WEBVTT - Sunday Sampler - The Nashville Podcast Network (3-31-24)

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<v Speaker 1>Hey, everybody, Bob here, thanks for hanging out. It's a

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<v Speaker 1>Sunday sampler. I want to play a few things. Number one,

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<v Speaker 1>coming up, movie Mike's movie podcast.

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<v Speaker 2>It's a game.

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<v Speaker 1>He challenges you to identify some of the most obscure

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<v Speaker 1>movie quotes.

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<v Speaker 2>See if you can nail him.

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<v Speaker 1>On Sore Losers, the president of the Nashville Podcast Network

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<v Speaker 1>joins the guys. You know, they have kind of a

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<v Speaker 1>resolution after a long time. And then starting us off,

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<v Speaker 1>I talked with media executive Phil Becker, and we just

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<v Speaker 1>talked about AI AI and radio. He introduced the first

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<v Speaker 1>ever AI radio personality. We've talked about social media, and

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<v Speaker 1>so here you go all these plus more Sunday sampler.

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<v Speaker 1>We'll start with this a clip of my conversation with

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<v Speaker 1>Phil Becker. He the thing that I struggle with the

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<v Speaker 1>most daily, weekly, monthly in this format, which I love

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<v Speaker 1>and grew up on. But I was also the napster

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<v Speaker 1>kid right first. So as much as country music was

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<v Speaker 1>the Arkansas music and Mike, my mother raised me on

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<v Speaker 1>even traditional which I don't even know what current like

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<v Speaker 1>a temporary country wasn't n ttil later, I was still

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<v Speaker 1>a napster kid who had every influence. So it's almost

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<v Speaker 1>that first generation, even in like I'm doing a project

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<v Speaker 1>coming up the next couple months with Malcolm Gladwell who

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<v Speaker 1>wrote Outliers, and I'd blink, yeah, so big fan of

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<v Speaker 1>him and an Outliers specifically. You know, when Bill Gates

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<v Speaker 1>lived in a town where there was a computer, he

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<v Speaker 1>wouldn't have been Bill Gates if there wasn't that computer

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<v Speaker 1>wasn't in that town. Like luckily that environment worked out

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<v Speaker 1>with the person that was accepting of it and pushed

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<v Speaker 1>and the next thing you know, we have somebody who's

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<v Speaker 1>changing media. I think I'm very fortunate to have been

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<v Speaker 1>birthed in a time that allowed me to be on

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<v Speaker 1>the front side of digital media. But where I was

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<v Speaker 1>really curious, I was consumed by we don't have to

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<v Speaker 1>live in this artistic box that we've been delivered in.

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<v Speaker 1>But I'm very fortunate in the same way Bill Gates

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<v Speaker 1>was fortunate he had a computer in his town, the

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<v Speaker 1>only one for miles and miles and miles. I got

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<v Speaker 1>to be at the age where I had digital media first,

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<v Speaker 1>and because of that, I have all of these different

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<v Speaker 1>influences and from my most influential years, and so the

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<v Speaker 1>one consistent thing has been other people my age or younger,

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<v Speaker 1>regardless of where they grew up, country, hip hop up,

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<v Speaker 1>They've all been influenced.

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<v Speaker 3>By everything too.

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<v Speaker 1>So the standard has been in this format, which again

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<v Speaker 1>I know in love and I've dedicated my last fifteen

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<v Speaker 1>years to it that anybody who comes over here must

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<v Speaker 1>be a carpetbagger, because why weren't they here originally? If

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<v Speaker 1>that's the case, I'm a carpetbagger in a way because

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<v Speaker 1>even though I grew up on country music. In my

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<v Speaker 1>first radio I begged to get a job at US

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<v Speaker 1>ninety seven, they wouldn't hire me, and I did pop.

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<v Speaker 1>But on my pop stations I would put country artists on.

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<v Speaker 1>But to them because I wasn't completely I'm a carpetbagger. However,

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<v Speaker 1>the thing I said with Beyonce was one, if we're

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<v Speaker 1>going to say to be country, you've had to always

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<v Speaker 1>be country, then there's a lot of people that if

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<v Speaker 1>you're not a black artist coming over on a slave

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<v Speaker 1>ship with a makeshift banjo, or if you're not a

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<v Speaker 1>European with a basic fiddle, and the combination of those

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<v Speaker 1>is what influenced the South and the South, then You're

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<v Speaker 1>not a country right, So all you white dudes who

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<v Speaker 1>have your goatee and your sunglasses, they're yelling at me

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<v Speaker 1>that ain't country.

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<v Speaker 2>Well, if you want to keep going.

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<v Speaker 1>Back, I'm going to go back to the actual creation

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<v Speaker 1>of country music.

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<v Speaker 3>You ain't country.

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<v Speaker 1>Secondly, I think also there is a problem, and I

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<v Speaker 1>can understand this problem, and I understand why people feel

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<v Speaker 1>this way because I feel it too. If somebody is

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<v Speaker 1>not succeeding in a genre and they go, I'm just

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<v Speaker 1>going to go and do country because it's not working

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<v Speaker 1>for me. There I can understand being insulted by that, because, oh,

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<v Speaker 1>where you're is it the easier format where you're the

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<v Speaker 1>second place where you're you think you can because you

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<v Speaker 1>can't make it where you did make it. Now you're

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<v Speaker 1>just going to come over and think you can just

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<v Speaker 1>succeed over here where we are. To me, that's not

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<v Speaker 1>so much about art, but it's like, oh, you think

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<v Speaker 1>you can't be the governor of Minnesota, You're gonna move

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<v Speaker 1>to Arkansas and run trying to be the governor because

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<v Speaker 1>you think we're idiots. So my point with Beyonce was

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<v Speaker 1>she doesn't have to do that. She's doing it on

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<v Speaker 1>her own. She's never been bigger yet she still wants

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<v Speaker 1>to do country infused music and some of the music

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<v Speaker 1>that is considered country now. And I could go back,

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<v Speaker 1>and I've been in a couple documentaries where I.

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<v Speaker 3>Talk about music.

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<v Speaker 1>Even if you go back to like Bob Wills, who

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<v Speaker 1>is traditional, like extremely he was the first guy that

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<v Speaker 1>ever amplified as steal guitar, an electric still guitar that's

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<v Speaker 1>not country. Well now it's the first time they made

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<v Speaker 1>an electric guitar. You can go to the greats who've

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<v Speaker 1>all been told you're not country. Generally, the people that

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<v Speaker 1>aren't country and make it are the ones that reset country.

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<v Speaker 1>So people that yell, hey, your country music, this is

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<v Speaker 1>I like traditional country. At one point that traditional wasn't

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<v Speaker 1>Beyonce today, right. And I've been lucky enough to sit

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<v Speaker 1>with these artists who have been told that, and actually

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<v Speaker 1>just Garth for example, everybody Garth's the greatest car. Garth

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<v Speaker 1>wasn't country according to eighty percent of country music for

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<v Speaker 1>a while because how he was doing his concerts. So

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<v Speaker 1>I've often said, the people that say that something's not country,

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<v Speaker 1>they almost have to exist. If everything stayed the same

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<v Speaker 1>country music would die if everything stayed traditional country music

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<v Speaker 1>would die. Any art I just happen to be in

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<v Speaker 1>this one and that that ain't country. It's annoying as crap.

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<v Speaker 1>But if it didn't happen, I don't think the format

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<v Speaker 1>would be able to progress. Like so, I was upset

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<v Speaker 1>with the Beyonce think, and I got a lot of

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<v Speaker 1>offers to go and do all these TV shows, but

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<v Speaker 1>I've found that going on with somebody else controls the narrative.

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<v Speaker 1>And you're talking about race, that's tricky because they will cut,

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<v Speaker 1>they'll cut your promo, and as a white dude, I'm

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<v Speaker 1>just I'm gonna talk talk about it in a mine, right,

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<v Speaker 1>But I'm super happy that now people are being way

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<v Speaker 1>more understanding of black art, at female artists, bands, anything

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<v Speaker 1>that's not considered traditional country for now, because it's going

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<v Speaker 1>to be traditional country in ten years and history is

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<v Speaker 1>going to be on the side of the same side

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<v Speaker 1>it's always been on progression.

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<v Speaker 4>Well, you know, you talked about being the napster kid,

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<v Speaker 4>and you talked about being the Bill Gates situation where

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<v Speaker 4>if he didn't live in that town, there wouldn't be sure.

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<v Speaker 4>I actually think that you and I because we're roughly

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<v Speaker 4>the same age. You and I are going to be

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<v Speaker 4>bringing children into the world. People that are younger now,

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<v Speaker 4>they're going to laugh at us. Dude, they're going to

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<v Speaker 4>laugh at us and go, you told somebody what a

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<v Speaker 4>genre was, right, that's offensive. You told someone how they

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<v Speaker 4>had to feel about something.

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<v Speaker 3>That's it.

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<v Speaker 4>They're going to look back and you and I are

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<v Speaker 4>supposedly the outliers, the disruptors, the rule breakers, even us

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<v Speaker 4>compared to where the world will be, which is a

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<v Speaker 4>beautiful thing.

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<v Speaker 3>By the way, they'll laugh.

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<v Speaker 1>It's very socratic, I'll say, because we're so smart. We

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<v Speaker 1>know we're not that smart, right, Like I don't. I

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<v Speaker 1>have no confidence that I know anything about art. I

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<v Speaker 1>have confidence that eventually my sensibilities will get me to

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<v Speaker 1>a spot that I realized I don't know. So I'm

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<v Speaker 1>gonna trust what I can find out.

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<v Speaker 5>Good cass up, little food for yourself life. Oh it's

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<v Speaker 5>pretty bad, it's pretty beautiful. Laugh a little more THI.

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<v Speaker 5>You're kicking it with four with Amy Brown.

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<v Speaker 6>Hey, it's Amy Brown from Four Things with Amy Brown.

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<v Speaker 6>And here's what we talked about this week on my podcast.

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<v Speaker 6>I want to talk about a myth of dyslexia, and

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<v Speaker 6>that is that it's a sign of low intelligence.

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<v Speaker 7>Which is the furthest thing from the truth.

