1 00:00:00,720 --> 00:00:04,080 Speaker 1: I Am all in again. 2 00:00:09,880 --> 00:00:10,400 Speaker 2: Let's do. 3 00:00:18,200 --> 00:00:23,239 Speaker 1: Luke's Diner with Scott Patterson an iHeartRadio podcast. Hey Everybody, 4 00:00:23,320 --> 00:00:27,960 Speaker 1: Scott Patterson, I'm all in Podcast one eleven productions, iHeartRadio, 5 00:00:28,120 --> 00:00:33,360 Speaker 1: iHeart Media, iHeart Podcast one on one episode Luke's Diner 6 00:00:33,600 --> 00:00:38,800 Speaker 1: with the one and only Gavin Rossdale. Gavin Rossdale as 7 00:00:38,840 --> 00:00:42,920 Speaker 1: you know, lead vocalist, guitars founder of Bush, sold twenty 8 00:00:43,000 --> 00:00:47,200 Speaker 1: four million records so far in the US and Canada, 9 00:00:47,240 --> 00:00:52,920 Speaker 1: earning the Ivor Novella Award for Songwriting with twenty six 10 00:00:53,040 --> 00:00:57,360 Speaker 1: consecutive top forty hits, including number one singles like Listening 11 00:00:58,160 --> 00:00:59,160 Speaker 1: and The Sound Winter. 12 00:00:59,240 --> 00:00:59,920 Speaker 3: He also. 13 00:01:01,160 --> 00:01:04,600 Speaker 1: Found solo success with Love Remains the Same. Beyond music, 14 00:01:05,440 --> 00:01:08,199 Speaker 1: he acted in films like Constantine, The Bling Ring. Bush 15 00:01:08,319 --> 00:01:12,160 Speaker 1: recently released Loaded the Greatest Hits ninety four to twenty 16 00:01:12,240 --> 00:01:16,319 Speaker 1: twenty three and wrapped a major North American tour, with 17 00:01:16,440 --> 00:01:20,400 Speaker 1: more new music and global touring ahead in twenty twenty five. 18 00:01:20,480 --> 00:01:23,720 Speaker 1: And I saw that schedule. That's an ambitious schedule. It's 19 00:01:23,880 --> 00:01:29,200 Speaker 1: an arena tour Canada, Latin America, Canada, United States. You're 20 00:01:29,200 --> 00:01:33,320 Speaker 1: going to be everywhere. He's now starting a new project, 21 00:01:33,360 --> 00:01:37,640 Speaker 1: Dinner with Gavin Rossdale, which premieres February thirteen on videos 22 00:01:38,080 --> 00:01:41,759 Speaker 1: free streaming service watch Free plus a new episodes come 23 00:01:41,800 --> 00:01:47,800 Speaker 1: out every week. Gavin, Hello, thank you, and welcome to 24 00:01:48,000 --> 00:01:48,640 Speaker 1: the show. 25 00:01:49,120 --> 00:01:49,920 Speaker 3: Thanks for having me. 26 00:01:50,960 --> 00:01:53,559 Speaker 1: Can we talk before we get into your new show? 27 00:01:53,640 --> 00:01:56,240 Speaker 1: And you know, I'm a cooking guy too, and I 28 00:01:56,280 --> 00:01:59,600 Speaker 1: love cooking. I cook for my family as often as 29 00:01:59,640 --> 00:02:05,040 Speaker 1: I can when I'm home. I love your story. Tell 30 00:02:05,120 --> 00:02:08,960 Speaker 1: us a little bit about, you know, that period of 31 00:02:09,000 --> 00:02:15,680 Speaker 1: time when you were struggling and sixteen sixteen Stone hadn't 32 00:02:15,720 --> 00:02:18,239 Speaker 1: even been written yet, it hadn't come out. That was 33 00:02:18,280 --> 00:02:21,959 Speaker 1: what nineteen ninety five tell us about the early years 34 00:02:22,760 --> 00:02:26,400 Speaker 1: and what that was like making it up that ladder. 35 00:02:26,280 --> 00:02:31,320 Speaker 3: Well, I really committed my whole life to music, you know, 36 00:02:31,440 --> 00:02:36,760 Speaker 3: so when I left school and I didn't want to 37 00:02:36,800 --> 00:02:39,799 Speaker 3: go to college or anything like that, I really wanted 38 00:02:39,800 --> 00:02:41,840 Speaker 3: to get on with the world, take a world on 39 00:02:41,880 --> 00:02:46,160 Speaker 3: way out of that man and I just it was. 40 00:02:46,400 --> 00:02:48,600 Speaker 3: It was a brilliant time of just self discovery, of 41 00:02:48,680 --> 00:02:51,400 Speaker 3: just trying to find out who I was and living 42 00:02:51,400 --> 00:02:56,720 Speaker 3: in London. I had an a problem with a few friends. 43 00:02:57,680 --> 00:03:01,240 Speaker 3: We would die out every night. We would be the 44 00:03:01,440 --> 00:03:06,440 Speaker 3: kings of London Nightlight got out. We were but I 45 00:03:06,520 --> 00:03:08,720 Speaker 3: mean we would go regularly out to all different clubs. 46 00:03:08,960 --> 00:03:12,040 Speaker 3: Had no money. I'd never bought a dream, I didn't 47 00:03:12,080 --> 00:03:14,079 Speaker 3: have any money. It never really bothered me because there's 48 00:03:14,080 --> 00:03:18,760 Speaker 3: never any perspective on that being anything peculiar or you know. 49 00:03:19,440 --> 00:03:22,119 Speaker 3: So it was just somehow we did it. I can't 50 00:03:22,160 --> 00:03:27,000 Speaker 3: believe it. And I was in two other bands before Bush, 51 00:03:27,000 --> 00:03:31,320 Speaker 3: and I think that they were really helpful. And I 52 00:03:31,360 --> 00:03:34,040 Speaker 3: meant I was the last one standing in both bands, 53 00:03:34,280 --> 00:03:37,800 Speaker 3: because that's my nature, right, I don't give up. Other 54 00:03:37,840 --> 00:03:40,600 Speaker 3: people give up before me. And so twice I was 55 00:03:40,680 --> 00:03:43,160 Speaker 3: left standing left of the altar of music or whatever. 