WEBVTT - Edith Wharton: Novelist and Designer

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<v Speaker 1>She was a born storyteller. At the age of three

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<v Speaker 1>or four, um she would be observed holding a book

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<v Speaker 1>in her hands, off and upside down, and she would

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<v Speaker 1>walk back and forth and make up and create a

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<v Speaker 1>story that her mother arranged for a play date with

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<v Speaker 1>young friends. He would actually refuse them and insist that

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<v Speaker 1>her mother played with him so that she could she

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<v Speaker 1>could continue on making up. That was Susan Whistler talking

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<v Speaker 1>about young Edith Wharton, the first woman to win the

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<v Speaker 1>Pulitzer Prize for Literature. Wharton is the author of classics

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<v Speaker 1>like The Age of Innocence and The House of Mirth.

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<v Speaker 1>She created an unforgettable portrait of nineteenth century America and

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<v Speaker 1>women's role in it. I'm a land Ververe and this

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<v Speaker 1>is Seneca's one Women to Hear. We are bringing you

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<v Speaker 1>one hundred of the world's most inspiring and history making

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<v Speaker 1>women you need to hear. Edith Wharton's books continue to

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<v Speaker 1>sell widely, even a hundred years after their publication, and

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<v Speaker 1>they've been the source for many movies starring everyone from

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<v Speaker 1>Betty Davis to Michelle Peiffer. But Wharton was more than

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<v Speaker 1>a novelist. She was also a forward looking designer, of

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<v Speaker 1>homes and gardens, and for her relief work during World

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<v Speaker 1>War One, she was a hero to the French people.

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<v Speaker 1>We got a fascinating insight into Wharton's life from Susan Whistler,

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<v Speaker 1>the executive director of the Mount, the beautiful estate Wharton

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<v Speaker 1>built in the Berkshire Mountains of Massachusetts. Listen and learn

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<v Speaker 1>from Susan Whistler why Edith Wharton is one of Seneca's

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<v Speaker 1>on women to hear. I'm speaking today to Susan Whistler,

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<v Speaker 1>the executive director of the Mount the Estate of Edith Wharton,

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<v Speaker 1>and we're going to be speaking about Edith Wharton and

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<v Speaker 1>her place in America's literary history and so much more. Susan,

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<v Speaker 1>it is a wonderful pleasure to have you with us today. Well, Malan,

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<v Speaker 1>thank you. I'm delighted to be here. Edith Wharton wrote

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<v Speaker 1>about the world of the wealthy during the Gilded Age

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<v Speaker 1>the late eighteen hundreds. She gave us memorable novels, including

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<v Speaker 1>The Age of Innocence in the House of Mirth. She

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<v Speaker 1>was the first woman to win the Pulitzer Prize for

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<v Speaker 1>Literature for the Age of Innocence. She was also a

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<v Speaker 1>designer and a decorator, and her passion for houses and

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<v Speaker 1>gardens obviously comes out at the Mount when one visits.

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<v Speaker 1>What do you think she should be remembered for? How

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<v Speaker 1>do you see her legacy? You have an intimate engagement

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<v Speaker 1>with her almost every day as you're there at the Mount.

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<v Speaker 1>Well Edith Wharton, I would say, is and should probably

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<v Speaker 1>best known for her enduring classics of the House of

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<v Speaker 1>Mirth Ethan Frome, and also the Age of Innocence, which

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<v Speaker 1>is probably her best known work. It's the one that

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<v Speaker 1>one of the Pulitzer Prize when it was published in

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<v Speaker 1>nineteen twenty, and it hit number one on the bestseller

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<v Speaker 1>lists again in nine following Martin Scorsese's release of his

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<v Speaker 1>film starring Michelle Peifer and Daniel day Lewis, which is

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<v Speaker 1>based on the novel. But Um, I would say, even

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<v Speaker 1>though she's mostly known as a novelist, her literary legacy

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<v Speaker 1>is actually so much bigger. Um. She wrote across many genres,

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<v Speaker 1>including short stories to it, travel books, um, literary essays,

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<v Speaker 1>and poetry. And her first well known and sort of

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<v Speaker 1>I would say hit, was a book that was actually

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<v Speaker 1>about interior design, called The Decoration of Houses. It was

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<v Speaker 1>published in eight and it's still taught in design schools today. Um.

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<v Speaker 1>I think she also should be remembered for taking on

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<v Speaker 1>subject matter that I would say, even today might seem audacious.

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<v Speaker 1>She her books and her novels addressed issues ranging from

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<v Speaker 1>euthanasia to war, um to female sexual desire, especially that

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<v Speaker 1>of older women. And I would say that she and

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<v Speaker 1>her works, uh, defy any easy categorization, I would say.

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<v Speaker 1>And then of course there is um what I think

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<v Speaker 1>she considered her most important creation, or one of her

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<v Speaker 1>most important creations, and that is the estate that she

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<v Speaker 1>gotad and build from the Berkshires, the Mount Um. And

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<v Speaker 1>she was as proud of that as any of the

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<v Speaker 1>literary work which she produced. Just an exceptional legacy for sure.

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<v Speaker 1>Now you're the executive director of the Mount. Her long

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<v Speaker 1>time of state is you just mentioned in the Beautiful

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<v Speaker 1>Berkshires And you used to practice law in New York?

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<v Speaker 1>What got you interested in Edith warn and how did

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<v Speaker 1>you come to head the Mount? Well, I thank serendipity

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<v Speaker 1>for for my journey. Um. My last legal job was

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<v Speaker 1>actually with a firm here in the Berkshires, and um,

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<v Speaker 1>the partner that I was closest with Unfortunately, died of

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<v Speaker 1>cancer while I was there, and it was it was

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<v Speaker 1>a big moment in my life, and I took that

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<v Speaker 1>opportunity to step away from the law and decided i'd

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<v Speaker 1>really actually rather spend more time outdoors. And I spent

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<v Speaker 1>the next couple of years as a sort of itinerant tradesperson.

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<v Speaker 1>I was a carpenter, I did landscaping, I did painting, UM,

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<v Speaker 1>just sort of odd jobs here and there and UM.

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<v Speaker 1>But I was growing tired of the It was getting

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<v Speaker 1>a little tiring, and I certainly wasn't making a lot

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<v Speaker 1>of money. And a friend notified me that there was

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<v Speaker 1>an opening here at the Mount, involved with operations, and

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<v Speaker 1>I applied on the labor day and two I think

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<v Speaker 1>I applied on a Friday in two thousand one, in

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<v Speaker 1>September and started the following Monday. And I fell in

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<v Speaker 1>love with the property. And I have never look back.

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<v Speaker 1>And it's hard to believe that that was nearly twenty

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<v Speaker 1>years ago. It's an exceptional story serendipity, though it might

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<v Speaker 1>be in terms of how you got engaged. But I

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<v Speaker 1>think the Mount is very fortunate too to have such

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<v Speaker 1>an exceptional lawyer and committed leader of that beautiful place.

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<v Speaker 1>You mentioned at the outset some of Edith's great literary achievements,

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<v Speaker 1>And she wrote so many years ago, and yet her

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<v Speaker 1>books remained so popular today. What do you think that's

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<v Speaker 1>the case and and what does she tell us about

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<v Speaker 1>the wider culture in terms of her time and our time. Well,

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<v Speaker 1>when Wharton was at the peak of her career, women's

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<v Speaker 1>rights were arguably expanding. The divorce was becoming more common,

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<v Speaker 1>more women were entering the workforce and um, and then

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<v Speaker 1>of course the Nineteenth Amendment was ratified in nineteen nineteen.