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<v Speaker 8>A lot of your millionaires, a lot of Hollywood actors,

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<v Speaker 8>Chaining Tatum different, they are dyslexic, and they will talk

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<v Speaker 8>about having to reredescript and reread a script. But these

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<v Speaker 8>are successful people. These are very smart people. Albert Einstein,

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<v Speaker 8>they said he was dyslexic. I saw a stat that's

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<v Speaker 8>like seven out of ten millionaires.

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<v Speaker 7>And I don't know how scientifically proven it was.

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<v Speaker 8>We're dyslexic. And you had her on your show from

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<v Speaker 8>Shark Tank. I was fascinated with her talking about her dyslexia.

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<v Speaker 8>And I had always told entrepreneurship is a great way

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<v Speaker 8>for dyslexics to go because they think so out of

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<v Speaker 8>the box.

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<v Speaker 7>Has nothing to do with intelligence at all.

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<v Speaker 6>That was Barbara Corcoran, by the way, and yeah, it

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<v Speaker 6>was it was cool to hear her say that, especially

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<v Speaker 6>right after we had been diagnosed with it. And it's

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<v Speaker 6>a it's a spectrum and you should get tested if

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<v Speaker 6>you think you have it, or you know. You even

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<v Speaker 6>said some adults come in to get their kids tested

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<v Speaker 6>and they don't even know that they have it, but

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<v Speaker 6>then they start to get curious. And for me, I

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<v Speaker 6>think I always had a curiosity, but I would have

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<v Speaker 6>never gotten tested because I just didn't put enough eggs

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<v Speaker 6>in that basket that it could actually be dyslexia. But

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<v Speaker 6>that's also because I had a misunderstanding of what dyslexia

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<v Speaker 6>actually is. And I also have a question about it

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<v Speaker 6>being hereditary. Does it often come from someone in our family?

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<v Speaker 7>It does?

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<v Speaker 8>It can skip generation, but like if you were to

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<v Speaker 8>have a biological child, they would have a fifty percent

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<v Speaker 8>more likelihood of having dyslexia.

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<v Speaker 6>All right, Well, quick question about that, because if I

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<v Speaker 6>was meant to be left handed and I was, you know,

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<v Speaker 6>encouraged to be right, and that crossed the wires in

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<v Speaker 6>my brain because dyslexia it's hereditary. Is it just because

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<v Speaker 6>my brain was susceptible to that? Like if I didn't

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<v Speaker 6>have dyslexia, my family somewhere, which my sister and I

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<v Speaker 6>have a theory that it was potentially our dad, and

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<v Speaker 6>I wish she was alive so that I could have

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<v Speaker 6>him get tested.

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<v Speaker 3>But he hated to read.

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<v Speaker 6>He did not have dyscalcula because he was really great

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<v Speaker 6>at math. But he was left handed, and he was

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<v Speaker 6>very creative.

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<v Speaker 8>And they're doing studies now like high school football players.

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<v Speaker 8>They are finding that there can be a concussion related dyslexia.

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<v Speaker 7>New studies that have just come out.

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<v Speaker 8>I've been reading it just because it's fascinating to me

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<v Speaker 8>that a brain injury can actually cause it.

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<v Speaker 6>Well, I was getting some neurofeedback done a year and

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<v Speaker 6>a half ago, is when I started, maybe two years ago,

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<v Speaker 6>and she did a little scan over on my brain

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<v Speaker 6>and she said, the front part of my brain, I

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<v Speaker 6>guess had an injury of sorts, and your brain doesn't

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<v Speaker 6>know the difference between an emotional trauma and a physical trauma. Yes,

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<v Speaker 6>So all she could see was that there was tru

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<v Speaker 6>to the brain right there. And she asked me if

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<v Speaker 6>I had ever hit my head as a kid or anything,

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<v Speaker 6>and I told her about a time that I was

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<v Speaker 6>playing hide and seek and I slid headfirst into my parents'

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<v Speaker 6>bed because the bed was base and I was about

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<v Speaker 6>to get tagged, and so I slid and my arms

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<v Speaker 6>went straight under on the carpet through the bed, but

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<v Speaker 6>then my head hit the bedpost and I had to

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<v Speaker 6>get stitches. And it's right there, and she goes, that's

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<v Speaker 6>right when your add could have come into action. Yes,

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<v Speaker 6>And I thought, what, I hit my head as a

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<v Speaker 6>kid and that could be my ADD Like I thought

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<v Speaker 6>that was something you were just born with. But she said, yeah,

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<v Speaker 6>I know that trauma to your head could have been

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<v Speaker 6>the culprit.

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<v Speaker 8>Well, and my son had brain surgery because he battled

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<v Speaker 8>brain cancer. So that was one thing that was really

0:11:50.920 --> 0:11:54.600
<v Speaker 8>hard for us to separate. Okay, what is medical, what's educational?

0:11:54.679 --> 0:11:58.319
<v Speaker 8>What is from surgery is what is not. That's one

0:11:58.400 --> 0:12:00.640
<v Speaker 8>of the reasons it took us so long to be

0:12:00.679 --> 0:12:01.959
<v Speaker 8>able to find help for him.

0:12:02.440 --> 0:12:06.040
<v Speaker 6>Well, what signs can parents look for, Like if they're thinking, well,

0:12:06.040 --> 0:12:09.480
<v Speaker 6>maybe I should get my kid tested or maybe I

0:12:09.480 --> 0:12:12.040
<v Speaker 6>should get myself tested. What are signs people can look for.

0:12:12.480 --> 0:12:14.520
<v Speaker 7>There's different signs for different ages.

0:12:14.600 --> 0:12:17.839
<v Speaker 8>So for the young ones, if they are having a

0:12:17.880 --> 0:12:23.560
<v Speaker 8>really hard time rhyming, that's usually a flag because having

0:12:23.640 --> 0:12:27.680
<v Speaker 8>trouble rhyming is the number one thing for younger kids

0:12:27.720 --> 0:12:30.280
<v Speaker 8>that you see and then you're riding your b's and

0:12:30.320 --> 0:12:32.240
<v Speaker 8>d's backwards, those kind of things.

0:12:32.280 --> 0:12:34.920
<v Speaker 7>But that can be natural until about seven.

0:12:35.480 --> 0:12:40.400
<v Speaker 8>Mirror writing a complete sentence forwards or backwards. That's a

0:12:40.559 --> 0:12:44.680
<v Speaker 8>huge flag, and some kids realize that it's cool trick

0:12:44.920 --> 0:12:48.120
<v Speaker 8>and they don't want to switch it. Just realizing that

0:12:48.559 --> 0:12:52.880
<v Speaker 8>I am not remembering things and it's not an age

0:12:52.920 --> 0:12:55.840
<v Speaker 8>related thing. It's like, I read that whole paragraph, I

0:12:55.880 --> 0:12:59.120
<v Speaker 8>can't remember what I was even looking for in it.

0:13:00.080 --> 0:13:04.560
<v Speaker 8>Uptence to read is always a big sign inability to rhyme,

0:13:04.760 --> 0:13:09.080
<v Speaker 8>to change up your phonetics your words, kind of like

0:13:09.120 --> 0:13:12.079
<v Speaker 8>the test that we did after the Bobby Bone show

0:13:12.480 --> 0:13:16.280
<v Speaker 8>where I had you switching around and taking parts of

0:13:16.360 --> 0:13:17.280
<v Speaker 8>words out.

0:13:17.600 --> 0:13:20.079
<v Speaker 6>Let's do an example of that and I'll do it.

0:13:20.240 --> 0:13:27.480
<v Speaker 8>Okay, So the word toast replaced the first sound with a.

0:13:26.880 --> 0:13:29.400
<v Speaker 6>C coast post.

0:13:29.520 --> 0:13:29.800
<v Speaker 7>Yes.

0:13:29.920 --> 0:13:31.480
<v Speaker 6>I think that's a good example, And then we did

0:13:31.480 --> 0:13:32.920
<v Speaker 6>the syllable one.

0:13:33.240 --> 0:13:34.880
<v Speaker 7>Yes. That was why I called in.

0:13:35.160 --> 0:13:39.400
<v Speaker 8>Was Eddie talking about the cabbage because he couldn't figure

0:13:39.440 --> 0:13:42.560
<v Speaker 8>out why they were saying it had so many sounds.

0:13:42.920 --> 0:13:44.400
<v Speaker 7>So cabbage is cut.

0:13:46.480 --> 0:13:48.120
<v Speaker 8>But at.

0:13:49.640 --> 0:13:52.720
<v Speaker 7>Cabbage it has five distinct sounds.

0:13:53.040 --> 0:13:56.240
<v Speaker 8>It has more letters than that, and it has less

0:13:56.280 --> 0:13:57.319
<v Speaker 8>syllables than that.

0:13:57.400 --> 0:13:59.160
<v Speaker 7>But those are the phonemes.

0:14:00.000 --> 0:14:02.640
<v Speaker 6>That was what he saw on TikTok. Yes, okay, let's

0:14:02.679 --> 0:14:04.440
<v Speaker 6>run through that one. Give me a word and I'll

0:14:04.440 --> 0:14:05.720
<v Speaker 6>do the letter sounds.

0:14:06.160 --> 0:14:10.240
<v Speaker 8>Okay, so through the the root.

0:14:10.480 --> 0:14:13.840
<v Speaker 6>I feel like that one's a little tricky. It is

0:14:13.840 --> 0:14:14.600
<v Speaker 6>is it three?

0:14:15.000 --> 0:14:21.720
<v Speaker 7>Because it's the that's one sound er? Ooh, so through

0:14:22.840 --> 0:14:23.560
<v Speaker 7>got it?

0:14:23.560 --> 0:14:26.040
<v Speaker 6>It gets a little tricky. But we did a lot

0:14:26.120 --> 0:14:29.120
<v Speaker 6>of those. And from the results of my test, and

0:14:29.160 --> 0:14:30.800
<v Speaker 6>this is something I did one on one with you

0:14:31.160 --> 0:14:34.520
<v Speaker 6>after the show, like a week or two after. What

0:14:34.680 --> 0:14:37.160
<v Speaker 6>did that show you about what I had going on?

