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Speaker 1: What's happening to friends? Welcome to Friday show Horn and

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Speaker 1: Studio Morning. There's a story I read this morning about

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Speaker 1: two people. They broke into a water park. They were

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Speaker 1: drunk and they wanted to ride the slide, but it

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Speaker 1: was all it was blocked off. And not only was

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Speaker 1: the place closed, but apparently the slide was blocked off

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Speaker 1: and they went down and shattered both the rankles. Oh,

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Speaker 1: and now they want to sue the park. No, no,

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Speaker 1: no, no no, for not having a guard to prevent them

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Speaker 1: from breaking in. No. No, that's the dumbest thing wrong

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Speaker 1: with people. Sorry, what's wrong with people? What's wrong with people?

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Speaker 1: Are you gonna sue someone because they didn't have enough

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Speaker 1: security to keep your dumb butt from breaking in? That's ridiculous.

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Speaker 1: A forty six year old woman named Claire Vickers recently

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Speaker 1: broke into a water park with her friend forty. They're

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Speaker 1: in the forties as he ever heard, they're not even nineteen.

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Speaker 1: I know, I thought they were teenagers. It was around

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Speaker 1: two in the morning. They were both drunk. They got

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Speaker 1: in by crawl under a fence. Once they were in,

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Speaker 1: they made the way of the water slides. The water

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Speaker 1: wasn't on, so they got and they splashed water on

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Speaker 1: it to make it wet. Okay, good, thinking it was

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Speaker 1: a big yellow slide that's a straight shot. They kind

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Speaker 1: of just like so much, right, But it was dark

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Speaker 1: and they were too drunk to realize that at the

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Speaker 1: bottom of the slide it was blocked off. So what

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Speaker 1: happened when you slide into something and there's a barrier

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Speaker 1: break your legs. They went down into it and they

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Speaker 1: shattered both their ankles because they hit it. Neither of

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Speaker 1: them could walk, no one was around. They had to

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Speaker 1: banging on the slide for two hours until someone heard them.

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Speaker 1: Then it took another hour to get help, and so

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Speaker 1: they were in the hospital for two weeks. They're both

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Speaker 1: still in wheelchairs. And so they're like, you know, uh,

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Speaker 1: do we sue? No, another bad decision, And they said, yeah,

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Speaker 1: let's sue. Yeah, they want to sue the park for

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Speaker 1: not having a security guard or a better fencing to

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Speaker 1: break Okay, these is maybe the dumbest people we've ever heard,

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Speaker 1: I know, but watched them get some money. Boy, that's tough.

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Speaker 1: You break into a house, you robbed the house, the

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Speaker 1: homeowner comes out, beat you up, shoot you. You sued

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Speaker 1: them because they didn't have better walks on the door.

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Speaker 1: I mean, I'm assuming sometimes those things those cases do have.

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Speaker 1: Two men have been fined after shooting off a flare

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Speaker 1: gun at a wedding, causing a coastguard search because if

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Speaker 1: you see a flare, you're supposed to go try to

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Speaker 1: figure out where the flare came from. A wedding. People

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Speaker 1: don't shoot flares for fun. I guess they do, but

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Speaker 1: you're not supposed to. I mean, they kind of look

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Speaker 1: like fireworks, right. Perry Phillips and Benjamin Foster and Rhode

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Speaker 1: Island accidentally set off a needless and expensive ocean search

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Speaker 1: and rescue effort when they fired maritime distress flares to

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Speaker 1: celebrate our friend's wedding. Okay, yeah, no distress flares to celebrate.

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Speaker 1: The Coastguard and the town spent more than a hundred

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Speaker 1: thousand dollars responding to this. There was no one in distress.

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Speaker 1: They borrowed a flare gun and flares, set out on

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Speaker 1: the water in a small skiff, fired three flares that

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Speaker 1: could be seen by everyone at the wedding. They recorded

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Speaker 1: their actions to post on social media. For the two

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Speaker 1: men have agreed to pay five thousand bucks each TBD

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Speaker 1: on what's going on here? Okay, well, then so the

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Speaker 1: city's out the other ninety thousand. I know, for them

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Speaker 1: being an idiot, they should do some sort of public

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Speaker 1: service too. Hey, when they see the coastguard doing all

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Speaker 1: their search everything, what are they doing? Running? Take the

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Speaker 1: video down? Yeah, deleting, hiding the player, calling the person

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Speaker 1: they got it from. You don't know what she didn't

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Speaker 1: see us. Yeah, I'm freaking out a little bit. Yeah,

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Speaker 1: for sure. It reminds me if Arkansas beats all this

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Speaker 1: this weekend, I want to shoot my shotgun into the

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Speaker 1: old boy. Don't say that out loud. You're not Why not,

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Speaker 1: because you're gonna in the bonehead story of the day.

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Speaker 1: Boom that crazy. Okay, here's what we're gonna do here,

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Speaker 1: Today's Bobby cast. After the show, it gets loaded. After

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Speaker 1: the show, Reba is on for an hour straight. It's crazy.

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Speaker 1: I talked to her because there was a rumor. We

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Speaker 1: talked a lot of rumors. One of them was did

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Speaker 1: she actually tell Faith till she wouldn't hire her as

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Speaker 1: a background singer back in the day. And I was

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Speaker 1: nervous to ask the question because sometimes it's it's the crap.

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Speaker 1: He was like, yeah, that's true. I don't think she

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Speaker 1: was a good harmony singer. And she tells more of

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Speaker 1: that story, like she thought Faith was going to be

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Speaker 1: a star in a different way, but she was like,

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Speaker 1: she wasn't gonna be a harmony singer. Another one was

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Speaker 1: Kathy Bates's role in Titanic. Yes, it was like, is

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Speaker 1: it true that you turned down a role in Titanic?

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Speaker 1: Here's this clip. Unsinkable Molly Brown was the part I

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Speaker 1: was gonna play. I went auditioned for James Cameron and

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Speaker 1: we were back on tour and they needed like August, September,

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Speaker 1: and October, so we moved our concerts to November, December

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Speaker 1: and then January, and then they would I mean, you

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Speaker 1: start getting all the venues. We were promoting ourselves, and

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Speaker 1: you get all that set, and then they'll come back

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Speaker 1: and go, you know, we're gonna have to move it

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Speaker 1: three months. But well, you can't do that. I've got

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Speaker 1: people that are depending on me for their livelihood. That's

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Speaker 1: their paycheck. So I said, sorry, I can't do this

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Speaker 1: to my people. So I turned down that part. Oh wow,

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Speaker 1: that's cool. She was offered that part. Turned it down

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Speaker 1: it's awesome. She was looking out for people and that's why. Yeah,

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Speaker 1: it's a great hope you guys hear it today tapping

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Speaker 1: to friends, thanks for hanging out. Big segment with Old

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Speaker 1: Dominion coming up. We we're gonna do a little bit

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Speaker 1: of full band karaoke like they're gonna be the live

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Speaker 1: band and Amy Morgan Ray. You guys are all gonna

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Speaker 1: try to sing with them one of their hits. Yeah,

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Speaker 1: they got a new record out, but we're gonna do

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Speaker 1: some of that too. But later on with Old Dominion,

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Speaker 1: we'll have a performance by the members of the show

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Speaker 1: as well. All right, let's go and open the mailbage something. Well. Ye, hello,

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Speaker 1: Bobby Bones, I need some advice. For several years, I've

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Speaker 1: been sleeping on the couch all because my husband's snoring

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Speaker 1: is so bad. I cannot get sleep when I sleep

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Speaker 1: next to him. It's a very sore subject because it

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Speaker 1: really hurts his feelings that he cannot sleep next to

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Speaker 1: his wife. It breaks my heart in knowing it it

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Speaker 1: sets him. I've tried everything I can, but I cannot

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Speaker 1: get a good night's rest. We have tried every snore

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Speaker 1: device ever made. I've tried earplugs, I've tried everything. I

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Speaker 1: went so badly to be able to sleep in the

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Speaker 1: room with my husband, but I just have to function

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Speaker 1: throughout the day and it's hard without rest. Should I

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Speaker 1: continue to sleep on the couch or suck it up

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Speaker 1: for the sake of his feelings? I don't know what

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Speaker 1: else we can try. What do you think we should do?

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Speaker 1: Signed Sleepless in Scotts Bird Well, the first thing I

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Speaker 1: see is why are Why are you sting on the couch?

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Speaker 1: You go to another room? Maybe we don't have another room,

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Speaker 1: go to another Listen. Even when I was living in

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Speaker 1: a trailer, we had another room to go into. Okay, yeah,

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Speaker 1: there's there's rarely a one room out unless it's an apartment,

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Speaker 1: and you can turn that couch into a even then

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Speaker 1: a bed. I'd put a bed in the living I

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Speaker 1: wouldn't sleep on the couch because you're also gonna feel

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Speaker 1: your back's gonna hurt. Yeah, you can't get a good

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Speaker 1: night's pain. I would assume they have more than our room,

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Speaker 1: just for the sake of the story. Um, I think

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Speaker 1: he's being selfish. Why he snores in his little feelings

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Speaker 1: getting hurt? She can't sleep or she's on the couch

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Speaker 1: every night. If he snores, you have to adjust to that,

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Speaker 1: and maybe she just sleeps in a different bed in

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Speaker 1: a different room. But I think she wants to sleep.

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Speaker 1: Do I do too? But if you want to no, no, no.

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Speaker 1: If they've tried everything, if they've tried going to the doctor,

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Speaker 1: tried the sleep apnea machine, if they've tried everything, I

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Speaker 1: don't think she should have to suffer every night and

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Speaker 1: always be tired, fatigued, probably getting sick because she's not

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Speaker 1: getting enough for rest, like sleep, is it sleep and water.

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Speaker 1: If you're not getting those, nothing else is really gonna

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Speaker 1: happen for you. It may for a second, but you're

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Speaker 1: gonna break down without it. So if his feelings are

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Speaker 1: getting hurt because you can't sleep next to him, he

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Speaker 1: either needs to figure it out himself, like go and

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Speaker 1: pursue other means to fix it, or he's got to

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Speaker 1: understand you're just gonna sleep in a different bedroom, or

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Speaker 1: he maybe should go to it that too. You. My

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Speaker 1: point is you're not gonna be able to sleep together. Yeah, yeah,

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Speaker 1: it's unfortunate. I hate that for him. Yeah, it's such

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Speaker 1: a bummer, But she should not have to just suck it.

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Speaker 1: Up and be awake all night next to someone who

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Speaker 1: sleeps poorly rotating system where it's like every other day

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Speaker 1: they switch. Somebody is sleep is about consistency. Yeah, I

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Speaker 1: mean they should just come to an arrangement that's gonna

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Speaker 1: work and stick with it because that can get Yeah.

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Speaker 1: I would say, you don't need to sleep on the couch. Ever,

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Speaker 1: if you live in a one bedroom apartment, you need

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Speaker 1: to get you a little bed you can fold out

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Speaker 1: and put in the living room. If you have another bedroom,

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Speaker 1: you should just make that your sleep room. And at

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Speaker 1: the same time, he's pursuing a way to fix his snoring. Yeah,

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Speaker 1: I don't snore. I do everything else. I talk all

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Speaker 1: the time, kick, spit pe. You talk like in a

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Speaker 1: feminine voice too, right, I don't know what to do.

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Speaker 1: You should not suck it up and just lay next

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Speaker 1: to him and be miserable. That's the end of this. Yeah,

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Speaker 1: you need rest. You need rest too. And if he's

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Speaker 1: being such a baby about it that he's making you

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Speaker 1: feel guilty about it, that's on him, and he's being selfish.

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Speaker 1: I think that's his own insecurities probably coming through, So

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Speaker 1: hopefully he can work on that. But sometimes you got

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Speaker 1: to go to the doctor and chase the doctor and

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Speaker 1: figure out. And it's work sometimes to figure out how

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Speaker 1: to fix yourself, both mentally, emotionally and physically. I'm going

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Speaker 1: to all kinds of crap right now in my body,

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Speaker 1: my wrist. I apparently have a damaged TFCC ligament in

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Speaker 1: between my wrist in my hand. I had to go

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Speaker 1: to the and he's like, how are you even like

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Speaker 1: working out because the thing is so messed up. I

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Speaker 1: got going for MRI next week. I got calling Ospie

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Speaker 1: coming up. Yeah, it's work to go to the doctor,

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Speaker 1: but I gotta fix this stuff because I'm always complaining.

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Speaker 1: My stomach kurds, my wrist hurts. But I don't want

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Speaker 1: calin I always have to deal with me whining about it.

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Speaker 1: So I'm trying to fix myself, and so should he

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Speaker 1: and you sleep in a different room, you know what.

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Speaker 1: We got actually bedroom at our place. Oh yes, I'm

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Speaker 1: not sure where Scottsburg is, but that's what it is.

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Speaker 1: You sleep somewhere else. That's fine. You guys work together.

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Speaker 1: I'm fixing his snoring and eventually you can be back together.

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Speaker 1: Everybody cool with that? Yeah, all right, thank you for

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Speaker 1: the email. Close it up. We've got your cloth more again.

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Speaker 1: If people want to email us, what do they do?

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Speaker 1: Mailbag at Bobby bones dot com. Five fun facts curated

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Speaker 1: by Amy. Let's count them down. Number five. When people

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Speaker 1: first came up with the concept a brunch in the

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Speaker 1: late eighteen hundreds, it was actually called blunch. We think

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Speaker 1: about this blunch breakfast, Yeah, yeah, yeah, but that didn't

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Speaker 1: have a great ring to it, so eventually people started

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Speaker 1: calling it brunch. Let me think about this brunch, bunch

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Speaker 1: and no difference now blunch, Oh, brunch is way better

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Speaker 1: than only because we know it that way. Okay, well, no,

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Speaker 1: it didn't work out in the eighteen hundred, feel it.

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Speaker 1: I think I'm gonna bring it back. You know how

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Speaker 1: they bring it back old names for kids and they're

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Speaker 1: cooled again. Ask Caitlin if she wants to go get

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Speaker 1: some blunch. I don't hate it. It's not that much

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Speaker 1: different though in reality. Number four. So I study found

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Speaker 1: that the song Scary Monsters and Nice Sprites by Skrillick,

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Speaker 1: You know that song, Very Monsters and Nice Sprites, spirits,

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Speaker 1: sprites called sprites. Really, I don't know what's happening here. Okay,

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Speaker 1: Well they have discovered that this song is a mosquito

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Speaker 1: or pellot due to its low frequency vibrations. The mosquitoes

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Speaker 1: don't like it, so same me like mosquito scaring me

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Speaker 1: away too, Yeah, cauen turn it down that Yeah, but

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Speaker 1: it meaning mosquitoes like you. Then maybe you just have

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Speaker 1: that playing low in the background on your porch so

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Speaker 1: that way they stay away. With some centronella. Maybe while

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Speaker 1: you're having some blunch you can play number three. So

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Speaker 1: bidets are considered amazing key green technology. If Americans use

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Speaker 1: them instead of toilet paper, the country would save and

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Speaker 1: estimated fifteen million trees a year, as well as billions

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Speaker 1: of gallons of water needed for paper production. And your

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Speaker 1: butt will be clean. Yeah, normalized bidats in America. I

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Speaker 1: I've been saying it forever. We are not a clean

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Speaker 1: A lot of Western culture isn't that clean? A lot

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Speaker 1: of Eastern culture is? You know why? Because they cleaned

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Speaker 1: their butts with water, not a dry piece of paper.

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Speaker 1: Thank you, we should give thank you for coming. My

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Speaker 1: tesch car number two. Andre the Giant was drafted into

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Speaker 1: the French army in nineteen sixty five, but then couldn't

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Speaker 1: end up serving because they didn't have shoes that were

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Speaker 1: big enough for him, bunks that were long enough, or

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Speaker 1: trenches that were deep enough. Yeah, he probably stood out

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Speaker 1: in that trench. Huh. That documentary about him very interesting

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Speaker 1: because I was a big wrestling kid, but very sad. Yeah,

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Speaker 1: as famous and as rich as he got for a while,

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Speaker 1: super sad. Couldn't we flying an airplane really because he

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Speaker 1: was so large. He couldn't stand in hotels because he

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Speaker 1: was crazy. Crazy number one. This is crazy. We'll talk

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Speaker 1: about crazy. In nineteen fifty four, Ernest Hemingway survived two

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Speaker 1: plane crashes in Africa in two days. He was presumed

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Speaker 1: dead almost twenty four hours later until he was found

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Speaker 1: coming out of the jungle carrying bananas and a bottle

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Speaker 1: of gin. They'd even written an obituary for him and everything.

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Speaker 1: Two plane crashes in two days, so he was pardoning

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Speaker 1: in the jungle. I mean, I guess that's just he

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Speaker 1: got it, probably off the plane and emerged from the junk.

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Speaker 1: That's what he saved. The bananas and gin. Yeah, you

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Speaker 1: would think plane crash number one, you don't even get

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Speaker 1: on a plane, you know. But I guess as Africa,

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Speaker 1: he had to get somewhere maybe it's the only motive transport.

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Speaker 1: Wonder if he flew after that. Also flying in the fifties,

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Speaker 1: Oh yeah, a big deal. Not everyone did that. I would.

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Speaker 1: I don't want to fly today. They were barely figured

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Speaker 1: it out. Yeah, I'm like, I still like, how do

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Speaker 1: they get this metal up so high? Why do we

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Speaker 1: trust it? Yeah? That's wild? Thank you, Amy, There you go.

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Speaker 1: Fact was the latest from Nashville and Tullywood Morgan Number

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Speaker 1: two thirty second Skinny Mitchell tim Penny announced a new

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Speaker 1: holiday album called Naughty List. It will be out on

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Speaker 1: October twenty ninth. Here's the title track. I'm only end

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Speaker 1: upon the mody Lane and then I don't care you

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Speaker 1: don't start to be the Marsell tongue. He's sexy, Mosses clowns.

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Speaker 1: Se Hardy released a collaboration with Chris Lane and Scotty

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Speaker 1: McCreary called small Town On It My Fridays, My Nowhere

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Speaker 1: drives my rady side, just say I'll take a little

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Speaker 1: small down on a new albums out today. Old Dominion's

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Speaker 1: album called Time, Tequila and Therapy, Josh Turner's Christmas album

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Speaker 1: called King Size, Manger, Cody Johnson's Human The double album

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Speaker 1: and Reba McIntire's album called Revived Remixed Revisited, which features

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Speaker 1: her collaboration with They parton here it is. Does she

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Speaker 1: love you? Love you? Lucks me, loves me? Does she

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Speaker 1: think of you? Does he think of you? And me?

