1 00:00:00,080 --> 00:00:03,400 Speaker 1: The Maniwak Caves is intended for mature audiences. It contains 2 00:00:03,440 --> 00:00:07,320 Speaker 1: strong language and depictions of bullying, violence, and sexual assault 3 00:00:07,360 --> 00:00:10,879 Speaker 1: that some may find disturbing. Listener discretion is advised. Also, 4 00:00:10,960 --> 00:00:14,320 Speaker 1: this is an extremely immersive experience and headphones are recommended. 5 00:00:15,520 --> 00:00:18,800 Speaker 1: You're listening to The Maniwak Caves, a production of iHeartRadio, 6 00:00:19,440 --> 00:00:37,600 Speaker 1: Blumhouse Television and Psychopia Pictures. 7 00:00:41,479 --> 00:00:46,479 Speaker 2: The Beasts of Dough to your mind, you have a 8 00:00:46,640 --> 00:00:54,960 Speaker 2: true of blood like the coosuit to leave the high 9 00:00:57,480 --> 00:01:02,200 Speaker 2: You keep screaming for how and what answer? Just a 10 00:01:02,400 --> 00:01:04,679 Speaker 2: busy si Jones? 11 00:01:04,920 --> 00:01:06,000 Speaker 3: Is it fas. 12 00:01:09,120 --> 00:01:09,600 Speaker 4: When you. 13 00:01:14,800 --> 00:01:15,119 Speaker 2: Could? 14 00:01:15,160 --> 00:01:24,479 Speaker 4: There be a killer inside? 15 00:01:25,880 --> 00:01:32,400 Speaker 3: The truth has been locked up inside me, which brings 16 00:01:32,400 --> 00:01:36,240 Speaker 3: me to the next rule. Just because we don't remember 17 00:01:36,240 --> 00:01:42,759 Speaker 3: it doesn't mean it didn't happen, Julian. After what Deacon 18 00:01:42,840 --> 00:01:44,920 Speaker 3: and Thomas Hadley did to Dana and finishing what they 19 00:01:44,920 --> 00:01:47,360 Speaker 3: did to you in the library, what they spent their 20 00:01:47,400 --> 00:01:50,320 Speaker 3: whole lives doing to any kids who were smaller, were 21 00:01:50,840 --> 00:01:55,680 Speaker 3: different than them, I couldn't let those spoils shiit ads 22 00:01:55,720 --> 00:01:59,520 Speaker 3: get away with it anymore. It had gone too far. 23 00:02:00,920 --> 00:02:05,840 Speaker 3: It was time they got theirs, you know, it was 24 00:02:05,880 --> 00:02:14,640 Speaker 3: time for revenge. Hey, Tommy, where's your rakery? Brother? 25 00:02:15,480 --> 00:02:16,760 Speaker 5: What the fuck did you just say? 26 00:02:17,639 --> 00:02:22,520 Speaker 3: Calm down, many chill you think I don't know what 27 00:02:22,600 --> 00:02:26,480 Speaker 3: you and your brother did to Dina? Mm hm what 28 00:02:27,080 --> 00:02:31,799 Speaker 3: don't worry, mante, It's all right. We ain't gonna tell. 29 00:02:33,360 --> 00:02:35,360 Speaker 3: We just want to give the Hadley brothers a taste 30 00:02:35,360 --> 00:02:36,240 Speaker 3: of their own medicine. 31 00:02:37,600 --> 00:02:39,040 Speaker 1: Fuck you you know? 32 00:02:39,200 --> 00:02:44,040 Speaker 3: Fuck me? Hold on that, Tommy, hold on. Like I said, 33 00:02:45,040 --> 00:02:49,000 Speaker 3: I talked to Dina and uh, she agreed, she ain't 34 00:02:49,040 --> 00:02:55,840 Speaker 3: gonna tell nobody. We just wanted to scare them. 35 00:02:56,200 --> 00:02:59,079 Speaker 5: So so, what what do you want out of it? 36 00:02:59,639 --> 00:03:05,480 Speaker 3: Well, me and Dana were like a an arrangement, so 37 00:03:05,680 --> 00:03:11,320 Speaker 3: speak mutual benefici. What are you talking about? 38 00:03:13,360 --> 00:03:13,800 Speaker 4: All right? 