0:14:37.520 --> 0:14:40.880
<v Speaker 8>It showed me that you have double deficit, which you

0:14:41.040 --> 0:14:46.000
<v Speaker 8>have a phonological processing. You can process your sounds, but

0:14:46.240 --> 0:14:49.120
<v Speaker 8>it does take you a little bit to be able

0:14:49.160 --> 0:14:53.680
<v Speaker 8>to manipulate them, and it probably affects you more with

0:14:53.800 --> 0:14:57.960
<v Speaker 8>your reading and comprehending because you don't realize how hard

0:14:58.000 --> 0:15:02.040
<v Speaker 8>you're working with your brain to get all those phonetics

0:15:02.080 --> 0:15:03.160
<v Speaker 8>out into all of that.

0:15:16.000 --> 0:15:21.640
<v Speaker 2>Let's do it live, Oh the two so loser?

0:15:23.760 --> 0:15:25.400
<v Speaker 3>What up? Everybody? I am lunchbox.

0:15:25.480 --> 0:15:27.360
<v Speaker 9>I know the most about sports, so I'll give you

0:15:27.400 --> 0:15:29.720
<v Speaker 9>the sports facts, my sports.

0:15:29.360 --> 0:15:34.040
<v Speaker 3>Opinions, because I'm pretty much a sports genius. What up, y'all?

0:15:34.040 --> 0:15:36.240
<v Speaker 10>A hiscison, I'm from the North, I'm in Alpha Male.

0:15:36.280 --> 0:15:38.400
<v Speaker 10>I live on the West side of Nashville with Baser,

0:15:38.480 --> 0:15:41.360
<v Speaker 10>my wife. We do have a white picket fence at

0:15:41.360 --> 0:15:44.560
<v Speaker 10>the apartment complex. Soon I'm gonna have two point five kids,

0:15:44.960 --> 0:15:46.840
<v Speaker 10>and yes, sadly, I will die of a heart attack

0:15:46.840 --> 0:15:48.520
<v Speaker 10>when I'm seventy two years old.

0:15:49.240 --> 0:15:52.160
<v Speaker 2>Here's a clip from the last podcast.

0:15:53.680 --> 0:15:59.320
<v Speaker 3>Ah, so I did play golf yesterday. Whoa music bed?

0:15:59.360 --> 0:16:00.640
<v Speaker 10>Don't know if it's playing or not.

0:16:01.600 --> 0:16:05.840
<v Speaker 9>And I got a glimpse into what maybe our future is,

0:16:06.000 --> 0:16:08.520
<v Speaker 9>maybe you and Justin's future. But it was like, wow,

0:16:08.640 --> 0:16:12.360
<v Speaker 9>this is the future of a friendship or relationship that.

0:16:12.440 --> 0:16:13.680
<v Speaker 3>Lasts so long.

0:16:14.280 --> 0:16:15.440
<v Speaker 2>So this is a good story.

0:16:15.840 --> 0:16:17.680
<v Speaker 3>Yeah, I got paired up. Well, I show up.

0:16:17.720 --> 0:16:19.280
<v Speaker 9>I just walked up because I didn't know if I

0:16:19.320 --> 0:16:21.400
<v Speaker 9>was gonna be able place. I just walked up. I'm like, hey,

0:16:22.400 --> 0:16:24.880
<v Speaker 9>any chance you can fit a single in? He's like, oh, man,

0:16:24.920 --> 0:16:27.280
<v Speaker 9>I got t Time's book the rest of the afternoon.

0:16:27.360 --> 0:16:30.200
<v Speaker 9>But uh, oh Phil and Bill. I mean, if they

0:16:30.240 --> 0:16:32.400
<v Speaker 9>haven't gone yet, you can you can pair up with them.

0:16:32.440 --> 0:16:35.800
<v Speaker 9>And he goes out there, Bill, Bill, hey, this one's

0:16:35.800 --> 0:16:36.840
<v Speaker 9>gonna pair up with you.

0:16:37.840 --> 0:16:39.680
<v Speaker 3>And I walk up and they're like, oh, how's it going.

0:16:39.760 --> 0:16:42.160
<v Speaker 9>Nice to meet you? And I'm great, great, to meet you.

0:16:42.280 --> 0:16:44.520
<v Speaker 9>I'm celebrating my dad's birthday.

0:16:44.800 --> 0:16:49.920
<v Speaker 2>But he's not here. Oh he's celebrating.

0:16:49.480 --> 0:16:50.760
<v Speaker 3>No I did. I was telling them.

0:16:52.520 --> 0:16:56.000
<v Speaker 10>Somebody a single told me they're celebrating a birthday loser.

0:16:56.200 --> 0:16:58.320
<v Speaker 9>They're like, oh, is your dad gonna play with Like, no,

0:16:58.440 --> 0:17:01.280
<v Speaker 9>he lives in Texas, man, I'm celebrating his birthday by

0:17:01.320 --> 0:17:02.800
<v Speaker 9>being outside and playing golf.

0:17:03.160 --> 0:17:05.040
<v Speaker 3>Nice And so these two guys.

0:17:04.960 --> 0:17:07.680
<v Speaker 9>Know each other, and Phil and Bill they're like, I mean,

0:17:08.560 --> 0:17:12.040
<v Speaker 9>chatting it up, and they're nice friendly. About the fourth hole,

0:17:12.119 --> 0:17:15.800
<v Speaker 9>they start talking trash Root tell you it feels like Bill,

0:17:15.840 --> 0:17:17.720
<v Speaker 9>there ain't no damn way you're gonna make that shot.

0:17:18.119 --> 0:17:20.080
<v Speaker 9>Ain't no way you're gonna make that damn shot Bill,

0:17:20.840 --> 0:17:24.080
<v Speaker 9>and Bill trains it.

0:17:24.680 --> 0:17:27.000
<v Speaker 2>Are they're playing for skins or what they're playing money.

0:17:27.400 --> 0:17:30.879
<v Speaker 9>They're in a tournament and they play a couple of

0:17:30.920 --> 0:17:33.720
<v Speaker 9>times a week, and they play money games at different courses,

0:17:34.240 --> 0:17:36.240
<v Speaker 9>and they usually book three tea times, and they didn't

0:17:36.240 --> 0:17:38.199
<v Speaker 9>get in the three tea times, so they were on

0:17:38.240 --> 0:17:40.160
<v Speaker 9>their own and they just had to be honest about

0:17:40.160 --> 0:17:40.639
<v Speaker 9>their score.

0:17:41.080 --> 0:17:42.160
<v Speaker 2>Highly illegal though.

0:17:42.400 --> 0:17:44.280
<v Speaker 3>The betting, Yeah yeah, I understand.

0:17:44.520 --> 0:17:47.040
<v Speaker 9>And Bill looks at me and goes you think Phil

0:17:47.080 --> 0:17:48.359
<v Speaker 9>gets in my head when he tells me I'm not

0:17:48.359 --> 0:17:50.639
<v Speaker 9>gonna miss a shops. I mean, I met him in

0:17:50.680 --> 0:17:52.480
<v Speaker 9>eighty seven. I haven't listened to him what he said

0:17:52.480 --> 0:17:58.840
<v Speaker 9>since ninety two, and I'm like, dude.

0:17:58.640 --> 0:18:02.920
<v Speaker 10>It went back since eighties nineties. That's forty years, That's

0:18:02.920 --> 0:18:03.600
<v Speaker 10>what I'm saying.

0:18:04.359 --> 0:18:06.280
<v Speaker 9>And I felt like, oh my god, this is the

0:18:06.320 --> 0:18:09.479
<v Speaker 9>future of what life is going to be like if

0:18:09.520 --> 0:18:12.640
<v Speaker 9>we are still doing this podcast in thirty to forty years.

0:18:12.320 --> 0:18:14.159
<v Speaker 2>Playing at the local shitty muni.

0:18:14.080 --> 0:18:14.680
<v Speaker 3>And they were.

0:18:14.760 --> 0:18:16.560
<v Speaker 9>They were so funny the way they would talk to

0:18:16.600 --> 0:18:18.720
<v Speaker 9>each other. I mean, one would hit a good shot,

0:18:18.760 --> 0:18:22.359
<v Speaker 9>he'd be like, not that good. He'd be like, you

0:18:22.400 --> 0:18:24.320
<v Speaker 9>could have hit it farther. You know, like they know

0:18:24.520 --> 0:18:26.760
<v Speaker 9>nothing nice to each other, and it was all in

0:18:26.800 --> 0:18:27.240
<v Speaker 9>good fun.

0:18:27.320 --> 0:18:28.880
<v Speaker 3>But I banged your life.

0:18:29.520 --> 0:18:32.560
<v Speaker 2>No, did you try and join in? No, I had

0:18:32.600 --> 0:18:33.960
<v Speaker 2>sex with Martha last night.

0:18:35.440 --> 0:18:38.199
<v Speaker 3>No coach. Then they turned Yeah. Phil and Bill get

0:18:38.280 --> 0:18:40.040
<v Speaker 3>a love set. I don't want I don't want to

0:18:40.119 --> 0:18:40.920
<v Speaker 3>upset Phil and Bill.

0:18:41.800 --> 0:18:44.760
<v Speaker 2>He's about to drive I banged your wife last night.

0:18:45.640 --> 0:18:48.240
<v Speaker 3>What Bill gets out of the cart?

0:18:48.359 --> 0:18:51.439
<v Speaker 9>Do you feel the lines pil grabs his wedges are

0:18:51.640 --> 0:18:52.280
<v Speaker 9>knocking me out.

0:18:52.280 --> 0:18:53.360
<v Speaker 3>I know we didn't do any of that.

0:18:53.480 --> 0:18:58.120
<v Speaker 2>Come here, you millennial mothercker. I got to just hit

0:18:58.240 --> 0:18:59.840
<v Speaker 2>you over the he set up a bit.

0:19:00.520 --> 0:19:03.080
<v Speaker 9>Now, then Bill tells me, he goes. Bill's always like man,

0:19:03.119 --> 0:19:05.560
<v Speaker 9>he goes, Bill goes. Phil's always bragging about how many

0:19:05.560 --> 0:19:08.880
<v Speaker 9>fairways he hits. Oh I hit eight fairways, he goes.

0:19:09.400 --> 0:19:10.240
<v Speaker 3>But you know what he done that.

0:19:11.000 --> 0:19:14.880
<v Speaker 9>He doesn't brag about how many green and regulations he hits.

0:19:14.200 --> 0:19:15.600
<v Speaker 3>He goes.

0:19:16.200 --> 0:19:19.160
<v Speaker 9>He can say, oh I hit eight fairways. How many

0:19:19.160 --> 0:19:21.719
<v Speaker 9>girls you get to thank you?

