WEBVTT - Some Time With... Steve Jarrard!

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<v Speaker 1>Hey there, Fanto's welcome back to a brand new episode

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<v Speaker 1>of How Rude Tannerito's. Throughout the past four seasons of

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<v Speaker 1>Full House, we have found ourselves paying close attention to

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<v Speaker 1>the props that are being used, like the cold fried chicken.

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<v Speaker 1>Prop masters are the ones who handle anything in actor

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<v Speaker 1>touches or interacts with which is why we're very excited

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<v Speaker 1>for today's guest. Steve Girard was the assistant prop manager

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<v Speaker 1>on Fuller House, so he's going to give us the

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<v Speaker 1>inside scoop on everything the job entails and maybe some

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<v Speaker 1>fun little behind the scenes stories from his time on

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<v Speaker 1>Fuller Hmmm, please welcome Steve.

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<v Speaker 2>This is so exciting.

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<v Speaker 3>That's great.

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<v Speaker 1>Oh. I was so excited that you were willing to

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<v Speaker 1>come on here and regale us with all your stories.

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<v Speaker 1>Three of us, we're very excited that you're here.

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<v Speaker 2>We'll be a good editor because need to add all

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<v Speaker 2>the doll out of.

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<v Speaker 1>This, no, please, So we are we are delighted.

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<v Speaker 4>We are so excited to see Yeah, we like, first

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<v Speaker 4>of all, we just keep like realizing all of like

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<v Speaker 4>the prop stuff that has been going on in you know,

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<v Speaker 4>full House whatever.

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<v Speaker 5>So we've been focusing on that and I was like,

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<v Speaker 5>we need to have Steve, like Steve would be amazing,

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<v Speaker 5>and so yeah, this was this was really fun.

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<v Speaker 2>Thanks, Thanks, I really appreciate it. I was kind of

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<v Speaker 2>always secret secretly hoping you would ask me. But I

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<v Speaker 2>figured because I've been listening to but I figured it

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<v Speaker 2>wouldn't be until you got to the full house stuff, right.

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<v Speaker 2>So I was like, I got years still, I got

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<v Speaker 2>plenty of time.

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<v Speaker 1>We can't wait that long.

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<v Speaker 3>No, we had to talk to you now, right, there's

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<v Speaker 3>no time to wait.

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<v Speaker 2>Yes, I'll talk to you anytime. You know that I

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<v Speaker 2>love you both.

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<v Speaker 3>I love you too.

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<v Speaker 1>So great to see her face because I saw you

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<v Speaker 1>for three seasons on that Girl Leyle. We worked together

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<v Speaker 1>on that show. We were masked up all the time

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<v Speaker 1>except for me when I was at camera. But I

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<v Speaker 1>haven't seen your face five years.

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<v Speaker 2>Right, to talk about a different show for a second.

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<v Speaker 2>After the run, Gabby had a thing. She was doing

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<v Speaker 2>a comedy bit, huh, And so I went to see her.

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<v Speaker 2>And this was after the masks were over, and I'm

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<v Speaker 2>just sitting in the lobby and her mom walks by

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<v Speaker 2>me and I don't recognize your mom? Did don't recognize me?

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<v Speaker 2>I don't recognize them. It was crazy.

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<v Speaker 5>Yeah, see that you know what, we were just having

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<v Speaker 5>this conversation. But it had to do with how we

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<v Speaker 5>just don't remember anything anymore because the brain fog is

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<v Speaker 5>sitting in. But now I'm just gonna be like, oh

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<v Speaker 5>it was the masks five.

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<v Speaker 3>Years later, but oh I didn't. It's yeah, I know

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<v Speaker 3>the eyes, totally know the eyes.

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<v Speaker 2>Yeah, yeah, you know, and I actually really have a

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<v Speaker 2>touch that's brain the face blindness thing. Oh yeah, So

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<v Speaker 2>for me, it's also helpful. I've had Okay, I've had

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<v Speaker 2>discussions with people that I thought I was talking to

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<v Speaker 2>in the day before. So I'll go, so remember the

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<v Speaker 2>thing yesterday we're talking about and somebody completely different, Oh.

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<v Speaker 3>Wow than that, And I don't have face blindness. That's

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<v Speaker 3>that's the problem, exactly.

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<v Speaker 1>A conversation. We'll just keep talking about the same topics

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<v Speaker 1>in a loop forgetting.

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<v Speaker 5>That as you age, right, is you just sort of

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<v Speaker 5>circle around the same three or four things remember, go

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<v Speaker 5>on the head and okay, go back to your home.

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<v Speaker 5>So see, we want to start like at the beginning. Okay, uh,

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<v Speaker 5>when when did you first start working in the industry, and.

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<v Speaker 3>Like did you go to school?

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<v Speaker 1>For it.

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<v Speaker 5>Was it one of those like somebody needed help in

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<v Speaker 5>the art department.

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<v Speaker 2>You were like, I sure, I am third generation Hollywood.

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<v Speaker 3>Oh my god, I did not know this. See this

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<v Speaker 3>is why I love these interviews.

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<v Speaker 5>We cind out so much fascinating step Oh my god,

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<v Speaker 5>third generation Hollywood.

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<v Speaker 2>Oh yeah. So my grandfather and my father were both

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<v Speaker 2>in the Labor Union.

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<v Speaker 3>The union.

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<v Speaker 2>My dad also did costume me so and it's kind

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<v Speaker 2>of both of these. So when I started, they were

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<v Speaker 2>taking people off the streets in the business. And my

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<v Speaker 2>dad called me up one day and said, being Universal Studios,

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<v Speaker 2>but work boots and a hammer, You're going to be

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<v Speaker 2>a laborer. Okay, But actually I started before that. When

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<v Speaker 2>I was sixteen, I worked at Universal Tour okay.

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<v Speaker 3>Wood Oh yes, did you like were you miserable in

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<v Speaker 3>the suits? Or was that a fun job?

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<v Speaker 2>It was hot and heavy and horrible and loved it.

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<v Speaker 2>The kids just mad arts. You know about the old

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<v Speaker 2>timer thing. You know, those kids today today doesn't know

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<v Speaker 2>how hard it was back in. My dad right, because

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<v Speaker 2>the woody head was huge and it was made out

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<v Speaker 2>of this thick rubber stuff. Oh, I weighed like twenty pounds.

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<v Speaker 1>It was not breathable material.

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<v Speaker 3>I assume you're no.

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<v Speaker 2>It was it was like a velvet kind of a thing.

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<v Speaker 2>And then also for some reason, they wanted wood to

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<v Speaker 2>be fat, so they have like a fat suit and

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<v Speaker 2>a thing. And but like I said, you know you

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<v Speaker 2>oh and also you had to look out of the

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<v Speaker 2>mouth and it was like that yeah right, but you

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<v Speaker 2>know some of the girl looks up and goes, I

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<v Speaker 2>love you Woody, and it just it was the greatest.

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<v Speaker 3>Yeah, it was the great.

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<v Speaker 5>What fun what I like, what a fun sort of

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<v Speaker 5>introduction to the business.

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<v Speaker 3>Though, And I also heard that those characters.

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<v Speaker 5>Is really fun because you you it's it's a total cost.

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<v Speaker 5>Nobody knows you can be silly and you could, you know,

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<v Speaker 5>be totally over the top, and it's you get to

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<v Speaker 5>fully embrace being someone else.

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<v Speaker 2>Right, nobody knows. But I knew my way around studios anyway,

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<v Speaker 2>because I'm going back and forth about where was gonna

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<v Speaker 2>let this conversation, but I'll just say it now. So

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<v Speaker 2>my dad, when I was a kid, worked for Jerry Lewis. Okay,

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<v Speaker 2>back when Jerry Lewis was like he was making the

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<v Speaker 2>nutty Professor and stuff like that, like the yeah, yeah,

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<v Speaker 2>So for me, Paramount Studios was a playground growing up. Yeah,

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<v Speaker 2>it was pretty good. Get that. So so I was

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<v Speaker 2>on sets, you know, and and stuff like that.

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<v Speaker 3>Oh that's so cool.

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<v Speaker 1>Were you immediately drawn to the props or did you

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<v Speaker 1>kind of play around and do different roles.

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<v Speaker 2>I fell into that. You know, I was a laborer

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<v Speaker 2>for a couple of years, and and then those are

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<v Speaker 2>still the days of the studio system. So you'd work

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<v Speaker 2>in a studio and they would fight different things, and

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<v Speaker 2>so the prop department needed some guys, and.

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<v Speaker 5>You kind of would get moved around within the little Yeah, exactly, exactly.

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<v Speaker 2>And and I fell into that, and that's the one

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<v Speaker 2>that works best for my head.

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<v Speaker 3>Mm.

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<v Speaker 2>You know, I'm kind of a person that likes to

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<v Speaker 2>go from one thing to another thing. I'm one of

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<v Speaker 2>those three inches deep a mile wide kind of people,

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<v Speaker 2>you know.

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<v Speaker 3>Yeah, I relate.

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<v Speaker 2>Yeah, So, so I liked that the idea of figuring

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<v Speaker 2>something out and moving on to something else and figuring

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<v Speaker 2>something else out kind of a thing or even going

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<v Speaker 2>from show to show.

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<v Speaker 5>Right, you know, especially on a sitcom because every like

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<v Speaker 5>every week, I always say, it's like the ninth routine

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<v Speaker 5>of you know, you're kind of your your schedule, but

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<v Speaker 5>every week is some new problem to solve, some new

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<v Speaker 5>thing to do. Like it, It keeps you having to

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<v Speaker 5>think constantly because there you don't kind of get settled in, you.

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<v Speaker 2>Know, and it's like the best of both worlds that way.

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<v Speaker 2>M hm. You know you have the surety of a schedule,

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<v Speaker 2>but there's new things to you know, show the objects.

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<v Speaker 3>Yes, yes, exactly, new things to pique my attention.

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<v Speaker 5>Yeah, you started on Home improvement right, well, not started

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<v Speaker 5>on but like you you didn't considerable amount of improvement.

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<v Speaker 2>Yeah, which was a blast, It was. It was great fun.

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<v Speaker 2>It speaking of instant experts. So you know some of

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<v Speaker 2>the best acting happens behind camera. Very first show on

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<v Speaker 2>Home Improvement, and I was the whole show revolved around

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<v Speaker 2>Tim pat dancing at the end to a jukebox. All right,

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<v Speaker 2>they put a corner in the jukebox. It's their song,

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<v Speaker 2>the jukebox. You see it light up and play works

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<v Speaker 2>great all week long, works great all day blocking day. Right,

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<v Speaker 2>we get in front of the audience, it starts buzzing.

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<v Speaker 2>Pristadi says Steve, can you fix it?

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<v Speaker 1>No pressure?

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<v Speaker 2>And I say, yeah, absolutely, Thinking is the jukebox is

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<v Speaker 2>thirty feet away. I've got thirty feet to figure out

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<v Speaker 2>how to make this thing work.

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<v Speaker 3>You just hit it on top of A couple of times,

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<v Speaker 3>I started pulling.

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<v Speaker 2>Wires just because it had to light up. It had

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<v Speaker 2>to stay lit up and work. We couldn't make the

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<v Speaker 2>sound wow. So it's pulling wires and finally ended up working.

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<v Speaker 2>But that's that's the kind of thing that happens. So yeah,

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<v Speaker 2>Home Improvement seven years.

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<v Speaker 1>It was.

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<v Speaker 2>It was a blast. It was great fun.

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<v Speaker 5>Oh that's so I went to the set of Home

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<v Speaker 5>Improvement a couple of times. I was friends with zach

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<v Speaker 5>Ty Bryan. Yeah, he and I were friends because we're

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<v Speaker 5>about the same age, I believe, even officially. He was

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<v Speaker 5>kind of like my little boyfriend, like my little industry boyfriend,

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<v Speaker 5>which entailed like going trick or treating at his house,

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<v Speaker 5>I think, but he did. He came to full House

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<v Speaker 5>one time, and I had gone to Home Improvement a

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<v Speaker 5>couple of times, maybe just one time, but anyway, Yeah, I.

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<v Speaker 3>Was on set. We crossed paths, and it was meant

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<v Speaker 3>to be.

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<v Speaker 5>Just the thing I remember about Zach that all that

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<v Speaker 5>was that one time he was screwing around in my

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<v Speaker 5>mom's car and he opened the door while she was

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<v Speaker 5>driving like down Culver Boulevard or something, and.

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<v Speaker 3>She freaked out. She was just like, no, absolutely not.

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<v Speaker 3>I thought it was hilarious.

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<v Speaker 1>Not so much.

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<v Speaker 2>He was great, you know, those those kids were great

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<v Speaker 2>on that show, and actually everybody was. You know, Tim,

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<v Speaker 2>it was really interesting. Tim, Well, and you were on

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<v Speaker 2>the set a couple of times, so you would know

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<v Speaker 2>whenever those one of those inevitable technical glitches, we'dn't have

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<v Speaker 2>to wait for ten minutes. He would take that ten

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<v Speaker 2>minutes and and entertain the crew. It was great. It

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<v Speaker 2>was great.

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<v Speaker 5>When Bob would we'd have something like that and Bob

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<v Speaker 5>would go grab the mic and exactly exactly.

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<v Speaker 2>Well, you know, there's a lot of parallels the two shows.

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<v Speaker 2>I would say, we're most like a family.

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<v Speaker 3>M hmm.

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<v Speaker 2>His Home Improvement and floorhouse and you guys, it was

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<v Speaker 2>it was it was family. It was jump in ahead.

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<v Speaker 2>I'm sorry, So you two you know all right? So,

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<v Speaker 2>so I was in on only did the last two seasons,

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<v Speaker 2>right of yeah, I did the last two seasons. The

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<v Speaker 2>other day, I know it felt like for everyone that guy.

