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Speaker 1: Tom Boy transmitting Bone this guy. Hey, welcome to Monday show.

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Speaker 1: More in studio. I hope everybody had a great weekend,

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Speaker 1: had a pretty good weekend. I do want to start

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Speaker 1: with this because this, to me is one of the

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Speaker 1: cooler interviews that I've ever got to do. I sat

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Speaker 1: down with Stone Cold Steve Austin. The full one hour

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Speaker 1: interview is up on the Bobby Cast, but it was awesome.

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Speaker 1: We talked about music, we talked about the funny name

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Speaker 1: Mike Tyson called him. Were talked about Garth Brooks. So

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Speaker 1: I just want to play you a little bit of

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Speaker 1: me talking from his home in Nevada. Here's me and

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Speaker 1: Stone Cold Steve Austin. Here we go on the Bobby

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Speaker 1: Bones Show.

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Speaker 2: Now, Stone Cold Steve Boston.

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Speaker 1: When I saw you drive up in your truck, my

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Speaker 1: curiosity went to what does he listen to in his truck?

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Speaker 1: Like just the human part of Steve Austin. What are

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Speaker 1: you listening to?

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Speaker 3: Man?

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Speaker 4: I'm not really listening to anything these days. I'm just

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Speaker 4: kind of going down and really listening to silence. You're

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Speaker 4: a silence guy, I really am. At this point. I

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Speaker 4: don't think any of the radio stations working that pickup truck.

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Speaker 4: I've had to think since it's brand new. As far

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Speaker 4: as my gym selection goes, I've got everything from country

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Speaker 4: just to to meddle. I've been really into a Sepultura,

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Speaker 4: which is old as l I'm a big George Straight fan,

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Speaker 4: and lately I just got kind of got turned on

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Speaker 4: to Zach Top.

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Speaker 1: He's kind of he's like twenty six, but sounds like

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Speaker 1: he's like fifty five.

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Speaker 4: I still think his voice is gonna drop a little bit.

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Speaker 4: But that kid can sure say mister stone Cold when

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Speaker 4: you s that felt weird, didn't want to disrespect. I

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Speaker 4: think mister Austin would be more more human, mister you're right,

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Speaker 4: you're right. I don't know why, mister Cold.

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Speaker 1: But what's the weirdest thing? Say? Not to interrupt your question, though, girl, like,

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Speaker 1: what is the weirdest thing? People who would call because

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Speaker 1: I would never call you mister stone Cold would say

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Speaker 1: mister Austiner.

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Speaker 4: See god thing. Mike Tyson used to always call me

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Speaker 4: Cold Stone like the creamery that's an ice cream shop.

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Speaker 4: My name is stone Cold. Steve Auston and out there

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Speaker 4: at to raise his money, I go by Steve Austin.

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Speaker 4: You know, I never you know, anybody, if someone calls

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Speaker 4: me stone cold, I'll answered to it. Mister stone cold,

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Speaker 4: all damn sure answered to I love it. Yeah, I've

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Speaker 4: been living my life for a long time.

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Speaker 1: As Steve Austin, I have a question about communication with

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Speaker 1: an athlete while you're working with them. And my comparison

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Speaker 1: is I did a dancing show once and I was

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Speaker 1: not good at it, but my partner would talk to

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Speaker 1: me under her breath with her lips close the whole time,

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Speaker 1: and she would say, okay, letter, are you guys talking

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Speaker 1: to each other or what is there a language that

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Speaker 1: you use?

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Speaker 4: That ventriloquist thing you just said. You know, back in

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Speaker 4: the day when I first started in a wrestling business

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Speaker 4: the way the way you know, almost all sports have

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Speaker 4: sped up. The wrestling business has sped up as well.

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Speaker 4: So you know, back in the day, you were talking

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Speaker 4: in a ring like a ventriloquist and calling the match

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Speaker 4: as you go. I mean, you're doing something just to

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Speaker 4: alsit a response, and based on that response that you

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Speaker 4: get from the people, you keep going on and on

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Speaker 4: and on. So yeah, you're talking like a ventroller quist.

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Speaker 4: And people talk about choreographing and setting up Patches. I'll

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Speaker 4: never forget the first time I worked with, you know,

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Speaker 4: the King, Jerry Lawler, who's one of my all time

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Speaker 4: favorites and the one of the best. And I was

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Speaker 4: pacing around the ring with him and I had two

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Speaker 4: weeks in the business and Jerry said, all right, tackle

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Speaker 4: dropped down hot toss and I said, I like a

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Speaker 4: bit trill request. He was saying it, yeah, yeah, tackle

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Speaker 4: down head toss. And there's about I low a thousand

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Speaker 4: people out there and I go, what this is? Before

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Speaker 4: I admitted to what and he goes, I can run

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Speaker 4: down a hiptoss. I said, what I did? A tackle

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Speaker 4: drop down? And I didn't know who was supposed to

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Speaker 4: hip toss who And it was a cluster and soon

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Speaker 4: from there, and Jerry Lawler was booking the territory at

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Speaker 4: the time, and I'm sure he was thinking to himself, why,

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Speaker 4: you know, why did I book this match with this

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Speaker 4: punk kid?

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Speaker 1: First time at Garth Brooks was like, holy crap, this

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Speaker 1: is the craziest thing ever. And we Eddie and I

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Speaker 1: they went and open for Garth Brooks at the Football

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Speaker 1: Stadium once and I still see him go, holy.

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Speaker 3: Crap, this is Garth Brooks.

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Speaker 4: And quit Garth Brooks story. We was at the I

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Speaker 4: love if it was a CMA, the CMTS, the MTV award,

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Speaker 4: but I was given out award. They called down there

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Speaker 4: to the office said hey, we would like STONK Steve

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Speaker 4: Auston to give Garth Brooks the Entertainer of the Year,

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Speaker 4: whatever it was. I gave it to him, and I

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Speaker 4: was so in character. Now I'm thinking, well, you know,

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Speaker 4: I dressed up like these people because I'm stone cold

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Speaker 4: Steve aust and that's what I wore, no shirt underneath.

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Speaker 4: And I walked out there and you know, gave him

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Speaker 4: the award. It was a pretty cool thing, but I

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Speaker 4: was so wrapped up and being stone cold Steve Austin

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Speaker 4: and Garth Brooks had been on fire, and of course,

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Speaker 4: you know, it was fun to listen to it, to

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Speaker 4: all of his music, and it was cool to give

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Speaker 4: him that award back in, but I was I was

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Speaker 4: going to be stone cold about it.

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Speaker 1: Thank you, thank you, thank you, thank you. I check

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Speaker 1: out the full episodes an hour long of The Bobby

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Speaker 1: Cast wherever you listen to your podcasts. It's a good

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Speaker 1: way to start the show. I hope you go check

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Speaker 1: it out. It was really really awesome. All right, let's

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Speaker 1: get the show started out.

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Speaker 4: Anamous here the questions to.

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Speaker 1: Be Hello, Bobby Bones. My good friend is constantly unloading

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Speaker 1: her problems on me and treats me like her personal therapist.

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Speaker 1: While I want to be there for her, it's draining

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Speaker 1: me and I feel like our relationship is only one direction.

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Speaker 1: She doesn't listen to me anymore. I don't want to

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Speaker 1: hurt her feelings, but I need some space. How can

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Speaker 1: I gently let her know that I need to set

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Speaker 1: boundaries signed a need to help. Oh, that's funny. I'm

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Speaker 1: gonna go to our boundary expert Amy.

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Speaker 2: Oh, boundaries have been new for me the last few years.

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Speaker 5: But I think it's okay if it's a good friend

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Speaker 5: to just say that you kind of need some space.

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Speaker 5: It's sure, just like you did, but in a very kind,

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Speaker 5: loving way. If that's what you want, like you have

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Speaker 5: to vocalize it or they're not going to know, and

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Speaker 5: then they're just this energy vampire and it sucks a

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Speaker 5: life out of you.

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Speaker 1: That's a good term. What feels awkward, weird, uncomfortable is

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Speaker 1: setting a boundary. What feels much better is after that

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Speaker 1: boundary is set, the rest of life. It's a net game, right,

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Speaker 1: Like if I were to go Eddie, I don't like

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Speaker 1: it whenever you put your arm around me in public

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Speaker 1: and hug on me, and that may be awkward to have.

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Speaker 1: That conversation is awkward, Eddie and I right then, But

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Speaker 1: for the rest of time after that awkward moment is over,

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Speaker 1: it is absolute net gain. You get to a little

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Speaker 1: bit of uncomfortableness to have probably a better relationship with

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Speaker 1: that person. Boundaries aren't supposed to be fun, but what

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Speaker 1: they do is make life. You're able to have more

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Speaker 1: fun and enjoy life because of the boundaries. Is there

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Speaker 1: a nice way to say it? Or you just say it?

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Speaker 1: The best way I think is band aid rip.

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Speaker 2: Well, yes, but I mean you can say it and

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Speaker 2: not kindly.

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Speaker 5: You don't have to wob Yeah, but I'm not going

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Speaker 5: to say you're sucking the life out of me.

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Speaker 1: Yeah, but that's that's too much. I want to say that.

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Speaker 1: I would say it.

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Speaker 2: Sounds like a band aid rip.

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Speaker 1: Okay, I would say you're dumping a lot of your

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Speaker 1: stuff on me. I can't take it. It's too much. I'm

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Speaker 1: happy to do this with you, but it's taking a

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Speaker 1: lot of my energy. To do this and I don't

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Speaker 1: have it right now.

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Speaker 5: And so also to what I've learned as a friend

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Speaker 5: with friends that have been able to communicate in a

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Speaker 5: healthy way, is that when you have something heavy to

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Speaker 5: dump on a friend and you need that feedback or

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Speaker 5: you are treating them like you're the therapist, how about

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Speaker 5: ask them if they have the bandwidth for it at

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Speaker 5: the time, Like, Hey, I have a lot going on

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Speaker 5: right now, I'd love to talk to you about it.

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Speaker 5: Do you have the space for it right now or

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Speaker 5: is there a better time.

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Speaker 1: Oh, I'd say dump and run because I'm terrible if

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Speaker 1: I started himing and han and like I just need

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Speaker 1: to it never actually gets there and I can never communicate.

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Speaker 1: This is me communicate effectively what I wanted to communicate.

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Speaker 1: Where if I go, dude, when you put your arm

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Speaker 1: around me, it makes me feel very uncomfortable. I love you,

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Speaker 1: but you have to stop that that way it feels

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Speaker 1: weird for a second and we move on. That's the

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Speaker 1: way I can do it, because I don't do good

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Speaker 1: at patting.

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Speaker 2: Yes, it's yes, no that I get it.

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Speaker 1: I get it.

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Speaker 5: I'm saying, like, as friends, we should start to realize

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Speaker 5: the capacity that our other friends have and you can

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Speaker 5: ask them if they have the space to hear you

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Speaker 5: dump stuff.

