WEBVTT - Stanley Thompson and Canadian Golf Architecture

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<v Speaker 1>I miss a green, for example, I'm already upset.

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<v Speaker 2>When I find my ball in the bunker, I'm really upset.

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<v Speaker 1>And when I find my.

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<v Speaker 2>Ball in a fried egg Friday egg, the dreaded Frida egg,

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<v Speaker 2>Frida Egg, Frida egg Egg Frida egg bride egg Lie,

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<v Speaker 2>I'm about ready to run off of the hump. Welcome to

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<v Speaker 2>the Frida Egg Golf Podcast. I'm Garrett Morrison and it

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<v Speaker 2>is Canada Week for us. The President's Cup at Royal

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<v Speaker 2>Montreal Golf Club is underway. Look, is this the most

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<v Speaker 2>interesting golf course in the world. No, but it does

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<v Speaker 2>give us an excuse to talk about Canadian golf architecture,

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<v Speaker 2>and specifically about the greatest Canadian golf architect, Stanley Thompson.

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<v Speaker 2>I've wanted to discuss Thompson on the pod for a

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<v Speaker 2>long time. Such a fascinating figure and an enormous talent.

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<v Speaker 2>To dig into Thompson's life and work, I'm bringing on

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<v Speaker 2>Ian Andrew. Ian Andrew is a practicing Toronto based golf

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<v Speaker 2>architect who has focused on restorations and renovations, but has

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<v Speaker 2>also done some original work. He's a great thinker and

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<v Speaker 2>writer about golf course design and one of the world's

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<v Speaker 2>leading experts on Stanley Thompson, so I'm very excited to

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<v Speaker 2>speak with Ian. First though, a word about Club TFE,

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<v Speaker 2>which is Frida Egg Golf's membership. You can find out

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<v Speaker 2>all the information about CLUBTFE at the Frida Egg dot

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<v Speaker 2>com slash membership. It's a broad offering. We have exclusive

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<v Speaker 2>content for members, including weekly course profiles and design notebook

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<v Speaker 2>feature where we keep track of what's going on in

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<v Speaker 2>the golf architecture world. But one thing that I think

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<v Speaker 2>people would be interesting it in when it comes to

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<v Speaker 2>Club TFE is the access you get to a variety

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<v Speaker 2>of wonderful golf courses. First of all, you get early

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<v Speaker 2>access to Frida Egg Golf events, which is a big deal.

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<v Speaker 2>We hold these at some wonderful golf courses across the

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<v Speaker 2>country and elsewhere. And we're also starting to offer some

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<v Speaker 2>international trips as well as individual days at certain golf

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<v Speaker 2>courses where we just you know, offer around offer tea

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<v Speaker 2>times just to our members. So if you want to

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<v Speaker 2>find out more about that stuff, if you want to

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<v Speaker 2>take part in that, CLUBTFE is a great place to go.

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<v Speaker 2>Again the Frida Egg dot com slash membership. Check it out.

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<v Speaker 2>All right, let's get to Ian Andrew and talk about

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<v Speaker 2>Canadian golf architecture and Stanley Thompson. I am here with

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<v Speaker 2>Ian Andrew, the golf architect. Ian, thank you for joining

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<v Speaker 2>me today. How are you doing?

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<v Speaker 3>Excellent?

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<v Speaker 2>That that pretty much sums it up right there, one word.

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<v Speaker 2>So we have got the President's Cup at Royal Montreal

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<v Speaker 2>Golf Club coming up. We are here to talk about

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<v Speaker 2>Canadian golf architecture in general, Stanley Thompson specifically, but I

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<v Speaker 2>thought we'd touch quickly on this course that people are

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<v Speaker 2>going to see on TV this week. Do you have

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<v Speaker 2>any thoughts about the Blue Course there?

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<v Speaker 3>So? I think the Blue Course is a.

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<v Speaker 1>Golf course that really benefits the long driver of the ball,

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<v Speaker 1>and with all the compartments that Reese put in the

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<v Speaker 1>greens when he redid the greens, being able to get

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<v Speaker 1>to shorter irons definitely will open up the ability to

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<v Speaker 1>score and open up the possibility for a lot of birdies.

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<v Speaker 1>And I really honestly think it's going to be a

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<v Speaker 1>huge benefit for the American team. I think it's a

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<v Speaker 1>golf course that really will suit their game.

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<v Speaker 2>Okay, so that that is sort of a prediction about

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<v Speaker 2>the about the way the course is going to affect

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<v Speaker 2>the competition. It's not surprising that that a design with

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<v Speaker 2>influences from Rhys Jones might might favor the American team.

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<v Speaker 2>We've we've seen this dynamic before at past President's Cup courses.

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<v Speaker 2>Originally this course was if I'm not mistaken at Dick

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<v Speaker 2>Wilson design. Do you find anything interesting about about Dick Wilson.

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<v Speaker 2>You know, he's he strikes me as an interesting figure

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<v Speaker 2>given that he was working at the same time as

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<v Speaker 2>Robert Trent Jones and picked up a lot of the

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<v Speaker 2>jobs that Jones didn't want, and he did slightly different

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<v Speaker 2>work than Jones, did, I suppose he did.

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<v Speaker 1>You've got to think that his main influence has to

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<v Speaker 1>be sorry, the architect he worked for the Chinacock Hills,

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<v Speaker 1>Flynn Flynn, Thank you.

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<v Speaker 2>Yes, William Flynnlyn Dick Wilson did. That's something that people

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<v Speaker 2>often forget about Dick Wilson is that he did train

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<v Speaker 2>with a Golden Age architect, much as Robert Trent Jones

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<v Speaker 2>in fact trained with Stanley Thompson in a sense. But

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<v Speaker 2>Flynn was Flinn and Toomey was kind of Dick Wilson's

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<v Speaker 2>entry into the industry, I suppose.

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<v Speaker 1>And you look at some of the ideas the angles

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<v Speaker 1>playing for a position, a lot of the architecture the

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<v Speaker 1>strategies are very similar. When you look at a lot

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<v Speaker 1>of Flynn's work, and when you look at a lot

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<v Speaker 1>of Wilson's work, you see a lot of the same

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<v Speaker 1>use of those carry angles or angles or angled greens,

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<v Speaker 1>looking at things sort of being bookended a little bit

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<v Speaker 1>by bunkers as well, where you've got to try to

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<v Speaker 1>maybe you're trying to hit a drawer or fade with

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<v Speaker 1>fronting bunkers and you've got a back bunker as well

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<v Speaker 1>that's sort of containing you. And I just find you

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<v Speaker 1>can see the influences from his work that just really

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<v Speaker 1>come through.

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<v Speaker 2>Yeah, the tie ins with the Golden Age and Wilson's

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<v Speaker 2>work seem to be a little clearer than the tie

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<v Speaker 2>ins from say Robert Trent Jones's work or other post

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<v Speaker 2>World War Two architects. It seems like Wilson kind of

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<v Speaker 2>carry forward a little bit more of what he experienced

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<v Speaker 2>earlier in his career than other architects, I think.

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<v Speaker 1>With Robert Trent Jones. So I work with Midvale in Rochester,

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<v Speaker 1>which is Trent's first work, and he did it with

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<v Speaker 1>Stanley Thompson. And the interesting thing about it is it's

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<v Speaker 1>not like the work that came a lot later. I

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<v Speaker 1>find the pre war work was a lot more elaborate,

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<v Speaker 1>the greens were a lot smaller, and a lot more

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<v Speaker 1>intimately contoured, a lot more interior contouring. I happen to

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<v Speaker 1>think Midvale is a really stunning piece of architecture. It's

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<v Speaker 1>well worth going to play. I think that sort of

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<v Speaker 1>as the war came, we saw mechanization. I think Trent

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<v Speaker 1>adapted to sort of where golf was going, which was

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<v Speaker 1>to be a lot more efficient. And even that efficiency

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<v Speaker 1>goes right through to strategies and architecture as well as

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<v Speaker 1>the construction and everything else. And I think that I

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<v Speaker 1>think post war everybody was looking for new rather than

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<v Speaker 1>looking for the past. I think they were trying to

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<v Speaker 1>shed the impact of the war. And I think the architecture,

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<v Speaker 1>the building style, and even the expression of architecture all

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<v Speaker 1>represented trying to do something different.

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<v Speaker 2>And you even see that gradually emerging after the war,

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<v Speaker 2>because Jones's work right after World War two again looks

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<v Speaker 2>a little different than the stuff he might have done

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<v Speaker 2>in the late fifties and early sixties. Peachtree in Atlanta,

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<v Speaker 2>for instance, is of course he designed soon after the war,

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<v Speaker 2>and certainly that style evolved. So that's a very good

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<v Speaker 2>note and an interesting thing to remember about Trent Jones.

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<v Speaker 1>I think what happened was, over time, architects got the

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<v Speaker 1>ability to move more and more of the site. They

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<v Speaker 1>had a bigger budget, they had had better equipment. The

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<v Speaker 1>initial equipment they had, the initial machinery was rudimentary and

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<v Speaker 1>had some limitations. And as the equipment got better, whether

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<v Speaker 1>it's bulldozer's excavators or anything else, as it got bigger,

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<v Speaker 1>better and they were able to do more with it,

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<v Speaker 1>I think they started to believe that they should change

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<v Speaker 1>more of the site because they had the technology to

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<v Speaker 1>do it. And instead of accepting the things that I

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<v Speaker 1>think make places like Peachtree or Midville really spectacular, because

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<v Speaker 1>the contour still dominates the initial land, you started to

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<v Speaker 1>see changes, and probably two aggressive changes where they he

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<v Speaker 1>wanted to try to settle a lot more into bulls

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<v Speaker 1>that weren't there. And once you start moving things around,

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<v Speaker 1>you start to lose flow and you start to lose feel.

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<v Speaker 2>And I wonder if maybe architects in that post war

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<v Speaker 2>period also started to design a bit more for maintenance

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<v Speaker 2>and modern maintenance equipment, and that's a big reason why

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<v Speaker 2>we see the shaping stuffile shift.

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<v Speaker 1>Well, even the bunkering kind of got muted, and a

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<v Speaker 1>lot of that had to do with well, if I

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<v Speaker 1>do this, I can get a gang more in between.

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<v Speaker 1>Now that would be more of his peers. But still

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<v Speaker 1>you saw that even with Trent's work that they started

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<v Speaker 1>to if they shaped it just slightly differently, now you

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<v Speaker 1>can all of a sudden use a large piece of equipment.

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<v Speaker 1>And again this came back to that whole notion of efficiency,

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<v Speaker 1>the efficiency in how the architecture was expressed right through

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<v Speaker 1>to how the property was maintained. And I think we

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<v Speaker 1>just went through more and more efficiency, and then finally

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<v Speaker 1>we sort of started to finally get small reactions and

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<v Speaker 1>then with Pete a huge reaction to it.

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<v Speaker 2>Well, this was sort of a digression, but a very

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<v Speaker 2>interesting digression. We started with observing that Dick Wilson was

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<v Speaker 2>the original architect at Royal Montreal Golf clubber the most

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<v Speaker 2>decisive architect I suppose in that course's the Blue Course's history,

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<v Speaker 2>and perhaps you see some indications of his hand in

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<v Speaker 2>the course still, but a lot of it is quite

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<v Speaker 2>Reese Jonesy so fairly near Royal Montreal is a course

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<v Speaker 2>that you designed alongside Mike Weir, who is of course

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<v Speaker 2>the captain of the international team this year at the

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<v Speaker 2>President's Cup. This is the Blue Course at Laval sirl Locke.

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<v Speaker 2>What was it like working with we're on this project.

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<v Speaker 2>I'm not sure that people really know that he has

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<v Speaker 2>experience or interest in golf architecture, but certainly he was

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<v Speaker 2>involved in this project.

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<v Speaker 1>So fun Mike's One of the interesting things about Mike

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<v Speaker 1>is we spent a data gusta, not a master's data augusta,

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<v Speaker 1>but actually a data gusta going around the golf course

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<v Speaker 1>and he talked about what he liked about the golf

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<v Speaker 1>course and the fun about it was he was playing

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<v Speaker 1>and he was also explaining why he was playing strategically

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<v Speaker 1>the way he was playing.

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<v Speaker 3>We also did that at Riviera.

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<v Speaker 1>We both have common experiences at Royal Melbourne and we

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<v Speaker 1>actually talked through the holes at Royal Melbourne that we like,

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<v Speaker 1>and shinnikok Kills ended up coming up because we like

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<v Speaker 1>the way the edges run off the greens and one

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<v Speaker 1>of the fun things about Mike is he's very aware

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<v Speaker 1>of Golden Age architecture because of you know, he wasn't

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<v Speaker 1>a bomber or a big hitter. He always had to

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<v Speaker 1>think about the golf course strategically. And the really interesting

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<v Speaker 1>one for me, because I'm a huge fan of Riviera,

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<v Speaker 1>is he talked about how he was able to play

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<v Speaker 1>really effectively at Riviera by picking his spots. So I

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<v Speaker 1>remember before I played, one of the things he'd explained

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<v Speaker 1>to me was do not hit a driver on ten,

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<v Speaker 1>and you're actually not trying to hit the fairway either,

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<v Speaker 1>And it worked and mid handicapped me and my by

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<v Speaker 1>playing left. And then the funniest part was the next

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<v Speaker 1>I can't remember what the event was called at that time.

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<v Speaker 1>I mean he was still the La Open. But the

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<v Speaker 1>next one he played and he hit driver because that's

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<v Speaker 1>where he started.

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<v Speaker 3>Made six.

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<v Speaker 1>So and he had told me never hit a driver,

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<v Speaker 1>and he and when he won the both times he

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<v Speaker 1>had he had laid up. But we talked about the

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<v Speaker 1>use of trees, how they impinge without taking away the

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<v Speaker 1>ability to play, and we both like that. We talked

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<v Speaker 1>a lot about the use of side slopes rather than

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<v Speaker 1>fairway bunkering that how effective that is for play, and

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<v Speaker 1>then obviously the beautiful change of angles that happens quite often,

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<v Speaker 1>and both of us have sort of Obviously, he's won

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<v Speaker 1>there a couple of times, so he's got an extra

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<v Speaker 1>love for it. But I really do have a love

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<v Speaker 1>affair for Revere. I think it's one of the finest

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<v Speaker 1>designs in all of golf, and even as much as

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<v Speaker 1>they tinker with it, the bones underneath it are spectacular.

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<v Speaker 2>Something that's so great about Riviera is the use of

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<v Speaker 2>contour in the landing zones. In fairways. You mentioned the

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<v Speaker 2>use of side slopes as opposed to five bunkers fifth hole. Wow, yeah, absolutely,

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<v Speaker 2>I mean the way that kind of rises up and

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<v Speaker 2>gives you a reward for hitting a great drive, but

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<v Speaker 2>also kind of holds you up if you don't hit

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<v Speaker 2>a great drive. So, okay, I wonder if you could

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<v Speaker 2>talk a little bit more about that, whether you know,

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<v Speaker 2>in some cases fairway bunkers can be excluded in favor

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<v Speaker 2>of some of these slopes, and how do you use

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<v Speaker 2>those slopes.

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<v Speaker 3>So we started doing Lavelle. I'm going to use that

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<v Speaker 3>and explain.

0:13:39.000 --> 0:13:42.040
<v Speaker 1>Sort of the thought process because I think it'll provide

0:13:42.040 --> 0:13:44.760
<v Speaker 1>a window into mic So we started looking at the

0:13:44.840 --> 0:13:48.480
<v Speaker 1>design itself, and the fun part about it was when

0:13:48.520 --> 0:13:50.720
<v Speaker 1>we were going through and picking the corridors that we

0:13:50.760 --> 0:13:53.000
<v Speaker 1>were going to use as oppose to the corridors we weren't

0:13:53.000 --> 0:13:55.680
<v Speaker 1>going to use. Because it was two nine holes by

0:13:55.720 --> 0:13:59.840
<v Speaker 1>two different architects, we ended up with a very little

0:13:59.880 --> 0:14:02.480
<v Speaker 1>fairway bunkering. There's very little bunkering actually in the golf course.

0:14:02.520 --> 0:14:08.880
<v Speaker 1>It's all largely elevated greens with runoffs. We both love

0:14:09.520 --> 0:14:12.240
<v Speaker 1>all the golf around Melbourne, so that was the prime influence.

0:14:13.240 --> 0:14:14.320
<v Speaker 3>But we took.

0:14:14.120 --> 0:14:19.480
<v Speaker 1>From Riviera the idea of if we've got I will

0:14:19.480 --> 0:14:21.960
<v Speaker 1>come back to Roal Montreal for this. If we have

0:14:22.640 --> 0:14:27.480
<v Speaker 1>slow moving dog legs like bananas that don't turn but

0:14:27.600 --> 0:14:30.440
<v Speaker 1>actually just keep drifting and drifting and drifting, say it's

0:14:30.440 --> 0:14:33.280
<v Speaker 1>from right to left and they keep drifting around and

0:14:33.280 --> 0:14:36.520
<v Speaker 1>there's trees on that corner. There's some really good examples

0:14:36.720 --> 0:14:39.120
<v Speaker 1>of Revere where you've really got to think out how

0:14:39.120 --> 0:14:41.960
<v Speaker 1>you're going to try to fit the ball in, and

0:14:42.080 --> 0:14:44.600
<v Speaker 1>we designed a number of the tea shots where there

0:14:44.600 --> 0:14:48.000
<v Speaker 1>are no fairway bunkers at all. But the clearing that

0:14:48.040 --> 0:14:51.680
<v Speaker 1>we did was using those corridors. And it was actually

0:14:51.680 --> 0:14:54.560
<v Speaker 1>my favorite thing about Royal Melbourne when I roll Melbourne

0:14:54.840 --> 0:14:58.040
<v Speaker 1>Roal Montreal when I first played. It was the reason

0:14:58.080 --> 0:15:01.400
<v Speaker 1>that Tiger played there in his prime and I'm trying

0:15:01.400 --> 0:15:03.320
<v Speaker 1>to remember if you made the cut, but he really

0:15:03.320 --> 0:15:06.280
<v Speaker 1>struggled there. And what it was was the longer players

0:15:06.320 --> 0:15:09.120
<v Speaker 1>didn't play well that week, and it was because at

0:15:09.160 --> 0:15:12.560
<v Speaker 1>that time it was a very very difficult driving golf course.

0:15:12.600 --> 0:15:14.320
<v Speaker 1>And it was actually one of my favorite driving golf

0:15:14.320 --> 0:15:16.400
<v Speaker 1>courses in the country because.

0:15:16.080 --> 0:15:19.040
<v Speaker 3>It had all these slow moving dog legs, But.

0:15:19.040 --> 0:15:22.640
<v Speaker 1>When they lengthened it and move some tea's around, they

0:15:22.720 --> 0:15:25.120
<v Speaker 1>kind of straightened out some of that where it plays

0:15:25.160 --> 0:15:29.000
<v Speaker 1>a little bit more typical where it's out and then in.

