WEBVTT - STBYM Listener Mail: All Reason Departs

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey you welcome to Stuff to Blow your Mind a

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<v Speaker 2>listener mail. My name is Robert Lamb.

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<v Speaker 3>And I am Joe McCormick, and today we're going to

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<v Speaker 3>be reading back some messages that came into the Stuff

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<v Speaker 3>to Blow Your Mind email address. If you have never

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<v Speaker 3>gotten in touch before, this is a great time to

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<v Speaker 3>try it. You can email us at contact at Stuff

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<v Speaker 3>to Blow your Mind dot com. Whatever kind of message

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<v Speaker 3>you want to send is fair game. We always appreciate

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<v Speaker 3>if you have something interesting to add to a topic

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<v Speaker 3>we've talked about on the show. If you want to

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<v Speaker 3>suggest something you would like us to talk about in

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<v Speaker 3>the future, if you want to suggest a movie for

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<v Speaker 3>Weird House Cinema, general feedback of course, factual corrections if

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<v Speaker 3>that ever comes up. Whatever you want, it's all fair game.

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<v Speaker 3>Contact at Stuff to Blow your Mind dot com. Rob

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<v Speaker 3>you just got in off the road, anything anything to

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<v Speaker 3>report from wherever you went?

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<v Speaker 2>Oh yeah, yeah, the family and I just traveled to

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<v Speaker 2>Denver and back. So first time in Denver. Got to

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<v Speaker 2>experience some of the great outdoors there, some of the

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<v Speaker 2>offerings in the city itself, you know, went to miow Wolf,

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<v Speaker 2>went to their excellent art museum, went to the excellent

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<v Speaker 2>science museum. Actually got several really good ideas for the

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<v Speaker 2>show from their science museum. So stay tuned for the

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<v Speaker 2>future on that one.

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<v Speaker 3>Okay, do you want to kick things off with some

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<v Speaker 3>of these messages in response to the Star Wars.

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<v Speaker 2>Series, Let's do it. Yeah.

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<v Speaker 3>Okay. This first message is from Kenna. It's in response

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<v Speaker 3>to our discussion from Star Wars Week about the planet Hawth. Now,

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<v Speaker 3>in that episode, we did an extended segment, among other things,

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<v Speaker 3>about the infamous ton Toon sleeping bag scene from the

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<v Speaker 3>Empire Strikes Back. So in this scene, Han Solo cuts

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<v Speaker 3>open the body of this animal called a ton Toon

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<v Speaker 3>in the movie. It's a fictional creature in the Star

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<v Speaker 3>Wars universe. It looks kind of like a part goat,

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<v Speaker 3>part theropod dinosaur, and he cuts it open in the

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<v Speaker 3>belly so that he can cram an unconscious Luke Skywalker

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<v Speaker 3>inside the animal to protect Luke from freezing to death.

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<v Speaker 3>And in the episode we talked about whether this would

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<v Speaker 3>work in reality and about some real life cases of

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<v Speaker 3>people crawling inside dead animals to try and survive. The cold,

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<v Speaker 3>it has been done. This first message is from Kenna.

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<v Speaker 3>Subject horses are wet. Kenna says, Hi, Robert, Joe and

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<v Speaker 3>JJ love the show and have unusual life experience to

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<v Speaker 3>share with you. It may, however, be too gross, so

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<v Speaker 3>apologies in advance to whoever's turn it is to skim

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<v Speaker 3>the mailbag. Yeah, so warning folks has some animal gutting

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<v Speaker 3>details to follow. If you can't stand that, maybe skip

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<v Speaker 3>ahead a few minutes.

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<v Speaker 2>All right, the folks who couldn't handle it have left

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<v Speaker 2>the room. Continue.

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<v Speaker 3>I am a veterinary pathologist's assistant, meaning that dead cows

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<v Speaker 3>and horses are my job. I think I know why

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<v Speaker 3>the hapless hunters in Idaho could not fully hide within

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<v Speaker 3>their horses the ribs and now this refers back to

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<v Speaker 3>one of the real life cases of hiding inside an animal.

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<v Speaker 3>We talked about the couple of hunters who got lost

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<v Speaker 3>while out hunting in Idaho. They were trapped in a blizzard.

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<v Speaker 3>They got soaking wet, so they survived by killing their horses,

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<v Speaker 3>cutting them open, and crawling the inside. But one part

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<v Speaker 3>of the story is one of the guys who had

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<v Speaker 3>this experience described it there being a lot less room

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<v Speaker 3>inside the horse than they expected. I think they first

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<v Speaker 3>thought that they could get two guys inside one horse,

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<v Speaker 3>and you couldn't even get one hole guy in there.

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<v Speaker 2>Yeah, and horses are huge animals, obviously, and especially when

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<v Speaker 2>you're around a big one, you might well think, oh, yeah, yeah,

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<v Speaker 2>this room for two in there. There's room for two

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<v Speaker 2>on top.

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<v Speaker 3>But no, it couldn't even get the whole one regular

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<v Speaker 3>sized guy in there. Legs were sticking out, which yeah,

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<v Speaker 3>sounds unpleasant in multiple ways. But anyway, so now Kenna

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<v Speaker 3>has an answer for us. The ribs could be a

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<v Speaker 3>problem here. Kenna says, see, in my experience, the easiest

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<v Speaker 3>way to remove the organs of any animal for inspection

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<v Speaker 3>is to remove the back leg, open the abdomen, and

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<v Speaker 3>remove the digestive tract. This takes us upwards of thirty

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<v Speaker 3>minutes because we have to look for anomalies, so probably

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<v Speaker 3>much less time. If you are desperate, you can do

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<v Speaker 3>it with no tools but a knife, and you could

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<v Speaker 3>keep the leg on if all you cared about was

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<v Speaker 3>the warm body cavity. However, you need tools such as

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<v Speaker 3>a saw or a really long pair of hedge tremors

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<v Speaker 3>to open the ribs. It is very hard to remove

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<v Speaker 3>the lungs of any animal without getting through those best

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<v Speaker 3>case scenario, you can slowly get pieces of them out

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<v Speaker 3>through the diaphragm, but the inside of a horse's rib

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<v Speaker 3>cage is generally not very roomy and may not be

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<v Speaker 3>worth the effort. Cows, especially dairy cows or mature breeding females,

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<v Speaker 3>have very widely set ribs. I am five four and chubby,

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<v Speaker 3>but by experience I can get most of me in

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<v Speaker 3>there to take samples. And if you have a buddy

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<v Speaker 3>to help you turn the turn the body over, you

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<v Speaker 3>could get a large flap of leather to cover whatever

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<v Speaker 3>sticks out. Wow, cows. Cows do tend to be wetter

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<v Speaker 3>than horses, however, because of all the roomen. Oh, I

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<v Speaker 3>guess that's the that's the fermentation stomach, isn't it.

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<v Speaker 2>Yeah.

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<v Speaker 3>Finally, Kenna says, I recommend a shovel to make a long,

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<v Speaker 3>gross story very short. If you must be ton toon wrapped,

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<v Speaker 3>the cow is probably better than a horse. Thanks for

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<v Speaker 3>years of things I can talk about at work, Kenna.

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<v Speaker 2>All right, well, this is again, as I said before,

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<v Speaker 2>this is exactly the sort of real world field reportings

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<v Speaker 2>that we love to see on stuff to blow your mind, listener, male.

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<v Speaker 3>Absolutely. I mean most of what we talk about on

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<v Speaker 3>the show is just stuff that we learn about by

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<v Speaker 3>reading about it. So anybody who has life experience that

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<v Speaker 3>can inform, you know, from your work or from your

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<v Speaker 3>personal life, whatever it is that can inform the subjects

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<v Speaker 3>we've talked about, we love to get that kind of feedback.

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<v Speaker 2>Yeah, I know we're returning to a subject that we've

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<v Speaker 2>talked about at least this is like the third time now,

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<v Speaker 2>because it's a good camp on a previous listener mail

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<v Speaker 2>as well, I believe. But on one hand, it seems

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<v Speaker 2>like there should be a country western song about this, yeah,

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<v Speaker 2>or it should be just a common feature you know,

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<v Speaker 2>that will at least come up in passing. And then

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<v Speaker 2>this leads me back to something else that I've mentioned before,

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<v Speaker 2>and that is that episode of The X Files where

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<v Speaker 2>there's an invisible elephant. If memory serves, there is a

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<v Speaker 2>scene where there is an autopsy performed, or a necropsy

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<v Speaker 2>rather on an elephant, and I think like Moulder and

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<v Speaker 2>Scully are both standing inside the elephant, or maybe just

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<v Speaker 2>one of them.

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<v Speaker 3>You know, I don't remember. I did see that episode

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<v Speaker 3>on my ex files journey, but I don't remember that scene.

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<v Speaker 2>Yeah, you had episode that's the worst of the X

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<v Speaker 2>Files just about so.

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<v Speaker 3>I think it's not just an elephant if I remember right,

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<v Speaker 3>it's like a whole zoo of invisible animals.

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<v Speaker 2>Oh wow, yeah, oh how could that not be great?

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<v Speaker 2>The whole zoo. And it's not one of the top episodes.

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<v Speaker 2>M hmm, it's one of the few. The backstory here,

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<v Speaker 2>as I've mentioned before, as a as a when I

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<v Speaker 2>was a young person catching the X Files, X Files

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<v Speaker 2>and television, I only caught like two episodes. This was

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<v Speaker 2>before you could you know, the DVR stuff and so forth,

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<v Speaker 2>So it was just like, when can I catch it

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<v Speaker 2>on you know, whatever episode is being served up to

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<v Speaker 2>me by fate. I saw the up maybe I saw

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<v Speaker 2>three episodes. I remember seeing episode about the dude in

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<v Speaker 2>the toilet, and then about the dude toilet the toilet monster,

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<v Speaker 2>and then the dude who's stretchy and comes up through

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<v Speaker 2>the toilet. I think they both are toilet.

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<v Speaker 3>I thought, I'm thinking of the same thing. Well maybe

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<v Speaker 3>then I don't know who the dude in the toilet is.

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<v Speaker 2>The creature in the port of like at the bottom

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<v Speaker 2>of the toilet.

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<v Speaker 3>Oh oh oh, I see, yes there is. You're the

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<v Speaker 3>Flukeman and I think Tombs two different creatures who both

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<v Speaker 3>come through sewage plumbing.

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<v Speaker 2>Up through the toilet. Okay, yeah, but then.

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<v Speaker 3>There's Flukeman is the more direct toilet monster.

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<v Speaker 2>Yeah.

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<v Speaker 3>The Tombs is just stretchy and he goes all all

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<v Speaker 3>kinds of.

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<v Speaker 2>Places, including toilet. Yeah, but there's no toilet in the

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<v Speaker 2>Zoo Animal. And I and as I remember the Zoo

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<v Speaker 2>Animal episode, the Invisible Elephant Elephant episode is the last

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<v Speaker 2>one I saw, and that one kind of maybe made

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<v Speaker 2>me push pause in catching X Files episodes.

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<v Speaker 3>Oh man, I need to go. File says it's there's

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<v Speaker 3>such a range. The best episodes are like the best

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<v Speaker 3>TV ever made, and the worst episodes are some of

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<v Speaker 3>the worst. It's really incredible. Okay, do you want to

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<v Speaker 3>pick the next one to read? You take your pick,

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<v Speaker 3>go go with whatever you like.

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<v Speaker 2>All right, let's see. Well, there's more Tonton material here

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<v Speaker 2>we could Uh yeah, there's one from Annel here titled

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<v Speaker 2>ton Ton Montana, and Daniel says, hi, fellas are e

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<v Speaker 2>your recent discussion of the Tonton Sleeping Bag and the

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<v Speaker 2>Lost Hunters. I wanted to bring up Jack London's nineteen

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<v Speaker 2>oh eight short story to Build a Fire, firstly because

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<v Speaker 2>it had a lot in common with the story of

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<v Speaker 2>the Hunters, except with a dog instead of a horse

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<v Speaker 2>and a very different ending for both men and animal,

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<v Speaker 2>but also because it contains this sentence quote he remembered

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<v Speaker 2>the story of the man caught in a storm who

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<v Speaker 2>killed an animal and sheltered himself inside the dead body

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<v Speaker 2>and thus was saved. I think it was possible that

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<v Speaker 2>they were inspired by a similar sort of folk tale

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<v Speaker 2>or the short story itself and later the Tontan or

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<v Speaker 2>it all might have been mixed into the story and

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<v Speaker 2>potentially their memories by the sort of Well, it would

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<v Speaker 2>just make sense logic that memory often relies on thanks

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<v Speaker 2>and love from Daniel.

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<v Speaker 3>Thank you so much, Daniel. Yeah, this came up because

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<v Speaker 3>the guys who were the hunters who got lost and

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<v Speaker 3>ended up crawling inside their horses. In one retelling of

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<v Speaker 3>the story, they actually mentioned that they got this idea

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<v Speaker 3>from talking about the Empire strikes back, so they had

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<v Speaker 3>Tonton consciousness when they got in those horses. But it's

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<v Speaker 3>entirely possible they could have been inspired by I don't

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<v Speaker 3>know earlier stories like this. I wasn't aware of this.

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<v Speaker 3>I think I've read this story before, but it's been

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<v Speaker 3>so long I don't remember this detail at all.

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<v Speaker 2>Same I read this so long ago, and I remember

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<v Speaker 2>I remember more of the stuff that had to do

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<v Speaker 2>with just like the challenges of building a fire. I

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<v Speaker 2>should go back and read my Jack London again, because

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<v Speaker 2>he wrote some pretty great tales and dabbled in some

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<v Speaker 2>sci fi. I don't know that I've ever read any

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<v Speaker 2>of his science fiction. But it's not all dogs and survivalism.

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<v Speaker 3>Well, he wrote kind of a dystopian political novel, didn't

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<v Speaker 3>He sort of a prefiguring an idea of sort of

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<v Speaker 3>future fascism.

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<v Speaker 2>Okay, yeah, I haven't read that one. I've only read

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<v Speaker 2>the ones they would assign you in school, which were great.

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<v Speaker 2>But yeah, it's been a long time.

