WEBVTT - Our Favorite Deadpool & Wolverine Team Ups (ft. Preeti Chhibber)

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<v Speaker 1>Warning. Today's episode contains spoilers for Deadpool and Wolverines, various

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<v Speaker 1>comic book appearances and team ups with each other and

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<v Speaker 1>with other characters, both in their own titles and guest appearances,

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<v Speaker 1>So be warned, be warned to be talking about that stuff. Hello,

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<v Speaker 1>my name is Jasonncepcion.

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<v Speaker 2>And I'm Rosday Night, and welcome back to X.

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<v Speaker 1>Ray Visions week long coverage of all things Pool that's

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<v Speaker 1>dead and Wolverine. Wilburne's in that. Don't forget mister Logan.

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<v Speaker 1>We're dropping episodes every single day leading up to the

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<v Speaker 1>release of Deadpool and Wolverine, covering everything from both characters

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<v Speaker 1>comics origins, to the long history of their respective film adaptations.

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<v Speaker 3>In today's episode, it's a big, chunky omnibus, and we're

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<v Speaker 3>joined by Marvel Comics write Pretty Chibba to dive into

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<v Speaker 3>some of our favorite Deadpool and Wolverine team ups and

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<v Speaker 3>face offs in the Marvel Comics canon.

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<v Speaker 1>Him.

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<v Speaker 2>Hey, it's so good to have you on the show.

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<v Speaker 1>It's awesome. Let's get into it all right. Before we

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<v Speaker 1>get started, let's talk about what we think makes a

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<v Speaker 1>good Deadpool collab, a good Deadpool story, and a good

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<v Speaker 1>Deadpool team up. Pretty Any thoughts, yeah?

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<v Speaker 2>Pretty.

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<v Speaker 4>I think having an understanding of balance is really important

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<v Speaker 4>with Deadpool because Deadpool can so easily He's so loud

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<v Speaker 4>but bastic. There's so many tricks you can use while

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<v Speaker 4>you're writing him that he could so easily overwhelm the narrative.

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<v Speaker 4>So you need to be able to like pull back

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<v Speaker 4>on that, which can be really hard when you're writing

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<v Speaker 4>such a fun character. So I feel like balance is

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<v Speaker 4>really important so both characters get to shine.

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<v Speaker 3>M h, Yeah, I definitely. I think that you're onto

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<v Speaker 3>something there. I think also, I am very much of

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<v Speaker 3>the mindset of like, I do love that straight man

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<v Speaker 3>Deadpool kind of combo. I think it really works. I

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<v Speaker 3>think that's why specifically people enjoy Logan and Deadpool, because

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<v Speaker 3>Logan's your cranky guy and he doesn't really you know.

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<v Speaker 3>Especially I think with X Men ninety seven we've really

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<v Speaker 3>gotten to see that side of him again, and I

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<v Speaker 3>think that version is what works so well. I also

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<v Speaker 3>think the balance is so key because you need Deadpool

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<v Speaker 3>to overwhelm the character in an interpersonal level, but not

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<v Speaker 3>overwhelm the reader exactly. So I'm thinking about how, like,

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<v Speaker 3>you know, Deadpool loves Spider Man, and he's just constantly

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<v Speaker 3>overwhelming Peter.

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<v Speaker 2>Parker with his crush and with his love and.

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<v Speaker 3>And we've kind of seen touches of that in the

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<v Speaker 3>trailer where he's overwhelming Wolverine with his need for him

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<v Speaker 3>to be the best hero you've ever had. But you've

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<v Speaker 3>got to keep it so he doesn't just become annoying.

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<v Speaker 3>I think, Jason, what about you.

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<v Speaker 1>No, I think that's exactly right. I feel very much

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<v Speaker 1>the same way. Full disclosure, I'm not a huge Deadpool guy.

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<v Speaker 1>I have never really taken to his solo titles. But

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<v Speaker 1>Deadpool when that balance is hit and you'll see that

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<v Speaker 1>from my picks today, when you really hit that balance

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<v Speaker 1>with Deadpool, of him working together with other characters, I

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<v Speaker 1>think there's it's kind of magical. And to me, what

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<v Speaker 1>makes Deadpool fun but also difficult to balance is, you know,

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<v Speaker 1>in comics, stakes are always a problem. You're talking about

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<v Speaker 1>the media. Everybody comes back, nobody ever comes back right,

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<v Speaker 1>everybody does right, and those that problem is exacerbated with

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<v Speaker 1>a character like Deadpool who cannot die seemingly no matter

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<v Speaker 1>what you do, and see that in the movies. But

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<v Speaker 1>I think What's interesting is the steaks with Deadpool and

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<v Speaker 1>with any satire are actually like personal to whoever you know,

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<v Speaker 1>whoever is reading or watching, and the stakes are this

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<v Speaker 1>because you know, Deadpool poses the question. The satire of

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<v Speaker 1>Deadpool poses the question of how dumb are you willing

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<v Speaker 1>to admit that comics are and still like them and

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<v Speaker 1>still like them? And the steaks are what if Deadpool

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<v Speaker 1>makes you feel like this is this entire exercise is

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<v Speaker 1>actually too dumb and you walk away? So you've got

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<v Speaker 1>to the balance there is can I make fun of

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<v Speaker 1>the thing I love and still love it? And when

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<v Speaker 1>Deadpool hits that balance, when the creators hit that balance,

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<v Speaker 1>it's particularly in a team context, it's really it's really

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<v Speaker 1>really cool. So I can't wait to talk about some

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<v Speaker 1>of our favorite team ups. Who wants to start? Who

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<v Speaker 1>wants to start throwing at a favorite deadpook?

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<v Speaker 2>Pretty? Do you have a favorite one to start with?

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<v Speaker 4>I do, and it's on.

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<v Speaker 2>You know, it's funny.

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<v Speaker 4>When I was thinking about this, obviously in the lead

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<v Speaker 4>up to this recording, and the first one that came

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<v Speaker 4>to mind is not sort of your stereotypical funny like

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<v Speaker 4>viral Deadpool team up. It was Uncanny X Force. The

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<v Speaker 4>remember it's one of my favorite books. It's so dark,

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<v Speaker 4>but that I think is a testament to Deadpool as

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<v Speaker 4>a character who can't exist in that space as well

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<v Speaker 4>and be a little bit more on the darker, like

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<v Speaker 4>horror side of things.

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<v Speaker 1>Like I was.

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<v Speaker 4>Remembering, I was like that scene where he's like feeding archangel,

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<v Speaker 4>like leaning over him, and I guess we can spoil her,

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<v Speaker 4>but he's like, you know, trying to help him survive

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<v Speaker 4>or like whatever it is, and it's horrific, but it's

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<v Speaker 4>still Deadpool, so there is this like sort of funny

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<v Speaker 4>level to it. It's extremely unsavory, we'll say.

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<v Speaker 3>Test Yes, I think that's a great pick because also,

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<v Speaker 3>like you know, the the right era of that comic

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<v Speaker 3>is someone who in the past. You know, I've critique

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<v Speaker 3>some of his other comics, but I do have to say,

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<v Speaker 3>when I was revisiting this stuff, I do think that's

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<v Speaker 3>one of the best X Men titles that we've ever gotten.