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Speaker 1: Yeah, I just tell them run. But you're right. I'm

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Speaker 1: sure your version is.

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Speaker 5: It's like, if I need to come to you with

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Speaker 5: something and I don't know that you're never terrible day, I.

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Speaker 1: May never go again. If I ask you don't have

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Speaker 1: the capacity, I may feel yeah, I'm not doing it.

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Speaker 1: Oh well, dang, yeah I said it. I'm weak. Okay,

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Speaker 1: you are strong.

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Speaker 2: No, I just had to learn the hard way.

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Speaker 1: I mean, you've been open about your ADD, but you

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Speaker 1: have ADHD. And what's the difference.

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Speaker 5: Oh, I have ADHD, and I like that's how they

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Speaker 5: categorize all of it now, So.

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Speaker 1: ADD is not.

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Speaker 5: Really it is, but I think they just everything's ADHD now.

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Speaker 5: But in college I was diagnosed with ADHD when ADD was.

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Speaker 1: Still a thing. So the H added make it more significant.

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Speaker 5: Hyperper yeah something disorder? Yeah, so so.

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Speaker 2: But whatever your atention deficit.

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Speaker 1: Disorder, that's ADC. Like i'll hyper yeah, So what is

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Speaker 1: ADHD paralysis?

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Speaker 5: Well, a listener emailed in to tell me that she

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Speaker 5: thinks that's what I have, and so I did some

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Speaker 5: more research on it, and I was like oh yeah,

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Speaker 5: this is definitely what's happening to me. When there's a

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Speaker 5: simple task that other people might be able to complete,

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Speaker 5: no problem. I tend to freeze up and just ignore

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Speaker 5: it and go do it.

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Speaker 1: Because ADHD paralysis or is that what? Could be a

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Speaker 1: lot of things. It doubt it for you, But if

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Speaker 1: somebody elseaid that would be like, is it just called

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Speaker 1: being lazy?

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Speaker 2: No, it's not.

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Speaker 5: Sometimes it can be confused with procrastination and laziness. It

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Speaker 5: is not just that at all whatsoever. It's some of

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Speaker 5: it is executive function, like your brain not being able

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Speaker 5: to handle the time management to figure out what it's

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Speaker 5: going to take to complete, and then you just get overwhelmed.

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Speaker 1: You know what I could do? I can diagnose this

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Speaker 1: a good kick in the.

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Speaker 2: Pants it Yeah, no, you're acting like it's not.

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Speaker 1: Let's good at it. So did you talk about this

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Speaker 1: in your podcast? I did?

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Speaker 5: Yeah, So I did a whole deep dive on it

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Speaker 5: and gave strategies and tips like a research stuff from experts.

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Speaker 5: And I think it'll be helpful if you find yourself,

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Speaker 5: you know, with ADHD paralysis.

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Speaker 1: I think I have it right now.

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Speaker 5: Okay, it's a real thing, absolutely, and loved one should

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Speaker 5: be supportive.

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Speaker 1: Amen Pile of Stories.

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Speaker 5: Brad Pick's rep is speaking out after some scammers were

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Speaker 5: arrested for allegedly pretending to be Brad in order to

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Speaker 5: make money from women.

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Speaker 1: On social media. Did the one I think they were

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Speaker 1: in a relationship with Brad?

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Speaker 5: Oh, I mean there was five people arrested for this

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Speaker 5: whole things. They were acting like him, and yeah, they

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Speaker 5: were creating relationships with these women and they got like

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Speaker 5: three hundred and fifty thousand dollars.

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Speaker 1: Like all in from everyone, because I'd be pretty special.

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Speaker 2: That three fifty only came from two women.

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Speaker 1: Oh my god.

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Speaker 2: That means they were giving a lot.

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Speaker 1: Like if you give him like eighty bucks, but you

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Speaker 1: feel like you're you have that special feeling like that's

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Speaker 1: probably worth it.

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Speaker 5: Yeah, they would take the time to build the trust

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Speaker 5: and then the women were like, yeah, okay, here Brad,

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Speaker 5: here's the money.

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Speaker 1: Because I just who has that kind of extra money,

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Speaker 1: and especially somebody who is so vulnerable to be scammed

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Speaker 1: like that, that's awful. But Brad people be a pretty

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Speaker 1: cool one to be in a relationship with. Yeah, cause

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Speaker 1: you know you're bragging in with your friends about that, Okay,

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Speaker 1: what else.

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Speaker 5: Jennifer Aniston's home was targeted in a swatting prank, which

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Speaker 5: is when you call the police and have them show

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Speaker 5: up at someone's house.

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Speaker 1: So they called it and it sucks. So people have

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Speaker 1: died from these, like it's not good. You're calling. You

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Speaker 1: go like something's happening, and the swat team shows up

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Speaker 1: and they like kick in up the door.

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Speaker 5: Yeah, and this one, they were very concerned for Jennifer's

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Speaker 5: well being because that's what they said on the call,

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Speaker 5: like I have a concern for my friend's well being.

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Speaker 5: So they show up all concerned to do a wellness check,

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Speaker 5: and they go in thinking that someone's in.

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Speaker 2: Harm, either themselves or someone else, and it's terrible.

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Speaker 1: Luckily, if all they did was a wellness check, it

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Speaker 1: could have been much much worse, because the real swat

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Speaker 1: is when they go and the swat team shows up

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Speaker 1: and goes in the house because they think somebody held

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Speaker 1: hostage or something.

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Speaker 6: Oh, and they have robots and then they'll throw those

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Speaker 6: flash bombs in there.

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Speaker 1: You know you're talking about crime shows. Oh no, I

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Speaker 1: mean that also happened that they do, but mostly like

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Speaker 1: someone's being held hostage and the people go in they

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Speaker 1: bust in, but people have been killed. Yeah, they do

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Speaker 1: the battering ram on the front door, or they do

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Speaker 1: a chain to it and rip the front door. A

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Speaker 1: swat team wouldn't bust in, only the little robot would

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Speaker 1: go in for the bomb.

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Speaker 5: So the weird part to me is, and I get

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Speaker 5: why they did this, but the police said that they

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Speaker 5: have now noted the location for future reference and so

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Speaker 5: they'll speak to her security first. But then what if

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Speaker 5: there's a legit serious emergency and they're like, oh, yeah,

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Speaker 5: we have this one flagged as like the boy.

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Speaker 1: Would cry wolf, but they didn't even cry yeah for them. Yeah, yeah,

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Speaker 1: that's here's the prank to do. Not that one. The

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Speaker 1: prank is go to restaurant and say it's my friend's

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Speaker 1: birthday and it's really not like same feeling. They're surprised,

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Speaker 1: they're comfortable, no guns, Like, that's the one to do,

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Speaker 1: not this one. Okay, what else?

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Speaker 5: The Boot asked a bunch of country artists who is

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Speaker 5: the toughest act to follow in all the country music? Like,

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Speaker 5: who do not want to play after? And Chris Stapleton

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Speaker 5: was the top answer.

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Speaker 1: So what they're saying is somebody who sounds really good

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Speaker 1: with a bunch of hits. Okay, yeah.

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Speaker 2: Thomas Wright even said yeah, I've had to do that before.

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Speaker 2: It's not fun.

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Speaker 5: And then Cody Johnson was a second popular answer.

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Speaker 1: He's really really good live, So I'm glad. I'm glad

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Speaker 1: that's where the story went, and there wasn't like super

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Speaker 1: famous people that maybe aren't his dynamic on stage anymore,

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Speaker 1: you know what I mean. It could be like, I

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Speaker 1: don't want to I don't want to have to follow

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Speaker 1: George straight and near a bunch of hits. But when

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Speaker 1: he's older, he's just not like running around or it'd

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Speaker 1: be tough to follow him, for sure, but it'd be

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Speaker 1: much harder to follow Chris Stapleton. I'm Amy. That's my file.

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Speaker 1: That was Amy's pile of stories. It's time the kid news.

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Speaker 7: Cameron is a seven year old in Las Vegas, Nevada,

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Speaker 7: and he got off the bus on the wrong stop

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Speaker 7: on the first day of school. So he's lost and

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Speaker 7: he walks around for an hour trying to find his house.

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Speaker 7: It's triple digit heat and he gets hot. He sits

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Speaker 7: down on the curb because he's just so sad and confused.

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Speaker 1: I'm lucky for him.

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Speaker 7: The Amazon driver's driving by going, Man, that sure does

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Speaker 7: look like a little kid sitting on the curb. Let

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Speaker 7: me pull over, and said, hey, little man, what's going on?

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Speaker 7: He goes, man, I got off at the wrong stop.

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Speaker 7: But I can't buy my house. Luckily, the seven year

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Speaker 7: old remembered his mom's phone number, called his mom.

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Speaker 1: Mom came and got him. First of all, he remember

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Speaker 1: his phone number. That's awesome, I remember anything. Second of all,

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Speaker 1: question about having a kid that six or seven first

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Speaker 1: day of school on a bus? Do they checked or

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Speaker 1: they talked? The kid just go like, yeah, I'm here,

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Speaker 1: let me off. That's a great question. I don't know

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Speaker 1: the answer to this thing because my kid.

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Speaker 7: Rides the bus and he just gets off the bus.

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Speaker 1: But first time or second time, doesn't I assume the.

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Speaker 3: Bus driver knows what stop.

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Speaker 1: Maybe they get off on that. But it's only the

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Speaker 1: first day, so how exactly. There are a lot of

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Speaker 1: questions I had here, But the answer that I have

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Speaker 1: here is that Amazon driver was his name was Lavelle

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Speaker 1: Moore is right? He's still with us, He still with vell. Yeah, yeah,

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Speaker 1: he's still here. Yeah he said it was, and I

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Speaker 1: still here. So a big shout out to Lavell. Did

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Speaker 1: he get a promotions maybe the kid, I don't know,

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Speaker 1: maybe maybe better out, better around, better hours. Leavell great job,

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Speaker 1: you saved that family. Save that kid. That's what it's

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Speaker 1: all about. That was telling me something good. There we

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Speaker 1: go on the Bobby Bones Show now the only good

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Speaker 1: to meet you, buddy?

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Speaker 3: Yeah, you too.

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Speaker 1: I don't think we've met right, No, not yet. I've

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Speaker 1: like seeing you on the internet and stuff that sounds creepy,

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Speaker 1: but before because he's done this thing as a rider

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Speaker 1: and now he's really doing this thing as an artist.

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Speaker 1: Was it, Hey, maybe you shouldn't get another dealan on

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Speaker 1: the song or let's go find another dialan on the song?

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Speaker 3: Yeah? We We were actually out on tour with Dylan

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Speaker 3: and he and he called me on his bus one

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Speaker 3: night and he's asking me to show them some stuff

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Speaker 3: and I showed him that one and he was like,

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Speaker 3: there's never been two Dylans on a song. What if

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Speaker 3: we tried it? And I was like, hey, yeah, so.