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<v Speaker 3>I haven't read this book either, so I don't know

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<v Speaker 3>for sure. I just have read about it. I think

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<v Speaker 3>it's it's called something like The Iron Heel or something,

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<v Speaker 3>so can't vouch for it. Haven't read it, but yeah,

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<v Speaker 3>be worth interesting checking out what kind of ideas he

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<v Speaker 3>had about that.

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<v Speaker 2>Yeah, or even in to build a Fire? How did

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<v Speaker 2>they climb how does the guy climb inside a dog

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<v Speaker 2>where it is you know, too dark to read quite true?

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<v Speaker 3>And maybe I'm missing some of the implications there.

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<v Speaker 2>Maybe like they put feet inside the dog. I mean

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<v Speaker 2>basically you could use even a large dog only for

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<v Speaker 2>you know, as a handwarm or something.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, we'll have to go back and reread it.

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<v Speaker 3>All right, I'm going to read this next message from Scott,

0:11:42.320 --> 0:11:45.600
<v Speaker 3>subject line Contradictions in the Syth. This is about the

0:11:45.640 --> 0:11:48.280
<v Speaker 3>other topic we covered on Star Wars Week, where we

0:11:49.040 --> 0:11:52.840
<v Speaker 3>looked into the Sith rule of two and general Sith

0:11:52.920 --> 0:11:58.120
<v Speaker 3>psychology questions, questions about power and succession within the Sith order,

0:11:58.200 --> 0:12:01.040
<v Speaker 3>of which there are usually only two participants at any

0:12:01.040 --> 0:12:04.760
<v Speaker 3>given time, and the contradictions that arise from that. So

0:12:05.120 --> 0:12:07.920
<v Speaker 3>we're getting some more contradictions on that subject from Scott.

0:12:13.480 --> 0:12:16.720
<v Speaker 3>Scott says, Hi, Robert and Joe, your recent explorations of

0:12:16.760 --> 0:12:20.240
<v Speaker 3>Sith's psychology reminded me of a long standing puzzle I've

0:12:20.240 --> 0:12:24.520
<v Speaker 3>had with this order. The rule of two summarizes the

0:12:24.640 --> 0:12:29.240
<v Speaker 3>master apprentice relationship, which persists even as roles change and

0:12:29.440 --> 0:12:33.080
<v Speaker 3>individual Sith come and go, as a very long term

0:12:33.120 --> 0:12:36.160
<v Speaker 3>strategy for undermining the Jedi through the dark side of

0:12:36.200 --> 0:12:39.560
<v Speaker 3>the force. The theory behind this is that, since the

0:12:39.600 --> 0:12:43.920
<v Speaker 3>Sith work through harnessing anger, any larger group tends to

0:12:43.960 --> 0:12:48.800
<v Speaker 3>splinter into internal descent and infighting, which is just barely

0:12:48.840 --> 0:12:53.840
<v Speaker 3>controlled in a two person relationship. Maybe two is plenty

0:12:53.960 --> 0:12:58.280
<v Speaker 3>three is a crowd when it comes to sith. What's

0:12:58.280 --> 0:13:02.960
<v Speaker 3>the original two's company? Yeah, so two is just barely

0:13:03.000 --> 0:13:06.920
<v Speaker 3>not too much, Scott says. The problem I see with

0:13:07.040 --> 0:13:09.720
<v Speaker 3>this is that whether this rule of two is a

0:13:09.760 --> 0:13:14.480
<v Speaker 3>conscious plan or simply evolved after other strategies failed, it

0:13:14.559 --> 0:13:19.160
<v Speaker 3>can't be a plan on behalf of anybody, for by definition,

0:13:19.559 --> 0:13:22.720
<v Speaker 3>there are no other Sith or other peoples to do

0:13:22.800 --> 0:13:26.840
<v Speaker 3>it on behalf of, Nor can it actually serve each

0:13:26.920 --> 0:13:30.760
<v Speaker 3>sith lord's own personal goals, even if each of the

0:13:30.800 --> 0:13:34.280
<v Speaker 3>two Sith imagines that they will somehow be an exception

0:13:34.440 --> 0:13:37.559
<v Speaker 3>to the generalization that they will eventually be overthrown by

0:13:37.559 --> 0:13:41.320
<v Speaker 3>the apprentice. Their apprentice, in turn, a sober view of

0:13:41.320 --> 0:13:44.760
<v Speaker 3>the history of their order would suggest that this is unlikely,

0:13:44.920 --> 0:13:47.920
<v Speaker 3>so that in practice, each Sith is on a kind

0:13:47.920 --> 0:13:52.640
<v Speaker 3>of suicide mission. But while most suicide attackers act in

0:13:52.760 --> 0:13:56.240
<v Speaker 3>defense of a larger group who are or are imagined

0:13:56.280 --> 0:13:59.640
<v Speaker 3>to have been treated unjustly, and who it is hoped,

0:13:59.679 --> 0:14:03.440
<v Speaker 3>will have have better lives. After the individual self sacrifice,

0:14:03.920 --> 0:14:07.720
<v Speaker 3>the Sith act on behalf of nobody, either in reality

0:14:07.920 --> 0:14:11.440
<v Speaker 3>or in their own self understanding. Indeed, the very idea

0:14:11.440 --> 0:14:14.760
<v Speaker 3>of a Sith lord is a contradiction in terms, because

0:14:14.800 --> 0:14:18.400
<v Speaker 3>they are not usually a lord of anything significant, at

0:14:18.440 --> 0:14:22.560
<v Speaker 3>most a single apprentice, and the apprentice over no one else.

0:14:23.480 --> 0:14:26.600
<v Speaker 3>In other words, while the Sith purport to extol the

0:14:26.720 --> 0:14:31.640
<v Speaker 3>self and individual desire and anger, in fact they sacrifice

0:14:31.760 --> 0:14:35.960
<v Speaker 3>everything personal in the name of an abstract principle. They

0:14:36.000 --> 0:14:39.560
<v Speaker 3>accept their role and almost certain death, simply to spite

0:14:39.600 --> 0:14:44.080
<v Speaker 3>the Jedi. This may exemplify the master and slave dialectic

0:14:44.200 --> 0:14:48.280
<v Speaker 3>described by the German philosopher Hegel. The master seeks to

0:14:48.360 --> 0:14:51.840
<v Speaker 3>dominate the slave, but this means that the master defines

0:14:51.960 --> 0:14:56.200
<v Speaker 3>himself and his value in terms of the slave, and

0:14:56.360 --> 0:14:59.600
<v Speaker 3>in a sense exists as a master for and in

0:14:59.720 --> 0:15:02.920
<v Speaker 3>vertuble you of having a slave. So if the ultimate

0:15:03.000 --> 0:15:06.400
<v Speaker 3>plan of the Sith is to destroy the Jedi, dominating

0:15:06.440 --> 0:15:09.280
<v Speaker 3>them and enslaving the rest of the universe, then the

0:15:09.320 --> 0:15:13.640
<v Speaker 3>Sith only value themselves in terms of this conquest and domination,

0:15:14.280 --> 0:15:18.400
<v Speaker 3>rather than to serve their personal desires. This doesn't necessarily

0:15:18.440 --> 0:15:21.600
<v Speaker 3>mean that Lucas's vision of the Sith is inconsistent. For

0:15:21.760 --> 0:15:25.560
<v Speaker 3>perhaps it simply means that the Sith philosophy is inconsistent,

0:15:25.680 --> 0:15:29.480
<v Speaker 3>and that the Sith themselves don't and perhaps can't, truly

0:15:29.640 --> 0:15:33.960
<v Speaker 3>understand what scythism is and what they are doing. They

0:15:34.000 --> 0:15:37.680
<v Speaker 3>are lords only in their imagination, and they are actually

0:15:37.760 --> 0:15:42.960
<v Speaker 3>slaves to the abstract principle of hatred. Rather than being selfish,

0:15:43.160 --> 0:15:46.640
<v Speaker 3>Scythism is more like a virus, or, as Joe suggested

0:15:46.680 --> 0:15:49.600
<v Speaker 3>at the end of your last episode, a kind of parasite.

0:15:49.960 --> 0:15:54.440
<v Speaker 3>It only superficially purports to promote the self, but actually

0:15:54.520 --> 0:15:58.360
<v Speaker 3>is the most self renouncing philosophy possible. It tricks the

0:15:58.440 --> 0:16:02.920
<v Speaker 3>individual Sith promise to fulfill their personal desires, only to

0:16:02.960 --> 0:16:07.240
<v Speaker 3>both frustrate these goals and ultimately erase them, replacing them

0:16:07.280 --> 0:16:11.040
<v Speaker 3>with the impersonal goal of the Sith order. This is

0:16:11.120 --> 0:16:14.760
<v Speaker 3>self destructive in the deepest possible way, not because it

0:16:14.800 --> 0:16:19.040
<v Speaker 3>will inevitably be defeated by good, but because even if,

0:16:19.200 --> 0:16:22.880
<v Speaker 3>and insofar as it succeeds in attaining its goal, it

0:16:22.920 --> 0:16:26.480
<v Speaker 3>has defined itself in terms of this singular goal, before

0:16:26.560 --> 0:16:29.840
<v Speaker 3>which everything else, and in particular are all personal and

0:16:29.920 --> 0:16:35.280
<v Speaker 3>selfish goals, must be sacrificed. Palpatine ultimately has hollowed himself

0:16:35.320 --> 0:16:39.080
<v Speaker 3>out of all desires except to destroy the Jedi and

0:16:39.160 --> 0:16:42.560
<v Speaker 3>stay in power to keep them down. Anakin slash Vader

0:16:42.680 --> 0:16:45.760
<v Speaker 3>must lose his beloved Padme to become a Sith, and

0:16:45.800 --> 0:16:49.280
<v Speaker 3>only eventually rejects the Sith by caring once again about

0:16:49.280 --> 0:16:55.280
<v Speaker 3>something personal to him. His son Luke Scott. Well, that's

0:16:55.320 --> 0:17:00.320
<v Speaker 3>really interesting. Yeah, thanks a lot, Scott. I obviously you

0:17:00.400 --> 0:17:02.920
<v Speaker 3>know this can feel kind of silly because we're talking

0:17:02.920 --> 0:17:05.600
<v Speaker 3>about a fictional world with these fictional beings in it.

0:17:05.640 --> 0:17:09.800
<v Speaker 3>But obviously you know their behavior patterns are somewhat mirrored

0:17:09.880 --> 0:17:12.520
<v Speaker 3>by some people in the real world, so I think

0:17:12.560 --> 0:17:17.600
<v Speaker 3>there's some applicable philosophy and psychology to examine here. I

0:17:17.880 --> 0:17:20.920
<v Speaker 3>thought it was interesting that you brought in Hegel's Master

0:17:21.040 --> 0:17:24.639
<v Speaker 3>Slave Dialectic, which is also sometimes translated as the Lord

0:17:24.760 --> 0:17:30.240
<v Speaker 3>Bondsman dialectic or the master Servant dialectic. I'm not deeply

0:17:30.280 --> 0:17:32.320
<v Speaker 3>read on Hegel, so this is an idea I only

0:17:32.359 --> 0:17:35.359
<v Speaker 3>know about secondhand. You know, from reading other summaries, I

0:17:35.359 --> 0:17:38.040
<v Speaker 3>apologize if I'm failing to do this justice in some way.

0:17:39.200 --> 0:17:43.560
<v Speaker 3>But the interesting thing about it is that, so the

0:17:43.720 --> 0:17:47.560
<v Speaker 3>point of Hagel's argument is originally about like what shapes

0:17:47.640 --> 0:17:52.280
<v Speaker 3>the emergence of consciousness and independence and the self. So

0:17:52.440 --> 0:17:55.439
<v Speaker 3>originally it's kind of a descriptive thing about the world

0:17:55.520 --> 0:17:59.520
<v Speaker 3>and about how selves emerge. What this concept that he

0:17:59.600 --> 0:18:02.840
<v Speaker 3>calls self consciousness or that's usually translated from the German

0:18:02.880 --> 0:18:07.280
<v Speaker 3>to be self consciousness. But the way I understand it,

0:18:07.400 --> 0:18:11.680
<v Speaker 3>this dialectic also has sort of normative implications about why

0:18:11.920 --> 0:18:15.879
<v Speaker 3>domination of other people is not just morally wrong but

0:18:16.119 --> 0:18:20.560
<v Speaker 3>self destructive. So in this dialectic, Hegel argues that a

0:18:20.680 --> 0:18:26.359
<v Speaker 3>person can't really have a free and self sufficient identity

0:18:27.040 --> 0:18:32.320
<v Speaker 3>unless they are recognized by another free and self sufficient mind.

0:18:32.760 --> 0:18:35.399
<v Speaker 3>So our ability to be a free person and a

0:18:35.400 --> 0:18:39.960
<v Speaker 3>self sufficient person comes from being perceived and recognized as

0:18:39.960 --> 0:18:43.479
<v Speaker 3>a person by other free and self sufficient people. And

0:18:43.680 --> 0:18:47.800
<v Speaker 3>this creates this contradiction in human behavior because humans in

0:18:47.840 --> 0:18:50.440
<v Speaker 3>a desire to be free and self sufficient are sort

0:18:50.480 --> 0:18:54.280
<v Speaker 3>of driven into conflict with one another, and people often

0:18:54.359 --> 0:18:58.400
<v Speaker 3>end up thinking that they can become maximally self sufficient

0:18:58.480 --> 0:19:02.240
<v Speaker 3>and empowered by dominating other people. So I make other

0:19:02.240 --> 0:19:04.840
<v Speaker 3>people do what I want instead of what they want,

0:19:05.200 --> 0:19:07.679
<v Speaker 3>and that is liberating to me. It helps me enact

0:19:07.720 --> 0:19:12.360
<v Speaker 3>my will. But Hagel suggests that when you dominate another person,

0:19:12.960 --> 0:19:16.520
<v Speaker 3>you both define your identity in terms of that person

0:19:16.560 --> 0:19:20.199
<v Speaker 3>you're dominating. You believe yourself to be valuable because you

0:19:20.240 --> 0:19:23.920
<v Speaker 3>are victorious over them in some way, but you also

0:19:24.320 --> 0:19:28.480
<v Speaker 3>devalue them and make them unfree through your domination, So

0:19:28.600 --> 0:19:31.439
<v Speaker 3>your relationship with them is not real, like you're not

0:19:31.600 --> 0:19:36.960
<v Speaker 3>getting real recognition from them. It's only recognition by compulsion

0:19:37.080 --> 0:19:41.480
<v Speaker 3>and not mutual recognition among equals. So while it feels

0:19:41.560 --> 0:19:45.760
<v Speaker 3>like dominating a person could make you strong, it actually

0:19:45.840 --> 0:19:49.320
<v Speaker 3>makes you hollow and dependent and without self sufficiency.

