1 00:00:07,960 --> 00:00:10,239 Speaker 1: Hey, everybody, Bob here, thanks for hanging out. It's a 2 00:00:10,280 --> 00:00:13,120 Speaker 1: Sunday sampler. I want to play a few things. Number one, 3 00:00:13,160 --> 00:00:15,040 Speaker 1: coming up, movie Mike's movie podcast. 4 00:00:15,120 --> 00:00:15,560 Speaker 2: It's a game. 5 00:00:15,640 --> 00:00:17,759 Speaker 1: He challenges you to identify some of the most obscure 6 00:00:17,800 --> 00:00:18,320 Speaker 1: movie quotes. 7 00:00:18,400 --> 00:00:19,720 Speaker 2: See if you can nail him. 8 00:00:19,760 --> 00:00:22,720 Speaker 1: On Sore Losers, the president of the Nashville Podcast Network 9 00:00:22,800 --> 00:00:27,240 Speaker 1: joins the guys. You know, they have kind of a 10 00:00:27,280 --> 00:00:29,640 Speaker 1: resolution after a long time. And then starting us off, 11 00:00:29,680 --> 00:00:32,000 Speaker 1: I talked with media executive Phil Becker, and we just 12 00:00:32,040 --> 00:00:35,120 Speaker 1: talked about AI AI and radio. He introduced the first 13 00:00:35,120 --> 00:00:38,919 Speaker 1: ever AI radio personality. We've talked about social media, and 14 00:00:38,960 --> 00:00:42,199 Speaker 1: so here you go all these plus more Sunday sampler. 15 00:00:42,440 --> 00:00:44,640 Speaker 1: We'll start with this a clip of my conversation with 16 00:00:44,680 --> 00:00:48,320 Speaker 1: Phil Becker. He the thing that I struggle with the 17 00:00:48,320 --> 00:00:52,640 Speaker 1: most daily, weekly, monthly in this format, which I love 18 00:00:52,640 --> 00:00:54,320 Speaker 1: and grew up on. But I was also the napster 19 00:00:54,440 --> 00:00:57,960 Speaker 1: kid right first. So as much as country music was 20 00:00:58,200 --> 00:01:00,600 Speaker 1: the Arkansas music and Mike, my mother raised me on 21 00:01:00,680 --> 00:01:02,880 Speaker 1: even traditional which I don't even know what current like 22 00:01:02,920 --> 00:01:05,560 Speaker 1: a temporary country wasn't n ttil later, I was still 23 00:01:05,560 --> 00:01:09,000 Speaker 1: a napster kid who had every influence. So it's almost 24 00:01:09,000 --> 00:01:12,920 Speaker 1: that first generation, even in like I'm doing a project 25 00:01:12,959 --> 00:01:14,759 Speaker 1: coming up the next couple months with Malcolm Gladwell who 26 00:01:14,720 --> 00:01:18,120 Speaker 1: wrote Outliers, and I'd blink, yeah, so big fan of 27 00:01:18,200 --> 00:01:22,360 Speaker 1: him and an Outliers specifically. You know, when Bill Gates 28 00:01:22,440 --> 00:01:25,280 Speaker 1: lived in a town where there was a computer, he 29 00:01:25,280 --> 00:01:27,040 Speaker 1: wouldn't have been Bill Gates if there wasn't that computer 30 00:01:27,200 --> 00:01:30,560 Speaker 1: wasn't in that town. Like luckily that environment worked out 31 00:01:30,720 --> 00:01:32,880 Speaker 1: with the person that was accepting of it and pushed 32 00:01:33,240 --> 00:01:34,920 Speaker 1: and the next thing you know, we have somebody who's 33 00:01:35,000 --> 00:01:37,720 Speaker 1: changing media. I think I'm very fortunate to have been 34 00:01:39,040 --> 00:01:41,280 Speaker 1: birthed in a time that allowed me to be on 35 00:01:41,400 --> 00:01:44,600 Speaker 1: the front side of digital media. But where I was 36 00:01:44,800 --> 00:01:51,600 Speaker 1: really curious, I was consumed by we don't have to 37 00:01:51,680 --> 00:01:56,200 Speaker 1: live in this artistic box that we've been delivered in. 38 00:01:57,040 --> 00:01:58,520 Speaker 1: But I'm very fortunate in the same way Bill Gates 39 00:01:58,560 --> 00:01:59,960 Speaker 1: was fortunate he had a computer in his town, the 40 00:02:00,080 --> 00:02:02,760 Speaker 1: only one for miles and miles and miles. I got 41 00:02:02,760 --> 00:02:04,640 Speaker 1: to be at the age where I had digital media first, 42 00:02:04,760 --> 00:02:11,079 Speaker 1: and because of that, I have all of these different 43 00:02:11,360 --> 00:02:17,280 Speaker 1: influences and from my most influential years, and so the 44 00:02:17,320 --> 00:02:21,440 Speaker 1: one consistent thing has been other people my age or younger, 45 00:02:21,600 --> 00:02:24,120 Speaker 1: regardless of where they grew up, country, hip hop up, 46 00:02:24,440 --> 00:02:26,200 Speaker 1: They've all been influenced. 47 00:02:25,680 --> 00:02:26,799 Speaker 3: By everything too. 48 00:02:28,200 --> 00:02:31,120 Speaker 1: So the standard has been in this format, which again 49 00:02:31,639 --> 00:02:33,519 Speaker 1: I know in love and I've dedicated my last fifteen 50 00:02:33,560 --> 00:02:39,040 Speaker 1: years to it that anybody who comes over here must 51 00:02:39,080 --> 00:02:44,760 Speaker 1: be a carpetbagger, because why weren't they here originally? If 52 00:02:44,800 --> 00:02:49,680 Speaker 1: that's the case, I'm a carpetbagger in a way because 53 00:02:49,760 --> 00:02:51,480 Speaker 1: even though I grew up on country music. In my 54 00:02:51,520 --> 00:02:54,280 Speaker 1: first radio I begged to get a job at US 55 00:02:54,360 --> 00:02:58,280 Speaker 1: ninety seven, they wouldn't hire me, and I did pop. 56 00:02:58,440 --> 00:03:00,480 Speaker 1: But on my pop stations I would put country artists on. 57 00:03:00,880 --> 00:03:05,440 Speaker 1: But to them because I wasn't completely I'm a carpetbagger. However, 58 00:03:05,480 --> 00:03:09,560 Speaker 1: the thing I said with Beyonce was one, if we're 59 00:03:09,600 --> 00:03:12,000 Speaker 1: going to say to be country, you've had to always 60 00:03:12,000 --> 00:03:15,320 Speaker 1: be country, then there's a lot of people that if 61 00:03:15,919 --> 00:03:18,360 Speaker 1: you're not a black artist coming over on a slave 62 00:03:18,400 --> 00:03:20,679 Speaker 1: ship with a makeshift banjo, or if you're not a 63 00:03:20,760 --> 00:03:23,600 Speaker 1: European with a basic fiddle, and the combination of those 64 00:03:23,680 --> 00:03:25,680 Speaker 1: is what influenced the South and the South, then You're 65 00:03:25,720 --> 00:03:29,119 Speaker 1: not a country right, So all you white dudes who 66 00:03:29,120 --> 00:03:31,360 Speaker 1: have your goatee and your sunglasses, they're yelling at me 67 00:03:32,160 --> 00:03:32,919 Speaker 1: that ain't country. 68 00:03:33,840 --> 00:03:35,160 Speaker 2: Well, if you want to keep going. 69 00:03:34,960 --> 00:03:37,680 Speaker 1: Back, I'm going to go back to the actual creation 70 00:03:37,800 --> 00:03:38,560 Speaker 1: of country music. 71 00:03:38,960 --> 00:03:39,760 Speaker 3: You ain't country. 72 00:03:40,640 --> 00:03:45,360 Speaker 1: Secondly, I think also there is a problem, and I 73 00:03:45,360 --> 00:03:47,600 Speaker 1: can understand this problem, and I understand why people feel 74 00:03:47,600 --> 00:03:49,760 Speaker 1: this way because I feel it too. If somebody is 75 00:03:49,840 --> 00:03:55,000 Speaker 1: not succeeding in a genre and they go, I'm just 76 00:03:55,000 --> 00:03:56,520 Speaker 1: going to go and do country because it's not working 77 00:03:56,520 --> 00:04:01,960 Speaker 1: for me. There I can understand being insulted by that, because, oh, 78 00:04:02,200 --> 00:04:04,640 Speaker 1: where you're is it the easier format where you're the 79 00:04:04,640 --> 00:04:06,800 Speaker 1: second place where you're you think you can because you 80 00:04:06,800 --> 00:04:08,040 Speaker 1: can't make it where you did make it. Now you're 81 00:04:08,040 --> 00:04:09,120 Speaker 1: just going to come over and think you can just 82 00:04:09,120 --> 00:04:11,280 Speaker 1: succeed over here where we are. To me, that's not 83 00:04:11,320 --> 00:04:14,000 Speaker 1: so much about art, but it's like, oh, you think 84 00:04:14,040 --> 00:04:15,840 Speaker 1: you can't be the governor of Minnesota, You're gonna move 85 00:04:15,840 --> 00:04:17,200 Speaker 1: to Arkansas and run trying to be the governor because 86 00:04:17,240 --> 00:04:21,159 Speaker 1: you think we're idiots. So my point with Beyonce was 87 00:04:21,240 --> 00:04:22,919 Speaker 1: she doesn't have to do that. She's doing it on 88 00:04:22,920 --> 00:04:25,600 Speaker 1: her own. She's never been bigger yet she still wants 89 00:04:25,640 --> 00:04:31,919 Speaker 1: to do country infused music and some of the music 90 00:04:31,960 --> 00:04:34,200 Speaker 1: that is considered country now. And I could go back, 91 00:04:34,240 --> 00:04:37,200 Speaker 1: and I've been in a couple documentaries where I. 92 00:04:37,200 --> 00:04:38,080 Speaker 3: Talk about music. 93 00:04:39,560 --> 00:04:42,000 Speaker 1: Even if you go back to like Bob Wills, who 94 00:04:42,080 --> 00:04:45,719 Speaker 1: is traditional, like extremely he was the first guy that 95 00:04:45,800 --> 00:04:49,880 Speaker 1: ever amplified as steal guitar, an electric still guitar that's 96 00:04:49,880 --> 00:04:53,640 Speaker 1: not country. Well now it's the first time they made 97 00:04:53,640 --> 00:04:56,640 Speaker 1: an electric guitar. You can go to the greats who've 98 00:04:56,640 --> 00:04:59,640 Speaker 1: all been told you're not country. Generally, the people that 99 00:04:59,720 --> 00:05:02,279 Speaker 1: aren't country and make it are the ones that reset country. 