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Speaker 1: That's confusing that both on the same tour. Yeah, that'd

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Speaker 1: be tough. Yeah, did you know any other Dyllans when

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Speaker 1: you were Is that like the cool name for.

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Speaker 3: That age or what I don't know.

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Speaker 1: I didn't have any Bobbies because apparently I learned recently

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Speaker 1: Bobby's I god named from nineteen twenty. Were there any

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Speaker 1: other Dylans at all in your high school?

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Speaker 7: Oh?

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Speaker 3: No, I was the only one like that I really knew.

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Speaker 3: But then when I moved to Nashville, there's like eight

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Speaker 3: of us now, so they were on.

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Speaker 1: Text they're on text change. Yeah, yeah, all Dylans. When

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Speaker 1: did you move to Nashville?

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Speaker 3: Uh, I want to say probably the July twenty eighteen.

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Speaker 1: How long were here before COVID hit and shut everything down?

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Speaker 3: Probably two years?

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Speaker 1: I guess he just got your feet wet, like you

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Speaker 1: were just probably starting to feel it and.

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Speaker 3: Then Yeah, I actually it's funny because I think some

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Speaker 3: people had like a bad experience because.

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Speaker 1: Some people did.

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Speaker 3: You're correct, Yeah, giv me crack and and COVID For

390
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Speaker 3: me was kind of lit because I just I wrote

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Speaker 3: a bunch. I kind of just kind of honed it

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Speaker 3: on my craft and yeah, I just hunted a lot,

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Speaker 3: fished a lot, and wrote a lot of songs. And

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Speaker 3: then right towards the end, I kind of just started

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Speaker 3: posting some stuff on social media and going that route.

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Speaker 3: But I feel like it heard a lot of people

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Speaker 3: that kind of had my minimum and then went into

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Speaker 3: COVID and kind of got crushed. But for me, I

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Speaker 3: didn't have anything going really before it, so all I

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Speaker 3: have was kind of like a little shoot to get

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Speaker 3: out of it. So it wasn't bad for me.

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Speaker 1: Where'd you grow up?

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Speaker 3: Statesbro, Georgia.

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Speaker 1: What's what's the nearest what's near city?

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Speaker 8: Oh?

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Speaker 3: Savannah probably the nearest biggest city.

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Speaker 1: If you went to a concert, would you drive Tavannah?

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Speaker 3: Yeah? Yeah, right when I was States Pro is actually

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Speaker 3: like a cool college town for a lot like al

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Speaker 3: Dean and Luke and Zach Brown band, they all started

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Speaker 3: playing like the little circuit there. But right when I

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Speaker 3: got into it that it was kind of like it

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Speaker 3: got shut down. So I didn't get to like get

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Speaker 3: into that scene at all.

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Speaker 1: Right when I started, but it got shut down.

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Speaker 3: There was a like a bouncer threw somebody out and

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Speaker 3: it like it killed him. So his dad, and his

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Speaker 3: dad was a lawyer, so he shut.

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Speaker 1: The whole also the venue was shut down. Yeah, it

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Speaker 1: was like the whole music industry of no, no.

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Speaker 3: No, it was, but it was like the main five

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Speaker 3: bars that everybody played, like it's kind of crazy. Like

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Speaker 3: if you talk to some of the guys like Luke

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Speaker 3: and al Dean that played there, like they it was

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Speaker 3: kind of stage was like kind of an odd staple.

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Speaker 3: But like from that on, like nobody really knows about it.

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Speaker 1: Now you have a musical family.

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Speaker 3: My dad was a drummer in a rock band, but

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Speaker 3: they had me when they were sixteen, so he had

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Speaker 3: to kind of put that away.

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Speaker 1: Did he drum at all? Even for fun?

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Speaker 3: Once you got a little older a little bit, we

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Speaker 3: had a kid in the house always, and always knew

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Speaker 3: he was really good because you just come home one

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Speaker 3: day and he'd beat playing drums. But uh, I never

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Speaker 3: got to like go to any of his shows or

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Speaker 3: see him play a show.

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Speaker 7: Uh.

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Speaker 3: His band was called Mumble Lily, which is odd name.

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Speaker 3: But we had a tape in the garage I got

441
00:17:58,600 --> 00:17:59,080
Speaker 3: to listen to.

442
00:17:59,200 --> 00:18:01,040
Speaker 1: But with you Yet you let him come out and

443
00:18:01,040 --> 00:18:01,359
Speaker 1: play with you?

444
00:18:01,440 --> 00:18:03,760
Speaker 3: Yeah, well when I first started, we did. But I'm

445
00:18:03,760 --> 00:18:04,680
Speaker 3: gonna let him come out.

446
00:18:04,880 --> 00:18:07,080
Speaker 1: That's like on one of those big ones. Yeah, that

447
00:18:07,200 --> 00:18:07,600
Speaker 1: very cool.

448
00:18:07,680 --> 00:18:08,760
Speaker 3: Let him play a song or two.

449
00:18:08,960 --> 00:18:12,000
Speaker 1: So for you, where did the music interest come from?

450
00:18:12,119 --> 00:18:14,760
Speaker 3: I got hurt playing baseball, which probably like a lot

451
00:18:14,760 --> 00:18:15,520
Speaker 3: of other people do.

452
00:18:15,640 --> 00:18:18,679
Speaker 1: All the Dylons, every dealing was hurt playing baseball, and

453
00:18:18,720 --> 00:18:19,800
Speaker 1: now they're making in music.

454
00:18:19,920 --> 00:18:23,040
Speaker 3: It's just something in the name, I guess. But I

455
00:18:23,720 --> 00:18:26,440
Speaker 3: started playing a buddy in my neighborhood. His grandpa passed

456
00:18:26,480 --> 00:18:27,800
Speaker 3: away and gave him a guitar, and he was like,

457
00:18:27,840 --> 00:18:31,320
Speaker 3: I don't you know. I think he learned wagon wheel

458
00:18:31,400 --> 00:18:32,600
Speaker 3: or something, and he was like, I did this in

459
00:18:32,640 --> 00:18:34,040
Speaker 3: a day. And I was like, no way, I'm gonna

460
00:18:34,040 --> 00:18:36,320
Speaker 3: try that. And then I learned that every song that

461
00:18:36,359 --> 00:18:38,920
Speaker 3: you could imagine has the same court as wagon wheel,

462
00:18:39,320 --> 00:18:41,600
Speaker 3: and so I just started playing. And then I fell

463
00:18:41,600 --> 00:18:44,160
Speaker 3: in love with Eric Church and like just his songwriting,

464
00:18:44,200 --> 00:18:47,720
Speaker 3: and so I started kind of going that direction. Of

465
00:18:47,760 --> 00:18:50,280
Speaker 3: my freshman year of college, which was my only year

466
00:18:50,320 --> 00:18:53,119
Speaker 3: of college, I just kind of focused on writing a

467
00:18:53,119 --> 00:18:56,439
Speaker 3: bunch of songs. And yeah, that's kind of just how

468
00:18:56,440 --> 00:18:56,800
Speaker 3: it started.

469
00:18:56,960 --> 00:18:58,800
Speaker 1: Was there because there were people from near where you

470
00:18:58,840 --> 00:19:00,359
Speaker 1: were that it made it. It kind of allowed you

471
00:19:00,400 --> 00:19:01,920
Speaker 1: to see the people actually could make it because you

472
00:19:01,960 --> 00:19:05,000
Speaker 1: mentioned like Aldean. Yeah, so there were normal dudes from

473
00:19:05,040 --> 00:19:05,440
Speaker 1: down there.

474
00:19:05,600 --> 00:19:07,840
Speaker 3: Yeah. I didn't know those guys personally, but there was

475
00:19:07,880 --> 00:19:09,680
Speaker 3: one dude named Trey Landon who you might have heard

476
00:19:09,680 --> 00:19:13,679
Speaker 3: he's in town, and he was like the like direct

477
00:19:13,720 --> 00:19:16,080
Speaker 3: line of like, oh, like he had some stuff going

478
00:19:16,080 --> 00:19:18,000
Speaker 3: on when I was like thinking about moving up here

479
00:19:18,000 --> 00:19:20,679
Speaker 3: and that's actually how I'm at Dallas, where I'm at

480
00:19:20,720 --> 00:19:23,119
Speaker 3: who I'm signed with now, And yeah, there was kind

481
00:19:23,160 --> 00:19:24,800
Speaker 3: of like a like oh, dang, I know this guy

482
00:19:24,840 --> 00:19:27,480
Speaker 3: and he's like making waves and like it's kind of possible,

483
00:19:27,520 --> 00:19:28,480
Speaker 3: so maybe I should try it.

484
00:19:28,680 --> 00:19:31,119
Speaker 1: You almost need to have an example, like a model

485
00:19:31,119 --> 00:19:35,359
Speaker 1: of somebody from near that's done it to otherwise it

486
00:19:35,520 --> 00:19:37,720
Speaker 1: just feels like TV. Yeah, like I'm from Mountain Pine

487
00:19:37,800 --> 00:19:40,119
Speaker 1: and it's Mount Pine Arcs. I know theody did anythings

488
00:19:40,119 --> 00:19:41,600
Speaker 1: at work at the mill, like that's all we did,

489
00:19:42,080 --> 00:19:45,959
Speaker 1: and so but I would see like friends in New

490
00:19:46,040 --> 00:19:48,280
Speaker 1: York and like things and lost I'll be like, man,

491
00:19:48,320 --> 00:19:51,360
Speaker 1: that's not real, that's fictional, but it's it's what's cool

492
00:19:51,480 --> 00:19:54,800
Speaker 1: is you had people that were near you that showed

493
00:19:54,880 --> 00:19:57,080
Speaker 1: you that if you worked hard and got lucky and

494
00:19:57,119 --> 00:19:59,040
Speaker 1: strategized correctly, you could actually make it out of there

495
00:19:59,040 --> 00:19:59,520
Speaker 1: doing music.

496
00:19:59,640 --> 00:20:02,040
Speaker 3: Yeah. Sure, And I'm so thankful my parents weren't like

497
00:20:02,119 --> 00:20:04,800
Speaker 3: against it too. They were I think they since they

498
00:20:04,840 --> 00:20:06,600
Speaker 3: had me so young, they were kind of like for it,

499
00:20:07,080 --> 00:20:08,959
Speaker 3: like just kind of want wanting to see me live

500
00:20:09,000 --> 00:20:10,639
Speaker 3: my dreams out because they couldn't because they had me

501
00:20:10,680 --> 00:20:14,360
Speaker 3: at sixteen and seventeen. Uh, and then they just had

502
00:20:14,400 --> 00:20:16,720
Speaker 3: my brothers, so they kind of just like settled down

503
00:20:16,720 --> 00:20:17,160
Speaker 3: real early.