39 00:03:13,960 --> 00:03:18,600 Speaker 3: So truth is she likes Deacon and she likes you too. 40 00:03:19,080 --> 00:03:21,280 Speaker 3: She told me said, you can do it with her 41 00:03:21,280 --> 00:03:26,639 Speaker 3: again if you want. But that shit ain't free, son 42 00:03:28,120 --> 00:03:32,360 Speaker 3: You want that, you gotta pay, and you gotta pay me. 43 00:03:34,480 --> 00:03:38,080 Speaker 3: It was my idea, lure them down in the caves, 44 00:03:38,280 --> 00:03:42,160 Speaker 3: get them lost, and watch them fall apart like the 45 00:03:42,240 --> 00:03:45,560 Speaker 3: cowards we knew they were. I had that Sony DV 46 00:03:45,720 --> 00:03:48,400 Speaker 3: handicam and we were gonna make them ship their pants 47 00:03:48,400 --> 00:03:51,480 Speaker 3: and videotapeic get footage of them crying and freaking out, 48 00:03:51,520 --> 00:03:53,640 Speaker 3: and then just blast that shit all over the web. 49 00:03:55,080 --> 00:04:00,000 Speaker 3: You so you're so full of shit mad? Maybe maybe not? 50 00:04:02,000 --> 00:04:07,160 Speaker 3: Look at you looking around. You don't got to believe me, Tommy, 51 00:04:07,240 --> 00:04:09,880 Speaker 3: But I know what I'll be doing Friday night out 52 00:04:09,880 --> 00:04:15,200 Speaker 3: by the caves. Do you anyway? 53 00:04:16,000 --> 00:04:16,560 Speaker 4: Think it over? 54 00:04:17,960 --> 00:04:30,960 Speaker 3: Get back with me? Think it over. I'd made up 55 00:04:30,960 --> 00:04:33,800 Speaker 3: that story about Tina. She didn't know anything about it. 56 00:04:35,320 --> 00:04:39,240 Speaker 3: I felt real bad about using her as bait more 57 00:04:39,279 --> 00:04:42,719 Speaker 3: than a prank, sure, but lesson murder. 58 00:04:55,440 --> 00:04:56,800 Speaker 1: What the what the fuck? 59 00:04:57,400 --> 00:04:58,640 Speaker 3: How far back do we gotta go? 60 00:05:00,760 --> 00:05:01,279 Speaker 2: Where is she? 61 00:05:02,320 --> 00:05:02,599 Speaker 4: Dude? 62 00:05:03,200 --> 00:05:06,240 Speaker 3: I told you there's a spot right up here. No 63 00:05:06,279 --> 00:05:07,599 Speaker 3: one knows about it as part of the cave, and 64 00:05:07,640 --> 00:05:10,760 Speaker 3: you can't tell no one neither. Right this better and 65 00:05:10,839 --> 00:05:16,080 Speaker 3: be fucking legit, Tyler. You want your money back, huh? 66 00:05:16,960 --> 00:05:19,880 Speaker 3: Or you want to get late. I'm going first. 67 00:05:19,880 --> 00:05:20,600 Speaker 2: It's only fair. 68 00:05:22,360 --> 00:05:25,160 Speaker 3: I had the only flashlight. I just needed them to 69 00:05:25,200 --> 00:05:26,839 Speaker 3: follow me in deep enough so the when I cut 70 00:05:26,839 --> 00:05:30,039 Speaker 3: the flashlight out, they would be lost in complete darkness. 71 00:05:31,680 --> 00:05:35,320 Speaker 4: Fuck, I can't see shit all right? Way up man, 72 00:05:36,400 --> 00:05:38,600 Speaker 4: moving too fast? Bring the light back? 73 00:05:40,160 --> 00:05:42,120 Speaker 3: I managed to get about twenty feet ahead of them 74 00:05:42,360 --> 00:05:45,200 Speaker 3: to where the last term was and I cut. 75 00:05:45,120 --> 00:05:47,000 Speaker 4: Off the light. 76 00:05:47,880 --> 00:05:51,960 Speaker 5: What the fuck I can't see ibut you with that light, Taylor. 77 00:05:52,560 --> 00:05:54,640 Speaker 4: If you don't get the fuck back here, I'm going 78 00:05:54,760 --> 00:05:55,680 Speaker 4: to fuck you up. 79 00:05:57,640 --> 00:06:01,799 Speaker 3: It worked. Oh they were lost, lost in the caves 80 00:06:01,800 --> 00:06:02,760 Speaker 3: and near pitched black. 