0:19:23.400 --> 0:19:25.760
<v Speaker 3>Great? So then we're on the tenth t.

0:19:25.960 --> 0:19:27.120
<v Speaker 2>Are you playing money with him?

0:19:27.200 --> 0:19:27.480
<v Speaker 3>No?

0:19:27.480 --> 0:19:29.080
<v Speaker 9>No, no, because they're in a pool. They're in a

0:19:29.320 --> 0:19:32.080
<v Speaker 9>like the tea times after us. There's like three or

0:19:32.080 --> 0:19:34.280
<v Speaker 9>four of them. Those are the guys that are playing

0:19:34.280 --> 0:19:35.960
<v Speaker 9>for money. So they keep scoring. Then they go in

0:19:35.960 --> 0:19:37.600
<v Speaker 9>the clubhouse and they dibby up their money.

0:19:37.760 --> 0:19:38.640
<v Speaker 3>And at some point we.

0:19:38.600 --> 0:19:40.800
<v Speaker 10>Got to go to a country club and pay ten

0:19:40.880 --> 0:19:43.879
<v Speaker 10>grand a year, because I mean, you just going to

0:19:44.000 --> 0:19:45.800
<v Speaker 10>a course and hoping for a tea time. We don't

0:19:45.800 --> 0:19:47.280
<v Speaker 10>have to deal with that if we can afford it.

0:19:47.520 --> 0:19:50.160
<v Speaker 9>Country here's the problem with the country club. You fork

0:19:50.200 --> 0:19:53.840
<v Speaker 9>out ten twenty thirty thousand dollars to join. You never

0:19:53.960 --> 0:19:56.400
<v Speaker 9>get jets just to join. Then you have to pay

0:19:56.440 --> 0:19:58.280
<v Speaker 9>per month. I don't know, Oh.

0:19:58.200 --> 0:20:01.760
<v Speaker 10>You do, yeah, but I feel like they always get

0:20:01.800 --> 0:20:02.760
<v Speaker 10>the tea times they want.

0:20:02.960 --> 0:20:05.720
<v Speaker 9>Well, probably, yeah, because you're paying fifty thousand dollars for

0:20:05.760 --> 0:20:06.280
<v Speaker 9>a tea time.

0:20:06.359 --> 0:20:08.640
<v Speaker 10>I went to this course one time with bones Bro.

0:20:08.800 --> 0:20:12.240
<v Speaker 10>There was no tea times. They just they said we'll

0:20:12.240 --> 0:20:15.719
<v Speaker 10>make sure you get on. You just show up and

0:20:15.760 --> 0:20:16.560
<v Speaker 10>they get you on.

0:20:16.680 --> 0:20:16.840
<v Speaker 5>Oh.

0:20:16.880 --> 0:20:18.440
<v Speaker 9>That's sort of like the local muni when I call

0:20:18.520 --> 0:20:20.600
<v Speaker 9>them like hey, no, no, I'm like, hey, I got

0:20:20.600 --> 0:20:22.840
<v Speaker 9>a single? Can I get a tea time for one o'clock? Oh,

0:20:22.840 --> 0:20:24.439
<v Speaker 9>we don't put singles on the T sheet. You can

0:20:24.480 --> 0:20:26.960
<v Speaker 9>just come out and we'll try to get you in. Well,

0:20:27.680 --> 0:20:29.560
<v Speaker 9>why would you not put me on the T sheet

0:20:29.800 --> 0:20:32.520
<v Speaker 9>if I called and requested it. Now you are down

0:20:32.520 --> 0:20:36.760
<v Speaker 9>to three spots available for that tea time. It's that simple.

0:20:37.119 --> 0:20:40.320
<v Speaker 9>Not putting a single on the T sheet is stupid

0:20:41.000 --> 0:20:44.920
<v Speaker 9>because then I am forced to play Russian Roulette and

0:20:45.000 --> 0:20:47.439
<v Speaker 9>hope I'm gonna get out there and play when I

0:20:47.480 --> 0:20:48.720
<v Speaker 9>just show up at the course.

0:20:48.840 --> 0:20:50.840
<v Speaker 10>Right, Well, and there should be twelve minute windows, and

0:20:50.880 --> 0:20:52.800
<v Speaker 10>sometimes they can kind of fudge those a little bit

0:20:52.840 --> 0:20:54.600
<v Speaker 10>and squeeze you in right.

0:20:54.800 --> 0:20:57.679
<v Speaker 9>But I'm saying to say, you don't put a single

0:20:57.720 --> 0:21:00.280
<v Speaker 9>on the T sheet. So if I called the day

0:21:00.320 --> 0:21:03.439
<v Speaker 9>before and I'm like, hey, I want to play at

0:21:03.440 --> 0:21:05.720
<v Speaker 9>one o'clock tomorrow, Sorry, we don't put singles on the

0:21:05.720 --> 0:21:08.159
<v Speaker 9>T sheet. Cool, Then I show up to play at

0:21:08.160 --> 0:21:10.240
<v Speaker 9>one o'clock, they're like, oh yeah, you're gonna to wait

0:21:10.240 --> 0:21:13.000
<v Speaker 9>till one forty five. Well why I called yesterday and

0:21:13.040 --> 0:21:14.080
<v Speaker 9>said I want to get on him one?

0:21:15.320 --> 0:21:18.479
<v Speaker 3>That's the Neuni life. I mean, it's so frustrating. What

0:21:18.480 --> 0:21:19.480
<v Speaker 3>about your thing though? You do?

0:21:20.160 --> 0:21:21.600
<v Speaker 2>You say you have a friend and then you show

0:21:21.680 --> 0:21:23.399
<v Speaker 2>up he canceled last second.

0:21:23.400 --> 0:21:25.760
<v Speaker 9>Man, I should do that more. I always say too,

0:21:25.960 --> 0:21:28.080
<v Speaker 9>And then oh man, he's not gonna make it.

0:21:28.119 --> 0:21:28.960
<v Speaker 3>Okay, cool, you're.

0:21:29.400 --> 0:21:33.280
<v Speaker 10>We got ba justin got a little hookup. A member

0:21:33.440 --> 0:21:37.280
<v Speaker 10>passed and so we got his name. Oh so we

0:21:37.280 --> 0:21:38.400
<v Speaker 10>can use his name.

0:21:39.000 --> 0:21:39.600
<v Speaker 3>Rest in peace?

0:21:39.640 --> 0:21:39.800
<v Speaker 5>Man?

0:21:39.920 --> 0:21:40.639
<v Speaker 2>No, no, no he didn't.

0:21:40.680 --> 0:21:40.919
<v Speaker 1>He was.

0:21:40.960 --> 0:21:42.360
<v Speaker 2>He just doesn't go anymore.

0:21:42.560 --> 0:21:45.920
<v Speaker 3>Oh oh yeah, my bad. But anyway, back to Phil

0:21:46.000 --> 0:21:47.360
<v Speaker 3>and Bill Philling Bill a bill.

0:21:47.680 --> 0:21:49.479
<v Speaker 2>Oh my gosh.

0:21:49.600 --> 0:21:52.919
<v Speaker 9>So we're on we're on number ten, right and I'm like, oh, so,

0:21:52.960 --> 0:21:56.280
<v Speaker 9>how'd you guys meet. Phil looks at me and goes,

0:21:57.320 --> 0:22:04.360
<v Speaker 9>Dorms eighty seven, Oh, my Vanderbilt, no, tennessee the falls.

0:22:04.640 --> 0:22:07.040
<v Speaker 2>Yeah, did you get any inside information on the game tonight?

0:22:07.680 --> 0:22:10.040
<v Speaker 9>I did not get any inside information, but they they

0:22:10.040 --> 0:22:12.320
<v Speaker 9>are big fans of the balls. Think they're going all

0:22:12.359 --> 0:22:12.680
<v Speaker 9>the way.

0:22:13.000 --> 0:22:14.640
<v Speaker 2>That's inside information, thank you.

0:22:14.720 --> 0:22:17.400
<v Speaker 9>Yeah, but they did look at me and they said, yeah,

0:22:17.640 --> 0:22:20.800
<v Speaker 9>Phil goes. I came down the stairs and I saw

0:22:20.880 --> 0:22:23.359
<v Speaker 9>them over there playing ping pong and I was like,

0:22:23.560 --> 0:22:26.520
<v Speaker 9>I can whoop their ass at ping pong? And he

0:22:26.600 --> 0:22:28.240
<v Speaker 9>said so, I walked up to the table, said I

0:22:28.280 --> 0:22:31.520
<v Speaker 9>got next, and I was like, really, so, how'd you do?

0:22:31.600 --> 0:22:32.200
<v Speaker 3>Phil? He goes.

0:22:32.400 --> 0:22:34.840
<v Speaker 9>All Bill was the best ping pong player, he smoked me,

0:22:35.920 --> 0:22:38.040
<v Speaker 9>he goes. But that's where it started, at the ping

0:22:38.040 --> 0:22:38.840
<v Speaker 9>pong table.

0:22:38.560 --> 0:22:39.240
<v Speaker 3>In the dorms.

0:22:39.359 --> 0:22:40.240
<v Speaker 2>You good at ping pong.

0:22:41.280 --> 0:22:42.560
<v Speaker 9>I used to play with my brother. He used to

0:22:42.560 --> 0:22:44.040
<v Speaker 9>beat me because he was older. But now I whoop

0:22:44.119 --> 0:22:46.680
<v Speaker 9>his ass. Really, yeah, you know he's really good at

0:22:46.720 --> 0:22:47.200
<v Speaker 9>ping pong.

0:22:47.880 --> 0:22:52.080
<v Speaker 10>Garran, Oh, the grocery store guy. Yeah, what does he

0:22:52.160 --> 0:22:53.280
<v Speaker 10>do playing the aisles with?

0:22:53.440 --> 0:22:54.400
<v Speaker 3>Uh?

0:22:54.480 --> 0:22:54.560
<v Speaker 11>No?

0:22:54.600 --> 0:22:56.880
<v Speaker 10>They play over the aisle he does cake batter mix,

0:22:56.960 --> 0:22:58.960
<v Speaker 10>puts it up and then gets a beer pong thing

0:22:58.960 --> 0:22:59.840
<v Speaker 10>from Yeah, the aisles.

