:24,639
Speaker 2: I'm like, yo, this shit crazy. So you know the

358
00:18:24,800 --> 00:18:28,600
Speaker 2: man reposts us all the time. You know, we both

359
00:18:28,720 --> 00:18:33,480
Speaker 2: have history with fifty cent history and we turned it around,

360
00:18:33,600 --> 00:18:38,280
Speaker 2: turn the negative into the positive. And I wish him

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Speaker 2: fifty more years. The man super cock.

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Speaker 1: Diesel White now like he's going for this, uh some

363
00:18:47,000 --> 00:18:50,840
Speaker 1: superhero shit. So he said he's working out three times

364
00:18:50,880 --> 00:18:53,919
Speaker 1: a day. No, he's like he's going to get like.

365
00:18:54,160 --> 00:18:58,240
Speaker 2: Stupid Diesel not just the Marvel, Marvel part of one

366
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Speaker 2: rice steroid up all type the ship going on out there.

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00:19:01,520 --> 00:19:04,640
Speaker 1: Man, Now I'm telling you the truth that Nigga is back.

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00:19:05,080 --> 00:19:09,600
Speaker 1: He lift bigger nigga up off the plane.

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00:19:09,720 --> 00:19:11,960
Speaker 2: No, I'm not saying I'm not throwing him off the playing.

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00:19:12,080 --> 00:19:14,760
Speaker 2: I know he want to look like the nigga made

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00:19:14,840 --> 00:19:18,919
Speaker 2: out of stone. Who's who's the Marvel guy made out

372
00:19:18,960 --> 00:19:22,479
Speaker 2: of stone? Because fifty already like this, He's like, yo,

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Speaker 2: I gotta get like this. So I'm like ship and

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Speaker 2: he's like, yo, I'm working out three times a day.

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Speaker 1: This this that.

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Speaker 2: Remember when he turned where he got the movie he

377
00:19:33,240 --> 00:19:36,960
Speaker 2: got sick where he was this skinny Yeah, so he

378
00:19:37,119 --> 00:19:41,320
Speaker 2: take that acting shit serious. That's crazy, Yo, fifty cent

379
00:19:41,400 --> 00:19:46,399
Speaker 2: We love you, man, salute the God. And Tony Yeo

380
00:19:46,600 --> 00:19:50,320
Speaker 2: uncle murder. You know, I start some controversy. I always say,

381
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Speaker 2: you know, Tony Yeo the most lower you in the world.

382
00:19:52,440 --> 00:19:54,800
Speaker 1: I'd be like, Yo, I trade Rich playing for Tony. Yo.

383
00:19:54,920 --> 00:19:58,399
Speaker 1: That's big out there in the streets. Yeah, Yo, definitely

384
00:19:58,840 --> 00:20:01,080
Speaker 1: Rich playing my right man. But I'll be like Yo,

385
00:20:01,200 --> 00:20:03,919
Speaker 1: I trade Rich playing for Yayo because ye Yo, he.

386
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Speaker 2: Jump in front of the gun fifty rod Like Yo,

387
00:20:07,920 --> 00:20:11,840
Speaker 2: he's he ready to take a bullet. That's the type

388
00:20:11,880 --> 00:20:14,320
Speaker 2: of loyalty I need on my team, I said, fact

389
00:20:14,359 --> 00:20:16,920
Speaker 2: shout I Rich play to Guard. They both to hate

390
00:20:16,920 --> 00:20:17,600
Speaker 2: Sha Mafia.

391
00:20:17,720 --> 00:20:20,600
Speaker 1: You know what I'm saying. New Ray Kwan album dropping

392
00:20:20,840 --> 00:20:25,320
Speaker 1: July eighteenth. You know what I mean. Listen, let me

393
00:20:25,400 --> 00:20:29,080
Speaker 1: tell you something album since twenty seventeen.

394
00:20:29,520 --> 00:20:34,440
Speaker 2: Let's just talk about this factory that NAS got, that

395
00:20:34,600 --> 00:20:38,239
Speaker 2: they dropping seven albums. Could the voice of Guard? Can

396
00:20:38,280 --> 00:20:40,920
Speaker 2: you tell me who's coming out on these albums? I

397
00:20:40,960 --> 00:20:42,560
Speaker 2: think they got a daylight, They got a.

398
00:20:42,600 --> 00:20:45,240
Speaker 3: Big al shout out the massive pill they got Havoc,

399
00:20:45,800 --> 00:20:48,879
Speaker 3: they got a nas In Primo, they got a ghost

400
00:20:48,960 --> 00:20:51,440
Speaker 3: Face album, they got a Ray Kwan album.

401
00:20:51,480 --> 00:20:55,240
Speaker 1: A slick rick album that dropped in daylight, so that

402
00:20:55,359 --> 00:20:58,320
Speaker 1: was a slick they put. Yeah, all of that game

403
00:20:58,400 --> 00:21:01,280
Speaker 1: from y'all fire.

404
00:21:01,520 --> 00:21:03,760
Speaker 2: Let me tell you something, That Ray Kuan shit gonna

405
00:21:03,760 --> 00:21:06,280
Speaker 2: be fire. I think ghost got one Ghostcott one coming out.

406
00:21:06,320 --> 00:21:07,600
Speaker 1: I'm on that. Shout out the.

407
00:21:09,720 --> 00:21:13,200
Speaker 2: Damn you gave him a very sound. Jada, my brother, Jada,

408
00:21:13,280 --> 00:21:15,560
Speaker 2: you know that. But you know you are like, uh oh,

409
00:21:16,440 --> 00:21:18,280
Speaker 2: they got to catch you at the right time.

410
00:21:18,640 --> 00:21:21,560
Speaker 1: Like that's how you do it? Catch me in the studio.

411
00:21:22,040 --> 00:21:27,159
Speaker 1: It's you know, it's hard. My producer lived somewhere fucking

412
00:21:27,200 --> 00:21:30,400
Speaker 1: the pokonos. I gotta line it. I mean my engineer,

413
00:21:31,320 --> 00:21:34,280
Speaker 1: so I got it. It's a process with getting him

414
00:21:34,400 --> 00:21:36,520
Speaker 1: prepped up. Shout out to my brother.

415
00:21:36,640 --> 00:21:38,720
Speaker 2: Austin is from the heat making he always while I'm

416
00:21:38,760 --> 00:21:41,440
Speaker 2: in New York, he let me use his studio, you know,

417
00:21:41,760 --> 00:21:44,320
Speaker 2: shout out cool and dre and need some I need

418
00:21:44,359 --> 00:21:46,679
Speaker 2: you to come check me out. No, Austin has got

419
00:21:46,760 --> 00:21:49,239
Speaker 2: some ship always. But let me tell you something, man,

420
00:21:49,320 --> 00:21:51,840
Speaker 2: Let's talk about the super group here. I go with

421
00:21:52,040 --> 00:21:55,800
Speaker 2: I know it's Internet, it's Internet not confirmed.

422
00:21:56,440 --> 00:21:58,880
Speaker 4: And you know Jada light and he say glass from

423
00:21:58,960 --> 00:22:05,720
Speaker 4: this obit bro. I got Twitter, I got it to him.

424
00:22:06,480 --> 00:22:10,640
Speaker 4: I got Facebook. You also have all of their phone numbers.

425
00:22:11,320 --> 00:22:11,439
Speaker 1: Yo.

426
00:22:11,520 --> 00:22:14,000
Speaker 2: They ain't hit me back either. I hit cararrest though

427
00:22:14,160 --> 00:22:15,200
Speaker 2: I'm not even gonna lie to you.

428
00:22:15,280 --> 00:22:16,920
Speaker 1: I hit him up. Chris ain't hit me back.

429
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Speaker 3: This something for Kane too. Shout after Kane. He was

430
00:22:19,960 --> 00:22:22,199
Speaker 3: at my fiftieth and I got on and we got

431
00:22:22,280 --> 00:22:23,639
Speaker 3: some new ship coming out too.

432
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Speaker 1: I might need a verse to Jada can wait? You know,

433
00:22:29,280 --> 00:22:31,240
Speaker 1: every time I cut to Jady, I got to chase

434
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Speaker 1: this guy down like seriousness, sound like cat it. That's

435
00:22:37,119 --> 00:22:40,560
Speaker 1: just that's just a mantra. I don't want to say is.

436
00:22:41,400 --> 00:22:44,480
Speaker 3: I don't want to make it seem like it's a

437
00:22:44,600 --> 00:22:48,719
Speaker 3: certain level of how quick I can get you her

438
00:22:48,880 --> 00:22:49,400
Speaker 3: verse back.

439
00:22:49,960 --> 00:22:51,400
Speaker 1: I take along with anybody.

440
00:22:51,880 --> 00:22:54,480
Speaker 2: Yeah, but what about the white boyfriend boss, like you

441
00:22:54,560 --> 00:22:56,959
Speaker 2: work with him all the time. The white boyfriend storts

442
00:22:57,040 --> 00:22:59,800
Speaker 2: me my artist millies. He comes to your artists ship,

443
00:23:00,119 --> 00:23:00,639
Speaker 2: that makes.

444
00:23:00,520 --> 00:23:02,280
Speaker 1: Sense, but he still staughts me.

445
00:23:02,400 --> 00:23:04,680
Speaker 3: Him and Nino Man they figured this way to like

446
00:23:04,720 --> 00:23:07,560
Speaker 3: they know how to do it. They really like shiningly.

447
00:23:08,600 --> 00:23:11,880
Speaker 1: They lowered me. Let me take you to eat, buy

448
00:23:11,960 --> 00:23:14,640
Speaker 1: your rollie, let me do they get me in there.

449
00:23:14,720 --> 00:23:18,080
Speaker 1: They hit the ship on. Then it's like box Tale.

450
00:23:18,160 --> 00:23:20,440
Speaker 1: Now you can't leave. Let me tell you something. When

451
00:23:20,440 --> 00:23:23,440
Speaker 1: I'm finished, I'm like, you motherfucking you fucking this story.

452
00:23:23,480 --> 00:23:26,040
Speaker 2: You can buy me a Rolex anytime. Just pull up

453
00:23:26,080 --> 00:23:29,440
Speaker 2: on Joe Krack if you want that wonder voice voice,

454
00:23:29,800 --> 00:23:32,600
Speaker 2: you know your man french Montana, that nigga, delusional man,

455
00:23:32,920 --> 00:23:34,960
Speaker 2: french Montana. You know we did all the way up

456
00:23:35,000 --> 00:23:37,199
Speaker 2: with french Montana. That boy, he'd be talking like y'o.

457
00:23:37,280 --> 00:23:38,560
Speaker 2: It was that golden voice.

458
00:23:39,240 --> 00:23:40,040
Speaker 1: You know that voice.

459
00:23:40,160 --> 00:23:43,280
Speaker 2: I'm like, yo, friends, he said, he just take too

460
00:23:43,359 --> 00:23:45,720
Speaker 2: much credit for it, right, He's like, yo, that voice

461
00:23:45,800 --> 00:23:48,639
Speaker 2: you know that ship. I'm like, it was the voice

462
00:23:49,480 --> 00:23:52,879
Speaker 2: your friends. Thank you for making us hog that. You

463
00:23:52,960 --> 00:23:55,560
Speaker 2: know what I'm saying, that guy Delusional Records. There's a

464
00:23:55,600 --> 00:23:59,240
Speaker 2: lot of niggas out here signing a Delusional Records. You know, No,

465
00:23:59,400 --> 00:24:03,040
Speaker 2: I'm I'm being honest with you. It's a lot of

466
00:24:03,160 --> 00:24:07,399
Speaker 2: artists signed to Delusional Records. So I'm gonna beat Delusional

467
00:24:07,800 --> 00:24:11,960
Speaker 2: and say that on the ground. I saw a supergroup

468
00:24:12,640 --> 00:24:18,760
Speaker 2: rock Ingkuji Rat, Big Daddy Kane and kr Res want

469
00:24:18,800 --> 00:24:23,600
Speaker 2: to be DP production. Holy shit, If that happens, I'm.