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Speaker 1: She was spoons, he washes. I'm Morgan number two. That's

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Speaker 1: your skinny hat. It's time for the good news. Amy.

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Speaker 1: Did you know that baby squirrels their tails can get

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Speaker 1: all tangled up together? Well it happened, like yeah, well yes,

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Speaker 1: So these squirrels were in a nest and the nest

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Speaker 1: fell out of the tree and they were all like

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Speaker 1: knotted together. So they landed on the ground and someone

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Speaker 1: came upon them and they were like, oh my goodness,

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Speaker 1: like y'all are all tangled up. So they called some

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Speaker 1: police officers and they came by and with the mother,

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Speaker 1: they're watching me untangled the squirrels tails. Yeah, wow, they

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Speaker 1: untangled them. The ski Dattle Humane Wildlife Control was also present,

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Speaker 1: So pretty cool. I don't even know that that could happened,

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Speaker 1: But the fact that mom didn't jump in and trying

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Speaker 1: to kill him, yeah, like squirrel attack. I mean, everybody's

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Speaker 1: doing great and all the training we did his officers.

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Speaker 1: We never got trained in untying squirrel tables. Yeah, good

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Speaker 1: for them. Good story. That's what it's all about. That

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Speaker 1: was tell me something good, reach it into my wallet?

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Speaker 1: What what do I have here? There? It is all right? Right?

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Speaker 1: And half of the weekend. Hey, are you still gonna

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Speaker 1: like party this weekend? Yeah? No, no, no, I'm good

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Speaker 1: a break, I'm good. Yeah, go back and listen to

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Speaker 1: the podcast. Morgan had a situation on her birthday. Yeah,

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Speaker 1: that went down a little sketchy. She fell down the

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Speaker 1: stairs and we were like, well, they don't drink so much.

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Speaker 1: And then she was like, no, somebody puts something in

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Speaker 1: my drink. You still think that's it? Yeah, very confident

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Speaker 1: in that. Okay, let's play Who Wants to Be a hundred?

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Speaker 1: Are seven questions. The first question is the one dollar

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Speaker 1: question about fifteen seconds. How many of each animal did

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Speaker 1: Noah take on the arc? What? Oh? No? She goes

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Speaker 1: out with one do wait are you? Yeah? I'm not

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Speaker 1: getting You have three live lines. You can ask a

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Speaker 1: friend in the studio. You can do the coin flip,

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Speaker 1: or you can shoot at you know, a shot into

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Speaker 1: the trash can with the paper wide Well, apparently a

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Speaker 1: hardy going for a live line that start. Wow, you

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Speaker 1: don't don't how many of each animal Noah took in

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Speaker 1: the on the arc? I really don't. Okay, I mean

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Speaker 1: I think I've only seen the movie with Jim Carrey.

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Speaker 1: That's the only reference I have. M Bruce Almighty? What

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Speaker 1: is that? Yeah? Almighty? Amy, I'm going to Amy Amy.

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Speaker 1: The answer is to thank you, thank you for my

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Speaker 1: one dollar. You're welcome. Well, here's the lifeline gone, yeap, okay,

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Speaker 1: there's that. Hey your five dollar question? Would you like

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Speaker 1: to continue for five bucks? Get the coin ready? What

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Speaker 1: Australian animal sleeps up to twenty two hours a day? Oh? Well,

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Speaker 1: I don't think that's the kangaroo. But Koala bears I

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Speaker 1: believed because they stay up in trees and I'm pretty

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Speaker 1: confident in that. So Koala bears I would have accepted.

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Speaker 1: Koala bears or lunchbox both would have been accepted. Kuala bears.

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Speaker 1: All right, you're ready for the ten dollars question now

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Speaker 1: I am. Let's do it. What was Will Farrell's character

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Speaker 1: name in the two thousand and three hit elf. What

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Speaker 1: was Will Farrell's Character's name in that movie? The Christmas

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Speaker 1: movie Elf. Well, I believe it was Buddy. I'm not

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Speaker 1: sure if I need the if he had a last name,

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Speaker 1: or if I need a full name. I think he

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Speaker 1: was just referred to though as Buddy the Elf. So

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Speaker 1: Buddy the Elf is my final answer. Buddy the Elf

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Speaker 1: is correct. No, would you like to keep ten dollars

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Speaker 1: or would you want to go for twenty dollars? No,

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Speaker 1: let's go for that twenty okay. Which US state has

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Speaker 1: the fewest amount of syllables? Now you have thirty seconds?

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Speaker 1: Fewest amount of syllables? Which US state has the fewest

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Speaker 1: amount of syllables? Texas? You talk it out. It could

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Speaker 1: be one Texas could be one syllable. It's gonna be

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Speaker 1: a short one. It's not gonna be like a South Dakota.

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Speaker 1: It's gonna be like a non thrown it away. Um,

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Speaker 1: Hawaii has a lot, California. Why you have six seconds? Morgan?

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Speaker 1: Ow boy, you have two lifelines? A coin flip or wait? Well,

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Speaker 1: by the way, Texas has two syllables. That yeah, that's

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Speaker 1: what I was. I just couldn't. She knows that she

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Speaker 1: hadn't made it to the one syllables yet. Yeah, I

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Speaker 1: was working down to him. Okay, do you guys know

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Speaker 1: what the answer main would have been one syllable. All right,

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Speaker 1: you're flip in the coin for twenty dollars. Would you

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Speaker 1: like heads or tails? Heads? Please? And here is the

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Speaker 1: coin flip maybe if you'll let us know where it lands.

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Speaker 1: She said heads. We never had a coin flip. Miss

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Speaker 1: No three for three on that one. Morgan. Here's where

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Speaker 1: you are right now. All right, we can go to

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Speaker 1: the fifty dollars question. Okay if you'd like, or you

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Speaker 1: can you know what. I brought a twenty dollar bill

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Speaker 1: just just in case you can have that. No, it's okay, No, No,

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Speaker 1: I want you to see the twenty dollars bill. It's

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Speaker 1: fresh twenty dollars bill. You've been playing terribly, by the way.

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Speaker 1: I want to just want to be honest with you

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Speaker 1: as a friend. You've really really saw she nailed Koala bearer. Yeah,

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Speaker 1: but she didn't know the arc or she didn't know.

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Speaker 1: She said, Texas has one syllable. Let's all be honest

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Speaker 1: with her. I didn't hear that. I sounded you know.

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Speaker 1: I'm a big fan of you. But here's twenty bucks

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Speaker 1: in cash. You can take it right now. Yeah, but

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Speaker 1: that's not any fun. Nobody wants to go for twenty

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Speaker 1: Everybody wants to go for one hundred fifty dollars. Questions

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Speaker 1: out what you want? Yeah, let's do it. Let's go

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Speaker 1: fifty dollars. Questions. She has one lifeline left, which is

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Speaker 1: the paper one, which rock group released an album called

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Speaker 1: The Joshua A Tree in nineteen eighty seven. Thirty seconds

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Speaker 1: starts now and this is before you were born? Yeah,

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Speaker 1: these are these are always get me an elder Verse

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Speaker 1: oneial two, Um. The Beatles is a rock band. Seven

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Speaker 1: The Joshua Tree another rock man's ac DC. Another one

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Speaker 1: is why do we want to say the nineteen eighty

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Speaker 1: seven the Joshua Tree? You have ten seconds? The Eagles,

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Speaker 1: the I. It's always like to get the paper ready, Yeah,

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Speaker 1: you know what, because then the seconds keep counting down.

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Speaker 1: I mean it's stressed for me out. I'm doing the

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Speaker 1: paper water. Did you get to the paper water to

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Speaker 1: not give an answer? Okay, Eddie, that answer from nineteen

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Speaker 1: eighty seven that Joshua Tree was that would be YouTube bones.

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Speaker 1: That's correct. Yes, I wasn't even close. Yeah, I wouldn't

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Speaker 1: have known that one of the Beatles was already dead

400
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Speaker 1: when this came out. They had been split up for yeah,

401
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Speaker 1: John Lennon, Yeah yeah. But to someone born in the

402
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Speaker 1: mid nineties, ish that the Beatles seemed like I think

403
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Speaker 1: so because I was born in the eighties and they

404
00:22:31,800 --> 00:22:34,960
Speaker 1: would But I get it was the Beatles, the one

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Speaker 1: with the walker, That's what I was picturing. That was okay, okay,

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Speaker 1: for fifty dollars, Morgan, you have a paper wad in

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Speaker 1: your hand. There's a trash can across the room. If

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00:22:45,720 --> 00:22:47,600
Speaker 1: you make it, you get a shot to go to

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Speaker 1: the next question. Okay, here we go, three two one.

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Speaker 1: I'm sorry that close. Who wants to be a hundred? Here? Oh?

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Speaker 1: Morgan really didn't do that great, But I tell you

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Speaker 1: the only person in name to nail the number of

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Speaker 1: the dice. Yeah, I'm really good at look really bad

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Speaker 1: at trivia. Pick another number one, three hundred eighty seven.

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Speaker 1: The number is eighty five. Yeah, she's sniffing out. She

416
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Speaker 1: can smell it. That's right. Well, you didn't win any

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Speaker 1: money this time, but you heck of a performance. She

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Speaker 1: had a lot of hard a lot of spirit. As

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Speaker 1: we learned, she's not gonna drink any alcohol this week, right, Yeah,

420
00:23:31,080 --> 00:23:34,360
Speaker 1: good for you. I think we've developed this game enough. Though.

421
00:23:34,520 --> 00:23:36,960
Speaker 1: We can get a listener to play next week. Okay,

422
00:23:37,200 --> 00:23:39,880
Speaker 1: and you'll represent the listener. Oh so they pick who

423
00:23:39,880 --> 00:23:42,040
Speaker 1: they want to play, Well, it's they played the questions.

424
00:23:42,080 --> 00:23:43,600
Speaker 1: But do they want someone to shoot the paper one

425
00:23:43,680 --> 00:23:46,719
Speaker 1: for them? Yeah? Yeah, okay, so maybe they but they

426
00:23:46,720 --> 00:23:50,040
Speaker 1: can google it. That's the problem. Yeah, that's tricky. I

427
00:23:50,040 --> 00:23:52,920
Speaker 1: think they pick a player for them. Okay, Yeah, Monday,

428
00:23:52,920 --> 00:23:54,560
Speaker 1: we're gonna listener. So I just shot it playing me.

429
00:23:54,680 --> 00:23:57,000
Speaker 1: I haven't gotten to play yet. I'm just lifeline. You

430
00:23:57,040 --> 00:23:59,920
Speaker 1: haven't played a hundreds. No, I'm Lifeline, Amy, but you're

431
00:23:59,920 --> 00:24:02,520
Speaker 1: a good lifeline though. I haven't missed a lifeline. Well

432
00:24:02,840 --> 00:24:08,040
Speaker 1: knows what everybody in the world didn't. We get a

433
00:24:08,040 --> 00:24:10,520
Speaker 1: lot of voicemails, and thank you for sending them. If

434
00:24:10,520 --> 00:24:12,879
Speaker 1: you listen to this on podcast and you're like, I

435
00:24:12,920 --> 00:24:16,919
Speaker 1: gotta call into the show eight seven seven seventy seven, Bobby,

436
00:24:17,080 --> 00:24:19,399
Speaker 1: if you call in it's busy, you may get the

437
00:24:19,440 --> 00:24:21,679
Speaker 1: voicemail instead of going to the busy line and make

438
00:24:21,680 --> 00:24:25,480
Speaker 1: connection to the voicemail. Eight seven, seven seventy seven, Bobby,

439
00:24:25,520 --> 00:24:28,240
Speaker 1: I have a question for Amy. My sister just started

440
00:24:28,320 --> 00:24:31,239
Speaker 1: dating a pilot and it's about three months in and

441
00:24:31,280 --> 00:24:35,240
Speaker 1: it's his birthday. What would be some good pilot plane

442
00:24:35,320 --> 00:24:38,600
Speaker 1: related presidents that don't scream two committed, but also like

443
00:24:38,960 --> 00:24:42,239
Speaker 1: we're not friends, we kissed. Oh okay. So there's like

444
00:24:42,560 --> 00:24:45,159
Speaker 1: there's coffees that are like really strong. I think just

445
00:24:45,240 --> 00:24:48,800
Speaker 1: google like jet fuel coffee, which is kind of cute

446
00:24:48,840 --> 00:24:52,400
Speaker 1: because there's a play on jet airplane and they need

447
00:24:52,440 --> 00:24:54,520
Speaker 1: really strong coffee when they're up there flying around. So

448
00:24:54,560 --> 00:24:57,000
Speaker 1: I feel like with a cute thermis or mug or

449
00:24:57,119 --> 00:25:00,119
Speaker 1: travel like our yetti type situation, that could be a

450
00:25:00,160 --> 00:25:03,320
Speaker 1: really cute gift that's not too over the top. Nailed it.

451
00:25:03,480 --> 00:25:06,040
Speaker 1: That's good. I mean she knew that immediately. Amy's husband's pilot.

452
00:25:06,040 --> 00:25:07,600
Speaker 1: In case you're new to the show and like, how

453
00:25:07,640 --> 00:25:10,119
Speaker 1: does Amy know so much about pilots fuel coffee yet?

454
00:25:10,160 --> 00:25:12,880
Speaker 1: Fel hey, that might be good for everybody. Yeah, I don't.

455
00:25:12,920 --> 00:25:15,440
Speaker 1: I mean, I just you. You're probably find different kinds

456
00:25:15,440 --> 00:25:17,160
Speaker 1: that might be a play on it, but just something

457
00:25:17,240 --> 00:25:22,600
Speaker 1: strong and cute, be good to go. You're Amy's pile

458
00:25:22,680 --> 00:25:25,600
Speaker 1: of stories. So a school is trying to ban parents

459
00:25:25,680 --> 00:25:29,199
Speaker 1: from wearing pajamas to the school. Drop off. Are they

460
00:25:29,240 --> 00:25:32,359
Speaker 1: getting out of their cars that? I mean, some parents do, listen.

461
00:25:32,400 --> 00:25:33,960
Speaker 1: I was behind the dad the other day that acted

462
00:25:34,000 --> 00:25:35,679
Speaker 1: like he was sending his kid off to college, and

463
00:25:35,680 --> 00:25:37,640
Speaker 1: I was like, chop, chop, buddy, like what are you doing.

464
00:25:38,640 --> 00:25:41,040
Speaker 1: Get in the car, let's go. You're holding everybody up.

465
00:25:41,119 --> 00:25:43,159
Speaker 1: And he was like giving her a hug. I mean,

466
00:25:43,160 --> 00:25:45,520
Speaker 1: maybe she had a rough day, but I guess sometimes

467
00:25:45,520 --> 00:25:48,520
Speaker 1: you do have to pops. Yeah. No, I mean I

468
00:25:48,600 --> 00:25:49,840
Speaker 1: was about to be the person that honked in the

469
00:25:49,880 --> 00:25:52,240
Speaker 1: school drop off line, which would be not very nice.

470
00:25:52,920 --> 00:25:56,560
Speaker 1: There must be something that's causing them to make this

471
00:25:56,680 --> 00:25:59,000
Speaker 1: role because it doesn't seem like just a common sense role. Well,

472
00:25:59,000 --> 00:26:01,639
Speaker 1: they're saying that it's important to teach your kids to

473
00:26:01,720 --> 00:26:06,200
Speaker 1: like get ready, and the kids are expected the kids

474
00:26:06,200 --> 00:26:08,560
Speaker 1: are expected to be dressed a certain way when going

475
00:26:08,600 --> 00:26:11,160
Speaker 1: to school and looking presentable, and they feel like parents

476
00:26:11,200 --> 00:26:13,439
Speaker 1: should set that example and do the same. They're dropping

477
00:26:13,480 --> 00:26:15,520
Speaker 1: them off in their car. I know. I thought like

478
00:26:15,560 --> 00:26:18,000
Speaker 1: a dad was getting out in like his boxoxs and

479
00:26:18,040 --> 00:26:20,800
Speaker 1: you're like, they see son in the moon or a

480
00:26:20,920 --> 00:26:26,879
Speaker 1: mom in the Victoria's Secret with her robe secret. That's dumb,

481
00:26:26,920 --> 00:26:30,639
Speaker 1: That's okay, dumbst reason they ever heard. Okay, anything's the

482
00:26:31,000 --> 00:26:34,080
Speaker 1: moms are just dropping kids off. It could be anything, right, Okay,

483
00:26:34,320 --> 00:26:36,800
Speaker 1: you're you're he's in fantasy land, right, vote against that.

484
00:26:37,520 --> 00:26:40,359
Speaker 1: It's like probably robes and slippers and thumbs down. Okay,

485
00:26:40,400 --> 00:26:42,320
Speaker 1: thumbs down? I mean, I agree, I agree. I mean

486
00:26:42,440 --> 00:26:44,879
Speaker 1: sometimes I just want like a job well done. You

487
00:26:44,960 --> 00:26:47,640
Speaker 1: got your kids to school. You're also not going to class.

488
00:26:47,840 --> 00:26:49,320
Speaker 1: It's not like you're going to work and what you're

489
00:26:49,400 --> 00:26:53,080
Speaker 1: dropping them off in or maybe dumbs down? Okay, well,

490
00:26:53,359 --> 00:26:55,320
Speaker 1: uh tell me if your thumbs up or thumbs down

491
00:26:55,359 --> 00:26:59,960
Speaker 1: to this. Kellogg's and Wendy's are dropping Wendy's Frosty Chuck

492
00:27:00,000 --> 00:27:04,720
Speaker 1: Plitty Cereal Kelloggs. Yeah, so it's so why is Wendy's

493
00:27:04,720 --> 00:27:07,119
Speaker 1: doing it though? Well, they partnered. They partnered with the

494
00:27:07,200 --> 00:27:11,560
Speaker 1: Chocolate Frosty, So it mixes crispy coco coated round cereal

495
00:27:11,600 --> 00:27:14,439
Speaker 1: bites with chocolate flavored marshmallows, so it tastes like a

496
00:27:14,480 --> 00:27:18,840
Speaker 1: frosty but it's cereal. Fine. Oh well, inside the box

497
00:27:18,840 --> 00:27:20,760
Speaker 1: you're going to get a free cupon for an actual

498
00:27:20,760 --> 00:27:24,920
Speaker 1: Wendy's Frosty. Thumbs up, that's yeah, And if that sounds

499
00:27:25,000 --> 00:27:27,959
Speaker 1: yummy to you. It's hitting shelves in December. The thing is,

500
00:27:27,960 --> 00:27:30,520
Speaker 1: it says Wendy's Frosty on the front of the box.

