1
00:00:00,120 --> 00:00:02,360
Speaker 1: I'm just telling you a true story. Like I got

2
00:00:02,360 --> 00:00:03,239
Speaker 1: so many, kid.

3
00:00:03,480 --> 00:00:06,600
Speaker 2: We might have we gotta filter some of these stories, y'all.

4
00:00:06,600 --> 00:00:07,400
Speaker 1: I'm telling you.

5
00:00:20,920 --> 00:00:21,680
Speaker 2: What's up, y'all.

6
00:00:21,720 --> 00:00:24,919
Speaker 1: You know what it is? Your boy Jada, Joe Cracktice

7
00:00:24,960 --> 00:00:28,680
Speaker 1: to Joe and Jada shall presented to you by boost Mobile.

8
00:00:28,920 --> 00:00:32,040
Speaker 1: Make sure you go to boostmobile dot com. Get yourself

9
00:00:32,080 --> 00:00:36,120
Speaker 1: and your family, your friends, your loved ones a boost

10
00:00:36,159 --> 00:00:39,720
Speaker 1: Mobile plan. We need the whole block on boost Mobile.

11
00:00:39,800 --> 00:00:42,000
Speaker 1: Let me tell you something, man, we need we need

12
00:00:42,080 --> 00:00:44,879
Speaker 1: everybody on boost Mobile. They supporting the culture. Let me

13
00:00:44,880 --> 00:00:49,720
Speaker 1: tell you something, man. Thirty years, I've been telling my

14
00:00:49,840 --> 00:00:52,559
Speaker 1: stories in the studios and with friends, and I've been

15
00:00:52,560 --> 00:00:56,279
Speaker 1: telling people, y'all turn the cameras off. Y'all, turn your

16
00:00:56,320 --> 00:01:00,400
Speaker 1: phone off. It's strictly for us. Off of one week

17
00:01:00,440 --> 00:01:03,440
Speaker 1: of podcasts, I turned into the Wendy Williams of podcast

18
00:01:03,840 --> 00:01:07,360
Speaker 1: I just gotta be honest with you. I never knew what.

19
00:01:07,319 --> 00:01:09,600
Speaker 2: When am I supposed to do it?

20
00:01:10,400 --> 00:01:12,600
Speaker 1: Like, let me tell you something. I don't know how

21
00:01:12,640 --> 00:01:15,360
Speaker 1: to become Wendy Williams a podcasting in one week? Hey,

22
00:01:15,640 --> 00:01:18,240
Speaker 1: Like I mean, like my phone is off the hook,

23
00:01:18,680 --> 00:01:22,680
Speaker 1: Like every rapper in the world. It's hitting me up, like, Yo, Joe,

24
00:01:22,720 --> 00:01:24,520
Speaker 1: I don't like how you said this. I don't like

25
00:01:24,520 --> 00:01:26,600
Speaker 1: how you said that. I have to hear Angie Martinez

26
00:01:26,720 --> 00:01:29,480
Speaker 1: queen the journalist, one of the queens, to be like, yo,

27
00:01:29,560 --> 00:01:32,440
Speaker 1: how you deal with this because you don't. By the way,

28
00:01:32,520 --> 00:01:35,360
Speaker 1: we went number one. You know, it ain't easy being

29
00:01:35,400 --> 00:01:37,679
Speaker 1: number one, but somebody got to do it. So the

30
00:01:37,760 --> 00:01:41,320
Speaker 1: podcast went number one. So listen, let me. I'm addressed.

31
00:01:42,120 --> 00:01:44,920
Speaker 2: What happened Scott Joe's crazy?

32
00:01:45,240 --> 00:01:46,360
Speaker 1: What did I do? Now?

33
00:01:48,280 --> 00:01:51,160
Speaker 2: Did not agree with before you going to you because

34
00:01:51,200 --> 00:01:54,440
Speaker 2: he got something to tell you. But the only thing

35
00:01:54,520 --> 00:01:57,360
Speaker 2: that I did see that I don't think I'm prepared

36
00:01:57,400 --> 00:02:01,320
Speaker 2: for is that when they take they's taking stuff and

37
00:02:01,400 --> 00:02:04,880
Speaker 2: switching it around and making they own. You know, So

38
00:02:04,960 --> 00:02:09,040
Speaker 2: you mean like you trying to listen he's telling me

39
00:02:09,240 --> 00:02:13,240
Speaker 2: interviewing Snoop and if we did pull up, did you

40
00:02:13,320 --> 00:02:18,519
Speaker 2: ever say Kendrick surpassed Dre and Snoop and Cube and.

41
00:02:18,400 --> 00:02:21,839
Speaker 1: All of this. I was talking about radio play exactly

42
00:02:22,280 --> 00:02:26,800
Speaker 1: in the last the King, he's the king of rap

43
00:02:27,000 --> 00:02:30,600
Speaker 1: hip hop, Like you could pull up a million interviews

44
00:02:30,639 --> 00:02:34,519
Speaker 1: where I said the most famous rapper in the universe

45
00:02:34,720 --> 00:02:37,440
Speaker 1: of rap music. It's Snoop Doggy dog won.

46
00:02:37,520 --> 00:02:39,720
Speaker 2: Then why did he do that to us? Nah?

47
00:02:39,840 --> 00:02:41,919
Speaker 1: You know we in that space now, Jaden, That's what

48
00:02:41,919 --> 00:02:43,360
Speaker 1: I'm trying to tell you. They trying to stick the

49
00:02:43,440 --> 00:02:46,200
Speaker 1: knife in this Yo, Joe Biden, let me tell you something.

50
00:02:46,880 --> 00:02:49,359
Speaker 1: You're are my friend. I know you twenty years. You've

51
00:02:49,360 --> 00:02:52,400
Speaker 1: been doing this thing. You ain't send us no edible.

52
00:02:53,960 --> 00:02:55,480
Speaker 2: I don't send us.

53
00:02:55,520 --> 00:02:58,640
Speaker 1: He didn't send us no edible, have to send us

54
00:02:59,360 --> 00:03:01,799
Speaker 1: no fly what he's sent us, no champagne?

55
00:03:01,800 --> 00:03:05,760
Speaker 2: Where did you get for one shut out than Joe?

56
00:03:06,000 --> 00:03:08,240
Speaker 2: Why do you think he's gonna sit us anything? After

57
00:03:08,320 --> 00:03:12,519
Speaker 2: you name the seats behind the seats, Lit's sit to him?

58
00:03:13,200 --> 00:03:16,239
Speaker 2: You're seeing all of this crazy Jo, but we think

59
00:03:16,320 --> 00:03:17,679
Speaker 2: he's gonna send us any.

60
00:03:17,680 --> 00:03:20,840
Speaker 1: He eight hundred episodes, and I gotta salute the brother

61
00:03:21,280 --> 00:03:23,320
Speaker 1: and just we the new guys on the block. We

62
00:03:23,360 --> 00:03:27,200
Speaker 1: ain't got no disrespect for Joe. But now, birdman, I

63
00:03:27,440 --> 00:03:30,760
Speaker 1: read that. I came into the studio with them talking

64
00:03:30,760 --> 00:03:33,600
Speaker 1: about that on the on the radio. Maybe he's been

65
00:03:33,639 --> 00:03:36,760
Speaker 1: my friend twenty years. He don't like me talking about

66
00:03:36,840 --> 00:03:40,000
Speaker 1: him getting divorced. But I got nothing but respect and

67
00:03:40,120 --> 00:03:43,280
Speaker 1: love for the birdman. I'm telling you my phone was shaken.

68
00:03:44,280 --> 00:03:47,840
Speaker 2: I'm not you See, we got Joe, We're still active.

69
00:03:47,960 --> 00:03:50,600
Speaker 2: You gotta we got love out of here. You gotta

70
00:03:50,680 --> 00:03:51,360
Speaker 2: keep the love.

71
00:03:51,560 --> 00:03:54,840
Speaker 1: We gotta keep the love. And yoo, I did get love.

72
00:03:55,480 --> 00:04:00,000
Speaker 1: Prime Time called us. I'm saying this, Yes, no doubt

73
00:04:00,040 --> 00:04:02,400
Speaker 1: he loves how we talked about his family, his son

74
00:04:02,440 --> 00:04:05,440
Speaker 1: and all that. He appreciate us. We the realist in

75
00:04:05,480 --> 00:04:08,119
Speaker 1: the game. You know, I bumped into Lenny Kravitz at

76
00:04:08,120 --> 00:04:10,280
Speaker 1: the Nick game. We're gonna go right into today. I

77
00:04:10,360 --> 00:04:15,280
Speaker 1: bumped into Lenny Kravitz, I bumped into Amy Schumer. Okay,

78
00:04:15,880 --> 00:04:18,400
Speaker 1: they both said they've been watching our podcast and then

79
00:04:18,440 --> 00:04:20,640
Speaker 1: it's funny as hell and they love it. I didn't

80
00:04:20,680 --> 00:04:23,560
Speaker 1: even know these people know us. It's human beings. But

81
00:04:23,680 --> 00:04:26,880
Speaker 1: let me tell you, let me reflect on the slight

82
00:04:27,000 --> 00:04:29,920
Speaker 1: hate and the shots we've been getting because it's not

83
00:04:30,040 --> 00:04:32,640
Speaker 1: easy going number one. There's some people been doing podcasts

84
00:04:32,640 --> 00:04:34,960
Speaker 1: for thirty years and it ain't go number one and

85
00:04:35,040 --> 00:04:37,680
Speaker 1: get one hundred thousand subscribers and stuff that we on

86
00:04:37,760 --> 00:04:41,400
Speaker 1: our way, right, But let me tell you, this reminds

87
00:04:41,440 --> 00:04:44,840
Speaker 1: me of the movie American hustler with Denzel. Remember when

88
00:04:44,960 --> 00:04:47,560
Speaker 1: Denzel he thought he was down with the mob, they

89
00:04:47,600 --> 00:04:49,839
Speaker 1: shot him, They almost killed his wife and all that.

90
00:04:49,880 --> 00:04:52,400
Speaker 1: He said, my family, and you've seen what the mob

91
00:04:52,440 --> 00:04:56,000
Speaker 1: boss said. He said, So you got shot with success.

92
00:04:56,360 --> 00:04:59,599
Speaker 1: Success shot back at you. You know what are you

93
00:04:59,680 --> 00:05:05,520
Speaker 1: right at? Uh? Successful with a couple of lettermans, unsuccessful.

94
00:05:04,839 --> 00:05:05,680
Speaker 2: With no friends?

95
00:05:06,720 --> 00:05:10,160
Speaker 1: What do you want to be? Ill? I mean success

96
00:05:10,320 --> 00:05:12,320
Speaker 1: out at us? You know what I'm saying. We were

97
00:05:12,360 --> 00:05:16,520
Speaker 1: climbing up too fast. But everybody, let you know, I'm

98
00:05:16,560 --> 00:05:19,520
Speaker 1: gonna speak on be at for me and Jada. We

99
00:05:19,560 --> 00:05:22,200
Speaker 1: are not malicious. We are not trying to throw shots

100
00:05:22,200 --> 00:05:25,359
Speaker 1: at nobody for real. We having fun, great time giving

101
00:05:25,400 --> 00:05:29,960
Speaker 1: you our perspective. Now you came in your knicks, Garb.

102
00:05:31,279 --> 00:05:34,000
Speaker 1: Tell me about where were at right now? Now?

103
00:05:35,440 --> 00:05:37,640
Speaker 2: First we want to I want to see the because

104
00:05:37,680 --> 00:05:38,360
Speaker 2: you were just there.

105
00:05:38,440 --> 00:05:38,920
Speaker 1: You spoke.

106
00:05:39,000 --> 00:05:42,039
Speaker 2: He was with the you know, celebrity road was crazy.

107
00:05:42,240 --> 00:05:47,560
Speaker 2: But game six, what did you see that you didn't

108
00:05:47,600 --> 00:05:51,320
Speaker 2: see in game five? First of all, ooh, you know me,

109
00:05:51,520 --> 00:05:55,440
Speaker 2: you know me and Rollie for that. Listen, I'll tell

110
00:05:55,480 --> 00:05:57,760
Speaker 2: you what I didn't see in game six that I

111
00:05:57,760 --> 00:06:02,960
Speaker 2: didn't see in game five Jason Tatum. No, no, that's

112
00:06:03,000 --> 00:06:05,800
Speaker 2: a fact, but shout out to Tatum getting well soon.

113
00:06:06,279 --> 00:06:08,200
Speaker 2: But the Knicks went crazy and we had one of

114
00:06:08,240 --> 00:06:12,640
Speaker 2: them Boston days. We couldn't miss that day. I was

115
00:06:12,839 --> 00:06:18,320
Speaker 2: just like in my couch looking at nothing, just looking

116
00:06:18,360 --> 00:06:21,360
Speaker 2: at nothing. My outfit was laid out. The Tims was dead,

117
00:06:22,480 --> 00:06:25,080
Speaker 2: he was he was already like a kid with this first.

118
00:06:24,880 --> 00:06:28,200
Speaker 1: Day of school like this, couldn't wait to go to

119
00:06:28,240 --> 00:06:30,760
Speaker 1: the game, like I was so hype. I took my

120
00:06:30,839 --> 00:06:34,400
Speaker 1: sister Ramy with me. You know what I'm saying. The vibe,

121
00:06:34,440 --> 00:06:39,359
Speaker 1: that energy felt like New Year's Eve and off rip.

122
00:06:40,000 --> 00:06:43,839
Speaker 1: It just felt too good to be true. And they

123
00:06:43,880 --> 00:06:46,719
Speaker 1: handle their business. By halftime, we already knew we was

124
00:06:46,720 --> 00:06:50,080
Speaker 1: gonna win the win the game. We but us being

125
00:06:50,240 --> 00:06:54,760
Speaker 1: nick fammed. You know how hard it is to last

126
00:06:54,880 --> 00:06:58,039
Speaker 1: second because we are forty and I'm still scared to death.

127
00:06:58,600 --> 00:07:01,200
Speaker 1: Something could go on. Somebody can hit one hundred threes

128
00:07:01,240 --> 00:07:01,480
Speaker 1: in the.

129
00:07:01,440 --> 00:07:04,400
Speaker 2: World, Seriously, find a way to be only up by

130
00:07:04,480 --> 00:07:05,760
Speaker 2: three with the man.

131
00:07:07,560 --> 00:07:10,560
Speaker 1: Bro. The key to the thing was they stood on

132
00:07:10,600 --> 00:07:13,720
Speaker 1: that Derek White. They stood on him like White on

133
00:07:13,840 --> 00:07:17,000
Speaker 1: Rice the whole game. They did not let that.

134
00:07:16,920 --> 00:07:22,760
Speaker 2: Boy well, you know they always hurt themselves a foul

135
00:07:22,840 --> 00:07:26,160
Speaker 2: out when they lose him by like forty deciding game.

136
00:07:26,360 --> 00:07:30,200
Speaker 1: You know, like Donovan Mitchell gets hurt. You know, everybody

137
00:07:30,240 --> 00:07:32,960
Speaker 1: always gets hurt when it's like lights out, it's over.

138
00:07:33,600 --> 00:07:36,000
Speaker 2: You know, long seasons, long seasons.

139
00:07:36,200 --> 00:07:41,240
Speaker 1: Long season. But the vibe man, a million people on

140
00:07:41,320 --> 00:07:43,960
Speaker 1: Seventh Avenue when I'm telling you, you know, the exit, like,

141
00:07:44,640 --> 00:07:47,520
Speaker 1: I think the Knicks gotta make like a trick entrance now.

142
00:07:47,600 --> 00:07:49,440
Speaker 1: I don't think we could just keep coming out.

143
00:07:49,240 --> 00:07:52,720
Speaker 2: That same thing. You made me not go the game six?

144
00:07:53,040 --> 00:07:56,520
Speaker 2: You serious because I couldn't get floor seats, so I

145
00:07:56,520 --> 00:07:57,080
Speaker 2: couldn't go.

146
00:07:59,000 --> 00:08:02,240
Speaker 1: My man, after that, he said, I feel like a

147
00:08:02,320 --> 00:08:04,400
Speaker 1: sucker now. And then second ro I said, no, those

148
00:08:04,440 --> 00:08:07,920
Speaker 1: are don't mind me. Those are great seats. Man. I'm

149
00:08:08,000 --> 00:08:10,360
Speaker 1: just you don't want to go.

150
00:08:10,480 --> 00:08:14,320
Speaker 2: Second I didn't. I don't. I already felt like that,

151
00:08:14,360 --> 00:08:16,480
Speaker 2: so I ain't going. We ain't going. So you kind

152
00:08:16,480 --> 00:08:20,120
Speaker 2: of felt like, yo, I've been uh uh, they spoiled

153
00:08:20,120 --> 00:08:21,120
Speaker 2: me with floor seats.

154
00:08:21,240 --> 00:08:23,880
Speaker 1: Us. You remember the time it was in the All

155
00:08:23,920 --> 00:08:26,160
Speaker 1: Star Game and they had you in like the second row,

156
00:08:26,240 --> 00:08:28,040
Speaker 1: and I was like, you know, I fought.

157
00:08:27,760 --> 00:08:31,880
Speaker 2: Them and said, I don't remember telling you the truth.

158
00:08:31,960 --> 00:08:36,480
Speaker 1: I think it was something something as you like yeah yeah,

159
00:08:36,520 --> 00:08:39,280
Speaker 1: but you know who fought for you, like at first they.

160
00:08:39,160 --> 00:08:42,400
Speaker 2: Had you like you got hell yeah, I appreciate.

161
00:08:42,480 --> 00:08:43,959
Speaker 1: I went to him. I was like, yo, Jay, the

162
00:08:44,160 --> 00:08:46,400
Speaker 1: just can't be over there, like what kind violation is

163
00:08:46,520 --> 00:08:50,080
Speaker 1: that they got all? What's my girl? Uh? The girl

164
00:08:50,080 --> 00:08:54,400
Speaker 1: that sings from London. She's singing incredible too, oh adele,

165
00:08:54,480 --> 00:08:56,640
Speaker 1: they got her court side and all that. I started

166
00:08:56,760 --> 00:08:59,080
Speaker 1: arguing like, yo, we can't have that. We got it.

167
00:08:59,360 --> 00:09:02,040
Speaker 1: How to make your side? We ain't doing that. Ship

168
00:09:02,520 --> 00:09:09,920
Speaker 1: you want to be successful and sho you want succession?

169
00:09:09,960 --> 00:09:11,840
Speaker 1: Suiting that you? What do you want us to do?

170
00:09:12,160 --> 00:09:16,680
Speaker 1: We're nick fans now, everybody want us to fall. Everybody

171
00:09:16,679 --> 00:09:21,360
Speaker 1: a million people. We are always celebrating prematurely, yes, one

172
00:09:21,360 --> 00:09:22,880
Speaker 1: million percent. You know a party with.

173
00:09:22,920 --> 00:09:28,720
Speaker 2: Coach they say he was common with Tims.

174
00:09:30,000 --> 00:09:31,920
Speaker 1: Like he want to cry. He grabbed me by the

175
00:09:31,960 --> 00:09:32,480
Speaker 1: showder ship.