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<v Speaker 3>It's it's so good, it's so interesting.

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<v Speaker 1>It's so weird. It's so weird, weird in a.

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<v Speaker 3>Way that it feels like again, like some of the

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<v Speaker 3>best of this stuff, it's weird in a way that

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<v Speaker 3>feels in conversation with like what you talk about the

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<v Speaker 3>comic book shop, like what would happen in these scenarios,

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<v Speaker 3>Like what's the worst, possible, creepiest, weirdest version of like

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<v Speaker 3>an ex team and what would happen on it? And

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<v Speaker 3>I just think this is like not to hype him

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<v Speaker 3>up too much, but I mean it is almost as

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<v Speaker 3>good as like a Grant Morrison New.

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<v Speaker 2>X Men, Like I think it is that. I think

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<v Speaker 2>it has that.

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<v Speaker 3>Much quality and I think that's a really great pick.

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<v Speaker 3>And I love that pic because I also feel like

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<v Speaker 3>it's if you read that, like our disc what is

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<v Speaker 3>really active. If people listen to this and they go

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<v Speaker 3>out and read that, it's going to be such a

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<v Speaker 3>different experience from all the other books that we recommend

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<v Speaker 3>to you today.

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<v Speaker 4>Let's start off strong, Yeah, Rosie won you go next?

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<v Speaker 3>Okay, So I'm going to go for if you like

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<v Speaker 3>Deadpool in the movies and you're like this guy, like

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<v Speaker 3>when did he really start being like that? Because it's

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<v Speaker 3>definitely not from like his first appearance, you know, in

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<v Speaker 3>like in your kind of your New Mutants.

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<v Speaker 1>Name, He's supposed to be like cool at first, he

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<v Speaker 1>was definitely supposed.

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<v Speaker 2>To be cool so boring though, who wants that?

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<v Speaker 3>One of my favorite things that Aaron, our super producer,

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<v Speaker 3>picked out. So he was created by you know, Fabian

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<v Speaker 3>Ncenza and Rob Leifeld, in which I'm sure Rob would

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<v Speaker 3>hate it if he had me put it that way round,

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<v Speaker 3>but sorry, And.

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<v Speaker 2>It's he was basically.

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<v Speaker 3>Rob's version of like he wanted to do like Spider Man,

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<v Speaker 3>but with guns and swords, yes, you know, And it's like,

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<v Speaker 3>I think that that is really what he was in

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<v Speaker 3>those early days. But I think if you want to

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<v Speaker 3>read a Deadpool as you know him now, I really

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<v Speaker 3>think it's Daniel Way's Deadpool run with like Steve Dylon legendary,

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<v Speaker 3>Paca Medina legendary or not. That is where he gets

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<v Speaker 3>his third voice, which is basically kind of like his

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<v Speaker 3>Devil on his shoulder voice, and they argue with each

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<v Speaker 3>other and they talk to each other and it's constantly

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<v Speaker 3>breaking the fourth wall and it's totally silly, and honestly,

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<v Speaker 3>to a lot of people who haven't read a lot

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<v Speaker 3>of Deadpool comics, this one doesn't necessarily have that balance.

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<v Speaker 3>Like by the end of reading this, you might be

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<v Speaker 3>like Deadpool is so annoying, but.

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<v Speaker 2>It does feature Wolverine. There were Wolverine.

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<v Speaker 3>Issues that the collections pull in. You get to see

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<v Speaker 3>that kind of original close to the first time. But

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<v Speaker 3>I'll recommend that one later. But I just think this

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<v Speaker 3>is a really important Deadpool text. Like when I used

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<v Speaker 3>to work in the comic book shop, this was the

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<v Speaker 3>one where when people came in and they said, I

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<v Speaker 3>want to read Deadpool, I love the video game, or

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<v Speaker 3>I'm really excited for the movie. This was always the

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<v Speaker 3>one where I'd say, I think this is where Deadpool

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<v Speaker 3>gains his his voice.

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<v Speaker 2>As we know him now.

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<v Speaker 3>Like when you read these comics, it feels like this

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<v Speaker 3>is what Ryan Reynolds is riffing on, and we do

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<v Speaker 3>get some good Wolverine Deadpool moments in that too.

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<v Speaker 4>Yeah, that's actually this was on my list as well,

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<v Speaker 4>specifically the X Men, like three. I think it's three

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<v Speaker 4>issues run somewhere in the middle there, because you know

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<v Speaker 4>we're saying earlier that Wolverine is often the straight man,

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<v Speaker 4>but I think he what's so great about the partnership

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<v Speaker 4>between Deadpool and Wolverine is he can sort of like

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<v Speaker 4>sync to Deadpool's level because it's Wolverine, right and in

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<v Speaker 4>this book, I love it because Cyclops is so angry,

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<v Speaker 4>so angry, and I love when Cyclops is angry and

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<v Speaker 4>like Wolverine just sort of being there as the voice

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<v Speaker 4>of like, ah, man, we gotta it's Deadpool, like relaxed,

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<v Speaker 4>we just got to do it. It's so wonderful.

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<v Speaker 3>I also guess, like something we didn't really talk about is,

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<v Speaker 3>you know, these are two characters who are immortal and

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<v Speaker 3>kind of different or almost near immortal in kind of

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<v Speaker 3>different ways. So I do think I like that note

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<v Speaker 3>that you say about Wolverine can lower himself to dead

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<v Speaker 3>pull at that point, and I think.

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<v Speaker 2>Sometimes it's probably because he's just bored of.

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<v Speaker 3>Being alive for so long, so he's probably actually like

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<v Speaker 3>really glad that there's someone who can just make a

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<v Speaker 3>dick joke or like do something stupid, like I think

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<v Speaker 3>Logan's probably been very bored of being the sensible one.

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<v Speaker 1>I completely agree. And there's also like a wonderful any

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<v Speaker 1>good Wolverine and Deadpool story has like a Tom and

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<v Speaker 1>Jury feel to it. Yes, and this story absolutely this

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<v Speaker 1>is very looney, chopping off each other's like arms instead

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<v Speaker 1>of stabbing each other all the time, and like decapitating

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<v Speaker 1>each other, like shoving their swords slash claws to each

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<v Speaker 1>other's brains.

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<v Speaker 3>Like and it feels very like an influence of what

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<v Speaker 3>we've seen on the trailers so far, where like the

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<v Speaker 3>two of them are just for Wolverine doesn't want to

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<v Speaker 3>team up with him, so he's just like, I'm just

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<v Speaker 3>gonna like put my clawes through you, like Tea was like,

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<v Speaker 3>give me a hand, and he's just like stabs him

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<v Speaker 3>in the side.

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<v Speaker 2>So I think you're right, we're channeling.

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<v Speaker 3>That Looney Tunes energy for sure. Jason, what about you?