100 00:05:02,440 --> 00:05:04,760 Speaker 1: So people that yell, hey, your country music, this is 101 00:05:04,839 --> 00:05:08,279 Speaker 1: I like traditional country. At one point that traditional wasn't 102 00:05:08,360 --> 00:05:11,440 Speaker 1: Beyonce today, right. And I've been lucky enough to sit 103 00:05:11,480 --> 00:05:13,400 Speaker 1: with these artists who have been told that, and actually 104 00:05:13,920 --> 00:05:18,239 Speaker 1: just Garth for example, everybody Garth's the greatest car. Garth 105 00:05:18,320 --> 00:05:21,200 Speaker 1: wasn't country according to eighty percent of country music for 106 00:05:21,200 --> 00:05:24,080 Speaker 1: a while because how he was doing his concerts. So 107 00:05:24,920 --> 00:05:29,799 Speaker 1: I've often said, the people that say that something's not country, 108 00:05:30,320 --> 00:05:33,560 Speaker 1: they almost have to exist. If everything stayed the same 109 00:05:33,560 --> 00:05:36,080 Speaker 1: country music would die if everything stayed traditional country music 110 00:05:36,080 --> 00:05:38,240 Speaker 1: would die. Any art I just happen to be in 111 00:05:38,279 --> 00:05:41,599 Speaker 1: this one and that that ain't country. It's annoying as crap. 112 00:05:43,160 --> 00:05:45,480 Speaker 1: But if it didn't happen, I don't think the format 113 00:05:45,480 --> 00:05:49,160 Speaker 1: would be able to progress. Like so, I was upset 114 00:05:49,200 --> 00:05:50,240 Speaker 1: with the Beyonce think, and I got a lot of 115 00:05:50,240 --> 00:05:52,800 Speaker 1: offers to go and do all these TV shows, but 116 00:05:52,920 --> 00:05:55,039 Speaker 1: I've found that going on with somebody else controls the narrative. 117 00:05:55,040 --> 00:05:56,960 Speaker 1: And you're talking about race, that's tricky because they will cut, 118 00:05:57,000 --> 00:05:59,839 Speaker 1: they'll cut your promo, and as a white dude, I'm 119 00:05:59,839 --> 00:06:01,960 Speaker 1: just I'm gonna talk talk about it in a mine, right, 120 00:06:02,600 --> 00:06:05,760 Speaker 1: But I'm super happy that now people are being way 121 00:06:05,839 --> 00:06:11,719 Speaker 1: more understanding of black art, at female artists, bands, anything 122 00:06:11,760 --> 00:06:14,640 Speaker 1: that's not considered traditional country for now, because it's going 123 00:06:14,640 --> 00:06:17,400 Speaker 1: to be traditional country in ten years and history is 124 00:06:17,440 --> 00:06:19,080 Speaker 1: going to be on the side of the same side 125 00:06:19,080 --> 00:06:20,440 Speaker 1: it's always been on progression. 126 00:06:20,880 --> 00:06:23,800 Speaker 4: Well, you know, you talked about being the napster kid, 127 00:06:23,839 --> 00:06:27,440 Speaker 4: and you talked about being the Bill Gates situation where 128 00:06:27,440 --> 00:06:29,520 Speaker 4: if he didn't live in that town, there wouldn't be sure. 129 00:06:30,560 --> 00:06:34,599 Speaker 4: I actually think that you and I because we're roughly 130 00:06:34,600 --> 00:06:37,599 Speaker 4: the same age. You and I are going to be 131 00:06:39,600 --> 00:06:44,520 Speaker 4: bringing children into the world. People that are younger now, 132 00:06:44,839 --> 00:06:47,600 Speaker 4: they're going to laugh at us. Dude, they're going to 133 00:06:47,680 --> 00:06:50,120 Speaker 4: laugh at us and go, you told somebody what a 134 00:06:50,279 --> 00:06:54,520 Speaker 4: genre was, right, that's offensive. You told someone how they 135 00:06:54,520 --> 00:06:55,680 Speaker 4: had to feel about something. 136 00:06:55,720 --> 00:06:56,000 Speaker 3: That's it. 137 00:06:56,520 --> 00:06:58,520 Speaker 4: They're going to look back and you and I are 138 00:06:58,520 --> 00:07:02,800 Speaker 4: supposedly the outliers, the disruptors, the rule breakers, even us 139 00:07:03,480 --> 00:07:05,359 Speaker 4: compared to where the world will be, which is a 140 00:07:05,360 --> 00:07:06,040 Speaker 4: beautiful thing. 141 00:07:06,080 --> 00:07:08,200 Speaker 3: By the way, they'll laugh. 142 00:07:08,120 --> 00:07:10,560 Speaker 1: It's very socratic, I'll say, because we're so smart. We 143 00:07:10,600 --> 00:07:13,600 Speaker 1: know we're not that smart, right, Like I don't. I 144 00:07:13,840 --> 00:07:16,120 Speaker 1: have no confidence that I know anything about art. I 145 00:07:16,160 --> 00:07:19,880 Speaker 1: have confidence that eventually my sensibilities will get me to 146 00:07:19,880 --> 00:07:21,560 Speaker 1: a spot that I realized I don't know. So I'm 147 00:07:21,560 --> 00:07:23,040 Speaker 1: gonna trust what I can find out. 148 00:07:29,960 --> 00:07:42,440 Speaker 5: Good cass up, little food for yourself life. Oh it's 149 00:07:42,480 --> 00:07:50,800 Speaker 5: pretty bad, it's pretty beautiful. Laugh a little more THI. 150 00:07:51,960 --> 00:07:55,840 Speaker 5: You're kicking it with four with Amy Brown. 151 00:07:56,440 --> 00:07:59,120 Speaker 6: Hey, it's Amy Brown from Four Things with Amy Brown. 152 00:07:59,280 --> 00:08:01,840 Speaker 6: And here's what we talked about this week on my podcast. 153 00:08:03,880 --> 00:08:06,760 Speaker 6: I want to talk about a myth of dyslexia, and 154 00:08:06,760 --> 00:08:10,400 Speaker 6: that is that it's a sign of low intelligence. 155 00:08:10,280 --> 00:08:12,400 Speaker 7: Which is the furthest thing from the truth. 156 00:08:12,800 --> 00:08:16,800 Speaker 8: A lot of your millionaires, a lot of Hollywood actors, 157 00:08:17,120 --> 00:08:20,800 Speaker 8: Chaining Tatum different, they are dyslexic, and they will talk 158 00:08:20,800 --> 00:08:24,760 Speaker 8: about having to reredescript and reread a script. But these 159 00:08:24,760 --> 00:08:29,560 Speaker 8: are successful people. These are very smart people. Albert Einstein, 160 00:08:29,720 --> 00:08:33,160 Speaker 8: they said he was dyslexic. I saw a stat that's 161 00:08:33,400 --> 00:08:36,040 Speaker 8: like seven out of ten millionaires. 162 00:08:36,360 --> 00:08:39,000 Speaker 7: And I don't know how scientifically proven it was. 163 00:08:39,280 --> 00:08:42,960 Speaker 8: We're dyslexic. And you had her on your show from 164 00:08:43,040 --> 00:08:47,640 Speaker 8: Shark Tank. I was fascinated with her talking about her dyslexia. 165 00:08:48,120 --> 00:08:52,600 Speaker 8: And I had always told entrepreneurship is a great way 166 00:08:52,679 --> 00:08:55,720 Speaker 8: for dyslexics to go because they think so out of 167 00:08:55,760 --> 00:08:56,240 Speaker 8: the box. 168 00:08:56,720 --> 00:08:59,560 Speaker 7: Has nothing to do with intelligence at all. 169 00:09:00,120 --> 00:09:02,360 Speaker 6: That was Barbara Corcoran, by the way, and yeah, it 170 00:09:02,400 --> 00:09:04,720 Speaker 6: was it was cool to hear her say that, especially 171 00:09:04,800 --> 00:09:07,959 Speaker 6: right after we had been diagnosed with it. And it's 172 00:09:08,000 --> 00:09:10,760 Speaker 6: a it's a spectrum and you should get tested if 173 00:09:10,800 --> 00:09:12,720 Speaker 6: you think you have it, or you know. You even 174 00:09:12,760 --> 00:09:16,280 Speaker 6: said some adults come in to get their kids tested 175 00:09:16,400 --> 00:09:17,920 Speaker 6: and they don't even know that they have it, but 176 00:09:17,960 --> 00:09:20,280 Speaker 6: then they start to get curious. And for me, I 177 00:09:20,280 --> 00:09:22,440 Speaker 6: think I always had a curiosity, but I would have 178 00:09:22,600 --> 00:09:26,680 Speaker 6: never gotten tested because I just didn't put enough eggs 179 00:09:26,720 --> 00:09:29,120 Speaker 6: in that basket that it could actually be dyslexia. But 180 00:09:29,120 --> 00:09:31,600 Speaker 6: that's also because I had a misunderstanding of what dyslexia 181 00:09:31,679 --> 00:09:36,959 Speaker 6: actually is. And I also have a question about it 182 00:09:37,000 --> 00:09:40,720 Speaker 6: being hereditary. Does it often come from someone in our family? 183 00:09:40,960 --> 00:09:41,439 Speaker 7: It does? 184 00:09:41,600 --> 00:09:45,040 Speaker 8: It can skip generation, but like if you were to 185 00:09:45,080 --> 00:09:47,760 Speaker 8: have a biological child, they would have a fifty percent 186 00:09:47,920 --> 00:09:50,040 Speaker 8: more likelihood of having dyslexia. 187 00:09:50,360 --> 00:09:52,040 Speaker 6: All right, Well, quick question about that, because if I 188 00:09:52,080 --> 00:09:55,200 Speaker 6: was meant to be left handed and I was, you know, 189 00:09:55,440 --> 00:09:57,800 Speaker 6: encouraged to be right, and that crossed the wires in 190 00:09:57,840 --> 00:10:01,920 Speaker 6: my brain because dyslexia it's hereditary. Is it just because 191 00:10:01,920 --> 00:10:04,000 Speaker 6: my brain was susceptible to that? Like if I didn't 192 00:10:04,000 --> 00:10:07,320 Speaker 6: have dyslexia, my family somewhere, which my sister and I 193 00:10:07,360 --> 00:10:10,360 Speaker 6: have a theory that it was potentially our dad, and 194 00:10:10,400 --> 00:10:12,120 Speaker 6: I wish she was alive so that I could have 195 00:10:12,240 --> 00:10:13,360 Speaker 6: him get tested. 196 00:10:13,400 --> 00:10:14,720 Speaker 3: But he hated to read. 197 00:10:15,000 --> 00:10:17,360 Speaker 6: He did not have dyscalcula because he was really great 198 00:10:17,360 --> 00:10:20,480 Speaker 6: at math. But he was left handed, and he was 199 00:10:21,040 --> 00:10:21,960 Speaker 6: very creative. 200 00:10:22,240 --> 00:10:26,760 Speaker 8: And they're doing studies now like high school football players. 201 00:10:26,840 --> 00:10:31,400 Speaker 8: They are finding that there can be a concussion related dyslexia. 