81 00:06:02,920 --> 00:06:04,120 Speaker 4: Let's get the fuck out of here. 82 00:06:04,240 --> 00:06:10,039 Speaker 3: That way I hit say it, I don't know it. 83 00:06:10,040 --> 00:06:13,120 Speaker 3: It didn't take long for the claustrophobia to said the 84 00:06:13,279 --> 00:06:17,080 Speaker 3: threat slowed, wavered more of some confusion. Rage gave way 85 00:06:17,120 --> 00:06:21,040 Speaker 3: to panic, Panic gave way to tears, and then the 86 00:06:21,080 --> 00:06:33,320 Speaker 3: tears became he became screams echoing through the caves and 87 00:06:33,480 --> 00:06:37,240 Speaker 3: my nightmares. I've been haunted by Thomas and dickon a 88 00:06:37,240 --> 00:06:54,960 Speaker 3: Hadley screams ever since I woke up the next day, Saturday, 89 00:06:55,480 --> 00:06:59,680 Speaker 3: May nineteen, I couldn't remember anything about the night before, 90 00:07:00,080 --> 00:07:03,880 Speaker 3: remember anything about the prank. I woke up in my bed, 91 00:07:03,960 --> 00:07:06,640 Speaker 3: still in my clothes, which were drenched, my boots still 92 00:07:06,680 --> 00:07:10,800 Speaker 3: on beneath the sheets, cakes with fresh earth. You were 93 00:07:10,840 --> 00:07:13,960 Speaker 3: passed out on the floor next to me. I could 94 00:07:13,960 --> 00:07:17,800 Speaker 3: barely sit up, barely stand up. My lower back was 95 00:07:17,840 --> 00:07:20,640 Speaker 3: so stiff and sore. My legs were shaking and my 96 00:07:20,680 --> 00:07:24,920 Speaker 3: head was pounding. And Finch, we didn't even know where 97 00:07:25,080 --> 00:07:31,960 Speaker 3: hell he Finch was. Nobody did not even Dina any 98 00:07:32,000 --> 00:07:36,440 Speaker 3: of this coming back to you, Julian, and he showered 99 00:07:36,480 --> 00:07:38,240 Speaker 3: off from my place and hot tailed her back home. 100 00:07:38,280 --> 00:07:40,880 Speaker 3: After that, your dad was just about fit to kill you. 101 00:07:42,600 --> 00:07:47,880 Speaker 3: He always hated me, old Paul Sawace. He'd already decided 102 00:07:47,960 --> 00:07:50,920 Speaker 3: long before than anything bad that never happened was well 103 00:07:51,280 --> 00:07:56,600 Speaker 3: entirely my fault. I barely made it to graduation that day, 104 00:07:56,600 --> 00:07:58,040 Speaker 3: and I saw you through the crowd, and I wanted 105 00:07:58,080 --> 00:07:59,960 Speaker 3: to talk to you and start walking up with your father. 106 00:08:00,080 --> 00:08:05,000 Speaker 3: They're just stared me down, so I knew to keep 107 00:08:05,000 --> 00:08:16,760 Speaker 3: my distance. And you, you were changed, like soul had 108 00:08:16,800 --> 00:08:22,040 Speaker 3: already taken off, far away away from Pottsville, away from 109 00:08:22,040 --> 00:08:26,360 Speaker 3: Manawah County and it's people, it's monsters and the fog 110 00:08:26,440 --> 00:08:30,000 Speaker 3: of evil that hung all over it. And you had 111 00:08:30,080 --> 00:08:35,120 Speaker 3: made your mind to get out, but you wanted to 112 00:08:35,160 --> 00:08:38,360 Speaker 3: go to the caves one last time. I wanted to 113 00:08:38,360 --> 00:08:42,040 Speaker 3: go back to although I didn't know why. My mind 114 00:08:42,120 --> 00:08:50,559 Speaker 3: was still a blank. Today we found their bodies. They 115 00:08:50,559 --> 00:08:53,199 Speaker 3: found Finish a couple hours after that, out in the 116 00:08:53,200 --> 00:08:57,760 Speaker 3: woods not far from the caves, emaciated, hypothermic, couldn't speak, 117 00:08:58,760 --> 00:09:03,360 Speaker 3: and finally dead, he claimed, I couldn't remember anything, just 118 00:09:03,400 --> 00:09:18,839 Speaker 3: a missing chunk avoided time. As the years went by, 119 00:09:19,000 --> 00:09:24,439 Speaker 3: the dreams became more vivid, and it didn't always happen 120 00:09:24,440 --> 00:09:26,959 Speaker 3: at night either. I began losing time in the middle 121 00:09:27,000 --> 00:09:29,720 Speaker 3: of the day. At first, it was just that, just 122 00:09:30,080 --> 00:09:32,680 Speaker 3: missing gaps of time I'd come to in a place 123 00:09:32,679 --> 00:09:34,880 Speaker 3: I had no recollection of going to, in the middle 124 00:09:34,880 --> 00:09:37,400 Speaker 3: of doing things I had made no conscious decision to do. 125 00:09:39,800 --> 00:09:42,040 Speaker 3: And after a while it was in those moments, the 126 00:09:42,080 --> 00:09:48,080 Speaker 3: missing ones, that I began to remember. It started with 127 00:09:48,120 --> 00:09:53,320 Speaker 3: the whispers, voices, and the white noise and static of 128 00:09:54,280 --> 00:10:01,080 Speaker 3: everyday backgrounds. Then the vision started coming out to play flashes. 