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Speaker 1: Hey there, Fanto's welcome back to a brand new episode

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Speaker 1: of How Rude Tannerito's. Throughout the past four seasons of

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Speaker 1: Full House, we have found ourselves paying close attention to

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Speaker 1: the props that are being used, like the cold fried chicken.

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Speaker 1: Prop masters are the ones who handle anything in actor

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Speaker 1: touches or interacts with which is why we're very excited

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Speaker 1: for today's guest. Steve Girard was the assistant prop manager

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Speaker 1: on Fuller House, so he's going to give us the

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Speaker 1: inside scoop on everything the job entails and maybe some

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Speaker 1: fun little behind the scenes stories from his time on

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Speaker 1: Fuller Hmmm, please welcome Steve.

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Speaker 2: This is so exciting.

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Speaker 3: That's great.

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Speaker 1: Oh. I was so excited that you were willing to

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Speaker 1: come on here and regale us with all your stories.

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Speaker 1: Three of us, we're very excited that you're here.

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Speaker 2: We'll be a good editor because need to add all

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Speaker 2: the doll out of.

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Speaker 1: This, no, please, So we are we are delighted.

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Speaker 4: We are so excited to see Yeah, we like, first

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Speaker 4: of all, we just keep like realizing all of like

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Speaker 4: the prop stuff that has been going on in you know,

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Speaker 4: full House whatever.

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Speaker 5: So we've been focusing on that and I was like,

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Speaker 5: we need to have Steve, like Steve would be amazing,

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Speaker 5: and so yeah, this was this was really fun.

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Speaker 2: Thanks, Thanks, I really appreciate it. I was kind of

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Speaker 2: always secret secretly hoping you would ask me. But I

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Speaker 2: figured because I've been listening to but I figured it

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Speaker 2: wouldn't be until you got to the full house stuff, right.

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Speaker 2: So I was like, I got years still, I got

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Speaker 2: plenty of time.

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Speaker 1: We can't wait that long.

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Speaker 3: No, we had to talk to you now, right, there's

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Speaker 3: no time to wait.

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Speaker 2: Yes, I'll talk to you anytime. You know that I

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Speaker 2: love you both.

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Speaker 3: I love you too.

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Speaker 1: So great to see her face because I saw you

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Speaker 1: for three seasons on that Girl Leyle. We worked together

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Speaker 1: on that show. We were masked up all the time

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Speaker 1: except for me when I was at camera. But I

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Speaker 1: haven't seen your face five years.

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Speaker 2: Right, to talk about a different show for a second.

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Speaker 2: After the run, Gabby had a thing. She was doing

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Speaker 2: a comedy bit, huh, And so I went to see her.

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Speaker 2: And this was after the masks were over, and I'm

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Speaker 2: just sitting in the lobby and her mom walks by

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Speaker 2: me and I don't recognize your mom? Did don't recognize me?

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Speaker 2: I don't recognize them. It was crazy.

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Speaker 5: Yeah, see that you know what, we were just having

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Speaker 5: this conversation. But it had to do with how we

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Speaker 5: just don't remember anything anymore because the brain fog is

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Speaker 5: sitting in. But now I'm just gonna be like, oh

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Speaker 5: it was the masks five.

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Speaker 3: Years later, but oh I didn't. It's yeah, I know

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Speaker 3: the eyes, totally know the eyes.

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Speaker 2: Yeah, yeah, you know, and I actually really have a

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Speaker 2: touch that's brain the face blindness thing. Oh yeah, So

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Speaker 2: for me, it's also helpful. I've had Okay, I've had

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Speaker 2: discussions with people that I thought I was talking to

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Speaker 2: in the day before. So I'll go, so remember the

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Speaker 2: thing yesterday we're talking about and somebody completely different, Oh.

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Speaker 3: Wow than that, And I don't have face blindness. That's

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Speaker 3: that's the problem, exactly.

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Speaker 1: A conversation. We'll just keep talking about the same topics

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Speaker 1: in a loop forgetting.

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Speaker 5: That as you age, right, is you just sort of

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Speaker 5: circle around the same three or four things remember, go

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Speaker 5: on the head and okay, go back to your home.

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Speaker 5: So see, we want to start like at the beginning. Okay, uh,

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Speaker 5: when when did you first start working in the industry, and.

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Speaker 3: Like did you go to school?

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Speaker 1: For it.

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Speaker 5: Was it one of those like somebody needed help in

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Speaker 5: the art department.

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Speaker 2: You were like, I sure, I am third generation Hollywood.

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Speaker 3: Oh my god, I did not know this. See this

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Speaker 3: is why I love these interviews.

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Speaker 5: We cind out so much fascinating step Oh my god,

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Speaker 5: third generation Hollywood.

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Speaker 2: Oh yeah. So my grandfather and my father were both

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Speaker 2: in the Labor Union.

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Speaker 3: The union.

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Speaker 2: My dad also did costume me so and it's kind

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Speaker 2: of both of these. So when I started, they were

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Speaker 2: taking people off the streets in the business. And my

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Speaker 2: dad called me up one day and said, being Universal Studios,

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Speaker 2: but work boots and a hammer, You're going to be

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Speaker 2: a laborer. Okay, But actually I started before that. When

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Speaker 2: I was sixteen, I worked at Universal Tour okay.

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Speaker 3: Wood Oh yes, did you like were you miserable in

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Speaker 3: the suits? Or was that a fun job?

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Speaker 2: It was hot and heavy and horrible and loved it.

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Speaker 2: The kids just mad arts. You know about the old

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Speaker 2: timer thing. You know, those kids today today doesn't know

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Speaker 2: how hard it was back in. My dad right, because

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Speaker 2: the woody head was huge and it was made out

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Speaker 2: of this thick rubber stuff. Oh, I weighed like twenty pounds.

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Speaker 1: It was not breathable material.

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Speaker 3: I assume you're no.

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Speaker 2: It was it was like a velvet kind of a thing.

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Speaker 2: And then also for some reason, they wanted wood to

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Speaker 2: be fat, so they have like a fat suit and

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Speaker 2: a thing. And but like I said, you know you

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Speaker 2: oh and also you had to look out of the

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Speaker 2: mouth and it was like that yeah right, but you

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Speaker 2: know some of the girl looks up and goes, I

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Speaker 2: love you Woody, and it just it was the greatest.

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Speaker 3: Yeah, it was the great.

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Speaker 5: What fun what I like, what a fun sort of

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Speaker 5: introduction to the business.

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Speaker 3: Though, And I also heard that those characters.

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Speaker 5: Is really fun because you you it's it's a total cost.

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Speaker 5: Nobody knows you can be silly and you could, you know,

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Speaker 5: be totally over the top, and it's you get to

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Speaker 5: fully embrace being someone else.

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Speaker 2: Right, nobody knows. But I knew my way around studios anyway,

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Speaker 2: because I'm going back and forth about where was gonna

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Speaker 2: let this conversation, but I'll just say it now. So

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Speaker 2: my dad, when I was a kid, worked for Jerry Lewis. Okay,

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Speaker 2: back when Jerry Lewis was like he was making the

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Speaker 2: nutty Professor and stuff like that, like the yeah, yeah,

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Speaker 2: So for me, Paramount Studios was a playground growing up. Yeah,

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Speaker 2: it was pretty good. Get that. So so I was

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Speaker 2: on sets, you know, and and stuff like that.

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Speaker 3: Oh that's so cool.

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Speaker 1: Were you immediately drawn to the props or did you

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Speaker 1: kind of play around and do different roles.

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Speaker 2: I fell into that. You know, I was a laborer

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Speaker 2: for a couple of years, and and then those are

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Speaker 2: still the days of the studio system. So you'd work

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Speaker 2: in a studio and they would fight different things, and

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Speaker 2: so the prop department needed some guys, and.

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Speaker 5: You kind of would get moved around within the little Yeah, exactly, exactly.

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Speaker 2: And and I fell into that, and that's the one

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Speaker 2: that works best for my head.

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Speaker 3: Mm.

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Speaker 2: You know, I'm kind of a person that likes to

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Speaker 2: go from one thing to another thing. I'm one of

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Speaker 2: those three inches deep a mile wide kind of people,

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Speaker 2: you know.

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Speaker 3: Yeah, I relate.

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Speaker 2: Yeah, So, so I liked that the idea of figuring

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Speaker 2: something out and moving on to something else and figuring

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Speaker 2: something else out kind of a thing or even going

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Speaker 2: from show to show.

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Speaker 5: Right, you know, especially on a sitcom because every like

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Speaker 5: every week, I always say, it's like the ninth routine

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Speaker 5: of you know, you're kind of your your schedule, but

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Speaker 5: every week is some new problem to solve, some new

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Speaker 5: thing to do. Like it, It keeps you having to

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Speaker 5: think constantly because there you don't kind of get settled in, you.

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Speaker 2: Know, and it's like the best of both worlds that way.

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Speaker 2: M hm. You know you have the surety of a schedule,

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Speaker 2: but there's new things to you know, show the objects.

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Speaker 3: Yes, yes, exactly, new things to pique my attention.

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Speaker 5: Yeah, you started on Home improvement right, well, not started

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Speaker 5: on but like you you didn't considerable amount of improvement.

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Speaker 2: Yeah, which was a blast, It was. It was great fun.

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Speaker 2: It speaking of instant experts. So you know some of

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Speaker 2: the best acting happens behind camera. Very first show on

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Speaker 2: Home Improvement, and I was the whole show revolved around

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Speaker 2: Tim pat dancing at the end to a jukebox. All right,

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Speaker 2: they put a corner in the jukebox. It's their song,

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Speaker 2: the jukebox. You see it light up and play works

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Speaker 2: great all week long, works great all day blocking day. Right,

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Speaker 2: we get in front of the audience, it starts buzzing.

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Speaker 2: Pristadi says Steve, can you fix it?

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Speaker 1: No pressure?

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Speaker 2: And I say, yeah, absolutely, Thinking is the jukebox is

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Speaker 2: thirty feet away. I've got thirty feet to figure out

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Speaker 2: how to make this thing work.

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Speaker 3: You just hit it on top of A couple of times,

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Speaker 3: I started pulling.

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Speaker 2: Wires just because it had to light up. It had

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Speaker 2: to stay lit up and work. We couldn't make the

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Speaker 2: sound wow. So it's pulling wires and finally ended up working.

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Speaker 2: But that's that's the kind of thing that happens. So yeah,

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Speaker 2: Home Improvement seven years.

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Speaker 1: It was.

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Speaker 2: It was a blast. It was great fun.

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Speaker 5: Oh that's so I went to the set of Home

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Speaker 5: Improvement a couple of times. I was friends with zach

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Speaker 5: Ty Bryan. Yeah, he and I were friends because we're

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Speaker 5: about the same age, I believe, even officially. He was

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Speaker 5: kind of like my little boyfriend, like my little industry boyfriend,

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Speaker 5: which entailed like going trick or treating at his house,

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Speaker 5: I think, but he did. He came to full House

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Speaker 5: one time, and I had gone to Home Improvement a

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Speaker 5: couple of times, maybe just one time, but anyway, Yeah, I.

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Speaker 3: Was on set. We crossed paths, and it was meant

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Speaker 3: to be.

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Speaker 5: Just the thing I remember about Zach that all that

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Speaker 5: was that one time he was screwing around in my

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Speaker 5: mom's car and he opened the door while she was

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Speaker 5: driving like down Culver Boulevard or something, and.

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Speaker 3: She freaked out. She was just like, no, absolutely not.

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Speaker 3: I thought it was hilarious.

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Speaker 1: Not so much.

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Speaker 2: He was great, you know, those those kids were great

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Speaker 2: on that show, and actually everybody was. You know, Tim,

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Speaker 2: it was really interesting. Tim, Well, and you were on

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Speaker 2: the set a couple of times, so you would know

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Speaker 2: whenever those one of those inevitable technical glitches, we'dn't have

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Speaker 2: to wait for ten minutes. He would take that ten

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Speaker 2: minutes and and entertain the crew. It was great. It

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Speaker 2: was great.

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Speaker 5: When Bob would we'd have something like that and Bob

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Speaker 5: would go grab the mic and exactly exactly.

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Speaker 2: Well, you know, there's a lot of parallels the two shows.

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Speaker 2: I would say, we're most like a family.

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Speaker 3: M hmm.

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Speaker 2: His Home Improvement and floorhouse and you guys, it was

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Speaker 2: it was it was family. It was jump in ahead.

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Speaker 2: I'm sorry, So you two you know all right? So,

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Speaker 2: so I was in on only did the last two seasons,

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Speaker 2: right of yeah, I did the last two seasons. The

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Speaker 2: other day, I know it felt like for everyone that guy.

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Speaker 2: So I came into a situation where you guys did

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Speaker 2: full House for what nine years, and you'd already in

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Speaker 2: three years of Fuller House with a lot of the

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Speaker 2: people from that show.