501
00:27:30,560 --> 00:27:33,040
Speaker 1: I just think of Wendy's Hamburgers. Oh, because the Wendy's

502
00:27:33,080 --> 00:27:35,200
Speaker 1: logo is up there. Yeah, it looks like an eating

503
00:27:35,240 --> 00:27:37,840
Speaker 1: hamburger cereal, but it does sound pretty good, all right?

504
00:27:37,840 --> 00:27:41,240
Speaker 1: What else? So? Dustin Lynch talked about when he got

505
00:27:41,280 --> 00:27:43,840
Speaker 1: heartbroken in high school and the music that he would

506
00:27:43,880 --> 00:27:46,200
Speaker 1: listen to when that would happen. You only get one

507
00:27:46,200 --> 00:27:48,400
Speaker 1: option usually when you're growing up to have a high

508
00:27:48,440 --> 00:27:50,800
Speaker 1: school sweetheart, and by the time you ruined that one,

509
00:27:50,960 --> 00:27:54,320
Speaker 1: all your buddies have dated the others. So or she ruined.

510
00:27:54,359 --> 00:27:57,280
Speaker 1: I guess what I thought was gonna be a lifelong relationship.

511
00:27:57,720 --> 00:28:00,520
Speaker 1: And I remember just thinking the world ended. So thank

512
00:28:00,560 --> 00:28:03,600
Speaker 1: god for a John Air record and whatever sad Rascal

513
00:28:03,640 --> 00:28:06,679
Speaker 1: Flats song to get me through those dark days. Everybody

514
00:28:06,680 --> 00:28:10,760
Speaker 1: gets one high school sweetheard I got zero music. It's like,

515
00:28:10,760 --> 00:28:12,600
Speaker 1: you know, everybody gets one. I was like, wait, wait,

516
00:28:12,640 --> 00:28:15,560
Speaker 1: we do well? So John Mayor and Rascal Flats helped

517
00:28:15,640 --> 00:28:18,080
Speaker 1: him get through that. What what got you through? Um?

518
00:28:18,119 --> 00:28:23,840
Speaker 1: You're none so none what I had listen to music.

519
00:28:24,119 --> 00:28:29,159
Speaker 1: We're just being lonely. Everybody hurts rim. That was just

520
00:28:29,200 --> 00:28:31,560
Speaker 1: my general song from like I don't know, sixteen to

521
00:28:31,880 --> 00:28:35,680
Speaker 1: thirty things. Sometime there was a couple of years where

522
00:28:35,680 --> 00:28:37,720
Speaker 1: you look at your most played songs whenever it was

523
00:28:37,760 --> 00:28:41,200
Speaker 1: downloads and not streams, and that song dominated yea every

524
00:28:41,280 --> 00:28:43,640
Speaker 1: year because I would just go home work all day

525
00:28:45,480 --> 00:28:47,840
Speaker 1: when the day's young and the night and I was like,

526
00:28:48,160 --> 00:28:50,880
Speaker 1: this is my jam I cook dinner. One of my

527
00:28:51,000 --> 00:28:53,520
Speaker 1: college breakups almost ruined. It's a great day to be

528
00:28:53,560 --> 00:28:55,920
Speaker 1: alive to me because I wanted to listen that and

529
00:28:55,960 --> 00:28:58,480
Speaker 1: cry in the shower after we broke up. So I'm

530
00:28:58,520 --> 00:29:00,200
Speaker 1: torn when that comes on because it's so good good,

531
00:29:00,200 --> 00:29:02,080
Speaker 1: but it also makes me think of him nice. She

532
00:29:02,120 --> 00:29:07,280
Speaker 1: had somebody. Okay, I'm Amy, that's my pile. That was

533
00:29:07,360 --> 00:29:13,600
Speaker 1: Amy's pile of stories. It's time for the good news.

534
00:29:15,600 --> 00:29:18,160
Speaker 1: Mila Garza is six years old. She lives in Texas

535
00:29:18,160 --> 00:29:20,320
Speaker 1: and she's been growing out her hair since she was born.

536
00:29:20,400 --> 00:29:22,720
Speaker 1: She's never cut it. At six years old, well, she

537
00:29:22,800 --> 00:29:25,880
Speaker 1: heard a story about kids that have cancer and they

538
00:29:25,920 --> 00:29:27,880
Speaker 1: lose all their hair and they need wigs made. So

539
00:29:27,880 --> 00:29:29,960
Speaker 1: she says, you know what, I'm gonna cut all my

540
00:29:30,000 --> 00:29:32,440
Speaker 1: hair off and I'm gonna donate it. So she did that.

541
00:29:32,520 --> 00:29:36,240
Speaker 1: She donated to Petra Hair Design in Lubbock, and she says,

542
00:29:36,320 --> 00:29:37,880
Speaker 1: you know what, I did this and if I can

543
00:29:37,920 --> 00:29:39,360
Speaker 1: get the story out, a lot of people can do

544
00:29:39,360 --> 00:29:42,120
Speaker 1: it as well. I think about those parents too, who

545
00:29:42,200 --> 00:29:47,280
Speaker 1: raised a kid to be selfless. Yeah, like to go.

546
00:29:47,400 --> 00:29:49,440
Speaker 1: I mean this kids, she's in school too, so it's

547
00:29:49,480 --> 00:29:51,280
Speaker 1: not like she's four. She can just be home for

548
00:29:51,360 --> 00:29:53,280
Speaker 1: most of the day like she did that even though

549
00:29:53,280 --> 00:29:55,360
Speaker 1: she's in school. Amy, how long does hair get at

550
00:29:55,400 --> 00:29:58,440
Speaker 1: six years old? Six years are growing in? Oh, it's long,

551
00:29:58,520 --> 00:30:00,920
Speaker 1: it's pretty long. She probably still has hair even though

552
00:30:00,960 --> 00:30:03,040
Speaker 1: she cut it. But I mean everyone's here's a little

553
00:30:03,040 --> 00:30:06,239
Speaker 1: bit different, but still like you hadn't never cut her

554
00:30:06,280 --> 00:30:08,080
Speaker 1: hair and she makes this decision to do it for

555
00:30:08,160 --> 00:30:12,280
Speaker 1: other people. That's awesome. Yeah, all right, that's what it's

556
00:30:12,280 --> 00:30:17,320
Speaker 1: all about. That was tell me something good. Let's welcome

557
00:30:17,320 --> 00:30:20,400
Speaker 1: to the studio Old Dominion here today. You know, this

558
00:30:20,520 --> 00:30:22,280
Speaker 1: is a sacred spot. No one comes in the top

559
00:30:22,280 --> 00:30:24,400
Speaker 1: of this hour spot. We never allow a guest in

560
00:30:24,440 --> 00:30:27,520
Speaker 1: the spot. It's right. So what we're going to do

561
00:30:27,680 --> 00:30:29,960
Speaker 1: is I mean, we're family now, we're not even guests anymore.

562
00:30:30,080 --> 00:30:32,320
Speaker 1: You know you just took up so much of the room. Yeah,

563
00:30:32,400 --> 00:30:35,920
Speaker 1: we have so many of you. Yeah, it's just kind

564
00:30:35,920 --> 00:30:38,760
Speaker 1: of like your heir THO. But what we're gonna do

565
00:30:38,800 --> 00:30:41,880
Speaker 1: is Amy does her Morning Corny and I thought maybe

566
00:30:42,080 --> 00:30:45,560
Speaker 1: we could have little keys under while she does it.

567
00:30:46,120 --> 00:30:48,880
Speaker 1: Oh little special edition. Yeah, so right, we don't need you.

568
00:30:49,160 --> 00:30:51,440
Speaker 1: We got Old Dominion playing the background here. I've got

569
00:30:51,440 --> 00:30:54,000
Speaker 1: Trevor on keys forever, if you would mind playing us

570
00:30:54,000 --> 00:31:01,600
Speaker 1: little something leading us into this? So who helps the

571
00:31:01,680 --> 00:31:05,000
Speaker 1: little pumpkins cross the road to school? Helps the little

572
00:31:05,040 --> 00:31:11,280
Speaker 1: pumpkins cross the road to school? The crossing gord there

573
00:31:11,520 --> 00:31:16,480
Speaker 1: is Wow. I never felt more music. Drivers contributed to

574
00:31:16,520 --> 00:31:20,200
Speaker 1: The Morning Corny before I did. Yeah, original joke texted

575
00:31:20,280 --> 00:31:23,160
Speaker 1: me on that he wrote, and I don't think I

576
00:31:23,200 --> 00:31:25,000
Speaker 1: don't think i've heard. Oh yeah, I heard this story.

577
00:31:25,640 --> 00:31:28,360
Speaker 1: I don't remember. Tell me the joke again. Why did

578
00:31:28,400 --> 00:31:33,000
Speaker 1: the thief quit stealing windows? Why did the thief quit

579
00:31:33,040 --> 00:31:41,360
Speaker 1: stealing windows? Because it was a painstaking process? Real? Okay,

580
00:31:41,600 --> 00:31:44,920
Speaker 1: So now you got my sound check, noodles on piano

581
00:31:45,040 --> 00:31:47,840
Speaker 1: and my terrible dad jokes you have both ways that

582
00:31:47,920 --> 00:31:51,320
Speaker 1: I drive the band crazy? Is he the dad joke

583
00:31:51,360 --> 00:31:54,400
Speaker 1: guy in the band? I think Matt's jokes a lot.

584
00:31:55,040 --> 00:31:57,120
Speaker 1: I've got my original joke I could tell. I've never

585
00:31:57,120 --> 00:32:02,400
Speaker 1: told it on Oh no, no, no, no one. All right,

586
00:32:02,440 --> 00:32:05,440
Speaker 1: go ahead. How does Charles Kelly stop a horse? How

587
00:32:05,440 --> 00:32:08,480
Speaker 1: does Charles Kelly of Lady Annabelle Um stop a horse? WHOA?

588
00:32:10,040 --> 00:32:15,600
Speaker 1: I should say? Whoa? That's fun. That's a good one too.

589
00:32:15,760 --> 00:32:18,239
Speaker 1: All right, Old Dominion is here. Not for their health.

590
00:32:18,280 --> 00:32:20,000
Speaker 1: They have a new record that's out today. It's a

591
00:32:20,120 --> 00:32:21,880
Speaker 1: very exciting day for me because, as you guys know,

592
00:32:22,120 --> 00:32:24,520
Speaker 1: I'm your biggest fans. All Right, thank you. I stand

593
00:32:24,760 --> 00:32:27,280
Speaker 1: od so glad you guys are here. We're gonna play

594
00:32:27,280 --> 00:32:29,360
Speaker 1: a bunch of songs. We've basically set aside this whole

595
00:32:29,400 --> 00:32:31,840
Speaker 1: hour for you guys. I do want to do something new.

596
00:32:31,920 --> 00:32:33,240
Speaker 1: I know you guys like to play the hits, but

597
00:32:33,240 --> 00:32:34,840
Speaker 1: do you mind playing some new stuff for us today?

598
00:32:34,960 --> 00:32:36,960
Speaker 1: Would love to. Okay, and then what we're gonna do

599
00:32:36,960 --> 00:32:38,680
Speaker 1: to By the way, we're gonna have a karaoke contest

600
00:32:38,840 --> 00:32:41,680
Speaker 1: with the band. They have agreed to play one of

601
00:32:41,720 --> 00:32:44,960
Speaker 1: their hits, but with no vocals, and we're gonna have

602
00:32:44,960 --> 00:32:55,080
Speaker 1: a competition between Raymundo Morgan and Amy what and the winner.

603
00:32:55,240 --> 00:32:56,880
Speaker 1: The winner and next week's show gets to pick their

604
00:32:56,880 --> 00:32:58,880
Speaker 1: own segment. Whatever you guys want to do, you have

605
00:32:58,920 --> 00:33:02,240
Speaker 1: the power to do. We judge, Are we the judges? Yeah?

606
00:33:02,560 --> 00:33:04,480
Speaker 1: I think that will be great. Actually know, I've actually

607
00:33:04,560 --> 00:33:07,400
Speaker 1: been a judge in the International Air Guitar Championship, so

608
00:33:07,520 --> 00:33:10,360
Speaker 1: I really have experiencing this sort of thing, right, it's

609
00:33:10,360 --> 00:33:14,760
Speaker 1: a cool story. All right, Hey, whether it's cool or not,

610
00:33:14,760 --> 00:33:18,920
Speaker 1: it's true, man, I'm showing it. Yeah, Old Dominion, hasn't

611
00:33:18,960 --> 00:33:21,840
Speaker 1: your record out today? It's out today. You guys go

612
00:33:21,880 --> 00:33:24,240
Speaker 1: and get the record that's out today. It's um how

613
00:33:24,240 --> 00:33:27,120
Speaker 1: many songs are on on on Time? Tequelin thirty thirteen?

614
00:33:27,160 --> 00:33:30,000
Speaker 1: I think, yeah, lucky thirteen. So I was gonna ask

615
00:33:30,120 --> 00:33:33,160
Speaker 1: it's thirteen or is there a reason it's thirteen? We

616
00:33:33,200 --> 00:33:35,760
Speaker 1: are just now? I think it's it's the nature of

617
00:33:35,760 --> 00:33:37,600
Speaker 1: how we made the album was. You know, we went

618
00:33:37,640 --> 00:33:40,520
Speaker 1: to Asheville, North Carolina. We just camped out there. We

619
00:33:40,560 --> 00:33:42,880
Speaker 1: wrote everything in the studio while we were there, so

620
00:33:42,920 --> 00:33:44,560
Speaker 1: we would write the song in the morning and then

621
00:33:44,600 --> 00:33:47,520
Speaker 1: we record it. That evening and that's how many we got.

622
00:33:47,720 --> 00:33:50,360
Speaker 1: We got fourteen actually, but we didn't record the fourteenth

623
00:33:50,400 --> 00:33:54,360
Speaker 1: because they don't suck. It really wasn't your best. Okay,

624
00:33:54,520 --> 00:33:56,600
Speaker 1: if you're not wrong, what I want listen. I've spent

625
00:33:56,640 --> 00:33:58,960
Speaker 1: a little time with the record this morning. Um, if

626
00:33:58,960 --> 00:34:01,280
Speaker 1: you don't mind, would you play All I know about girls?

627
00:34:15,120 --> 00:34:20,200
Speaker 1: I'm a jack of all trades and mess randomicizes. Man,

628
00:34:20,360 --> 00:34:24,000
Speaker 1: if there's everything, one got it pretty good hand alone

629
00:34:24,080 --> 00:34:27,360
Speaker 1: a lot of things, but I ain't figuring out everything.

630
00:34:27,840 --> 00:34:31,120
Speaker 1: It's all I know about girls is the wide world.

631
00:34:31,239 --> 00:34:35,680
Speaker 1: Ain't gonna spending, but it's spend around. All I know

632
00:34:35,800 --> 00:34:39,000
Speaker 1: about girls is your best. Get out of that way.

633
00:34:39,560 --> 00:34:42,439
Speaker 1: Shut you damn Now that she got something to say,

634
00:34:42,480 --> 00:34:46,720
Speaker 1: it's like, yeah, baby, no baby, whatever you won't baby,

635
00:34:46,800 --> 00:34:50,120
Speaker 1: whatever it is is my phone. All I know about

636
00:34:50,239 --> 00:34:56,000
Speaker 1: girls is all I know about girls. I don't know

637
00:34:56,120 --> 00:35:07,520
Speaker 1: nothing at all. I don't come on old dominion, new music.

638
00:35:07,600 --> 00:35:12,120
Speaker 1: Here's when you guys named it time, Tequila and therapy.

639
00:35:12,520 --> 00:35:14,840
Speaker 1: Was that we should name it time and goes we

640
00:35:14,880 --> 00:35:18,319
Speaker 1: should name tequila or like does that come together? Or

641
00:35:18,640 --> 00:35:21,520
Speaker 1: it's actually it's a lyric. It's a line from the

642
00:35:21,560 --> 00:35:24,279
Speaker 1: song no hard feelings. It's on the album. So the

643
00:35:24,280 --> 00:35:25,879
Speaker 1: first line of that song is it took a little

644
00:35:25,880 --> 00:35:28,120
Speaker 1: time to quel in therapy? And I don't know. We

645
00:35:28,280 --> 00:35:30,160
Speaker 1: spend so much time trying to come up with names

646
00:35:30,200 --> 00:35:32,319
Speaker 1: for albums. It's like the it's terrible thing to try

647
00:35:32,320 --> 00:35:34,040
Speaker 1: and name an album. It's like, you know, you could

648
00:35:34,040 --> 00:35:36,040
Speaker 1: always just pick a title track or whatever, but for

649
00:35:36,080 --> 00:35:37,720
Speaker 1: some reason we want to make it hard on ourselves

650
00:35:37,760 --> 00:35:40,800
Speaker 1: and not do that. But this that, like lyrics, seemed

651
00:35:40,800 --> 00:35:42,680
Speaker 1: to kind of sum up the whole thing. Harder to

652
00:35:42,760 --> 00:35:46,160
Speaker 1: name an album or a kid an album, for sure.

653
00:35:47,160 --> 00:35:51,480
Speaker 1: I guess you just five people? Yeah, is that the

654
00:35:51,520 --> 00:35:54,080
Speaker 1: situation with you? I am asking you someone who I

655
00:35:54,120 --> 00:35:56,359
Speaker 1: do plan to have kids. My wife's not pregnant right now,

656
00:35:56,360 --> 00:35:59,200
Speaker 1: but we're definitely having those conversations. Did you let the

657
00:35:59,280 --> 00:36:01,520
Speaker 1: wife just side for the most part? If there was

658
00:36:01,560 --> 00:36:05,239
Speaker 1: a tie? Man, it's like every decision I feel like

659
00:36:05,280 --> 00:36:11,680
Speaker 1: you make it, so yes, may listen. This is speaks

660
00:36:11,719 --> 00:36:14,840
Speaker 1: you listen the way I make every decision. And I

661
00:36:14,880 --> 00:36:16,799
Speaker 1: realized I'm like, look, I don't care, just pick and

662
00:36:16,840 --> 00:36:19,040
Speaker 1: then and then she picks and I go, yeah, I

663
00:36:19,080 --> 00:36:24,640
Speaker 1: don't know about that old Dominions here, we're gonna come back.

664
00:36:24,880 --> 00:36:26,960
Speaker 1: You know the song that I love is Hawaii and

665
00:36:26,960 --> 00:36:29,240
Speaker 1: it's been out for a bit for a few weeks. Anyway,

666
00:36:29,680 --> 00:36:31,480
Speaker 1: um love the song. If you'll play that when we

667
00:36:31,520 --> 00:36:33,080
Speaker 1: come back. I get some more questions, and then we're

668
00:36:33,120 --> 00:36:36,719
Speaker 1: going to do after that the karaoke competition. Do you

669
00:36:36,760 --> 00:36:38,480
Speaker 1: guys know what song? You know what song you're singing? Yeah?

