1 00:00:01,639 --> 00:00:04,880 Speaker 1: Hi, I'm Kristen Davis, and I want to know are 2 00:00:04,880 --> 00:00:15,680 Speaker 1: you a Charlotte? Hi? Everybody, welcome to are You a Charlotte? 3 00:00:16,200 --> 00:00:21,880 Speaker 1: We are looking at season three, episode seventeen, so it's 4 00:00:21,880 --> 00:00:26,840 Speaker 1: three seventeen. What Goes Around Comes Around? Air date October eighth, 5 00:00:27,000 --> 00:00:31,320 Speaker 1: two thousand. This is a great, great episode and I 6 00:00:31,360 --> 00:00:33,319 Speaker 1: have many things to confess about it. One is that 7 00:00:33,920 --> 00:00:38,160 Speaker 1: I always thought that the episode where Carrie loses Aiden's 8 00:00:38,240 --> 00:00:40,520 Speaker 1: dog and goes through running through the village, I thought 9 00:00:40,640 --> 00:00:43,080 Speaker 1: that was called What Goes Around Comes Around? But no, 10 00:00:43,360 --> 00:00:45,720 Speaker 1: in fact I was wrong. This episode is called what 11 00:00:45,760 --> 00:00:47,920 Speaker 1: Goes Around Comes Around and is equally as good. I 12 00:00:47,960 --> 00:00:49,959 Speaker 1: have to say, maybe not quite as good. It might 13 00:00:50,000 --> 00:00:53,720 Speaker 1: not unseat that episode is my all time favorite, but 14 00:00:53,760 --> 00:00:56,160 Speaker 1: it's a very very good episode. It was written by 15 00:00:56,240 --> 00:00:59,960 Speaker 1: Darren Starr, directed by Alan Colter. This is the episode 16 00:01:00,080 --> 00:01:05,200 Speaker 1: where Carrie is held up at gunpoint in Soho basically 17 00:01:05,240 --> 00:01:08,760 Speaker 1: looking for West Broadway, which is really funny and a 18 00:01:08,760 --> 00:01:12,560 Speaker 1: little bit weird, and she loses her baguette and her 19 00:01:12,600 --> 00:01:17,280 Speaker 1: Manolo Blonnis and her ring in her watch and then 20 00:01:17,319 --> 00:01:20,800 Speaker 1: a very handsome detective comes and then Miranda ends up 21 00:01:20,880 --> 00:01:26,800 Speaker 1: dating him Meanwhile, Samantha ends up having a little dalliance 22 00:01:26,840 --> 00:01:29,920 Speaker 1: with someone named Sam Jones, which is also very interesting. 23 00:01:30,319 --> 00:01:36,000 Speaker 1: And then also Charlotte is in Connecticut with the mcdougles. Now, honestly, 24 00:01:36,240 --> 00:01:38,680 Speaker 1: I remembered almost none of this, so it was really 25 00:01:38,720 --> 00:01:40,480 Speaker 1: really interesting for me to watch it. I don't know 26 00:01:40,480 --> 00:01:42,160 Speaker 1: if we're just so tired by this point in the 27 00:01:42,200 --> 00:01:45,400 Speaker 1: season that I can't remember anything, but it was like 28 00:01:45,440 --> 00:01:47,760 Speaker 1: watching the whole thing for the first time and very 29 00:01:47,840 --> 00:01:50,360 Speaker 1: highly enjoyable. And I did laugh out loud a few times, 30 00:01:50,720 --> 00:01:56,600 Speaker 1: so that was really fun. So it starts with all 31 00:01:56,600 --> 00:01:58,720 Speaker 1: of us out to lunch at an actual restaurant, not 32 00:01:58,800 --> 00:02:02,040 Speaker 1: the coffee shop, and I am wearing a purple dulcha 33 00:02:02,080 --> 00:02:04,840 Speaker 1: and gabana dress and my nails are painted purple. And 34 00:02:04,840 --> 00:02:09,880 Speaker 1: this is what I do remember this season. This episode, Sarah, 35 00:02:09,919 --> 00:02:12,560 Speaker 1: Jeska and I were on the corner. I don't know 36 00:02:12,560 --> 00:02:15,280 Speaker 1: if we were trying to get to the restaurant. We 37 00:02:15,280 --> 00:02:19,160 Speaker 1: were like out in the world on a corner, hiding 38 00:02:19,320 --> 00:02:22,639 Speaker 1: kind of behind a pole for some reason, maybe from paparazzi, 39 00:02:22,720 --> 00:02:25,360 Speaker 1: I have no idea. She looks down at my nails 40 00:02:25,400 --> 00:02:29,120 Speaker 1: and she says, your nails are purple, and you know, 41 00:02:29,160 --> 00:02:31,560 Speaker 1: I am a Southern girl at heart, right, So I thought, 42 00:02:31,600 --> 00:02:33,400 Speaker 1: like I'm wearing this purple dress, I should paint my 43 00:02:33,480 --> 00:02:35,720 Speaker 1: nails to match. So I painted my nails kind of 44 00:02:35,720 --> 00:02:39,120 Speaker 1: a grape color, which you see me waving my hands 45 00:02:39,120 --> 00:02:42,840 Speaker 1: around at the coffee shop. You know, questionable, definitely questionable, 46 00:02:42,840 --> 00:02:45,760 Speaker 1: I would say, but whatever, that's what I did. I 47 00:02:45,840 --> 00:02:48,760 Speaker 1: also remember being in Connecticut. I think we were in 48 00:02:48,800 --> 00:02:53,480 Speaker 1: Connecticut filming this stuff with the mcdougalls, and Kyle had 49 00:02:53,480 --> 00:02:55,120 Speaker 1: his little dog with them, and you know how I 50 00:02:55,160 --> 00:02:57,840 Speaker 1: love little dogs, so I remember that. But I also 51 00:02:58,120 --> 00:03:00,320 Speaker 1: did not remember the storyline at all for Charlot, which 52 00:03:00,320 --> 00:03:03,560 Speaker 1: we'll get to where I literally