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Speaker 1: Hello all, it is Sam here with a quick announcement,

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Speaker 1: and that is that we have two Stradio Lab live

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Speaker 1: shows coming up. The first one is in Chicago on

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Speaker 1: October sixth at the Den Theater and we couldn't be

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Speaker 1: more excited. Chicago's one of our favorite damn cities in

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Speaker 1: this damn country, so we would love for you to

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Speaker 1: get tickets to that at a Sunday October sixth. And

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Speaker 1: then we are returning to New York on October twelfth

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Speaker 1: at the Bellhouse. So you know, as someone that claims

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Speaker 1: citizenship to both of these cities, I am thrilled to

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Speaker 1: be on sort of what I will refer to as

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Speaker 1: my homecoming tour. Please please please get your tickets now

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Speaker 1: October sixth in Chicago and October twelfth in New York City. Baby, okay,

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Speaker 1: enjoy The EPP podcast starts now. Welcome all to Stradio Lab. George,

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Speaker 1: you're being patched in from New York City and you

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Speaker 1: are just commenting on how it feels like that creates

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Speaker 1: a power dynamic.

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Speaker 2: Well, I just want to say off the bat that,

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Speaker 2: first of all, yes, it creates a power dynamic. You

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Speaker 2: are with the guest in the same room whereas I

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Speaker 2: am alone, as I was saying, in my beautiful, stunning

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Speaker 2: New York apartment, sort of Carrie Bradshaw's style. And so

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Speaker 2: that's one thing. Second thing I will say is this

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Speaker 2: is now the third time we've had and we can't

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Speaker 2: bring her in yet, so she's actually being silenced as

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Speaker 2: many women in our industry are daily daily, and I

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Speaker 2: this is the third time we've had a coworker of

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Speaker 2: years on, and I think you are not shy at

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Speaker 2: all about just going right into office gossip and office

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Speaker 2: politics right in front of me, as though I am

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Speaker 2: merely an eye to your gab fest.

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Speaker 1: I can't believe that you you. Of course, I'm trying

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Speaker 1: to connect my coworkers. We are we only see each

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Speaker 1: other in the office and never see each other outside

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Speaker 1: of it, and so when I see them, but.

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Speaker 2: This is my office. But this is my.

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Speaker 1: Office, George, this is crazy. Yes, we have we Sophie

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Speaker 1: and I have never been in a room alone together.

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Speaker 3: Except one night. But George, if you feel left out,

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Speaker 3: literally just like right on the show.

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Speaker 1: Yeah, like.

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Speaker 2: Huh, she's got joke. I love haven't even introduced myself,

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Speaker 2: and I am being literally maybe cornered.

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Speaker 1: No, I want to say about the power anything.

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Speaker 2: I didn't get that packet, sweetheart.

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Speaker 4: Everybody in the North America I got that packet.

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Speaker 2: Yeah, and some people in South America.

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Speaker 1: I heard we went global. I also, whenever there is

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Speaker 1: the powerdynamic and it's and I'm the one in power,

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Speaker 1: as in someone who's in the studio, I'm like, no,

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Speaker 1: there's no power.

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Speaker 3: Don't take at the camera, don't look at it.

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Speaker 2: Do you think that this is normal? I do think

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Speaker 2: that's true. And you also like, well, you know, it's

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Speaker 2: just sort of but there's a sort of like there's

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Speaker 2: this gig. I think that happens where you're perfetually the underdog,

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Speaker 2: but then the second you get a little snippet of power,

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Speaker 2: you're immediately fully a super villain. And do you think

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Speaker 2: that happens to Sam When he is in the same

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Speaker 2: room as a guest, Suddenly he goes from like, oh,

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Speaker 2: I'm just a little way from the Midwest to so

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Speaker 2: our next guest you might know from after midnight.

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Speaker 3: No, it's true.

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Speaker 4: When he's at work, he's so baby, No, it's baby.

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Speaker 1: Yeah, it's actually like I've been fantalized myself at work

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Speaker 1: a little too much. I have that realization recently where

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Speaker 1: I was like I am capable, Like, no, of.