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Speaker 3: Yeah, you know.

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Speaker 2: And I come in and it's the first day of

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Speaker 2: school at a new school, right, and I get it

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Speaker 2: to you two, We're so welcoming to me and made

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Speaker 2: me feel so at home and so comfortable. I will

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Speaker 2: always always remember you for that, really, thank you.

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Speaker 3: It's we we love adding to our full Fuller House family,

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Speaker 3: you know, it's we we love.

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Speaker 5: We've picked up so many new amazing in that crew

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Speaker 5: on Fuller House and you're definitely in there. But you know,

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Speaker 5: it is it's intimidating, and I can't imagine. I mean,

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Speaker 5: I've heard horror stories from people on set. Friend of

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Speaker 5: mine who's a set dresser, who had some horrific incidents

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Speaker 5: with certain actors who are just not very kind and

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Speaker 5: who you know, treat anyone below the line like you know,

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Speaker 5: they are just there to serve them, uh, And I

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Speaker 5: just I don't I don't ever, I don't ever understand

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Speaker 5: that mentality in this business, Like it's so much fun

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Speaker 5: to meet and create with other people, like and nobody

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Speaker 5: wants to be doing something when they're being yelled at fun.

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Speaker 2: No, no, you know, I've been that same dance. It sucks.

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Speaker 3: Yeah, they suck.

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Speaker 2: And what they don't realize is we're here to make

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Speaker 2: you look good, right right, yeah, and we want to

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Speaker 2: make you look good.

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Speaker 3: That's what we want to do, right yeah. Yeah, it's

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Speaker 3: it's a it's a team sport, you know, definitely a

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Speaker 3: team sport.

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Speaker 2: Yeah.

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Speaker 3: But now do you do you do any like single

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Speaker 3: camp stuff? More dramatic stuff.

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Speaker 2: I did, but I got too old for it, so

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Speaker 2: I did things like us, things like and Lacey. That's

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Speaker 2: why before you guys time.

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Speaker 3: Oh no, I remember Cagne and Lacey and my mom

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Speaker 3: loved that show.

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Speaker 2: Oh yeah, yeah, you know, I did some. I did

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Speaker 2: some movies too, like I did a Dennis Hopper movie

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Speaker 2: and and stuff like that. So it's a bunch of

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Speaker 2: single camera stuff. The last single camera I did was Shameless,

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Speaker 2: And I did like a month on the prop crew

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Speaker 2: with old friends of mine prop guys, and after a month,

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Speaker 2: I just said, I don't know how you guys do

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Speaker 2: it anymore. I'm going back to my sit joms, right,

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Speaker 2: I'm you know, but but also what happens. I'm a

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Speaker 2: theater guy and and Andrews and and what we're doing

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Speaker 2: putting on a play every week.

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Speaker 3: Yeah, yeah, you know, put a week.

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Speaker 2: I don't tell you if she told you. I tried

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Speaker 2: to get her into one of our plays.

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Speaker 1: I was very close. I did the table I did

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Speaker 1: the table read, but I couldn't commit to the to

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Speaker 1: drive it into La Forever, you know. I just I

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Speaker 1: couldn't commit at the time, but would have.

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Speaker 3: Been amazing, understand completely, absolutely.

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Speaker 1: Well, But that is a goal some day. I want

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Speaker 1: you to direct me someday.

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Speaker 3: Let's yes, I love what you do.

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Speaker 1: Yeah yeah, let's both of us. Let's all get it.

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Speaker 5: Let's I mean, it is like I you know, that

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Speaker 5: combination of the live show and the ability to screw

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Speaker 5: up and try something again is kind of it is

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Speaker 5: the best of both worlds. Yeah, you know, it's and

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Speaker 5: it is such a fun putting on a play every week.

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Speaker 3: You know.

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Speaker 2: Yeah, yeah, that's what you're doing, you know. And it's

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Speaker 2: interesting because when I first started directing, I I I

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Speaker 2: didn't go any school forward anything like that. I just

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Speaker 2: kind of fell into it. My whole life seems like

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Speaker 2: it's I just kind of fell into stuff.

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Speaker 3: You know.

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Speaker 2: And I remember the first day of rehearsal, thinking I

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Speaker 2: don't know what to say to these people. I have

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Speaker 2: no idea what to say to these people, and then

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Speaker 2: it all just kind of came right, and I realized

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Speaker 2: it was from being on sitcom stages forever watching the

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Speaker 2: greatest directors ever, because I did a season of Alice

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Speaker 2: also great show. Yeah, and it was and that was

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Speaker 2: the Isla Lucy people. Yeah, so you know, I was

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Speaker 2: watching them direct the shows and put the shows on

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Speaker 2: like that, and the same thing. Home Improvement was great directors,

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Speaker 2: you know, and it was just yeah, so it just

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Speaker 2: kind of all soaked in something.

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Speaker 3: Yeah, for sure.

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Speaker 5: I mean I feel like that kind of for us too,

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Speaker 5: with the writing and the directing. It was like, you

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Speaker 5: don't necessary you know, you just sort of it's in there,

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Speaker 5: like floating around, you know, the rhythm of a sitcom,

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Speaker 5: you know, the you know, you just kind of know

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Speaker 5: what it is.

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Speaker 2: Mean, I'm gonna pump you guys up a little bit.

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Speaker 2: You were talking about having having friends and you know,

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Speaker 2: other shows stuff like that. So I've got friends on

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Speaker 2: two different unnamed TV shows right now, and they're both

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Speaker 2: network shows, and you know, and we do the same

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Speaker 2: up shields and you know you're gonna watch the show

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Speaker 2: to support your friends and hoping the show is good, right,

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Speaker 2: And one of them was brutal. I could not watch

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Speaker 2: five minutes of it, and the other one was better,

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Speaker 2: but it like I kept like thinking like it's lost opportunities,

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Speaker 2: lost opportunities. When you guys called me, I decided to

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Speaker 2: watch my two seasons again just to refresh my memory.

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Speaker 2: And when you're in the middle of the show, you know,

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Speaker 2: I don't think you don't realize how good it is.

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Speaker 2: Fuller House was a great show. It was a thousand

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Speaker 2: times better than those two things. I just watched a

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Speaker 2: thousand times better. And I'm not saying this to bump

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Speaker 2: you up. I would say this to you guys faces. Yeah,

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Speaker 2: if this camera was not on stuff like that, you

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Speaker 2: know it was. It was great. It was great, and

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Speaker 2: you too, were fantastic. Steve.

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Speaker 1: You got to give yourself credit to because your kind,

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Speaker 1: yes was so infectious, Like you had an endless amount

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Speaker 1: of patience, which I imagine is a huge component of

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Speaker 1: the job, as the actors move all the props right

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Speaker 1: after you set them, right before the scene. But you

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Speaker 1: always had a smile on your face or a joke

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Speaker 1: to tell or a nice thing to say, and so

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Speaker 1: we were just responding to that. You know that you

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Speaker 1: were just oozing kindness and instant friends, instant friends with us.

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Speaker 2: Thank you. Yes, well, we bonded over something else, but

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Speaker 2: that's you.

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Speaker 1: Know, we did, Yes, Jody knows forever.

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Speaker 3: Yeah, I just I was around for peak forever plaid

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Speaker 3: ab days.

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Speaker 2: Let me tell you, well, well, speaking of you being

350
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Speaker 2: on the Home improvement set, we were Andy and I

351
00:19:08,359 --> 00:19:10,960
Speaker 2: were probably both in that same theater twenty times together.

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Speaker 3: They can probably.

353
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Speaker 1: Yeah, yeah, I could not know.

354
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Speaker 2: I was a total plaid head.

355
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Speaker 3: Oh, I couldn't get I remember it, I remember going

356
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Speaker 3: with you. It was Yeah, it's so graice.

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Speaker 1: I just I was telling Jody last week that I

358
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Speaker 1: pulled out a bunch of boxes full of stuff and

359
00:19:27,880 --> 00:19:30,720
Speaker 1: I found a lot of my forever plaid stuff, my

360
00:19:30,920 --> 00:19:34,280
Speaker 1: jacket and like a framed picture of the four guys

361
00:19:34,320 --> 00:19:38,440
Speaker 1: that they had autographed like all programs. It's just so cool,

362
00:19:38,880 --> 00:19:41,840
Speaker 1: so cool. If they ever dow a reunion show, you

363
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Speaker 1: and I are going, yeah, absolutely, Well, you know.

364
00:19:45,640 --> 00:19:47,200
Speaker 2: We almost got him over to the stage, but it

365
00:19:47,240 --> 00:19:47,680
Speaker 2: didn't work.

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Speaker 1: Yes, yeah, I know you that's right.

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Speaker 3: I know we tried. You were trying.

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Speaker 2: Yes, yeah, well that's the end of another story, I think.

369
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Speaker 2: But you know that the other you guys made it

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Speaker 2: easy for me as a prop guy. Really to say that,

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Speaker 2: I'm shocked.

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Speaker 5: No, I will say we were better than the than

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Speaker 5: the guys, I know that for sure, and probably better

374
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Speaker 5: than we knew.

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Speaker 3: Where the living went back and we left it alone,

376
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Speaker 3: and I just yeah, Bob David John would pick it

377
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Speaker 3: up and it would go walking around.

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Speaker 2: Well, you would never know. Yeah, it's it's the hell

379
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Speaker 2: is it?

380
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Speaker 3: Now?

381
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Speaker 2: Where'd he go?

382
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Speaker 1: I just remember every time I would pick up a mug,

383
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Speaker 1: the mug with the K on it, and take a drink,

384
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Speaker 1: Steve would be instantly there with his little invisible light flashlight,

385
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Speaker 1: turning it exactly because you know you can never you

386
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Speaker 1: you knew you had that identic memory, so you knew

387
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Speaker 1: exactly how the cup should be on the table.

388
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Speaker 5: Well, wait, why don't we have Steve explain what the

389
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Speaker 5: little secret magic light is. Yeah, he's not just flashing

390
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Speaker 5: a flashlight on a thing.

391
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Speaker 2: And yeah sure, so so yeah, your I like to

392
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Speaker 2: tell people the hardest part of my day is remembering

393
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Speaker 2: who gets the K mug? Who gets the s mug,

394
00:20:56,119 --> 00:21:00,760
Speaker 2: you know, but so you know, if if the mug

395
00:21:00,960 --> 00:21:05,119
Speaker 2: is on the kitchen counter there and you go to

396
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Speaker 2: drink some coffee and then you maybe you walk up

397
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Speaker 2: to the table and that sort of thing. If we

398
00:21:09,760 --> 00:21:12,439
Speaker 2: do take two, the mug needs to start in exactly

399
00:21:12,480 --> 00:21:15,359
Speaker 2: the same place and none of the exactly the same place.

400
00:21:15,480 --> 00:21:20,200
Speaker 2: But which way is the handle facing? And so I

401
00:21:20,400 --> 00:21:26,040
Speaker 2: had a ultra violet flashlight and ultraviolet marking pins and

402
00:21:26,160 --> 00:21:28,160
Speaker 2: so the marketing that I make a little circle around

403
00:21:28,200 --> 00:21:30,720
Speaker 2: the cup and also a little line where the handle was,

404
00:21:32,280 --> 00:21:33,800
Speaker 2: and so you can't see it on camera, but then

405
00:21:33,800 --> 00:21:36,320
Speaker 2: I did my little flashlight and then that's where it'd be.

406
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Speaker 1: It's brilliant.

407
00:21:37,680 --> 00:21:38,800
Speaker 3: It's brilliant. The same things.

408
00:21:38,840 --> 00:21:41,320
Speaker 1: You don't know though, unless you're on a set witnessing it.

409
00:21:41,480 --> 00:21:43,320
Speaker 1: Like people don't know these little tricks.

410
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Speaker 3: I love it.

411
00:21:44,680 --> 00:21:45,240
Speaker 1: That's so cool.

412
00:21:45,320 --> 00:21:47,639
Speaker 3: I never I had never seen the little UV light

413
00:21:47,760 --> 00:21:52,520
Speaker 3: trick until like, yeah, yeah, what's that? What are you doing?

414
00:21:53,160 --> 00:21:56,359
Speaker 3: What's happening? Is there a secret message? Somebody read it

415
00:21:56,400 --> 00:21:57,560
Speaker 3: an invisible ink? Yeah?

416
00:21:57,720 --> 00:22:00,879
Speaker 2: Like oh I should done that kind have been a

417
00:22:00,920 --> 00:22:03,560
Speaker 2: good idea. Oh there you go a booger.

418
00:22:05,040 --> 00:22:07,960
Speaker 1: Yes, with the cheerios or not the cheerios, the alphabets

419
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Speaker 1: or whatever.