kiss a gardener, which 53 00:03:03,760 --> 00:03:06,840 Speaker 1: I thought had been a dream. I did not remember 54 00:03:06,880 --> 00:03:09,920 Speaker 1: that I actually did this in the storyline of the show. 55 00:03:10,280 --> 00:03:13,760 Speaker 1: It's all very interesting and slightly sad, but we'll get 56 00:03:13,760 --> 00:03:15,799 Speaker 1: to that in a second. So we're all at lunch 57 00:03:15,919 --> 00:03:18,880 Speaker 1: at an actual restaurant and Natasha walks in with a 58 00:03:19,040 --> 00:03:23,079 Speaker 1: very beautiful friend and glares at Carrie with a very 59 00:03:23,680 --> 00:03:27,960 Speaker 1: like seething, seething glare, and Carrie's very like thrown off 60 00:03:28,040 --> 00:03:31,680 Speaker 1: and feels like she feels very guilty that someone would 61 00:03:31,720 --> 00:03:34,840 Speaker 1: hate her this much in New York, which you know, 62 00:03:35,040 --> 00:03:37,280 Speaker 1: is kind of sweet in a way, but it does 63 00:03:37,360 --> 00:03:40,680 Speaker 1: make sense that Bigg's wife would not be a particular 64 00:03:40,680 --> 00:03:44,600 Speaker 1: fan of Carrie's. So then after lunch, Carrie's all still 65 00:03:44,720 --> 00:03:48,280 Speaker 1: so thrown off that she's south of Houston and she 66 00:03:48,360 --> 00:03:51,720 Speaker 1: gets robbed looking for West Broadway, which is kind of 67 00:03:51,760 --> 00:03:53,640 Speaker 1: funny and much more like something that would happen to 68 00:03:53,720 --> 00:03:56,920 Speaker 1: Kristen than what happen to Carrie. So they take her 69 00:03:56,960 --> 00:03:59,960 Speaker 1: shoes and the guy knows that they're called Manolo blind, 70 00:04:00,320 --> 00:04:04,440 Speaker 1: which is kind of hysterical. And she's barefoot, and she's very, 71 00:04:04,600 --> 00:04:06,680 Speaker 1: very concerned about her feet and that she's going to 72 00:04:06,720 --> 00:04:10,840 Speaker 1: get trickonosis. That the word trickonosis, I think, And later 73 00:04:11,000 --> 00:04:13,200 Speaker 1: Miranda says to her, no, you'll only get that from pork, 74 00:04:13,280 --> 00:04:15,000 Speaker 1: which I thought was a pretty funny man in a 75 00:04:15,080 --> 00:04:18,160 Speaker 1: moment I think made me laugh out loud. But she's 76 00:04:18,279 --> 00:04:20,320 Speaker 1: very concerned about running down the street, and she runs 77 00:04:20,320 --> 00:04:22,560 Speaker 1: into a nail salon, I believe, which is why then 78 00:04:22,600 --> 00:04:25,640 Speaker 1: she has on these slippers. She calls the detective. I 79 00:04:25,640 --> 00:04:28,000 Speaker 1: think it's a nail salon, and she has like nail salon, 80 00:04:28,080 --> 00:04:31,880 Speaker 1: slippers on, and then she calls Miranda also and it's 81 00:04:31,920 --> 00:04:38,720 Speaker 1: all very charming and funny. So when they the detective 82 00:04:38,800 --> 00:04:42,359 Speaker 1: comes Detective Stevens is his name. He's this very handsome detective. 83 00:04:42,400 --> 00:04:45,880 Speaker 1: He's very professional, and Miranda comes in and he immediately 84 00:04:46,200 --> 00:04:49,120 Speaker 1: like kind of you know, makes googly eyes at Miranda 85 00:04:49,160 --> 00:04:50,840 Speaker 1: and says something about how she has to help him 86 00:04:50,880 --> 00:04:53,160 Speaker 1: read the Miranda rights to the robber if he catches them, 87 00:04:53,160 --> 00:04:56,520 Speaker 1: which is pretty funny. And then Carrie. They're just fully 88 00:04:56,520 --> 00:04:58,800 Speaker 1: ignoring Carrie. So Carrie does the sort of things like 89 00:04:58,839 --> 00:05:00,920 Speaker 1: standing on her tippy toe to try to get their 90 00:05:00,920 --> 00:05:03,520 Speaker 1: attention because she's not wearing her heels, which I thought 91 00:05:03,560 --> 00:05:06,080 Speaker 1: was so charming and such a Sara Jessica thing to do, 92 00:05:07,520 --> 00:05:09,760 Speaker 1: Very very charming. But back to the Carry storyline, because 93 00:05:09,760 --> 00:05:12,880 Speaker 1: this is actually really interesting and kind of the thing 94 00:05:12,880 --> 00:05:15,279 Speaker 1: that I think is interesting about the storyline is that 95 00:05:15,960 --> 00:05:21,279 Speaker 1: she's somewhat passive in this particular storyline. It's not Carrie 96 00:05:21,360 --> 00:05:24,920 Speaker 1: out there doing things. She's definitely thinking about things. She's 97 00:05:24,960 --> 00:05:27,719 Speaker 1: thinking about Karma. The big questions that she has when 98 00:05:27,720 --> 00:05:30,599 Speaker 1: she's writing are about Karma and is Karma out to 99 00:05:30,680 --> 00:05:33,200 Speaker 1: get her because of her affair with Big, which I 100 00:05:33,200 --> 00:05:36,160 Speaker 1: think is a really valid question. I don't think that 101 00:05:36,240 --> 00:05:38,760 Speaker 1: karma really works in that immediate of a way, but 102 00:05:38,800 --> 00:05:41,000 Speaker 1: I do think it's a valid thing to be asking 103 00:05:41,040 --> 00:05:45,320 Speaker 1: yourself when you have done something that isn't