129 00:10:01,600 --> 00:10:05,199 Speaker 3: At first, the hadleys, their scowls, finches, face all lit 130 00:10:05,280 --> 00:10:08,080 Speaker 3: up while we made the plan. And you, Julie, you, 131 00:10:09,080 --> 00:10:13,439 Speaker 3: I saw you a lot. And then the images began 132 00:10:14,559 --> 00:10:20,080 Speaker 3: moving little picture shows. One by one, The memory of 133 00:10:20,080 --> 00:10:23,920 Speaker 3: that night pieced itself back together until I could remember 134 00:10:24,000 --> 00:10:28,240 Speaker 3: it as a whole, clear as belt, like it had 135 00:10:28,320 --> 00:10:32,079 Speaker 3: happened only moments before. It was a recording being played 136 00:10:32,120 --> 00:10:35,000 Speaker 3: for me in my brain. All those missing gaps started 137 00:10:35,040 --> 00:10:38,640 Speaker 3: filling themselves in. I wasn't sure if I was going 138 00:10:38,760 --> 00:10:43,439 Speaker 3: fucking crazy or what. It was only a couple of 139 00:10:43,520 --> 00:10:45,480 Speaker 3: years later, when I was moving out of my mom's 140 00:10:45,520 --> 00:10:48,880 Speaker 3: house that I found the plan. We had made, the 141 00:10:48,920 --> 00:10:52,199 Speaker 3: plot for revenge on Thomas and Deacon, and the physical map. 142 00:10:52,520 --> 00:10:57,480 Speaker 3: We had made a map of the caves, positions staked 143 00:10:57,520 --> 00:11:00,200 Speaker 3: out inside the caves, and X on the map up 144 00:11:00,240 --> 00:11:02,120 Speaker 3: at the third turn where we're planned to cut the 145 00:11:02,120 --> 00:11:03,079 Speaker 3: flashlight out. 146 00:11:05,559 --> 00:11:06,080 Speaker 4: Beside it. 147 00:11:06,120 --> 00:11:15,560 Speaker 3: I'd ridden the point of darkness. Then the nightmares became worse. 148 00:11:20,520 --> 00:11:25,200 Speaker 3: I'd see visions of the caves, bones of small family 149 00:11:25,280 --> 00:11:34,200 Speaker 3: piled high in a dark corner somewhere, a boy taking 150 00:11:34,200 --> 00:11:40,040 Speaker 3: his own life in there, A man and a woman 151 00:11:40,120 --> 00:11:42,360 Speaker 3: making love against the rocks, only for him to slip 152 00:11:42,360 --> 00:11:44,720 Speaker 3: and fall moments later, the contents of his head spilling 153 00:11:44,760 --> 00:11:50,240 Speaker 3: out against the cave floor. I'd be laying in bed 154 00:11:50,280 --> 00:11:52,320 Speaker 3: at night and opened my eyes to find the Hadley 155 00:11:52,360 --> 00:11:56,360 Speaker 3: brothers standing over me. The young bodies. 156 00:11:57,400 --> 00:12:00,160 Speaker 4: Sure fine. 157 00:12:01,040 --> 00:12:03,439 Speaker 3: The images of my mind began spilling over into the 158 00:12:03,480 --> 00:12:10,600 Speaker 3: physical world, manifesting as material objects. The night before I 159 00:12:10,640 --> 00:12:12,719 Speaker 3: went to visit bench on Death Road. They had been 160 00:12:12,760 --> 00:12:17,040 Speaker 3: stalking around my bedroom again. The spirits of Deacon and 161 00:12:17,120 --> 00:12:18,120 Speaker 3: Thomas had liver were. 162 00:12:19,679 --> 00:12:20,320 Speaker 4: Stalking me. 163 00:12:22,080 --> 00:12:24,120 Speaker 3: I was laying in bed, my eyes squeeze shut as 164 00:12:24,160 --> 00:12:25,679 Speaker 3: tied as I can get them. But I knew they 165 00:12:25,679 --> 00:12:28,480 Speaker 3: were still there. I knew it. I could smell them 166 00:12:28,559 --> 00:12:33,320 Speaker 3: like ammonia, like back guano and dirt and algie on 167 00:12:33,360 --> 00:12:36,400 Speaker 3: wet rocks. Deacon headly leaned over me so close. 