420
00:22:10,160 --> 00:22:12,840
Speaker 2: It was. It was, Yes, that's so great.

421
00:22:13,160 --> 00:22:14,639
Speaker 1: Now where do you get all these props?

422
00:22:14,800 --> 00:22:16,000
Speaker 3: Do you buy them all?

423
00:22:16,280 --> 00:22:16,440
Speaker 2: Do you?

424
00:22:16,640 --> 00:22:19,160
Speaker 1: Is there a big like a warehouse somewhere like where

425
00:22:19,200 --> 00:22:20,439
Speaker 1: do you? Where do you go to get all?

426
00:22:20,800 --> 00:22:23,240
Speaker 2: So so, first of all, you know, I'm the on

427
00:22:23,440 --> 00:22:26,719
Speaker 2: set prop guy. And then we had Jim Falkenstein, who

428
00:22:28,680 --> 00:22:30,800
Speaker 2: just a great, great, great prop master.

429
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Speaker 3: We're just talking about Jim and his tuxedo.

430
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Speaker 2: Oh my god, I've got to get you the book. Yes,

431
00:22:38,160 --> 00:22:41,480
Speaker 2: the other of all of the people that he photo bombed.

432
00:22:41,680 --> 00:22:43,960
Speaker 3: Oh no, yes, I love it. That's right, because he

433
00:22:44,040 --> 00:22:46,760
Speaker 3: photo bombs everybody in the yellow text here. It's so great.

434
00:22:47,160 --> 00:22:50,000
Speaker 2: Yeah, and it's hilarious and every single person he puts,

435
00:22:50,240 --> 00:22:55,240
Speaker 2: my best friend great, think about it. It's it's hilarious.

436
00:22:55,400 --> 00:22:59,119
Speaker 2: So but so he's the really the creative force, and

437
00:22:59,320 --> 00:23:02,680
Speaker 2: he's the on that we read the script and he's

438
00:23:03,400 --> 00:23:05,720
Speaker 2: you know, we've got some wacky prop again this week.

439
00:23:06,359 --> 00:23:10,920
Speaker 3: He's always always a wacky prop on a on a sitcom. Yep,

440
00:23:11,000 --> 00:23:11,880
Speaker 3: what do I need to make?

441
00:23:12,240 --> 00:23:15,399
Speaker 2: That's yes, and lots of food and a lot of

442
00:23:15,440 --> 00:23:17,800
Speaker 2: sort of thing, and so so he's the one. So

443
00:23:18,359 --> 00:23:21,480
Speaker 2: there are warehouses that you can rent stuff from, like

444
00:23:21,760 --> 00:23:24,800
Speaker 2: normal stuff, and then sometimes you buy stuff. You know,

445
00:23:24,880 --> 00:23:28,560
Speaker 2: Amazon has become a prop master's best friend now, you know,

446
00:23:28,720 --> 00:23:30,280
Speaker 2: used to be you have to like research stuff and

447
00:23:30,320 --> 00:23:33,600
Speaker 2: try to find it, and now it's just and then

448
00:23:33,640 --> 00:23:37,520
Speaker 2: also make things, you know, and make things and and

449
00:23:37,640 --> 00:23:42,040
Speaker 2: then my job was more know where everything goes, get

450
00:23:42,080 --> 00:23:43,800
Speaker 2: it there, get in your guys hands, stay the hell

451
00:23:43,840 --> 00:23:49,080
Speaker 2: out of your way, lease set when you're you know, yeah,

452
00:23:49,560 --> 00:23:50,840
Speaker 2: between takes and that sort of thing.

453
00:23:51,200 --> 00:23:54,760
Speaker 1: I forgot and also anticipation too. I'm sorry I forgot

454
00:23:54,800 --> 00:23:56,840
Speaker 1: that you guys were in charge of the food. Oh

455
00:23:56,880 --> 00:24:00,399
Speaker 1: can I forget that, like all of those sandwiching contests.

456
00:24:01,560 --> 00:24:05,280
Speaker 3: Our actor treats. Yes, we'd be eating all of our

457
00:24:05,359 --> 00:24:08,840
Speaker 3: little almond thin crackers and be like, yeah.

458
00:24:14,000 --> 00:24:15,920
Speaker 1: You're so good to always ask us like, oh, do

459
00:24:16,000 --> 00:24:19,399
Speaker 1: you have a flavor preference of whether it's a donut

460
00:24:19,560 --> 00:24:22,600
Speaker 1: or what we were eating. You were always good to

461
00:24:22,800 --> 00:24:24,479
Speaker 1: have any allergies, Do you need flavors?

462
00:24:24,480 --> 00:24:25,560
Speaker 3: What do you want in the mug?

463
00:24:26,000 --> 00:24:26,200
Speaker 2: Yeah?

464
00:24:26,640 --> 00:24:28,120
Speaker 3: It was very conscientious.

465
00:24:28,200 --> 00:24:29,760
Speaker 1: Yeah, cremer with your cool, Well, you.

466
00:24:29,760 --> 00:24:31,640
Speaker 2: Guys gotta eat it. You know, it's like, let's give

467
00:24:31,640 --> 00:24:34,200
Speaker 2: you something you like. Yeah, right, you know what the

468
00:24:34,320 --> 00:24:37,720
Speaker 2: heck I mean the deal? Although I say you guys

469
00:24:37,800 --> 00:24:44,639
Speaker 2: were good about the whole the fake eating, fake drinking

470
00:24:45,080 --> 00:24:47,159
Speaker 2: a lot of times. Yeah, you know, you're like, it

471
00:24:47,240 --> 00:24:48,800
Speaker 2: looks like I'm look looking, I'm drinking out of this

472
00:24:48,920 --> 00:24:51,200
Speaker 2: and you're not drinking a damn right, I'm not ding

473
00:24:51,200 --> 00:24:52,720
Speaker 2: by do Can we see that?

474
00:24:53,480 --> 00:24:55,040
Speaker 1: Wake up?

475
00:24:55,119 --> 00:24:55,840
Speaker 3: San Francisco.

476
00:24:56,000 --> 00:24:56,240
Speaker 1: Mine.

477
00:24:56,400 --> 00:24:57,119
Speaker 3: It's so cool.

478
00:24:57,840 --> 00:25:01,720
Speaker 1: I love it. Did you te any props from Fuller

479
00:25:01,800 --> 00:25:02,879
Speaker 1: House like the rest of us?

480
00:25:03,160 --> 00:25:04,800
Speaker 3: Just just the one?

481
00:25:05,800 --> 00:25:08,080
Speaker 2: I got two props we mentioned both shows. I've gone

482
00:25:08,480 --> 00:25:12,200
Speaker 2: one of the original tool benches from Home Improvement and uh.

483
00:25:13,400 --> 00:25:18,560
Speaker 1: Yeah, that's so cool. Okay, so you get props from

484
00:25:18,600 --> 00:25:21,800
Speaker 1: the warehouse or from Amazon? How much lead time do

485
00:25:21,920 --> 00:25:24,440
Speaker 1: you have, like, do does production give you a list

486
00:25:24,520 --> 00:25:25,920
Speaker 1: of the props or do you have to read through

487
00:25:25,960 --> 00:25:28,880
Speaker 1: the script and mark every time you see a prop?

488
00:25:29,640 --> 00:25:32,879
Speaker 2: It's both, you know, Ron and Ron and John and

489
00:25:34,160 --> 00:25:39,159
Speaker 2: and and uh Steve and Bark and Brian. Right. They

490
00:25:39,240 --> 00:25:43,760
Speaker 2: were good about if there was some super wacky prop

491
00:25:45,200 --> 00:25:48,320
Speaker 2: to give Jim lead time on that for a couple

492
00:25:48,320 --> 00:25:49,720
Speaker 2: of weeks or a week or something like that.

493
00:25:50,160 --> 00:25:53,000
Speaker 3: All I can ever think of is that Rube Goldberg machine.

494
00:25:53,720 --> 00:25:54,359
Speaker 2: Poor Jim.

495
00:25:55,960 --> 00:25:59,000
Speaker 3: Crap I thought about. That's the I use that as

496
00:25:59,040 --> 00:26:01,399
Speaker 3: an example of like the hell that prop people have

497
00:26:01,520 --> 00:26:03,119
Speaker 3: to go through, and they're like, hey, can you be

498
00:26:03,160 --> 00:26:04,600
Speaker 3: an engineer this week and do this?

499
00:26:05,240 --> 00:26:08,920
Speaker 2: Oh my lord, and he spent the entire weekend. I'm

500
00:26:08,960 --> 00:26:12,480
Speaker 2: not sure he slept. It was. Oh that one was

501
00:26:12,520 --> 00:26:14,400
Speaker 2: a hot I feel so bad for him that week.

502
00:26:14,480 --> 00:26:15,040
Speaker 2: Oh my god.

503
00:26:16,040 --> 00:26:17,879
Speaker 3: Yeah, and he didn't even get the credit.

504
00:26:18,840 --> 00:26:19,480
Speaker 1: Got it? Okay?

505
00:26:21,600 --> 00:26:24,040
Speaker 2: Dam it? Oh man?

506
00:26:24,520 --> 00:26:26,840
Speaker 1: Okay, So you've got about maybe a week lead time

507
00:26:28,000 --> 00:26:31,120
Speaker 1: and then when they rewrite the script, sometimes they'll change

508
00:26:31,160 --> 00:26:32,600
Speaker 1: the props and then you guys just have to.

509
00:26:32,760 --> 00:26:35,159
Speaker 2: Adjustst and you have to adjust on the fly, and

510
00:26:35,200 --> 00:26:38,560
Speaker 2: that's what you do, you know, But it's only a

511
00:26:38,600 --> 00:26:40,200
Speaker 2: big thing. They'll give you a week lead time on.

512
00:26:40,359 --> 00:26:42,920
Speaker 2: You know, most of the stuff we don't find out

513
00:26:42,920 --> 00:26:45,760
Speaker 2: about until we've read the script. And some shows it's

514
00:26:45,800 --> 00:26:49,359
Speaker 2: the morning of there's a script, you know, it's the

515
00:26:50,160 --> 00:26:53,119
Speaker 2: you know, just before the table read and uh, the

516
00:26:53,200 --> 00:26:56,680
Speaker 2: provision suppress you mean first table read. Then I don't

517
00:26:56,720 --> 00:26:58,400
Speaker 2: know what you guys do, have a mudpath or something

518
00:26:58,520 --> 00:27:02,040
Speaker 2: for an hour and then we rehearse, right, and so

519
00:27:02,240 --> 00:27:08,120
Speaker 2: in that time, I'm like pulling together what I can

520
00:27:08,240 --> 00:27:11,280
Speaker 2: for AST to rehearsal that first day, to stand in

521
00:27:11,520 --> 00:27:15,080
Speaker 2: for whatever we're going to really use, you know, because

522
00:27:15,080 --> 00:27:18,080
Speaker 2: for me it's important. So my training was U hoging training,

523
00:27:18,960 --> 00:27:20,760
Speaker 2: and her thing was all about the props.

524
00:27:21,200 --> 00:27:23,600
Speaker 3: Yeah, you know your hands.

525
00:27:24,119 --> 00:27:26,040
Speaker 2: Yes, So it's so important to me to get something

526
00:27:26,080 --> 00:27:27,760
Speaker 2: in your guys' hands immediately.

527
00:27:29,200 --> 00:27:29,359
Speaker 1: You know.

528
00:27:30,640 --> 00:27:33,800
Speaker 3: It's true. It does make something feel like you're you know,

529
00:27:33,960 --> 00:27:36,200
Speaker 3: when you're rocking around your house or doing something, chances

530
00:27:36,240 --> 00:27:37,920
Speaker 3: are you've got something in your hand that's going from

531
00:27:37,960 --> 00:27:40,560
Speaker 3: one place to another or that's you know, and it

532
00:27:40,720 --> 00:27:43,400
Speaker 3: get you do feel awkward sometimes on care like where

533
00:27:43,440 --> 00:27:45,920
Speaker 3: do I put my hands? You know, but like I

534
00:27:46,160 --> 00:27:49,960
Speaker 3: have something or and it gives me business hands always

535
00:27:50,000 --> 00:27:50,480
Speaker 3: have business.

536
00:27:50,840 --> 00:27:52,359
Speaker 2: Your prop can do a lot of work for you.

537
00:27:53,600 --> 00:27:55,200
Speaker 2: You know, you can do a lot of work for you.

538
00:27:55,520 --> 00:27:57,600
Speaker 2: So you know, so it's always important to me to

539
00:27:57,640 --> 00:28:01,040
Speaker 2: get get that stuff in your hands. Even it wasn't

540
00:28:01,040 --> 00:28:03,760
Speaker 2: exactly the right thing, it was you're gonna have a thing.

541
00:28:03,760 --> 00:28:06,280
Speaker 3: Here right right, yeah, because it does.