504
00:20:17,200 --> 00:20:19,360
Speaker 1: My mom had me she was sixteen and my biological

505
00:20:19,400 --> 00:20:21,600
Speaker 1: d that was seventeen. Thing. Yeah, they and they never

506
00:20:21,680 --> 00:20:23,960
Speaker 1: really felt like they were young because they were always

507
00:20:23,960 --> 00:20:26,000
Speaker 1: older than me. Yeah, but now that I then when

508
00:20:26,000 --> 00:20:27,400
Speaker 1: I got older, I was like, then they are kind

509
00:20:27,400 --> 00:20:27,640
Speaker 1: of young.

510
00:20:27,840 --> 00:20:28,040
Speaker 4: Yeah.

511
00:20:28,240 --> 00:20:30,919
Speaker 3: Yeah. I think my dad just turned forty seven and

512
00:20:31,000 --> 00:20:33,000
Speaker 3: I'm crazy seven, which is crazy because I'm forty four,

513
00:20:33,000 --> 00:20:34,360
Speaker 3: I like three years younger than your dad.

514
00:20:34,480 --> 00:20:38,200
Speaker 1: Yeah, but that yeah, that's Are they still together a chance?

515
00:20:38,280 --> 00:20:42,040
Speaker 3: Yeah, that's why you out even wilder in today's times

516
00:20:42,080 --> 00:20:44,360
Speaker 3: and everything going on, Like, yeah, they're still they're still

517
00:20:44,400 --> 00:20:44,800
Speaker 3: hanging on.

518
00:20:45,080 --> 00:20:48,200
Speaker 1: Dang, good for them. Yeah, that's really cool. Yeah, let's

519
00:20:48,200 --> 00:20:50,080
Speaker 1: start with this. I know that you're one of the

520
00:20:50,080 --> 00:20:52,359
Speaker 1: writers of John Parties Last Night Lonely.

521
00:20:52,480 --> 00:20:52,800
Speaker 3: Yeah.

522
00:20:52,840 --> 00:20:55,240
Speaker 1: Was this your first as a writer? Number one? Yes?

523
00:20:55,680 --> 00:20:56,359
Speaker 1: Oh that's cool.

524
00:20:56,440 --> 00:20:59,840
Speaker 3: Yeah first and only so.

525
00:20:58,600 --> 00:21:01,439
Speaker 1: So then with that song you write it, did you

526
00:21:01,440 --> 00:21:02,679
Speaker 1: write it for you were you and you just had

527
00:21:02,720 --> 00:21:04,680
Speaker 1: a publishing dealing, you just writing whatever, hoping somebody pick

528
00:21:04,680 --> 00:21:04,919
Speaker 1: it up.

529
00:21:04,960 --> 00:21:08,600
Speaker 3: No, I was strictly writing for me. I actually specifically

530
00:21:08,640 --> 00:21:11,720
Speaker 3: wanted like a baritone guitar intro on a song, and

531
00:21:11,760 --> 00:21:15,439
Speaker 3: so I got Joe, who's my producer now, to just

532
00:21:15,840 --> 00:21:19,400
Speaker 3: make a cool little baritone intro riff, and we start.

533
00:21:19,600 --> 00:21:21,879
Speaker 3: I think we wrote three different times to it. Usually

534
00:21:21,920 --> 00:21:23,800
Speaker 3: we don't write three different times of the same thing,

535
00:21:23,840 --> 00:21:28,240
Speaker 3: but it sounded so cool, and I was like, don't

536
00:21:28,480 --> 00:21:30,040
Speaker 3: I don't want anybody to pitch this. I want this

537
00:21:30,080 --> 00:21:33,439
Speaker 3: to be my song. And I think somehow Bart heard it,

538
00:21:34,040 --> 00:21:38,120
Speaker 3: John's producer, and and he called and said that John

539
00:21:38,160 --> 00:21:40,040
Speaker 3: wanted to cut it, and I was like, I don't.

540
00:21:40,680 --> 00:21:42,399
Speaker 3: I don't know, Like I think this could be my

541
00:21:42,480 --> 00:21:44,840
Speaker 3: first thing. But also, you know, I didn't have a

542
00:21:44,880 --> 00:21:46,800
Speaker 3: record deal yet, so there was no chance of anything

543
00:21:46,840 --> 00:21:50,360
Speaker 3: going to radio, at least for a while. And then

544
00:21:50,400 --> 00:21:52,439
Speaker 3: they said that it was going to be a single.

545
00:21:52,640 --> 00:21:54,080
Speaker 1: Did they tell you since you didn't want to let

546
00:21:54,119 --> 00:21:56,080
Speaker 1: it go, there's a good chance it will be a single,

547
00:21:56,160 --> 00:21:57,280
Speaker 1: like to kind of motivate you.

548
00:21:57,400 --> 00:21:57,879
Speaker 4: I don't think.

549
00:21:58,200 --> 00:21:59,640
Speaker 3: I don't think they did. I don't think they wanted

550
00:21:59,720 --> 00:22:03,320
Speaker 3: over Honis, but I don't know if something told me

551
00:22:03,359 --> 00:22:05,479
Speaker 3: to just do it, so I just we let him

552
00:22:05,480 --> 00:22:07,440
Speaker 3: cut it, and we all found out. We were all

553
00:22:07,480 --> 00:22:10,040
Speaker 3: flying to a rider's retreat, Me, Joe, and Jimmy, And

554
00:22:10,080 --> 00:22:13,960
Speaker 3: when we landed our airplanes, all our airplanes, our phones

555
00:22:14,000 --> 00:22:15,680
Speaker 3: all turned off airplane mode and we got the text

556
00:22:15,720 --> 00:22:17,320
Speaker 3: at the same time. So it's kind of sick.

557
00:22:18,800 --> 00:22:24,119
Speaker 1: Airplanes though. That's awesome. Would you mind playing that?

558
00:22:24,280 --> 00:22:24,520
Speaker 3: Yeah?

559
00:22:24,520 --> 00:22:28,000
Speaker 1: All right, So Dylan Dylan Marlowe and Studio. This is

560
00:22:28,560 --> 00:22:30,560
Speaker 1: song that he wrote. It was number one for John Party.

561
00:22:30,600 --> 00:22:31,879
Speaker 1: Here is Last Night Lonely.

562
00:22:32,320 --> 00:22:32,879
Speaker 9: Oh.

563
00:22:33,040 --> 00:22:37,280
Speaker 1: I'm sorry we can't post a live performance on the podcast,

564
00:22:37,520 --> 00:22:39,880
Speaker 1: but if you go to our YouTube page you can

565
00:22:39,920 --> 00:22:44,320
Speaker 1: watch it there or maybe listen live. Okay, all right,

566
00:22:44,760 --> 00:22:49,080
Speaker 1: now back to the podcast. Hey, Dylan's got a new album,

567
00:22:49,440 --> 00:22:51,840
Speaker 1: Mid Twenties Crisis. It's out now. We're gonna play some

568
00:22:51,840 --> 00:22:53,560
Speaker 1: new stuff from it coming up in a second, and

569
00:22:53,600 --> 00:22:56,760
Speaker 1: we're also going to you do an other force a minute. Yeah,

570
00:22:56,800 --> 00:22:59,280
Speaker 1: you go with that. Yeah, what is your Starbucks drink? There?

571
00:22:59,640 --> 00:23:03,359
Speaker 3: So, uh, it's actually a it's called it's kind of

572
00:23:03,400 --> 00:23:04,679
Speaker 3: a divo drink, but it's.

573
00:23:04,560 --> 00:23:06,280
Speaker 1: Called I can tell you were bouncing around with him,

574
00:23:06,280 --> 00:23:10,080
Speaker 1: not wanting to say that.

575
00:23:12,600 --> 00:23:15,719
Speaker 3: It's kind of custom. It's it's pretty uh personal, but

576
00:23:15,760 --> 00:23:17,280
Speaker 3: it's meant majesty.

577
00:23:17,320 --> 00:23:21,920
Speaker 1: Tell the word majesty is a majesty.

578
00:23:20,880 --> 00:23:25,520
Speaker 3: And it has a so weird that steamed apple juice

579
00:23:25,560 --> 00:23:27,960
Speaker 3: instead of water, and then two things a honey. But

580
00:23:29,160 --> 00:23:31,479
Speaker 3: last weekend my voice was gone, and there's no need

581
00:23:31,520 --> 00:23:35,240
Speaker 3: to make any excuse. There isn't actually a lifesaver this.

582
00:23:35,240 --> 00:23:37,159
Speaker 3: This girl d m me from the show and she

583
00:23:37,280 --> 00:23:39,400
Speaker 3: was like, I'm in a theater and if your voice

584
00:23:39,440 --> 00:23:40,760
Speaker 3: ever goes out again, and get this drink.

585
00:23:40,880 --> 00:23:45,119
Speaker 1: So I was like, I know he'd get majesty, honey, dreamboat, whistler,

586
00:23:45,880 --> 00:23:47,000
Speaker 1: whatever whatever he calls.

587
00:23:47,720 --> 00:23:48,120
Speaker 3: Yeah.

588
00:23:48,359 --> 00:23:51,320
Speaker 1: So when did you start writing songs? Your dad was

589
00:23:51,359 --> 00:23:53,720
Speaker 1: a drummer, obviously did he write songs?

590
00:23:54,119 --> 00:23:57,040
Speaker 3: I think he did. I've never heard him, uh, but

591
00:23:58,119 --> 00:24:00,360
Speaker 3: probably just my freshman year when when I when I

592
00:24:00,400 --> 00:24:02,280
Speaker 3: when I dug into Eric Church, the first song I

593
00:24:02,320 --> 00:24:05,919
Speaker 3: heard was where she told me to go, And I

594
00:24:05,960 --> 00:24:08,359
Speaker 3: was like, Dad going like, if I'm gonna do this,

595
00:24:08,400 --> 00:24:10,880
Speaker 3: I'm gonna try to at least write some songs like that,

596
00:24:11,000 --> 00:24:13,600
Speaker 3: like just that you can feel h and on the

597
00:24:13,600 --> 00:24:15,159
Speaker 3: record there are some songs like that, and there's some

598
00:24:15,200 --> 00:24:18,040
Speaker 3: songs that don't make you feel anything, just but feel good.

599
00:24:18,119 --> 00:24:21,639
Speaker 3: So uh but yeah, I started writing probably my freshman

600
00:24:21,720 --> 00:24:22,240
Speaker 3: year of college.

601
00:24:22,680 --> 00:24:24,840
Speaker 1: Did you write alone in Georgia?

602
00:24:25,119 --> 00:24:25,399
Speaker 3: Yeah?

603
00:24:25,440 --> 00:24:26,800
Speaker 1: And then when you got here you're like, oh, what

604
00:24:26,920 --> 00:24:28,560
Speaker 1: you have? You have to write with people? Was that

605
00:24:28,600 --> 00:24:29,960
Speaker 1: a weird dynamic change for me?

606
00:24:30,080 --> 00:24:32,280
Speaker 3: Kind of? I mean knowing Trey like I kind of

607
00:24:32,320 --> 00:24:34,680
Speaker 3: knew I had like an insight about how the industry

608
00:24:34,720 --> 00:24:37,840
Speaker 3: worked a little bit. Uh well, I say the industry.