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Speaker 3: Course your cape. We all know you're capable. That doesn't

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Speaker 3: make you less baby.

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Speaker 1: Yeah, I'm literally like, someone do it for me.

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Speaker 5: Yeah.

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Speaker 4: No, this is it's rough when we're in a room

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Speaker 4: because I also was like the latest in the room

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Speaker 4: to start.

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Speaker 3: Not that I'm talking about the No.

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Speaker 1: This isn't about the show. That's about our job.

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Speaker 4: Yeah, And we'll be in the room and I don't

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Speaker 4: know how to I've never had like a job where

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Speaker 4: I had to learn like Excel and stuff. And so

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Speaker 4: we'll be in like a group and we're supposed to

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Speaker 4: like change something in like a spreadsheet, and then.

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Speaker 3: I just like, our computers are so far away from them.

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Speaker 1: So it's gonna somebody should do that.

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Speaker 3: It's gonna do that.

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Speaker 1: I The other time that power corrupts me is on

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Speaker 1: my birthday. When it's my birthday, I'm like, oh, suddenly

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Speaker 1: everyone's treating me like they should like this is this

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Speaker 1: is normal?

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Speaker 2: And then it's interesting because I feel like your last

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Speaker 2: couple of birthdays, you've been Dare I say you've made

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Speaker 2: yourself smaller in the sense that you have like resisted

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Speaker 2: planning ahead and have a big event. You've been like, oh,

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Speaker 2: I'm just little old me, Like, I'll just send the

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Speaker 2: little message a day before and you know, if you're

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Speaker 2: in town, come over. If not, it doesn't matter. I'm nobody.

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Speaker 3: That is how I've been at Is it because you're

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Speaker 3: like pulled out of New York? Is it because you.

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Speaker 1: Feel because I'm in transit? But even in New York,

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Speaker 1: I was doing it. But that's because of I was

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Speaker 1: worried about inter community politics.

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Speaker 4: Yes, it's very hard when certain people in your different

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Speaker 4: groups don't like each other or whatever.

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Speaker 3: Yeah, it is really hard.

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Speaker 2: And so I was like to say something, I don't

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Speaker 2: even know who likes who anymore. This is something I

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Speaker 2: think that your move actually threw off the balance of

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Speaker 2: my social life as well, because my nuclear chosen family

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Speaker 2: has been thrown out of whack and now I genuinely

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Speaker 2: don't really know what my position is in the larger

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Speaker 2: social order.

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Speaker 1: Oh that can be so tough.

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Speaker 2: It's tough.

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Speaker 3: Yeah, Like you know, somebody like, how did it throw

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Speaker 3: it off?

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Speaker 2: I well, I feel like there was when Sam was here,

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Speaker 2: there was a nucleus of people that was like kind

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Speaker 2: of vaguely speaking, like I would say, like Sam, our

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Speaker 2: friend Max, A couple of people where I knew that,

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Speaker 2: like let's say, did't have plans on a Friday, I

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Speaker 2: could text them. We could at least get a drink.

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Speaker 3: Yeah, reliable, you're seeing them regularly.

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Speaker 1: Yeah, go do.

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Speaker 2: That is gone, And of course I'm still friends with

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Speaker 2: all the other people, but the group element is not there.

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Speaker 2: And I actually sort of think weirdly my way of

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Speaker 2: dealing with it is like becoming more of like boyfriend

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Speaker 2: the guy, where now I'm suddenly just doing things with

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Speaker 2: Matthew and I'm less likely to try to be in

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Speaker 2: a group.

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Speaker 1: I think I'm doing a really similar thing because here

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Speaker 1: I don't have friends that are like just grab a

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Speaker 1: drink friends. It's always like, you know, I'm trying to

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Speaker 1: be friends with them, like it's a lot of fun.

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Speaker 3: Yeah, No, that's the hardest.

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Speaker 4: That's the hardest part about LA and I talk because

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Speaker 4: it's like everybody that moves to LA, Like I have

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Speaker 4: a lot of friends that move from Canada to LA.