542
00:28:06,560 --> 00:28:09,320
Speaker 5: I mean, I the one thing that's always different to

543
00:28:09,480 --> 00:28:11,760
Speaker 5: is like going from sitcom to single cam when you

544
00:28:11,800 --> 00:28:16,000
Speaker 5: don't really have a lot of the rehearsal time, and

545
00:28:16,160 --> 00:28:18,560
Speaker 5: like getting on a single cam set and it's like, okay,

546
00:28:19,040 --> 00:28:22,280
Speaker 5: you got on your lines and everything, but now here's

547
00:28:22,480 --> 00:28:24,560
Speaker 5: gonna be the blocking. And then also you're gonna do

548
00:28:24,640 --> 00:28:26,600
Speaker 5: it with this thing in your hand that you haven't

549
00:28:26,600 --> 00:28:27,080
Speaker 5: done it before.

550
00:28:27,160 --> 00:28:28,440
Speaker 3: Let's run it a couple of times.

551
00:28:28,280 --> 00:28:28,760
Speaker 2: And then let's go.

552
00:28:28,960 --> 00:28:31,600
Speaker 3: You know, I mean, particularly on like those shorter you know,

553
00:28:31,800 --> 00:28:35,440
Speaker 3: Hallmark movies or whatever, but props change everything.

554
00:28:35,800 --> 00:28:38,560
Speaker 2: Oh yeah, and I don't know on the Hallmark movies

555
00:28:38,640 --> 00:28:40,080
Speaker 2: they're shooting all those digital now too.

556
00:28:41,320 --> 00:28:41,720
Speaker 3: Oh yeah.

557
00:28:42,320 --> 00:28:47,600
Speaker 2: So my time on Shameless was you know, I hadn't

558
00:28:47,680 --> 00:28:50,440
Speaker 2: done single cameras and since like Taggy and Lacy, so

559
00:28:50,920 --> 00:28:53,000
Speaker 2: it was a twenty year So that used to always

560
00:28:53,000 --> 00:28:57,000
Speaker 2: be film, right, you know, and in film it would

561
00:28:57,000 --> 00:28:59,280
Speaker 2: be all right, we're gonna block it.

562
00:28:59,760 --> 00:29:03,880
Speaker 3: Now, gonna light it for two hours, and so you

563
00:29:03,960 --> 00:29:05,200
Speaker 3: know that's still a thing.

564
00:29:08,920 --> 00:29:10,640
Speaker 2: They would rehearse it and it's like we're shooting now.

565
00:29:11,480 --> 00:29:14,320
Speaker 2: Oh and so I was just like the third guy

566
00:29:14,520 --> 00:29:16,800
Speaker 2: prop guy, you know, I'm like, okay, we're not breakfasteing

567
00:29:16,840 --> 00:29:19,640
Speaker 2: next okay, fine, the reversion right now, all kind of

568
00:29:19,680 --> 00:29:24,760
Speaker 2: start making breakfast. They complying, where's the food? Where's the food? God?

569
00:29:28,080 --> 00:29:29,600
Speaker 3: Yeah, most of the time it takes.

570
00:29:29,400 --> 00:29:31,959
Speaker 5: A little while before you're like, get to set, get

571
00:29:32,000 --> 00:29:34,760
Speaker 5: to that, and then they're like, relight it.

572
00:29:35,240 --> 00:29:35,440
Speaker 2: Yeah.

573
00:29:36,680 --> 00:29:39,880
Speaker 1: I remember your big cart, like your big black cart

574
00:29:39,960 --> 00:29:41,880
Speaker 1: that you would wheel from set to set, and you

575
00:29:41,880 --> 00:29:46,000
Speaker 1: always had like mints or something for us to What

576
00:29:46,080 --> 00:29:48,880
Speaker 1: are some of your tricks for like staying organized? Do

577
00:29:48,960 --> 00:29:51,240
Speaker 1: you line props up a certain way? Do you have

578
00:29:51,360 --> 00:29:54,680
Speaker 1: a list, like what are your organizational I have lists.

579
00:29:54,960 --> 00:29:55,640
Speaker 3: I have a.

580
00:29:57,200 --> 00:30:00,880
Speaker 2: Uh so I use like a legal pad and each

581
00:30:01,040 --> 00:30:04,520
Speaker 2: scene will be one page of legal pad over that,

582
00:30:05,320 --> 00:30:09,680
Speaker 2: and then I'll try to organize the prompts on my

583
00:30:09,840 --> 00:30:13,840
Speaker 2: cart per scene, okay, you know, and and put them

584
00:30:13,880 --> 00:30:16,280
Speaker 2: in bankers boxes or whatever, depend on how much stuff

585
00:30:16,280 --> 00:30:19,320
Speaker 2: you've got and that sort of thing. I'm also I

586
00:30:19,480 --> 00:30:21,760
Speaker 2: was also good at like hiding stuff around the set,

587
00:30:23,040 --> 00:30:24,400
Speaker 2: you know, so like if we had a bunch of

588
00:30:24,440 --> 00:30:26,360
Speaker 2: stuff for the next thing that's gonna go up on

589
00:30:26,360 --> 00:30:27,720
Speaker 2: the counter, there a bunch of food and stuff. A

590
00:30:27,760 --> 00:30:30,160
Speaker 2: lot of them have been in the cabinets underneath.

591
00:30:30,240 --> 00:30:32,000
Speaker 3: Oh yeah, right, that sort of thing.

592
00:30:32,520 --> 00:30:36,800
Speaker 1: Yeah, sort of pressmart so smart yep, thank you.

593
00:30:38,000 --> 00:30:40,360
Speaker 2: The best thing for that cart. My memory of the

594
00:30:40,440 --> 00:30:46,600
Speaker 2: cart too, is is that on show night, I would

595
00:30:46,640 --> 00:30:50,680
Speaker 2: perk the cart right outside the it's only always open door.

596
00:30:51,080 --> 00:30:52,640
Speaker 5: I was gonna say, I can picture, and now I

597
00:30:52,720 --> 00:30:55,640
Speaker 5: was like, oh, it's it's right outside the living room.

598
00:30:56,000 --> 00:30:58,240
Speaker 2: There, exactly right outside the living room there, And it

599
00:30:58,360 --> 00:31:00,280
Speaker 2: was like and that was fun for me because because

600
00:31:00,800 --> 00:31:03,520
Speaker 2: that's where you guys will huddle before the first thing.

601
00:31:03,480 --> 00:31:03,600
Speaker 1: You know.

602
00:31:03,760 --> 00:31:07,800
Speaker 3: So, so yeah, you always saw us being ridiculous doing

603
00:31:07,920 --> 00:31:10,320
Speaker 3: something stupid off camera, then just walk right in the door.

604
00:31:21,280 --> 00:31:24,720
Speaker 1: Now what happens when an actor takes the props from

605
00:31:24,760 --> 00:31:28,320
Speaker 1: your cart and autographs them all by accident?

606
00:31:29,320 --> 00:31:30,040
Speaker 2: Did that happen?

607
00:31:31,960 --> 00:31:33,080
Speaker 1: I'm wearing I'm wearing.

608
00:31:36,080 --> 00:31:36,640
Speaker 2: Do you have any more?

609
00:31:37,520 --> 00:31:38,160
Speaker 3: I do I have?

610
00:31:38,760 --> 00:31:39,440
Speaker 2: I have one?

611
00:31:39,720 --> 00:31:42,200
Speaker 1: I have one that Jodi signed. It says how rude.

612
00:31:42,680 --> 00:31:49,880
Speaker 3: Yeah, she signed the signed T shirt. Yes, for those

613
00:31:49,920 --> 00:31:51,600
Speaker 3: that don't know what Andrew is wearing and not only

614
00:31:51,640 --> 00:31:54,480
Speaker 3: listening to this, and she is wearing a white T

615
00:31:54,640 --> 00:31:58,040
Speaker 3: shirt that has my signature across the front of it.

616
00:31:59,040 --> 00:32:02,400
Speaker 3: And we're gonna tell you why. Here, here we go.

617
00:32:02,640 --> 00:32:04,520
Speaker 3: We've got alluded to this, but we need to hear

618
00:32:04,880 --> 00:32:08,080
Speaker 3: I've alluded to it, but we now have We now

619
00:32:08,200 --> 00:32:09,200
Speaker 3: have the source.

620
00:32:09,800 --> 00:32:12,320
Speaker 2: So were you guys already in the middle of your

621
00:32:12,360 --> 00:32:13,560
Speaker 2: prank war when this happened?

622
00:32:13,720 --> 00:32:15,520
Speaker 1: This was started prank the start.

623
00:32:15,560 --> 00:32:17,600
Speaker 3: I think this was the start of the prank war, right,

624
00:32:17,800 --> 00:32:21,360
Speaker 3: did it started? No? We I think we had. I

625
00:32:21,480 --> 00:32:27,520
Speaker 3: think the post its were first. I put you were

626
00:32:27,600 --> 00:32:31,320
Speaker 3: taking a nap, and I covered your entire door in Uh.

627
00:32:31,920 --> 00:32:34,200
Speaker 2: That came after, for sure.

628
00:32:34,280 --> 00:32:35,520
Speaker 3: Okay, that was after.

629
00:32:35,640 --> 00:32:38,160
Speaker 2: Okay, So all right, So there's two things. One is

630
00:32:39,520 --> 00:32:43,680
Speaker 2: is so if the people know, so when you're exiting

631
00:32:43,720 --> 00:32:45,960
Speaker 2: through the always always open door when you go outside.

632
00:32:46,480 --> 00:32:48,760
Speaker 2: Around to the right, I had a little prop table,

633
00:32:49,600 --> 00:32:51,880
Speaker 2: so if an actor was had to come in with

634
00:32:51,960 --> 00:32:54,600
Speaker 2: a prop, that's what the problem would be. Here's your purse,

635
00:32:55,080 --> 00:32:58,840
Speaker 2: here's whatever. Then we all sat another table over by

636
00:32:58,880 --> 00:33:01,880
Speaker 2: our prop room, which was down the bottom of the

637
00:33:01,920 --> 00:33:05,240
Speaker 2: stairs back behind the set, which was right on the

638
00:33:05,320 --> 00:33:09,040
Speaker 2: way to the stage. And Jim had a genius idea.

639
00:33:09,040 --> 00:33:12,640
Speaker 2: Because you guys are always having to like sign program

640
00:33:12,800 --> 00:33:18,120
Speaker 2: a program, Yeah, you had to sign stuff. So Jim

641
00:33:18,120 --> 00:33:21,120
Speaker 2: would put all this stuff on that table and Mark

642
00:33:21,240 --> 00:33:24,120
Speaker 2: and marking pans, and you guys just knew sign here

643
00:33:24,320 --> 00:33:27,080
Speaker 2: to sign it. You sign us up on the way in. Ye.

644
00:33:27,240 --> 00:33:29,680
Speaker 3: So if it's sitting there, gets something very rich for

645
00:33:29,800 --> 00:33:31,400
Speaker 3: us every week exactly.

646
00:33:31,520 --> 00:33:35,280
Speaker 2: It was just a normal thing. So one week we

647
00:33:35,440 --> 00:33:37,720
Speaker 2: had it was on there. It was the run of

648
00:33:39,320 --> 00:33:43,520
Speaker 2: of Jackson being the football player, right and so right,

649
00:33:45,080 --> 00:33:48,320
Speaker 2: helmet on the prop table right outside the door.

650
00:33:49,040 --> 00:33:52,600
Speaker 5: Yeah, nice shiny little prop. Just a nice football helmet,

651
00:33:52,920 --> 00:33:53,800
Speaker 5: probably not a cheap one.

652
00:33:54,840 --> 00:33:57,000
Speaker 2: It was great. It was beautiful. And on one take

653
00:33:57,240 --> 00:33:58,960
Speaker 2: he comes in. I go and I look at it.

654
00:33:59,040 --> 00:34:02,840
Speaker 2: They go, what's that on? There's something on his helmet?

655
00:34:02,920 --> 00:34:04,800
Speaker 2: What the heck is it? Did? I get it dirty?

656
00:34:05,360 --> 00:34:07,800
Speaker 2: And I get the helmet and it's got Jody's signature

657
00:34:07,880 --> 00:34:13,839
Speaker 2: on it. Oh god.

658
00:34:14,360 --> 00:34:18,239
Speaker 3: And then so did everything else on the table? I

659
00:34:18,280 --> 00:34:22,759
Speaker 3: mean there was a foam finger, Yeah, yep, there was

660
00:34:23,440 --> 00:34:26,520
Speaker 3: because someone said make sure you sign the stuff on

661
00:34:26,640 --> 00:34:30,760
Speaker 3: the table right right. The first table I came across

662
00:34:31,000 --> 00:34:34,480
Speaker 3: was that one. And you know, we would give props.