0:19:50.680 --> 0:19:54.080
<v Speaker 2>That's interesting. Yeah, And you know, certainly we can apply

0:19:54.240 --> 0:19:59.959
<v Speaker 2>that understanding to various real world contexts, but also reward

0:20:00.200 --> 0:20:03.920
<v Speaker 2>to apply it to this this fantasy scenario as well

0:20:04.000 --> 0:20:08.080
<v Speaker 2>of a master and apprentice engaged in a two person

0:20:08.680 --> 0:20:10.200
<v Speaker 2>secret order of darkness.

0:20:10.640 --> 0:20:13.720
<v Speaker 3>Well, also, I mean the broader Sith goal being one

0:20:13.800 --> 0:20:19.120
<v Speaker 3>clearly of domination. Like the Sith is a domination oriented ideology.

0:20:19.160 --> 0:20:21.600
<v Speaker 3>It's all about what is best in life. It's crush

0:20:21.680 --> 0:20:24.480
<v Speaker 3>your enemies, see them driven before you hear the lamentation.

0:20:24.600 --> 0:20:28.000
<v Speaker 3>It's dominating people. And I'm not saying that I think

0:20:28.040 --> 0:20:30.639
<v Speaker 3>George Lucas had Hegel in mind or anything, but I

0:20:30.680 --> 0:20:34.080
<v Speaker 3>do think it's interesting that Scott brought this in because

0:20:34.080 --> 0:20:36.040
<v Speaker 3>it does bring me back to something we talked about

0:20:36.080 --> 0:20:38.840
<v Speaker 3>in the Star Wars episodes, and I think Scott alludes

0:20:38.880 --> 0:20:41.800
<v Speaker 3>to this in the email too, the fact that we

0:20:41.880 --> 0:20:47.119
<v Speaker 3>never really see the Sith Lords enjoying themselves or having

0:20:47.200 --> 0:20:51.439
<v Speaker 3>much of an identity or finding fulfillment in anything except

0:20:51.600 --> 0:20:55.480
<v Speaker 3>in the act of exerting power and inflicting cruelty. It

0:20:55.480 --> 0:20:57.920
<v Speaker 3>seems like that's the only thing they really like to do.

0:20:59.080 --> 0:21:00.919
<v Speaker 3>And I sort of mention in that in the in

0:21:01.000 --> 0:21:03.080
<v Speaker 3>the episode as a joke, like we never see the

0:21:03.080 --> 0:21:06.320
<v Speaker 3>Sith Lords having fun, uh, but I think there may

0:21:06.520 --> 0:21:08.720
<v Speaker 3>there might be something kind of interesting at work there,

0:21:08.800 --> 0:21:11.680
<v Speaker 3>Like it's not just morally wrong to be a Sith Lord,

0:21:11.720 --> 0:21:14.920
<v Speaker 3>of course it is. It is wrong to inflict cruelty

0:21:14.960 --> 0:21:19.159
<v Speaker 3>and domination over other people, but beyond the moral wrongness

0:21:19.160 --> 0:21:22.320
<v Speaker 3>of it, it also sucks like it leaves the Sith

0:21:22.400 --> 0:21:26.880
<v Speaker 3>lord with some without some core essence of self sufficiency

0:21:26.920 --> 0:21:27.679
<v Speaker 3>and identity.

0:21:28.520 --> 0:21:32.680
<v Speaker 2>Yeah. Yeah, the end up being cold, hollow people and

0:21:32.840 --> 0:21:37.639
<v Speaker 2>in some cases arguably no longer completely people either, you know,

0:21:37.720 --> 0:21:41.280
<v Speaker 2>either they've become partially machine or they've become uh, you know,

0:21:41.520 --> 0:21:45.040
<v Speaker 2>some other in some other like very visible and metaphoric way,

0:21:45.880 --> 0:21:51.000
<v Speaker 2>their physical bodies have been transformed. And yeah, I think

0:21:51.040 --> 0:21:53.880
<v Speaker 2>it's it's it's it's telling uh. And then of course,

0:21:53.880 --> 0:21:55.880
<v Speaker 2>you know this idea that all they want is domination,

0:21:56.080 --> 0:21:58.800
<v Speaker 2>like that is the heart of the Sith. Though. One

0:21:58.800 --> 0:22:01.600
<v Speaker 2>of the great things that is Lord, especially in the prequels,

0:22:02.160 --> 0:22:05.720
<v Speaker 2>is the idea that this ascension, the ascension of the Sith,

0:22:06.240 --> 0:22:08.960
<v Speaker 2>it may be cloaked in all these other rationales, you know,

0:22:09.480 --> 0:22:12.200
<v Speaker 2>especially when you know, carrying down the Jedi order and

0:22:12.240 --> 0:22:14.679
<v Speaker 2>talking about everything that's wrong and corrupt about the Jedi,

0:22:15.960 --> 0:22:19.400
<v Speaker 2>but the Sith are not here to simply bring about

0:22:19.400 --> 0:22:22.080
<v Speaker 2>the end of corruption. That is that is maybe that's

0:22:22.080 --> 0:22:24.720
<v Speaker 2>how they mask their true ambitions, but it is not

0:22:24.800 --> 0:22:25.640
<v Speaker 2>their true ambition.

0:22:26.000 --> 0:22:31.159
<v Speaker 3>The latter to sithhood is full of pretextual goals and motivations,

0:22:31.200 --> 0:22:32.959
<v Speaker 3>and then once you get to the top, all there

0:22:33.000 --> 0:22:35.200
<v Speaker 3>really is is domination. Yeah.

0:22:35.320 --> 0:22:47.000
<v Speaker 2>Yeah, so we we know that the Sith don't really

0:22:47.080 --> 0:22:50.399
<v Speaker 2>love much beyond domination. But we know, at least in

0:22:50.440 --> 0:22:53.840
<v Speaker 2>one case, there's one particular Sith who hates sand. So

0:22:53.960 --> 0:22:56.439
<v Speaker 2>let's go ahead and talk about some of our some

0:22:56.520 --> 0:22:59.280
<v Speaker 2>of the listener mails that came out of our sand episode.

0:22:59.520 --> 0:23:02.600
<v Speaker 3>Okay, is it your turn? You want to take one?

0:23:02.720 --> 0:23:06.240
<v Speaker 2>Yeah, let's see. Let me sift through the mail bag here,

0:23:06.280 --> 0:23:08.240
<v Speaker 2>so we have this one comes to us from Bill.

0:23:09.320 --> 0:23:12.280
<v Speaker 2>Bill says Robin Joe. Thanks, as always for the continuing

0:23:12.400 --> 0:23:15.960
<v Speaker 2>education on all things. I dwell in multiple deserts in

0:23:16.680 --> 0:23:19.919
<v Speaker 2>Utah in Arizona, and we have some extra fine sand

0:23:20.000 --> 0:23:23.720
<v Speaker 2>here that essentially has a much lower coefficient of friction,

0:23:24.240 --> 0:23:28.639
<v Speaker 2>resulting in fantastic sledding. I hear the sands of the

0:23:28.640 --> 0:23:32.160
<v Speaker 2>Sahara are similar because wind erosion tends to create more

0:23:32.200 --> 0:23:35.320
<v Speaker 2>spherical shape. With all the sand that I deal with

0:23:35.359 --> 0:23:37.760
<v Speaker 2>on a daily basis, my brain has a hard time

0:23:37.840 --> 0:23:40.960
<v Speaker 2>grasping a number equal to the grains in my sight

0:23:41.359 --> 0:23:45.720
<v Speaker 2>much less on the planet. But the email continues. AnyWho,

0:23:46.000 --> 0:23:49.560
<v Speaker 2>here is an interesting comparison that really quote bakes my noodle.

0:23:50.320 --> 0:23:54.640
<v Speaker 2>The comparison grains of sand on Earth. Researchers estimate these

0:23:54.680 --> 0:23:59.560
<v Speaker 2>are roughly seven point five plintillion grains of sand on

0:23:59.600 --> 0:24:04.000
<v Speaker 2>the planet. And then Rubik's cube combinations. A standard three

0:24:04.119 --> 0:24:08.880
<v Speaker 2>x three cube has roughly forty three quintillion possible states.

0:24:09.680 --> 0:24:12.720
<v Speaker 2>In short, there are nearly six times more ways to

0:24:12.720 --> 0:24:15.720
<v Speaker 2>scramble a Rubek's cube than there are grains of sand

0:24:15.880 --> 0:24:21.679
<v Speaker 2>on Earth. Take that sand, Okay, I mean we're dealing

0:24:21.680 --> 0:24:27.159
<v Speaker 2>with numbers so huge here, Yeah, we can we really

0:24:28.040 --> 0:24:30.480
<v Speaker 2>it's difficult to even make any sense of this, But

0:24:30.680 --> 0:24:34.680
<v Speaker 2>let's just say a lot in either category. But what

0:24:34.840 --> 0:24:38.320
<v Speaker 2>we're saying more Rubus cube combinations than grains of sand

0:24:38.320 --> 0:24:38.840
<v Speaker 2>on Earth.

0:24:39.320 --> 0:24:41.800
<v Speaker 3>Well, I'd say one difference here is that we can

0:24:42.400 --> 0:24:47.679
<v Speaker 3>calculate exactly the real number of possible Rubic's cube states,

0:24:47.720 --> 0:24:49.919
<v Speaker 3>whereas we have to guess at the number of grains

0:24:49.920 --> 0:24:53.240
<v Speaker 3>of sand. We can only make sure informed estimate that's true.

0:24:53.280 --> 0:24:56.000
<v Speaker 2>That's true, all right, And then there's a little bit

0:24:56.000 --> 0:24:59.760
<v Speaker 2>tacked on the end here. Ps. It is far too depraved, grotesque,

0:25:00.160 --> 0:25:04.080
<v Speaker 2>and ultimately eighties to recommend the following flick for the

0:25:04.160 --> 0:25:08.120
<v Speaker 2>general public. But Street Trash is a unique film from

0:25:08.200 --> 0:25:10.840
<v Speaker 2>nineteen eighty seven that may entertain one or both of

0:25:10.880 --> 0:25:13.239
<v Speaker 2>you I can't believe it has kept me laughing for

0:25:13.320 --> 0:25:14.359
<v Speaker 2>nearly forty years.

0:25:14.880 --> 0:25:17.680
<v Speaker 3>Bill oh Bill, Street Trash has come up on the

0:25:17.720 --> 0:25:21.520
<v Speaker 3>show before. We've talked some Street Trash folks. I don't

0:25:21.560 --> 0:25:24.240
<v Speaker 3>want you to take this as a general recommendation to

0:25:24.240 --> 0:25:27.520
<v Speaker 3>go watch Street Trash. It is not for many people,

0:25:27.640 --> 0:25:31.280
<v Speaker 3>probably not for most. It is one of the weirdest,

0:25:31.359 --> 0:25:36.440
<v Speaker 3>most extreme melt movies out there. But yeah, yeah, we've

0:25:36.480 --> 0:25:37.359
<v Speaker 3>seen Street Trash.

0:25:37.600 --> 0:25:39.679
<v Speaker 2>Yeah yeah, it's been a number of years for me.

0:25:39.760 --> 0:25:43.280
<v Speaker 2>But I greatly enjoyed Street Trash in the past, certainly

0:25:43.320 --> 0:25:45.280
<v Speaker 2>the last time I saw it, and it was a

0:25:45.280 --> 0:25:49.600
<v Speaker 2>film that I specifically remember being introduced to via a

0:25:49.720 --> 0:25:53.440
<v Speaker 2>very short lived series on Comedy Central. Back this would

0:25:53.440 --> 0:25:54.600
<v Speaker 2>have been I looked it up. This would have been

0:25:54.640 --> 0:25:57.560
<v Speaker 2>like ninety three or ninety four. It was called drive

0:25:57.600 --> 0:26:00.959
<v Speaker 2>in Reviews, based I believe out of Chicago, and there

0:26:00.960 --> 0:26:04.520
<v Speaker 2>were two hosts. It was Buzz Killman and Tony Fitzpatrick,

0:26:04.920 --> 0:26:06.879
<v Speaker 2>and they had kind of like a Ciskel and Ebert

0:26:06.920 --> 0:26:10.439
<v Speaker 2>set up, but they only talked about you know, gross

0:26:10.480 --> 0:26:14.200
<v Speaker 2>and you know, quote tasteless films, and they talked about

0:26:14.200 --> 0:26:17.400
<v Speaker 2>the quality kills. If you ever hear me say Quality

0:26:17.480 --> 0:26:21.560
<v Speaker 2>Kill on Weird House Cinema. That is a little homage

0:26:21.680 --> 0:26:25.000
<v Speaker 2>of mine to this show, because this is where I learned.

0:26:25.280 --> 0:26:26.760
<v Speaker 2>You know, I probably i'd seen a number of these

0:26:27.240 --> 0:26:29.800
<v Speaker 2>these movies on the video shelves at this point in

0:26:29.800 --> 0:26:31.840
<v Speaker 2>my life, but they were still introducing me to the

0:26:31.960 --> 0:26:34.760
<v Speaker 2>ones i'd never heard of. Like I think The Beyond

0:26:34.920 --> 0:26:36.760
<v Speaker 2>is a film that I saw profiled here for the

0:26:36.800 --> 0:26:37.359
<v Speaker 2>first time.

0:26:37.640 --> 0:26:38.800
<v Speaker 3>Oh the Fulcy movie.

0:26:39.000 --> 0:26:45.080
<v Speaker 2>Oh no, no, no, I'm sorry, not no, from Beyond Beyond. Yeah, yes, okay, yeah,

0:26:45.119 --> 0:26:48.400
<v Speaker 2>so yeah, they profiled a lot of like sci fi,

0:26:48.440 --> 0:26:51.639
<v Speaker 2>horror films, anything that had a certain amount of gore

0:26:51.920 --> 0:26:54.440
<v Speaker 2>or nastiness to it. I don't again, I don't think

0:26:54.440 --> 0:26:57.800
<v Speaker 2>it lasted very long, but it was introduced at a

0:26:57.840 --> 0:27:00.480
<v Speaker 2>time when I was watching any and everything that was

0:27:00.480 --> 0:27:01.439
<v Speaker 2>on Comedy Central.

