WEBVTT - Episode 10: A Message From Tyler (Part 2)

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<v Speaker 1>The Maniwak Caves is intended for mature audiences. It contains

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<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

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<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

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<v Speaker 1>this is an extremely immersive experience and headphones are recommended.

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<v Speaker 1>You're listening to The Maniwak Caves, a production of iHeartRadio,

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<v Speaker 1>Blumhouse Television and Psychopia Pictures.

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<v Speaker 2>The Beasts of Dough to your mind, you have a

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<v Speaker 2>true of blood like the coosuit to leave the high

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<v Speaker 2>You keep screaming for how and what answer? Just a

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<v Speaker 2>busy si Jones?

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<v Speaker 3>Is it fas.

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<v Speaker 4>When you.

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<v Speaker 2>Could?

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<v Speaker 4>There be a killer inside?

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<v Speaker 3>The truth has been locked up inside me, which brings

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<v Speaker 3>me to the next rule. Just because we don't remember

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<v Speaker 3>it doesn't mean it didn't happen, Julian. After what Deacon

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<v Speaker 3>and Thomas Hadley did to Dana and finishing what they

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<v Speaker 3>did to you in the library, what they spent their

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<v Speaker 3>whole lives doing to any kids who were smaller, were

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<v Speaker 3>different than them, I couldn't let those spoils shiit ads

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<v Speaker 3>get away with it anymore. It had gone too far.

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<v Speaker 3>It was time they got theirs, you know, it was

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<v Speaker 3>time for revenge. Hey, Tommy, where's your rakery? Brother?

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<v Speaker 5>What the fuck did you just say?

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<v Speaker 3>Calm down, many chill you think I don't know what

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<v Speaker 3>you and your brother did to Dina? Mm hm what

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<v Speaker 3>don't worry, mante, It's all right. We ain't gonna tell.

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<v Speaker 3>We just want to give the Hadley brothers a taste

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<v Speaker 3>of their own medicine.

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<v Speaker 1>Fuck you you know?

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<v Speaker 3>Fuck me? Hold on that, Tommy, hold on. Like I said,

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<v Speaker 3>I talked to Dina and uh, she agreed, she ain't

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<v Speaker 3>gonna tell nobody. We just wanted to scare them.

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<v Speaker 5>So so, what what do you want out of it?

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<v Speaker 3>Well, me and Dana were like a an arrangement, so

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<v Speaker 3>speak mutual benefici. What are you talking about?

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<v Speaker 4>All right?

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<v Speaker 3>So truth is she likes Deacon and she likes you too.

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<v Speaker 3>She told me said, you can do it with her

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<v Speaker 3>again if you want. But that shit ain't free, son

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<v Speaker 3>You want that, you gotta pay, and you gotta pay me.

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<v Speaker 3>It was my idea, lure them down in the caves,

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<v Speaker 3>get them lost, and watch them fall apart like the

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<v Speaker 3>cowards we knew they were. I had that Sony DV

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<v Speaker 3>handicam and we were gonna make them ship their pants

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<v Speaker 3>and videotapeic get footage of them crying and freaking out,

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<v Speaker 3>and then just blast that shit all over the web.

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<v Speaker 3>You so you're so full of shit mad? Maybe maybe not?

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<v Speaker 3>Look at you looking around. You don't got to believe me, Tommy,

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<v Speaker 3>But I know what I'll be doing Friday night out

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<v Speaker 3>by the caves. Do you anyway?

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<v Speaker 4>Think it over?

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<v Speaker 3>Get back with me? Think it over. I'd made up

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<v Speaker 3>that story about Tina. She didn't know anything about it.

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<v Speaker 3>I felt real bad about using her as bait more

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<v Speaker 3>than a prank, sure, but lesson murder.

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<v Speaker 1>What the what the fuck?

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<v Speaker 3>How far back do we gotta go?

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<v Speaker 2>Where is she?

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<v Speaker 4>Dude?

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<v Speaker 3>I told you there's a spot right up here. No

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<v Speaker 3>one knows about it as part of the cave, and

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<v Speaker 3>you can't tell no one neither. Right this better and

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<v Speaker 3>be fucking legit, Tyler. You want your money back, huh?

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<v Speaker 3>Or you want to get late. I'm going first.

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<v Speaker 2>It's only fair.

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<v Speaker 3>I had the only flashlight. I just needed them to

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<v Speaker 3>follow me in deep enough so the when I cut

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<v Speaker 3>the flashlight out, they would be lost in complete darkness.