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<v Speaker 1>And despite all of this scene progress, a major theme

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<v Speaker 1>in Wharton's work is how women's options remain constrictive. Marriage

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<v Speaker 1>was often unsatisfactory, and of course women continue to be

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<v Speaker 1>treated unequally. And I would say that there is one

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<v Speaker 1>thing that runs throughout her work that continues to resonate today.

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<v Speaker 1>And another big theme was I would say, the huge

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<v Speaker 1>divide between the enormously wealthy, the one percentags perhaps and

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<v Speaker 1>the working class. So I don't think it's hard to

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<v Speaker 1>draw parallels between her time and ours. And I think

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<v Speaker 1>the themes that she addresses in her works continue to

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<v Speaker 1>be themes that we as individuals and as a society

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<v Speaker 1>continue to struggle with. But I think perhaps the principal

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<v Speaker 1>reason she remains popular is because she's just a wonderful writer,

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<v Speaker 1>and she's got memorable characters, engaging plots, beautiful language, and

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<v Speaker 1>I would say a clean, even muscular writing style. And

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<v Speaker 1>so her work is as has stood the test of time,

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<v Speaker 1>and I think a century from now we will still

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<v Speaker 1>be talking about her. It's it's so interesting and those

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<v Speaker 1>two themes that you mentioned are certainly very much with

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<v Speaker 1>us today. Um she lived between eighteen sixty two and

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<v Speaker 1>nineteen thirty seven. What was happening then that had a

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<v Speaker 1>great deal to say about shaping her and what she

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<v Speaker 1>eventually would write about. Ah, that's a great question on um. Well,

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<v Speaker 1>Wharton was born into the old money New York society

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<v Speaker 1>uh or. By way of example, on the US Census,

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<v Speaker 1>her father listed his occupation as a gentleman of leisure.

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<v Speaker 1>So this was the world into which she was born.

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<v Speaker 1>Her family belonged to a class of people who loved

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<v Speaker 1>art but distrusted artists, and it was also a class

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<v Speaker 1>that felt themselves under siege, particularly by the new money class.

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<v Speaker 1>And because she was a bona fide member of this class,

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<v Speaker 1>she knew it. She understood it warts and all. She

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<v Speaker 1>knew it intimately, and it provided her with terrific material

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<v Speaker 1>for her writing. UM. She was also heavily influenced by

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<v Speaker 1>European culture as a child. Edith had spent much of

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<v Speaker 1>her life in Europe, mainly in France, Germany and Italy,

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<v Speaker 1>and it was there that she developed both her gifts

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<v Speaker 1>for languages, but also a deep appreciation for beauty. UH.

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<v Speaker 1>She loved art, architecture, and literature, and this is where

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<v Speaker 1>all of those passions were ignited. UM. I would also

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<v Speaker 1>say that she had an incredible intellectual curiosity and that

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<v Speaker 1>drove her to read just an extraordinary range of books,

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<v Speaker 1>not just literature, but she also was fascinated by science

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<v Speaker 1>and philosophy and religion, and her library here can Mount

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<v Speaker 1>actually includes multiple copies of books by Darwin, whose works

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<v Speaker 1>and theories were of course notly debated in the day. UM.

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<v Speaker 1>So those were some of the forces in terms of

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<v Speaker 1>events that shaped your life. I would say World War

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<v Speaker 1>One was perhaps the most influential. UM. From nineteen fourteen

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<v Speaker 1>to nineteen eighteen, she wasn't was in France, in Paris,

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<v Speaker 1>and she devoted herself to creating a complex, really extensive

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<v Speaker 1>network with charitable and humanitarian organizations that included work rooms

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<v Speaker 1>for the unemployed, convalescent homes for people with buerrtulosis. UM,

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<v Speaker 1>she created hospitals for refugees and schools for children and UM.

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<v Speaker 1>She also wrote extensively about the war. She was one

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<v Speaker 1>of a handful journalists that was actually allowed to h

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<v Speaker 1>report from the front lines. And her work was so

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<v Speaker 1>extensive that UM in nineteen sixteen she was actually awarded

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<v Speaker 1>the French lesion of loner UM. And I would say

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<v Speaker 1>mentioned one last thing that I would say was a

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<v Speaker 1>big force on her life. UM. During her lifetime there

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<v Speaker 1>were incredible social, economic, and needed technological changes. UM. So

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<v Speaker 1>she went from a horse and buggy era to air travel.

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<v Speaker 1>And I would say this progress affected her deeply and

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<v Speaker 1>can be seen in her writing. And by the time

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<v Speaker 1>she's in the nineteen twenties, she was actually quite dismayed

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<v Speaker 1>at what she saw as the commercialization of popular culture UM.

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<v Speaker 1>And she wrote about this in in her novels. So

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<v Speaker 1>in the Children, for example, she makes fun of Hollywood

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<v Speaker 1>in the movie industry. In Hudson Riverbracted, she she goes

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<v Speaker 1>after the publishing industry and and specifically The Pulitz Surprise.

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<v Speaker 1>And then in Twilight Sleep, which is one of her

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<v Speaker 1>last novels, she turns her pen Scuba modern medicine and

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<v Speaker 1>the wonder Pills that were on the rage of the day.

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<v Speaker 1>She was such an interesting and complicated personality, obviously, I

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<v Speaker 1>wonder listening to your description of her and what shaped her.

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<v Speaker 1>It sounds like she could have done any number of things.

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<v Speaker 1>Why did she become a writer? Oh? Um, Well, as

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<v Speaker 1>she was born a writer. I think she she had

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<v Speaker 1>no choice but to be. I'm a writer. She was

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<v Speaker 1>a born storyteller, So even before she could read. She

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<v Speaker 1>writes in her memoir that she would engage in an

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<v Speaker 1>exercise or an activity that she called making up. And

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<v Speaker 1>so you know, at the age of three or four,

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<v Speaker 1>um she would be observed holding a book in her

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<v Speaker 1>hands off an upside down and she would walk back

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<v Speaker 1>and forth and make up and create a story. Um

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<v Speaker 1>with her mother arranged for a play date with um

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<v Speaker 1>uh young friends, she would actually refuse them and insist

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<v Speaker 1>that her mother play with him so that she could

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<v Speaker 1>she could continue on making up. So the storytelling piece

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<v Speaker 1>came to her naturally, and I think she was driven

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<v Speaker 1>right um, which is not to say that it was easy. UM.

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<v Speaker 1>Her family I believe was a little bit in awe

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<v Speaker 1>of the sort of a natural and sort of driven

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<v Speaker 1>nature of Edith to too right, and they ordered her

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<v Speaker 1>as a young girl. In fact, UM Wharton's first book,

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<v Speaker 1>first published book, was the book of poems that she

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<v Speaker 1>wrote at the age of sixteen, and her mother actually

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<v Speaker 1>undertook the private publication of that. So I think they

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<v Speaker 1>were quite proud of her. But once she was a

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<v Speaker 1>woman of a certain age, where the expectations were that

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<v Speaker 1>she was to marry and settle down, UM, I would say,

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<v Speaker 1>the tables turned for her, and Um, at the age

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<v Speaker 1>of twenty one, she is engaged to a young man.

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<v Speaker 1>The engagement was broken for very complicated reasons, and the

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<v Speaker 1>newspapers actually report that the engagement was called off because

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<v Speaker 1>Wharton was quote an ambitious authoress and too intellectual, and

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<v Speaker 1>that was a huge humiliation for her. UM. And as

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<v Speaker 1>she even as she became you know, critically and a

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<v Speaker 1>critical and popular success, UM, she was often not taken

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<v Speaker 1>seriously as a writer. She was frequently dismissed as either

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<v Speaker 1>just a pale imitation of Henry James, who was a

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<v Speaker 1>good friend or as someone who's worked with trivial because

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<v Speaker 1>they weren't concerned with the rich. And this was despite

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<v Speaker 1>her having often written stories with working class protagonists. UM.