470
00:24:23,520 --> 00:24:26,240
Speaker 1: Out of it. All the backlash go to crack. But

471
00:24:26,440 --> 00:24:29,760
Speaker 1: if that happens, whoa.

472
00:24:31,560 --> 00:24:36,520
Speaker 2: I'm looking forward to Uh. I think Nasis signed that

473
00:24:36,640 --> 00:24:39,720
Speaker 2: group asap. If it doesn't exist, if it ain't.

474
00:24:39,560 --> 00:24:40,919
Speaker 1: Real, I need.

475
00:24:41,680 --> 00:24:44,480
Speaker 3: I ain't talking good ship because I think that that

476
00:24:44,600 --> 00:24:49,000
Speaker 3: group goes perfectly with the mass appeal with whatever.

477
00:24:48,760 --> 00:24:49,680
Speaker 1: He's doing right there.

478
00:24:50,520 --> 00:24:52,520
Speaker 2: Imagine he put out an album with them, and yo,

479
00:24:52,640 --> 00:24:54,960
Speaker 2: let me tell you some guys, I'm known for picking beats.

480
00:24:55,560 --> 00:24:58,800
Speaker 1: Please have me in the studio. I'm ready to help

481
00:24:58,880 --> 00:25:01,480
Speaker 1: for free in any way. I can't. You're about to

482
00:25:01,520 --> 00:25:04,879
Speaker 1: and all that joint? I would? I would? I mean

483
00:25:04,920 --> 00:25:16,320
Speaker 1: they got to oh ship the God. But y'all fresh show, y'all? Yeah, come,

484
00:25:17,080 --> 00:25:19,680
Speaker 1: I'm sorry. I just got my new janitor job in

485
00:25:19,720 --> 00:25:25,119
Speaker 1: the building. You that's hold? Yeah, they got me the building.

486
00:25:25,119 --> 00:25:27,080
Speaker 1: You know what I'm saying. It's a duster. They told

487
00:25:27,080 --> 00:25:30,240
Speaker 1: me to stay up the street, so still shipped in

488
00:25:30,440 --> 00:25:37,480
Speaker 1: the building, fresh dog behind the time. What's your what's

489
00:25:37,560 --> 00:25:39,639
Speaker 1: your hours? What they got you doing around I just

490
00:25:39,680 --> 00:25:43,760
Speaker 1: started this morning. Oh my god, this ain't gonna last long.

491
00:25:43,760 --> 00:25:47,160
Speaker 1: How long you work out, say nine to five?

492
00:25:47,280 --> 00:25:48,800
Speaker 6: I want the old hours. I want to be in

493
00:25:48,880 --> 00:25:53,720
Speaker 6: the building when it's closed. If you get without me, yeah,

494
00:25:53,760 --> 00:25:56,000
Speaker 6: he going nowhere. I want to be in the building

495
00:25:56,080 --> 00:25:56,960
Speaker 6: when it's closed.

496
00:25:57,600 --> 00:26:01,640
Speaker 1: Nah. You want to clean him out? Yeah, I mean yo,

497
00:26:02,880 --> 00:26:05,159
Speaker 1: live non slid. But don't worry about it.

498
00:26:05,200 --> 00:26:10,080
Speaker 2: They understand fresh out, fresh shout like that brother man

499
00:26:10,480 --> 00:26:13,719
Speaker 2: on this show. He like, we can't get rid of him.

500
00:26:13,720 --> 00:26:16,080
Speaker 2: The doorbell ring. He just pop up out of nowhere.

501
00:26:16,800 --> 00:26:18,640
Speaker 2: Hopefully you don't steal the mics and ship.

502
00:26:20,160 --> 00:26:22,080
Speaker 1: Keep it clean. As long as you keep it cleaning,

503
00:26:22,720 --> 00:26:24,960
Speaker 1: you know what I mean. Sufficient, We can find we

504
00:26:25,040 --> 00:26:26,200
Speaker 1: can find a budget fee.

505
00:26:27,080 --> 00:26:28,480
Speaker 6: I can get a couple of those, like a little

506
00:26:28,480 --> 00:26:31,439
Speaker 6: comments every pack of the Kiss Cafe lab.

507
00:26:31,520 --> 00:26:33,240
Speaker 1: I can flip them, get some. I'm gonna get some

508
00:26:33,400 --> 00:26:34,679
Speaker 1: tied up in the do rack.

509
00:26:34,720 --> 00:26:40,520
Speaker 2: Efficiency facts is lit. Definitely we're talking about No, it's

510
00:26:40,600 --> 00:26:41,560
Speaker 2: to guard crack him.

511
00:26:41,600 --> 00:26:42,200
Speaker 1: You know what I'm saying.

512
00:26:42,240 --> 00:26:44,159
Speaker 2: I know my name was ringing bells up in the

513
00:26:45,359 --> 00:26:47,760
Speaker 2: Kasaki and ship like that. You know what I'm saying.

514
00:26:47,800 --> 00:26:50,920
Speaker 2: The great guard Rock Kim Great guy a lot. You

515
00:26:50,960 --> 00:26:53,040
Speaker 2: know what I'm saying, it's been a while. I ain't

516
00:26:53,040 --> 00:26:54,400
Speaker 2: seen you since the March of down.

517
00:26:54,560 --> 00:26:56,920
Speaker 7: You know what I'm saying, I know what you just said.

518
00:27:00,359 --> 00:27:07,920
Speaker 7: Damn the god crack Kim. So what you do for

519
00:27:08,000 --> 00:27:08,640
Speaker 7: the fourth of July?

520
00:27:08,800 --> 00:27:10,120
Speaker 1: How was your I was chilling.

521
00:27:10,240 --> 00:27:12,959
Speaker 6: I'm saying, luckily, I was home, never home, just visiting

522
00:27:13,080 --> 00:27:15,359
Speaker 6: ourselves of the block. They was out there with the

523
00:27:15,480 --> 00:27:17,920
Speaker 6: M eighties And I'm just saying the pay phones when

524
00:27:17,960 --> 00:27:20,159
Speaker 6: we hit the pay phones changing all that. Yeah, we

525
00:27:20,200 --> 00:27:24,760
Speaker 6: hit a couple of pay phones, ash cans M eighties blockbusters.

526
00:27:24,760 --> 00:27:27,480
Speaker 2: You know what I'm saying, what's the longest you've been

527
00:27:27,600 --> 00:27:30,680
Speaker 2: out of jail? Because you know, I know God's like you.

528
00:27:30,800 --> 00:27:34,000
Speaker 2: They'll come out for like ten days, will celebrate them.

529
00:27:34,040 --> 00:27:35,440
Speaker 2: Next thing, you know, they got another.

530
00:27:35,280 --> 00:27:38,639
Speaker 1: Two to four. I only do short stains, short stays

531
00:27:38,800 --> 00:27:40,440
Speaker 1: stays home. Yeah, short stage.

532
00:27:40,440 --> 00:27:43,000
Speaker 6: I'm in and out of there like the petty crimes hop,

533
00:27:43,040 --> 00:27:44,680
Speaker 6: the train swiping metro cards.

534
00:27:44,920 --> 00:27:47,240
Speaker 1: I don't really do beds like that. Oh so you

535
00:27:47,359 --> 00:27:51,480
Speaker 1: in and out of it two days. That's kind of

536
00:27:51,560 --> 00:27:55,320
Speaker 1: flying in and out. I think every I think everybody

537
00:27:55,440 --> 00:27:58,920
Speaker 1: need a little jail in. They like this is a fact. No,

538
00:28:00,520 --> 00:28:05,879
Speaker 1: I'm telling you. You you my man Howard University. You

539
00:28:06,040 --> 00:28:08,800
Speaker 1: need some jail. You know. I'm a tu time convicted fella.

540
00:28:08,920 --> 00:28:12,600
Speaker 2: So oh so you've been in jail. Yo, listen jail.

541
00:28:12,800 --> 00:28:15,720
Speaker 2: He did what he's a two time convicted fella.

542
00:28:15,880 --> 00:28:17,080
Speaker 1: Yo. We gotta work on that ship.

543
00:28:17,240 --> 00:28:22,320
Speaker 2: Reform out here and uhre you in thes in West Virginia.

544
00:28:23,320 --> 00:28:28,040
Speaker 1: Oh man, that was hard Wes v Man.

545
00:28:28,240 --> 00:28:32,159
Speaker 2: West Virginia's home of racism. Don't get that ship you

546
00:28:32,359 --> 00:28:34,679
Speaker 2: drive through there. They got the crosses on the fucking

547
00:28:35,520 --> 00:28:38,200
Speaker 2: it's a convicted I know. I thought he was hor

548
00:28:38,480 --> 00:28:42,160
Speaker 2: I thought he was Howard at university alumni. They thought

549
00:28:42,160 --> 00:28:44,440
Speaker 2: he was clocked a positive.

550
00:28:44,560 --> 00:28:45,000
Speaker 1: I like that.

551
00:28:45,120 --> 00:28:46,840
Speaker 6: I'm on you, but likes that you book as I

552
00:28:46,920 --> 00:28:51,920
Speaker 6: keep it, I keep it shut, staying you your lonely

553
00:28:52,880 --> 00:28:55,360
Speaker 6: Chrispy sleep on the sneaker, get out.

554
00:28:55,280 --> 00:28:58,760
Speaker 2: The next CEO scream on you a couple of times yo, Yo,

555
00:28:58,880 --> 00:29:04,040
Speaker 2: shirt your booking name right? Sleep set your booking ain't

556
00:29:04,120 --> 00:29:07,800
Speaker 2: right without the cops screaming on that, y'all lose your paperwork.

557
00:29:08,120 --> 00:29:10,280
Speaker 2: I throw the ship in the bottom of this. They

558
00:29:10,400 --> 00:29:12,960
Speaker 2: be playing that ship up here. You gotta have patience.

559
00:29:13,240 --> 00:29:16,640
Speaker 2: Shan't you booking to teach you some patience? Cause them

560
00:29:16,760 --> 00:29:20,120
Speaker 2: motherfuckers they like that. I think it's a scared straight program.

561
00:29:20,600 --> 00:29:23,640
Speaker 2: I think when you do you hear them, it's like

562
00:29:23,760 --> 00:29:27,760
Speaker 2: your coming on you back. Maybe, But free mail, rooming board.

563
00:29:27,680 --> 00:29:30,800
Speaker 1: That's sit in and out, it's life and smart, it's light.

564
00:29:31,720 --> 00:29:34,760
Speaker 3: How do you How do you gauge when it's time

565
00:29:34,800 --> 00:29:36,560
Speaker 3: to go back? You know when you're ready and go in?

566
00:29:36,720 --> 00:29:39,240
Speaker 6: Oh you gotta know, like like like Christmas, I'm getting

567
00:29:39,280 --> 00:29:41,360
Speaker 6: locked up because I don't want to buy nobody gifts.

568
00:29:41,360 --> 00:29:42,920
Speaker 1: You know what I'm saying. I know when to get

569
00:29:42,960 --> 00:29:43,560
Speaker 1: in and out of it.

570
00:29:44,160 --> 00:29:49,479
Speaker 6: Feel me, summertime, stay home, a little Valentine Valentine's quickly

571
00:29:50,080 --> 00:29:50,920
Speaker 6: weekend now.

572
00:29:52,600 --> 00:29:55,720
Speaker 1: Valentine. And he told you, boy need some ship, y'all.

573
00:29:56,080 --> 00:29:58,440
Speaker 2: Man, So you used to the Bologney sandwich, a little

574
00:29:58,520 --> 00:30:00,240
Speaker 2: black coffee from the midda half.