168 00:12:36,480 --> 00:12:38,200 Speaker 4: I can feel his necklace. 169 00:12:38,600 --> 00:12:40,280 Speaker 3: You know, the fucking one. He always used to wear 170 00:12:40,320 --> 00:12:42,200 Speaker 3: the fucking cross on a silver chain. 171 00:12:42,559 --> 00:12:43,520 Speaker 4: He wore it every day. 172 00:12:43,559 --> 00:12:47,280 Speaker 3: I could feel it, danklyn it gainst my chest. He 173 00:12:47,400 --> 00:12:50,120 Speaker 3: whoke me up, and I remember screaming, pushing his cold 174 00:12:50,120 --> 00:12:50,880 Speaker 3: ponting away from me. 175 00:12:50,960 --> 00:13:32,360 Speaker 4: Get away. You didn't do that for a very long time. 176 00:13:32,400 --> 00:13:32,679 Speaker 1: About that. 177 00:13:39,040 --> 00:13:41,760 Speaker 4: You never know if you need any help finding. 178 00:13:41,480 --> 00:13:45,520 Speaker 3: ANYTHI I'm all good, thanks, just grabbing a couple of 179 00:13:45,559 --> 00:13:50,600 Speaker 3: bags of furtiluzer. When Jimmy Fincher broke into my place, 180 00:13:50,600 --> 00:13:52,520 Speaker 3: it must have scared them off, because when I opened 181 00:13:52,520 --> 00:13:56,800 Speaker 3: my eyes, Thomas and Deacon were gone, but Dickon's necklace 182 00:13:56,880 --> 00:14:02,760 Speaker 3: was dangling in my clutch fist. I stashed the necklace 183 00:14:02,760 --> 00:14:04,800 Speaker 3: in the bathroom medicine cabinet for safe keep him before 184 00:14:04,800 --> 00:14:09,880 Speaker 3: dealing with Jimmy or finnim Off. Rather, but that necklace 185 00:14:11,120 --> 00:14:15,240 Speaker 3: Julian Deacon was wearing. He was wearing it when we 186 00:14:15,320 --> 00:14:17,000 Speaker 3: lured him into the caves. I know he was. He 187 00:14:17,040 --> 00:14:19,280 Speaker 3: wore it every damn day. But by the time they 188 00:14:19,320 --> 00:14:21,920 Speaker 3: found the bodies, that necklace was nowhere to be found. 189 00:14:23,560 --> 00:14:29,400 Speaker 3: The caves took it and then they gave it to me. 190 00:14:31,800 --> 00:14:35,680 Speaker 3: It's still there in my medicine cabinet. You'll find it. 191 00:14:37,600 --> 00:14:38,280 Speaker 4: Go look. 192 00:14:42,680 --> 00:14:46,480 Speaker 3: You need yeah, uh, would you mind grabbing me one 193 00:14:46,520 --> 00:14:48,040 Speaker 3: of those little propane canisters too? 194 00:14:49,480 --> 00:14:50,520 Speaker 2: That alre. 195 00:15:06,800 --> 00:15:10,560 Speaker 3: You ever make a bomb, Julian, don't need much to 196 00:15:10,600 --> 00:15:15,840 Speaker 3: do it, You just need to know all the proper measurements. Yeah, 197 00:15:16,200 --> 00:15:18,640 Speaker 3: all right, where were we? 198 00:15:21,440 --> 00:15:21,600 Speaker 4: Right? 199 00:15:24,080 --> 00:15:26,600 Speaker 3: We never hung out again after that did with Julian. 200 00:15:28,000 --> 00:15:32,520 Speaker 3: That was the end of our boyhood. I remember the 201 00:15:32,600 --> 00:15:36,480 Speaker 3: last time I saw you before you fled Manhawah County. 