0:23:00.720 --> 0:23:01.320
<v Speaker 3>He's really good.

0:23:01.400 --> 0:23:04.479
<v Speaker 10>It's actually pretty competitive when it's me, Boomer, Muffy and

0:23:04.520 --> 0:23:04.960
<v Speaker 10>my mom.

0:23:05.920 --> 0:23:07.920
<v Speaker 3>Okay, oh no no, no, no, no, no.

0:23:07.720 --> 0:23:13.159
<v Speaker 2>No, no, Boomer, me, my mom and Baser. That's really competitive.

0:23:14.760 --> 0:23:15.720
<v Speaker 3>It can't be that competitive.

0:23:15.800 --> 0:23:18.000
<v Speaker 10>It is because me and Boomer are about even and

0:23:18.040 --> 0:23:20.280
<v Speaker 10>my mom and Base. We played double Yeah, we played

0:23:20.480 --> 0:23:23.040
<v Speaker 10>on it. Oh dude, it's awesome. We went forever at

0:23:23.040 --> 0:23:23.479
<v Speaker 10>the condo.

0:23:23.640 --> 0:23:26.480
<v Speaker 9>That's fun. Yeah, that's a good time. Yeah, I mean Garrett,

0:23:26.840 --> 0:23:28.679
<v Speaker 9>I mean the drunken knights. At his house, he has

0:23:28.720 --> 0:23:30.680
<v Speaker 9>a ping pong table in the garage and he'd back

0:23:30.800 --> 0:23:33.479
<v Speaker 9>his old camaro out and set up the ping pong table,

0:23:34.080 --> 0:23:35.480
<v Speaker 9>played till three or four in the morning.

0:23:35.880 --> 0:23:38.800
<v Speaker 10>We had a ping pong table at Metropolitan. Billy brought

0:23:38.800 --> 0:23:41.240
<v Speaker 10>it in. Guess how many times we played our senior

0:23:41.280 --> 0:23:41.920
<v Speaker 10>year at college.

0:23:41.920 --> 0:23:43.160
<v Speaker 3>Two zero.

0:23:43.359 --> 0:23:46.359
<v Speaker 10>Oh, we played a thousand games of beer pong, though, okay,

0:23:46.400 --> 0:23:48.480
<v Speaker 10>we never once played ping pong, so he.

0:23:48.480 --> 0:23:50.480
<v Speaker 9>Got his money's worth. We used to play ping pong

0:23:50.480 --> 0:23:53.760
<v Speaker 9>when we'd go visit my mom's parents, my grandma and

0:23:53.800 --> 0:23:56.679
<v Speaker 9>grandpa on my mom's side in Chicago. They had a

0:23:56.680 --> 0:23:59.560
<v Speaker 9>ping pong table in the basement. Such an easy thing

0:23:59.600 --> 0:24:02.600
<v Speaker 9>to have, Oh my gosh. We would play for hours

0:24:03.080 --> 0:24:05.159
<v Speaker 9>down there. That was the only time we play. We

0:24:05.200 --> 0:24:07.000
<v Speaker 9>never played ping pong except when we went to go

0:24:07.080 --> 0:24:09.520
<v Speaker 9>visit him. And of course, my brother's two years older

0:24:09.520 --> 0:24:11.480
<v Speaker 9>than me, maybe two and a half years.

0:24:11.320 --> 0:24:11.680
<v Speaker 3>Older than me.

0:24:11.680 --> 0:24:13.439
<v Speaker 9>I don't know exactly how you do the math, so

0:24:13.480 --> 0:24:15.800
<v Speaker 9>he was obviously better than me. So I'd sit down

0:24:15.800 --> 0:24:17.600
<v Speaker 9>there and play him, and he'd beat me up back

0:24:17.640 --> 0:24:19.640
<v Speaker 9>one more game, of course, play him again.

0:24:19.720 --> 0:24:20.280
<v Speaker 3>He beat me up.

0:24:20.280 --> 0:24:22.480
<v Speaker 10>Bout just one more, one more game, I connect four,

0:24:22.760 --> 0:24:25.959
<v Speaker 10>Just one more, just one more, and we would play forever.

0:24:26.040 --> 0:24:27.440
<v Speaker 3>It was so freaking fun.

0:24:27.480 --> 0:24:29.600
<v Speaker 2>This is gonna blow you, so get on your knees.

0:24:30.440 --> 0:24:32.880
<v Speaker 2>They now make little things that just attached to any

0:24:32.880 --> 0:24:34.440
<v Speaker 2>table for ping pong.

0:24:34.920 --> 0:24:36.600
<v Speaker 3>Well, you need a ping pong table, you need the

0:24:36.680 --> 0:24:37.480
<v Speaker 3>proper bounces.

0:24:37.600 --> 0:24:39.199
<v Speaker 10>Nah, you can just do a kitchen table. Did we

0:24:39.720 --> 0:24:41.600
<v Speaker 10>did in my grandma's place. It was me and Boomer

0:24:41.760 --> 0:24:45.760
<v Speaker 10>just smacking it over Christmas on her fine china table.

0:24:46.000 --> 0:24:49.760
<v Speaker 3>Okay, now that might be fun, so not legal regulation size.

0:24:49.840 --> 0:24:51.919
<v Speaker 2>It sucks when it goes to the end because they're rounded.

0:24:52.000 --> 0:24:53.280
<v Speaker 3>Yeah, and so it'll just fall off.

0:24:53.760 --> 0:24:54.280
<v Speaker 10>Uh.

0:24:54.320 --> 0:24:55.440
<v Speaker 3>So back to Phil and Bill.

0:24:55.440 --> 0:24:58.400
<v Speaker 9>We're on the course right five, and then they start

0:24:58.440 --> 0:25:00.520
<v Speaker 9>talking about, oh, dude, you know what we used to

0:25:00.560 --> 0:25:04.879
<v Speaker 9>do for howurds hegos RBI baseball And they started breaking

0:25:04.920 --> 0:25:07.080
<v Speaker 9>down which team they would play with, and they started

0:25:07.119 --> 0:25:09.679
<v Speaker 9>doing the sound effects strata matic and I was like,

0:25:10.280 --> 0:25:14.200
<v Speaker 9>this is exactly what we did. But I was eight

0:25:14.320 --> 0:25:26.720
<v Speaker 9>years old and they were in college.

0:25:28.720 --> 0:25:35.280
<v Speaker 10>Carl Lyne, she's a queen and talking it was so

0:25:35.359 --> 0:25:38.399
<v Speaker 10>she's getting really not afraid to feel its episol sold.

0:25:38.680 --> 0:25:39.480
<v Speaker 5>Just let it flow.

0:25:40.000 --> 0:25:41.520
<v Speaker 3>No one can do it quiet.

0:25:42.280 --> 0:25:46.640
<v Speaker 12>Cary Lone, its sounding Caroline.

0:25:47.280 --> 0:25:51.080
<v Speaker 13>Hey, Hey, it's Caroline Hobby And this week on Get Real,

0:25:51.640 --> 0:25:55.919
<v Speaker 13>I have such an incredible podcast. As Chovall. She is

0:25:55.960 --> 0:26:00.280
<v Speaker 13>one of the world's best wedding dress designers, but had

0:26:00.359 --> 0:26:04.359
<v Speaker 13>signed a terrible contract and lost all the rights to

0:26:04.440 --> 0:26:08.720
<v Speaker 13>her birth name. Could not be a part of any

0:26:08.920 --> 0:26:12.160
<v Speaker 13>of the wedding dress design industry. It was a breach

0:26:12.200 --> 0:26:15.439
<v Speaker 13>of contract, so she had to reinvent herself start a

0:26:15.440 --> 0:26:19.520
<v Speaker 13>whole new brand. Now she launched as Cheval and she

0:26:19.680 --> 0:26:24.720
<v Speaker 13>sells amazing shoes with such heart, such soul and tons

0:26:24.720 --> 0:26:28.080
<v Speaker 13>of glitter. Her story is phenomenal. She's an inspiration to

0:26:28.119 --> 0:26:31.959
<v Speaker 13>young women on how to take ownership of yourself, of

0:26:32.000 --> 0:26:35.720
<v Speaker 13>your brand, how to be prepared, how to be smart,

0:26:35.840 --> 0:26:38.600
<v Speaker 13>how to be savvy, and how to be a boss.

0:26:38.720 --> 0:26:41.800
<v Speaker 13>And she also teaches us that when everything falls apart,

0:26:42.040 --> 0:26:45.120
<v Speaker 13>you can rebuild and come back stronger than ever. So

0:26:45.280 --> 0:26:50.480
<v Speaker 13>get excited for this week's episode of Get Real with Cheval. Okay, So,

0:26:50.560 --> 0:26:54.760
<v Speaker 13>looking back now, because you've now gone through a divorce

0:26:55.240 --> 0:27:01.119
<v Speaker 13>with your relationship romantically, but also with your business. You know, yeah,

0:27:01.119 --> 0:27:05.800
<v Speaker 13>so you've obviously dealt with some red flags that have

0:27:06.359 --> 0:27:08.720
<v Speaker 13>materialized into like kind of erupting.

0:27:09.320 --> 0:27:11.160
<v Speaker 2>What are way to say?

0:27:11.680 --> 0:27:14.040
<v Speaker 14>You know, you always have the red flags just go away,

0:27:14.880 --> 0:27:16.359
<v Speaker 14>and now it's a erupting and you're like, oh no,

0:27:16.480 --> 0:27:16.960
<v Speaker 14>it's coming.

0:27:17.080 --> 0:27:19.000
<v Speaker 13>It's a red flags. Can you kind of speak to

0:27:19.080 --> 0:27:21.640
<v Speaker 13>all of us out there who are living with blinders

0:27:21.680 --> 0:27:23.240
<v Speaker 13>on and young because it started when you're young.

0:27:23.560 --> 0:27:25.000
<v Speaker 3>Do red flags ever go away?