575
00:30:00,240 --> 00:30:01,600
Speaker 6: I got it, but I got a couple of people

576
00:30:01,680 --> 00:30:03,920
Speaker 6: working for me, like the CEO's the good. I get

577
00:30:04,040 --> 00:30:05,040
Speaker 6: McDonald's and all lot of it.

578
00:30:05,120 --> 00:30:06,800
Speaker 1: I get Chinese. I get what I wanted.

579
00:30:06,920 --> 00:30:09,440
Speaker 2: You know. The first time I got locked up, I

580
00:30:09,600 --> 00:30:12,600
Speaker 2: was in the fifty second priestst up there and they

581
00:30:12,680 --> 00:30:16,520
Speaker 2: had a little radio and they played it was Red

582
00:30:16,560 --> 00:30:19,240
Speaker 2: Alert with DJ and we just picked them up shout

583
00:30:19,280 --> 00:30:22,640
Speaker 2: out to let boot boot and he played specially.

584
00:30:22,840 --> 00:30:23,720
Speaker 1: I got it made.

585
00:30:24,640 --> 00:30:27,600
Speaker 2: And I watched everybody in the cells just staring at

586
00:30:27,680 --> 00:30:30,600
Speaker 2: each other, like, Yo, this ship is with some of

587
00:30:30,680 --> 00:30:33,040
Speaker 2: the records you heard for the first time when you

588
00:30:33,200 --> 00:30:35,680
Speaker 2: was up north that you was like, Yo, what the fuck?

589
00:30:35,720 --> 00:30:38,160
Speaker 1: I need to get home. I never been up north.

590
00:30:38,240 --> 00:30:40,239
Speaker 6: I've been like the book, but I'm in a van

591
00:30:40,360 --> 00:30:42,720
Speaker 6: at the back of the paddy wagon. Back of the

592
00:30:42,800 --> 00:30:45,280
Speaker 6: paddy wagon used to listen to a lot of Kwame.

593
00:30:46,000 --> 00:30:50,400
Speaker 6: Kwamekodd with the hot top got.

594
00:30:52,880 --> 00:31:00,360
Speaker 1: Kwame, you were that's one guy who caught a fucking

595
00:31:00,440 --> 00:31:05,440
Speaker 1: stray missile. He caught a nuke. Rich Biggie hit him

596
00:31:05,440 --> 00:31:07,960
Speaker 1: with that Quame in the fucking poker dots and that

597
00:31:08,200 --> 00:31:12,680
Speaker 1: was just like he nuked him. But it was unfair, y'all.

598
00:31:12,680 --> 00:31:14,680
Speaker 1: I did that to him. He had missiles that he had.

599
00:31:15,840 --> 00:31:19,400
Speaker 1: Kame was on fire video music box. What you talking about?

600
00:31:20,440 --> 00:31:26,720
Speaker 1: I fucked with kwameinyeh. He got he turned it to

601
00:31:26,800 --> 00:31:28,800
Speaker 1: a producer. He made beats.

602
00:31:29,160 --> 00:31:33,280
Speaker 2: He was an un used fucking with kwalme Man. Yeah, yeah,

603
00:31:33,440 --> 00:31:35,320
Speaker 2: I heard I got it made for the first time.

604
00:31:35,360 --> 00:31:38,840
Speaker 2: I couldn't even believe that ship. What I was hearing

605
00:31:38,920 --> 00:31:41,240
Speaker 2: it was like boom Pennant boom boom.

606
00:31:41,680 --> 00:31:44,120
Speaker 1: What's some what record you heard for the first time?

607
00:31:44,200 --> 00:31:47,040
Speaker 1: That just like blew your mind with one of the

608
00:31:47,160 --> 00:31:48,960
Speaker 1: songs that you know where you was at when you

609
00:31:49,080 --> 00:31:54,240
Speaker 1: heard it. This guy always got it. I got y'all

610
00:31:54,240 --> 00:31:54,760
Speaker 1: gotta tell me.

611
00:31:55,360 --> 00:31:57,520
Speaker 3: I'm gonna tell you one about He's one of my

612
00:31:57,720 --> 00:32:00,840
Speaker 3: favorite ships that I heard for the first time before

613
00:32:00,880 --> 00:32:04,040
Speaker 3: the whole world heard it was one more Chance remix.

614
00:32:03,880 --> 00:32:07,240
Speaker 1: Where you heard it before the world I'm talking about.

615
00:32:08,360 --> 00:32:11,920
Speaker 3: For me, that song makes me feel happy whenever I

616
00:32:12,040 --> 00:32:14,800
Speaker 3: had it, no matter what I could have, just this

617
00:32:15,320 --> 00:32:18,360
Speaker 3: just told me they leaned on my accounts and then

618
00:32:18,440 --> 00:32:21,080
Speaker 3: that come on, before I start crying, I'm gonna start

619
00:32:21,160 --> 00:32:22,560
Speaker 3: dancing in the abbey for me.

620
00:32:23,520 --> 00:32:28,600
Speaker 1: Yeah, I was there with got I mean, you ever

621
00:32:28,640 --> 00:32:32,080
Speaker 1: see the break dance? Who kiss? I've seen them. I

622
00:32:32,240 --> 00:32:35,480
Speaker 1: seen the spinning all that they doing it. You know

623
00:32:35,520 --> 00:32:39,200
Speaker 1: what I'm saying that I might need you to need

624
00:32:39,280 --> 00:32:41,479
Speaker 1: you to go. I might have a couple of battles

625
00:32:42,080 --> 00:32:42,520
Speaker 1: come home.

626
00:32:42,560 --> 00:32:45,480
Speaker 2: Down you get down with it too nice. I ain't

627
00:32:45,520 --> 00:32:48,720
Speaker 2: see you board the car board and all that handstand.

628
00:32:50,080 --> 00:32:51,840
Speaker 1: That's what I do, Joe is me.

629
00:32:53,320 --> 00:32:55,080
Speaker 6: You know that you saw me getting the baked egge

630
00:32:55,160 --> 00:32:58,760
Speaker 6: cheese at why yo, yo, dog random, it's supposed to

631
00:32:58,800 --> 00:33:01,800
Speaker 6: be at the crash with sag and cheese on the

632
00:33:01,840 --> 00:33:02,880
Speaker 6: street from the gym.

633
00:33:02,960 --> 00:33:05,600
Speaker 3: You was gone when I was seeing things though, I'm

634
00:33:05,680 --> 00:33:08,240
Speaker 3: on my way to the gym. You know it's early

635
00:33:08,360 --> 00:33:11,320
Speaker 3: morning some time you're a little delirious like yo.

636
00:33:12,640 --> 00:33:16,400
Speaker 1: That was fucking mister Common. I had to stop back O,

637
00:33:16,840 --> 00:33:20,000
Speaker 1: come yo, kids, what's me? What are you doing here?

638
00:33:20,360 --> 00:33:23,120
Speaker 1: Rob the robb it? You're about to fucking rob me?

639
00:33:24,120 --> 00:33:26,120
Speaker 1: You hit the house or something? I was? I was

640
00:33:26,200 --> 00:33:28,520
Speaker 1: I was going at a homing I was definitely going

641
00:33:28,560 --> 00:33:30,640
Speaker 1: to but I was. I was working with some movers.

642
00:33:31,640 --> 00:33:33,520
Speaker 6: It's a moving company out there, and I was going

643
00:33:33,560 --> 00:33:35,120
Speaker 6: to hit the house with it. Was gonna clean it up,

644
00:33:35,120 --> 00:33:36,880
Speaker 6: and I'm saying, help to pack this stuff and get

645
00:33:36,880 --> 00:33:37,480
Speaker 6: it out of the house.

646
00:33:37,880 --> 00:33:39,520
Speaker 1: That's what we was going to do. Initially.

647
00:33:47,400 --> 00:33:53,280
Speaker 2: Blog got a chair bang bang, what y'all blaga y'all malan,

648
00:33:54,960 --> 00:33:57,120
Speaker 2: I'm talking kiss he got he got something to do

649
00:33:57,240 --> 00:33:58,960
Speaker 2: with I'm talking to Mento walking uts.

650
00:33:59,520 --> 00:34:02,880
Speaker 1: Yeah, man, I need you for that walkout. Man, you

651
00:34:03,040 --> 00:34:06,440
Speaker 1: got me. Just get the time, what time exactly?

652
00:34:06,560 --> 00:34:09,040
Speaker 8: You need to know at least beat it, what time

653
00:34:09,120 --> 00:34:11,360
Speaker 8: off for the for the artist Joe by Joe and

654
00:34:11,520 --> 00:34:15,440
Speaker 8: uh if I by like eight o'clock right for the fight?

655
00:34:15,680 --> 00:34:17,399
Speaker 1: No, no, no, no, he need to know when you're

656
00:34:17,440 --> 00:34:21,000
Speaker 1: walking in. We need that time. I'm walking in. I'm

657
00:34:21,040 --> 00:34:24,120
Speaker 1: walking in like probably at ninety.

658
00:34:25,120 --> 00:34:27,320
Speaker 2: We need the right time so that Jada could know

659
00:34:28,760 --> 00:34:31,920
Speaker 2: a man working. Yeah, and if we can't let this

660
00:34:32,040 --> 00:34:34,200
Speaker 2: guy in the back room because he's still your ship.

661
00:34:34,400 --> 00:34:37,600
Speaker 1: Now he go with me, be good that that's the family.

662
00:34:37,800 --> 00:34:42,239
Speaker 2: That's family, that's fan this fight coming up. They said

663
00:34:42,280 --> 00:34:44,000
Speaker 2: to guy, you know, I ain't like you know. I've

664
00:34:44,000 --> 00:34:46,160
Speaker 2: seen a couple of reviews what they saying out there.

665
00:34:46,480 --> 00:34:48,960
Speaker 2: You know you got a nose to the brain this guy,

666
00:34:49,640 --> 00:34:53,239
Speaker 2: what's you know? I've seen some boxes talking that ship

667
00:34:53,360 --> 00:34:56,520
Speaker 2: like y'all. I don't think Bolanga's gonna I don't understand

668
00:34:56,600 --> 00:34:59,000
Speaker 2: because with me, I think you're knocking everybody out.

669
00:34:59,560 --> 00:35:02,279
Speaker 1: So when they talk like that, how does that make it?

670
00:35:02,800 --> 00:35:04,200
Speaker 1: Do you get upset a ship.

671
00:35:04,160 --> 00:35:07,680
Speaker 8: Like that of course, I'm gonna put that nigga in Aukid,

672
00:35:12,360 --> 00:35:14,280
Speaker 8: send that nigga back to motherfucking London.

673
00:35:15,239 --> 00:35:17,200
Speaker 2: Yo, lit'st sen it. We got love for London and

674
00:35:17,320 --> 00:35:20,560
Speaker 2: all that. We global into nation new Stars. But I

675
00:35:20,719 --> 00:35:22,719
Speaker 2: was just telling them behind the scenes. I said, Yo,

676
00:35:22,840 --> 00:35:26,719
Speaker 2: whenever you fight, I just anticipated knockout. So when they

677
00:35:26,800 --> 00:35:29,960
Speaker 2: start talking funny like yo, this guy's nice, this that,

678
00:35:30,640 --> 00:35:32,439
Speaker 2: I don't understand that they need.

679
00:35:32,440 --> 00:35:33,480
Speaker 1: To do that though, you know what I'm saying.

680
00:35:33,520 --> 00:35:36,120
Speaker 8: Imagine, imagine I'm saying that this dude's a bummer.

681
00:35:35,760 --> 00:35:40,200
Speaker 1: Many controversy like that. You know what I'm saying. You

682
00:35:40,320 --> 00:35:43,520
Speaker 1: know that's a very Jada Kiss answer right there. I'm

683
00:35:43,560 --> 00:35:45,520
Speaker 1: gonna make it look easy. You know it's easy work,

684
00:35:45,560 --> 00:35:46,640
Speaker 1: y do. It's not on my level.