663
00:34:34,160 --> 00:34:36,200
Speaker 5: Away, we would do stuff like that, you know, so

664
00:34:36,239 --> 00:34:37,680
Speaker 5: I was like, oh, wow, we're giving a lot of

665
00:34:37,719 --> 00:34:38,720
Speaker 5: wraps away this week.

666
00:34:39,400 --> 00:34:41,880
Speaker 3: And I wondered why nobody else inside.

667
00:34:41,760 --> 00:34:43,799
Speaker 2: Was like, what the hell? So you caught a lot

668
00:34:43,840 --> 00:34:46,160
Speaker 2: of hell about it that day, well because it.

669
00:34:46,239 --> 00:34:49,280
Speaker 3: Was right before run through. Yes, it was right before

670
00:34:49,560 --> 00:34:53,719
Speaker 3: like network run through. So everyone's prop came in with

671
00:34:54,040 --> 00:34:55,360
Speaker 3: my signature on it.

672
00:34:55,800 --> 00:34:56,640
Speaker 2: It was hilarious.

673
00:34:57,280 --> 00:34:59,800
Speaker 1: My memory of this is what Jody coming over to

674
00:34:59,880 --> 00:35:02,520
Speaker 1: me with like a beat red face and I'm like,

675
00:35:02,600 --> 00:35:05,000
Speaker 1: what's wrong with you? And She's like I signed all

676
00:35:05,040 --> 00:35:06,920
Speaker 1: the props and I'm like, you did what? And I

677
00:35:07,040 --> 00:35:10,920
Speaker 1: see Steve in my peripheral vision with like baby wipe

678
00:35:11,080 --> 00:35:15,360
Speaker 1: trying to wipe the autograph off of the helmets.

679
00:35:15,640 --> 00:35:20,839
Speaker 3: Sharp you no, less me on a brand new football helmet. Yeah,

680
00:35:21,360 --> 00:35:22,880
Speaker 3: so man, it was I.

681
00:35:22,880 --> 00:35:23,840
Speaker 2: Don't know if it was the next day of the

682
00:35:23,920 --> 00:35:28,160
Speaker 2: next week. That's when you put all of your signatures

683
00:35:28,200 --> 00:35:28,680
Speaker 2: on her door.

684
00:35:29,040 --> 00:35:32,680
Speaker 5: Oh yeah, that is right, because you and Cam and

685
00:35:32,800 --> 00:35:36,279
Speaker 5: Mel had come in and signed stuff.

686
00:35:36,000 --> 00:35:39,440
Speaker 3: In my room. You guys had put I think you

687
00:35:39,560 --> 00:35:40,080
Speaker 3: guys had.

688
00:35:40,040 --> 00:35:41,880
Speaker 5: Signed things and put it in my put them in

689
00:35:41,960 --> 00:35:44,000
Speaker 5: my room or put post its on top of things

690
00:35:44,040 --> 00:35:45,279
Speaker 5: in my room that you guys had signed.

691
00:35:45,320 --> 00:35:48,200
Speaker 3: So I was like, okay, okay, it's on. So you

692
00:35:48,280 --> 00:35:49,280
Speaker 3: were taking a nap.

693
00:35:49,160 --> 00:35:51,680
Speaker 5: One lunch and I was in my room and your

694
00:35:51,719 --> 00:35:53,520
Speaker 5: door was closed, and I was like, I'm just gooding.

695
00:35:53,560 --> 00:35:57,880
Speaker 5: So I signed a bazillion little post it notes and

696
00:35:58,200 --> 00:36:02,799
Speaker 5: just covered your door in my signature and escalated things.

697
00:36:03,080 --> 00:36:06,040
Speaker 2: So then I asked Andrew, you mind if I have

698
00:36:06,120 --> 00:36:08,759
Speaker 2: a couple of these post its with their signature on it.

699
00:36:09,560 --> 00:36:10,040
Speaker 3: Mm hmmm.

700
00:36:10,680 --> 00:36:15,520
Speaker 2: And then for the rest of the run of Fuller House, Jody,

701
00:36:16,040 --> 00:36:18,200
Speaker 2: the camera could never see it, and I was it

702
00:36:18,320 --> 00:36:21,680
Speaker 2: on take three? Was it on take three? I would

703
00:36:21,719 --> 00:36:23,960
Speaker 2: slip one of those things in, so like she had

704
00:36:24,000 --> 00:36:28,920
Speaker 2: a book she had open, ye, you know, take three, sat.

705
00:36:29,680 --> 00:36:31,400
Speaker 3: One of the posts, or I would pick up a

706
00:36:31,480 --> 00:36:34,520
Speaker 3: mug and in the bottom of it would be my signature.

707
00:36:34,680 --> 00:36:37,839
Speaker 3: And like we're in the middle of scenes. I'm like yeah,

708
00:36:38,880 --> 00:36:39,359
Speaker 3: and I can.

709
00:36:39,320 --> 00:36:41,400
Speaker 2: Just see you like you're seeing the scene. But you're like, Steve,

710
00:36:41,440 --> 00:36:42,520
Speaker 2: you just.

711
00:36:42,640 --> 00:36:46,960
Speaker 3: Like I got got, Yeah, I got got. But it

712
00:36:47,200 --> 00:36:52,239
Speaker 3: really peaked when Andrea took it to an entirely new

713
00:36:52,360 --> 00:36:57,440
Speaker 3: level and uh, I think, please explain, well, I.

714
00:36:57,520 --> 00:36:59,840
Speaker 2: Think you yeah, I think you have read me.

715
00:37:00,080 --> 00:37:02,279
Speaker 1: Yeah, don't durtn me with a good time. I take

716
00:37:02,360 --> 00:37:05,640
Speaker 1: Frink course very seriously, and I was determined to win,

717
00:37:06,520 --> 00:37:09,200
Speaker 1: so I wrangled Steve and Jim. I was like, Okay,

718
00:37:09,200 --> 00:37:10,759
Speaker 1: I need your help with this. Oh and Kim and

719
00:37:10,840 --> 00:37:14,000
Speaker 1: Mel too. Kim and Mel were instrumental in this. I

720
00:37:14,120 --> 00:37:16,120
Speaker 1: asked Kim, I said, do you have a digital copy

721
00:37:16,239 --> 00:37:19,439
Speaker 1: of Jody's signature, because Kim worked in production. And Kim's like, yeah,

722
00:37:19,480 --> 00:37:20,279
Speaker 1: but why do you need it?

723
00:37:20,440 --> 00:37:23,239
Speaker 3: I said, I'm going to print writing bad checks in

724
00:37:23,280 --> 00:37:28,080
Speaker 3: her name. Yes, I write some wandering fine.

725
00:37:29,239 --> 00:37:31,000
Speaker 1: I said, I'm going to put her signature on two

726
00:37:31,120 --> 00:37:34,160
Speaker 1: hundred and fifty shirts, and I'm going to dress.

727
00:37:33,960 --> 00:37:36,640
Speaker 3: The crew in Jody's signature.

728
00:37:37,719 --> 00:37:40,400
Speaker 1: This was an endeavor because we had to get the sizes,

729
00:37:40,520 --> 00:37:44,200
Speaker 1: everyone's sizes in every department. So this was like a

730
00:37:44,320 --> 00:37:47,680
Speaker 1: labor of love. Thank goodness for for Kim and Mel

731
00:37:47,760 --> 00:37:50,040
Speaker 1: because they did the part that work.

732
00:37:51,520 --> 00:37:54,759
Speaker 3: The best. It was something I will remember for the

733
00:37:54,840 --> 00:37:57,440
Speaker 3: rest of my life. It was the best moment ever

734
00:37:58,120 --> 00:37:58,840
Speaker 3: because it was.

735
00:37:58,960 --> 00:38:01,520
Speaker 5: I walked on stage from where I parked my car,

736
00:38:01,560 --> 00:38:03,200
Speaker 5: which was right next to like the stage door.

737
00:38:03,520 --> 00:38:06,759
Speaker 3: So I walk in and usually like you.

738
00:38:06,880 --> 00:38:09,080
Speaker 5: Walk in and you know, it's buzzing, you hear people,

739
00:38:09,280 --> 00:38:11,080
Speaker 5: someone's hammering something, there's you.

740
00:38:11,120 --> 00:38:11,920
Speaker 3: Know, people laughing.

741
00:38:12,080 --> 00:38:15,520
Speaker 5: It was quiet, there's nothing, and I walked on stage

742
00:38:15,560 --> 00:38:17,120
Speaker 5: and I was like, it's weird.

743
00:38:17,680 --> 00:38:19,879
Speaker 3: It's quiet. So I'm like walking.

744
00:38:19,600 --> 00:38:22,360
Speaker 5: Towards the dressing rooms and I come just around the

745
00:38:22,440 --> 00:38:25,360
Speaker 5: corner of like one of the sets, and there is.

746
00:38:27,000 --> 00:38:33,400
Speaker 3: The entire crew silently sitting in white T shirts with

747
00:38:33,600 --> 00:38:36,279
Speaker 3: my signature on them in the living room set, like

748
00:38:36,680 --> 00:38:40,319
Speaker 3: people on the stairs in the Alco. But the entire

749
00:38:40,440 --> 00:38:46,440
Speaker 3: like the whole crew, including the dog. The dog even

750
00:38:46,880 --> 00:38:50,520
Speaker 3: had a T shirt on and it was I couldn't

751
00:38:50,520 --> 00:38:51,120
Speaker 3: stop laughing.

752
00:38:51,800 --> 00:38:52,000
Speaker 2: It was.

753
00:38:52,200 --> 00:38:52,480
Speaker 1: It was.

754
00:38:54,000 --> 00:38:56,799
Speaker 3: The most brilliant rank ever, you guys.

755
00:38:57,360 --> 00:39:03,279
Speaker 1: I it was such a proud, proud moment. People still

756
00:39:03,320 --> 00:39:06,200
Speaker 1: wear their shirts like, Gwen, you wear shirt, Steve wears

757
00:39:06,239 --> 00:39:08,280
Speaker 1: his shirt, like we all still wear these shirts.

758
00:39:09,640 --> 00:39:10,160
Speaker 2: It was.

759
00:39:10,640 --> 00:39:11,279
Speaker 3: I mean, that was.

760
00:39:11,920 --> 00:39:14,040
Speaker 5: It was one of the stupider things that I've that

761
00:39:14,120 --> 00:39:18,040
Speaker 5: I've done on set, and yet it led to some

762
00:39:18,280 --> 00:39:19,400
Speaker 5: great comedy moments.

763
00:39:19,480 --> 00:39:22,040
Speaker 1: So I will never let you live it down ever.

764
00:39:23,960 --> 00:39:26,080
Speaker 5: I just remember being like, oh my because and I

765
00:39:26,160 --> 00:39:30,200
Speaker 5: remember feeling so bad because I just love See so much,

766
00:39:30,239 --> 00:39:33,759
Speaker 5: and I'm like I just really made his day harder.

767
00:39:33,680 --> 00:39:40,719
Speaker 3: Like way harder than it asked. Steve. Oh, he's got

768
00:39:40,840 --> 00:39:42,000
Speaker 3: to clean up my mess.

769
00:39:44,440 --> 00:39:49,840
Speaker 2: And so also, Andrew posted that on YouTube looking up.

770
00:39:52,280 --> 00:39:54,520
Speaker 5: Yeah, if you go to her YouTube you can. If

771
00:39:54,560 --> 00:39:57,600
Speaker 5: it's still up there, I'm sure. Yeah, you can find

772
00:39:57,640 --> 00:40:00,480
Speaker 5: the prank War episode and watch it yourself.

773
00:40:00,560 --> 00:40:05,040
Speaker 3: It's truly worth watching if you like, I mean, because

774
00:40:05,080 --> 00:40:07,360
Speaker 3: you got the behind the scenes of like how it

775
00:40:07,480 --> 00:40:08,439
Speaker 3: was getting pulled off.

776
00:40:08,920 --> 00:40:11,080
Speaker 5: So like, if you want to see this entire story

777
00:40:11,239 --> 00:40:15,560
Speaker 5: unfold in like a ten minute YouTube video, go find

778
00:40:15,600 --> 00:40:16,439
Speaker 5: it on Andrew's page.

779
00:40:16,480 --> 00:40:17,880
Speaker 3: And yeah, it's prank War whatever.

780
00:40:18,120 --> 00:40:22,120
Speaker 1: And yet checkmate, checkmate, Actually check that's what.

781
00:40:22,160 --> 00:40:24,480
Speaker 3: It was, checkmate. And I think I think I gave

782
00:40:24,600 --> 00:40:25,839
Speaker 3: up after that you did.

783
00:40:26,560 --> 00:40:28,000
Speaker 1: I was like, top that you can't.