176
00:09:32,760 --> 00:09:33,440
Speaker 2: Tire's a joy.

177
00:09:33,480 --> 00:09:36,440
Speaker 1: Eight more games, tires the joy. He was like, eight

178
00:09:36,520 --> 00:09:39,040
Speaker 1: more games. I want to give him a hug, like yo, man,

179
00:09:39,520 --> 00:09:42,080
Speaker 1: like thank you for what you're doing. But it's eight

180
00:09:42,160 --> 00:09:45,280
Speaker 1: more games, that's all. He told me. That's all coach

181
00:09:45,400 --> 00:09:47,960
Speaker 1: kept telling me. Everybody was like, yo, we need eight

182
00:09:48,120 --> 00:09:50,120
Speaker 1: more wins.

183
00:09:50,080 --> 00:09:56,400
Speaker 2: Eastern Conference Finals. What do we have to do to

184
00:09:56,559 --> 00:09:59,000
Speaker 2: zip in the un pack a month?

185
00:09:59,360 --> 00:10:07,360
Speaker 1: Now? Let me not go bad, right because I believe

186
00:10:07,400 --> 00:10:11,880
Speaker 1: it's going seven games. I believe we winning. Last year,

187
00:10:11,920 --> 00:10:14,920
Speaker 1: we had him on the ropes. We could have beat him,

188
00:10:14,960 --> 00:10:18,120
Speaker 1: but everybody in the team was hurt. Mitchell Robinson, o

189
00:10:18,280 --> 00:10:23,120
Speaker 1: g had the hamstring. Jalen Brunton broke his hand playing

190
00:10:23,280 --> 00:10:27,200
Speaker 1: Indiana games. That's not how we coming to them with

191
00:10:27,280 --> 00:10:30,480
Speaker 1: a depleted and now we're gonna take him. They got

192
00:10:30,480 --> 00:10:33,439
Speaker 1: a mean team, don't get it wrong. The Turner, oh

193
00:10:33,640 --> 00:10:39,160
Speaker 1: you got Turner, you got Halliburton, but you got Ziackham. Bobie,

194
00:10:39,840 --> 00:10:42,280
Speaker 1: the little white boy is sneaky as hell. He get

195
00:10:42,400 --> 00:10:45,600
Speaker 1: up in there with them shots. No, no, they that nice.

196
00:10:46,360 --> 00:10:51,120
Speaker 2: But the cars good coach Carlos he.

197
00:10:51,040 --> 00:10:53,440
Speaker 1: Ain't better than Tibbs man. Don't get fooled by the

198
00:10:53,480 --> 00:10:57,200
Speaker 1: Carl Lyle and all them. Everybody got to know. Don't

199
00:10:57,320 --> 00:11:00,280
Speaker 1: like the Boston coach, you know much.

200
00:11:00,320 --> 00:11:02,840
Speaker 2: He went to the coach and the thing you don't

201
00:11:03,000 --> 00:11:09,120
Speaker 2: like me, young nerd hispanic right, he just looked. You know,

202
00:11:09,440 --> 00:11:12,320
Speaker 2: he's just young. You don't like what did he did?

203
00:11:12,400 --> 00:11:12,920
Speaker 2: He do something?

204
00:11:13,080 --> 00:11:13,880
Speaker 1: He looks too smart?

205
00:11:13,960 --> 00:11:14,280
Speaker 2: Smart.

206
00:11:14,360 --> 00:11:17,560
Speaker 1: I don't like he looked too smart. Man, he up

207
00:11:17,600 --> 00:11:23,520
Speaker 1: there with the guy he ain't Sam Cosell salute.

208
00:11:24,440 --> 00:11:27,120
Speaker 2: It's like Sam, we need saying, we need see him

209
00:11:27,120 --> 00:11:28,320
Speaker 2: to get a head coaching job.

210
00:11:29,080 --> 00:11:33,560
Speaker 1: Sam Caseller be the man first time in history of basketball.

211
00:11:34,200 --> 00:11:36,439
Speaker 1: Because I always say the young boys could never make

212
00:11:36,520 --> 00:11:38,920
Speaker 1: it to the chip or win the Chip because they

213
00:11:39,000 --> 00:11:40,360
Speaker 1: got to lose a couple of times.

214
00:11:40,559 --> 00:11:43,800
Speaker 2: Hold on, don't go in to it yet. The Western

215
00:11:43,880 --> 00:11:48,559
Speaker 2: Conference of game seven, okay, see put the clinic on

216
00:11:49,200 --> 00:11:52,120
Speaker 2: on the joker in them boys? Which you think you

217
00:11:52,240 --> 00:11:55,080
Speaker 2: think they got enough to be a championship team?

218
00:11:55,120 --> 00:11:59,360
Speaker 1: Okay, okay, see got a chance to be. They got

219
00:11:59,440 --> 00:12:02,760
Speaker 1: the biggest to be honest, with all that nick shit

220
00:12:02,840 --> 00:12:05,679
Speaker 1: you wearing and all the knicks, and they are the

221
00:12:05,880 --> 00:12:10,760
Speaker 1: team to beat now. Ant Man got something to say, Man,

222
00:12:11,320 --> 00:12:15,599
Speaker 1: aunt Man and Julius Randu have something to say that

223
00:12:15,800 --> 00:12:17,959
Speaker 1: is gonna be it now.

224
00:12:18,200 --> 00:12:20,679
Speaker 2: So it's safe to say you're taking Minnesota.

225
00:12:20,640 --> 00:12:23,440
Speaker 1: Not over my knicks. I'm never taking nobody O my day.

226
00:12:23,520 --> 00:12:25,680
Speaker 2: Western Conference Finals, Western Conference.

227
00:12:26,040 --> 00:12:29,839
Speaker 1: I'm gonna take Minnesota because I love Julius Randau, Deven Checko,

228
00:12:29,880 --> 00:12:32,360
Speaker 1: and I think that that's the Cinderella series, the Knicks

229
00:12:32,400 --> 00:12:39,120
Speaker 1: against Minnesota. But as GA and okc ain't nothing to

230
00:12:39,440 --> 00:12:42,320
Speaker 1: fuck with, bro, and they are dead serious and they're

231
00:12:42,520 --> 00:12:44,280
Speaker 1: very mature. You know when you meet a kid and

232
00:12:44,320 --> 00:12:49,320
Speaker 1: you're like, yo, you're mature for your age. He's smart

233
00:12:49,800 --> 00:12:53,880
Speaker 1: a SGA is cool under any type of pressure. This

234
00:12:54,080 --> 00:12:57,120
Speaker 1: kid looked too cool game. I've got any type of pressure.

235
00:12:57,360 --> 00:13:00,280
Speaker 1: He reminded me of my guys from the Cans, the

236
00:13:00,320 --> 00:13:03,880
Speaker 1: City Chiefs. He reminds me of my God send the

237
00:13:03,960 --> 00:13:07,080
Speaker 1: Kansas City Chiefs. They cool under any kind of pressure,

238
00:13:07,960 --> 00:13:11,800
Speaker 1: any kind of pressure. SGA. That's the series, right.

239
00:13:11,960 --> 00:13:14,760
Speaker 2: It wasn't cool under depression when the Eagles this past

240
00:13:14,800 --> 00:13:15,400
Speaker 2: Super Bowl.

241
00:13:15,840 --> 00:13:17,439
Speaker 1: Yeah, But what I'm trying to tell you is when

242
00:13:17,480 --> 00:13:24,319
Speaker 1: you face Tom Brady, that's sitting man, face Tom Brady,

243
00:13:25,040 --> 00:13:27,240
Speaker 1: you look him in the eye, you barely lose, then

244
00:13:27,280 --> 00:13:29,719
Speaker 1: you come back and you win two three championships in

245
00:13:29,800 --> 00:13:33,559
Speaker 1: the world. The thing about these quarterbacks, the most legendary

246
00:13:33,679 --> 00:13:37,000
Speaker 1: quarterbacks of all time, is they calm under pressure. Like

247
00:13:37,080 --> 00:13:38,920
Speaker 1: you don't never see them stressed out. Right and be

248
00:13:39,000 --> 00:13:41,360
Speaker 1: like one minute left. They sitting on the side, whether

249
00:13:41,400 --> 00:13:43,719
Speaker 1: it's snowing whatever, and they get up in there and

250
00:13:43,800 --> 00:13:46,240
Speaker 1: they the best of the best. They get up in

251
00:13:46,280 --> 00:13:50,240
Speaker 1: there and they got That's what SGA feels like to man,

252
00:13:50,320 --> 00:13:53,680
Speaker 1: I seen him under like like out of control. Don't

253
00:13:53,720 --> 00:13:56,040
Speaker 1: tell me about Randall. He could get out of control

254
00:13:56,120 --> 00:13:59,920
Speaker 1: in one second. These guys are looney to us. SGA.

255
00:14:00,480 --> 00:14:02,360
Speaker 2: It's safe to say for me, I don't want to

256
00:14:02,440 --> 00:14:03,560
Speaker 2: play Okay.

257
00:14:03,280 --> 00:14:08,240
Speaker 1: See, oh you don't want to wing on BAC all

258
00:14:08,360 --> 00:14:10,440
Speaker 1: that shit you just said, But I want to hear

259
00:14:10,520 --> 00:14:11,920
Speaker 1: your perspective of the ship.

260
00:14:12,760 --> 00:14:16,480
Speaker 2: For one, they was fifteen games ahead of every team

261
00:14:16,559 --> 00:14:20,880
Speaker 2: in the NBA for the regular season. For two, when

262
00:14:20,960 --> 00:14:24,280
Speaker 2: they win, they winning by fifty and thirty and forty

263
00:14:24,400 --> 00:14:27,480
Speaker 2: seven and all that. In the playoffs, they got all

264
00:14:27,520 --> 00:14:30,760
Speaker 2: of the right pieces to beat the ship out of US.

265
00:14:31,320 --> 00:14:34,360
Speaker 2: I would rather play Minnesota if we can, if we

266
00:14:34,440 --> 00:14:37,520
Speaker 2: can get past Indianda, I'd rather than be the Knicks.

267
00:14:37,680 --> 00:14:41,320
Speaker 1: I ain't gonna lie in Minnesota. And understand he bothers me.

268
00:14:41,920 --> 00:14:45,760
Speaker 1: They went by Okay, see they're bliter rated this all

269
00:14:45,880 --> 00:14:48,680
Speaker 1: year there, but not now. With the Boston beat US

270
00:14:48,720 --> 00:14:51,320
Speaker 1: four times in the wrong. We tore them up. Let

271
00:14:51,360 --> 00:14:56,000
Speaker 1: me saying, this has got different type of this. It's cracky,

272
00:14:56,200 --> 00:14:59,720
Speaker 1: crack God, damn man, you ain't got to use our

273
00:14:59,720 --> 00:15:03,880
Speaker 1: ship against us. Man, y'all, why you're gonna use the

274
00:15:03,960 --> 00:15:05,160
Speaker 1: slogan against us.

275
00:15:06,920 --> 00:15:07,400
Speaker 2: Is different.

276
00:15:07,760 --> 00:15:10,160
Speaker 1: Let me tell you something. The w n b A

277
00:15:11,480 --> 00:15:13,520
Speaker 1: to me, I'm not gonna lie to you. Last year

278
00:15:13,600 --> 00:15:17,520
Speaker 1: they took over basketball. They was on fire more than NBA.

279
00:15:18,440 --> 00:15:25,440
Speaker 1: The Caitlin Clark went to me and you right shout

280
00:15:25,480 --> 00:15:29,000
Speaker 1: out my liberty, my girls bringing the Brianna. They raised Stewie,

281
00:15:29,560 --> 00:15:32,080
Speaker 1: they raised the rapt or. You know what I'm saying,

282
00:15:32,800 --> 00:15:36,720
Speaker 1: because they they literally I got it now. Now now

283
00:15:36,880 --> 00:15:38,840
Speaker 1: what I'm about to tell you, I hope it makes sense,

284
00:15:39,680 --> 00:15:42,400
Speaker 1: but I got it now. I realized why the refs

285
00:15:42,840 --> 00:15:47,480
Speaker 1: and the NBA has been letting these teams go hamd

286
00:15:47,600 --> 00:15:53,000
Speaker 1: like they This is definitely the most physical playoffs in

287
00:15:53,280 --> 00:15:56,360
Speaker 1: ten fifteen years. They letting them ball out there hurt

288
00:15:56,400 --> 00:16:04,560
Speaker 1: each other. Whatever the case. W n b A was

289
00:16:04,640 --> 00:16:09,360
Speaker 1: taken over basketball and the NBA making adjustments. They said,

290
00:16:09,400 --> 00:16:12,880
Speaker 1: we can't be calling the simple you know, the Kobe fouls,

291
00:16:13,320 --> 00:16:16,680
Speaker 1: the m J fowls, you remember you breathed past Stum's

292
00:16:16,720 --> 00:16:19,760
Speaker 1: a foul. That's not happening now. Jaylen Brusse hits the

293
00:16:19,800 --> 00:16:23,240
Speaker 1: fucking wooden floor like thirty six times a day. My

294
00:16:23,360 --> 00:16:27,560
Speaker 1: hard eye, Jammy stitches this. They bawling out there. But

295
00:16:27,680 --> 00:16:30,440
Speaker 1: that's why I finally got it. They compete with the

296
00:16:30,680 --> 00:16:34,000
Speaker 1: w n b A. You know, just yesterday Caitland Clark

297
00:16:34,120 --> 00:16:38,560
Speaker 1: fouled up reached. That was a regular Hart Faust go

298
00:16:38,840 --> 00:16:41,480
Speaker 1: take two shots or whatever, but they got all in

299
00:16:41,760 --> 00:16:43,840
Speaker 1: and Drew Reice looked like she want to beat Caitlin

300
00:16:43,920 --> 00:16:48,360
Speaker 1: Kark up. And then you know what side is? This

301
00:16:48,520 --> 00:16:51,960
Speaker 1: country thrives off of racism, right. I never look at

302
00:16:52,000 --> 00:16:55,560
Speaker 1: basketballs as racism. If a white boy come in the park,

303
00:16:55,880 --> 00:16:58,360
Speaker 1: Cooper Flag came last year, the rucker lit him up

304
00:16:58,760 --> 00:17:01,320
Speaker 1: with the game shot. We I'm throwing the court. Everybody

305
00:17:01,480 --> 00:17:04,040
Speaker 1: jumped up. We don't really look at it as racism.

306
00:17:04,440 --> 00:17:09,200
Speaker 1: But every time these two girls play, it turns into

307
00:17:09,280 --> 00:17:15,680
Speaker 1: a raciom conversation racism. And to that point, if ain't

308
00:17:15,680 --> 00:17:18,280
Speaker 1: you Reese would have fouled Caitlin car Card like that,

309
00:17:19,240 --> 00:17:22,680
Speaker 1: the white people immediately would have set racism. Nah man,

310
00:17:22,840 --> 00:17:25,000
Speaker 1: I'm I'm telling you what's going on.

311
00:17:25,359 --> 00:17:29,359
Speaker 2: They two different plays. For one, they've been putting them

312
00:17:29,400 --> 00:17:33,159
Speaker 2: together since L s U and IOWA. They play different,

313
00:17:33,680 --> 00:17:36,760
Speaker 2: ain't you. Reese is on the block and she she's

314
00:17:36,880 --> 00:17:40,000
Speaker 2: doing other things. Caitlyn Clark is point guard, she can

315
00:17:40,080 --> 00:17:43,679
Speaker 2: shoot and pass. They play totally two different games.

316
00:17:43,840 --> 00:17:46,160
Speaker 1: So why do we keep hearing them too?

317
00:17:46,280 --> 00:17:51,280
Speaker 2: Because the microphones and people need to stir up some ship.

318
00:17:51,960 --> 00:17:52,680
Speaker 2: You've just seen it.

319
00:17:52,760 --> 00:17:56,320
Speaker 1: You just said they spewing the racism remarks in the car.

320
00:17:56,640 --> 00:17:59,800
Speaker 1: I ain't with that shut We're gonna We're gonna stand.

321
00:18:00,000 --> 00:18:02,679
Speaker 1: We're gonna stand told when arew reached. We ain't tylerden

322
00:18:03,240 --> 00:18:04,680
Speaker 1: racist remarks.

323
00:18:04,280 --> 00:18:06,960
Speaker 2: In the in the in the arenas and all that.

324
00:18:07,080 --> 00:18:07,800
Speaker 2: They gotta get to.

325
00:18:07,880 --> 00:18:13,200
Speaker 1: They gotta security, gotta get him out. Can't come to

326
00:18:13,280 --> 00:18:15,960
Speaker 1: no more w n B A games. We can't have

327
00:18:16,119 --> 00:18:18,200
Speaker 1: that in the game. But they you know that's that

328
00:18:18,400 --> 00:18:19,200
Speaker 1: Larry Bird.

329
00:18:19,880 --> 00:18:23,600
Speaker 2: You know I'm fifty million years ago. We gotta even

330
00:18:23,880 --> 00:18:25,560
Speaker 2: got a new one, Jay, I'm telling you what.

331
00:18:27,640 --> 00:18:31,680
Speaker 1: We have a new one. And it's the second game

332
00:18:31,720 --> 00:18:36,120
Speaker 1: of the year. They started the racism. I'm telling you, oh, well,

333
00:18:36,640 --> 00:18:41,560
Speaker 1: way too early. But that's what it's looking like I'm

334
00:18:41,640 --> 00:18:44,520
Speaker 1: telling you the truth. I don't know if angur Reese's magic.

335
00:18:45,800 --> 00:18:48,680
Speaker 1: I do know Caitlyn Clark is bird. I could tell

336
00:18:48,680 --> 00:18:51,200
Speaker 1: you that much. I could tell you that much.

337
00:18:51,280 --> 00:18:53,720
Speaker 2: He thinks about the raidings. Man, I think the.

338
00:18:53,880 --> 00:18:56,119
Speaker 1: NBA, you think they're bringing in the race and for

339
00:18:56,200 --> 00:18:56,720
Speaker 1: the race.

340
00:18:57,119 --> 00:19:01,200
Speaker 2: Racism, I'm off for that. I don't think racism is

341
00:19:01,280 --> 00:19:04,399
Speaker 2: gonna be around fever and that's just what it is.

342
00:19:05,200 --> 00:19:09,680
Speaker 2: I think the physicality in this playoffs right now is

343
00:19:10,119 --> 00:19:12,320
Speaker 2: due to the ratings. It could be a little bit

344
00:19:12,400 --> 00:19:14,600
Speaker 2: of the w n b A, but the ANBA was

345
00:19:14,680 --> 00:19:15,280
Speaker 2: taking over.

346
00:19:15,480 --> 00:19:17,160
Speaker 1: They tired of hearing all that talk.

347
00:19:17,280 --> 00:19:21,800
Speaker 2: I watched basketball all year and then take fouls they was.

348
00:19:22,400 --> 00:19:25,920
Speaker 2: They was using their wishers all day. The playoffs. I'm

349
00:19:26,000 --> 00:19:30,560
Speaker 2: seeing dudes get shoved, elbow slammed, or reps is looking.