685
00:35:46,719 --> 00:35:48,960
Speaker 8: Man, I've been boxing for twenty two years, man, you

686
00:35:49,040 --> 00:35:51,239
Speaker 8: know what I'm saying, So this dude's easy work.

687
00:35:51,280 --> 00:35:51,360
Speaker 6: Man.

688
00:35:51,360 --> 00:35:53,359
Speaker 2: I'm gonna put them on the course, and we got

689
00:35:53,400 --> 00:35:55,640
Speaker 2: a big weekend. We got SURROUNDO the day before.

690
00:35:55,800 --> 00:35:55,920
Speaker 4: Then.

691
00:35:56,040 --> 00:36:00,319
Speaker 2: You this is like boxing luxury up in New York City.

692
00:36:00,400 --> 00:36:02,560
Speaker 2: This shit is about to be I'm going to horse ship.

693
00:36:02,680 --> 00:36:05,479
Speaker 2: I think I'm wearing a poppy shan for little silk shit.

694
00:36:06,120 --> 00:36:08,120
Speaker 2: You know it might you know the ladies might go

695
00:36:08,239 --> 00:36:13,680
Speaker 2: to that fight. Yo, Baba got bo sid Yeah, the

696
00:36:13,840 --> 00:36:17,160
Speaker 2: getto poppy all right, let me go, were filming bye bye.

697
00:36:18,760 --> 00:36:18,880
Speaker 4: Yo.

698
00:36:19,040 --> 00:36:22,879
Speaker 1: Listen that boy right there, he punishing them, and I've

699
00:36:22,920 --> 00:36:25,839
Speaker 1: seen the critics stay. But they trying to. They trying

700
00:36:25,840 --> 00:36:27,799
Speaker 1: to go left on them like yo, if but Longa,

701
00:36:27,840 --> 00:36:29,680
Speaker 1: don't knock him out. He ain't got nothing. Else.

702
00:36:29,960 --> 00:36:32,200
Speaker 2: I'm gonna put some money up. Oh no, you got

703
00:36:32,280 --> 00:36:35,840
Speaker 2: to because he gonna punish that guy. The thing is,

704
00:36:36,200 --> 00:36:39,000
Speaker 2: the guy with the biggest bag is the Turk. Home boyfriend,

705
00:36:39,360 --> 00:36:42,560
Speaker 2: you go to Saudi Arabia and else stone you to death. Yo,

706
00:36:42,680 --> 00:36:46,120
Speaker 2: theyll stone you to death. This motherfucker right here, Yo,

707
00:36:46,200 --> 00:36:47,319
Speaker 2: you can't steal his store.

708
00:36:48,200 --> 00:36:50,959
Speaker 1: I was in Dubai. How did you get back home?

709
00:36:51,160 --> 00:36:53,400
Speaker 1: I was on it. I was on the camels with tams.

710
00:36:53,440 --> 00:36:54,200
Speaker 1: I was in Dubai.

711
00:36:55,040 --> 00:36:57,400
Speaker 6: So you made it through Dubai with no trouble. You

712
00:36:57,440 --> 00:37:00,680
Speaker 6: didn't steal nothing, You just kept it. They got too

713
00:37:00,760 --> 00:37:02,960
Speaker 6: much money and do bay you can't even still out there.

714
00:37:03,080 --> 00:37:04,360
Speaker 1: They just give you that ship.

715
00:37:05,920 --> 00:37:08,000
Speaker 2: So the Turk got all the money in the world.

716
00:37:08,480 --> 00:37:11,800
Speaker 2: And Bolanga's about to fight his favorite boxer. You know

717
00:37:11,880 --> 00:37:14,439
Speaker 2: what I'm saying, This Muslim dude out of UK who's

718
00:37:14,520 --> 00:37:17,600
Speaker 2: really good. But you know, Blanga, you know he fighting

719
00:37:17,640 --> 00:37:18,800
Speaker 2: from a different perspective.

720
00:37:18,880 --> 00:37:19,719
Speaker 5: I know, you know.

721
00:37:21,400 --> 00:37:24,279
Speaker 2: His DNA different. So I know he gonna want to

722
00:37:24,320 --> 00:37:26,719
Speaker 2: knock him out of New York City and do his thing.

723
00:37:26,840 --> 00:37:29,520
Speaker 2: But I didn't like the critics, you know what I'm saying.

724
00:37:30,440 --> 00:37:32,640
Speaker 2: What you got to say, man, what is it gonna

725
00:37:32,640 --> 00:37:34,040
Speaker 2: be a tough fight for him or is it?

726
00:37:35,400 --> 00:37:41,080
Speaker 1: Kiss? You going Belanga too? Belonga's battles.

727
00:37:42,800 --> 00:37:46,240
Speaker 2: Okay, so Belonga's battle test to shout out to Canelo.

728
00:37:46,360 --> 00:37:48,640
Speaker 2: He showed he went them twelve rounds with him, but

729
00:37:48,760 --> 00:37:51,080
Speaker 2: he gonna put this guy. He gonna knock him out.

730
00:37:51,400 --> 00:37:54,960
Speaker 2: What was you doing in there? Did Drake Kendrick Lamar battle?

731
00:37:55,120 --> 00:37:55,160
Speaker 3: Like?

732
00:37:55,239 --> 00:37:58,480
Speaker 1: What was the hood? What was the the jail saying

733
00:37:58,520 --> 00:38:01,319
Speaker 1: about that ship was going crazy? It was a lot

734
00:38:01,360 --> 00:38:03,960
Speaker 1: of it was a lot of KD fans. It's a

735
00:38:04,040 --> 00:38:07,719
Speaker 1: lot of Yeah, everybody, everybody was sucking with Kendrick. Not

736
00:38:08,480 --> 00:38:10,759
Speaker 1: too many, not too many Drake fans. But he came

737
00:38:10,880 --> 00:38:13,080
Speaker 1: back with that baby girl. Did it? He did it?

738
00:38:13,120 --> 00:38:17,040
Speaker 2: Held world, No, No, I had I had a boy

739
00:38:17,120 --> 00:38:18,480
Speaker 2: reports on on KD.

740
00:38:20,280 --> 00:38:23,600
Speaker 6: That's a fast tops tops Newport. I had had the

741
00:38:23,680 --> 00:38:26,960
Speaker 6: krons had the cartons had on tops.

742
00:38:27,760 --> 00:38:29,719
Speaker 1: Yeah, because you know, I like drinking a lot of

743
00:38:29,800 --> 00:38:30,440
Speaker 1: die PEPSI.

744
00:38:30,640 --> 00:38:35,000
Speaker 2: But he said, that's like like dude smoking Newports or

745
00:38:35,480 --> 00:38:38,920
Speaker 2: he said, I got a portable hooker with me drinking

746
00:38:39,000 --> 00:38:39,359
Speaker 2: these nights.

747
00:38:39,400 --> 00:38:44,399
Speaker 1: He was making fun. He said, that's like they been.

748
00:38:44,560 --> 00:38:46,719
Speaker 2: You see your socks is right. They've been killing me

749
00:38:46,719 --> 00:38:50,879
Speaker 2: because of my straight chrome heart fly ship every day.

750
00:38:51,440 --> 00:38:53,160
Speaker 2: But they killing me on my socks.

751
00:38:53,880 --> 00:38:56,759
Speaker 1: Is that old a little bit? I gotta get him

752
00:38:56,840 --> 00:38:59,200
Speaker 1: up a little. You gotta get the glody socks, the

753
00:38:59,280 --> 00:39:02,760
Speaker 1: socks with the First of all, I got kind of funny.

754
00:39:03,120 --> 00:39:07,279
Speaker 2: Let me socks back. First of all, let me let

755
00:39:07,320 --> 00:39:09,520
Speaker 2: me let me say a fact right so I can

756
00:39:09,600 --> 00:39:12,120
Speaker 2: help you guys. I got funny legs. I don't want

757
00:39:12,160 --> 00:39:14,640
Speaker 2: to really tell you the story because y'all gonna call

758
00:39:14,719 --> 00:39:17,120
Speaker 2: me the cap can't no, no, no.

759
00:39:17,880 --> 00:39:20,360
Speaker 1: I tell us we are here, we up there with Opring,

760
00:39:20,520 --> 00:39:23,120
Speaker 1: Gale and Bro. The car pulled up. We're gonna break

761
00:39:23,239 --> 00:39:24,920
Speaker 1: records of the car pulled.

762
00:39:24,680 --> 00:39:27,680
Speaker 2: Up in the summer. They start shooting out the car

763
00:39:27,760 --> 00:39:32,400
Speaker 2: at us. I jump over the gate, twisted my ship up.

764
00:39:33,239 --> 00:39:35,759
Speaker 2: So when I was a teenager and I never went

765
00:39:35,880 --> 00:39:38,160
Speaker 2: to fix it. They were like, yo, we gotta put

766
00:39:38,280 --> 00:39:39,799
Speaker 2: braces on, you know. I never went to.

767
00:39:39,840 --> 00:39:43,080
Speaker 1: Fit fix my ship. Jumped off a building. No, I

768
00:39:43,200 --> 00:39:46,320
Speaker 1: was in the benches in front of the projects and

769
00:39:46,520 --> 00:39:47,880
Speaker 1: I landed wrong. They did.

770
00:39:48,000 --> 00:39:50,400
Speaker 2: They just started shooting up the whole front of the building.

771
00:39:50,800 --> 00:39:52,279
Speaker 2: I don't know it's from me or for where. It

772
00:39:52,440 --> 00:39:53,960
Speaker 2: was a lot of troublemakers out there.

773
00:39:54,560 --> 00:39:54,880
Speaker 1: Boom.

774
00:39:55,200 --> 00:39:58,239
Speaker 2: I jump over the gate and the benches and land wrong,

775
00:39:58,360 --> 00:40:00,440
Speaker 2: fucked my ship up. But I was scared to go

776
00:40:00,520 --> 00:40:02,080
Speaker 2: to the doctor at that time. I was still on

777
00:40:02,200 --> 00:40:04,200
Speaker 2: welfare and all that ship. I was like, yo, bee,

778
00:40:04,680 --> 00:40:09,400
Speaker 2: I'm not going to the doctor so much. Ship Yo, listen, guys,

779
00:40:09,800 --> 00:40:14,040
Speaker 2: she's a very rich legs. I just want you to know,

780
00:40:14,239 --> 00:40:16,800
Speaker 2: and they work. These are rich legs. A lot of

781
00:40:16,840 --> 00:40:20,040
Speaker 2: you bums you out there talking about my legs. Your

782
00:40:20,120 --> 00:40:23,239
Speaker 2: ship ain't like mine like I'm You ain't see the

783
00:40:23,360 --> 00:40:26,640
Speaker 2: fucking the windows of the world with these fucking legs.

784
00:40:26,680 --> 00:40:29,560
Speaker 2: These guys fucking legs been to the Red Sea, of course,

785
00:40:29,680 --> 00:40:33,759
Speaker 2: Suntane's Pyramids in Egypt, and ship, I just want you ship.

786
00:40:35,840 --> 00:40:39,239
Speaker 1: No, I'm telling you no. Can I tell you no?

787
00:40:39,520 --> 00:40:43,320
Speaker 1: They want to be no, No, they want.

788
00:40:43,160 --> 00:40:46,080
Speaker 2: To go hard on my my sis. Yeah, they slightly.

789
00:40:46,840 --> 00:40:50,080
Speaker 2: You know what I'm saying, this sits is slightly. I'm

790
00:40:50,160 --> 00:40:53,360
Speaker 2: telling you the truth. And I'm past the age of squabbling.

791
00:40:53,440 --> 00:40:55,160
Speaker 2: I have security. Shoot you in your face.

792
00:40:55,280 --> 00:40:58,840
Speaker 1: That's it. I'm keeping it a fucking I'm just labby.