0:15:30.000 --> 0:15:32.160
<v Speaker 1>But we talked about that when we were working on

0:15:32.240 --> 0:15:35.960
<v Speaker 1>Laval about we want to get everything grassing lines, bunkering,

0:15:36.680 --> 0:15:40.480
<v Speaker 1>tree lines, corridors. We want them to move slowly so

0:15:40.560 --> 0:15:44.160
<v Speaker 1>that if somebody can work the ball, they're they're going

0:15:44.200 --> 0:15:47.880
<v Speaker 1>to score really well. But if they can only drive

0:15:47.920 --> 0:15:51.480
<v Speaker 1>it really far but not really with much ability to

0:15:51.480 --> 0:15:53.200
<v Speaker 1>move it one way or the other, there may be

0:15:53.240 --> 0:15:55.240
<v Speaker 1>a direction it works fine for them because they play

0:15:55.240 --> 0:15:57.560
<v Speaker 1>a fade but if the hole is calling for a

0:15:57.680 --> 0:15:59.400
<v Speaker 1>draw in the next we were really careful to try

0:15:59.400 --> 0:16:03.600
<v Speaker 1>and balance out. They would really struggle to deal with

0:16:03.640 --> 0:16:06.560
<v Speaker 1>those holes. And so there's not a lot of fairway bunkers.

0:16:07.520 --> 0:16:10.280
<v Speaker 1>In fact, there's hardly any fairway bunkers. And we did

0:16:10.320 --> 0:16:15.640
<v Speaker 1>actually lean into the idea of the slow moving tree lines, right,

0:16:15.880 --> 0:16:16.520
<v Speaker 1>and that's enough.

0:16:16.800 --> 0:16:18.880
<v Speaker 3>That's interesting.

0:16:18.920 --> 0:16:21.360
<v Speaker 1>That's a conversation we had, But that was something that

0:16:23.200 --> 0:16:25.600
<v Speaker 1>Mike really leaned in on. He really loved the idea,

0:16:25.680 --> 0:16:28.880
<v Speaker 1>but it's it wasn't something where I said we should

0:16:28.880 --> 0:16:32.600
<v Speaker 1>do this. Mike was actually, what do you think about this?

0:16:33.880 --> 0:16:36.120
<v Speaker 2>One of the most interesting things that you can ask

0:16:37.280 --> 0:16:42.040
<v Speaker 2>high level PGA tour golfer is what scares them, what

0:16:42.120 --> 0:16:45.880
<v Speaker 2>really frightens them off the tee or on an approach

0:16:46.000 --> 0:16:50.960
<v Speaker 2>or anything. And it's funny how fairway bunkers often don't

0:16:51.040 --> 0:16:55.640
<v Speaker 2>really scare them unless they're super punitive. But a slow

0:16:55.720 --> 0:17:00.360
<v Speaker 2>moving fairway line, a constantly moving fairway line that just

0:17:00.480 --> 0:17:03.240
<v Speaker 2>keeps kind of working away from you and working away

0:17:03.240 --> 0:17:06.800
<v Speaker 2>from you, that can be a little bit scary because

0:17:06.800 --> 0:17:10.040
<v Speaker 2>you have to be precise in where you're placing your drive.

0:17:10.119 --> 0:17:12.359
<v Speaker 2>You can't just kind of aim down the middle and

0:17:12.400 --> 0:17:14.639
<v Speaker 2>not worry about how far it goes, because as long

0:17:14.680 --> 0:17:17.320
<v Speaker 2>as you hit it straight, it'll be there. With a

0:17:17.320 --> 0:17:21.360
<v Speaker 2>constantly moving fairway, you have to marry line and distance,

0:17:21.840 --> 0:17:24.600
<v Speaker 2>and I wonder if that's where that observation from mine

0:17:24.680 --> 0:17:25.080
<v Speaker 2>came from.

0:17:25.240 --> 0:17:27.080
<v Speaker 1>And the other end of it is if you don't

0:17:27.080 --> 0:17:30.320
<v Speaker 1>have bunkers, or you don't have something in the distance

0:17:30.400 --> 0:17:33.879
<v Speaker 1>that's a target, particularly, I happen to hate the idea

0:17:33.920 --> 0:17:36.960
<v Speaker 1>of directional bunkers. I think that they're sort of the

0:17:37.680 --> 0:17:42.639
<v Speaker 1>bastardization of really good golf architecture. If you don't have

0:17:42.680 --> 0:17:46.639
<v Speaker 1>those reference points, then and you're working with a slowly

0:17:46.720 --> 0:17:49.840
<v Speaker 1>moving fairway, you're actually never quite certain on what your

0:17:49.880 --> 0:17:53.080
<v Speaker 1>target is. So unless you can pick up maybe you've

0:17:53.080 --> 0:17:55.119
<v Speaker 1>got a birch tree amongst a bunch of maples, and

0:17:55.160 --> 0:17:57.840
<v Speaker 1>that makes it really easy. But if it's kind of

0:17:58.920 --> 0:18:01.240
<v Speaker 1>a mixture of trees, usually you've kind of got to

0:18:01.520 --> 0:18:04.600
<v Speaker 1>figure out what canopy, what am I even at the

0:18:04.640 --> 0:18:08.159
<v Speaker 1>little bit of yellow in that one, it's not as it's.

0:18:08.040 --> 0:18:08.800
<v Speaker 3>Not quite as certain.

0:18:08.880 --> 0:18:11.200
<v Speaker 1>And the other end of it, as you said, it's

0:18:11.240 --> 0:18:14.520
<v Speaker 1>the miss through, it's the I'm meant to cut it

0:18:14.520 --> 0:18:16.439
<v Speaker 1>a little bit, and it just stayed dead straight and

0:18:16.480 --> 0:18:18.560
<v Speaker 1>it runs through into the rough and now they've got

0:18:18.600 --> 0:18:20.440
<v Speaker 1>to deal with that job. Yep.

0:18:21.000 --> 0:18:24.040
<v Speaker 2>Yeah, No, that's that's that's very interesting. I wonder if

0:18:24.080 --> 0:18:28.280
<v Speaker 2>there's something about a player like Mike Weir that that

0:18:28.680 --> 0:18:32.639
<v Speaker 2>sort of disposes him to be smart about golf architecture

0:18:32.720 --> 0:18:37.360
<v Speaker 2>in a way that a lot of elite players aren't. Necessarily,

0:18:38.320 --> 0:18:41.600
<v Speaker 2>he was a different kind of player. You know, he

0:18:42.040 --> 0:18:45.280
<v Speaker 2>didn't hit it as far as Tiger Woods did, but

0:18:45.520 --> 0:18:49.760
<v Speaker 2>he managed to score anyway. He was, you know, as

0:18:49.760 --> 0:18:53.080
<v Speaker 2>far as top players were concerned, a little bit unusual

0:18:53.200 --> 0:18:55.720
<v Speaker 2>in his playing style. And I wonder if it is

0:18:55.760 --> 0:18:59.719
<v Speaker 2>those kind of eccentrics, I guess, in terms of playing style,

0:19:00.280 --> 0:19:04.160
<v Speaker 2>who are a little more inclined to think about golf

0:19:04.240 --> 0:19:06.359
<v Speaker 2>architecture in at least interesting ways.

0:19:06.680 --> 0:19:10.640
<v Speaker 3>I think when you take somebody like Mike or Funny enough,

0:19:10.680 --> 0:19:11.800
<v Speaker 3>I walked Revere with.

0:19:13.240 --> 0:19:17.040
<v Speaker 1>Zach or Zak Johnson. Yeah, Zak Johnson, thanks, I'm just

0:19:17.600 --> 0:19:21.480
<v Speaker 1>for me. It's it's names, it's agent names.

0:19:22.119 --> 0:19:24.600
<v Speaker 2>Well, Zak Johnson immediately came to mind for me because

0:19:24.960 --> 0:19:27.320
<v Speaker 2>if you're talking about genres of players, Mike, he Or

0:19:27.320 --> 0:19:29.040
<v Speaker 2>and Zach Johnson are not that descent, so.

0:19:29.000 --> 0:19:29.480
<v Speaker 3>I got to walk.

0:19:29.560 --> 0:19:32.680
<v Speaker 1>Rivere was Zac Johnson as well, so it was set

0:19:32.760 --> 0:19:34.639
<v Speaker 1>up while I was there. I actually had gone to

0:19:34.640 --> 0:19:37.879
<v Speaker 1>see the work at La Country Club with Gil and

0:19:37.920 --> 0:19:40.119
<v Speaker 1>then i'd gone back to Rivier and got introduced to

0:19:40.160 --> 0:19:42.440
<v Speaker 1>different people and they sent me out with a foursome

0:19:42.560 --> 0:19:46.280
<v Speaker 1>to walk inside the Ropes, which is on Tuesday, which

0:19:46.320 --> 0:19:47.879
<v Speaker 1>was awesome, and he was one of the four and

0:19:47.880 --> 0:19:51.080
<v Speaker 1>he was the most talkative. I think the players who

0:19:51.119 --> 0:19:56.720
<v Speaker 1>don't have the distance, it's really important to them to tack.

0:19:56.800 --> 0:19:58.719
<v Speaker 1>I don't don't know what better. This sort of more

0:19:58.760 --> 0:20:02.160
<v Speaker 1>of a sailing term, but if they tacked to position,

0:20:03.560 --> 0:20:08.080
<v Speaker 1>then because they're hitting longer clubs, they can still end

0:20:08.160 --> 0:20:14.040
<v Speaker 1>up finding place, finding ways or finding moments to be

0:20:14.080 --> 0:20:18.960
<v Speaker 1>aggressive or to to you know, to to chase because

0:20:18.960 --> 0:20:21.800
<v Speaker 1>you've you've still got to make some birdies. And I

0:20:21.840 --> 0:20:24.960
<v Speaker 1>think it's what happens is they think a little bit

0:20:25.000 --> 0:20:27.879
<v Speaker 1>more about the strategy because it's sort of self preservation.

0:20:28.600 --> 0:20:31.439
<v Speaker 1>They need to be in good places to score. I

0:20:31.480 --> 0:20:34.960
<v Speaker 1>think one of the things sort of frustrating about watching

0:20:36.080 --> 0:20:38.439
<v Speaker 1>golf in more recent times is the players who hit

0:20:38.480 --> 0:20:42.120
<v Speaker 1>it so far it didn't actually matter where they were

0:20:42.359 --> 0:20:46.679
<v Speaker 1>because they had also honed. To their credit, they developed

0:20:46.720 --> 0:20:49.960
<v Speaker 1>the skill in their wedge game, but they didn't need

0:20:50.000 --> 0:20:53.160
<v Speaker 1>to play positionally as much. And I got admit that's

0:20:53.240 --> 0:20:57.879
<v Speaker 1>when golf kind of lost my obsessive viewership and I

0:20:57.920 --> 0:21:02.240
<v Speaker 1>became more of a part time of the game. It

0:21:02.320 --> 0:21:07.399
<v Speaker 1>had a huge impact on me because I found I

0:21:07.400 --> 0:21:09.760
<v Speaker 1>couldn't get much out of it architecturally. It was better

0:21:09.760 --> 0:21:13.760
<v Speaker 1>to actually think about the average player. At least we're

0:21:13.800 --> 0:21:16.240
<v Speaker 1>back to the sort of attacking and the strategies, and

0:21:18.920 --> 0:21:22.160
<v Speaker 1>rather than being sort of overcome by either brute strength

0:21:22.400 --> 0:21:25.520
<v Speaker 1>or today's day and age, they actually get their roots

0:21:25.520 --> 0:21:29.720
<v Speaker 1>planned for them with percentage golf, so they sort of

0:21:29.760 --> 0:21:33.040
<v Speaker 1>this is the most effective way to play this golf course,

0:21:33.560 --> 0:21:37.200
<v Speaker 1>and they're given that as a roadmap that they'll deviate from,

0:21:37.720 --> 0:21:39.880
<v Speaker 1>but they'll use it a lot. I kind of wish

0:21:40.000 --> 0:21:42.680
<v Speaker 1>we weren't in that era. I'd rather watch a Nick

0:21:42.720 --> 0:21:48.000
<v Speaker 1>Price show up and turnaball right, turnaball left, needs to spin,

0:21:48.080 --> 0:21:51.280
<v Speaker 1>it needs to hit it low. I loved watching him play.

0:21:51.320 --> 0:21:54.240
<v Speaker 1>I followed him a wack of times when I was younger,

0:21:54.240 --> 0:21:57.560
<v Speaker 1>and he was a joy. But he also seemed to

0:21:57.560 --> 0:21:58.920
<v Speaker 1>be making it up in the fly when he was

0:21:58.920 --> 0:22:00.720
<v Speaker 1>playing really well because he could.

0:22:01.600 --> 0:22:04.960
<v Speaker 2>Yeah, and he came up with those ideas. And yes,

0:22:05.760 --> 0:22:09.240
<v Speaker 2>it's inevitable that the game, the professional game, has gone

0:22:09.400 --> 0:22:14.760
<v Speaker 2>where it's gone with the assurances of a team of

0:22:14.840 --> 0:22:19.200
<v Speaker 2>experts helping you figure out what the optimal strategy for

0:22:19.880 --> 0:22:22.840
<v Speaker 2>playing a golf course would be. But it does take

0:22:22.920 --> 0:22:26.400
<v Speaker 2>some individuality out of it, and we've seen that across

0:22:26.480 --> 0:22:32.160
<v Speaker 2>many sports. It's happened profoundly in baseball in America. That's

0:22:32.200 --> 0:22:35.159
<v Speaker 2>been maybe the most affected sport, but golf is not

0:22:35.280 --> 0:22:39.120
<v Speaker 2>far behind, and you're certainly not alone in feeling less

0:22:39.119 --> 0:22:41.720
<v Speaker 2>of an interest about it. What's so interesting about players

0:22:41.760 --> 0:22:44.960
<v Speaker 2>like Mike Weir and Zach Johnson in fact, and why

0:22:45.000 --> 0:22:48.520
<v Speaker 2>they might play well at an Augusta National, is that

0:22:48.680 --> 0:22:52.080
<v Speaker 2>they became very good at figuring out when to be aggressive.

0:22:52.520 --> 0:22:55.880
<v Speaker 2>They picked their moments. They couldn't always be aggressive. What

0:22:55.920 --> 0:22:59.000
<v Speaker 2>you see from some players now is that they can

0:22:59.000 --> 0:23:01.560
<v Speaker 2>be aggressive all the time time because they hit it

0:23:01.600 --> 0:23:04.760
<v Speaker 2>so far. If there's a hole where the design is

0:23:04.880 --> 0:23:08.560
<v Speaker 2>resisting aggression, they almost don't care because they can be

0:23:08.560 --> 0:23:11.480
<v Speaker 2>aggressive with it anyway. So they're not choosing their moments,

0:23:11.640 --> 0:23:16.240
<v Speaker 2>they're not pushing and backing off. They're just full throttle,

0:23:16.440 --> 0:23:19.320
<v Speaker 2>going for it all the time. And there's something that

0:23:19.560 --> 0:23:22.160
<v Speaker 2>is a little bit deadening about that repetition.

0:23:24.119 --> 0:23:24.600
<v Speaker 3>Agreed.

0:23:24.680 --> 0:23:27.000
<v Speaker 1>I mean, one of the joys of watching a Nick

0:23:27.040 --> 0:23:32.679
<v Speaker 1>Faldo play was his ability to understand when not to.

0:23:33.280 --> 0:23:35.680
<v Speaker 1>I don't know how else to express that, but he

0:23:36.760 --> 0:23:39.320
<v Speaker 1>not only could he hit great shots under pressure, it

0:23:39.359 --> 0:23:42.160
<v Speaker 1>seemed like the more pressure the better he was anyway, period,

0:23:42.720 --> 0:23:50.200
<v Speaker 1>but his ability to understand that in tournament golf, find

0:23:50.240 --> 0:23:55.080
<v Speaker 1>the fair way, find the green, find the par there

0:23:55.160 --> 0:23:57.600
<v Speaker 1>was not that that's more compelling. I think we all

0:23:57.680 --> 0:24:01.320
<v Speaker 1>enjoyed birdies. And I think when Tiger had that amazing

0:24:01.400 --> 0:24:04.760
<v Speaker 1>round of Pebble Beach, there wasn't anybody who didn't enjoy that.

0:24:04.840 --> 0:24:10.000
<v Speaker 1>How could you not enjoy that? That was just I mean,

0:24:10.080 --> 0:24:12.000
<v Speaker 1>even from an arctech's point of view, it was sad

0:24:12.040 --> 0:24:14.200
<v Speaker 1>to watch Pebble take apart, but boy, it was fun

0:24:14.240 --> 0:24:15.760
<v Speaker 1>to watch him do it.

0:24:16.920 --> 0:24:18.359
<v Speaker 3>Yeah, and.

0:24:20.560 --> 0:24:23.840
<v Speaker 1>We like, we like birdies, and sometimes there has been

0:24:23.880 --> 0:24:26.479
<v Speaker 1>some events where it's too many pars or just some

0:24:26.520 --> 0:24:29.760
<v Speaker 1>of the US Open setups are questionable. But yeah, when

0:24:29.960 --> 0:24:32.360
<v Speaker 1>when even a US Open doesn't seem to.

0:24:34.359 --> 0:24:35.720
<v Speaker 3>They're just there.

0:24:35.960 --> 0:24:38.520
<v Speaker 1>It's a it's a tack mode. I appreciate the fact

0:24:38.560 --> 0:24:42.120
<v Speaker 1>that they've got a the the fortitude to do it

0:24:42.160 --> 0:24:44.680
<v Speaker 1>and be the skills to actually just drive the ball

0:24:44.760 --> 0:24:49.679
<v Speaker 1>much straight and and hit great webshots, but it's not

0:24:49.720 --> 0:24:50.400
<v Speaker 1>as watchable.

0:24:51.720 --> 0:24:54.240
<v Speaker 2>It is interesting to speak with you about this because

0:24:54.280 --> 0:24:57.960
<v Speaker 2>you have prepared courses for the Canadian Open, and you've

0:24:58.000 --> 0:25:02.080
<v Speaker 2>thought about the relationship between golf architecture and and modern

0:25:02.119 --> 0:25:06.679
<v Speaker 2>professional play and uh, and so that's uh, that's again

0:25:06.920 --> 0:25:10.160
<v Speaker 2>a bit of a digression, but but a fascinating one.

0:25:10.480 --> 0:25:13.960
<v Speaker 2>I think it's time now to get into to Stanley Thompson.

0:25:14.119 --> 0:25:19.600
<v Speaker 2>We've drifted for a bit, but let's talk about I

0:25:19.600 --> 0:25:25.119
<v Speaker 2>think the greatest Canadian golf architect by by you know,

0:25:25.520 --> 0:25:30.600
<v Speaker 2>pretty wide consensus. Let's start with Stanley Thompson's early life.

0:25:30.640 --> 0:25:33.320
<v Speaker 2>We can just touch on this briefly, but but where

0:25:33.359 --> 0:25:36.119
<v Speaker 2>did he come from and and what were some of

0:25:36.160 --> 0:25:40.480
<v Speaker 2>those early experiences that that ended up being important for him.