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<v Speaker 2>So I came into a situation where you guys did

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<v Speaker 2>full House for what nine years, and you'd already in

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<v Speaker 2>three years of Fuller House with a lot of the

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<v Speaker 2>people from that show.

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<v Speaker 3>Yeah, you know.

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<v Speaker 2>And I come in and it's the first day of

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<v Speaker 2>school at a new school, right, and I get it

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<v Speaker 2>to you two, We're so welcoming to me and made

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<v Speaker 2>me feel so at home and so comfortable. I will

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<v Speaker 2>always always remember you for that, really, thank you.

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<v Speaker 3>It's we we love adding to our full Fuller House family,

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<v Speaker 3>you know, it's we we love.

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<v Speaker 5>We've picked up so many new amazing in that crew

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<v Speaker 5>on Fuller House and you're definitely in there. But you know,

0:13:05.360 --> 0:13:09.120
<v Speaker 5>it is it's intimidating, and I can't imagine. I mean,

0:13:09.120 --> 0:13:13.959
<v Speaker 5>I've heard horror stories from people on set. Friend of

0:13:14.000 --> 0:13:18.520
<v Speaker 5>mine who's a set dresser, who had some horrific incidents

0:13:18.800 --> 0:13:23.880
<v Speaker 5>with certain actors who are just not very kind and

0:13:24.080 --> 0:13:27.400
<v Speaker 5>who you know, treat anyone below the line like you know,

0:13:27.600 --> 0:13:31.640
<v Speaker 5>they are just there to serve them, uh, And I

0:13:31.920 --> 0:13:34.360
<v Speaker 5>just I don't I don't ever, I don't ever understand

0:13:34.400 --> 0:13:36.720
<v Speaker 5>that mentality in this business, Like it's so much fun

0:13:36.840 --> 0:13:41.520
<v Speaker 5>to meet and create with other people, like and nobody

0:13:41.559 --> 0:13:44.440
<v Speaker 5>wants to be doing something when they're being yelled at fun.

0:13:44.600 --> 0:13:47.520
<v Speaker 2>No, no, you know, I've been that same dance. It sucks.

0:13:48.120 --> 0:13:49.240
<v Speaker 3>Yeah, they suck.

0:13:49.559 --> 0:13:53.080
<v Speaker 2>And what they don't realize is we're here to make

0:13:53.160 --> 0:13:56.800
<v Speaker 2>you look good, right right, yeah, and we want to

0:13:56.800 --> 0:13:57.439
<v Speaker 2>make you look good.

0:13:57.480 --> 0:14:00.679
<v Speaker 3>That's what we want to do, right yeah. Yeah, it's

0:14:00.840 --> 0:14:04.760
<v Speaker 3>it's a it's a team sport, you know, definitely a

0:14:04.840 --> 0:14:05.360
<v Speaker 3>team sport.

0:14:05.679 --> 0:14:05.880
<v Speaker 2>Yeah.

0:14:06.160 --> 0:14:09.360
<v Speaker 3>But now do you do you do any like single

0:14:09.440 --> 0:14:11.080
<v Speaker 3>camp stuff? More dramatic stuff.

0:14:11.679 --> 0:14:18.360
<v Speaker 2>I did, but I got too old for it, so

0:14:18.440 --> 0:14:21.520
<v Speaker 2>I did things like us, things like and Lacey. That's

0:14:21.560 --> 0:14:22.560
<v Speaker 2>why before you guys time.

0:14:22.840 --> 0:14:24.840
<v Speaker 3>Oh no, I remember Cagne and Lacey and my mom

0:14:24.880 --> 0:14:25.400
<v Speaker 3>loved that show.

0:14:25.680 --> 0:14:28.200
<v Speaker 2>Oh yeah, yeah, you know, I did some. I did

0:14:28.280 --> 0:14:30.520
<v Speaker 2>some movies too, like I did a Dennis Hopper movie

0:14:30.600 --> 0:14:32.600
<v Speaker 2>and and stuff like that. So it's a bunch of

0:14:32.600 --> 0:14:39.520
<v Speaker 2>single camera stuff. The last single camera I did was Shameless,

0:14:39.680 --> 0:14:41.760
<v Speaker 2>And I did like a month on the prop crew

0:14:42.040 --> 0:14:45.320
<v Speaker 2>with old friends of mine prop guys, and after a month,

0:14:45.440 --> 0:14:46.840
<v Speaker 2>I just said, I don't know how you guys do

0:14:46.920 --> 0:14:49.880
<v Speaker 2>it anymore. I'm going back to my sit joms, right,

0:14:50.520 --> 0:14:52.920
<v Speaker 2>I'm you know, but but also what happens. I'm a

0:14:52.960 --> 0:15:00.560
<v Speaker 2>theater guy and and Andrews and and what we're doing

0:15:00.680 --> 0:15:01.560
<v Speaker 2>putting on a play every week.

0:15:01.680 --> 0:15:04.440
<v Speaker 3>Yeah, yeah, you know, put a week.

0:15:04.760 --> 0:15:07.440
<v Speaker 2>I don't tell you if she told you. I tried

0:15:07.480 --> 0:15:09.000
<v Speaker 2>to get her into one of our plays.

0:15:10.080 --> 0:15:11.920
<v Speaker 1>I was very close. I did the table I did

0:15:12.000 --> 0:15:14.920
<v Speaker 1>the table read, but I couldn't commit to the to

0:15:15.080 --> 0:15:17.360
<v Speaker 1>drive it into La Forever, you know. I just I

0:15:17.400 --> 0:15:19.480
<v Speaker 1>couldn't commit at the time, but would have.

0:15:19.520 --> 0:15:23.280
<v Speaker 3>Been amazing, understand completely, absolutely.

0:15:22.720 --> 0:15:24.480
<v Speaker 1>Well, But that is a goal some day. I want

0:15:24.520 --> 0:15:25.920
<v Speaker 1>you to direct me someday.

0:15:28.200 --> 0:15:30.520
<v Speaker 3>Let's yes, I love what you do.

0:15:31.080 --> 0:15:33.440
<v Speaker 1>Yeah yeah, let's both of us. Let's all get it.

0:15:33.560 --> 0:15:37.440
<v Speaker 5>Let's I mean, it is like I you know, that

0:15:37.760 --> 0:15:41.920
<v Speaker 5>combination of the live show and the ability to screw

0:15:42.040 --> 0:15:45.760
<v Speaker 5>up and try something again is kind of it is

0:15:45.880 --> 0:15:49.000
<v Speaker 5>the best of both worlds. Yeah, you know, it's and

0:15:49.200 --> 0:15:53.040
<v Speaker 5>it is such a fun putting on a play every week.

0:15:53.040 --> 0:15:53.200
<v Speaker 3>You know.

0:15:53.800 --> 0:15:57.040
<v Speaker 2>Yeah, yeah, that's what you're doing, you know. And it's

0:15:57.080 --> 0:16:00.040
<v Speaker 2>interesting because when I first started directing, I I I

0:16:00.040 --> 0:16:01.960
<v Speaker 2>didn't go any school forward anything like that. I just

0:16:02.360 --> 0:16:05.040
<v Speaker 2>kind of fell into it. My whole life seems like

0:16:05.080 --> 0:16:06.520
<v Speaker 2>it's I just kind of fell into stuff.

0:16:06.320 --> 0:16:06.480
<v Speaker 3>You know.

0:16:09.640 --> 0:16:13.920
<v Speaker 2>And I remember the first day of rehearsal, thinking I

0:16:13.960 --> 0:16:15.240
<v Speaker 2>don't know what to say to these people. I have

0:16:15.320 --> 0:16:17.560
<v Speaker 2>no idea what to say to these people, and then

0:16:17.640 --> 0:16:21.000
<v Speaker 2>it all just kind of came right, and I realized

0:16:21.000 --> 0:16:25.760
<v Speaker 2>it was from being on sitcom stages forever watching the

0:16:25.920 --> 0:16:29.880
<v Speaker 2>greatest directors ever, because I did a season of Alice

0:16:30.120 --> 0:16:34.360
<v Speaker 2>also great show. Yeah, and it was and that was

0:16:34.400 --> 0:16:38.160
<v Speaker 2>the Isla Lucy people. Yeah, so you know, I was

0:16:38.200 --> 0:16:40.480
<v Speaker 2>watching them direct the shows and put the shows on

0:16:40.840 --> 0:16:43.840
<v Speaker 2>like that, and the same thing. Home Improvement was great directors,

0:16:43.920 --> 0:16:48.560
<v Speaker 2>you know, and it was just yeah, so it just

0:16:48.640 --> 0:16:50.479
<v Speaker 2>kind of all soaked in something.

0:16:51.000 --> 0:16:51.640
<v Speaker 3>Yeah, for sure.

0:16:52.080 --> 0:16:54.360
<v Speaker 5>I mean I feel like that kind of for us too,

0:16:54.520 --> 0:16:57.360
<v Speaker 5>with the writing and the directing. It was like, you

0:16:57.440 --> 0:17:00.600
<v Speaker 5>don't necessary you know, you just sort of it's in there,

0:17:01.360 --> 0:17:03.800
<v Speaker 5>like floating around, you know, the rhythm of a sitcom,

0:17:03.880 --> 0:17:05.520
<v Speaker 5>you know, the you know, you just kind of know

0:17:05.720 --> 0:17:06.119
<v Speaker 5>what it is.

0:17:13.720 --> 0:17:15.520
<v Speaker 2>Mean, I'm gonna pump you guys up a little bit.

0:17:16.520 --> 0:17:18.480
<v Speaker 2>You were talking about having having friends and you know,

0:17:18.880 --> 0:17:21.320
<v Speaker 2>other shows stuff like that. So I've got friends on

0:17:21.440 --> 0:17:26.240
<v Speaker 2>two different unnamed TV shows right now, and they're both

0:17:26.720 --> 0:17:29.840
<v Speaker 2>network shows, and you know, and we do the same

0:17:29.920 --> 0:17:31.440
<v Speaker 2>up shields and you know you're gonna watch the show

0:17:31.480 --> 0:17:33.439
<v Speaker 2>to support your friends and hoping the show is good, right,

0:17:34.800 --> 0:17:38.000
<v Speaker 2>And one of them was brutal. I could not watch

0:17:38.600 --> 0:17:41.560
<v Speaker 2>five minutes of it, and the other one was better,

0:17:41.640 --> 0:17:45.280
<v Speaker 2>but it like I kept like thinking like it's lost opportunities,

0:17:45.359 --> 0:17:48.879
<v Speaker 2>lost opportunities. When you guys called me, I decided to

0:17:48.960 --> 0:17:51.920
<v Speaker 2>watch my two seasons again just to refresh my memory.

0:17:53.080 --> 0:17:54.560
<v Speaker 2>And when you're in the middle of the show, you know,

0:17:54.680 --> 0:17:56.600
<v Speaker 2>I don't think you don't realize how good it is.

0:17:58.200 --> 0:18:01.760
<v Speaker 2>Fuller House was a great show. It was a thousand

0:18:01.840 --> 0:18:03.639
<v Speaker 2>times better than those two things. I just watched a

0:18:04.440 --> 0:18:07.120
<v Speaker 2>thousand times better. And I'm not saying this to bump

0:18:07.119 --> 0:18:09.840
<v Speaker 2>you up. I would say this to you guys faces. Yeah,

0:18:09.960 --> 0:18:11.560
<v Speaker 2>if this camera was not on stuff like that, you

0:18:11.600 --> 0:18:15.600
<v Speaker 2>know it was. It was great. It was great, and

0:18:15.720 --> 0:18:19.800
<v Speaker 2>you too, were fantastic. Steve.

0:18:19.800 --> 0:18:22.080
<v Speaker 1>You got to give yourself credit to because your kind,

0:18:22.240 --> 0:18:26.639
<v Speaker 1>yes was so infectious, Like you had an endless amount

0:18:26.720 --> 0:18:29.720
<v Speaker 1>of patience, which I imagine is a huge component of

0:18:30.040 --> 0:18:33.040
<v Speaker 1>the job, as the actors move all the props right

0:18:33.119 --> 0:18:35.840
<v Speaker 1>after you set them, right before the scene. But you

0:18:35.880 --> 0:18:37.800
<v Speaker 1>always had a smile on your face or a joke

0:18:37.920 --> 0:18:40.280
<v Speaker 1>to tell or a nice thing to say, and so

0:18:40.920 --> 0:18:43.440
<v Speaker 1>we were just responding to that. You know that you

0:18:43.560 --> 0:18:48.000
<v Speaker 1>were just oozing kindness and instant friends, instant friends with us.

0:18:48.160 --> 0:18:51.760
<v Speaker 2>Thank you. Yes, well, we bonded over something else, but

0:18:51.920 --> 0:18:52.359
<v Speaker 2>that's you.

0:18:52.359 --> 0:18:55.879
<v Speaker 1>Know, we did, Yes, Jody knows forever.

0:18:56.359 --> 0:18:59.920
<v Speaker 3>Yeah, I just I was around for peak forever plaid

0:19:00.080 --> 0:19:00.800
<v Speaker 3>ab days.

0:19:01.000 --> 0:19:04.200
<v Speaker 2>Let me tell you, well, well, speaking of you being

0:19:04.280 --> 0:19:08.320
<v Speaker 2>on the Home improvement set, we were Andy and I

0:19:08.359 --> 0:19:10.960
<v Speaker 2>were probably both in that same theater twenty times together.

0:19:11.080 --> 0:19:11.879
<v Speaker 3>They can probably.

0:19:12.080 --> 0:19:14.800
<v Speaker 1>Yeah, yeah, I could not know.

0:19:14.880 --> 0:19:16.040
<v Speaker 2>I was a total plaid head.

0:19:16.440 --> 0:19:19.400
<v Speaker 3>Oh, I couldn't get I remember it, I remember going

0:19:19.520 --> 0:19:22.520
<v Speaker 3>with you. It was Yeah, it's so graice.