670
00:36:38,560 --> 00:36:41,680
Speaker 1: What hotel Key? Okay, just making sure because we really

671
00:36:41,680 --> 00:36:43,719
Speaker 1: throw one at you if you didn't know, so then

672
00:36:43,719 --> 00:36:46,239
Speaker 1: you're gonna perform Hotel Key with Old Dominion. I know

673
00:36:46,280 --> 00:36:54,200
Speaker 1: it's gonna be amazing. The Friday Morning Conversation with Old Dominion.

674
00:36:54,360 --> 00:36:56,520
Speaker 1: They have a new record out today called Time, Tequila

675
00:36:56,640 --> 00:36:59,160
Speaker 1: and Therapy. They have a song I love called Hawaii,

676
00:36:59,200 --> 00:37:01,120
Speaker 1: which we're gonna play just a second. But do you

677
00:37:01,120 --> 00:37:03,839
Speaker 1: ever do it's part of your live show, Matthew, where

678
00:37:03,880 --> 00:37:06,120
Speaker 1: you go, Okay, let me enteruce everybody on the band

679
00:37:06,280 --> 00:37:07,920
Speaker 1: in the band and they do like a little something solo.

680
00:37:08,480 --> 00:37:10,880
Speaker 1: You don't do that, Okay, here's what I'd like to

681
00:37:10,920 --> 00:37:13,480
Speaker 1: do that. I would like to do that. And then

682
00:37:13,520 --> 00:37:15,520
Speaker 1: you have like because you know you would watch these

683
00:37:15,800 --> 00:37:20,440
Speaker 1: you know Zeppelin or you know um journey, and they're like,

684
00:37:20,400 --> 00:37:22,920
Speaker 1: all right, the drum, the drum. Let's see, we're very

685
00:37:22,960 --> 00:37:25,359
Speaker 1: acoustic in here. So what I want to do is

686
00:37:25,760 --> 00:37:27,479
Speaker 1: that and then each of you do a little something

687
00:37:27,560 --> 00:37:31,520
Speaker 1: like for five seconds, your own little mini talent show. Yeah,

688
00:37:31,560 --> 00:37:34,440
Speaker 1: all right, first let me into this. Our lead singer

689
00:37:34,640 --> 00:37:46,000
Speaker 1: Matthew Ramsay on the guitar and the keys, Trevor, you're

690
00:37:46,000 --> 00:38:05,840
Speaker 1: both on the base. Yeah, that's get a guitar, bread

691
00:38:12,280 --> 00:38:14,760
Speaker 1: and the guy holding it together in the rhythm section

692
00:38:14,840 --> 00:38:22,520
Speaker 1: the drums. It's wet. See how fun is that? Every show?

693
00:38:22,560 --> 00:38:24,920
Speaker 1: You guys should just get a second. Yeah, that's definitely

694
00:38:25,000 --> 00:38:28,000
Speaker 1: part of the man what's see, that's what we're missing.

695
00:38:28,280 --> 00:38:30,719
Speaker 1: We need that. You read some of those to like

696
00:38:30,840 --> 00:38:33,200
Speaker 1: Van Halen, where they would have the drummer play like

697
00:38:33,200 --> 00:38:35,440
Speaker 1: a twenty minute thirty minute drum solos so they could

698
00:38:35,440 --> 00:38:37,200
Speaker 1: go on under the stage and like hook up and

699
00:38:37,880 --> 00:38:40,200
Speaker 1: choke Jack Dan. Yeah, like they would. They would have

700
00:38:40,320 --> 00:38:42,600
Speaker 1: different people do long solos, they could go off stage,

701
00:38:42,600 --> 00:38:45,600
Speaker 1: and I'm pretty sure one of those guys came in

702
00:38:45,640 --> 00:38:48,919
Speaker 1: and said that story on our show. Ye. It's also

703
00:38:48,960 --> 00:38:51,160
Speaker 1: a solid plan if you don't have enough good songs

704
00:38:51,200 --> 00:38:53,040
Speaker 1: to play that night, just solo the crap out of it.

705
00:38:53,280 --> 00:38:55,200
Speaker 1: I think we would probably we could probably use a

706
00:38:55,239 --> 00:38:57,600
Speaker 1: break like that, you know, where you know, we take

707
00:38:57,640 --> 00:38:59,960
Speaker 1: a twenty minute solo just so somebody could go peet.

708
00:39:00,239 --> 00:39:01,919
Speaker 1: That's what I was gonna. I've done the bathroom break

709
00:39:01,920 --> 00:39:03,840
Speaker 1: thing before, or like Eddie, I got a peak and

710
00:39:03,880 --> 00:39:06,319
Speaker 1: you guys cover for me for a second and they're

711
00:39:06,360 --> 00:39:08,960
Speaker 1: just jamming on stage. Actually, there is a spot in

712
00:39:08,960 --> 00:39:11,080
Speaker 1: the show where Brad does a little like solo thing

713
00:39:11,120 --> 00:39:13,000
Speaker 1: and then before a song, and that is my chance

714
00:39:13,040 --> 00:39:15,839
Speaker 1: to run off and got any any long soul. That's

715
00:39:15,880 --> 00:39:17,239
Speaker 1: the only one during a live show. I have no

716
00:39:17,280 --> 00:39:20,480
Speaker 1: content that could last like thirty five seconds or three minutes.

717
00:39:20,480 --> 00:39:22,719
Speaker 1: I've no idea. Yeah, we don't know either. We're just

718
00:39:22,719 --> 00:39:26,080
Speaker 1: waiting on the year. Yeah, could you jam band like

719
00:39:26,200 --> 00:39:28,520
Speaker 1: Hotel Key if you needed to on stage where it's

720
00:39:28,520 --> 00:39:32,719
Speaker 1: like for example, we were um Eddie and I were

721
00:39:32,760 --> 00:39:35,239
Speaker 1: playing Strawberry Fest in Tampa and Arkansas was playing. I

722
00:39:35,239 --> 00:39:36,560
Speaker 1: did not want to go on stage because it was

723
00:39:36,560 --> 00:39:38,680
Speaker 1: like eighteen seconds left in the fourth quarter and I

724
00:39:38,719 --> 00:39:40,680
Speaker 1: was like, I can't go right now, so that but

725
00:39:40,760 --> 00:39:43,239
Speaker 1: we contractually had to go play, so they've played like

726
00:39:43,400 --> 00:39:46,200
Speaker 1: twenty two minutes of just boomed like one at a time.

727
00:39:48,520 --> 00:39:51,880
Speaker 1: Crowds like, what is happening here? Could you guys like

728
00:39:52,000 --> 00:39:54,760
Speaker 1: Dave Matthews Band, Jam Jam band any of these songs

729
00:39:54,760 --> 00:39:57,400
Speaker 1: if you needed to? Yeah? Sure, yeah, we we just

730
00:39:57,440 --> 00:40:01,919
Speaker 1: don't know would be ready any reviews about it? Let's

731
00:40:02,200 --> 00:40:04,240
Speaker 1: be a little confused. I mean you heard those solos

732
00:40:04,239 --> 00:40:07,360
Speaker 1: we just threw out. I did, Yeah, I did that.

733
00:40:07,360 --> 00:40:10,000
Speaker 1: That's something else, huh if I didn't throw that at

734
00:40:10,040 --> 00:40:12,799
Speaker 1: you too? All right time, Tequila and Therapy is the

735
00:40:12,840 --> 00:40:15,000
Speaker 1: record that's out today. Um and a few weeks ago,

736
00:40:15,040 --> 00:40:16,520
Speaker 1: whenever you guys put Hawaii out as one of the

737
00:40:16,719 --> 00:40:19,280
Speaker 1: one of the songs the early songs from it, UM

738
00:40:19,320 --> 00:40:20,759
Speaker 1: I talked about it and featured that. I was like, man,

739
00:40:20,800 --> 00:40:22,799
Speaker 1: this is my favorite song of the week. So I

740
00:40:22,920 --> 00:40:24,839
Speaker 1: a special request for me. Would you guys mind playing

741
00:40:24,840 --> 00:40:27,799
Speaker 1: Hawaii here? All right? Here they are Old Dominion playing

742
00:40:27,840 --> 00:40:47,680
Speaker 1: their song Hawaiian. I'll take another cold beer from your brother?

743
00:40:49,840 --> 00:40:58,600
Speaker 1: Got a story out? Could you drop my bag? It

744
00:40:58,719 --> 00:41:04,400
Speaker 1: look like my I'll paint you the palm tree picture,

745
00:41:04,840 --> 00:41:08,400
Speaker 1: A couple of fools and paradise swept up in the

746
00:41:10,480 --> 00:41:15,400
Speaker 1: living life in a moon, just sliding out the separate

747
00:41:15,440 --> 00:41:18,600
Speaker 1: stilly and the bone of us, drinking pine app runn

748
00:41:18,960 --> 00:41:26,239
Speaker 1: of a calking up by the ocean, happy as you lately. Yeah,

749
00:41:26,320 --> 00:41:29,560
Speaker 1: that rain when we were out Sometimes I wanted during

750
00:41:29,680 --> 00:41:51,200
Speaker 1: wild ever left to wild Ever left wild. We don't

751
00:41:51,239 --> 00:41:55,360
Speaker 1: know when to cloud be good now? Yeah, don't you

752
00:41:55,440 --> 00:41:57,359
Speaker 1: never know how slow the faith is Sometimes I don't

753
00:41:57,360 --> 00:41:59,399
Speaker 1: know that's gonna happen. Yeah, like essence of the song

754
00:41:59,560 --> 00:42:02,759
Speaker 1: sometimes the listening to the out you know, old Dominions here,

755
00:42:02,840 --> 00:42:06,040
Speaker 1: new record time, tequila and therapy. It's about to get

756
00:42:06,080 --> 00:42:08,120
Speaker 1: a lot worse though not because of you, guys, because

757
00:42:08,160 --> 00:42:10,200
Speaker 1: of the talent that's about to hop on stage with you.

758
00:42:10,400 --> 00:42:15,000
Speaker 1: Oh yes, so um Amy, hey can have the dice, Mike,

759
00:42:15,120 --> 00:42:17,120
Speaker 1: I do I want to roll the dice, Amy Morgan

760
00:42:17,360 --> 00:42:20,560
Speaker 1: and Ray Mundo will all be performing a smash hit

761
00:42:20,600 --> 00:42:26,880
Speaker 1: from Old Dominion Hotel Key. Amy pick pick a number seven,

762
00:42:27,080 --> 00:42:36,000
Speaker 1: Ray twenty six We go. The number is thirty seven,

763
00:42:36,640 --> 00:42:39,239
Speaker 1: so Ray you get to pick your order. I'm going

764
00:42:39,400 --> 00:42:42,840
Speaker 1: third last. Who do you want to go first? Definitely? Amy,

765
00:42:42,880 --> 00:42:45,000
Speaker 1: then m two and then me Amy Morgan than you.

766
00:42:45,080 --> 00:42:47,360
Speaker 1: This is a one hundred sided dice. Wow, that's awesome.

767
00:42:47,360 --> 00:42:49,120
Speaker 1: I've ever seen that impossible to get it to stop

768
00:42:49,160 --> 00:42:51,640
Speaker 1: rolling because it's basically a ball. Yeah, but this is

769
00:42:51,640 --> 00:42:53,839
Speaker 1: how we settle all our disputes on this show. Um,

770
00:42:53,840 --> 00:42:56,880
Speaker 1: Old Dominion is here. We're gonna come back in a second.

771
00:42:57,160 --> 00:43:02,160
Speaker 1: Up first, we'll be Amy definitely first. Well why first?

772
00:43:02,160 --> 00:43:04,120
Speaker 1: Why did you pick our first? Ray? I believe she's

773
00:43:04,120 --> 00:43:06,640
Speaker 1: going to be the best, and then hopefully M two's

774
00:43:06,680 --> 00:43:09,560
Speaker 1: just terrible and then I end up being decent. Forget

775
00:43:09,600 --> 00:43:13,960
Speaker 1: about how good she is. Yeah, scot it strategy. They

776
00:43:14,000 --> 00:43:16,680
Speaker 1: have a new album. It's out today called Time, Tequila

777
00:43:16,840 --> 00:43:19,000
Speaker 1: and Therapy. It's thirteen tracks. Hope you check it out.

778
00:43:19,040 --> 00:43:21,600
Speaker 1: They performed two of the new songs today. It is

779
00:43:21,640 --> 00:43:24,200
Speaker 1: it is Chef's Kiss good. I always say that, couldn't

780
00:43:24,239 --> 00:43:26,200
Speaker 1: say it any better than that. Could ain't. No, it's

781
00:43:26,200 --> 00:43:28,839
Speaker 1: really good. I'll try something that good. Yeah. Well, we're

782
00:43:28,880 --> 00:43:30,560
Speaker 1: gonna do now though, is We're gonna do a little

783
00:43:30,600 --> 00:43:33,360
Speaker 1: karaoke competition with members of the show, with Old Dominion

784
00:43:33,440 --> 00:43:36,759
Speaker 1: serving as the band. Yeah, now, Raymundo one. He chose

785
00:43:36,800 --> 00:43:39,279
Speaker 1: Amy to go first, Morrigan to go second, and him

786
00:43:39,280 --> 00:43:42,120
Speaker 1: to go third. You guys will also be the judges

787
00:43:42,719 --> 00:43:45,160
Speaker 1: and judge on ability to keep up with a song,

788
00:43:45,440 --> 00:43:50,480
Speaker 1: vocal ability, passion, like it's just all encompassing, yeah, like overall? Yeah. Yeah.

789
00:43:50,480 --> 00:43:52,560
Speaker 1: Are we doing like Olympic scoring like one to ten

790
00:43:52,680 --> 00:43:54,840
Speaker 1: for each contestant? Or are we I think at the

791
00:43:54,920 --> 00:43:56,520
Speaker 1: end you just do a little huddle and pick a winner.

792
00:43:56,560 --> 00:44:02,040
Speaker 1: Our lyrics allowed or yeah, of course we have the lyrics.

793
00:44:02,040 --> 00:44:03,640
Speaker 1: Are you going to read the lyrics? Well, I don't know.

794
00:44:03,680 --> 00:44:06,600
Speaker 1: I was asking are they allowed? Everyone? Everyone has a

795
00:44:06,840 --> 00:44:12,640
Speaker 1: usual yes, ye, lyrics? Okay, chop first, Amy, Here she

796
00:44:12,719 --> 00:44:19,040
Speaker 1: goes walk to the stage. Amy has taken the microphone. Amy,

797
00:44:19,040 --> 00:44:21,000
Speaker 1: how are you feeling right now? It's on? Yeah? You

798
00:44:21,000 --> 00:44:24,399
Speaker 1: sound great? By um feel good this when this song

799
00:44:24,520 --> 00:44:27,799
Speaker 1: first came out. Don't want to brag because I know

800
00:44:27,880 --> 00:44:29,839
Speaker 1: that these guys know knew it was a hit. Don't

801
00:44:29,840 --> 00:44:31,439
Speaker 1: want to brag, but brag, go ahead. But I feel

802
00:44:31,440 --> 00:44:33,239
Speaker 1: like I was one of the first people on it.

803
00:44:34,320 --> 00:44:36,360
Speaker 1: Now I feel like you were to remember I remember

804
00:44:36,400 --> 00:44:38,840
Speaker 1: your passion. Thank you, thank you. So I think we

805
00:44:38,880 --> 00:44:41,680
Speaker 1: sent Amy, would you like I did? Yes, they send

806
00:44:41,680 --> 00:44:44,200
Speaker 1: me a froof basket because I was so into this song.

807
00:44:45,160 --> 00:44:48,200
Speaker 1: She doesn't want to brag you made the hit, so

808
00:44:48,239 --> 00:44:49,880
Speaker 1: the pressures out. Would you like to hear how it's

809
00:44:49,880 --> 00:44:51,600
Speaker 1: going to start, Amy, because because I just want to

810
00:44:51,600 --> 00:44:53,120
Speaker 1: do Yeah, we need to like it'll be good for

811
00:44:53,160 --> 00:44:55,560
Speaker 1: even Ray and Morgan number two to hear when to

812
00:44:55,600 --> 00:44:59,200
Speaker 1: go in? So how will this start for her? Well?

813
00:44:59,280 --> 00:45:02,000
Speaker 1: Can Okay, we'll let you know. I'll see if I

814
00:45:02,000 --> 00:45:03,400
Speaker 1: feel it. But this isn't the real This isn't the

815
00:45:03,440 --> 00:45:14,719
Speaker 1: real one. This is just everybody hearing it. Okay, okay,

816
00:45:18,040 --> 00:45:21,719
Speaker 1: got it, you got it? Do verse and chorus. Now

817
00:45:21,719 --> 00:45:23,560
Speaker 1: we need more from you, though. The best this is

818
00:45:23,560 --> 00:45:27,520
Speaker 1: how no Okay, watched Matt do a warm up and

819
00:45:27,560 --> 00:45:29,600
Speaker 1: that he does like side. He doesn't have a full

820
00:45:29,640 --> 00:45:31,360
Speaker 1: on the mic. He's just kind of like, Amy, do

821
00:45:31,360 --> 00:45:33,319
Speaker 1: you need a key from Matt? Though? Because you were

822
00:45:34,080 --> 00:45:39,600
Speaker 1: not on Well, I guys, I can't sing so plus

823
00:45:39,600 --> 00:45:41,799
Speaker 1: I can't hear myself, so I don't know you can

824
00:45:41,840 --> 00:45:46,040
Speaker 1: hear yourself come out of your mouth though, Okay, okay,

825
00:45:46,080 --> 00:45:49,279
Speaker 1: so give me a good hummm like dope dough, Ray dough,

826
00:45:49,400 --> 00:45:59,359
Speaker 1: give me the I lost it too, Okay, Well, I'm

827
00:45:59,400 --> 00:46:01,520
Speaker 1: just gonna go for it. Okay. Here she has Amy

828
00:46:01,600 --> 00:46:04,480
Speaker 1: performing Hotel key with Old Dominion as the backing band.

829
00:46:04,800 --> 00:46:17,719
Speaker 1: Give it up, bra, Okay, here we go. Well, it

830
00:46:17,800 --> 00:46:20,200
Speaker 1: was down Sun Street. We couldn't even pronounce. We were

831
00:46:20,200 --> 00:46:23,279
Speaker 1: talking a little of a half announced tequila, which took

832
00:46:23,360 --> 00:46:27,359
Speaker 1: up the who we reveal it was real either one

833
00:46:27,360 --> 00:46:30,360
Speaker 1: of us looking for three little words unless those three words,

834
00:46:30,400 --> 00:46:40,560
Speaker 1: would you not disturb? Check out the hotel key person?