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<v Speaker 4>Fuck, I can't see shit all right? Way up man,

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<v Speaker 4>moving too fast? Bring the light back?

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<v Speaker 3>I managed to get about twenty feet ahead of them

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<v Speaker 3>to where the last term was and I cut.

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<v Speaker 4>Off the light.

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<v Speaker 5>What the fuck I can't see ibut you with that light, Taylor.

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<v Speaker 4>If you don't get the fuck back here, I'm going

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<v Speaker 4>to fuck you up.

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<v Speaker 3>It worked. Oh they were lost, lost in the caves

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<v Speaker 3>and near pitched black.

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<v Speaker 4>Let's get the fuck out of here.

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<v Speaker 3>That way I hit say it, I don't know it.

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<v Speaker 3>It didn't take long for the claustrophobia to said the

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<v Speaker 3>threat slowed, wavered more of some confusion. Rage gave way

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<v Speaker 3>to panic, Panic gave way to tears, and then the

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<v Speaker 3>tears became he became screams echoing through the caves and

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<v Speaker 3>my nightmares. I've been haunted by Thomas and dickon a

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<v Speaker 3>Hadley screams ever since I woke up the next day, Saturday,

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<v Speaker 3>May nineteen, I couldn't remember anything about the night before,

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<v Speaker 3>remember anything about the prank. I woke up in my bed,

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<v Speaker 3>still in my clothes, which were drenched, my boots still

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<v Speaker 3>on beneath the sheets, cakes with fresh earth. You were

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<v Speaker 3>passed out on the floor next to me. I could

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<v Speaker 3>barely sit up, barely stand up. My lower back was

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<v Speaker 3>so stiff and sore. My legs were shaking and my

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<v Speaker 3>head was pounding. And Finch, we didn't even know where

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<v Speaker 3>hell he Finch was. Nobody did not even Dina any

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<v Speaker 3>of this coming back to you, Julian, and he showered

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<v Speaker 3>off from my place and hot tailed her back home.

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<v Speaker 3>After that, your dad was just about fit to kill you.

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<v Speaker 3>He always hated me, old Paul Sawace. He'd already decided

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<v Speaker 3>long before than anything bad that never happened was well

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<v Speaker 3>entirely my fault. I barely made it to graduation that day,

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<v Speaker 3>and I saw you through the crowd, and I wanted

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<v Speaker 3>to talk to you and start walking up with your father.

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<v Speaker 3>They're just stared me down, so I knew to keep

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<v Speaker 3>my distance. And you, you were changed, like soul had

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<v Speaker 3>already taken off, far away away from Pottsville, away from

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<v Speaker 3>Manawah County and it's people, it's monsters and the fog

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<v Speaker 3>of evil that hung all over it. And you had

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<v Speaker 3>made your mind to get out, but you wanted to

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<v Speaker 3>go to the caves one last time. I wanted to

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<v Speaker 3>go back to although I didn't know why. My mind

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<v Speaker 3>was still a blank. Today we found their bodies. They

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<v Speaker 3>found Finish a couple hours after that, out in the

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<v Speaker 3>woods not far from the caves, emaciated, hypothermic, couldn't speak,

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<v Speaker 3>and finally dead, he claimed, I couldn't remember anything, just

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<v Speaker 3>a missing chunk avoided time. As the years went by,

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<v Speaker 3>the dreams became more vivid, and it didn't always happen

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<v Speaker 3>at night either. I began losing time in the middle

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<v Speaker 3>of the day. At first, it was just that, just

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<v Speaker 3>missing gaps of time I'd come to in a place

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<v Speaker 3>I had no recollection of going to, in the middle

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<v Speaker 3>of doing things I had made no conscious decision to do.

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<v Speaker 3>And after a while it was in those moments, the

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<v Speaker 3>missing ones, that I began to remember. It started with

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<v Speaker 3>the whispers, voices, and the white noise and static of

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<v Speaker 3>everyday backgrounds. Then the vision started coming out to play flashes.

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<v Speaker 3>At first, the hadleys, their scowls, finches, face all lit

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<v Speaker 3>up while we made the plan. And you, Julie, you,

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<v Speaker 3>I saw you a lot. And then the images began

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<v Speaker 3>moving little picture shows. One by one, The memory of

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<v Speaker 3>that night pieced itself back together until I could remember

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<v Speaker 3>it as a whole, clear as belt, like it had

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<v Speaker 3>happened only moments before. It was a recording being played

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<v Speaker 3>for me in my brain. All those missing gaps started

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<v Speaker 3>filling themselves in. I wasn't sure if I was going

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<v Speaker 3>fucking crazy or what. It was only a couple of

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<v Speaker 3>years later, when I was moving out of my mom's

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<v Speaker 3>house that I found the plan. We had made, the

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<v Speaker 3>plot for revenge on Thomas and Deacon, and the physical map.