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<v Speaker 1>Well, first, I want to shout out on Kenny X Force,

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<v Speaker 1>which I absolutely adored when it was out. I think

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<v Speaker 1>the lineup Wolverine, Archangel, Deadpool, Santomex six, it's so so weird.

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<v Speaker 1>It was just delightful to see Phantom X get like

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<v Speaker 1>a starring role, like he's back in the mix. Incredible,

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<v Speaker 1>one of the weirdest characters ever invented. So I just

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<v Speaker 1>wonder so much, so wonderful family drama, and I love

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<v Speaker 1>that era. I love the Dad era of Wolverine has

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<v Speaker 1>been really fun to explore. I'm going to start with again, Uh,

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<v Speaker 1>you know, my bias is towards Deadpool in a kind

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<v Speaker 1>of larger team context. So I'm going to go with

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<v Speaker 1>the Messiah War crossover kind of referenced in Deadpool too.

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<v Speaker 1>And you hear Cable talk about Hope Hope being Hope

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<v Speaker 1>Summers the mutant Messiah, and in this story, Deadpool and

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<v Speaker 1>X Force and Cable travel to the future to try

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<v Speaker 1>and save Hope Summers, and it also acts as a

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<v Speaker 1>clever device to get Hope Summers aged up to the

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<v Speaker 1>to her early adulthood so she could actually start being

0:12:47.679 --> 0:12:49.760
<v Speaker 1>in fights and not be a little kid anymore. But

0:12:50.040 --> 0:12:55.200
<v Speaker 1>it has spoiler one of my favorite Deadpool stunts, which

0:12:55.240 --> 0:12:57.960
<v Speaker 1>is Deadpool trapped in a freezer for eight hundred years.

0:12:58.000 --> 0:13:02.000
<v Speaker 1>So everybody has time trivel devices allows them to jump

0:13:02.080 --> 0:13:04.240
<v Speaker 1>to the future, right, but they only have a limited

0:13:04.320 --> 0:13:06.440
<v Speaker 1>number of them, so only some of them can jump

0:13:06.480 --> 0:13:08.960
<v Speaker 1>to the future. So Deadpool is like, well, I'll just wait.

0:13:11.240 --> 0:13:19.200
<v Speaker 1>He just sits there hundred years eating himself, like eating

0:13:20.800 --> 0:13:23.520
<v Speaker 1>and uh, and by the time they get him out,

0:13:23.679 --> 0:13:27.880
<v Speaker 1>he has gone fully insane, which is only marginally more

0:13:27.920 --> 0:13:31.920
<v Speaker 1>insane than than he already And it's just one of

0:13:31.920 --> 0:13:36.160
<v Speaker 1>my favorite little Deadpool bits. So that's I'll start with

0:13:36.160 --> 0:13:36.520
<v Speaker 1>that one.

0:13:36.600 --> 0:13:37.800
<v Speaker 2>That's really good stuff.

0:13:38.000 --> 0:13:40.440
<v Speaker 1>Pretty would you like to pick another one? Yeah?

0:13:40.480 --> 0:13:43.000
<v Speaker 4>So another one that I really love because I am

0:13:43.040 --> 0:13:46.640
<v Speaker 4>also a sucker for like bringing the supernatural into a

0:13:46.679 --> 0:13:50.840
<v Speaker 4>partnership is Wolverine Annual. I wrote this down Wolverine Annual

0:13:51.040 --> 0:14:00.320
<v Speaker 4>number one. Yeah, like another one where Wolverine is sort

0:14:00.320 --> 0:14:02.600
<v Speaker 4>of like at Deadpool's level. I just love it because

0:14:02.640 --> 0:14:05.560
<v Speaker 4>there's this great likely you know, the premises Deadpool's been

0:14:05.640 --> 0:14:08.480
<v Speaker 4>hired to like assassinate this writer.

0:14:08.960 --> 0:14:10.600
<v Speaker 2>Yeah, it's like it's like an ass.

0:14:12.000 --> 0:14:15.240
<v Speaker 4>Just like an author. Wolverine's at the author signing to

0:14:15.240 --> 0:14:20.320
<v Speaker 4>get a book signed quote unquote for Kitty, and Deadpool's

0:14:20.400 --> 0:14:24.080
<v Speaker 4>hired to assassinate. It's absurd, and the author turns out

0:14:24.120 --> 0:14:25.960
<v Speaker 4>to be a were wolf and it's this whole thing,

0:14:26.080 --> 0:14:29.160
<v Speaker 4>but it's Wolverine's like there's something weird and going on,

0:14:29.240 --> 0:14:31.800
<v Speaker 4>and he just sort of like interrupts the entire thing

0:14:31.880 --> 0:14:34.280
<v Speaker 4>and they get they've been pulled into like were wolf

0:14:34.360 --> 0:14:35.600
<v Speaker 4>politics hijinks.

0:14:35.720 --> 0:14:38.040
<v Speaker 2>Yeah, yeah, yeah, yeah, yeah, it's so good.

0:14:38.520 --> 0:14:40.640
<v Speaker 3>And it's like the funniest thing is this is like

0:14:41.400 --> 0:14:45.680
<v Speaker 3>really the last bastion of like the extreme nineties, Like

0:14:45.760 --> 0:14:49.240
<v Speaker 3>the Kava is so extreme, it's like everyone has like

0:14:49.400 --> 0:14:51.640
<v Speaker 3>fifty muscles on top of muscles.

0:14:52.040 --> 0:14:54.480
<v Speaker 2>And even though it is literally.

0:14:54.240 --> 0:14:57.600
<v Speaker 3>Most notable because Mark on Drinc home Wall McDaniel decided

0:14:57.640 --> 0:14:59.359
<v Speaker 3>they were going to do were.

0:14:59.080 --> 0:15:02.000
<v Speaker 2>Wolves, the it was just like grudge match with.

0:15:03.520 --> 0:15:03.680
<v Speaker 3>Nah.

0:15:03.840 --> 0:15:07.000
<v Speaker 5>It's like no, it's like an author signing drama that

0:15:07.560 --> 0:15:10.080
<v Speaker 5>seems like a well of But this does lead to

0:15:10.120 --> 0:15:12.720
<v Speaker 5>a question that I wanted to ask you guys, which

0:15:12.760 --> 0:15:15.880
<v Speaker 5>is like, what is it about those.

0:15:15.840 --> 0:15:20.360
<v Speaker 3>Kind of extreme nineties characters and that extreme era and

0:15:20.400 --> 0:15:21.200
<v Speaker 3>the creators?

0:15:21.680 --> 0:15:23.600
<v Speaker 2>Like why does it still resonate with us?

0:15:23.640 --> 0:15:27.280
<v Speaker 3>I mean, we're still here, Robert Eifelt still an active creator,

0:15:27.560 --> 0:15:30.640
<v Speaker 3>Jim Lee obviously like runs DC. You know, what is

0:15:30.680 --> 0:15:34.720
<v Speaker 3>it about that era that was so kind of powerful

0:15:34.800 --> 0:15:37.680
<v Speaker 3>and still gets us coming back to these stories?