609
00:24:37,840 --> 00:24:40,120
Speaker 3: I'm still learning new stuff about this industry every day,

610
00:24:40,160 --> 00:24:41,879
Speaker 3: but like, at least a song writ inside of things.

611
00:24:42,280 --> 00:24:42,399
Speaker 1: Uh.

612
00:24:43,440 --> 00:24:45,159
Speaker 3: I didn't think it was cool though, Like I was.

613
00:24:45,200 --> 00:24:46,920
Speaker 3: I would look forward to coming to Nashville and get

614
00:24:46,920 --> 00:24:48,880
Speaker 3: to write with other people other than just myself.

615
00:24:49,400 --> 00:24:50,879
Speaker 1: But it was the first time you got in a

616
00:24:50,960 --> 00:24:52,680
Speaker 1: room you're writing it. Oh, this is pretty cool. I

617
00:24:52,680 --> 00:24:54,280
Speaker 1: get write with this person that I'd never met before.

618
00:24:54,400 --> 00:24:57,199
Speaker 3: Yeah. Yeah, gosh. I can't remember what right it was,

619
00:24:57,280 --> 00:24:59,399
Speaker 3: but I do remember feeling like, dang, this is this

620
00:24:59,480 --> 00:25:00,960
Speaker 3: is sick. Like you can bounce off each other and

621
00:25:00,960 --> 00:25:02,600
Speaker 3: you don't have to come up with every single word.

622
00:25:02,920 --> 00:25:04,639
Speaker 1: Did you feel like it a little bit too? It's

623
00:25:04,680 --> 00:25:06,359
Speaker 1: kind of weird because you were like sharing personal emotions

624
00:25:06,400 --> 00:25:07,359
Speaker 1: with people you never met.

625
00:25:07,960 --> 00:25:09,879
Speaker 3: Yeah, at first it was hard. At first I was like, no,

626
00:25:10,000 --> 00:25:11,280
Speaker 3: I'm good, and then.

627
00:25:11,520 --> 00:25:13,800
Speaker 1: I'm good, I'm good. I'm all good here.

628
00:25:13,880 --> 00:25:16,159
Speaker 3: Once I started kind of getting like digging into like

629
00:25:16,240 --> 00:25:18,560
Speaker 3: wanting to be an artist and learning that there's no

630
00:25:18,680 --> 00:25:21,000
Speaker 3: really way around being vulnerable. If you if you want

631
00:25:21,000 --> 00:25:23,840
Speaker 3: to like legit, I think, make art that's personal to

632
00:25:23,880 --> 00:25:27,199
Speaker 3: your life. Then I kind of just learned that it

633
00:25:27,240 --> 00:25:28,119
Speaker 3: was kind of cool to do that.

634
00:25:28,240 --> 00:25:29,720
Speaker 1: So I feel like you have a lot of Camo

635
00:25:29,840 --> 00:25:31,480
Speaker 1: true or foss. Yeah, I feel like every time I

636
00:25:31,520 --> 00:25:33,520
Speaker 1: see on something, it's there's something cam. How much of

637
00:25:33,560 --> 00:25:34,440
Speaker 1: your closets Camo.

638
00:25:34,760 --> 00:25:39,320
Speaker 3: I have a whole closet just devoted to Camo, So

639
00:25:39,480 --> 00:25:42,119
Speaker 3: I'd say that that one's that's our guest bedroom closet.

640
00:25:42,119 --> 00:25:44,240
Speaker 1: I'm gonna ask you uncomfortable question here, all right, and

641
00:25:44,240 --> 00:25:45,560
Speaker 1: it may not be uncomfortable to you, But I saw

642
00:25:45,600 --> 00:25:47,399
Speaker 1: a TikTok of you on a private jet. What's happened?

643
00:25:47,680 --> 00:25:48,000
Speaker 1: What's up?

644
00:25:48,040 --> 00:25:49,680
Speaker 3: Wait? There was a TikTok of me on a private jet.

645
00:25:49,600 --> 00:25:51,480
Speaker 1: Saw I TikTok with you. Yeah, I got a private jet.

646
00:25:51,680 --> 00:25:52,200
Speaker 1: You're on one.

647
00:25:52,280 --> 00:25:54,600
Speaker 3: Yeah, I've only been on one my whole lot, well two,

648
00:25:55,320 --> 00:25:55,840
Speaker 3: so I don't.

649
00:25:56,040 --> 00:25:57,920
Speaker 1: Yeah, something must have got you, did I post it.

650
00:25:58,160 --> 00:26:01,760
Speaker 1: I'm not gonna, you know, implant anybody in this so

651
00:26:01,840 --> 00:26:03,239
Speaker 1: would share any story about us.

652
00:26:03,240 --> 00:26:05,720
Speaker 3: Three did a private show for these folks in South

653
00:26:05,720 --> 00:26:09,399
Speaker 3: Carolina and they were like, Hey, we're not going to

654
00:26:09,480 --> 00:26:13,080
Speaker 3: pay you, but we're gonna fly down a PJ and

655
00:26:13,119 --> 00:26:15,000
Speaker 3: you can have our boat all weekend. And I was like,

656
00:26:15,040 --> 00:26:16,720
Speaker 3: they all want to ride down on a private jet

657
00:26:16,760 --> 00:26:19,280
Speaker 3: and have a week more boat all weekend. And we

658
00:26:19,280 --> 00:26:21,760
Speaker 3: were like yeah, So they spent the money on gas

659
00:26:21,920 --> 00:26:23,880
Speaker 3: and gave you a boat for a jet and then

660
00:26:24,000 --> 00:26:26,359
Speaker 3: didn't want to pay you. I guess I told that

661
00:26:26,359 --> 00:26:28,320
Speaker 3: story wrong, that it was kind of like an auctioned

662
00:26:28,320 --> 00:26:32,320
Speaker 3: off concert and so they paid for it. I didn't

663
00:26:32,359 --> 00:26:34,719
Speaker 3: make any money. I kind of donated it. Oh it's

664
00:26:34,760 --> 00:26:35,320
Speaker 3: a charity day.

665
00:26:35,359 --> 00:26:35,879
Speaker 1: Yeah that makes sense.

666
00:26:35,920 --> 00:26:39,600
Speaker 3: Yeah I should have started with that. Yeah, it's like.

667
00:26:39,560 --> 00:26:43,399
Speaker 1: You he bartered out a jet ride for a performance.

668
00:26:43,440 --> 00:26:45,360
Speaker 1: I was actually, you could have flown Southwest and made

669
00:26:45,359 --> 00:26:48,960
Speaker 1: some money there based on they spending gas how often

670
00:26:49,040 --> 00:26:51,000
Speaker 1: you on the road? You every weekend now.

671
00:26:50,880 --> 00:26:53,080
Speaker 3: Yes, sir, Yeah, every weekend. We're out with Dana Shay

672
00:26:53,160 --> 00:26:56,160
Speaker 3: right now and that's been a blast. Uh. And then

673
00:26:56,440 --> 00:26:59,400
Speaker 3: we'll have kind of a few weeks off in October November,

674
00:26:59,440 --> 00:27:01,679
Speaker 3: but we pretty much been at it almost every weekend

675
00:27:01,720 --> 00:27:02,080
Speaker 3: this year.

676
00:27:02,160 --> 00:27:06,680
Speaker 1: So what's your I Got discovered story? Uh?

677
00:27:06,800 --> 00:27:10,879
Speaker 3: I think I'm still working on it. The first like

678
00:27:11,280 --> 00:27:13,600
Speaker 3: cool thing that happened was we did like a country

679
00:27:13,680 --> 00:27:20,680
Speaker 3: version of Driver's License and that kind of was like, yeah,

680
00:27:20,640 --> 00:27:22,600
Speaker 3: I got it, got it. My manager Kayden there it

681
00:27:22,680 --> 00:27:24,920
Speaker 3: was like during COVID he was like, you got to

682
00:27:24,960 --> 00:27:26,439
Speaker 3: post on TikTok and I was like, I don't know

683
00:27:26,480 --> 00:27:28,399
Speaker 3: what the post like. He was like he's kind of

684
00:27:28,400 --> 00:27:31,719
Speaker 3: being a smart but and uh, he was like, just

685
00:27:31,920 --> 00:27:33,680
Speaker 3: take something that's not country and make it country. I

686
00:27:33,720 --> 00:27:35,480
Speaker 3: don't care, just do something. And so I kind of

687
00:27:35,480 --> 00:27:38,280
Speaker 3: took it literal and I found that song and uh,

688
00:27:38,720 --> 00:27:42,159
Speaker 3: I made it country and kind of did something and it.

689
00:27:42,200 --> 00:27:42,800
Speaker 1: Did pretty well.

690
00:27:42,840 --> 00:27:44,760
Speaker 3: Yeah did all right? How did it do?

691
00:27:45,440 --> 00:27:46,520
Speaker 1: I mean one of those where you went to sleep

692
00:27:46,520 --> 00:27:48,000
Speaker 1: and you woke up and there were five million streams?

693
00:27:48,640 --> 00:27:50,600
Speaker 3: Yeah? Yeah at that time, well, at that time. It

694
00:27:50,720 --> 00:27:53,080
Speaker 3: was like for me, having like five thousand views, going

695
00:27:53,119 --> 00:27:55,560
Speaker 3: to like over a million overnight was like, oh dang,

696
00:27:56,119 --> 00:27:59,040
Speaker 3: and then uh we ended up putting that out with

697
00:27:59,080 --> 00:28:01,280
Speaker 3: like another problem. Yeah, it just kind of started rolling

698
00:28:01,280 --> 00:28:01,600
Speaker 3: from there.

699
00:28:01,600 --> 00:28:04,960
Speaker 1: That's pretty cool. But yeah, you were you born in

700
00:28:05,080 --> 00:28:06,080
Speaker 1: like late nineties?

701
00:28:06,240 --> 00:28:07,480
Speaker 3: I soon, Yeah, ninety seven?

702
00:28:07,560 --> 00:28:11,480
Speaker 1: Who's your like? Four? Mount Rushmore a favorite musical artists

703
00:28:11,480 --> 00:28:11,920
Speaker 1: of all time?

704
00:28:12,080 --> 00:28:13,840
Speaker 3: Oh, don't be too cool though, don't be too cool,

705
00:28:13,840 --> 00:28:17,280
Speaker 3: be not real because legit all right. So obviously like

706
00:28:17,400 --> 00:28:21,120
Speaker 3: Eric Church is up there for me. Uh, Keith Whitley

707
00:28:21,600 --> 00:28:22,520
Speaker 3: is up there for me.

708
00:28:25,280 --> 00:28:27,359
Speaker 1: Gosh, how are you exposed to Keith Whitley? Your parents?

709
00:28:27,480 --> 00:28:29,440
Speaker 3: My mom? Yeah? Yeah, my dad was always kind of

710
00:28:29,520 --> 00:28:31,800
Speaker 3: rock and roll. My mom was always like country stuff.