202 00:10:32,000 --> 00:10:33,559 Speaker 7: New studies that have just come out. 203 00:10:33,600 --> 00:10:36,280 Speaker 8: I've been reading it just because it's fascinating to me 204 00:10:36,400 --> 00:10:39,080 Speaker 8: that a brain injury can actually cause it. 205 00:10:39,520 --> 00:10:42,640 Speaker 6: Well, I was getting some neurofeedback done a year and 206 00:10:42,640 --> 00:10:44,920 Speaker 6: a half ago, is when I started, maybe two years ago, 207 00:10:45,280 --> 00:10:47,720 Speaker 6: and she did a little scan over on my brain 208 00:10:47,760 --> 00:10:50,760 Speaker 6: and she said, the front part of my brain, I 209 00:10:50,760 --> 00:10:53,520 Speaker 6: guess had an injury of sorts, and your brain doesn't 210 00:10:53,520 --> 00:10:57,360 Speaker 6: know the difference between an emotional trauma and a physical trauma. Yes, 211 00:10:57,480 --> 00:10:59,920 Speaker 6: So all she could see was that there was tru 212 00:11:00,280 --> 00:11:02,120 Speaker 6: to the brain right there. And she asked me if 213 00:11:02,160 --> 00:11:04,200 Speaker 6: I had ever hit my head as a kid or anything, 214 00:11:04,559 --> 00:11:05,800 Speaker 6: and I told her about a time that I was 215 00:11:05,800 --> 00:11:10,040 Speaker 6: playing hide and seek and I slid headfirst into my parents' 216 00:11:10,200 --> 00:11:14,120 Speaker 6: bed because the bed was base and I was about 217 00:11:14,160 --> 00:11:16,800 Speaker 6: to get tagged, and so I slid and my arms 218 00:11:16,880 --> 00:11:19,600 Speaker 6: went straight under on the carpet through the bed, but 219 00:11:19,640 --> 00:11:24,520 Speaker 6: then my head hit the bedpost and I had to 220 00:11:24,520 --> 00:11:27,400 Speaker 6: get stitches. And it's right there, and she goes, that's 221 00:11:27,600 --> 00:11:31,480 Speaker 6: right when your add could have come into action. Yes, 222 00:11:31,559 --> 00:11:34,040 Speaker 6: And I thought, what, I hit my head as a 223 00:11:34,120 --> 00:11:37,080 Speaker 6: kid and that could be my ADD Like I thought 224 00:11:37,120 --> 00:11:41,160 Speaker 6: that was something you were just born with. But she said, yeah, 225 00:11:41,160 --> 00:11:43,200 Speaker 6: I know that trauma to your head could have been 226 00:11:43,440 --> 00:11:44,000 Speaker 6: the culprit. 227 00:11:44,200 --> 00:11:47,920 Speaker 8: Well, and my son had brain surgery because he battled 228 00:11:47,920 --> 00:11:50,880 Speaker 8: brain cancer. So that was one thing that was really 229 00:11:50,920 --> 00:11:54,600 Speaker 8: hard for us to separate. Okay, what is medical, what's educational? 230 00:11:54,679 --> 00:11:58,319 Speaker 8: What is from surgery is what is not. That's one 231 00:11:58,400 --> 00:12:00,640 Speaker 8: of the reasons it took us so long to be 232 00:12:00,679 --> 00:12:01,959 Speaker 8: able to find help for him. 233 00:12:02,440 --> 00:12:06,040 Speaker 6: Well, what signs can parents look for, Like if they're thinking, well, 234 00:12:06,040 --> 00:12:09,480 Speaker 6: maybe I should get my kid tested or maybe I 235 00:12:09,480 --> 00:12:12,040 Speaker 6: should get myself tested. What are signs people can look for. 236 00:12:12,480 --> 00:12:14,520 Speaker 7: There's different signs for different ages. 237 00:12:14,600 --> 00:12:17,839 Speaker 8: So for the young ones, if they are having a 238 00:12:17,880 --> 00:12:23,560 Speaker 8: really hard time rhyming, that's usually a flag because having 239 00:12:23,640 --> 00:12:27,680 Speaker 8: trouble rhyming is the number one thing for younger kids 240 00:12:27,720 --> 00:12:30,280 Speaker 8: that you see and then you're riding your b's and 241 00:12:30,320 --> 00:12:32,240 Speaker 8: d's backwards, those kind of things. 242 00:12:32,280 --> 00:12:34,920 Speaker 7: But that can be natural until about seven. 243 00:12:35,480 --> 00:12:40,400 Speaker 8: Mirror writing a complete sentence forwards or backwards. That's a 244 00:12:40,559 --> 00:12:44,680 Speaker 8: huge flag, and some kids realize that it's cool trick 245 00:12:44,920 --> 00:12:48,120 Speaker 8: and they don't want to switch it. Just realizing that 246 00:12:48,559 --> 00:12:52,880 Speaker 8: I am not remembering things and it's not an age 247 00:12:52,920 --> 00:12:55,840 Speaker 8: related thing. It's like, I read that whole paragraph, I 248 00:12:55,880 --> 00:12:59,120 Speaker 8: can't remember what I was even looking for in it. 249 00:13:00,080 --> 00:13:04,560 Speaker 8: Uptence to read is always a big sign inability to rhyme, 250 00:13:04,760 --> 00:13:09,080 Speaker 8: to change up your phonetics your words, kind of like 251 00:13:09,120 --> 00:13:12,079 Speaker 8: the test that we did after the Bobby Bone show 252 00:13:12,480 --> 00:13:16,280 Speaker 8: where I had you switching around and taking parts of 253 00:13:16,360 --> 00:13:17,280 Speaker 8: words out. 254 00:13:17,600 --> 00:13:20,079 Speaker 6: Let's do an example of that and I'll do it. 255 00:13:20,240 --> 00:13:27,480 Speaker 8: Okay, So the word toast replaced the first sound with a. 256 00:13:26,880 --> 00:13:29,400 Speaker 6: C coast post. 257 00:13:29,520 --> 00:13:29,800 Speaker 7: Yes. 258 00:13:29,920 --> 00:13:31,480 Speaker 6: I think that's a good example, And then we did 259 00:13:31,480 --> 00:13:32,920 Speaker 6: the syllable one. 260 00:13:33,240 --> 00:13:34,880 Speaker 7: Yes. That was why I called in. 261 00:13:35,160 --> 00:13:39,400 Speaker 8: Was Eddie talking about the cabbage because he couldn't figure 262 00:13:39,440 --> 00:13:42,560 Speaker 8: out why they were saying it had so many sounds. 263 00:13:42,920 --> 00:13:44,400 Speaker 7: So cabbage is cut. 264 00:13:46,480 --> 00:13:48,120 Speaker 8: But at. 265 00:13:49,640 --> 00:13:52,720 Speaker 7: Cabbage it has five distinct sounds. 266 00:13:53,040 --> 00:13:56,240 Speaker 8: It has more letters than that, and it has less 267 00:13:56,280 --> 00:13:57,319 Speaker 8: syllables than that. 268 00:13:57,400 --> 00:13:59,160 Speaker 7: But those are the phonemes. 269 00:14:00,000 --> 00:14:02,640 Speaker 6: That was what he saw on TikTok. Yes, okay, let's 270 00:14:02,679 --> 00:14:04,440 Speaker 6: run through that one. Give me a word and I'll 271 00:14:04,440 --> 00:14:05,720 Speaker 6: do the letter sounds. 272 00:14:06,160 --> 00:14:10,240 Speaker 8: Okay, so through the the root. 273 00:14:10,480 --> 00:14:13,840 Speaker 6: I feel like that one's a little tricky. It is 274 00:14:13,840 --> 00:14:14,600 Speaker 6: is it three? 275 00:14:15,000 --> 00:14:21,720 Speaker 7: Because it's the that's one sound er? Ooh, so through 276 00:14:22,840 --> 00:14:23,560 Speaker 7: got it? 277 00:14:23,560 --> 00:14:26,040 Speaker 6: It gets a little tricky. But we did a lot 278 00:14:26,120 --> 00:14:29,120 Speaker 6: of those. And from the results of my test, and 279 00:14:29,160 --> 00:14:30,800 Speaker 6: this is something I did one on one with you 280 00:14:31,160 --> 00:14:34,520 Speaker 6: after the show, like a week or two after. What 281 00:14:34,680 --> 00:14:37,160 Speaker 6: did that show you about what I had going on? 282 00:14:37,520 --> 00:14:40,880 Speaker 8: It showed me that you have double deficit, which you 283 00:14:41,040 --> 00:14:46,000 Speaker 8: have a phonological processing. You can process your sounds, but 284 00:14:46,240 --> 00:14:49,120 Speaker 8: it does take you a little bit to be able 285 00:14:49,160 --> 00:14:53,680 Speaker 8: to manipulate them, and it probably affects you more with 286 00:14:53,800 --> 00:14:57,960 Speaker 8: your reading and comprehending because you don't realize how hard 287 00:14:58,000 --> 00:15:02,040 Speaker 8: you're working with your brain to get all those phonetics 288 00:15:02,080 --> 00:15:03,160 Speaker 8: out into all of that. 289 00:15:16,000 --> 00:15:21,640 Speaker 2: Let's do it live, Oh the two so loser? 290 00:15:23,760 --> 00:15:25,400 Speaker 3: What up? Everybody? I am lunchbox. 291 00:15:25,480 --> 00:15:27,360 Speaker 9: I know the most about sports, so I'll give you 292 00:15:27,400 --> 00:15:29,720 Speaker 9: the sports facts, my sports. 293 00:15:29,360 --> 00:15:34,040 Speaker 3: Opinions, because I'm pretty much a sports genius. What up, y'all? 294 00:15:34,040 --> 00:15:36,240 Speaker 10: A hiscison, I'm from the North, I'm in Alpha Male. 295 00:15:36,280 --> 00:15:38,400 Speaker 10: I live on the West side of Nashville with Baser, 296 00:15:38,480 --> 00:15:41,360 Speaker 10: my wife. We do have a white picket fence at 297 00:15:41,360 --> 00:15:44,560 Speaker 10: the apartment complex. Soon I'm gonna have two point five kids, 298 00:15:44,960 --> 00:15:46,840 Speaker 10: and yes, sadly, I will die of a heart attack 299 00:15:46,840 --> 00:15:48,520 Speaker 10: when I'm seventy two years old. 300 00:15:49,240 --> 00:15:52,160 Speaker 2: Here's a clip from the last podcast. 301 00:15:53,680 --> 00:15:59,320 Speaker 3: Ah, so I did play golf yesterday. Whoa music bed? 302 00:15:59,360 --> 00:16:00,640 Speaker 10: Don't know if it's playing or not. 303 00:16:01,600 --> 00:16:05,840 Speaker 9: And I got a glimpse into what maybe our future is, 304 00:16:06,000 --> 00:16:08,520 Speaker 9: maybe you and Justin's future. But it was like, wow, 305 00:16:08,640 --> 00:16:12,360 Speaker 9: this is the future of a friendship or relationship that. 306 00:16:12,440 --> 00:16:13,680 Speaker 3: Lasts so long. 307 00:16:14,280 --> 00:16:15,440 Speaker 2: So this is a good story. 308 00:16:15,840 --> 00:16:17,680 Speaker 3: Yeah, I got paired up. Well, I show up. 309 00:16:17,720 --> 00:16:19,280 Speaker 9: I just walked up because I didn't know if I 310 00:16:19,320 --> 00:16:21,400 Speaker 9: was gonna be able place. I just walked up. I'm like, hey, 311 00:16:22,400 --> 00:16:24,880 Speaker 9: any chance you can fit a single in? He's like, oh, man, 312 00:16:24,920 --> 00:16:27,280 Speaker 9: I got t Time's book the rest of the afternoon. 313 00:16:27,360 --> 00:16:30,200 Speaker 9: But uh, oh Phil and Bill. I mean, if they 314 00:16:30,240 --> 00:16:32,400 Speaker 9: haven't gone yet, you can you can pair up with them. 315 00:16:32,440 --> 00:16:35,800 Speaker 9: And he goes out there, Bill, Bill, hey, this one's 316 00:16:35,800 --> 00:16:36,840 Speaker 9: gonna pair up with you. 317 00:16:37,840 --> 00:16:39,680 Speaker 3: And I walk up and they're like, oh, how's it going. 