0:27:25.960 --> 0:27:28.680
<v Speaker 14>I don't think so. I don't know. I guess it's

0:27:28.720 --> 0:27:32.879
<v Speaker 14>all relative and there are exceptions to the rule, But

0:27:33.119 --> 0:27:36.240
<v Speaker 14>I do think I relate to a lot of women

0:27:36.640 --> 0:27:39.920
<v Speaker 14>that have that intuition or that gut feeling that you

0:27:39.960 --> 0:27:42.159
<v Speaker 14>ignore or you push down or you come up with

0:27:42.200 --> 0:27:46.520
<v Speaker 14>conspiracy theories against yourself of like what it's not, you know,

0:27:46.600 --> 0:27:48.320
<v Speaker 14>because you want something to happen or you want it

0:27:48.320 --> 0:27:49.840
<v Speaker 14>to materialize in a certain way, and.

0:27:50.000 --> 0:27:52.000
<v Speaker 13>It's always like close. It's like so close. There's so

0:27:52.000 --> 0:27:53.600
<v Speaker 13>many things that are so good about it. You're like,

0:27:54.000 --> 0:27:56.720
<v Speaker 13>it's like seventy percent there, let's just.

0:27:56.640 --> 0:27:58.760
<v Speaker 14>Not worry about the last thirty percent, right exactly, It

0:27:58.840 --> 0:28:00.760
<v Speaker 14>is the majority overall, that's right.

0:28:01.359 --> 0:28:02.439
<v Speaker 9>Yeah, we're gonna round up.

0:28:02.520 --> 0:28:04.560
<v Speaker 14>Oh goodness, and then it starts to grow the opposite way,

0:28:04.600 --> 0:28:09.639
<v Speaker 14>so right, Yeah, but I don't know. I do feel

0:28:09.720 --> 0:28:13.560
<v Speaker 14>like tenacity and resilience and just like the idea of

0:28:13.600 --> 0:28:17.439
<v Speaker 14>success is really about just like recognizing the ebbs and

0:28:17.440 --> 0:28:20.760
<v Speaker 14>flows of life, but knowing that the failures are going

0:28:20.800 --> 0:28:22.919
<v Speaker 14>to happen, the mistakes are going to happen, and if

0:28:22.960 --> 0:28:27.200
<v Speaker 14>you can maintain your light, you know, and maintain your

0:28:27.280 --> 0:28:29.840
<v Speaker 14>enthusiasm for what you do, that is a sign of.

0:28:29.760 --> 0:28:30.320
<v Speaker 12>Success for me.

0:28:30.560 --> 0:28:31.640
<v Speaker 13>Yeah, this is your message.

0:28:31.680 --> 0:28:33.040
<v Speaker 14>Oh, that is totally the message.

0:28:33.119 --> 0:28:36.200
<v Speaker 13>No matter how successful you are in your personal relationships

0:28:36.320 --> 0:28:39.760
<v Speaker 13>or your business relationship, your actual message is maintain your

0:28:39.840 --> 0:28:41.720
<v Speaker 13>light through the dumpster fires exactly.

0:28:42.280 --> 0:28:45.840
<v Speaker 14>Just yeah, and it be lighter than that dumpster fire somehow,

0:28:46.120 --> 0:28:48.000
<v Speaker 14>Like how shine the dumpster fire?

0:28:48.160 --> 0:28:49.800
<v Speaker 13>I saw this too, and you have so you have

0:28:49.800 --> 0:28:51.960
<v Speaker 13>so much in common with Taylor Swift, you know, because

0:28:51.960 --> 0:28:56.400
<v Speaker 13>she's in legal battles as well. But also she said too,

0:28:56.760 --> 0:28:58.480
<v Speaker 13>like she's had so much stuff on her and she said,

0:28:58.520 --> 0:29:00.280
<v Speaker 13>you just have to get through all this and then

0:29:00.400 --> 0:29:02.560
<v Speaker 13>have more fun than everybody else. And I'm like, that

0:29:02.720 --> 0:29:05.640
<v Speaker 13>is so true, because when you're going through the worst stuff,

0:29:05.840 --> 0:29:08.200
<v Speaker 13>it really takes your fun away, it takes your light away.

0:29:08.600 --> 0:29:11.040
<v Speaker 13>You can really like crawl in a hole and die.

0:29:11.320 --> 0:29:14.520
<v Speaker 14>Yes, you cannot unpack and live there, you know, because

0:29:14.720 --> 0:29:16.640
<v Speaker 14>you'll take a visit every once in a while.

0:29:16.720 --> 0:29:18.200
<v Speaker 13>I have to like take a vacation there for a while.

0:29:18.200 --> 0:29:19.680
<v Speaker 13>Did you have a permanente, say for a minute, and

0:29:19.720 --> 0:29:21.400
<v Speaker 13>not a permanent Do you have like a you know,

0:29:21.480 --> 0:29:22.840
<v Speaker 13>like a residency for a second?

0:29:22.920 --> 0:29:23.240
<v Speaker 14>I did?

0:29:23.760 --> 0:29:24.600
<v Speaker 2>I absolutely did.

0:29:25.400 --> 0:29:26.840
<v Speaker 14>I feel like that's the healthy thing to do.

0:29:27.000 --> 0:29:28.800
<v Speaker 13>Just you got to get in there. I mean you

0:29:28.880 --> 0:29:30.440
<v Speaker 13>have to like meet it and.

0:29:30.360 --> 0:29:32.320
<v Speaker 2>Say, who the hell are you?

0:29:32.440 --> 0:29:33.160
<v Speaker 14>What are we doing?

0:29:33.240 --> 0:29:34.120
<v Speaker 13>Like what do you want from me?

0:29:34.400 --> 0:29:36.640
<v Speaker 14>Yeah. And I think there's a bit of accountability too

0:29:36.960 --> 0:29:39.040
<v Speaker 14>in that space because when something like that.

0:29:39.000 --> 0:29:41.440
<v Speaker 13>Happened, accountability look at you claim and some stuff, because

0:29:41.440 --> 0:29:43.240
<v Speaker 13>there's always your side their side in the truth.

0:29:43.320 --> 0:29:46.520
<v Speaker 14>Right there is like a okay, well there must have

0:29:46.600 --> 0:29:49.719
<v Speaker 14>been something that I did for this to happen, you know,

0:29:49.760 --> 0:29:51.760
<v Speaker 14>and the right and I think in accepting it and

0:29:51.880 --> 0:29:52.640
<v Speaker 14>owning part of it.

0:29:52.800 --> 0:29:53.880
<v Speaker 13>That's a maturity right there.

0:29:53.960 --> 0:29:56.320
<v Speaker 14>It's maturity. But it's also like I didn't know what

0:29:56.360 --> 0:29:59.120
<v Speaker 14>I didn't know, right and then like I am paying

0:29:59.120 --> 0:30:02.160
<v Speaker 14>the debt for my own naivety or ignorance.

0:30:02.200 --> 0:30:03.080
<v Speaker 13>And don't we all do that?

0:30:03.080 --> 0:30:03.640
<v Speaker 3>Though we do.

0:30:03.680 --> 0:30:05.240
<v Speaker 13>You just did it on a bigger scale.

0:30:05.960 --> 0:30:07.920
<v Speaker 3>On a legal way out there, because that's not okay.

0:30:08.000 --> 0:30:10.800
<v Speaker 13>So now that way, let's move into plot line B here,

0:30:10.960 --> 0:30:14.200
<v Speaker 13>which is where you really like hit your stride, Like

0:30:14.280 --> 0:30:19.640
<v Speaker 13>you become the wedding dress designer. You are the face

0:30:19.680 --> 0:30:21.520
<v Speaker 13>of say yes to the dress? Like, how did that

0:30:21.560 --> 0:30:23.840
<v Speaker 13>even happen? Let me, there are a few things out there,

0:30:23.920 --> 0:30:26.200
<v Speaker 13>and then let's unpack it. You become like the face

0:30:26.240 --> 0:30:28.360
<v Speaker 13>of say yes to the dress, like you are helping

0:30:28.440 --> 0:30:30.960
<v Speaker 13>like over forty thousand brides find their wedding dress or

0:30:30.960 --> 0:30:33.600
<v Speaker 13>something like that, like thousands, like thousands, thousands.

0:30:33.600 --> 0:30:34.480
<v Speaker 14>It was wonderful.

0:30:34.640 --> 0:30:38.160
<v Speaker 13>You are the wedding dress designer. I mean everybody knows you.

0:30:38.200 --> 0:30:40.840
<v Speaker 13>Everybody's talking about you. You're pinned on everything. It's like

0:30:41.520 --> 0:30:43.960
<v Speaker 13>that's you. It's not the name Chaval, by the way,

0:30:44.000 --> 0:30:44.840
<v Speaker 13>it's a different.

0:30:44.640 --> 0:30:47.080
<v Speaker 14>Name, correct, which the distinction is needed.

0:30:48.120 --> 0:30:51.479
<v Speaker 13>Yes, because Chaval is not wedding dress dresses. It is

0:30:52.120 --> 0:30:54.520
<v Speaker 13>wonderful things. So that that's plotline CE So we'll move

0:30:54.520 --> 0:30:55.760
<v Speaker 13>to that later. There's just so many things. I don't

0:30:55.760 --> 0:30:56.520
<v Speaker 13>want to get it confused.

0:30:56.600 --> 0:30:58.720
<v Speaker 3>I know you're doing a great job.

0:30:58.720 --> 0:31:03.480
<v Speaker 13>Okay, And so you become this like epic designer and

0:31:03.880 --> 0:31:06.440
<v Speaker 13>you probably needed some money to get your business going

0:31:06.520 --> 0:31:10.400
<v Speaker 13>right or something because you found a partnership and this

0:31:10.480 --> 0:31:14.239
<v Speaker 13>partner you found a company to back you financially, right

0:31:14.360 --> 0:31:16.040
<v Speaker 13>this one, yes, yeah, yeah, because we're black on, like

0:31:16.080 --> 0:31:18.880
<v Speaker 13>we're back in the beginning this plot. Yeah, when you

0:31:18.960 --> 0:31:21.160
<v Speaker 13>well plot B plat was childhood. Now plot be into

0:31:21.200 --> 0:31:25.400
<v Speaker 13>like your career. So you are going to launch and

0:31:25.440 --> 0:31:29.160
<v Speaker 13>become the successful wedding dress designer. But do you need

0:31:29.200 --> 0:31:31.360
<v Speaker 13>a backer, like you need someone to help you launch this?

0:31:31.680 --> 0:31:31.920
<v Speaker 8>Yeah?