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<v Speaker 1>I would say at least a third of her works

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<v Speaker 1>deal with people who are not of the wealthy class.

0:14:25.200 --> 0:14:28.680
<v Speaker 1>Sounds like some of the criticisms that were lobbed against

0:14:28.720 --> 0:14:34.880
<v Speaker 1>her continue in varying ways today against women. That criticism

0:14:34.920 --> 0:14:40.040
<v Speaker 1>of being just too intellectual strikes me as one for sure. UM.

0:14:40.320 --> 0:14:43.520
<v Speaker 1>And I just love that image that you painted of

0:14:43.600 --> 0:14:47.640
<v Speaker 1>her as a child holding a book upside down, uh

0:14:47.680 --> 0:14:52.480
<v Speaker 1>and storytelling as as she's pacing around. So I think

0:14:52.520 --> 0:14:55.680
<v Speaker 1>you're so right. It does sound so much like she

0:14:55.800 --> 0:14:59.360
<v Speaker 1>was born to be a writer. Speaking of her work,

0:14:59.680 --> 0:15:05.360
<v Speaker 1>The Age of Innocence celebrated its hundredth anniversary last year.

0:15:06.080 --> 0:15:09.240
<v Speaker 1>What's the story behind that book? For listeners who are

0:15:09.280 --> 0:15:12.920
<v Speaker 1>not familiar with it, The Age of Innocence was written

0:15:13.400 --> 0:15:17.480
<v Speaker 1>in nineteen twenty, after World War One, and um after

0:15:17.520 --> 0:15:21.000
<v Speaker 1>the death of many of Warton's closest friends, including Henry

0:15:21.080 --> 0:15:26.160
<v Speaker 1>James and Teddy Roosevelt. UM. And it is set uh,

0:15:26.240 --> 0:15:29.680
<v Speaker 1>not in the twenties, but in the eighteen seventies and

0:15:29.880 --> 0:15:34.000
<v Speaker 1>it is I would say, both um homage too and

0:15:34.080 --> 0:15:36.360
<v Speaker 1>a critique of the society that you grew up in.

0:15:36.960 --> 0:15:39.560
<v Speaker 1>Um And it was a book that she didn't want

0:15:39.600 --> 0:15:43.360
<v Speaker 1>to write. Her previous book was a war, a war novel,

0:15:44.040 --> 0:15:46.720
<v Speaker 1>and it had the misfortune of coming out just as

0:15:46.760 --> 0:15:49.480
<v Speaker 1>the war was ending and the public was basically sick

0:15:49.880 --> 0:15:54.160
<v Speaker 1>of war stories and um And but she wanted to

0:15:54.160 --> 0:15:57.440
<v Speaker 1>write another one, and her publishers said, no, we need

0:15:57.480 --> 0:16:01.120
<v Speaker 1>another sort of House of Mirth, like uh, the novel

0:16:01.200 --> 0:16:04.160
<v Speaker 1>of matters. And so she needed money she by that

0:16:04.200 --> 0:16:07.440
<v Speaker 1>time and purchased a couple of houses in France and

0:16:07.760 --> 0:16:11.200
<v Speaker 1>um and so she actually penn The House of Mirth

0:16:11.440 --> 0:16:16.360
<v Speaker 1>in I think a little less than a year and um.

0:16:16.400 --> 0:16:18.640
<v Speaker 1>In many ways, I would say it is the most

0:16:18.680 --> 0:16:23.360
<v Speaker 1>autobiographical novel. And it involves three major characters. It's kind

0:16:23.360 --> 0:16:27.400
<v Speaker 1>of a love triangle story. There's a gentleman now and Archer,

0:16:27.600 --> 0:16:33.280
<v Speaker 1>and then there is the very mysterious and somewhat socially

0:16:33.320 --> 0:16:37.160
<v Speaker 1>disgraced because she's divorced, Countess Elena Lenska. And then there's

0:16:37.240 --> 0:16:42.960
<v Speaker 1>Maywell and the sort of perfect um product of New

0:16:43.040 --> 0:16:48.520
<v Speaker 1>York society woman who new and is expected to wed

0:16:49.000 --> 0:16:53.600
<v Speaker 1>and UM. Anyway, it's a it's it's basically a love

0:16:53.680 --> 0:16:58.080
<v Speaker 1>story and it but again it is in many ways autobiographical. UM.

0:16:58.160 --> 0:17:01.800
<v Speaker 1>And I'll just draw maybe attention to a couple of

0:17:01.840 --> 0:17:05.639
<v Speaker 1>the reasons why I say this. Um. Ellen Olenska is

0:17:05.720 --> 0:17:09.600
<v Speaker 1>probably the most obvious person based on Edith Wharton's character.

0:17:10.400 --> 0:17:13.960
<v Speaker 1>Ellen and Edith were both very comfortable and felt at

0:17:13.960 --> 0:17:17.120
<v Speaker 1>home in Europe Um, not just because they grew up there,

0:17:17.119 --> 0:17:20.760
<v Speaker 1>but also because they were both very sophisticated women. They

0:17:20.760 --> 0:17:23.440
<v Speaker 1>were equally at home with fashion and as well as

0:17:23.560 --> 0:17:27.720
<v Speaker 1>part um. Both Ellen Olenska and Edith Wharton had a

0:17:27.800 --> 0:17:31.000
<v Speaker 1>husband who seized their fortune and spent it on the

0:17:31.000 --> 0:17:34.399
<v Speaker 1>mistresses um. In the novel, one of the reasons the

0:17:34.520 --> 0:17:37.000
<v Speaker 1>Lenska has returned to New York is because her husband

0:17:37.600 --> 0:17:41.680
<v Speaker 1>um uh Is has embezzled her money and was also

0:17:41.760 --> 0:17:46.479
<v Speaker 1>neporiously unfaithful. That fits that description also fits edith husband

0:17:46.560 --> 0:17:50.240
<v Speaker 1>Peddy to a te um, he behaved very badly. He

0:17:50.320 --> 0:17:54.080
<v Speaker 1>embezzled about over fifty thou dollars of the money, which

0:17:54.119 --> 0:17:56.399
<v Speaker 1>would be about one and a half million dollars today,

0:17:57.200 --> 0:18:00.800
<v Speaker 1>and speculated poorly in the stock market, and also purchased

0:18:00.800 --> 0:18:05.120
<v Speaker 1>the house in Boston, the House of Mistress Um, and

0:18:05.480 --> 0:18:08.320
<v Speaker 1>both in the novel and Warton in real life, ultimately

0:18:08.359 --> 0:18:11.159
<v Speaker 1>they leave their husbands and live alone in Paris and

0:18:11.160 --> 0:18:16.320
<v Speaker 1>apartments where um the pastas that a believe, and they

0:18:16.359 --> 0:18:20.639
<v Speaker 1>both entertained a steay stream of Frenchise society. So there

0:18:20.680 --> 0:18:24.720
<v Speaker 1>are very many similarities between Wharton and eleanor Leinster. But

0:18:24.760 --> 0:18:27.879
<v Speaker 1>there are also similarities between Wharton and Newland Archer, and

0:18:27.960 --> 0:18:32.000
<v Speaker 1>Newland represents who Warton might have been had she remained

0:18:32.000 --> 0:18:35.840
<v Speaker 1>in New York and not escaped all of the bonds

0:18:36.040 --> 0:18:41.320
<v Speaker 1>and shackles of the expectations that her class put upon her.