0:15:37.960 --> 0:15:40.800
<v Speaker 1>You know? For me, I think it was there was

0:15:40.840 --> 0:15:44.720
<v Speaker 1>a level of bomb bast for the for you know,

0:15:44.960 --> 0:15:49.840
<v Speaker 1>the nineties has been like retroactively criticized somewhat fairly, I

0:15:49.840 --> 0:15:53.360
<v Speaker 1>think for being like the tasteless version of comics, you know,

0:15:53.440 --> 0:15:58.920
<v Speaker 1>like oversize everything, oversized guns, fifty oversized kitanas, like all

0:15:58.920 --> 0:16:02.080
<v Speaker 1>that stuff. But I think the thing that comes through

0:16:02.200 --> 0:16:05.040
<v Speaker 1>is there was like an attitude and a no holds

0:16:05.200 --> 0:16:11.560
<v Speaker 1>barred kind of safeties off of like your creative imagination

0:16:11.800 --> 0:16:17.200
<v Speaker 1>kind of energy that has in the more corporate version

0:16:17.280 --> 0:16:21.120
<v Speaker 1>of Big two comics is hard to find.

0:16:21.280 --> 0:16:21.480
<v Speaker 3>You know.

0:16:21.520 --> 0:16:26.920
<v Speaker 1>It just seemed like really fun and Liefeld and Ncenza

0:16:27.080 --> 0:16:31.160
<v Speaker 1>like became rock stars off and many others became like

0:16:31.320 --> 0:16:35.280
<v Speaker 1>rock stars off of the energy they brought to the page.

0:16:35.760 --> 0:16:38.360
<v Speaker 1>And that feels like an era that for all of

0:16:38.400 --> 0:16:41.880
<v Speaker 1>its warts and shortcomings. You know, a lot of those

0:16:42.000 --> 0:16:46.720
<v Speaker 1>creators Liefeld included, who have became stars, would later say

0:16:47.400 --> 0:16:49.680
<v Speaker 1>decide that they needed to break away from the industry

0:16:50.040 --> 0:16:52.720
<v Speaker 1>as it existed in order to more adequately feel like

0:16:52.720 --> 0:16:54.880
<v Speaker 1>they were compensated for the things they're creating. That said,

0:16:55.400 --> 0:16:59.640
<v Speaker 1>that creative energy in retrospect feels kind of special, Like

0:16:59.680 --> 0:17:06.119
<v Speaker 1>you don't see that kind of just pure rough imagination

0:17:06.680 --> 0:17:10.560
<v Speaker 1>energy just like exploding off the page as much in

0:17:10.600 --> 0:17:14.439
<v Speaker 1>today's here, like it felt really exciting to open a

0:17:14.480 --> 0:17:17.280
<v Speaker 1>life felt comic in like nineteen ninety two, Like it

0:17:17.359 --> 0:17:20.560
<v Speaker 1>was like, whoa, I've different? What is this? This is

0:17:20.560 --> 0:17:23.520
<v Speaker 1>not following any of the rules, yes I have, you know,

0:17:23.640 --> 0:17:26.640
<v Speaker 1>like any of the artistic rules, any of the rules

0:17:26.680 --> 0:17:30.720
<v Speaker 1>about how you drug characters, any natomy rule, any anatomy rules.

0:17:30.760 --> 0:17:33.520
<v Speaker 1>But that felt really exciting, and I and and I

0:17:33.520 --> 0:17:36.080
<v Speaker 1>think there's a nostalgia for that. Pretty what do you think.

0:17:36.160 --> 0:17:38.720
<v Speaker 4>I would push back a little bit. Not everything in

0:17:38.720 --> 0:17:41.520
<v Speaker 4>the nineties worked for me. I think there is like

0:17:42.080 --> 0:17:44.720
<v Speaker 4>when you have the sort of like you can see

0:17:44.720 --> 0:17:47.840
<v Speaker 4>the joy someone is bringing to something and the excitement

0:17:48.040 --> 0:17:50.960
<v Speaker 4>in getting to do something weird and like you said,

0:17:51.000 --> 0:17:54.000
<v Speaker 4>bumbastic and all these things. I think you see actually

0:17:54.040 --> 0:17:57.040
<v Speaker 4>a lot of that, at least I'll speak from Marvels,

0:17:57.080 --> 0:17:59.760
<v Speaker 4>like from a Marvel perspective on Marvel Unlimited.

0:17:59.760 --> 0:18:01.240
<v Speaker 2>There a lot of that's true.

0:18:01.359 --> 0:18:02.960
<v Speaker 1>You're doing really.

0:18:02.800 --> 0:18:06.840
<v Speaker 4>Fun and interesting things in sort of the webtoon format

0:18:07.000 --> 0:18:10.439
<v Speaker 4>that may not like get to the page, to the

0:18:10.440 --> 0:18:13.679
<v Speaker 4>printed page. So there is some of that. It's there's

0:18:13.760 --> 0:18:16.160
<v Speaker 4>so much more now also.

0:18:16.560 --> 0:18:17.359
<v Speaker 2>To purst through.

0:18:17.600 --> 0:18:20.439
<v Speaker 4>Then you know, it's just sort of exploded in terms

0:18:20.520 --> 0:18:25.360
<v Speaker 4>of the number of stories being told. So I think

0:18:25.400 --> 0:18:30.200
<v Speaker 4>that there's so much fun in what in a lot

0:18:30.240 --> 0:18:31.960
<v Speaker 4>of the books we got in the nineties that you

0:18:32.000 --> 0:18:35.240
<v Speaker 4>can still find in books happening today if you look

0:18:35.280 --> 0:18:37.080
<v Speaker 4>for it. And I think that's the key.

0:18:37.480 --> 0:18:40.199
<v Speaker 3>I actually think you've touched on something really interesting here,

0:18:40.200 --> 0:18:42.439
<v Speaker 3>because something that we don't really talk about, right is like,

0:18:42.880 --> 0:18:46.680
<v Speaker 3>this is the nineties the peak audience for comics, right

0:18:46.760 --> 0:18:49.560
<v Speaker 3>that are still seen as like teenagers now in that

0:18:49.640 --> 0:18:52.520
<v Speaker 3>era it's teenage boys, right, That's how they perceive it.

0:18:52.560 --> 0:18:56.040
<v Speaker 3>But we all know like other people love those comics too.

0:18:56.280 --> 0:18:59.080
<v Speaker 3>But I'm thinking about that because pre what you're making,

0:18:59.080 --> 0:19:01.040
<v Speaker 3>the point off that I think actually connects these two

0:19:01.080 --> 0:19:04.480
<v Speaker 3>things is that in ya comics now, as we would

0:19:04.480 --> 0:19:05.200
<v Speaker 3>call them.

0:19:05.359 --> 0:19:07.000
<v Speaker 2>That's where a lot of that energy is.

0:19:07.040 --> 0:19:11.520
<v Speaker 3>Whether it's unlimited, whether it's like you know, some cool,

0:19:11.720 --> 0:19:14.760
<v Speaker 3>amazing cartoonists like an Ingo zi Ukazu who he had

0:19:14.800 --> 0:19:18.480
<v Speaker 3>on recently, like that, when comics are tailored to a

0:19:18.520 --> 0:19:21.479
<v Speaker 3>teenage audience, there's almost like or a younger reader's audience.