56 00:03:43,720 --> 00:03:46,640 Speaker 3: And it was weird because my second band, you know 57 00:03:46,680 --> 00:03:51,520 Speaker 3: the guy Emil Lovely Lovely Emial Lobo, and he was 58 00:03:51,600 --> 00:03:54,040 Speaker 3: amazing guitar player, but more of a classic rock kind 59 00:03:54,040 --> 00:03:56,680 Speaker 3: of guitar player. So I went from a guitar player 60 00:03:56,680 --> 00:03:58,200 Speaker 3: in my first band who was a bit more sort 61 00:03:58,200 --> 00:04:01,160 Speaker 3: of pop oriented. I couldn't do the Gang of Four 62 00:04:01,240 --> 00:04:05,040 Speaker 3: stuff that I liked as clearly don't yeah, my I 63 00:04:05,160 --> 00:04:07,720 Speaker 3: just would suggest music. Then I wasn't. I didn't. I 64 00:04:07,760 --> 00:04:10,040 Speaker 3: wasn't playing well enough. I sort of was like a 65 00:04:10,480 --> 00:04:12,640 Speaker 3: played busking chords, you know what I mean to get 66 00:04:12,640 --> 00:04:16,159 Speaker 3: through a Dylan song, but nothing, nothing you'd call like 67 00:04:16,200 --> 00:04:19,679 Speaker 3: a more like a real songwriter style of limited guitar playing. 68 00:04:20,320 --> 00:04:22,360 Speaker 3: So and even the first band, I didn't play it 69 00:04:22,360 --> 00:04:25,440 Speaker 3: at all, So I had to ask for things. And 70 00:04:25,960 --> 00:04:28,240 Speaker 3: I love Public Image, but that the band didn't ever 71 00:04:28,360 --> 00:04:31,200 Speaker 3: sound like Public Image, but midnight at the first mine 72 00:04:31,760 --> 00:04:34,719 Speaker 3: and in the second band, I wasn't He wouldn't let 73 00:04:34,760 --> 00:04:37,839 Speaker 3: me play guitar, didn't want me to play guitar, and 74 00:04:38,480 --> 00:04:40,440 Speaker 3: which is sort of fair enough because it's really accomplished 75 00:04:40,440 --> 00:04:43,080 Speaker 3: guitar player. But the problem is is that, you know, 76 00:04:43,279 --> 00:04:45,719 Speaker 3: especially in my line of work, it's not like it's 77 00:04:45,760 --> 00:04:47,880 Speaker 3: nothing to do with the quality of your guitar playing. 78 00:04:48,080 --> 00:04:50,560 Speaker 3: In order to write a song, he's had to know 79 00:04:50,800 --> 00:04:53,360 Speaker 3: enough to give it the framework. And I was really 80 00:04:53,360 --> 00:04:56,520 Speaker 3: really lucky to then be blessed through two incarnations of 81 00:04:56,560 --> 00:05:01,760 Speaker 3: Bush with two phenomenal on guitar players, both of them. 82 00:05:01,839 --> 00:05:05,160 Speaker 3: So I've been really lucky. As my foils, they've been 83 00:05:05,200 --> 00:05:09,520 Speaker 3: great and and and what happened is that I got 84 00:05:09,560 --> 00:05:13,359 Speaker 3: forced into writing songs because I couldn't find anyone to 85 00:05:13,400 --> 00:05:16,599 Speaker 3: work with. And before I had done that. I just 86 00:05:16,640 --> 00:05:20,240 Speaker 3: thought it was a bit embarrassing to say, you devote 87 00:05:20,240 --> 00:05:22,240 Speaker 3: your life to music and being a songwriter, but you 88 00:05:22,279 --> 00:05:24,560 Speaker 3: couldn't write your own song and you're always waiting around 89 00:05:24,560 --> 00:05:25,840 Speaker 3: for someone else to write a song with. I thought 90 00:05:25,880 --> 00:05:28,520 Speaker 3: that was weak, you know. So that's why I began 91 00:05:28,560 --> 00:05:31,680 Speaker 3: writing songs on my own. I mean, I'm perfectly collaborative now, 92 00:05:31,680 --> 00:05:33,960 Speaker 3: and I work and I write, you know, with my 93 00:05:34,080 --> 00:05:37,920 Speaker 3: band or the producer, and so I'm really open to that. 94 00:05:38,000 --> 00:05:40,520 Speaker 3: I like that, and Tyler Bates I've written with a lot. 95 00:05:40,960 --> 00:05:42,520 Speaker 3: I love that. It's a whole different It's just a 96 00:05:42,520 --> 00:05:44,719 Speaker 3: different way of approaching it. And I think that no 97 00:05:44,800 --> 00:05:46,880 Speaker 3: one cares if I wrote it or I wrote it 98 00:05:46,920 --> 00:05:49,560 Speaker 3: with someone else. Really, so I always write the top line. 99 00:05:49,600 --> 00:05:53,760 Speaker 3: I always write the words. So and so those years 100 00:05:53,760 --> 00:05:56,280 Speaker 3: were wild, and we're all we ever lived by was 101 00:05:56,279 --> 00:05:59,600 Speaker 3: the ethos of what would be like if we ever 102 00:05:59,600 --> 00:06:02,719 Speaker 3: had a die lemma about which door to go through, 103 00:06:02,760 --> 00:06:07,599 Speaker 3: We'd say, where would Jim Morrison go? Where would so 104 00:06:07,680 --> 00:06:11,320 Speaker 3: we always went through gym right to the liquor store? Yeah, yeah, 105 00:06:11,360 --> 00:06:13,920 Speaker 3: whatever story, We totally we lived. We did not not 106 00:06:13,960 --> 00:06:15,800 Speaker 3: as much liquor, but more the other door, but we 107 00:06:15,880 --> 00:06:19,000 Speaker 3: definitely went through that door. So we lived a wild 108 00:06:19,040 --> 00:06:23,159 Speaker 3: life and much in the sort of you know, in 109 00:06:23,200 --> 00:06:26,640 Speaker 3: that tradition of just saying that sometimes you can go. 110 00:06:27,760 --> 00:06:30,279 Speaker 3: It's the Bill Hicks concept of like, you know, like 111 00:06:31,640 --> 00:06:33,520 Speaker 3: not wanting to give drugs a bad name. You know, 112 00:06:33,560 --> 00:06:36,360 Speaker 3: you can have a recreationally, you can enjoy yourself and 113 00:06:36,640 --> 00:06:39,200 Speaker 3: have a furtive cool time. Now, of course that's all 114 00:06:39,240 --> 00:06:43,320 Speaker 3: over because fentanyl ruined everything for anyone, so now you 115 00:06:43,360 --> 00:06:45,160 Speaker 3: can't be like that. But back in those days it 116 00:06:45,200 --> 00:06:48,239 Speaker 3: was just sort of London was really permissive, really open, 117 00:06:48,360 --> 00:06:51,560 Speaker 3: really free and really wild, and I thought it was 118 00:06:51,640 --> 00:06:55,479 Speaker 3: really about living the full life, so that you know, 119 00:06:55,560 --> 00:06:59,400 Speaker 3: immersing yourself in the culture of songs and writing and 120 00:06:59,440 --> 00:07:01,600 Speaker 3: living and being and you know, not sort of having 121 00:07:01,600 --> 00:07:05,320 Speaker 3: a fall back not having money or fall back job 122 00:07:05,360 --> 00:07:08,120 Speaker 3: like I did menial jobs at that time you were. 123 00:07:08,040 --> 00:07:14,640 Speaker 1: Asking about, So tell me about the songs from sixteen Stone. 