0:31:31.960 --> 0:31:34.640
<v Speaker 14>So basically it was a house of brands existing with

0:31:34.680 --> 0:31:38.440
<v Speaker 14>other designers and it was almost like a plug and

0:31:38.480 --> 0:31:41.800
<v Speaker 14>play in that, like they had existing distribution and manufacturing.

0:31:42.000 --> 0:31:44.560
<v Speaker 14>And then you know, I was coming to the table

0:31:44.640 --> 0:31:47.920
<v Speaker 14>and was offered an employment role as a head designer,

0:31:48.160 --> 0:31:50.560
<v Speaker 14>but it would be using my name as the name

0:31:50.600 --> 0:31:51.120
<v Speaker 14>for the collection.

0:31:51.280 --> 0:31:53.320
<v Speaker 13>Okay, wait, okay, okay, So this is the part that

0:31:53.360 --> 0:31:57.240
<v Speaker 13>we got to break down. You were this is like

0:31:57.280 --> 0:31:59.719
<v Speaker 13>it's almost like a record label. So like there's a

0:32:00.120 --> 0:32:01.640
<v Speaker 13>speak in music terms, there's like a record label and

0:32:01.680 --> 0:32:03.840
<v Speaker 13>you're going to be a signed artist, but the record

0:32:03.920 --> 0:32:07.920
<v Speaker 13>label owns is like a machine behind it all. But

0:32:07.960 --> 0:32:11.160
<v Speaker 13>you're an artist signed and you're the artist is using

0:32:11.200 --> 0:32:13.480
<v Speaker 13>your name, so you're going to be the brand and

0:32:13.520 --> 0:32:15.360
<v Speaker 13>you're going to have the creativity which would be like

0:32:15.360 --> 0:32:16.800
<v Speaker 13>your songs that you create and you put it out and

0:32:16.800 --> 0:32:18.239
<v Speaker 13>you go tour and you're the face of it and

0:32:18.240 --> 0:32:22.040
<v Speaker 13>all that. But yes, you are technically kind of owned

0:32:22.280 --> 0:32:25.120
<v Speaker 13>by the record label or the bigger brand.

0:32:25.520 --> 0:32:25.760
<v Speaker 11>Yes.

0:32:25.840 --> 0:32:30.160
<v Speaker 14>And every contract is nuanced, right, so it's not always generalized.

0:32:30.200 --> 0:32:33.280
<v Speaker 14>But in my case, it was an employment contract as

0:32:33.280 --> 0:32:33.960
<v Speaker 14>a head designer.

0:32:34.360 --> 0:32:36.880
<v Speaker 13>Okay, an employment contract as a head designer with this

0:32:36.960 --> 0:32:39.400
<v Speaker 13>big brand, but the name is going to be your name.

0:32:39.360 --> 0:32:41.280
<v Speaker 14>Correct, Yeah, So I had to give rights for my

0:32:41.360 --> 0:32:44.800
<v Speaker 14>name to be trademarked because it was the name of

0:32:44.840 --> 0:32:45.360
<v Speaker 14>the collection.

0:32:45.440 --> 0:32:47.560
<v Speaker 13>If I don't think anything of that when you're twenty five, right,

0:32:47.560 --> 0:32:48.680
<v Speaker 13>actually sounds may be cool.

0:32:49.080 --> 0:32:52.560
<v Speaker 14>It was the chance to shoot my shot. And I

0:32:52.600 --> 0:32:55.520
<v Speaker 14>think being that age, and I had a little industry

0:32:55.560 --> 0:32:57.560
<v Speaker 14>experience under my belt about four or five years and

0:32:57.640 --> 0:33:01.440
<v Speaker 14>I've already I've already spearheaded my own collections and been

0:33:01.600 --> 0:33:05.200
<v Speaker 14>designing very heavily. I had a robust resume coming in.

0:33:05.360 --> 0:33:09.240
<v Speaker 13>Okay, and you had some some you're cooking with great cooking.

0:33:09.360 --> 0:33:10.960
<v Speaker 3>Yeah you're cooking you had with Grease.

0:33:11.040 --> 0:33:11.440
<v Speaker 7>I love it.

0:33:11.600 --> 0:33:14.240
<v Speaker 13>I saw that from Landy Wilson sew cooking.

0:33:14.840 --> 0:33:16.120
<v Speaker 12>Yeah, I love it. Yeah.

0:33:16.200 --> 0:33:16.400
<v Speaker 7>Yeah.

0:33:16.520 --> 0:33:19.320
<v Speaker 13>So and then so they were you were desirable, They wanted.

0:33:19.160 --> 0:33:22.640
<v Speaker 14>You absolutely, and I actually sopped them out originally and

0:33:23.280 --> 0:33:25.840
<v Speaker 14>I presented, you know, a bit of a business model

0:33:27.560 --> 0:33:30.560
<v Speaker 14>and it happened very fast. So from the time of like,

0:33:31.280 --> 0:33:32.880
<v Speaker 14>you know, we're going to offer you this to like

0:33:32.920 --> 0:33:35.440
<v Speaker 14>here's the contract. And I think at the time, I

0:33:35.520 --> 0:33:38.160
<v Speaker 14>just didn't want to lose my opportunity and knowing how

0:33:38.160 --> 0:33:40.360
<v Speaker 14>many people want to be designers and get their shot,

0:33:40.440 --> 0:33:44.520
<v Speaker 14>and I felt like the responsibility was on me holy

0:33:45.080 --> 0:33:47.200
<v Speaker 14>to show them what I could do and what like.

0:33:47.520 --> 0:33:50.240
<v Speaker 13>And to agree maybe to what they want, so you could.

0:33:50.040 --> 0:33:53.240
<v Speaker 14>Yeah, and not be combative, not push back, not ever

0:33:53.600 --> 0:33:56.440
<v Speaker 14>like put anything out there that would ever seem like

0:33:57.280 --> 0:34:00.760
<v Speaker 14>you know, I'm not a team player, and I think

0:34:00.800 --> 0:34:03.560
<v Speaker 14>a lot of young designers relate to that, and thinking,

0:34:04.000 --> 0:34:07.240
<v Speaker 14>you know, if I show any sign of being difficult

0:34:07.800 --> 0:34:09.640
<v Speaker 14>or they're gonna walk away, They're not gonna want to

0:34:09.680 --> 0:34:11.400
<v Speaker 14>work with me, and I'll write my opportunity exactly.

0:34:23.200 --> 0:34:25.360
<v Speaker 12>Hey, it's Mike d and this week a Movie Mike's

0:34:25.360 --> 0:34:29.200
<v Speaker 12>Movie podcast, I did obscure movie quotes from famous movies.

0:34:29.320 --> 0:34:32.480
<v Speaker 12>Whether you're just a casual film fan or consider yourself

0:34:32.520 --> 0:34:35.040
<v Speaker 12>a movie buff, it's fun to play along and try

0:34:35.040 --> 0:34:37.560
<v Speaker 12>to see if you can name where these obscure movie

0:34:37.600 --> 0:34:40.000
<v Speaker 12>quotes are from. So here are a few from the

0:34:40.040 --> 0:34:41.880
<v Speaker 12>episode to test your knowledge. If you want to hear

0:34:41.920 --> 0:34:44.280
<v Speaker 12>the full thing, be sure to subscribe to my podcast.

0:34:44.320 --> 0:34:46.320
<v Speaker 12>But right now, here's just a little bit of Movie

0:34:46.360 --> 0:34:51.640
<v Speaker 12>Mike's Movie Podcast. Here is the first obscure movie quote.

0:34:51.880 --> 0:34:55.680
<v Speaker 12>Name the movie and big old fat right mean that

0:34:55.719 --> 0:34:59.960
<v Speaker 12>one should be pretty easy. Character has a really distinct voice.

0:35:00.160 --> 0:35:03.200
<v Speaker 12>The year is nineteen ninety four. And again here's the movie.

0:35:03.080 --> 0:35:05.440
<v Speaker 3>Quote and big old fat run mean.

0:35:06.000 --> 0:35:08.359
<v Speaker 12>This is not the biggest quote from this movie, but

0:35:08.400 --> 0:35:10.200
<v Speaker 12>the one I find to be one of the most

0:35:10.239 --> 0:35:14.400
<v Speaker 12>memorable obscure movie quotes. And the answer is Forrest Gump.

0:35:14.480 --> 0:35:17.279
<v Speaker 12>I just love that seed of him going through all

0:35:17.320 --> 0:35:20.200
<v Speaker 12>of the different types of rain, and that one always

0:35:20.239 --> 0:35:23.040
<v Speaker 12>just stick out to me, just big old fat rain. Obviously,

0:35:23.080 --> 0:35:26.960
<v Speaker 12>I think the most overrated movie quote in this movie.

0:35:26.800 --> 0:35:28.560
<v Speaker 3>Is life is like a box of chocolates.

0:35:28.600 --> 0:35:31.520
<v Speaker 12>That is probably the first movie quote I learned.

0:35:32.080 --> 0:35:32.400
<v Speaker 3>Ever.

0:35:32.840 --> 0:35:36.480
<v Speaker 12>I think even before I watched Forrest Gump, I knew

0:35:36.520 --> 0:35:38.880
<v Speaker 12>that quote to the point that I saw it in

0:35:38.920 --> 0:35:40.759
<v Speaker 12>the movie, I was like, oh, that is what that

0:35:40.920 --> 0:35:43.960
<v Speaker 12>is from. But there are so many great really obscure

0:35:44.000 --> 0:35:47.040
<v Speaker 12>movie quotes in Forrest Gump that one just happens to

0:35:47.040 --> 0:35:50.000
<v Speaker 12>be my favorite. So again, starting off easy, here we go.

0:35:50.080 --> 0:35:52.080
<v Speaker 12>Here's the second obscure movie quote.

0:35:52.200 --> 0:35:57.359
<v Speaker 11>Hey guys, ooh big golf suh? All right, well see

0:35:57.400 --> 0:35:57.759
<v Speaker 11>you later.

0:35:58.160 --> 0:36:01.600
<v Speaker 12>Also from nineteen ninety four, or can you name that movie?

0:36:01.760 --> 0:36:04.120
<v Speaker 12>Here's that obscure movie quote again, Hey.

0:36:03.960 --> 0:36:09.239
<v Speaker 11>Guys, cool, big golf suh, All right, well, see you later.