0:27:02.160 --> 0:27:05.320
<v Speaker 3>Yeah. I never saw this one. I just found out

0:27:05.359 --> 0:27:08.040
<v Speaker 3>now where quality Kill comes from. I felt like you

0:27:08.080 --> 0:27:09.919
<v Speaker 3>were quoting something but I'd never asked.

0:27:10.160 --> 0:27:14.240
<v Speaker 2>Yeah, yeah, these two. I believe Fitzpatrick, I believe he

0:27:14.280 --> 0:27:16.760
<v Speaker 2>passed in recent years, but Buzz Buzz Kilman is still around.

0:27:16.760 --> 0:27:21.119
<v Speaker 2>I think he's like a Chicago radio guy. So yeah, anyway,

0:27:21.160 --> 0:27:23.080
<v Speaker 2>look it up. You can probably find these episodes on

0:27:23.119 --> 0:27:23.919
<v Speaker 2>YouTube or something.

0:27:25.800 --> 0:27:28.879
<v Speaker 3>Okay, we got another response to our episode on sand.

0:27:29.280 --> 0:27:37.960
<v Speaker 3>This is from Tyrone. Tyrone says, maybe God is telling

0:27:37.960 --> 0:27:41.280
<v Speaker 3>me to listen to more podcasts. I never listened to podcasts.

0:27:41.400 --> 0:27:45.760
<v Speaker 3>I saw your podcast on Netflix yesterday May thirteenth, twenty

0:27:45.800 --> 0:27:48.879
<v Speaker 3>twenty six, and clicked play because the name of your

0:27:48.920 --> 0:27:52.399
<v Speaker 3>podcast was the perfect bait. We baited you.

0:27:53.240 --> 0:27:55.720
<v Speaker 2>Yeah, Connell did it again with that one.

0:27:56.119 --> 0:27:58.560
<v Speaker 3>For the first ten minutes, I could not believe I

0:27:58.640 --> 0:28:01.520
<v Speaker 3>was listening to a discussion about sand and had not

0:28:01.680 --> 0:28:04.720
<v Speaker 3>left the show. When that episode on sand ended, I

0:28:04.760 --> 0:28:07.760
<v Speaker 3>had learned a few amazing things, indeed about the strength

0:28:07.800 --> 0:28:12.240
<v Speaker 3>of sand. Fast forward to today, May fourteenth, twenty twenty six.

0:28:12.320 --> 0:28:15.200
<v Speaker 3>One day later, for no reason at all, I stopped

0:28:15.240 --> 0:28:18.040
<v Speaker 3>by an area library I never visited before, and in

0:28:18.080 --> 0:28:21.040
<v Speaker 3>their books for Sale section, I saw a Grain of

0:28:21.119 --> 0:28:24.200
<v Speaker 3>Sand by doctor Gary Greenberg, and all I can say

0:28:24.480 --> 0:28:27.440
<v Speaker 3>is it will blow your mind. The data and vivid

0:28:27.480 --> 0:28:30.960
<v Speaker 3>photos are jaw dropping. Best one dollar I have ever spent.

0:28:31.760 --> 0:28:33.760
<v Speaker 3>After reading it, you may be tempted to do a

0:28:33.800 --> 0:28:37.040
<v Speaker 3>Sand part two podcast. Good podcast eight out of ten

0:28:37.200 --> 0:28:39.960
<v Speaker 3>Good Day series. All right, Well, thank you so much.

0:28:40.800 --> 0:28:43.800
<v Speaker 3>I did look up this book after your recommendation. So

0:28:44.440 --> 0:28:46.840
<v Speaker 3>Gary Greenberg, he's got a website you can read about him.

0:28:46.880 --> 0:28:51.360
<v Speaker 3>He is originally a PhD biologist who it seems many

0:28:51.400 --> 0:28:56.920
<v Speaker 3>decades ago sort of switched to specializing in microscopy and microphotography.

0:28:57.000 --> 0:29:00.880
<v Speaker 3>So he has a lot of I think, like public

0:29:00.920 --> 0:29:03.360
<v Speaker 3>work and books and art and stuff that is just

0:29:03.440 --> 0:29:07.480
<v Speaker 3>like really close up photos of extremely tiny things, and

0:29:07.520 --> 0:29:12.080
<v Speaker 3>he does like three D light microscopy. So according to

0:29:12.120 --> 0:29:14.200
<v Speaker 3>his author bio, I thought this detail was good.

0:29:14.320 --> 0:29:14.760
<v Speaker 2>Quote.

0:29:14.920 --> 0:29:19.440
<v Speaker 3>His striking images of human pancreatic cancer cells were repurposed

0:29:19.440 --> 0:29:22.680
<v Speaker 3>as the surface of Krypton in the first Superman movie

0:29:22.760 --> 0:29:25.240
<v Speaker 3>in nineteen seventy eight movie. I couldn't find a shot

0:29:25.240 --> 0:29:26.640
<v Speaker 3>of what this was, so I'm gonna have to go

0:29:26.680 --> 0:29:29.360
<v Speaker 3>back and watch that movie and figure out what special

0:29:29.400 --> 0:29:33.320
<v Speaker 3>effects shot this is. But you may actually have seen before,

0:29:33.360 --> 0:29:37.520
<v Speaker 3>Like I looked at some of the pictures of grains

0:29:37.520 --> 0:29:39.800
<v Speaker 3>of sand that I think come from this book that

0:29:39.840 --> 0:29:43.240
<v Speaker 3>Tyrone recommended again that's called a Grain of Sand by

0:29:43.240 --> 0:29:47.400
<v Speaker 3>Gary Greenberg, and these pictures looked really familiar to me.

0:29:47.440 --> 0:29:50.120
<v Speaker 3>I feel like maybe I've seen these images on the

0:29:50.200 --> 0:29:54.360
<v Speaker 3>internet before, but they are extreme close ups of grains

0:29:54.360 --> 0:29:57.120
<v Speaker 3>of sand. And when you zoom in and see obviously

0:29:58.000 --> 0:30:02.840
<v Speaker 3>sand in different parts of the worldferent places has different constituents,

0:30:02.880 --> 0:30:07.000
<v Speaker 3>you know, different types of little fragments of of you know,

0:30:07.080 --> 0:30:10.600
<v Speaker 3>minerals make it up. But the in some sands you

0:30:10.640 --> 0:30:14.160
<v Speaker 3>get very interesting little bits of you know, organic remnants,

0:30:14.200 --> 0:30:17.120
<v Speaker 3>little shells and hard parts of creatures in the ocean.

0:30:17.680 --> 0:30:17.960
<v Speaker 2>Uh.

0:30:18.000 --> 0:30:19.560
<v Speaker 3>And that's what we've got a lot of in these

0:30:19.600 --> 0:30:22.280
<v Speaker 3>close ups here. It looks when zoomed in like this,

0:30:22.360 --> 0:30:24.880
<v Speaker 3>it looks a lot more like a handful of candies

0:30:24.960 --> 0:30:25.880
<v Speaker 3>than it does sand.

0:30:26.240 --> 0:30:28.080
<v Speaker 2>It really does. Yeah, there are a few in particular

0:30:28.160 --> 0:30:30.920
<v Speaker 2>that looks like the sort of hard candies that you know,

0:30:30.960 --> 0:30:33.240
<v Speaker 2>your great aunt or uncle might have had in a

0:30:33.760 --> 0:30:36.720
<v Speaker 2>it congealed together in a jar in their dining room.

0:30:36.840 --> 0:30:40.440
<v Speaker 3>Yeah. Yeah, I had a jar like that in my family,

0:30:40.960 --> 0:30:43.680
<v Speaker 3>not my house, an extended family house. I remember, the

0:30:43.680 --> 0:30:44.520
<v Speaker 3>hard candy jar.

0:30:44.920 --> 0:30:46.680
<v Speaker 2>Yeah. Yeah, it definitely looks like that.

0:30:47.280 --> 0:30:51.000
<v Speaker 3>Mostly to be looked at though. Yeah, but anyway, Yeah,

0:30:51.040 --> 0:30:52.040
<v Speaker 3>thanks again, Tyrone.

0:30:53.240 --> 0:30:57.440
<v Speaker 2>All right, let's see what else we have here. This

0:30:57.680 --> 0:31:01.920
<v Speaker 2>next one, Yeah, this one comes from Taylor. This one

0:31:01.920 --> 0:31:07.360
<v Speaker 2>has to do with fulgarites. Examples of fulgarites in fantasy media.

0:31:07.200 --> 0:31:09.479
<v Speaker 3>Yeah. Oh, and we talked about this in the sand episode,

0:31:09.480 --> 0:31:12.720
<v Speaker 3>because fulgarite is when it's this natural formation you get

0:31:12.720 --> 0:31:16.720
<v Speaker 3>when lightning hits sand and instantly melts it, forming this

0:31:16.800 --> 0:31:19.560
<v Speaker 3>hollow glass tube that will usually be smooth on the

0:31:19.600 --> 0:31:21.480
<v Speaker 3>inside and rough on the outside.

0:31:21.840 --> 0:31:23.800
<v Speaker 2>So yeah, this is this you as we were discussing

0:31:23.800 --> 0:31:25.600
<v Speaker 2>in the podcast, it's like, you know, this is a

0:31:25.640 --> 0:31:29.200
<v Speaker 2>great this is great fodder for science fiction or fantasy,

0:31:29.480 --> 0:31:32.120
<v Speaker 2>you know, be it. You know the results of wizard

0:31:32.160 --> 0:31:36.120
<v Speaker 2>battles or Dragon's Breath, and we encourage everyone to write

0:31:36.120 --> 0:31:38.360
<v Speaker 2>in if you had an example. So that's what this is,

0:31:43.560 --> 0:31:47.040
<v Speaker 2>answering your request for examples of fulgarites in fantasy media.

0:31:47.080 --> 0:31:50.760
<v Speaker 2>I draw your attention to Monster Hunter. Wild's one of

0:31:50.800 --> 0:31:55.320
<v Speaker 2>the most recent installments in the popular Monster Hunter RPG series.

0:31:55.720 --> 0:31:57.960
<v Speaker 2>The series has a heavy focus on ecology and the

0:31:58.000 --> 0:32:03.880
<v Speaker 2>relationships of its settings peoples with huge monstrous fun. Joe,

0:32:03.880 --> 0:32:04.959
<v Speaker 2>have you played these games?

0:32:05.160 --> 0:32:06.760
<v Speaker 3>No, I know nothing about them.

0:32:07.280 --> 0:32:10.280
<v Speaker 2>I have seen, you know, the little thumbnails for them,

0:32:10.320 --> 0:32:13.600
<v Speaker 2>and I believe our former co host, Christian play that

0:32:13.680 --> 0:32:16.240
<v Speaker 2>played this and was a fan. I remember him talking

0:32:16.280 --> 0:32:19.680
<v Speaker 2>it up and we may have some friends in common

0:32:19.680 --> 0:32:22.040
<v Speaker 2>that we're also really into it, but I never I

0:32:22.040 --> 0:32:24.000
<v Speaker 2>have not myself played it, but here it's great.

0:32:25.000 --> 0:32:28.680
<v Speaker 3>Just based on the description, I'm picturing some somewhere between

0:32:28.800 --> 0:32:30.400
<v Speaker 3>the Witcher and Pokemon.

0:32:31.840 --> 0:32:34.200
<v Speaker 2>I guess that sounds about right. Yeah, my understanding. It

0:32:34.240 --> 0:32:36.280
<v Speaker 2>is kind of like an action RPG, right, so it's

0:32:36.320 --> 0:32:38.800
<v Speaker 2>not like turn based. You're out there in the wilds.

0:32:40.000 --> 0:32:42.959
<v Speaker 2>Folks can write in if they have further details they

0:32:43.000 --> 0:32:46.200
<v Speaker 2>want to share about the games, but this email continues.

0:32:46.240 --> 0:32:48.600
<v Speaker 2>Fulger Rites play an important role in the first region

0:32:48.640 --> 0:32:52.520
<v Speaker 2>the player explores in Monster Hunter Wilds, the Windward Planes.

0:32:53.040 --> 0:32:56.200
<v Speaker 2>This desert ecosystem is marked by massive folg right structures,

0:32:56.240 --> 0:32:59.840
<v Speaker 2>created both by the severe thunderstorm thunderstorms endemic to the

0:33:00.320 --> 0:33:05.320
<v Speaker 2>and by massive lightning channeling wyns. The region's apex predator,

0:33:05.360 --> 0:33:10.440
<v Speaker 2>a wyvern species called red aalh, presumably coats the leading

0:33:10.560 --> 0:33:13.880
<v Speaker 2>edges of its wings in sand and electrifies them to

0:33:13.960 --> 0:33:17.560
<v Speaker 2>turn its wing edges into shimmering blades of glass. WHOA,

0:33:18.240 --> 0:33:20.480
<v Speaker 2>all right, so this is not only fulgarites, but like

0:33:20.720 --> 0:33:25.720
<v Speaker 2>fulgarite tool use by magical beingslg.

0:33:25.240 --> 0:33:29.280
<v Speaker 3>Fulgarite wing armor blades like swords and armor at the

0:33:29.280 --> 0:33:29.840
<v Speaker 3>same time.

0:33:30.320 --> 0:33:32.400
<v Speaker 2>Yeah, yeah, they really ran with it. I didn't even

0:33:32.440 --> 0:33:37.800
<v Speaker 2>anticipate like this. This kind of invocation of Fulgrides redw

0:33:38.000 --> 0:33:41.280
<v Speaker 2>is often preceded by the tinkling sound of the wind

0:33:41.440 --> 0:33:44.720
<v Speaker 2>rustling the fulgarite on its scales when it's prey. Here,

0:33:44.760 --> 0:33:47.920
<v Speaker 2>the sound they attempt to flee. The indigenous human population

0:33:48.080 --> 0:33:50.400
<v Speaker 2>of the Windward Planes have learned to exploit this signal

0:33:50.440 --> 0:33:54.200
<v Speaker 2>by collecting shed crystals of fulgarite from ray Now and

0:33:54.240 --> 0:33:57.600
<v Speaker 2>stringing them into wind chimes. The tinkling wind chimes ward

0:33:58.000 --> 0:34:02.000
<v Speaker 2>other monsters away from their sheltered settlements in the region's canyons.