318 00:16:39,760 --> 00:16:42,160 Speaker 9: Nice to meet you? And I'm great, great, to meet you. 319 00:16:42,280 --> 00:16:44,520 Speaker 9: I'm celebrating my dad's birthday. 320 00:16:44,800 --> 00:16:49,920 Speaker 2: But he's not here. Oh he's celebrating. 321 00:16:49,480 --> 00:16:50,760 Speaker 3: No I did. I was telling them. 322 00:16:52,520 --> 00:16:56,000 Speaker 10: Somebody a single told me they're celebrating a birthday loser. 323 00:16:56,200 --> 00:16:58,320 Speaker 9: They're like, oh, is your dad gonna play with Like, no, 324 00:16:58,440 --> 00:17:01,280 Speaker 9: he lives in Texas, man, I'm celebrating his birthday by 325 00:17:01,320 --> 00:17:02,800 Speaker 9: being outside and playing golf. 326 00:17:03,160 --> 00:17:05,040 Speaker 3: Nice And so these two guys. 327 00:17:04,960 --> 00:17:07,680 Speaker 9: Know each other, and Phil and Bill they're like, I mean, 328 00:17:08,560 --> 00:17:12,040 Speaker 9: chatting it up, and they're nice friendly. About the fourth hole, 329 00:17:12,119 --> 00:17:15,800 Speaker 9: they start talking trash Root tell you it feels like Bill, 330 00:17:15,840 --> 00:17:17,720 Speaker 9: there ain't no damn way you're gonna make that shot. 331 00:17:18,119 --> 00:17:20,080 Speaker 9: Ain't no way you're gonna make that damn shot Bill, 332 00:17:20,840 --> 00:17:24,080 Speaker 9: and Bill trains it. 333 00:17:24,680 --> 00:17:27,000 Speaker 2: Are they're playing for skins or what they're playing money. 334 00:17:27,400 --> 00:17:30,879 Speaker 9: They're in a tournament and they play a couple of 335 00:17:30,920 --> 00:17:33,720 Speaker 9: times a week, and they play money games at different courses, 336 00:17:34,240 --> 00:17:36,240 Speaker 9: and they usually book three tea times, and they didn't 337 00:17:36,240 --> 00:17:38,199 Speaker 9: get in the three tea times, so they were on 338 00:17:38,240 --> 00:17:40,160 Speaker 9: their own and they just had to be honest about 339 00:17:40,160 --> 00:17:40,639 Speaker 9: their score. 340 00:17:41,080 --> 00:17:42,160 Speaker 2: Highly illegal though. 341 00:17:42,400 --> 00:17:44,280 Speaker 3: The betting, Yeah yeah, I understand. 342 00:17:44,520 --> 00:17:47,040 Speaker 9: And Bill looks at me and goes you think Phil 343 00:17:47,080 --> 00:17:48,359 Speaker 9: gets in my head when he tells me I'm not 344 00:17:48,359 --> 00:17:50,639 Speaker 9: gonna miss a shops. I mean, I met him in 345 00:17:50,680 --> 00:17:52,480 Speaker 9: eighty seven. I haven't listened to him what he said 346 00:17:52,480 --> 00:17:58,840 Speaker 9: since ninety two, and I'm like, dude. 347 00:17:58,640 --> 00:18:02,920 Speaker 10: It went back since eighties nineties. That's forty years, That's 348 00:18:02,920 --> 00:18:03,600 Speaker 10: what I'm saying. 349 00:18:04,359 --> 00:18:06,280 Speaker 9: And I felt like, oh my god, this is the 350 00:18:06,320 --> 00:18:09,479 Speaker 9: future of what life is going to be like if 351 00:18:09,520 --> 00:18:12,640 Speaker 9: we are still doing this podcast in thirty to forty years. 352 00:18:12,320 --> 00:18:14,159 Speaker 2: Playing at the local shitty muni. 353 00:18:14,080 --> 00:18:14,680 Speaker 3: And they were. 354 00:18:14,760 --> 00:18:16,560 Speaker 9: They were so funny the way they would talk to 355 00:18:16,600 --> 00:18:18,720 Speaker 9: each other. I mean, one would hit a good shot, 356 00:18:18,760 --> 00:18:22,359 Speaker 9: he'd be like, not that good. He'd be like, you 357 00:18:22,400 --> 00:18:24,320 Speaker 9: could have hit it farther. You know, like they know 358 00:18:24,520 --> 00:18:26,760 Speaker 9: nothing nice to each other, and it was all in 359 00:18:26,800 --> 00:18:27,240 Speaker 9: good fun. 360 00:18:27,320 --> 00:18:28,880 Speaker 3: But I banged your life. 361 00:18:29,520 --> 00:18:32,560 Speaker 2: No, did you try and join in? No, I had 362 00:18:32,600 --> 00:18:33,960 Speaker 2: sex with Martha last night. 363 00:18:35,440 --> 00:18:38,199 Speaker 3: No coach. Then they turned Yeah. Phil and Bill get 364 00:18:38,280 --> 00:18:40,040 Speaker 3: a love set. I don't want I don't want to 365 00:18:40,119 --> 00:18:40,920 Speaker 3: upset Phil and Bill. 366 00:18:41,800 --> 00:18:44,760 Speaker 2: He's about to drive I banged your wife last night. 367 00:18:45,640 --> 00:18:48,240 Speaker 3: What Bill gets out of the cart? 368 00:18:48,359 --> 00:18:51,439 Speaker 9: Do you feel the lines pil grabs his wedges are 369 00:18:51,640 --> 00:18:52,280 Speaker 9: knocking me out. 370 00:18:52,280 --> 00:18:53,360 Speaker 3: I know we didn't do any of that. 371 00:18:53,480 --> 00:18:58,120 Speaker 2: Come here, you millennial mothercker. I got to just hit 372 00:18:58,240 --> 00:18:59,840 Speaker 2: you over the he set up a bit. 373 00:19:00,520 --> 00:19:03,080 Speaker 9: Now, then Bill tells me, he goes. Bill's always like man, 374 00:19:03,119 --> 00:19:05,560 Speaker 9: he goes, Bill goes. Phil's always bragging about how many 375 00:19:05,560 --> 00:19:08,880 Speaker 9: fairways he hits. Oh I hit eight fairways, he goes. 376 00:19:09,400 --> 00:19:10,240 Speaker 3: But you know what he done that. 377 00:19:11,000 --> 00:19:14,880 Speaker 9: He doesn't brag about how many green and regulations he hits. 378 00:19:14,200 --> 00:19:15,600 Speaker 3: He goes. 379 00:19:16,200 --> 00:19:19,160 Speaker 9: He can say, oh I hit eight fairways. How many 380 00:19:19,160 --> 00:19:21,719 Speaker 9: girls you get to thank you? 381 00:19:23,400 --> 00:19:25,760 Speaker 3: Great? So then we're on the tenth t. 382 00:19:25,960 --> 00:19:27,120 Speaker 2: Are you playing money with him? 383 00:19:27,200 --> 00:19:27,480 Speaker 3: No? 384 00:19:27,480 --> 00:19:29,080 Speaker 9: No, no, because they're in a pool. They're in a 385 00:19:29,320 --> 00:19:32,080 Speaker 9: like the tea times after us. There's like three or 386 00:19:32,080 --> 00:19:34,280 Speaker 9: four of them. Those are the guys that are playing 387 00:19:34,280 --> 00:19:35,960 Speaker 9: for money. So they keep scoring. Then they go in 388 00:19:35,960 --> 00:19:37,600 Speaker 9: the clubhouse and they dibby up their money. 389 00:19:37,760 --> 00:19:38,640 Speaker 3: And at some point we. 390 00:19:38,600 --> 00:19:40,800 Speaker 10: Got to go to a country club and pay ten 391 00:19:40,880 --> 00:19:43,879 Speaker 10: grand a year, because I mean, you just going to 392 00:19:44,000 --> 00:19:45,800 Speaker 10: a course and hoping for a tea time. We don't 393 00:19:45,800 --> 00:19:47,280 Speaker 10: have to deal with that if we can afford it. 394 00:19:47,520 --> 00:19:50,160 Speaker 9: Country here's the problem with the country club. You fork 395 00:19:50,200 --> 00:19:53,840 Speaker 9: out ten twenty thirty thousand dollars to join. You never 396 00:19:53,960 --> 00:19:56,400 Speaker 9: get jets just to join. Then you have to pay 397 00:19:56,440 --> 00:19:58,280 Speaker 9: per month. I don't know, Oh. 398 00:19:58,200 --> 00:20:01,760 Speaker 10: You do, yeah, but I feel like they always get 399 00:20:01,800 --> 00:20:02,760 Speaker 10: the tea times they want. 400 00:20:02,960 --> 00:20:05,720 Speaker 9: Well, probably, yeah, because you're paying fifty thousand dollars for 401 00:20:05,760 --> 00:20:06,280 Speaker 9: a tea time. 402 00:20:06,359 --> 00:20:08,640 Speaker 10: I went to this course one time with bones Bro. 403 00:20:08,800 --> 00:20:12,240 Speaker 10: There was no tea times. They just they said we'll 404 00:20:12,240 --> 00:20:15,719 Speaker 10: make sure you get on. You just show up and 405 00:20:15,760 --> 00:20:16,560 Speaker 10: they get you on. 406 00:20:16,680 --> 00:20:16,840 Speaker 5: Oh. 407 00:20:16,880 --> 00:20:18,440 Speaker 9: That's sort of like the local muni when I call 408 00:20:18,520 --> 00:20:20,600 Speaker 9: them like hey, no, no, I'm like, hey, I got 409 00:20:20,600 --> 00:20:22,840 Speaker 9: a single? Can I get a tea time for one o'clock? Oh, 410 00:20:22,840 --> 00:20:24,439 Speaker 9: we don't put singles on the T sheet. You can 411 00:20:24,480 --> 00:20:26,960 Speaker 9: just come out and we'll try to get you in. Well, 412 00:20:27,680 --> 00:20:29,560 Speaker 9: why would you not put me on the T sheet 413 00:20:29,800 --> 00:20:32,520 Speaker 9: if I called and requested it. Now you are down 414 00:20:32,520 --> 00:20:36,760 Speaker 9: to three spots available for that tea time. It's that simple. 415 00:20:37,119 --> 00:20:40,320 Speaker 9: Not putting a single on the T sheet is stupid 416 00:20:41,000 --> 00:20:44,920 Speaker 9: because then I am forced to play Russian Roulette and 417 00:20:45,000 --> 00:20:47,439 Speaker 9: hope I'm gonna get out there and play when I 418 00:20:47,480 --> 00:20:48,720 Speaker 9: just show up at the course. 419 00:20:48,840 --> 00:20:50,840 Speaker 10: Right, Well, and there should be twelve minute windows, and 420 00:20:50,880 --> 00:20:52,800 Speaker 10: sometimes they can kind of fudge those a little bit 421 00:20:52,840 --> 00:20:54,600 Speaker 10: and squeeze you in right. 422 00:20:54,800 --> 00:20:57,679 Speaker 9: But I'm saying to say, you don't put a single 423 00:20:57,720 --> 00:21:00,280 Speaker 9: on the T sheet. So if I called the day 424 00:21:00,320 --> 00:21:03,439 Speaker 9: before and I'm like, hey, I want to play at 425 00:21:03,440 --> 00:21:05,720 Speaker 9: one o'clock tomorrow, Sorry, we don't put singles on the 426 00:21:05,720 --> 00:21:08,159 Speaker 9: T sheet. Cool, Then I show up to play at 427 00:21:08,160 --> 00:21:10,240 Speaker 9: one o'clock, they're like, oh yeah, you're gonna to wait 428 00:21:10,240 --> 00:21:13,000 Speaker 9: till one forty five. Well why I called yesterday and 429 00:21:13,040 --> 00:21:14,080 Speaker 9: said I want to get on him one? 430 00:21:15,320 --> 00:21:18,479 Speaker 3: That's the Neuni life. I mean, it's so frustrating. What 431 00:21:18,480 --> 00:21:19,480 Speaker 3: about your thing though? You do? 432 00:21:20,160 --> 00:21:21,600 Speaker 2: You say you have a friend and then you show 433 00:21:21,680 --> 00:21:23,399 Speaker 2: up he canceled last second. 