711
00:28:33,560 --> 00:28:36,520
Speaker 3: I'd say Kenny Chesney, just like early Kenny Chesney because

712
00:28:36,520 --> 00:28:39,800
Speaker 3: I grew up on that as well. And then uh,

713
00:28:40,040 --> 00:28:42,640
Speaker 3: probably also Food Fighters because I grew up listening to

714
00:28:42,680 --> 00:28:43,840
Speaker 3: them with my dad. So it's kind of like a

715
00:28:43,840 --> 00:28:45,440
Speaker 3: weird Mount Rushmore, But.

716
00:28:45,600 --> 00:28:47,600
Speaker 1: I think that's actually a pretty normal Mount Rushmore of

717
00:28:47,640 --> 00:28:49,480
Speaker 1: someone who doesn't lie. That's what I like about it

718
00:28:49,840 --> 00:28:51,719
Speaker 1: because a lot has people come in and drop like

719
00:28:51,800 --> 00:28:54,360
Speaker 1: and I can usually identify them. They'll be dropping old

720
00:28:54,360 --> 00:28:56,440
Speaker 1: school countries ou and I'm like, you have no idea. Yeah,

721
00:28:56,640 --> 00:28:58,880
Speaker 1: You're like, you can't tell Merle Haggard from Hank Junior.

722
00:28:59,000 --> 00:29:02,120
Speaker 1: And they're like, I've put merlek Jr.

723
00:29:02,200 --> 00:29:03,360
Speaker 3: It's a cool thing to do right now.

724
00:29:03,440 --> 00:29:05,479
Speaker 1: Yeah, yeah, yeah, can we hear the new one?

725
00:29:05,600 --> 00:29:05,960
Speaker 3: Mm hmm.

726
00:29:06,120 --> 00:29:08,360
Speaker 1: By the way, everybody out there, So the new album

727
00:29:08,400 --> 00:29:10,880
Speaker 1: is called Mid Twenties Crisis. As he's getting ready here,

728
00:29:11,080 --> 00:29:13,480
Speaker 1: hey play me number three rate give me a mid

729
00:29:13,480 --> 00:29:14,520
Speaker 1: twenties Crisis. Look over that.

730
00:29:14,760 --> 00:29:16,480
Speaker 3: I was looking for a name for the record and

731
00:29:16,640 --> 00:29:18,840
Speaker 3: I didn't have one. Uh. This was only like a

732
00:29:18,840 --> 00:29:22,600
Speaker 3: few months ago the whole record was done, and I

733
00:29:22,880 --> 00:29:25,080
Speaker 3: just didn't want to name my first record a random

734
00:29:25,120 --> 00:29:29,320
Speaker 3: song off the record, which no, like shade anybody say.

735
00:29:29,240 --> 00:29:32,000
Speaker 1: The same thing. It annoys me when people just go,

736
00:29:32,200 --> 00:29:33,560
Speaker 1: we don't have a name, just pick a song.

737
00:29:33,640 --> 00:29:34,800
Speaker 3: Yeah, yeah, I wanted to.

738
00:29:34,880 --> 00:29:36,120
Speaker 1: I mean, fighters wouldn't do that.

739
00:29:36,320 --> 00:29:36,880
Speaker 3: No, heck no.

740
00:29:36,960 --> 00:29:38,600
Speaker 1: They named the record based on like what the whole

741
00:29:38,600 --> 00:29:42,600
Speaker 1: body of works out and it feels yes, and uh, I.

742
00:29:42,480 --> 00:29:44,520
Speaker 3: Was just like I was praying about it, like I

743
00:29:44,560 --> 00:29:47,120
Speaker 3: don't know what to name this record. And like obviously

744
00:29:47,160 --> 00:29:48,880
Speaker 3: the guys at the label are like, come on, like

745
00:29:49,080 --> 00:29:51,840
Speaker 3: we gotta have a name, like uh. And one night

746
00:29:51,880 --> 00:29:53,600
Speaker 3: I woke up at like four am and I just

747
00:29:53,680 --> 00:29:56,040
Speaker 3: had that title mid Twenties Crisis pop in my head

748
00:29:56,040 --> 00:29:59,080
Speaker 3: and I wrote it down uh. And then on the

749
00:29:59,160 --> 00:30:00,720
Speaker 3: road that weekend, I I think I wrote it over

750
00:30:00,720 --> 00:30:02,680
Speaker 3: the course of every show, Like I wrote the verse

751
00:30:02,760 --> 00:30:06,280
Speaker 3: like the first day, the chorus the second day, and

752
00:30:06,440 --> 00:30:09,320
Speaker 3: it just kind of started coming together. And it's really

753
00:30:09,400 --> 00:30:12,080
Speaker 3: just what I was going through too, just like I

754
00:30:12,080 --> 00:30:13,800
Speaker 3: feel like the twenties are tough. I feel like every

755
00:30:13,800 --> 00:30:16,880
Speaker 3: probably age is tough, but just trying to figure out

756
00:30:17,280 --> 00:30:19,320
Speaker 3: like where am I at, Like all my buddies back

757
00:30:19,360 --> 00:30:22,800
Speaker 3: home have kids. Should I be doing that? Or like

758
00:30:22,960 --> 00:30:24,959
Speaker 3: I'm up here doing this, Like it just is a

759
00:30:25,040 --> 00:30:28,360
Speaker 3: confusing time at least for me. Lengthfully, we're past that

760
00:30:28,480 --> 00:30:32,640
Speaker 3: now we're better, but I was just kind of for now,

761
00:30:33,120 --> 00:30:34,960
Speaker 3: but I was just going through that and I just

762
00:30:34,960 --> 00:30:36,520
Speaker 3: wanted to write like a real song, and I sent

763
00:30:36,600 --> 00:30:39,640
Speaker 3: it to Jason at the label and Joe, my producer,

764
00:30:39,680 --> 00:30:41,520
Speaker 3: and I was like, this is God, this is the

765
00:30:41,520 --> 00:30:45,000
Speaker 3: title of the record. And I was going to Alaska

766
00:30:45,040 --> 00:30:49,040
Speaker 3: on Sunday to go fishing and got back Sunday, went

767
00:30:49,080 --> 00:30:52,640
Speaker 3: to the studio with Joe and recorded at like eleven am.

768
00:30:53,160 --> 00:30:54,680
Speaker 3: I guess it was twelve because I just got out

769
00:30:54,720 --> 00:30:56,560
Speaker 3: of church and I went over to his place and

770
00:30:56,600 --> 00:30:58,719
Speaker 3: we just did an electric guitar in my vocal when

771
00:30:58,760 --> 00:31:01,160
Speaker 3: that was it and we sent it in. So I'm

772
00:31:01,160 --> 00:31:02,040
Speaker 3: really proud of that one.

773
00:31:02,160 --> 00:31:03,760
Speaker 1: I want to play one more before you guys play

774
00:31:03,920 --> 00:31:06,240
Speaker 1: UH number fifteen rate. It's the last track. It's called

775
00:31:06,240 --> 00:31:07,880
Speaker 1: the Fence. You can tell the kind of songs I'm

776
00:31:07,920 --> 00:31:10,920
Speaker 1: drawn to. I'm very emo. Yes, it is the two songs. Yeah,

777
00:31:11,200 --> 00:31:13,040
Speaker 1: just give me something that's kind of broken down. I

778
00:31:13,080 --> 00:31:14,840
Speaker 1: can hear the words, I can feel the emotion like

779
00:31:14,880 --> 00:31:15,920
Speaker 1: that song is pretty strong.

780
00:31:16,080 --> 00:31:16,320
Speaker 3: Thanks.

781
00:31:16,400 --> 00:31:17,680
Speaker 1: Yeah. Did you write that for your year girl?

782
00:31:17,920 --> 00:31:18,080
Speaker 7: Oh?

783
00:31:18,200 --> 00:31:20,720
Speaker 3: Yeah yeah. I was driving through Oklahoma on the way

784
00:31:20,720 --> 00:31:23,160
Speaker 3: to UH to a duck hunt and I saw this

785
00:31:23,200 --> 00:31:25,840
Speaker 3: tumbleweed just like flying through this field and it just

786
00:31:25,880 --> 00:31:27,440
Speaker 3: smoked a fence, and I was like, I don't know

787
00:31:27,480 --> 00:31:29,360
Speaker 3: what that's about, but I'm gonna write it down, and

788
00:31:29,480 --> 00:31:31,400
Speaker 3: uh then I kind of got to thinking like it

789
00:31:31,400 --> 00:31:33,560
Speaker 3: could it's just crazy, how like a tumbleweed like I

790
00:31:33,560 --> 00:31:35,280
Speaker 3: feel like that was me, just like running real fast

791
00:31:35,320 --> 00:31:37,520
Speaker 3: and then just hit a fence. Uh in a good way?

792
00:31:37,520 --> 00:31:38,280
Speaker 1: Did you get engaged?

793
00:31:38,600 --> 00:31:40,800
Speaker 3: Yeah, I'm married. Yeah, Oh you're married little after a year.

794
00:31:40,960 --> 00:31:41,520
Speaker 1: Yeah, got god.

795
00:31:41,560 --> 00:31:41,760
Speaker 4: Yeah.

796
00:31:41,760 --> 00:31:45,400
Speaker 3: We have two dogs and five chickens. Well so are

797
00:31:45,400 --> 00:31:49,360
Speaker 3: they all named yeah after wing Wing sauces.

798
00:31:49,280 --> 00:31:50,320
Speaker 1: The dogs and the chicken.

799
00:31:50,400 --> 00:31:52,680
Speaker 3: No, no, no, no, just the chickens and the dogs after

800
00:31:52,720 --> 00:31:56,880
Speaker 3: wing sau That would be add the chickens. That my

801
00:31:56,880 --> 00:31:59,200
Speaker 3: favorite one. Her name is lum and Pepper. And when

802
00:31:59,240 --> 00:32:00,800
Speaker 3: I get home, she will home just like let me

803
00:32:00,840 --> 00:32:03,640
Speaker 3: hold her. The other four won't, but Limon Peppereroki won't

804
00:32:03,640 --> 00:32:08,880
Speaker 3: come over. No, Tariokeey won't. Buffalo we got Okay, you

805
00:32:08,920 --> 00:32:12,680
Speaker 3: got Lemon Pepper. Who's my favorite teriockey Buffalo. She's got

806
00:32:12,720 --> 00:32:16,080
Speaker 3: like a bright red chest garlic palms. She's just the

807
00:32:16,120 --> 00:32:18,760
Speaker 3: biggest one I garlic and then Chicken Minnie is the

808
00:32:18,800 --> 00:32:20,040
Speaker 3: smallest one. She's like the run.

809
00:32:21,200 --> 00:32:24,160
Speaker 1: This is Dylan Marlow and he gots good. Yeah, all right,

810
00:32:24,200 --> 00:32:28,719
Speaker 1: whatever you right, Dylan Marlow, next shot man. The record

811
00:32:28,800 --> 00:32:31,120
Speaker 1: is out. It's called mid twenties Crisis. I shout out

812
00:32:31,160 --> 00:32:31,880
Speaker 1: your guys up here with you.