0:19:23.080 --> 0:19:25.960
<v Speaker 1>I just I was telling Jody last week that I

0:19:26.040 --> 0:19:27.840
<v Speaker 1>pulled out a bunch of boxes full of stuff and

0:19:27.880 --> 0:19:30.720
<v Speaker 1>I found a lot of my forever plaid stuff, my

0:19:30.920 --> 0:19:34.280
<v Speaker 1>jacket and like a framed picture of the four guys

0:19:34.320 --> 0:19:38.440
<v Speaker 1>that they had autographed like all programs. It's just so cool,

0:19:38.880 --> 0:19:41.840
<v Speaker 1>so cool. If they ever dow a reunion show, you

0:19:41.960 --> 0:19:45.320
<v Speaker 1>and I are going, yeah, absolutely, Well, you know.

0:19:45.640 --> 0:19:47.200
<v Speaker 2>We almost got him over to the stage, but it

0:19:47.240 --> 0:19:47.680
<v Speaker 2>didn't work.

0:19:47.880 --> 0:19:49.159
<v Speaker 1>Yes, yeah, I know you that's right.

0:19:49.240 --> 0:19:50.320
<v Speaker 3>I know we tried. You were trying.

0:19:50.400 --> 0:19:52.439
<v Speaker 2>Yes, yeah, well that's the end of another story, I think.

0:19:54.520 --> 0:19:56.840
<v Speaker 2>But you know that the other you guys made it

0:19:56.960 --> 0:20:00.960
<v Speaker 2>easy for me as a prop guy. Really to say that,

0:20:02.160 --> 0:20:02.679
<v Speaker 2>I'm shocked.

0:20:03.800 --> 0:20:06.120
<v Speaker 5>No, I will say we were better than the than

0:20:06.160 --> 0:20:09.600
<v Speaker 5>the guys, I know that for sure, and probably better

0:20:09.640 --> 0:20:10.480
<v Speaker 5>than we knew.

0:20:10.320 --> 0:20:12.359
<v Speaker 3>Where the living went back and we left it alone,

0:20:12.400 --> 0:20:14.399
<v Speaker 3>and I just yeah, Bob David John would pick it

0:20:14.480 --> 0:20:15.560
<v Speaker 3>up and it would go walking around.

0:20:15.800 --> 0:20:19.400
<v Speaker 2>Well, you would never know. Yeah, it's it's the hell

0:20:19.480 --> 0:20:19.600
<v Speaker 2>is it?

0:20:19.760 --> 0:20:19.879
<v Speaker 3>Now?

0:20:20.040 --> 0:20:20.480
<v Speaker 2>Where'd he go?

0:20:22.240 --> 0:20:24.160
<v Speaker 1>I just remember every time I would pick up a mug,

0:20:24.280 --> 0:20:26.800
<v Speaker 1>the mug with the K on it, and take a drink,

0:20:27.080 --> 0:20:31.360
<v Speaker 1>Steve would be instantly there with his little invisible light flashlight,

0:20:31.960 --> 0:20:34.720
<v Speaker 1>turning it exactly because you know you can never you

0:20:35.160 --> 0:20:37.120
<v Speaker 1>you knew you had that identic memory, so you knew

0:20:37.160 --> 0:20:39.280
<v Speaker 1>exactly how the cup should be on the table.

0:20:40.080 --> 0:20:42.200
<v Speaker 5>Well, wait, why don't we have Steve explain what the

0:20:42.280 --> 0:20:44.960
<v Speaker 5>little secret magic light is. Yeah, he's not just flashing

0:20:45.000 --> 0:20:46.000
<v Speaker 5>a flashlight on a thing.

0:20:46.080 --> 0:20:51.600
<v Speaker 2>And yeah sure, so so yeah, your I like to

0:20:51.640 --> 0:20:54.080
<v Speaker 2>tell people the hardest part of my day is remembering

0:20:54.080 --> 0:20:56.080
<v Speaker 2>who gets the K mug? Who gets the s mug,

0:20:56.119 --> 0:21:00.760
<v Speaker 2>you know, but so you know, if if the mug

0:21:00.960 --> 0:21:05.119
<v Speaker 2>is on the kitchen counter there and you go to

0:21:05.240 --> 0:21:07.159
<v Speaker 2>drink some coffee and then you maybe you walk up

0:21:07.160 --> 0:21:09.639
<v Speaker 2>to the table and that sort of thing. If we

0:21:09.760 --> 0:21:12.439
<v Speaker 2>do take two, the mug needs to start in exactly

0:21:12.480 --> 0:21:15.359
<v Speaker 2>the same place and none of the exactly the same place.

0:21:15.480 --> 0:21:20.200
<v Speaker 2>But which way is the handle facing? And so I

0:21:20.400 --> 0:21:26.040
<v Speaker 2>had a ultra violet flashlight and ultraviolet marking pins and

0:21:26.160 --> 0:21:28.160
<v Speaker 2>so the marketing that I make a little circle around

0:21:28.200 --> 0:21:30.720
<v Speaker 2>the cup and also a little line where the handle was,

0:21:32.280 --> 0:21:33.800
<v Speaker 2>and so you can't see it on camera, but then

0:21:33.800 --> 0:21:36.320
<v Speaker 2>I did my little flashlight and then that's where it'd be.

0:21:36.800 --> 0:21:37.480
<v Speaker 1>It's brilliant.

0:21:37.680 --> 0:21:38.800
<v Speaker 3>It's brilliant. The same things.

0:21:38.840 --> 0:21:41.320
<v Speaker 1>You don't know though, unless you're on a set witnessing it.

0:21:41.480 --> 0:21:43.320
<v Speaker 1>Like people don't know these little tricks.

0:21:43.920 --> 0:21:44.280
<v Speaker 3>I love it.

0:21:44.680 --> 0:21:45.240
<v Speaker 1>That's so cool.

0:21:45.320 --> 0:21:47.639
<v Speaker 3>I never I had never seen the little UV light

0:21:47.760 --> 0:21:52.520
<v Speaker 3>trick until like, yeah, yeah, what's that? What are you doing?

0:21:53.160 --> 0:21:56.359
<v Speaker 3>What's happening? Is there a secret message? Somebody read it

0:21:56.400 --> 0:21:57.560
<v Speaker 3>an invisible ink? Yeah?

0:21:57.720 --> 0:22:00.879
<v Speaker 2>Like oh I should done that kind have been a

0:22:00.920 --> 0:22:03.560
<v Speaker 2>good idea. Oh there you go a booger.

0:22:05.040 --> 0:22:07.960
<v Speaker 1>Yes, with the cheerios or not the cheerios, the alphabets

0:22:08.119 --> 0:22:08.800
<v Speaker 1>or whatever.

0:22:10.160 --> 0:22:12.840
<v Speaker 2>It was. It was, Yes, that's so great.

0:22:13.160 --> 0:22:14.639
<v Speaker 1>Now where do you get all these props?

0:22:14.800 --> 0:22:16.000
<v Speaker 3>Do you buy them all?

0:22:16.280 --> 0:22:16.440
<v Speaker 2>Do you?

0:22:16.640 --> 0:22:19.160
<v Speaker 1>Is there a big like a warehouse somewhere like where

0:22:19.200 --> 0:22:20.439
<v Speaker 1>do you? Where do you go to get all?

0:22:20.800 --> 0:22:23.240
<v Speaker 2>So so, first of all, you know, I'm the on

0:22:23.440 --> 0:22:26.719
<v Speaker 2>set prop guy. And then we had Jim Falkenstein, who

0:22:28.680 --> 0:22:30.800
<v Speaker 2>just a great, great, great prop master.

0:22:31.520 --> 0:22:33.879
<v Speaker 3>We're just talking about Jim and his tuxedo.

0:22:34.160 --> 0:22:37.960
<v Speaker 2>Oh my god, I've got to get you the book. Yes,

0:22:38.160 --> 0:22:41.480
<v Speaker 2>the other of all of the people that he photo bombed.

0:22:41.680 --> 0:22:43.960
<v Speaker 3>Oh no, yes, I love it. That's right, because he

0:22:44.040 --> 0:22:46.760
<v Speaker 3>photo bombs everybody in the yellow text here. It's so great.

0:22:47.160 --> 0:22:50.000
<v Speaker 2>Yeah, and it's hilarious and every single person he puts,

0:22:50.240 --> 0:22:55.240
<v Speaker 2>my best friend great, think about it. It's it's hilarious.

0:22:55.400 --> 0:22:59.119
<v Speaker 2>So but so he's the really the creative force, and

0:22:59.320 --> 0:23:02.680
<v Speaker 2>he's the on that we read the script and he's

0:23:03.400 --> 0:23:05.720
<v Speaker 2>you know, we've got some wacky prop again this week.

0:23:06.359 --> 0:23:10.920
<v Speaker 3>He's always always a wacky prop on a on a sitcom. Yep,

0:23:11.000 --> 0:23:11.880
<v Speaker 3>what do I need to make?

0:23:12.240 --> 0:23:15.399
<v Speaker 2>That's yes, and lots of food and a lot of

0:23:15.440 --> 0:23:17.800
<v Speaker 2>sort of thing, and so so he's the one. So

0:23:18.359 --> 0:23:21.480
<v Speaker 2>there are warehouses that you can rent stuff from, like

0:23:21.760 --> 0:23:24.800
<v Speaker 2>normal stuff, and then sometimes you buy stuff. You know,

0:23:24.880 --> 0:23:28.560
<v Speaker 2>Amazon has become a prop master's best friend now, you know,

0:23:28.720 --> 0:23:30.280
<v Speaker 2>used to be you have to like research stuff and

0:23:30.320 --> 0:23:33.600
<v Speaker 2>try to find it, and now it's just and then

0:23:33.640 --> 0:23:37.520
<v Speaker 2>also make things, you know, and make things and and

0:23:37.640 --> 0:23:42.040
<v Speaker 2>then my job was more know where everything goes, get

0:23:42.080 --> 0:23:43.800
<v Speaker 2>it there, get in your guys hands, stay the hell

0:23:43.840 --> 0:23:49.080
<v Speaker 2>out of your way, lease set when you're you know, yeah,

0:23:49.560 --> 0:23:50.840
<v Speaker 2>between takes and that sort of thing.

0:23:51.200 --> 0:23:54.760
<v Speaker 1>I forgot and also anticipation too. I'm sorry I forgot

0:23:54.800 --> 0:23:56.840
<v Speaker 1>that you guys were in charge of the food. Oh

0:23:56.880 --> 0:24:00.399
<v Speaker 1>can I forget that, like all of those sandwiching contests.

0:24:01.560 --> 0:24:05.280
<v Speaker 3>Our actor treats. Yes, we'd be eating all of our

0:24:05.359 --> 0:24:08.840
<v Speaker 3>little almond thin crackers and be like, yeah.

0:24:14.000 --> 0:24:15.920
<v Speaker 1>You're so good to always ask us like, oh, do

0:24:16.000 --> 0:24:19.399
<v Speaker 1>you have a flavor preference of whether it's a donut

0:24:19.560 --> 0:24:22.600
<v Speaker 1>or what we were eating. You were always good to

0:24:22.800 --> 0:24:24.479
<v Speaker 1>have any allergies, Do you need flavors?

0:24:24.480 --> 0:24:25.560
<v Speaker 3>What do you want in the mug?

0:24:26.000 --> 0:24:26.200
<v Speaker 2>Yeah?

0:24:26.640 --> 0:24:28.120
<v Speaker 3>It was very conscientious.

0:24:28.200 --> 0:24:29.760
<v Speaker 1>Yeah, cremer with your cool, Well, you.

0:24:29.760 --> 0:24:31.640
<v Speaker 2>Guys gotta eat it. You know, it's like, let's give

0:24:31.640 --> 0:24:34.200
<v Speaker 2>you something you like. Yeah, right, you know what the

0:24:34.320 --> 0:24:37.720
<v Speaker 2>heck I mean the deal? Although I say you guys

0:24:37.800 --> 0:24:44.639
<v Speaker 2>were good about the whole the fake eating, fake drinking

0:24:45.080 --> 0:24:47.159
<v Speaker 2>a lot of times. Yeah, you know, you're like, it

0:24:47.240 --> 0:24:48.800
<v Speaker 2>looks like I'm look looking, I'm drinking out of this

0:24:48.920 --> 0:24:51.200
<v Speaker 2>and you're not drinking a damn right, I'm not ding

0:24:51.200 --> 0:24:52.720
<v Speaker 2>by do Can we see that?

0:24:53.480 --> 0:24:55.040
<v Speaker 1>Wake up?

0:24:55.119 --> 0:24:55.840
<v Speaker 3>San Francisco.

0:24:56.000 --> 0:24:56.240
<v Speaker 1>Mine.

0:24:56.400 --> 0:24:57.119
<v Speaker 3>It's so cool.

0:24:57.840 --> 0:25:01.720
<v Speaker 1>I love it. Did you te any props from Fuller

0:25:01.800 --> 0:25:02.879
<v Speaker 1>House like the rest of us?

0:25:03.160 --> 0:25:04.800
<v Speaker 3>Just just the one?

0:25:05.800 --> 0:25:08.080
<v Speaker 2>I got two props we mentioned both shows. I've gone

0:25:08.480 --> 0:25:12.200
<v Speaker 2>one of the original tool benches from Home Improvement and uh.

0:25:13.400 --> 0:25:18.560
<v Speaker 1>Yeah, that's so cool. Okay, so you get props from

0:25:18.600 --> 0:25:21.800
<v Speaker 1>the warehouse or from Amazon? How much lead time do

0:25:21.920 --> 0:25:24.440
<v Speaker 1>you have, like, do does production give you a list

0:25:24.520 --> 0:25:25.920
<v Speaker 1>of the props or do you have to read through

0:25:25.960 --> 0:25:28.880
<v Speaker 1>the script and mark every time you see a prop?