124 00:07:14,760 --> 00:07:18,240 Speaker 1: Where did that come from? Was that just coming out 125 00:07:18,320 --> 00:07:18,520 Speaker 1: of you? 126 00:07:19,080 --> 00:07:21,840 Speaker 3: Yeah. So we lived in this basement in thirty seven 127 00:07:21,880 --> 00:07:23,840 Speaker 3: Montague Square and I lived in the basement. My friend 128 00:07:23,880 --> 00:07:26,160 Speaker 3: Alex lived in the front room. Pete who still works 129 00:07:26,160 --> 00:07:28,080 Speaker 3: with me, he sort of lived for quite a while 130 00:07:28,120 --> 00:07:31,240 Speaker 3: in the corridor. Nikki Lothar from Canada, I see, lived 131 00:07:31,280 --> 00:07:34,480 Speaker 3: in the boiler room, and I had a girlfriend for 132 00:07:34,800 --> 00:07:37,600 Speaker 3: a number of years through that time, so she lived 133 00:07:37,640 --> 00:07:44,239 Speaker 3: with me, and so it was a real social hub. 134 00:07:44,440 --> 00:07:47,320 Speaker 3: You know, stuff was going on. It was just pretty 135 00:07:47,320 --> 00:07:53,119 Speaker 3: bare bones apartment, but really fantastic beautiful and we would 136 00:07:53,120 --> 00:07:56,360 Speaker 3: go out all night and or stay up all night whenever, 137 00:07:56,640 --> 00:07:59,480 Speaker 3: you know, the combination, have real fun. Stand in this kitchen. 138 00:07:59,560 --> 00:08:01,960 Speaker 3: The kitchen was like covered in graffiti, with like one 139 00:08:02,040 --> 00:08:04,400 Speaker 3: single cooker. I always remember it, but it was just great. 140 00:08:04,480 --> 00:08:08,120 Speaker 3: It was like we'd get these big vats of pasta 141 00:08:08,280 --> 00:08:11,280 Speaker 3: from the from the deli and King's Cross five pounds 142 00:08:11,320 --> 00:08:14,360 Speaker 3: of five bucks worth of this massive thing wheels and 143 00:08:14,480 --> 00:08:18,680 Speaker 3: pasta wheels, and so every day we'd have any kind 144 00:08:18,680 --> 00:08:21,800 Speaker 3: of combination of these pasta wheels. Because my friend Alex, 145 00:08:21,840 --> 00:08:24,040 Speaker 3: he grew up at a restaurant, so he was always 146 00:08:24,080 --> 00:08:29,280 Speaker 3: really nifty at putting an eggplant parmesan together or doing stuff. 147 00:08:29,320 --> 00:08:34,560 Speaker 3: And he came from an Italian background, so we those 148 00:08:34,559 --> 00:08:36,880 Speaker 3: pasta ways were great. So it was it was an 149 00:08:36,920 --> 00:08:41,680 Speaker 3: amazing time. I was really pleased when you know, I 150 00:08:41,800 --> 00:08:45,959 Speaker 3: found the lightning, bolt of success and all that stuff. 151 00:08:47,000 --> 00:08:48,840 Speaker 3: Of course, you know what I mean. I felt like 152 00:08:48,840 --> 00:08:51,520 Speaker 3: a much more belonged in a place where I could 153 00:08:51,559 --> 00:08:54,679 Speaker 3: just be productive and not be sort of always hit 154 00:08:54,679 --> 00:08:56,840 Speaker 3: a creative wall. So no one can you can I 155 00:08:56,840 --> 00:08:58,920 Speaker 3: make this record? No can I do this all? No 156 00:08:59,080 --> 00:09:02,240 Speaker 3: can I No, just endless nose, And so you just 157 00:09:02,320 --> 00:09:04,680 Speaker 3: keep going until someone says, yeah, you should do that. 158 00:09:04,720 --> 00:09:06,160 Speaker 3: You know, let's put all these songs together. Like when 159 00:09:06,160 --> 00:09:08,680 Speaker 3: I was signed to Epic with Midnight and muff Wind 160 00:09:08,679 --> 00:09:12,560 Speaker 3: would sign me, it wouldn't put make it, let us 161 00:09:12,559 --> 00:09:14,080 Speaker 3: make an album, would make a record. You know, we 162 00:09:14,080 --> 00:09:16,760 Speaker 3: had a couple of singles, and I'm sure we weren't 163 00:09:16,760 --> 00:09:19,400 Speaker 3: good enough. I don't even singing about like a year. 164 00:09:19,480 --> 00:09:22,120 Speaker 3: It was like, it's crazy that I could even get 165 00:09:22,120 --> 00:09:24,200 Speaker 3: a deal. But I think that because I was forced 166 00:09:24,240 --> 00:09:28,880 Speaker 3: to go to church every morning to listen to sometimes 167 00:09:28,960 --> 00:09:31,400 Speaker 3: Latin hymns and sometimes It's hymns, I had a real 168 00:09:31,480 --> 00:09:36,800 Speaker 3: sense of cadence of that. And you know, I am 169 00:09:36,880 --> 00:09:40,680 Speaker 3: I'm complete atheist, but I use Biblical language the whole 170 00:09:40,679 --> 00:09:43,480 Speaker 3: time because I think it's like so beautiful. Lots of 171 00:09:43,520 --> 00:09:46,400 Speaker 3: the words that you associate with the Bible, you know 172 00:09:47,400 --> 00:09:52,679 Speaker 3: sin you know, such an amazing word and stuff like that. 173 00:09:52,760 --> 00:09:55,800 Speaker 3: So yes, it's a weird mixture. But I think that 174 00:09:55,920 --> 00:09:59,600 Speaker 3: time was was was incredible, and I don't look at 175 00:09:59,600 --> 00:10:01,400 Speaker 3: like a time of failure. It's just like a time 176 00:10:01,840 --> 00:10:03,920 Speaker 3: of growing and trying to sort of find myself. And 177 00:10:04,080 --> 00:10:07,520 Speaker 3: the best thing about creative life is you can keep 178 00:10:07,559 --> 00:10:11,679 Speaker 3: on growing. There's no really no reason why you should 179 00:10:12,200 --> 00:10:14,000 Speaker 3: fall off. I think I've just made the best record 180 00:10:14,040 --> 00:10:16,280 Speaker 3: I've ever made, or right up there, it's really really, 181 00:10:16,320 --> 00:10:18,760 Speaker 3: really good. Not the best road I've ever made, that's stupid, 182 00:10:18,800 --> 00:10:24,880 Speaker 3: but definitely continue, really proud of this record full stop. 183 00:10:26,679 --> 00:10:29,040 Speaker 1: Some of your influences back then, I mean there was 184 00:10:29,120 --> 00:10:33,880 Speaker 1: ninety five sixteen Stone comes out. I think Oasis was 185 00:10:33,960 --> 00:10:37,840 Speaker 1: kind of ruling the roost at that point. Still right, yeah, 186 00:10:38,000 --> 00:10:42,000 Speaker 1: persuede blur. Right, there's a whole. 