350
00:19:30,400 --> 00:19:36,239
Speaker 1: Like black eyes. Blood all over the playlet everybody going

351
00:19:36,280 --> 00:19:39,359
Speaker 1: to the sideline fixing their uniform because they got blood

352
00:19:39,400 --> 00:19:41,480
Speaker 1: on their ship. Do it feel like the old NBA

353
00:19:42,000 --> 00:19:50,120
Speaker 1: does and we're appreciating it that, you know, little fouls

354
00:19:50,240 --> 00:19:52,119
Speaker 1: and then stop the game and all that ship. I

355
00:19:52,160 --> 00:19:55,840
Speaker 1: don't even like the refs being a part of like

356
00:19:56,400 --> 00:20:00,400
Speaker 1: decision making up the game. You know what I I'm saying,

357
00:20:00,480 --> 00:20:02,520
Speaker 1: Like you call a foul if you call a foul,

358
00:20:02,640 --> 00:20:04,960
Speaker 1: but this is the playoffs, let them play.

359
00:20:06,119 --> 00:20:13,080
Speaker 2: I agree totally. Ever, sign up for a phone plan

360
00:20:13,240 --> 00:20:16,720
Speaker 2: thinking wow, great price, and then a few months later

361
00:20:16,920 --> 00:20:20,960
Speaker 2: is like surprise, your bill is higher. With Boost Mobile.

362
00:20:21,040 --> 00:20:25,840
Speaker 2: You pay twenty five dollars a month forever. That's unlimited talk,

363
00:20:26,119 --> 00:20:30,000
Speaker 2: text and data starting at just twenty five dollars a month,

364
00:20:30,359 --> 00:20:33,600
Speaker 2: No price hikes, no contract forever.

365
00:20:34,359 --> 00:20:40,640
Speaker 1: Plus, Boostsmobile is now a legit nation wild five gigabytes network.

366
00:20:41,119 --> 00:20:45,840
Speaker 1: They've invested billions building five G towers across the country.

367
00:20:46,600 --> 00:20:50,679
Speaker 1: Visit boostsmobile dot com or head to your local Boost

368
00:20:50,720 --> 00:20:55,800
Speaker 1: store today and get unlimited talk, text and data for

369
00:20:56,040 --> 00:20:59,360
Speaker 1: twenty five dollars a month forever.

370
00:21:00,200 --> 00:21:05,320
Speaker 2: Five G speeds not available in all areas. After thirty gigabytes,

371
00:21:05,880 --> 00:21:11,640
Speaker 2: customers may experience slowest speeds. Customers will pay twenty five

372
00:21:11,680 --> 00:21:14,920
Speaker 2: dollars a month as long as they remain active on

373
00:21:15,080 --> 00:21:23,359
Speaker 2: the Boost Unlimited plan. Anthony Edwards, you think he's the

374
00:21:23,480 --> 00:21:27,000
Speaker 2: new face of the NBA, even though he said he

375
00:21:27,040 --> 00:21:29,320
Speaker 2: don't want to, but he seemed like they be in

376
00:21:29,400 --> 00:21:29,640
Speaker 2: the head.

377
00:21:29,800 --> 00:21:32,480
Speaker 1: I think we all say that to alleviate the pressure.

378
00:21:32,960 --> 00:21:35,560
Speaker 1: He know, he the face of the league. You know

379
00:21:35,560 --> 00:21:39,480
Speaker 1: what I'm saying, the son they saying the Jordan's son

380
00:21:39,560 --> 00:21:43,480
Speaker 1: out there. Oh that's a pause. I'm just saying, I'm

381
00:21:43,560 --> 00:21:46,560
Speaker 1: telling you what they say that they saying, he's Jordan's

382
00:21:46,640 --> 00:21:49,840
Speaker 1: son out there. Yeah.

383
00:21:49,920 --> 00:21:50,080
Speaker 2: Yeah.

384
00:21:50,160 --> 00:21:52,680
Speaker 1: But what I'm trying to tell you is the man

385
00:21:52,960 --> 00:21:56,920
Speaker 1: look too incredible out there. You understand what I'm saying.

386
00:21:56,960 --> 00:21:58,760
Speaker 1: And the kid's gonna always look up to him, but

387
00:21:58,800 --> 00:21:59,920
Speaker 1: he wants to say I don't want to be a

388
00:22:00,119 --> 00:22:02,960
Speaker 1: role model, just to throw that off. You know.

389
00:22:03,359 --> 00:22:05,320
Speaker 2: Is the face in the NBA though, And I think

390
00:22:05,359 --> 00:22:08,880
Speaker 2: it's like a nickname. People gotta give you your nickname.

391
00:22:09,440 --> 00:22:12,280
Speaker 2: You can't just come outside and say my name is Gating,

392
00:22:12,400 --> 00:22:12,880
Speaker 2: such as.

393
00:22:13,240 --> 00:22:22,560
Speaker 1: You might giving them. Give the commercials sneaks again. Shut out,

394
00:22:22,640 --> 00:22:25,480
Speaker 1: Ja Morant. You know we're about to play them, the

395
00:22:25,600 --> 00:22:28,760
Speaker 1: Terror Squad team. Shout out to Chris Gotti and Clash TV.

396
00:22:29,320 --> 00:22:31,520
Speaker 1: We're gonna play them because we launching the new uh

397
00:22:32,040 --> 00:22:34,320
Speaker 1: Terror Squad Air Force one, the Red and White joints.

398
00:22:34,400 --> 00:22:38,879
Speaker 2: Now you always, Ja, you got a sneakers, you.

399
00:22:40,720 --> 00:22:43,840
Speaker 1: You got the student, you got, you got the the

400
00:22:44,000 --> 00:22:47,200
Speaker 1: Red and Whites is official. I got the box that

401
00:22:47,320 --> 00:22:50,600
Speaker 1: says Terror Squad Air Force one with the professional not

402
00:22:50,720 --> 00:22:53,720
Speaker 1: a sample, the ship that go in the stores. Like

403
00:22:53,840 --> 00:22:56,920
Speaker 1: I really received the box the sneaker with the like

404
00:22:57,000 --> 00:22:59,680
Speaker 1: it's in. It's nothing you can do about it. That's

405
00:22:59,800 --> 00:23:02,200
Speaker 1: that's coming out, no doubt. You know what I'm saying,

406
00:23:02,320 --> 00:23:05,000
Speaker 1: So shout out the Nike. But we're gonna play John

407
00:23:05,080 --> 00:23:09,080
Speaker 1: Moran's go back to the coaching. We're probably gonna do

408
00:23:09,160 --> 00:23:12,119
Speaker 1: it in the Bronx watching park, watching, you know what

409
00:23:12,160 --> 00:23:16,240
Speaker 1: I'm saying, Jamarrant, he gonna play against the Terror Squad.

410
00:23:16,320 --> 00:23:19,560
Speaker 1: So you know we back out there, Phil Knight. We're

411
00:23:19,600 --> 00:23:21,760
Speaker 1: not gonna foul Jamrant. We're gonna let him ball.

412
00:23:21,840 --> 00:23:25,320
Speaker 2: Yeah yeah, yeah, no injuries, no injuries. It's entertain It's

413
00:23:25,320 --> 00:23:27,960
Speaker 2: gonna be a good ball. But we entertaining the people

414
00:23:28,000 --> 00:23:28,640
Speaker 2: in the trenches.

415
00:23:28,800 --> 00:23:30,520
Speaker 1: You know, it ain't been now that I say that,

416
00:23:30,680 --> 00:23:35,000
Speaker 1: it ain't been a sneaker that hit like Anthony Evoy's

417
00:23:35,040 --> 00:23:39,240
Speaker 1: sneaker from a player in a couple of years. What's

418
00:23:39,280 --> 00:23:44,720
Speaker 1: the last player sneaker that everybody's saying is an l sneaker?

419
00:23:45,680 --> 00:23:47,200
Speaker 1: Lebron had half of something.

420
00:23:47,640 --> 00:23:50,119
Speaker 2: Joe was about to take off before he caught the

421
00:23:52,960 --> 00:23:54,439
Speaker 2: before he had his little incident.

422
00:23:54,600 --> 00:23:56,159
Speaker 1: Yeah. Yeah, the jobs.

423
00:23:56,200 --> 00:23:59,000
Speaker 2: All of the kids was going crazy over the jobs. Yeah,

424
00:23:59,040 --> 00:24:02,520
Speaker 2: but that Anthony ever KD has some right now. The

425
00:24:02,640 --> 00:24:06,840
Speaker 2: ladies got it. Asia Asia ones is fine. I mean Ones,

426
00:24:07,440 --> 00:24:10,040
Speaker 2: Brina Joints his rocket. They playing to bringings. But I

427
00:24:10,080 --> 00:24:12,200
Speaker 2: think Asia Asia Joints is hot.

428
00:24:12,880 --> 00:24:14,920
Speaker 1: Now Asian ship is hot. Shout out to Asia. She

429
00:24:15,040 --> 00:24:17,200
Speaker 1: the real deal. I'm a Juju Watkins.

430
00:24:17,320 --> 00:24:22,440
Speaker 2: Juju Juju game is crazy game.

431
00:24:22,320 --> 00:24:25,639
Speaker 1: Is it nobody? I'm not gonna say nothing, no we go.

432
00:24:25,920 --> 00:24:29,840
Speaker 1: I'm not gonna say yo. Listen, hey, listen. I'm a

433
00:24:30,000 --> 00:24:34,200
Speaker 1: huge fan that you like the whole game. She reminds

434
00:24:34,200 --> 00:24:38,440
Speaker 1: me of Carmelo at times. She just too nice. I

435
00:24:38,560 --> 00:24:40,480
Speaker 1: can't wait for her to get in the w NBA.

436
00:24:40,520 --> 00:24:47,159
Speaker 1: Why you laughing? I agree with right. Juju Watkins is

437
00:24:47,280 --> 00:24:50,520
Speaker 1: coming and she gonna take over the w n B.

438
00:24:50,640 --> 00:24:52,680
Speaker 1: A that's it. That what you want to say.

439
00:24:52,720 --> 00:24:55,480
Speaker 2: We're not talking about the Subway series. You know what

440
00:24:55,640 --> 00:24:58,359
Speaker 2: it is as far as baseball, But whenever the whenever

441
00:24:58,440 --> 00:25:01,120
Speaker 2: the Bronx Bombers played the med it's just a good

442
00:25:01,200 --> 00:25:03,280
Speaker 2: look for the city. It's a lot of traffic, you

443
00:25:03,359 --> 00:25:06,000
Speaker 2: know what I mean, A lot of clutteration.

444
00:25:06,880 --> 00:25:12,199
Speaker 1: And you know Jan got struck out. He got up

445
00:25:12,280 --> 00:25:14,080
Speaker 1: out of that. You know what I'm saying that I

446
00:25:14,200 --> 00:25:19,399
Speaker 1: was bet. I was betting on a game. Can you

447
00:25:19,640 --> 00:25:22,480
Speaker 1: enjoy your game when you're betting as a normal fan

448
00:25:23,480 --> 00:25:26,680
Speaker 1: or like I don't bet, And so that's how I'm

449
00:25:26,720 --> 00:25:29,680
Speaker 1: able to enjoy the game. Like I'm watching the game

450
00:25:29,720 --> 00:25:32,480
Speaker 1: with my man, He's like, do you over under do ya?

451
00:25:33,760 --> 00:25:35,879
Speaker 1: What more rebound? I'm like, yo, bro, what are you

452
00:25:36,040 --> 00:25:37,960
Speaker 1: talking about? You're trying to win the jet.

453
00:25:38,200 --> 00:25:40,480
Speaker 2: I get enjoy the game more when i'm when I

454
00:25:40,560 --> 00:25:44,120
Speaker 2: got money on it, opposed to just looking at it correct.

455
00:25:44,760 --> 00:25:47,160
Speaker 1: I thought it's harder. I thought, like, when you bet,

456
00:25:47,840 --> 00:25:51,320
Speaker 1: hard for you to enjoy the game. Yo, shout out

457
00:25:51,480 --> 00:25:56,800
Speaker 1: all well, not shout out, but your man an Tonyo Brown.

458
00:25:56,880 --> 00:25:59,640
Speaker 1: He stood his ground, you know, he let that thing

459
00:25:59,800 --> 00:26:05,399
Speaker 1: ring off. Let you get yo a family show. Yo.

460
00:26:05,600 --> 00:26:07,639
Speaker 2: You don't promote violence, No, we don't.

461
00:26:07,720 --> 00:26:10,640
Speaker 1: But what I'm saying is the reason why it's crazy.

462
00:26:11,200 --> 00:26:15,680
Speaker 1: I love the beautiful state of Florida because if you

463
00:26:15,840 --> 00:26:20,600
Speaker 1: got that hammer on you and somebody there's five guys

464
00:26:20,720 --> 00:26:23,360
Speaker 1: jumping you for your jury. You can let that thing

465
00:26:23,520 --> 00:26:26,119
Speaker 1: go and go home that night. You don't go to jail.

466
00:26:26,240 --> 00:26:29,439
Speaker 1: They comings, oh, sorry, we see you got jumped. They

467
00:26:29,480 --> 00:26:32,680
Speaker 1: were snatching your chain or you let off some shots.

468
00:26:32,400 --> 00:26:35,560
Speaker 2: You know, and to rules. You know, when you got

469
00:26:35,680 --> 00:26:41,080
Speaker 2: a legal firearms rules that you gotta abide by having

470
00:26:41,160 --> 00:26:44,080
Speaker 2: a fight then leaving and coming back with it ain't

471
00:26:44,200 --> 00:26:49,159
Speaker 2: when the rules. See, you're promoting violence over.

472
00:26:49,320 --> 00:26:51,640
Speaker 1: No, no, no, I'm not promoting violence. I'm just saying

473
00:26:51,720 --> 00:26:55,320
Speaker 1: I don't know the introspectives of it. When I am like,

474
00:26:56,760 --> 00:26:59,000
Speaker 1: you got to defend him. That's the way it is.

475
00:26:59,119 --> 00:27:01,240
Speaker 1: And I hope he's he's like because he seem a

476
00:27:01,280 --> 00:27:04,000
Speaker 1: little bugged out. And Tonio Brown look bunked out though,

477
00:27:04,160 --> 00:27:08,120
Speaker 1: like real talk. I'm just telling you he's like, he's

478
00:27:08,200 --> 00:27:11,280
Speaker 1: like is he normal? Is he? Or is he bugged out?

479
00:27:11,560 --> 00:27:16,719
Speaker 1: Like he looked like. Let me tell you something. Andrew

480
00:27:16,840 --> 00:27:20,359
Speaker 1: Martinez said, when you talk about people on this better

481
00:27:21,080 --> 00:27:24,159
Speaker 1: talk like they in the building. I do believe I

482
00:27:24,200 --> 00:27:27,000
Speaker 1: would tell Antonio Brown if he was sitting in his couch,

483
00:27:28,000 --> 00:27:33,200
Speaker 1: you bugged out, you know. So that's what people. I

484
00:27:33,240 --> 00:27:36,480
Speaker 1: gotta talk like they right here and I would tell

485
00:27:36,560 --> 00:27:39,720
Speaker 1: Antonio Brown, yo, my man, like you look a little

486
00:27:39,760 --> 00:27:43,320
Speaker 1: bugged out, but defending himself, I'm gonna say, that's what

487
00:27:43,480 --> 00:27:48,159
Speaker 1: it is. We've seen too many people get taken advantage

488
00:27:48,200 --> 00:27:50,359
Speaker 1: of and all that. We just told everybody give up

489
00:27:50,440 --> 00:27:53,919
Speaker 1: your chain last week. I'm defend yourself if you got

490
00:27:53,960 --> 00:28:00,960
Speaker 1: a legal firearm and security right, you said, you said it,

491
00:28:01,080 --> 00:28:07,399
Speaker 1: not me. Chris Brown goes to Manchester. You know you

492
00:28:07,520 --> 00:28:11,560
Speaker 1: got this big tour coming up. So Chris Brown has

493
00:28:12,960 --> 00:28:16,080
Speaker 1: like a hundred something million dollars. What is a billion

494
00:28:16,119 --> 00:28:21,560
Speaker 1: dollar tour? What is it? Hundreds of million? Every show

495
00:28:21,720 --> 00:28:25,040
Speaker 1: is in a stadium, it ain't even the arena. We

496
00:28:25,359 --> 00:28:30,520
Speaker 1: condemn domestic violence of any kind. I don't even care

497
00:28:31,000 --> 00:28:33,600
Speaker 1: if you you won't see Fat Joe Want tape getting

498
00:28:33,680 --> 00:28:36,840
Speaker 1: jumped by a bunch of lesbians. Like if the lesbians

499
00:28:36,880 --> 00:28:39,880
Speaker 1: one of them tell me out, I'm not fighting. I'm

500
00:28:39,960 --> 00:28:43,840
Speaker 1: just I had lord bunch.

501
00:28:45,720 --> 00:28:49,080
Speaker 2: God, I don't know to forgive him, for me forgive

502
00:28:49,080 --> 00:28:50,160
Speaker 2: I'm my hitting.

503
00:28:51,760 --> 00:28:56,240
Speaker 1: With this, Yo. Listen, what this look domestic violence? I

504
00:28:56,400 --> 00:29:02,800
Speaker 1: do not condone, by any any circumstance. Video of some

505
00:29:03,000 --> 00:29:06,120
Speaker 1: women beating me up. And I'm not swinging back. It

506
00:29:06,240 --> 00:29:08,480
Speaker 1: is what it is. I'm not hitting them back. I'm

507
00:29:08,560 --> 00:29:12,560
Speaker 1: just not gonna hit him back, Okay, Right, So what

508
00:29:12,720 --> 00:29:17,720
Speaker 1: I'm saying is Chris Brown, I don't know whose feathers

509
00:29:18,280 --> 00:29:20,440
Speaker 1: he like. This is a complete set up to me.

510
00:29:20,840 --> 00:29:23,000
Speaker 1: He's going to Europe to get ready for his tour

511
00:29:23,120 --> 00:29:25,040
Speaker 1: and they arrest him and leave him in jail with

512
00:29:25,160 --> 00:29:28,280
Speaker 1: no bell like he killed somebody. This is and then

513
00:29:28,520 --> 00:29:30,160
Speaker 1: also what he threw.

514
00:29:30,320 --> 00:29:32,360
Speaker 2: But come on, man, he said he hit a music

515
00:29:32,480 --> 00:29:33,680
Speaker 2: producer with a bottle.

516
00:29:34,120 --> 00:29:37,160
Speaker 1: Where's the video? They got a thousand videos of him

517
00:29:37,240 --> 00:29:43,320
Speaker 1: last different loss DC TV. But what I'm saying is

518
00:29:43,760 --> 00:29:46,800
Speaker 1: why I can't see the video of Chris Brown throwing

519
00:29:46,880 --> 00:29:48,640
Speaker 1: the bottle or hitting the guy with the bottle. We

520
00:29:48,680 --> 00:29:51,560
Speaker 1: would have saw it already, right, we saw the whole

521
00:29:51,600 --> 00:29:54,320
Speaker 1: Antonio Brown. You knew he ran back, got the y'aller

522
00:29:54,360 --> 00:29:55,760
Speaker 1: and came back with the y'alla.