434 00:21:23,400 --> 00:21:25,760 Speaker 9: Man, I should do that more. I always say too, 435 00:21:25,960 --> 00:21:28,080 Speaker 9: And then oh man, he's not gonna make it. 436 00:21:28,119 --> 00:21:28,960 Speaker 3: Okay, cool, you're. 437 00:21:29,400 --> 00:21:33,280 Speaker 10: We got ba justin got a little hookup. A member 438 00:21:33,440 --> 00:21:37,280 Speaker 10: passed and so we got his name. Oh so we 439 00:21:37,280 --> 00:21:38,400 Speaker 10: can use his name. 440 00:21:39,000 --> 00:21:39,600 Speaker 3: Rest in peace? 441 00:21:39,640 --> 00:21:39,800 Speaker 5: Man? 442 00:21:39,920 --> 00:21:40,639 Speaker 2: No, no, no he didn't. 443 00:21:40,680 --> 00:21:40,919 Speaker 1: He was. 444 00:21:40,960 --> 00:21:42,360 Speaker 2: He just doesn't go anymore. 445 00:21:42,560 --> 00:21:45,920 Speaker 3: Oh oh yeah, my bad. But anyway, back to Phil 446 00:21:46,000 --> 00:21:47,360 Speaker 3: and Bill Philling Bill a bill. 447 00:21:47,680 --> 00:21:49,479 Speaker 2: Oh my gosh. 448 00:21:49,600 --> 00:21:52,919 Speaker 9: So we're on we're on number ten, right and I'm like, oh, so, 449 00:21:52,960 --> 00:21:56,280 Speaker 9: how'd you guys meet. Phil looks at me and goes, 450 00:21:57,320 --> 00:22:04,360 Speaker 9: Dorms eighty seven, Oh, my Vanderbilt, no, tennessee the falls. 451 00:22:04,640 --> 00:22:07,040 Speaker 2: Yeah, did you get any inside information on the game tonight? 452 00:22:07,680 --> 00:22:10,040 Speaker 9: I did not get any inside information, but they they 453 00:22:10,040 --> 00:22:12,320 Speaker 9: are big fans of the balls. Think they're going all 454 00:22:12,359 --> 00:22:12,680 Speaker 9: the way. 455 00:22:13,000 --> 00:22:14,640 Speaker 2: That's inside information, thank you. 456 00:22:14,720 --> 00:22:17,400 Speaker 9: Yeah, but they did look at me and they said, yeah, 457 00:22:17,640 --> 00:22:20,800 Speaker 9: Phil goes. I came down the stairs and I saw 458 00:22:20,880 --> 00:22:23,359 Speaker 9: them over there playing ping pong and I was like, 459 00:22:23,560 --> 00:22:26,520 Speaker 9: I can whoop their ass at ping pong? And he 460 00:22:26,600 --> 00:22:28,240 Speaker 9: said so, I walked up to the table, said I 461 00:22:28,280 --> 00:22:31,520 Speaker 9: got next, and I was like, really, so, how'd you do? 462 00:22:31,600 --> 00:22:32,200 Speaker 3: Phil? He goes. 463 00:22:32,400 --> 00:22:34,840 Speaker 9: All Bill was the best ping pong player, he smoked me, 464 00:22:35,920 --> 00:22:38,040 Speaker 9: he goes. But that's where it started, at the ping 465 00:22:38,040 --> 00:22:38,840 Speaker 9: pong table. 466 00:22:38,560 --> 00:22:39,240 Speaker 3: In the dorms. 467 00:22:39,359 --> 00:22:40,240 Speaker 2: You good at ping pong. 468 00:22:41,280 --> 00:22:42,560 Speaker 9: I used to play with my brother. He used to 469 00:22:42,560 --> 00:22:44,040 Speaker 9: beat me because he was older. But now I whoop 470 00:22:44,119 --> 00:22:46,680 Speaker 9: his ass. Really, yeah, you know he's really good at 471 00:22:46,720 --> 00:22:47,200 Speaker 9: ping pong. 472 00:22:47,880 --> 00:22:52,080 Speaker 10: Garran, Oh, the grocery store guy. Yeah, what does he 473 00:22:52,160 --> 00:22:53,280 Speaker 10: do playing the aisles with? 474 00:22:53,440 --> 00:22:54,400 Speaker 3: Uh? 475 00:22:54,480 --> 00:22:54,560 Speaker 11: No? 476 00:22:54,600 --> 00:22:56,880 Speaker 10: They play over the aisle he does cake batter mix, 477 00:22:56,960 --> 00:22:58,960 Speaker 10: puts it up and then gets a beer pong thing 478 00:22:58,960 --> 00:22:59,840 Speaker 10: from Yeah, the aisles. 479 00:23:00,720 --> 00:23:01,320 Speaker 3: He's really good. 480 00:23:01,400 --> 00:23:04,479 Speaker 10: It's actually pretty competitive when it's me, Boomer, Muffy and 481 00:23:04,520 --> 00:23:04,960 Speaker 10: my mom. 482 00:23:05,920 --> 00:23:07,920 Speaker 3: Okay, oh no no, no, no, no, no. 483 00:23:07,720 --> 00:23:13,159 Speaker 2: No, no, Boomer, me, my mom and Baser. That's really competitive. 484 00:23:14,760 --> 00:23:15,720 Speaker 3: It can't be that competitive. 485 00:23:15,800 --> 00:23:18,000 Speaker 10: It is because me and Boomer are about even and 486 00:23:18,040 --> 00:23:20,280 Speaker 10: my mom and Base. We played double Yeah, we played 487 00:23:20,480 --> 00:23:23,040 Speaker 10: on it. Oh dude, it's awesome. We went forever at 488 00:23:23,040 --> 00:23:23,479 Speaker 10: the condo. 489 00:23:23,640 --> 00:23:26,480 Speaker 9: That's fun. Yeah, that's a good time. Yeah, I mean Garrett, 490 00:23:26,840 --> 00:23:28,679 Speaker 9: I mean the drunken knights. At his house, he has 491 00:23:28,720 --> 00:23:30,680 Speaker 9: a ping pong table in the garage and he'd back 492 00:23:30,800 --> 00:23:33,479 Speaker 9: his old camaro out and set up the ping pong table, 493 00:23:34,080 --> 00:23:35,480 Speaker 9: played till three or four in the morning. 494 00:23:35,880 --> 00:23:38,800 Speaker 10: We had a ping pong table at Metropolitan. Billy brought 495 00:23:38,800 --> 00:23:41,240 Speaker 10: it in. Guess how many times we played our senior 496 00:23:41,280 --> 00:23:41,920 Speaker 10: year at college. 497 00:23:41,920 --> 00:23:43,160 Speaker 3: Two zero. 498 00:23:43,359 --> 00:23:46,359 Speaker 10: Oh, we played a thousand games of beer pong, though, okay, 499 00:23:46,400 --> 00:23:48,480 Speaker 10: we never once played ping pong, so he. 500 00:23:48,480 --> 00:23:50,480 Speaker 9: Got his money's worth. We used to play ping pong 501 00:23:50,480 --> 00:23:53,760 Speaker 9: when we'd go visit my mom's parents, my grandma and 502 00:23:53,800 --> 00:23:56,679 Speaker 9: grandpa on my mom's side in Chicago. They had a 503 00:23:56,680 --> 00:23:59,560 Speaker 9: ping pong table in the basement. Such an easy thing 504 00:23:59,600 --> 00:24:02,600 Speaker 9: to have, Oh my gosh. We would play for hours 505 00:24:03,080 --> 00:24:05,159 Speaker 9: down there. That was the only time we play. We 506 00:24:05,200 --> 00:24:07,000 Speaker 9: never played ping pong except when we went to go 507 00:24:07,080 --> 00:24:09,520 Speaker 9: visit him. And of course, my brother's two years older 508 00:24:09,520 --> 00:24:11,480 Speaker 9: than me, maybe two and a half years. 509 00:24:11,320 --> 00:24:11,680 Speaker 3: Older than me. 510 00:24:11,680 --> 00:24:13,439 Speaker 9: I don't know exactly how you do the math, so 511 00:24:13,480 --> 00:24:15,800 Speaker 9: he was obviously better than me. So I'd sit down 512 00:24:15,800 --> 00:24:17,600 Speaker 9: there and play him, and he'd beat me up back 513 00:24:17,640 --> 00:24:19,640 Speaker 9: one more game, of course, play him again. 514 00:24:19,720 --> 00:24:20,280 Speaker 3: He beat me up. 515 00:24:20,280 --> 00:24:22,480 Speaker 10: Bout just one more, one more game, I connect four, 516 00:24:22,760 --> 00:24:25,959 Speaker 10: Just one more, just one more, and we would play forever. 517 00:24:26,040 --> 00:24:27,440 Speaker 3: It was so freaking fun. 518 00:24:27,480 --> 00:24:29,600 Speaker 2: This is gonna blow you, so get on your knees. 519 00:24:30,440 --> 00:24:32,880 Speaker 2: They now make little things that just attached to any 520 00:24:32,880 --> 00:24:34,440 Speaker 2: table for ping pong. 521 00:24:34,920 --> 00:24:36,600 Speaker 3: Well, you need a ping pong table, you need the 522 00:24:36,680 --> 00:24:37,480 Speaker 3: proper bounces. 523 00:24:37,600 --> 00:24:39,199 Speaker 10: Nah, you can just do a kitchen table. Did we 524 00:24:39,720 --> 00:24:41,600 Speaker 10: did in my grandma's place. It was me and Boomer 525 00:24:41,760 --> 00:24:45,760 Speaker 10: just smacking it over Christmas on her fine china table. 526 00:24:46,000 --> 00:24:49,760 Speaker 3: Okay, now that might be fun, so not legal regulation size. 527 00:24:49,840 --> 00:24:51,919 Speaker 2: It sucks when it goes to the end because they're rounded. 528 00:24:52,000 --> 00:24:53,280 Speaker 3: Yeah, and so it'll just fall off. 529 00:24:53,760 --> 00:24:54,280 Speaker 10: Uh. 530 00:24:54,320 --> 00:24:55,440 Speaker 3: So back to Phil and Bill. 531 00:24:55,440 --> 00:24:58,400 Speaker 9: We're on the course right five, and then they start 532 00:24:58,440 --> 00:25:00,520 Speaker 9: talking about, oh, dude, you know what we used to 533 00:25:00,560 --> 00:25:04,879 Speaker 9: do for howurds hegos RBI baseball And they started breaking 534 00:25:04,920 --> 00:25:07,080 Speaker 9: down which team they would play with, and they started 535 00:25:07,119 --> 00:25:09,679 Speaker 9: doing the sound effects strata matic and I was like, 536 00:25:10,280 --> 00:25:14,200 Speaker 9: this is exactly what we did. But I was eight 537 00:25:14,320 --> 00:25:26,720 Speaker 9: years old and they were in college. 538 00:25:28,720 --> 00:25:35,280 Speaker 10: Carl Lyne, she's a queen and talking it was so 539 00:25:35,359 --> 00:25:38,399 Speaker 10: she's getting really not afraid to feel its episol sold. 540 00:25:38,680 --> 00:25:39,480 Speaker 5: Just let it flow. 541 00:25:40,000 --> 00:25:41,520 Speaker 3: No one can do it quiet. 542 00:25:42,280 --> 00:25:46,640 Speaker 12: Cary Lone, its sounding Caroline. 