187 00:10:42,400 --> 00:10:47,080 Speaker 3: Incredible movement of britpop, celebration of England and me being 188 00:10:47,200 --> 00:10:50,199 Speaker 3: marketing genius. I am fell in love with the sound. 189 00:10:50,200 --> 00:10:54,560 Speaker 3: Had nothing to do with that, And the best part was, 190 00:10:54,600 --> 00:10:56,920 Speaker 3: I'll tell you, I can remember the moment. I can 191 00:10:56,920 --> 00:11:02,720 Speaker 3: remember the whoay in my flat Montague Square and I 192 00:11:02,800 --> 00:11:05,600 Speaker 3: used to have I had the music. I had my 193 00:11:05,840 --> 00:11:09,360 Speaker 3: Hi Fi on a trolley, so you'd take the speakers 194 00:11:09,400 --> 00:11:11,520 Speaker 3: are really long wire, you know, so you'd take the 195 00:11:11,559 --> 00:11:13,720 Speaker 3: speakers at either end of the apartment wherever we were, 196 00:11:13,960 --> 00:11:17,680 Speaker 3: and they'd be stationed and then wheel the trolley and 197 00:11:17,720 --> 00:11:21,280 Speaker 3: then you play your records or there. It was a sprint, 198 00:11:21,440 --> 00:11:23,439 Speaker 3: so because often we'd be wherever we were, we were three 199 00:11:23,480 --> 00:11:25,760 Speaker 3: places to be my bedroom, which is always about a 200 00:11:25,800 --> 00:11:28,439 Speaker 3: TV because there's only one TV, so it'll be crashed 201 00:11:28,480 --> 00:11:31,960 Speaker 3: there watching the football or hanging out whatever. And then 202 00:11:32,000 --> 00:11:35,600 Speaker 3: the kitchen where mainly we'd hang out. And then in 203 00:11:35,720 --> 00:11:38,400 Speaker 3: the front room, which is the sitting room, which is 204 00:11:38,440 --> 00:11:40,360 Speaker 3: where you're meant to hang out. We would hang out 205 00:11:40,600 --> 00:11:43,240 Speaker 3: once Alex Alex folded the better way. It wasn't a bed, 206 00:11:43,280 --> 00:11:45,600 Speaker 3: it was the sofa, so he'd bansally put the sheets 207 00:11:45,600 --> 00:11:48,160 Speaker 3: behind or bang behind it, opened the window and got 208 00:11:48,240 --> 00:11:52,520 Speaker 3: rid of him and light the candles and then that 209 00:11:52,600 --> 00:11:54,120 Speaker 3: then we put the speakers in there. So it was 210 00:11:54,120 --> 00:11:56,520 Speaker 3: a really it was a sort of When I think 211 00:11:56,520 --> 00:11:58,600 Speaker 3: about it, it gives me a lot of pleasure to 212 00:11:58,640 --> 00:12:01,120 Speaker 3: think about all those things. Because it was desperate or die. 213 00:12:01,280 --> 00:12:05,920 Speaker 3: It was just youthful and vibrant and just so ignorant 214 00:12:06,080 --> 00:12:09,640 Speaker 3: and brilliant, you know, amazingly ignorant. Like I didn't know 215 00:12:09,640 --> 00:12:11,680 Speaker 3: what I was fighting for. That's the best thing about 216 00:12:11,679 --> 00:12:14,079 Speaker 3: being young. You fight, but you don't know who you're 217 00:12:14,080 --> 00:12:17,000 Speaker 3: fighting or what you're fighting for, right, you know, I 218 00:12:17,040 --> 00:12:20,400 Speaker 3: was just a I wasn't rebellious like I. One was 219 00:12:20,440 --> 00:12:22,319 Speaker 3: getting in trouble and steaming cars, but I was in 220 00:12:22,559 --> 00:12:24,880 Speaker 3: I was rebellious psychologically. 221 00:12:25,200 --> 00:12:34,960 Speaker 2: Right. 222 00:12:35,000 --> 00:12:37,240 Speaker 1: Let's uh, let's shift gears a little bit. Let's talk 223 00:12:37,240 --> 00:12:40,800 Speaker 1: about your new show, Dinner with Gavin Rossdale. What what 224 00:12:41,000 --> 00:12:41,600 Speaker 1: inspired this? 225 00:12:42,800 --> 00:12:46,120 Speaker 3: I think predominantly the main the main thing was was 226 00:12:46,160 --> 00:12:50,520 Speaker 3: really it was a desire to have a voice. You know, 227 00:12:50,559 --> 00:12:52,800 Speaker 3: I felt a little voiceless, you know, I felt a 228 00:12:52,800 --> 00:12:58,000 Speaker 3: little Yeah, I felt a little voiceless. And I think 229 00:12:58,000 --> 00:13:00,319 Speaker 3: that's what happens, you know with musicians who make rack gords. 