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<v Speaker 3>We had made a map of the caves, positions staked

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<v Speaker 3>out inside the caves, and X on the map up

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<v Speaker 3>at the third turn where we're planned to cut the

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<v Speaker 3>flashlight out.

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<v Speaker 4>Beside it.

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<v Speaker 3>I'd ridden the point of darkness. Then the nightmares became worse.

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<v Speaker 3>I'd see visions of the caves, bones of small family

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<v Speaker 3>piled high in a dark corner somewhere, a boy taking

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<v Speaker 3>his own life in there, A man and a woman

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<v Speaker 3>making love against the rocks, only for him to slip

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<v Speaker 3>and fall moments later, the contents of his head spilling

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<v Speaker 3>out against the cave floor. I'd be laying in bed

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<v Speaker 3>at night and opened my eyes to find the Hadley

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<v Speaker 3>brothers standing over me. The young bodies.

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<v Speaker 4>Sure fine.

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<v Speaker 3>The images of my mind began spilling over into the

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<v Speaker 3>physical world, manifesting as material objects. The night before I

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<v Speaker 3>went to visit bench on Death Road. They had been

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<v Speaker 3>stalking around my bedroom again. The spirits of Deacon and

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<v Speaker 3>Thomas had liver were.

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<v Speaker 4>Stalking me.

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<v Speaker 3>I was laying in bed, my eyes squeeze shut as

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<v Speaker 3>tied as I can get them. But I knew they

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<v Speaker 3>were still there. I knew it. I could smell them

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<v Speaker 3>like ammonia, like back guano and dirt and algie on

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<v Speaker 3>wet rocks. Deacon headly leaned over me so close.

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<v Speaker 4>I can feel his necklace.

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<v Speaker 3>You know, the fucking one. He always used to wear

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<v Speaker 3>the fucking cross on a silver chain.

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<v Speaker 4>He wore it every day.

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<v Speaker 3>I could feel it, danklyn it gainst my chest. He

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<v Speaker 3>whoke me up, and I remember screaming, pushing his cold

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<v Speaker 3>ponting away from me.

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<v Speaker 4>Get away. You didn't do that for a very long time.

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<v Speaker 1>About that.

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<v Speaker 4>You never know if you need any help finding.

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<v Speaker 3>ANYTHI I'm all good, thanks, just grabbing a couple of

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<v Speaker 3>bags of furtiluzer. When Jimmy Fincher broke into my place,

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<v Speaker 3>it must have scared them off, because when I opened

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<v Speaker 3>my eyes, Thomas and Deacon were gone, but Dickon's necklace

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<v Speaker 3>was dangling in my clutch fist. I stashed the necklace

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<v Speaker 3>in the bathroom medicine cabinet for safe keep him before

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<v Speaker 3>dealing with Jimmy or finnim Off. Rather, but that necklace

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<v Speaker 3>Julian Deacon was wearing. He was wearing it when we

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<v Speaker 3>lured him into the caves. I know he was. He

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<v Speaker 3>wore it every damn day. But by the time they

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<v Speaker 3>found the bodies, that necklace was nowhere to be found.

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<v Speaker 3>The caves took it and then they gave it to me.

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<v Speaker 3>It's still there in my medicine cabinet. You'll find it.

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<v Speaker 4>Go look.

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<v Speaker 3>You need yeah, uh, would you mind grabbing me one

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<v Speaker 3>of those little propane canisters too?

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<v Speaker 2>That alre.

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<v Speaker 3>You ever make a bomb, Julian, don't need much to

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<v Speaker 3>do it, You just need to know all the proper measurements. Yeah,

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<v Speaker 3>all right, where were we?

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<v Speaker 4>Right?

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<v Speaker 3>We never hung out again after that did with Julian.

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<v Speaker 3>That was the end of our boyhood. I remember the

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<v Speaker 3>last time I saw you before you fled Manhawah County.