793
00:41:00,520 --> 00:41:03,600
Speaker 1: I'm keeping it a lot of trouble. Huh. You got

794
00:41:03,640 --> 00:41:04,560
Speaker 1: a lot of trouble.

795
00:41:04,680 --> 00:41:07,000
Speaker 2: Oh, I was in a lot of trouble, a lot

796
00:41:07,080 --> 00:41:09,680
Speaker 2: of trouble. Now I'm cool, smooth as you know. I

797
00:41:09,800 --> 00:41:13,239
Speaker 2: tell you I've been home, and I've been home. It's

798
00:41:13,320 --> 00:41:16,759
Speaker 2: hard for your Yeah, this shit like solitary confining.

799
00:41:16,920 --> 00:41:18,719
Speaker 1: You know, this is a big you know.

800
00:41:18,920 --> 00:41:22,440
Speaker 2: But you know I stay home keeps me out of trouble, right.

801
00:41:23,040 --> 00:41:25,279
Speaker 2: I don't bump into no knuckleheads. I don't get in

802
00:41:25,400 --> 00:41:26,000
Speaker 2: no trouble.

803
00:41:26,560 --> 00:41:27,120
Speaker 1: I'm home.

804
00:41:27,520 --> 00:41:31,800
Speaker 2: I actually created a nice home, like my shit is nice.

805
00:41:31,920 --> 00:41:35,520
Speaker 2: So God is great. I think about the projects every day.

806
00:41:35,680 --> 00:41:39,760
Speaker 2: I think about one thing I ain't under in tuned

807
00:41:39,840 --> 00:41:44,880
Speaker 2: with is being grateful and feeling blessed. Like you know,

808
00:41:45,000 --> 00:41:47,640
Speaker 2: I sit in the pool. You know, even back as COVID,

809
00:41:48,200 --> 00:41:50,640
Speaker 2: I had this little shit called a kakuzzie. It wasn't

810
00:41:50,680 --> 00:41:52,319
Speaker 2: a jacuzie. It was a kakuzzie.

811
00:41:52,840 --> 00:41:53,560
Speaker 1: I was in Miami.

812
00:41:53,640 --> 00:41:56,880
Speaker 2: I had a little rubber you know, the rubber jacuzzis.

813
00:41:57,440 --> 00:41:59,920
Speaker 2: You ever see dumb shits. That's where I was at

814
00:42:00,080 --> 00:42:02,560
Speaker 2: all of COVID and the fucking little kokuzie. I'm scared

815
00:42:02,600 --> 00:42:04,400
Speaker 2: to go in the big pool. So I was in

816
00:42:04,480 --> 00:42:06,800
Speaker 2: the little kokuzie. Now I'm getting my poolish shit a

817
00:42:06,920 --> 00:42:10,719
Speaker 2: mile long jacuzie. I'm like, yo, God in a pump. Great,

818
00:42:10,840 --> 00:42:13,280
Speaker 2: I'm in a pump with the can. Bump is soaping.

819
00:42:13,440 --> 00:42:14,319
Speaker 2: That's in the pump.

820
00:42:14,560 --> 00:42:17,200
Speaker 1: This I'm still in the pump.

821
00:42:17,360 --> 00:42:20,759
Speaker 2: And for those listen, listen. For those of you who

822
00:42:20,800 --> 00:42:24,319
Speaker 2: don't understand, the New York thing is, we really ain't

823
00:42:24,360 --> 00:42:27,239
Speaker 2: got pools. So when it's hot, we open the pump.

824
00:42:27,360 --> 00:42:30,000
Speaker 2: The pump is soaping. That's what we say, her, Maya,

825
00:42:30,080 --> 00:42:31,920
Speaker 2: when you come to my house the pool, we'd be like, yo,

826
00:42:32,080 --> 00:42:35,839
Speaker 2: the pump is soaping. We call everybody. You know, Angie Martinez,

827
00:42:35,880 --> 00:42:39,799
Speaker 2: I chef up North, she does the States. You know everything, right,

828
00:42:40,280 --> 00:42:43,759
Speaker 2: you know what I'm saying. And so everybody pitches in.

829
00:42:44,400 --> 00:42:48,520
Speaker 2: We had a fantom We have a fantastic times open.

830
00:42:48,600 --> 00:42:52,560
Speaker 1: The pump is soup be anybody got the time? No,

831
00:42:52,680 --> 00:42:54,320
Speaker 1: it's time for you to go. No, No, that's what

832
00:42:54,360 --> 00:42:57,040
Speaker 1: I'm saying. My lunch break is over. I'm just you

833
00:42:57,160 --> 00:43:03,920
Speaker 1: gotta clean over windows, You gotta vacuum. O g want Yo.

834
00:43:04,520 --> 00:43:07,080
Speaker 1: Let me tell you something, God bless you and your

835
00:43:07,120 --> 00:43:12,080
Speaker 1: new your future endeavors. Don't get fired. No, no today immediately.

836
00:43:12,440 --> 00:43:15,160
Speaker 1: You know, man, you miss the spot by the jail. Yo.

837
00:43:15,280 --> 00:43:20,640
Speaker 1: When I say the top with yo. When I say yo,

838
00:43:20,719 --> 00:43:25,400
Speaker 1: they ain't asked me about they should hire mister Nobody

839
00:43:25,520 --> 00:43:26,040
Speaker 1: asked us.

840
00:43:26,880 --> 00:43:29,520
Speaker 2: I hope this ain't because he's gonna act like he's

841
00:43:29,600 --> 00:43:32,320
Speaker 2: down with us, So I hope we don't reflect.

842
00:43:32,520 --> 00:43:34,080
Speaker 1: He's definitely stealing.

843
00:43:33,760 --> 00:43:37,680
Speaker 3: Ship in here like that's that's someone whoever hired them.

844
00:43:37,880 --> 00:43:39,880
Speaker 1: They got to take that up with the higher ups.

845
00:43:40,840 --> 00:43:41,359
Speaker 1: You know what I mean.

846
00:43:41,480 --> 00:43:44,160
Speaker 3: Once a few ships keep missing from a few of

847
00:43:44,200 --> 00:43:45,759
Speaker 3: these offices there, they're no.

848
00:43:47,560 --> 00:43:50,640
Speaker 1: That didn't come with his equipped with his jail uniform.

849
00:43:50,320 --> 00:43:53,120
Speaker 3: And everything, especially if they give him the overnight and

850
00:43:53,280 --> 00:43:55,600
Speaker 3: he able to bring his own duffel bag and all that.

851
00:43:55,960 --> 00:43:58,640
Speaker 3: I want to say, rest in peace, Young Noble from

852
00:43:58,640 --> 00:44:02,200
Speaker 3: the Outlaw definitely, and my man, Young Noble man, that

853
00:44:02,320 --> 00:44:06,640
Speaker 3: was that was terrible news. Muta Bell and all these guys. Uh,

854
00:44:07,080 --> 00:44:10,600
Speaker 3: you know, a big big part. You know, I've been

855
00:44:10,719 --> 00:44:13,600
Speaker 3: leaning towards Pack a lot lately.

856
00:44:14,440 --> 00:44:17,120
Speaker 2: You know, a lot of the music, a lot of

857
00:44:17,200 --> 00:44:19,920
Speaker 2: the messages, a lot of everything he was talking about

858
00:44:20,840 --> 00:44:24,960
Speaker 2: really aged well. And it's relevant today when you say

859
00:44:25,000 --> 00:44:27,399
Speaker 2: you got money for wards but can't feed the port.

860
00:44:27,520 --> 00:44:31,440
Speaker 1: It's just so many bars. You know, Black was the

861
00:44:31,560 --> 00:44:32,319
Speaker 1: thing to beat.

862
00:44:33,640 --> 00:44:38,800
Speaker 2: It's like the man, I'm sorry, his shit too relevant.

863
00:44:39,000 --> 00:44:42,000
Speaker 2: No no, no no, I'm just saying his shit too

864
00:44:42,120 --> 00:44:46,080
Speaker 2: relevant today. His message and his music it's too relevant today.

865
00:44:46,120 --> 00:44:50,000
Speaker 2: And the boys stood by his side, the Outlaws, Young Noble,

866
00:44:50,040 --> 00:44:51,080
Speaker 2: We're gonna miss you man.

867
00:44:52,400 --> 00:44:54,800
Speaker 1: Recipe peace and to all the Outlaws and everybody.

868
00:44:55,760 --> 00:45:00,400
Speaker 3: Crazy condos to all of the Outlaws man and his family,

869
00:45:00,920 --> 00:45:03,799
Speaker 3: his daughter, who young Noble, you have daughter?

870
00:45:04,760 --> 00:45:07,040
Speaker 1: I think I said any kids?

871
00:45:07,080 --> 00:45:10,239
Speaker 3: I don't think so, right, if anybody in the well known,

872
00:45:10,280 --> 00:45:11,480
Speaker 3: if pocat kids.

873
00:45:11,480 --> 00:45:15,440
Speaker 1: It be you, Why would it be me? Yo? What

874
00:45:15,520 --> 00:45:20,160
Speaker 1: are you trying ship that? I don't know? This is crazy, yo,

875
00:45:20,280 --> 00:45:23,839
Speaker 1: it's God, Yo, you're all the way crazy with it, y'all. Listen.

876
00:45:23,960 --> 00:45:26,640
Speaker 1: I do not know if I heard say you. I

877
00:45:26,800 --> 00:45:29,440
Speaker 1: never even heard po mentioned with kids.

878
00:45:30,239 --> 00:45:35,560
Speaker 2: Ev even I'm asking you, you know, uh, I'm thinking.

879
00:45:35,719 --> 00:45:39,279
Speaker 2: You know, you know what's crazy is sometimes you know

880
00:45:39,400 --> 00:45:42,560
Speaker 2: you got people next to you. One of the scariest

881
00:45:42,640 --> 00:45:45,480
Speaker 2: things in the world is when you got people next

882
00:45:45,520 --> 00:45:48,839
Speaker 2: to you that that you love or you show love

883
00:45:48,960 --> 00:45:54,520
Speaker 2: to not realize until you're not cool no more that

884
00:45:54,680 --> 00:45:58,120
Speaker 2: you didn't even know this person. You see they the

885
00:45:58,200 --> 00:46:05,080
Speaker 2: way they they move and all ship nasty shit, nasty

886
00:46:05,200 --> 00:46:05,839
Speaker 2: work out here.

887
00:46:05,920 --> 00:46:06,040
Speaker 1: Man.

888
00:46:06,080 --> 00:46:08,840
Speaker 2: That's one of the scariest things is So I was

889
00:46:08,960 --> 00:46:12,600
Speaker 2: just thinking about that, because you know, the worst thing

890
00:46:12,680 --> 00:46:15,719
Speaker 2: to be worried to look out for is a disgrunt

891
00:46:15,800 --> 00:46:16,480
Speaker 2: to employee.

892
00:46:16,640 --> 00:46:18,320
Speaker 1: Huh, they go.

893
00:46:19,360 --> 00:46:21,520
Speaker 2: There's a reason why they shoot up the post office

894
00:46:21,640 --> 00:46:24,600
Speaker 2: ship like that. They just crazy And so you know

895
00:46:25,320 --> 00:46:28,000
Speaker 2: it's always hard firing somebody, you know what I'm saying.

896
00:46:28,040 --> 00:46:31,719
Speaker 2: We gotta find somebody in man, I thought I knew

897
00:46:31,760 --> 00:46:32,200
Speaker 2: this person.

898
00:46:33,320 --> 00:46:36,920
Speaker 3: Listen to this Joey Chestnut. You ever heard of the

899
00:46:37,320 --> 00:46:38,600
Speaker 3: serial Glizzy Eater?

900
00:46:38,760 --> 00:46:39,280
Speaker 1: For real?

901
00:46:39,520 --> 00:46:42,719
Speaker 3: I think you think you think you can get no

902
00:46:43,000 --> 00:46:46,239
Speaker 3: he knocked off Chevity in the half he knocked.