0:19:21.680 --> 0:19:23.760
<v Speaker 3>There's like a freedom there that you don't have to

0:19:23.800 --> 0:19:26.840
<v Speaker 3>get as core cap in. And back then it wasn't

0:19:26.840 --> 0:19:30.000
<v Speaker 3>as specific. They weren't like, oh, they're drawing these comics.

0:19:30.080 --> 0:19:34.480
<v Speaker 3>But lest we not forget Rob liffeld I think was

0:19:34.520 --> 0:19:36.719
<v Speaker 3>like nineteen when he started drawing these comics.

0:19:36.760 --> 0:19:39.840
<v Speaker 2>You know, they actually were teenagers. Jim Lee was so young.

0:19:39.880 --> 0:19:42.000
<v Speaker 3>There's that very famous video that you can watch on

0:19:42.359 --> 0:19:46.120
<v Speaker 3>YouTube of Jim and Rob and they're with stan Lee

0:19:46.280 --> 0:19:49.480
<v Speaker 3>on stan Lee's kind of Creators, you know, little chat

0:19:49.520 --> 0:19:52.840
<v Speaker 3>show that he would do, and they're kind of designing

0:19:52.920 --> 0:19:55.240
<v Speaker 3>characters and you can just see that these are young people,

0:19:55.320 --> 0:19:56.639
<v Speaker 3>like brimming with their energy.

0:19:56.680 --> 0:19:58.080
<v Speaker 2>So I think that's a really.

0:19:57.840 --> 0:20:01.880
<v Speaker 3>Good way of looking at it. Like when comics, there's

0:20:01.880 --> 0:20:05.960
<v Speaker 3>something about making comics for young people that stopped people

0:20:06.000 --> 0:20:07.520
<v Speaker 3>being as worried about being.

0:20:07.320 --> 0:20:08.200
<v Speaker 2>Like so precise.

0:20:08.640 --> 0:20:10.679
<v Speaker 3>You know, I think a lot about Todd McFarland, who

0:20:10.760 --> 0:20:15.000
<v Speaker 3>I love, who Jimley is probably my top nineties like

0:20:15.119 --> 0:20:17.240
<v Speaker 3>comics dad, who I love, but like Todd is a

0:20:17.320 --> 0:20:18.080
<v Speaker 3>very close second.

0:20:18.359 --> 0:20:20.359
<v Speaker 2>But I always think about the capes.

0:20:20.400 --> 0:20:23.520
<v Speaker 3>Like Todd would draw these ridiculous takes, right, yeah, that

0:20:23.600 --> 0:20:26.040
<v Speaker 3>were just like no one would ever say.

0:20:26.160 --> 0:20:27.880
<v Speaker 2>That is how a cape behaves.

0:20:28.359 --> 0:20:29.080
<v Speaker 1>Move like that.

0:20:29.119 --> 0:20:30.960
<v Speaker 3>It doesn't move like that, but it doesn't matter because

0:20:30.960 --> 0:20:33.280
<v Speaker 3>when you're a kid, you're like, that is the coolest

0:20:33.800 --> 0:20:36.400
<v Speaker 3>cape I've read the scene. That's like the coolest thing

0:20:36.400 --> 0:20:39.080
<v Speaker 3>I've ever seen. And I think that, you know what,

0:20:39.240 --> 0:20:43.640
<v Speaker 3>as comics has grown and become like an academic study,

0:20:43.800 --> 0:20:45.600
<v Speaker 3>you know, the sixties was the first time we had

0:20:45.640 --> 0:20:48.359
<v Speaker 3>comics in college, but since then it's really now you

0:20:48.359 --> 0:20:51.960
<v Speaker 3>can study comics most places you have like comics winning

0:20:52.000 --> 0:20:54.720
<v Speaker 3>the Pulitzer Prize or being nominated for it. I think

0:20:54.760 --> 0:20:59.080
<v Speaker 3>that what these comics remind me of is like the

0:20:59.200 --> 0:21:01.359
<v Speaker 3>fun that you're allowed to have with them when it

0:21:01.400 --> 0:21:03.920
<v Speaker 3>doesn't have to be like like you said, I think

0:21:03.920 --> 0:21:07.359
<v Speaker 3>a lot about New Mutants ninety eight, because that was

0:21:07.400 --> 0:21:10.280
<v Speaker 3>a comic where like in they reprinted it when I

0:21:10.320 --> 0:21:12.840
<v Speaker 3>was working at the comic bookshop and everyone.

0:21:12.560 --> 0:21:16.000
<v Speaker 2>Was like, oh, Rob Eifeld, like he's so rubbish.

0:21:16.040 --> 0:21:18.600
<v Speaker 3>She can't draw shoes or whatever, he can't draw feet,

0:21:18.880 --> 0:21:22.440
<v Speaker 3>And I remember like opening the book and being like, no,

0:21:22.560 --> 0:21:26.600
<v Speaker 3>I'm sorry, this is like abstract like genius, Like if

0:21:26.600 --> 0:21:30.480
<v Speaker 3>you look at this, this is actually a really exciting, cool,

0:21:30.880 --> 0:21:34.800
<v Speaker 3>strange book that is so much more than just like

0:21:35.520 --> 0:21:38.359
<v Speaker 3>what somebody who's doing like an anatomy YouTube video and

0:21:38.359 --> 0:21:40.320
<v Speaker 3>saying like this is wrong and kind of there's an

0:21:40.480 --> 0:21:43.520
<v Speaker 3>energy there. I think that is is kind of like

0:21:43.680 --> 0:21:47.679
<v Speaker 3>so powerful. But I'm very glad you picked the Wolverine

0:21:47.920 --> 0:21:50.840
<v Speaker 3>Annual because anything with wear wolves I'm a big fan of.

0:21:50.920 --> 0:21:51.280
<v Speaker 2>Jason.

0:21:51.320 --> 0:21:53.920
<v Speaker 3>Yeah, that's a good come on, Jason's an, what's another

0:21:54.000 --> 0:21:54.520
<v Speaker 3>one of yours?

0:21:54.560 --> 0:21:56.320
<v Speaker 1>Well, before I get into it, I just want to

0:21:56.359 --> 0:21:58.840
<v Speaker 1>say one I think part of what was exciting to

0:21:58.880 --> 0:22:01.880
<v Speaker 1>me about the nineties artists Life Felt in particular, who

0:22:02.240 --> 0:22:04.960
<v Speaker 1>amongst whom Life Felt was kind of like the most

0:22:05.000 --> 0:22:09.280
<v Speaker 1>famous is it felt accessible? As you know, It's like

0:22:09.400 --> 0:22:11.240
<v Speaker 1>Art Adams. I look at his stuff, I'm like, I

0:22:11.280 --> 0:22:14.560
<v Speaker 1>will never approach that. I will never ever approach that

0:22:14.640 --> 0:22:19.040
<v Speaker 1>level of detail, Alan Davis, I will never create such

0:22:19.080 --> 0:22:26.200
<v Speaker 1>beautiful like that. Yeah, And then it's like you see

0:22:26.240 --> 0:22:28.120
<v Speaker 1>Life Felt, and you're like, you know what, I think

0:22:28.160 --> 0:22:30.760
<v Speaker 1>I could There's a world in which I could imagine

0:22:30.800 --> 0:22:35.120
<v Speaker 1>myself doing that somehow and there and that was exciting.