0:25:41.640 --> 0:25:46.680
<v Speaker 1>He was one of five brothers and they were known

0:25:46.720 --> 0:25:51.120
<v Speaker 1>as the golfing Thompson's. Uh. Some great players amongst them

0:25:51.200 --> 0:25:55.160
<v Speaker 1>the first pro of Hamilton, which was this year's Canadian

0:25:55.240 --> 0:25:59.840
<v Speaker 1>Open was Nicol Thompson, his oldest brother, and probably.

0:26:00.920 --> 0:26:02.240
<v Speaker 3>Could be argued that he.

0:26:02.240 --> 0:26:07.560
<v Speaker 1>Was the first architect that either he or George Cumming

0:26:07.560 --> 0:26:11.040
<v Speaker 1>who was at Toronto Golf. Stanley caddied at Toronto Golf

0:26:11.480 --> 0:26:14.840
<v Speaker 1>and George Cumming was actually his early mentor.

0:26:15.480 --> 0:26:17.360
<v Speaker 3>So that's why.

0:26:17.240 --> 0:26:20.840
<v Speaker 1>Thompson coming in Thompson, which is Nicol Thompson, George Cumming

0:26:20.880 --> 0:26:24.360
<v Speaker 1>and Stanley Thompson when he eventually went into architecture as

0:26:24.440 --> 0:26:30.280
<v Speaker 1>the third member of that group that was his foundation.

0:26:31.000 --> 0:26:33.760
<v Speaker 1>Stam was a great player. I think he got to

0:26:33.800 --> 0:26:37.760
<v Speaker 1>a semi final if I remember correctly in the Canadian Amateur.

0:26:39.200 --> 0:26:44.840
<v Speaker 1>He was a scratch player early on, served in World

0:26:44.840 --> 0:26:48.040
<v Speaker 1>War One and came back and then he started working

0:26:48.200 --> 0:26:52.000
<v Speaker 1>for his brother and George in architecture and then eventually

0:26:52.000 --> 0:26:56.119
<v Speaker 1>became a partner and they faced a decision in twenty

0:26:56.119 --> 0:26:56.720
<v Speaker 1>one on.

0:26:57.840 --> 0:26:59.440
<v Speaker 3>This all happened super fast for him.

0:27:00.280 --> 0:27:03.200
<v Speaker 1>He was working on stuff like Branford on site doing

0:27:03.200 --> 0:27:09.240
<v Speaker 1>construction and then Nicol and George sort of had to

0:27:09.240 --> 0:27:11.560
<v Speaker 1>make the decision with where they're going to sell golf

0:27:11.560 --> 0:27:14.240
<v Speaker 1>clubs and be golf pros. So they're going to be architects,

0:27:14.640 --> 0:27:17.040
<v Speaker 1>and they both told they were at the top clubs

0:27:17.200 --> 0:27:20.880
<v Speaker 1>in the country other than rural Montreal. Roal Montreal obviously

0:27:20.960 --> 0:27:23.800
<v Speaker 1>is if not the top club, it's one of the

0:27:23.800 --> 0:27:30.720
<v Speaker 1>elite clubs in the country, still is. And they decided

0:27:30.840 --> 0:27:33.240
<v Speaker 1>on the safety because they weren't sure how things were

0:27:33.240 --> 0:27:35.320
<v Speaker 1>going to work out, and all of a sudden, Stanley

0:27:35.560 --> 0:27:41.159
<v Speaker 1>ended up with the business and in twenty two. I'm

0:27:41.200 --> 0:27:42.920
<v Speaker 1>trying to remember how he did, but I do know.

0:27:44.000 --> 0:27:46.040
<v Speaker 1>I think it was twenty two. He did eight courses.

0:27:46.119 --> 0:27:49.400
<v Speaker 1>He did now it's twenty three that he did eight

0:27:49.440 --> 0:27:53.639
<v Speaker 1>golf courses, but he did forty golf courses before he

0:27:53.680 --> 0:27:57.240
<v Speaker 1>got to Jasper Park. Jasper Park is twenty five. Wow

0:27:58.480 --> 0:28:00.919
<v Speaker 1>or sorry, Bam Springs wrong one Bamp Springs, which is

0:28:00.960 --> 0:28:04.560
<v Speaker 1>twenty seven. So he did half of his entire catalog

0:28:05.640 --> 0:28:10.119
<v Speaker 1>by the time he got to Bamp Springs, and so

0:28:10.200 --> 0:28:12.840
<v Speaker 1>he was doing sort of a round eight golf courses

0:28:12.880 --> 0:28:18.840
<v Speaker 1>a year. At one point he had TransCanada Construction was

0:28:18.880 --> 0:28:22.639
<v Speaker 1>his construction business, and there was a point where they

0:28:22.680 --> 0:28:25.040
<v Speaker 1>talked about that there were two thousand men on the

0:28:25.080 --> 0:28:31.160
<v Speaker 1>payroll and at that point, essentially he was initially building

0:28:31.200 --> 0:28:35.800
<v Speaker 1>greens bunkers, teas and then just grassing properties and obviously

0:28:35.840 --> 0:28:40.320
<v Speaker 1>felling trees as well, and everything was pretty rudimentary early on,

0:28:40.520 --> 0:28:44.760
<v Speaker 1>but he did have some experienced people, so Colt was

0:28:44.800 --> 0:28:45.760
<v Speaker 1>a huge influence.

0:28:45.840 --> 0:28:49.800
<v Speaker 3>Colt did Toronto Golf in fourteen.

0:28:52.240 --> 0:28:54.800
<v Speaker 1>It's funny I'd expressed the idea of there was a

0:28:54.880 --> 0:28:56.800
<v Speaker 1>chance he would have seen it in construction, and then

0:28:56.840 --> 0:29:00.520
<v Speaker 1>it's funny that got quoted in like five different books afterwards,

0:29:00.520 --> 0:29:03.520
<v Speaker 1>and all I was saying was he was sixteen seventeen

0:29:03.600 --> 0:29:06.720
<v Speaker 1>years old and working at Toronto Golf in the one

0:29:06.720 --> 0:29:08.240
<v Speaker 1>that was on the east side of the city, and

0:29:08.280 --> 0:29:10.000
<v Speaker 1>I just wondered if he would have gone over to

0:29:10.040 --> 0:29:13.200
<v Speaker 1>have a look at it. So that's always been misconstrued.

0:29:13.800 --> 0:29:16.440
<v Speaker 1>I do know they corresponded, because Jeff Cornish was able

0:29:16.440 --> 0:29:20.040
<v Speaker 1>to confirm that for me. I thought I understood they corresponded,

0:29:20.040 --> 0:29:23.200
<v Speaker 1>and he said no, they corresponded.

0:29:23.000 --> 0:29:23.720
<v Speaker 3>All the way through.

0:29:24.760 --> 0:29:27.360
<v Speaker 1>And he was good friends with Charles Allison as well,

0:29:27.360 --> 0:29:32.000
<v Speaker 1>who do work in Toronto. So Thompson got to see

0:29:32.560 --> 0:29:36.360
<v Speaker 1>Toronto Golf, which was a landmark golf course for US,

0:29:36.520 --> 0:29:38.720
<v Speaker 1>most important golf course that was ever built.

0:29:39.160 --> 0:29:40.840
<v Speaker 2>Harry Colt designed as Harry.

0:29:40.600 --> 0:29:43.000
<v Speaker 1>Colet designed it and Harry Colt was on site for it,

0:29:43.480 --> 0:29:46.000
<v Speaker 1>and then he did Ancaster and he was on site

0:29:46.000 --> 0:29:49.320
<v Speaker 1>a little bit for it, and Sutherland, who did the

0:29:49.360 --> 0:29:53.320
<v Speaker 1>construction forum, ended up actually doing construction work with Stanley afterwards.

0:29:53.880 --> 0:29:56.640
<v Speaker 1>And then you had some of the people that were

0:29:56.640 --> 0:30:00.280
<v Speaker 1>on his early construction teams actually came out of the

0:30:00.360 --> 0:30:07.920
<v Speaker 1>early construction that took place at Summit and Scarborough and

0:30:07.960 --> 0:30:10.640
<v Speaker 1>places like that. Some of the early rudimentary courses often

0:30:10.680 --> 0:30:13.640
<v Speaker 1>done by coming and then Stanley ended up with all

0:30:13.720 --> 0:30:16.840
<v Speaker 1>these experienced people. So I think some of the work

0:30:16.920 --> 0:30:20.000
<v Speaker 1>has some of those experiences of what he saw and

0:30:20.040 --> 0:30:22.440
<v Speaker 1>some of those experiences of the people he worked for.

0:30:23.200 --> 0:30:26.440
<v Speaker 1>And then slowly over time leading into Jasper and then

0:30:26.480 --> 0:30:30.640
<v Speaker 1>finally into Banf. His design ideas were evolving and pretty rapidly.

0:30:30.640 --> 0:30:33.680
<v Speaker 1>When you start to think about twenty two to twenty seven,

0:30:34.320 --> 0:30:39.000
<v Speaker 1>and twenty seven is my allows wear on this sure,

0:30:39.840 --> 0:30:42.720
<v Speaker 1>twenty seven is where I think he went. He went

0:30:42.760 --> 0:30:45.120
<v Speaker 1>from being Stanley Thompson to as I like to say

0:30:45.120 --> 0:30:47.640
<v Speaker 1>with a friend of mine when we're playing Stanley fucking Thompson.

0:30:49.000 --> 0:30:54.120
<v Speaker 1>And at Banff he kind of showed I can do

0:30:54.200 --> 0:31:00.959
<v Speaker 1>anything and everything I'm as good as anybody practicing. There's

0:31:01.280 --> 0:31:04.320
<v Speaker 1>nobody I'm not as good as. And the interesting thing

0:31:04.400 --> 0:31:08.040
<v Speaker 1>is bamp what an expression. One hundred and forty bunkers,

0:31:08.280 --> 0:31:11.840
<v Speaker 1>very dramatic, very elaborate, And then he never did anything

0:31:11.840 --> 0:31:15.000
<v Speaker 1>as elaborate as that. Afterwards it was like it was like, Okay,

0:31:15.240 --> 0:31:18.560
<v Speaker 1>I've done it. I've showed you, showed you every trick

0:31:18.600 --> 0:31:20.280
<v Speaker 1>I have, and now I'm just going to go back

0:31:20.320 --> 0:31:24.240
<v Speaker 1>to building better golf courses. Not that BAMFF isn't a

0:31:24.480 --> 0:31:26.960
<v Speaker 1>better golf course. It's one of the five most important

0:31:26.960 --> 0:31:32.120
<v Speaker 1>things he ever did. BAMF is the most flamboyant expression

0:31:32.120 --> 0:31:34.320
<v Speaker 1>of anything he ever did, and there's sort of a

0:31:34.360 --> 0:31:37.640
<v Speaker 1>long journey towards it. And then after he sort of

0:31:38.360 --> 0:31:41.920
<v Speaker 1>took it back a notch and realized that some gaps,

0:31:42.040 --> 0:31:47.640
<v Speaker 1>some bunkerless holes, you know, expressing yourself and then actually

0:31:47.680 --> 0:31:51.360
<v Speaker 1>sort of slowing things down visually and architecturally and then

0:31:51.400 --> 0:31:53.920
<v Speaker 1>expressing yourself again actually has a bigger impact than just

0:31:54.000 --> 0:31:57.840
<v Speaker 1>expressing yourself for eighteen holes that if you have a

0:31:57.840 --> 0:32:01.400
<v Speaker 1>bit of a roller coaster of and what you're seeing,

0:32:01.480 --> 0:32:05.040
<v Speaker 1>and they're sort of highs and lows. The one thing

0:32:05.080 --> 0:32:07.800
<v Speaker 1>that the Golden Age people did so well is the

0:32:07.840 --> 0:32:11.680
<v Speaker 1>breather hole. They use the breather hole to take the

0:32:11.760 --> 0:32:14.960
<v Speaker 1>severity of what they were presenting down or set you

0:32:15.080 --> 0:32:18.520
<v Speaker 1>up for something that's going to be visually spectacular, so

0:32:19.120 --> 0:32:21.680
<v Speaker 1>you kind of they relax you, they slow the heart

0:32:21.760 --> 0:32:25.280
<v Speaker 1>rate down, and then boom something super visual or something

0:32:25.400 --> 0:32:28.720
<v Speaker 1>really hard, and it just it expresses that sort of

0:32:28.800 --> 0:32:31.680
<v Speaker 1>a like one and a half times, because it's a comparison,

0:32:31.760 --> 0:32:34.200
<v Speaker 1>right when we go from a narrow channel to a

0:32:34.240 --> 0:32:37.720
<v Speaker 1>wide open space, the wide open space seems bigger. Frank

0:32:37.800 --> 0:32:40.120
<v Speaker 1>Lloyd Wright called that compression and release. Use it in

0:32:40.160 --> 0:32:43.600
<v Speaker 1>his houses. But it's the same with architecture. If you

0:32:43.640 --> 0:32:45.680
<v Speaker 1>make something hard and then make something easy and make

0:32:45.760 --> 0:32:50.320
<v Speaker 1>something hard hard to easy, the easy feels easier and

0:32:50.360 --> 0:32:53.120
<v Speaker 1>the easy to heart the heart feels harder. But if

0:32:53.160 --> 0:32:55.320
<v Speaker 1>it was hard hard heart, it would just feel exactly

0:32:55.360 --> 0:32:58.640
<v Speaker 1>the same. So it's just something that he did really well,

0:32:58.720 --> 0:33:03.840
<v Speaker 1>that he pace things out after Baan springs a little

0:33:03.880 --> 0:33:04.320
<v Speaker 1>bit more.

0:33:05.000 --> 0:33:06.720
<v Speaker 2>Yeah, I mean, I would say that the arc you're

0:33:06.760 --> 0:33:10.760
<v Speaker 2>describing in Thompson's career could stand in for the arc

0:33:10.800 --> 0:33:13.200
<v Speaker 2>of the Golden Age in general. This kind of push

0:33:13.280 --> 0:33:16.360
<v Speaker 2>toward the Baroque, and then a slight backing off of

0:33:16.400 --> 0:33:19.120
<v Speaker 2>that in the late twenties and early thirties as the

0:33:19.120 --> 0:33:22.480
<v Speaker 2>depression descended. But then, of course that trend got cut

0:33:22.520 --> 0:33:25.840
<v Speaker 2>short because they weren't building any more golf courses after

0:33:25.880 --> 0:33:28.680
<v Speaker 2>about nineteen thirty two or thirty three. Though Thompson did

0:33:28.760 --> 0:33:31.920
<v Speaker 2>keep working through the depression and into the forties, unlike

0:33:31.960 --> 0:33:34.440
<v Speaker 2>many many architects of the period. But I want to

0:33:34.480 --> 0:33:41.320
<v Speaker 2>go back to his beginnings, his initial influences. Toronto just

0:33:41.320 --> 0:33:47.880
<v Speaker 2>seems like such an engaging place in the nineteen tens

0:33:47.880 --> 0:33:51.840
<v Speaker 2>and twenties for someone who's interested in golf and golf

0:33:51.920 --> 0:33:57.840
<v Speaker 2>architecture to be because all of these huge figures came

0:33:57.880 --> 0:34:02.120
<v Speaker 2>to town to build golf course verses. We talk about

0:34:02.240 --> 0:34:05.440
<v Speaker 2>London as being a hotbed of golf architecture and golf

0:34:05.520 --> 0:34:10.680
<v Speaker 2>architecture discussion, the kind of intellectual ferment of the early

0:34:11.200 --> 0:34:15.160
<v Speaker 2>nineteen hundreds where golf architecture was really reinvented. We talked

0:34:15.160 --> 0:34:18.399
<v Speaker 2>about the Philadelphia School of golf Architecture. We talk about

0:34:18.400 --> 0:34:22.319
<v Speaker 2>Los Angeles with George Thomas and others, being such a

0:34:22.400 --> 0:34:27.600
<v Speaker 2>concentration of very talented artists. Toronto seems to be in

0:34:27.680 --> 0:34:32.360
<v Speaker 2>there as a hotbed of golf architecture, and Thompson seems

0:34:32.400 --> 0:34:34.680
<v Speaker 2>to have come out of that. So what were some

0:34:34.719 --> 0:34:39.960
<v Speaker 2>of the influences that you think he absorbed there as

0:34:40.000 --> 0:34:42.799
<v Speaker 2>a kid? And then when he came back after World

0:34:42.840 --> 0:34:45.240
<v Speaker 2>War One, as he said, things started moving very quickly.

0:34:45.320 --> 0:34:47.799
<v Speaker 2>He came back in nineteen nineteen. I believe it would

0:34:47.800 --> 0:34:50.279
<v Speaker 2>have been because that's when the war ended, and then

0:34:50.360 --> 0:34:54.440
<v Speaker 2>by a few years later he was deep into many

0:34:54.440 --> 0:34:57.480
<v Speaker 2>many projects as a golf architect. What would he have

0:34:57.600 --> 0:35:01.640
<v Speaker 2>been influenced by in Toronto to at that time when

0:35:01.640 --> 0:35:03.080
<v Speaker 2>it comes to golf course design?

0:35:03.520 --> 0:35:06.879
<v Speaker 1>So I'll step back slightly. I do know he saw

0:35:07.000 --> 0:35:12.520
<v Speaker 1>Lynks courses when he was serving during the war, So.

0:35:12.680 --> 0:35:15.840
<v Speaker 2>Was he in did he go to England or was

0:35:15.880 --> 0:35:19.360
<v Speaker 2>he saying links courses in the seaside in France and

0:35:19.680 --> 0:35:20.680
<v Speaker 2>Netherlands or something.

0:35:21.000 --> 0:35:26.600
<v Speaker 1>I no, it'd be in England, Okay, So I would

0:35:26.640 --> 0:35:29.319
<v Speaker 1>have to I know. And I also know he got

0:35:29.360 --> 0:35:34.160
<v Speaker 1>up to Scotland because I know he talked about Glenn

0:35:34.160 --> 0:35:37.600
<v Speaker 1>Eagles in particular when he was doing Jasper. He had

0:35:37.640 --> 0:35:41.200
<v Speaker 1>a couple of interesting reference points. Sorry, I'm just not

0:35:41.239 --> 0:35:43.880
<v Speaker 1>pulling the courses in particular, but I think during the

0:35:43.880 --> 0:35:46.439
<v Speaker 1>war it was England, and I think at some point

0:35:46.480 --> 0:35:50.680
<v Speaker 1>he got to Scotland because he did talk about Saint Andrew's.

0:35:52.880 --> 0:35:56.120
<v Speaker 1>He also went early on in his career. I'm kind

0:35:56.120 --> 0:35:58.040
<v Speaker 1>of now jumping ahead on you. I apologize for this.

0:35:58.480 --> 0:36:02.719
<v Speaker 1>I do know in the leading into Jasper he went

0:36:02.800 --> 0:36:06.960
<v Speaker 1>to see a number of courses around the New York

0:36:07.000 --> 0:36:09.839
<v Speaker 1>area because all of his meetings were in New York,

0:36:11.560 --> 0:36:14.880
<v Speaker 1>for he had meeting Winnie de Capellana. He was in

0:36:14.920 --> 0:36:16.839
<v Speaker 1>New York all the time, but he was also in

0:36:16.880 --> 0:36:21.040
<v Speaker 1>New York as well for for other things. And obviously

0:36:21.040 --> 0:36:23.239
<v Speaker 1>he was working in the States as well. So I

0:36:23.239 --> 0:36:25.840
<v Speaker 1>mean in the early twenties he was he did a

0:36:25.880 --> 0:36:29.040
<v Speaker 1>bunch of work in Cleveland. But you've got Flynn courses

0:36:29.040 --> 0:36:31.480
<v Speaker 1>in Cleveland, You've got Ross courses in Cleveland.