903
00:46:46,000 --> 00:46:47,880
Speaker 1: With Chevity and the half Glizzies man.

904
00:46:48,040 --> 00:46:51,880
Speaker 2: Listen when I tell you I know Dj Keller and

905
00:46:52,000 --> 00:46:54,120
Speaker 2: he could eat. But he was sitting next to Joey

906
00:46:54,239 --> 00:46:56,600
Speaker 2: Chestnut last week and he was looking at him like this.

907
00:46:57,400 --> 00:46:58,839
Speaker 2: I said, Oh no, this guy too.

908
00:46:59,160 --> 00:47:00,920
Speaker 1: This guy's a vacuum cleaner.

909
00:47:02,840 --> 00:47:08,719
Speaker 2: He's a human vacuum cleaner. Joey Chestnut, I'm not going

910
00:47:08,840 --> 00:47:12,800
Speaker 2: live just now. We have to say about half Glizzies crazy.

911
00:47:13,600 --> 00:47:18,920
Speaker 2: I stand by my product. Yesterday. Yesterday we had a

912
00:47:19,040 --> 00:47:22,239
Speaker 2: ronde that no no, no, But I'm telling you a

913
00:47:22,400 --> 00:47:23,480
Speaker 2: Rendez made shrimp.

914
00:47:23,560 --> 00:47:25,719
Speaker 1: He made steak, he made everything. What did I aim?

915
00:47:27,080 --> 00:47:30,839
Speaker 1: I had to? I had to. I mean I could

916
00:47:30,880 --> 00:47:40,200
Speaker 1: have hit anything in the world. The line skip, I'm

917
00:47:40,320 --> 00:47:41,600
Speaker 1: not I'm going down.

918
00:47:42,520 --> 00:47:45,280
Speaker 2: You know how the captain of the ship, the captain

919
00:47:45,320 --> 00:47:48,319
Speaker 2: of the ship is the last one to go going

920
00:47:48,480 --> 00:47:48,920
Speaker 2: down with.

921
00:47:49,000 --> 00:47:52,200
Speaker 1: The Joe I'm skipping. I'm sitting there.

922
00:47:52,200 --> 00:47:55,520
Speaker 2: I'm like, yo, what's up with the glaz Because they're

923
00:47:55,520 --> 00:47:58,839
Speaker 2: bringing out all kinds of states. He's bringing our all

924
00:47:59,000 --> 00:48:02,120
Speaker 2: kinds of states, a kind of burgersh shrink, a body

925
00:48:02,800 --> 00:48:03,240
Speaker 2: or roger.

926
00:48:03,360 --> 00:48:06,759
Speaker 1: If you made you well, you wanted the glizzies anywhere.

927
00:48:06,400 --> 00:48:09,520
Speaker 2: God, no matter what, they gotta stand. I even told

928
00:48:09,560 --> 00:48:11,880
Speaker 2: him to I said, y'are standing by my product. I

929
00:48:11,920 --> 00:48:14,400
Speaker 2: ain't just lying just to go viral. I'm telling you

930
00:48:14,520 --> 00:48:14,839
Speaker 2: the truth.

931
00:48:14,880 --> 00:48:15,520
Speaker 1: I'm waiting here.

932
00:48:15,560 --> 00:48:19,000
Speaker 2: I need the glitz. The glitz with the real mustard

933
00:48:19,600 --> 00:48:21,680
Speaker 2: don't come with honeyed spicy joint.

934
00:48:21,920 --> 00:48:24,120
Speaker 1: I need the spicy. You know what I'm saying. What

935
00:48:24,280 --> 00:48:25,680
Speaker 1: about Johnson's Fried Chicken?

936
00:48:25,760 --> 00:48:27,920
Speaker 2: You have ate Johnson's Fried Chicken and one hundred and

937
00:48:27,960 --> 00:48:31,920
Speaker 2: sixty thirty ten Avenue by Forest Projects. They got the

938
00:48:32,040 --> 00:48:35,600
Speaker 2: motherfucking mustard sauce from down South on that fried chicken.

939
00:48:36,280 --> 00:48:38,799
Speaker 2: They looked like sns. Eat there every day, y'all. Notice

940
00:48:38,880 --> 00:48:44,239
Speaker 2: dj J got a mustard stand every every day every day.

941
00:48:44,840 --> 00:48:48,520
Speaker 2: Wherever eat DJ, they don't take a picture of him

942
00:48:48,560 --> 00:48:51,319
Speaker 2: and be like yo Jo, this is your bitch, Jo

943
00:48:53,400 --> 00:48:59,759
Speaker 2: nah yo yo Jada. Listen, if not my favorite DJ

944
00:49:00,040 --> 00:49:04,000
Speaker 2: on the planet Earth, definitely top five, that the top three,

945
00:49:04,680 --> 00:49:07,680
Speaker 2: that's and that's one of my favorite DJs on the Earth.

946
00:49:08,440 --> 00:49:10,960
Speaker 2: It's a luxury to hear him. But why does he

947
00:49:11,080 --> 00:49:15,240
Speaker 2: always have the mustard stain? Anytime I was in London

948
00:49:15,280 --> 00:49:17,560
Speaker 2: about to go on stain. Somebody snuck me a picture

949
00:49:17,560 --> 00:49:17,840
Speaker 2: and it was.

950
00:49:17,800 --> 00:49:20,120
Speaker 1: Like boo boo. It was like, look at your man's he.

951
00:49:20,280 --> 00:49:23,720
Speaker 2: Was DJing with the mustard. Is it that same mustard

952
00:49:23,800 --> 00:49:26,759
Speaker 2: you talking about? For one sixty fucking no, I just

953
00:49:26,920 --> 00:49:30,440
Speaker 2: mustard came up. Shout out to Johnson's Fried Chicken and

954
00:49:30,560 --> 00:49:34,520
Speaker 2: fish you forever. But they got that down South mustard sauce.

955
00:49:34,920 --> 00:49:36,960
Speaker 2: But your man, I think, like you know how we

956
00:49:37,080 --> 00:49:41,160
Speaker 2: sprayed cologne. The man that's a that's just spray mustard

957
00:49:41,239 --> 00:49:43,120
Speaker 2: on the shit every day. You can't get away for

958
00:49:43,239 --> 00:49:46,840
Speaker 2: the ship. Why it's not ketchup? Why the shit always mustard?

959
00:49:47,760 --> 00:49:51,560
Speaker 2: That's all I'm saying. Does he put mustard on the fries?

960
00:49:56,320 --> 00:50:02,000
Speaker 1: Shout out the sh man? I never really Now you're lying.

961
00:50:02,400 --> 00:50:07,160
Speaker 1: You lie when he first, you ain't paying attention. You

962
00:50:07,280 --> 00:50:09,360
Speaker 1: always bump into him. After he come from.

963
00:50:09,280 --> 00:50:13,640
Speaker 2: Johnson Gary must've stain there as and like nobody even

964
00:50:14,000 --> 00:50:15,960
Speaker 2: nobody got the title more than him.

965
00:50:16,360 --> 00:50:22,399
Speaker 1: And it's always mustard. Catch his mayonnaise is all type

966
00:50:22,440 --> 00:50:25,120
Speaker 1: of ship. Why is always mustard? I haven't figured this

967
00:50:25,200 --> 00:50:27,839
Speaker 1: ship out yet. He got to be a shee real

968
00:50:27,960 --> 00:50:32,040
Speaker 1: glazy eating that's what you came up. No, he must

969
00:50:32,160 --> 00:50:37,239
Speaker 1: be right your ass. You know I love you.

970
00:50:37,280 --> 00:50:42,759
Speaker 2: I worship you as the best nobody. Nobody's witnessed it.

971
00:50:43,440 --> 00:50:46,680
Speaker 2: Nobody's better than asking that. We ain't talking about his

972
00:50:46,880 --> 00:50:50,560
Speaker 2: DJ skills. We talk about his shirt. I never I

973
00:50:50,680 --> 00:50:53,520
Speaker 2: seen his shirt. When I see his shirts, they good.

974
00:50:53,640 --> 00:50:56,160
Speaker 2: I'm gonna slide you some picks then, because I swear

975
00:50:56,200 --> 00:51:00,560
Speaker 2: to God, every every DJ might be a little jealous

976
00:51:00,600 --> 00:51:04,160
Speaker 2: of him. No, no, no, it's why he's DJ. He's

977
00:51:04,280 --> 00:51:07,040
Speaker 2: did my birthday party every year with a mustache stir.

978
00:51:07,120 --> 00:51:11,680
Speaker 1: On every fucking year. Ain't nothing but live shirt.

979
00:51:11,800 --> 00:51:16,399
Speaker 2: Tree, lady young or type of ship. This man got

980
00:51:16,560 --> 00:51:18,920
Speaker 2: mustard on the ship. I'm like, your ass, what's up?

981
00:51:19,200 --> 00:51:19,319
Speaker 6: Bro?

982
00:51:19,640 --> 00:51:25,160
Speaker 1: Like, how did it happen this time? Yo? Don't call it?

983
00:51:25,680 --> 00:51:26,799
Speaker 1: Don't don't call him.

984
00:51:29,560 --> 00:51:32,040
Speaker 2: He'll say, Yo, it's not my fault, Joe, I don't

985
00:51:32,040 --> 00:51:34,399
Speaker 2: know that. I called him from the UK. I sent

986
00:51:34,520 --> 00:51:37,440
Speaker 2: him the picture. He said, I know who sent you that.

987
00:51:37,560 --> 00:51:39,279
Speaker 2: I was like, Yo, I'm in London and I'm like,

988
00:51:39,320 --> 00:51:41,120
Speaker 2: He's like, y'all got a new song out with Will

989
00:51:41,239 --> 00:51:45,160
Speaker 2: Trax and said that's cooler door, But why the mustard again?

990
00:51:45,560 --> 00:51:47,920
Speaker 2: S I really need to know S and that's one

991
00:51:47,960 --> 00:51:51,000
Speaker 2: of the greatest. If you don't know about DJ S

992
00:51:51,040 --> 00:51:54,480
Speaker 2: and S, book them. If you want the best party

993
00:51:54,560 --> 00:51:56,560
Speaker 2: you have had in your life. Dj as and S

994
00:51:56,719 --> 00:51:59,239
Speaker 2: is one of them. Shout out to Ted Smooth of

995
00:51:59,360 --> 00:52:02,520
Speaker 2: course kicking pre You know these are I guess my

996
00:52:02,680 --> 00:52:04,680
Speaker 2: age group, you know the best?

997
00:52:05,280 --> 00:52:07,200
Speaker 1: And you know I ask the kids like who's their

998
00:52:07,239 --> 00:52:10,200
Speaker 1: favorite young rappers? They don't even know who's their young

999
00:52:10,320 --> 00:52:11,680
Speaker 1: favorite rappers? I got.

1000
00:52:12,960 --> 00:52:15,719
Speaker 2: I promise you your son don't know who's his young

1001
00:52:15,800 --> 00:52:16,480
Speaker 2: favorite rapper.

1002
00:52:16,760 --> 00:52:18,520
Speaker 1: And I'm not shitting none of my fuck with the you.

1003
00:52:18,680 --> 00:52:21,200
Speaker 2: But I'm in the pool with Norwy's kids and I'm like, Yo,

1004
00:52:21,239 --> 00:52:25,719
Speaker 2: who's your favorite rapper? You wouldn't understand, unk you would.

1005
00:52:25,800 --> 00:52:28,319
Speaker 2: I'm feel like I know, I'm trying to understand. That's

1006
00:52:28,320 --> 00:52:32,399
Speaker 2: why I'm asking you. You ever heard of and I'm

1007
00:52:32,400 --> 00:52:35,400
Speaker 2: getting the name wrong on purpose? You ever heard of

1008
00:52:35,680 --> 00:52:38,920
Speaker 2: demonic such as Simption? I'm like, who did?