0:25:29.640 --> 0:25:32.879
<v Speaker 2>It's both, you know, Ron and Ron and John and

0:25:34.160 --> 0:25:39.159
<v Speaker 2>and and uh Steve and Bark and Brian. Right. They

0:25:39.240 --> 0:25:43.760
<v Speaker 2>were good about if there was some super wacky prop

0:25:45.200 --> 0:25:48.320
<v Speaker 2>to give Jim lead time on that for a couple

0:25:48.320 --> 0:25:49.720
<v Speaker 2>of weeks or a week or something like that.

0:25:50.160 --> 0:25:53.000
<v Speaker 3>All I can ever think of is that Rube Goldberg machine.

0:25:53.720 --> 0:25:54.359
<v Speaker 2>Poor Jim.

0:25:55.960 --> 0:25:59.000
<v Speaker 3>Crap I thought about. That's the I use that as

0:25:59.040 --> 0:26:01.399
<v Speaker 3>an example of like the hell that prop people have

0:26:01.520 --> 0:26:03.119
<v Speaker 3>to go through, and they're like, hey, can you be

0:26:03.160 --> 0:26:04.600
<v Speaker 3>an engineer this week and do this?

0:26:05.240 --> 0:26:08.920
<v Speaker 2>Oh my lord, and he spent the entire weekend. I'm

0:26:08.960 --> 0:26:12.480
<v Speaker 2>not sure he slept. It was. Oh that one was

0:26:12.520 --> 0:26:14.400
<v Speaker 2>a hot I feel so bad for him that week.

0:26:14.480 --> 0:26:15.040
<v Speaker 2>Oh my god.

0:26:16.040 --> 0:26:17.879
<v Speaker 3>Yeah, and he didn't even get the credit.

0:26:18.840 --> 0:26:19.480
<v Speaker 1>Got it? Okay?

0:26:21.600 --> 0:26:24.040
<v Speaker 2>Dam it? Oh man?

0:26:24.520 --> 0:26:26.840
<v Speaker 1>Okay, So you've got about maybe a week lead time

0:26:28.000 --> 0:26:31.120
<v Speaker 1>and then when they rewrite the script, sometimes they'll change

0:26:31.160 --> 0:26:32.600
<v Speaker 1>the props and then you guys just have to.

0:26:32.760 --> 0:26:35.159
<v Speaker 2>Adjustst and you have to adjust on the fly, and

0:26:35.200 --> 0:26:38.560
<v Speaker 2>that's what you do, you know, But it's only a

0:26:38.600 --> 0:26:40.200
<v Speaker 2>big thing. They'll give you a week lead time on.

0:26:40.359 --> 0:26:42.920
<v Speaker 2>You know, most of the stuff we don't find out

0:26:42.920 --> 0:26:45.760
<v Speaker 2>about until we've read the script. And some shows it's

0:26:45.800 --> 0:26:49.359
<v Speaker 2>the morning of there's a script, you know, it's the

0:26:50.160 --> 0:26:53.119
<v Speaker 2>you know, just before the table read and uh, the

0:26:53.200 --> 0:26:56.680
<v Speaker 2>provision suppress you mean first table read. Then I don't

0:26:56.720 --> 0:26:58.400
<v Speaker 2>know what you guys do, have a mudpath or something

0:26:58.520 --> 0:27:02.040
<v Speaker 2>for an hour and then we rehearse, right, and so

0:27:02.240 --> 0:27:08.120
<v Speaker 2>in that time, I'm like pulling together what I can

0:27:08.240 --> 0:27:11.280
<v Speaker 2>for AST to rehearsal that first day, to stand in

0:27:11.520 --> 0:27:15.080
<v Speaker 2>for whatever we're going to really use, you know, because

0:27:15.080 --> 0:27:18.080
<v Speaker 2>for me it's important. So my training was U hoging training,

0:27:18.960 --> 0:27:20.760
<v Speaker 2>and her thing was all about the props.

0:27:21.200 --> 0:27:23.600
<v Speaker 3>Yeah, you know your hands.

0:27:24.119 --> 0:27:26.040
<v Speaker 2>Yes, So it's so important to me to get something

0:27:26.080 --> 0:27:27.760
<v Speaker 2>in your guys' hands immediately.

0:27:29.200 --> 0:27:29.359
<v Speaker 1>You know.

0:27:30.640 --> 0:27:33.800
<v Speaker 3>It's true. It does make something feel like you're you know,

0:27:33.960 --> 0:27:36.200
<v Speaker 3>when you're rocking around your house or doing something, chances

0:27:36.240 --> 0:27:37.920
<v Speaker 3>are you've got something in your hand that's going from

0:27:37.960 --> 0:27:40.560
<v Speaker 3>one place to another or that's you know, and it

0:27:40.720 --> 0:27:43.400
<v Speaker 3>get you do feel awkward sometimes on care like where

0:27:43.440 --> 0:27:45.920
<v Speaker 3>do I put my hands? You know, but like I

0:27:46.160 --> 0:27:49.960
<v Speaker 3>have something or and it gives me business hands always

0:27:50.000 --> 0:27:50.480
<v Speaker 3>have business.

0:27:50.840 --> 0:27:52.359
<v Speaker 2>Your prop can do a lot of work for you.

0:27:53.600 --> 0:27:55.200
<v Speaker 2>You know, you can do a lot of work for you.

0:27:55.520 --> 0:27:57.600
<v Speaker 2>So you know, so it's always important to me to

0:27:57.640 --> 0:28:01.040
<v Speaker 2>get get that stuff in your hands. Even it wasn't

0:28:01.040 --> 0:28:03.760
<v Speaker 2>exactly the right thing, it was you're gonna have a thing.

0:28:03.760 --> 0:28:06.280
<v Speaker 3>Here right right, yeah, because it does.

0:28:06.560 --> 0:28:09.320
<v Speaker 5>I mean, I the one thing that's always different to

0:28:09.480 --> 0:28:11.760
<v Speaker 5>is like going from sitcom to single cam when you

0:28:11.800 --> 0:28:16.000
<v Speaker 5>don't really have a lot of the rehearsal time, and

0:28:16.160 --> 0:28:18.560
<v Speaker 5>like getting on a single cam set and it's like, okay,

0:28:19.040 --> 0:28:22.280
<v Speaker 5>you got on your lines and everything, but now here's

0:28:22.480 --> 0:28:24.560
<v Speaker 5>gonna be the blocking. And then also you're gonna do

0:28:24.640 --> 0:28:26.600
<v Speaker 5>it with this thing in your hand that you haven't

0:28:26.600 --> 0:28:27.080
<v Speaker 5>done it before.

0:28:27.160 --> 0:28:28.440
<v Speaker 3>Let's run it a couple of times.

0:28:28.280 --> 0:28:28.760
<v Speaker 2>And then let's go.

0:28:28.960 --> 0:28:31.600
<v Speaker 3>You know, I mean, particularly on like those shorter you know,

0:28:31.800 --> 0:28:35.440
<v Speaker 3>Hallmark movies or whatever, but props change everything.

0:28:35.800 --> 0:28:38.560
<v Speaker 2>Oh yeah, and I don't know on the Hallmark movies

0:28:38.640 --> 0:28:40.080
<v Speaker 2>they're shooting all those digital now too.

0:28:41.320 --> 0:28:41.720
<v Speaker 3>Oh yeah.

0:28:42.320 --> 0:28:47.600
<v Speaker 2>So my time on Shameless was you know, I hadn't

0:28:47.680 --> 0:28:50.440
<v Speaker 2>done single cameras and since like Taggy and Lacy, so

0:28:50.920 --> 0:28:53.000
<v Speaker 2>it was a twenty year So that used to always

0:28:53.000 --> 0:28:57.000
<v Speaker 2>be film, right, you know, and in film it would

0:28:57.000 --> 0:28:59.280
<v Speaker 2>be all right, we're gonna block it.

0:28:59.760 --> 0:29:03.880
<v Speaker 3>Now, gonna light it for two hours, and so you

0:29:03.960 --> 0:29:05.200
<v Speaker 3>know that's still a thing.

0:29:08.920 --> 0:29:10.640
<v Speaker 2>They would rehearse it and it's like we're shooting now.

0:29:11.480 --> 0:29:14.320
<v Speaker 2>Oh and so I was just like the third guy

0:29:14.520 --> 0:29:16.800
<v Speaker 2>prop guy, you know, I'm like, okay, we're not breakfasteing

0:29:16.840 --> 0:29:19.640
<v Speaker 2>next okay, fine, the reversion right now, all kind of

0:29:19.680 --> 0:29:24.760
<v Speaker 2>start making breakfast. They complying, where's the food? Where's the food? God?

0:29:28.080 --> 0:29:29.600
<v Speaker 3>Yeah, most of the time it takes.

0:29:29.400 --> 0:29:31.959
<v Speaker 5>A little while before you're like, get to set, get

0:29:32.000 --> 0:29:34.760
<v Speaker 5>to that, and then they're like, relight it.

0:29:35.240 --> 0:29:35.440
<v Speaker 2>Yeah.

0:29:36.680 --> 0:29:39.880
<v Speaker 1>I remember your big cart, like your big black cart

0:29:39.960 --> 0:29:41.880
<v Speaker 1>that you would wheel from set to set, and you

0:29:41.880 --> 0:29:46.000
<v Speaker 1>always had like mints or something for us to What

0:29:46.080 --> 0:29:48.880
<v Speaker 1>are some of your tricks for like staying organized? Do

0:29:48.960 --> 0:29:51.240
<v Speaker 1>you line props up a certain way? Do you have

0:29:51.360 --> 0:29:54.680
<v Speaker 1>a list, like what are your organizational I have lists.

0:29:54.960 --> 0:29:55.640
<v Speaker 3>I have a.

0:29:57.200 --> 0:30:00.880
<v Speaker 2>Uh so I use like a legal pad and each

0:30:01.040 --> 0:30:04.520
<v Speaker 2>scene will be one page of legal pad over that,

0:30:05.320 --> 0:30:09.680
<v Speaker 2>and then I'll try to organize the prompts on my

0:30:09.840 --> 0:30:13.840
<v Speaker 2>cart per scene, okay, you know, and and put them

0:30:13.880 --> 0:30:16.280
<v Speaker 2>in bankers boxes or whatever, depend on how much stuff

0:30:16.280 --> 0:30:19.320
<v Speaker 2>you've got and that sort of thing. I'm also I

0:30:19.480 --> 0:30:21.760
<v Speaker 2>was also good at like hiding stuff around the set,

0:30:23.040 --> 0:30:24.400
<v Speaker 2>you know, so like if we had a bunch of

0:30:24.440 --> 0:30:26.360
<v Speaker 2>stuff for the next thing that's gonna go up on

0:30:26.360 --> 0:30:27.720
<v Speaker 2>the counter, there a bunch of food and stuff. A

0:30:27.760 --> 0:30:30.160
<v Speaker 2>lot of them have been in the cabinets underneath.

0:30:30.240 --> 0:30:32.000
<v Speaker 3>Oh yeah, right, that sort of thing.

0:30:32.520 --> 0:30:36.800
<v Speaker 1>Yeah, sort of pressmart so smart yep, thank you.

0:30:38.000 --> 0:30:40.360
<v Speaker 2>The best thing for that cart. My memory of the

0:30:40.440 --> 0:30:46.600
<v Speaker 2>cart too, is is that on show night, I would

0:30:46.640 --> 0:30:50.680
<v Speaker 2>perk the cart right outside the it's only always open door.

0:30:51.080 --> 0:30:52.640
<v Speaker 5>I was gonna say, I can picture, and now I

0:30:52.720 --> 0:30:55.640
<v Speaker 5>was like, oh, it's it's right outside the living room.

0:30:56.000 --> 0:30:58.240
<v Speaker 2>There, exactly right outside the living room there, And it

0:30:58.360 --> 0:31:00.280
<v Speaker 2>was like and that was fun for me because because

0:31:00.800 --> 0:31:03.520
<v Speaker 2>that's where you guys will huddle before the first thing.

0:31:03.480 --> 0:31:03.600
<v Speaker 1>You know.

0:31:03.760 --> 0:31:07.800
<v Speaker 3>So, so yeah, you always saw us being ridiculous doing

0:31:07.920 --> 0:31:10.320
<v Speaker 3>something stupid off camera, then just walk right in the door.

0:31:21.280 --> 0:31:24.720
<v Speaker 1>Now what happens when an actor takes the props from

0:31:24.760 --> 0:31:28.320
<v Speaker 1>your cart and autographs them all by accident?

0:31:29.320 --> 0:31:30.040
<v Speaker 2>Did that happen?

0:31:31.960 --> 0:31:33.080
<v Speaker 1>I'm wearing I'm wearing.

0:31:36.080 --> 0:31:36.640
<v Speaker 2>Do you have any more?

0:31:37.520 --> 0:31:38.160
<v Speaker 3>I do I have?

0:31:38.760 --> 0:31:39.440
<v Speaker 2>I have one?

0:31:39.720 --> 0:31:42.200
<v Speaker 1>I have one that Jodi signed. It says how rude.

0:31:42.680 --> 0:31:49.880
<v Speaker 3>Yeah, she signed the signed T shirt. Yes, for those

0:31:49.920 --> 0:31:51.600
<v Speaker 3>that don't know what Andrew is wearing and not only

0:31:51.640 --> 0:31:54.480
<v Speaker 3>listening to this, and she is wearing a white T

0:31:54.640 --> 0:31:58.040
<v Speaker 3>shirt that has my signature across the front of it.

0:31:59.040 --> 0:32:02.400
<v Speaker 3>And we're gonna tell you why. Here, here we go.

0:32:02.640 --> 0:32:04.520
<v Speaker 3>We've got alluded to this, but we need to hear

0:32:04.880 --> 0:32:08.080
<v Speaker 3>I've alluded to it, but we now have We now

0:32:08.200 --> 0:32:09.200
<v Speaker 3>have the source.