523
00:29:56,240 --> 00:30:02,240
Speaker 2: Chris Man, it didn't happen in Manchester they got damn Yeah,

524
00:30:02,480 --> 00:30:03,920
Speaker 2: we don't got access.

525
00:30:03,560 --> 00:30:07,680
Speaker 1: That he can listen. I'm throwing the I'm throwing the

526
00:30:07,760 --> 00:30:09,440
Speaker 1: flag down, I'm throwing the foul.

527
00:30:09,760 --> 00:30:12,760
Speaker 2: Free Chris Brown. Let him get on with the tour.

528
00:30:13,280 --> 00:30:15,880
Speaker 2: I think that you're about to go in a few weeks.

529
00:30:17,280 --> 00:30:19,560
Speaker 1: I love them, u K. But I don't they hit

530
00:30:19,680 --> 00:30:21,760
Speaker 1: in hand. This is what I'm trying to tell you.

531
00:30:22,160 --> 00:30:25,120
Speaker 1: Somebody keep fucking with Chris Brown because the man trying

532
00:30:25,160 --> 00:30:27,320
Speaker 1: to do his thing, get it to his bag, and

533
00:30:27,480 --> 00:30:30,160
Speaker 1: every time he's trying to elevate and go to another level,

534
00:30:30,480 --> 00:30:33,760
Speaker 1: somebody try to pull him back down. I mean, that's

535
00:30:33,840 --> 00:30:38,360
Speaker 1: what I'm seeing. Conspiracy Joe, not even Crazy Joe Switch.

536
00:30:42,440 --> 00:30:46,920
Speaker 2: It's like, gentleman, we got several more. We got crazy

537
00:30:47,080 --> 00:30:50,720
Speaker 2: Joe that we got conspiracy joke. What you want to

538
00:30:51,040 --> 00:30:55,120
Speaker 2: want to free Chris Brown? Get shot out?

539
00:30:55,720 --> 00:30:56,320
Speaker 1: Shout out to.

540
00:30:57,040 --> 00:31:01,400
Speaker 2: Speaking of music, Kendrick and Sisson make history. Kendricks Luther

541
00:31:01,640 --> 00:31:04,960
Speaker 2: feature and Scissor remains number one on Billboard's Top one

542
00:31:05,080 --> 00:31:09,160
Speaker 2: hundred for twelve straight weeks, setting the record for most

543
00:31:09,320 --> 00:31:13,360
Speaker 2: weeks and number one for a song co build Solo

544
00:31:14,000 --> 00:31:17,320
Speaker 2: Men and Women, And we spoke about John and Shanti

545
00:31:17,440 --> 00:31:22,040
Speaker 2: being named best Rappers slash Singer duo or Kendrick and

546
00:31:22,160 --> 00:31:25,680
Speaker 2: Scissor position to take that number one spot on the

547
00:31:25,760 --> 00:31:26,360
Speaker 2: duo tip.

548
00:31:26,840 --> 00:31:28,880
Speaker 1: But what you gotta understand is we don't know if

549
00:31:28,880 --> 00:31:31,240
Speaker 1: they're gonna still be best friends and all that forever.

550
00:31:31,320 --> 00:31:32,800
Speaker 1: You know what I'm saying, because right now they got

551
00:31:32,840 --> 00:31:36,000
Speaker 1: about six seven songs. They all number one. Yes, they

552
00:31:36,000 --> 00:31:39,040
Speaker 1: could take the slot one. They can take the slot.

553
00:31:41,040 --> 00:31:44,080
Speaker 2: They are. They make, they make missiles. When they they

554
00:31:44,240 --> 00:31:47,200
Speaker 2: drop something together, it can be a movie soundtrack for

555
00:31:47,360 --> 00:31:49,320
Speaker 2: Black Panthers. Whatever they should.

556
00:31:49,360 --> 00:31:53,080
Speaker 1: They dropped thirty thirty, Luther, this is all match it

557
00:31:53,240 --> 00:31:58,280
Speaker 1: they dropped. They all fire together. I'm just saying, if

558
00:31:58,320 --> 00:32:03,120
Speaker 1: it ever gets rocky, you know, then they're gonna take

559
00:32:03,160 --> 00:32:05,960
Speaker 1: the slot. They're gonna they they on their way. You know.

560
00:32:06,080 --> 00:32:09,840
Speaker 1: You gotta understand the thing I always hated about Lebron,

561
00:32:10,120 --> 00:32:14,920
Speaker 1: and Lebron's one of my favorite players with Lebron, not hate,

562
00:32:15,880 --> 00:32:19,840
Speaker 1: but let's say Drake. Drake is one of my favorite guys. Drake.

563
00:32:20,200 --> 00:32:23,160
Speaker 1: I'm not saying hate Eva. But what I'm telling you

564
00:32:23,520 --> 00:32:27,719
Speaker 1: is that now when you when these you gotta understand rappers.

565
00:32:27,880 --> 00:32:30,280
Speaker 1: Back in the day, they put out an album every

566
00:32:30,320 --> 00:32:34,240
Speaker 1: four years. Don't ask me why. That's what it was, right,

567
00:32:34,320 --> 00:32:38,040
Speaker 1: So all these stats that we checking rock him for

568
00:32:38,760 --> 00:32:41,160
Speaker 1: and all these other rappers who we considered the greatest

569
00:32:41,200 --> 00:32:43,960
Speaker 1: of all time, they was doing the album every four years.

570
00:32:44,280 --> 00:32:47,120
Speaker 1: Now you got a drake who drops four albums in

571
00:32:47,200 --> 00:32:49,480
Speaker 1: one year. Of course he's gonna run up the numbers.

572
00:32:49,840 --> 00:32:52,920
Speaker 1: Lebron knew what the MJ numbers was. He knew it

573
00:32:53,080 --> 00:32:57,920
Speaker 1: was five thousand points thirty two rebounds, thirty two hundred

574
00:32:57,960 --> 00:33:01,480
Speaker 1: rebounds this and he coming looking at that score to

575
00:33:01,600 --> 00:33:05,480
Speaker 1: take them take down every thing, like right now, we

576
00:33:05,680 --> 00:33:08,240
Speaker 1: just we just said, right well, I just said right now.

577
00:33:08,920 --> 00:33:12,200
Speaker 1: They called job and a chance, at which I agree

578
00:33:12,240 --> 00:33:14,760
Speaker 1: the greatest due off of all times. I'm telling you

579
00:33:15,320 --> 00:33:19,360
Speaker 1: that Scissor is a solo artist, Kendrick, because why they

580
00:33:19,440 --> 00:33:21,640
Speaker 1: know they probably like, all right, they have five fifteen

581
00:33:21,720 --> 00:33:25,240
Speaker 1: number ones, we already got eight. Let's bust this down

582
00:33:25,280 --> 00:33:27,160
Speaker 1: in two years and we have eighteen.

583
00:33:27,320 --> 00:33:29,480
Speaker 2: I don't even think they looking at the numbers. I

584
00:33:29,560 --> 00:33:31,200
Speaker 2: think they're just making good music.

585
00:33:32,320 --> 00:33:35,520
Speaker 1: I think they are though. I think I think they

586
00:33:37,880 --> 00:33:40,720
Speaker 1: they know what it is and they just moving fast

587
00:33:41,600 --> 00:33:42,480
Speaker 1: so they can walk.

588
00:33:42,560 --> 00:33:45,600
Speaker 2: They even created category of this ship.

589
00:33:46,160 --> 00:33:49,440
Speaker 1: Yeah you know what I mean. You know I've got

590
00:33:49,520 --> 00:33:53,440
Speaker 1: some ship to say, right we going there? You know.

591
00:33:53,600 --> 00:33:59,480
Speaker 1: D Ray Davis, he posted a video of him and

592
00:33:59,640 --> 00:34:02,960
Speaker 1: coach It said it's the first time in twelve years

593
00:34:03,000 --> 00:34:05,479
Speaker 1: he's been in coach. He feels like he got fleued

594
00:34:05,560 --> 00:34:09,360
Speaker 1: out or something like, what do you feel about flying coach?

595
00:34:10,360 --> 00:34:11,399
Speaker 1: Spirit of jet?

596
00:34:12,520 --> 00:34:14,840
Speaker 2: I ain't really happened on the spirit up on the

597
00:34:14,960 --> 00:34:17,120
Speaker 2: jet Blue. Hop on the coach for a short flight.

598
00:34:17,680 --> 00:34:19,839
Speaker 2: You do a quick one yeah you know what I mean,

599
00:34:19,960 --> 00:34:23,360
Speaker 2: a short hour or two. Let me tell you I

600
00:34:23,360 --> 00:34:25,920
Speaker 2: ain't you know I said it got I'd rather go

601
00:34:26,160 --> 00:34:29,600
Speaker 2: jet Blue than like a coach eleven like thirty one,

602
00:34:29,719 --> 00:34:32,200
Speaker 2: E get a dream. I stay right in the front.

603
00:34:32,400 --> 00:34:35,319
Speaker 2: See TV. I watch a few and orders on there.

604
00:34:36,120 --> 00:34:38,600
Speaker 2: But I can't go to CALLI or nowhere. I'm not

605
00:34:38,800 --> 00:34:40,800
Speaker 2: doing no real hours on coach.

606
00:34:41,280 --> 00:34:44,560
Speaker 1: I can't do it right. I'm not no, no, no.

607
00:34:45,000 --> 00:34:46,120
Speaker 1: I definitely.

608
00:34:48,200 --> 00:34:48,480
Speaker 2: Pray.

609
00:34:49,520 --> 00:34:53,120
Speaker 1: I literally, this is part of my prayer. God, Please

610
00:34:53,200 --> 00:34:57,239
Speaker 1: don't put me in coach. It's a whole different atmosphere

611
00:34:57,320 --> 00:34:59,479
Speaker 1: back there. I'm not telling you that for the first

612
00:34:59,520 --> 00:35:03,800
Speaker 1: class the road. I pray. It's part of my prayers

613
00:35:04,400 --> 00:35:08,239
Speaker 1: every day. God, please keep me in first class. I

614
00:35:08,320 --> 00:35:10,720
Speaker 1: went coach one time some guy was getting married.

615
00:35:11,920 --> 00:35:12,799
Speaker 2: I'm telling you the truth.

616
00:35:12,840 --> 00:35:14,480
Speaker 1: What you want me to do, I gotta expect to

617
00:35:14,560 --> 00:35:17,560
Speaker 1: find the things in life we got. It's hard being

618
00:35:17,640 --> 00:35:19,840
Speaker 1: number one, but somebody got to do it. So what

619
00:35:19,920 --> 00:35:21,360
Speaker 1: I'm trying to tell you is the one time I

620
00:35:21,480 --> 00:35:25,200
Speaker 1: had to fly Coach, I sat next to the hill

621
00:35:25,280 --> 00:35:28,920
Speaker 1: Billy Jims, that Beverly hillbilly. When I tell you, these

622
00:35:29,000 --> 00:35:32,279
Speaker 1: kids was climbing over my shoulder. Some kid threw another

623
00:35:32,360 --> 00:35:34,600
Speaker 1: kid a back of potato chips, smacked me. In my faith,

624
00:35:34,640 --> 00:35:37,719
Speaker 1: they will dip. It's a different type of atmosphere back there.

625
00:35:41,160 --> 00:35:45,160
Speaker 1: These just white people. This is the Beverly Hills Billy Hey, John,

626
00:35:46,160 --> 00:35:49,960
Speaker 1: shit hit my head. Kids climbing over my ship. Yo.

627
00:35:50,200 --> 00:35:52,840
Speaker 1: I was praying so much in that seat, and that

628
00:35:53,000 --> 00:35:56,360
Speaker 1: was the Vegas Oh Yo, I was praying. It was

629
00:35:56,440 --> 00:35:59,160
Speaker 1: the only flight I was praying. I said, God, please,

630
00:35:59,320 --> 00:36:03,800
Speaker 1: Lord Jesus, I do never want to be on this again.

631
00:36:04,200 --> 00:36:06,640
Speaker 1: And let me tell you something. I also believe that

632
00:36:06,880 --> 00:36:10,560
Speaker 1: like the cheaper airlines like Spirit Southwest and all of them,

633
00:36:11,040 --> 00:36:13,520
Speaker 1: they pay for fucked up routes out there like they

634
00:36:13,600 --> 00:36:16,800
Speaker 1: pay for the bottom rot. Yeah, because they shit always

635
00:36:16,920 --> 00:36:19,880
Speaker 1: like this. You ever got on the Spirit or they

636
00:36:20,000 --> 00:36:22,879
Speaker 1: shit like this? I think they paid all right. What's

637
00:36:22,960 --> 00:36:27,000
Speaker 1: the wackets level? Thirty four thousand feet it's cheaper. Yes,

638
00:36:27,360 --> 00:36:30,120
Speaker 1: they buy that route, and your shit be like this

639
00:36:30,320 --> 00:36:32,680
Speaker 1: all the time. You get there safe, but you shit

640
00:36:32,800 --> 00:36:37,800
Speaker 1: be like this. You how come out? You pay Listen,

641
00:36:37,920 --> 00:36:40,439
Speaker 1: you pay for a private they'll tell yo, were going

642
00:36:40,520 --> 00:36:43,440
Speaker 1: over all. I watched Calid maneuver like yo. I don't

643
00:36:43,440 --> 00:36:46,080
Speaker 1: want no bumps. I want you to be like, yes, sir,

644
00:36:46,120 --> 00:36:49,080
Speaker 1: don't worry. We're gonna go to the west to right.

645
00:36:49,200 --> 00:36:52,680
Speaker 1: There's no weather in forty seven thousand. Like you pay

646
00:36:52,800 --> 00:36:57,040
Speaker 1: for that air There's a reason why Spirit Airlines and

647
00:36:59,000 --> 00:37:02,440
Speaker 1: all them ballshitlines got that ship going like this.

648
00:37:03,360 --> 00:37:06,080
Speaker 2: We can forget about getting sponsorship for Spirit.

649
00:37:06,280 --> 00:37:08,920
Speaker 1: No, no, no where we could take the bullshit out right,

650
00:37:09,080 --> 00:37:11,279
Speaker 1: but just lower level.

651
00:37:11,440 --> 00:37:13,840
Speaker 2: Headline, all right.

652
00:37:14,320 --> 00:37:18,000
Speaker 1: I like that. I like that, Oh ship, I'm gonna

653
00:37:18,040 --> 00:37:20,520
Speaker 1: tell you, and I gotta I think I almost got

654
00:37:20,640 --> 00:37:23,440
Speaker 1: to read this off my phone because this is you know,

655
00:37:24,160 --> 00:37:27,600
Speaker 1: I always think about the late great DJ Clark Can

656
00:37:28,120 --> 00:37:34,200
Speaker 1: super produced. That's the piece of King Jo, God's favorite.

657
00:37:34,400 --> 00:37:37,320
Speaker 1: He You know, this guy was the best in the world.

658
00:37:38,239 --> 00:37:41,080
Speaker 1: He passed away, but I always think about what he

659
00:37:41,280 --> 00:37:44,640
Speaker 1: said because you know, he did it all like he

660
00:37:44,840 --> 00:37:47,160
Speaker 1: was cool with Biggie jay Z, like he put them.

661
00:37:47,120 --> 00:37:50,279
Speaker 2: On and starting with cool Hurt. He's seen his own

662
00:37:50,480 --> 00:37:51,239
Speaker 2: ship from him.

663
00:37:51,320 --> 00:37:52,919
Speaker 1: He wasn't that old man. He wasn't.

664
00:37:52,960 --> 00:37:56,040
Speaker 2: He's one of the Cool Herk's original DJ Superman Corking

665
00:37:56,280 --> 00:37:59,840
Speaker 2: was down with cool Herk. That's how fall Eagle.

666
00:38:00,200 --> 00:38:03,120
Speaker 1: I met DJ Callen and DJ Nasty at a cool

667
00:38:03,560 --> 00:38:06,799
Speaker 1: at a clock him battle. He had a battle when

668
00:38:06,840 --> 00:38:09,319
Speaker 1: we came up. That's how I meant call it online

669
00:38:10,040 --> 00:38:14,520
Speaker 1: around flow Joe time. And so he said that Biggie

670
00:38:15,320 --> 00:38:17,799
Speaker 1: and jay Z both his mans and Biggie would be like, yo,

671
00:38:17,880 --> 00:38:19,680
Speaker 1: why you say jay Z? But he used to tell

672
00:38:19,760 --> 00:38:25,400
Speaker 1: Biggie that jay Z is better than right, and Biggie

673
00:38:25,400 --> 00:38:27,000
Speaker 1: would be like, how you think he nicer than me?

674
00:38:27,040 --> 00:38:30,080
Speaker 1: He'd be like, yo, because you're a rapper. He's an

675
00:38:30,239 --> 00:38:32,320
Speaker 1: m C. He's like a poet. He could you know

676
00:38:32,440 --> 00:38:35,680
Speaker 1: this early jay Z before all the hits. He's a poet,

677
00:38:35,719 --> 00:38:40,040
Speaker 1: whatever the case may be. And so to me, the

678
00:38:40,120 --> 00:38:44,319
Speaker 1: difference of an m C and the rapper is an

679
00:38:44,520 --> 00:38:49,880
Speaker 1: m C is and you have huge hits two but

680
00:38:50,000 --> 00:38:52,479
Speaker 1: you more. You got your hand on the third roild

681
00:38:52,600 --> 00:38:56,920
Speaker 1: Tyli Kwali Jada kiss Common. These these are m kr

682
00:38:57,000 --> 00:39:01,600
Speaker 1: res mcs rappers. What he's referring to is the guys

683
00:39:01,680 --> 00:39:05,000
Speaker 1: on Billboard that crossed over and we think they commercial.

684
00:39:05,719 --> 00:39:07,840
Speaker 1: What do you think about that argument right there that

685
00:39:07,960 --> 00:39:11,759
Speaker 1: he was having between Big and jay Z, where Big

686
00:39:11,960 --> 00:39:14,120
Speaker 1: was like, Yo, I'm nicer than the son, but he

687
00:39:14,280 --> 00:39:16,319
Speaker 1: was like, nah, ja nicer than you. He's an MC.

688
00:39:16,480 --> 00:39:18,680
Speaker 1: Of course this is before success. What do you think

689
00:39:18,760 --> 00:39:22,040
Speaker 1: the difference between MC and a rapper is?

690
00:39:24,200 --> 00:39:27,840
Speaker 2: I think MC is just what it means. You know

691
00:39:27,880 --> 00:39:32,760
Speaker 2: what I mean. You're controlling the maestro. You can do anything.