230 00:13:01,760 --> 00:13:05,240 Speaker 3: You do some interviews which you're edited and you're cut 231 00:13:05,320 --> 00:13:08,200 Speaker 3: up for their benefit. So do people get a sense 232 00:13:08,240 --> 00:13:12,040 Speaker 3: of you? I was always wasn't sure if I'd come 233 00:13:12,040 --> 00:13:17,480 Speaker 3: across writing interviews, and then as time went on, you know, 234 00:13:17,559 --> 00:13:20,920 Speaker 3: when definitely, when press receded and no one gave an interviews, 235 00:13:20,920 --> 00:13:23,199 Speaker 3: no one really cares that much about read. That was 236 00:13:23,240 --> 00:13:26,480 Speaker 3: all the social media and podcasts, you know, now, So 237 00:13:26,679 --> 00:13:30,720 Speaker 3: I just thought, if you know, I wanted to stay 238 00:13:30,760 --> 00:13:32,959 Speaker 3: hung because I wanted to be with my boys. I 239 00:13:33,000 --> 00:13:35,640 Speaker 3: don't have to always leave to make a living that, 240 00:13:35,760 --> 00:13:37,880 Speaker 3: by the way, haven't achieved. I still have to leave 241 00:13:37,920 --> 00:13:39,160 Speaker 3: if you want to make a living, you know. And 242 00:13:39,160 --> 00:13:42,840 Speaker 3: this food, sure, this present time is more than a 243 00:13:43,280 --> 00:13:43,880 Speaker 3: labor of love. 244 00:13:43,960 --> 00:13:44,120 Speaker 2: You know. 245 00:13:44,920 --> 00:13:48,080 Speaker 3: I better on myself, you know, I you know, funded 246 00:13:48,120 --> 00:13:53,040 Speaker 3: it myself to start with, and so I'm knuckled deep 247 00:13:53,080 --> 00:13:54,880 Speaker 3: in it, as they say. And I have skin in 248 00:13:54,960 --> 00:13:56,760 Speaker 3: the game. I wore the skin in the game out 249 00:13:56,760 --> 00:14:00,600 Speaker 3: of my whole body in the game. So it was 250 00:14:00,640 --> 00:14:02,720 Speaker 3: just this opportunity to do that. But that began, like 251 00:14:02,880 --> 00:14:05,080 Speaker 3: you know, many years ago, and I shot the pilots 252 00:14:05,120 --> 00:14:07,600 Speaker 3: and I just everyone who saw it loved it except 253 00:14:07,600 --> 00:14:10,480 Speaker 3: any commissioning editors. No one would make it. It was 254 00:14:10,559 --> 00:14:12,960 Speaker 3: like my music career, no one will sign me. So 255 00:14:13,720 --> 00:14:15,600 Speaker 3: to have to hang on and continue to try and 256 00:14:15,640 --> 00:14:20,440 Speaker 3: evolve and not take it personally. Don't take no personally, 257 00:14:20,480 --> 00:14:23,120 Speaker 3: you know. That's what I was trying to do, right 258 00:14:23,320 --> 00:14:27,360 Speaker 3: And you know, I had three production companies three, probably 259 00:14:27,400 --> 00:14:31,240 Speaker 3: maybe four. The first guy failed, then three subsequent Yes, 260 00:14:31,360 --> 00:14:34,240 Speaker 3: actually this is the fourth production company that needed another 261 00:14:34,240 --> 00:14:38,080 Speaker 3: production company to finalize the deal. It's like TV blow 262 00:14:38,120 --> 00:14:41,840 Speaker 3: your brains out. It's just a fucking madness. So apparently 263 00:14:41,880 --> 00:14:44,560 Speaker 3: I needed another producer to go with the fourth producer. 264 00:14:44,640 --> 00:14:48,080 Speaker 3: I had to make it happen. But you do what 265 00:14:48,120 --> 00:14:52,640 Speaker 3: you need to make it happen, and you just like, yeah, so, 266 00:14:52,720 --> 00:14:55,920 Speaker 3: I just it's it's a weird one for me. But 267 00:14:56,040 --> 00:14:58,280 Speaker 3: I you know, I've always had this ability a bit 268 00:14:58,360 --> 00:15:00,920 Speaker 3: to cook. I don't really know why, you know. I 269 00:15:00,920 --> 00:15:05,000 Speaker 3: don't do many things, you know, it's music, my family, 270 00:15:05,360 --> 00:15:11,920 Speaker 3: my girlfriend, music, tennis, I don't know. But cooking I love, 271 00:15:12,000 --> 00:15:14,720 Speaker 3: you know, So I I have a real passion for it. 272 00:15:14,720 --> 00:15:16,200 Speaker 3: And I love that and I love that you cook. 273 00:15:16,240 --> 00:15:20,360 Speaker 3: I just like a dude at his house who cooks 274 00:15:20,400 --> 00:15:22,960 Speaker 3: for people he loves if they let you know, you 275 00:15:23,080 --> 00:15:26,080 Speaker 3: know what I mean. That's as convoluted as it is. 276 00:15:26,320 --> 00:15:28,080 Speaker 3: And you know, the food is not really the central 277 00:15:28,160 --> 00:15:32,240 Speaker 3: thing of the show. It's really secondary. It's like a subplot. 278 00:15:32,600 --> 00:15:35,080 Speaker 3: It's not a cooking show at all. I just happen 279 00:15:35,200 --> 00:15:38,160 Speaker 3: to cook. Just that's the sort of the backdrop. That's 280 00:15:38,160 --> 00:15:39,560 Speaker 3: the that's the subplot in there. 281 00:15:40,840 --> 00:15:45,280 Speaker 1: So you have Serena Williams on one episode, Common Brookshields, 282 00:15:45,360 --> 00:15:51,440 Speaker 1: Jack McBriar, others, and you get into these these these conversations. 283 00:15:51,800 --> 00:15:52,720 Speaker 3: I have a good dinner with it. 284 00:15:52,880 --> 00:15:53,680 Speaker 1: You're having dinner. 285 00:15:54,000 --> 00:15:56,080 Speaker 3: I try to have a great dinner with them, you know, 286 00:15:56,320 --> 00:16:01,000 Speaker 3: and and and there's no it's just so embarrassing that 287 00:16:01,160 --> 00:16:03,440 Speaker 3: I can even do it where I can say, yeah, 288 00:16:03,640 --> 00:16:05,720 Speaker 3: I got six cameras, but I'm just gonna be myself, 289 00:16:06,480 --> 00:16:09,120 Speaker 3: you know, to cook. I've got six cameras, but I 290 00:16:09,160 --> 00:16:13,320 Speaker 3: don't like what it may say about me because it 291 00:16:13,320 --> 00:16:18,280 Speaker 3: doesn't really bother me. But I think it's just it's 292 00:16:18,320 --> 00:16:21,720 Speaker 3: being incredible. I'm so grateful to all of them because 293 00:16:22,920 --> 00:16:25,760 Speaker 3: what a leap of faith for them that I wasn't 294 00:16:25,800 --> 00:16:28,480 Speaker 3: going to totally up for them. That's the way I like. 295 00:16:28,560 --> 00:16:31,680 Speaker 3: I'm like because all the way along that my achilles 296 00:16:31,760 --> 00:16:35,320 Speaker 3: heel about the show from the get go was did 297 00:16:35,360 --> 00:16:39,240 Speaker 3: I could I figure six interesting people that would agree 298 00:16:39,280 --> 00:16:41,960 Speaker 3: to do the show? You know, that was the biggest challenge. 