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<v Speaker 3>It was in the sheriff station. I was sitting on

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<v Speaker 3>the bench in the hallway with my mother, waiting to

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<v Speaker 3>be interrogated by Hooper, and you were in the conference

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<v Speaker 3>room already I remember watching you through the glass and

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<v Speaker 3>Sheriff Hooper looming over you. He's leaning in, almost whispering

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<v Speaker 3>in your ear. I always wondered what he was saying

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<v Speaker 3>to you, that look on his face, the look he

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<v Speaker 3>always has about everything urgent. My gaze was broken when

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<v Speaker 3>your father just suddenly stormed past me. The air suddenly charged,

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<v Speaker 3>like the instant before a fight happens. I remember him

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<v Speaker 3>stomping into the bullpen, where's he?

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<v Speaker 4>Where's my son?

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<v Speaker 3>Then seeing you in the conference room with Hooper, he

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<v Speaker 3>stomped over and just pounded on the door, shaking the glass.

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<v Speaker 3>Even if Hooper was the king shit Sheriff of Manawac County,

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<v Speaker 3>he knew better than to come between Paul Solace and

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<v Speaker 3>his boy. Damn right. And that's when it happened, isn't it, Julian.

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<v Speaker 3>Your father made you do it, didn't He didn't. He

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<v Speaker 3>He knew it was wrong. He knew Finch would get

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<v Speaker 3>eaten alive by this racist shithole of a town. But

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<v Speaker 3>he had no other choice. H hold it was adder

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<v Speaker 3>lose his son. You were the only family he had left.

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<v Speaker 3>He knew if you didn't throw your poor strange, misunderstood

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<v Speaker 3>friend Finch under the bus that you would be charged

0:17:24.520 --> 0:17:28.000
<v Speaker 3>along with him. So he threatened you didn't he his

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<v Speaker 3>face all red, his thick hands on the back of

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<v Speaker 3>your neck, fingers shoved, and your face spittled from his

0:17:33.840 --> 0:17:38.399
<v Speaker 3>wet lips. See them with rage, but mostly just like

0:17:38.440 --> 0:17:40.720
<v Speaker 3>everyone else in man in Wak County, I could see

0:17:40.960 --> 0:17:46.320
<v Speaker 3>he was just so fucking terrified, and he knew the

0:17:46.359 --> 0:17:48.600
<v Speaker 3>only way to save you, Julian, was to make you

0:17:48.680 --> 0:17:55.480
<v Speaker 3>testify against James Ventcher. And you hated him for it.

0:17:56.960 --> 0:18:00.480
<v Speaker 3>Oh boy, did you hate him for it. Because if

0:18:00.480 --> 0:18:03.280
<v Speaker 3>you didn't hate him enough already, now you loathe him

0:18:03.320 --> 0:18:06.120
<v Speaker 3>even more. And if you lacked the courage to leave

0:18:06.160 --> 0:18:10.639
<v Speaker 3>Manawah County before, if you lacked that courage, shit.

0:18:12.000 --> 0:18:12.640
<v Speaker 2>Not no more.

0:18:14.320 --> 0:18:23.399
<v Speaker 3>Your daddy, Paul, he drove you away. Huh, lucky you.

0:18:25.680 --> 0:18:28.200
<v Speaker 3>I kept thinking about finching, how he didn't have anyone

0:18:28.359 --> 0:18:34.880
<v Speaker 3>like that, no one to storm in and rescue him,

0:18:35.040 --> 0:18:44.720
<v Speaker 3>no father to save him from himself. But you ran, Yeah,

0:18:44.800 --> 0:18:47.560
<v Speaker 3>you ran, ran from the fog and the ghosts of

0:18:47.600 --> 0:18:51.080
<v Speaker 3>Manwak County and ran for your life, or at least

0:18:51.160 --> 0:18:57.200
<v Speaker 3>with the hope of manufacturing a new one. Things quieted

0:18:57.320 --> 0:19:02.119
<v Speaker 3>down After that you went away, Fince got locked up,

0:19:03.000 --> 0:19:10.399
<v Speaker 3>life went on. But now you've come back fourteen fucking

0:19:10.480 --> 0:19:16.959
<v Speaker 3>years later. The caves let you go, but they were

0:19:17.000 --> 0:19:25.720
<v Speaker 3>never gonna let you stay gone never, And me I

0:19:25.800 --> 0:19:34.200
<v Speaker 3>stayed here this whole time, suspended in the fog. Sometimes

0:19:34.240 --> 0:19:35.560
<v Speaker 3>it feels like I went to sleep that.