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Speaker 4: A lot of people from New York moved to LA.

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Speaker 4: And I think that the hardest part is kind of

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Speaker 4: that weird first year or two of like friendmaking, because

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Speaker 4: in New York, it's like if you want to like

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Speaker 4: hang out with somebody or grub drink, everybody's already out

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Speaker 4: and doing stuff.

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Speaker 3: Number one.

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Speaker 4: Number two, it's like so easy to get around the city,

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Speaker 4: and so it's like if somebody's doing something, you really

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Speaker 4: hop on the subway, take two stops, like you see

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Speaker 4: them there in LA because everything is a fifty minute drive.

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Speaker 4: When you're like making plans to hang out with an acquaintance,

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Speaker 4: you're kind of like, Okay, well, I've never spoken to

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Speaker 4: this person. Do I want to drive two hours this

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Speaker 4: evening to have maybe one cup of coffee with them?

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Speaker 3: And so it's like there's so.

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Speaker 4: Many different barriers to like sparking the friendship in the

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Speaker 4: first place. That like I got a text from a

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Speaker 4: girl who I really like, who I want to be

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Speaker 4: friends with, but we've been trying to hang out for

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Speaker 4: so many months now, and it's like it's coming across

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Speaker 4: like I don't want to hang out. She texted me

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Speaker 4: and she was like, hey, because I flaked last time,

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Speaker 4: did I ruin her chances?

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Speaker 3: It's like friendship and it's.

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Speaker 4: Like no, I just I don't have six hours tonight

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Speaker 4: to go to Glendale.

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Speaker 2: Yeah, so so lose my number. So not in New York.

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Speaker 2: New York is like the jump thing where people are

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Speaker 2: doing two jump ropes and you can always jump in

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Speaker 2: and everyone somehow like knows how it works, and everyone's

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Speaker 2: like jumping in and jumping out, and then you can

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Speaker 2: even leave for a few days and come back and

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Speaker 2: you know, the jump rope girls will still be there.

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Speaker 2: Whereas what LA is is people are constantly planning a

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Speaker 2: very complicated game of dungeons and dragons, and you are

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Speaker 2: never being told the rules. The location changes every time.

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Speaker 2: Somehow it keeps getting earlier and earlier. You get there

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Speaker 2: immediately people are already mad at you and passive aggressive.

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Speaker 1: Yeah.

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Speaker 2: Also you get there and everyone's like, oh we're all sober.

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Speaker 1: Oh my god, oh yeah, get me started. Yeah. Well

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Speaker 1: the thing is there literally isn't a standard of hangout here.

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Speaker 3: Yeah.

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Speaker 1: In New York, the standard is like we'll get a drink, like,

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Speaker 1: we'll go to a bar. Yeah, and here it's like,

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Speaker 1: well are you an alcoholic? Like here people don't like

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Speaker 1: it's like, well we could get dinner and it's like,

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Speaker 1: well we'll are we married? Is something?

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Speaker 4: So I think you have to find what somebody's regular

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Speaker 4: activities are. I think that it's kind of more personalized

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Speaker 4: because like I was like trying to make friends with

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Speaker 4: Zach Towers, you know Zach, and so I found out

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Speaker 4: that he is also a mc A list and goes

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Speaker 4: to every single movie. And so now we go to

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Speaker 4: every single movie together at the Grove and we go

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Speaker 4: and we walk around and we have a little something

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Speaker 4: to eat, and then we watch a movie. And so

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Speaker 4: it's like, I think that you do have to kind

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Speaker 4: of like sniff out what people are doing regularly already

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Speaker 4: and then jump into that.

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Speaker 2: Yeah, very true, more personalized. I mean, I will never

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Speaker 2: forget the experience of getting dinner. I was visiting, like

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Speaker 2: getting dinner with three people, very famous comedians. Oh and then.

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Speaker 1: Oh my gosh.