299 00:16:41,960 --> 00:16:43,720 Speaker 3: I knew I would always show up. I knew I 300 00:16:43,760 --> 00:16:47,360 Speaker 3: could cook all day long. You know, it's gonna be fine, 301 00:16:47,600 --> 00:16:50,440 Speaker 3: and I knew Jesse, who directed it, is going to 302 00:16:50,600 --> 00:16:52,920 Speaker 3: you know, make it look beautiful. But we didn't have 303 00:16:53,080 --> 00:16:55,720 Speaker 3: is the assurance that you could commit to people, because 304 00:16:55,720 --> 00:16:59,600 Speaker 3: you imagine getting people's schedules aligned. There were people that said, yeah, sure, 305 00:16:59,600 --> 00:17:03,000 Speaker 3: they'd love to do it, but they couldn't find a date. 306 00:17:03,120 --> 00:17:07,120 Speaker 3: So people said yes, but deferred, you know, to another season. 307 00:17:09,840 --> 00:17:11,600 Speaker 3: So yeah, that was the challenge. So that to me, 308 00:17:11,840 --> 00:17:15,280 Speaker 3: I sit in awe and gratitude that I feel like 309 00:17:15,359 --> 00:17:18,639 Speaker 3: I got away with it by you know, I hope 310 00:17:18,640 --> 00:17:21,800 Speaker 3: that if we get to season two, it's easier because 311 00:17:21,800 --> 00:17:23,879 Speaker 3: people see the format and see what it looks like, 312 00:17:24,000 --> 00:17:29,040 Speaker 3: and it's just basically a way for also those people 313 00:17:29,200 --> 00:17:32,520 Speaker 3: to be heard and listened to in a way that 314 00:17:33,080 --> 00:17:37,639 Speaker 3: I think because I'm not a professional interviewer obviously, you know, 315 00:17:38,440 --> 00:17:41,680 Speaker 3: you know, it's just me beingquisitive about how they how 316 00:17:41,720 --> 00:17:44,960 Speaker 3: they get to where they who, you know, how they become, 317 00:17:45,000 --> 00:17:48,040 Speaker 3: who they have become, and whatever their journey is. 318 00:17:48,600 --> 00:17:52,840 Speaker 1: So what is your favorite British dish that you prepare 319 00:17:53,640 --> 00:17:56,960 Speaker 1: or is it not British? 320 00:17:57,000 --> 00:18:00,440 Speaker 3: Well, I mean I try to know as I cook 321 00:18:00,480 --> 00:18:04,160 Speaker 3: all the time. I've really got to try and be dynamic, 322 00:18:04,400 --> 00:18:07,040 Speaker 3: you know, and I don't have a I mean, my 323 00:18:07,680 --> 00:18:11,320 Speaker 3: eleven year old just just have the last portion he 324 00:18:11,359 --> 00:18:14,760 Speaker 3: can ever think of for a moment, of spaghetti bolonnaise 325 00:18:14,920 --> 00:18:17,720 Speaker 3: or Gweny bolonnaies because all he would eat. So I 326 00:18:17,720 --> 00:18:20,280 Speaker 3: would always make a bolannaise for him. I can make 327 00:18:20,280 --> 00:18:23,520 Speaker 3: a bolognaise with my eyes that comes out great. But 328 00:18:24,720 --> 00:18:27,760 Speaker 3: thank god, he's like, you know what he sends to me, 329 00:18:27,840 --> 00:18:31,480 Speaker 3: Penny vod because my new favorite dad got it. So 330 00:18:32,640 --> 00:18:34,640 Speaker 3: I try not to repeat myself. But one thing that's 331 00:18:34,720 --> 00:18:37,359 Speaker 3: orders consistent when I go back to is a full 332 00:18:37,440 --> 00:18:41,800 Speaker 3: English roast. So that's with the Yorkshire puddings, roast potatoes, 333 00:18:42,560 --> 00:18:47,720 Speaker 3: the rib of beef, some crazy demiglass sauce, crazy vegetables, 334 00:18:47,720 --> 00:18:51,119 Speaker 3: and I'm going to make some desserts, I mean just recently, 335 00:18:52,080 --> 00:18:53,760 Speaker 3: which is a bit skined of going to be getting 336 00:18:53,760 --> 00:18:55,679 Speaker 3: really into making desserts. So I never really used to 337 00:18:55,720 --> 00:18:58,000 Speaker 3: be into that, and in fact, the show made me 338 00:18:58,119 --> 00:19:01,280 Speaker 3: sort of get more focused on that. But I justn't 339 00:19:01,320 --> 00:19:02,920 Speaker 3: be worried I'd be like the size of the house 340 00:19:02,960 --> 00:19:06,880 Speaker 3: if I became too proficient. Look, I guess I made 341 00:19:07,400 --> 00:19:11,760 Speaker 3: you to me like seventeen seventeen. I guess against and meanwhile, 342 00:19:11,760 --> 00:19:13,560 Speaker 3: I'm like blowing up like a michelin man. You know. 343 00:19:14,200 --> 00:19:16,400 Speaker 1: It's I have a ten year old that I love 344 00:19:16,480 --> 00:19:17,200 Speaker 1: cooking for him. 345 00:19:17,240 --> 00:19:17,680 Speaker 2: He loved. 346 00:19:17,680 --> 00:19:21,240 Speaker 1: We're we're experimenting with different marin arisauces because he can 347 00:19:21,440 --> 00:19:24,840 Speaker 1: literally eat like a mountain of pasta. It's I can't 348 00:19:24,880 --> 00:19:27,760 Speaker 1: eat that much this kid, and he never gains weight. 349 00:19:27,880 --> 00:19:32,800 Speaker 1: It's it's just wild. I don't think there's anything that 350 00:19:32,840 --> 00:19:36,080 Speaker 1: brings me greater joy than than cooking for my family, 351 00:19:36,160 --> 00:19:38,960 Speaker 1: my wife and my son. It's just my favorite time 352 00:19:39,000 --> 00:19:42,479 Speaker 1: of day is five o'clock and I start prepping. I 353 00:19:42,560 --> 00:19:44,520 Speaker 1: just I love it and I like to drag it 354 00:19:44,560 --> 00:19:45,560 Speaker 1: out as long as I. 355 00:19:45,520 --> 00:19:49,240 Speaker 3: Possibly the same. Yeah, I because I don't. 356 00:19:49,280 --> 00:19:51,800 Speaker 1: I don't like to travel that much anymore. I want 357 00:19:51,800 --> 00:19:53,320 Speaker 1: to be with him and I want to be with her, 358 00:19:53,400 --> 00:19:55,440 Speaker 1: and I just I just, you know, I'm kind of like, 359 00:19:55,720 --> 00:19:57,520 Speaker 1: all right, I'm over it now. I did it for 360 00:19:57,560 --> 00:19:59,720 Speaker 1: so many years, and it's like, okay, I. 361 00:19:59,640 --> 00:20:03,440 Speaker 3: Haven't go up yet. I'm still traveling. I am too. 362 00:20:03,960 --> 00:20:05,280 Speaker 1: I can't get out of it. 363 00:20:05,800 --> 00:20:08,639 Speaker 3: I mean it's quite it's intense. I mean, it's funny. 