813
00:32:32,000 --> 00:32:36,520
Speaker 3: Heck yeah. Yeah, this is John Fresh, John Fresh, fresh,

814
00:32:36,560 --> 00:32:37,240
Speaker 3: freshman cooler.

815
00:32:37,800 --> 00:32:39,800
Speaker 1: I do like fresh, I do like fresh. I got you,

816
00:32:39,800 --> 00:32:41,560
Speaker 1: but fresh, let me switch it up?

817
00:32:42,040 --> 00:32:43,480
Speaker 3: Yeah, not too late.

818
00:32:43,560 --> 00:32:43,760
Speaker 1: Yeah.

819
00:32:44,040 --> 00:32:47,520
Speaker 3: Sometimes when John has tequiling him, his his alter ego

820
00:32:47,600 --> 00:32:52,280
Speaker 3: is Eagle Dan, and this is a David Medland Dan. Yeah.

821
00:32:52,600 --> 00:32:53,800
Speaker 3: I don't know where we got that from.

822
00:32:53,840 --> 00:32:54,680
Speaker 1: There's no explanation.

823
00:32:54,960 --> 00:32:57,600
Speaker 3: Oh knows the Love's Truck Stop T shirt.

824
00:32:57,400 --> 00:33:01,240
Speaker 1: I found up. Yeah, I found this ridiculous Eagle T

825
00:33:01,360 --> 00:33:03,200
Speaker 1: shirt and I loved and it was like fifteen bucks.

826
00:33:03,320 --> 00:33:05,280
Speaker 1: I was like, I have to buy it, and then

827
00:33:05,320 --> 00:33:06,800
Speaker 1: I cut the sleeves off and I wore it for

828
00:33:06,840 --> 00:33:09,160
Speaker 1: like four days. But where Dan come from?

829
00:33:09,200 --> 00:33:11,040
Speaker 3: I don't know where we got that from. It just

830
00:33:11,080 --> 00:33:11,680
Speaker 3: felt right.

831
00:33:11,840 --> 00:33:13,239
Speaker 1: And then what's your name?

832
00:33:13,600 --> 00:33:15,600
Speaker 3: Sorry? How Yeah, David Medlin and David.

833
00:33:15,640 --> 00:33:16,880
Speaker 1: When you drink too much? What's your name?

834
00:33:17,080 --> 00:33:17,800
Speaker 3: What's my name?

835
00:33:19,800 --> 00:33:20,120
Speaker 4: David?

836
00:33:21,280 --> 00:33:23,040
Speaker 3: He says frick a lot, and then he says frick

837
00:33:23,120 --> 00:33:24,720
Speaker 3: even more when he's been drinking.

838
00:33:24,880 --> 00:33:26,320
Speaker 1: Got it freaking freaking Dave?

839
00:33:26,600 --> 00:33:27,400
Speaker 3: Yeah, freaking Dan.

840
00:33:28,320 --> 00:33:30,920
Speaker 1: Wait, because you're Eagle Danny Dance.

841
00:33:32,520 --> 00:33:34,959
Speaker 3: Maybe we figured that all your nicknames Dan, yeah, all

842
00:33:35,160 --> 00:33:37,560
Speaker 3: day Rick Dan and Eagle Dan Dylan Marlow.

843
00:33:37,640 --> 00:33:39,560
Speaker 1: Great to see you, man, ud can have me? Uh

844
00:33:39,800 --> 00:33:42,360
Speaker 1: you guys go follow Dylan at Dylan Marlow Music. The

845
00:33:42,400 --> 00:33:45,280
Speaker 1: record is out called Mid Twenties Crisis and Boys Back Come.

846
00:33:45,320 --> 00:33:47,160
Speaker 1: That's gonna be a smashed thanks Ye, it's gonna smash,

847
00:33:47,160 --> 00:33:51,960
Speaker 1: thank you. All right, there is Dylan Marlo body nice. Yeah,

848
00:33:52,040 --> 00:33:54,240
Speaker 1: here's a clip about getting broken up with that Amy

849
00:33:54,240 --> 00:33:56,120
Speaker 1: brought in. I don't know it's from Morgan to hear

850
00:33:56,200 --> 00:33:57,440
Speaker 1: or not. How's your break up? By the way, he

851
00:33:57,480 --> 00:33:58,640
Speaker 1: still Phil, He's still sadur Now.

852
00:33:58,720 --> 00:34:02,200
Speaker 8: No, I'm doing great, right, I mean, I'm be honest.

853
00:34:02,280 --> 00:34:05,080
Speaker 1: No, I don't know that. I'm like completely over it.

854
00:34:05,160 --> 00:34:06,120
Speaker 2: I'm still healing.

855
00:34:06,240 --> 00:34:07,680
Speaker 8: But I feel really good.

856
00:34:07,760 --> 00:34:11,520
Speaker 1: I mean I haven't cried. I'm in a good space. Good.

857
00:34:11,800 --> 00:34:13,239
Speaker 1: I feel like she's battling through that.

858
00:34:13,960 --> 00:34:15,640
Speaker 2: This clip will offer more encouragement.

859
00:34:15,719 --> 00:34:16,680
Speaker 1: Let's clip ahead.

860
00:34:17,000 --> 00:34:19,719
Speaker 9: Have you ever gotten less hot from a breakup? Have

861
00:34:19,800 --> 00:34:23,520
Speaker 9: you ever gotten less successful? Now, every single time you

862
00:34:23,600 --> 00:34:26,319
Speaker 9: go through a breakup or like something that causes you pain,

863
00:34:26,560 --> 00:34:28,440
Speaker 9: you get hotter, you get more successful, and you do

864
00:34:28,520 --> 00:34:29,680
Speaker 9: things you might not normally do.

865
00:34:30,040 --> 00:34:33,879
Speaker 1: Okay, you grow. So I'm like, I say, go for it,

866
00:34:35,160 --> 00:34:37,839
Speaker 1: and so you think what motivation can be had.

867
00:34:38,320 --> 00:34:42,120
Speaker 5: Oh well, so sometimes when you've experienced a hard breakup,

868
00:34:42,239 --> 00:34:45,280
Speaker 5: you're less likely to maybe want to go into another

869
00:34:45,320 --> 00:34:47,080
Speaker 5: relationship because you don't want to get hurt again.

870
00:34:47,560 --> 00:34:49,160
Speaker 2: But this person was saying.

871
00:34:49,000 --> 00:34:51,560
Speaker 5: Go for it, go out with all the people, experience

872
00:34:51,600 --> 00:34:55,920
Speaker 5: all the breakups, because I guess she was her experience.

873
00:34:55,960 --> 00:34:58,560
Speaker 2: She's gotten hotter and done things she doesn't normally do.

874
00:35:01,560 --> 00:35:03,560
Speaker 1: You know what what you do is you get yourself

875
00:35:03,560 --> 00:35:05,440
Speaker 1: in shape, you give it another run. Right, That's what

876
00:35:05,480 --> 00:35:07,799
Speaker 1: she means. Morgan, your thoughts on that clip. I mean,

877
00:35:07,840 --> 00:35:08,560
Speaker 1: I think it's true.

878
00:35:08,600 --> 00:35:10,440
Speaker 8: I've had a lot of heartbreak in my life and

879
00:35:10,480 --> 00:35:11,600
Speaker 8: I've never, you know.

880
00:35:11,760 --> 00:35:13,920
Speaker 1: Gotten worse after those breakups.

881
00:35:13,960 --> 00:35:15,799
Speaker 8: I feel like I've had multiple glill ups and I

882
00:35:15,880 --> 00:35:17,319
Speaker 8: just kind of keep elevating.

883
00:35:17,520 --> 00:35:21,759
Speaker 1: I think the growth, this is just my perspective, the

884
00:35:21,760 --> 00:35:25,120
Speaker 1: growth that you're going to have from this next relationship,

885
00:35:25,120 --> 00:35:26,920
Speaker 1: whenever you choose to get in it, is that you

886
00:35:26,960 --> 00:35:28,840
Speaker 1: will have the belief in yourself to actually pick a

887
00:35:28,840 --> 00:35:30,480
Speaker 1: decent guy. Because you just picked a decent guy. It

888
00:35:30,480 --> 00:35:33,879
Speaker 1: didn't work out, but you didn't have a good track

889
00:35:33,920 --> 00:35:37,760
Speaker 1: record of picking people that I think we all universally

890
00:35:37,800 --> 00:35:42,480
Speaker 1: could agree, you know, too much hair dree Dale and

891
00:35:42,520 --> 00:35:44,680
Speaker 1: jewelry and yeah, certain kind of too many curls. And

892
00:35:45,760 --> 00:35:47,799
Speaker 1: I mean they kind of you kind of had like

893
00:35:47,800 --> 00:35:49,640
Speaker 1: this bad boy losery. But I think you've matured out

894
00:35:49,640 --> 00:35:51,640
Speaker 1: of that. I think you now can give yourself hope

895
00:35:51,640 --> 00:35:54,200
Speaker 1: that you can pick a good guy, good mature guy. Yeah.

896
00:35:54,280 --> 00:35:55,680
Speaker 1: I do feel like I'm in a good place.

897
00:35:55,680 --> 00:35:57,560
Speaker 8: I've learned a lot of lessons, you know, I just

898
00:35:57,600 --> 00:35:58,879
Speaker 8: would like to stop learning lessons.

899
00:35:58,920 --> 00:36:00,799
Speaker 1: That'd be cool too. Do you get offended when we're

900
00:36:00,880 --> 00:36:01,840
Speaker 1: like you use a date loser?

901
00:36:02,920 --> 00:36:06,080
Speaker 8: No, Like I wish I could be like, no, they

902
00:36:06,080 --> 00:36:11,400
Speaker 8: weren't great guys, but they weren't great. They had a

903
00:36:11,440 --> 00:36:14,799
Speaker 8: lot of bad moments, So I can't. Really, I can't

904
00:36:14,800 --> 00:36:18,000
Speaker 8: sit here and be like, no, I dated winners, they weren't,

905
00:36:18,160 --> 00:36:18,919
Speaker 8: so I can't.

906
00:36:18,960 --> 00:36:21,120
Speaker 1: Really. I don't have a defense against that. I think

907
00:36:21,160 --> 00:36:24,560
Speaker 1: the last guy, though, was the arrow pointing in the

908
00:36:24,640 --> 00:36:27,440
Speaker 1: right direction that whatever wherever your rudder was taking you,

909
00:36:27,480 --> 00:36:28,640
Speaker 1: it is not taking you there anymore.

910
00:36:29,280 --> 00:36:31,759
Speaker 2: Yeah, I'm on a new path, whatever that path may be.

911
00:36:31,840 --> 00:36:34,000
Speaker 1: Have you been on a date? Since I did go

912
00:36:34,080 --> 00:36:37,719
Speaker 1: on a date, Let's go that one. Always it's not good.