0:19:35.680 --> 0:19:39.480
<v Speaker 2>Day and just never woke up.

0:19:43.080 --> 0:19:50.400
<v Speaker 3>When this ain't a dream, Highness, sleep not yet.

0:19:53.960 --> 0:20:00.640
<v Speaker 5>You have one message, hey manas Julian listen, I'm taking

0:20:00.680 --> 0:20:02.720
<v Speaker 5>you up on your offer to let me stay at

0:20:02.720 --> 0:20:06.080
<v Speaker 5>your place for a few The motel ain't exactly working out.

0:20:07.280 --> 0:20:11.360
<v Speaker 5>If it's cool, I'm actually heading over there now. Probably

0:20:11.440 --> 0:20:13.119
<v Speaker 5>best for us a talk in person anyway.

0:20:15.720 --> 0:20:19.520
<v Speaker 3>Well, you're a little late, Julian. You are welcome to

0:20:19.560 --> 0:20:21.200
<v Speaker 3>stay at my place, but I don't think I'm gonna

0:20:21.200 --> 0:20:22.080
<v Speaker 3>be much company.

0:20:25.840 --> 0:20:26.000
<v Speaker 1>You know.

0:20:26.119 --> 0:20:30.240
<v Speaker 3>It's taken me years, but eventually I realized that there

0:20:30.400 --> 0:20:36.560
<v Speaker 3>was another presence in there with us that day in

0:20:36.640 --> 0:20:40.800
<v Speaker 3>the caves. It's the same one that's coming.

0:20:40.680 --> 0:20:41.200
<v Speaker 2>For me now.

0:20:43.720 --> 0:20:47.399
<v Speaker 3>And he can hear us, he can hear our thoughts,

0:20:47.480 --> 0:20:49.960
<v Speaker 3>he can hear me right now, and he knows I'm

0:20:50.040 --> 0:20:58.680
<v Speaker 3>talking to you. He's close now, and this time I

0:20:58.800 --> 0:21:06.239
<v Speaker 3>set up a little trap, and now here we are.

0:21:08.280 --> 0:21:12.480
<v Speaker 3>I made it, almost got lost on on my way

0:21:12.520 --> 0:21:15.679
<v Speaker 3>here with the fog got so dense. I'm hearing all

0:21:15.760 --> 0:21:16.800
<v Speaker 3>the charges are set now.

0:21:18.880 --> 0:21:19.480
<v Speaker 1>So uh.

0:21:21.359 --> 0:21:24.600
<v Speaker 3>If you're hearing this audio file with then glory, fucking hallelujah.

0:21:24.640 --> 0:21:27.960
<v Speaker 3>It's already done, man, And hopefully my god forsake soul

0:21:28.119 --> 0:21:32.960
<v Speaker 3>is no longer torment. Hopefully my miseries.

0:21:34.680 --> 0:21:35.239
<v Speaker 2>At an end.

0:21:47.440 --> 0:21:53.240
<v Speaker 3>Damn. This is the exact spot where we found the

0:21:53.280 --> 0:21:57.359
<v Speaker 3>body's joined full circle.

0:21:57.400 --> 0:21:58.000
<v Speaker 2>I guess.

0:22:01.119 --> 0:22:01.320
<v Speaker 5>Yeah.

0:22:06.160 --> 0:22:12.880
<v Speaker 3>It's Saturday, August seventh. It's almost nine thirty am. Only

0:22:12.880 --> 0:22:18.320
<v Speaker 3>a few minutes now, Tempert. Your sixty two degrees and

0:22:18.440 --> 0:22:21.600
<v Speaker 3>dropping fog is so thick I can't see three feet.

0:22:31.400 --> 0:22:32.080
<v Speaker 4>Here he comes.

0:22:40.119 --> 0:22:45.239
<v Speaker 3>The's time to go, Julian, Julian, there's just one more

0:22:45.280 --> 0:22:50.680
<v Speaker 3>thing I forgot to tell you, one last thing. Your

0:22:50.720 --> 0:23:12.480
<v Speaker 3>father was only trying to protect you, Julian sending hello.

0:23:12.600 --> 0:23:50.160
<v Speaker 2>There a ghost and the mill.

0:23:52.640 --> 0:24:01.280
<v Speaker 3>And the hounds of hell dancing in your azen.

0:24:04.520 --> 0:24:08.360
<v Speaker 1>The Manwalk Caves stars Jonathan Tucker as Julian Sallace, Eddie

0:24:08.400 --> 0:24:12.840
<v Speaker 1>Gathegy as James Fincher, Clark Peters as Detective Solomon Smith.