necessarily good 104 00:05:45,360 --> 00:05:50,800 Speaker 1: to other people. Right, So she is questioning these things, 105 00:05:50,839 --> 00:05:54,720 Speaker 1: but also she's slightly passive in terms of like, she's 106 00:05:54,760 --> 00:05:57,960 Speaker 1: at this restaurant having lunch with us, Natasha walks in, 107 00:05:58,080 --> 00:06:00,840 Speaker 1: which then kind of like spurs her to be thinking 108 00:06:00,839 --> 00:06:03,480 Speaker 1: about this. Then she's walking dow the street, she gets robbed, 109 00:06:03,480 --> 00:06:05,640 Speaker 1: which spurs her to think about, am I getting robbed 110 00:06:05,640 --> 00:06:09,240 Speaker 1: because I have bad karma? Then Samantha's storyline, she gets 111 00:06:09,279 --> 00:06:13,880 Speaker 1: pulled into Samantha's storyline. It's interesting and that she's not 112 00:06:13,920 --> 00:06:16,560 Speaker 1: really driving her storyline, but towards the end of the 113 00:06:16,600 --> 00:06:20,200 Speaker 1: show she does drive her storyline and that she pursues 114 00:06:20,240 --> 00:06:25,159 Speaker 1: Samantha Sorry. She pursues Natasha to be able to apologize 115 00:06:25,160 --> 00:06:27,400 Speaker 1: to her, which I think is fantastic and has been 116 00:06:27,440 --> 00:06:30,119 Speaker 1: a long time coming. And I had totally forgotten about 117 00:06:30,120 --> 00:06:31,760 Speaker 1: all of this, so it was really interesting for me 118 00:06:31,800 --> 00:06:37,599 Speaker 1: to watch. So she's the Samantha storyline is also really 119 00:06:37,680 --> 00:06:41,799 Speaker 1: funny and interesting. She's in her apartment and she starts 120 00:06:41,800 --> 00:06:44,240 Speaker 1: getting all these calls from these guys about how they're 121 00:06:44,279 --> 00:06:45,960 Speaker 1: all going to be coming to her party, and she 122 00:06:45,960 --> 00:06:48,400 Speaker 1: doesn't know what party they're talking about. So eventually she 123 00:06:48,520 --> 00:06:51,400 Speaker 1: questions one and he gives her the address and it's 124 00:06:51,440 --> 00:06:53,839 Speaker 1: near Washington Square Park, so she thinks, oh, they're very rich. 125 00:06:53,839 --> 00:06:56,039 Speaker 1: Whoever's having this party, This Sam Jones that is having 126 00:06:56,040 --> 00:06:59,080 Speaker 1: this party is very rich. No, it turns out they 127 00:06:59,120 --> 00:07:02,240 Speaker 1: live in an NYA dorm which is hysterically I don't 128 00:07:02,279 --> 00:07:06,839 Speaker 1: remember any of it. And this incredible actor named Jacob 129 00:07:06,880 --> 00:07:10,760 Speaker 1: Pitts plays Sam Jones and apparently he was twenty one 130 00:07:10,800 --> 00:07:12,600 Speaker 1: when he filmed this. We need to find this guy, 131 00:07:12,920 --> 00:07:15,440 Speaker 1: Jacob Pitts or anyone who knows him. We need to 132 00:07:15,440 --> 00:07:18,040 Speaker 1: find him to be on the podcast. He's really funny. 133 00:07:18,120 --> 00:07:21,040 Speaker 1: He's got a Southern accent. I don't know why. It's 134 00:07:21,080 --> 00:07:23,320 Speaker 1: not part of the part of the character, but he's 135 00:07:23,320 --> 00:07:25,440 Speaker 1: got a Southern accent. And he's supposed to be playing 136 00:07:25,480 --> 00:07:27,520 Speaker 1: like a really young kid who's a virgin who's going 137 00:07:27,520 --> 00:07:31,920 Speaker 1: to n YU. And Sam and Carrie are Samantha Jones 138 00:07:31,960 --> 00:07:35,800 Speaker 1: and Carrie walk into this like basically frat type party 139 00:07:36,480 --> 00:07:40,120 Speaker 1: at NYU, which is fully embarrassing, and Carrie says to 140 00:07:40,160 --> 00:07:42,000 Speaker 1: her like, you can't tell anyone that we did this, 141 00:07:42,320 --> 00:07:45,880 Speaker 1: which you know, she has the right the right attitude 142 00:07:45,880 --> 00:07:48,640 Speaker 1: about it all. And at one point then Samantha says 143 00:07:48,640 --> 00:07:51,880 Speaker 1: something like somehow they figure out that this guy's a virgin, 144 00:07:52,200 --> 00:07:55,360 Speaker 1: which is also funny. And then Samantha says to Carrie, 145 00:07:56,720 --> 00:07:59,080 Speaker 1: you know, maybe I should should, you know, give him 146 00:07:59,080 --> 00:08:01,200 Speaker 1: a good first experience. It's the good first experience that 147 00:08:01,280 --> 00:08:03,920 Speaker 1: I never had, which is kind of adorable. And then 148 00:08:04,160 --> 00:08:06,960 Speaker 1: Carrie says, well, that would be statutory rape because the 149 00:08:07,080 --> 00:08:10,080 Speaker 1: character is supposed to be seventeen. So it's all very 150 00:08:10,200 --> 00:08:14,880 Speaker 1: very interesting but also kind of I mean, you could 151 00:08:14,880 --> 00:08:17,040 Speaker 1: see both sides of it, right, because this guy ends 152 00:08:17,120 --> 00:08:19,960 Speaker 1: up pursuing our Samantha, right like, she walks away, which 153 00:08:20,000 --> 00:08:21,800 Speaker 1: I think is the right thing to do, and then 154 00:08:21,880 --> 00:08:26,640 Speaker 1: he pursues her and they