0:22:35.160 --> 0:22:36.879
<v Speaker 1>I think to a lot of people, a lot of

0:22:37.600 --> 0:22:39.400
<v Speaker 1>young people who are reading comics at the time, who

0:22:39.440 --> 0:22:42.159
<v Speaker 1>I think, definitely, oh my god, this kind of this

0:22:42.240 --> 0:22:45.000
<v Speaker 1>looks like a much better version of the stuff like

0:22:45.040 --> 0:22:47.320
<v Speaker 1>I'm doing on the back of my notebook.

0:22:47.560 --> 0:22:47.720
<v Speaker 3>You know.

0:22:47.760 --> 0:22:49.399
<v Speaker 1>It was like the Todd McFarland thing you mentioned in

0:22:49.480 --> 0:22:52.240
<v Speaker 1>McFarland thing. To me, I was the first time I

0:22:52.240 --> 0:22:56.159
<v Speaker 1>saw McFarland's like amazing Spider Man and like the the

0:22:56.200 --> 0:23:01.120
<v Speaker 1>wedding like the ridiculous curl acues of like Webb Peter

0:23:01.240 --> 0:23:04.159
<v Speaker 1>Parker webbing that was like spinning around his hands and

0:23:04.200 --> 0:23:07.639
<v Speaker 1>it didn't. You've never seen the webbing like that Ornate.

0:23:08.320 --> 0:23:11.320
<v Speaker 1>I was just like, holy shit, that is the coolest

0:23:11.320 --> 0:23:31.639
<v Speaker 1>thing I've ever seen. Yeah, like absolutely, Okay, So my

0:23:31.760 --> 0:23:34.960
<v Speaker 1>next pick is going to be uh And I think

0:23:35.000 --> 0:23:38.800
<v Speaker 1>this might be a good one for folks looking for

0:23:38.840 --> 0:23:45.640
<v Speaker 1>a semi direct comic primer going into Deadpool Wolverine are

0:23:45.640 --> 0:23:48.240
<v Speaker 1>coming out of it, and that is Deadpool versus old

0:23:48.240 --> 0:23:51.920
<v Speaker 1>Man logan to thoseeen womited series has a lot of

0:23:51.960 --> 0:23:54.560
<v Speaker 1>that Tom and Jerry energy, you know, the the mrk

0:23:54.600 --> 0:23:59.199
<v Speaker 1>with mouth and everybody's favorite veriant of Wolverine who is

0:23:59.240 --> 0:24:03.080
<v Speaker 1>old and Kent tankeros and killed all his friends.

0:24:03.119 --> 0:24:07.399
<v Speaker 4>Somehow more cantankeris than are, somehow much more cantankerous.

0:24:07.520 --> 0:24:09.720
<v Speaker 2>Somehow he became more cantankerous.

0:24:10.040 --> 0:24:12.560
<v Speaker 1>I mean, mass murdering your friends, will I guess do

0:24:12.760 --> 0:24:13.400
<v Speaker 1>that to you?

0:24:14.200 --> 0:24:16.840
<v Speaker 3>And that does seem like what's gonna happen in the movie.

0:24:16.880 --> 0:24:20.800
<v Speaker 3>From what we've seen, it seems like he's feeling sad

0:24:20.800 --> 0:24:21.479
<v Speaker 3>about something.

0:24:21.960 --> 0:24:25.400
<v Speaker 1>Yes, they go off on a search for a mysterious

0:24:25.400 --> 0:24:28.719
<v Speaker 1>Omega mutant. But there's a lot of wonderful high jinks

0:24:29.600 --> 0:24:33.720
<v Speaker 1>and you know that straight man versus clown kind of

0:24:33.840 --> 0:24:40.720
<v Speaker 1>dynamic is really evident. And as a limited series, it's

0:24:40.760 --> 0:24:43.760
<v Speaker 1>not too much. That's for me. With Deadpool, it's like

0:24:44.240 --> 0:24:45.480
<v Speaker 1>it's just got to be enough.

0:24:45.720 --> 0:24:49.119
<v Speaker 6>Oh my gosh, it's you're so right because the reason

0:24:49.119 --> 0:24:51.480
<v Speaker 6>I was so happy when Joel was like, yeah, he's

0:24:51.480 --> 0:24:53.240
<v Speaker 6>gonna come, I'm gonna talk about Deadpool verin, I was like,

0:24:53.280 --> 0:24:55.920
<v Speaker 6>good because you know what my distinct memory of Deadpool

0:24:56.040 --> 0:24:58.639
<v Speaker 6>is when I was working at the shop, Deadpool books

0:24:58.640 --> 0:25:02.840
<v Speaker 6>were like so popular that they had done like six.

0:25:02.520 --> 0:25:06.360
<v Speaker 3>Of these huge like telephone book omnibuses called Deadpool Classics,

0:25:06.400 --> 0:25:08.360
<v Speaker 3>and I was like, guys, these are not classics.

0:25:08.440 --> 0:25:10.480
<v Speaker 2>Like these are not there's classics.

0:25:10.320 --> 0:25:12.560
<v Speaker 1>It's absolutely crazy is a thing.

0:25:12.720 --> 0:25:13.359
<v Speaker 2>So this was it.

0:25:14.080 --> 0:25:16.200
<v Speaker 3>This was in like twenty sixteen, so some of these

0:25:16.200 --> 0:25:18.360
<v Speaker 3>books were so close to have just coming out.

0:25:18.600 --> 0:25:19.720
<v Speaker 2>But there is so.

0:25:19.800 --> 0:25:22.800
<v Speaker 3>Much Deadpool and there's so many different iterations that I

0:25:22.840 --> 0:25:25.600
<v Speaker 3>love being able to just give people little like tidbits.

0:25:25.960 --> 0:25:28.639
<v Speaker 3>So I would say, like my another one that I

0:25:28.680 --> 0:25:31.960
<v Speaker 3>wanted to call out is a wolverine eighty eight, which

0:25:32.040 --> 0:25:34.359
<v Speaker 3>is the first time that Wolverine and Deadpool actually like

0:25:34.480 --> 0:25:38.679
<v Speaker 3>fight as Larry Harmer a comic book legend, Adam kuber

0:25:39.000 --> 0:25:41.080
<v Speaker 3>another legend, and Fabia Laguna another legend.

0:25:41.160 --> 0:25:42.440
<v Speaker 2>Just all bangers basically.