543 00:25:47,280 --> 00:25:51,080 Speaker 13: Hey, Hey, it's Caroline Hobby And this week on Get Real, 544 00:25:51,640 --> 00:25:55,919 Speaker 13: I have such an incredible podcast. As Chovall. She is 545 00:25:55,960 --> 00:26:00,280 Speaker 13: one of the world's best wedding dress designers, but had 546 00:26:00,359 --> 00:26:04,359 Speaker 13: signed a terrible contract and lost all the rights to 547 00:26:04,440 --> 00:26:08,720 Speaker 13: her birth name. Could not be a part of any 548 00:26:08,920 --> 00:26:12,160 Speaker 13: of the wedding dress design industry. It was a breach 549 00:26:12,200 --> 00:26:15,439 Speaker 13: of contract, so she had to reinvent herself start a 550 00:26:15,440 --> 00:26:19,520 Speaker 13: whole new brand. Now she launched as Cheval and she 551 00:26:19,680 --> 00:26:24,720 Speaker 13: sells amazing shoes with such heart, such soul and tons 552 00:26:24,720 --> 00:26:28,080 Speaker 13: of glitter. Her story is phenomenal. She's an inspiration to 553 00:26:28,119 --> 00:26:31,959 Speaker 13: young women on how to take ownership of yourself, of 554 00:26:32,000 --> 00:26:35,720 Speaker 13: your brand, how to be prepared, how to be smart, 555 00:26:35,840 --> 00:26:38,600 Speaker 13: how to be savvy, and how to be a boss. 556 00:26:38,720 --> 00:26:41,800 Speaker 13: And she also teaches us that when everything falls apart, 557 00:26:42,040 --> 00:26:45,120 Speaker 13: you can rebuild and come back stronger than ever. So 558 00:26:45,280 --> 00:26:50,480 Speaker 13: get excited for this week's episode of Get Real with Cheval. Okay, So, 559 00:26:50,560 --> 00:26:54,760 Speaker 13: looking back now, because you've now gone through a divorce 560 00:26:55,240 --> 00:27:01,119 Speaker 13: with your relationship romantically, but also with your business. You know, yeah, 561 00:27:01,119 --> 00:27:05,800 Speaker 13: so you've obviously dealt with some red flags that have 562 00:27:06,359 --> 00:27:08,720 Speaker 13: materialized into like kind of erupting. 563 00:27:09,320 --> 00:27:11,160 Speaker 2: What are way to say? 564 00:27:11,680 --> 00:27:14,040 Speaker 14: You know, you always have the red flags just go away, 565 00:27:14,880 --> 00:27:16,359 Speaker 14: and now it's a erupting and you're like, oh no, 566 00:27:16,480 --> 00:27:16,960 Speaker 14: it's coming. 567 00:27:17,080 --> 00:27:19,000 Speaker 13: It's a red flags. Can you kind of speak to 568 00:27:19,080 --> 00:27:21,640 Speaker 13: all of us out there who are living with blinders 569 00:27:21,680 --> 00:27:23,240 Speaker 13: on and young because it started when you're young. 570 00:27:23,560 --> 00:27:25,000 Speaker 3: Do red flags ever go away? 571 00:27:25,960 --> 00:27:28,680 Speaker 14: I don't think so. I don't know. I guess it's 572 00:27:28,720 --> 00:27:32,879 Speaker 14: all relative and there are exceptions to the rule, But 573 00:27:33,119 --> 00:27:36,240 Speaker 14: I do think I relate to a lot of women 574 00:27:36,640 --> 00:27:39,920 Speaker 14: that have that intuition or that gut feeling that you 575 00:27:39,960 --> 00:27:42,159 Speaker 14: ignore or you push down or you come up with 576 00:27:42,200 --> 00:27:46,520 Speaker 14: conspiracy theories against yourself of like what it's not, you know, 577 00:27:46,600 --> 00:27:48,320 Speaker 14: because you want something to happen or you want it 578 00:27:48,320 --> 00:27:49,840 Speaker 14: to materialize in a certain way, and. 579 00:27:50,000 --> 00:27:52,000 Speaker 13: It's always like close. It's like so close. There's so 580 00:27:52,000 --> 00:27:53,600 Speaker 13: many things that are so good about it. You're like, 581 00:27:54,000 --> 00:27:56,720 Speaker 13: it's like seventy percent there, let's just. 582 00:27:56,640 --> 00:27:58,760 Speaker 14: Not worry about the last thirty percent, right exactly, It 583 00:27:58,840 --> 00:28:00,760 Speaker 14: is the majority overall, that's right. 584 00:28:01,359 --> 00:28:02,439 Speaker 9: Yeah, we're gonna round up. 585 00:28:02,520 --> 00:28:04,560 Speaker 14: Oh goodness, and then it starts to grow the opposite way, 586 00:28:04,600 --> 00:28:09,639 Speaker 14: so right, Yeah, but I don't know. I do feel 587 00:28:09,720 --> 00:28:13,560 Speaker 14: like tenacity and resilience and just like the idea of 588 00:28:13,600 --> 00:28:17,439 Speaker 14: success is really about just like recognizing the ebbs and 589 00:28:17,440 --> 00:28:20,760 Speaker 14: flows of life, but knowing that the failures are going 590 00:28:20,800 --> 00:28:22,919 Speaker 14: to happen, the mistakes are going to happen, and if 591 00:28:22,960 --> 00:28:27,200 Speaker 14: you can maintain your light, you know, and maintain your 592 00:28:27,280 --> 00:28:29,840 Speaker 14: enthusiasm for what you do, that is a sign of. 593 00:28:29,760 --> 00:28:30,320 Speaker 12: Success for me. 594 00:28:30,560 --> 00:28:31,640 Speaker 13: Yeah, this is your message. 595 00:28:31,680 --> 00:28:33,040 Speaker 14: Oh, that is totally the message. 596 00:28:33,119 --> 00:28:36,200 Speaker 13: No matter how successful you are in your personal relationships 597 00:28:36,320 --> 00:28:39,760 Speaker 13: or your business relationship, your actual message is maintain your 598 00:28:39,840 --> 00:28:41,720 Speaker 13: light through the dumpster fires exactly. 599 00:28:42,280 --> 00:28:45,840 Speaker 14: Just yeah, and it be lighter than that dumpster fire somehow, 600 00:28:46,120 --> 00:28:48,000 Speaker 14: Like how shine the dumpster fire? 601 00:28:48,160 --> 00:28:49,800 Speaker 13: I saw this too, and you have so you have 602 00:28:49,800 --> 00:28:51,960 Speaker 13: so much in common with Taylor Swift, you know, because 603 00:28:51,960 --> 00:28:56,400 Speaker 13: she's in legal battles as well. But also she said too, 604 00:28:56,760 --> 00:28:58,480 Speaker 13: like she's had so much stuff on her and she said, 605 00:28:58,520 --> 00:29:00,280 Speaker 13: you just have to get through all this and then 606 00:29:00,400 --> 00:29:02,560 Speaker 13: have more fun than everybody else. And I'm like, that 607 00:29:02,720 --> 00:29:05,640 Speaker 13: is so true, because when you're going through the worst stuff, 608 00:29:05,840 --> 00:29:08,200 Speaker 13: it really takes your fun away, it takes your light away. 609 00:29:08,600 --> 00:29:11,040 Speaker 13: You can really like crawl in a hole and die. 610 00:29:11,320 --> 00:29:14,520 Speaker 14: Yes, you cannot unpack and live there, you know, because 611 00:29:14,720 --> 00:29:16,640 Speaker 14: you'll take a visit every once in a while. 612 00:29:16,720 --> 00:29:18,200 Speaker 13: I have to like take a vacation there for a while. 613 00:29:18,200 --> 00:29:19,680 Speaker 13: Did you have a permanente, say for a minute, and 614 00:29:19,720 --> 00:29:21,400 Speaker 13: not a permanent Do you have like a you know, 615 00:29:21,480 --> 00:29:22,840 Speaker 13: like a residency for a second? 616 00:29:22,920 --> 00:29:23,240 Speaker 14: I did? 617 00:29:23,760 --> 00:29:24,600 Speaker 2: I absolutely did. 618 00:29:25,400 --> 00:29:26,840 Speaker 14: I feel like that's the healthy thing to do. 619 00:29:27,000 --> 00:29:28,800 Speaker 13: Just you got to get in there. I mean you 620 00:29:28,880 --> 00:29:30,440 Speaker 13: have to like meet it and. 621 00:29:30,360 --> 00:29:32,320 Speaker 2: Say, who the hell are you? 622 00:29:32,440 --> 00:29:33,160 Speaker 14: What are we doing? 623 00:29:33,240 --> 00:29:34,120 Speaker 13: Like what do you want from me? 624 00:29:34,400 --> 00:29:36,640 Speaker 14: Yeah. And I think there's a bit of accountability too 625 00:29:36,960 --> 00:29:39,040 Speaker 14: in that space because when something like that. 626 00:29:39,000 --> 00:29:41,440 Speaker 13: Happened, accountability look at you claim and some stuff, because 627 00:29:41,440 --> 00:29:43,240 Speaker 13: there's always your side their side in the truth. 628 00:29:43,320 --> 00:29:46,520 Speaker 14: Right there is like a okay, well there must have 629 00:29:46,600 --> 00:29:49,719 Speaker 14: been something that I did for this to happen, you know, 630 00:29:49,760 --> 00:29:51,760 Speaker 14: and the right and I think in accepting it and 631 00:29:51,880 --> 00:29:52,640 Speaker 14: owning part of it. 632 00:29:52,800 --> 00:29:53,880 Speaker 13: That's a maturity right there. 633 00:29:53,960 --> 00:29:56,320 Speaker 14: It's maturity. But it's also like I didn't know what 634 00:29:56,360 --> 00:29:59,120 Speaker 14: I didn't know, right and then like I am paying 635 00:29:59,120 --> 00:30:02,160 Speaker 14: the debt for my own naivety or ignorance. 636 00:30:02,200 --> 00:30:03,080 Speaker 13: And don't we all do that? 637 00:30:03,080 --> 00:30:03,640 Speaker 3: Though we do. 638 00:30:03,680 --> 00:30:05,240 Speaker 13: You just did it on a bigger scale. 639 00:30:05,960 --> 00:30:07,920 Speaker 3: On a legal way out there, because that's not okay. 640 00:30:08,000 --> 00:30:10,800 Speaker 13: So now that way, let's move into plot line B here, 641 00:30:10,960 --> 00:30:14,200 Speaker 13: which is where you really like hit your stride, Like 642 00:30:14,280 --> 00:30:19,640 Speaker 13: you become the wedding dress designer. You are the face 643 00:30:19,680 --> 00:30:21,520 Speaker 13: of say yes to the dress? Like, how did that 644 00:30:21,560 --> 00:30:23,840 Speaker 13: even happen? Let me, there are a few things out there, 645 00:30:23,920 --> 00:30:26,200 Speaker 13: and then let's unpack it. You become like the face 646 00:30:26,240 --> 00:30:28,360 Speaker 13: of say yes to the dress, like you are helping 647 00:30:28,440 --> 00:30:30,960 Speaker 13: like over forty thousand brides find their wedding dress or 648 00:30:30,960 --> 00:30:33,600 Speaker 13: something like that, like thousands, like thousands, thousands. 649 00:30:33,600 --> 00:30:34,480 Speaker 14: It was wonderful. 650 00:30:34,640 --> 00:30:38,160 Speaker 13: You are the wedding dress designer. I mean everybody knows you. 651 00:30:38,200 --> 00:30:40,840 Speaker 13: Everybody's talking about you. You're pinned on everything. It's like 652 00:30:41,520 --> 00:30:43,960 Speaker 13: that's you. It's not the name Chaval, by the way, 653 00:30:44,000 --> 00:30:44,840 Speaker 13: it's a different. 