0:32:09.800 --> 0:32:12.320
<v Speaker 2>So were you guys already in the middle of your

0:32:12.360 --> 0:32:13.560
<v Speaker 2>prank war when this happened?

0:32:13.720 --> 0:32:15.520
<v Speaker 1>This was started prank the start.

0:32:15.560 --> 0:32:17.600
<v Speaker 3>I think this was the start of the prank war, right,

0:32:17.800 --> 0:32:21.360
<v Speaker 3>did it started? No? We I think we had. I

0:32:21.480 --> 0:32:27.520
<v Speaker 3>think the post its were first. I put you were

0:32:27.600 --> 0:32:31.320
<v Speaker 3>taking a nap, and I covered your entire door in Uh.

0:32:31.920 --> 0:32:34.200
<v Speaker 2>That came after, for sure.

0:32:34.280 --> 0:32:35.520
<v Speaker 3>Okay, that was after.

0:32:35.640 --> 0:32:38.160
<v Speaker 2>Okay, So all right, So there's two things. One is

0:32:39.520 --> 0:32:43.680
<v Speaker 2>is so if the people know, so when you're exiting

0:32:43.720 --> 0:32:45.960
<v Speaker 2>through the always always open door when you go outside.

0:32:46.480 --> 0:32:48.760
<v Speaker 2>Around to the right, I had a little prop table,

0:32:49.600 --> 0:32:51.880
<v Speaker 2>so if an actor was had to come in with

0:32:51.960 --> 0:32:54.600
<v Speaker 2>a prop, that's what the problem would be. Here's your purse,

0:32:55.080 --> 0:32:58.840
<v Speaker 2>here's whatever. Then we all sat another table over by

0:32:58.880 --> 0:33:01.880
<v Speaker 2>our prop room, which was down the bottom of the

0:33:01.920 --> 0:33:05.240
<v Speaker 2>stairs back behind the set, which was right on the

0:33:05.320 --> 0:33:09.040
<v Speaker 2>way to the stage. And Jim had a genius idea.

0:33:09.040 --> 0:33:12.640
<v Speaker 2>Because you guys are always having to like sign program

0:33:12.800 --> 0:33:18.120
<v Speaker 2>a program, Yeah, you had to sign stuff. So Jim

0:33:18.120 --> 0:33:21.120
<v Speaker 2>would put all this stuff on that table and Mark

0:33:21.240 --> 0:33:24.120
<v Speaker 2>and marking pans, and you guys just knew sign here

0:33:24.320 --> 0:33:27.080
<v Speaker 2>to sign it. You sign us up on the way in. Ye.

0:33:27.240 --> 0:33:29.680
<v Speaker 3>So if it's sitting there, gets something very rich for

0:33:29.800 --> 0:33:31.400
<v Speaker 3>us every week exactly.

0:33:31.520 --> 0:33:35.280
<v Speaker 2>It was just a normal thing. So one week we

0:33:35.440 --> 0:33:37.720
<v Speaker 2>had it was on there. It was the run of

0:33:39.320 --> 0:33:43.520
<v Speaker 2>of Jackson being the football player, right and so right,

0:33:45.080 --> 0:33:48.320
<v Speaker 2>helmet on the prop table right outside the door.

0:33:49.040 --> 0:33:52.600
<v Speaker 5>Yeah, nice shiny little prop. Just a nice football helmet,

0:33:52.920 --> 0:33:53.800
<v Speaker 5>probably not a cheap one.

0:33:54.840 --> 0:33:57.000
<v Speaker 2>It was great. It was beautiful. And on one take

0:33:57.240 --> 0:33:58.960
<v Speaker 2>he comes in. I go and I look at it.

0:33:59.040 --> 0:34:02.840
<v Speaker 2>They go, what's that on? There's something on his helmet?

0:34:02.920 --> 0:34:04.800
<v Speaker 2>What the heck is it? Did? I get it dirty?

0:34:05.360 --> 0:34:07.800
<v Speaker 2>And I get the helmet and it's got Jody's signature

0:34:07.880 --> 0:34:13.839
<v Speaker 2>on it. Oh god.

0:34:14.360 --> 0:34:18.239
<v Speaker 3>And then so did everything else on the table? I

0:34:18.280 --> 0:34:22.759
<v Speaker 3>mean there was a foam finger, Yeah, yep, there was

0:34:23.440 --> 0:34:26.520
<v Speaker 3>because someone said make sure you sign the stuff on

0:34:26.640 --> 0:34:30.760
<v Speaker 3>the table right right. The first table I came across

0:34:31.000 --> 0:34:34.480
<v Speaker 3>was that one. And you know, we would give props.

0:34:34.160 --> 0:34:36.200
<v Speaker 5>Away, we would do stuff like that, you know, so

0:34:36.239 --> 0:34:37.680
<v Speaker 5>I was like, oh, wow, we're giving a lot of

0:34:37.719 --> 0:34:38.720
<v Speaker 5>wraps away this week.

0:34:39.400 --> 0:34:41.880
<v Speaker 3>And I wondered why nobody else inside.

0:34:41.760 --> 0:34:43.799
<v Speaker 2>Was like, what the hell? So you caught a lot

0:34:43.840 --> 0:34:46.160
<v Speaker 2>of hell about it that day, well because it.

0:34:46.239 --> 0:34:49.280
<v Speaker 3>Was right before run through. Yes, it was right before

0:34:49.560 --> 0:34:53.719
<v Speaker 3>like network run through. So everyone's prop came in with

0:34:54.040 --> 0:34:55.360
<v Speaker 3>my signature on it.

0:34:55.800 --> 0:34:56.640
<v Speaker 2>It was hilarious.

0:34:57.280 --> 0:34:59.800
<v Speaker 1>My memory of this is what Jody coming over to

0:34:59.880 --> 0:35:02.520
<v Speaker 1>me with like a beat red face and I'm like,

0:35:02.600 --> 0:35:05.000
<v Speaker 1>what's wrong with you? And She's like I signed all

0:35:05.040 --> 0:35:06.920
<v Speaker 1>the props and I'm like, you did what? And I

0:35:07.040 --> 0:35:10.920
<v Speaker 1>see Steve in my peripheral vision with like baby wipe

0:35:11.080 --> 0:35:15.360
<v Speaker 1>trying to wipe the autograph off of the helmets.

0:35:15.640 --> 0:35:20.839
<v Speaker 3>Sharp you no, less me on a brand new football helmet. Yeah,

0:35:21.360 --> 0:35:22.880
<v Speaker 3>so man, it was I.

0:35:22.880 --> 0:35:23.840
<v Speaker 2>Don't know if it was the next day of the

0:35:23.920 --> 0:35:28.160
<v Speaker 2>next week. That's when you put all of your signatures

0:35:28.200 --> 0:35:28.680
<v Speaker 2>on her door.

0:35:29.040 --> 0:35:32.680
<v Speaker 5>Oh yeah, that is right, because you and Cam and

0:35:32.800 --> 0:35:36.279
<v Speaker 5>Mel had come in and signed stuff.

0:35:36.000 --> 0:35:39.440
<v Speaker 3>In my room. You guys had put I think you

0:35:39.560 --> 0:35:40.080
<v Speaker 3>guys had.

0:35:40.040 --> 0:35:41.880
<v Speaker 5>Signed things and put it in my put them in

0:35:41.960 --> 0:35:44.000
<v Speaker 5>my room or put post its on top of things

0:35:44.040 --> 0:35:45.279
<v Speaker 5>in my room that you guys had signed.

0:35:45.320 --> 0:35:48.200
<v Speaker 3>So I was like, okay, okay, it's on. So you

0:35:48.280 --> 0:35:49.280
<v Speaker 3>were taking a nap.

0:35:49.160 --> 0:35:51.680
<v Speaker 5>One lunch and I was in my room and your

0:35:51.719 --> 0:35:53.520
<v Speaker 5>door was closed, and I was like, I'm just gooding.

0:35:53.560 --> 0:35:57.880
<v Speaker 5>So I signed a bazillion little post it notes and

0:35:58.200 --> 0:36:02.799
<v Speaker 5>just covered your door in my signature and escalated things.

0:36:03.080 --> 0:36:06.040
<v Speaker 2>So then I asked Andrew, you mind if I have

0:36:06.120 --> 0:36:08.759
<v Speaker 2>a couple of these post its with their signature on it.

0:36:09.560 --> 0:36:10.040
<v Speaker 3>Mm hmmm.

0:36:10.680 --> 0:36:15.520
<v Speaker 2>And then for the rest of the run of Fuller House, Jody,

0:36:16.040 --> 0:36:18.200
<v Speaker 2>the camera could never see it, and I was it

0:36:18.320 --> 0:36:21.680
<v Speaker 2>on take three? Was it on take three? I would

0:36:21.719 --> 0:36:23.960
<v Speaker 2>slip one of those things in, so like she had

0:36:24.000 --> 0:36:28.920
<v Speaker 2>a book she had open, ye, you know, take three, sat.

0:36:29.680 --> 0:36:31.400
<v Speaker 3>One of the posts, or I would pick up a

0:36:31.480 --> 0:36:34.520
<v Speaker 3>mug and in the bottom of it would be my signature.

0:36:34.680 --> 0:36:37.839
<v Speaker 3>And like we're in the middle of scenes. I'm like yeah,

0:36:38.880 --> 0:36:39.359
<v Speaker 3>and I can.

0:36:39.320 --> 0:36:41.400
<v Speaker 2>Just see you like you're seeing the scene. But you're like, Steve,

0:36:41.440 --> 0:36:42.520
<v Speaker 2>you just.

0:36:42.640 --> 0:36:46.960
<v Speaker 3>Like I got got, Yeah, I got got. But it

0:36:47.200 --> 0:36:52.239
<v Speaker 3>really peaked when Andrea took it to an entirely new

0:36:52.360 --> 0:36:57.440
<v Speaker 3>level and uh, I think, please explain, well, I.

0:36:57.520 --> 0:36:59.840
<v Speaker 2>Think you yeah, I think you have read me.

0:37:00.080 --> 0:37:02.279
<v Speaker 1>Yeah, don't durtn me with a good time. I take

0:37:02.360 --> 0:37:05.640
<v Speaker 1>Frink course very seriously, and I was determined to win,

0:37:06.520 --> 0:37:09.200
<v Speaker 1>so I wrangled Steve and Jim. I was like, Okay,

0:37:09.200 --> 0:37:10.759
<v Speaker 1>I need your help with this. Oh and Kim and

0:37:10.840 --> 0:37:14.000
<v Speaker 1>Mel too. Kim and Mel were instrumental in this. I

0:37:14.120 --> 0:37:16.120
<v Speaker 1>asked Kim, I said, do you have a digital copy

0:37:16.239 --> 0:37:19.439
<v Speaker 1>of Jody's signature, because Kim worked in production. And Kim's like, yeah,

0:37:19.480 --> 0:37:20.279
<v Speaker 1>but why do you need it?

0:37:20.440 --> 0:37:23.239
<v Speaker 3>I said, I'm going to print writing bad checks in

0:37:23.280 --> 0:37:28.080
<v Speaker 3>her name. Yes, I write some wandering fine.

0:37:29.239 --> 0:37:31.000
<v Speaker 1>I said, I'm going to put her signature on two

0:37:31.120 --> 0:37:34.160
<v Speaker 1>hundred and fifty shirts, and I'm going to dress.

0:37:33.960 --> 0:37:36.640
<v Speaker 3>The crew in Jody's signature.

0:37:37.719 --> 0:37:40.400
<v Speaker 1>This was an endeavor because we had to get the sizes,

0:37:40.520 --> 0:37:44.200
<v Speaker 1>everyone's sizes in every department. So this was like a

0:37:44.320 --> 0:37:47.680
<v Speaker 1>labor of love. Thank goodness for for Kim and Mel

0:37:47.760 --> 0:37:50.040
<v Speaker 1>because they did the part that work.

0:37:51.520 --> 0:37:54.759
<v Speaker 3>The best. It was something I will remember for the

0:37:54.840 --> 0:37:57.440
<v Speaker 3>rest of my life. It was the best moment ever

0:37:58.120 --> 0:37:58.840
<v Speaker 3>because it was.

0:37:58.960 --> 0:38:01.520
<v Speaker 5>I walked on stage from where I parked my car,

0:38:01.560 --> 0:38:03.200
<v Speaker 5>which was right next to like the stage door.

0:38:03.520 --> 0:38:06.759
<v Speaker 3>So I walk in and usually like you.

0:38:06.880 --> 0:38:09.080
<v Speaker 5>Walk in and you know, it's buzzing, you hear people,

0:38:09.280 --> 0:38:11.080
<v Speaker 5>someone's hammering something, there's you.

0:38:11.120 --> 0:38:11.920
<v Speaker 3>Know, people laughing.

0:38:12.080 --> 0:38:15.520
<v Speaker 5>It was quiet, there's nothing, and I walked on stage

0:38:15.560 --> 0:38:17.120
<v Speaker 5>and I was like, it's weird.

0:38:17.680 --> 0:38:19.879
<v Speaker 3>It's quiet. So I'm like walking.

0:38:19.600 --> 0:38:22.360
<v Speaker 5>Towards the dressing rooms and I come just around the

0:38:22.440 --> 0:38:25.360
<v Speaker 5>corner of like one of the sets, and there is.

0:38:27.000 --> 0:38:33.400
<v Speaker 3>The entire crew silently sitting in white T shirts with

0:38:33.600 --> 0:38:36.279
<v Speaker 3>my signature on them in the living room set, like

0:38:36.680 --> 0:38:40.319
<v Speaker 3>people on the stairs in the Alco. But the entire

0:38:40.440 --> 0:38:46.440
<v Speaker 3>like the whole crew, including the dog. The dog even

0:38:46.880 --> 0:38:50.520
<v Speaker 3>had a T shirt on and it was I couldn't

0:38:50.520 --> 0:38:51.120
<v Speaker 3>stop laughing.