0:24:13.320 --> 0:24:18.000
<v Speaker 1>Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson,

0:24:18.400 --> 0:24:22.679
<v Speaker 1>Jill Jane Clements as Jill Campbell, Brad Carter as Dooley Tappert,

0:24:23.200 --> 0:24:27.439
<v Speaker 1>Scott Poythus as Reverend Perkins, Samantha Ashley as Dena Fincher,

0:24:28.160 --> 0:24:32.320
<v Speaker 1>Justin Matthews Smith as Paul Sallace, Tara Oakes as Laura Sallace,

0:24:32.880 --> 0:24:37.439
<v Speaker 1>Jonathan Horn as Deacon Hadley, Alden Karanovitch as Thomas Hadley,

0:24:38.240 --> 0:24:43.080
<v Speaker 1>Mike w Anderson as Griff Washington Body, Walterroff as Jimmy Fincher,

0:24:43.640 --> 0:24:47.560
<v Speaker 1>Brian McClure as Ian Speinks, Larry Clark as Bobby Hadley,

0:24:47.920 --> 0:24:51.800
<v Speaker 1>Payden Fallis as ed leab Blanc, Vic Palis's as William Fowler,

0:24:52.160 --> 0:24:57.040
<v Speaker 1>Nick Takosky as Richard Rydell, and Aileen Lloy as The Darkness,

0:24:57.520 --> 0:25:02.080
<v Speaker 1>with additional performances by Clint mcgow, Dina Dill, Edward Howard,

0:25:02.480 --> 0:25:09.040
<v Speaker 1>Henry Foster Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry, Bailey Heineman,

0:25:09.440 --> 0:25:14.440
<v Speaker 1>David Mitchell, and Bernard Sataro Clark. Created by Connell Byrne

0:25:14.480 --> 0:25:18.359
<v Speaker 1>and Dan Bush. Written by Dan Bush, Zoe Cooper, and

0:25:18.480 --> 0:25:23.280
<v Speaker 1>Nicholas Dakosky featuring our theme song Killer Inside, written produced

0:25:23.320 --> 0:25:27.640
<v Speaker 1>and performed by Leraa Lynn. Our executive producers are Matt Frederick,

0:25:28.040 --> 0:25:32.960
<v Speaker 1>Alexander Williams, Michael Monty, and Courtney du Frees. Our executive

0:25:33.000 --> 0:25:37.040
<v Speaker 1>producers at Blumhouse Television are Jeremy Gold, Chris Dickey, and

0:25:37.160 --> 0:25:42.080
<v Speaker 1>Noah Feinberg. Produced by Dan Bush, music by Ben Lovett,

0:25:42.359 --> 0:25:47.240
<v Speaker 1>additional music by Alexander Rodriguez. Edited by Dan Bush, Chris Childs,

0:25:47.440 --> 0:25:51.800
<v Speaker 1>Stephen Perez and David Chen. Sound design by Benjamin Malcolm.

0:25:52.280 --> 0:25:56.160
<v Speaker 1>Additional sound design by Alexander Rodriguez. Dialogue editing and sound

0:25:56.200 --> 0:26:00.240
<v Speaker 1>mixing by Juan Campos. Recorded at Studio Awesome in Los Angeles,

0:26:00.800 --> 0:26:04.400
<v Speaker 1>sound Bite Studio in Atlanta, and Echo Mountain in Asheville.

0:26:04.920 --> 0:26:08.160
<v Speaker 1>Casting by Sunday Bowling, Kennedy and Meg Mormon. Our dialect

0:26:08.200 --> 0:26:13.080
<v Speaker 1>coach is Linda Bessesti, Assistant director, Michael Monty, second assistant director,

0:26:13.320 --> 0:26:19.040
<v Speaker 1>script supervisor and production coordinator Sarah Klein. Supervising producer Josh Thain.

0:26:19.880 --> 0:26:23.320
<v Speaker 1>Special thanks to Mary Ellen and Jason Davis, Jonathan Dieter,

0:26:23.720 --> 0:26:27.440
<v Speaker 1>and Joe Rickman. The Manowak Caves is a production of iHeartRadio,

0:26:27.800 --> 0:26:30.919
<v Speaker 1>Blumhouse Television and Psycopia Pictures.

0:27:00.480 --> 0:27:09.320
<v Speaker 4>Mean fufu of s enough manif