0:34:03.280 --> 0:34:05.200
<v Speaker 2>Hope this is the sort of thing you were looking for.

0:34:05.400 --> 0:34:08.400
<v Speaker 2>The Monster Hunter franchise is really great and incorporating interesting

0:34:08.440 --> 0:34:11.919
<v Speaker 2>bits of natural science into their creature designs and fantasy storytelling.

0:34:12.200 --> 0:34:15.560
<v Speaker 2>I've attached some pictures of ray Dow, the Windward Planes

0:34:15.640 --> 0:34:18.239
<v Speaker 2>fulgar Rides, which are so large the player traverses them

0:34:18.440 --> 0:34:22.520
<v Speaker 2>in three dimensional labyrinths, and the Windward Planes village adorned

0:34:22.680 --> 0:34:25.640
<v Speaker 2>with fulgar Ride windshimes. As ever, thank you for producing

0:34:25.719 --> 0:34:28.600
<v Speaker 2>there's wonderful, thoughtful pieces and turning me on to so

0:34:28.680 --> 0:34:30.040
<v Speaker 2>many great weird films.

0:34:30.080 --> 0:34:33.080
<v Speaker 3>All the best, Taylor, Thank you, Taylor. So I'm looking

0:34:33.120 --> 0:34:35.759
<v Speaker 3>at these screenshots now I see something that looks kind

0:34:35.800 --> 0:34:38.000
<v Speaker 3>of like a like a you know, gore On village

0:34:38.040 --> 0:34:42.720
<v Speaker 3>sort of design, with the rocks and the glass pieces

0:34:42.760 --> 0:34:45.720
<v Speaker 3>hanging from the ropes. I guess that's the fulgarites collected

0:34:45.719 --> 0:34:48.719
<v Speaker 3>by the people in this game universe. And then we

0:34:48.800 --> 0:34:51.640
<v Speaker 3>see the branching things that I initially thought were roots,

0:34:51.719 --> 0:34:54.799
<v Speaker 3>but okay, yeah, these are like giant fulgarites that the

0:34:54.920 --> 0:34:58.400
<v Speaker 3>character wanders through. And then there's a big old monster

0:34:58.640 --> 0:35:01.080
<v Speaker 3>that yes has dragon wing, and then at the edges

0:35:01.120 --> 0:35:04.080
<v Speaker 3>of the wings there are these massive shards of glass

0:35:04.400 --> 0:35:07.360
<v Speaker 3>that I guess the creature has made with some electricity.

0:35:07.920 --> 0:35:11.399
<v Speaker 2>Yeah. Yeah, cool monster design. And I can already tell

0:35:11.440 --> 0:35:13.839
<v Speaker 2>this guy's got to be pretty frustrating to battle, though.

0:35:13.880 --> 0:35:16.120
<v Speaker 2>I guess they said they said it's the first zone

0:35:16.120 --> 0:35:19.040
<v Speaker 2>that you encounter, so maybe not that difficult. But sometimes

0:35:19.040 --> 0:35:21.280
<v Speaker 2>the first level boss can be pretty challenging.

0:35:21.840 --> 0:35:24.600
<v Speaker 3>I yeah, I think that often happens, doesn't it Like

0:35:25.080 --> 0:35:27.440
<v Speaker 3>sometimes the first boss in the game is harder than

0:35:27.480 --> 0:35:28.120
<v Speaker 3>all the others.

0:35:28.640 --> 0:35:32.360
<v Speaker 2>Yeah, I feel and often is the case that the

0:35:32.360 --> 0:35:34.200
<v Speaker 2>final boss is kind of a letdown. There have been

0:35:34.200 --> 0:35:35.840
<v Speaker 2>plenty of games I've played where I get to the

0:35:35.880 --> 0:35:38.600
<v Speaker 2>end it's like, oh, that's the boss, or oh, there's

0:35:38.600 --> 0:35:41.879
<v Speaker 2>not really a boss, just kind of fighting a an

0:35:41.920 --> 0:35:43.640
<v Speaker 2>array of enemies you encountered earlier.

0:35:44.440 --> 0:35:48.560
<v Speaker 3>This doesn't really count because pretty much the whole thing's

0:35:48.600 --> 0:35:50.560
<v Speaker 3>hard all the way through. But I remember when I

0:35:50.600 --> 0:35:53.160
<v Speaker 3>tried to play Elden Ring before I realized like I

0:35:53.200 --> 0:35:56.239
<v Speaker 3>don't have time for this game. I tried to do it,

0:35:56.800 --> 0:35:58.840
<v Speaker 3>and you just sort of come out into the world

0:35:58.920 --> 0:36:01.279
<v Speaker 3>and then like the first thing you run into is

0:36:01.320 --> 0:36:04.000
<v Speaker 3>something that you absolutely cannot but you just have to

0:36:04.000 --> 0:36:07.320
<v Speaker 3>go around it. It will destroy you. This big golden

0:36:07.360 --> 0:36:09.520
<v Speaker 3>guy on a horse who just beats you down or

0:36:09.520 --> 0:36:11.080
<v Speaker 3>I don't know, maybe if people who are good at

0:36:11.160 --> 0:36:14.560
<v Speaker 3>video games can beat it, but but I felt like

0:36:14.600 --> 0:36:17.000
<v Speaker 3>it's almost trying to teach you something there, like you know,

0:36:17.280 --> 0:36:21.120
<v Speaker 3>you just have to run away from some things at

0:36:21.200 --> 0:36:33.960
<v Speaker 3>least at whatever level you are. Okay, you good if

0:36:34.000 --> 0:36:36.640
<v Speaker 3>I do this message from David about the thing before

0:36:36.680 --> 0:36:37.200
<v Speaker 3>the beginning.

0:36:37.480 --> 0:36:40.359
<v Speaker 2>Yeah, yeah. Tying into another multi part series that we've

0:36:40.960 --> 0:36:42.760
<v Speaker 2>we've been airing in recent weeks.

0:36:42.960 --> 0:36:46.600
<v Speaker 3>Right, So, this was a series about creation narratives, and

0:36:46.640 --> 0:36:51.920
<v Speaker 3>specifically about in creation narratives, what is described as the

0:36:51.960 --> 0:36:55.560
<v Speaker 3>way things are before the world is created or ordered.

0:36:56.000 --> 0:36:58.920
<v Speaker 3>And that's a kind of surprise to some people because

0:36:59.600 --> 0:37:02.640
<v Speaker 3>sometimes people think that creation narratives tend to be about

0:37:02.680 --> 0:37:05.960
<v Speaker 3>the initial making of the universe out of nothing. Most

0:37:06.000 --> 0:37:08.040
<v Speaker 3>of the creation narratives that you can find are not

0:37:08.280 --> 0:37:11.799
<v Speaker 3>like that. They're actually like orderings and furnishings of pre

0:37:11.920 --> 0:37:17.640
<v Speaker 3>existing universes. So this comes from David. David says dear

0:37:17.719 --> 0:37:21.400
<v Speaker 3>Robin Joe. I was listening to your episode on Things

0:37:21.440 --> 0:37:24.720
<v Speaker 3>before the Beginning. I had heard before your episode about

0:37:24.760 --> 0:37:27.640
<v Speaker 3>the better translation of the start of the Book of

0:37:27.680 --> 0:37:32.279
<v Speaker 3>Genesis as quote, God began separating. Yeah, so this is

0:37:32.280 --> 0:37:34.080
<v Speaker 3>one of the things we talked about in the episode.

0:37:34.320 --> 0:37:37.840
<v Speaker 3>The creation narrative in the Book of Genesis is often

0:37:38.160 --> 0:37:41.600
<v Speaker 3>misunderstood as a creation ex nihilo, a creation of the

0:37:41.600 --> 0:37:45.520
<v Speaker 3>world out of nothing, but most translators now agree that

0:37:45.560 --> 0:37:47.800
<v Speaker 3>the better way of understanding what the story is trying

0:37:47.840 --> 0:37:50.880
<v Speaker 3>to say is that a sort of dark, chaotic world

0:37:50.920 --> 0:37:54.000
<v Speaker 3>of waters already existed at the beginning of the story,

0:37:54.280 --> 0:37:58.280
<v Speaker 3>and then God begins to separate things and bring things

0:37:58.320 --> 0:38:01.239
<v Speaker 3>into that world, brings in light brings in creatures and

0:38:01.360 --> 0:38:03.839
<v Speaker 3>separates the waters and the earth and stuff like that.

0:38:05.320 --> 0:38:08.000
<v Speaker 3>David goes on to say, but your discussion of the

0:38:08.040 --> 0:38:11.279
<v Speaker 3>translation reminded me of an encounter I had back when

0:38:11.320 --> 0:38:15.200
<v Speaker 3>I was in college. I don't remember how it started, hmm,

0:38:15.360 --> 0:38:19.560
<v Speaker 3>self referential problem, but while I was walking back from

0:38:19.560 --> 0:38:22.720
<v Speaker 3>a class, I entered into a conversation with a guy

0:38:22.760 --> 0:38:27.120
<v Speaker 3>who was clearly a young missionary. Oh yeah, Rob, do

0:38:27.160 --> 0:38:30.520
<v Speaker 3>you ever have college campus encounters with some preachers who

0:38:30.560 --> 0:38:31.680
<v Speaker 3>like to hang out on campus?

0:38:32.239 --> 0:38:35.000
<v Speaker 2>Ooh yeah, I imagine I did, but I don't have

0:38:35.080 --> 0:38:37.160
<v Speaker 2>very clear memories of them, but yeah, they were around.

0:38:37.480 --> 0:38:41.920
<v Speaker 3>Yeah. I feel like it's a common experience of students

0:38:42.320 --> 0:38:45.799
<v Speaker 3>walking up to a preacher at their college campus who's

0:38:45.880 --> 0:38:48.840
<v Speaker 3>yelling things at the students and thinking like, well, I

0:38:49.280 --> 0:38:51.719
<v Speaker 3>can argue this guy out of whatever he's saying, And

0:38:51.760 --> 0:38:54.279
<v Speaker 3>then when you start talking to him, you realize like, oh,

0:38:54.360 --> 0:38:56.799
<v Speaker 3>this guy is really used to talking to people like

0:38:56.880 --> 0:38:59.440
<v Speaker 3>me all day, and I've never had a conversation like

0:38:59.440 --> 0:39:02.520
<v Speaker 3>this before. So you just end up kind of feeling

0:39:02.520 --> 0:39:09.000
<v Speaker 3>embarrassed and walking away. Anyway, So David says he was

0:39:09.080 --> 0:39:11.960
<v Speaker 3>upfront about wanting to talk about God, and I was

0:39:12.000 --> 0:39:15.279
<v Speaker 3>interested enough to engage. After a couple of questions about

0:39:15.320 --> 0:39:18.280
<v Speaker 3>what I was studying in my religious background, he asked

0:39:18.280 --> 0:39:22.040
<v Speaker 3>if I agreed that everything in the universe has a cause.

0:39:22.560 --> 0:39:26.520
<v Speaker 3>Having recently taken an intro to philosophy class, I immediately

0:39:26.560 --> 0:39:30.640
<v Speaker 3>recognized the start of the first cause argument. I think

0:39:30.640 --> 0:39:33.759
<v Speaker 3>it originates from Aristotle and was developed into a more

0:39:33.800 --> 0:39:37.799
<v Speaker 3>formal argument by Thomas Aquinas. I'm probably going to mangle this,

0:39:37.960 --> 0:39:41.240
<v Speaker 3>but for listeners who are unaware, the first cause argument

0:39:41.360 --> 0:39:45.719
<v Speaker 3>is basically that since everything has a cause, the universe

0:39:45.800 --> 0:39:49.160
<v Speaker 3>itself must have a cause, but the cause for the

0:39:49.280 --> 0:39:52.520
<v Speaker 3>universe could not have a cause, and thus must be

0:39:52.760 --> 0:39:57.920
<v Speaker 3>uncaused and eternal, and an uncaused and eternal thing is God.

0:39:58.440 --> 0:40:01.040
<v Speaker 3>If I make the argument sound wea I will admit

0:40:01.160 --> 0:40:04.239
<v Speaker 3>that it was more but not very convincing when I

0:40:04.280 --> 0:40:07.160
<v Speaker 3>read it originally in class, but I now believe it

0:40:07.200 --> 0:40:11.200
<v Speaker 3>is significantly gibberish. But back to the story. The missionary

0:40:11.280 --> 0:40:13.799
<v Speaker 3>asked if I agreed that everything in the universe had

0:40:13.800 --> 0:40:18.080
<v Speaker 3>a cause, and I said no. He looked completely shocked

0:40:18.400 --> 0:40:21.279
<v Speaker 3>after ten or fifteen seconds of processing that I had

0:40:21.320 --> 0:40:24.880
<v Speaker 3>already gone off script from his expected argument. He asked

0:40:24.920 --> 0:40:27.719
<v Speaker 3>me how that was possible. I explained that I was

0:40:27.760 --> 0:40:32.320
<v Speaker 3>studying physics and at the quantum level, things just happen randomly.

0:40:32.440 --> 0:40:35.960
<v Speaker 3>There isn't a cause for a particular atom of uranium

0:40:36.040 --> 0:40:39.759
<v Speaker 3>to decay into byproducts. There's just a percentage chance that

0:40:39.880 --> 0:40:44.080
<v Speaker 3>it does. And moreover, some physics data is best explained

0:40:44.080 --> 0:40:48.239
<v Speaker 3>by assuming that particles and antiparticles are appearing and self

0:40:48.280 --> 0:40:51.799
<v Speaker 3>annihilating all the time, So the Big Bang might have

0:40:51.960 --> 0:40:56.720
<v Speaker 3>been caused by some large, random quantum fluctuation. He said

0:40:56.800 --> 0:40:59.600
<v Speaker 3>he'd have to look into that, and that was it

0:40:59.719 --> 0:41:03.640
<v Speaker 3>for him. Conversation attempt tying all the way back to

0:41:03.719 --> 0:41:07.160
<v Speaker 3>the episode. First, I think your discussion makes me suspect

0:41:07.440 --> 0:41:11.040
<v Speaker 3>that the cause of the first cause argument is the

0:41:11.239 --> 0:41:15.839
<v Speaker 3>improper translation in the beginning God created. If I had

0:41:15.920 --> 0:41:19.680
<v Speaker 3>known then the translation of God began by separating, I

0:41:19.719 --> 0:41:23.080
<v Speaker 3>probably would have asked the missionary about that issue as well.