202 00:15:37,520 --> 00:15:40,640 Speaker 3: It was in the sheriff station. I was sitting on 203 00:15:40,640 --> 00:15:42,720 Speaker 3: the bench in the hallway with my mother, waiting to 204 00:15:42,760 --> 00:15:45,240 Speaker 3: be interrogated by Hooper, and you were in the conference 205 00:15:45,280 --> 00:15:48,560 Speaker 3: room already I remember watching you through the glass and 206 00:15:48,640 --> 00:15:54,480 Speaker 3: Sheriff Hooper looming over you. He's leaning in, almost whispering 207 00:15:54,520 --> 00:15:56,560 Speaker 3: in your ear. I always wondered what he was saying 208 00:15:56,560 --> 00:15:59,280 Speaker 3: to you, that look on his face, the look he 209 00:15:59,480 --> 00:16:06,320 Speaker 3: always has about everything urgent. My gaze was broken when 210 00:16:06,320 --> 00:16:10,280 Speaker 3: your father just suddenly stormed past me. The air suddenly charged, 211 00:16:10,320 --> 00:16:13,040 Speaker 3: like the instant before a fight happens. I remember him 212 00:16:13,520 --> 00:16:15,680 Speaker 3: stomping into the bullpen, where's he? 213 00:16:16,640 --> 00:16:17,400 Speaker 4: Where's my son? 214 00:16:18,920 --> 00:16:20,960 Speaker 3: Then seeing you in the conference room with Hooper, he 215 00:16:21,720 --> 00:16:24,800 Speaker 3: stomped over and just pounded on the door, shaking the glass. 216 00:16:28,240 --> 00:16:31,160 Speaker 3: Even if Hooper was the king shit Sheriff of Manawac County, 217 00:16:31,200 --> 00:16:33,440 Speaker 3: he knew better than to come between Paul Solace and 218 00:16:33,480 --> 00:16:42,840 Speaker 3: his boy. Damn right. And that's when it happened, isn't it, Julian. 219 00:16:47,480 --> 00:16:52,560 Speaker 3: Your father made you do it, didn't He didn't. He 220 00:16:52,560 --> 00:16:55,200 Speaker 3: He knew it was wrong. He knew Finch would get 221 00:16:55,200 --> 00:16:58,400 Speaker 3: eaten alive by this racist shithole of a town. But 222 00:16:58,520 --> 00:17:09,800 Speaker 3: he had no other choice. H hold it was adder 223 00:17:11,520 --> 00:17:15,840 Speaker 3: lose his son. You were the only family he had left. 224 00:17:16,400 --> 00:17:20,000 Speaker 3: He knew if you didn't throw your poor strange, misunderstood 225 00:17:20,320 --> 00:17:24,480 Speaker 3: friend Finch under the bus that you would be charged 226 00:17:24,520 --> 00:17:28,000 Speaker 3: along with him. So he threatened you didn't he his 227 00:17:28,119 --> 00:17:30,679 Speaker 3: face all red, his thick hands on the back of 228 00:17:30,720 --> 00:17:33,760 Speaker 3: your neck, fingers shoved, and your face spittled from his 229 00:17:33,840 --> 00:17:38,399 Speaker 3: wet lips. See them with rage, but mostly just like 230 00:17:38,440 --> 00:17:40,720 Speaker 3: everyone else in man in Wak County, I could see 231 00:17:40,960 --> 00:17:46,320 Speaker 3: he was just so fucking terrified, and he knew the 232 00:17:46,359 --> 00:17:48,600 Speaker 3: only way to save you, Julian, was to make you 233 00:17:48,680 --> 00:17:55,480 Speaker 3: testify against James Ventcher. And you hated him for it. 234 00:17:56,960 --> 00:18:00,480 Speaker 3: Oh boy, did you hate him for it. Because if 235 00:18:00,480 --> 00:18:03,280 Speaker 3: you didn't hate him enough already, now you loathe him 236 00:18:03,320 --> 00:18:06,120 Speaker 3: even more. And if you lacked the courage to leave 237 00:18:06,160 --> 00:18:10,639 Speaker 3: Manawah County before, if you lacked that courage, shit. 238 00:18:12,000 --> 00:18:12,640 Speaker 2: Not no more. 239 00:18:14,320 --> 00:18:23,399 Speaker 3: Your daddy, Paul, he drove you away. Huh, lucky you. 240 00:18:25,680 --> 00:18:28,200 Speaker 3: I kept thinking about finching, how he didn't have anyone 241 00:18:28,359 --> 00:18:34,880 Speaker 3: like that, no one to storm in and rescue him, 242 00:18:35,040 --> 00:18:44,720 Speaker 3: no father to save him from himself. But you ran, Yeah, 243 00:18:44,800 --> 00:18:47,560 Speaker 3: you ran, ran from the fog and the ghosts of 244 00:18:47,600 --> 00:18:51,080 Speaker 3: Manwak County and ran for your life, or at least 245 00:18:51,160 --> 00:18:57,200 Speaker 3: with the hope of manufacturing a new one. Things quieted 246 00:18:57,320 --> 00:19:02,119 Speaker 