835
00:46:40,600 --> 00:46:45,439
Speaker 1: I guess thank got me and I now left our

836
00:46:45,480 --> 00:46:47,920
Speaker 1: hearts on the sleeves and a clothes all over the floor.

837
00:46:48,680 --> 00:46:52,319
Speaker 1: We can't open the door no more at the hotel key.

838
00:46:52,800 --> 00:46:57,480
Speaker 1: All right, everybody, how do you feel you did? Amy?

839
00:46:57,120 --> 00:47:00,400
Speaker 1: Che No? I messed up on check out. It was

840
00:47:00,400 --> 00:47:04,160
Speaker 1: supposed to be noon, but we slept until three. Yeah

841
00:47:04,640 --> 00:47:09,000
Speaker 1: that one? How's it? Type? Is its apostrophe P for

842
00:47:09,120 --> 00:47:12,919
Speaker 1: supposed to it is? Okay? I was just trying to build,

843
00:47:13,719 --> 00:47:17,520
Speaker 1: but we slept until three. And it's also she gave

844
00:47:17,560 --> 00:47:22,080
Speaker 1: it a mic upright? Can I see the lyrics? That? Yeah,

845
00:47:22,120 --> 00:47:24,400
Speaker 1: the beginning? Ever listened to the lyrics? Is there a

846
00:47:24,480 --> 00:47:29,160
Speaker 1: radio version? And yes there is? Because I've never heard.

847
00:47:30,840 --> 00:47:33,040
Speaker 1: It was down some street. We couldn't even pronounce. We

848
00:47:33,040 --> 00:47:34,960
Speaker 1: were smoking a little from a half an ounce. I

849
00:47:35,040 --> 00:47:36,919
Speaker 1: was like that's so, that's not the version that I've

850
00:47:37,000 --> 00:47:38,839
Speaker 1: heard on the radio. What is it? What do they

851
00:47:38,840 --> 00:47:41,640
Speaker 1: say on the radio? Well, we were stuck in the middle.

852
00:47:42,120 --> 00:47:44,719
Speaker 1: Uh Like, I was so like mad that we had

853
00:47:44,719 --> 00:47:47,040
Speaker 1: to change that. But um, you know, it's hard to

854
00:47:47,040 --> 00:47:49,520
Speaker 1: like change the lyric, especially one that's like that. But

855
00:47:49,719 --> 00:47:53,480
Speaker 1: Trevor had the genius idea of basically saying basically nonsense

856
00:47:53,560 --> 00:47:56,600
Speaker 1: that just sounded like the same thing. Yeah, phonetically sent.

857
00:47:56,920 --> 00:47:58,600
Speaker 1: What do you say? He was stuck in the middle,

858
00:48:00,000 --> 00:48:02,240
Speaker 1: Buck in the middle. Love and every ounce which means nothing,

859
00:48:03,080 --> 00:48:08,600
Speaker 1: it means every ounce of love, love and every minute

860
00:48:08,600 --> 00:48:12,319
Speaker 1: of it. Okay, Well I looked at everyone, and then

861
00:48:12,320 --> 00:48:13,920
Speaker 1: everybody on the band looked at each other, like, how

862
00:48:13,920 --> 00:48:21,080
Speaker 1: about that? That's what he gets to sing? But that's

863
00:48:21,120 --> 00:48:23,840
Speaker 1: what I listened to. Is that the deep cut? You

864
00:48:23,880 --> 00:48:27,080
Speaker 1: get points because you're the real deal. Morgan? Are you ready?

865
00:48:27,960 --> 00:48:33,960
Speaker 1: Not at all? Okay? Morgan? Our head headphones, it's shaky. Yeah,

866
00:48:34,600 --> 00:48:37,440
Speaker 1: you were very nervous. We can see. I'm like, who knew?

867
00:48:37,560 --> 00:48:40,839
Speaker 1: I I'm on a microphone every single day. And then

868
00:48:40,880 --> 00:48:43,400
Speaker 1: you get with all dominion and all the unused shap

869
00:48:46,400 --> 00:48:50,840
Speaker 1: right nervous Morgan, all the time, Yes, like my whole body.

870
00:48:52,080 --> 00:48:54,200
Speaker 1: You know what, we normally have shout at tequila before

871
00:48:54,200 --> 00:48:57,960
Speaker 1: we do this, so I need yeah time tequila an therapy.

872
00:48:58,520 --> 00:49:01,040
Speaker 1: Do you need a Morgan de intro or do you

873
00:49:01,080 --> 00:49:03,359
Speaker 1: feel like you have it? I mean we already did

874
00:49:03,360 --> 00:49:05,440
Speaker 1: it with Amy, so I feel like I can't have that.

875
00:49:05,520 --> 00:49:08,080
Speaker 1: So we're just gonna go for it. And she went headphones.

876
00:49:08,120 --> 00:49:10,120
Speaker 1: I did it, and now I'm starting to regret it. Okay,

877
00:49:10,120 --> 00:49:24,719
Speaker 1: here we go, here's old dominion with Morgan number two. Well,

878
00:49:24,760 --> 00:49:27,200
Speaker 1: it was down. Some streets were couldn't even pronounced. We

879
00:49:27,200 --> 00:49:30,480
Speaker 1: were smoking a little from half an hour. Tequilo was deep,

880
00:49:30,520 --> 00:49:34,239
Speaker 1: but the floe we were feeling them was real. Neither

881
00:49:34,320 --> 00:49:36,840
Speaker 1: one of us were looking for three little words unless

882
00:49:36,840 --> 00:49:39,920
Speaker 1: those three words or not. The serve checkout was supposed

883
00:49:39,920 --> 00:49:44,040
Speaker 1: to be new, but we slept until three, but she

884
00:49:44,239 --> 00:49:49,160
Speaker 1: kept the phone. Chucky slept an anniverse. I guess the

885
00:49:49,480 --> 00:50:06,400
Speaker 1: thing of me and that and the O. Okay, okay,

886
00:50:06,600 --> 00:50:08,279
Speaker 1: you hit the part she missed and you missed the

887
00:50:08,480 --> 00:50:14,440
Speaker 1: rust feel to be farewell tracks there hearts on the

888
00:50:14,480 --> 00:50:16,960
Speaker 1: sleeves and the clothes all over the floor. That that

889
00:50:17,200 --> 00:50:21,040
Speaker 1: that's a hard thing. I don't do y'all feel that way? Honestly?

890
00:50:21,239 --> 00:50:24,680
Speaker 1: Are the clothes all over the floor? We both were like,

891
00:50:24,719 --> 00:50:28,160
Speaker 1: I can do it, yeah, but I mean when you

892
00:50:28,239 --> 00:50:33,080
Speaker 1: first started, was that okay? Well, that's a hard part

893
00:50:32,480 --> 00:50:40,920
Speaker 1: of our final competitor is Ray Moondo. Susan here he comes.

894
00:50:41,920 --> 00:50:43,640
Speaker 1: He It is gonna be really easy. I didn't know

895
00:50:43,680 --> 00:50:48,640
Speaker 1: those women we're gonna do that bad? Are you calling

896
00:50:48,640 --> 00:50:51,080
Speaker 1: your shot right now? I mean they're messing up lyrics.

897
00:50:51,080 --> 00:50:53,080
Speaker 1: They were off bah. I mean I can at least

898
00:50:53,120 --> 00:50:57,720
Speaker 1: pull that off. Okay, here is last words, Ray Moondo

899
00:50:58,000 --> 00:51:12,920
Speaker 1: performing hotel key with all them. Well, it was down

900
00:51:12,960 --> 00:51:15,400
Speaker 1: some street we could in pronounce. It was spoken a

901
00:51:15,400 --> 00:51:18,120
Speaker 1: little from a half an ounce. Tequilo was she, but

902
00:51:18,200 --> 00:51:22,279
Speaker 1: the flow we were feeling was real. Neither one of

903
00:51:22,400 --> 00:51:25,680
Speaker 1: us we're looking for those three little words. Unless those

904
00:51:25,719 --> 00:51:28,480
Speaker 1: three words was do not disturb. Chuck out was supposed

905
00:51:28,520 --> 00:51:31,360
Speaker 1: to be new, but we slept in until three. But

906
00:51:31,560 --> 00:51:35,280
Speaker 1: she kept the hotel key so they hear her first.

907
00:51:35,360 --> 00:51:39,080
Speaker 1: I guess did make her thin up me And then

908
00:51:39,239 --> 00:51:41,840
Speaker 1: I was left on the sleeves and the clothes all

909
00:51:41,880 --> 00:51:52,080
Speaker 1: over the boom. Can't open that door, and I'm an okay,

910
00:51:52,080 --> 00:51:54,040
Speaker 1: how do you feel you did? I thought it ain't

911
00:51:54,080 --> 00:51:59,120
Speaker 1: good that that beat stuff is to do you feel

912
00:51:59,120 --> 00:52:02,200
Speaker 1: like you won? I think I won. Maybe Amy goes one,

913
00:52:02,280 --> 00:52:04,480
Speaker 1: but Morgan really jacked it up, so I definitely got

914
00:52:04,480 --> 00:52:08,359
Speaker 1: a second. Okay, okay, thank you. I don't know how

915
00:52:08,400 --> 00:52:14,719
Speaker 1: you somehow started so like and you wrapped chorus. He

916
00:52:15,400 --> 00:52:18,560
Speaker 1: started behind, got ahead of it, and then ended up

917
00:52:18,600 --> 00:52:22,000
Speaker 1: on the right spot. Every time, this is going to

918
00:52:22,080 --> 00:52:26,279
Speaker 1: be terrible. There is Old Dominion is in studio. They're

919
00:52:26,320 --> 00:52:30,040
Speaker 1: playing live. Now. You guys talk talk amongst yourself. You know,

920
00:52:30,960 --> 00:52:34,560
Speaker 1: I knew who I would say yea, let us know

921
00:52:34,600 --> 00:52:37,959
Speaker 1: when you come up with your answer, Trevor, there's there's

922
00:52:38,080 --> 00:52:42,480
Speaker 1: there's history, you know, yeah, and the enthusiasm enthusiasm that

923
00:52:42,520 --> 00:52:48,840
Speaker 1: counts for a lot. Ye ahead enthusiasm. Oh okay, I

924
00:52:48,840 --> 00:52:52,480
Speaker 1: mean I messed up the lyricsting. I forget the lyrics

925
00:52:52,480 --> 00:52:57,520
Speaker 1: all the time TV reded for life eight hours of

926
00:52:57,640 --> 00:53:02,680
Speaker 1: Disney together kind of that's almost disqualification. I don't think

927
00:53:02,680 --> 00:53:08,960
Speaker 1: we got it. Who is in third place? Third place? Sorry?

928
00:53:09,000 --> 00:53:10,840
Speaker 1: I think it's I think we probably all agree it's

929
00:53:10,680 --> 00:53:16,600
Speaker 1: it's Morgan. I take that. I take it. Look nerves

930
00:53:16,680 --> 00:53:18,520
Speaker 1: nerves will get you. Oh yeah, I was shaking. My

931
00:53:18,560 --> 00:53:21,680
Speaker 1: whole body was shaking. And he had a nice little

932
00:53:21,719 --> 00:53:23,640
Speaker 1: like kind of wrap thing going on though. That was nice.

933
00:53:23,640 --> 00:53:27,439
Speaker 1: But really the wheels came off. I lost it off.

934
00:53:28,320 --> 00:53:30,760
Speaker 1: It was. It came off so much that we didn't

935
00:53:30,760 --> 00:53:37,680
Speaker 1: know when to end the We're gonna skip second. It's

936
00:53:37,680 --> 00:53:42,399
Speaker 1: all about first was first place. Raymundo, who someone said

937
00:53:42,480 --> 00:53:52,799
Speaker 1: sounded like cakes or Amy. Both were excellent conditions as

938
00:53:53,040 --> 00:53:55,319
Speaker 1: as excellent. But I think we have to go with

939
00:53:55,560 --> 00:53:59,640
Speaker 1: the history and the passion that Amy had. Amy congratulated.

940
00:54:05,000 --> 00:54:07,280
Speaker 1: I forget the words all the time, so it's okay

941
00:54:07,360 --> 00:54:09,360
Speaker 1: that happens. Amy. What would you like to say? I

942
00:54:09,400 --> 00:54:11,840
Speaker 1: would the guy. I would love to sing with y'all again,

943
00:54:11,880 --> 00:54:16,920
Speaker 1: if you'd have me here like live. She's like, I

944
00:54:16,920 --> 00:54:24,239
Speaker 1: see you're playing Cleveland Chance. Yeah, no, my hometown so fun.

945
00:54:24,320 --> 00:54:27,279
Speaker 1: Y'all are the best. Thank you. The new records out

946
00:54:27,280 --> 00:54:30,319
Speaker 1: today time Tequilain Therapy. You guys stream it, but not

947
00:54:30,400 --> 00:54:32,120
Speaker 1: until the show is over today. Be sure to listen

948
00:54:32,160 --> 00:54:34,919
Speaker 1: to us and then go to older of course. Of course. Um,

949
00:54:35,200 --> 00:54:38,000
Speaker 1: congratulations guys, you know big fan appreciate you doing this

950
00:54:38,040 --> 00:54:41,000
Speaker 1: today and you guys, they only make great songs. Yeah,

951
00:54:41,000 --> 00:54:42,440
Speaker 1: I'm not even gonna say all hits because they don't

952
00:54:42,440 --> 00:54:43,759
Speaker 1: all get to be hits because they're all single. So

953
00:54:43,760 --> 00:54:45,440
Speaker 1: I'm gonna say they're all great songs because I'm a

954
00:54:45,719 --> 00:54:47,840
Speaker 1: I only care about records, like full albums from a

955
00:54:47,880 --> 00:54:49,400
Speaker 1: couple of people, and you guys are definitely one of

956
00:54:49,440 --> 00:54:51,879
Speaker 1: those one of those entities that I enjoy. So yes,

957
00:54:52,120 --> 00:54:53,880
Speaker 1: I think we had to do a segment on the

958
00:54:53,920 --> 00:54:55,680
Speaker 1: show not too long ago where we had to pick

959
00:54:55,680 --> 00:54:58,880
Speaker 1: an album that we love from start to finish, and

960
00:54:59,000 --> 00:55:01,240
Speaker 1: I chones, y'alls, Oh, thank you. Don't want to brag

961
00:55:02,239 --> 00:55:05,719
Speaker 1: we gave your first place? Yeah, I can stop. No,

962
00:55:05,800 --> 00:55:09,919
Speaker 1: I just remember that though, because I mean, yeah, anyway, Yeah,

963
00:55:10,040 --> 00:55:12,440
Speaker 1: we take that as probably one of the biggest compliments

964
00:55:12,480 --> 00:55:14,960
Speaker 1: we can get because we pride ourselves in the songwriting

965
00:55:14,960 --> 00:55:18,040
Speaker 1: and trying to have albums that there are no capable songs.

966
00:55:18,040 --> 00:55:20,080
Speaker 1: So thank you for that compliment. Yeah, do y'all I

967
00:55:20,160 --> 00:55:23,040
Speaker 1: have a question too, Yeah, do y'all like your because

968
00:55:23,080 --> 00:55:24,520
Speaker 1: I love it. But I feel like I made a

969
00:55:24,520 --> 00:55:26,680
Speaker 1: comment about shoe shopping once and I felt like y'all

970
00:55:26,680 --> 00:55:29,160
Speaker 1: were like, oh, like that song you don't like do

971
00:55:29,200 --> 00:55:31,640
Speaker 1: you like that we do? Like? Okay, you probably, I

972
00:55:31,680 --> 00:55:34,879
Speaker 1: mean maybe it was it was probably we weren't set

973
00:55:34,960 --> 00:55:37,040
Speaker 1: up to like play it or something. Okay, Well, I

974
00:55:37,120 --> 00:55:39,360
Speaker 1: don't know. I just know I'm sure because you know

975
00:55:39,400 --> 00:55:41,640
Speaker 1: every artist, at some point you just like move past

976
00:55:41,640 --> 00:55:43,400
Speaker 1: a song that that's the one that I listened to

977
00:55:43,440 --> 00:55:45,880
Speaker 1: And those lyrics are hard, but I feel like they're

978
00:55:45,920 --> 00:55:48,279
Speaker 1: so hard, but I feel like I have one. You're off.

979
00:55:48,400 --> 00:55:51,200
Speaker 1: Oh yeah, you feel like you shoe shop and walking

980
00:55:51,239 --> 00:55:57,040
Speaker 1: down the street. Help me just lead me a little bit.

981
00:55:58,040 --> 00:56:02,960
Speaker 1: If you remembering down the street where your shoe shop

982
00:56:02,960 --> 00:56:05,360
Speaker 1: and walking down the street at the pattern? That is

983
00:56:05,960 --> 00:56:08,000
Speaker 1: so if you now, I thought I had it, but

984
00:56:08,920 --> 00:56:16,880
Speaker 1: it's so good. Never town on the round about, how's

985
00:56:16,960 --> 00:56:20,520
Speaker 1: about down? You'll talk, talk, help him up, flip flop

986
00:56:22,400 --> 00:56:27,799
Speaker 1: on the sidewalk, sat tailor made whatever you like? Yeah,

987
00:56:28,000 --> 00:56:33,239
Speaker 1: if your shoe shopping, try me on fa side. It

988
00:56:33,239 --> 00:56:35,240
Speaker 1: sounds like when I try to wrap along with songs

989
00:56:35,239 --> 00:56:38,239
Speaker 1: and I only know like every third word. Well it's

990
00:56:38,280 --> 00:56:40,960
Speaker 1: been a minute, but I used to know every word,

991
00:56:41,080 --> 00:56:43,560
Speaker 1: and I that that's when I got fixated on I

992
00:56:43,560 --> 00:56:45,680
Speaker 1: don't even know that I like, I just I was

993
00:56:45,760 --> 00:56:49,000
Speaker 1: determined to get every shoe you named. Yeah, yeah, I

994
00:56:49,120 --> 00:56:56,680
Speaker 1: was one. It's the same. And then you drink everything.

995
00:56:56,719 --> 00:56:58,640
Speaker 1: We'll do it. We'll do a bit. And she drinks

996
00:56:58,680 --> 00:57:02,080
Speaker 1: everything from that song rang show. Oh okay, yeah, I'll

997
00:57:02,120 --> 00:57:05,000
Speaker 1: come back. All right, all dominion, They gotta go. We

998
00:57:05,040 --> 00:57:12,040
Speaker 1: appreciate you, guys. Congratulations one more time. Problem ye, it's

999
00:57:12,080 --> 00:57:19,120
Speaker 1: time for the good news. You know, do a considerable

1000
00:57:19,120 --> 00:57:21,720
Speaker 1: amount of work with service dogs and talking about how

1001
00:57:21,760 --> 00:57:23,800
Speaker 1: valuable they are for veterans, and this is the case here.