654 00:30:44,640 --> 00:30:47,080 Speaker 14: Name, correct, which the distinction is needed. 655 00:30:48,120 --> 00:30:51,479 Speaker 13: Yes, because Chaval is not wedding dress dresses. It is 656 00:30:52,120 --> 00:30:54,520 Speaker 13: wonderful things. So that that's plotline CE So we'll move 657 00:30:54,520 --> 00:30:55,760 Speaker 13: to that later. There's just so many things. I don't 658 00:30:55,760 --> 00:30:56,520 Speaker 13: want to get it confused. 659 00:30:56,600 --> 00:30:58,720 Speaker 3: I know you're doing a great job. 660 00:30:58,720 --> 00:31:03,480 Speaker 13: Okay, And so you become this like epic designer and 661 00:31:03,880 --> 00:31:06,440 Speaker 13: you probably needed some money to get your business going 662 00:31:06,520 --> 00:31:10,400 Speaker 13: right or something because you found a partnership and this 663 00:31:10,480 --> 00:31:14,239 Speaker 13: partner you found a company to back you financially, right 664 00:31:14,360 --> 00:31:16,040 Speaker 13: this one, yes, yeah, yeah, because we're black on, like 665 00:31:16,080 --> 00:31:18,880 Speaker 13: we're back in the beginning this plot. Yeah, when you 666 00:31:18,960 --> 00:31:21,160 Speaker 13: well plot B plat was childhood. Now plot be into 667 00:31:21,200 --> 00:31:25,400 Speaker 13: like your career. So you are going to launch and 668 00:31:25,440 --> 00:31:29,160 Speaker 13: become the successful wedding dress designer. But do you need 669 00:31:29,200 --> 00:31:31,360 Speaker 13: a backer, like you need someone to help you launch this? 670 00:31:31,680 --> 00:31:31,920 Speaker 8: Yeah? 671 00:31:31,960 --> 00:31:34,640 Speaker 14: So basically it was a house of brands existing with 672 00:31:34,680 --> 00:31:38,440 Speaker 14: other designers and it was almost like a plug and 673 00:31:38,480 --> 00:31:41,800 Speaker 14: play in that, like they had existing distribution and manufacturing. 674 00:31:42,000 --> 00:31:44,560 Speaker 14: And then you know, I was coming to the table 675 00:31:44,640 --> 00:31:47,920 Speaker 14: and was offered an employment role as a head designer, 676 00:31:48,160 --> 00:31:50,560 Speaker 14: but it would be using my name as the name 677 00:31:50,600 --> 00:31:51,120 Speaker 14: for the collection. 678 00:31:51,280 --> 00:31:53,320 Speaker 13: Okay, wait, okay, okay, So this is the part that 679 00:31:53,360 --> 00:31:57,240 Speaker 13: we got to break down. You were this is like 680 00:31:57,280 --> 00:31:59,719 Speaker 13: it's almost like a record label. So like there's a 681 00:32:00,120 --> 00:32:01,640 Speaker 13: speak in music terms, there's like a record label and 682 00:32:01,680 --> 00:32:03,840 Speaker 13: you're going to be a signed artist, but the record 683 00:32:03,920 --> 00:32:07,920 Speaker 13: label owns is like a machine behind it all. But 684 00:32:07,960 --> 00:32:11,160 Speaker 13: you're an artist signed and you're the artist is using 685 00:32:11,200 --> 00:32:13,480 Speaker 13: your name, so you're going to be the brand and 686 00:32:13,520 --> 00:32:15,360 Speaker 13: you're going to have the creativity which would be like 687 00:32:15,360 --> 00:32:16,800 Speaker 13: your songs that you create and you put it out and 688 00:32:16,800 --> 00:32:18,239 Speaker 13: you go tour and you're the face of it and 689 00:32:18,240 --> 00:32:22,040 Speaker 13: all that. But yes, you are technically kind of owned 690 00:32:22,280 --> 00:32:25,120 Speaker 13: by the record label or the bigger brand. 691 00:32:25,520 --> 00:32:25,760 Speaker 11: Yes. 692 00:32:25,840 --> 00:32:30,160 Speaker 14: And every contract is nuanced, right, so it's not always generalized. 693 00:32:30,200 --> 00:32:33,280 Speaker 14: But in my case, it was an employment contract as 694 00:32:33,280 --> 00:32:33,960 Speaker 14: a head designer. 695 00:32:34,360 --> 00:32:36,880 Speaker 13: Okay, an employment contract as a head designer with this 696 00:32:36,960 --> 00:32:39,400 Speaker 13: big brand, but the name is going to be your name. 697 00:32:39,360 --> 00:32:41,280 Speaker 14: Correct, Yeah, So I had to give rights for my 698 00:32:41,360 --> 00:32:44,800 Speaker 14: name to be trademarked because it was the name of 699 00:32:44,840 --> 00:32:45,360 Speaker 14: the collection. 700 00:32:45,440 --> 00:32:47,560 Speaker 13: If I don't think anything of that when you're twenty five, right, 701 00:32:47,560 --> 00:32:48,680 Speaker 13: actually sounds may be cool. 702 00:32:49,080 --> 00:32:52,560 Speaker 14: It was the chance to shoot my shot. And I 703 00:32:52,600 --> 00:32:55,520 Speaker 14: think being that age, and I had a little industry 704 00:32:55,560 --> 00:32:57,560 Speaker 14: experience under my belt about four or five years and 705 00:32:57,640 --> 00:33:01,440 Speaker 14: I've already I've already spearheaded my own collections and been 706 00:33:01,600 --> 00:33:05,200 Speaker 14: designing very heavily. I had a robust resume coming in. 707 00:33:05,360 --> 00:33:09,240 Speaker 13: Okay, and you had some some you're cooking with great cooking. 708 00:33:09,360 --> 00:33:10,960 Speaker 3: Yeah you're cooking you had with Grease. 709 00:33:11,040 --> 00:33:11,440 Speaker 7: I love it. 710 00:33:11,600 --> 00:33:14,240 Speaker 13: I saw that from Landy Wilson sew cooking. 711 00:33:14,840 --> 00:33:16,120 Speaker 12: Yeah, I love it. Yeah. 712 00:33:16,200 --> 00:33:16,400 Speaker 7: Yeah. 713 00:33:16,520 --> 00:33:19,320 Speaker 13: So and then so they were you were desirable, They wanted. 714 00:33:19,160 --> 00:33:22,640 Speaker 14: You absolutely, and I actually sopped them out originally and 715 00:33:23,280 --> 00:33:25,840 Speaker 14: I presented, you know, a bit of a business model 716 00:33:27,560 --> 00:33:30,560 Speaker 14: and it happened very fast. So from the time of like, 717 00:33:31,280 --> 00:33:32,880 Speaker 14: you know, we're going to offer you this to like 718 00:33:32,920 --> 00:33:35,440 Speaker 14: here's the contract. And I think at the time, I 719 00:33:35,520 --> 00:33:38,160 Speaker 14: just didn't want to lose my opportunity and knowing how 720 00:33:38,160 --> 00:33:40,360 Speaker 14: many people want to be designers and get their shot, 721 00:33:40,440 --> 00:33:44,520 Speaker 14: and I felt like the responsibility was on me holy 722 00:33:45,080 --> 00:33:47,200 Speaker 14: to show them what I could do and what like. 723 00:33:47,520 --> 00:33:50,240 Speaker 13: And to agree maybe to what they want, so you could. 724 00:33:50,040 --> 00:33:53,240 Speaker 14: Yeah, and not be combative, not push back, not ever 725 00:33:53,600 --> 00:33:56,440 Speaker 14: like put anything out there that would ever seem like 726 00:33:57,280 --> 00:34:00,760 Speaker 14: you know, I'm not a team player, and I think 727 00:34:00,800 --> 00:34:03,560 Speaker 14: a lot of young designers relate to that, and thinking, 728 00:34:04,000 --> 00:34:07,240 Speaker 14: you know, if I show any sign of being difficult 729 00:34:07,800 --> 00:34:09,640 Speaker 14: or they're gonna walk away, They're not gonna want to 730 00:34:09,680 --> 00:34:11,400 Speaker 14: work with me, and I'll write my opportunity exactly. 731 00:34:23,200 --> 00:34:25,360 Speaker 12: Hey, it's Mike d and this week a Movie Mike's 732 00:34:25,360 --> 00:34:29,200 Speaker 12: Movie podcast, I did obscure movie quotes from famous movies. 733 00:34:29,320 --> 00:34:32,480 Speaker 12: Whether you're just a casual film fan or consider yourself 734 00:34:32,520 --> 00:34:35,040 Speaker 12: a movie buff, it's fun to play along and try 735 00:34:35,040 --> 00:34:37,560 Speaker 12: to see if you can name where these obscure movie 736 00:34:37,600 --> 00:34:40,000 Speaker 12: quotes are from. So here are a few from the 737 00:34:40,040 --> 00:34:41,880 Speaker 12: episode to test your knowledge. If you want to hear 738 00:34:41,920 --> 00:34:44,280 Speaker 12: the full thing, be sure to subscribe to my podcast. 739 00:34:44,320 --> 00:34:46,320 Speaker 12: But right now, here's just a little bit of Movie 740 00:34:46,360 --> 00:34:51,640 Speaker 12: Mike's Movie Podcast. Here is the first obscure movie quote. 741 00:34:51,880 --> 00:34:55,680 Speaker 12: Name the movie and big old fat right mean that 742 00:34:55,719 --> 00:34:59,960 Speaker 12: one should be pretty easy. Character has a really distinct voice. 743 00:35:00,160 --> 00:35:03,200 Speaker 12: The year is nineteen ninety four. And again here's the movie. 744 00:35:03,080 --> 00:35:05,440 Speaker 3: Quote and big old fat run mean. 745 00:35:06,000 --> 00:35:08,359 Speaker 12: This is not the biggest quote from this movie, but 746 00:35:08,400 --> 00:35:10,200 Speaker 12: the one I find to be one of the most 747 00:35:10,239 --> 00:35:14,400 Speaker 12: memorable obscure movie quotes. And the answer is Forrest Gump. 748 00:35:14,480 --> 00:35:17,279 Speaker 12: I just love that seed of him going through all 749 00:35:17,320 --> 00:35:20,200 Speaker 12: of the different types of rain, and that one always 750 00:35:20,239 --> 00:35:23,040 Speaker 12: just stick out to me, just big old fat rain. Obviously, 751 00:35:23,080 --> 00:35:26,960 Speaker 12: I think the most overrated movie quote in this movie. 752 00:35:26,800 --> 00:35:28,560 Speaker 3: Is life is like a box of chocolates. 753 00:35:28,600 --> 00:35:31,520 Speaker 12: That is probably the first movie quote I learned. 