eventually, you know, she gives 155 00:08:26,720 --> 00:08:30,000 Speaker 1: him the first experience that she never had, and it's 156 00:08:30,320 --> 00:08:34,000 Speaker 1: very humorously shot. I mean, Alan Coulter is so clever 157 00:08:34,080 --> 00:08:37,440 Speaker 1: and creative, and this guy is so funny as the 158 00:08:37,480 --> 00:08:41,719 Speaker 1: other Sam Jones like I mean, it's pretty clever. It's 159 00:08:41,760 --> 00:08:44,000 Speaker 1: obviously like the best thing that ever happened to him, 160 00:08:44,720 --> 00:08:51,720 Speaker 1: and it's very athletic and like crazy looking in a 161 00:08:51,760 --> 00:08:53,440 Speaker 1: good way. And then he tells her at the end 162 00:08:53,480 --> 00:08:55,720 Speaker 1: of it that he's in love with her, and then 163 00:08:55,760 --> 00:08:59,040 Speaker 1: she says bye bye and makes him leave, and then 164 00:08:59,800 --> 00:09:02,319 Speaker 1: he he just trips all the way out. And this 165 00:09:02,360 --> 00:09:04,079 Speaker 1: is in the olden days where you have to leave 166 00:09:04,120 --> 00:09:06,720 Speaker 1: voicemail and you can't text someone. So he leaves her 167 00:09:06,760 --> 00:09:10,080 Speaker 1: like thirty five voicemails about how he's obsessed with her 168 00:09:11,360 --> 00:09:14,200 Speaker 1: and he can't live without her, and she's got to 169 00:09:14,200 --> 00:09:16,920 Speaker 1: call him. It's really important. It's so sad. You know, 170 00:09:17,080 --> 00:09:19,559 Speaker 1: we've all been there, I guess. But then he shows 171 00:09:19,640 --> 00:09:23,479 Speaker 1: up at her door screaming, I love you, Sam Jones, 172 00:09:23,600 --> 00:09:38,000 Speaker 1: which is also his name, which is pretty funny. Back 173 00:09:38,080 --> 00:09:42,559 Speaker 1: to Carrie for a second. So we're with Carrie. She is, 174 00:09:42,760 --> 00:09:46,040 Speaker 1: you know, mulling over her karma and what bad karma 175 00:09:46,120 --> 00:09:50,400 Speaker 1: she has created by cheating with Big when he's married 176 00:09:50,400 --> 00:09:54,679 Speaker 1: to Natasha. I mean, you know, I think that's I 177 00:09:54,720 --> 00:09:56,960 Speaker 1: think that's a question you should ask yourself if you 178 00:09:57,080 --> 00:09:59,360 Speaker 1: are having an affair with a married person. Because it's 179 00:09:59,360 --> 00:10:01,679 Speaker 1: obviously not a good idea to be doing that, but 180 00:10:02,080 --> 00:10:04,520 Speaker 1: you know, stuff happens. People are complicated. I get it. 181 00:10:05,520 --> 00:10:08,800 Speaker 1: So she's you know, down there, down there, and so 182 00:10:09,160 --> 00:10:15,160 Speaker 1: she gets robbed. She calls the detective. He's adorable. He arrives. 183 00:10:16,000 --> 00:10:20,800 Speaker 1: Then they go to the party. She tells Samantha says, 184 00:10:20,880 --> 00:10:23,720 Speaker 1: I have a piece of information about Big and Natasha, 185 00:10:23,760 --> 00:10:26,200 Speaker 1: which is kind of insane that Samantha has not told 186 00:10:26,200 --> 00:10:29,080 Speaker 1: her this, but he she knows. Samantha lets carry know 187 00:10:29,559 --> 00:10:33,200 Speaker 1: that Big left Natasha. Sorry, Natasha left Big, and that 188 00:10:33,280 --> 00:10:36,720 Speaker 1: she's back working at Ralph Lauren. And then Carrie looks 189 00:10:36,800 --> 00:10:39,600 Speaker 1: really sad and feels like she is responsible for breaking 190 00:10:39,720 --> 00:10:43,680 Speaker 1: up the marriage, and Samantha says, no, you're not, because 191 00:10:43,720 --> 00:10:46,120 Speaker 1: it probably would have happened anyway, which I also kind 192 00:10:46,120 --> 00:10:50,120 Speaker 1: of think Samantha's right. So then they leave the dorm 193 00:10:50,160 --> 00:10:54,199 Speaker 1: party and a guy, these young guys are running down 194 00:10:54,200 --> 00:10:56,640 Speaker 1: the stairway and they bump into Carrie and she falls 195 00:10:56,679 --> 00:11:00,400 Speaker 1: down the stairs, and she thinks it's karma, because remember 196 00:11:00,440 --> 00:11:04,600 Speaker 1: when Natasha finds her in their apartment and Natasha falls 197 00:11:04,600 --> 00:11:08,200 Speaker 1: down the stairs and breaks her tooth. So then it 198 00:11:08,200 --> 00:11:10,720 Speaker 1: makes Carrie decide that she's going to find Natasha and 199 00:11:10,760 --> 00:11:13,360 Speaker 1: apologize to her. So she calls her OFLF Lauren, and 200 00:11:13,400 --> 00:11:16,480 Speaker 1: the receptionist says she's in a meeting, and Carrie says, 201 00:11:16,480 --> 00:11:20,360 Speaker 1: I'll hold and then the reception says, you're going to 202 00:11:20,400 --> 00:11:22,559 Speaker 1: hold forever, and then Carrie goes, well, I guess I'll 203 00:11:22,559 --> 00:11:25,560 Speaker 1: hold forever, which is kind of funny, and then she 204 00:11:26,040 --> 00:11:30,880 Speaker 1: very cannivingly finds out where Natasha is having lunch and 205 00:11:30,920 --> 00:11:33,400 Speaker 1: she shows up, and she shows up in the door 206 00:11:33,559 --> 00:11:37,760 