0:41:23.480 --> 0:41:27.160
<v Speaker 3>And Second, while your discussion focused on mythology, even talking

0:41:27.160 --> 0:41:30.920
<v Speaker 3>about current cosmology, it is still possible that there was

0:41:31.080 --> 0:41:34.200
<v Speaker 3>something prior to the Big Bang, even if we don't

0:41:34.239 --> 0:41:37.840
<v Speaker 3>know that. Interested in your reactions and comments, and as always,

0:41:37.840 --> 0:41:41.560
<v Speaker 3>thank you for the great podcast. Regards. David, PS, You've

0:41:41.600 --> 0:41:44.680
<v Speaker 3>done a couple of Weird House episodes on movies from

0:41:44.680 --> 0:41:47.960
<v Speaker 3>the sixties, so I will repeat my request for Zardas.

0:41:50.320 --> 0:41:53.040
<v Speaker 2>I'll know Zardas is a nineteen seventy four picture, but

0:41:54.040 --> 0:41:56.280
<v Speaker 2>I think it's fair to say that in many ways

0:41:56.280 --> 0:41:59.400
<v Speaker 2>it is a product of the sixties. I mean, you

0:41:59.400 --> 0:42:03.520
<v Speaker 2>can the thirteen sixties, you can make that argument. But

0:42:04.160 --> 0:42:07.120
<v Speaker 2>in terms of the general request for Czar Does, we

0:42:07.160 --> 0:42:09.400
<v Speaker 2>probably should just go ahead to Tsardes. At some point

0:42:09.400 --> 0:42:12.440
<v Speaker 2>here in the past we've kind of I remember, kind

0:42:12.440 --> 0:42:14.640
<v Speaker 2>of quibbling at one point over like, I don't know

0:42:14.680 --> 0:42:17.839
<v Speaker 2>about the content ratings on Tzar Does, but I don't

0:42:17.840 --> 0:42:19.399
<v Speaker 2>know who cares. We should just do Tzar Does.

0:42:19.520 --> 0:42:22.760
<v Speaker 3>Yeah, Sean Connery and the Red diaper with the long

0:42:22.880 --> 0:42:25.840
<v Speaker 3>braid and the unbelievable it's iconic.

0:42:25.960 --> 0:42:28.880
<v Speaker 2>Yeah, yeah, I see referenced all the time. We should

0:42:28.880 --> 0:42:29.399
<v Speaker 2>just dig in.

0:42:29.880 --> 0:42:33.920
<v Speaker 3>But yeah, these are all good points, David. I agree

0:42:34.680 --> 0:42:37.640
<v Speaker 3>that I, you know, don't want to be disrespectful to

0:42:37.680 --> 0:42:42.120
<v Speaker 3>anybody's beliefs. But I find the first cause argument very unconvincing.

0:42:42.239 --> 0:42:46.200
<v Speaker 3>I think it relies on equivocation. It relies on equivocation

0:42:46.360 --> 0:42:48.680
<v Speaker 3>about what it means for something to have a cause.

0:42:49.400 --> 0:42:51.239
<v Speaker 3>And then on top of that, I think you can

0:42:51.280 --> 0:42:53.640
<v Speaker 3>also bring up the idea that some things we observe

0:42:53.719 --> 0:42:57.399
<v Speaker 3>in reality probably don't have a cause, depending on how

0:42:57.440 --> 0:43:01.040
<v Speaker 3>you define what a cause is. So, yeah, I think

0:43:01.080 --> 0:43:04.040
<v Speaker 3>there are a lot of problems with that argument. And

0:43:04.120 --> 0:43:07.080
<v Speaker 3>then beyond that, Yeah, I think you raised it. We

0:43:07.120 --> 0:43:09.200
<v Speaker 3>sort of talked about this in the episode, but I'm

0:43:09.200 --> 0:43:11.680
<v Speaker 3>glad you explored this in more depth. The idea that

0:43:13.400 --> 0:43:19.000
<v Speaker 3>many people are out there formulating, like logical and evidence

0:43:19.040 --> 0:43:23.440
<v Speaker 3>based apologetics arguments for a particular religion based on what

0:43:23.560 --> 0:43:29.040
<v Speaker 3>is probably a misunderstanding of what is what that religion's

0:43:29.080 --> 0:43:33.160
<v Speaker 3>creation story is attempting to say. So that's another kind

0:43:33.160 --> 0:43:36.239
<v Speaker 3>of contradiction there like that. I don't know how it

0:43:36.239 --> 0:43:39.880
<v Speaker 3>would affect it. Would the missionary who makes the first

0:43:39.920 --> 0:43:43.680
<v Speaker 3>cause argument for Christianity stop making the first cause argument

0:43:43.719 --> 0:43:47.560
<v Speaker 3>if they were convinced that actually the genesis narrative does

0:43:47.600 --> 0:43:50.120
<v Speaker 3>not say that the universe was created out of nothing.

0:43:50.800 --> 0:43:51.359
<v Speaker 3>I don't know.

0:43:52.520 --> 0:43:54.480
<v Speaker 2>Yeah, all I know is that again, I don't have

0:43:54.480 --> 0:43:58.600
<v Speaker 2>any specific memories of encountering preacher folk or anything on

0:43:58.600 --> 0:44:01.759
<v Speaker 2>college campuses, but just the idea of getting into some

0:44:01.800 --> 0:44:07.600
<v Speaker 2>sort of a a bad faith of philosophical theological discussion

0:44:07.640 --> 0:44:10.759
<v Speaker 2>of the stranger. Not my comfort zone. I just want

0:44:10.800 --> 0:44:13.959
<v Speaker 2>no part. I don't want to be wrong, I don't

0:44:13.960 --> 0:44:16.600
<v Speaker 2>want to be right. I just don't want that conversation.

0:44:17.040 --> 0:44:19.439
<v Speaker 2>These are of course, I love these topics, but that's

0:44:19.480 --> 0:44:21.239
<v Speaker 2>just not the sort of environment where I want to

0:44:21.280 --> 0:44:23.480
<v Speaker 2>engage with anybody about them.

0:44:23.920 --> 0:44:25.879
<v Speaker 3>Well, yeah, I mean, if you talk to somebody who's

0:44:25.920 --> 0:44:29.279
<v Speaker 3>out making arguments like that in a public space, you know,

0:44:29.320 --> 0:44:31.440
<v Speaker 3>I don't want to impugne everybody's motives, but I'd say

0:44:31.440 --> 0:44:34.920
<v Speaker 3>the chances are low that they are ready to have

0:44:35.040 --> 0:44:40.719
<v Speaker 3>a mutually respectful listening and sharing of ideas. They are performing,

0:44:40.840 --> 0:44:45.960
<v Speaker 3>they're they're trying to like prove something to onlookers by,

0:44:46.200 --> 0:44:49.040
<v Speaker 3>you know, they're being rhetorical. They're probably not trying to

0:44:49.480 --> 0:44:51.360
<v Speaker 3>have a meeting of the minds and see if you

0:44:51.440 --> 0:44:52.400
<v Speaker 3>make any good points.

0:44:52.840 --> 0:44:54.920
<v Speaker 2>Yeah, yeah, I mean, why to dine me first a

0:44:54.960 --> 0:44:57.880
<v Speaker 2>little bit? You know? Yeah, all right, I'm going to

0:44:57.920 --> 0:44:59.839
<v Speaker 2>skip on through the mailbag here to something we receive

0:44:59.880 --> 0:45:02.719
<v Speaker 2>from Claire and Sean. We received this just the other day,

0:45:02.760 --> 0:45:11.200
<v Speaker 2>and recording this on June first. They say Hello, stuff

0:45:11.200 --> 0:45:13.160
<v Speaker 2>to blow your mind. I was wondering if you plan

0:45:13.320 --> 0:45:15.760
<v Speaker 2>to do a little late celebration of the new Boards

0:45:15.760 --> 0:45:18.520
<v Speaker 2>of Canada release in the form of a Weird House

0:45:18.560 --> 0:45:23.319
<v Speaker 2>Cinema episode. They are referring to the new album from

0:45:23.360 --> 0:45:26.600
<v Speaker 2>Boards of Canada Inferno, which just came out the other day,

0:45:27.000 --> 0:45:31.520
<v Speaker 2>and I actually just sat and listened to several times

0:45:31.560 --> 0:45:36.040
<v Speaker 2>through on a flight back from Denver. So I'm very

0:45:36.080 --> 0:45:39.400
<v Speaker 2>freshly immersed in the album and I'm still sort of

0:45:39.440 --> 0:45:40.600
<v Speaker 2>working my way through it.

0:45:41.520 --> 0:45:44.080
<v Speaker 3>But Roddy, sorry, do you know Claara and Sean, Like,

0:45:44.120 --> 0:45:45.840
<v Speaker 3>how do they know you so well that this is

0:45:45.920 --> 0:45:46.560
<v Speaker 3>up your alley?

0:45:47.040 --> 0:45:49.440
<v Speaker 2>I me, you know, we've mentioned Boards of Canada on

0:45:49.480 --> 0:45:51.520
<v Speaker 2>the show before, so I think it's just it's just

0:45:51.560 --> 0:45:53.920
<v Speaker 2>come up if they you know, they they know me

0:45:54.000 --> 0:45:56.840
<v Speaker 2>at all from the podcast. They know that I'm a

0:45:56.880 --> 0:46:01.880
<v Speaker 2>big Boards of Canada fan, but they so they included

0:46:02.000 --> 0:46:04.160
<v Speaker 2>a quote here. This is, I believe taking taken off

0:46:04.160 --> 0:46:07.080
<v Speaker 2>of one of the Boards of Canada fan pages, but

0:46:07.160 --> 0:46:10.280
<v Speaker 2>it refers to a nineteen ninety nine interview with herb

0:46:10.520 --> 0:46:15.560
<v Speaker 2>magazine RB in which the two individuals who make up

0:46:15.600 --> 0:46:20.560
<v Speaker 2>Boards of Canada, Michael Sanderson and Marcus Owen. They each

0:46:20.600 --> 0:46:24.719
<v Speaker 2>gave a top ten list of films, and it says

0:46:24.800 --> 0:46:27.879
<v Speaker 2>that the majority of them have been identified. Some such

0:46:27.960 --> 0:46:31.480
<v Speaker 2>as Ice Core Drilling, remain unknown and have been indicated

0:46:31.560 --> 0:46:35.760
<v Speaker 2>as such. These are neat lists to look at because

0:46:35.920 --> 0:46:39.920
<v Speaker 2>they are a mix of very mainstream films and things

0:46:39.920 --> 0:46:42.760
<v Speaker 2>that are either so obscure that we don't know exactly

0:46:42.800 --> 0:46:47.839
<v Speaker 2>what they're referring to, but it's neat. Sanderson's list has

0:46:48.360 --> 0:46:50.439
<v Speaker 2>let's see a few that stand out here. Dark Star

0:46:51.400 --> 0:46:55.160
<v Speaker 2>John Carpenter's film is on the list. The Elephant Man

0:46:55.560 --> 0:46:59.879
<v Speaker 2>makes the list. Those are both fascinating picks. And then

0:47:00.239 --> 0:47:04.000
<v Speaker 2>as far as Marcus Owen's top ten includes let's see

0:47:04.800 --> 0:47:07.400
<v Speaker 2>the Invention of Destruction, which I believe refers to the

0:47:07.400 --> 0:47:10.720
<v Speaker 2>Invention for Destruction which we have discussed on Weird House Cinema.

0:47:11.040 --> 0:47:14.560
<v Speaker 2>It includes Alice, which I you know, I believe must

0:47:14.600 --> 0:47:18.600
<v Speaker 2>be the the John Smickmeyer Alice that has also been

0:47:18.640 --> 0:47:22.360
<v Speaker 2>covered on Weird House Cinema, but then also The Andromeda String,

0:47:22.480 --> 0:47:26.440
<v Speaker 2>Jesus Christ, Superstar, Capricorn I, and The Wizard of Oz.

0:47:28.480 --> 0:47:31.720
<v Speaker 3>Invention for Destruction is definitely one of my favorite movies

0:47:31.760 --> 0:47:34.080
<v Speaker 3>we've done on weird house, and I can see why.

0:47:34.800 --> 0:47:37.719
<v Speaker 3>I don't know that much about the Boards of Canada creators,

0:47:37.719 --> 0:47:40.000
<v Speaker 3>but it fits with the sound of their music for me.

0:47:40.600 --> 0:47:43.480
<v Speaker 2>Yeah. Yeah, I mean, there's I think overall less known

0:47:43.520 --> 0:47:45.680
<v Speaker 2>about them compared to a lot of other musicians. They're

0:47:45.680 --> 0:47:49.719
<v Speaker 2>not I mean, they're not going to say they're completely secretive,

0:47:49.760 --> 0:47:51.600
<v Speaker 2>like there are things that are known about them. But

0:47:52.680 --> 0:47:54.839
<v Speaker 2>you know, the vibe I generally get when I read

0:47:54.840 --> 0:47:56.960
<v Speaker 2>about Boards of Canada is that they prefer to be

0:47:57.000 --> 0:47:59.520
<v Speaker 2>a little a little further back and then the material,

0:47:59.600 --> 0:48:04.279
<v Speaker 2>the music is in the forefront. And yeah, I'm I'm

0:48:04.360 --> 0:48:07.560
<v Speaker 2>I'm really enjoying Inferno so far. It's delivering on all

0:48:07.560 --> 0:48:11.240
<v Speaker 2>my expectations for a new Boards of Canada album, which

0:48:11.320 --> 0:48:14.239
<v Speaker 2>itself I think is a major deal. The last one

0:48:14.280 --> 0:48:18.640
<v Speaker 2>was twenty thirteen's Tomorrow's Harvest, and in many ways, like

0:48:18.680 --> 0:48:20.720
<v Speaker 2>that one, I was for a long time I assumed

0:48:20.719 --> 0:48:23.080
<v Speaker 2>that was the last Boards of Canada album. I you know,

0:48:23.120 --> 0:48:25.520
<v Speaker 2>there wasn't a lot of information out there that was

0:48:25.600 --> 0:48:28.480
<v Speaker 2>that that indicated that there was going to be another one.