364 00:20:08,680 --> 00:20:11,199 Speaker 3: These lives that we have, you know, are being really reflective. 365 00:20:12,119 --> 00:20:13,879 Speaker 3: It's weirt because you know, I think about it, my 366 00:20:13,960 --> 00:20:26,679 Speaker 3: son's going into music and the challenges they'll have. I 367 00:20:26,720 --> 00:20:28,320 Speaker 3: have a new record coming that is about to come 368 00:20:28,320 --> 00:20:33,920 Speaker 3: out called I Beat Loneliness and Nice and that's coming 369 00:20:33,960 --> 00:20:36,119 Speaker 3: out wherever the next couple of months. 370 00:20:37,040 --> 00:20:40,600 Speaker 1: You excited about the tour, Yes, you're gonna take You're 371 00:20:40,600 --> 00:20:41,600 Speaker 1: gonna take your boys with you. 372 00:20:42,160 --> 00:20:44,760 Speaker 3: Well that's the only downside. Yeah, I can't take them 373 00:20:44,800 --> 00:20:47,600 Speaker 3: to Canada because or South America because they're in school 374 00:20:47,600 --> 00:20:50,560 Speaker 3: at that time, right, and those aren't the tours to 375 00:20:50,640 --> 00:20:53,360 Speaker 3: take them. And then I would take it in North America. 376 00:20:53,920 --> 00:20:57,080 Speaker 3: I have the I get my own bus just to 377 00:20:57,119 --> 00:20:59,920 Speaker 3: have them and sort of squander most of my way. 378 00:21:00,640 --> 00:21:05,439 Speaker 3: I'm getting a bus. It's so dumb, like buses are 379 00:21:05,440 --> 00:21:08,439 Speaker 3: so expensive three times as money as much money as 380 00:21:08,440 --> 00:21:10,240 Speaker 3: they were three times. 381 00:21:09,880 --> 00:21:13,360 Speaker 1: And the drivers can't drive as many hours now, right. 382 00:21:13,440 --> 00:21:16,760 Speaker 3: Right, So you get three sides as much for less value. Yeah, 383 00:21:16,800 --> 00:21:18,960 Speaker 3: I got my old driver. Back in the day, they 384 00:21:19,000 --> 00:21:22,480 Speaker 3: would like because they'd get over drives, they'd get overdrives. 385 00:21:22,520 --> 00:21:25,760 Speaker 3: So not naming any names, but you know there's some 386 00:21:25,760 --> 00:21:29,680 Speaker 3: some you know some some Bolivian drives across the cross 387 00:21:29,720 --> 00:21:34,320 Speaker 3: state lines. 388 00:21:35,000 --> 00:21:36,040 Speaker 2: Are you playing California? 389 00:21:36,119 --> 00:21:39,679 Speaker 3: There's terrified when I think back that bus hurtling at 390 00:21:39,760 --> 00:21:43,240 Speaker 3: eighty miles an hour. I had a crash last summer 391 00:21:43,280 --> 00:21:45,800 Speaker 3: with my boys on the bus. My bus driver passed 392 00:21:45,840 --> 00:21:50,120 Speaker 3: out seventy miles an hour across the divide. We could 393 00:21:50,119 --> 00:21:52,920 Speaker 3: have been killed easily across the divide. When the other 394 00:21:53,000 --> 00:21:57,840 Speaker 3: side of the of the freeway, I don't know it 395 00:21:57,880 --> 00:21:59,920 Speaker 3: was I think it was five in the morning. Yeah, 396 00:22:00,440 --> 00:22:03,600 Speaker 3: and he crashed, hit a pole and then went back 397 00:22:03,680 --> 00:22:05,080 Speaker 3: up and then hit a pole. It was like, we 398 00:22:05,119 --> 00:22:07,040 Speaker 3: have to change the buses. That we were lucky to 399 00:22:07,080 --> 00:22:12,520 Speaker 3: say this. They would have been you know, the TV 400 00:22:12,600 --> 00:22:15,200 Speaker 3: show would have been huge, The record would have been huge. 401 00:22:15,280 --> 00:22:18,000 Speaker 3: You know, it would be my legacy. But he did 402 00:22:18,040 --> 00:22:21,280 Speaker 3: all this and he died and so at least he 403 00:22:21,359 --> 00:22:23,480 Speaker 3: left us this TV show in his last record. 404 00:22:24,040 --> 00:22:24,199 Speaker 2: You know. 405 00:22:25,119 --> 00:22:29,360 Speaker 3: Now, luckily I destroyed that marketing plan because my kids 406 00:22:29,400 --> 00:22:31,680 Speaker 3: are on the bus. It was like, my kids, thank god, 407 00:22:31,800 --> 00:22:35,479 Speaker 3: slept through it right because he hit the pole and 408 00:22:35,520 --> 00:22:38,480 Speaker 3: the bus came to a slow but he because he 409 00:22:38,520 --> 00:22:41,080 Speaker 3: woke up at the end and on the driver's camp. 410 00:22:41,080 --> 00:22:44,960 Speaker 3: It never gave us the cam back because he's passing 411 00:22:45,040 --> 00:22:49,520 Speaker 3: out seven seven seventeen miles now. He he when we 412 00:22:50,160 --> 00:22:51,600 Speaker 3: when I saw him when we got off the bus 413 00:22:51,600 --> 00:22:53,359 Speaker 3: and he was talking to the police and he's sitting 414 00:22:53,400 --> 00:22:56,000 Speaker 3: there and he with the ambers his days. First of all, 415 00:22:56,000 --> 00:22:58,240 Speaker 3: he never got back on the bus. He never drove 416 00:22:58,240 --> 00:23:01,400 Speaker 3: a bus again. He retired there and then he said 417 00:23:01,400 --> 00:23:03,840 Speaker 3: I'm done. He said, I'm so sorry for the danger 418 00:23:03,840 --> 00:23:06,200 Speaker 3: I put you and your family in. And I never 419 00:23:06,200 --> 00:23:08,879 Speaker 3: saw him again. He'd quit driving. He never drove the 420 00:23:08,920 --> 00:23:11,320 Speaker 3: bus again. They came, someone picked up the bus and 421 00:23:11,840 --> 00:23:15,520 Speaker 3: we got on the band bus and we're like, wow, 422 00:23:15,720 --> 00:23:18,600 Speaker 3: we just literally escaped death. Well we went on the 423 00:23:18,600 --> 00:23:24,640 Speaker 3: wrong way on the freeway with the diver's sleep. It's crazy. 