Speaker 1: newspaper dress, which is of course incredible and incredible dress 207 00:11:38,320 --> 00:11:41,600 Speaker 1: worn to an incredible scene. And I think Molly and 208 00:11:41,640 --> 00:11:46,720 Speaker 1: I talked about this that they knew, like in the 209 00:11:46,760 --> 00:11:49,079 Speaker 1: costume department they would know, oh, we have this scene 210 00:11:49,120 --> 00:11:51,199 Speaker 1: coming up in this season. We've got to have something 211 00:11:51,280 --> 00:11:53,480 Speaker 1: amazing to wear to it, so they would kind of 212 00:11:53,520 --> 00:11:57,120 Speaker 1: like hold things out for that. Now. I've had a 213 00:11:57,240 --> 00:12:01,320 Speaker 1: lengthy texting chain today with Molly about this der newspaper 214 00:12:01,400 --> 00:12:04,480 Speaker 1: dress because it was unclear if there was one Deer 215 00:12:04,559 --> 00:12:07,680 Speaker 1: newspaper dress or two, because Carrie wears it in this 216 00:12:07,760 --> 00:12:10,800 Speaker 1: season season three, and then she also wears it again 217 00:12:10,920 --> 00:12:13,240 Speaker 1: in the second movie. So we were trying to figure 218 00:12:13,280 --> 00:12:16,160 Speaker 1: out is it the exact same dress or is it 219 00:12:16,200 --> 00:12:19,120 Speaker 1: slightly different because when we see it in the season 220 00:12:19,200 --> 00:12:24,200 Speaker 1: three episode, you can't see John Galliano's face as clearly 221 00:12:24,280 --> 00:12:26,640 Speaker 1: on the skirt as you can see it in the film. 222 00:12:26,880 --> 00:12:29,120 Speaker 1: And then Jenna Ortega wore the dress to one of 223 00:12:29,160 --> 00:12:32,679 Speaker 1: her film premieres last summer, which we discussed when we 224 00:12:32,679 --> 00:12:34,080 Speaker 1: were on the press tour for and just like that, 225 00:12:34,240 --> 00:12:37,000 Speaker 1: and you can very clearly see John Galliano. So we 226 00:12:37,000 --> 00:12:39,400 Speaker 1: were not sure if maybe there was more than one dress, 227 00:12:39,880 --> 00:12:41,840 Speaker 1: and if there was more than one dress, did we 228 00:12:41,880 --> 00:12:43,800 Speaker 1: return it to Dior and then we had to get 229 00:12:43,800 --> 00:12:45,480 Speaker 1: a second one for the film, or was it in 230 00:12:45,480 --> 00:12:49,200 Speaker 1: Sir Jessica's warehouse or what. So we're still not one 231 00:12:49,240 --> 00:12:51,680 Speaker 1: hundred percent sure, But what Mollie tells me is that 232 00:12:51,840 --> 00:12:54,679 Speaker 1: it is in fact one dress and that she got 233 00:12:54,760 --> 00:12:59,400 Speaker 1: it from this collector who still has it in Manhattan. 234 00:12:59,640 --> 00:13:01,800 Speaker 1: And you can go on first DIBs. If you happen 235 00:13:01,840 --> 00:13:04,960 Speaker 1: to have two hundred and forty five thousand dollars that 236 00:13:05,040 --> 00:13:07,600 Speaker 1: she would like to buy the newspaper dress with, you 237 00:13:07,640 --> 00:13:10,680 Speaker 1: could have it. I don't know who would have that 238 00:13:10,720 --> 00:13:13,640 Speaker 1: amount of money to buy a dress with, but if 239 00:13:13,640 --> 00:13:19,040 Speaker 1: you did, you could do that, and that is actually 240 00:13:19,120 --> 00:13:22,480 Speaker 1: who Molly got the dress from. She believes both times. 241 00:13:23,040 --> 00:13:25,720 Speaker 1: So I'm waiting to hear back from Sara Jessica because 242 00:13:26,840 --> 00:13:29,240 Speaker 1: maybe they're too But we think now that there's only one, 243 00:13:29,360 --> 00:13:31,520 Speaker 1: which I think means that it was just the sample 244 00:13:31,840 --> 00:13:35,880 Speaker 1: and that it wasn't made in terms of sometimes designers 245 00:13:35,920 --> 00:13:38,480 Speaker 1: will have a sample that they'll make for the fashion show, 246 00:13:38,720 --> 00:13:41,400 Speaker 1: but they won't make it for the stores. You know, 247 00:13:41,480 --> 00:13:43,040 Speaker 1: they won't make a whole bunch of them in different 248 00:13:43,040 --> 00:13:46,520 Speaker 1: sizes for the stores. So that's pretty interesting, I think. Anyway, 249 00:13:46,760 --> 00:13:50,760 Speaker 1: they have this incredible scene where Carrie comes to apologize 250 00:13:50,760 --> 00:13:53,679 Speaker 1: to Natasha, and it's really good what she says to her. 251 00:13:53,720 --> 00:13:57,280 Speaker 1: She basically goes Carrie goes through a long list of 252 00:13:57,600 --> 00:14:00,840 Speaker 1: all of the things that she's sorry for, cheating on, big, 253 00:14:01,120 --> 00:14:04,120 Speaker 1: ruining their marriage, all of the things, and then Natasha 254 00:14:04,760 --> 00:14:09,120 Speaker 1: has a long list back that she says that she's 255 00:14:09,200 --> 00:14:12,040 Speaker 1: sorry for. I didn't remember any of this, and it 256 00:14:12,920 --> 00:14:16,760 Speaker 1: really still kind of strikes me as odd, and I'm 257 00:14:16,800 --> 00:14:22,600 Speaker 1: not sure if it's it just strikes me as odd 258 00:14:22,640 --> 00:14:25,880 Speaker 1: that she