692
00:39:33,120 --> 00:39:36,680
Speaker 2: You have diversity, you have you know, you you can

693
00:39:36,800 --> 00:39:40,080
Speaker 2: do different. Uh, you can do a big commercial, you

694
00:39:40,160 --> 00:39:42,360
Speaker 2: can do an R and B feature, you can do

695
00:39:42,480 --> 00:39:46,719
Speaker 2: it all A rappers just playing with words, Uh, you know,

696
00:39:46,960 --> 00:39:51,280
Speaker 2: the ability to put words together. MC can control the crowd,

697
00:39:52,360 --> 00:39:54,880
Speaker 2: he can, he can he can have the crowd in

698
00:39:55,000 --> 00:39:58,080
Speaker 2: his hands. He can engage with the crowd. Yeah, but Nelly,

699
00:39:59,160 --> 00:40:02,160
Speaker 2: the crowd would Hey, it's all about the funny as

700
00:40:02,360 --> 00:40:05,880
Speaker 2: now you're going into being an entertainer, you know what

701
00:40:05,920 --> 00:40:09,200
Speaker 2: I mean? Is it entertainer? Is it rapper? Is it MC?

702
00:40:10,440 --> 00:40:11,480
Speaker 1: Or is it? So? Right? Now?

703
00:40:11,600 --> 00:40:13,920
Speaker 2: You got you know, you got people that wrote the

704
00:40:14,000 --> 00:40:17,200
Speaker 2: song that you might even see Hire Mama. Yeah, pac

705
00:40:17,400 --> 00:40:21,960
Speaker 2: was everything that's rap, all the dues of everything. He

706
00:40:23,000 --> 00:40:25,960
Speaker 2: was everything new drama. So you can make music.

707
00:40:26,080 --> 00:40:28,439
Speaker 1: Because I'm trying to find out who's the perfect one.

708
00:40:28,840 --> 00:40:33,520
Speaker 1: Like so you say pops like a Castle, It's like

709
00:40:34,000 --> 00:40:36,440
Speaker 1: it's the best song right in the game. You got

710
00:40:36,520 --> 00:40:40,280
Speaker 1: guys like whole who I Love the Dog was talking about.

711
00:40:40,400 --> 00:40:43,080
Speaker 1: You know, we capt the hottest v's then there we

712
00:40:43,160 --> 00:40:46,440
Speaker 1: played monopoly with real cash and that big come on

713
00:40:46,520 --> 00:40:49,600
Speaker 1: a ship? Like was you ever there for any of them?

714
00:40:49,760 --> 00:40:52,200
Speaker 1: Like Big Song? I was there for Hypnotized. I was

715
00:40:52,239 --> 00:40:54,920
Speaker 1: there when he wrote Hypnotize? Was you there for I

716
00:40:55,040 --> 00:40:56,480
Speaker 1: Love It? Anything like that?

717
00:40:56,880 --> 00:40:59,320
Speaker 2: I was there for I Love It? Though. No, he

718
00:40:59,480 --> 00:41:02,359
Speaker 2: was actually in the We was in the MIDI room.

719
00:41:03,200 --> 00:41:04,879
Speaker 1: You know what I mean. They both were there.

720
00:41:05,640 --> 00:41:08,400
Speaker 2: Yeah, it was none of it was no fucking emails

721
00:41:08,440 --> 00:41:10,160
Speaker 2: and none of that. There you had to beat there.

722
00:41:11,320 --> 00:41:13,359
Speaker 1: So you see them both going at it right there.

723
00:41:14,560 --> 00:41:16,600
Speaker 2: It wasn't battling and none of that. They was trying

724
00:41:16,640 --> 00:41:20,080
Speaker 2: to make a hit song, which they did. Did you

725
00:41:20,120 --> 00:41:25,160
Speaker 2: see they we was made the paper mons, no the

726
00:41:25,239 --> 00:41:31,800
Speaker 2: top No listen like I didn't see listen You're not everything.

727
00:41:31,920 --> 00:41:33,960
Speaker 2: I tell is real. You don't got a hood for

728
00:41:34,080 --> 00:41:37,279
Speaker 2: a reason. Listen, we was in the MIDI room. We

729
00:41:37,400 --> 00:41:40,520
Speaker 2: was the young locks and Hop Hop kept coming in

730
00:41:40,800 --> 00:41:44,360
Speaker 2: our room like giving us an update of what's going on,

731
00:41:44,600 --> 00:41:46,200
Speaker 2: like you got to go for I'm about to go

732
00:41:46,360 --> 00:41:49,040
Speaker 2: first this thing, and he was like, no, you go

733
00:41:49,200 --> 00:41:51,560
Speaker 2: in there and kill that ship, you know what I mean.

734
00:41:51,920 --> 00:41:55,040
Speaker 2: And that's what he was probably going to the bathroom,

735
00:41:55,080 --> 00:41:58,440
Speaker 2: didn't he stopping the MIDI kicking with us, you know

736
00:41:58,480 --> 00:42:02,160
Speaker 2: what I mean. And we actually seen Angela Winbush. That's

737
00:42:02,239 --> 00:42:05,120
Speaker 2: not a sample. That's hers singing I Love the Dough.

738
00:42:05,840 --> 00:42:09,719
Speaker 2: We seen, we seen how laying. We've seen Damn Max

739
00:42:09,840 --> 00:42:13,200
Speaker 2: laying pray and pray for my damn fall. That ain't

740
00:42:13,280 --> 00:42:16,440
Speaker 2: a sample either. We've seen him record that lot. We

741
00:42:16,640 --> 00:42:20,719
Speaker 2: wanted a fortunate artist to be featured on Life after Death.

742
00:42:20,800 --> 00:42:23,840
Speaker 2: It's only a couple of features on there. So he

743
00:42:24,000 --> 00:42:26,120
Speaker 2: loved big forever, you know what I mean. We thankful

744
00:42:26,160 --> 00:42:29,520
Speaker 2: to being around for the process of Life after Death

745
00:42:29,640 --> 00:42:33,600
Speaker 2: and slightly before that. It was a beautiful thing. But hey,

746
00:42:33,640 --> 00:42:35,640
Speaker 2: we was in the studio today they made.

747
00:42:37,520 --> 00:42:39,080
Speaker 1: I was in the show for Love It Dough.

748
00:42:39,600 --> 00:42:42,040
Speaker 2: I think I was in the stew even I was

749
00:42:42,120 --> 00:42:44,160
Speaker 2: dead for a lot of them, or when we would

750
00:42:44,200 --> 00:42:46,719
Speaker 2: come for our session, he we would head what he

751
00:42:46,960 --> 00:42:49,600
Speaker 2: just did, go on, kiss good night a lot of them.

752
00:42:50,080 --> 00:42:52,600
Speaker 2: Of course we was there for Last Days because we

753
00:42:52,800 --> 00:42:53,640
Speaker 2: featured on Yeah.

754
00:42:53,680 --> 00:42:55,960
Speaker 1: But you know, when I think about when we talking

755
00:42:55,960 --> 00:43:01,040
Speaker 1: about the perfect MC, the perfect rapper, perfect before entertainer

756
00:43:01,760 --> 00:43:04,480
Speaker 1: came up a lot today, I think d m X

757
00:43:04,640 --> 00:43:10,440
Speaker 1: shows which one of them you was there? Every song? Record?

758
00:43:12,560 --> 00:43:14,279
Speaker 1: Shut him down, open up shot.

759
00:43:14,480 --> 00:43:16,600
Speaker 2: I don't think he wanted to do that when Swiss

760
00:43:16,680 --> 00:43:18,640
Speaker 2: first board it to him, he didn't. He didn't want

761
00:43:18,719 --> 00:43:21,480
Speaker 2: to do it. He didn't want to do that. I

762
00:43:21,520 --> 00:43:23,960
Speaker 2: don't think at first. I don't think he was like

763
00:43:24,120 --> 00:43:26,239
Speaker 2: happy to do it into it when it was done.

764
00:43:27,239 --> 00:43:31,040
Speaker 1: When I tell you, at this time, I was still

765
00:43:31,160 --> 00:43:34,520
Speaker 1: halfway in the Bronx. So I'm at the car wash,

766
00:43:35,080 --> 00:43:38,960
Speaker 1: and when I tell you, every single car I don't

767
00:43:39,000 --> 00:43:41,480
Speaker 1: care if it was a Spanish dude that would be

768
00:43:41,560 --> 00:43:45,680
Speaker 1: playing SUSA. They was playing that ship like that song

769
00:43:46,560 --> 00:43:49,400
Speaker 1: had me the disseist. You know how you go for them? Bro?

770
00:43:49,480 --> 00:43:51,160
Speaker 1: Where you going y'all? Because when you want to see

771
00:43:51,160 --> 00:44:01,600
Speaker 1: if your record was popping like Benjamin, you see who's

772
00:44:01,600 --> 00:44:06,840
Speaker 1: playing my eye? Man, I have never witnessed in the

773
00:44:07,120 --> 00:44:12,520
Speaker 1: history of the Bronx start shut him down. Yo, I

774
00:44:12,840 --> 00:44:17,640
Speaker 1: was busy, it was everywhere like that was the craziest

775
00:44:17,680 --> 00:44:20,680
Speaker 1: to me of standing outside trying to hear your song.

776
00:44:21,680 --> 00:44:23,040
Speaker 2: That was that ship right there.

777
00:44:23,719 --> 00:44:25,040
Speaker 1: He ain't even want to record that.

778
00:44:26,120 --> 00:44:29,200
Speaker 2: I think Swiss had a little problem making him get

779
00:44:29,280 --> 00:44:33,440
Speaker 2: into the lad to once you're finding with the final mixing,

780
00:44:33,600 --> 00:44:36,680
Speaker 2: mastered version came up and they.

781
00:44:36,719 --> 00:44:39,440
Speaker 1: Knowing was it. They knew what it was, you know

782
00:44:39,520 --> 00:44:52,520
Speaker 1: when I went at the video, I'm trying to keep

783
00:44:52,600 --> 00:44:55,760
Speaker 1: this conversation on controversial, you know what I'm saying, because.

784
00:44:55,560 --> 00:44:56,920
Speaker 2: I don't know why that's crazy?

785
00:44:57,000 --> 00:44:59,919
Speaker 1: Do you want to sit down? Let's go crazy, John listen,

786
00:45:00,000 --> 00:45:03,520
Speaker 1: and I want to sit down with a podcaster that

787
00:45:03,680 --> 00:45:08,719
Speaker 1: has three fouls dink he know? And because they sit down, Yo,

788
00:45:08,800 --> 00:45:11,799
Speaker 1: this guy's cap he's a I want to sit down

789
00:45:11,960 --> 00:45:14,840
Speaker 1: next to one of them in the night your apartment

790
00:45:14,920 --> 00:45:18,520
Speaker 1: when they when they shoot they I'm gonna walk in

791
00:45:18,640 --> 00:45:23,400
Speaker 1: the night you right, and sit next to him. Because

792
00:45:23,480 --> 00:45:26,640
Speaker 1: I don't think people truly understand I'm a project baby,

793
00:45:26,680 --> 00:45:30,080
Speaker 1: for I'm from the projects to saw you or saw

794
00:45:30,160 --> 00:45:33,319
Speaker 1: you you know when you can't do nothing to Fat

795
00:45:33,440 --> 00:45:37,440
Speaker 1: Joe if you go look him up street, you and

796
00:45:37,520 --> 00:45:40,399
Speaker 1: what you cannot say. I'ma be looking at and I'm

797
00:45:40,400 --> 00:45:43,400
Speaker 1: really looking at guys calling me a capper or this

798
00:45:43,719 --> 00:45:45,840
Speaker 1: or that. I want to sit next to one of

799
00:45:45,920 --> 00:45:49,000
Speaker 1: these guys to say, break down the cap because when

800
00:45:49,040 --> 00:45:51,720
Speaker 1: I say shit, you know I said out did records

801
00:45:51,760 --> 00:45:55,520
Speaker 1: were big everybody, He's the cap of a lifetime. They

802
00:45:55,600 --> 00:45:59,719
Speaker 1: put out the the second album, the double album. Fat

803
00:45:59,800 --> 00:46:02,000
Speaker 1: Joe was featured on that album. Now that they take

804
00:46:02,080 --> 00:46:04,359
Speaker 1: me off. They took me off, but they put out

805
00:46:04,400 --> 00:46:08,360
Speaker 1: the real list. And somehow, some way, every time I

806
00:46:08,440 --> 00:46:11,000
Speaker 1: say something, I say I saved Common's life, he come

807
00:46:11,120 --> 00:46:13,920
Speaker 1: up on here say I saved his life and it

808
00:46:14,160 --> 00:46:16,840
Speaker 1: comes out. I don't know why. I'm trying to verify

809
00:46:21,480 --> 00:46:26,640
Speaker 1: where's the cat? And there's some of you guys, some

810
00:46:26,840 --> 00:46:30,400
Speaker 1: of these guys you want to do really for the projects.

811
00:46:31,160 --> 00:46:34,319
Speaker 1: Some of these guys are so horrible on these podcasts

812
00:46:34,920 --> 00:46:37,880
Speaker 1: that they're not even garbage. You ever seen the dumpster

813
00:46:38,040 --> 00:46:39,400
Speaker 1: in the in the in the in the in the

814
00:46:39,520 --> 00:46:43,000
Speaker 1: projects where they got like that guilt that gook that

815
00:46:43,080 --> 00:46:46,520
Speaker 1: ship your ship, like the dampster juice the dumpster. Juice

816
00:46:46,560 --> 00:46:49,200
Speaker 1: your ship like the gook that come out the bottom

817
00:46:49,239 --> 00:46:52,680
Speaker 1: of the dumpster. It's gonna compare yourself to us. I shit,

818
00:46:52,840 --> 00:46:55,680
Speaker 1: you know we need eight hundred episodes. I'm talking prematurely,

819
00:46:56,040 --> 00:46:58,400
Speaker 1: but yo, I'm not used to number two. We gotta

820
00:46:58,440 --> 00:47:01,239
Speaker 1: go number one. We went number one on Apple off

821
00:47:01,360 --> 00:47:02,040
Speaker 1: one ePAT.

822
00:47:02,200 --> 00:47:05,000
Speaker 2: This ship is new Joe, we knew man. We gotta

823
00:47:05,000 --> 00:47:06,120
Speaker 2: be humble and thankful.

824
00:47:06,239 --> 00:47:10,600
Speaker 1: Now I'm humble, but I speak reality. And if you

825
00:47:10,719 --> 00:47:13,719
Speaker 1: guys don't think I'm watching y'all, I do watch y'all.

826
00:47:14,480 --> 00:47:18,160
Speaker 1: Do you watch? How about the scrunt two mcs? They

827
00:47:18,239 --> 00:47:20,279
Speaker 1: never got under your skin like this s grunk through

828
00:47:20,880 --> 00:47:24,319
Speaker 1: former crew members and stuff like that. When they go off,

829
00:47:24,360 --> 00:47:25,440
Speaker 1: you just ignore them, all of them.

830
00:47:25,520 --> 00:47:30,120
Speaker 2: We've got beef with Jada. Say my name, you shine

831
00:47:30,920 --> 00:47:32,719
Speaker 2: that city. They don't save my name.

832
00:47:32,920 --> 00:47:35,520
Speaker 1: They say my name because they think they think Joe

833
00:47:35,600 --> 00:47:38,120
Speaker 1: way out of it. Listen, they think Joe way up.

834
00:47:38,400 --> 00:47:41,960
Speaker 1: They wouldn't say my name ten years ago, fifteen years ago,

835
00:47:42,000 --> 00:47:44,279
Speaker 1: when we was running around giving the beats to their

836
00:47:44,320 --> 00:47:47,279
Speaker 1: favorite rappids. Now they say my name because they say,

837
00:47:47,320 --> 00:47:53,239
Speaker 1: oh this guy courtside one. These are all lawsuits. They

838
00:47:53,280 --> 00:47:55,920
Speaker 1: think they're gonna trick me out in the streets. You

839
00:47:56,080 --> 00:47:58,399
Speaker 1: understand what I'm saying. It wasn't saying my name when

840
00:47:58,440 --> 00:48:02,120
Speaker 1: we was giving dudes the beats every day. So I'm

841
00:48:02,200 --> 00:48:06,719
Speaker 1: just saying, I'm gonna choose one of you guys who

842
00:48:06,800 --> 00:48:10,120
Speaker 1: got a podcast in the preferably a night your setting.

843
00:48:11,239 --> 00:48:13,600
Speaker 1: I'm gonna come in by myself with about two million

844
00:48:13,640 --> 00:48:15,680
Speaker 1: in jury, just so I can show you how much

845
00:48:15,840 --> 00:48:18,680
Speaker 1: cap I'm working with. And we're gonna sit there and

846
00:48:18,760 --> 00:48:20,800
Speaker 1: I want to see you break down the cap because

847
00:48:21,640 --> 00:48:24,160
Speaker 1: you know that. That's how I feel. That's it. I'm

848
00:48:24,239 --> 00:48:26,719
Speaker 1: gonna do it one. Are you gonna be a lucky

849
00:48:26,760 --> 00:48:29,520
Speaker 1: contender and you're gonna have a couple of more followers

850
00:48:29,600 --> 00:48:31,120
Speaker 1: than your two aunts and your cousin.

851
00:48:33,960 --> 00:48:35,799
Speaker 2: I'm coming with a torpedo bat.

852
00:48:37,400 --> 00:48:42,120
Speaker 1: I know it's so it's hard being number one, but

853
00:48:42,200 --> 00:48:45,360
Speaker 1: everybody gotta do it. So all right, shot at you?

854
00:48:46,640 --> 00:48:49,280
Speaker 1: You know so we here. Let me tell you something swisted.

855
00:48:49,800 --> 00:48:51,000
Speaker 2: The train is coming in.

856
00:48:54,560 --> 00:48:57,080
Speaker 1: Like this, no success. Shot at you.

857
00:48:57,320 --> 00:49:00,360
Speaker 2: Gotta listen, We're gonna do We're gonna do what we

858
00:49:00,520 --> 00:49:02,520
Speaker 2: do because we do what we do. We don't gotta

859
00:49:02,960 --> 00:49:05,759
Speaker 2: you got it. Don't don't get disturbed and don't get

860
00:49:06,000 --> 00:49:08,359
Speaker 2: you know what I mean. Don't let that ship bother you. Yeah,

861
00:49:08,400 --> 00:49:10,880
Speaker 2: they try to bother me because you on the radar,

862
00:49:11,280 --> 00:49:13,560
Speaker 2: you know what I mean, shout out there on the radar.

863
00:49:13,680 --> 00:49:15,240
Speaker 2: But we on the radar.

864
00:49:15,480 --> 00:49:18,840
Speaker 1: Let me ask you a question, right, because I watched

865
00:49:18,880 --> 00:49:22,160
Speaker 1: the Grand finale. You're raising Kanaan. That's my favorite fifty

866
00:49:22,239 --> 00:49:26,560
Speaker 1: cent show, Raising Cannon the Power Universe, that's my favorite

867
00:49:26,560 --> 00:49:29,160
Speaker 1: because they playing you know, dude pulled up in the

868
00:49:29,280 --> 00:49:32,960
Speaker 1: red Porsche, Papa Greg Nice, Craig you and I see

869
00:49:33,120 --> 00:49:36,600
Speaker 1: e dumb moon based so and I'm like, oh shit,

870
00:49:36,800 --> 00:49:39,840
Speaker 1: like it's that shit to me, right, But I was

871
00:49:39,960 --> 00:49:44,080
Speaker 1: disappointed because are we used to somebody big gotta die

872
00:49:44,160 --> 00:49:51,000
Speaker 1: every Grand finale? Like I was upset somebody real didn't die, Like.