1002
00:57:23,800 --> 00:57:25,480
Speaker 1: But it's a really cool story because this dog was

1003
00:57:25,520 --> 00:57:29,760
Speaker 1: also in the shelter. So Soby, a boxer mix, has

1004
00:57:29,760 --> 00:57:32,320
Speaker 1: been named the twenty twenty one Service Hero Dog of

1005
00:57:32,320 --> 00:57:34,600
Speaker 1: the Year. It's a whole thing where they have an

1006
00:57:34,600 --> 00:57:37,440
Speaker 1: award every year. But this dog was two days away

1007
00:57:37,480 --> 00:57:41,480
Speaker 1: from being euthanized at the shelter. Someone adopted Soby, which

1008
00:57:41,520 --> 00:57:44,360
Speaker 1: is a girl. Soby was like beat tons of neglect,

1009
00:57:44,840 --> 00:57:47,840
Speaker 1: trained her, got her to Jason Howe, a Navy combat

1010
00:57:47,880 --> 00:57:50,880
Speaker 1: veteran who suffered from PTSD and addiction, and she's trained

1011
00:57:50,920 --> 00:57:53,400
Speaker 1: to help Jason when he suffers for panic attacks, to

1012
00:57:53,440 --> 00:57:55,919
Speaker 1: watch over him when they're in public, and now again

1013
00:57:56,000 --> 00:57:58,280
Speaker 1: she's up for Overall Dog of the Year as well.

1014
00:57:58,320 --> 00:58:01,200
Speaker 1: She's already won Vous Hero Dog of the Year. Now

1015
00:58:01,320 --> 00:58:03,800
Speaker 1: for overall Dog of the Year, I meaning two days

1016
00:58:03,840 --> 00:58:08,400
Speaker 1: away from being euthanized and someone not only saves the dog,

1017
00:58:08,440 --> 00:58:12,240
Speaker 1: but then ultimately saves a veteran's life too, which, by

1018
00:58:12,240 --> 00:58:14,040
Speaker 1: the way, you can see so being other award winning

1019
00:58:14,080 --> 00:58:17,360
Speaker 1: dogs when the eleventh Annual American Humane Hero Dog Awards

1020
00:58:17,760 --> 00:58:21,040
Speaker 1: is broadcast eight pm on Hallmark Drama. Oh that's cool.

1021
00:58:21,400 --> 00:58:23,960
Speaker 1: I didn't know that was. I wonder if that dog

1022
00:58:24,000 --> 00:58:26,600
Speaker 1: knows how cool she is and like how awesome she is.

1023
00:58:26,880 --> 00:58:29,640
Speaker 1: Probably not, Probably not, because I don't think Ray knows

1024
00:58:29,640 --> 00:58:33,840
Speaker 1: awesome he is. Well, you're comparing to a dog. He's

1025
00:58:33,920 --> 00:58:35,760
Speaker 1: kind of like a dog, you know what I was saying.

1026
00:58:35,800 --> 00:58:37,640
Speaker 1: I think we all like Ray really, you know, I

1027
00:58:37,680 --> 00:58:39,960
Speaker 1: don't think Ray has any idea awesody think that's true.

1028
00:58:40,080 --> 00:58:41,760
Speaker 1: You know, you get to be a dog. They're awesome, Ray.

1029
00:58:41,880 --> 00:58:45,000
Speaker 1: Some people just have no idea that the meaning, the worth,

1030
00:58:45,080 --> 00:58:47,680
Speaker 1: the value they have, so so being Ray shout out

1031
00:58:47,680 --> 00:58:51,720
Speaker 1: to you bout these guys. Okay, Ray, No, you're not

1032
00:58:51,800 --> 00:58:54,720
Speaker 1: a dog, all right there, That's what it's all about.

1033
00:58:54,920 --> 00:58:58,960
Speaker 1: That was tell me something good. A quick recap for everybody.

1034
00:58:58,960 --> 00:59:02,240
Speaker 1: The miss yesterday show, Abby our phone screener said, this

1035
00:59:02,240 --> 00:59:04,680
Speaker 1: guy randomly texts me and he's a firefighter. And it

1036
00:59:04,840 --> 00:59:06,120
Speaker 1: was like, well, I didn't mean listen that to you,

1037
00:59:06,800 --> 00:59:10,400
Speaker 1: that to my fire chief. Good looking guy. They're all

1038
00:59:10,400 --> 00:59:14,040
Speaker 1: talking sweet nothings back and forth to each other, and

1039
00:59:14,080 --> 00:59:17,360
Speaker 1: so yesterday we kind of developed our theories. Is it

1040
00:59:17,400 --> 00:59:20,320
Speaker 1: a scam, was it a real accident or was it

1041
00:59:20,400 --> 00:59:23,360
Speaker 1: someone who found Abbey's number and then act like it

1042
00:59:23,400 --> 00:59:25,960
Speaker 1: was an accident? Hey, Mike, what did you find out

1043
00:59:25,960 --> 00:59:29,240
Speaker 1: since yesterday's show? I find that you can find Abby's

1044
00:59:29,280 --> 00:59:33,200
Speaker 1: phone number online. Oh so if you knew Abby, you

1045
00:59:33,280 --> 00:59:35,640
Speaker 1: knew about her, you could search it out and he

1046
00:59:35,760 --> 00:59:37,960
Speaker 1: may have found it that way and texted her and

1047
00:59:38,000 --> 00:59:41,200
Speaker 1: knows her. Oh now, is that creepy to you? I

1048
00:59:41,200 --> 00:59:43,959
Speaker 1: mean a little yeah. And then if you're lying about

1049
00:59:44,000 --> 00:59:45,920
Speaker 1: how you found it by saying it was an accident,

1050
00:59:46,080 --> 00:59:48,520
Speaker 1: is he so hot that doesn't matter? Oh? Good question?

1051
00:59:49,400 --> 00:59:51,080
Speaker 1: Is he so hot and funny and friendly that it

1052
00:59:51,240 --> 00:59:54,480
Speaker 1: outweighs you put him on the scale? Yes, that that

1053
00:59:54,600 --> 00:59:58,520
Speaker 1: that's a little heavy, because crazy's okay. Sometimes they're really hot. No,

1054
00:59:58,560 --> 01:00:00,080
Speaker 1: I don't know about that. So are you saying you

1055
01:00:00,120 --> 01:00:02,520
Speaker 1: don't want to pursue this at all because we don't

1056
01:00:02,520 --> 01:00:05,200
Speaker 1: even know if that's true, don't I mean I would

1057
01:00:05,200 --> 01:00:07,479
Speaker 1: like to know, honestly. Yeah, I would like to ask

1058
01:00:07,560 --> 01:00:10,440
Speaker 1: him and get maybe. Okay, So let's say we get him,

1059
01:00:10,680 --> 01:00:13,360
Speaker 1: we end up talking to him and he admits like, yes,

1060
01:00:13,480 --> 01:00:15,520
Speaker 1: that's what I did. I'm sorry. I just was desperate

1061
01:00:15,560 --> 01:00:17,040
Speaker 1: to talk to you and I thought this would be

1062
01:00:17,040 --> 01:00:18,760
Speaker 1: a good way. I know it wasn't right, but will

1063
01:00:18,760 --> 01:00:20,880
Speaker 1: you forgive me? I like that If he goes right

1064
01:00:20,920 --> 01:00:24,200
Speaker 1: to it would be that would be okay, that's less crazy.

1065
01:00:24,240 --> 01:00:26,600
Speaker 1: Let me love this. Yeah, if he's honest. Okay, here's

1066
01:00:26,640 --> 01:00:30,240
Speaker 1: what I say we do. Would you rather cold call

1067
01:00:30,320 --> 01:00:37,200
Speaker 1: FaceTime him or go in on the phone, call him

1068
01:00:37,240 --> 01:00:38,800
Speaker 1: and we patch him through and talk to him there

1069
01:00:38,800 --> 01:00:41,400
Speaker 1: if he agrees it, So you're you're saying, I agree,

1070
01:00:41,520 --> 01:00:44,200
Speaker 1: I would give him a heads up. Yeah, if your

1071
01:00:44,240 --> 01:00:46,200
Speaker 1: FaceTime won't be on the ear, it'll be you stand

1072
01:00:46,240 --> 01:00:47,880
Speaker 1: in the middle of the room here, huh, away from

1073
01:00:47,920 --> 01:00:50,840
Speaker 1: a microphone, and we'll watch you do it. Maybe, he answers, maybe, Oh,

1074
01:00:50,880 --> 01:00:56,919
Speaker 1: I definitely love that. Listen we can. Okay, if if

1075
01:00:56,960 --> 01:00:59,520
Speaker 1: she does it but he's not on the mic, then

1076
01:00:59,640 --> 01:01:02,919
Speaker 1: legally we can give the commentary of what's happening, Right

1077
01:01:03,000 --> 01:01:07,200
Speaker 1: when did you become Perry Mason? Well, because I know

1078
01:01:07,280 --> 01:01:09,160
Speaker 1: that he we can't just throw him on the air,

1079
01:01:09,960 --> 01:01:13,480
Speaker 1: no problem, Like we can be like Abby's in the

1080
01:01:13,520 --> 01:01:17,400
Speaker 1: middle of the floor right now to hear her. He said, hello,

1081
01:01:18,040 --> 01:01:21,800
Speaker 1: do you want to try to face time? Sure? Is

1082
01:01:21,800 --> 01:01:24,200
Speaker 1: this a bad idea? I need help? What's Abbey's excuse? Like,

1083
01:01:24,200 --> 01:01:28,560
Speaker 1: what does she tell him? Yeah? Gon be no, because

1084
01:01:28,600 --> 01:01:32,919
Speaker 1: if if my theory is correct, then you're just doing

1085
01:01:33,040 --> 01:01:35,160
Speaker 1: to him what he did to you, and like you're

1086
01:01:35,160 --> 01:01:38,800
Speaker 1: just house because he's lying, Like if he wanted to

1087
01:01:38,840 --> 01:01:41,400
Speaker 1: do the bit about the fireman cool, Like that's an

1088
01:01:41,400 --> 01:01:43,240
Speaker 1: easy way to pick a girl up and get her

1089
01:01:43,280 --> 01:01:46,880
Speaker 1: to talk. I should have been a fireman. But then

1090
01:01:47,040 --> 01:01:49,720
Speaker 1: he should have been like hey, like funny joke, I

1091
01:01:49,760 --> 01:01:51,920
Speaker 1: know who you are. I heard about you know whatever,

1092
01:01:52,000 --> 01:01:55,120
Speaker 1: and then like cool, it wouldn't have been weird. Now

1093
01:01:55,160 --> 01:01:57,640
Speaker 1: that they've gone days for talking and she needs to

1094
01:01:57,640 --> 01:02:00,440
Speaker 1: get to the real part of this situation, she's doing

1095
01:02:00,440 --> 01:02:03,160
Speaker 1: his face timing him just to see if it's real Yeah,

1096
01:02:03,200 --> 01:02:06,000
Speaker 1: that's it. There's no nothing wrong with trying to figure

1097
01:02:06,000 --> 01:02:07,920
Speaker 1: out if it's real. Right, So I'm saying she should

1098
01:02:07,960 --> 01:02:09,840
Speaker 1: do it. Yeah, that's what I'm saying. Okay, Okay, I

1099
01:02:09,880 --> 01:02:12,160
Speaker 1: thought I thought Morgan was shutting us down. Okay, me too,

1100
01:02:12,160 --> 01:02:16,920
Speaker 1: and no respect it. But we want to do it. Abby,

1101
01:02:16,960 --> 01:02:20,880
Speaker 1: Are you willing to pay the ultimate price of hitting

1102
01:02:20,920 --> 01:02:22,960
Speaker 1: FaceTime here on the air if it's not mean to

1103
01:02:23,080 --> 01:02:26,680
Speaker 1: him right? Because he will not he will not be exposed. Yeah.

1104
01:02:26,720 --> 01:02:30,320
Speaker 1: But Abby, if he's tricking you, don't. Okay. She's like,

1105
01:02:30,480 --> 01:02:34,720
Speaker 1: I don't hurt his feeling, and I'm like, he really

1106
01:02:34,760 --> 01:02:36,800
Speaker 1: means a lot to me. He's somewhere in South Africa

1107
01:02:36,840 --> 01:02:41,080
Speaker 1: with buddies. Okay, are you ready? Yeah, you have to

1108
01:02:41,080 --> 01:02:43,680
Speaker 1: get away from the microphone. I'm just now, Yeah, got

1109
01:02:43,680 --> 01:02:45,480
Speaker 1: sit over in the corner. We have to get her

1110
01:02:45,520 --> 01:02:47,479
Speaker 1: away from a microphone. Can she's sit in the corner

1111
01:02:47,480 --> 01:02:49,840
Speaker 1: over there or over here that corner and turn that

1112
01:02:49,880 --> 01:02:52,320
Speaker 1: mic off? Yeah, Ray, quick, turn on the stage mic off,

1113
01:02:53,280 --> 01:02:55,120
Speaker 1: go far far in the Okay, so don't hit, don't

1114
01:02:55,160 --> 01:02:56,960
Speaker 1: hit start yet. Abby, I want to reset this real

1115
01:02:57,040 --> 01:02:59,520
Speaker 1: quick for all of our listeners. Answer. He may not answer.

1116
01:02:59,520 --> 01:03:03,160
Speaker 1: He probably won't answer. Okay, squat down. I wouldn't even

1117
01:03:03,200 --> 01:03:06,280
Speaker 1: move over here, move over here by the wall. Okay.

1118
01:03:06,320 --> 01:03:09,520
Speaker 1: So this is what's going to happen. Abby our phone

1119
01:03:09,560 --> 01:03:11,240
Speaker 1: screener who has come to the show and say hey,

1120
01:03:11,240 --> 01:03:14,000
Speaker 1: I'm having trouble dating. She gets on apps, she meets guys.

1121
01:03:14,000 --> 01:03:16,120
Speaker 1: They go on one date, and she brought to us

1122
01:03:16,160 --> 01:03:19,200
Speaker 1: her frustration that if they go on a second date

1123
01:03:19,440 --> 01:03:21,080
Speaker 1: or have it set up, they canceled before the second

1124
01:03:21,160 --> 01:03:22,880
Speaker 1: day even starts, and she's like, what am I doing wrong?

1125
01:03:23,840 --> 01:03:25,400
Speaker 1: So we talked about this, and guys went and they

1126
01:03:25,400 --> 01:03:27,480
Speaker 1: started looking at abbey social media and started messing her

1127
01:03:27,520 --> 01:03:29,439
Speaker 1: like crazy. Then she had so many offers she didn't

1128
01:03:29,440 --> 01:03:34,400
Speaker 1: know what to do. But the offers were extreme. These

1129
01:03:34,400 --> 01:03:37,400
Speaker 1: guys are being really dramatic, like I'll date you, I'd

1130
01:03:37,440 --> 01:03:42,640
Speaker 1: give anything, like my left toe, I'll name. But now

1131
01:03:42,720 --> 01:03:45,439
Speaker 1: Abby gets a random text my firefighter that goes oops,

1132
01:03:45,440 --> 01:03:46,720
Speaker 1: I didn't mean to send this to you. This was

1133
01:03:46,760 --> 01:03:48,760
Speaker 1: an accent. I was sending it to my fire chief

1134
01:03:48,800 --> 01:03:52,800
Speaker 1: for our website. Now we're trying to figure out if

1135
01:03:52,800 --> 01:03:55,080
Speaker 1: he's real. Abby has his number. She's been texting back

1136
01:03:55,080 --> 01:03:59,439
Speaker 1: and forth with them. Are you nervous. All right. If

1137
01:03:59,440 --> 01:04:02,439
Speaker 1: he answered, though, what does she do? Hey? I think

1138
01:04:02,440 --> 01:04:06,200
Speaker 1: you should do this? You say hey, they're like, hey,

1139
01:04:06,200 --> 01:04:07,960
Speaker 1: how's it going. It's me, it's out. She'll know who

1140
01:04:08,000 --> 01:04:10,240
Speaker 1: it is because its probably saved in your phone. They're like, hey,

1141
01:04:10,280 --> 01:04:13,400
Speaker 1: how's it going? Just say hey, listen. I was really nervous.

1142
01:04:13,440 --> 01:04:15,000
Speaker 1: My friends were telling me that you may not be

1143
01:04:15,040 --> 01:04:17,520
Speaker 1: a real person, and I was really nervous that you weren't,

1144
01:04:17,520 --> 01:04:18,880
Speaker 1: and so I hit this button to make sure I

1145
01:04:18,920 --> 01:04:21,520
Speaker 1: wasn't getting scammed. Good stuff, that's what I would say.

1146
01:04:21,560 --> 01:04:23,600
Speaker 1: That good, That's what I would say. I'm asking if

1147
01:04:23,640 --> 01:04:27,480
Speaker 1: she can say that okay, okay and say and say, well,

1148
01:04:27,960 --> 01:04:30,640
Speaker 1: I guess you're a real person. Um is everything? Then

1149
01:04:30,720 --> 01:04:32,320
Speaker 1: it's gonna be awkward for a second. Be like I'll

1150
01:04:32,360 --> 01:04:33,840
Speaker 1: let you get back to work. Is everything good? You

1151
01:04:33,840 --> 01:04:35,800
Speaker 1: can do one of those and like yeah, say okay,

1152
01:04:35,800 --> 01:04:38,960
Speaker 1: well hopefully I talk to you later. Bye. Okay, here

1153
01:04:38,960 --> 01:04:42,560
Speaker 1: we here we go, let's go. Okay, we're gonna counterdown

1154
01:04:42,600 --> 01:04:45,720
Speaker 1: like New Year's already hit That face might wear a mask. Also,

1155
01:04:45,760 --> 01:04:49,600
Speaker 1: I recognized that, Okay, let's start in the countdown. Here

1156
01:04:49,640 --> 01:04:54,880
Speaker 1: we go forty one, forty one, I was like, ten, all,

1157
01:04:54,920 --> 01:05:01,600
Speaker 1: here we go five four three, two? Well, yeah, where

1158
01:05:01,760 --> 01:05:05,520
Speaker 1: she goes? Hold hold I can't ring. Well, closer to

1159
01:05:05,520 --> 01:05:11,560
Speaker 1: your eyes because that's all he knows. Oh my god,

1160
01:05:15,000 --> 01:05:36,680
Speaker 1: I can't. Is he work? No? Wait, what I ask

1161
01:05:36,280 --> 01:05:40,400
Speaker 1: you a questions? Ask him questions? He hung up? He

1162
01:05:40,480 --> 01:05:43,120
Speaker 1: hung up. Is he putting out a fire? Okay? Wow,

1163
01:05:43,400 --> 01:05:46,440
Speaker 1: that was intense. Oh my eyes are watering. I can't.