3: down After that you went away, Fince got locked up, 247 00:19:03,000 --> 00:19:10,399 Speaker 3: life went on. But now you've come back fourteen fucking 248 00:19:10,480 --> 00:19:16,959 Speaker 3: years later. The caves let you go, but they were 249 00:19:17,000 --> 00:19:25,720 Speaker 3: never gonna let you stay gone never, And me I 250 00:19:25,800 --> 00:19:34,200 Speaker 3: stayed here this whole time, suspended in the fog. Sometimes 251 00:19:34,240 --> 00:19:35,560 Speaker 3: it feels like I went to sleep that. 252 00:19:35,680 --> 00:19:39,480 Speaker 2: Day and just never woke up. 253 00:19:43,080 --> 00:19:50,400 Speaker 3: When this ain't a dream, Highness, sleep not yet. 254 00:19:53,960 --> 00:20:00,640 Speaker 5: You have one message, hey manas Julian listen, I'm taking 255 00:20:00,680 --> 00:20:02,720 Speaker 5: you up on your offer to let me stay at 256 00:20:02,720 --> 00:20:06,080 Speaker 5: your place for a few The motel ain't exactly working out. 257 00:20:07,280 --> 00:20:11,360 Speaker 5: If it's cool, I'm actually heading over there now. Probably 258 00:20:11,440 --> 00:20:13,119 Speaker 5: best for us a talk in person anyway. 259 00:20:15,720 --> 00:20:19,520 Speaker 3: Well, you're a little late, Julian. You are welcome to 260 00:20:19,560 --> 00:20:21,200 Speaker 3: stay at my place, but I don't think I'm gonna 261 00:20:21,200 --> 00:20:22,080 Speaker 3: be much company. 262 00:20:25,840 --> 00:20:26,000 Speaker 1: You know. 263 00:20:26,119 --> 00:20:30,240 Speaker 3: It's taken me years, but eventually I realized that there 264 00:20:30,400 --> 00:20:36,560 Speaker 3: was another presence in there with us that day in 265 00:20:36,640 --> 00:20:40,800 Speaker 3: the caves. It's the same one that's coming. 266 00:20:40,680 --> 00:20:41,200 Speaker 2: For me now. 267 00:20:43,720 --> 00:20:47,399 Speaker 3: And he can hear us, he can hear our thoughts, 268 00:20:47,480 --> 00:20:49,960 Speaker 3: he can hear me right now, and he knows I'm 269 00:20:50,040 --> 00:20:58,680 Speaker 3: talking to you. He's close now, and this time I 270 00:20:58,800 --> 00:21:06,239 Speaker 3: set up a little trap, and now here we are. 271 00:21:08,280 --> 00:21:12,480 Speaker 3: I made it, almost got lost on on my way 272 00:21:12,520 --> 00:21:15,679 Speaker 3: here with the fog got so dense. I'm hearing all 273 00:21:15,760 --> 00:21:16,800 Speaker 3: the charges are set now. 274 00:21:18,880 --> 00:21:19,480 Speaker 1: So uh. 275 00:21:21,359 --> 00:21:24,600 Speaker 3: If you're hearing this audio file with then glory, fucking hallelujah. 276 00:21:24,640 --> 00:21:27,960 Speaker 3: It's already done, man, And hopefully my god forsake soul 277 00:21:28,119 --> 00:21:32,960 Speaker 3: is no longer torment. Hopefully my miseries. 278 00:21:34,680 --> 00:21:35,239 Speaker 2: At an end. 279 00:21:47,440 --> 00:21:53,240 Speaker 3: Damn. This is the exact spot where we found the 280 00:21:53,280 --> 00:21:57,359 Speaker 3: body's joined full circle. 281 00:21:57,400 --> 00:21:58,000 Speaker 2: I guess. 282 00:22:01,119 --> 00:22:01,320 Speaker 5: Yeah. 283 00:22:06,160 --> 00:22:12,880 Speaker 3: It's Saturday, August seventh. It's almost nine thirty am. Only 284 00:22:12,880 --> 00:22:18,320 Speaker 3: a few minutes now, Tempert. Your sixty two degrees and 285 00:22:18,440 --> 00:22:21,600 Speaker 3: dropping fog is so thick I can't see three feet. 286 00:22:31,400 --> 00:22:32,080 Speaker 4: Here he comes. 287 00:22:40,119 --> 00:22:45,239 Speaker 3: The's time to go, Julian, Julian, there's just one more 288 00:22:45,280 --> 00:22:50,680 Speaker 3: thing I forgot to tell you, one last thing. Your 289 00:22:50,720 --> 00:23:12,480 Speaker 3: father was only trying to protect you, Julian sending hello. 