873
00:49:51,320 --> 00:49:52,960
Speaker 2: I don't think you know if they died or not.

874
00:49:53,320 --> 00:49:56,800
Speaker 2: They always leave you one thing fifth and the writer

875
00:49:56,960 --> 00:49:58,359
Speaker 2: is over there is good as see.

876
00:49:58,440 --> 00:50:02,719
Speaker 1: That's why they jed we don't know if nobody died

877
00:50:02,800 --> 00:50:02,960
Speaker 1: or not.

878
00:50:03,120 --> 00:50:08,960
Speaker 2: And they in suspense to next season so you can

879
00:50:09,040 --> 00:50:11,200
Speaker 2: be like, yo, I want that, and you're gonna come

880
00:50:11,239 --> 00:50:13,960
Speaker 2: watch the next series. And then when they come back.

881
00:50:13,920 --> 00:50:19,080
Speaker 1: And not want Marvin to die. Uncle Marvin, I do

882
00:50:19,400 --> 00:50:21,960
Speaker 1: not want him to die. He's my favorite guy on

883
00:50:22,160 --> 00:50:27,120
Speaker 1: TV London. Man love this guy, his character. But I

884
00:50:27,320 --> 00:50:31,320
Speaker 1: am gonna tell you, in the real streets, real life,

885
00:50:31,800 --> 00:50:36,320
Speaker 1: a guy like Marvin would die. Somebody who kill everybody, everything, everything.

886
00:50:36,400 --> 00:50:39,200
Speaker 1: They eventually get him out of here. That's why I

887
00:50:39,400 --> 00:50:42,520
Speaker 1: was scared in the Grand Finale because I'm like, damn,

888
00:50:42,560 --> 00:50:44,880
Speaker 1: they gonna take Marvin out because it's just.

889
00:50:48,360 --> 00:50:51,120
Speaker 2: It's killing his bad ship they do is no cops.

890
00:50:51,520 --> 00:50:56,279
Speaker 1: Anybody you ever knew that was like that that you

891
00:50:56,400 --> 00:50:58,840
Speaker 1: knew he was out there robin killing this this that

892
00:50:59,480 --> 00:51:01,120
Speaker 1: somehow they caught the bad luck.

893
00:51:01,200 --> 00:51:04,200
Speaker 2: We're going to segue off the guy in the red

894
00:51:04,320 --> 00:51:07,319
Speaker 2: Porsche playing Greg Nice. That's where we're gonna bounce off

895
00:51:07,680 --> 00:51:09,560
Speaker 2: Sonogapher take all all of this shit.

896
00:51:09,640 --> 00:51:12,480
Speaker 1: Crack. It's around to float joke that off the record. Listen,

897
00:51:13,160 --> 00:51:16,000
Speaker 1: it's a lot of float float jo was that time.

898
00:51:16,080 --> 00:51:18,040
Speaker 1: I'm waiting to see it flow Joe getting there.

899
00:51:17,960 --> 00:51:19,719
Speaker 2: And this is the second need to be on it

900
00:51:19,800 --> 00:51:22,840
Speaker 2: now check me out. Slick Rick is about to release

901
00:51:22,960 --> 00:51:26,200
Speaker 2: a new album called vic You know what I mean.

902
00:51:26,760 --> 00:51:31,960
Speaker 2: First album since nineteen ninety nine. Executive produced by Idris Elba.

903
00:51:32,600 --> 00:51:35,160
Speaker 2: That should be incredible. It's gonna be a thirty minute

904
00:51:35,239 --> 00:51:39,120
Speaker 2: film that accompanies the album. Uh nas is to appear

905
00:51:39,239 --> 00:51:42,400
Speaker 2: on the album. What excites you about a new Slick

906
00:51:42,520 --> 00:51:43,040
Speaker 2: Rick album?

907
00:51:43,160 --> 00:51:45,600
Speaker 1: Man? You know Slick Rick got me. You know I

908
00:51:45,760 --> 00:51:48,920
Speaker 1: left my house when I was fourteen years old. I

909
00:51:48,960 --> 00:51:51,200
Speaker 1: couldn't get along with my pops. Rest in peace. My

910
00:51:51,280 --> 00:51:54,239
Speaker 1: father was a good man, but we just ain't see

911
00:51:54,280 --> 00:51:58,400
Speaker 1: how the eye. And so though I was the leader

912
00:51:58,560 --> 00:52:01,839
Speaker 1: of my class of most likely not to succeed at

913
00:52:01,880 --> 00:52:05,880
Speaker 1: the fourteen age group in my in my neighborhood and

914
00:52:05,960 --> 00:52:10,319
Speaker 1: in the Bronx right, I still was scared because it's

915
00:52:10,360 --> 00:52:12,400
Speaker 1: the first time I had to sleep in the Crackhead

916
00:52:12,480 --> 00:52:17,279
Speaker 1: Hotel by Katona Avenue by Dodge High School. So that

917
00:52:17,480 --> 00:52:19,880
Speaker 1: was the only place I could sleep. Thirty five dollars

918
00:52:19,920 --> 00:52:22,840
Speaker 1: they let me sleep, but they was really shooting Heroin

919
00:52:22,920 --> 00:52:27,080
Speaker 1: out the window, busting dudes heads with forty bounces, brought

920
00:52:27,160 --> 00:52:29,560
Speaker 1: bottles all day, cops up and down. It was scary

921
00:52:29,680 --> 00:52:32,360
Speaker 1: for a fourteen year old kid. I would listen to

922
00:52:32,840 --> 00:52:37,239
Speaker 1: Slick Rick all night long and repeat, so I know

923
00:52:37,440 --> 00:52:40,600
Speaker 1: all his adubs. He got me through that time of

924
00:52:40,680 --> 00:52:42,320
Speaker 1: my life. I had to walk around and I was

925
00:52:42,440 --> 00:52:45,959
Speaker 1: just listening to slick Rick only everything from the show

926
00:52:46,200 --> 00:52:48,799
Speaker 1: to everything show. The fact that he could come out

927
00:52:48,960 --> 00:52:52,839
Speaker 1: now with an album and it's a visual album, I'm

928
00:52:52,960 --> 00:52:56,960
Speaker 1: all in. I'm all in support of you know, when

929
00:52:57,000 --> 00:52:59,480
Speaker 1: it comes to music, music is art and we do

930
00:52:59,600 --> 00:53:01,880
Speaker 1: it from the heart. We got something to say. I

931
00:53:02,080 --> 00:53:03,800
Speaker 1: just dropped the album a couple of months ago. The

932
00:53:03,840 --> 00:53:06,360
Speaker 1: world changed on me. I don't think you reach a

933
00:53:06,480 --> 00:53:11,759
Speaker 1: certain age where you gotta stopah, drop album when you want.

934
00:53:11,880 --> 00:53:14,440
Speaker 1: We want to know what slick Rick is thinking twenty

935
00:53:14,520 --> 00:53:18,640
Speaker 1: twenty five, Like, what is slick Rick thinking twenty twenty five?

936
00:53:18,680 --> 00:53:21,400
Speaker 1: What do you got to say? Right? And so the

937
00:53:21,520 --> 00:53:27,080
Speaker 1: thing about slick Rick is like, hey young, world, world,

938
00:53:27,560 --> 00:53:33,320
Speaker 1: y'alls hey young, well young, and may coss come plain this.

939
00:53:34,400 --> 00:53:37,680
Speaker 1: So while you're listening and learning at still Mom's welfare,

940
00:53:37,880 --> 00:53:41,839
Speaker 1: gunned by dope and hey, little kids don't follow these dope.

941
00:53:41,840 --> 00:53:44,280
Speaker 2: You definitely got to be one of the greatest storytellers

942
00:53:44,800 --> 00:53:47,759
Speaker 2: ever in HIV you say one of them.

943
00:53:48,200 --> 00:53:53,280
Speaker 1: Yeah, I think he's the best ever storyteller ever. Children's

944
00:53:53,280 --> 00:53:57,600
Speaker 1: story all that I think and I'm saying better than everybody.

945
00:53:58,520 --> 00:54:00,480
Speaker 1: And I know Big is the best story retailer. He

946
00:54:00,520 --> 00:54:01,520
Speaker 1: got a story to tell.

947
00:54:04,440 --> 00:54:06,480
Speaker 2: Ice cube crazy stories.

948
00:54:06,640 --> 00:54:09,279
Speaker 1: Kidding me Today was a good day. Probably the most

949
00:54:09,400 --> 00:54:13,480
Speaker 1: perfect rap song ever lit Well, I'm talking about consistently.

950
00:54:14,680 --> 00:54:19,080
Speaker 1: Rick was only doing story. Everything was a story with

951
00:54:19,160 --> 00:54:21,640
Speaker 1: Slick with And you know the thing about slick Rick,

952
00:54:22,200 --> 00:54:24,719
Speaker 1: It's no matter how tough he was or whatever, he

953
00:54:24,840 --> 00:54:28,560
Speaker 1: always ended in a positive note somehow right. He always

954
00:54:28,880 --> 00:54:31,840
Speaker 1: a teenage love like Yo, litten, don't hurt me again,

955
00:54:32,480 --> 00:54:37,439
Speaker 1: don't don't, don't hurt me. Listen, bro Let's slick Rick,

956
00:54:38,320 --> 00:54:40,680
Speaker 1: I was going downtown. What slick words.

957
00:54:44,640 --> 00:54:50,880
Speaker 2: Chuck d dropped a new album. The album addresses agism

958
00:54:50,960 --> 00:54:55,560
Speaker 2: and hip hop. Rock embraces his elders, the Rolling Stones

959
00:54:55,719 --> 00:54:59,279
Speaker 2: McCartney's still touring in their eighties and get the same

960
00:54:59,400 --> 00:55:02,279
Speaker 2: love they did in the nineteen sixties, but hip hop

961
00:55:02,360 --> 00:55:05,640
Speaker 2: elders do not get that same respect. Do you feel

962
00:55:05,719 --> 00:55:08,840
Speaker 2: that the newer generation of hip hop fans and artists

963
00:55:08,880 --> 00:55:11,839
Speaker 2: do not respect those that came before them as much

964
00:55:11,880 --> 00:55:15,040
Speaker 2: as the fans are really the genres such as.

965
00:55:15,120 --> 00:55:18,120
Speaker 1: Rock and roll. I don't know if it's just always

966
00:55:18,239 --> 00:55:22,600
Speaker 1: just we have a real disconnect between the youth paying

967
00:55:22,680 --> 00:55:27,279
Speaker 1: homage to the old g's and the truth is, I've

968
00:55:27,360 --> 00:55:30,560
Speaker 1: always understood me Cool and Dre you talking the studio

969
00:55:30,640 --> 00:55:33,560
Speaker 1: that they only respect the bag. So they gonna respect

970
00:55:33,600 --> 00:55:36,400
Speaker 1: a jay Z because he's a billionaire. They're gonna respect

971
00:55:36,440 --> 00:55:39,439
Speaker 1: the Jadakiss because you stay fly every day. They're gonna

972
00:55:39,440 --> 00:55:41,520
Speaker 1: respect that Joe. They know he's getting to the back.

973
00:55:41,680 --> 00:55:44,200
Speaker 2: They're gonna respect that motherfucking torpedo.

974
00:55:45,000 --> 00:55:47,480
Speaker 1: Yeah, yeah, exactly. But what I'm saying to you that

975
00:55:47,640 --> 00:55:52,240
Speaker 1: torpedo back, we got like hit somebody with a fucking torpedo.

976
00:55:52,360 --> 00:55:56,480
Speaker 1: I got somebody stealing it or something. I almost got

977
00:55:56,640 --> 00:55:59,919
Speaker 1: arrested one time for beating up a crackhead for still

978
00:56:00,120 --> 00:56:05,640
Speaker 1: in my radio. No, I'm telling you the truth, all right.

979
00:56:06,760 --> 00:56:12,040
Speaker 1: I'm just saying, listen, the youth, they only respect the bag,

980
00:56:12,160 --> 00:56:14,600
Speaker 1: and this is a whole new culture of hip hop

981
00:56:14,719 --> 00:56:18,200
Speaker 1: music until it gets back to the beats and rhymes.

982
00:56:19,040 --> 00:56:21,439
Speaker 1: They're never gonna if it's just like one and done

983
00:56:22,080 --> 00:56:25,080
Speaker 1: or I made a cute song and I'm getting some money,

984
00:56:25,120 --> 00:56:27,800
Speaker 1: I'm just getting to the bag. They're not gonna respect

985
00:56:27,880 --> 00:56:31,719
Speaker 1: their elders like that. In our generation, just last year.

986
00:56:31,719 --> 00:56:34,720
Speaker 1: I'm driving down Manhattan. I see Melle Mel on the corner.

987
00:56:34,800 --> 00:56:38,880
Speaker 1: I pull over one out Melly Mail. I make the movie.

988
00:56:39,000 --> 00:56:43,520
Speaker 1: Yoh my god, why you the hike coon like I

989
00:56:43,719 --> 00:56:46,799
Speaker 1: do that? You know, I'm coming out the movie theater.

990
00:56:47,400 --> 00:56:49,760
Speaker 1: I look and I see Rob Base. He's with his family.

991
00:56:49,840 --> 00:56:54,000
Speaker 1: I'm like, oh my god, Rob Base, and I give

992
00:56:54,040 --> 00:56:57,759
Speaker 1: him my story. No, no, no, his son don't know

993
00:56:57,920 --> 00:57:02,120
Speaker 1: because they from old school era. They don't know. Your son,

994
00:57:02,239 --> 00:57:05,640
Speaker 1: get to see you still in your prime. But Rob

995
00:57:05,760 --> 00:57:08,560
Speaker 1: basse it's been a minute since he had it on smash.

996
00:57:08,640 --> 00:57:10,800
Speaker 1: But I tell a sudden story. I'm at the castle.

997
00:57:11,920 --> 00:57:14,120
Speaker 1: Rob Base got the number one record in the country.

998
00:57:14,520 --> 00:57:18,040
Speaker 1: He's late to the show. I watched a thousand people

999
00:57:18,280 --> 00:57:26,040
Speaker 1: in the castle go no book, whoo yeah, whoo yeah

1000
00:57:26,280 --> 00:57:29,920
Speaker 1: for about twenty minutes straight. Whoo yeah. You couldn't hear

1001
00:57:29,920 --> 00:57:33,200
Speaker 1: a quarter hit the floor. And he came on stage

1002
00:57:33,680 --> 00:57:36,160
Speaker 1: and it was over. He killed that shit. So I

1003
00:57:36,280 --> 00:57:41,000
Speaker 1: salute all the legends. One thing, if we go back

1004
00:57:42,120 --> 00:57:46,560
Speaker 1: to Daddy's house and we go back to Big Recording,

1005
00:57:47,280 --> 00:57:52,320
Speaker 1: you know, I always saw this CD of the Chronic

1006
00:57:53,280 --> 00:57:57,080
Speaker 1: every time I was in the studio with Biggie or Puffy.

1007
00:57:57,600 --> 00:58:02,360
Speaker 1: They always had the Chronic CD up there like that's

1008
00:58:02,400 --> 00:58:04,560
Speaker 1: what we got to take out or that gotta be

1009
00:58:05,400 --> 00:58:11,000
Speaker 1: that's that was the level of quality and professionalism. They

1010
00:58:11,160 --> 00:58:15,360
Speaker 1: kept it there like a social security card, like yo,

1011
00:58:15,720 --> 00:58:18,760
Speaker 1: if I shit, don't sound better than that? On that level,

1012
00:58:20,200 --> 00:58:24,960
Speaker 1: we fucked it. So where do you rate an album

1013
00:58:25,120 --> 00:58:30,200
Speaker 1: like the Chronic? The Chronic is A is A is

1014
00:58:30,280 --> 00:58:33,160
Speaker 1: A A piece of homework.

1015
00:58:33,600 --> 00:58:37,160
Speaker 2: Is A is a classic. It's something if you makeing

1016
00:58:37,240 --> 00:58:39,560
Speaker 2: the album it's one of the albums you should listen to.

1017
00:58:40,960 --> 00:58:44,040
Speaker 2: Has nothing wrong. It has everything right on, you know

1018
00:58:44,080 --> 00:58:48,120
Speaker 2: what I mean, the production, the skits, the song arrangements,

1019
00:58:48,200 --> 00:58:53,360
Speaker 2: to mixing, the everything's perfect. Oh man, if you're trying

1020
00:58:53,400 --> 00:58:56,160
Speaker 2: to set out to achieve the make an album like that,

1021
00:58:57,080 --> 00:58:59,040
Speaker 2: I think you should listen to that a few times.

1022
00:58:59,040 --> 00:59:01,600
Speaker 2: It's a few albums that Puff used to make us

1023
00:59:01,680 --> 00:59:03,560
Speaker 2: listen to before we would make an album.

1024
00:59:04,320 --> 00:59:06,400
Speaker 1: Was the album one of them? That was one of them? Right?

1025
00:59:06,480 --> 00:59:06,880
Speaker 1: Thing it was?

1026
00:59:07,080 --> 00:59:10,800
Speaker 2: It was the Chronic, It was thirty six Chambers, it

1027
00:59:11,000 --> 00:59:16,520
Speaker 2: was the Purple Tape. It was one ice Cube. It

1028
00:59:16,640 --> 00:59:19,800
Speaker 2: was an ice Cube album, and it was something else.

1029
00:59:19,880 --> 00:59:22,120
Speaker 2: He man, listen, man, I remember.

1030
00:59:21,840 --> 00:59:25,360
Speaker 1: When we did Uh it really ain't about the money.

1031
00:59:25,440 --> 00:59:30,400
Speaker 1: I don't really care with Kanye. Right that time, when

1032
00:59:30,480 --> 00:59:33,240
Speaker 1: Kanye was here making that album with the group what what,

1033
00:59:33,400 --> 00:59:36,200
Speaker 1: what's the what's the group saying? Good music? That was

1034
00:59:36,240 --> 00:59:39,560
Speaker 1: the good Music compilation. All I heard him here listening

1035
00:59:39,640 --> 00:59:44,480
Speaker 1: to was Mall Deep and Wouchang. He just kept listening

1036
00:59:45,160 --> 00:59:47,760
Speaker 1: looking out the window in New York listening to Mall

1037
00:59:47,840 --> 00:59:50,520
Speaker 1: Deep and Wouchang. That's when they came up with all

1038
00:59:50,720 --> 00:59:53,000
Speaker 1: Everybody goes no no of that. But I remember that's

1039
00:59:53,160 --> 00:59:57,520
Speaker 1: the album was sick and he kept listening to the

1040
00:59:57,640 --> 01:00:01,800
Speaker 1: no music nor music. He would brag to you, like

1041
01:00:01,960 --> 01:00:04,360
Speaker 1: for us in New York, sun the light on him,

1042
01:00:04,400 --> 01:00:07,960
Speaker 1: that's that's our shit, you know it will track shout out,

1043
01:00:08,000 --> 01:00:10,880
Speaker 1: the will shut the light on him like that's you

1044
01:00:10,960 --> 01:00:13,680
Speaker 1: ain't not a party if they ain't gonna throw on

1045
01:00:13,760 --> 01:00:16,120
Speaker 1: the sanate light and he's the birthday shinn the light on.