0:18:41.960 --> 0:18:46.199
<v Speaker 1>Um the young Newland Archer and Edith are both undeniably similar.

0:18:46.240 --> 0:18:48.639
<v Speaker 1>They both are very much a part of society. They

0:18:48.640 --> 0:18:50.960
<v Speaker 1>attend the opera, they go to dinners and balls, they

0:18:51.000 --> 0:18:55.120
<v Speaker 1>participate in all the activities of old New York um Um.

0:18:55.480 --> 0:18:59.640
<v Speaker 1>And despite these useful represemblances, their adult lives take very

0:18:59.640 --> 0:19:02.600
<v Speaker 1>different has. By the end of the novel, knew in

0:19:02.680 --> 0:19:05.720
<v Speaker 1>this fifty seven and that's the same age Wharton was

0:19:05.760 --> 0:19:08.080
<v Speaker 1>when she was writing it. And this new one is

0:19:08.240 --> 0:19:12.080
<v Speaker 1>very different from from Wharton. The office Uh he is

0:19:12.160 --> 0:19:16.080
<v Speaker 1>no longer friends with writers. He no longer is dreaming

0:19:16.080 --> 0:19:20.720
<v Speaker 1>of making art and intellectual conversation central to his life. Uh. Instead,

0:19:21.440 --> 0:19:24.320
<v Speaker 1>just like everyone else in his social circle, he is

0:19:24.400 --> 0:19:27.600
<v Speaker 1>governed by convention in the following tradition, and in the

0:19:27.680 --> 0:19:30.159
<v Speaker 1>last pages of the novel, as he reflects back on

0:19:30.240 --> 0:19:33.320
<v Speaker 1>his life, he realizes that he is sunk deep into

0:19:33.520 --> 0:19:38.360
<v Speaker 1>a rut. And Wharton, on the other hand, avoided all

0:19:38.400 --> 0:19:42.000
<v Speaker 1>of these ruts because her insatiable curiosity never left her

0:19:42.320 --> 0:19:45.439
<v Speaker 1>and um and chief at the end of her life

0:19:45.480 --> 0:19:47.680
<v Speaker 1>is in Paris and in the South of France, where

0:19:47.800 --> 0:19:52.680
<v Speaker 1>artists and literature and clever conversation are just a steady

0:19:52.720 --> 0:19:56.879
<v Speaker 1>diet in their life. And this is probably more information

0:19:56.880 --> 0:19:58.440
<v Speaker 1>than you want, but I did want to spend a

0:19:58.480 --> 0:20:02.800
<v Speaker 1>little moment on May Uh the betrothed to Newland. And

0:20:02.920 --> 0:20:07.960
<v Speaker 1>May is the woman that high society included including Wharton's husband,

0:20:08.040 --> 0:20:12.000
<v Speaker 1>probably expected and wanted wanted Warton to be. And while

0:20:12.040 --> 0:20:14.040
<v Speaker 1>for many years he was able to pull off the

0:20:14.119 --> 0:20:17.679
<v Speaker 1>dual role dual role of dutiful wife and vestselling author,

0:20:18.119 --> 0:20:21.480
<v Speaker 1>eventually it became too much for her and she abandons

0:20:21.480 --> 0:20:25.399
<v Speaker 1>her wifely duties and leaves Teddy and ultimately divorces him.

0:20:25.440 --> 0:20:28.200
<v Speaker 1>So The Age of Innocence, I think, is a novel

0:20:28.280 --> 0:20:31.040
<v Speaker 1>that can be read many times, and each time you

0:20:31.080 --> 0:20:33.359
<v Speaker 1>read it you'll get something different. And one of the

0:20:33.720 --> 0:20:37.800
<v Speaker 1>I think most brilliant aspects of the novel is that

0:20:37.840 --> 0:20:41.399
<v Speaker 1>it is written from the perspective of the male Newland archer.

0:20:42.000 --> 0:20:45.640
<v Speaker 1>And as you read the novel, perhaps the first time

0:20:45.640 --> 0:20:47.560
<v Speaker 1>you read it you don't realize it, but certainly on

0:20:47.560 --> 0:20:50.280
<v Speaker 1>the second and third reading, you realize that he is

0:20:50.280 --> 0:20:55.680
<v Speaker 1>a completely unreliable narrator and um and you can't at

0:20:55.720 --> 0:21:00.679
<v Speaker 1>one he he he is misinterpreting signs and clues that

0:21:00.359 --> 0:21:03.840
<v Speaker 1>that come before him as the platform folds, and in

0:21:03.920 --> 0:21:08.359
<v Speaker 1>many ways is completely clueless. And the women in the

0:21:08.440 --> 0:21:12.240
<v Speaker 1>story who are portrayed on the first breath is perhaps

0:21:12.320 --> 0:21:17.359
<v Speaker 1>lesser characters are actually the brilliant ones. Well, speaking of brilliant, Susan,

0:21:17.400 --> 0:21:20.480
<v Speaker 1>I feel like you're brilliant, professor of literature with that

0:21:21.119 --> 0:21:25.320
<v Speaker 1>extraordinary answer, and it is enough, I think uh listeners

0:21:25.320 --> 0:21:27.840
<v Speaker 1>will agree to have us all go out and pick

0:21:27.960 --> 0:21:31.240
<v Speaker 1>up The Age of Innocence and read it, either for

0:21:31.280 --> 0:21:34.200
<v Speaker 1>the first time or for the second or third time.

0:21:34.240 --> 0:21:39.400
<v Speaker 1>As you pointed out Seneca has one hundred women to hear.

0:21:39.520 --> 0:21:52.600
<v Speaker 1>Will be back after the short break. Let's talk about

0:21:52.640 --> 0:21:55.720
<v Speaker 1>the mount a little bit, where you spend so much

0:21:55.760 --> 0:22:00.480
<v Speaker 1>of your time. Warton designed and built it in nineteen

0:22:00.480 --> 0:22:03.479
<v Speaker 1>o two for people who haven't been there, and I

0:22:03.560 --> 0:22:06.639
<v Speaker 1>have recently been there for the second time, and it

0:22:06.800 --> 0:22:11.720
<v Speaker 1>is just a beautiful and remarkable place. Tell us how

0:22:11.760 --> 0:22:15.639
<v Speaker 1>she made it happen, how it reflects who she is, because,

0:22:16.480 --> 0:22:19.840
<v Speaker 1>just speaking for myself, when you walk through that front door,

0:22:20.520 --> 0:22:23.959
<v Speaker 1>you walk into a world onto itself in terms of

0:22:24.000 --> 0:22:28.400
<v Speaker 1>its beauty and everything it represents about her. She came

0:22:28.440 --> 0:22:31.960
<v Speaker 1>to the Virture's Um. This is probably one good thing

0:22:32.080 --> 0:22:36.080
<v Speaker 1>that her husband Teddy did, is Teddy's family actually summered

0:22:36.080 --> 0:22:38.760
<v Speaker 1>in the Berkshire's and that is how she came to

0:22:38.760 --> 0:22:43.840
<v Speaker 1>to know to know the Virture's Um. Wharton's family watering

0:22:43.920 --> 0:22:47.200
<v Speaker 1>their their their summer place was in Newport. And while

0:22:47.560 --> 0:22:50.600
<v Speaker 1>Wharton loved Newport as a child when she was free

0:22:50.640 --> 0:22:54.639
<v Speaker 1>to play tennis or swim, or sale or ride, once