1164
01:05:46,000 --> 01:05:48,840
Speaker 1: I couldn't believe he answered. At first. I was like,

1165
01:05:49,080 --> 01:05:51,920
Speaker 1: oh my gosh, wait, was he cute? Thought a mask on?

1166
01:05:52,120 --> 01:05:54,720
Speaker 1: A mask on? Now he had a mask, he must

1167
01:05:54,760 --> 01:05:58,440
Speaker 1: be up word in public? Okay, so okay, Well, my gosh,

1168
01:05:58,960 --> 01:06:03,200
Speaker 1: A lot of things just happened internally at once. When

1169
01:06:03,200 --> 01:06:06,520
Speaker 1: I heard that sound when it connects, I couldn't believe it. Yeah, okay,

1170
01:06:06,720 --> 01:06:10,520
Speaker 1: so okay, what do we do next? I should have

1171
01:06:10,520 --> 01:06:13,720
Speaker 1: asked him how I got my number? He said, I

1172
01:06:13,720 --> 01:06:15,520
Speaker 1: mean he already told me. He already told you, But

1173
01:06:15,560 --> 01:06:17,640
Speaker 1: you need to say I think straight up? Should she

1174
01:06:17,720 --> 01:06:20,840
Speaker 1: just be like hey, real talk like, well, I don't

1175
01:06:20,840 --> 01:06:24,040
Speaker 1: know what happened. I don't know what he said. He

1176
01:06:24,120 --> 01:06:25,920
Speaker 1: hang up. Let's start from the beginning. I was the

1177
01:06:25,920 --> 01:06:27,440
Speaker 1: one that was like Okay, I'll let you get back

1178
01:06:27,480 --> 01:06:29,960
Speaker 1: to work. Because he was so confused, he was like, Hi,

1179
01:06:30,720 --> 01:06:34,960
Speaker 1: oh yeah, I'm real. Yeah, he shouldn't act like it's

1180
01:06:35,000 --> 01:06:39,200
Speaker 1: weird that you're wondering if he's real or not. Random morning,

1181
01:06:39,240 --> 01:06:42,160
Speaker 1: she decides to FaceTime without a text or had done, like, hey,

1182
01:06:42,160 --> 01:06:48,720
Speaker 1: can you FaceTime? Weird? It's weird. No. His reaction was totally,

1183
01:06:49,200 --> 01:06:52,320
Speaker 1: Oh my gosh, what if this is complete fate and

1184
01:06:52,400 --> 01:06:54,920
Speaker 1: they get married. I mean, we don't even know what happened.

1185
01:06:55,120 --> 01:06:57,160
Speaker 1: We don't even know what happened on that happened. I'd

1186
01:06:57,200 --> 01:07:00,800
Speaker 1: like to know what just happened. Well, we learned he's real, basically.

1187
01:07:00,960 --> 01:07:03,000
Speaker 1: I mean he answered and there was his face and

1188
01:07:03,040 --> 01:07:07,320
Speaker 1: there was the same eyes, same eyes. Yeah. Was he

1189
01:07:07,360 --> 01:07:09,520
Speaker 1: in front of fire truck? No? Okay, did you have

1190
01:07:09,520 --> 01:07:12,400
Speaker 1: a lot of fire suit? No, here's a volunteer. So

1191
01:07:12,880 --> 01:07:14,360
Speaker 1: what's his other job? Do you know his real job?

1192
01:07:14,440 --> 01:07:17,480
Speaker 1: I do? Okay, what is it? I'm not gonna don't lumberjack.

1193
01:07:17,520 --> 01:07:20,160
Speaker 1: He sent me pictures from his other job too. I mean,

1194
01:07:20,280 --> 01:07:22,919
Speaker 1: this is like, this is you know a lot about him?

1195
01:07:23,280 --> 01:07:24,920
Speaker 1: I do? And that's why I was like, do I

1196
01:07:24,960 --> 01:07:27,920
Speaker 1: continue this? Because I didn't know if I should be

1197
01:07:28,000 --> 01:07:31,720
Speaker 1: like saying all my information and things about me when

1198
01:07:31,760 --> 01:07:34,280
Speaker 1: you don't even live here. What's the point. This is

1199
01:07:34,320 --> 01:07:37,240
Speaker 1: what I think we should do. What I think we

1200
01:07:37,280 --> 01:07:39,960
Speaker 1: need a second to gather our thoughts. I think we

1201
01:07:39,960 --> 01:07:42,120
Speaker 1: need to take a break. I think we need to

1202
01:07:42,120 --> 01:07:44,240
Speaker 1: have Abby sent him a text right now during the break.

1203
01:07:44,320 --> 01:07:48,280
Speaker 1: So everything he does it just fizzle, not even fizzle,

1204
01:07:48,360 --> 01:07:51,640
Speaker 1: just he's got to be like you just happen, right,

1205
01:07:52,040 --> 01:07:54,200
Speaker 1: So let's let's gather. We're gonna come back in a second.

1206
01:07:54,360 --> 01:07:56,200
Speaker 1: We got three and a half minutes or so. We

1207
01:07:56,240 --> 01:08:00,160
Speaker 1: will get an update. We'll we'll construct a Texas sent him.

1208
01:08:00,280 --> 01:08:02,600
Speaker 1: Maybe we'll get him back going back right. We're a

1209
01:08:02,680 --> 01:08:05,000
Speaker 1: guy like he thinks he's just talking to Abby. Little

1210
01:08:05,000 --> 01:08:07,080
Speaker 1: does he know he's got Abbey, he got her number,

1211
01:08:07,120 --> 01:08:10,400
Speaker 1: he knows what's going on right now. I agree, huh

1212
01:08:10,400 --> 01:08:13,640
Speaker 1: that she's got a whole team of people consulting her

1213
01:08:13,680 --> 01:08:16,960
Speaker 1: on how we talked about the show yesterday. He may

1214
01:08:17,000 --> 01:08:19,679
Speaker 1: not know anything about the show, trust me, he don't

1215
01:08:19,800 --> 01:08:24,160
Speaker 1: know Abby. Good job, thank you. We're gonna take a

1216
01:08:24,160 --> 01:08:26,439
Speaker 1: break and come back. Okay, fine, Bobby, you should face

1217
01:08:26,479 --> 01:08:27,720
Speaker 1: time and be like, do you know who I am.

1218
01:08:28,400 --> 01:08:32,320
Speaker 1: He's like, no, I'm Abbey's dad. I'm cleaning my gun.

1219
01:08:33,080 --> 01:08:37,439
Speaker 1: As we connected on the sun. We're gonna come back Okay,

1220
01:08:37,479 --> 01:08:41,000
Speaker 1: We're gonna come back in a second with Abby. Okay,

1221
01:08:41,000 --> 01:08:43,760
Speaker 1: here we are. Abby had a random firefighter text her.

1222
01:08:44,080 --> 01:08:46,400
Speaker 1: She's been having a conversation with him for days. She

1223
01:08:46,479 --> 01:08:49,240
Speaker 1: brings the picture to us, and I'm like, well, that's

1224
01:08:49,240 --> 01:08:51,120
Speaker 1: a scam. And then Morgan's like, no, I think he

1225
01:08:51,240 --> 01:08:54,160
Speaker 1: actually figured out who you were, and as being dishonest

1226
01:08:54,160 --> 01:08:57,240
Speaker 1: with you about how he found you, yes, which because

1227
01:08:57,240 --> 01:08:59,320
Speaker 1: he told you it was just a random text, right,

1228
01:08:59,400 --> 01:09:01,719
Speaker 1: like he didn't mean to text you. He was supposed

1229
01:09:01,720 --> 01:09:04,400
Speaker 1: to be texting the chief of his fire department. YEP.

1230
01:09:04,880 --> 01:09:06,639
Speaker 1: I would like to for my theory to be out

1231
01:09:06,640 --> 01:09:08,559
Speaker 1: there too. I'm the only one that believes this could

1232
01:09:08,560 --> 01:09:10,760
Speaker 1: be an actual accident and it ends up true love.

1233
01:09:11,880 --> 01:09:14,800
Speaker 1: That could be it's just my number, yes, Morgan. But

1234
01:09:14,840 --> 01:09:17,120
Speaker 1: if it's an accident, wouldn't he if he's been a

1235
01:09:17,680 --> 01:09:20,799
Speaker 1: volunteer firefighter forever, wouldn't he have his firechief's phone number

1236
01:09:20,840 --> 01:09:23,360
Speaker 1: in his phone? Maybe he's look, maybe he's new because

1237
01:09:23,360 --> 01:09:26,720
Speaker 1: the picture to the website, why not just hit his contact. Yeah,

1238
01:09:27,479 --> 01:09:29,600
Speaker 1: I have another thing for that too, yet said he

1239
01:09:29,680 --> 01:09:32,000
Speaker 1: just updated his phone. There we go, got the new iPhone.

1240
01:09:32,120 --> 01:09:34,599
Speaker 1: So but when I got the new iPhone, I didn't listen.

1241
01:09:34,680 --> 01:09:36,200
Speaker 1: Sometimes people go hang out a new phone and lost

1242
01:09:36,240 --> 01:09:38,120
Speaker 1: my contacts. They all mean, we never saved your number

1243
01:09:38,120 --> 01:09:42,240
Speaker 1: to begin with. Yeah, yeah, so you did call him

1244
01:09:42,280 --> 01:09:44,280
Speaker 1: on FaceTime. In the last segment, he answered, he's a

1245
01:09:44,320 --> 01:09:46,880
Speaker 1: real person. Jeez, yeah he is. That was a lot

1246
01:09:47,000 --> 01:09:49,080
Speaker 1: he was walking, so we got it. Here's the text

1247
01:09:49,120 --> 01:09:52,679
Speaker 1: you send him? Ready, Okay, I didn't respond to Wait,

1248
01:09:52,720 --> 01:09:54,960
Speaker 1: so he hasn't sent you FaceTime. He hasn't sent a

1249
01:09:55,000 --> 01:09:58,920
Speaker 1: text like hello, what was that? Nope? Okay, okay, say hey,

1250
01:09:59,000 --> 01:10:04,599
Speaker 1: sorry about that face time. I'm with all of the

1251
01:10:04,640 --> 01:10:08,559
Speaker 1: people on my radio show. Okay. Oh yeah, because he

1252
01:10:08,560 --> 01:10:12,120
Speaker 1: knows I'm a radio yea. And they were telling me

1253
01:10:12,160 --> 01:10:15,400
Speaker 1: that you were a scam I'm like shaking typing this

1254
01:10:17,040 --> 01:10:24,719
Speaker 1: sinnd here we go. Okay, did it go? Did it go? Yep? Okay?

1255
01:10:24,720 --> 01:10:30,040
Speaker 1: Oh red he already read it. Who right now? And

1256
01:10:30,200 --> 01:10:33,320
Speaker 1: he has his red receipt on that's I mean. That

1257
01:10:33,320 --> 01:10:35,360
Speaker 1: means he's not a scam artist. They would never have

1258
01:10:35,479 --> 01:10:37,640
Speaker 1: red receipts on there. The only person I know that

1259
01:10:37,680 --> 01:10:41,599
Speaker 1: has that is Mike d That's true. Okay, o bubble

1260
01:10:41,720 --> 01:10:48,880
Speaker 1: yet no dots, three dots. He's thinking, he's he's thinking.

1261
01:10:49,240 --> 01:10:52,000
Speaker 1: So let's see what he says back. Okay, let us

1262
01:10:52,000 --> 01:10:54,960
Speaker 1: know if the bubble comes up, no bubble. If I'm

1263
01:10:55,040 --> 01:11:00,759
Speaker 1: him right now, I'm understanding. Yeah, because if he has scammed,

1264
01:11:00,960 --> 01:11:03,760
Speaker 1: if he scams out the word, if he went and

1265
01:11:03,800 --> 01:11:07,559
Speaker 1: got your number from the internet, then that's not so honest.

1266
01:11:07,920 --> 01:11:10,680
Speaker 1: But it's just honest enough to where if he's a

1267
01:11:10,680 --> 01:11:12,559
Speaker 1: good guy, it ends up being a cute story later

1268
01:11:12,600 --> 01:11:16,280
Speaker 1: in life. Right, do we agree Morgan that she could

1269
01:11:16,320 --> 01:11:19,160
Speaker 1: still date him. Yeah, it depends how quick he comes clean.

1270
01:11:19,200 --> 01:11:21,240
Speaker 1: If that's the case, if he still like rolls with

1271
01:11:21,240 --> 01:11:23,559
Speaker 1: this random text for a while, then no, I like

1272
01:11:23,600 --> 01:11:26,920
Speaker 1: it's like, hey, by the way, I know what. Let

1273
01:11:26,920 --> 01:11:28,680
Speaker 1: me throw a scenario because he said that what he

1274
01:11:29,160 --> 01:11:30,640
Speaker 1: had fat fingers and he didn't mean to say it

1275
01:11:30,640 --> 01:11:32,639
Speaker 1: to you. What if you meet him and you see

1276
01:11:32,680 --> 01:11:34,639
Speaker 1: his hands and it are really fat, like he has

1277
01:11:34,680 --> 01:11:37,799
Speaker 1: like one hand that's so fat, But you can't actually text.

1278
01:11:38,080 --> 01:11:40,240
Speaker 1: What you would also need is to get the chief's

1279
01:11:40,240 --> 01:11:42,639
Speaker 1: phone number and see if it looks anything like Abby's.

1280
01:11:42,760 --> 01:11:44,680
Speaker 1: I do want to do that. I really want to

1281
01:11:44,720 --> 01:11:46,479
Speaker 1: do that. Now, be like, what is the chief's number,

1282
01:11:46,560 --> 01:11:49,920
Speaker 1: because if it's not even closed then what? Yeah? Okay,

1283
01:11:50,160 --> 01:11:51,880
Speaker 1: is he nothing yet? No? No, I actually he just

1284
01:11:51,880 --> 01:11:57,600
Speaker 1: did he said, he said, no worries. I was just

1285
01:11:57,640 --> 01:12:00,960
Speaker 1: walking around my work. Definitely caught me off guard. Smiley

1286
01:12:01,400 --> 01:12:03,960
Speaker 1: smiley face, almost as random as my text? There we go.

1287
01:12:05,240 --> 01:12:07,600
Speaker 1: So that didn't like explain anything. We didn't ask that.

1288
01:12:07,640 --> 01:12:09,960
Speaker 1: We didn't ask to explain. Right, then, let's be honest.

1289
01:12:10,000 --> 01:12:12,320
Speaker 1: We never said please explain to us more. We just

1290
01:12:12,360 --> 01:12:16,840
Speaker 1: said thanks for answering. Yes, a wee thing. No, No,

1291
01:12:17,080 --> 01:12:19,080
Speaker 1: we're all invested in right, you want to just take

1292
01:12:19,200 --> 01:12:22,120
Speaker 1: my phone? I can probably type fast with me right now?

1293
01:12:22,120 --> 01:12:24,120
Speaker 1: We have two options here, right. I don't want to

1294
01:12:24,200 --> 01:12:31,439
Speaker 1: kill this relationship, no parentationship. Yeah, I don't. So I

1295
01:12:31,479 --> 01:12:34,720
Speaker 1: don't think we force anything right now? I think what

1296
01:12:34,760 --> 01:12:36,599
Speaker 1: we do? What was say this last thing he said

1297
01:12:36,600 --> 01:12:38,920
Speaker 1: to you? No worries? I was just walking around work.

1298
01:12:38,960 --> 01:12:41,439
Speaker 1: I definitely caught my off guard, almost as random as

1299
01:12:41,479 --> 01:12:44,559
Speaker 1: my text, say smiley face? Yeah random? Is my text

1300
01:12:44,640 --> 01:12:47,760
Speaker 1: or text? What so random? Say hey cool, have a

1301
01:12:47,800 --> 01:12:53,400
Speaker 1: great day at work. I'll you know, text me later. Well,

1302
01:12:53,439 --> 01:12:55,920
Speaker 1: you guys say, text me later? Would you say that? Yeah? Okay,

1303
01:12:56,040 --> 01:12:58,479
Speaker 1: say cool, don't don't they like to talk about dinner?

1304
01:12:58,479 --> 01:13:02,719
Speaker 1: Text me what you're gonna eat? What you just say? Okay?

1305
01:13:02,760 --> 01:13:05,719
Speaker 1: Cool'd be like this? Cool? I knew you were telling

1306
01:13:05,760 --> 01:13:10,519
Speaker 1: the truth about it. Wow. Wow, I knew you were

1307
01:13:10,520 --> 01:13:12,960
Speaker 1: telling the truth about it being a random text. I

1308
01:13:13,560 --> 01:13:17,960
Speaker 1: told them they didn't believe me. Well, wow, the pressure,

1309
01:13:18,120 --> 01:13:20,040
Speaker 1: but the honesty pressure. You're giving them the chance to

1310
01:13:20,040 --> 01:13:23,960
Speaker 1: tell the truth. Yeah, Mike, you feel good about this? Morgan? Yeah,

1311
01:13:24,000 --> 01:13:25,679
Speaker 1: I'm not going to amy that. You guys are married

1312
01:13:25,720 --> 01:13:28,679
Speaker 1: a hundred years right? Right? What is being married? Haven't

1313
01:13:28,680 --> 01:13:30,720
Speaker 1: anything to do with you? Haven't ever had to live

1314
01:13:30,720 --> 01:13:34,600
Speaker 1: in this world I'm texting in social media, in internet. No,

1315
01:13:34,680 --> 01:13:37,280
Speaker 1: you've been married. You got married nineteen and thirty two,

1316
01:13:38,320 --> 01:13:44,639
Speaker 1: a long time ago. Okay, Okay, what you're saying? What'd

1317
01:13:44,640 --> 01:13:46,479
Speaker 1: you right? I knew you were telling the truth, that

1318
01:13:46,520 --> 01:13:51,439
Speaker 1: you're real. What you say, I would say, it's about

1319
01:13:51,439 --> 01:13:54,960
Speaker 1: the it's about his random I would say, um, what

1320
01:13:55,600 --> 01:13:58,320
Speaker 1: they told me that you Yeah, they told me that

1321
01:13:58,439 --> 01:14:01,040
Speaker 1: you weren't real. I told them that you were real

1322
01:14:01,200 --> 01:14:04,720
Speaker 1: and it was an accidental text that you sent me. Right,

1323
01:14:05,080 --> 01:14:10,080
Speaker 1: sorry sorry, Oh that's right, right, that's strong, that's strong.