0:48:28.840 --> 0:48:30.799
<v Speaker 2>And it also kind of feels like it came out

0:48:30.800 --> 0:48:34.040
<v Speaker 2>a lifetime ago because it came out right before a

0:48:34.040 --> 0:48:36.760
<v Speaker 2>major transition in my life, right before I became a parent,

0:48:37.239 --> 0:48:40.560
<v Speaker 2>and so a decade later, you know, obviously a lot

0:48:40.560 --> 0:48:44.399
<v Speaker 2>has changed. And and then here comes this new Boards

0:48:44.440 --> 0:48:46.920
<v Speaker 2>of Canada album with some I mean people saw it coming.

0:48:46.960 --> 0:48:51.080
<v Speaker 2>It was, it was predicted, but but I but it

0:48:51.120 --> 0:48:53.319
<v Speaker 2>wasn't until the album art was released, and then I

0:48:53.400 --> 0:48:55.960
<v Speaker 2>really like, oh, this is actually happening. There's actually going

0:48:56.000 --> 0:48:58.560
<v Speaker 2>to be another Boards of Canada album. And so again

0:48:58.640 --> 0:49:00.760
<v Speaker 2>it has it has met my expectation, but it's also

0:49:02.520 --> 0:49:06.560
<v Speaker 2>in unexpected ways. It has also really impressed me. So

0:49:06.880 --> 0:49:09.880
<v Speaker 2>I don't want to overhype it, but I feel like

0:49:10.400 --> 0:49:14.120
<v Speaker 2>Tomorrow's Harvest was easily the greatest album of its decade,

0:49:14.440 --> 0:49:16.600
<v Speaker 2>and I think Inferno shows all the signs of being

0:49:16.640 --> 0:49:20.799
<v Speaker 2>the best of its own, of our own dark age, heure, yeah,

0:49:20.880 --> 0:49:25.760
<v Speaker 2>And it's it's an album that feels, you know it,

0:49:25.760 --> 0:49:28.839
<v Speaker 2>It's not a album that feels exclusively of its time.

0:49:28.920 --> 0:49:31.200
<v Speaker 2>I was thinking about this the other day, Like Tomorrow's

0:49:31.200 --> 0:49:33.800
<v Speaker 2>Harvest and really all the other Boards of Canada albums

0:49:33.840 --> 0:49:37.120
<v Speaker 2>as well, to me, they feel like a message arriving

0:49:37.239 --> 0:49:40.080
<v Speaker 2>from outside of our own time, you know. And part

0:49:40.080 --> 0:49:43.680
<v Speaker 2>of that is obviously the sonic alchemy that they weave

0:49:43.880 --> 0:49:47.799
<v Speaker 2>with the nostalgic sounds and different bits of media that

0:49:47.840 --> 0:49:51.040
<v Speaker 2>are woven together in this you know, electronic matrix.

0:49:51.120 --> 0:49:53.760
<v Speaker 3>But it sounds like a polaroid photo.

0:49:54.239 --> 0:49:57.480
<v Speaker 2>Yeah. Yeah, so it does feel like something of the past,

0:49:57.680 --> 0:49:59.560
<v Speaker 2>but it has, you know, the futurest part of it

0:49:59.600 --> 0:50:02.000
<v Speaker 2>as well, So it feels like it is something maybe

0:50:02.040 --> 0:50:06.160
<v Speaker 2>outside of our linear experience entirely. It feels like prophecy.

0:50:07.160 --> 0:50:09.400
<v Speaker 2>It feels like music that you don't merely listen to,

0:50:09.560 --> 0:50:12.920
<v Speaker 2>you kind of integrate with and maybe it listens back

0:50:12.960 --> 0:50:15.600
<v Speaker 2>to back to you and it knows that you are there.

0:50:16.960 --> 0:50:20.600
<v Speaker 3>Yeah. I have not had the opportunity to listen to

0:50:20.640 --> 0:50:22.719
<v Speaker 3>the new album yet, but I would. I'm very much

0:50:22.760 --> 0:50:24.799
<v Speaker 3>looking forward to it. I'm not as much of a

0:50:24.840 --> 0:50:27.440
<v Speaker 3>super fan as you, but I really love Boards of Canada.

0:50:28.120 --> 0:50:31.160
<v Speaker 3>I listened to Music Has the Right to Children ten

0:50:31.239 --> 0:50:31.880
<v Speaker 3>million times.

0:50:31.920 --> 0:50:35.719
<v Speaker 2>I don't know, amazing album obviously. Yeah, yeah, this one's

0:50:35.800 --> 0:50:39.600
<v Speaker 2>This one's amazing as well. And I recommend listening to

0:50:39.680 --> 0:50:42.160
<v Speaker 2>it maybe in a dark room with your eyes shut,

0:50:42.800 --> 0:50:46.120
<v Speaker 2>you know, in one big, big, long listening session. Just

0:50:46.120 --> 0:50:48.920
<v Speaker 2>listen to the whole thing beginning to end, and you know,

0:50:48.960 --> 0:50:51.520
<v Speaker 2>see see where it takes you. So yeah, as far

0:50:51.600 --> 0:50:53.200
<v Speaker 2>as movies off that list for us to cover, I

0:50:53.239 --> 0:50:55.520
<v Speaker 2>don't know. Dark Star has been on my list for

0:50:55.520 --> 0:50:58.240
<v Speaker 2>a long time. I imagine we'll get to that one eventually.

0:50:58.480 --> 0:51:00.359
<v Speaker 2>And there are some others on here that could be fun.

0:51:00.400 --> 0:51:03.840
<v Speaker 2>You know, we could easily discuss the Andromeda Strain or

0:51:04.040 --> 0:51:06.080
<v Speaker 2>Capricorn One or even the Wizard of Oz.

0:51:06.800 --> 0:51:08.800
<v Speaker 3>I say, we got to track down ice Core Drilling.

0:51:09.000 --> 0:51:10.640
<v Speaker 3>That's my kind of movie.

0:51:10.719 --> 0:51:14.680
<v Speaker 2>Ice Core Drilling. Yeah, yeah, what are the the ideas?

0:51:14.800 --> 0:51:18.920
<v Speaker 2>According to this says unknown thought to be perhaps a

0:51:19.040 --> 0:51:21.680
<v Speaker 2>National Film Board of Canada film, although the National Film

0:51:21.719 --> 0:51:24.040
<v Speaker 2>Board of Canada's website makes no mention of any film

0:51:24.080 --> 0:51:27.320
<v Speaker 2>by this title might be, and they refer to another

0:51:27.640 --> 0:51:32.040
<v Speaker 2>title like Artich four or something. So again, I think

0:51:32.040 --> 0:51:35.239
<v Speaker 2>they were, you know, maybe casually answering this question, so

0:51:35.360 --> 0:51:38.040
<v Speaker 2>they might be referring to this other film. Yeah.

0:51:38.239 --> 0:51:40.560
<v Speaker 3>Well, I like the idea that their list of that

0:51:41.040 --> 0:51:44.879
<v Speaker 3>specifically for the creators of Boards of Canada, that their

0:51:45.080 --> 0:51:48.080
<v Speaker 3>list of films would include something that sounds like it

0:51:48.120 --> 0:51:52.480
<v Speaker 3>could be a kind of industry informational film or something

0:51:52.520 --> 0:51:55.440
<v Speaker 3>that's not meant for the general public. Because that I

0:51:55.480 --> 0:51:58.360
<v Speaker 3>think they you know, it feels like they could source

0:51:58.400 --> 0:52:01.440
<v Speaker 3>a lot from those types of media or not, just

0:52:01.480 --> 0:52:02.640
<v Speaker 3>as they could that they do.

0:52:02.760 --> 0:52:04.520
<v Speaker 2>Actually, oh yeah, absolutely.

0:52:12.880 --> 0:52:16.840
<v Speaker 3>Anyway, Okay, would you like me to read one of

0:52:16.880 --> 0:52:19.040
<v Speaker 3>these other ones here? Let's see.

0:52:19.320 --> 0:52:20.719
<v Speaker 2>Yeah, what else do we have in the mailbag? We

0:52:20.760 --> 0:52:23.719
<v Speaker 2>have some weird house cinema messages in particular.

0:52:24.080 --> 0:52:27.520
<v Speaker 3>Yeah, we can do. Let's see this one. How about

0:52:27.560 --> 0:52:31.120
<v Speaker 3>this one from Matt about Star Crash. Oh yes, Star

0:52:31.200 --> 0:52:35.200
<v Speaker 3>Crash Memories from an old guy. Matt says, Hi, Robert

0:52:35.200 --> 0:52:38.280
<v Speaker 3>and Joe, I really enjoyed your recent episode on Star Crash,

0:52:38.320 --> 0:52:40.959
<v Speaker 3>a movie that made a big impression on me, both

0:52:40.960 --> 0:52:44.319
<v Speaker 3>good and bad when it came out. Imagine being an

0:52:44.360 --> 0:52:47.720
<v Speaker 3>eleven year old science fiction fan in nineteen seventy seven

0:52:48.080 --> 0:52:51.720
<v Speaker 3>and having your whole world rocked by Star Wars. Also,

0:52:52.080 --> 0:52:54.960
<v Speaker 3>imagine that there was no way to see Star Wars

0:52:55.000 --> 0:52:59.040
<v Speaker 3>after its theatrical run, So anything even vaguely related to

0:52:59.080 --> 0:53:01.359
<v Speaker 3>a movie set in space is going to be on

0:53:01.400 --> 0:53:05.200
<v Speaker 3>your radar, and you'd beg your parents, grandparents, or any

0:53:05.239 --> 0:53:08.680
<v Speaker 3>adult who'd listen to take you to see that movie. Lastly,

0:53:08.800 --> 0:53:13.560
<v Speaker 3>imagine sitting in a theater and watching Star Crash. The

0:53:13.600 --> 0:53:17.960
<v Speaker 3>mood of the audience went from excitement to disappointment pretty quickly,

0:53:18.440 --> 0:53:22.360
<v Speaker 3>but the constant costume changes and the always wonderful Carolyn

0:53:22.440 --> 0:53:26.600
<v Speaker 3>Monroe kept the interest up, and once there was an

0:53:26.640 --> 0:53:30.320
<v Speaker 3>acceptance of the goofiness embedded in every frame, my friends

0:53:30.320 --> 0:53:34.480
<v Speaker 3>and I had a mildly entertaining afternoon. Unexpectedly, though, a

0:53:34.480 --> 0:53:38.120
<v Speaker 3>Star Crash stuck with us. Constant discussions of the movie's

0:53:38.160 --> 0:53:41.840
<v Speaker 3>shortfalls led to an appreciation of bad or weird movies

0:53:42.200 --> 0:53:44.279
<v Speaker 3>and the fun that could be had in staying up

0:53:44.360 --> 0:53:48.120
<v Speaker 3>late to watch some forgotten gem on TV. This coincided

0:53:48.160 --> 0:53:51.440
<v Speaker 3>with the release of the Medved Brothers books, The Golden

0:53:51.480 --> 0:53:54.479
<v Speaker 3>Turkey Awards, and The Fifty Worst Movies of All Time,

0:53:54.920 --> 0:53:58.200
<v Speaker 3>so we were hooked. Once video rentals became a thing,

0:53:58.320 --> 0:54:01.640
<v Speaker 3>a whole world of weird and wonderful movies opened up,

0:54:01.880 --> 0:54:04.759
<v Speaker 3>and I remember many incredible nights with friends watching some

0:54:04.920 --> 0:54:08.480
<v Speaker 3>awful movie and laughing so hard I could hardly breathe.

0:54:08.600 --> 0:54:11.319
<v Speaker 3>Fast forward to now, in my original attitude to Star

0:54:11.440 --> 0:54:14.839
<v Speaker 3>Crash has changed. I love the energy and the throw

0:54:14.880 --> 0:54:17.239
<v Speaker 3>it all at the wall and see what sticks attitude

0:54:17.239 --> 0:54:20.399
<v Speaker 3>of the filmmakers. I love the colorful stars that look

0:54:20.520 --> 0:54:24.239
<v Speaker 3>like Christmas decorations, the ship models with obvious sprus and

0:54:24.320 --> 0:54:27.719
<v Speaker 3>spray cand lids glued to them, and the bizarre dialogue

0:54:27.760 --> 0:54:30.640
<v Speaker 3>that throws in crazy ideas but never sees them through.

0:54:31.239 --> 0:54:33.440
<v Speaker 3>I hope one day to get my well worn Star

0:54:33.560 --> 0:54:38.080
<v Speaker 3>Crash DVD signed by Carolyn Monroe or David Hasselhoff or both.

0:54:39.120 --> 0:54:42.400
<v Speaker 3>Thanks for the podcast. A show that combines interesting facts

0:54:42.440 --> 0:54:44.800
<v Speaker 3>with a weekly weird movie was always going to be

0:54:44.880 --> 0:54:47.560
<v Speaker 3>right up my right up my alley. But the two

0:54:47.560 --> 0:54:49.680
<v Speaker 3>of you always find the right tone to hit, whether

0:54:49.719 --> 0:54:53.320
<v Speaker 3>you're discussing hard science, interesting culture, or a bizarre Italian

0:54:53.360 --> 0:54:57.000
<v Speaker 3>space movie with a Texan robot and a spaceship fist.

0:54:57.440 --> 0:55:00.880
<v Speaker 3>Cheers Matt. Well, thank you, Matt. That makes me feel wonderful.

0:55:01.160 --> 0:55:03.160
<v Speaker 2>Yeah yeah, yeah, that's right in there. And that then

0:55:03.160 --> 0:55:06.440
<v Speaker 2>diagram that we've created of interest.

0:55:06.920 --> 0:55:08.359
<v Speaker 3>Yeah all right.

0:55:08.400 --> 0:55:16.040
<v Speaker 2>This next one comes to us from Karen. Karen says, hey,

0:55:16.280 --> 0:55:19.680
<v Speaker 2>w HC, dudes, I didn't see Brother from Another Planet

0:55:19.680 --> 0:55:23.120
<v Speaker 2>on your letterbox list, and it's a wonderful movie. Consider

0:55:23.160 --> 0:55:25.520
<v Speaker 2>it if you're ever at a loss. By the way,

0:55:25.560 --> 0:55:29.240
<v Speaker 2>Karen is referring to our profile on letterbox dot com.