0:22:54.680 --> 0:22:57.840
<v Speaker 1>she was a young married woman, uh the again, the

0:22:57.920 --> 0:23:03.320
<v Speaker 1>expectations of entertainment either being entertained or to entertained proved

0:23:03.320 --> 0:23:06.920
<v Speaker 1>too great for her and UM, and she was all

0:23:06.920 --> 0:23:09.280
<v Speaker 1>of her time that she had hoped to devote to

0:23:09.320 --> 0:23:12.760
<v Speaker 1>writing was taken up with societal duties. And so in

0:23:12.920 --> 0:23:16.080
<v Speaker 1>nineteen o one she and Teddy decide to leave Newport

0:23:16.280 --> 0:23:21.119
<v Speaker 1>and Wharton comes to the Berkshire's Uh they find a

0:23:21.160 --> 0:23:27.879
<v Speaker 1>beautiful one acre property which had been previously farmland, and

0:23:28.119 --> 0:23:31.479
<v Speaker 1>they purchase it. We've got a wonderful photograph, the historic

0:23:31.520 --> 0:23:35.280
<v Speaker 1>photograph of Petty and Edith, and they were both huge

0:23:35.320 --> 0:23:37.520
<v Speaker 1>dog lovers, and they're like three little dogs and they're

0:23:37.560 --> 0:23:41.120
<v Speaker 1>all standing on this rocky mound pointing as if this

0:23:41.200 --> 0:23:43.840
<v Speaker 1>is they're they're they're telling the person who's taking the photograph,

0:23:44.000 --> 0:23:46.280
<v Speaker 1>this is the place, this is what where we are

0:23:46.320 --> 0:23:50.119
<v Speaker 1>going to build our home and UM. Wharton had a

0:23:50.200 --> 0:23:54.520
<v Speaker 1>huge interest in both architecture and landscape design, and so

0:23:54.600 --> 0:23:59.600
<v Speaker 1>she was involved heavily in every aspect of the construction

0:23:59.600 --> 0:24:02.800
<v Speaker 1>of the State and Um. She intended that it would

0:24:02.840 --> 0:24:04.800
<v Speaker 1>be a home that would meet all of her needs,

0:24:04.840 --> 0:24:08.160
<v Speaker 1>both as a designer, as a gardener, as a hostess,

0:24:08.200 --> 0:24:12.120
<v Speaker 1>and most importantly as a writer. So one of the

0:24:12.119 --> 0:24:14.720
<v Speaker 1>most distinguishing features of the mount there are there are

0:24:14.720 --> 0:24:18.480
<v Speaker 1>a few. One is that it is built far far

0:24:18.560 --> 0:24:21.600
<v Speaker 1>away from the roads. It's not even visible from any

0:24:21.640 --> 0:24:24.440
<v Speaker 1>of the main highways or arteries. And that's because she

0:24:24.600 --> 0:24:27.000
<v Speaker 1>really wanted it to be a retreat. It was not

0:24:27.119 --> 0:24:29.880
<v Speaker 1>built to be a symbol of her wealth, though at

0:24:29.920 --> 0:24:32.520
<v Speaker 1>that point she was a very successful writer and her

0:24:32.560 --> 0:24:36.040
<v Speaker 1>wealth was considerable. It was meant to be a place

0:24:36.080 --> 0:24:39.399
<v Speaker 1>where she could retire from society, should she choose. It

0:24:39.480 --> 0:24:42.400
<v Speaker 1>was also it's also a very it's a very beautiful

0:24:42.400 --> 0:24:45.800
<v Speaker 1>and elegant house, but in terms of the number of

0:24:45.800 --> 0:24:48.639
<v Speaker 1>people that it will accommodate, it's actually quite small. The

0:24:48.680 --> 0:24:53.200
<v Speaker 1>dining room is designed to seat six, and there are

0:24:53.240 --> 0:24:57.080
<v Speaker 1>only two guest bedrooms. And so it was again it's

0:24:57.320 --> 0:25:02.199
<v Speaker 1>primary purpose was to entertain at most your most intimate friends,

0:25:02.600 --> 0:25:04.439
<v Speaker 1>and then also to give her a place where she

0:25:04.480 --> 0:25:09.080
<v Speaker 1>could create. Um. She was very proud of the mount Um.

0:25:09.600 --> 0:25:13.720
<v Speaker 1>She there's a nineteen o five nineteen o six letter

0:25:13.800 --> 0:25:17.399
<v Speaker 1>that she writes to her lover Morton Fullerton, where she

0:25:17.600 --> 0:25:20.320
<v Speaker 1>actually says, and I know this line my heart, but

0:25:20.480 --> 0:25:24.760
<v Speaker 1>quote decidedly, I'm a better landscape gardener than novelist. And

0:25:24.880 --> 0:25:27.560
<v Speaker 1>this place, every line of which is my own work.

0:25:27.960 --> 0:25:32.720
<v Speaker 1>Far surpasses the House of Mirth. And just to put

0:25:32.760 --> 0:25:36.840
<v Speaker 1>that in context, the House of Mirth was the runaway

0:25:36.840 --> 0:25:40.280
<v Speaker 1>bestseller of nineteen o five. It was published I think

0:25:40.280 --> 0:25:43.960
<v Speaker 1>in October, and in the remaining months of the year

0:25:44.160 --> 0:25:48.639
<v Speaker 1>it out sold by enormous amounts every other novel that

0:25:48.680 --> 0:25:51.520
<v Speaker 1>had been published that that in that in that year.

0:25:52.520 --> 0:25:56.600
<v Speaker 1>So um. The Wharton's unfortunately only lived at the Mount

0:25:56.720 --> 0:26:00.560
<v Speaker 1>for ten years, but it was a transformational decade for

0:26:00.560 --> 0:26:04.720
<v Speaker 1>for Edith. Um. She had many professional triumphs and much

0:26:04.760 --> 0:26:09.680
<v Speaker 1>emotional turmoil. Um Uh. It was during her period of

0:26:09.720 --> 0:26:14.720
<v Speaker 1>the Amount that Um Teddy's mental instability really began to

0:26:14.760 --> 0:26:18.000
<v Speaker 1>take hold. I think um it was probably not easy

0:26:18.080 --> 0:26:21.439
<v Speaker 1>for Teddy to be Edith Wharton's husband. He was not

0:26:21.560 --> 0:26:27.320
<v Speaker 1>her intellectual peer and um and he had really not

0:26:27.400 --> 0:26:29.520
<v Speaker 1>a lot to bring to the table. And as she

0:26:29.640 --> 0:26:35.040
<v Speaker 1>grew more and more financially successful and independent, I think

0:26:35.119 --> 0:26:38.480
<v Speaker 1>he um, he began to resent it and uh, and

0:26:38.560 --> 0:26:42.600
<v Speaker 1>that resentment began to manifests itself in ways that we're

0:26:42.680 --> 0:26:45.960
<v Speaker 1>not not healthy or good for either either of them. Well,

0:26:46.000 --> 0:26:51.520
<v Speaker 1>she clearly thought seriously, and that description that you you posed,

0:26:51.520 --> 0:26:55.119
<v Speaker 1>that comparative with the House of mirth to her own house.