784
00:40:29,120 --> 00:40:34,239
Speaker 5: Yeah, I mean short of like parachuting into your backyard,

785
00:40:34,719 --> 00:40:37,359
Speaker 5: you know what I mean, with like the signature being

786
00:40:37,400 --> 00:40:37,560
Speaker 5: on the.

787
00:40:37,560 --> 00:40:39,600
Speaker 3: Parachute, I don't know what I could have done it.

788
00:40:40,560 --> 00:40:43,000
Speaker 3: That's actually a great idea. I'm gonna pick that if

789
00:40:43,000 --> 00:40:43,880
Speaker 3: you ever pop that.

790
00:40:43,960 --> 00:40:46,040
Speaker 2: Balloon on the gender reveal.

791
00:40:48,920 --> 00:40:50,879
Speaker 3: Ben just thousands of post it notes.

792
00:40:51,160 --> 00:40:54,200
Speaker 1: Oh that's a good idea. See you no shortage of

793
00:40:54,280 --> 00:40:55,200
Speaker 1: good ideas here?

794
00:40:55,440 --> 00:40:55,640
Speaker 2: Yeah?

795
00:40:56,040 --> 00:40:56,480
Speaker 3: Oh my god.

796
00:40:56,560 --> 00:41:00,000
Speaker 5: So apparently a word from our from our amazing producer

797
00:41:00,960 --> 00:41:04,719
Speaker 5: that that video has one point four million views, So

798
00:41:05,360 --> 00:41:06,000
Speaker 5: it's pretty good.

799
00:41:06,000 --> 00:41:11,080
Speaker 1: It's pretty good, right, excellent, excellent, immortalized forever.

800
00:41:11,719 --> 00:41:16,719
Speaker 3: My my screw ups are there to bring joy.

801
00:41:19,239 --> 00:41:21,319
Speaker 2: It was no no big deal to me. I thought

802
00:41:21,320 --> 00:41:21,760
Speaker 2: it was funny.

803
00:41:21,880 --> 00:41:24,239
Speaker 3: It was it was, and it was funny. And like

804
00:41:24,360 --> 00:41:27,640
Speaker 3: it's also because like I don't I am I'm good.

805
00:41:27,760 --> 00:41:30,720
Speaker 3: I'm good, like I trying to make jobbies.

806
00:41:30,800 --> 00:41:34,480
Speaker 2: So it's just like, oh no, and you are probably

807
00:41:34,600 --> 00:41:37,080
Speaker 2: be different if you were somebody that like, you know,

808
00:41:37,200 --> 00:41:38,560
Speaker 2: didn't care about the props.

809
00:41:38,280 --> 00:41:41,480
Speaker 3: And right right, or somebody was just constantly screwing things up.

810
00:41:41,640 --> 00:41:44,520
Speaker 1: I was so like, so sorry.

811
00:41:48,400 --> 00:41:50,880
Speaker 5: And then I think we were doing the thing and

812
00:41:51,160 --> 00:41:55,320
Speaker 5: like people kept asking what what's on the what's on

813
00:41:55,440 --> 00:41:56,080
Speaker 5: that pham finger?

814
00:41:57,360 --> 00:42:00,960
Speaker 3: You know, it's like it's it's me. I thought I

815
00:42:01,040 --> 00:42:03,759
Speaker 3: thought it was a giveaway. There is out it's not

816
00:42:04,480 --> 00:42:04,959
Speaker 3: in the show.

817
00:42:06,560 --> 00:42:08,880
Speaker 2: Well, speaking of the gender reveal, that that popping the

818
00:42:08,920 --> 00:42:13,160
Speaker 2: balloon thing, that bit was hilarious. You were freaking hilarious

819
00:42:13,239 --> 00:42:15,120
Speaker 2: doing that. Oh my god.

820
00:42:15,200 --> 00:42:18,000
Speaker 3: The laying that's right, yeah, laying on top of the balloon.

821
00:42:18,360 --> 00:42:20,600
Speaker 3: Oh jeez, I forgot about that for.

822
00:42:21,239 --> 00:42:24,040
Speaker 2: I watch all these So now I've got like oh okay, yeah.

823
00:42:23,960 --> 00:42:25,759
Speaker 3: Oh I forgot about that ridiculous.

824
00:42:26,040 --> 00:42:31,239
Speaker 2: Yeah, oh it's hilarious. Yeah, it's hilarious. Yeah, and I

825
00:42:31,640 --> 00:42:33,359
Speaker 2: like pointed out you guys know where I'm pointing. It's

826
00:42:33,440 --> 00:42:39,520
Speaker 2: hilarious here, old guymon, old man trying to do and

827
00:42:39,680 --> 00:42:42,640
Speaker 2: Andrew what you do? You did a couple of times

828
00:42:42,680 --> 00:42:45,040
Speaker 2: in my two seasons when you would like talk to

829
00:42:45,080 --> 00:42:48,640
Speaker 2: yourself as different characters, Like the one was you you

830
00:42:48,800 --> 00:42:49,680
Speaker 2: and talking to your mom.

831
00:42:50,320 --> 00:42:57,000
Speaker 1: Oh gosh, yes, me and Adam hagen Boo were pretending

832
00:42:57,080 --> 00:43:00,520
Speaker 1: to be the safari Oh hilarious.

833
00:43:01,120 --> 00:43:05,480
Speaker 2: There's also another one where when she was quitting, she

834
00:43:05,560 --> 00:43:07,919
Speaker 2: was gonna quit and like, okay, I'll be your friend,

835
00:43:07,960 --> 00:43:08,560
Speaker 2: I'm your boss.

836
00:43:09,200 --> 00:43:11,439
Speaker 3: Okay, Oh my god.

837
00:43:11,920 --> 00:43:13,960
Speaker 2: Those were just hilarious. They were hilarious.

838
00:43:14,880 --> 00:43:20,120
Speaker 1: Such good memories, such good memories. Was it difficult, I

839
00:43:20,200 --> 00:43:24,040
Speaker 1: know when we started Fuller House, Elias was pretty young,

840
00:43:24,400 --> 00:43:29,400
Speaker 1: the boys, the twins were very very young. Yeah, they

841
00:43:29,440 --> 00:43:33,800
Speaker 1: were just babies. Is it difficult working with kids because

842
00:43:33,800 --> 00:43:37,160
Speaker 1: they like to touch everything, they touch and move things around.

843
00:43:38,160 --> 00:43:39,800
Speaker 3: Do you have any stories you want to share? You

844
00:43:39,840 --> 00:43:40,800
Speaker 3: don't have to name names?

845
00:43:41,520 --> 00:43:47,120
Speaker 2: No, you know, actually no, And I'll tell you the twins.

846
00:43:48,040 --> 00:43:52,360
Speaker 2: They didn't you know, they didn't do much Alias. You know,

847
00:43:52,960 --> 00:43:56,400
Speaker 2: Elias was an age and my feeling is they're kids,

848
00:43:57,200 --> 00:44:01,000
Speaker 2: and you gotta let them be kids, because their kids

849
00:44:01,080 --> 00:44:04,040
Speaker 2: make sure you got extras of that prop, you know,

850
00:44:04,360 --> 00:44:07,200
Speaker 2: and they're gonna and at first, and Alives was just

851
00:44:07,280 --> 00:44:10,279
Speaker 2: right at that age where he didn't, you know, and

852
00:44:11,920 --> 00:44:15,040
Speaker 2: after a while he started to become a pro and

853
00:44:15,120 --> 00:44:17,440
Speaker 2: he started to get it, you know, And and it

854
00:44:17,640 --> 00:44:19,480
Speaker 2: was don't get mad at the kid, just explaining to

855
00:44:19,520 --> 00:44:20,360
Speaker 2: the kid, here's what's going on.

856
00:44:20,600 --> 00:44:21,680
Speaker 3: Yeah, yeah, you know.

857
00:44:24,080 --> 00:44:26,879
Speaker 2: And I've like all the kitchens I've done, I've done

858
00:44:26,880 --> 00:44:29,440
Speaker 2: really well with all the kids. And the little secret

859
00:44:29,480 --> 00:44:34,920
Speaker 2: behind that is I know how hard it is. I

860
00:44:35,120 --> 00:44:37,120
Speaker 2: know how hard it is for kids. And you guys

861
00:44:37,160 --> 00:44:39,120
Speaker 2: went through that too. I mean, how old were you

862
00:44:39,160 --> 00:44:42,200
Speaker 2: guys when you started in Full House five and ten?

863
00:44:42,239 --> 00:44:42,400
Speaker 3: You know.

864
00:44:43,280 --> 00:44:49,560
Speaker 2: Yeah, So I was in a Jerry Lewis movie and

865
00:44:50,040 --> 00:44:54,440
Speaker 2: it was the worst debut in movie history, and you

866
00:44:54,520 --> 00:44:56,520
Speaker 2: could just see I was like, my shoulders are up

867
00:44:56,560 --> 00:45:00,680
Speaker 2: here and I hardly moved and Jerry was like, so

868
00:45:00,960 --> 00:45:02,880
Speaker 2: it was a shot. It was a two shot to

869
00:45:02,920 --> 00:45:06,400
Speaker 2: mean somebody else. And Jerry's just off camera, and this

870
00:45:06,560 --> 00:45:07,960
Speaker 2: was a cross you know, cross sight of my head,

871
00:45:08,600 --> 00:45:10,440
Speaker 2: and you know, I'm like this and I'm not doing anything.

872
00:45:10,480 --> 00:45:12,560
Speaker 2: And so he would tell me something to do, and

873
00:45:12,680 --> 00:45:14,360
Speaker 2: so I would like, I look at him and go

874
00:45:15,440 --> 00:45:17,879
Speaker 2: and then go back and do the thing. Oh it's

875
00:45:17,920 --> 00:45:23,200
Speaker 2: just brutally bad. It was brutally bad. So I understand

876
00:45:23,520 --> 00:45:27,200
Speaker 2: how hard it is for a kid, you know. So

877
00:45:27,800 --> 00:45:31,120
Speaker 2: I always have given kids lots of lots of leeway

878
00:45:31,160 --> 00:45:32,000
Speaker 2: about that sort of thing.

879
00:45:32,560 --> 00:45:34,759
Speaker 1: That's a good attitude to have because we had a

880
00:45:34,800 --> 00:45:38,520
Speaker 1: lot of kids on the show, always lots of kids.

881
00:45:38,560 --> 00:45:41,400
Speaker 3: So broke all the cardinal rules kids and dogs.

882
00:45:42,440 --> 00:45:44,359
Speaker 2: And the other thing is I treated them even though

883
00:45:44,400 --> 00:45:47,239
Speaker 2: I knew there were kids and I had those kind

884
00:45:47,280 --> 00:45:49,600
Speaker 2: of expectations. I also treat them like adults.

885
00:45:50,440 --> 00:45:51,640
Speaker 3: Talk to them like people.

886
00:45:52,000 --> 00:45:52,440
Speaker 2: Exactly.

887
00:45:52,560 --> 00:45:56,480
Speaker 3: They're smart, especially particularly Elias Alias was very smart. Oh

888
00:45:56,560 --> 00:45:56,839
Speaker 3: my god.

889
00:45:56,960 --> 00:45:59,399
Speaker 5: And that was I think why I work with him,

890
00:45:59,400 --> 00:46:02,239
Speaker 5: because I would be like, hey, you know what I mean,

891
00:46:02,280 --> 00:46:04,040
Speaker 5: you just like, I'm like, I know you're smart, I

892
00:46:04,120 --> 00:46:07,399
Speaker 5: know you get it, come here and like and then.

893
00:46:07,280 --> 00:46:09,480
Speaker 3: You do it, you know, and it is it is

894
00:46:09,600 --> 00:46:10,600
Speaker 3: so it's such a.

895
00:46:12,320 --> 00:46:15,400
Speaker 5: Like so much is expected of you to put aside

896
00:46:15,520 --> 00:46:21,560
Speaker 5: your normal kideness in order to do your job right.

897
00:46:21,960 --> 00:46:25,480
Speaker 3: And some kids do that really well and some don't,

898
00:46:25,800 --> 00:46:27,839
Speaker 3: and it's you know, it's hard.

899
00:46:28,440 --> 00:46:30,480
Speaker 2: Yeah, it was tough because you got to balance those

900
00:46:30,520 --> 00:46:31,960
Speaker 2: two things. You know, you're there to do a job

901
00:46:32,000 --> 00:46:34,640
Speaker 2: and you're a good thing done. Also, if the kid

902
00:46:34,719 --> 00:46:36,040
Speaker 2: can't have fun during the day.

903
00:46:37,600 --> 00:46:39,480
Speaker 3: Right, and you're not going to get this stuff on.