0:36:31.520 --> 0:36:32.759
<v Speaker 3>You've got I mean, you've.

0:36:32.680 --> 0:36:37.120
<v Speaker 1>Got great Flynn and Ross was there Cleveland, Cleveland Rocks.

0:36:36.880 --> 0:36:41.719
<v Speaker 2>Baby and architecture restorations and renovations that are being done

0:36:41.719 --> 0:36:44.399
<v Speaker 2>there are are quite good. And I think that those

0:36:44.760 --> 0:36:47.439
<v Speaker 2>those courses are going to re emerge in the coming

0:36:47.520 --> 0:36:50.279
<v Speaker 2>years as as important as they are.

0:36:50.560 --> 0:36:55.200
<v Speaker 1>Yes, so I talked about Colt he had. He had

0:36:55.360 --> 0:37:00.399
<v Speaker 1>both Hamilton and Toronto golf built. There. There are some

0:37:00.560 --> 0:37:04.000
<v Speaker 1>early golf courses that were pretty good. Coming did the

0:37:04.040 --> 0:37:09.239
<v Speaker 1>original Summit. The original nine holes at Summit was very good.

0:37:09.360 --> 0:37:10.560
<v Speaker 3>But you had Willie Park.

0:37:11.160 --> 0:37:14.440
<v Speaker 1>So Willie Park did Weston Park did a lot of

0:37:14.440 --> 0:37:15.440
<v Speaker 1>stuff in Montreal.

0:37:17.000 --> 0:37:19.759
<v Speaker 3>Put it this way. His work on the original Dixie Course.

0:37:20.080 --> 0:37:22.359
<v Speaker 1>By the way, one of the great losses in all

0:37:22.400 --> 0:37:25.480
<v Speaker 1>of Canadian golf is the Dixie Course, which is underneath

0:37:25.520 --> 0:37:30.360
<v Speaker 1>the Montreal Airport. It was so good that Colt suggested

0:37:30.360 --> 0:37:34.359
<v Speaker 1>that they don't move and just keep that facility. So

0:37:34.560 --> 0:37:36.799
<v Speaker 1>Colt thought enough of and that was Willy Park's work,

0:37:36.840 --> 0:37:40.680
<v Speaker 1>and he did Mount Bruno as well. Parker initially started

0:37:40.680 --> 0:37:44.400
<v Speaker 1>in Toronto and ended up living in Montreal, so you

0:37:44.520 --> 0:37:48.560
<v Speaker 1>had that influence you had. Tillinghass came up to do

0:37:48.600 --> 0:37:52.520
<v Speaker 1>the major renovation of Scarborough. I will say Cornish told

0:37:52.560 --> 0:37:55.400
<v Speaker 1>me that a very Cornish is full of great stories

0:37:55.440 --> 0:37:57.799
<v Speaker 1>when you get him talking about things. But he said

0:37:57.840 --> 0:38:01.359
<v Speaker 1>Tillinghass was the only one he really didn't like, and

0:38:01.840 --> 0:38:04.239
<v Speaker 1>it was because he lost the Scarborough job to him.

0:38:04.400 --> 0:38:06.800
<v Speaker 2>Oh okay, it wasn't just because he didn't like telling

0:38:06.800 --> 0:38:10.120
<v Speaker 2>Hause personality. There are there are those who don't. You

0:38:10.160 --> 0:38:13.200
<v Speaker 2>didn't like telling Hause personality. When you hear that somebody

0:38:13.400 --> 0:38:16.680
<v Speaker 2>didn't like aw Telling House, it's not necessarily a surprise.

0:38:16.840 --> 0:38:19.759
<v Speaker 3>Yeah that's funny. Yeah that's true, isn't it.

0:38:20.400 --> 0:38:22.920
<v Speaker 1>Well? I think I think he had his hits and

0:38:22.960 --> 0:38:28.720
<v Speaker 1>his missus at that time. So you had Charles Allison

0:38:28.760 --> 0:38:30.960
<v Speaker 1>came through and did York Downs and I think that's

0:38:31.000 --> 0:38:34.040
<v Speaker 1>twenty one or twenty two, and that was a dandy

0:38:34.080 --> 0:38:36.319
<v Speaker 1>golf course. We've sort of been. You can actually go

0:38:36.400 --> 0:38:38.759
<v Speaker 1>walk part of it. It's part of a park, but

0:38:38.840 --> 0:38:41.279
<v Speaker 1>it was a really really good golf course and a

0:38:41.320 --> 0:38:45.439
<v Speaker 1>really tight layer, very clever routing, and so you had

0:38:45.520 --> 0:38:49.759
<v Speaker 1>some great early work taking place with some really important architects.

0:38:50.080 --> 0:38:53.839
<v Speaker 1>You also had he built a course for Devreau Emmett

0:38:55.120 --> 0:38:59.960
<v Speaker 1>down in Windsor his construction company. He built York Downs

0:39:00.080 --> 0:39:04.360
<v Speaker 1>actually for Charles Allison, so he was interacting with these people.

0:39:04.400 --> 0:39:07.839
<v Speaker 1>Even built the Tillinghouse course at Niagara Falls, which I've

0:39:07.840 --> 0:39:09.800
<v Speaker 1>never quite been able to put two and two together

0:39:09.880 --> 0:39:12.360
<v Speaker 1>because that doesn't actually make sense to me in some ways.

0:39:12.960 --> 0:39:16.600
<v Speaker 1>But I mean that's way earlier than the Scarborough Scarborough's

0:39:16.600 --> 0:39:20.080
<v Speaker 1>twenty six, that course would be twenty two. I think

0:39:22.080 --> 0:39:25.279
<v Speaker 1>Niagara Falls Country Club. So he'd be seeing a lot

0:39:25.280 --> 0:39:26.960
<v Speaker 1>of things. And then all you've got to do is

0:39:27.040 --> 0:39:30.120
<v Speaker 1>cross borders. Like I mean, Buffalo is very close by us,

0:39:30.719 --> 0:39:33.240
<v Speaker 1>and to go to Buffalo, you would have a country

0:39:33.239 --> 0:39:37.000
<v Speaker 1>club at Buffalo, which is an unbelievably good ross course.

0:39:37.560 --> 0:39:40.719
<v Speaker 1>You also have Allison's Park country Club. These are all

0:39:40.840 --> 0:39:45.600
<v Speaker 1>just barely across the border and really excellent examples of architecture.

0:39:46.040 --> 0:39:49.040
<v Speaker 1>So I think all of that had some influence. And

0:39:49.080 --> 0:39:51.440
<v Speaker 1>I think as he started to move into the Clevelands,

0:39:51.800 --> 0:39:53.719
<v Speaker 1>or started to go out west or started to go

0:39:53.800 --> 0:39:56.799
<v Speaker 1>at east, you start to run into more and more architecture.

0:39:57.440 --> 0:40:02.800
<v Speaker 1>And Jeff Cornish said he paid attention to what everybody

0:40:02.880 --> 0:40:05.319
<v Speaker 1>did and if it was really good, it actually gave

0:40:05.360 --> 0:40:08.359
<v Speaker 1>him a little bit of depression. But if it gave

0:40:08.400 --> 0:40:10.680
<v Speaker 1>him a little bit of depression, it also gave him

0:40:10.680 --> 0:40:15.040
<v Speaker 1>a little bit of incentive. Stanley had actually had depression issues,

0:40:15.800 --> 0:40:19.200
<v Speaker 1>but it gave him a little incentive to sort of

0:40:19.360 --> 0:40:23.839
<v Speaker 1>up his game. And I think part of what made

0:40:23.880 --> 0:40:27.440
<v Speaker 1>him great over time a wasn't afraid to try different things.

0:40:27.920 --> 0:40:29.040
<v Speaker 3>He kept trying.

0:40:28.800 --> 0:40:32.560
<v Speaker 1>To evolve, and b was he was competitive enough to

0:40:32.680 --> 0:40:35.840
<v Speaker 1>try and be better than he was last time, or

0:40:35.960 --> 0:40:39.200
<v Speaker 1>try to be better than tilling Hast, or be better

0:40:39.239 --> 0:40:43.680
<v Speaker 1>than other architects. He wanted to be Stanley f and Thompson, right,

0:40:44.000 --> 0:40:47.960
<v Speaker 1>So he wanted to be sort of at the same

0:40:48.080 --> 0:40:52.080
<v Speaker 1>level of his peers. He was very conscious of them.

0:40:52.440 --> 0:40:54.880
<v Speaker 2>If you were to compare and I want to get

0:40:55.120 --> 0:40:58.719
<v Speaker 2>into this evolution of his style, and maybe we could

0:40:58.719 --> 0:41:01.440
<v Speaker 2>do it by use saying a couple of golf courses

0:41:01.719 --> 0:41:04.600
<v Speaker 2>as examples. If you were to compare his work at

0:41:04.880 --> 0:41:09.399
<v Speaker 2>Jasper Park to his work at Banff Springs, where would

0:41:09.480 --> 0:41:14.520
<v Speaker 2>you start in comparing and contrasting those two courses both

0:41:14.960 --> 0:41:18.680
<v Speaker 2>mountain courses, right, and so in some ways they must

0:41:18.760 --> 0:41:23.600
<v Speaker 2>be similar, but the outcome, the product is very different.

0:41:24.040 --> 0:41:26.120
<v Speaker 2>The two of those Oh they were built just a

0:41:26.120 --> 0:41:30.400
<v Speaker 2>few years apart, and so what's the comparison and contrast

0:41:30.440 --> 0:41:31.760
<v Speaker 2>between those two projects.

0:41:31.840 --> 0:41:35.239
<v Speaker 1>So the interesting thing with Jasper is just to sort

0:41:35.239 --> 0:41:38.640
<v Speaker 1>of step one step back. He was starting to clear

0:41:38.680 --> 0:41:41.799
<v Speaker 1>a little wider before this, but not much. And then

0:41:41.840 --> 0:41:45.080
<v Speaker 1>when he got to Jasper, Jasper set in a massive,

0:41:45.280 --> 0:41:51.440
<v Speaker 1>massive bowl between multiple mountain ranges and the thing he

0:41:51.480 --> 0:41:55.759
<v Speaker 1>did there was he actually cleared not double what he

0:41:55.800 --> 0:41:58.439
<v Speaker 1>normally did, but at least one and a half, if

0:41:58.480 --> 0:42:01.760
<v Speaker 1>not one in three quarters than you have cleared before

0:42:02.120 --> 0:42:02.720
<v Speaker 1>in the past.

0:42:03.440 --> 0:42:05.160
<v Speaker 3>And part of that was borrowed scenery.

0:42:05.280 --> 0:42:09.120
<v Speaker 1>He, by the way, super well read guy, and he

0:42:09.239 --> 0:42:11.640
<v Speaker 1>was familiar with who capability Brown was in the idea

0:42:11.680 --> 0:42:14.360
<v Speaker 1>of borrowed scenery and landscape.

0:42:14.680 --> 0:42:16.440
<v Speaker 2>So he cleared more you're saying more trees.

0:42:16.520 --> 0:42:19.680
<v Speaker 1>Oh, he cleared it about one and a half to

0:42:19.680 --> 0:42:22.759
<v Speaker 1>one and three quarters. With of a normal clearing he

0:42:22.760 --> 0:42:24.799
<v Speaker 1>would have done only a year or two before that.

0:42:25.440 --> 0:42:26.880
<v Speaker 1>And he did the whole golf course that way. And

0:42:26.880 --> 0:42:29.719
<v Speaker 1>the idea was when you're walking down the fairways, if

0:42:29.760 --> 0:42:32.400
<v Speaker 1>you clear the trees further, you get a wider vista.

0:42:33.880 --> 0:42:39.080
<v Speaker 1>And the other interesting thing that it's either urban legend

0:42:39.239 --> 0:42:44.040
<v Speaker 1>or it is truly the masterpiece of masterpieces. All eighteen

0:42:44.040 --> 0:42:48.800
<v Speaker 1>holes actually pointed a different mountain. So I'm going to

0:42:48.880 --> 0:42:51.560
<v Speaker 1>go with he's that brilliant. I don't know if it's happened.

0:42:52.719 --> 0:42:55.600
<v Speaker 2>Of mountains around, there's lots of peaks to work with.

0:42:56.560 --> 0:42:58.440
<v Speaker 1>The One argument is you could say a couple of

0:42:58.440 --> 0:43:01.799
<v Speaker 1>them actually all line mid mountain and it's the sub

0:43:02.320 --> 0:43:04.200
<v Speaker 1>the sub peaks or don't count.

0:43:04.400 --> 0:43:06.799
<v Speaker 2>Yeah, well, I like the argument for genius though, Yeah,

0:43:06.880 --> 0:43:07.239
<v Speaker 2>I'll go.

0:43:07.239 --> 0:43:08.360
<v Speaker 3>With that anyway.

0:43:08.480 --> 0:43:11.480
<v Speaker 1>So, and what he did was he also built greens

0:43:11.520 --> 0:43:13.680
<v Speaker 1>to a larger scale, but I would say only sort

0:43:13.680 --> 0:43:17.040
<v Speaker 1>of one and a quarter one and a half times

0:43:17.040 --> 0:43:21.760
<v Speaker 1>normal pretty big greens, like almost Trent jonesish in size

0:43:22.719 --> 0:43:26.560
<v Speaker 1>for people if they want sort of perspective. Later Trent Jonesish,

0:43:26.760 --> 0:43:28.920
<v Speaker 1>not the ten thousand that he was doing in the sixties,

0:43:28.960 --> 0:43:35.160
<v Speaker 1>but sort of the six, seven, even eight occasionally. And

0:43:35.200 --> 0:43:40.279
<v Speaker 1>then he built really really massive bunkers and really large fairways,

0:43:40.400 --> 0:43:43.280
<v Speaker 1>and he swung the fairways back and forth around the bunkers.

0:43:44.000 --> 0:43:47.200
<v Speaker 1>The bunkers were I was able to obtain a complete

0:43:47.239 --> 0:43:50.399
<v Speaker 1>set of photos of opening day, and the one thing

0:43:50.440 --> 0:43:53.960
<v Speaker 1>that kind of struck me was the bunkers are actually simple.

0:43:54.000 --> 0:43:57.880
<v Speaker 1>There were really almost no noses and capes. So if

0:43:57.880 --> 0:44:00.480
<v Speaker 1>you think about Jasper now or you think about Banf,

0:44:00.480 --> 0:44:05.160
<v Speaker 1>it's like what it was actually kind of simple, and

0:44:05.239 --> 0:44:07.880
<v Speaker 1>so everything worked on scale. But the one thing is

0:44:07.920 --> 0:44:12.040
<v Speaker 1>when you see people in those old photos, they're dwarfed,

0:44:13.200 --> 0:44:15.680
<v Speaker 1>and what it lacked was a bit of human scale.

0:44:16.360 --> 0:44:20.279
<v Speaker 1>So he was hired to go renovate the and I

0:44:20.320 --> 0:44:23.279
<v Speaker 1>know everybody says that the course after the initial course.

0:44:23.280 --> 0:44:27.600
<v Speaker 1>The initial course was by a different Thompson and William Thompson,

0:44:28.400 --> 0:44:31.120
<v Speaker 1>and then the new one was by Ross. But Ross

0:44:31.200 --> 0:44:35.440
<v Speaker 1>laid it out and then they built it with labor

0:44:35.480 --> 0:44:42.319
<v Speaker 1>from the war. It wasn't much. I have photos of that.

0:44:42.360 --> 0:44:44.840
<v Speaker 1>It was very rudimentary. Lay of the land looked like nothing.

0:44:45.040 --> 0:44:45.600
<v Speaker 3>Put it this way.

0:44:45.680 --> 0:44:47.480
<v Speaker 1>Ross wouldn't have been proud of what the end result

0:44:47.680 --> 0:44:53.080
<v Speaker 1>was anyways, So Thompson went and rebuilt that and the

0:44:53.120 --> 0:44:55.759
<v Speaker 1>first two holes, the last two holes if you're taking

0:44:55.760 --> 0:44:59.840
<v Speaker 1>the original routing one two seventeen eighteen, they used to

0:45:00.040 --> 0:45:02.879
<v Speaker 1>campground site and that linked it to the hotel which

0:45:03.040 --> 0:45:05.000
<v Speaker 1>was there, not quite as big as it is now.

0:45:05.840 --> 0:45:09.799
<v Speaker 1>And then he put a rooting together and then out

0:45:09.840 --> 0:45:13.520
<v Speaker 1>walking he had discovered the cauldron. So that's seven eighty nine.

0:45:13.719 --> 0:45:15.799
<v Speaker 1>That wasn't on the property he was supposed to use.

0:45:15.840 --> 0:45:20.279
<v Speaker 1>They actually had to change their lease agreement and then

0:45:20.360 --> 0:45:22.640
<v Speaker 1>so he had his routing. But as he was working

0:45:23.440 --> 0:45:26.319
<v Speaker 1>he instead of building, he cleared the same with but

0:45:26.400 --> 0:45:29.959
<v Speaker 1>this time he rather than using a single bunker, used

0:45:29.960 --> 0:45:34.120
<v Speaker 1>clusters of bunkers. And then rather than having smooth, simple edges,

0:45:34.160 --> 0:45:38.000
<v Speaker 1>he started to put fingers. And the instruction that he

0:45:38.120 --> 0:45:41.120
<v Speaker 1>used was he asked the men when they were building

0:45:41.120 --> 0:45:44.440
<v Speaker 1>the mounds to look at particular peaks and they were

0:45:44.480 --> 0:45:47.160
<v Speaker 1>to emulate the ridge lines on those peaks. So they

0:45:47.160 --> 0:45:50.600
<v Speaker 1>would build a rough version of that using horse drawn scrapers,

0:45:51.120 --> 0:45:52.919
<v Speaker 1>and then they would rake it out. And he wasn't

0:45:52.920 --> 0:45:57.000
<v Speaker 1>worried about duplicating it. There's some good absolute duplication out

0:45:57.040 --> 0:46:00.719
<v Speaker 1>at Cape Breton, the Highlands that's remarkable. First hole in

0:46:00.840 --> 0:46:04.960
<v Speaker 1>Ben Frannian behind is mind blowing. The backbridge is a duplicate.

0:46:05.920 --> 0:46:07.879
<v Speaker 1>And there are some duplicates, but they're not a lot

0:46:07.960 --> 0:46:09.920
<v Speaker 1>of them. You've really got to look for them. But

0:46:09.960 --> 0:46:11.919
<v Speaker 1>he did this. But the other thing was he then

0:46:12.480 --> 0:46:17.440
<v Speaker 1>made very elaborate shapes on the interiors. They're very edgy,

0:46:17.480 --> 0:46:19.960
<v Speaker 1>and they're much more elaborate than they even are now.