0:26:55.960 --> 0:26:59.520
<v Speaker 1>She cared about interior design, clearly, she cared about gardens,

0:26:59.520 --> 0:27:03.840
<v Speaker 1>she cared about decorations. She wrote about it. How would

0:27:03.840 --> 0:27:07.560
<v Speaker 1>you describe her design philosophy if she had one. Oh,

0:27:07.640 --> 0:27:11.320
<v Speaker 1>she certainly had a design philosophy. And Um, what she

0:27:11.440 --> 0:27:15.240
<v Speaker 1>was advocating for, and it is the basic premise of

0:27:15.280 --> 0:27:18.439
<v Speaker 1>her book, The decoration of Houses is a return to

0:27:19.280 --> 0:27:23.320
<v Speaker 1>what she termed as the classical style that you would

0:27:23.359 --> 0:27:27.320
<v Speaker 1>find in Europe, characterized by symmetry, balance and proportion. Those

0:27:27.320 --> 0:27:32.080
<v Speaker 1>were the three the three main tenets of any good design.

0:27:32.359 --> 0:27:35.680
<v Speaker 1>And um, you had to pay close attention to how

0:27:35.760 --> 0:27:39.760
<v Speaker 1>houses and gardens were to be used. Um. She grew

0:27:39.880 --> 0:27:42.520
<v Speaker 1>up in the Victorian era. Uh. And then the I

0:27:42.560 --> 0:27:46.240
<v Speaker 1>would say that Victorian era was characterized by houses that

0:27:46.280 --> 0:27:49.600
<v Speaker 1>were over upholstered, over draper, read full of bric a

0:27:49.640 --> 0:27:54.040
<v Speaker 1>brac and um. And they also gave rise to what

0:27:54.119 --> 0:27:57.240
<v Speaker 1>we're sort of very ostentatious properties of the newly rich

0:27:58.240 --> 0:28:04.119
<v Speaker 1>who built their houses to basically show and flaunt their wealth. Um.

0:28:04.200 --> 0:28:07.240
<v Speaker 1>And they the big houses of the guild of there

0:28:07.280 --> 0:28:10.639
<v Speaker 1>of the Berkshire cottages, I would say many of them,

0:28:10.760 --> 0:28:15.800
<v Speaker 1>uh put a greater value in how showy they were

0:28:15.960 --> 0:28:20.600
<v Speaker 1>versus how functional they were. And for Wharton, UM, she

0:28:20.720 --> 0:28:23.600
<v Speaker 1>was always very cumily attuned to the fact that houses

0:28:23.640 --> 0:28:27.480
<v Speaker 1>are in fact, first and foremost meant to be lived in. UM.

0:28:27.520 --> 0:28:29.679
<v Speaker 1>She also felt that the house, the gardens, and the

0:28:29.760 --> 0:28:33.160
<v Speaker 1>landscape should all be in harmony, and that the transition

0:28:33.280 --> 0:28:36.280
<v Speaker 1>between one and the other should be gradual. But the

0:28:36.320 --> 0:28:39.920
<v Speaker 1>harmonious component was not unlike a great work of art,

0:28:40.000 --> 0:28:43.560
<v Speaker 1>and that is how she viewed house and landscape design.

0:28:44.680 --> 0:28:48.320
<v Speaker 1>Beautifully said, Now, you've had a major impact on the

0:28:48.360 --> 0:28:52.120
<v Speaker 1>mountain in many ways, but one was certainly to retire

0:28:52.320 --> 0:28:56.080
<v Speaker 1>its debt, which was no small feat UM in two

0:28:56.120 --> 0:29:00.960
<v Speaker 1>thousand and fifteen. That was really extraordinary. UM. And you

0:29:01.200 --> 0:29:04.480
<v Speaker 1>have managed to get some of Wharton's books returned to

0:29:04.560 --> 0:29:08.000
<v Speaker 1>the library where they have their special place. Now tell

0:29:08.120 --> 0:29:11.720
<v Speaker 1>us about that and why those books are so important. Oh,

0:29:11.800 --> 0:29:15.240
<v Speaker 1>another wonderful question, long, Thank you, UM. The books. Yes,

0:29:15.280 --> 0:29:19.000
<v Speaker 1>we have all that what we believed to be UM,

0:29:19.200 --> 0:29:22.800
<v Speaker 1>perhaps not all, but the majority of what remains of

0:29:22.840 --> 0:29:27.760
<v Speaker 1>Wharton's own original library. It's about volumes. UM. We know

0:29:27.880 --> 0:29:31.120
<v Speaker 1>that her her full library was actually far more extensive

0:29:31.120 --> 0:29:35.000
<v Speaker 1>than that. UM. She bequeathed it to Godsons. Half of

0:29:35.040 --> 0:29:38.360
<v Speaker 1>it ended up being destroyed in the war as it

0:29:38.440 --> 0:29:41.000
<v Speaker 1>was waiting on the docks of London to be shipped

0:29:41.000 --> 0:29:45.560
<v Speaker 1>to America for safety. But the other half um was

0:29:46.080 --> 0:29:49.880
<v Speaker 1>bequeathed to the son of Sir Kenneth Clark, the great historian,

0:29:50.400 --> 0:29:55.000
<v Speaker 1>and they sort of languished and were protected throughout the

0:29:55.040 --> 0:29:58.600
<v Speaker 1>war in Saltwood Castle, which was out in the English countryside.

0:29:58.760 --> 0:30:01.120
<v Speaker 1>And and thanks they ended up in the hands of

0:30:01.120 --> 0:30:05.000
<v Speaker 1>a bookseller who became so fascinated with Edith Wharton that

0:30:05.120 --> 0:30:08.200
<v Speaker 1>he spent probably thirty years of his life trying to

0:30:08.320 --> 0:30:12.240
<v Speaker 1>continue to collect what I would call the orphans and

0:30:12.320 --> 0:30:15.600
<v Speaker 1>the the strays that had been perhaps loaned by the

0:30:15.680 --> 0:30:18.880
<v Speaker 1>Clarks out to other people. And he tried. He was

0:30:19.040 --> 0:30:22.640
<v Speaker 1>very keen on making sure that the collection remained together

0:30:22.800 --> 0:30:25.400
<v Speaker 1>as a whole. And the reason why he was so

0:30:25.480 --> 0:30:28.560
<v Speaker 1>keen on that is because Wharton was a very active reader,

0:30:29.120 --> 0:30:33.120
<v Speaker 1>and she she annotated her books, She wrote notes in

0:30:33.160 --> 0:30:38.400
<v Speaker 1>the fly leaves, she underscored, she used exclamations. When you

0:30:38.640 --> 0:30:41.160
<v Speaker 1>look at all of these markings, it's like you are

0:30:41.200 --> 0:30:44.560
<v Speaker 1>reading the book with her alongside her, and it just

0:30:44.640 --> 0:30:49.920
<v Speaker 1>tells you so much. UM. She also the books. Many

0:30:49.920 --> 0:30:53.040
<v Speaker 1>of the books are gifts from some of her closest friends, UH,

0:30:53.280 --> 0:30:57.400
<v Speaker 1>for example Teddy Roosevelt and Henry James, and their infamite

0:30:57.480 --> 0:31:01.400
<v Speaker 1>inscriptions as they gifted books to her UH tells us

0:31:01.400 --> 0:31:05.440
<v Speaker 1>a lot of insights into the nature of their relationship.