1046
01:00:16,600 --> 01:00:19,280
Speaker 1: To us, we normal. But other parts of the country,

1047
01:00:20,400 --> 01:00:23,600
Speaker 1: like DC got go go music. That's ow. I don't

1048
01:00:23,600 --> 01:00:26,240
Speaker 1: want to say go go music because Dennis paused New

1049
01:00:26,320 --> 01:00:29,520
Speaker 1: York or whatever New York shit is that. But I

1050
01:00:29,600 --> 01:00:35,080
Speaker 1: would see Kanye West who come from Chicago, mesmerized by

1051
01:00:35,120 --> 01:00:39,640
Speaker 1: the no music. He walked around all day doing that ship.

1052
01:00:40,080 --> 01:00:42,720
Speaker 1: We take it for granted, but to him, he thought

1053
01:00:42,760 --> 01:00:43,400
Speaker 1: it was crazy.

1054
01:00:43,480 --> 01:00:46,920
Speaker 2: Hey something, check this out. Easy E to be resurrected

1055
01:00:47,040 --> 01:00:51,200
Speaker 2: through AI Easy East son, Little Easy is working on

1056
01:00:51,320 --> 01:00:54,520
Speaker 2: the AI project that will bring his father back for

1057
01:00:54,640 --> 01:00:58,000
Speaker 2: a movie project and possibly an album with his son.

1058
01:00:58,680 --> 01:01:01,240
Speaker 2: Do you think using ai UH in this way is

1059
01:01:01,320 --> 01:01:04,040
Speaker 2: good or should the legacy of a legend like little

1060
01:01:04,200 --> 01:01:07,160
Speaker 2: like like Easy E be left where it is?

1061
01:01:09,400 --> 01:01:11,400
Speaker 1: No comment on that because I'm gonna go all the way,

1062
01:01:11,800 --> 01:01:13,800
Speaker 1: like I take no respect.

1063
01:01:14,120 --> 01:01:18,520
Speaker 2: Yeah, okay, and we got a new Fifth Amendment track.

1064
01:01:18,640 --> 01:01:21,240
Speaker 1: We don't like that. We gotta fifth You know.

1065
01:01:22,600 --> 01:01:25,800
Speaker 2: I don't think they should use AI when it when

1066
01:01:25,840 --> 01:01:28,440
Speaker 2: it's necessary, and they might for him, he ain't want

1067
01:01:28,480 --> 01:01:31,160
Speaker 2: to do some things with his father. I think that's necessary.

1068
01:01:31,600 --> 01:01:34,840
Speaker 2: I think being Siegel, Hey, I made him sound back

1069
01:01:35,000 --> 01:01:36,800
Speaker 2: like Mac how he been?

1070
01:01:36,960 --> 01:01:40,440
Speaker 1: You know what I mean like that d O C

1071
01:01:41,440 --> 01:01:43,680
Speaker 1: M C. Yeah, hell, you know what I mean.

1072
01:01:43,800 --> 01:01:47,480
Speaker 2: So when you use it, but yeah, that kind of way,

1073
01:01:47,800 --> 01:01:50,800
Speaker 2: I'm all forward the other way, get that ship out

1074
01:01:50,840 --> 01:01:51,000
Speaker 2: of here.

1075
01:01:51,720 --> 01:01:54,600
Speaker 1: Yes, And so that's how that's how I look at ai.

1076
01:01:54,760 --> 01:01:57,400
Speaker 1: What it is people like that that it could benefit that.

1077
01:01:57,480 --> 01:01:59,000
Speaker 1: We want to hear what they got to say? The

1078
01:01:59,120 --> 01:02:13,520
Speaker 1: d o Jesus Christ, Hey God, why fight the time

1079
01:02:13,840 --> 01:02:17,240
Speaker 1: while you can rewind the time? Why look fifty three

1080
01:02:17,320 --> 01:02:19,439
Speaker 1: while you can look forty three? Why look forty three

1081
01:02:19,480 --> 01:02:22,000
Speaker 1: while you can look thirty two, because when you're in

1082
01:02:22,040 --> 01:02:24,200
Speaker 1: the forties, it takes twelve back. But lit'ten know what

1083
01:02:24,280 --> 01:02:27,560
Speaker 1: I'm saying is shout out to the Connecticut barber XPO.

1084
01:02:28,120 --> 01:02:31,720
Speaker 1: I was dead Sunday with Nori. You know Nori boy.

1085
01:02:31,880 --> 01:02:34,840
Speaker 1: Let me tell you said this guy he comes up

1086
01:02:34,880 --> 01:02:37,120
Speaker 1: in there. They got all the barbers from all around

1087
01:02:37,120 --> 01:02:39,160
Speaker 1: the world. Shout out to all the barbers. Man, you

1088
01:02:39,280 --> 01:02:41,800
Speaker 1: make me. I don't care. If I got a definite family,

1089
01:02:41,920 --> 01:02:45,640
Speaker 1: if I got a fresh cut, I feel fantastical. And

1090
01:02:45,800 --> 01:02:47,400
Speaker 1: so we went out there. We mixed it up with

1091
01:02:47,480 --> 01:02:50,200
Speaker 1: them in Connecticut, my man Jay Major's. But let me

1092
01:02:50,280 --> 01:02:53,720
Speaker 1: tell you some cvs, sallys. We're killing them. What about

1093
01:02:53,800 --> 01:02:56,280
Speaker 1: this coffee thing? Where can I find this corkey cafe?

1094
01:02:56,920 --> 01:03:01,600
Speaker 1: Kiss Cafe the strongest. That shit got me electrified right now.

1095
01:03:03,680 --> 01:03:07,960
Speaker 2: Kiss Cafe Coffee dot com. And you're getting all the

1096
01:03:08,040 --> 01:03:12,400
Speaker 2: money Coffee dot Com. Get you some of that baby,

1097
01:03:12,480 --> 01:03:15,080
Speaker 2: you coming, you know what I mean, you know, just

1098
01:03:15,280 --> 01:03:16,880
Speaker 2: Cafe Bayes you man.

1099
01:03:16,800 --> 01:03:19,640
Speaker 1: That kiss cafe boy. Let me tell you something. And

1100
01:03:19,800 --> 01:03:22,919
Speaker 1: so we could do it like this, entrepreneurship and hip

1101
01:03:22,960 --> 01:03:26,480
Speaker 1: hop like right, because you know you. I don't know

1102
01:03:26,520 --> 01:03:29,080
Speaker 1: about you, but at one point in my life I

1103
01:03:29,240 --> 01:03:32,520
Speaker 1: really depended on just doing shows. Yeah, so I just

1104
01:03:32,600 --> 01:03:36,360
Speaker 1: thought that was so that's all I thought about. And

1105
01:03:36,440 --> 01:03:39,880
Speaker 1: then I realized when I did the little four months

1106
01:03:39,920 --> 01:03:44,600
Speaker 1: in jail, I said, listen, man, you turn forty. When

1107
01:03:44,640 --> 01:03:46,080
Speaker 1: you get out there, you get to the bag. You

1108
01:03:46,160 --> 01:03:49,520
Speaker 1: got to open some up and yc's you gotta, you know,

1109
01:03:49,920 --> 01:03:52,760
Speaker 1: make a product. You gotta get your you know, you

1110
01:03:52,840 --> 01:03:55,680
Speaker 1: got to be an entrepreneur. Who's some of the guys

1111
01:03:55,720 --> 01:03:58,680
Speaker 1: you've seen doing entrepreneurship. I just seen the cannabis shop

1112
01:03:58,720 --> 01:04:01,240
Speaker 1: about the opening shot out downy Steak Commemoutities. We got

1113
01:04:01,280 --> 01:04:04,120
Speaker 1: one in Halem my brother Rich Player. We gotta go

1114
01:04:04,240 --> 01:04:06,040
Speaker 1: over there and get high. But I've seen.

1115
01:04:06,240 --> 01:04:09,720
Speaker 2: Strange for Life one forty fifth and Broadway, Strings for

1116
01:04:09,880 --> 01:04:13,439
Speaker 2: Life Dispensary lounge opening real soon.

1117
01:04:13,640 --> 01:04:17,520
Speaker 1: I got my first grandmar Crack on forty fifth brother

1118
01:04:17,680 --> 01:04:21,240
Speaker 1: that's pee. That ship always been the mecca. One forty

1119
01:04:21,280 --> 01:04:24,760
Speaker 1: fifth bro, I bought my first grammar crack here, just

1120
01:04:24,920 --> 01:04:25,800
Speaker 1: what you want me to tell you?

1121
01:04:25,920 --> 01:04:29,000
Speaker 2: That Jo we go again, and we got the studio

1122
01:04:29,160 --> 01:04:31,920
Speaker 2: audience chiming in me too, yo, yah yah. I mean,

1123
01:04:31,960 --> 01:04:33,320
Speaker 2: what is he doing? Listen?

1124
01:04:33,520 --> 01:04:37,400
Speaker 1: I used to buy from a Dominican Colmoskee. Though out there,

1125
01:04:37,440 --> 01:04:41,640
Speaker 1: you go out there, you always want skeet. Though he's crazy. Listen,

1126
01:04:41,720 --> 01:04:46,160
Speaker 1: shout out to Morgan State University. My daughter just graduated.

1127
01:04:46,680 --> 01:04:48,080
Speaker 1: Bless you. Let's talk.

1128
01:04:48,600 --> 01:04:53,120
Speaker 2: Daughter graduated yesterday from Morgan State University. That's the second

1129
01:04:53,240 --> 01:04:56,960
Speaker 2: college graduate. I got two down, three to go. But

1130
01:04:58,320 --> 01:05:01,280
Speaker 2: he gotta do something about these gradu situations. They have

1131
01:05:01,440 --> 01:05:04,720
Speaker 2: them on the field. They too hot. My moms was

1132
01:05:04,920 --> 01:05:09,760
Speaker 2: my mom's share. Inside, they get some ac created his

1133
01:05:09,960 --> 01:05:13,640
Speaker 2: other ladies passed out as fired as Amma lancers coming.

1134
01:05:14,080 --> 01:05:16,960
Speaker 2: It's too hot for the grandmothers and all that. Yeah,

1135
01:05:16,960 --> 01:05:20,320
Speaker 2: I agree, And shout out to the alumni and all

1136
01:05:20,400 --> 01:05:25,040
Speaker 2: that's mad speeches. Why they want to do all these

1137
01:05:25,160 --> 01:05:29,560
Speaker 2: speeches in the middle of the damn hot son, Why

1138
01:05:29,600 --> 01:05:32,240
Speaker 2: they can't do that the day before? You know what

1139
01:05:32,280 --> 01:05:35,040
Speaker 2: I mean? Just call the names give out the Summer

1140
01:05:35,120 --> 01:05:39,080
Speaker 2: Cum Loudies and Magna Loudi's whatever they day the smart

1141
01:05:39,200 --> 01:05:42,800
Speaker 2: kids is and get that ship old with. We gotta

1142
01:05:42,960 --> 01:05:47,080
Speaker 2: we gotta do a union that make college graduations shorter.

1143
01:05:48,080 --> 01:05:53,680
Speaker 2: They too long. The elder ladies is having heat strokes

1144
01:05:53,760 --> 01:05:56,720
Speaker 2: and all that. Of course, everybody want to see they

1145
01:05:56,800 --> 01:05:59,360
Speaker 2: kids graduate. They want to see their moms and.

1146
01:05:59,400 --> 01:06:00,960
Speaker 1: Pops pass out.

1147
01:06:01,160 --> 01:06:05,080
Speaker 2: Make it back home too. Yeah. Also, so my next one.

1148
01:06:05,600 --> 01:06:07,800
Speaker 2: I figured it out though I'm going three hours late.

1149
01:06:08,800 --> 01:06:12,120
Speaker 2: Call me when they start calling the names. When they

1150
01:06:12,240 --> 01:06:15,600
Speaker 2: get there about E. I get out the car and

1151
01:06:15,720 --> 01:06:18,440
Speaker 2: about E. Then I catch my kids when they get

1152
01:06:18,480 --> 01:06:21,920
Speaker 2: the last name is. This ship is ridiculous. No, no,

1153
01:06:22,120 --> 01:06:25,240
Speaker 2: Shout out to Morgan State. Everybody graduating this week and

1154
01:06:25,640 --> 01:06:27,480
Speaker 2: you know what I mean, in the coming days.

1155
01:06:27,560 --> 01:06:32,320
Speaker 1: Everybody graduates. Shout out to Morgane State. Shout out the leaving.

1156
01:06:32,360 --> 01:06:34,640
Speaker 1: They gave me a doctorate last year. And I know

1157
01:06:34,720 --> 01:06:38,280
Speaker 1: what you're talking about. Money out there. What you gotta

1158
01:06:38,360 --> 01:06:38,960
Speaker 1: They gotta.

1159
01:06:40,560 --> 01:06:44,600
Speaker 2: To God. I know when it ain't something I would

1160
01:06:44,720 --> 01:06:50,000
Speaker 2: would Sarahcus. I take Leaman, I take brunch Community, I

1161
01:06:50,160 --> 01:06:57,560
Speaker 2: take the college that's right next to me. Give me anything, God,

1162
01:06:57,680 --> 01:06:58,080
Speaker 2: damn it.

1163
01:06:58,520 --> 01:07:01,200
Speaker 1: He wants a doctorate. Guy, you know, we gotta we

1164
01:07:01,280 --> 01:07:06,480
Speaker 1: gotta talk for you to Don Poole. Don Poole got

1165
01:07:06,520 --> 01:07:10,040
Speaker 1: a doctorate in at Landa. I think I listen, I

1166
01:07:10,120 --> 01:07:13,320
Speaker 1: didn't even know what it was. Okay, y'all want to

1167
01:07:13,360 --> 01:07:17,080
Speaker 1: know the truth. Ruben Diz Jr. Said, Yo, I want

1168
01:07:17,120 --> 01:07:19,000
Speaker 1: you to come to the college and talk to the kids.

1169
01:07:21,680 --> 01:07:25,480
Speaker 1: He is my god. So I show up and they

1170
01:07:25,560 --> 01:07:29,160
Speaker 1: start explaining to me how special it is that I

1171
01:07:29,280 --> 01:07:32,200
Speaker 1: got a doctorate, that I gotta this. And I didn't

1172
01:07:32,200 --> 01:07:34,280
Speaker 1: even know they were breaking it down to me. And

1173
01:07:34,360 --> 01:07:37,040
Speaker 1: I was like, oh, so I'm getting something. I didn't

1174
01:07:37,040 --> 01:07:38,960
Speaker 1: even know I was getting it. I thought I was

1175
01:07:39,040 --> 01:07:43,320
Speaker 1: just there to talk to some students. Congratulations, hallelujah, whatever

1176
01:07:43,440 --> 01:07:46,840
Speaker 1: the case may be. And so they gave me the doctorate.

1177
01:07:47,440 --> 01:07:50,000
Speaker 1: That's because you the dude. I gotta put your name

1178
01:07:50,080 --> 01:07:54,160
Speaker 1: in the raffle. But let me tell you, they want

1179
01:07:54,240 --> 01:07:57,400
Speaker 1: to know if you want to know why the dynamic,

1180
01:07:57,600 --> 01:08:02,800
Speaker 1: the energy it's so legendary on this set. I was

1181
01:08:02,880 --> 01:08:06,000
Speaker 1: trying to think. I said, damn, man, why is this

1182
01:08:06,240 --> 01:08:10,680
Speaker 1: podcast so good? And I said, I go I relate

1183
01:08:10,880 --> 01:08:13,960
Speaker 1: back to let me tell you something. I'm gonna tell

1184
01:08:13,960 --> 01:08:15,800
Speaker 1: you something. All right, y'all don't want to hear me

1185
01:08:15,920 --> 01:08:18,800
Speaker 1: talk this ship. I'm gonna tell you something, Jaden. They

1186
01:08:18,920 --> 01:08:22,920
Speaker 1: did the fifty best dress rappers in Fat Joe wasn't mentioned.

1187
01:08:23,120 --> 01:08:25,479
Speaker 1: And if I'm mentioned to you, some of these things,

1188
01:08:27,040 --> 01:08:30,840
Speaker 1: I hate the much money I stand on court tour

1189
01:08:31,800 --> 01:08:35,840
Speaker 1: like this, dude, this is a fucking crime. You want

1190
01:08:35,880 --> 01:08:39,599
Speaker 1: to rate the top fiftieth dress rappers fat?

1191
01:08:40,520 --> 01:08:44,839
Speaker 2: You know why having these? You don't got enough porking

1192
01:08:44,920 --> 01:08:47,960
Speaker 2: pine shirts and enough. I ain't got a piano on

1193
01:08:48,080 --> 01:08:48,360
Speaker 2: my back.

1194
01:08:48,520 --> 01:08:49,439
Speaker 1: You don't got I.

1195
01:08:49,439 --> 01:08:52,479
Speaker 2: Don't do that. You don't got enough. You don't got

1196
01:08:52,640 --> 01:08:56,200
Speaker 2: enough like shingles you need. You need ship hanging off,

1197
01:08:56,280 --> 01:08:57,040
Speaker 2: you need show.

1198
01:08:58,080 --> 01:08:59,160
Speaker 1: I mean like you got.

1199
01:09:00,479 --> 01:09:03,000
Speaker 2: That's that dope boys ship we rock, but they don't

1200
01:09:03,040 --> 01:09:05,080
Speaker 2: put that. I'm trying to.

1201
01:09:05,120 --> 01:09:08,639
Speaker 1: Tell you, if we don't brag about ourselves in real life,

1202
01:09:09,439 --> 01:09:11,599
Speaker 1: I don't think when you die, they're gonna talk about

1203
01:09:11,640 --> 01:09:17,759
Speaker 1: you because we done so. They doctorate. You deserve a doctor,

1204
01:09:17,800 --> 01:09:21,040
Speaker 1: and you deserve a street and y'all to Jada kiss Street,

1205
01:09:21,040 --> 01:09:23,200
Speaker 1: you would deserve all of that. Why we got to

1206
01:09:23,320 --> 01:09:26,200
Speaker 1: die to get it? And guess what if I'm alive

1207
01:09:27,000 --> 01:09:30,400
Speaker 1: and it won't give it up. What we gotta say

1208
01:09:30,439 --> 01:09:32,160
Speaker 1: the ship. We gotta be like Yo with number one

1209
01:09:32,200 --> 01:09:34,280
Speaker 1: in the country. It is what it is. Go google

1210
01:09:34,360 --> 01:09:38,880
Speaker 1: the Apple because we are right. I'm being honest with you.

1211
01:09:39,000 --> 01:09:40,519
Speaker 1: What you want me to do? Yeah, we need eight

1212
01:09:40,640 --> 01:09:44,479
Speaker 1: hundred more episodes. This ain't some shit fly by Night

1213
01:09:44,600 --> 01:09:47,000
Speaker 1: with the new kids on the block. We get some attention,

1214
01:09:47,680 --> 01:09:50,040
Speaker 1: but yeah, we need three hundred more episodes so we

1215
01:09:50,120 --> 01:09:52,880
Speaker 1: can really talk our ship. You know, yesterday I'm a

1216
01:09:53,040 --> 01:09:57,000
Speaker 1: Nori he throwing in Yo the glisy eater that this on.