0:38:51.800 --> 0:38:52.000
<v Speaker 2>It was.

0:38:52.200 --> 0:38:52.480
<v Speaker 1>It was.

0:38:54.000 --> 0:38:56.799
<v Speaker 3>The most brilliant rank ever, you guys.

0:38:57.360 --> 0:39:03.279
<v Speaker 1>I it was such a proud, proud moment. People still

0:39:03.320 --> 0:39:06.200
<v Speaker 1>wear their shirts like, Gwen, you wear shirt, Steve wears

0:39:06.239 --> 0:39:08.280
<v Speaker 1>his shirt, like we all still wear these shirts.

0:39:09.640 --> 0:39:10.160
<v Speaker 2>It was.

0:39:10.640 --> 0:39:11.279
<v Speaker 3>I mean, that was.

0:39:11.920 --> 0:39:14.040
<v Speaker 5>It was one of the stupider things that I've that

0:39:14.120 --> 0:39:18.040
<v Speaker 5>I've done on set, and yet it led to some

0:39:18.280 --> 0:39:19.400
<v Speaker 5>great comedy moments.

0:39:19.480 --> 0:39:22.040
<v Speaker 1>So I will never let you live it down ever.

0:39:23.960 --> 0:39:26.080
<v Speaker 5>I just remember being like, oh my because and I

0:39:26.160 --> 0:39:30.200
<v Speaker 5>remember feeling so bad because I just love See so much,

0:39:30.239 --> 0:39:33.759
<v Speaker 5>and I'm like I just really made his day harder.

0:39:33.680 --> 0:39:40.719
<v Speaker 3>Like way harder than it asked. Steve. Oh, he's got

0:39:40.840 --> 0:39:42.000
<v Speaker 3>to clean up my mess.

0:39:44.440 --> 0:39:49.840
<v Speaker 2>And so also, Andrew posted that on YouTube looking up.

0:39:52.280 --> 0:39:54.520
<v Speaker 5>Yeah, if you go to her YouTube you can. If

0:39:54.560 --> 0:39:57.600
<v Speaker 5>it's still up there, I'm sure. Yeah, you can find

0:39:57.640 --> 0:40:00.480
<v Speaker 5>the prank War episode and watch it yourself.

0:40:00.560 --> 0:40:05.040
<v Speaker 3>It's truly worth watching if you like, I mean, because

0:40:05.080 --> 0:40:07.360
<v Speaker 3>you got the behind the scenes of like how it

0:40:07.480 --> 0:40:08.439
<v Speaker 3>was getting pulled off.

0:40:08.920 --> 0:40:11.080
<v Speaker 5>So like, if you want to see this entire story

0:40:11.239 --> 0:40:15.560
<v Speaker 5>unfold in like a ten minute YouTube video, go find

0:40:15.600 --> 0:40:16.439
<v Speaker 5>it on Andrew's page.

0:40:16.480 --> 0:40:17.880
<v Speaker 3>And yeah, it's prank War whatever.

0:40:18.120 --> 0:40:22.120
<v Speaker 1>And yet checkmate, checkmate, Actually check that's what.

0:40:22.160 --> 0:40:24.480
<v Speaker 3>It was, checkmate. And I think I think I gave

0:40:24.600 --> 0:40:25.839
<v Speaker 3>up after that you did.

0:40:26.560 --> 0:40:28.000
<v Speaker 1>I was like, top that you can't.

0:40:29.120 --> 0:40:34.239
<v Speaker 5>Yeah, I mean short of like parachuting into your backyard,

0:40:34.719 --> 0:40:37.359
<v Speaker 5>you know what I mean, with like the signature being

0:40:37.400 --> 0:40:37.560
<v Speaker 5>on the.

0:40:37.560 --> 0:40:39.600
<v Speaker 3>Parachute, I don't know what I could have done it.

0:40:40.560 --> 0:40:43.000
<v Speaker 3>That's actually a great idea. I'm gonna pick that if

0:40:43.000 --> 0:40:43.880
<v Speaker 3>you ever pop that.

0:40:43.960 --> 0:40:46.040
<v Speaker 2>Balloon on the gender reveal.

0:40:48.920 --> 0:40:50.879
<v Speaker 3>Ben just thousands of post it notes.

0:40:51.160 --> 0:40:54.200
<v Speaker 1>Oh that's a good idea. See you no shortage of

0:40:54.280 --> 0:40:55.200
<v Speaker 1>good ideas here?

0:40:55.440 --> 0:40:55.640
<v Speaker 2>Yeah?

0:40:56.040 --> 0:40:56.480
<v Speaker 3>Oh my god.

0:40:56.560 --> 0:41:00.000
<v Speaker 5>So apparently a word from our from our amazing producer

0:41:00.960 --> 0:41:04.719
<v Speaker 5>that that video has one point four million views, So

0:41:05.360 --> 0:41:06.000
<v Speaker 5>it's pretty good.

0:41:06.000 --> 0:41:11.080
<v Speaker 1>It's pretty good, right, excellent, excellent, immortalized forever.

0:41:11.719 --> 0:41:16.719
<v Speaker 3>My my screw ups are there to bring joy.

0:41:19.239 --> 0:41:21.319
<v Speaker 2>It was no no big deal to me. I thought

0:41:21.320 --> 0:41:21.760
<v Speaker 2>it was funny.

0:41:21.880 --> 0:41:24.239
<v Speaker 3>It was it was, and it was funny. And like

0:41:24.360 --> 0:41:27.640
<v Speaker 3>it's also because like I don't I am I'm good.

0:41:27.760 --> 0:41:30.720
<v Speaker 3>I'm good, like I trying to make jobbies.

0:41:30.800 --> 0:41:34.480
<v Speaker 2>So it's just like, oh no, and you are probably

0:41:34.600 --> 0:41:37.080
<v Speaker 2>be different if you were somebody that like, you know,

0:41:37.200 --> 0:41:38.560
<v Speaker 2>didn't care about the props.

0:41:38.280 --> 0:41:41.480
<v Speaker 3>And right right, or somebody was just constantly screwing things up.

0:41:41.640 --> 0:41:44.520
<v Speaker 1>I was so like, so sorry.

0:41:48.400 --> 0:41:50.880
<v Speaker 5>And then I think we were doing the thing and

0:41:51.160 --> 0:41:55.320
<v Speaker 5>like people kept asking what what's on the what's on

0:41:55.440 --> 0:41:56.080
<v Speaker 5>that pham finger?

0:41:57.360 --> 0:42:00.960
<v Speaker 3>You know, it's like it's it's me. I thought I

0:42:01.040 --> 0:42:03.759
<v Speaker 3>thought it was a giveaway. There is out it's not

0:42:04.480 --> 0:42:04.959
<v Speaker 3>in the show.

0:42:06.560 --> 0:42:08.880
<v Speaker 2>Well, speaking of the gender reveal, that that popping the

0:42:08.920 --> 0:42:13.160
<v Speaker 2>balloon thing, that bit was hilarious. You were freaking hilarious

0:42:13.239 --> 0:42:15.120
<v Speaker 2>doing that. Oh my god.

0:42:15.200 --> 0:42:18.000
<v Speaker 3>The laying that's right, yeah, laying on top of the balloon.

0:42:18.360 --> 0:42:20.600
<v Speaker 3>Oh jeez, I forgot about that for.

0:42:21.239 --> 0:42:24.040
<v Speaker 2>I watch all these So now I've got like oh okay, yeah.

0:42:23.960 --> 0:42:25.759
<v Speaker 3>Oh I forgot about that ridiculous.

0:42:26.040 --> 0:42:31.239
<v Speaker 2>Yeah, oh it's hilarious. Yeah, it's hilarious. Yeah, and I

0:42:31.640 --> 0:42:33.359
<v Speaker 2>like pointed out you guys know where I'm pointing. It's

0:42:33.440 --> 0:42:39.520
<v Speaker 2>hilarious here, old guymon, old man trying to do and

0:42:39.680 --> 0:42:42.640
<v Speaker 2>Andrew what you do? You did a couple of times

0:42:42.680 --> 0:42:45.040
<v Speaker 2>in my two seasons when you would like talk to

0:42:45.080 --> 0:42:48.640
<v Speaker 2>yourself as different characters, Like the one was you you

0:42:48.800 --> 0:42:49.680
<v Speaker 2>and talking to your mom.

0:42:50.320 --> 0:42:57.000
<v Speaker 1>Oh gosh, yes, me and Adam hagen Boo were pretending

0:42:57.080 --> 0:43:00.520
<v Speaker 1>to be the safari Oh hilarious.

0:43:01.120 --> 0:43:05.480
<v Speaker 2>There's also another one where when she was quitting, she

0:43:05.560 --> 0:43:07.919
<v Speaker 2>was gonna quit and like, okay, I'll be your friend,

0:43:07.960 --> 0:43:08.560
<v Speaker 2>I'm your boss.

0:43:09.200 --> 0:43:11.439
<v Speaker 3>Okay, Oh my god.

0:43:11.920 --> 0:43:13.960
<v Speaker 2>Those were just hilarious. They were hilarious.

0:43:14.880 --> 0:43:20.120
<v Speaker 1>Such good memories, such good memories. Was it difficult, I

0:43:20.200 --> 0:43:24.040
<v Speaker 1>know when we started Fuller House, Elias was pretty young,

0:43:24.400 --> 0:43:29.400
<v Speaker 1>the boys, the twins were very very young. Yeah, they

0:43:29.440 --> 0:43:33.800
<v Speaker 1>were just babies. Is it difficult working with kids because

0:43:33.800 --> 0:43:37.160
<v Speaker 1>they like to touch everything, they touch and move things around.

0:43:38.160 --> 0:43:39.800
<v Speaker 3>Do you have any stories you want to share? You

0:43:39.840 --> 0:43:40.800
<v Speaker 3>don't have to name names?

0:43:41.520 --> 0:43:47.120
<v Speaker 2>No, you know, actually no, And I'll tell you the twins.

0:43:48.040 --> 0:43:52.360
<v Speaker 2>They didn't you know, they didn't do much Alias. You know,

0:43:52.960 --> 0:43:56.400
<v Speaker 2>Elias was an age and my feeling is they're kids,

0:43:57.200 --> 0:44:01.000
<v Speaker 2>and you gotta let them be kids, because their kids

0:44:01.080 --> 0:44:04.040
<v Speaker 2>make sure you got extras of that prop, you know,

0:44:04.360 --> 0:44:07.200
<v Speaker 2>and they're gonna and at first, and Alives was just

0:44:07.280 --> 0:44:10.279
<v Speaker 2>right at that age where he didn't, you know, and

0:44:11.920 --> 0:44:15.040
<v Speaker 2>after a while he started to become a pro and

0:44:15.120 --> 0:44:17.440
<v Speaker 2>he started to get it, you know, And and it

0:44:17.640 --> 0:44:19.480
<v Speaker 2>was don't get mad at the kid, just explaining to

0:44:19.520 --> 0:44:20.360
<v Speaker 2>the kid, here's what's going on.

0:44:20.600 --> 0:44:21.680
<v Speaker 3>Yeah, yeah, you know.

0:44:24.080 --> 0:44:26.879
<v Speaker 2>And I've like all the kitchens I've done, I've done

0:44:26.880 --> 0:44:29.440
<v Speaker 2>really well with all the kids. And the little secret

0:44:29.480 --> 0:44:34.920
<v Speaker 2>behind that is I know how hard it is. I

0:44:35.120 --> 0:44:37.120
<v Speaker 2>know how hard it is for kids. And you guys

0:44:37.160 --> 0:44:39.120
<v Speaker 2>went through that too. I mean, how old were you

0:44:39.160 --> 0:44:42.200
<v Speaker 2>guys when you started in Full House five and ten?

0:44:42.239 --> 0:44:42.400
<v Speaker 3>You know.

0:44:43.280 --> 0:44:49.560
<v Speaker 2>Yeah, So I was in a Jerry Lewis movie and

0:44:50.040 --> 0:44:54.440
<v Speaker 2>it was the worst debut in movie history, and you

0:44:54.520 --> 0:44:56.520
<v Speaker 2>could just see I was like, my shoulders are up

0:44:56.560 --> 0:45:00.680
<v Speaker 2>here and I hardly moved and Jerry was like, so

0:45:00.960 --> 0:45:02.880
<v Speaker 2>it was a shot. It was a two shot to

0:45:02.920 --> 0:45:06.400
<v Speaker 2>mean somebody else. And Jerry's just off camera, and this

0:45:06.560 --> 0:45:07.960
<v Speaker 2>was a cross you know, cross sight of my head,

0:45:08.600 --> 0:45:10.440
<v Speaker 2>and you know, I'm like this and I'm not doing anything.

0:45:10.480 --> 0:45:12.560
<v Speaker 2>And so he would tell me something to do, and

0:45:12.680 --> 0:45:14.360
<v Speaker 2>so I would like, I look at him and go

0:45:15.440 --> 0:45:17.879
<v Speaker 2>and then go back and do the thing. Oh it's

0:45:17.920 --> 0:45:23.200
<v Speaker 2>just brutally bad. It was brutally bad. So I understand

0:45:23.520 --> 0:45:27.200
<v Speaker 2>how hard it is for a kid, you know. So

0:45:27.800 --> 0:45:31.120
<v Speaker 2>I always have given kids lots of lots of leeway

0:45:31.160 --> 0:45:32.000
<v Speaker 2>about that sort of thing.

0:45:32.560 --> 0:45:34.759
<v Speaker 1>That's a good attitude to have because we had a

0:45:34.800 --> 0:45:38.520
<v Speaker 1>lot of kids on the show, always lots of kids.

0:45:38.560 --> 0:45:41.400
<v Speaker 3>So broke all the cardinal rules kids and dogs.