1324
01:14:10,120 --> 01:14:11,360
Speaker 1: I may have jumped on you a little too early,

1325
01:14:11,400 --> 01:14:18,200
Speaker 1: because that's good. Thank you married to me. I just

1326
01:14:18,240 --> 01:14:23,559
Speaker 1: take take a picture of my wing. Dude ruined it. Hey,

1327
01:14:23,640 --> 01:14:26,000
Speaker 1: don't sound like a dude when you're typing that. I

1328
01:14:26,120 --> 01:14:31,520
Speaker 1: trust you. I trust you, Bobby. Alright, alright, let's see okay, um,

1329
01:14:31,560 --> 01:14:38,479
Speaker 1: all right, let's talk later. Period. I knew you were

1330
01:14:38,960 --> 01:14:45,240
Speaker 1: being honest about it being a random text. Did you

1331
01:14:45,320 --> 01:14:52,080
Speaker 1: ever h he's going back up, back up, fire chief?

1332
01:14:52,760 --> 01:14:56,439
Speaker 1: Oh yeah, that's good. Yeah, yeah, yeah, thank you. Can

1333
01:14:56,439 --> 01:14:58,439
Speaker 1: you ever tell your fire chief about it? Do you

1334
01:14:58,439 --> 01:15:03,840
Speaker 1: say l about it? All the kids say, I have

1335
01:15:04,040 --> 01:15:08,960
Speaker 1: a good day at work? Okay, here's what I'm writing.

1336
01:15:09,200 --> 01:15:12,160
Speaker 1: Let's talk later. I knew you were being honest about

1337
01:15:12,160 --> 01:15:14,559
Speaker 1: it being a random text? Did you ever tell your

1338
01:15:14,600 --> 01:15:17,360
Speaker 1: fire chief about it? Llol? Question? Mark, have a good

1339
01:15:17,400 --> 01:15:20,599
Speaker 1: day at work? We go to that's good? Yeah? Do

1340
01:15:20,640 --> 01:15:25,160
Speaker 1: it you go yet? If it's read immediately? Oh? Man,

1341
01:15:25,360 --> 01:15:29,840
Speaker 1: well I sent it. It has now been delivered. Um,

1342
01:15:29,840 --> 01:15:32,880
Speaker 1: not read yet, so he's probably now in the midst

1343
01:15:32,960 --> 01:15:36,640
Speaker 1: of living his life. Okay, here you go, Here you go.

1344
01:15:37,479 --> 01:15:41,240
Speaker 1: Final thoughts, Morgan, I still stick with my theory. I

1345
01:15:41,320 --> 01:15:43,160
Speaker 1: think that's the case. We just got to figure out

1346
01:15:43,200 --> 01:15:45,040
Speaker 1: if it was a random text or or if he

1347
01:15:45,040 --> 01:15:47,920
Speaker 1: knows who you are, and if he knows who she is,

1348
01:15:47,960 --> 01:15:51,200
Speaker 1: he needs to come clean. Yes, very immediately before the

1349
01:15:51,240 --> 01:15:53,280
Speaker 1: weekend's over, I think, so. Yeah, should she press him

1350
01:15:53,320 --> 01:15:55,840
Speaker 1: a little bit? Yeah? Can I ask for if what

1351
01:15:55,960 --> 01:16:00,360
Speaker 1: his chief's numbers? No? No, no, no no, no, okay, but

1352
01:16:00,439 --> 01:16:03,040
Speaker 1: I would definitely be like, Okay, did you really just

1353
01:16:03,400 --> 01:16:05,320
Speaker 1: like we're hitting it off too much? Did you really

1354
01:16:05,360 --> 01:16:07,280
Speaker 1: just randomly send me this? Because if so, there needs

1355
01:16:07,280 --> 01:16:08,760
Speaker 1: to be a movie made about it, Like it needs

1356
01:16:08,760 --> 01:16:11,400
Speaker 1: to be something with a little joke in it, you know. Yeah, yeah,

1357
01:16:11,400 --> 01:16:16,160
Speaker 1: this is like serendipity. Yeah if um Eddie, I mean,

1358
01:16:16,200 --> 01:16:18,280
Speaker 1: I'm still with it. He knows her from the show,

1359
01:16:18,439 --> 01:16:20,360
Speaker 1: he got the number of blah blah blah. But I

1360
01:16:20,439 --> 01:16:24,000
Speaker 1: think right now the current update is he's thinking, this

1361
01:16:24,080 --> 01:16:25,439
Speaker 1: is my chance to tell the truth. Do I do

1362
01:16:25,479 --> 01:16:27,160
Speaker 1: it or do I not do it? This is where

1363
01:16:27,160 --> 01:16:29,559
Speaker 1: he is right now. Amy. Let's no way he doesn't

1364
01:16:29,560 --> 01:16:32,080
Speaker 1: know Abby from the show, and it's totally on that

1365
01:16:32,080 --> 01:16:37,400
Speaker 1: that's a Disney moview. He accidentally sent the text and

1366
01:16:37,720 --> 01:16:39,519
Speaker 1: they're hitting it off. He could be talking to a

1367
01:16:39,560 --> 01:16:41,439
Speaker 1: married woman right now. There's no way that that could

1368
01:16:41,560 --> 01:16:43,360
Speaker 1: have the thing. That's why I'm saying. And she didn't

1369
01:16:43,400 --> 01:16:46,040
Speaker 1: send a whole face yea, all right, Abby, good luck

1370
01:16:46,080 --> 01:16:48,599
Speaker 1: as you read it yet? Yeah, Red, but okay, we'll

1371
01:16:48,680 --> 01:16:51,760
Speaker 1: check out check back on Monday. Okay, there's Abby our

1372
01:16:51,760 --> 01:16:58,200
Speaker 1: phone screener, sorry to day, filling in for lunchbox Eddie. Well,

1373
01:16:58,200 --> 01:17:00,360
Speaker 1: there's a guy in Texas and he's driving the way

1374
01:17:00,360 --> 01:17:02,000
Speaker 1: and he's late for work. So he's like, man, I've

1375
01:17:02,000 --> 01:17:04,200
Speaker 1: got to take the car pool lane. But I'm only

1376
01:17:04,200 --> 01:17:06,599
Speaker 1: one person. So what did he do? You got a skeleton.

1377
01:17:06,640 --> 01:17:08,400
Speaker 1: You got it from the halloween shop, put a hat

1378
01:17:08,479 --> 01:17:10,760
Speaker 1: on him, and he's going down the carpool lane. Then

1379
01:17:10,760 --> 01:17:12,879
Speaker 1: the cops are like, all right, buddy, we see the skeleton.

1380
01:17:13,040 --> 01:17:16,519
Speaker 1: I would just think that when people do this, most

1381
01:17:16,560 --> 01:17:19,599
Speaker 1: of them get by. Yeah, why wouldn't they get away

1382
01:17:19,600 --> 01:17:22,439
Speaker 1: with it? I ride the carpool lane just me sometimes, oh,

1383
01:17:22,520 --> 01:17:24,360
Speaker 1: just you with it, not even a fake person, Yeah,

1384
01:17:24,400 --> 01:17:27,120
Speaker 1: I just I just press my luck. I'm like, I

1385
01:17:27,200 --> 01:17:28,640
Speaker 1: need to get in this lane real quick. For a

1386
01:17:28,680 --> 01:17:31,519
Speaker 1: little bit. Hopefully nobody notices it's just me. I do

1387
01:17:31,600 --> 01:17:32,920
Speaker 1: the same, and what I do is I put the

1388
01:17:32,920 --> 01:17:35,360
Speaker 1: passengers seat down. Maybe they think whoever's with me is

1389
01:17:35,360 --> 01:17:38,400
Speaker 1: taking it out nice you've done that to him. Well,

1390
01:17:38,439 --> 01:17:41,080
Speaker 1: you guys are next level cheaters. Huh, that's funny that

1391
01:17:41,120 --> 01:17:44,519
Speaker 1: you will both do that. Well, yeah, we're always running

1392
01:17:44,560 --> 01:17:47,200
Speaker 1: late too. Do you think that this guy would have

1393
01:17:47,240 --> 01:17:49,320
Speaker 1: been better putting no one in the car pool lane?

1394
01:17:49,760 --> 01:17:51,840
Speaker 1: I like his effort though, doing a little skeleton too,

1395
01:17:51,840 --> 01:17:54,040
Speaker 1: And I would think ninety people that do that or

1396
01:17:54,040 --> 01:17:56,120
Speaker 1: what you guys do, get you get away with it.

1397
01:17:56,160 --> 01:17:57,760
Speaker 1: Do you ever see like a fake cop sitting on

1398
01:17:57,800 --> 01:17:59,160
Speaker 1: the side of the road where there's no one in

1399
01:17:59,160 --> 01:18:01,320
Speaker 1: the car? Yes, get me all the time. I don't

1400
01:18:01,320 --> 01:18:03,160
Speaker 1: see a lot of those. And there's an old town though,

1401
01:18:03,200 --> 01:18:04,840
Speaker 1: down below where I live, where there's always a really

1402
01:18:04,880 --> 01:18:07,559
Speaker 1: old cop car sitting there and we drive to like

1403
01:18:07,600 --> 01:18:10,120
Speaker 1: who's but it's there every time. It's not even a

1404
01:18:10,160 --> 01:18:12,840
Speaker 1: current cop cars from the thirties, and I still pucker

1405
01:18:13,000 --> 01:18:15,960
Speaker 1: get Yeah, it's like a decoy, but the skeleton's funny. Yeah,

1406
01:18:16,000 --> 01:18:18,040
Speaker 1: pretty funny. I like it all right. Anyway, that's your

1407
01:18:18,080 --> 01:18:21,360
Speaker 1: bone head story of the day. Let's look back to

1408
01:18:21,400 --> 01:18:24,200
Speaker 1: twenty thirteen, which, by the way, is the year that

1409
01:18:24,280 --> 01:18:28,240
Speaker 1: we all moved to Nashville. Oh wow, to be in

1410
01:18:28,280 --> 01:18:30,760
Speaker 1: this crazy business. That feels like eighty years ago. Eddie

1411
01:18:30,760 --> 01:18:32,559
Speaker 1: and I were talking about how many lifetimes ago. It

1412
01:18:32,560 --> 01:18:35,439
Speaker 1: feels like different, little like parts of our career. Yeah,

1413
01:18:35,479 --> 01:18:38,200
Speaker 1: in Nashville, it's twenty thirteen. We moved here. Let's let's

1414
01:18:38,240 --> 01:18:43,519
Speaker 1: flash back, flashback Friday. The biggest song What's from Florida

1415
01:18:43,560 --> 01:18:59,519
Speaker 1: Georgia Line? Crew Down? That's a jam. It kind of

1416
01:18:59,600 --> 01:19:02,120
Speaker 1: changed music for eight years. Do you remember going to

1417
01:19:02,200 --> 01:19:03,880
Speaker 1: that show? I mean it must have been the month

1418
01:19:03,960 --> 01:19:06,320
Speaker 1: we got here and Florida Georgia Line comes out and

1419
01:19:06,400 --> 01:19:09,400
Speaker 1: sings this song and Taylor Swift joins them. What show

1420
01:19:09,680 --> 01:19:13,320
Speaker 1: has new Faces? I mean we had just gotten CRS.

1421
01:19:13,360 --> 01:19:15,439
Speaker 1: It was our first ever and I was like, what,

1422
01:19:15,680 --> 01:19:18,040
Speaker 1: Taylor Swift's there? Just out of nowhere here in Nashville,

1423
01:19:18,080 --> 01:19:20,880
Speaker 1: this place, it's crazy. It wasn't out of nowhere. It

1424
01:19:20,920 --> 01:19:24,920
Speaker 1: was perfectly planned. Well, yeah, label, you've never seen that,

1425
01:19:24,960 --> 01:19:26,639
Speaker 1: but I know, But what did I go to that? Yeah?

1426
01:19:26,680 --> 01:19:28,439
Speaker 1: We must have been there, Yeah, you were there. We

1427
01:19:28,439 --> 01:19:30,479
Speaker 1: were all there first one to be blocked it. Guys,

1428
01:19:30,880 --> 01:19:34,000
Speaker 1: maybe there's a lot going on. It's one of those

1429
01:19:34,040 --> 01:19:36,960
Speaker 1: memories that just repressed on purpose. Next up, the biggest

1430
01:19:36,960 --> 01:19:42,479
Speaker 1: pop song is Blurred Lines Robert Thick and t I

1431
01:19:42,560 --> 01:19:45,040
Speaker 1: and Pharrell and they had they lost a bunch of

1432
01:19:45,040 --> 01:19:47,960
Speaker 1: money because they didn't really ride it. They stole the

1433
01:19:48,080 --> 01:19:52,960
Speaker 1: music from Marvin Gay. Yes, right, yes, then seven million bucks.

1434
01:19:53,000 --> 01:19:55,720
Speaker 1: Then he like had a divorce right after that, and

1435
01:19:56,320 --> 01:19:58,000
Speaker 1: our old producer we did a parody video of an

1436
01:19:58,000 --> 01:20:00,160
Speaker 1: old producer now is trying to get a job. She

1437
01:20:00,320 --> 01:20:02,000
Speaker 1: was will you please take our version of video off?

1438
01:20:02,000 --> 01:20:04,080
Speaker 1: Like yeah, because he had topless girls in that video

1439
01:20:04,080 --> 01:20:06,040
Speaker 1: and tried to mimic it, but we reverse the roles

1440
01:20:06,040 --> 01:20:08,720
Speaker 1: and yeah, no, it wasn't It was just right with

1441
01:20:08,760 --> 01:20:12,560
Speaker 1: no shirt on in lunchbox. Yeah, the biggest thing in

1442
01:20:12,600 --> 01:20:15,320
Speaker 1: pop culture. In twenty thirteen, the Breaking Bad series finale

1443
01:20:15,360 --> 01:20:18,240
Speaker 1: aired on AMC. I thought it was the heack of

1444
01:20:18,240 --> 01:20:20,479
Speaker 1: a series finale too. Yeah, it's really good. Hasn't been

1445
01:20:20,479 --> 01:20:22,320
Speaker 1: ten years old? So well reveally yeah, because people are

1446
01:20:22,320 --> 01:20:26,080
Speaker 1: watching oh spoiler alert. Yeah. Yeah, but I thought when

1447
01:20:26,080 --> 01:20:27,960
Speaker 1: a show is really good, you almost can't win at

1448
01:20:28,000 --> 01:20:32,040
Speaker 1: the end because it's so big that even a minority

1449
01:20:32,080 --> 01:20:34,320
Speaker 1: portion is massive, and they will complain and it will

1450
01:20:34,320 --> 01:20:36,720
Speaker 1: feel like the whole world hates it. It's tough, but

1451
01:20:36,800 --> 01:20:38,799
Speaker 1: I thought they did a great job ending that show.

1452
01:20:41,200 --> 01:20:43,080
Speaker 1: And I will say nothing else about that show or

1453
01:20:43,120 --> 01:20:46,120
Speaker 1: Squid Games, but anybody else any further. Yes, I've watched

1454
01:20:46,120 --> 01:20:49,640
Speaker 1: one episode, but one EPs not enough, I know, but

1455
01:20:49,680 --> 01:20:53,240
Speaker 1: I've I put my foot in. If you finished three episodes,

1456
01:20:53,280 --> 01:20:55,400
Speaker 1: then we can talk about it again a little bit,

1457
01:20:55,400 --> 01:20:57,720
Speaker 1: because I don't feel like after episode one you're even

1458
01:20:57,840 --> 01:21:01,720
Speaker 1: liking it a whole lot. After episode two you're going okay,

1459
01:21:01,800 --> 01:21:05,080
Speaker 1: But after three you're like, let's go, can't stop. You

1460
01:21:05,120 --> 01:21:07,640
Speaker 1: book a trip to Korea, South Korea. You're I mean,

1461
01:21:07,680 --> 01:21:11,120
Speaker 1: you're totally in. You're listening to BTS like it's the

1462
01:21:11,160 --> 01:21:14,639
Speaker 1: whole thing. Ray, you watch Squid Game, Yeah, I believe

1463
01:21:14,640 --> 01:21:18,599
Speaker 1: we're four DP. Okay, tell me something. It's awesome. Thank you. Wow,

1464
01:21:18,720 --> 01:21:20,320
Speaker 1: that's my eye over there. I knew Ray had my

1465
01:21:20,320 --> 01:21:22,280
Speaker 1: back the job. Y we keep those kids out of

1466
01:21:22,280 --> 01:21:27,000
Speaker 1: the room, you think, Yeah, well too late. Y'all already

1467
01:21:27,000 --> 01:21:29,240
Speaker 1: gave me permission to watch it with my child. One

1468
01:21:29,280 --> 01:21:34,040
Speaker 1: of them. Don't say child, she's like a she's a teenager. Yeah, oh,

1469
01:21:34,120 --> 01:21:37,120
Speaker 1: don't age my child like yeah, we watch it with

1470
01:21:37,120 --> 01:21:39,120
Speaker 1: the four year old. Aye, be wonderful. That's not what happened.

1471
01:21:39,880 --> 01:21:46,479
Speaker 1: That's Flashback Friday, twenty thirteen. Flashback Friday. Hope everybody has

1472
01:21:46,479 --> 01:21:49,200
Speaker 1: a wonderful weekend. Thank you for listening. We are posting

1473
01:21:49,240 --> 01:21:51,960
Speaker 1: the Bobby Cast, a one hour interview that I did

1474
01:21:51,960 --> 01:21:54,680
Speaker 1: with Reba up now. So go search Bobby Cast you

1475
01:21:54,680 --> 01:21:56,840
Speaker 1: can find it. Have a great, great, great weekend, and

1476
01:21:56,880 --> 01:21:59,760
Speaker 1: we'll see you Monday on Monday Show. I believe Leah

1477
01:21:59,880 --> 01:22:03,800
Speaker 1: m and he is on AM. I factually correct. Kerry

1478
01:22:03,840 --> 01:22:09,639
Speaker 1: Heffernan from Kings No, Stacey Carosi whatever, let's from Save

1479
01:22:09,720 --> 01:22:11,920
Speaker 1: by the Bill. We'll talk to her Monday. Got a

1480
01:22:11,920 --> 01:22:13,719
Speaker 1: great show Monday. We'll see you guys. Have a good weekend.

1481
01:22:13,760 --> 01:22:17,800
Speaker 1: By bye.