0:46:20.640 --> 0:46:23.160
<v Speaker 1>And one of the stories that Corners talked about was

0:46:23.320 --> 0:46:26.520
<v Speaker 1>they were on a train coming back from Capilano and

0:46:26.640 --> 0:46:29.239
<v Speaker 1>ended up talking about baff and he said that he

0:46:29.760 --> 0:46:32.240
<v Speaker 1>would tell the men to look at how the ice

0:46:32.280 --> 0:46:36.160
<v Speaker 1>pack was up in the mountains and emulate that, and

0:46:36.280 --> 0:46:40.839
<v Speaker 1>emulate that and emulate that in that face, and that's

0:46:40.840 --> 0:46:43.840
<v Speaker 1>how they got the edges, and that's why it was actually.

0:46:43.600 --> 0:46:46.759
<v Speaker 3>A pretty almost ripped torn edge what we.

0:46:46.680 --> 0:46:49.080
<v Speaker 1>Would call it today, that sort of that super loose

0:46:49.520 --> 0:46:52.520
<v Speaker 1>or mackenzieish edge. If you look at the old photos

0:46:52.560 --> 0:46:56.280
<v Speaker 1>of the fifth hole at Cypress Point, where they're supposed

0:46:56.280 --> 0:46:58.759
<v Speaker 1>to emulate the tops of the trees, that's what all

0:46:58.800 --> 0:47:01.600
<v Speaker 1>the bunkers look like at Bamf. Originally they were elaborate

0:47:02.200 --> 0:47:05.520
<v Speaker 1>and the idea of that is if you put all

0:47:05.560 --> 0:47:08.440
<v Speaker 1>the small flourishes and you break the bunkers up, you

0:47:08.760 --> 0:47:12.480
<v Speaker 1>now put the golfer in human scale, so the golfer

0:47:12.520 --> 0:47:16.640
<v Speaker 1>can now relate to where they are. The strategies and

0:47:16.680 --> 0:47:20.640
<v Speaker 1>the wits and the carry angles and the back and

0:47:20.719 --> 0:47:23.640
<v Speaker 1>forth and the views are the same, but it's much

0:47:23.640 --> 0:47:27.000
<v Speaker 1>more relatable and it worked way better. Yeah.

0:47:27.040 --> 0:47:30.120
<v Speaker 2>Well, it's a very interesting point that you make about

0:47:30.440 --> 0:47:35.200
<v Speaker 2>scale and bunkers, because there's kind of a combination of

0:47:35.280 --> 0:47:39.960
<v Speaker 2>scales that happens when you design the edges the way

0:47:40.000 --> 0:47:45.080
<v Speaker 2>that Thompson did at Banff, where the whole bunker is

0:47:45.200 --> 0:47:50.439
<v Speaker 2>big enough scaled up enough to compete with the land, right,

0:47:50.520 --> 0:47:55.319
<v Speaker 2>it can't be so small that it seems dinky in

0:47:55.320 --> 0:47:58.279
<v Speaker 2>comparison to the surrounding landforms, so it has to be

0:47:58.640 --> 0:48:02.560
<v Speaker 2>scaled up. But if it's just scaled up and plane,

0:48:03.719 --> 0:48:08.520
<v Speaker 2>then you lose the human perspective and the part of

0:48:08.560 --> 0:48:15.680
<v Speaker 2>it that helps humans access it right visually, I guess,

0:48:15.080 --> 0:48:18.160
<v Speaker 2>And that's kind of what maybe the bunkers that at

0:48:18.239 --> 0:48:22.120
<v Speaker 2>Jasper Park lacked before, was that combination of the scale

0:48:22.160 --> 0:48:24.359
<v Speaker 2>that's big enough for the entire bunker to live up

0:48:24.360 --> 0:48:28.200
<v Speaker 2>to the surroundings. Jasper had that, but then also the

0:48:28.360 --> 0:48:32.080
<v Speaker 2>details that allow the human scale to be part of

0:48:32.160 --> 0:48:33.080
<v Speaker 2>the picture as well.

0:48:33.920 --> 0:48:39.239
<v Speaker 1>It's really, really, really hard to do grand scale. I

0:48:39.280 --> 0:48:42.600
<v Speaker 1>would say there's only been a handful of architects in

0:48:42.719 --> 0:48:47.040
<v Speaker 1>history that can actually work in grand scale. Anytime you

0:48:47.080 --> 0:48:50.680
<v Speaker 1>see anything in grand scale that works, it shows that

0:48:50.719 --> 0:48:55.120
<v Speaker 1>they are from a peers perspective, they are better than

0:48:55.120 --> 0:48:59.280
<v Speaker 1>we are good at what they do. Because I've watched

0:48:59.280 --> 0:49:02.120
<v Speaker 1>a whole series of architects, I've even tried to do

0:49:02.160 --> 0:49:08.080
<v Speaker 1>some stuff myself by circumstances, and it's really hard not to.

0:49:10.480 --> 0:49:13.560
<v Speaker 1>There's a lot of pressure at a grand scale to

0:49:13.719 --> 0:49:16.360
<v Speaker 1>get every detail right, whereas if you're in a small

0:49:16.400 --> 0:49:20.040
<v Speaker 1>scale it's got enough sort of nooks and crannies and

0:49:20.160 --> 0:49:24.160
<v Speaker 1>intimate things going on anyway that on a small scale

0:49:24.200 --> 0:49:28.480
<v Speaker 1>you can get away with a lot more mistakes or

0:49:29.000 --> 0:49:34.560
<v Speaker 1>underperformance or lack of flourish because actually scale, the smaller

0:49:34.600 --> 0:49:40.719
<v Speaker 1>scale in itself provides some intimacy, and the intimacy becomes relatable,

0:49:41.200 --> 0:49:44.960
<v Speaker 1>and so it always small scale is easier to do.

0:49:45.320 --> 0:49:51.000
<v Speaker 1>Grand scale, it's very easy to sort of lose the

0:49:51.040 --> 0:49:54.200
<v Speaker 1>composition to the scale. Sure, And that's why you look

0:49:54.239 --> 0:49:58.520
<v Speaker 1>at Yale. I assume you've been to Yale. Yale is

0:49:58.600 --> 0:50:03.640
<v Speaker 1>just it anybody who says Rainer or Banks, but more

0:50:03.680 --> 0:50:08.879
<v Speaker 1>so Rainer that anybody sort of underplays his skill set.

0:50:08.960 --> 0:50:10.400
<v Speaker 3>First of all, look at all those rootings.

0:50:10.400 --> 0:50:14.799
<v Speaker 1>But they don't they don't understand that that scale. And

0:50:15.080 --> 0:50:18.960
<v Speaker 1>so he's working with telate templates. But it always fits.

0:50:19.480 --> 0:50:24.680
<v Speaker 1>And it's fucking hard to get something that grand and

0:50:24.760 --> 0:50:29.000
<v Speaker 1>bold to fit without it just being grand and bold

0:50:29.040 --> 0:50:30.320
<v Speaker 1>and crap.

0:50:30.760 --> 0:50:35.480
<v Speaker 2>Right, And it's at yeah, it is. I mean that

0:50:35.560 --> 0:50:38.799
<v Speaker 2>the proportions of that course are pretty much flawless. He

0:50:38.920 --> 0:50:43.200
<v Speaker 2>was great at it. Obviously. Thompson demonstrated that that he

0:50:43.280 --> 0:50:46.320
<v Speaker 2>could do it at Banff. I would say probably Alistair

0:50:46.360 --> 0:50:49.680
<v Speaker 2>Mackenzie worked well on a grand scale as well, was

0:50:49.719 --> 0:50:54.920
<v Speaker 2>able to build landforms, artificial landforms that didn't feel outrageous

0:50:55.200 --> 0:50:59.240
<v Speaker 2>but felt grand enough to live up to a property

0:50:59.280 --> 0:51:02.439
<v Speaker 2>like pasitim those Are there other architects that you think

0:51:02.840 --> 0:51:04.120
<v Speaker 2>are good examples of this?

0:51:06.640 --> 0:51:11.279
<v Speaker 1>I think sometimes they've done it, so, you know, I

0:51:11.600 --> 0:51:17.440
<v Speaker 1>think Ross's work at Oakland Hills, Yes, you know. I

0:51:18.000 --> 0:51:22.400
<v Speaker 1>like a place like Salem for the smallness and sharpness.

0:51:23.600 --> 0:51:25.880
<v Speaker 1>But I look at Oakland Hills and go, this is

0:51:25.960 --> 0:51:32.560
<v Speaker 1>the same guy, like you are just you are so good,

0:51:33.000 --> 0:51:36.959
<v Speaker 1>and then you do pineher Well. I know everybody talks

0:51:36.960 --> 0:51:40.800
<v Speaker 1>about Pinehursts. Number two is sort of a what is original?

0:51:40.800 --> 0:51:42.800
<v Speaker 1>What is not? So why don't I go to Essex?

0:51:43.320 --> 0:51:46.920
<v Speaker 1>But Essex is so different than Salem, which is around

0:51:46.960 --> 0:51:51.680
<v Speaker 1>the corner, which are both so different than Oakland Hills.

0:51:51.719 --> 0:51:55.400
<v Speaker 1>I mean, oh my god, is he? And then Seminole

0:51:55.560 --> 0:52:00.000
<v Speaker 1>is a whole other visual feast that's on another different,

0:52:00.000 --> 0:52:00.560
<v Speaker 1>diferent level.

0:52:00.640 --> 0:52:03.759
<v Speaker 3>Like Ross just mixed it. That's the biggest thing.

0:52:03.800 --> 0:52:07.000
<v Speaker 1>I think Ross mixed it up so well, and I

0:52:07.080 --> 0:52:11.000
<v Speaker 1>think if we're really poor it explaining one thing. As

0:52:11.880 --> 0:52:15.319
<v Speaker 1>historians are interested in architecture. I don't think we ever

0:52:15.560 --> 0:52:20.560
<v Speaker 1>give Ross the full credit for that unbelievably wide palette

0:52:20.560 --> 0:52:23.120
<v Speaker 1>that he could paint in. He could do it in

0:52:23.680 --> 0:52:25.120
<v Speaker 1>four or five ways.

0:52:25.400 --> 0:52:28.720
<v Speaker 2>Yeah, and you know, the pieces of land are so different.

0:52:29.480 --> 0:52:32.319
<v Speaker 2>Pinehurst number two you'd also have to throw into that

0:52:32.400 --> 0:52:36.840
<v Speaker 2>mix as a place where he just again took a

0:52:36.880 --> 0:52:40.880
<v Speaker 2>different approach. And it's funny how different restoration architects seemed

0:52:40.880 --> 0:52:44.480
<v Speaker 2>to be well suited to different types of Ross. Where

0:52:44.600 --> 0:52:47.319
<v Speaker 2>you know, at Pinehurst number two, maybe no one but

0:52:47.480 --> 0:52:50.880
<v Speaker 2>Corn Crenshaw could have done that restoration as well, and

0:52:50.920 --> 0:52:54.319
<v Speaker 2>maybe the same could be said of Seminole at Oakland Hills.

0:52:54.640 --> 0:52:58.080
<v Speaker 2>I'm very glad that Hans's team handled that work there

0:52:58.440 --> 0:53:02.200
<v Speaker 2>because yes, those bunkers on the par three ninth hole,

0:53:02.280 --> 0:53:04.839
<v Speaker 2>on the par three seventeenth hole, which are set into

0:53:04.880 --> 0:53:11.200
<v Speaker 2>such massive landforms, seem perfectly in proportion and the picture

0:53:11.480 --> 0:53:12.120
<v Speaker 2>is in balance.

0:53:12.600 --> 0:53:14.359
<v Speaker 1>And I know there's going to be four or five

0:53:14.400 --> 0:53:17.880
<v Speaker 1>different architects because I know all the bigger player as well,

0:53:18.320 --> 0:53:20.200
<v Speaker 1>who would be pissed off me for saying that, But

0:53:20.440 --> 0:53:23.640
<v Speaker 1>only Gil could do that particular job. I actually think

0:53:23.680 --> 0:53:27.200
<v Speaker 1>Gil's one of the few that can really get out

0:53:27.200 --> 0:53:28.759
<v Speaker 1>there with scale and get away with it.

0:53:29.239 --> 0:53:33.040
<v Speaker 2>Yeah, Gil and of course his design partner Jim Wagner

0:53:33.080 --> 0:53:36.920
<v Speaker 2>combined in wonderful ways to pull off those visuals and

0:53:36.960 --> 0:53:39.600
<v Speaker 2>make it truly look and feel like, you know, the

0:53:39.719 --> 0:53:42.239
<v Speaker 2>historical photos that you're looking at, which is not an

0:53:42.239 --> 0:53:43.919
<v Speaker 2>easy thing to do, but well.

0:53:43.840 --> 0:53:44.359
<v Speaker 3>You're right there.

0:53:44.960 --> 0:53:46.719
<v Speaker 1>I think that's an important thing that's kind of lost

0:53:46.760 --> 0:53:48.320
<v Speaker 1>an arch check. I'm just going to go sideways for

0:53:48.360 --> 0:53:49.160
<v Speaker 1>a quick side. Yeah.

0:53:49.200 --> 0:53:49.680
<v Speaker 2>Absolutely.

0:53:50.800 --> 0:53:54.799
<v Speaker 1>I always loved Bill Core's comment about Pacific Dunes of

0:53:55.400 --> 0:53:58.680
<v Speaker 1>only Tom could have built Pacific Dunes, and that's said

0:53:58.800 --> 0:54:02.480
<v Speaker 1>is a high compliment, And I do think you're right.

0:54:02.560 --> 0:54:05.719
<v Speaker 1>I do think there are horses for courses, and whether

0:54:05.760 --> 0:54:08.799
<v Speaker 1>it's restoration or even whether it's original, I just think

0:54:08.840 --> 0:54:13.040
<v Speaker 1>that there are there are moments where they're the right person.

0:54:13.400 --> 0:54:16.279
<v Speaker 1>I think the melding of Bill and Ben at sand

0:54:16.360 --> 0:54:22.280
<v Speaker 1>Hills Perry Maxwell. One of my ultimate favorite golf courses

0:54:22.280 --> 0:54:26.359
<v Speaker 1>in the entire world is Perry Dunes. A I have

0:54:26.400 --> 0:54:28.600
<v Speaker 1>a warm If you asked me for what is the

0:54:29.200 --> 0:54:33.720
<v Speaker 1>quintessential American course, it's actually what I would choose because

0:54:33.760 --> 0:54:38.040
<v Speaker 1>it expresses that site better than any other piece of

0:54:38.160 --> 0:54:41.560
<v Speaker 1>architecture I can think of. It is absolutely about that site.

0:54:41.880 --> 0:54:45.719
<v Speaker 1>But again, Perry Maxwell, God, I wish he had more

0:54:45.760 --> 0:54:49.279
<v Speaker 1>opportunity than he did. I think we would have appreciated

0:54:49.360 --> 0:54:52.440
<v Speaker 1>him like an Alistair Mackenzie. And I do think Alistair

0:54:52.480 --> 0:54:58.120
<v Speaker 1>is sitting on our Mount Rushmore. I think every architect

0:54:58.200 --> 0:54:59.759
<v Speaker 1>has to start with him and Colt there and then

0:54:59.800 --> 0:55:01.880
<v Speaker 1>it's just a question of where you go from there.

0:55:02.320 --> 0:55:05.000
<v Speaker 2>Right, Yeah, So all the branches kind of go out

0:55:05.040 --> 0:55:07.719
<v Speaker 2>from there, and and certainly Perry Maxwell's is part of

0:55:07.719 --> 0:55:11.480
<v Speaker 2>that Mackenzie tree. You can see the influence that working

0:55:11.520 --> 0:55:15.080
<v Speaker 2>with Mackenzie had on him, Uh, you know, from Crystal Downs,

0:55:15.560 --> 0:55:19.080
<v Speaker 2>then to his work at Prairie Dunes on the original

0:55:19.200 --> 0:55:21.320
<v Speaker 2>nine hole course, which is maybe the best set of

0:55:21.360 --> 0:55:23.840
<v Speaker 2>golf holes ever put in the ground in America, and

0:55:23.880 --> 0:55:27.960
<v Speaker 2>then Old Town, one of the best design courses anywhere. There's, uh,

0:55:28.000 --> 0:55:31.399
<v Speaker 2>there's these these influences, and then Perry Maxwell jumps over

0:55:31.440 --> 0:55:34.680
<v Speaker 2>time to Core and Crenshaw and that that line of

0:55:34.719 --> 0:55:39.439
<v Speaker 2>influence firmly intersects with with them. We have we we've

0:55:39.600 --> 0:55:43.959
<v Speaker 2>certainly gone sideways, as you say, but I love going Yeah,

0:55:44.440 --> 0:55:47.400
<v Speaker 2>I mean, it's well, it's maybe I shouldn't be resisting

0:55:47.400 --> 0:55:49.160
<v Speaker 2>it as much as I am. I do want to

0:55:49.200 --> 0:55:53.040
<v Speaker 2>eventually get lead us back to Stanley Thompson and uh

0:55:53.280 --> 0:55:56.319
<v Speaker 2>in some way. There are other courses to talk about,

0:55:56.360 --> 0:56:00.320
<v Speaker 2>and indeed courses where you have worked and done restorings

0:56:00.360 --> 0:56:02.120
<v Speaker 2>and renovations. And I want to make sure to mention

0:56:02.239 --> 0:56:08.040
<v Speaker 2>that it's news to me. I mean, you're currently working

0:56:08.040 --> 0:56:12.240
<v Speaker 2>on projects at a few different interesting Stanley Thompson golf courses.

0:56:12.560 --> 0:56:17.000
<v Speaker 2>I want to mention quickly Sleepy Hollow golf Course in Cleveland.

0:56:17.320 --> 0:56:21.080
<v Speaker 2>Have I heard that you're involved in something there?

0:56:21.120 --> 0:56:21.239
<v Speaker 3>Now?

0:56:21.280 --> 0:56:23.200
<v Speaker 2>I know it's a long term thing because you're working

0:56:23.200 --> 0:56:25.840
<v Speaker 2>with Cleveland metro Parks and these things take time, but

0:56:26.160 --> 0:56:28.279
<v Speaker 2>what's the nature of what you're trying to do there?

0:56:29.239 --> 0:56:35.160
<v Speaker 1>So essentially to be very frank to get them to

0:56:35.200 --> 0:56:37.879
<v Speaker 1>the next stage. So I've given them a master plan

0:56:37.920 --> 0:56:43.080
<v Speaker 1>which does include even some restoration work for bunkers, but

0:56:43.120 --> 0:56:46.840
<v Speaker 1>I will not be the one doing it. They've probably

0:56:46.840 --> 0:56:48.440
<v Speaker 1>got ten years of clearing to do.

0:56:49.239 --> 0:56:51.759
<v Speaker 2>Yeah, and so I see on your master plan is

0:56:51.800 --> 0:56:54.160
<v Speaker 2>a lot of a lot of trees that need to.