0:31:05.880 --> 0:31:11.040
<v Speaker 1>For example, how much humor UH there was in the

0:31:11.120 --> 0:31:14.480
<v Speaker 1>kind of repartee that Wharton had, particularly with Henry James,

0:31:14.480 --> 0:31:19.720
<v Speaker 1>but also also with Teddy Roosevelt. UM and uh. And

0:31:19.800 --> 0:31:23.320
<v Speaker 1>so we really consider the books as um as the

0:31:23.320 --> 0:31:26.600
<v Speaker 1>heart and soul of the property. And they also attest

0:31:26.680 --> 0:31:32.560
<v Speaker 1>to the incredible breadth of Wharton's curiosity. UM. In addition

0:31:32.600 --> 0:31:38.320
<v Speaker 1>to literature, gardening, travel, UM, there are numerous volumes on history, philosophy, religion,

0:31:38.720 --> 0:31:42.920
<v Speaker 1>and science UM and it and the breadth of the books,

0:31:43.000 --> 0:31:45.280
<v Speaker 1>I mean, we have books that she was given as

0:31:45.280 --> 0:31:47.920
<v Speaker 1>a child, that were given to her by her brothers

0:31:48.040 --> 0:31:51.480
<v Speaker 1>um uh you know, for Christmas. And then we also

0:31:51.560 --> 0:31:53.920
<v Speaker 1>have the books that she was reading, you know, within

0:31:54.000 --> 0:31:55.800
<v Speaker 1>months of her death. And we know that because the

0:31:55.800 --> 0:31:58.320
<v Speaker 1>publication date of the book was, you know, just two

0:31:58.320 --> 0:32:02.240
<v Speaker 1>months prior to her prior to her dying. And UM,

0:32:02.280 --> 0:32:05.680
<v Speaker 1>so it's been just an incredible tool in in deepening

0:32:05.680 --> 0:32:09.040
<v Speaker 1>our understanding of what um I would say, her personality

0:32:09.080 --> 0:32:12.280
<v Speaker 1>practically springs from the pages and uh and so it's

0:32:12.320 --> 0:32:16.240
<v Speaker 1>just a wealth of information for the next generation of

0:32:16.280 --> 0:32:21.720
<v Speaker 1>scholars and and storytellers. And we actually are regularly welcoming

0:32:21.760 --> 0:32:24.480
<v Speaker 1>scholars who come to peer through the pages to see

0:32:24.480 --> 0:32:27.880
<v Speaker 1>what what little timbits of information they might be able

0:32:27.920 --> 0:32:31.400
<v Speaker 1>to bleam. It's really a very very special part of

0:32:31.440 --> 0:32:35.240
<v Speaker 1>the house. To see those annotated books and to read

0:32:35.280 --> 0:32:40.760
<v Speaker 1>the inscriptions, you do feel like you're learning something that

0:32:40.800 --> 0:32:44.640
<v Speaker 1>nobody else knows. It's really an insight into her. So

0:32:45.200 --> 0:32:49.160
<v Speaker 1>congratulations on being able to get those books returned so

0:32:49.200 --> 0:32:52.840
<v Speaker 1>that they could be at the mount today. We are

0:32:52.880 --> 0:32:55.560
<v Speaker 1>closely running out of time, and I wanted to just

0:32:56.200 --> 0:32:59.400
<v Speaker 1>ask about one of the aspects of her life that's

0:32:59.440 --> 0:33:04.080
<v Speaker 1>really less well known. You alluded several times to her

0:33:04.160 --> 0:33:07.720
<v Speaker 1>years in France. She lived there before World War One,

0:33:07.880 --> 0:33:10.920
<v Speaker 1>she worked with the Red Cross during the war. She

0:33:11.000 --> 0:33:15.320
<v Speaker 1>was even awarded the French Legion of Honor. Um what

0:33:15.480 --> 0:33:19.000
<v Speaker 1>was it about her devotion to France and what it

0:33:19.080 --> 0:33:23.160
<v Speaker 1>meant to her? Well, Um, I think the love of

0:33:23.200 --> 0:33:27.360
<v Speaker 1>France probably was seated deeply in Edith when she was

0:33:27.400 --> 0:33:29.880
<v Speaker 1>a child. So from the age of four to ten,

0:33:31.000 --> 0:33:34.640
<v Speaker 1>the Whartons spent most of their time traveling around Europe. Uh.

0:33:34.680 --> 0:33:37.680
<v Speaker 1>And she spent a great deal of time living in

0:33:37.720 --> 0:33:42.120
<v Speaker 1>France as well as Germany and Italy. And she was

0:33:42.320 --> 0:33:47.120
<v Speaker 1>fluent in French, and she was deeply engrossed in and

0:33:47.200 --> 0:33:50.440
<v Speaker 1>I would say influenced by French literature. So her library

0:33:50.520 --> 0:33:54.400
<v Speaker 1>includes all the French greats from the balls Act of

0:33:54.480 --> 0:34:00.080
<v Speaker 1>Voltaire um and so huge impact there. UM. But I

0:34:00.080 --> 0:34:06.040
<v Speaker 1>think it actually was probably um World War One that

0:34:06.480 --> 0:34:10.520
<v Speaker 1>really cemented her love for France and the French people.

0:34:11.120 --> 0:34:14.440
<v Speaker 1>When the war breaks out, she's actually in England looking

0:34:14.640 --> 0:34:19.200
<v Speaker 1>at a property to possibly purchase, and um, there's some

0:34:19.400 --> 0:34:22.759
<v Speaker 1>just really beautiful letters that talks about the anguish that

0:34:22.840 --> 0:34:26.480
<v Speaker 1>she feels because she's unable to return because the borders

0:34:26.480 --> 0:34:30.560
<v Speaker 1>have closed and uh. And it takes her several weeks

0:34:30.600 --> 0:34:33.560
<v Speaker 1>or maybe even several months before she's actually admitted back

0:34:33.600 --> 0:34:38.000
<v Speaker 1>into the country, and she's just absolutely horrified by the

0:34:38.760 --> 0:34:43.120
<v Speaker 1>by the carnage and the and the devastation and um.

0:34:43.200 --> 0:34:46.160
<v Speaker 1>And then of course nineteen fourteen to nineteen eighteen, she

0:34:46.239 --> 0:34:49.440
<v Speaker 1>throws herself into humanitarian work on the part of France

0:34:49.480 --> 0:34:53.879
<v Speaker 1>and the French, and I think UM, I think that's

0:34:53.920 --> 0:34:57.120
<v Speaker 1>where her her love and her loyalties shifted. And I

0:34:57.160 --> 0:35:00.960
<v Speaker 1>also think she never was that comfortable in the United States.

0:35:01.480 --> 0:35:05.160
<v Speaker 1>She she hated Um, she hated New York, she thought

0:35:05.160 --> 0:35:08.680
<v Speaker 1>it was deplorably. She did not feel accepted in Boston,

0:35:08.880 --> 0:35:12.200
<v Speaker 1>where she was being too fashionable. And she just loved

0:35:12.239 --> 0:35:14.960
<v Speaker 1>the layout and the architecture and the sensibilities of the

0:35:15.000 --> 0:35:19.399
<v Speaker 1>European cities, at particularly Paris. And so I think that's

0:35:19.440 --> 0:35:23.640
<v Speaker 1>why UM. And then of course towards the I would say,

0:35:23.640 --> 0:35:25.640
<v Speaker 1>in the latter third of her life after the war,

0:35:26.560 --> 0:35:30.759
<v Speaker 1>Um she is continuing to write prolifically, but I would

0:35:30.800 --> 0:35:33.960
<v Speaker 1>say her first passion at that point becomes gardening. And

0:35:34.040 --> 0:35:38.840
<v Speaker 1>she purchases this amazing ancient wreck of the chateau on

0:35:38.920 --> 0:35:43.960
<v Speaker 1>the Riviera, and Um purchases an entire hillside that goes

0:35:44.040 --> 0:35:48.040
<v Speaker 1>with it, and then throws herself into into gardening, and

0:35:48.280 --> 0:35:54.920
<v Speaker 1>is um credited in part with actually creating the Mediterranean garden.