754 00:35:32,080 --> 00:35:32,400 Speaker 3: Ever. 755 00:35:32,840 --> 00:35:36,480 Speaker 12: I think even before I watched Forrest Gump, I knew 756 00:35:36,520 --> 00:35:38,880 Speaker 12: that quote to the point that I saw it in 757 00:35:38,920 --> 00:35:40,759 Speaker 12: the movie, I was like, oh, that is what that 758 00:35:40,920 --> 00:35:43,960 Speaker 12: is from. But there are so many great really obscure 759 00:35:44,000 --> 00:35:47,040 Speaker 12: movie quotes in Forrest Gump that one just happens to 760 00:35:47,040 --> 00:35:50,000 Speaker 12: be my favorite. So again, starting off easy, here we go. 761 00:35:50,080 --> 00:35:52,080 Speaker 12: Here's the second obscure movie quote. 762 00:35:52,200 --> 00:35:57,359 Speaker 11: Hey guys, ooh big golf suh? All right, well see 763 00:35:57,400 --> 00:35:57,759 Speaker 11: you later. 764 00:35:58,160 --> 00:36:01,600 Speaker 12: Also from nineteen ninety four, or can you name that movie? 765 00:36:01,760 --> 00:36:04,120 Speaker 12: Here's that obscure movie quote again, Hey. 766 00:36:03,960 --> 00:36:09,239 Speaker 11: Guys, cool, big golf suh, All right, well, see you later. 767 00:36:09,600 --> 00:36:13,080 Speaker 12: There's a famous story behind this quote. This actor is 768 00:36:13,160 --> 00:36:17,040 Speaker 12: known for improvising lines, and in this scene specifically, there 769 00:36:17,040 --> 00:36:19,480 Speaker 12: are two other people he is interacting with that are 770 00:36:19,520 --> 00:36:23,600 Speaker 12: actually not actors at all. They weren't even paid for 771 00:36:23,680 --> 00:36:25,960 Speaker 12: their role because they didn't have any speaking lines. Which 772 00:36:26,280 --> 00:36:28,920 Speaker 12: if you watch a movie and notice there are extras 773 00:36:28,960 --> 00:36:32,320 Speaker 12: that don't say anything, and it feels weird at times 774 00:36:32,320 --> 00:36:35,480 Speaker 12: because you have these two maybe three main characters talking, 775 00:36:35,520 --> 00:36:38,600 Speaker 12: having a conversation, and there are other people that, if 776 00:36:38,600 --> 00:36:41,560 Speaker 12: you were in a normal situation, would definitely have something 777 00:36:41,560 --> 00:36:44,120 Speaker 12: to say or react to what is going on. That 778 00:36:44,239 --> 00:36:47,800 Speaker 12: is because if an extra speaks a line, that person 779 00:36:47,960 --> 00:36:50,359 Speaker 12: has to be paid. They don't always have to be 780 00:36:50,560 --> 00:36:53,960 Speaker 12: credited in the movie credits, but if anybody speaks a 781 00:36:53,960 --> 00:36:56,760 Speaker 12: line in a movie or a TV show, it starts 782 00:36:56,800 --> 00:37:00,319 Speaker 12: to become a more and more expensive production. So in 783 00:37:00,360 --> 00:37:02,719 Speaker 12: this case, these two other people who were in this 784 00:37:02,840 --> 00:37:05,279 Speaker 12: scene didn't make any money. So here's the quote one 785 00:37:05,320 --> 00:37:05,759 Speaker 12: more time. 786 00:37:06,000 --> 00:37:11,160 Speaker 11: Hey guys, ooh big gulf suh, all right, well, see 787 00:37:11,160 --> 00:37:11,520 Speaker 11: you later. 788 00:37:12,000 --> 00:37:16,040 Speaker 12: And that movie is dumb and dumber. That is essentially 789 00:37:16,160 --> 00:37:19,520 Speaker 12: me in every single social situation I get into. 790 00:37:20,120 --> 00:37:21,359 Speaker 3: I have nothing to say. 791 00:37:21,520 --> 00:37:25,600 Speaker 12: I am so socially awkward. My biggest worry every time 792 00:37:25,719 --> 00:37:27,759 Speaker 12: I am with a group of people is I am 793 00:37:27,800 --> 00:37:30,520 Speaker 12: going to run out of topics to talk about unless 794 00:37:30,520 --> 00:37:32,239 Speaker 12: they want to talk about movies. And even if they 795 00:37:32,239 --> 00:37:34,560 Speaker 12: want to talk about movies, my social anxiety takes over 796 00:37:34,719 --> 00:37:36,560 Speaker 12: and I feel like I'm talking too much or feel 797 00:37:36,560 --> 00:37:38,400 Speaker 12: like I'm way too nerdy. So that is me, that 798 00:37:38,520 --> 00:37:41,160 Speaker 12: is me making conversation. Moving on, can you name this 799 00:37:41,280 --> 00:37:47,680 Speaker 12: obscure movie quote celebrating its twenty fifth anniversary. I remember 800 00:37:48,000 --> 00:37:51,200 Speaker 12: laughing so much at this scene whenever I first watched 801 00:37:51,200 --> 00:37:53,880 Speaker 12: this movie. I'll explain exactly what is happening in this 802 00:37:53,960 --> 00:37:56,560 Speaker 12: clip and the reason I was laughing so hard. But again, 803 00:37:56,640 --> 00:38:01,000 Speaker 12: here is that obscure movie quote number four, and that 804 00:38:01,080 --> 00:38:06,480 Speaker 12: movie is South Park, Bigger, Longer, and uncut. It is 805 00:38:06,520 --> 00:38:10,359 Speaker 12: the scene wherever they dare Kenny to light his fart 806 00:38:10,400 --> 00:38:14,319 Speaker 12: on fire and then Kenny is engulfed in flames and 807 00:38:14,360 --> 00:38:16,080 Speaker 12: they are trying to put him out. And if you're 808 00:38:16,200 --> 00:38:19,439 Speaker 12: unfamiliar with the show South Park, you're probably a more 809 00:38:19,480 --> 00:38:22,640 Speaker 12: refined individual. Than I am. But in every single episode 810 00:38:22,640 --> 00:38:26,640 Speaker 12: of that show, Kenny dies in some really weird way, 811 00:38:27,040 --> 00:38:29,560 Speaker 12: some really brutal way. And in the movie he goes 812 00:38:29,600 --> 00:38:33,080 Speaker 12: out by well lighting his fart on fire, and then Cartman, 813 00:38:33,520 --> 00:38:36,200 Speaker 12: who is that voice you heard there, is trying to 814 00:38:36,280 --> 00:38:38,799 Speaker 12: put out the fire with a stick, and instead of 815 00:38:38,840 --> 00:38:41,440 Speaker 12: being concerned with this friend Kenny on fire, who is 816 00:38:41,480 --> 00:38:44,439 Speaker 12: probably going to die, he's instead worried about the stick 817 00:38:44,480 --> 00:38:45,160 Speaker 12: being on fire. 818 00:38:46,680 --> 00:38:47,920 Speaker 3: Can you name this movie? 819 00:38:48,280 --> 00:38:49,840 Speaker 7: Shut your mouth when you're talking to me? 820 00:38:50,080 --> 00:38:53,000 Speaker 12: I just love the reaction from the actors in this movie. 821 00:38:53,440 --> 00:38:56,759 Speaker 12: This scene takes place in the opening part. You have 822 00:38:56,800 --> 00:39:00,040 Speaker 12: some people in a legal hearing and this is but 823 00:39:00,160 --> 00:39:03,520 Speaker 12: one person says to the other party. Again, here's that 824 00:39:03,560 --> 00:39:04,600 Speaker 12: movie quote. 825 00:39:04,320 --> 00:39:06,200 Speaker 7: Oh shut your mouth when you're talking to me. 826 00:39:06,719 --> 00:39:11,080 Speaker 12: And that movie is from two thousand and five Wedding Crashers. 827 00:39:11,560 --> 00:39:15,399 Speaker 12: The two thousands were riddled with great movie quotes. Comedies 828 00:39:15,440 --> 00:39:19,840 Speaker 12: in particular. If I could go back and recreate one 829 00:39:19,880 --> 00:39:23,719 Speaker 12: decade of movies, it would be two thousands comedies. And 830 00:39:23,800 --> 00:39:27,000 Speaker 12: speaking of two thousand comedies, this isn't a full on comedy. 831 00:39:27,000 --> 00:39:28,000 Speaker 12: It's kind of a dramedy. 832 00:39:28,480 --> 00:39:30,200 Speaker 7: Can you just hold on for a second. I'm on 833 00:39:30,239 --> 00:39:31,200 Speaker 7: my Hamburger phone. 834 00:39:31,560 --> 00:39:35,480 Speaker 12: This movie had so many great memorable movie quotes. This 835 00:39:35,520 --> 00:39:38,720 Speaker 12: one was more on the obscure side. But I remember 836 00:39:38,760 --> 00:39:41,360 Speaker 12: at this time in two thousand and seven, this was 837 00:39:41,400 --> 00:39:45,080 Speaker 12: a really big time for movie quote merchandise. Any movie 838 00:39:45,120 --> 00:39:47,680 Speaker 12: that came out had to have some t shirt at 839 00:39:47,680 --> 00:39:51,120 Speaker 12: hot topic with any obscure movie quote because people were 840 00:39:51,200 --> 00:39:54,840 Speaker 12: eating these up. I think the movie that really started 841 00:39:54,840 --> 00:39:58,160 Speaker 12: this trend was Napoleon Dynamite, which was kind of an 842 00:39:58,200 --> 00:40:01,480 Speaker 12: unexpected hit in the early two thousands and did really 843 00:40:01,520 --> 00:40:04,480 Speaker 12: well on merchandise. And the two thousands were also a 844 00:40:04,560 --> 00:40:07,960 Speaker 12: time where graphic teas were king. You weren't cool unless 845 00:40:07,960 --> 00:40:10,480 Speaker 12: you went to J. C. Pennies or Walmart and got 846 00:40:10,840 --> 00:40:14,359 Speaker 12: a funny graphic tea with something novel written on it. 847 00:40:14,600 --> 00:40:15,120 Speaker 3: Now, I'm not. 848 00:40:15,040 --> 00:40:17,000 Speaker 12: Gonna lie, it looks a little bit outdated. If you're 849 00:40:17,000 --> 00:40:19,239 Speaker 12: out in twenty twenty four with a gravity like this, Hey, 850 00:40:19,320 --> 00:40:21,920 Speaker 12: if that your thing, more power to you. But also 851 00:40:21,960 --> 00:40:25,160 Speaker 12: you're probably stuck in another decade. But again, here is 852 00:40:25,200 --> 00:40:26,160 Speaker 12: that movie quote. 853 00:40:26,400 --> 00:40:28,120 Speaker 1: Can you just hold on for a second, I'm on 854 00:40:28,160 --> 00:40:29,840 Speaker 1: my Hamburger phone. 855 00:40:29,680 --> 00:40:32,240 Speaker 12: And that is from two thousand and seven. 856 00:40:32,960 --> 00:40:35,719 Speaker 3: Juno. What a great movie that really. 857 00:40:35,440 --> 00:40:39,799 Speaker 12: Holds up as a fantastic cast, a fantastic soundtrack, and 858 00:40:39,840 --> 00:40:43,600 Speaker 12: a bunch of killer movie quotes. 859 00:40:50,040 --> 00:40:53,120 Speaker 1: Thanks for listening to this week's Sunday Sampler. Have a 860 00:40:53,120 --> 00:41:00,440 Speaker 1: good Sunday, Happy Easter, everybody. 861 00:41:00,520 --> 00:41:01,360 Speaker 5: My grand stay