424 00:23:24,760 --> 00:23:25,440 Speaker 2: Are you going to play? 425 00:23:25,520 --> 00:23:27,760 Speaker 1: You play in California? Is there a tour stop somewhere 426 00:23:27,760 --> 00:23:28,360 Speaker 1: in La? 427 00:23:28,480 --> 00:23:30,160 Speaker 3: I hope so. But I got to say, I did 428 00:23:30,200 --> 00:23:32,880 Speaker 3: look at it, and I didn't see California. Oh yeah, 429 00:23:32,880 --> 00:23:35,440 Speaker 3: I saw think I saw the forum. What am I saying? 430 00:23:35,640 --> 00:23:38,840 Speaker 3: I saw the first tool thing that there wasn't It's 431 00:23:38,880 --> 00:23:40,920 Speaker 3: too overwhelming for me to look at the dates. I 432 00:23:41,240 --> 00:23:43,160 Speaker 3: know what I'm doing it, I know more or less 433 00:23:43,160 --> 00:23:44,960 Speaker 3: I'm leaving. I'm a bit confused. I don't know if 434 00:23:44,960 --> 00:23:47,080 Speaker 3: I go to Canada or South America first. I don't 435 00:23:47,200 --> 00:23:47,480 Speaker 3: go to. 436 00:23:47,400 --> 00:23:51,720 Speaker 1: South America first, then Canada, then the States. Wow, you 437 00:23:51,760 --> 00:23:54,120 Speaker 1: have a you have a couple of gigs in South America? 438 00:23:54,240 --> 00:23:56,320 Speaker 3: How is this going to feel extra safe after that? 439 00:23:56,880 --> 00:23:58,040 Speaker 1: Canada? 440 00:23:58,119 --> 00:24:00,600 Speaker 3: From the favelas in real? Are you gotta feel very 441 00:24:00,640 --> 00:24:03,960 Speaker 3: safe in Canada? Yeah? 442 00:24:04,400 --> 00:24:07,159 Speaker 1: Okay, one last question, I'll let you go. If you 443 00:24:07,200 --> 00:24:11,479 Speaker 1: were to ever come into Luke's diner, okay, my diner? 444 00:24:12,040 --> 00:24:16,359 Speaker 3: Oh yeah, what would you order? Oh? I'm a I'm 445 00:24:16,520 --> 00:24:20,959 Speaker 3: you know, I'm a real sucker for like bacon and 446 00:24:20,960 --> 00:24:26,760 Speaker 3: eggs and fries. I love the you know, fries with 447 00:24:26,880 --> 00:24:29,760 Speaker 3: eggs is just really underrated. I would make that. I 448 00:24:29,880 --> 00:24:32,840 Speaker 3: make really nice fries and then cook them with a 449 00:24:33,200 --> 00:24:36,080 Speaker 3: So I'm real simple. I'm a breakfast all day kind 450 00:24:36,080 --> 00:24:40,159 Speaker 3: of person. Just eggs and bacon and a French fry 451 00:24:40,320 --> 00:24:45,600 Speaker 3: and a toast or a good coffee. That's my jam 452 00:24:45,720 --> 00:24:47,560 Speaker 3: whenever I have strayed. Do you see we have cat 453 00:24:47,600 --> 00:24:49,760 Speaker 3: we get England. We call them cafe CAFs. You know, 454 00:24:49,840 --> 00:24:52,800 Speaker 3: so I grew up and you always have two eggs, 455 00:24:53,200 --> 00:24:56,320 Speaker 3: well done, bacon, chips and tomato. Guy, I would say, 456 00:24:56,400 --> 00:24:58,639 Speaker 3: would you like any sauce for that? No, no sauce 457 00:24:59,040 --> 00:25:02,320 Speaker 3: one time out of maybe. I know, we used to 458 00:25:02,320 --> 00:25:05,000 Speaker 3: go there fifteen years straight now before I got successful, 459 00:25:05,080 --> 00:25:06,920 Speaker 3: and we'd eat there like a couple of times a week. 460 00:25:07,000 --> 00:25:11,080 Speaker 3: Is very you know, ten dollars breakfast. And one time 461 00:25:11,080 --> 00:25:13,280 Speaker 3: I've veered off the menu and I got the special 462 00:25:13,440 --> 00:25:15,520 Speaker 3: and I didn't get the bacon and eggs, and I 463 00:25:15,560 --> 00:25:16,320 Speaker 3: still regret it. 464 00:25:17,720 --> 00:25:17,920 Speaker 2: Yeah. 465 00:25:18,400 --> 00:25:20,959 Speaker 3: So if I kench you a diner, well, I know 466 00:25:20,960 --> 00:25:22,959 Speaker 3: what you say, but diner makes me. I got to go. 467 00:25:23,400 --> 00:25:24,960 Speaker 3: I can't not have bacon and eggs. 468 00:25:24,960 --> 00:25:25,200 Speaker 2: You know. 469 00:25:26,040 --> 00:25:28,280 Speaker 1: We'll be really so listen, we'll come out and see 470 00:25:28,320 --> 00:25:32,160 Speaker 1: you when you hit the forum. I'd love to see 471 00:25:32,160 --> 00:25:34,600 Speaker 1: the band. I saw you, guys. I saw you guys 472 00:25:34,600 --> 00:25:35,600 Speaker 1: in the nineties. 473 00:25:36,080 --> 00:25:38,000 Speaker 3: It was kind of a different band now at the 474 00:25:38,080 --> 00:25:43,320 Speaker 3: Palladium in Wow, okay in Hollywood, right right right right 475 00:25:43,320 --> 00:25:44,040 Speaker 3: in the nineties. 476 00:25:44,119 --> 00:25:47,040 Speaker 1: Wow, a long time ago. Yeah, great show. 477 00:25:47,400 --> 00:25:50,760 Speaker 3: Yeah, thank you. Yeah. 478 00:25:50,920 --> 00:25:55,000 Speaker 1: But we'll come out of the forum and great and. 479 00:25:56,480 --> 00:25:58,520 Speaker 3: Check you out. Yeah, we'll bring some out there, all right. 480 00:25:58,640 --> 00:26:02,040 Speaker 1: Gavin Rastell, thank you so much for thank look on 481 00:26:02,080 --> 00:26:04,399 Speaker 1: the tour and the show all the best, all right, 482 00:26:04,480 --> 00:26:04,880 Speaker 1: thanks man. 483 00:26:13,080 --> 00:26:34,680 Speaker 2: Dot Hey everybody, and to forget. 484 00:26:34,720 --> 00:26:38,800 Speaker 1: Follow us on Instagram at i Am all In podcast 485 00:26:38,880 --> 00:26:52,639 Speaker 1: and email us at Gilmore at iHeartRadio dot com.