0:36:09.600 --> 0:36:13.080
<v Speaker 12>There's a famous story behind this quote. This actor is

0:36:13.160 --> 0:36:17.040
<v Speaker 12>known for improvising lines, and in this scene specifically, there

0:36:17.040 --> 0:36:19.480
<v Speaker 12>are two other people he is interacting with that are

0:36:19.520 --> 0:36:23.600
<v Speaker 12>actually not actors at all. They weren't even paid for

0:36:23.680 --> 0:36:25.960
<v Speaker 12>their role because they didn't have any speaking lines. Which

0:36:26.280 --> 0:36:28.920
<v Speaker 12>if you watch a movie and notice there are extras

0:36:28.960 --> 0:36:32.320
<v Speaker 12>that don't say anything, and it feels weird at times

0:36:32.320 --> 0:36:35.480
<v Speaker 12>because you have these two maybe three main characters talking,

0:36:35.520 --> 0:36:38.600
<v Speaker 12>having a conversation, and there are other people that, if

0:36:38.600 --> 0:36:41.560
<v Speaker 12>you were in a normal situation, would definitely have something

0:36:41.560 --> 0:36:44.120
<v Speaker 12>to say or react to what is going on. That

0:36:44.239 --> 0:36:47.800
<v Speaker 12>is because if an extra speaks a line, that person

0:36:47.960 --> 0:36:50.359
<v Speaker 12>has to be paid. They don't always have to be

0:36:50.560 --> 0:36:53.960
<v Speaker 12>credited in the movie credits, but if anybody speaks a

0:36:53.960 --> 0:36:56.760
<v Speaker 12>line in a movie or a TV show, it starts

0:36:56.800 --> 0:37:00.319
<v Speaker 12>to become a more and more expensive production. So in

0:37:00.360 --> 0:37:02.719
<v Speaker 12>this case, these two other people who were in this

0:37:02.840 --> 0:37:05.279
<v Speaker 12>scene didn't make any money. So here's the quote one

0:37:05.320 --> 0:37:05.759
<v Speaker 12>more time.

0:37:06.000 --> 0:37:11.160
<v Speaker 11>Hey guys, ooh big gulf suh, all right, well, see

0:37:11.160 --> 0:37:11.520
<v Speaker 11>you later.

0:37:12.000 --> 0:37:16.040
<v Speaker 12>And that movie is dumb and dumber. That is essentially

0:37:16.160 --> 0:37:19.520
<v Speaker 12>me in every single social situation I get into.

0:37:20.120 --> 0:37:21.359
<v Speaker 3>I have nothing to say.

0:37:21.520 --> 0:37:25.600
<v Speaker 12>I am so socially awkward. My biggest worry every time

0:37:25.719 --> 0:37:27.759
<v Speaker 12>I am with a group of people is I am

0:37:27.800 --> 0:37:30.520
<v Speaker 12>going to run out of topics to talk about unless

0:37:30.520 --> 0:37:32.239
<v Speaker 12>they want to talk about movies. And even if they

0:37:32.239 --> 0:37:34.560
<v Speaker 12>want to talk about movies, my social anxiety takes over

0:37:34.719 --> 0:37:36.560
<v Speaker 12>and I feel like I'm talking too much or feel

0:37:36.560 --> 0:37:38.400
<v Speaker 12>like I'm way too nerdy. So that is me, that

0:37:38.520 --> 0:37:41.160
<v Speaker 12>is me making conversation. Moving on, can you name this

0:37:41.280 --> 0:37:47.680
<v Speaker 12>obscure movie quote celebrating its twenty fifth anniversary. I remember

0:37:48.000 --> 0:37:51.200
<v Speaker 12>laughing so much at this scene whenever I first watched

0:37:51.200 --> 0:37:53.880
<v Speaker 12>this movie. I'll explain exactly what is happening in this

0:37:53.960 --> 0:37:56.560
<v Speaker 12>clip and the reason I was laughing so hard. But again,

0:37:56.640 --> 0:38:01.000
<v Speaker 12>here is that obscure movie quote number four, and that

0:38:01.080 --> 0:38:06.480
<v Speaker 12>movie is South Park, Bigger, Longer, and uncut. It is

0:38:06.520 --> 0:38:10.359
<v Speaker 12>the scene wherever they dare Kenny to light his fart

0:38:10.400 --> 0:38:14.319
<v Speaker 12>on fire and then Kenny is engulfed in flames and

0:38:14.360 --> 0:38:16.080
<v Speaker 12>they are trying to put him out. And if you're

0:38:16.200 --> 0:38:19.439
<v Speaker 12>unfamiliar with the show South Park, you're probably a more

0:38:19.480 --> 0:38:22.640
<v Speaker 12>refined individual. Than I am. But in every single episode

0:38:22.640 --> 0:38:26.640
<v Speaker 12>of that show, Kenny dies in some really weird way,

0:38:27.040 --> 0:38:29.560
<v Speaker 12>some really brutal way. And in the movie he goes

0:38:29.600 --> 0:38:33.080
<v Speaker 12>out by well lighting his fart on fire, and then Cartman,

0:38:33.520 --> 0:38:36.200
<v Speaker 12>who is that voice you heard there, is trying to

0:38:36.280 --> 0:38:38.799
<v Speaker 12>put out the fire with a stick, and instead of

0:38:38.840 --> 0:38:41.440
<v Speaker 12>being concerned with this friend Kenny on fire, who is

0:38:41.480 --> 0:38:44.439
<v Speaker 12>probably going to die, he's instead worried about the stick

0:38:44.480 --> 0:38:45.160
<v Speaker 12>being on fire.

0:38:46.680 --> 0:38:47.920
<v Speaker 3>Can you name this movie?

0:38:48.280 --> 0:38:49.840
<v Speaker 7>Shut your mouth when you're talking to me?

0:38:50.080 --> 0:38:53.000
<v Speaker 12>I just love the reaction from the actors in this movie.

0:38:53.440 --> 0:38:56.759
<v Speaker 12>This scene takes place in the opening part. You have

0:38:56.800 --> 0:39:00.040
<v Speaker 12>some people in a legal hearing and this is but

0:39:00.160 --> 0:39:03.520
<v Speaker 12>one person says to the other party. Again, here's that

0:39:03.560 --> 0:39:04.600
<v Speaker 12>movie quote.

0:39:04.320 --> 0:39:06.200
<v Speaker 7>Oh shut your mouth when you're talking to me.

0:39:06.719 --> 0:39:11.080
<v Speaker 12>And that movie is from two thousand and five Wedding Crashers.

0:39:11.560 --> 0:39:15.399
<v Speaker 12>The two thousands were riddled with great movie quotes. Comedies

0:39:15.440 --> 0:39:19.840
<v Speaker 12>in particular. If I could go back and recreate one

0:39:19.880 --> 0:39:23.719
<v Speaker 12>decade of movies, it would be two thousands comedies. And

0:39:23.800 --> 0:39:27.000
<v Speaker 12>speaking of two thousand comedies, this isn't a full on comedy.

0:39:27.000 --> 0:39:28.000
<v Speaker 12>It's kind of a dramedy.

0:39:28.480 --> 0:39:30.200
<v Speaker 7>Can you just hold on for a second. I'm on

0:39:30.239 --> 0:39:31.200
<v Speaker 7>my Hamburger phone.

0:39:31.560 --> 0:39:35.480
<v Speaker 12>This movie had so many great memorable movie quotes. This

0:39:35.520 --> 0:39:38.720
<v Speaker 12>one was more on the obscure side. But I remember

0:39:38.760 --> 0:39:41.360
<v Speaker 12>at this time in two thousand and seven, this was

0:39:41.400 --> 0:39:45.080
<v Speaker 12>a really big time for movie quote merchandise. Any movie

0:39:45.120 --> 0:39:47.680
<v Speaker 12>that came out had to have some t shirt at

0:39:47.680 --> 0:39:51.120
<v Speaker 12>hot topic with any obscure movie quote because people were

0:39:51.200 --> 0:39:54.840
<v Speaker 12>eating these up. I think the movie that really started

0:39:54.840 --> 0:39:58.160
<v Speaker 12>this trend was Napoleon Dynamite, which was kind of an

0:39:58.200 --> 0:40:01.480
<v Speaker 12>unexpected hit in the early two thousands and did really

0:40:01.520 --> 0:40:04.480
<v Speaker 12>well on merchandise. And the two thousands were also a

0:40:04.560 --> 0:40:07.960
<v Speaker 12>time where graphic teas were king. You weren't cool unless

0:40:07.960 --> 0:40:10.480
<v Speaker 12>you went to J. C. Pennies or Walmart and got

0:40:10.840 --> 0:40:14.359
<v Speaker 12>a funny graphic tea with something novel written on it.

0:40:14.600 --> 0:40:15.120
<v Speaker 3>Now, I'm not.

0:40:15.040 --> 0:40:17.000
<v Speaker 12>Gonna lie, it looks a little bit outdated. If you're

0:40:17.000 --> 0:40:19.239
<v Speaker 12>out in twenty twenty four with a gravity like this, Hey,

0:40:19.320 --> 0:40:21.920
<v Speaker 12>if that your thing, more power to you. But also

0:40:21.960 --> 0:40:25.160
<v Speaker 12>you're probably stuck in another decade. But again, here is

0:40:25.200 --> 0:40:26.160
<v Speaker 12>that movie quote.

0:40:26.400 --> 0:40:28.120
<v Speaker 1>Can you just hold on for a second, I'm on

0:40:28.160 --> 0:40:29.840
<v Speaker 1>my Hamburger phone.

0:40:29.680 --> 0:40:32.240
<v Speaker 12>And that is from two thousand and seven.

0:40:32.960 --> 0:40:35.719
<v Speaker 3>Juno. What a great movie that really.

0:40:35.440 --> 0:40:39.799
<v Speaker 12>Holds up as a fantastic cast, a fantastic soundtrack, and

0:40:39.840 --> 0:40:43.600
<v Speaker 12>a bunch of killer movie quotes.

0:40:50.040 --> 0:40:53.120
<v Speaker 1>Thanks for listening to this week's Sunday Sampler. Have a

0:40:53.120 --> 0:41:00.440
<v Speaker 1>good Sunday, Happy Easter, everybody.

0:41:00.520 --> 0:41:01.360
<v Speaker 5>My grand stay