0:56:54.480 --> 0:56:57.959
<v Speaker 1>They have a time to do. And it was golf

0:56:58.000 --> 0:57:04.279
<v Speaker 1>course built on an enormous scale. Historically, you could argue

0:57:04.320 --> 0:57:08.120
<v Speaker 1>it's not eighteen holes of Stanley. There is sort of

0:57:08.160 --> 0:57:10.239
<v Speaker 1>a history, so you're kind of nine and nine. But

0:57:10.800 --> 0:57:15.279
<v Speaker 1>he he did do work on the other nine. There's

0:57:15.320 --> 0:57:18.000
<v Speaker 1>definitely nine holes of his. There is one of the

0:57:18.960 --> 0:57:21.120
<v Speaker 1>all time great One of the things Stanley was great

0:57:21.160 --> 0:57:24.360
<v Speaker 1>at was super long part threes. There is one of

0:57:24.440 --> 0:57:27.360
<v Speaker 1>the all time greatest long part threes he ever did.

0:57:28.640 --> 0:57:32.520
<v Speaker 1>Currently played as eleven. I can't even imagine playing that

0:57:32.560 --> 0:57:36.439
<v Speaker 1>as too. So the idea is we're going to open

0:57:36.560 --> 0:57:40.280
<v Speaker 1>up so you'll see more of the land. We've started

0:57:40.280 --> 0:57:42.200
<v Speaker 1>to open up the canyon hole. They've actually got a

0:57:42.200 --> 0:57:46.280
<v Speaker 1>canyon with a waterfall that the waterfalls now exposed. But

0:57:46.480 --> 0:57:53.240
<v Speaker 1>the epic second shot on that hole will be spectacular

0:57:53.280 --> 0:57:56.080
<v Speaker 1>when it's finally opened up. So they're going to clear

0:57:56.120 --> 0:57:58.880
<v Speaker 1>trees there and then, as I said, I think it's

0:57:58.920 --> 0:58:00.280
<v Speaker 1>going to be in house, So I think going to

0:58:00.360 --> 0:58:02.680
<v Speaker 1>take them about ten years to get there. I'll just

0:58:02.720 --> 0:58:05.800
<v Speaker 1>be super frank. I won't be working at that point,

0:58:05.880 --> 0:58:09.440
<v Speaker 1>so which is fine. When we put everything together, I

0:58:09.520 --> 0:58:12.680
<v Speaker 1>was I'm not sure if I said that to them,

0:58:12.680 --> 0:58:14.960
<v Speaker 1>but I think I did say that to them. Essentially

0:58:15.360 --> 0:58:19.800
<v Speaker 1>just clear they know, clear trees until you're done, and

0:58:19.840 --> 0:58:24.080
<v Speaker 1>then and then at that point you can they do it.

0:58:24.240 --> 0:58:28.360
<v Speaker 1>They should rebuild one of the greens in particular, and

0:58:28.440 --> 0:58:30.880
<v Speaker 1>not because it's too steep or anything like that, but

0:58:30.920 --> 0:58:34.400
<v Speaker 1>one of thos been altered too much, and then it

0:58:34.440 --> 0:58:36.280
<v Speaker 1>could use a bunker job. And then I think it's

0:58:36.320 --> 0:58:39.440
<v Speaker 1>one of the best public golf courses you'll find anywhere.

0:58:39.480 --> 0:58:41.680
<v Speaker 1>I mean, it would be a good example of his work.

0:58:42.000 --> 0:58:48.040
<v Speaker 1>The scale is Jasper Bamp. It's overwhelming. The land is

0:58:48.840 --> 0:58:52.600
<v Speaker 1>spectacularly rolling. It's got to be two hundred and fifty

0:58:52.600 --> 0:58:53.440
<v Speaker 1>acres that side.

0:58:53.560 --> 0:58:54.360
<v Speaker 3>It might be more.

0:58:55.080 --> 0:58:58.560
<v Speaker 2>It'll probably be a good example of how trees shut

0:58:58.640 --> 0:59:01.520
<v Speaker 2>down scale or high it, you know, and as you

0:59:01.560 --> 0:59:05.360
<v Speaker 2>start to expose that property it becomes very big. That's

0:59:05.360 --> 0:59:07.320
<v Speaker 2>something for people to keep an eye on. I think

0:59:07.400 --> 0:59:10.960
<v Speaker 2>Sleepy Hollow is already a pleasure to play, a great

0:59:11.320 --> 0:59:15.600
<v Speaker 2>municipal golf course designed by Stanley Thompson right there in Cleveland,

0:59:15.920 --> 0:59:20.160
<v Speaker 2>available to all, and hopefully they take that master plan

0:59:20.200 --> 0:59:23.040
<v Speaker 2>that you drew up seriously and gradually implement it as

0:59:23.040 --> 0:59:27.800
<v Speaker 2>they're as they're able. At Bamp Springs, my understanding is

0:59:27.840 --> 0:59:31.200
<v Speaker 2>that there's some work potentially happening there as well. What

0:59:31.240 --> 0:59:32.160
<v Speaker 2>can you tell me about that?

0:59:32.800 --> 0:59:35.960
<v Speaker 1>So at the moment, I can give you a visual

0:59:36.600 --> 0:59:37.240
<v Speaker 1>Oh look.

0:59:37.080 --> 0:59:43.440
<v Speaker 2>At this, So for for audio only listeners, was showing

0:59:43.480 --> 0:59:46.440
<v Speaker 2>me a plan. You're you're you're you're an artist in

0:59:46.480 --> 0:59:48.600
<v Speaker 2>addition to a golf architect, by the way, and so

0:59:48.680 --> 0:59:51.040
<v Speaker 2>that the plans you draw on your paintings are are

0:59:51.040 --> 0:59:52.920
<v Speaker 2>all visually striking.

0:59:53.000 --> 0:59:55.160
<v Speaker 1>But that's which is which is awesome in radio.

0:59:55.680 --> 0:59:59.600
<v Speaker 2>Yeah, Well, we've started to post these podcasts on YouTube

0:59:59.600 --> 1:00:02.040
<v Speaker 2>as well, so as maybe people can see it there.

1:00:02.240 --> 1:00:07.480
<v Speaker 1>Anyways, they hired me this year to help them restore bunkers.

1:00:07.600 --> 1:00:09.720
<v Speaker 1>So they had started to do some work in house,

1:00:10.040 --> 1:00:15.040
<v Speaker 1>and I think they faced some minor criticism about some

1:00:15.120 --> 1:00:16.960
<v Speaker 1>of the work or had some questions about some of

1:00:17.000 --> 1:00:21.200
<v Speaker 1>the work, and so they hired me to come out.

1:00:21.240 --> 1:00:26.000
<v Speaker 1>And I've got a tremendous amount of archival information about

1:00:26.040 --> 1:00:30.479
<v Speaker 1>the golf course, and so I spent six days going

1:00:30.480 --> 1:00:32.880
<v Speaker 1>over the golf course and going over bunker by bunker

1:00:35.360 --> 1:00:37.640
<v Speaker 1>what should be done in every individual bunker so they

1:00:37.640 --> 1:00:42.960
<v Speaker 1>can they can restore it. So they've done some and

1:00:43.000 --> 1:00:45.560
<v Speaker 1>then in the process I just sort of I've given

1:00:45.600 --> 1:00:49.360
<v Speaker 1>them a grassing The grassing lines have kind of come

1:00:49.400 --> 1:00:52.680
<v Speaker 1>in a bit, and particularly in some spots badly, and

1:00:52.720 --> 1:00:55.160
<v Speaker 1>so the idea is to push the grassing lines back out.

1:00:55.640 --> 1:01:00.120
<v Speaker 1>They're really receptive to going at that right away. And

1:01:00.160 --> 1:01:02.600
<v Speaker 1>then the other thing is some tree removal where trees

1:01:02.640 --> 1:01:06.720
<v Speaker 1>are starting to impinge on corridors there, impinge upon the

1:01:06.800 --> 1:01:09.800
<v Speaker 1>quality of the bunkering or even turf health. That's actually

1:01:09.840 --> 1:01:15.440
<v Speaker 1>a little harder because it's Parks Canada. It's a Parks property.

1:01:16.600 --> 1:01:20.320
<v Speaker 1>Most of it's okay, but anytime we run into Douglas firs,

1:01:20.480 --> 1:01:24.320
<v Speaker 1>the Parks Canada is really reluctant to take a Douglas fern.

1:01:24.480 --> 1:01:28.840
<v Speaker 1>And the Seventh Green not any original writing. The current

1:01:28.880 --> 1:01:33.479
<v Speaker 1>seventh Green on the Thompson eighteen. It's all Douglas Firs

1:01:33.520 --> 1:01:35.640
<v Speaker 1>around that green site. And it's actually the biggest problem

1:01:35.640 --> 1:01:39.400
<v Speaker 1>we've got for turf health and bunker health. So we'll

1:01:39.400 --> 1:01:42.160
<v Speaker 1>see how we do on that. I have an alternative

1:01:42.160 --> 1:01:47.040
<v Speaker 1>for how to deal with that. But essentially that's the

1:01:47.080 --> 1:01:49.840
<v Speaker 1>plan is just so they can go ahead. Some of

1:01:49.880 --> 1:01:52.920
<v Speaker 1>the things that have been put in by other architects.

1:01:53.520 --> 1:01:55.600
<v Speaker 1>We're going to get rid of a few things. The

1:01:55.680 --> 1:01:58.240
<v Speaker 1>greens are renovated, so I'm trying to deal with the

1:01:58.280 --> 1:02:01.240
<v Speaker 1>fact that when they renovate them, they actually built on

1:02:01.280 --> 1:02:03.280
<v Speaker 1>top of them. So some of the depths are wrong.

1:02:05.120 --> 1:02:07.440
<v Speaker 1>Sometimes we're just going to leave that alone. Other times

1:02:07.440 --> 1:02:11.240
<v Speaker 1>we're going to fix that because the relationship doesn't work

1:02:11.280 --> 1:02:13.800
<v Speaker 1>and the banks don't work anymore, so we'll just fix

1:02:13.880 --> 1:02:17.080
<v Speaker 1>that all up. Also trying to get them to expose

1:02:17.120 --> 1:02:21.280
<v Speaker 1>some of the river views that they're losing or have lost.

1:02:22.000 --> 1:02:24.880
<v Speaker 1>We've just got to make sure that we're not overstepping

1:02:24.880 --> 1:02:27.400
<v Speaker 1>our bounds with them on that one, because the Bow

1:02:27.480 --> 1:02:31.840
<v Speaker 1>River is super important. It's a very healthy river with

1:02:32.280 --> 1:02:35.960
<v Speaker 1>trout and really a wonderful river, so it's really important.

1:02:36.320 --> 1:02:38.439
<v Speaker 1>But just going through a process on that where they're

1:02:38.480 --> 1:02:39.760
<v Speaker 1>comfortable with what we're doing.

1:02:40.240 --> 1:02:41.480
<v Speaker 3>So that's just started off.

1:02:41.720 --> 1:02:46.600
<v Speaker 1>I'll finish off the planning part of it probably this winter.

1:02:46.720 --> 1:02:47.960
<v Speaker 3>That was kind of our arrangement.

1:02:50.280 --> 1:02:53.800
<v Speaker 1>And so, yeah, I was in the middle of the

1:02:53.800 --> 1:02:57.640
<v Speaker 1>fairway of the one day on one of the wholes,

1:02:57.320 --> 1:03:00.600
<v Speaker 1>and all I could think of was it was what

1:03:00.680 --> 1:03:03.280
<v Speaker 1>I always wanted to do, was to work at bamf Springs.

1:03:03.320 --> 1:03:08.760
<v Speaker 1>And I got a little emotional at the time and

1:03:08.880 --> 1:03:12.880
<v Speaker 1>just thought, I can't I can't believe I'm I get

1:03:12.880 --> 1:03:16.360
<v Speaker 1>the privilege to do this. So there are little moments,

1:03:16.400 --> 1:03:18.480
<v Speaker 1>you know, it's funny as an architect sometimes you can

1:03:18.840 --> 1:03:21.080
<v Speaker 1>we're really bad sometimes at lamenting the things we don't

1:03:21.120 --> 1:03:26.040
<v Speaker 1>get to do. But I mean, God, the chance to

1:03:26.080 --> 1:03:28.320
<v Speaker 1>work at BAMF Springs and then we'll probably end up

1:03:28.360 --> 1:03:30.520
<v Speaker 1>talking about cap Breton Highlands. I got a chance to

1:03:30.560 --> 1:03:33.880
<v Speaker 1>restore that. I mean, if you ask me when I

1:03:33.920 --> 1:03:39.200
<v Speaker 1>was young what I hope to do, we're touching on it.

1:03:39.280 --> 1:03:42.360
<v Speaker 2>So yeah, yeah, those are the two courses. I mean, there's,

1:03:43.520 --> 1:03:47.600
<v Speaker 2>at least from my perspective as an American, there's no

1:03:47.800 --> 1:03:51.880
<v Speaker 2>more iconic golf course than BAMF Springs. But it has

1:03:52.000 --> 1:03:55.840
<v Speaker 2>been known for a while that it's in need of

1:03:55.880 --> 1:03:59.560
<v Speaker 2>some nips and tucks, some TLC, some return to the past,

1:04:00.240 --> 1:04:03.160
<v Speaker 2>and so let's hope that they're able to get there

1:04:03.400 --> 1:04:07.320
<v Speaker 2>while keeping in balance their relationship with the surrounding environment,

1:04:07.360 --> 1:04:12.919
<v Speaker 2>which is obviously very important as well, but obviously one

1:04:12.920 --> 1:04:15.840
<v Speaker 2>of the most gorgeous golf courses in the world, and

1:04:16.200 --> 1:04:18.520
<v Speaker 2>so let's hope that they can improve the bed.

1:04:19.040 --> 1:04:23.200
<v Speaker 1>So BAMF is the highest expression of his bunkering, there

1:04:23.320 --> 1:04:26.320
<v Speaker 1>is no I mean, unfortunately, I work with Saint George's,

1:04:26.320 --> 1:04:30.240
<v Speaker 1>which is a really good one too, and Caps incredible,

1:04:31.880 --> 1:04:34.919
<v Speaker 1>but BAMF Springs is sort of that watershed moment where

1:04:35.000 --> 1:04:38.800
<v Speaker 1>he expressed himself as flamboyantly as he possibly could. And

1:04:38.840 --> 1:04:41.880
<v Speaker 1>I just I think when we've got things like that,

1:04:42.320 --> 1:04:48.400
<v Speaker 1>you really want to present it. You know, he's better

1:04:48.480 --> 1:04:52.920
<v Speaker 1>than most of us, so shouldn't his architecture be completely expressed.

1:04:53.200 --> 1:04:55.840
<v Speaker 1>And then that's a great example for other architects to

1:04:56.840 --> 1:05:00.280
<v Speaker 1>go and see, our players, to go and enjoy, just

1:05:00.320 --> 1:05:03.360
<v Speaker 1>to get a real true feel of how good he was.

1:05:03.560 --> 1:05:06.200
<v Speaker 1>And so that's why I think the restoration of Vams

1:05:07.200 --> 1:05:08.600
<v Speaker 1>critical for Canadian golf.

1:05:10.320 --> 1:05:15.200
<v Speaker 2>Well Ian, let's wrap up here with some discussion of

1:05:15.560 --> 1:05:21.080
<v Speaker 2>late career Thompson or later career Stanley Thompson. Two courses.

1:05:21.640 --> 1:05:25.120
<v Speaker 2>I wanted to get to where Capilano and Cape Breton

1:05:25.640 --> 1:05:29.880
<v Speaker 2>Highland's links, both of which you're very familiar with. And

1:05:31.000 --> 1:05:32.760
<v Speaker 2>I don't know if there's a way to discuss these

1:05:32.800 --> 1:05:36.439
<v Speaker 2>courses together, but as a way of setting this up,

1:05:36.840 --> 1:05:40.560
<v Speaker 2>we've touched on this earlier, but there's a way that

1:05:40.920 --> 1:05:46.080
<v Speaker 2>Stanley Thompson's career kind of tracks the arcs of golf

1:05:46.200 --> 1:05:56.960
<v Speaker 2>architecture in the Golden Age and after he became increasingly bold, flamboyant, baroque,

1:05:57.000 --> 1:06:02.040
<v Speaker 2>even toward the late twenties as he was unleashed and

1:06:02.280 --> 1:06:07.480
<v Speaker 2>exposed to different and exciting forms of golf architecture, and

1:06:07.720 --> 1:06:12.240
<v Speaker 2>perhaps Bamf Springs Saint George's which you mentioned, represent that

1:06:12.360 --> 1:06:17.160
<v Speaker 2>period in Thompson's career and that period in Golden Age architecture.

1:06:17.160 --> 1:06:20.120
<v Speaker 2>We see Alistair Mackenzie moving in much the same direction

1:06:20.320 --> 1:06:23.800
<v Speaker 2>in California around the same time, getting to the point

1:06:23.800 --> 1:06:29.520
<v Speaker 2>at Pasatiempo where the visuals are quite over the top

1:06:29.640 --> 1:06:34.320
<v Speaker 2>even in places. But then as the depression was approaching,

1:06:34.840 --> 1:06:40.800
<v Speaker 2>there was some pullback, maybe some return to more minimal approaches.

1:06:41.560 --> 1:06:45.520
<v Speaker 2>Augusta National famously didn't have many bunkers when it opened,

1:06:45.960 --> 1:06:48.520
<v Speaker 2>so those bunkers were very bold and the greens were

1:06:48.600 --> 1:06:52.400
<v Speaker 2>very bold, but there was less aggression, I guess, in

1:06:52.760 --> 1:06:56.800
<v Speaker 2>the style of that course than what you see in Pasatiempo.

1:06:57.840 --> 1:07:01.920
<v Speaker 2>And so Stanley Thompson we can follow through the thirties

1:07:01.920 --> 1:07:05.640
<v Speaker 2>because he kept doing work. He kept doing important projects

1:07:05.680 --> 1:07:08.520
<v Speaker 2>during that period, so he's one of the few architects

1:07:08.600 --> 1:07:12.400
<v Speaker 2>we can talk about as kind of continuing some threads

1:07:12.440 --> 1:07:15.160
<v Speaker 2>from the Golden Age and exploring where that was going

1:07:15.200 --> 1:07:19.120
<v Speaker 2>to go next. Perry Maxwell, same deal, continued to work

1:07:19.160 --> 1:07:21.480
<v Speaker 2>in the thirties. We saw what his work was like

1:07:21.560 --> 1:07:24.840
<v Speaker 2>Langford and Moreau to an extent the same thing. Stanley

1:07:24.840 --> 1:07:27.320
<v Speaker 2>Thompson is one of those interesting architects where we can

1:07:27.360 --> 1:07:33.080
<v Speaker 2>see the evolution of his style continue even after the depression,

1:07:33.080 --> 1:07:36.080
<v Speaker 2>and we can't say that about many golf architects of

1:07:36.640 --> 1:07:39.200
<v Speaker 2>his period. So when you look at Capitalano and you

1:07:39.240 --> 1:07:42.360
<v Speaker 2>look at Cape Britton, Hiland's links, what do you see?