904
00:46:39,800 --> 00:46:42,600
Speaker 5: Yeah, and the energy that they're they're you know, trying

905
00:46:42,680 --> 00:46:45,560
Speaker 5: to contain is often the thing that makes them great

906
00:46:46,120 --> 00:46:48,520
Speaker 5: in their role and cute and fun and you know,

907
00:46:49,040 --> 00:46:51,839
Speaker 5: so yeah, it's it is definitely, But I imagine working

908
00:46:51,920 --> 00:46:54,440
Speaker 5: with props in particular, because it's like everything that has

909
00:46:54,480 --> 00:46:55,120
Speaker 5: to be in their hand.

910
00:46:55,160 --> 00:46:56,440
Speaker 3: You're like, oh no, no, no, no, no, don't do it.

911
00:46:56,520 --> 00:47:00,520
Speaker 5: No no, no, no, no, no, right, just break the

912
00:47:00,560 --> 00:47:06,080
Speaker 5: glass table at one point, were you there? I think

913
00:47:06,120 --> 00:47:08,440
Speaker 5: that was that Charlie had to deal with that. Oh yeah, yeah,

914
00:47:08,680 --> 00:47:10,600
Speaker 5: our sound dresser, Yeah, yeah, And it was it was

915
00:47:10,680 --> 00:47:12,960
Speaker 5: one of those like hey, don't do hey, don't do It.

916
00:47:13,080 --> 00:47:15,359
Speaker 1: Was the Jinga set, right, wasn't there a Jinga set?

917
00:47:15,680 --> 00:47:16,560
Speaker 3: The Jenga set?

918
00:47:16,719 --> 00:47:20,160
Speaker 5: And it yeah, and it went a little too I

919
00:47:20,200 --> 00:47:22,760
Speaker 5: think something it got thrown or whatever and it cracked

920
00:47:22,840 --> 00:47:23,359
Speaker 5: the whole table.

921
00:47:23,400 --> 00:47:27,520
Speaker 2: And really, I actually have more problem with crew members

922
00:47:29,080 --> 00:47:32,520
Speaker 2: than with kid actors, really because they'll walk by my

923
00:47:32,680 --> 00:47:35,680
Speaker 2: cart and see a cool thing and grab it, want

924
00:47:35,719 --> 00:47:36,200
Speaker 2: to play with it?

925
00:47:36,440 --> 00:47:37,759
Speaker 1: Oh dang, that's a no.

926
00:47:37,880 --> 00:47:39,160
Speaker 3: No, what's apartment's the worst?

927
00:47:39,280 --> 00:47:43,480
Speaker 1: That's this is the biggest offender, which is the worst.

928
00:47:46,440 --> 00:47:46,680
Speaker 3: Sound.

929
00:47:48,200 --> 00:47:50,279
Speaker 2: They might still be hanging sandbags.

930
00:47:50,840 --> 00:47:51,200
Speaker 3: All right?

931
00:47:53,600 --> 00:47:55,480
Speaker 5: What do you what is do you have like one

932
00:47:56,680 --> 00:48:01,560
Speaker 5: particular prop moment that stands out as like something really

933
00:48:02,840 --> 00:48:05,840
Speaker 5: like complicated that you had to pull off or or

934
00:48:06,160 --> 00:48:07,840
Speaker 5: like that was in a scene that it was like

935
00:48:07,920 --> 00:48:10,839
Speaker 5: there was just a stupid amount of props that had

936
00:48:10,920 --> 00:48:11,960
Speaker 5: to be like interacted with.

937
00:48:12,640 --> 00:48:15,040
Speaker 2: Was There's a couple of things. One was certainly already

938
00:48:15,040 --> 00:48:23,160
Speaker 2: mentioned it the food eating episode the yeah, what was it?

939
00:48:23,239 --> 00:48:23,680
Speaker 2: It was in the.

940
00:48:26,040 --> 00:48:29,040
Speaker 3: Right right the sandwich Oh yeah, that entire episode.

941
00:48:28,760 --> 00:48:31,840
Speaker 2: Was about people eating sandwiches, right, the entire episode.

942
00:48:31,840 --> 00:48:35,120
Speaker 3: I ever seen so much sandwich, right, And so that.

943
00:48:35,239 --> 00:48:37,319
Speaker 2: Was the same thing like the coffee cup. It's now

944
00:48:37,360 --> 00:48:38,759
Speaker 2: you got to go back and have the write amount

945
00:48:38,760 --> 00:48:41,160
Speaker 2: of sandwiches and a mount of stuff run. But for me,

946
00:48:42,600 --> 00:48:45,319
Speaker 2: it was always so during my run, I had three

947
00:48:45,360 --> 00:48:47,960
Speaker 2: prompt masters because a couple of times Jim couldn't be there.

948
00:48:49,120 --> 00:48:52,880
Speaker 2: Remember we made that like fifteen foot sandwich. Yeah, so

949
00:48:53,080 --> 00:48:57,160
Speaker 2: that was Marjorie Coster praterer. Okay, he was the prop

950
00:48:57,239 --> 00:49:02,120
Speaker 2: master on Friends. Oh okay, we shot on the same stage.

951
00:49:02,440 --> 00:49:05,600
Speaker 2: So she was great and Jim was great. And then

952
00:49:05,960 --> 00:49:09,319
Speaker 2: like there was a couple of episodes where I had

953
00:49:09,400 --> 00:49:12,919
Speaker 2: somebody else I didn't know, and it was not good

954
00:49:12,960 --> 00:49:17,000
Speaker 2: situation with Jim and Marjorie. I was used to having

955
00:49:17,760 --> 00:49:24,560
Speaker 2: fully functional camera ready props. So on the episide, when

956
00:49:24,600 --> 00:49:30,960
Speaker 2: you guys went to the wedding expo, oh yeah, the dresses, yes,

957
00:49:31,480 --> 00:49:35,040
Speaker 2: And and you sneak Fernando in in the duffel bag

958
00:49:35,160 --> 00:49:38,840
Speaker 2: in the wheeling double bag thing, right, yes, yes, the

959
00:49:38,920 --> 00:49:43,880
Speaker 2: woman just brings me like a carry on sized duffle bag, right,

960
00:49:44,160 --> 00:49:45,800
Speaker 2: there's a little carry on thing, like you know, you

961
00:49:45,960 --> 00:49:49,040
Speaker 2: can't And I looked at I said I can't. I said,

962
00:49:49,080 --> 00:49:50,479
Speaker 2: you know, what, did you read this crypt A person

963
00:49:50,560 --> 00:49:51,320
Speaker 2: has to come out of this?

964
00:49:53,239 --> 00:49:53,479
Speaker 3: Yeah?

965
00:49:53,760 --> 00:49:54,480
Speaker 1: You known?

966
00:49:55,120 --> 00:49:57,920
Speaker 3: So she finally child, but.

967
00:49:58,000 --> 00:50:01,160
Speaker 2: She doesn't do anything to it to make it work.

968
00:50:02,000 --> 00:50:04,640
Speaker 2: So while we're doing the while we're hears in the

969
00:50:04,680 --> 00:50:08,040
Speaker 2: shawl we claw. I am trying to figure.

970
00:50:07,760 --> 00:50:14,160
Speaker 5: Out, how do you So I remember zipping JP, you

971
00:50:14,200 --> 00:50:16,120
Speaker 5: guys zipping JP up in that bag?

972
00:50:16,600 --> 00:50:18,960
Speaker 2: Yeah yeah, And I got a picture of me with

973
00:50:19,000 --> 00:50:21,160
Speaker 2: my head sticking out of the bag as like proof

974
00:50:21,200 --> 00:50:21,760
Speaker 2: of concept.

975
00:50:22,239 --> 00:50:24,880
Speaker 3: Right, You're like, look, a human being canfid in here.

976
00:50:25,000 --> 00:50:28,279
Speaker 2: Yes, exactly. So for me that's when that stood out.

977
00:50:28,280 --> 00:50:30,680
Speaker 3: But it had nothing to do with you know, yeah,

978
00:50:30,760 --> 00:50:34,640
Speaker 3: I mean the right team makes all the difference, you know, huge, true, huge,

979
00:50:34,680 --> 00:50:36,839
Speaker 3: got it, very true? And you and once you get

980
00:50:36,880 --> 00:50:39,640
Speaker 3: to be a well oiled machine with people, it's like,

981
00:50:40,160 --> 00:50:42,080
Speaker 3: you know, the slightest little thing you're like, oh wait,

982
00:50:42,239 --> 00:50:46,040
Speaker 3: hold on, that's yeah, I'm not used to this.

983
00:50:46,480 --> 00:50:48,719
Speaker 2: Yeah, so set up be the ones?

984
00:50:49,400 --> 00:50:52,480
Speaker 1: Yeah yeah, Steve, what are you working on? Now? What

985
00:50:52,880 --> 00:50:57,799
Speaker 1: what's pilling your time? Right now? I'm retired, tired, right,

986
00:50:58,680 --> 00:51:01,400
Speaker 1: I mean, I'm happy for you, but no, because I

987
00:51:01,440 --> 00:51:02,359
Speaker 1: won't see you on set.

988
00:51:02,800 --> 00:51:04,680
Speaker 3: I'm retired and now I'm back, how and.

989
00:51:04,760 --> 00:51:08,399
Speaker 2: I'm back and we're back. However, I will come out

990
00:51:08,400 --> 00:51:14,360
Speaker 2: of retirement for you too. So full of or golden girls.

991
00:51:14,560 --> 00:51:18,920
Speaker 3: I'm I'm in something something, something that we need props for.

992
00:51:19,239 --> 00:51:19,680
Speaker 1: We're gonna.

993
00:51:19,719 --> 00:51:22,320
Speaker 3: I'm just gonna. I'm gonna demand that every scene I have,

994
00:51:22,600 --> 00:51:24,200
Speaker 3: I have to have something in my hand and.

995
00:51:25,719 --> 00:51:27,640
Speaker 2: Hand in your hand.

996
00:51:28,200 --> 00:51:29,759
Speaker 3: Prob we're going to hold you to that.

997
00:51:30,080 --> 00:51:32,000
Speaker 1: We're going to hold you to that promise.

998
00:51:32,880 --> 00:51:35,960
Speaker 2: More than happy to really so I'm hoping to get

999
00:51:36,040 --> 00:51:37,880
Speaker 2: so I want to stop put my traveling shoes on

1000
00:51:38,920 --> 00:51:40,200
Speaker 2: in Europe in a few years. And I got a

1001
00:51:40,200 --> 00:51:41,279
Speaker 2: bunch of friends that live over there.

1002
00:51:41,840 --> 00:51:47,520
Speaker 1: Oh cool, So it's that idea. Are you still active

1003
00:51:47,560 --> 00:51:49,799
Speaker 1: with your theater group, are you still directing them?

1004
00:51:49,880 --> 00:51:51,839
Speaker 2: Or is that sort of well I pulled back away

1005
00:51:51,880 --> 00:51:56,840
Speaker 2: from that. Yeah, A bunch of people that that this

1006
00:51:56,920 --> 00:51:58,799
Speaker 2: would be more for Dave's pin. A bunch of people

1007
00:51:58,840 --> 00:52:02,960
Speaker 2: around me have medical issues. I've had some medical issues,

1008
00:52:03,080 --> 00:52:06,040
Speaker 2: so I needed to pull away from it. The last

1009
00:52:06,120 --> 00:52:09,719
Speaker 2: two things we did was I did was how I

1010
00:52:09,840 --> 00:52:15,319
Speaker 2: learned to drive, and then a street car, which dang you.

1011
00:52:15,840 --> 00:52:18,160
Speaker 1: I know, I know, I feel I feel guilty that

1012
00:52:18,280 --> 00:52:20,920
Speaker 1: I was looking, but.

1013
00:52:20,960 --> 00:52:23,160
Speaker 2: I was looking really forward to kind of you know,

1014
00:52:23,239 --> 00:52:25,359
Speaker 2: seeing where we could take Stella. I think it would

1015
00:52:25,360 --> 00:52:26,200
Speaker 2: have been really a lot of fun.

1016
00:52:26,760 --> 00:52:29,960
Speaker 1: I know, well, and any excuse to spend more time

1017
00:52:30,000 --> 00:52:30,960
Speaker 1: with you too, of course.

1018
00:52:30,920 --> 00:52:34,400
Speaker 2: Maybe we'll do it again, Jody is Bland, let's do it.

1019
00:52:35,440 --> 00:52:38,759
Speaker 3: Yeah, well right date right, I love I mean, I

1020
00:52:39,239 --> 00:52:40,440
Speaker 3: love me some Tennessee Williams.

1021
00:52:41,400 --> 00:52:43,839
Speaker 2: So it came out really good. I was really proud

1022
00:52:43,840 --> 00:52:45,600
Speaker 2: of it. It came out really good. Yeah.

1023
00:52:46,160 --> 00:52:48,759
Speaker 1: We had a great group, great group of actors. It's

1024
00:52:48,880 --> 00:52:51,320
Speaker 1: really hard workers, you guys. You guys were outstanding.