has this long list and in it she says, 259 00:14:25,920 --> 00:14:29,080 Speaker 1: I'm very sorry that after much painful dental surgery, this 260 00:14:29,200 --> 00:14:32,560 Speaker 1: tooth is still a different color than this tooth, and 261 00:14:33,240 --> 00:14:35,120 Speaker 1: she says, I'm sorry you felt the need to come 262 00:14:35,200 --> 00:14:39,000 Speaker 1: down here. Now. Not only have you ruined my marriage, 263 00:14:39,000 --> 00:14:41,960 Speaker 1: you've ruined my lunch. I guess that's just what I 264 00:14:42,080 --> 00:14:45,720 Speaker 1: had to say. It's also sad, So it made me 265 00:14:45,880 --> 00:14:48,320 Speaker 1: very happy that we have Natasha come back in a 266 00:14:48,440 --> 00:14:50,800 Speaker 1: jest like that, because it just seems like a really 267 00:14:50,840 --> 00:14:54,080 Speaker 1: sad way to end with Natasha, because apparently we never 268 00:14:54,320 --> 00:14:58,280 Speaker 1: see her again, which I think is pretty tragic, and 269 00:14:58,360 --> 00:15:01,280 Speaker 1: I would have loved to have more Natasha. Then Carrie 270 00:15:01,320 --> 00:15:04,480 Speaker 1: realizes that this chain of events has put Natasha on 271 00:15:04,520 --> 00:15:07,920 Speaker 1: the singles market again, which she seems also sad about. 272 00:15:08,280 --> 00:15:10,600 Speaker 1: And then she realizes at the very end of the 273 00:15:10,640 --> 00:15:13,160 Speaker 1: show when she is walking down the street and possibly 274 00:15:13,320 --> 00:15:16,560 Speaker 1: the most beautiful shot ever on our entire show, done 275 00:15:16,600 --> 00:15:19,400 Speaker 1: by Alan Coulter, of her walking down the street on 276 00:15:19,440 --> 00:15:21,920 Speaker 1: a long lens with the cars in front of her 277 00:15:22,040 --> 00:15:24,400 Speaker 1: in the door dress and the wind is just blowing 278 00:15:24,440 --> 00:15:27,320 Speaker 1: her hair back and the most perfect way ever, and 279 00:15:27,360 --> 00:15:32,000 Speaker 1: she's thinking about how out there somewhere Big is alone again, 280 00:15:32,920 --> 00:15:36,160 Speaker 1: and you just feel kind of like a pit in 281 00:15:36,200 --> 00:15:38,640 Speaker 1: your stomach at the end of that show. At least 282 00:15:38,640 --> 00:15:41,640 Speaker 1: that's what I felt, because of course it's not over, 283 00:15:42,640 --> 00:15:45,680 Speaker 1: and I it's like sad because on the one hand, 284 00:15:45,720 --> 00:15:48,640 Speaker 1: you feel like there's so much more for Carrie, but 285 00:15:48,680 --> 00:15:50,640 Speaker 1: then on the other hand, she's kind of locked in 286 00:15:50,680 --> 00:15:54,680 Speaker 1: this thing. You know. It's interesting, it's interesting to rewatch 287 00:15:54,720 --> 00:15:57,520 Speaker 1: because I have all kinds of feelings obviously when I'm 288 00:15:57,520 --> 00:16:02,600 Speaker 1: watching this, But I also feel like we didn't even 289 00:16:02,800 --> 00:16:07,240 Speaker 1: know how good that show was when we were filming it. 290 00:16:07,320 --> 00:16:09,760 Speaker 1: That's what I think. Like I remember at the time 291 00:16:09,800 --> 00:16:12,880 Speaker 1: people would be really into it, but like when you're 292 00:16:13,080 --> 00:16:15,080 Speaker 1: on something that's kind of a hit, you feel like, 293 00:16:15,360 --> 00:16:17,120 Speaker 1: you know, it's core. People are into it, it's fun, 294 00:16:17,160 --> 00:16:19,600 Speaker 1: it's enjoyable. But when I watch it back, it's like 295 00:16:20,040 --> 00:16:24,080 Speaker 1: really good. I mean, I'm just like kind of amazed sometimes, 296 00:16:24,120 --> 00:16:27,440 Speaker 1: like it's incredible, and you know, our writing is so good, 297 00:16:27,480 --> 00:16:29,480 Speaker 1: and our directing is so good, and the way they 298 00:16:29,720 --> 00:16:32,960 Speaker 1: filmed us is so good. It's like, who we really 299 00:16:33,000 --> 00:16:36,480 Speaker 1: had it like going on and we're just so lucky. 300 00:16:36,520 --> 00:16:40,120 Speaker 1: We're just so incredibly lucky. Okay, now we go to 301 00:16:40,200 --> 00:16:43,840 Speaker 1: Charlotte Charlotte's storyline, which Charlotte is really really not so lucky. 302 00:16:44,160 --> 00:16:46,760 Speaker 1: That's my main thing that I came away from. I 303 00:16:46,760 --> 00:16:50,400 Speaker 1: don't really remember any of this, you guys know because 304 00:16:50,440 --> 00:16:53,040 Speaker 1: you've been listening. When Kyle came on, he talks about 305 00:16:53,040 --> 00:16:55,560 Speaker 1: the scene kind of the most interesting scene that we 306 00:16:55,680 --> 00:16:58,080 Speaker 1: have in this episode where he's playing tennis and the 307 00:16:58,120 --> 00:17:02,600 Speaker 1: makeup artist covered in baby oil, which is quite a scene, 308 00:17:02,880 --> 00:17:07,159 Speaker 1: but also like so sad, so incredibly sad to watch. 