1:07:42.840 --> 1:07:46.280
<v Speaker 2>How do you place those courses in the evolution of

1:07:46.320 --> 1:07:47.720
<v Speaker 2>his career and style.

1:07:48.840 --> 1:07:52.240
<v Speaker 1>So there were five courses that sort of came one

1:07:52.280 --> 1:07:55.080
<v Speaker 1>after the other, and that was Jasper Led to bam

1:07:55.160 --> 1:08:00.960
<v Speaker 1>Fled to Saint George's and then interestingly enough, right when

1:08:00.960 --> 1:08:03.520
<v Speaker 1>he finished Saint George's he got hired to do Caplano.

1:08:03.600 --> 1:08:05.600
<v Speaker 1>Cap Plano actually took a long time, took a lot

1:08:05.640 --> 1:08:08.680
<v Speaker 1>longer because it's a six thousand acre development as well,

1:08:08.720 --> 1:08:10.760
<v Speaker 1>and it was owned by the Guinness family. So the

1:08:10.760 --> 1:08:15.360
<v Speaker 1>one reason he had money and the ability to build

1:08:15.400 --> 1:08:19.360
<v Speaker 1>Capilano and had the financial wherewithal was the fact that

1:08:19.400 --> 1:08:23.160
<v Speaker 1>the Guinness family was actually the financial backstop to that project.

1:08:24.160 --> 1:08:29.439
<v Speaker 1>So when he was building Cap Cap Capilano, he got

1:08:29.439 --> 1:08:32.240
<v Speaker 1>to pick the routing. So he picked the property off

1:08:32.280 --> 1:08:36.680
<v Speaker 1>of six thousand acres and the rooting actually drops three

1:08:36.800 --> 1:08:39.920
<v Speaker 1>hundred and eighty feet, so it drops through the first

1:08:39.960 --> 1:08:44.559
<v Speaker 1>six holes and then it sort of benches its way

1:08:44.600 --> 1:08:47.160
<v Speaker 1>back up and then you finished the final holes at

1:08:47.160 --> 1:08:51.080
<v Speaker 1>the bowl above. The interesting I'm going to go slightly

1:08:51.120 --> 1:08:54.760
<v Speaker 1>sideways on it. The interesting thing about Cap is he

1:08:54.800 --> 1:08:57.120
<v Speaker 1>didn't walk you straight down six holes. He walked you

1:08:57.160 --> 1:08:59.160
<v Speaker 1>down then walked you across. And the reason is is

1:08:59.240 --> 1:09:01.120
<v Speaker 1>your legs would wear out if you walk six holes

1:09:01.120 --> 1:09:03.120
<v Speaker 1>straight down, and just like your legs would wear out

1:09:03.120 --> 1:09:05.800
<v Speaker 1>if you walk six straight holes. And the brilliance in

1:09:05.840 --> 1:09:08.960
<v Speaker 1>that rooting is that actually works its way down by

1:09:08.960 --> 1:09:12.200
<v Speaker 1>going sidehill for a while and then drops, and then

1:09:12.200 --> 1:09:14.240
<v Speaker 1>when it goes up, it goes up, and then side

1:09:14.280 --> 1:09:16.000
<v Speaker 1>hill and goes up, and then goes side hill and

1:09:16.040 --> 1:09:16.439
<v Speaker 1>goes up.

1:09:16.479 --> 1:09:20.559
<v Speaker 2>And like the hiking path, sorry, it's like a hiking path,

1:09:20.640 --> 1:09:22.840
<v Speaker 2>like a good hiking path, or is.

1:09:22.800 --> 1:09:24.720
<v Speaker 1>Bill Corraways like to say, if you ever want to

1:09:24.720 --> 1:09:25.920
<v Speaker 1>know how to get up a hill, look for the

1:09:25.920 --> 1:09:33.559
<v Speaker 1>cattle trail. It's usually diagonally across the hill. The and

1:09:34.560 --> 1:09:36.760
<v Speaker 1>the one of the interesting decisions he made about the

1:09:36.760 --> 1:09:42.080
<v Speaker 1>golf course was rather than building an enormous amount of bunkering,

1:09:43.800 --> 1:09:45.599
<v Speaker 1>you know, you get to the second green site, there's

1:09:45.600 --> 1:09:49.360
<v Speaker 1>no bunkers. And he mixed it up. He had a

1:09:49.400 --> 1:09:52.599
<v Speaker 1>bit of bunkering on the first, not too much on two,

1:09:52.760 --> 1:09:56.360
<v Speaker 1>a lot on three. Four was a part three there

1:09:56.439 --> 1:09:59.479
<v Speaker 1>was a lot more, and he just kind of flexed

1:09:59.520 --> 1:10:03.240
<v Speaker 1>back and he just didn't really turn to bunkering as much.

1:10:03.920 --> 1:10:06.280
<v Speaker 1>And because it was a really interesting piece of land,

1:10:06.320 --> 1:10:09.519
<v Speaker 1>because it was severe, he often just kind of leaned

1:10:09.560 --> 1:10:12.200
<v Speaker 1>into the landforms or the way the holes benched in,

1:10:13.000 --> 1:10:15.880
<v Speaker 1>and so there was much less use of bunkering, and

1:10:16.520 --> 1:10:19.240
<v Speaker 1>he allowed sort of the whole larger setting to take

1:10:20.280 --> 1:10:23.519
<v Speaker 1>a larger role in the architecture. So you know, he

1:10:23.520 --> 1:10:26.080
<v Speaker 1>would choose a plateau green site and then rather than

1:10:26.360 --> 1:10:28.720
<v Speaker 1>bunkering living daylights out of it, it would be a

1:10:28.720 --> 1:10:32.600
<v Speaker 1>plateau green site. And what was fascinating is when he

1:10:32.640 --> 1:10:34.960
<v Speaker 1>got to Caperton Highlands, it was the same thing. He

1:10:35.000 --> 1:10:38.880
<v Speaker 1>was actually chasing topsoil. In the routing. There are five

1:10:39.120 --> 1:10:43.280
<v Speaker 1>holes without any bunkers at all, which sounds like a lot,

1:10:43.320 --> 1:10:44.880
<v Speaker 1>but you don't notice it when you play it.

1:10:44.920 --> 1:10:46.680
<v Speaker 3>You have to be told that to notice it.

1:10:47.600 --> 1:10:51.120
<v Speaker 1>But the interesting thing about that was he took an

1:10:51.120 --> 1:10:53.960
<v Speaker 1>even greater step back from the land and he let

1:10:54.040 --> 1:10:58.439
<v Speaker 1>the land dictate the strategies and play, and then he

1:10:58.560 --> 1:11:02.640
<v Speaker 1>bunkered to reinforce. That felt like being elaborate. So some

1:11:02.680 --> 1:11:05.439
<v Speaker 1>of the green sites, like fifteen, there's an enormous round

1:11:05.479 --> 1:11:10.360
<v Speaker 1>of bunkers. On other holes, like the thirteenth hole, which

1:11:10.360 --> 1:11:14.280
<v Speaker 1>just happens to be my favorite, there's a big knoll

1:11:14.320 --> 1:11:16.559
<v Speaker 1>in the middle of the fairway and the green sits

1:11:16.600 --> 1:11:19.880
<v Speaker 1>behind it, and the knoll is you have to figure out,

1:11:19.920 --> 1:11:21.280
<v Speaker 1>am I going to hit the top of the knoll?

1:11:21.320 --> 1:11:22.680
<v Speaker 1>Am I going to try to play right of it?

1:11:22.800 --> 1:11:25.160
<v Speaker 1>Left of it? What am I going to do? But

1:11:25.240 --> 1:11:27.519
<v Speaker 1>the shot in is not in the air, it's on

1:11:27.560 --> 1:11:30.120
<v Speaker 1>the ground. You've got to either play really left off

1:11:30.160 --> 1:11:32.640
<v Speaker 1>the tee and try to play up the valley, or

1:11:32.680 --> 1:11:34.600
<v Speaker 1>try to use the feeder or try to bounce it.

1:11:34.600 --> 1:11:36.160
<v Speaker 1>I'd like to try to bounce it off the top

1:11:36.439 --> 1:11:37.840
<v Speaker 1>because if you can hit the crown of it. It

1:11:37.880 --> 1:11:40.840
<v Speaker 1>actually always feeds dead center of the green. But there

1:11:40.840 --> 1:11:44.080
<v Speaker 1>are so many holes where there may be bunkering on

1:11:44.200 --> 1:11:46.960
<v Speaker 1>the holes, but the bunkering is a framework, and it's

1:11:47.000 --> 1:11:50.200
<v Speaker 1>a visual framework. But what matters is the steep slope,

1:11:50.240 --> 1:11:52.320
<v Speaker 1>and often those are cut short.

1:11:52.760 --> 1:11:56.519
<v Speaker 3>And everything there was cut short. He was like a gusty.

1:11:56.560 --> 1:11:59.760
<v Speaker 1>He mowed out to the forest lines and it was

1:11:59.800 --> 1:12:03.040
<v Speaker 1>just a uniform cut. It was greens, a uniform cut

1:12:03.160 --> 1:12:05.880
<v Speaker 1>and teas, And even then I would argue that when

1:12:05.880 --> 1:12:07.599
<v Speaker 1>I played it in eighty one, when I was a kid,

1:12:08.040 --> 1:12:10.320
<v Speaker 1>I would argue that teas were the same height as

1:12:10.400 --> 1:12:13.200
<v Speaker 1>the fairways, that it was a uniform cut until you

1:12:13.240 --> 1:12:16.320
<v Speaker 1>got to the greens. But he allowed the land to

1:12:16.520 --> 1:12:20.639
<v Speaker 1>He didn't need to impose himself in the architecture. As

1:12:20.760 --> 1:12:25.040
<v Speaker 1>time went on, he took he had a lighter and

1:12:25.120 --> 1:12:29.439
<v Speaker 1>lighter hand, He took a less aggressive approach, and in

1:12:29.520 --> 1:12:34.760
<v Speaker 1>many ways, Cape Breton Highlands is my favorite because it's

1:12:34.960 --> 1:12:40.920
<v Speaker 1>just a really interesting mix of whole types and architecture.

1:12:41.160 --> 1:12:45.200
<v Speaker 1>And Saint George's is harder, but it was meant for

1:12:45.240 --> 1:12:51.760
<v Speaker 1>a Canadian open At Highlands, there are easy holes. There's

1:12:51.840 --> 1:12:55.800
<v Speaker 1>lots of drivable stuff. There's he kind of backed off.

1:12:55.840 --> 1:12:59.880
<v Speaker 1>He kind of said, you got to see this proper,

1:13:01.040 --> 1:13:03.480
<v Speaker 1>and God, you're going to have fun seeing this property.

1:13:04.479 --> 1:13:07.360
<v Speaker 1>And the super cool thing about the rooting at Highlands

1:13:07.439 --> 1:13:09.479
<v Speaker 1>is one of my favorite things in all of his work.

1:13:09.600 --> 1:13:14.080
<v Speaker 1>Is you play along the headlands and you end up

1:13:14.160 --> 1:13:15.960
<v Speaker 1>down at the ocean, so you slowly make your way

1:13:15.960 --> 1:13:18.479
<v Speaker 1>to the ocean. You actually play ocean side holes, and

1:13:18.520 --> 1:13:21.680
<v Speaker 1>then there's an enormous walk and you find yourself in

1:13:21.720 --> 1:13:26.920
<v Speaker 1>this massive mountain valley and you play over the kind

1:13:26.920 --> 1:13:31.080
<v Speaker 1>of over the pass, and then you've got this long walk,

1:13:31.120 --> 1:13:34.480
<v Speaker 1>and then you play into the Clybourne Brook, this beautiful

1:13:34.560 --> 1:13:38.800
<v Speaker 1>pastoral valley, and then you've got probably the greatest walk

1:13:38.800 --> 1:13:41.599
<v Speaker 1>in golf that's not a golf hole is from twelve

1:13:41.680 --> 1:13:44.800
<v Speaker 1>to thirteen, you actually walk up the brook on a

1:13:45.439 --> 1:13:48.479
<v Speaker 1>it's cliff on the right of you, it's rushing river

1:13:48.600 --> 1:13:51.519
<v Speaker 1>on the left of you, and you're literally you feel

1:13:51.520 --> 1:13:54.240
<v Speaker 1>like you're hanging in the balance half the time. And

1:13:54.280 --> 1:13:57.519
<v Speaker 1>then you play over this rumply crazy land for the

1:13:57.560 --> 1:14:02.320
<v Speaker 1>next set, and then you get to the church on fifteen.

1:14:03.920 --> 1:14:07.200
<v Speaker 1>Most people usually stop. I always like to stop it's

1:14:07.240 --> 1:14:09.200
<v Speaker 1>a Catholic church. I'm not Catholic, and I'm not that

1:14:09.320 --> 1:14:12.639
<v Speaker 1>religious either, but it's a charming thing to just look

1:14:12.680 --> 1:14:15.760
<v Speaker 1>in smile. I always find there's something. I'd get out

1:14:15.760 --> 1:14:19.120
<v Speaker 1>of that and then walk to the next tee. But again,

1:14:19.320 --> 1:14:21.559
<v Speaker 1>and now you're back in the uplands where you started

1:14:21.600 --> 1:14:25.280
<v Speaker 1>the first couple of holes, or the headlands. But it

1:14:25.760 --> 1:14:28.600
<v Speaker 1>reads like a book, and the interesting thing is it

1:14:28.840 --> 1:14:32.680
<v Speaker 1>shows you actually every landscape that's in Cape Bretton Island,

1:14:33.840 --> 1:14:35.880
<v Speaker 1>but in a golf course, in a series of chapters,

1:14:36.479 --> 1:14:39.120
<v Speaker 1>and it I don't know if he meant to do

1:14:39.160 --> 1:14:42.080
<v Speaker 1>it or again, if it's happenstance. Let's choose to say

1:14:42.120 --> 1:14:44.960
<v Speaker 1>that he was a genius if he could. If he

1:14:45.040 --> 1:14:48.559
<v Speaker 1>actually figured that out, then he is on an elite

1:14:48.720 --> 1:14:52.160
<v Speaker 1>level genius for choosing to actually space things out.

1:14:52.600 --> 1:14:54.400
<v Speaker 3>I kind of know that he was chasing.

1:14:54.120 --> 1:14:57.320
<v Speaker 1>Topsail, so I think it was actually there was a

1:14:57.360 --> 1:14:59.760
<v Speaker 1>long walk between the next section of topsail, because he

1:14:59.840 --> 1:15:04.080
<v Speaker 1>was going from sort of old farmstead to old farmstead

1:15:05.000 --> 1:15:08.479
<v Speaker 1>up at the Headlands was land. The interesting thing was

1:15:08.520 --> 1:15:11.280
<v Speaker 1>where the park who hired him to do the he

1:15:12.160 --> 1:15:15.280
<v Speaker 1>talked to the Canadian government into funding it and believe

1:15:15.280 --> 1:15:17.639
<v Speaker 1>it or not, had a one almed moment the Prime

1:15:17.680 --> 1:15:18.280
<v Speaker 1>Minister of the.

1:15:18.320 --> 1:15:20.839
<v Speaker 3>Day and got it approved.

1:15:21.680 --> 1:15:25.280
<v Speaker 1>And so it tells you he was a larger in

1:15:25.320 --> 1:15:28.280
<v Speaker 1>life character. He was supposed to actually do the whole

1:15:28.320 --> 1:15:30.280
<v Speaker 1>golf course on the headland, and he figured out he

1:15:30.320 --> 1:15:32.320
<v Speaker 1>couldn't do it with the money he had because there

1:15:32.360 --> 1:15:33.000
<v Speaker 1>was no soil.

1:15:33.640 --> 1:15:34.519
<v Speaker 3>And he turned around.

1:15:34.520 --> 1:15:38.080
<v Speaker 1>And the sad note that goes with this is they

1:15:38.120 --> 1:15:41.280
<v Speaker 1>actually expropriated twenty seven families for their land to build

1:15:41.280 --> 1:15:44.760
<v Speaker 1>the best course. So I got admit, But when I

1:15:44.800 --> 1:15:47.240
<v Speaker 1>started to learn the whole history of it and understood

1:15:47.280 --> 1:15:50.200
<v Speaker 1>it well. And the interesting thing is when I'm working

1:15:50.240 --> 1:15:54.439
<v Speaker 1>on the renovation for the people on the crew, their

1:15:54.479 --> 1:16:01.320
<v Speaker 1>families were expropriated. Wow. So I actually had a with

1:16:01.400 --> 1:16:05.400
<v Speaker 1>Parks Canada. They had me actually talk about the importance

1:16:06.040 --> 1:16:09.040
<v Speaker 1>and I did choose to address the expropriation and how

1:16:09.080 --> 1:16:13.840
<v Speaker 1>inappropriate it was and how it's actually something while it

1:16:13.920 --> 1:16:16.080
<v Speaker 1>the golf course is important to the town that it

1:16:16.160 --> 1:16:21.240
<v Speaker 1>was inappropriate. And I'm actually semi disappointed right that that

1:16:21.360 --> 1:16:24.519
<v Speaker 1>took place. I felt that they deserved an apology because

1:16:24.560 --> 1:16:25.599
<v Speaker 1>it never should have happened.

1:16:26.120 --> 1:16:28.240
<v Speaker 2>Yeah, but yeah, I mean, it's one of those things

1:16:28.280 --> 1:16:30.439
<v Speaker 2>where you need to talk about both. You can talk

1:16:30.479 --> 1:16:33.600
<v Speaker 2>about the genius of the design of the course, but

1:16:33.720 --> 1:16:36.680
<v Speaker 2>you must also talk about the human cost if there

1:16:36.720 --> 1:16:37.519
<v Speaker 2>is a human cost.

1:16:37.640 --> 1:16:39.439
<v Speaker 1>Yeah, and it's one of those rare moments where there

1:16:39.520 --> 1:16:41.000
<v Speaker 1>was a human cost for the golf course.

1:16:41.439 --> 1:16:46.280
<v Speaker 2>Yeah, that's a shame. Well, I mean to take it

1:16:46.320 --> 1:16:52.080
<v Speaker 2>back to a philosophical question about about golf architecture. Often

1:16:52.200 --> 1:16:55.680
<v Speaker 2>it is said that long green to tea walks are

1:16:55.680 --> 1:16:58.559
<v Speaker 2>not ideal for a golf course, and that the architect

1:16:58.600 --> 1:17:02.080
<v Speaker 2>should endeavor to bring the greens and teas closer together

1:17:02.240 --> 1:17:06.720
<v Speaker 2>on a walking course especially. But from what I've heard

1:17:06.720 --> 1:17:08.680
<v Speaker 2>of Highland's Links, and it's not a course I've been to,

1:17:09.000 --> 1:17:11.160
<v Speaker 2>I'd very much like to go there. It's on It's

1:17:11.200 --> 1:17:15.200
<v Speaker 2>near the top of my bucket list. In fact, from

1:17:15.240 --> 1:17:19.240
<v Speaker 2>what I've heard, the walks are part of the round

1:17:19.520 --> 1:17:23.760
<v Speaker 2>and that's what makes them work. And I think it's

1:17:23.800 --> 1:17:30.400
<v Speaker 2>the same deal at Bandoned Trails, Corn Crenshaw's first bandoned course,

1:17:31.080 --> 1:17:34.240
<v Speaker 2>where there are some long walks between greens and teas.