0:45:42.440 --> 0:45:44.359
<v Speaker 2>And the other thing is I treated them even though

0:45:44.400 --> 0:45:47.239
<v Speaker 2>I knew there were kids and I had those kind

0:45:47.280 --> 0:45:49.600
<v Speaker 2>of expectations. I also treat them like adults.

0:45:50.440 --> 0:45:51.640
<v Speaker 3>Talk to them like people.

0:45:52.000 --> 0:45:52.440
<v Speaker 2>Exactly.

0:45:52.560 --> 0:45:56.480
<v Speaker 3>They're smart, especially particularly Elias Alias was very smart. Oh

0:45:56.560 --> 0:45:56.839
<v Speaker 3>my god.

0:45:56.960 --> 0:45:59.399
<v Speaker 5>And that was I think why I work with him,

0:45:59.400 --> 0:46:02.239
<v Speaker 5>because I would be like, hey, you know what I mean,

0:46:02.280 --> 0:46:04.040
<v Speaker 5>you just like, I'm like, I know you're smart, I

0:46:04.120 --> 0:46:07.399
<v Speaker 5>know you get it, come here and like and then.

0:46:07.280 --> 0:46:09.480
<v Speaker 3>You do it, you know, and it is it is

0:46:09.600 --> 0:46:10.600
<v Speaker 3>so it's such a.

0:46:12.320 --> 0:46:15.400
<v Speaker 5>Like so much is expected of you to put aside

0:46:15.520 --> 0:46:21.560
<v Speaker 5>your normal kideness in order to do your job right.

0:46:21.960 --> 0:46:25.480
<v Speaker 3>And some kids do that really well and some don't,

0:46:25.800 --> 0:46:27.839
<v Speaker 3>and it's you know, it's hard.

0:46:28.440 --> 0:46:30.480
<v Speaker 2>Yeah, it was tough because you got to balance those

0:46:30.520 --> 0:46:31.960
<v Speaker 2>two things. You know, you're there to do a job

0:46:32.000 --> 0:46:34.640
<v Speaker 2>and you're a good thing done. Also, if the kid

0:46:34.719 --> 0:46:36.040
<v Speaker 2>can't have fun during the day.

0:46:37.600 --> 0:46:39.480
<v Speaker 3>Right, and you're not going to get this stuff on.

0:46:39.800 --> 0:46:42.600
<v Speaker 5>Yeah, and the energy that they're they're you know, trying

0:46:42.680 --> 0:46:45.560
<v Speaker 5>to contain is often the thing that makes them great

0:46:46.120 --> 0:46:48.520
<v Speaker 5>in their role and cute and fun and you know,

0:46:49.040 --> 0:46:51.839
<v Speaker 5>so yeah, it's it is definitely, But I imagine working

0:46:51.920 --> 0:46:54.440
<v Speaker 5>with props in particular, because it's like everything that has

0:46:54.480 --> 0:46:55.120
<v Speaker 5>to be in their hand.

0:46:55.160 --> 0:46:56.440
<v Speaker 3>You're like, oh no, no, no, no, no, don't do it.

0:46:56.520 --> 0:47:00.520
<v Speaker 5>No no, no, no, no, no, right, just break the

0:47:00.560 --> 0:47:06.080
<v Speaker 5>glass table at one point, were you there? I think

0:47:06.120 --> 0:47:08.440
<v Speaker 5>that was that Charlie had to deal with that. Oh yeah, yeah,

0:47:08.680 --> 0:47:10.600
<v Speaker 5>our sound dresser, Yeah, yeah, And it was it was

0:47:10.680 --> 0:47:12.960
<v Speaker 5>one of those like hey, don't do hey, don't do It.

0:47:13.080 --> 0:47:15.359
<v Speaker 1>Was the Jinga set, right, wasn't there a Jinga set?

0:47:15.680 --> 0:47:16.560
<v Speaker 3>The Jenga set?

0:47:16.719 --> 0:47:20.160
<v Speaker 5>And it yeah, and it went a little too I

0:47:20.200 --> 0:47:22.760
<v Speaker 5>think something it got thrown or whatever and it cracked

0:47:22.840 --> 0:47:23.359
<v Speaker 5>the whole table.

0:47:23.400 --> 0:47:27.520
<v Speaker 2>And really, I actually have more problem with crew members

0:47:29.080 --> 0:47:32.520
<v Speaker 2>than with kid actors, really because they'll walk by my

0:47:32.680 --> 0:47:35.680
<v Speaker 2>cart and see a cool thing and grab it, want

0:47:35.719 --> 0:47:36.200
<v Speaker 2>to play with it?

0:47:36.440 --> 0:47:37.759
<v Speaker 1>Oh dang, that's a no.

0:47:37.880 --> 0:47:39.160
<v Speaker 3>No, what's apartment's the worst?

0:47:39.280 --> 0:47:43.480
<v Speaker 1>That's this is the biggest offender, which is the worst.

0:47:46.440 --> 0:47:46.680
<v Speaker 3>Sound.

0:47:48.200 --> 0:47:50.279
<v Speaker 2>They might still be hanging sandbags.

0:47:50.840 --> 0:47:51.200
<v Speaker 3>All right?

0:47:53.600 --> 0:47:55.480
<v Speaker 5>What do you what is do you have like one

0:47:56.680 --> 0:48:01.560
<v Speaker 5>particular prop moment that stands out as like something really

0:48:02.840 --> 0:48:05.840
<v Speaker 5>like complicated that you had to pull off or or

0:48:06.160 --> 0:48:07.840
<v Speaker 5>like that was in a scene that it was like

0:48:07.920 --> 0:48:10.839
<v Speaker 5>there was just a stupid amount of props that had

0:48:10.920 --> 0:48:11.960
<v Speaker 5>to be like interacted with.

0:48:12.640 --> 0:48:15.040
<v Speaker 2>Was There's a couple of things. One was certainly already

0:48:15.040 --> 0:48:23.160
<v Speaker 2>mentioned it the food eating episode the yeah, what was it?

0:48:23.239 --> 0:48:23.680
<v Speaker 2>It was in the.

0:48:26.040 --> 0:48:29.040
<v Speaker 3>Right right the sandwich Oh yeah, that entire episode.

0:48:28.760 --> 0:48:31.840
<v Speaker 2>Was about people eating sandwiches, right, the entire episode.

0:48:31.840 --> 0:48:35.120
<v Speaker 3>I ever seen so much sandwich, right, And so that.

0:48:35.239 --> 0:48:37.319
<v Speaker 2>Was the same thing like the coffee cup. It's now

0:48:37.360 --> 0:48:38.759
<v Speaker 2>you got to go back and have the write amount

0:48:38.760 --> 0:48:41.160
<v Speaker 2>of sandwiches and a mount of stuff run. But for me,

0:48:42.600 --> 0:48:45.319
<v Speaker 2>it was always so during my run, I had three

0:48:45.360 --> 0:48:47.960
<v Speaker 2>prompt masters because a couple of times Jim couldn't be there.

0:48:49.120 --> 0:48:52.880
<v Speaker 2>Remember we made that like fifteen foot sandwich. Yeah, so

0:48:53.080 --> 0:48:57.160
<v Speaker 2>that was Marjorie Coster praterer. Okay, he was the prop

0:48:57.239 --> 0:49:02.120
<v Speaker 2>master on Friends. Oh okay, we shot on the same stage.

0:49:02.440 --> 0:49:05.600
<v Speaker 2>So she was great and Jim was great. And then

0:49:05.960 --> 0:49:09.319
<v Speaker 2>like there was a couple of episodes where I had

0:49:09.400 --> 0:49:12.919
<v Speaker 2>somebody else I didn't know, and it was not good

0:49:12.960 --> 0:49:17.000
<v Speaker 2>situation with Jim and Marjorie. I was used to having

0:49:17.760 --> 0:49:24.560
<v Speaker 2>fully functional camera ready props. So on the episide, when

0:49:24.600 --> 0:49:30.960
<v Speaker 2>you guys went to the wedding expo, oh yeah, the dresses, yes,

0:49:31.480 --> 0:49:35.040
<v Speaker 2>And and you sneak Fernando in in the duffel bag

0:49:35.160 --> 0:49:38.840
<v Speaker 2>in the wheeling double bag thing, right, yes, yes, the

0:49:38.920 --> 0:49:43.880
<v Speaker 2>woman just brings me like a carry on sized duffle bag, right,

0:49:44.160 --> 0:49:45.800
<v Speaker 2>there's a little carry on thing, like you know, you

0:49:45.960 --> 0:49:49.040
<v Speaker 2>can't And I looked at I said I can't. I said,

0:49:49.080 --> 0:49:50.479
<v Speaker 2>you know, what, did you read this crypt A person

0:49:50.560 --> 0:49:51.320
<v Speaker 2>has to come out of this?

0:49:53.239 --> 0:49:53.479
<v Speaker 3>Yeah?

0:49:53.760 --> 0:49:54.480
<v Speaker 1>You known?

0:49:55.120 --> 0:49:57.920
<v Speaker 3>So she finally child, but.

0:49:58.000 --> 0:50:01.160
<v Speaker 2>She doesn't do anything to it to make it work.

0:50:02.000 --> 0:50:04.640
<v Speaker 2>So while we're doing the while we're hears in the

0:50:04.680 --> 0:50:08.040
<v Speaker 2>shawl we claw. I am trying to figure.

0:50:07.760 --> 0:50:14.160
<v Speaker 5>Out, how do you So I remember zipping JP, you

0:50:14.200 --> 0:50:16.120
<v Speaker 5>guys zipping JP up in that bag?

0:50:16.600 --> 0:50:18.960
<v Speaker 2>Yeah yeah, And I got a picture of me with

0:50:19.000 --> 0:50:21.160
<v Speaker 2>my head sticking out of the bag as like proof

0:50:21.200 --> 0:50:21.760
<v Speaker 2>of concept.

0:50:22.239 --> 0:50:24.880
<v Speaker 3>Right, You're like, look, a human being canfid in here.

0:50:25.000 --> 0:50:28.279
<v Speaker 2>Yes, exactly. So for me that's when that stood out.

0:50:28.280 --> 0:50:30.680
<v Speaker 3>But it had nothing to do with you know, yeah,

0:50:30.760 --> 0:50:34.640
<v Speaker 3>I mean the right team makes all the difference, you know, huge, true, huge,

0:50:34.680 --> 0:50:36.839
<v Speaker 3>got it, very true? And you and once you get

0:50:36.880 --> 0:50:39.640
<v Speaker 3>to be a well oiled machine with people, it's like,

0:50:40.160 --> 0:50:42.080
<v Speaker 3>you know, the slightest little thing you're like, oh wait,

0:50:42.239 --> 0:50:46.040
<v Speaker 3>hold on, that's yeah, I'm not used to this.

0:50:46.480 --> 0:50:48.719
<v Speaker 2>Yeah, so set up be the ones?

0:50:49.400 --> 0:50:52.480
<v Speaker 1>Yeah yeah, Steve, what are you working on? Now? What

0:50:52.880 --> 0:50:57.799
<v Speaker 1>what's pilling your time? Right now? I'm retired, tired, right,

0:50:58.680 --> 0:51:01.400
<v Speaker 1>I mean, I'm happy for you, but no, because I

0:51:01.440 --> 0:51:02.359
<v Speaker 1>won't see you on set.

0:51:02.800 --> 0:51:04.680
<v Speaker 3>I'm retired and now I'm back, how and.

0:51:04.760 --> 0:51:08.399
<v Speaker 2>I'm back and we're back. However, I will come out

0:51:08.400 --> 0:51:14.360
<v Speaker 2>of retirement for you too. So full of or golden girls.

0:51:14.560 --> 0:51:18.920
<v Speaker 3>I'm I'm in something something, something that we need props for.

0:51:19.239 --> 0:51:19.680
<v Speaker 1>We're gonna.

0:51:19.719 --> 0:51:22.320
<v Speaker 3>I'm just gonna. I'm gonna demand that every scene I have,

0:51:22.600 --> 0:51:24.200
<v Speaker 3>I have to have something in my hand and.

0:51:25.719 --> 0:51:27.640
<v Speaker 2>Hand in your hand.

0:51:28.200 --> 0:51:29.759
<v Speaker 3>Prob we're going to hold you to that.

0:51:30.080 --> 0:51:32.000
<v Speaker 1>We're going to hold you to that promise.

0:51:32.880 --> 0:51:35.960
<v Speaker 2>More than happy to really so I'm hoping to get

0:51:36.040 --> 0:51:37.880
<v Speaker 2>so I want to stop put my traveling shoes on

0:51:38.920 --> 0:51:40.200
<v Speaker 2>in Europe in a few years. And I got a

0:51:40.200 --> 0:51:41.279
<v Speaker 2>bunch of friends that live over there.

0:51:41.840 --> 0:51:47.520
<v Speaker 1>Oh cool, So it's that idea. Are you still active

0:51:47.560 --> 0:51:49.799
<v Speaker 1>with your theater group, are you still directing them?

0:51:49.880 --> 0:51:51.839
<v Speaker 2>Or is that sort of well I pulled back away

0:51:51.880 --> 0:51:56.840
<v Speaker 2>from that. Yeah, A bunch of people that that this

0:51:56.920 --> 0:51:58.799
<v Speaker 2>would be more for Dave's pin. A bunch of people

0:51:58.840 --> 0:52:02.960
<v Speaker 2>around me have medical issues. I've had some medical issues,

0:52:03.080 --> 0:52:06.040
<v Speaker 2>so I needed to pull away from it. The last

0:52:06.120 --> 0:52:09.719
<v Speaker 2>two things we did was I did was how I

0:52:09.840 --> 0:52:15.319
<v Speaker 2>learned to drive, and then a street car, which dang you.