1009
00:52:39,040 --> 00:52:39,080
Speaker 6: Not?

1010
00:52:39,239 --> 00:52:39,319
Speaker 1: They?

1011
00:52:39,480 --> 00:52:42,239
Speaker 2: Underground? You know what I'm saying? I said, So, what's

1012
00:52:42,280 --> 00:52:44,520
Speaker 2: the beat? Like, you think y'all should put me on

1013
00:52:45,280 --> 00:52:47,640
Speaker 2: to whatever the beat is? Maybe I could rhyme over

1014
00:52:47,680 --> 00:52:50,480
Speaker 2: They like, y'all you can't rhyme over this. I'm saying, so,

1015
00:52:50,600 --> 00:52:51,239
Speaker 2: what's the beat?

1016
00:52:51,440 --> 00:52:51,480
Speaker 6: Like?

1017
00:52:51,680 --> 00:52:53,560
Speaker 1: Is his soul? Is it? This day?

1018
00:52:53,680 --> 00:52:53,719
Speaker 4: Like?

1019
00:52:54,719 --> 00:52:56,759
Speaker 1: It's like noise onunk? I said.

1020
00:52:56,960 --> 00:53:00,400
Speaker 2: What They're like, it's like bombs and whistles is not

1021
00:53:00,600 --> 00:53:03,839
Speaker 2: really a beat. I'm like what And they say, yo, Yo,

1022
00:53:04,120 --> 00:53:05,920
Speaker 2: you ever heard a Trippy Red? I said, of course,

1023
00:53:05,960 --> 00:53:10,040
Speaker 2: I heard a Tripput He's worst than Trippy Rad. He's

1024
00:53:10,200 --> 00:53:12,600
Speaker 2: worst than Trippy Red. But guess why he's the shit?

1025
00:53:12,840 --> 00:53:13,080
Speaker 1: Unk?

1026
00:53:13,880 --> 00:53:19,319
Speaker 2: He's the shit? And I'm like, yo, could somebody, could

1027
00:53:19,360 --> 00:53:21,759
Speaker 2: somebody try to make sense of the ship. They saying

1028
00:53:21,760 --> 00:53:23,520
Speaker 2: to me, They're like, no, it's not a real beat.

1029
00:53:23,880 --> 00:53:25,880
Speaker 2: His bombs, his whistles is this is that?

1030
00:53:26,480 --> 00:53:29,399
Speaker 1: Yo? You ever heard of Trippy Rad? Yo? This guy

1031
00:53:29,760 --> 00:53:34,000
Speaker 1: is worse. But he's the shit. He's the shit.

1032
00:53:34,480 --> 00:53:36,680
Speaker 2: I'm like, yo, he's lyrical. He's why they be like, nah,

1033
00:53:36,760 --> 00:53:39,759
Speaker 2: this guy's the shit. I'm like, yo, I mean they

1034
00:53:39,880 --> 00:53:42,520
Speaker 2: confused too. They don't know who the man is.

1035
00:53:42,800 --> 00:53:46,520
Speaker 3: Too many they coming out with thirty new artists and day.

1036
00:53:47,120 --> 00:53:50,000
Speaker 1: Do you hear him? Do you does your son play

1037
00:53:50,080 --> 00:53:51,759
Speaker 1: that man? My son?

1038
00:53:52,040 --> 00:53:55,400
Speaker 3: My son listened? You got pretty good? Is he listened

1039
00:53:55,440 --> 00:53:57,359
Speaker 3: to some of that crazy shit. But for the most

1040
00:53:57,520 --> 00:54:02,360
Speaker 3: party listening, he listened to shit with some substance. You

1041
00:54:02,480 --> 00:54:04,400
Speaker 3: know when we came out, well, you gotta turn that

1042
00:54:04,480 --> 00:54:05,480
Speaker 3: ship down my house.

1043
00:54:06,200 --> 00:54:09,000
Speaker 1: Yeah, when we came out. Let me explain something of you.

1044
00:54:09,080 --> 00:54:10,840
Speaker 1: When we came out, I'm.

1045
00:54:10,840 --> 00:54:17,879
Speaker 2: Sure the Golden Age ll uh, fat boys, Melly meo,

1046
00:54:18,000 --> 00:54:21,040
Speaker 2: all those guys cholten pepper, they probably.

1047
00:54:20,760 --> 00:54:23,239
Speaker 1: Hurt our ship like noise. When they heard Wu tang we.

1048
00:54:23,360 --> 00:54:26,520
Speaker 2: Step into the thirty six chambers, they probably was like, Yo,

1049
00:54:26,640 --> 00:54:29,560
Speaker 2: what the fuck is this they listening to? But out

1050
00:54:29,600 --> 00:54:33,480
Speaker 2: of that era, you get nas, you get everybody else

1051
00:54:34,400 --> 00:54:37,840
Speaker 2: from that era. But I love the youth. I always

1052
00:54:37,880 --> 00:54:38,360
Speaker 2: say I'd.

1053
00:54:38,239 --> 00:54:41,120
Speaker 1: Rather than rap to be sticking up dudes. Mother.

1054
00:54:41,200 --> 00:54:45,120
Speaker 2: But when I'm stopped at Southern Boulevard in the Bronx

1055
00:54:45,760 --> 00:54:48,560
Speaker 2: you know by Bronx Chester, but that the ship and

1056
00:54:48,600 --> 00:54:50,759
Speaker 2: I'm about to make it left, and the girl two

1057
00:54:50,880 --> 00:54:56,360
Speaker 2: girls pull up with the drill ship next with I'm like, Yo,

1058
00:54:56,440 --> 00:55:00,839
Speaker 2: I'm really confused. I'm at that lightlight that should sound

1059
00:55:01,080 --> 00:55:06,160
Speaker 2: crazy to me, Like I I haven't been able to

1060
00:55:06,360 --> 00:55:09,200
Speaker 2: figure that out. That that really lets me know.

1061
00:55:09,239 --> 00:55:11,000
Speaker 1: My Ag'm going to be able to figure that out.

1062
00:55:11,600 --> 00:55:14,759
Speaker 2: I think it happened in every genre, right, but well,

1063
00:55:14,880 --> 00:55:19,480
Speaker 2: someone emerged from that. I think pop Smoke Rest in

1064
00:55:19,520 --> 00:55:22,520
Speaker 2: Peace was the one from that that was gonna like

1065
00:55:22,800 --> 00:55:23,760
Speaker 2: stick long career.

1066
00:55:23,880 --> 00:55:28,120
Speaker 1: He made a classic album, a great album with that ship.

1067
00:55:28,239 --> 00:55:32,640
Speaker 1: But I don't know do we know anybody else that

1068
00:55:32,680 --> 00:55:35,960
Speaker 1: would stick around? I don't know what. First of all,

1069
00:55:36,000 --> 00:55:39,520
Speaker 1: I don't know what unbrotherly, I don't know who. I

1070
00:55:39,600 --> 00:55:41,040
Speaker 1: don't know even who to put.

1071
00:55:42,560 --> 00:55:46,840
Speaker 3: In there under the under the class you make it,

1072
00:55:47,000 --> 00:55:51,160
Speaker 3: I don't know who, what curriculum is required to put

1073
00:55:51,280 --> 00:55:52,040
Speaker 3: who under it?

1074
00:55:52,320 --> 00:55:56,480
Speaker 1: But I'm just trying to say any of the new autists.

1075
00:55:56,480 --> 00:56:00,160
Speaker 2: Maybe we don't know greatness because everybody who was for

1076
00:56:00,480 --> 00:56:04,960
Speaker 2: us thought that our ship was noise and thought that

1077
00:56:05,200 --> 00:56:07,880
Speaker 2: that we was whack or something was wrong like that.

1078
00:56:08,120 --> 00:56:10,759
Speaker 2: So now they come with the drill rat where you

1079
00:56:10,840 --> 00:56:15,160
Speaker 2: got cashco Bang, y'all checked us out, this crack.

1080
00:56:16,400 --> 00:56:26,160
Speaker 1: This thing is crazy. We got more ship than y'all. Listen,

1081
00:56:26,239 --> 00:56:30,720
Speaker 1: what we gotta preview that this partner, it's a certain

1082
00:56:30,800 --> 00:56:32,920
Speaker 1: face he made, well, he done with that shit. He

1083
00:56:33,120 --> 00:56:34,560
Speaker 1: like y'all.

1084
00:56:34,920 --> 00:56:39,239
Speaker 3: This guy asks me questions that take need a trip

1085
00:56:39,320 --> 00:56:40,840
Speaker 3: to the library to answer.

1086
00:56:41,920 --> 00:56:44,320
Speaker 1: I don't know some of the ship. Do you ask me?

1087
00:56:46,160 --> 00:56:50,680
Speaker 2: We gotta stay locked in though, George Jaya to permit it.

1088
00:56:51,160 --> 00:56:55,520
Speaker 2: Listen to Rookies of the Year thus far. And I

1089
00:56:55,640 --> 00:56:58,520
Speaker 2: know you're all scared out there, anybody in the podcast

1090
00:56:58,640 --> 00:57:00,120
Speaker 2: where you're terrified about.

1091
00:57:00,040 --> 00:57:00,680
Speaker 1: What's going on.

1092
00:57:02,000 --> 00:57:04,520
Speaker 2: We number one with a bullet, you know what I'm saying.

1093
00:57:04,560 --> 00:57:07,200
Speaker 2: We like to think the subscribers right correct.

1094
00:57:07,520 --> 00:57:10,279
Speaker 1: We like to thank everybody, but not yet because we

1095
00:57:10,320 --> 00:57:11,000
Speaker 1: ain't finished.

1096
00:57:11,280 --> 00:57:16,240
Speaker 3: Okay, yes, sir, check it out preview tailor and Serronto three.

1097
00:57:17,560 --> 00:57:20,439
Speaker 3: Shut out the Netflix because the tickets is gonna be high.

1098
00:57:20,800 --> 00:57:23,320
Speaker 3: If you can't afford to be in the building, you

1099
00:57:23,520 --> 00:57:27,680
Speaker 3: should check it out on Netflix. Enjoy it in your

1100
00:57:27,840 --> 00:57:30,520
Speaker 3: crib or wherever you got Netflix with.

1101
00:57:30,600 --> 00:57:33,160
Speaker 2: The colp going to the fight and I'm coming home

1102
00:57:33,240 --> 00:57:36,240
Speaker 2: to see if I seen what I seen. Oh double

1103
00:57:36,280 --> 00:57:38,240
Speaker 2: what I'm saying to the fight, then come home and

1104
00:57:38,360 --> 00:57:42,000
Speaker 2: watch it on next fireworks guarantee. These girls are gonna

1105
00:57:42,040 --> 00:57:45,760
Speaker 2: go so crazy. And so I'm going to the fight

1106
00:57:46,080 --> 00:57:49,560
Speaker 2: and I'm gonna go watch it on Netflix. Because you

1107
00:57:49,840 --> 00:57:51,400
Speaker 2: ever been to a fight and you see it, it

1108
00:57:51,480 --> 00:57:54,520
Speaker 2: ain't like like you see it live. You miss everything,

1109
00:57:54,640 --> 00:57:58,240
Speaker 2: but you gotta really see it on the screen with

1110
00:57:58,360 --> 00:57:59,920
Speaker 2: the commentators.

1111
00:57:59,240 --> 00:58:01,520
Speaker 1: And all that is different. It's not the same as

1112
00:58:01,560 --> 00:58:03,120
Speaker 1: spind It's a beautiful.

1113
00:58:02,760 --> 00:58:05,160
Speaker 3: Thing to be there, but you need to you want

1114
00:58:05,200 --> 00:58:08,000
Speaker 3: to hear Harold Edenmans. You want to hear all of

1115
00:58:08,040 --> 00:58:09,960
Speaker 3: that shit after every round and all that.