1:17:34.800 --> 1:17:39.240
<v Speaker 2>But the walks themselves are so inherently beautiful. First of all,

1:17:39.320 --> 1:17:45.040
<v Speaker 2>they're great little hikes, and also they're well timed in

1:17:45.120 --> 1:17:48.840
<v Speaker 2>the round, where they represent some kind of interlude or

1:17:48.960 --> 1:17:54.439
<v Speaker 2>breakage between narrative components of the routing different pieces of land,

1:17:55.240 --> 1:17:59.400
<v Speaker 2>and so the round gets broken into these phases. And

1:17:59.439 --> 1:18:03.040
<v Speaker 2>this is you we're using the metaphor of a novel.

1:18:03.400 --> 1:18:05.360
<v Speaker 2>This is where it starts to feel like that, where

1:18:05.520 --> 1:18:09.240
<v Speaker 2>there's a kind of pacing, there's an individual chapter, and

1:18:09.280 --> 1:18:11.599
<v Speaker 2>then you put the bookmark in for a bit and

1:18:11.800 --> 1:18:15.679
<v Speaker 2>go off somewhere else, and then you return and there's

1:18:15.680 --> 1:18:19.400
<v Speaker 2>something different, but it's still part of the same story.

1:18:19.520 --> 1:18:22.120
<v Speaker 2>It works that way abandoned trails, and I wouldn't want

1:18:22.160 --> 1:18:26.280
<v Speaker 2>to get rid of those walks. I think Highland's length

1:18:26.400 --> 1:18:29.960
<v Speaker 2>sounds like there is a similar dynamic, and there has

1:18:30.040 --> 1:18:33.439
<v Speaker 2>to be at least some intention behind that. It can't

1:18:33.479 --> 1:18:34.520
<v Speaker 2>just be accidental.

1:18:37.000 --> 1:18:44.880
<v Speaker 1>I'd like to believe it's not, but put it this way,

1:18:45.000 --> 1:18:48.920
<v Speaker 1>it does actually seem to break it up into logical sections,

1:18:48.960 --> 1:18:53.120
<v Speaker 1>and I do think it becomes part of the experience.

1:18:53.600 --> 1:18:55.679
<v Speaker 1>The only thing I wish is I got to walk

1:18:55.720 --> 1:18:58.519
<v Speaker 1>over the old swinging bridge that went from the Tenth

1:18:58.600 --> 1:19:01.200
<v Speaker 1>Green to the eleventh Tea, and that was part of

1:19:01.240 --> 1:19:06.080
<v Speaker 1>the experience. Too, and I kind of I rwe the

1:19:06.160 --> 1:19:09.800
<v Speaker 1>loss of that for what it meant because there was

1:19:09.840 --> 1:19:12.200
<v Speaker 1>a little bit of a walk there. But the swinging bridge,

1:19:12.479 --> 1:19:14.600
<v Speaker 1>I got my dad actually yelling at me that I

1:19:14.640 --> 1:19:18.120
<v Speaker 1>got it bouncing so high. It was part of the

1:19:18.240 --> 1:19:21.760
<v Speaker 1>joy of the whole place because he had built barbecue pit.

1:19:21.920 --> 1:19:24.479
<v Speaker 1>He had built all these wooden structures as part of

1:19:24.520 --> 1:19:28.960
<v Speaker 1>the project, and so they're there. They did the same

1:19:29.000 --> 1:19:33.120
<v Speaker 1>at Jasper, and Jasper obviously had the fire recently, and

1:19:33.160 --> 1:19:35.479
<v Speaker 1>I'm really sad to say that all the structures are

1:19:35.520 --> 1:19:41.479
<v Speaker 1>actually burnt, so that kind of that was trying to see.

1:19:41.520 --> 1:19:43.920
<v Speaker 3>So golf course will be back.

1:19:43.960 --> 1:19:48.200
<v Speaker 1>It'll take time, but it's a shame, although I think

1:19:48.280 --> 1:19:50.800
<v Speaker 1>you can. All you need is good photos and a

1:19:50.840 --> 1:19:53.320
<v Speaker 1>good carpenter. Put it this way, if I retire that

1:19:54.040 --> 1:19:57.720
<v Speaker 1>actually I'm handy, so that would be something i'd love

1:19:57.760 --> 1:19:59.719
<v Speaker 1>to do. If that's the case, maybe.

1:20:00.080 --> 1:20:02.080
<v Speaker 2>You build some houses and some shops and.

1:20:02.240 --> 1:20:04.360
<v Speaker 3>I don't need to rebuilt houses. I don't need to

1:20:04.400 --> 1:20:05.240
<v Speaker 3>ever do that again.

1:20:05.320 --> 1:20:09.360
<v Speaker 1>But I did that with friends when I was in

1:20:09.400 --> 1:20:13.920
<v Speaker 1>my early twenties. But I would, Yeah, building building those

1:20:13.920 --> 1:20:16.000
<v Speaker 1>structures would actually be kind of fun. I think I

1:20:16.000 --> 1:20:19.719
<v Speaker 1>could enjoy that. I could. I love Jasper Town.

1:20:20.960 --> 1:20:26.360
<v Speaker 2>Yeah. If people don't know, they suffered a terrifying wildfire

1:20:27.120 --> 1:20:32.200
<v Speaker 2>earlier earlier this year, and it was very threatening to

1:20:33.000 --> 1:20:35.840
<v Speaker 2>the golf course. But it seems as though the town

1:20:36.160 --> 1:20:40.519
<v Speaker 2>suffered more than the golf course. But the hope is

1:20:40.560 --> 1:20:42.720
<v Speaker 2>eventually both will bounce back.

1:20:43.640 --> 1:20:46.360
<v Speaker 3>Both will, no question about that. They're already.

1:20:46.479 --> 1:20:48.719
<v Speaker 1>I think they're trying to fast track all the construction

1:20:48.800 --> 1:20:52.000
<v Speaker 1>for the town. The golf course is going to take

1:20:52.040 --> 1:20:56.080
<v Speaker 1>a bit of work to get it back up and going.

1:20:56.840 --> 1:21:02.000
<v Speaker 1>They everything that's stand, all the ground features, there's nothing

1:21:02.000 --> 1:21:07.479
<v Speaker 1>affected whatsoever. There's a lot of tree loss, and they'll

1:21:07.520 --> 1:21:11.160
<v Speaker 1>have to address that. Actually they've started to address that.

1:21:11.400 --> 1:21:18.599
<v Speaker 1>I exchanged emails with the the the assistant super just today.

1:21:20.000 --> 1:21:22.040
<v Speaker 1>But they've got a lot of work to sort of

1:21:22.080 --> 1:21:26.400
<v Speaker 1>get up and going. The fire affected their irrigation system,

1:21:26.520 --> 1:21:28.559
<v Speaker 1>so they've got a lot to deal with.

1:21:30.120 --> 1:21:33.120
<v Speaker 2>Are you working with them or just kind of casually

1:21:33.200 --> 1:21:33.880
<v Speaker 2>advising them.

1:21:34.080 --> 1:21:39.799
<v Speaker 1>I am casually advising them. If they would like something formal,

1:21:39.960 --> 1:21:43.320
<v Speaker 1>then I would work with them and then donate my

1:21:43.439 --> 1:21:46.160
<v Speaker 1>time back to the town. My wife and I the

1:21:46.200 --> 1:21:48.960
<v Speaker 1>first day we were married was we were in Jasper

1:21:49.800 --> 1:21:52.840
<v Speaker 1>So just a special place to you, Jasper holds and

1:21:52.880 --> 1:21:55.280
<v Speaker 1>it's I've always said, if I had one round to play,

1:21:55.360 --> 1:21:59.160
<v Speaker 1>I've said this five or six different times in different

1:22:00.160 --> 1:22:03.200
<v Speaker 1>media places. If I had won round to play, I'd

1:22:03.200 --> 1:22:06.839
<v Speaker 1>actually choose Jasper Park, even though I've had the glorious

1:22:06.880 --> 1:22:09.320
<v Speaker 1>opportunity to play some courses that I think other people

1:22:09.360 --> 1:22:14.040
<v Speaker 1>would choose wish to play. It is the place that

1:22:14.080 --> 1:22:15.840
<v Speaker 1>moves me the most. And part of it is just

1:22:15.880 --> 1:22:20.439
<v Speaker 1>I actually like the valley, Jasper Valley. So to go

1:22:20.479 --> 1:22:24.400
<v Speaker 1>there and see that the valley is, you know, there's

1:22:24.600 --> 1:22:31.240
<v Speaker 1>thirty or forty thousand square miles of burnt forest. It's

1:22:31.320 --> 1:22:34.599
<v Speaker 1>quite something to see, considering I had only been hiking

1:22:34.640 --> 1:22:36.880
<v Speaker 1>there the previous fall with my wife, and i'd actually

1:22:36.880 --> 1:22:39.080
<v Speaker 1>played golf there a month before it happened.

1:22:39.479 --> 1:22:45.599
<v Speaker 2>Right, So a sad trend in many wild places these days. Well,

1:22:45.760 --> 1:22:46.599
<v Speaker 2>dealing with fires.

1:22:46.760 --> 1:22:48.760
<v Speaker 1>I'm trying to remember the golf course just outside of

1:22:48.880 --> 1:22:51.920
<v Speaker 1>La done by Jeff Shackelford and Gil.

1:22:51.800 --> 1:22:52.360
<v Speaker 2>Rest of Kenna.

1:22:52.520 --> 1:22:54.360
<v Speaker 1>Thank you Rest of Cannon. As I said, I'm terrible

1:22:54.360 --> 1:22:54.800
<v Speaker 1>at names.

1:22:56.160 --> 1:22:59.280
<v Speaker 2>You remember the architects though, Yeah.

1:22:58.840 --> 1:23:01.120
<v Speaker 1>Well it's funny. I can always gravitate to something. But

1:23:01.720 --> 1:23:06.040
<v Speaker 1>it's like the yeah, the whole William Flynn thing and

1:23:06.080 --> 1:23:06.679
<v Speaker 1>Dick Wilson.

1:23:07.920 --> 1:23:09.040
<v Speaker 3>But I remember seeing it.

1:23:09.120 --> 1:23:11.960
<v Speaker 1>I saw it after it got burned, and I saw

1:23:11.960 --> 1:23:15.360
<v Speaker 1>it in more recent times and it's amazing what a

1:23:15.439 --> 1:23:17.439
<v Speaker 1>recovery nature will do given it.

1:23:17.479 --> 1:23:21.600
<v Speaker 2>So you can barely tell yeah, yeah, yeah, it's it's remarkable.

1:23:21.160 --> 1:23:24.599
<v Speaker 1>By the way, super cool place. If anybody's is amazing,

1:23:24.640 --> 1:23:27.120
<v Speaker 1>find themselves near La looking for a round of golf.

1:23:27.160 --> 1:23:29.800
<v Speaker 1>That is a must play, absolutely must play.

1:23:30.200 --> 1:23:32.720
<v Speaker 2>One of my favorite public golf courses. We've talked about

1:23:32.720 --> 1:23:34.880
<v Speaker 2>it a good bit on the podcast before, and I

1:23:34.920 --> 1:23:37.920
<v Speaker 2>grew up about an hour and a half away, so

1:23:38.040 --> 1:23:41.280
<v Speaker 2>at a special course. But for sure, you know, subject

1:23:41.320 --> 1:23:47.120
<v Speaker 2>to the wildfires that many Californian courses are. So to

1:23:47.160 --> 1:23:51.559
<v Speaker 2>wrap up here, Ian, you've mentioned a couple of times

1:23:51.720 --> 1:23:55.120
<v Speaker 2>your your plans for your retirement. Another thing that you

1:23:55.200 --> 1:23:58.400
<v Speaker 2>mentioned off off the podcast that you might tackle during

1:23:58.400 --> 1:24:02.920
<v Speaker 2>your retirement is your book about Stanley Thompson, which you've

1:24:02.920 --> 1:24:05.000
<v Speaker 2>written quite a bit of to the point where you

1:24:05.040 --> 1:24:08.360
<v Speaker 2>were able to distribute a few copies of it earlier

1:24:08.360 --> 1:24:11.800
<v Speaker 2>this year on a limited basis. But what are your

1:24:11.840 --> 1:24:17.360
<v Speaker 2>plans for that book, and what will it eventually look like.

1:24:19.520 --> 1:24:22.040
<v Speaker 1>Actually, at the moment there are no plans.

1:24:23.080 --> 1:24:24.799
<v Speaker 2>You're pretty busy with golfers.

1:24:24.920 --> 1:24:25.800
<v Speaker 3>But it should be.

1:24:25.800 --> 1:24:31.640
<v Speaker 1>Said, it's written, it could use it could use a

1:24:31.680 --> 1:24:35.320
<v Speaker 1>professional editor, it could look it could use somebody. Looking

1:24:35.360 --> 1:24:38.720
<v Speaker 1>at the collection of photos I've got in there, I

1:24:38.960 --> 1:24:41.800
<v Speaker 1>think stand on their own. They're they're terrific. So I

1:24:42.479 --> 1:24:46.400
<v Speaker 1>think what you'd like to see visually? I could use

1:24:46.400 --> 1:24:51.759
<v Speaker 1>some advice, probably from a couple of writers on whether

1:24:51.840 --> 1:24:54.559
<v Speaker 1>the narrative that I'm sharing is interesting or whether I

1:24:54.600 --> 1:24:58.800
<v Speaker 1>need to actually go somewhere else with it. I've done

1:24:58.840 --> 1:25:01.160
<v Speaker 1>one of the paintings for it. I was going to

1:25:01.200 --> 1:25:05.400
<v Speaker 1>do a watercolor of all five courses. I have a

1:25:05.439 --> 1:25:08.040
<v Speaker 1>great one of Saint George's that I'm really proud of.

1:25:08.080 --> 1:25:10.400
<v Speaker 1>It's probably the best golf course painting I've ever done.

1:25:11.640 --> 1:25:14.320
<v Speaker 1>That one I'll use. I've tried to do a couple

1:25:14.320 --> 1:25:18.479
<v Speaker 1>of the others, but without success. But my skills are improving,

1:25:18.560 --> 1:25:22.320
<v Speaker 1>so I'll get back to that. As weird as it sounds,

1:25:22.360 --> 1:25:26.960
<v Speaker 1>I'm way better at cats than birds. So I took

1:25:27.080 --> 1:25:30.760
<v Speaker 1>lessons in twenty twenty with a wildlife artist and I'm

1:25:30.880 --> 1:25:36.760
<v Speaker 1>very comfortable with birds. Golf is hard comparatively because it's

1:25:37.439 --> 1:25:45.320
<v Speaker 1>tones right, But yeah, I probably will finish it. My

1:25:45.479 --> 1:25:47.840
<v Speaker 1>son's in the middle of writing a novel and we

1:25:47.880 --> 1:25:50.600
<v Speaker 1>were talking about his and he's going to put his online.

1:25:51.439 --> 1:25:54.120
<v Speaker 3>And it's shockingly.

1:25:53.640 --> 1:25:56.360
<v Speaker 1>Good too, So I really I use halfway through, and

1:25:56.439 --> 1:26:00.559
<v Speaker 1>I'm actually frustrated that I can't read the remainder. And

1:26:00.600 --> 1:26:02.400
<v Speaker 1>I'm not trying to sell sort of my son or

1:26:02.400 --> 1:26:05.120
<v Speaker 1>give you the father thing. I'm actually surprised at how

1:26:05.160 --> 1:26:09.360
<v Speaker 1>good it is. And he was talking about putting it online.

1:26:09.400 --> 1:26:12.600
<v Speaker 1>And I actually think nowadays, rather than publishing it, I

1:26:12.640 --> 1:26:15.640
<v Speaker 1>think I would digitally publish it and just make it available.

1:26:16.240 --> 1:26:18.720
<v Speaker 1>And I think what I would probably do if I

1:26:18.840 --> 1:26:20.719
<v Speaker 1>get interested, so I may pivot.

1:26:21.080 --> 1:26:21.479
<v Speaker 3>Every winter.

1:26:21.560 --> 1:26:24.320
<v Speaker 1>I've got lots of time. I could put it online

1:26:24.360 --> 1:26:29.200
<v Speaker 1>and then just link it to PayPal for donations. If

1:26:29.200 --> 1:26:32.320
<v Speaker 1>I got so incentivized to actually do something this fall.

1:26:33.640 --> 1:26:36.320
<v Speaker 1>If that was what sort of all of a sudden

1:26:36.360 --> 1:26:38.840
<v Speaker 1>caught me, because I kind of every winner, I kind

1:26:38.840 --> 1:26:44.160
<v Speaker 1>of go in a direction. And if I did that,

1:26:44.200 --> 1:26:46.120
<v Speaker 1>then I could actually do something where you could donate

1:26:46.160 --> 1:26:55.000
<v Speaker 1>to something like food Bank or Jasper if they need

1:26:55.040 --> 1:26:58.320
<v Speaker 1>something to sort of get them going. Or we have

1:26:58.360 --> 1:27:02.080
<v Speaker 1>six nations beside us here that would be a good

1:27:02.120 --> 1:27:04.280
<v Speaker 1>place to donate as well. There's programs that they could

1:27:04.400 --> 1:27:04.680
<v Speaker 1>use it.

1:27:05.320 --> 1:27:08.160
<v Speaker 2>All right, well, Ian, we have a lot more to

1:27:08.240 --> 1:27:11.080
<v Speaker 2>talk about, certainly, and I'd love to have you back

1:27:11.120 --> 1:27:14.960
<v Speaker 2>sometime to explore more. But let's wrap up there. Thank

1:27:15.000 --> 1:27:17.759
<v Speaker 2>you so much for coming on the podcast and talking

1:27:17.800 --> 1:27:20.280
<v Speaker 2>about Stanley Thompson as well as other subjects.

1:27:20.920 --> 1:27:25.080
<v Speaker 1>Apologizing for all the sideways diversions, but I really appreciate

1:27:25.120 --> 1:27:27.960
<v Speaker 1>the opportunity to talk with you, and I hope some

1:27:28.040 --> 1:27:31.360
<v Speaker 1>people get more interested in playing his work. I would

1:27:31.439 --> 1:27:34.240
<v Speaker 1>encourage anybody loves golf to go and play Stanley's work.

1:27:45.560 --> 1:27:48.960
<v Speaker 2>This episode of the Frida Egg Golf Podcast was produced

1:27:49.160 --> 1:27:54.320
<v Speaker 2>by PJ Clark. Thank you PJ again. If you'd like

1:27:54.400 --> 1:27:57.719
<v Speaker 2>to check out Club TFE, the url is the Frida

1:27:57.720 --> 1:28:01.439
<v Speaker 2>Egg dot com slash membership. We're really excited about what's

1:28:01.479 --> 1:28:04.599
<v Speaker 2>going on in there, so come join us. Thank you

1:28:04.600 --> 1:28:15.280
<v Speaker 2>for listening, and we'll be back again soon with another episode.