290 00:23:12,600 --> 00:23:50,160 Speaker 2: There a ghost and the mill. 291 00:23:52,640 --> 00:24:01,280 Speaker 3: And the hounds of hell dancing in your azen. 292 00:24:04,520 --> 00:24:08,360 Speaker 1: The Manwalk Caves stars Jonathan Tucker as Julian Sallace, Eddie 293 00:24:08,400 --> 00:24:12,840 Speaker 1: Gathegy as James Fincher, Clark Peters as Detective Solomon Smith. 294 00:24:13,320 --> 00:24:18,000 Speaker 1: Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson, 295 00:24:18,400 --> 00:24:22,679 Speaker 1: Jill Jane Clements as Jill Campbell, Brad Carter as Dooley Tappert, 296 00:24:23,200 --> 00:24:27,439 Speaker 1: Scott Poythus as Reverend Perkins, Samantha Ashley as Dena Fincher, 297 00:24:28,160 --> 00:24:32,320 Speaker 1: Justin Matthews Smith as Paul Sallace, Tara Oakes as Laura Sallace, 298 00:24:32,880 --> 00:24:37,439 Speaker 1: Jonathan Horn as Deacon Hadley, Alden Karanovitch as Thomas Hadley, 299 00:24:38,240 --> 00:24:43,080 Speaker 1: Mike w Anderson as Griff Washington Body, Walterroff as Jimmy Fincher, 300 00:24:43,640 --> 00:24:47,560 Speaker 1: Brian McClure as Ian Speinks, Larry Clark as Bobby Hadley, 301 00:24:47,920 --> 00:24:51,800 Speaker 1: Payden Fallis as ed leab Blanc, Vic Palis's as William Fowler, 302 00:24:52,160 --> 00:24:57,040 Speaker 1: Nick Takosky as Richard Rydell, and Aileen Lloy as The Darkness, 303 00:24:57,520 --> 00:25:02,080 Speaker 1: with additional performances by Clint mcgow, Dina Dill, Edward Howard, 304 00:25:02,480 --> 00:25:09,040 Speaker 1: Henry Foster Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry, Bailey Heineman, 305 00:25:09,440 --> 00:25:14,440 Speaker 1: David Mitchell, and Bernard Sataro Clark. Created by Connell Byrne 306 00:25:14,480 --> 00:25:18,359 Speaker 1: and Dan Bush. Written by Dan Bush, Zoe Cooper, and 307 00:25:18,480 --> 00:25:23,280 Speaker 1: Nicholas Dakosky featuring our theme song Killer Inside, written produced 308 00:25:23,320 --> 00:25:27,640 Speaker 1: and performed by Leraa Lynn. Our executive producers are Matt Frederick, 309 00:25:28,040 --> 00:25:32,960 Speaker 1: Alexander Williams, Michael Monty, and Courtney du Frees. Our executive 310 00:25:33,000 --> 00:25:37,040 Speaker 1: producers at Blumhouse Television are Jeremy Gold, Chris Dickey, and 311 00:25:37,160 --> 00:25:42,080 Speaker 1: Noah Feinberg. Produced by Dan Bush, music by Ben Lovett, 312 00:25:42,359 --> 00:25:47,240 Speaker 1: additional music by Alexander Rodriguez. Edited by Dan Bush, Chris Childs, 313 00:25:47,440 --> 00:25:51,800 Speaker 1: Stephen Perez and David Chen. Sound design by Benjamin Malcolm. 314 00:25:52,280 --> 00:25:56,160 Speaker 1: Additional sound design by Alexander Rodriguez. Dialogue editing and sound 315 00:25:56,200 --> 00:26:00,240 Speaker 1: mixing by Juan Campos. Recorded at Studio Awesome in Los Angeles, 316 00:26:00,800 --> 00:26:04,400 Speaker 1: sound Bite Studio in Atlanta, and Echo Mountain in Asheville. 317 00:26:04,920 --> 00:26:08,160 Speaker 1: Casting by Sunday Bowling, Kennedy and Meg Mormon. Our dialect 318 00:26:08,200 --> 00:26:13,080 Speaker 1: coach is Linda Bessesti, Assistant director, Michael Monty, second assistant director, 319 00:26:13,320 --> 00:26:19,040 Speaker 1: script supervisor and production coordinator Sarah Klein. Supervising producer Josh Thain. 320 00:26:19,880 --> 00:26:23,320 Speaker 1: Special thanks to Mary Ellen and Jason Davis, Jonathan Dieter, 321 00:26:23,720 --> 00:26:27,440 Speaker 1: and Joe Rickman. The Manowak Caves is a production of iHeartRadio, 322 00:26:27,800 --> 00:26:30,919 Speaker 1: Blumhouse Television and Psycopia Pictures. 323 00:27:00,480 --> 00:27:09,320 Speaker 4: Mean fufu of s enough manif