0:55:29.280 --> 0:55:31.120
<v Speaker 2>You can look us up there. We're a weird house.

0:55:31.520 --> 0:55:33.200
<v Speaker 2>We have a list of all the movies we've covered

0:55:33.239 --> 0:55:36.040
<v Speaker 2>over the years there, so you can see what we've

0:55:36.080 --> 0:55:37.719
<v Speaker 2>covered and sometimes you get a peek ahead at what

0:55:37.760 --> 0:55:41.480
<v Speaker 2>we're covering next. But indeed, Brother from Another Planet it

0:55:41.719 --> 0:55:43.640
<v Speaker 2>is not on the list because we have not covered it.

0:55:43.719 --> 0:55:46.040
<v Speaker 2>Karen continues, love your show. Been listening to stuff to

0:55:46.040 --> 0:55:49.120
<v Speaker 2>blow your mind and offshoots forever. Thanks for exposing me

0:55:49.200 --> 0:55:52.320
<v Speaker 2>to schlock and sometimes not schlock that I never would

0:55:52.320 --> 0:55:55.279
<v Speaker 2>have seen if not for you, except Forbidden Planet, which

0:55:55.280 --> 0:55:57.400
<v Speaker 2>has been my fave since I first saw it and

0:55:57.520 --> 0:56:00.479
<v Speaker 2>was thrilled that you did anp on it. Any thanks

0:56:00.480 --> 0:56:02.799
<v Speaker 2>for the infotainment, Karen.

0:56:03.160 --> 0:56:06.760
<v Speaker 3>Well, thank you very much. Karen. Yeah, Brother from Another

0:56:06.800 --> 0:56:09.719
<v Speaker 3>Planet directed by John Sales. I've hit that on my

0:56:09.760 --> 0:56:11.680
<v Speaker 3>list for a long time. I've never seen it, but

0:56:11.960 --> 0:56:12.760
<v Speaker 3>I've heard it's great.

0:56:13.320 --> 0:56:16.120
<v Speaker 2>Yeah, yeah that that has also been on my list

0:56:16.160 --> 0:56:18.640
<v Speaker 2>for a while, and I don't know that might be

0:56:19.280 --> 0:56:22.160
<v Speaker 2>might be one that we cover later this month there, Yeah,

0:56:22.200 --> 0:56:24.960
<v Speaker 2>one of the Friday slots coming up. I'm thinking of

0:56:25.000 --> 0:56:29.520
<v Speaker 2>possibly picking Spaces the place, but Brother from Another Planet

0:56:29.640 --> 0:56:33.160
<v Speaker 2>also strong contender. And then Finally, I'm going to include

0:56:33.239 --> 0:56:36.479
<v Speaker 2>one message here from our discord server. If you would

0:56:36.520 --> 0:56:39.400
<v Speaker 2>like to join our discord server, just email us. We're

0:56:39.440 --> 0:56:41.560
<v Speaker 2>going to throw that email out here in a minute.

0:56:41.800 --> 0:56:43.680
<v Speaker 2>Email lists will send you a link to the discord.

0:56:43.800 --> 0:56:47.880
<v Speaker 2>It's a much smaller, i think, segment of the listener base,

0:56:48.040 --> 0:56:49.719
<v Speaker 2>but you know, kind of keep it small because it

0:56:49.800 --> 0:56:53.160
<v Speaker 2>stays cozy that way. But anyone is free to join.

0:56:53.960 --> 0:56:58.759
<v Speaker 2>Matt says here, apparently there is a mobile armor, like

0:56:58.840 --> 0:57:03.200
<v Speaker 2>a mobile suit, not human shaped, in the Gundam universe.

0:57:03.280 --> 0:57:08.160
<v Speaker 2>This is this is the Bandai Namco series. This is

0:57:08.200 --> 0:57:10.360
<v Speaker 2>a you know, Gundam. So if you know what a

0:57:10.400 --> 0:57:11.960
<v Speaker 2>Gundam is, you know what I'm talking about. If not,

0:57:12.000 --> 0:57:13.680
<v Speaker 2>look it up and then you it'll be like, oh,

0:57:13.760 --> 0:57:16.919
<v Speaker 2>that's a Gundam, I know what that is. But Matt

0:57:16.960 --> 0:57:19.920
<v Speaker 2>says that there is there's a particular mobile armor in

0:57:19.960 --> 0:57:23.760
<v Speaker 2>the Gundam universe called a Gromlin. And he says maybe

0:57:23.760 --> 0:57:26.960
<v Speaker 2>someone at Bandai at Namco is a fan of eighties

0:57:27.000 --> 0:57:30.800
<v Speaker 2>and nineties Grimlins copycat movies. He includes a picture here

0:57:30.840 --> 0:57:32.200
<v Speaker 2>and I've included this for you to look at.

0:57:32.280 --> 0:57:32.520
<v Speaker 3>Joe.

0:57:32.560 --> 0:57:35.080
<v Speaker 2>Folks out there, you can look up Gundam Gromlin, and

0:57:35.120 --> 0:57:39.160
<v Speaker 2>you will see this as well. It's, as Matt points out,

0:57:39.200 --> 0:57:42.240
<v Speaker 2>a bizarre design with one leg and a weird kind

0:57:42.240 --> 0:57:45.440
<v Speaker 2>of like arm on a wire. So it's a very

0:57:45.480 --> 0:57:49.120
<v Speaker 2>strange looking like anime. It looks like a spaceship, but

0:57:49.160 --> 0:57:51.720
<v Speaker 2>it is a combat suit of some sort.

0:57:52.040 --> 0:57:55.240
<v Speaker 3>I interpreted this as two legs sort of twisted together

0:57:55.400 --> 0:57:58.680
<v Speaker 3>and a head on a long, thin neck, so it

0:57:58.720 --> 0:58:02.000
<v Speaker 3>looks to me kind of like a green metal flamingo.

0:58:02.840 --> 0:58:06.040
<v Speaker 2>Yeah, it looks like a chicken leg to me. Yeah,

0:58:06.360 --> 0:58:08.800
<v Speaker 2>it's kind of like the Bobba Yaga's House. But make

0:58:08.840 --> 0:58:13.480
<v Speaker 2>it sci fi, make it anime. So this was fun.

0:58:14.640 --> 0:58:16.720
<v Speaker 2>If you've listened to us on Weird House Cinema before,

0:58:17.480 --> 0:58:20.320
<v Speaker 2>you know that when we say Gromlin, we're talking about

0:58:20.360 --> 0:58:22.800
<v Speaker 2>any kind of cinematic creature that occurs in the wake

0:58:22.840 --> 0:58:27.880
<v Speaker 2>of nineteen eighty four's Grimlins, regardless of comparative effects slash

0:58:27.920 --> 0:58:31.160
<v Speaker 2>puppetry quality, though generally it's going to be of poorer equality,

0:58:31.560 --> 0:58:35.439
<v Speaker 2>thus invoking the idea of subpark Grimlins, Grimlins at home,

0:58:35.520 --> 0:58:38.760
<v Speaker 2>or of course, generic off brand grimlins that might be

0:58:38.840 --> 0:58:40.080
<v Speaker 2>called Gromlins.

0:58:39.640 --> 0:58:42.840
<v Speaker 3>Right, Hobgoblins, munchies, that sort of thing.

0:58:43.000 --> 0:58:44.600
<v Speaker 2>Yeah, that sort of thing. But even in like our

0:58:44.600 --> 0:58:48.760
<v Speaker 2>discussion of Jim Henson's Storyteller, that's what we're talking about,

0:58:48.960 --> 0:58:51.560
<v Speaker 2>the Soldier and death, some great devils in there, and

0:58:51.560 --> 0:58:53.240
<v Speaker 2>we were talking I think we discussed whether or not

0:58:53.280 --> 0:58:56.840
<v Speaker 2>these were Gromlins. There's some Gromlin energy to them, although

0:58:56.840 --> 0:58:59.800
<v Speaker 2>they were obviously made by puppetry masters.

0:59:00.320 --> 0:59:01.920
<v Speaker 3>Good Gromlins, Good Gromlins.

0:59:01.960 --> 0:59:04.800
<v Speaker 2>Yeah, I mean, I love all Gromlins. They're they're they're

0:59:04.840 --> 0:59:07.400
<v Speaker 2>all beloved in my eyes. But that's what we were

0:59:07.400 --> 0:59:09.880
<v Speaker 2>talking about when we talk about with talk about Gromlins.

0:59:11.200 --> 0:59:14.400
<v Speaker 2>I think the usage in the Gundam universe definitely predates,

0:59:14.560 --> 0:59:15.960
<v Speaker 2>so I was looking into it a little. I think

0:59:16.200 --> 0:59:19.920
<v Speaker 2>the Gromlin sued here is from the late nineties, so

0:59:20.200 --> 0:59:23.080
<v Speaker 2>they were definitely using it before we were using it.

0:59:23.280 --> 0:59:25.160
<v Speaker 2>I was also looking around to see why who else

0:59:25.200 --> 0:59:27.680
<v Speaker 2>is using the word Gromlin, And apparently it's the name

0:59:27.720 --> 0:59:30.000
<v Speaker 2>of a fictional English town in the music of the

0:59:30.040 --> 0:59:32.720
<v Speaker 2>band love Joy. Not really familiar with this band, I

0:59:32.720 --> 0:59:35.919
<v Speaker 2>think they were they were formed and in recent years,

0:59:36.040 --> 0:59:38.760
<v Speaker 2>the last twenty years at any rate, but there's some

0:59:38.800 --> 0:59:42.200
<v Speaker 2>sort of fictional town they've created named Gromlin. I like

0:59:42.280 --> 0:59:43.120
<v Speaker 2>that idea as well.

0:59:43.520 --> 0:59:46.040
<v Speaker 3>Never heard of that. But are are there Gromlins in

0:59:46.120 --> 0:59:46.960
<v Speaker 3>the town of Gromlin.

0:59:47.200 --> 0:59:48.560
<v Speaker 2>I don't know anything about it, but I want to

0:59:48.560 --> 0:59:50.440
<v Speaker 2>go to there, much like the town of Millbag. I

0:59:50.480 --> 0:59:52.640
<v Speaker 2>also also want to go visit Nilboch.

0:59:52.920 --> 1:00:00.080
<v Speaker 3>This Gromlin spelled backwards, mil Milmore, neil Moore.

1:00:00.320 --> 1:00:03.760
<v Speaker 2>Neil More works. Yeah, that's if you're creating some sort

1:00:03.760 --> 1:00:05.200
<v Speaker 2>of fiction out there and you need a town name,

1:00:05.320 --> 1:00:07.800
<v Speaker 2>go with nil Moore. Just spell Gromlin and then do

1:00:07.840 --> 1:00:10.120
<v Speaker 2>it backwards. You'll have a clearer idea of what you're

1:00:10.120 --> 1:00:13.680
<v Speaker 2>working with. Here. All right, we're gonna go ahead and

1:00:13.720 --> 1:00:16.120
<v Speaker 2>close the mail bag here, but I mean, there was

1:00:16.120 --> 1:00:18.280
<v Speaker 2>a lot we didn't get to in this edition. We'll

1:00:18.280 --> 1:00:20.880
<v Speaker 2>be back with another edition at least next month.

1:00:21.000 --> 1:00:21.440
<v Speaker 3>We'll be back.

1:00:21.480 --> 1:00:24.160
<v Speaker 2>We generally do about one of these a month, but

1:00:24.200 --> 1:00:26.880
<v Speaker 2>there there's no shortage of listener mails for us to discuss.

1:00:27.360 --> 1:00:30.120
<v Speaker 2>We generally don't have time to respond one on one

1:00:30.160 --> 1:00:33.000
<v Speaker 2>when people write in, but rest assured we read it all,

1:00:33.680 --> 1:00:35.200
<v Speaker 2>we sort through it all, and then of course we

1:00:35.240 --> 1:00:37.160
<v Speaker 2>don't have time to bring it all up on the show.

1:00:37.200 --> 1:00:39.880
<v Speaker 2>But we greatly appreciate it when you take the time

1:00:39.960 --> 1:00:43.400
<v Speaker 2>to write in about any and everything, be it a

1:00:43.440 --> 1:00:46.840
<v Speaker 2>little field reporting on a particular topic, or recommendations for

1:00:46.880 --> 1:00:50.040
<v Speaker 2>the future, you know, corrections, whatever the case may be,

1:00:50.600 --> 1:00:53.920
<v Speaker 2>we are happy to hear from you. Just a reminder.

1:00:53.960 --> 1:00:55.920
<v Speaker 2>The Stuff to Blow Your Mind is primarily a science

1:00:55.920 --> 1:00:59.200
<v Speaker 2>and culture podcast, with core episodes on Tuesdays and Thursdays,

1:00:59.400 --> 1:01:02.280
<v Speaker 2>chort form ofpisodes on Wednesdays and on Fridays. That's when

1:01:02.280 --> 1:01:04.360
<v Speaker 2>we set aside most serious concerns to just talk about

1:01:04.360 --> 1:01:06.280
<v Speaker 2>a weird film on Weird House Cinema.

1:01:06.640 --> 1:01:10.120
<v Speaker 3>Huge thanks as always to our excellent audio producer JJ Posway.

1:01:10.440 --> 1:01:11.960
<v Speaker 3>If you would like to get in touch with us

1:01:12.000 --> 1:01:14.320
<v Speaker 3>with feedback on this episode or any other, to suggest

1:01:14.320 --> 1:01:16.240
<v Speaker 3>a topic for the future, or just to say hello,

1:01:16.400 --> 1:01:19.040
<v Speaker 3>you can email us at contact at stufft Blow your

1:01:19.120 --> 1:01:26.880
<v Speaker 3>Mind dot com.

1:01:26.960 --> 1:01:29.920
<v Speaker 1>Stuff to Blow Your Mind is production of iHeartRadio. For

1:01:30.000 --> 1:01:32.800
<v Speaker 1>more podcasts from my Heart Radio, visit the iHeartRadio app,

1:01:32.960 --> 1:01:35.720
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.