0:52:15.840 --> 0:52:18.160
<v Speaker 1>I know, I know, I feel I feel guilty that

0:52:18.280 --> 0:52:20.920
<v Speaker 1>I was looking, but.

0:52:20.960 --> 0:52:23.160
<v Speaker 2>I was looking really forward to kind of you know,

0:52:23.239 --> 0:52:25.359
<v Speaker 2>seeing where we could take Stella. I think it would

0:52:25.360 --> 0:52:26.200
<v Speaker 2>have been really a lot of fun.

0:52:26.760 --> 0:52:29.960
<v Speaker 1>I know, well, and any excuse to spend more time

0:52:30.000 --> 0:52:30.960
<v Speaker 1>with you too, of course.

0:52:30.920 --> 0:52:34.400
<v Speaker 2>Maybe we'll do it again, Jody is Bland, let's do it.

0:52:35.440 --> 0:52:38.759
<v Speaker 3>Yeah, well right date right, I love I mean, I

0:52:39.239 --> 0:52:40.440
<v Speaker 3>love me some Tennessee Williams.

0:52:41.400 --> 0:52:43.839
<v Speaker 2>So it came out really good. I was really proud

0:52:43.840 --> 0:52:45.600
<v Speaker 2>of it. It came out really good. Yeah.

0:52:46.160 --> 0:52:48.759
<v Speaker 1>We had a great group, great group of actors. It's

0:52:48.880 --> 0:52:51.320
<v Speaker 1>really hard workers, you guys. You guys were outstanding.

0:52:51.440 --> 0:52:53.719
<v Speaker 2>Thanks. I appreciate that. We were really proud of our work.

0:52:54.040 --> 0:52:55.319
<v Speaker 2>We were a little so you know, Jody, we were

0:52:55.320 --> 0:52:58.719
<v Speaker 2>a little teeny company like play the thirty six seat theaters.

0:52:59.760 --> 0:53:01.000
<v Speaker 2>But it didn't matter. We love it.

0:53:01.640 --> 0:53:02.440
<v Speaker 3>That's I mean.

0:53:02.480 --> 0:53:05.720
<v Speaker 5>I I like, I did a reading for a theater

0:53:05.800 --> 0:53:07.600
<v Speaker 5>thing that my friend had written, and like I just

0:53:08.280 --> 0:53:10.239
<v Speaker 5>just sitting there and doing that in a you know,

0:53:10.320 --> 0:53:12.319
<v Speaker 5>and it's not a huge theater, but there there's again

0:53:12.440 --> 0:53:14.760
<v Speaker 5>something about live theater and sort of like the sitcom

0:53:14.800 --> 0:53:19.840
<v Speaker 5>thing that it's h there's a creative energy that builds

0:53:20.200 --> 0:53:21.879
<v Speaker 5>there that is unlike anything else.

0:53:22.120 --> 0:53:24.239
<v Speaker 2>Yeah. Yeah, absolutely, so true.

0:53:24.360 --> 0:53:27.160
<v Speaker 5>Absolutely, well, see thank you so much for being on

0:53:27.239 --> 0:53:29.440
<v Speaker 5>the show today. Like it really it made my heart

0:53:29.520 --> 0:53:30.320
<v Speaker 5>smile to see you.

0:53:30.560 --> 0:53:31.600
<v Speaker 3>I just I love this.

0:53:32.120 --> 0:53:38.680
<v Speaker 5>I'm glad we got the full signature scandal, idiot, the

0:53:38.800 --> 0:53:41.240
<v Speaker 5>best and so the problems.

0:53:42.760 --> 0:53:46.040
<v Speaker 2>I I was so happy that you guys reached out

0:53:46.080 --> 0:53:48.880
<v Speaker 2>to me, and and I'm always happy when you know.

0:53:49.040 --> 0:53:51.520
<v Speaker 2>We've so so the people know we reach out to

0:53:51.520 --> 0:53:54.719
<v Speaker 2>each other all the time. Yeah, you know, irls. The

0:53:54.800 --> 0:53:58.000
<v Speaker 2>kids say, well, they may not say that anymore since

0:53:58.040 --> 0:54:01.759
<v Speaker 2>I say it now, right, kill it. I just killed

0:54:01.800 --> 0:54:06.960
<v Speaker 2>it's I love you both to pieces you both. You know.

0:54:07.040 --> 0:54:10.800
<v Speaker 2>I started Fuller House as a job and it became

0:54:10.880 --> 0:54:13.960
<v Speaker 2>a labor of love and I was being with my

0:54:14.080 --> 0:54:18.920
<v Speaker 2>family every day. Yeah, and a lot of that has

0:54:18.960 --> 0:54:21.600
<v Speaker 2>to do with you too, and I would not change

0:54:21.600 --> 0:54:24.080
<v Speaker 2>that experience for anything in the world. I love you

0:54:24.200 --> 0:54:27.440
<v Speaker 2>both great. Thank you and thank you for inviting me today.

0:54:27.719 --> 0:54:30.960
<v Speaker 3>Absolutely, thank you so much. I love you so much.

0:54:31.160 --> 0:54:32.360
<v Speaker 3>We will see you soon, I know.

0:54:32.440 --> 0:54:34.040
<v Speaker 2>Okay, yes, yes, we'll make a date.

0:54:34.120 --> 0:54:39.239
<v Speaker 3>Sounds good. Okay, take care by thanks bye. I adore him.

0:54:39.360 --> 0:54:40.399
<v Speaker 3>I just adore him.

0:54:40.640 --> 0:54:45.520
<v Speaker 1>I adore him too. He's just so kind and generous

0:54:45.760 --> 0:54:48.200
<v Speaker 1>and I just love me and smart. Oh.

0:54:48.239 --> 0:54:50.680
<v Speaker 3>He and I used to talk all sorts of random that.

0:54:50.719 --> 0:54:53.719
<v Speaker 5>I mean, he just he has a brain that works

0:54:53.800 --> 0:54:55.640
<v Speaker 5>like mine where you know, again, like just sort of

0:54:55.680 --> 0:54:58.080
<v Speaker 5>all over the place and we would have the most

0:54:58.160 --> 0:55:01.680
<v Speaker 5>interesting conversations that started one and wound up somewhere totally different.

0:55:03.239 --> 0:55:09.439
<v Speaker 3>But now he's and like finding out he's third generation Hollywood. Yeah,

0:55:09.800 --> 0:55:13.160
<v Speaker 3>I mean was a child. Yeah, and we didn't know

0:55:13.280 --> 0:55:13.760
<v Speaker 3>these things.

0:55:14.320 --> 0:55:16.960
<v Speaker 1>No, I've learned a lot about the people we worked

0:55:17.000 --> 0:55:18.840
<v Speaker 1>with for so many years, you know, we really have,

0:55:19.000 --> 0:55:21.880
<v Speaker 1>and it's been I love it. It's so great.

0:55:22.280 --> 0:55:23.400
<v Speaker 3>I love it so great.

0:55:24.480 --> 0:55:26.680
<v Speaker 5>It makes me, you know, always kind of fall in

0:55:26.719 --> 0:55:28.840
<v Speaker 5>love with the business a little bit more is hearing

0:55:29.520 --> 0:55:32.480
<v Speaker 5>just all of the different, wild, interesting stories about what

0:55:32.640 --> 0:55:33.600
<v Speaker 5>we get to be a part of.

0:55:33.840 --> 0:55:37.160
<v Speaker 1>So, yeah, we worked with some very very cool people

0:55:37.440 --> 0:55:38.200
<v Speaker 1>in our lifetime.

0:55:38.520 --> 0:55:42.279
<v Speaker 3>Yeah, we really have, and so much fun that we

0:55:42.320 --> 0:55:45.600
<v Speaker 3>get to like interview them again with this as adults,

0:55:45.800 --> 0:55:48.440
<v Speaker 3>I mean, I yeah, so cool. What else will we do.

0:55:48.480 --> 0:55:50.239
<v Speaker 3>It's not like we call up people and just be like, hey,

0:55:50.320 --> 0:55:51.640
<v Speaker 3>I need to have a few questions for you.

0:55:52.840 --> 0:55:53.920
<v Speaker 1>How did you start in the business?

0:55:54.200 --> 0:55:55.320
<v Speaker 3>Yeah? Yeah, was this an interview?

0:55:55.360 --> 0:55:55.400
<v Speaker 2>No?

0:55:55.480 --> 0:55:57.680
<v Speaker 3>No, no, just my own edification, just wondering.

0:55:59.040 --> 0:56:01.200
<v Speaker 1>Yes, this podcast is a great excuse to get to

0:56:01.320 --> 0:56:02.480
<v Speaker 1>know our people.

0:56:02.680 --> 0:56:03.399
<v Speaker 2>It's true.

0:56:03.560 --> 0:56:04.040
<v Speaker 3>It's true.

0:56:04.120 --> 0:56:06.279
<v Speaker 5>And speaking of people that we get to know we

0:56:06.400 --> 0:56:08.719
<v Speaker 5>love you Fanurrito's. You guys are amazing. Thank you so

0:56:08.880 --> 0:56:11.080
<v Speaker 5>much for listening to the show. We really appreciate it.

0:56:11.800 --> 0:56:14.240
<v Speaker 5>Make sure you're liking and subscribing to the show wherever

0:56:14.280 --> 0:56:16.239
<v Speaker 5>you're listening to it, you know the deal. That way

0:56:16.280 --> 0:56:18.279
<v Speaker 5>you get all the new episodes right when they drop.

0:56:18.800 --> 0:56:24.560
<v Speaker 5>And also check out our merch store, how Rude Merch. Oh,

0:56:25.320 --> 0:56:27.440
<v Speaker 5>do we need to maybe do a special edition run

0:56:27.520 --> 0:56:28.520
<v Speaker 5>of the signature shirt?

0:56:31.800 --> 0:56:33.120
<v Speaker 3>How did I not think of that?

0:56:33.360 --> 0:56:37.759
<v Speaker 1>I still have your digital autograph with my shirt?

0:56:37.920 --> 0:56:40.400
<v Speaker 5>I mean, and nobody everyone else would probably be like,

0:56:40.440 --> 0:56:42.080
<v Speaker 5>I don't want to wear your silly.

0:56:44.080 --> 0:56:46.160
<v Speaker 3>Will want to but yes it's true, but maybe so

0:56:46.520 --> 0:56:48.719
<v Speaker 3>how rudemerch dot com. We have some we have some

0:56:48.800 --> 0:56:50.960
<v Speaker 3>t shirts up there already. We've got some fun designs

0:56:51.000 --> 0:56:53.880
<v Speaker 3>that Andrey and I have come up with. Are there turtles? There?

0:56:53.960 --> 0:56:58.200
<v Speaker 3>Might be? Are there houses? Indeed? So go check it

0:56:58.239 --> 0:57:01.040
<v Speaker 3>out how rudmerch dot com and and we'll be coming

0:57:01.120 --> 0:57:03.279
<v Speaker 3>up with some more fun ideas for you guys in

0:57:03.360 --> 0:57:03.760
<v Speaker 3>the meantime.

0:57:03.800 --> 0:57:06.080
<v Speaker 5>If you want to follow us on Instagram, check out

0:57:06.280 --> 0:57:09.320
<v Speaker 5>how Rude podcast. You want to send us an email,

0:57:09.440 --> 0:57:12.359
<v Speaker 5>It's how Rude Tannerto's at gmail dot com.

0:57:13.200 --> 0:57:17.040
<v Speaker 3>And yeah, I think that's it. I think I covered

0:57:17.040 --> 0:57:19.080
<v Speaker 3>all the bases, all the basics, covered all the bases.

0:57:19.760 --> 0:57:24.760
<v Speaker 5>You guys, wellek the outro right, I'm now it's done.

0:57:24.880 --> 0:57:27.080
<v Speaker 3>Now, I can't performance anxiety.

0:57:27.280 --> 0:57:27.920
<v Speaker 2>I believe in you.

0:57:28.040 --> 0:57:28.920
<v Speaker 1>You can do this, Jodie.

0:57:29.080 --> 0:57:33.640
<v Speaker 3>The world is small, but the house is full of

0:57:33.760 --> 0:57:34.880
<v Speaker 3>my signature. Everywhere.

0:57:34.920 --> 0:57:39.240
<v Speaker 5>I've signed everything, every wall, every I've signed the toilet seat,

0:57:39.360 --> 0:57:43.920
<v Speaker 5>it's everything. Yeah, inside of the fridge even, yep, all.

0:57:43.800 --> 0:57:46.000
<v Speaker 3>Of it just full of my signature.

0:57:46.600 --> 0:57:49.800
<v Speaker 1>I will never get tired of telling that story. It's

0:57:49.880 --> 0:57:50.720
<v Speaker 1>my favorite thing.

0:57:51.080 --> 0:57:54.200
<v Speaker 5>Oh and I just I remember the realization of what

0:57:54.360 --> 0:57:56.680
<v Speaker 5>I had done because someone was like, what are you doing?

0:57:57.120 --> 0:57:58.520
<v Speaker 3>I think I might have been Kim was like why

0:57:58.560 --> 0:57:59.960
<v Speaker 3>are you site? And I was like, I thought were

0:58:00.000 --> 0:58:03.240
<v Speaker 3>supposed to sign stuff on the table. Oh and I

0:58:03.400 --> 0:58:05.280
<v Speaker 3>just you were the first person I saw. I like

0:58:05.520 --> 0:58:09.640
<v Speaker 3>relined it to you and was just like help anyway.

0:58:09.760 --> 0:58:13.880
<v Speaker 1>It's very rare that I see you like genuinely embarrassed.

0:58:14.840 --> 0:58:18.960
<v Speaker 3>Doesn't happen off genuinely mortified? I yes, yep, So the

0:58:19.000 --> 0:58:22.120
<v Speaker 3>house is full of my signature. Guys, You're welcome. See

0:58:22.120 --> 0:58:23.720
<v Speaker 3>you next time. Bye,