0:25:42.680 --> 0:25:45.800
<v Speaker 3>But this is really interesting because this was a perennial

0:25:45.920 --> 0:25:48.119
<v Speaker 3>like as we'd call it, like this is a twenty

0:25:48.160 --> 0:25:50.280
<v Speaker 3>five cent comic, Like you're finding this in the back

0:25:50.320 --> 0:25:53.240
<v Speaker 3>issue bin of every place, right if you have this

0:25:53.320 --> 0:25:56.600
<v Speaker 3>comic now, friends, you're looking at like one hundred dollar comics,

0:25:56.640 --> 0:25:59.400
<v Speaker 3>So good for you. If you've picked this comic up recently,

0:25:59.720 --> 0:26:03.560
<v Speaker 3>good because this is like another nineties book that now

0:26:03.640 --> 0:26:06.040
<v Speaker 3>is seen as this huge thing, has this super sick

0:26:06.560 --> 0:26:09.280
<v Speaker 3>I love the cover so much. It's this Adam Kuberck

0:26:09.320 --> 0:26:11.800
<v Speaker 3>cover where Deir Pull's like super muscly and he's got

0:26:11.800 --> 0:26:14.760
<v Speaker 3>his arms crossed with the two katanas and he stabbed

0:26:14.800 --> 0:26:19.760
<v Speaker 3>Wolverine and Wolverine's like his tummy is like all bleeding,

0:26:19.840 --> 0:26:23.600
<v Speaker 3>his claws are all red. So it's like really over

0:26:23.640 --> 0:26:27.440
<v Speaker 3>the top but just completely delightful. And it also again

0:26:27.560 --> 0:26:30.600
<v Speaker 3>feels like this feels like a book that could have

0:26:30.640 --> 0:26:32.720
<v Speaker 3>been on the set for this because it's like there's

0:26:32.760 --> 0:26:36.879
<v Speaker 3>not really any nice introductions. They just start fighting, and

0:26:36.920 --> 0:26:39.679
<v Speaker 3>there's lots of connections to like Weapon X and some

0:26:39.840 --> 0:26:43.879
<v Speaker 3>interesting weird like wades ex girlfriend Copycat is in it,

0:26:43.960 --> 0:26:46.280
<v Speaker 3>and that feels very much in the weird, deep cut

0:26:46.320 --> 0:26:49.000
<v Speaker 3>stuff that they're kind of into right now. So yeah,

0:26:49.320 --> 0:26:51.520
<v Speaker 3>very interesting to see how that will come into play.

0:26:51.520 --> 0:26:53.800
<v Speaker 3>But that's a great issue that I'm sure is probably

0:26:53.840 --> 0:26:56.520
<v Speaker 3>just available on Marvel Unlimited, or if you go to

0:26:56.560 --> 0:26:58.840
<v Speaker 3>a shop where they don't sell lots of cgc's comics,

0:26:58.840 --> 0:27:00.679
<v Speaker 3>maybe you could still find it for like five books,

0:27:00.800 --> 0:27:02.399
<v Speaker 3>but if not, I'm sure you can read it online.

0:27:02.440 --> 0:27:04.200
<v Speaker 2>But that's a that's their first.

0:27:03.920 --> 0:27:06.280
<v Speaker 3>Ever comic book meetup, so it's a nice one to

0:27:06.280 --> 0:27:10.880
<v Speaker 3>get a little bit of like context of the history

0:27:10.920 --> 0:27:13.159
<v Speaker 3>of the two boys Preedy.

0:27:13.160 --> 0:27:14.679
<v Speaker 1>Do you have a final one?

0:27:15.080 --> 0:27:17.280
<v Speaker 4>Well, we talked about the ones that were on my

0:27:17.320 --> 0:27:19.480
<v Speaker 4>list already, because I also had the old Man logan

0:27:19.520 --> 0:27:20.800
<v Speaker 4>and Deadpool on my list.

0:27:20.600 --> 0:27:21.440
<v Speaker 2>Because it's just.

0:27:23.680 --> 0:27:26.359
<v Speaker 4>They're just so it's just I think what you want

0:27:26.440 --> 0:27:31.160
<v Speaker 4>from this pairing is sort of that cantankerous logan and

0:27:31.520 --> 0:27:36.400
<v Speaker 4>that just like banana pants Deadpool together on the page,

0:27:37.000 --> 0:27:40.400
<v Speaker 4>and that's such a perfect example of the two of them.

0:27:40.440 --> 0:27:45.320
<v Speaker 4>Even if it's you know, au Logan like from that awful,

0:27:45.400 --> 0:27:48.639
<v Speaker 4>awful Future, it makes it better.

0:27:52.040 --> 0:27:54.480
<v Speaker 3>Okay, Jason, I did want to ask you, did you

0:27:54.560 --> 0:27:57.200
<v Speaker 3>ever play the Deadpool video game? Yeah?

0:27:57.200 --> 0:27:58.480
<v Speaker 1>I did a little bit. It was fine.

0:27:58.560 --> 0:28:01.000
<v Speaker 3>Yeah, I just I think about a lot because when

0:28:01.000 --> 0:28:02.760
<v Speaker 3>I was a kid, I remember well, when I was

0:28:02.800 --> 0:28:05.119
<v Speaker 3>like a younger adult, I remember it coming out and

0:28:05.119 --> 0:28:06.959
<v Speaker 3>it was like such a huge deal. It definitely had

0:28:07.000 --> 0:28:09.679
<v Speaker 3>that same energy. And there is apparently I did not

0:28:09.720 --> 0:28:11.960
<v Speaker 3>play it this far, but there is apparently some good

0:28:12.000 --> 0:28:14.920
<v Speaker 3>Deadpool Wolverine action in that game, So I'm like, could

0:28:14.920 --> 0:28:17.440
<v Speaker 3>be something interesting to revisit for fans who want to

0:28:17.520 --> 0:28:17.920
<v Speaker 3>check it out.

0:28:18.000 --> 0:28:19.480
<v Speaker 2>Jason, do you have a dice?

0:28:19.560 --> 0:28:21.320
<v Speaker 1>I see an adult that I put it there in

0:28:21.440 --> 0:28:25.760
<v Speaker 1>my final I put my this is my final pick.

0:28:26.000 --> 0:28:28.280
<v Speaker 1>And because you mentioned I was kind of on the fence,

0:28:28.280 --> 0:28:32.000
<v Speaker 1>what am I going to pick? But because you both

0:28:32.320 --> 0:28:36.480
<v Speaker 1>shouted out how important horror is and in comics and

0:28:36.520 --> 0:28:39.400
<v Speaker 1>how cool it is when you cross Deadpool with that

0:28:39.520 --> 0:28:43.440
<v Speaker 1>carror comic energy, I'm gonna doude Deadpool Team Up number

0:28:43.440 --> 0:28:46.040
<v Speaker 1>two eighty eight, which honestly, I was shocked that have

0:28:46.120 --> 0:28:48.120
<v Speaker 1>there been really two hundred and eighty eight issues at

0:28:49.320 --> 0:28:53.480
<v Speaker 1>start number two eighty eight, and this issue teems the

0:28:53.560 --> 0:28:58.160
<v Speaker 1>Mark with Mouth up with Bessie the Vampire hell Cow.