309 00:17:07,440 --> 00:17:10,720 Speaker 1: Bra had forgotten about everything leading up to this. So basically, 310 00:17:11,480 --> 00:17:15,399 Speaker 1: we're in Connecticut with the mcdougalls, who are a very sad, 311 00:17:15,520 --> 00:17:19,720 Speaker 1: sad bunch, really sad sad bunch, and we're up there 312 00:17:19,720 --> 00:17:22,720 Speaker 1: and they're all in their preppy, preppy lives, and we 313 00:17:22,880 --> 00:17:26,200 Speaker 1: hear from Carrie over the voiceover that Trey has given 314 00:17:26,280 --> 00:17:29,520 Speaker 1: up and that he's not even really trying to improve 315 00:17:29,560 --> 00:17:32,960 Speaker 1: our sex life, which is really sad. And they're all 316 00:17:33,000 --> 00:17:36,280 Speaker 1: sitting around having their cocktail hour, which apparently goes from 317 00:17:36,480 --> 00:17:39,680 Speaker 1: five until the last persons standing, Carrie tells us in 318 00:17:39,760 --> 00:17:45,960 Speaker 1: this voiceover, which is also really sad. And then Charlotte 319 00:17:46,040 --> 00:17:49,440 Speaker 1: sees this handsome, handsome gardener, which I thought was all 320 00:17:49,640 --> 00:17:53,320 Speaker 1: a dream, but apparently no. She goes, she sees this gardener, 321 00:17:53,400 --> 00:17:56,320 Speaker 1: She flirts with the gardener, She kisses the gardener, who 322 00:17:56,359 --> 00:17:58,320 Speaker 1: literally is like the best gardener you might have ever 323 00:17:58,359 --> 00:18:01,000 Speaker 1: seen in your entire life. He makes up with the gardener, 324 00:18:01,200 --> 00:18:03,320 Speaker 1: and her sister in law sees her and tells the 325 00:18:03,359 --> 00:18:08,680 Speaker 1: whole family, and no one looks that upset, and Bunny says, 326 00:18:08,760 --> 00:18:11,760 Speaker 1: now you're really a McDougall, which if that doesn't send 327 00:18:11,840 --> 00:18:14,360 Speaker 1: chills down your spine, I don't know what is. So 328 00:18:14,400 --> 00:18:18,520 Speaker 1: then Charlotte has kind of an important scene with Trey 329 00:18:19,000 --> 00:18:22,720 Speaker 1: at the tennis court where she basically says, you know, 330 00:18:22,880 --> 00:18:25,720 Speaker 1: I'm really sorry I kissed the gardener, and he goes, well, 331 00:18:26,119 --> 00:18:29,119 Speaker 1: you know, we're together and these things are going to happen, 332 00:18:29,240 --> 00:18:32,480 Speaker 1: which is really sad. Charlotte looks really sad, and then 333 00:18:32,520 --> 00:18:34,639 Speaker 1: she says, when we get back to the city, I 334 00:18:34,680 --> 00:18:38,000 Speaker 1: think we should separate for a while, and he says, alrighty, 335 00:18:38,840 --> 00:18:41,639 Speaker 1: And then you see me in some poker dot pants 336 00:18:41,640 --> 00:18:44,080 Speaker 1: that I think I still own, coming back to her 337 00:18:44,119 --> 00:18:47,639 Speaker 1: old apartment because I only sublet it. So that was 338 00:18:47,680 --> 00:18:50,119 Speaker 1: smart on Charlotte's part, But the rest of it is 339 00:18:50,200 --> 00:18:53,080 Speaker 1: really tragic, and the fact that she's not just crying 340 00:18:53,160 --> 00:18:56,800 Speaker 1: hysterically I don't understand. Let's just say that this is 341 00:18:56,840 --> 00:18:59,320 Speaker 1: one of those times where I'm thinking, did I really 342 00:18:59,359 --> 00:19:03,240 Speaker 1: do that storyline? Well, I'm not sure, but I guess 343 00:19:03,240 --> 00:19:05,320 Speaker 1: because no one else is feeling anything, it's hard for 344 00:19:05,400 --> 00:19:07,720 Speaker 1: Charlotte to have her feelings. I don't really know, but 345 00:19:07,840 --> 00:19:10,520 Speaker 1: I need to happen. See what happens next week, because 346 00:19:10,520 --> 00:19:12,520 Speaker 1: now I'm now I'm confused. Now I'm a little confused 347 00:19:12,520 --> 00:19:15,360 Speaker 1: about Charlotte and Trey because I know it's not over over, 348 00:19:15,480 --> 00:19:30,280 Speaker 1: but anyway, really interesting, all right, So then Miranda's storyline 349 00:19:30,400 --> 00:19:35,240 Speaker 1: is really, really enjoyable. She ends up dating the incredibly 350 00:19:35,280 --> 00:19:39,400 Speaker 1: cute Detective Stevens, but she thinks right away from when 351 00:19:39,400 --> 00:19:42,639 Speaker 1: she meets him that he is out of her league, 352 00:19:42,720 --> 00:19:46,680 Speaker 1: she says, so when he comes over to pick her up, 353 00:19:46,800 --> 00:19:49,480 Speaker 1: it's very clear that he just really really likes her, right, 354 00:19:49,560 --> 00:19:51,600 Speaker 1: but her own insecurity is getting the way, which is 355 00:19:51,640 --> 00:19:54,800 Speaker 1: so sad and so relatable. So he comes to pick 356 00:19:54,800 --> 00:19:58,240 Speaker 1: her up and she is in her bedroom trying to 357 00:19:58,320 --> 00:20:00,879 Speaker 1: change her clothes and calls Carrie, saying that she's been 358 00:20:00,920 --> 00:20:03,679 Speaker 1: in her bedroom for twenty minutes trying to change her 359 00:20:03,680 --> 00:20:05,960 Speaker 1: clothes because she doesn't know what to wear because he's 360 00:20:06,000 --> 00:20:07,879 Speaker 1: way out of her league, and then he's going to 361 