1116
00:58:10,080 --> 00:58:12,520
Speaker 1: It's like, you need to watch it on Netflix. So

1117
00:58:12,720 --> 00:58:13,640
Speaker 1: check it out. Check it out.

1118
00:58:14,080 --> 00:58:17,440
Speaker 3: The match is ten two minute rounds, you know what

1119
00:58:17,480 --> 00:58:20,640
Speaker 3: I mean. Serrano was not happy about that. She wanted

1120
00:58:20,720 --> 00:58:21,840
Speaker 3: three minute rounds.

1121
00:58:23,080 --> 00:58:25,680
Speaker 1: Check it out. First of all, she said, we shook on.

1122
00:58:26,440 --> 00:58:29,640
Speaker 3: Serrano said of the fight being three minute rounds, she

1123
00:58:29,760 --> 00:58:32,880
Speaker 3: didn't agree when we went to sign the contract.

1124
00:58:33,240 --> 00:58:35,760
Speaker 1: So that's gonna make it more smoke. Now, check out

1125
00:58:35,840 --> 00:58:36,880
Speaker 1: Taylor what she said.

1126
00:58:37,600 --> 00:58:40,840
Speaker 3: I think, as a matter of principle that the challenges

1127
00:58:40,920 --> 00:58:43,520
Speaker 3: shouldn't be dictating the terms of the fight.

1128
00:58:44,440 --> 00:58:46,880
Speaker 1: I am two or no, heir. I am in the

1129
00:58:47,120 --> 00:58:51,000
Speaker 1: driver's seat here, and that's only right. I think that's it.

1130
00:58:51,200 --> 00:58:52,880
Speaker 1: I think she's right about that, you know what I mean,

1131
00:58:52,920 --> 00:58:53,880
Speaker 1: at the end of the day.

1132
00:58:54,160 --> 00:58:56,280
Speaker 3: Out at the end of the day, a man that

1133
00:58:56,480 --> 00:58:59,000
Speaker 3: needs this fight a lot more than I do. I

1134
00:58:59,120 --> 00:59:02,480
Speaker 3: have long history of big fights, you know what I

1135
00:59:02,560 --> 00:59:06,640
Speaker 3: mean against names and a line of people queueing up

1136
00:59:06,720 --> 00:59:09,440
Speaker 3: to fight me for the for the payday. So she's saying,

1137
00:59:09,920 --> 00:59:12,640
Speaker 3: I'm really blessing you with this fight. So you better

1138
00:59:12,760 --> 00:59:13,920
Speaker 3: be thinking you don't get the call.

1139
00:59:14,040 --> 00:59:17,800
Speaker 2: No, disagree and disagree to and no but two of

1140
00:59:17,880 --> 00:59:21,360
Speaker 2: her jerks, but everybody is off numbers.

1141
00:59:21,400 --> 00:59:24,680
Speaker 1: She got to Pine, took me. She won the two fights,

1142
00:59:24,680 --> 00:59:29,240
Speaker 1: and she didn't nobody believe she boxing. She's too and

1143
00:59:29,400 --> 00:59:32,880
Speaker 1: no that nobody believes she won that ship.

1144
00:59:32,920 --> 00:59:35,880
Speaker 3: Since when did an underdog get the call anything of

1145
00:59:36,000 --> 00:59:37,920
Speaker 3: a fight when you the hottest.

1146
00:59:39,080 --> 00:59:42,440
Speaker 1: Out there. Listen, Surroundo, listen.

1147
00:59:42,640 --> 00:59:45,400
Speaker 3: So Roundo believes that Tail has to come out and

1148
00:59:45,560 --> 00:59:48,280
Speaker 3: prove to the world that she actually won those first

1149
00:59:48,360 --> 00:59:53,280
Speaker 3: two fights. Correct, That's what Taylor responded, saying, so you

1150
00:59:53,400 --> 00:59:54,640
Speaker 3: gotta show that first.

1151
00:59:55,320 --> 00:59:55,680
Speaker 1: Listen.

1152
00:59:55,960 --> 01:00:00,479
Speaker 2: If they jerk Amanda one more time, this is gonna

1153
01:00:00,480 --> 01:00:03,760
Speaker 2: be like the episode when when the Fauns jumped over

1154
01:00:03,840 --> 01:00:06,000
Speaker 2: the shark in the fucking water.

1155
01:00:06,160 --> 01:00:10,120
Speaker 1: Okay, we know the shark, we know the Fauns. He

1156
01:00:10,280 --> 01:00:13,240
Speaker 1: was cool and happy days, but he couldn't really jump

1157
01:00:13,320 --> 01:00:15,320
Speaker 1: over a shark like here.

1158
01:00:15,320 --> 01:00:18,160
Speaker 2: Sit out of control. She got any shoulder machine and

1159
01:00:18,280 --> 01:00:21,200
Speaker 2: making coke. Come down, man, he jumped over the shark.

1160
01:00:21,320 --> 01:00:26,560
Speaker 2: That was the end of happy days. That's all I'm

1161
01:00:26,680 --> 01:00:29,480
Speaker 2: trying to tell you. We know we got the miles.

1162
01:00:30,280 --> 01:00:33,280
Speaker 2: These fights been a little Rodney kingish, you know what

1163
01:00:33,320 --> 01:00:35,840
Speaker 2: I'm saying. The people know who really won them two fights.

1164
01:00:35,920 --> 01:00:37,440
Speaker 2: Now we're going for the third. That's what I'm talking to.

1165
01:00:37,560 --> 01:00:39,800
Speaker 1: This ship might go. Look look what she said, though

1166
01:00:39,840 --> 01:00:41,760
Speaker 1: I'm keeping it real. You look at the fight, might

1167
01:00:41,880 --> 01:00:44,720
Speaker 1: go five. What she said selling our stadiums.

1168
01:00:44,840 --> 01:00:47,160
Speaker 3: If you look at the fights, you could clearly see

1169
01:00:47,200 --> 01:00:50,720
Speaker 3: that I won those two fights. It's really really insane

1170
01:00:50,840 --> 01:00:52,760
Speaker 3: that she thinks she won those fights.

1171
01:00:52,960 --> 01:00:55,800
Speaker 1: They're losing the records. We've been signing every We just

1172
01:00:55,880 --> 01:00:58,800
Speaker 1: signed fresh out that didn't lose in new records. Everybody,

1173
01:00:58,880 --> 01:01:02,760
Speaker 1: come on here, fucking losion. We got a bad case

1174
01:01:02,800 --> 01:01:04,800
Speaker 1: of the delusions in the game right now.

1175
01:01:05,640 --> 01:01:08,840
Speaker 2: Motherfucker making boldest claims you ever heard in your fucking

1176
01:01:09,000 --> 01:01:14,520
Speaker 2: life out here when you just know they're lyon, It's.

1177
01:01:14,320 --> 01:01:16,240
Speaker 1: Gonna be crazy. Don't miss it, y'all.

1178
01:01:16,400 --> 01:01:22,080
Speaker 3: July eleventh, at MSG only on Netflix, Go to tiln Serrano.

1179
01:01:23,480 --> 01:01:30,520
Speaker 9: The trilogy that's gone five five rounds, five fights. Yeah,

1180
01:01:30,800 --> 01:01:33,640
Speaker 9: because Sroana's gonna beat them more fights a You're gonna

1181
01:01:33,640 --> 01:01:36,919
Speaker 9: beat them and then Homegirl gonna want to come back.

1182
01:01:37,840 --> 01:01:39,720
Speaker 1: You know what I'm saying. They're gonna go about four

1183
01:01:39,800 --> 01:01:42,880
Speaker 1: to five Like this is that, This is that ill.

1184
01:01:43,080 --> 01:01:48,720
Speaker 2: This is Sugar Ray Leonard, Tommy Hearn's marvelous, Marvin Hagler

1185
01:01:48,920 --> 01:01:51,840
Speaker 2: to the girls sport. They never had no shit like

1186
01:01:51,920 --> 01:01:55,040
Speaker 2: this where they sell out Madison Square Garden and fucking

1187
01:01:55,120 --> 01:01:57,920
Speaker 2: stadiums in Texas and all that. They this is the

1188
01:01:58,040 --> 01:02:03,240
Speaker 2: first time two girls headline boxes selling out stadiums like

1189
01:02:03,360 --> 01:02:06,360
Speaker 2: this is the real deal event. So it's like if

1190
01:02:06,400 --> 01:02:09,120
Speaker 2: you can't get the ticket, well most likely you can't

1191
01:02:09,200 --> 01:02:09,800
Speaker 2: get a ticket.

1192
01:02:09,960 --> 01:02:15,400
Speaker 1: July Man MSG or catch it on Netflix. Check it out.

1193
01:02:15,440 --> 01:02:17,480
Speaker 3: We got a new segment we bring in the y out.

1194
01:02:18,160 --> 01:02:24,000
Speaker 3: Just call one eight hundred Joe Jada if you want

1195
01:02:24,080 --> 01:02:26,960
Speaker 3: to ask us questions, if you want to have your

1196
01:02:27,040 --> 01:02:29,840
Speaker 3: voice heard on the Joe and Jada's shop, just go

1197
01:02:29,960 --> 01:02:34,080
Speaker 3: to ww dot speak pipe dot com.

1198
01:02:34,280 --> 01:02:38,240
Speaker 1: That's I don't like pip ww dot speakpipe dot com.

1199
01:02:40,680 --> 01:02:46,640
Speaker 1: Joe Jada, leave us a voicemail. You're gonna switch that.

1200
01:02:47,040 --> 01:02:50,240
Speaker 1: We're gonna switch that email soon yo wants the number. Yeah,

1201
01:02:51,440 --> 01:02:52,000
Speaker 1: come on with this.

1202
01:02:53,480 --> 01:02:56,880
Speaker 3: I'm reading it. This is not this is from This

1203
01:02:57,080 --> 01:02:59,800
Speaker 3: is from our partners at volume. This has nothing to

1204
01:02:59,880 --> 01:03:03,120
Speaker 3: do with me. But I suggest you change the name

1205
01:03:03,200 --> 01:03:07,000
Speaker 3: of that website immediately. But right now it was w

1206
01:03:07,320 --> 01:03:13,120
Speaker 3: W W speak pipe dot com one waiting a long

1207
01:03:13,240 --> 01:03:16,000
Speaker 3: time to do that slash one eight hundred, Joe Jada,

1208
01:03:16,360 --> 01:03:19,280
Speaker 3: leave us a voicemail. If your question is what they

1209
01:03:19,400 --> 01:03:21,280
Speaker 3: ask you, play your message.

1210
01:03:21,640 --> 01:03:24,880
Speaker 1: Plan the earth thought speak. Then't answer your question. Y'all

1211
01:03:24,920 --> 01:03:28,160
Speaker 1: trying to do some crazy shit. You know that. I

1212
01:03:28,240 --> 01:03:33,280
Speaker 1: think it's supposed to be pipeline. No, No, that's why

1213
01:03:33,360 --> 01:03:34,680
Speaker 1: you ain't got my glasses.

1214
01:03:34,720 --> 01:03:38,120
Speaker 2: But I can see this clearly, says w has been

1215
01:03:38,480 --> 01:03:41,640
Speaker 2: jail dot speak too many times.

1216
01:03:41,680 --> 01:03:43,600
Speaker 1: I didn't choose that name. Y'all.

1217
01:03:43,680 --> 01:03:46,880
Speaker 2: Let me tell you something. This is the biggest in

1218
01:03:47,000 --> 01:03:50,560
Speaker 2: the game, Joe and jadas so don't get it fucked up.

1219
01:03:50,920 --> 01:03:54,120
Speaker 1: This ain't that, and that ain't this. It's cracked and

1220
01:03:54,480 --> 01:03:54,760
Speaker 1: kiss

1221
01:04:03,000 --> 01:04:03,240
Speaker 6: Mhm.