913
00:36:37,760 --> 00:36:40,080
Speaker 1: But regardless that that dude, that dude was served up

914
00:36:40,080 --> 00:36:42,560
Speaker 1: as raw meat, like he will never survive. It didn't

915
00:36:42,560 --> 00:36:45,239
Speaker 1: matter how great he was. He is just a chum.

916
00:36:46,040 --> 00:36:49,920
Speaker 1: So how to go? It was good? How'd it come about? Friend?

917
00:36:49,960 --> 00:36:51,560
Speaker 1: Set us up? And then do you feel like you

918
00:36:51,560 --> 00:36:52,399
Speaker 1: could go out with him again?

919
00:36:53,280 --> 00:36:53,520
Speaker 2: Yeah?

920
00:36:53,640 --> 00:36:55,720
Speaker 1: I think I could. This will never last, that's unfortunately.

921
00:36:55,719 --> 00:36:58,600
Speaker 5: If it's a friend setup, then she has recommendations from

922
00:36:58,640 --> 00:36:59,160
Speaker 5: the friend.

923
00:36:59,200 --> 00:37:00,759
Speaker 1: Like that, I'd be a good dude. I'd probably stall.

924
00:37:00,840 --> 00:37:02,400
Speaker 1: I probably hold on off on this dude. Go out

925
00:37:02,400 --> 00:37:03,799
Speaker 1: with a game, go out the couple more, get those

926
00:37:03,800 --> 00:37:06,120
Speaker 1: out of your system. If you really think this guy

927
00:37:06,160 --> 00:37:08,000
Speaker 1: could be a winner, because the first guy up is

928
00:37:08,040 --> 00:37:11,279
Speaker 1: the next guy to go down. I don't know if

929
00:37:11,320 --> 00:37:11,759
Speaker 1: that's true.

930
00:37:11,800 --> 00:37:14,279
Speaker 8: At this point in my life, I would say, like

931
00:37:14,400 --> 00:37:15,719
Speaker 8: early twenties more and yeah, that.

932
00:37:15,640 --> 00:37:18,759
Speaker 1: Was probably true me in three months. You could be right.

933
00:37:18,840 --> 00:37:21,719
Speaker 8: But I'm a different person now than I was when

934
00:37:21,760 --> 00:37:23,640
Speaker 8: I was dating, like going through heartbreak.

935
00:37:23,239 --> 00:37:24,799
Speaker 1: In my early twenties. I just think if you have

936
00:37:24,840 --> 00:37:28,279
Speaker 1: a real serious relationship and you jump back in regardless,

937
00:37:28,680 --> 00:37:31,680
Speaker 1: that person doesn't really stand a chance because they're being

938
00:37:31,680 --> 00:37:34,000
Speaker 1: compared to the last person. I can't always be human

939
00:37:34,080 --> 00:37:36,800
Speaker 1: nature human nature, but it could work. I'm committed to it.

940
00:37:36,800 --> 00:37:38,400
Speaker 1: I'm committed to this is not not working for work.

941
00:37:39,160 --> 00:37:41,239
Speaker 1: Committed to it. Well, we're rooting for you. Let us

942
00:37:41,239 --> 00:37:43,680
Speaker 1: know if this thing goes any further. Okay, yeah, religious

943
00:37:43,680 --> 00:37:44,400
Speaker 1: police lined up.

944
00:37:44,840 --> 00:37:48,120
Speaker 3: Oh yeah, that was one of my first.

945
00:37:48,360 --> 00:37:51,480
Speaker 1: Like what's your credit score? Asking that immediately. All right,

946
00:37:51,880 --> 00:37:59,280
Speaker 1: it's time for the good news. Ready. Mitchell High School

947
00:37:59,360 --> 00:38:00,440
Speaker 1: in Memphis, Tennessee.

948
00:38:00,480 --> 00:38:02,360
Speaker 6: They have a football team, but they've been using the

949
00:38:02,400 --> 00:38:05,400
Speaker 6: same helmets for over ten years, and the coaches like, man,

950
00:38:05,800 --> 00:38:08,720
Speaker 6: with all the stuff happening with concussions, we need upgrades.

951
00:38:08,760 --> 00:38:10,359
Speaker 6: But the school district is like, we don't have money

952
00:38:10,360 --> 00:38:13,600
Speaker 6: for it. Well, thankfully there's a nonprofit called Uplift Westwood.

953
00:38:13,600 --> 00:38:14,880
Speaker 1: They said, you know what, we're going to raise the

954
00:38:14,880 --> 00:38:15,359
Speaker 1: money for it.

955
00:38:15,440 --> 00:38:17,919
Speaker 6: They raised twenty thousand dollars and now the team has

956
00:38:17,960 --> 00:38:18,840
Speaker 6: brand new helmets.

957
00:38:19,120 --> 00:38:21,239
Speaker 1: That's great, especially when it comes to helmets. Well, they

958
00:38:21,239 --> 00:38:23,400
Speaker 1: were saying, like it's like seat belts, we need to totally.

959
00:38:23,800 --> 00:38:25,719
Speaker 6: They say every two years, like you're supposed to like

960
00:38:25,800 --> 00:38:27,560
Speaker 6: upgrade because they have a new technology for.

961
00:38:27,520 --> 00:38:30,680
Speaker 1: Helmet your mind for pre school. That's crazy. Well, no,

962
00:38:30,760 --> 00:38:32,480
Speaker 1: I think just schools in general life like the iPhone.

963
00:38:32,520 --> 00:38:33,759
Speaker 1: You guys are out of your mind with iPhones. We

964
00:38:33,760 --> 00:38:35,280
Speaker 1: need to do it every year. You guys are crazy.

965
00:38:35,480 --> 00:38:36,839
Speaker 1: So a couple of things. I was going to ask

966
00:38:36,880 --> 00:38:40,480
Speaker 1: you guys this question. So I sponsor the fishing team

967
00:38:40,520 --> 00:38:42,840
Speaker 1: at my high school. We talked about this. They were like, hey,

968
00:38:43,160 --> 00:38:45,520
Speaker 1: can you help us? No problem? And they're like, hey,

969
00:38:45,560 --> 00:38:49,319
Speaker 1: well where whatever logo you want on our fishing like

970
00:38:49,360 --> 00:38:52,240
Speaker 1: shirt jerseys? I love it. So I need to decide

971
00:38:52,320 --> 00:38:53,640
Speaker 1: do I even do anything? Or do I just let

972
00:38:53,680 --> 00:38:55,080
Speaker 1: them put their school and that's it? Or do I

973
00:38:55,080 --> 00:38:56,719
Speaker 1: put like some glide What do I do that? The

974
00:38:56,760 --> 00:38:58,520
Speaker 1: glasses logo? That's what I was thinking. They say, like

975
00:38:58,520 --> 00:39:01,160
Speaker 1: Bobby Bells or glasses? Yeah? Or is that like too much?

976
00:39:01,280 --> 00:39:02,120
Speaker 1: Just sponsor the team?

977
00:39:02,200 --> 00:39:02,439
Speaker 3: Here?

978
00:39:02,520 --> 00:39:04,200
Speaker 1: How many logos can you do? Like three?

979
00:39:04,360 --> 00:39:08,280
Speaker 6: We do the raging idiot silhouettes.

980
00:39:06,840 --> 00:39:10,399
Speaker 1: Like race car drivers, all the patches. Would that be?

981
00:39:10,520 --> 00:39:12,080
Speaker 1: Would that be a loser of me to go like? No?

982
00:39:12,440 --> 00:39:14,600
Speaker 5: Put I don't think it's a loser. I think most

983
00:39:14,600 --> 00:39:15,680
Speaker 5: sponsors put some sort of.

984
00:39:15,640 --> 00:39:17,600
Speaker 1: Stuff, but sponsored is weird. I just donated so this

985
00:39:17,920 --> 00:39:18,960
Speaker 1: could have a fishing.

986
00:39:18,680 --> 00:39:20,960
Speaker 6: Team I think they would be proud to have your

987
00:39:21,000 --> 00:39:22,040
Speaker 6: logo on their jersey.

988
00:39:22,440 --> 00:39:22,960
Speaker 1: I think so.

989
00:39:24,080 --> 00:39:27,080
Speaker 7: Okay, maybe I think like one of these outs like

990
00:39:27,160 --> 00:39:28,480
Speaker 7: that we have in the studio.

991
00:39:28,200 --> 00:39:32,400
Speaker 1: Just get that's funny. That is funny. That's kind of funny. Okay.

992
00:39:32,400 --> 00:39:34,600
Speaker 1: I like your story, all right, like your story. I

993
00:39:34,640 --> 00:39:36,480
Speaker 1: was just thinking about that. That's what it's all about.

994
00:39:37,280 --> 00:39:41,040
Speaker 1: That was telling me something good. Let's go to Amy

995
00:39:41,080 --> 00:39:46,600
Speaker 1: and get in the morning corny, the morning, corny.

996
00:39:46,880 --> 00:39:49,760
Speaker 2: What do Jedi trees say to each other in the fall?

997
00:39:50,040 --> 00:39:53,800
Speaker 1: What do Jedi like Star Wars Jedi trees say to

998
00:39:53,840 --> 00:39:56,160
Speaker 1: each other in the fall? May the forest be with

999
00:39:56,200 --> 00:40:03,720
Speaker 1: you forest? Instead of the forest that was the morning corning?

1000
00:40:04,360 --> 00:40:05,600
Speaker 1: Why do they say that in the fall?

1001
00:40:06,280 --> 00:40:08,000
Speaker 2: Maybe before they lose their leaves?

1002
00:40:08,120 --> 00:40:10,759
Speaker 1: No, the fall a fourth and forest is a play

1003
00:40:10,760 --> 00:40:13,319
Speaker 1: on words. May the Fourth Force be with you, that's

1004
00:40:13,360 --> 00:40:15,160
Speaker 1: what they say. Well, why wouldn't they say that in

1005
00:40:15,160 --> 00:40:18,160
Speaker 1: the spring? Why why why don't they just do it

1006
00:40:18,160 --> 00:40:24,160
Speaker 1: all year round? Oh that's a good question, too much,

1007
00:40:24,280 --> 00:40:26,880
Speaker 1: I answered it. You're going to lose their leaves or

1008
00:40:26,920 --> 00:40:33,120
Speaker 1: it doesn't matter. And that is the end of the

1009
00:40:33,120 --> 00:40:37,560
Speaker 1: first half of the podcast. Is the end of the

1010
00:40:37,560 --> 00:40:42,120
Speaker 1: first half of the podcast. The podcast that is the

1011
00:40:42,280 --> 00:40:44,560
Speaker 1: end of the time of the podcast. You can go

1012
00:40:44,680 --> 00:40:48,040
Speaker 1: a podcast to or you can wait till podcast to

1013
00:40:48,360 --> 00:40:48,959
Speaker 1: come out.