00:20:08,080 --> 00:20:12,080 Speaker 1: think she's crazy. So she ends up drinking a lot 362 00:20:12,119 --> 00:20:15,760 Speaker 1: to try to help her own insecurities, which is kind 363 00:20:15,800 --> 00:20:18,960 Speaker 1: of sad to watch, and he's just really nice to her. 364 00:20:19,359 --> 00:20:22,600 Speaker 1: They kiss passionately after their first date and he says 365 00:20:22,600 --> 00:20:27,360 Speaker 1: he'll call her and he leaves. Then they go out again, 366 00:20:27,680 --> 00:20:31,000 Speaker 1: and this is interesting. So they're at the restaurant, he's 367 00:20:31,119 --> 00:20:34,080 Speaker 1: just fully focused on her, talking to her very sweetly, 368 00:20:34,640 --> 00:20:37,399 Speaker 1: and she's looking around the room and thinking that every 369 00:20:37,440 --> 00:20:39,920 Speaker 1: single woman is looking at him because he's so handsome. 370 00:20:40,520 --> 00:20:43,240 Speaker 1: And then the waitress shows up and kind of inappropriately 371 00:20:43,359 --> 00:20:46,560 Speaker 1: flirts with him, doesn't really even look at Miranda, which 372 00:20:46,680 --> 00:20:51,840 Speaker 1: you know, I've been through that. It's weird. And then 373 00:20:51,920 --> 00:20:55,680 Speaker 1: they end up going back to her apartment and she's 374 00:20:55,800 --> 00:20:59,240 Speaker 1: very drunk. What you don't see is the storyline that 375 00:20:59,280 --> 00:21:02,119 Speaker 1: they had planned, which was that she was going to 376 00:21:02,119 --> 00:21:05,439 Speaker 1: be so incredibly drunk that while having sex with the 377 00:21:05,480 --> 00:21:08,399 Speaker 1: cute detective, she was going to be kind of on 378 00:21:08,440 --> 00:21:10,840 Speaker 1: top of him, straddling him, and she was going to 379 00:21:10,960 --> 00:21:14,520 Speaker 1: throw up all over him, which they filmed, and I 380 00:21:14,560 --> 00:21:17,000 Speaker 1: remember a lot of discussion about the filming and that 381 00:21:17,000 --> 00:21:21,480 Speaker 1: they had this whole rig with the chunky Campbell's soup 382 00:21:21,680 --> 00:21:24,320 Speaker 1: and that it was pretty disgusting. And then they decide 383 00:21:24,320 --> 00:21:26,879 Speaker 1: when they watch it that is just too much, that 384 00:21:26,960 --> 00:21:30,359 Speaker 1: they can't do this to Miranda, and so they change 385 00:21:30,359 --> 00:21:33,880 Speaker 1: it and they have her doing this really funny thing 386 00:21:33,920 --> 00:21:37,720 Speaker 1: that's now a very meme, very popular meme, where she's 387 00:21:37,760 --> 00:21:40,000 Speaker 1: walking down the hall, her hair is all crazy, she's 388 00:21:40,040 --> 00:21:44,159 Speaker 1: really hungover, and she makes it down the hall to 389 00:21:44,240 --> 00:21:46,720 Speaker 1: her side table by the door, and there's a note 390 00:21:46,720 --> 00:21:50,000 Speaker 1: from the detective saying that she should go to AA, 391 00:21:50,240 --> 00:21:55,439 Speaker 1: which is sad, but you know, also very very relatable, 392 00:21:56,040 --> 00:21:59,320 Speaker 1: and I guess it's good that they didn't show her 393 00:21:59,320 --> 00:22:03,600 Speaker 1: throwing up on him. I mean, it's also kind of funny. 394 00:22:04,000 --> 00:22:06,639 Speaker 1: I don't know. I feel like I have an image 395 00:22:06,680 --> 00:22:08,160 Speaker 1: of it in my mind, but I don't know where 396 00:22:08,160 --> 00:22:10,119 Speaker 1: that image came from. I don't know if it was 397 00:22:10,200 --> 00:22:14,040 Speaker 1: just because I heard it described so much by everybody, 398 00:22:14,840 --> 00:22:18,439 Speaker 1: or if it just was like so clearly described on 399 00:22:18,480 --> 00:22:20,600 Speaker 1: the page in the writing that I have a clear 400 00:22:20,680 --> 00:22:22,720 Speaker 1: image in my mind, or maybe I saw the dailies. 401 00:22:22,800 --> 00:22:25,080 Speaker 1: I'm not sure, but I have it living in my mind, 402 00:22:25,640 --> 00:22:28,200 Speaker 1: but it's not in the finished episode, that's for sure. 403 00:22:29,400 --> 00:22:33,600 Speaker 1: And it's funny, really funny to think about it and 404 00:22:33,640 --> 00:22:39,600 Speaker 1: talk about it and hear Tim's memories of it, so 405 00:22:39,640 --> 00:22:41,960 Speaker 1: I thank him for that so that I don't feel 406 00:22:42,000 --> 00:22:46,320 Speaker 1: like I'm totally insane that I remember that. Anyway, I 407 00:22:46,400 --> 00:22:49,359 Speaker 1: think everyone has really good storylines in this episode. I 408 00:22:49,680 --> 00:22:52,600 Speaker 1: really enjoyed watching it. I don't remember hardly any of it, 409 00:22:52,760 --> 00:22:59,320 Speaker 1: so it was really like a a very fresh, fresh 410 00:22:59,359 --> 00:23:01,520 Speaker 1: episode from you to watch, and it made me happy 411 00:23:01,560 --> 00:23:03,879 Speaker 1: that it was so good. All Right, I hope you 412 00:23:03,920 --> 00:23:06,280 Speaker 1: guys are good, and I'll talk to you next time. 413 00:23:06,480 --> 00:23:10,320 Speaker 1: And are you a Charlotte