1217
01:09:57,920 --> 01:10:00,599
Speaker 1: No you know, he he did god fall of this shit.

1218
01:10:00,800 --> 01:10:03,080
Speaker 1: You know what I'm saying. Drink Champs. You know, we

1219
01:10:03,160 --> 01:10:06,320
Speaker 1: salute everybody doing their thing, but we gotta talk about

1220
01:10:07,000 --> 01:10:11,240
Speaker 1: our winds kiss because they not I'm looking at it myself.

1221
01:10:12,200 --> 01:10:14,560
Speaker 1: They're not trying to big us up for what we

1222
01:10:14,760 --> 01:10:15,919
Speaker 1: do in anything.

1223
01:10:16,040 --> 01:10:19,439
Speaker 2: They're not gonna big us up. We're gonna take our spot,

1224
01:10:19,760 --> 01:10:22,640
Speaker 2: humber Leaf. You know what I'm saying this week in

1225
01:10:22,760 --> 01:10:26,360
Speaker 2: hip hop history. But hold up, you gotta get back

1226
01:10:26,360 --> 01:10:26,920
Speaker 2: to the regular.

1227
01:10:26,960 --> 01:10:29,960
Speaker 1: When they see me and you, they gotta think yesterday's price.

1228
01:10:30,840 --> 01:10:37,320
Speaker 1: It's not today's price. Yesterday's price. It's not yo, Come on, man,

1229
01:10:37,920 --> 01:10:40,160
Speaker 1: what do you mean to do this weekend?

1230
01:10:40,240 --> 01:10:45,640
Speaker 2: Hit by history? Y'all? May nineteenth Man, DMX drop in

1231
01:10:45,800 --> 01:10:51,920
Speaker 2: nineteen ninety eight The Dog Always Love for the Dog,

1232
01:10:52,840 --> 01:10:56,000
Speaker 2: nineteen ninety eighty drop This debut album is Dark and

1233
01:10:56,120 --> 01:11:00,280
Speaker 2: Hell is Eye. The importance of that album to me

1234
01:11:00,520 --> 01:11:03,479
Speaker 2: is that, you know, he put us on. He came

1235
01:11:03,560 --> 01:11:06,280
Speaker 2: and got us, put us, brought us with rough riders,

1236
01:11:06,720 --> 01:11:09,120
Speaker 2: told him this is we're starting it off, like, you know,

1237
01:11:09,560 --> 01:11:12,640
Speaker 2: this is who I want to represent with me, and

1238
01:11:13,560 --> 01:11:16,479
Speaker 2: the rest was history to see where we came from,

1239
01:11:17,240 --> 01:11:20,519
Speaker 2: to see where he came from. He was already damn

1240
01:11:20,600 --> 01:11:24,280
Speaker 2: man like Bruce Springsteen and yo, we already looked at

1241
01:11:24,360 --> 01:11:27,559
Speaker 2: him as like a rock star. Then fast forward him

1242
01:11:27,640 --> 01:11:31,240
Speaker 2: being the only or one of the only rappers that

1243
01:11:31,360 --> 01:11:35,120
Speaker 2: ever do Woodstock. That shit is crazy, you know what

1244
01:11:35,160 --> 01:11:40,120
Speaker 2: I mean? That video Lot Well Forever mean the world

1245
01:11:40,240 --> 01:11:42,720
Speaker 2: to me because you know what I mean, he gave

1246
01:11:42,800 --> 01:11:46,240
Speaker 2: me a chance to change my family's financial situation.

1247
01:11:47,320 --> 01:11:49,559
Speaker 1: You know, DMX stuck a guy up right in front

1248
01:11:49,600 --> 01:11:49,760
Speaker 1: of me.

1249
01:11:50,120 --> 01:11:51,759
Speaker 2: Yeah, Max stuck a lot of niggas.

1250
01:11:52,640 --> 01:11:57,920
Speaker 1: No, but he was already a star. He was X yes, me,

1251
01:11:58,200 --> 01:12:02,439
Speaker 1: him and pun in the gas stationed in Brooklyn after

1252
01:12:02,600 --> 01:12:05,200
Speaker 1: a show, thousands of people. After the show, we in

1253
01:12:05,240 --> 01:12:07,599
Speaker 1: the gas st dude comes with some change. The DMX

1254
01:12:07,720 --> 01:12:10,080
Speaker 1: was like, y'all, hold up, y'all. He went and took

1255
01:12:10,200 --> 01:12:12,920
Speaker 1: his chains, came back and started talking to us in

1256
01:12:13,040 --> 01:12:17,240
Speaker 1: the gas station. Yo, d m Max. You can't even

1257
01:12:17,760 --> 01:12:20,160
Speaker 1: he did so No, no, no, he done, he did not.

1258
01:12:20,479 --> 01:12:22,680
Speaker 1: I'm just telling you a true story. Like I got

1259
01:12:22,760 --> 01:12:24,560
Speaker 1: so many kids we might have.

1260
01:12:24,760 --> 01:12:26,639
Speaker 2: We gotta filter some of these stories.

1261
01:12:26,960 --> 01:12:31,439
Speaker 1: I'm telling you you might have incredible I'm.

1262
01:12:31,240 --> 01:12:34,040
Speaker 2: Not telling you none of them. Cut the crazy since

1263
01:12:34,080 --> 01:12:37,120
Speaker 2: we go, I gotta give him story. Look, when we

1264
01:12:37,240 --> 01:12:41,759
Speaker 2: shot that John Blade video, DMX showed up. No listen,

1265
01:12:42,479 --> 01:12:45,840
Speaker 2: this is how long ago it was, and this how

1266
01:12:46,000 --> 01:12:50,240
Speaker 2: crazy this was. Stash boxes first got invented. He wanted

1267
01:12:50,320 --> 01:12:51,120
Speaker 2: to test his ship.

1268
01:12:51,200 --> 01:12:53,519
Speaker 1: That was more before that. But get it was in

1269
01:12:53,560 --> 01:12:55,559
Speaker 1: the eighties we had Stash it.

1270
01:12:55,720 --> 01:12:58,360
Speaker 2: Wasn't it wasn't doing what the ships was doing. As

1271
01:12:59,120 --> 01:13:05,559
Speaker 2: as a technic, he wanted to test his own ship out.

1272
01:13:05,720 --> 01:13:09,439
Speaker 2: He drove somebody was driving. He was in the passenger,

1273
01:13:09,680 --> 01:13:11,599
Speaker 2: let off a four.

1274
01:13:11,960 --> 01:13:13,240
Speaker 1: I don't know what it was.

1275
01:13:17,479 --> 01:13:20,840
Speaker 2: And wanted to get pulled over. Ain't got pulled over.

1276
01:13:20,920 --> 01:13:24,000
Speaker 2: And I said, this nigga is nuts.

1277
01:13:24,120 --> 01:13:25,600
Speaker 1: Though he is nuts, that was.

1278
01:13:25,640 --> 01:13:30,719
Speaker 2: The crazy puts Yeah, let he front of the cops.

1279
01:13:31,040 --> 01:13:34,439
Speaker 2: Let it off, pull a blocker through the pull over.

1280
01:13:34,960 --> 01:13:37,479
Speaker 2: Know what you talk about this And they ain't have

1281
01:13:37,680 --> 01:13:39,840
Speaker 2: the ship to make it pop out yet, so he was.

1282
01:13:40,560 --> 01:13:42,360
Speaker 2: I said, this nigga pun is crazy.

1283
01:13:42,600 --> 01:13:44,960
Speaker 1: I just had to bend the way to explain the

1284
01:13:45,560 --> 01:13:49,519
Speaker 1: way to explain it to you, bright is you know

1285
01:13:49,600 --> 01:13:53,080
Speaker 1: how somebody could be a genius in something and then

1286
01:13:53,160 --> 01:13:57,560
Speaker 1: in just common sense, he just don't know what he's like.

1287
01:13:57,720 --> 01:14:01,280
Speaker 1: I would go to his house, right, he would have

1288
01:14:01,400 --> 01:14:05,200
Speaker 1: about thirty forty guns in this house. If you sat

1289
01:14:05,280 --> 01:14:07,720
Speaker 1: and the pillow was a gun, you put your hand

1290
01:14:07,800 --> 01:14:09,640
Speaker 1: on the chicken, it was a gun, you hit it.

1291
01:14:09,720 --> 01:14:13,519
Speaker 1: It was just and I would sit there because I

1292
01:14:13,680 --> 01:14:15,960
Speaker 1: really came from the streets. I know what Rico and

1293
01:14:16,120 --> 01:14:19,360
Speaker 1: Dightsman saw. Indictments are. I know what all this is.

1294
01:14:19,439 --> 01:14:22,800
Speaker 1: I don't came from them and be like they're gonna

1295
01:14:22,840 --> 01:14:26,320
Speaker 1: make a jail jest for you, buddy. Nah, they don't

1296
01:14:26,360 --> 01:14:29,280
Speaker 1: lock rappers up like that. They got swimming pools for rappers.

1297
01:14:29,320 --> 01:14:32,360
Speaker 1: And all that tennis courts. I'm like, yo, he's.

1298
01:14:32,240 --> 01:14:34,160
Speaker 2: Thinking about the futuristic feds.

1299
01:14:34,439 --> 01:14:37,040
Speaker 1: What And I would tell him, like, yo, Pun, your

1300
01:14:37,360 --> 01:14:40,800
Speaker 1: crazy broke. Then I go around his hood and the

1301
01:14:40,920 --> 01:14:43,840
Speaker 1: cops pulled me over like this prom one of the

1302
01:14:43,960 --> 01:14:47,559
Speaker 1: only rappers who never moved out the hood. Evenuntil he died.

1303
01:14:47,960 --> 01:14:50,599
Speaker 1: He refused to move out the hood. I was already

1304
01:14:50,640 --> 01:14:54,320
Speaker 1: in Jersey, Like, Yo, come in Jersey. Birds are chirping,

1305
01:14:54,520 --> 01:14:56,479
Speaker 1: you know. He naw, I'm in the hood. I'm the

1306
01:14:56,560 --> 01:15:01,559
Speaker 1: realistic Pun at the crib in the hood, ten bend, exotic,

1307
01:15:01,680 --> 01:15:04,400
Speaker 1: twenty thousand dollars dogs and the all types of shit

1308
01:15:04,560 --> 01:15:07,640
Speaker 1: like he was big Pun, double platinum in then he

1309
01:15:07,760 --> 01:15:11,080
Speaker 1: didn't care, and so I would go to his hood

1310
01:15:11,200 --> 01:15:17,120
Speaker 1: and as a respected elder brother, the police pulled me over.

1311
01:15:17,200 --> 01:15:19,400
Speaker 1: So I'm like your officer, while you putting Yo, Joe man,

1312
01:15:19,479 --> 01:15:21,920
Speaker 1: you know that you gotta stop throwing eggs at the

1313
01:15:22,000 --> 01:15:25,080
Speaker 1: old ladies in front of the supermarket. You know, we

1314
01:15:25,280 --> 01:15:27,640
Speaker 1: know he's the only guy with the bends with the

1315
01:15:27,760 --> 01:15:31,320
Speaker 1: water gun shooting the old ladies. I'm like, yo, I

1316
01:15:31,479 --> 01:15:35,400
Speaker 1: go in this house. I start arguing with everybody in

1317
01:15:35,479 --> 01:15:38,960
Speaker 1: the house, like your punt. They're gonna put you in jail.

1318
01:15:39,080 --> 01:15:42,160
Speaker 1: You shooting the water guns at the old ladies. They

1319
01:15:42,240 --> 01:15:45,519
Speaker 1: know the only guy with a five hundred bends in

1320
01:15:45,720 --> 01:15:50,200
Speaker 1: the fucking sound view. It's your punt. You're going now.

1321
01:15:50,320 --> 01:15:54,680
Speaker 1: He just didn't he he he would go real from

1322
01:15:54,840 --> 01:15:58,600
Speaker 1: genius to common sense, no sense, like I had a

1323
01:15:58,640 --> 01:16:01,680
Speaker 1: real struggle with him. And because Nory is also my

1324
01:16:01,760 --> 01:16:07,840
Speaker 1: little brother. Oh, they used to see me and be like, Yo,

1325
01:16:08,080 --> 01:16:11,200
Speaker 1: Joe's the fun killer. He's the fun killer. No, I

1326
01:16:11,240 --> 01:16:14,479
Speaker 1: don't want you to go to jail and not get

1327
01:16:14,560 --> 01:16:17,280
Speaker 1: to the bag. Like I know what's going on out here.

1328
01:16:17,320 --> 01:16:20,200
Speaker 1: You guys are too crazy. Thank god we ain't have

1329
01:16:21,280 --> 01:16:24,880
Speaker 1: I g back. Then I'll tell you a quick story.

1330
01:16:24,920 --> 01:16:28,479
Speaker 1: We on this joint like this two days ago was

1331
01:16:28,520 --> 01:16:33,360
Speaker 1: hot in New York. I'm outside of UH which players

1332
01:16:33,439 --> 01:16:40,000
Speaker 1: the Demodesty Dynasty commander the wis spencer right, dispensery cock diesel.

1333
01:16:40,080 --> 01:16:42,800
Speaker 1: Little Spanish dude is walking through with the tank top

1334
01:16:43,000 --> 01:16:48,000
Speaker 1: like this, right. I try to look away already know

1335
01:16:48,479 --> 01:16:52,040
Speaker 1: he makes a U tune. Yo Joe, you got me

1336
01:16:52,120 --> 01:16:54,400
Speaker 1: through my bed. I did twenty six years. This This

1337
01:16:54,600 --> 01:16:58,400
Speaker 1: that one thing I could tell you before I was

1338
01:16:58,439 --> 01:17:01,720
Speaker 1: a tough guy. When I was five years old, I

1339
01:17:01,880 --> 01:17:08,160
Speaker 1: always knew the guys who just came home from jail. No. Five.

1340
01:17:08,680 --> 01:17:11,439
Speaker 1: You know, these guys got tank tops and they walking

1341
01:17:11,600 --> 01:17:13,960
Speaker 1: like you know, they strutting around the thive. I knew

1342
01:17:14,040 --> 01:17:16,200
Speaker 1: this guy just came out of jail. They had to

1343
01:17:16,280 --> 01:17:20,920
Speaker 1: be the same way. And y'all five years old, I

1344
01:17:21,000 --> 01:17:24,400
Speaker 1: knew that man came ran home from jail, and it's

1345
01:17:24,479 --> 01:17:27,640
Speaker 1: preferably just before the summer. They coming out with a

1346
01:17:27,720 --> 01:17:29,680
Speaker 1: tank top and all like, well, anyway, he did it.

1347
01:17:30,160 --> 01:17:34,280
Speaker 1: I grabbed him so fast, hugged him. Yo, thank you,

1348
01:17:34,560 --> 01:17:37,639
Speaker 1: I say. You see that's a camera in the store.

1349
01:17:38,160 --> 01:17:40,479
Speaker 1: I walked with him two more steps. You see that

1350
01:17:41,120 --> 01:17:43,519
Speaker 1: it's a camera. I walked with them two more steps.

1351
01:17:43,640 --> 01:17:45,960
Speaker 1: You see that it's a camera. I'm not exaggerate. When

1352
01:17:46,000 --> 01:17:47,599
Speaker 1: you come to richest joint, I'm gonna show you. I'm

1353
01:17:47,600 --> 01:17:50,120
Speaker 1: gonna show you how I walked them. Maybe halfway to

1354
01:17:50,240 --> 01:17:53,800
Speaker 1: the corner, we passed ten cameras. Said, brother, can't do

1355
01:17:53,920 --> 01:17:57,479
Speaker 1: nothing no more. You're going to jail. Look at this,

1356
01:17:57,960 --> 01:18:01,439
Speaker 1: We're on camera. That's what Fat Joe's gonna tell you.

1357
01:18:01,560 --> 01:18:04,160
Speaker 1: After twenty six years, you take that with you if

1358
01:18:04,200 --> 01:18:06,599
Speaker 1: you want. You're not getting away because he walking down

1359
01:18:07,080 --> 01:18:10,280
Speaker 1: and now he's in the black Auum he's Puerto Rican?

1360
01:18:10,720 --> 01:18:11,000
Speaker 2: Did he?

1361
01:18:11,800 --> 01:18:14,640
Speaker 1: He just wanted to smoke. I'm just trying to let

1362
01:18:14,720 --> 01:18:17,760
Speaker 1: him know. You on camera, be I don't give a

1363
01:18:17,840 --> 01:18:21,800
Speaker 1: hell what what what hand skills you learned in jail?

1364
01:18:21,840 --> 01:18:25,240
Speaker 1: You're going back to j fifty men? Yeah, he coming

1365
01:18:25,280 --> 01:18:30,600
Speaker 1: through with said yo, bro really politely. Look, look, look, look, no,

1366
01:18:30,720 --> 01:18:32,760
Speaker 1: it's crazy because Remy came to the thing and I

1367
01:18:32,840 --> 01:18:34,439
Speaker 1: told her that story before, and I said, let me

1368
01:18:34,479 --> 01:18:36,000
Speaker 1: sure you this story me. She said, what you mean?

1369
01:18:36,280 --> 01:18:39,080
Speaker 1: She came the other day to Rich's joint. I walked

1370
01:18:39,120 --> 01:18:43,639
Speaker 1: her four stores down and there was ten cameras this sauce.

1371
01:18:44,320 --> 01:18:48,080
Speaker 1: I said, Yo, you can't do nothing. You can't do nothing.

1372
01:18:51,200 --> 01:18:53,759
Speaker 2: Somebody is still try kids.

1373
01:18:54,560 --> 01:18:58,800
Speaker 1: You shoot the place, you're on camera. You're not getting

1374
01:18:58,880 --> 01:19:02,639
Speaker 1: away with it. You're done gone twenty years. Your life

1375
01:19:02,720 --> 01:19:06,880
Speaker 1: in't a very vine speacet of it. But with with counseling,

1376
01:19:07,120 --> 01:19:10,720
Speaker 1: what you're doing it with counseling though, so I'm not

1377
01:19:10,840 --> 01:19:13,880
Speaker 1: trying to do some positive shit here, y'all. Let'sen check

1378
01:19:13,960 --> 01:19:16,680
Speaker 1: this out. We brought to you by Boost Mobile the

1379
01:19:16,840 --> 01:19:21,000
Speaker 1: biggest phone company in the globe. We advise you to

1380
01:19:21,040 --> 01:19:27,639
Speaker 1: get everybody a Boost Mobile phone. Five G Networks spend

1381
01:19:27,760 --> 01:19:32,200
Speaker 1: billions of dollars tuning it up towers all over to

1382
01:19:32,320 --> 01:19:38,760
Speaker 1: give you that accurate he know that system. Okay to

1383
01:19:38,960 --> 01:19:43,880
Speaker 1: go get your Boost mobile phone asap. Change this coming

1384
01:19:45,720 --> 01:19:47,120
Speaker 1: change this coming down.