1025
00:52:51,440 --> 00:52:53,719
Speaker 2: Thanks. I appreciate that. We were really proud of our work.

1026
00:52:54,040 --> 00:52:55,319
Speaker 2: We were a little so you know, Jody, we were

1027
00:52:55,320 --> 00:52:58,719
Speaker 2: a little teeny company like play the thirty six seat theaters.

1028
00:52:59,760 --> 00:53:01,000
Speaker 2: But it didn't matter. We love it.

1029
00:53:01,640 --> 00:53:02,440
Speaker 3: That's I mean.

1030
00:53:02,480 --> 00:53:05,720
Speaker 5: I I like, I did a reading for a theater

1031
00:53:05,800 --> 00:53:07,600
Speaker 5: thing that my friend had written, and like I just

1032
00:53:08,280 --> 00:53:10,239
Speaker 5: just sitting there and doing that in a you know,

1033
00:53:10,320 --> 00:53:12,319
Speaker 5: and it's not a huge theater, but there there's again

1034
00:53:12,440 --> 00:53:14,760
Speaker 5: something about live theater and sort of like the sitcom

1035
00:53:14,800 --> 00:53:19,840
Speaker 5: thing that it's h there's a creative energy that builds

1036
00:53:20,200 --> 00:53:21,879
Speaker 5: there that is unlike anything else.

1037
00:53:22,120 --> 00:53:24,239
Speaker 2: Yeah. Yeah, absolutely, so true.

1038
00:53:24,360 --> 00:53:27,160
Speaker 5: Absolutely, well, see thank you so much for being on

1039
00:53:27,239 --> 00:53:29,440
Speaker 5: the show today. Like it really it made my heart

1040
00:53:29,520 --> 00:53:30,320
Speaker 5: smile to see you.

1041
00:53:30,560 --> 00:53:31,600
Speaker 3: I just I love this.

1042
00:53:32,120 --> 00:53:38,680
Speaker 5: I'm glad we got the full signature scandal, idiot, the

1043
00:53:38,800 --> 00:53:41,240
Speaker 5: best and so the problems.

1044
00:53:42,760 --> 00:53:46,040
Speaker 2: I I was so happy that you guys reached out

1045
00:53:46,080 --> 00:53:48,880
Speaker 2: to me, and and I'm always happy when you know.

1046
00:53:49,040 --> 00:53:51,520
Speaker 2: We've so so the people know we reach out to

1047
00:53:51,520 --> 00:53:54,719
Speaker 2: each other all the time. Yeah, you know, irls. The

1048
00:53:54,800 --> 00:53:58,000
Speaker 2: kids say, well, they may not say that anymore since

1049
00:53:58,040 --> 00:54:01,759
Speaker 2: I say it now, right, kill it. I just killed

1050
00:54:01,800 --> 00:54:06,960
Speaker 2: it's I love you both to pieces you both. You know.

1051
00:54:07,040 --> 00:54:10,800
Speaker 2: I started Fuller House as a job and it became

1052
00:54:10,880 --> 00:54:13,960
Speaker 2: a labor of love and I was being with my

1053
00:54:14,080 --> 00:54:18,920
Speaker 2: family every day. Yeah, and a lot of that has

1054
00:54:18,960 --> 00:54:21,600
Speaker 2: to do with you too, and I would not change

1055
00:54:21,600 --> 00:54:24,080
Speaker 2: that experience for anything in the world. I love you

1056
00:54:24,200 --> 00:54:27,440
Speaker 2: both great. Thank you and thank you for inviting me today.

1057
00:54:27,719 --> 00:54:30,960
Speaker 3: Absolutely, thank you so much. I love you so much.

1058
00:54:31,160 --> 00:54:32,360
Speaker 3: We will see you soon, I know.

1059
00:54:32,440 --> 00:54:34,040
Speaker 2: Okay, yes, yes, we'll make a date.

1060
00:54:34,120 --> 00:54:39,239
Speaker 3: Sounds good. Okay, take care by thanks bye. I adore him.

1061
00:54:39,360 --> 00:54:40,399
Speaker 3: I just adore him.

1062
00:54:40,640 --> 00:54:45,520
Speaker 1: I adore him too. He's just so kind and generous

1063
00:54:45,760 --> 00:54:48,200
Speaker 1: and I just love me and smart. Oh.

1064
00:54:48,239 --> 00:54:50,680
Speaker 3: He and I used to talk all sorts of random that.

1065
00:54:50,719 --> 00:54:53,719
Speaker 5: I mean, he just he has a brain that works

1066
00:54:53,800 --> 00:54:55,640
Speaker 5: like mine where you know, again, like just sort of

1067
00:54:55,680 --> 00:54:58,080
Speaker 5: all over the place and we would have the most

1068
00:54:58,160 --> 00:55:01,680
Speaker 5: interesting conversations that started one and wound up somewhere totally different.

1069
00:55:03,239 --> 00:55:09,439
Speaker 3: But now he's and like finding out he's third generation Hollywood. Yeah,

1070
00:55:09,800 --> 00:55:13,160
Speaker 3: I mean was a child. Yeah, and we didn't know

1071
00:55:13,280 --> 00:55:13,760
Speaker 3: these things.

1072
00:55:14,320 --> 00:55:16,960
Speaker 1: No, I've learned a lot about the people we worked

1073
00:55:17,000 --> 00:55:18,840
Speaker 1: with for so many years, you know, we really have,

1074
00:55:19,000 --> 00:55:21,880
Speaker 1: and it's been I love it. It's so great.

1075
00:55:22,280 --> 00:55:23,400
Speaker 3: I love it so great.

1076
00:55:24,480 --> 00:55:26,680
Speaker 5: It makes me, you know, always kind of fall in

1077
00:55:26,719 --> 00:55:28,840
Speaker 5: love with the business a little bit more is hearing

1078
00:55:29,520 --> 00:55:32,480
Speaker 5: just all of the different, wild, interesting stories about what

1079
00:55:32,640 --> 00:55:33,600
Speaker 5: we get to be a part of.

1080
00:55:33,840 --> 00:55:37,160
Speaker 1: So, yeah, we worked with some very very cool people

1081
00:55:37,440 --> 00:55:38,200
Speaker 1: in our lifetime.

1082
00:55:38,520 --> 00:55:42,279
Speaker 3: Yeah, we really have, and so much fun that we

1083
00:55:42,320 --> 00:55:45,600
Speaker 3: get to like interview them again with this as adults,

1084
00:55:45,800 --> 00:55:48,440
Speaker 3: I mean, I yeah, so cool. What else will we do.

1085
00:55:48,480 --> 00:55:50,239
Speaker 3: It's not like we call up people and just be like, hey,

1086
00:55:50,320 --> 00:55:51,640
Speaker 3: I need to have a few questions for you.

1087
00:55:52,840 --> 00:55:53,920
Speaker 1: How did you start in the business?

1088
00:55:54,200 --> 00:55:55,320
Speaker 3: Yeah? Yeah, was this an interview?

1089
00:55:55,360 --> 00:55:55,400
Speaker 2: No?

1090
00:55:55,480 --> 00:55:57,680
Speaker 3: No, no, just my own edification, just wondering.

1091
00:55:59,040 --> 00:56:01,200
Speaker 1: Yes, this podcast is a great excuse to get to

1092
00:56:01,320 --> 00:56:02,480
Speaker 1: know our people.

1093
00:56:02,680 --> 00:56:03,399
Speaker 2: It's true.

1094
00:56:03,560 --> 00:56:04,040
Speaker 3: It's true.

1095
00:56:04,120 --> 00:56:06,279
Speaker 5: And speaking of people that we get to know we

1096
00:56:06,400 --> 00:56:08,719
Speaker 5: love you Fanurrito's. You guys are amazing. Thank you so

1097
00:56:08,880 --> 00:56:11,080
Speaker 5: much for listening to the show. We really appreciate it.

1098
00:56:11,800 --> 00:56:14,240
Speaker 5: Make sure you're liking and subscribing to the show wherever

1099
00:56:14,280 --> 00:56:16,239
Speaker 5: you're listening to it, you know the deal. That way

1100
00:56:16,280 --> 00:56:18,279
Speaker 5: you get all the new episodes right when they drop.

1101
00:56:18,800 --> 00:56:24,560
Speaker 5: And also check out our merch store, how Rude Merch. Oh,

1102
00:56:25,320 --> 00:56:27,440
Speaker 5: do we need to maybe do a special edition run

1103
00:56:27,520 --> 00:56:28,520
Speaker 5: of the signature shirt?

1104
00:56:31,800 --> 00:56:33,120
Speaker 3: How did I not think of that?

1105
00:56:33,360 --> 00:56:37,759
Speaker 1: I still have your digital autograph with my shirt?

1106
00:56:37,920 --> 00:56:40,400
Speaker 5: I mean, and nobody everyone else would probably be like,

1107
00:56:40,440 --> 00:56:42,080
Speaker 5: I don't want to wear your silly.

1108
00:56:44,080 --> 00:56:46,160
Speaker 3: Will want to but yes it's true, but maybe so

1109
00:56:46,520 --> 00:56:48,719
Speaker 3: how rudemerch dot com. We have some we have some

1110
00:56:48,800 --> 00:56:50,960
Speaker 3: t shirts up there already. We've got some fun designs

1111
00:56:51,000 --> 00:56:53,880
Speaker 3: that Andrey and I have come up with. Are there turtles? There?

1112
00:56:53,960 --> 00:56:58,200
Speaker 3: Might be? Are there houses? Indeed? So go check it

1113
00:56:58,239 --> 00:57:01,040
Speaker 3: out how rudmerch dot com and and we'll be coming

1114
00:57:01,120 --> 00:57:03,279
Speaker 3: up with some more fun ideas for you guys in

1115
00:57:03,360 --> 00:57:03,760
Speaker 3: the meantime.

1116
00:57:03,800 --> 00:57:06,080
Speaker 5: If you want to follow us on Instagram, check out

1117
00:57:06,280 --> 00:57:09,320
Speaker 5: how Rude podcast. You want to send us an email,

1118
00:57:09,440 --> 00:57:12,359
Speaker 5: It's how Rude Tannerto's at gmail dot com.

1119
00:57:13,200 --> 00:57:17,040
Speaker 3: And yeah, I think that's it. I think I covered

1120
00:57:17,040 --> 00:57:19,080
Speaker 3: all the bases, all the basics, covered all the bases.

1121
00:57:19,760 --> 00:57:24,760
Speaker 5: You guys, wellek the outro right, I'm now it's done.

1122
00:57:24,880 --> 00:57:27,080
Speaker 3: Now, I can't performance anxiety.

1123
00:57:27,280 --> 00:57:27,920
Speaker 2: I believe in you.

1124
00:57:28,040 --> 00:57:28,920
Speaker 1: You can do this, Jodie.

1125
00:57:29,080 --> 00:57:33,640
Speaker 3: The world is small, but the house is full of

1126
00:57:33,760 --> 00:57:34,880
Speaker 3: my signature. Everywhere.

1127
00:57:34,920 --> 00:57:39,240
Speaker 5: I've signed everything, every wall, every I've signed the toilet seat,

1128
00:57:39,360 --> 00:57:43,920
Speaker 5: it's everything. Yeah, inside of the fridge even, yep, all.

1129
00:57:43,800 --> 00:57:46,000
Speaker 3: Of it just full of my signature.

1130
00:57:46,600 --> 00:57:49,800
Speaker 1: I will never get tired of telling that story. It's

1131
00:57:49,880 --> 00:57:50,720
Speaker 1: my favorite thing.

1132
00:57:51,080 --> 00:57:54,200
Speaker 5: Oh and I just I remember the realization of what

1133
00:57:54,360 --> 00:57:56,680
Speaker 5: I had done because someone was like, what are you doing?

1134
00:57:57,120 --> 00:57:58,520
Speaker 3: I think I might have been Kim was like why

1135
00:57:58,560 --> 00:57:59,960
Speaker 3: are you site? And I was like, I thought were

1136
00:58:00,000 --> 00:58:03,240
Speaker 3: supposed to sign stuff on the table. Oh and I

1137
00:58:03,400 --> 00:58:05,280
Speaker 3: just you were the first person I saw. I like

1138
00:58:05,520 --> 00:58:09,640
Speaker 3: relined it to you and was just like help anyway.

1139
00:58:09,760 --> 00:58:13,880
Speaker 1: It's very rare that I see you like genuinely embarrassed.

1140
00:58:14,840 --> 00:58:18,960
Speaker 3: Doesn't happen off genuinely mortified? I yes, yep, So the

1141
00:58:19,000 --> 00:58:22,120
Speaker 3: house is full of my signature. Guys, You're welcome. See

1142
00:58:22,120 --> 00:58:23,720
Speaker 3: you next time. Bye,