0:35:55.640 --> 0:35:58.200
<v Speaker 1>The English were starting to settle on the south of France.

0:35:58.480 --> 0:36:02.000
<v Speaker 1>The French had no particular or interested in gardens, but

0:36:02.160 --> 0:36:04.239
<v Speaker 1>the English had a passion for it, and so she

0:36:04.320 --> 0:36:07.600
<v Speaker 1>developed a small group of very close friends and they

0:36:07.719 --> 0:36:11.239
<v Speaker 1>took the Mediterranean Garden to tell They really put it

0:36:11.239 --> 0:36:14.120
<v Speaker 1>on the map as a as a as a as

0:36:14.120 --> 0:36:18.520
<v Speaker 1>a genre of gardening. UM. So that that that also,

0:36:18.600 --> 0:36:21.160
<v Speaker 1>I think was important. And I believe she felt that

0:36:21.200 --> 0:36:25.560
<v Speaker 1>France um where women and men engaged in society and

0:36:25.600 --> 0:36:29.880
<v Speaker 1>conversation together. Uh, that France had more respect for women

0:36:30.080 --> 0:36:33.680
<v Speaker 1>and educated them actually better than America did. And so

0:36:33.840 --> 0:36:36.160
<v Speaker 1>I think she felt in some ways that the French

0:36:36.760 --> 0:36:41.319
<v Speaker 1>were in were superior to to the Americans in terms

0:36:41.320 --> 0:36:44.799
<v Speaker 1>of how they organized and structured their lives. Well, I

0:36:44.880 --> 0:36:48.879
<v Speaker 1>regret that we can't keep talking about Edith for hours more,

0:36:49.000 --> 0:36:52.680
<v Speaker 1>because she is both a fascinating figure and you are

0:36:53.640 --> 0:36:58.040
<v Speaker 1>wonderfully descriptive in giving us insights into who she was

0:36:58.120 --> 0:37:01.720
<v Speaker 1>and what she did. Before we let you go, Susan,

0:37:01.880 --> 0:37:05.560
<v Speaker 1>how can listeners visit them out? Um? Do you have

0:37:05.600 --> 0:37:08.680
<v Speaker 1>ongoing events and programs? And if you do, how can

0:37:08.719 --> 0:37:11.640
<v Speaker 1>we learn about them? There are numerous ways you can

0:37:11.680 --> 0:37:14.680
<v Speaker 1>experience the site. You can take a guided tour with

0:37:14.719 --> 0:37:17.799
<v Speaker 1>a person, you can take a self guided tour, or

0:37:17.920 --> 0:37:22.000
<v Speaker 1>you can um or you can take an audio tour UM.

0:37:22.080 --> 0:37:26.239
<v Speaker 1>We have a beautiful cafe on our terrace which you

0:37:26.239 --> 0:37:31.279
<v Speaker 1>can enjoy sort of good food and incredible views. And

0:37:31.320 --> 0:37:35.319
<v Speaker 1>then we also have just UM an ongoing roster of

0:37:35.400 --> 0:37:40.240
<v Speaker 1>programs UH that include a sculpture exhibit across about fifty

0:37:40.280 --> 0:37:47.200
<v Speaker 1>acres thirty large scaled contemporary pieces. We have concerts regularly. UM.

0:37:47.239 --> 0:37:50.799
<v Speaker 1>We often have theatrical performances. But again, the best way

0:37:50.840 --> 0:37:54.200
<v Speaker 1>to UM to figure out and plan your trip is

0:37:54.239 --> 0:37:56.560
<v Speaker 1>to visit our website and to sign up for our

0:37:56.719 --> 0:37:59.840
<v Speaker 1>e newsletter, and you could also follow us on social media.

0:38:00.160 --> 0:38:03.880
<v Speaker 1>We have a hashtag at the Mount Lennox. Well, thank

0:38:03.920 --> 0:38:08.200
<v Speaker 1>you so much, Susan Whistler for this just wonderful conversation,

0:38:08.800 --> 0:38:12.120
<v Speaker 1>your great ability to enable us to come to know

0:38:12.640 --> 0:38:17.440
<v Speaker 1>and be much smarter about that great literary giant Edith Wharton.

0:38:17.680 --> 0:38:21.040
<v Speaker 1>And thank you too for what you've been doing over

0:38:21.040 --> 0:38:24.960
<v Speaker 1>the last many years to make the Mount come alive

0:38:25.239 --> 0:38:28.359
<v Speaker 1>and be that very special place that it is. It's

0:38:28.360 --> 0:38:31.360
<v Speaker 1>so great to have had you with us today. Thank you, Milan,

0:38:31.480 --> 0:38:33.440
<v Speaker 1>Thank you. This has been lots of fun and I

0:38:33.520 --> 0:38:36.080
<v Speaker 1>hope I haven't talked too much now it's been terrific.

0:38:36.120 --> 0:38:43.040
<v Speaker 1>Thank you so much. I learned so much about Edith

0:38:43.040 --> 0:38:47.120
<v Speaker 1>Wharton and talking to the remarkable Susan Whistler. Here are

0:38:47.160 --> 0:38:52.640
<v Speaker 1>three things I took from that conversation. First, Edith Wharton

0:38:52.719 --> 0:38:57.000
<v Speaker 1>remains popular today, more than a hundred years after publication

0:38:57.239 --> 0:39:01.640
<v Speaker 1>of her most famous novels and No Wonder. She writes

0:39:01.680 --> 0:39:05.280
<v Speaker 1>about women trying to find their way in a culture

0:39:05.320 --> 0:39:09.359
<v Speaker 1>that wants to constrain them, and about the expectations are

0:39:09.480 --> 0:39:13.440
<v Speaker 1>friends and family place on all of us. Her novels

0:39:13.480 --> 0:39:20.160
<v Speaker 1>are compelling and timeless. Second, it's also worth looking at

0:39:20.200 --> 0:39:23.719
<v Speaker 1>the other side of Edith Wharton, the house and garden designer.

0:39:24.400 --> 0:39:28.120
<v Speaker 1>Check out a copy of her eight seven design Manual,

0:39:28.920 --> 0:39:33.160
<v Speaker 1>The Decoration of Houses, for guidelines that never go out

0:39:33.200 --> 0:39:38.919
<v Speaker 1>of style. Finally, if you're on the East Coast, try

0:39:38.960 --> 0:39:43.200
<v Speaker 1>to visit The Mount, the magnificent estate that Edith Wharton

0:39:43.280 --> 0:39:48.800
<v Speaker 1>built in Lenox, Massachusetts. Besides touring the house and grounds,

0:39:49.280 --> 0:39:55.600
<v Speaker 1>you can enjoy nature walks, lectures, sculpture, exhibits, music, and

0:39:55.760 --> 0:40:00.359
<v Speaker 1>even lunch on the beautiful Terrorists. To learn more, visit

0:40:00.600 --> 0:40:05.680
<v Speaker 1>Edith Wharton dot org. Tune in next time to hear

0:40:05.680 --> 0:40:10.279
<v Speaker 1>about our next featured woman and discover why she's one

0:40:10.320 --> 0:40:15.479
<v Speaker 1>of Seneca's one Women to Hear. Seneca's one hundred Women

0:40:15.520 --> 0:40:18.320
<v Speaker 1>to Hear is a collaboration between the Seneca Women Podcast

0:40:18.360 --> 0:40:21.240
<v Speaker 1>Network and I Heart Radio, with support from founding partner

0:40:21.320 --> 0:40:29.960
<v Speaker 1>PNG Have a Great Day.