0:28:58.480 --> 0:29:00.240
<v Speaker 2>Yes, and I'm talking about.

0:29:00.720 --> 0:29:03.880
<v Speaker 1>And it's just like a wonderful team up, a fantastic

0:29:03.920 --> 0:29:08.360
<v Speaker 1>and super weird team up, wonderful cover by Berta Ramos,

0:29:08.360 --> 0:29:11.360
<v Speaker 1>who I always love, and it's just it's just fun.

0:29:11.560 --> 0:29:14.360
<v Speaker 1>It's just good, good old Deadpool fun with a wonderful,

0:29:14.360 --> 0:29:18.400
<v Speaker 1>deep cut character Bessie the hell Cow, whose rivalry and

0:29:18.400 --> 0:29:26.280
<v Speaker 1>feud with Dracula is ongoing. Bring her back, bring her back, bring.

0:29:27.920 --> 0:29:31.400
<v Speaker 4>You know what, someone somewhere is working on bringing her back.

0:29:31.480 --> 0:29:35.120
<v Speaker 4>I'm sure you know it comics and that love way

0:29:35.160 --> 0:29:35.520
<v Speaker 4>it is.

0:29:35.840 --> 0:29:38.160
<v Speaker 3>And you know, like, I love this pic because I

0:29:38.160 --> 0:29:40.280
<v Speaker 3>think some of one of the best things about Deadpool

0:29:40.280 --> 0:29:42.000
<v Speaker 3>that I know people are gonna love about this movie

0:29:42.120 --> 0:29:44.560
<v Speaker 3>is like you have the different Deadpools, you have Lady Deadpool,

0:29:44.600 --> 0:29:47.080
<v Speaker 3>you have Dogpool. You know, so Bessie the hell Cow

0:29:47.120 --> 0:29:50.240
<v Speaker 3>team up works deeply. I'm gonna throw out a last one.

0:29:50.320 --> 0:29:52.680
<v Speaker 3>It's a cheat because it's not technically a Wolverine comic,

0:29:53.000 --> 0:29:56.440
<v Speaker 3>but I do think that the Spider Man Slashed Deadpool

0:29:56.800 --> 0:29:59.640
<v Speaker 3>by Joe Kelly and Ed McGinnis. Joe Kelly another very

0:30:00.040 --> 0:30:02.880
<v Speaker 3>thinctive Deadpool writer who really shaped the voice of Deadpool

0:30:02.920 --> 0:30:05.880
<v Speaker 3>as we know it. This is very much where they're

0:30:05.920 --> 0:30:09.280
<v Speaker 3>taking the kind of like fun crush, Like.

0:30:09.320 --> 0:30:10.760
<v Speaker 2>Is it romantic? Is it not?

0:30:11.000 --> 0:30:14.520
<v Speaker 3>Like that had always been a big part of Deadpool's

0:30:14.520 --> 0:30:16.880
<v Speaker 3>feelings about Spider Man, But this book, they did loads

0:30:16.920 --> 0:30:19.440
<v Speaker 3>of fun covers. There's like an upside down one that's

0:30:19.480 --> 0:30:24.200
<v Speaker 3>implicating the upside down kiss. Deadpool is just completely obsessed

0:30:24.200 --> 0:30:26.080
<v Speaker 3>with Peter Parker and wants to date him and loves

0:30:26.080 --> 0:30:28.160
<v Speaker 3>how he looks in the suit. And it one not

0:30:28.200 --> 0:30:30.880
<v Speaker 3>only is a hilarious book, but also I do feel

0:30:30.880 --> 0:30:35.680
<v Speaker 3>like it is influencing the kind of merchandising and promo

0:30:35.720 --> 0:30:38.080
<v Speaker 3>we're getting for this movie where they're kind of holding

0:30:38.160 --> 0:30:42.200
<v Speaker 3>hands and there's this implicit queerness to it. So and

0:30:42.240 --> 0:30:44.160
<v Speaker 3>we know that the movies have not been afraid. They've

0:30:44.200 --> 0:30:47.320
<v Speaker 3>made it clear that Deadpool is bisexual, just like the comics,

0:30:47.360 --> 0:30:50.600
<v Speaker 3>you know. But I'm very interested to see how else

0:30:50.640 --> 0:30:52.520
<v Speaker 3>it plays into it, because i do feel like Spider

0:30:52.520 --> 0:30:55.000
<v Speaker 3>Man Deadpool is the original ship and I'm interested to

0:30:55.040 --> 0:30:57.680
<v Speaker 3>see if they try and make it a Wolverine Deadpool

0:30:57.720 --> 0:30:59.000
<v Speaker 3>thing in the movies.

0:31:00.400 --> 0:31:03.120
<v Speaker 2>Pre you are like the dream guest. This is like

0:31:03.280 --> 0:31:06.080
<v Speaker 2>so good, pretty, Thanks so much for joining us.

0:31:06.120 --> 0:31:09.360
<v Speaker 1>Where can people find you and your works?

0:31:09.720 --> 0:31:13.120
<v Speaker 4>They can find me on social most places at run

0:31:13.120 --> 0:31:15.680
<v Speaker 4>with Skizzers. They can find my work on my website

0:31:15.720 --> 0:31:18.640
<v Speaker 4>prethgipper dot com. I have a ton of Marvel comics.

0:31:18.680 --> 0:31:20.240
<v Speaker 4>If you just look my name up you will find them.

0:31:20.280 --> 0:31:24.040
<v Speaker 4>The most most recent was the blood Hunt Jubilee one

0:31:24.080 --> 0:31:28.320
<v Speaker 4>shot that came out last month, and a big Marvel

0:31:28.360 --> 0:31:30.520
<v Speaker 4>Unlimited thing is coming soon, but I don't think I'm

0:31:30.520 --> 0:31:31.400
<v Speaker 4>allowed to talk about it.

0:31:31.840 --> 0:31:36.720
<v Speaker 3>Excited, Keep your eyes peeled and your eyes tuned, guys.

0:31:36.960 --> 0:31:38.920
<v Speaker 1>Well, thank you so much for joining us. That's our

0:31:38.960 --> 0:31:47.360
<v Speaker 1>episode for today's See You Next Time. Bite x ray

0:31:47.440 --> 0:31:51.440
<v Speaker 1>Vision is hosted by Jason Kenspsion and Rosie Knight and

0:31:51.600 --> 0:31:55.320
<v Speaker 1>is a production of iHeart Podcasts. Our executive producers are

0:31:55.400 --> 0:31:59.720
<v Speaker 1>Joelle Smith and Aaron Kaufman. Our supervising producer is a

0:31:59.720 --> 0:32:04.840
<v Speaker 1>Boot Who's Afar. Our producers are Carmen Laurent and Mia Taylor.

0:32:05.560 --> 0:32:07.680
<v Speaker 1>Our theme song is by Brian Basquez.

0:32:08.160 --> 0:32:12.480
<v Speaker 3>Special thanks to Soul Rubin and Chris Laude, Kenny Goodman

0:32:12.800 --> 0:32:14.880
<v Speaker 3>and Heidi Our discord moderator,