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Speaker 2: I go to one of their and then I'm like

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Speaker 2: and then I'm like, okay, you know it's nine. You know,

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Speaker 2: it's eight thirty pm. We had an early dinner. It's

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Speaker 2: a Friday, it's a Saturday or whatever. What's next. We

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Speaker 2: go to one of their houses and immediately we are

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Speaker 2: all offered soft pants so that we can be more

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Speaker 2: comfortable as re loounging. Everyone else. Literally, it was almost

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Speaker 2: as though they had there, they knew where their soft

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Speaker 2: pants were. Like the person whose house it was was like,

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Speaker 2: here's yours, here's yours, and them looking at me and

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Speaker 2: being like, oh God, like I don't have soft pants

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Speaker 2: for you. I was like, first of all, when did

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Speaker 2: everyone change into soft pants? Second of all, it is

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Speaker 2: eight point thirty pm on a Saturday.

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Speaker 1: Yeah, I hate that this town. This town does piss

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Speaker 1: me off sometimes. Yeah, where they really do. I cannot

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Speaker 1: figure out where on the binary they are. Where I've

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Speaker 1: seen like cocaine flying around here in a way that

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Speaker 1: I've never seen in my life. And everyone goes to

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Speaker 1: bed at ten pm, And I'm like, you cannot do both.

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Speaker 3: You have just start doing cocaine at like three pm

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Speaker 3: if you're going.

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Speaker 1: To do that. I'm like very confused.

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Speaker 3: Yeah, No, it is so confusing.

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Speaker 4: The thing is like there are like party groups and

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Speaker 4: then there are like sober la groups, like and I

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Speaker 4: think that they, you know, because nobody hangs out a

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Speaker 4: lot of those people are friends with each other. So

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Speaker 4: it's confusing, like.

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Speaker 2: It overlaps in weird ways. Someone la is the truly

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Speaker 2: someone can be like in the middle of doing a

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Speaker 2: line and be like, I'm trying to live clean, like

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Speaker 2: I'm literally do.

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Speaker 1: It's the binary is board game or the cocaine.

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Speaker 2: But also being like, you voted for the Iraq war

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Speaker 2: but also for Anne Hathaway please.

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Speaker 4: And the thing is ketamine is ketamine is very free,

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Speaker 4: like it's like it can fit both lifestyles.

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Speaker 2: But it can also be someone being like I'm doing

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Speaker 2: ketamine and by the way, I'm currently meditating currently that

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Speaker 2: what I'm doing.

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Speaker 3: Is actively meditating meditation.

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Speaker 1: Yeah, how long have you lived here? Oh? Also, should

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Speaker 1: we introduce our guest?

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Speaker 2: Please welcome?

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Speaker 4: Please, please let me join the conversation. Finally, please, I'm

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Speaker 4: please do the honors. I mean, she's your co worker.

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Speaker 1: My coworker, Sophie Buddell.

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Speaker 3: That's all now I'm in now yeah.

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Speaker 2: Sorry, what are your girl?

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Speaker 1: Credit?

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Speaker 3: No, I just I'm like now I can talk.

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Speaker 2: Or you've seen her all over town.

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Speaker 1: Rising star, rising star.

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Speaker 2: You might know her from after mid Night?

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Speaker 1: So oh what was I just saying? Here?

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Speaker 3: Like two years okay, but straight from Canada?

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Speaker 1: So so you feel like you live here now?

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Speaker 3: Yeah?

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Speaker 4: I live here now. But the thing is I also

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Speaker 4: settled in the first year. The first year that I

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Speaker 4: was here that every single weekend I was on the

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Speaker 4: road doing stand up and so this is kind of

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Speaker 4: my first I feel like this is my first year.

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Speaker 1: Got it.

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Speaker 2: Got Yeah, Okay, what's your favorite place to do comedy

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Speaker 2: in the United States?

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Speaker 1: So I'm oh, my god, don't even ask that.

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Speaker 2: Tell me?

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Speaker 3: Is that is that your straight thing? That question?

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Speaker 2: I don't know. I just I just got that from

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Speaker 2: a little mini tour. So I'm actually in my road dog.

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Speaker 3: Okay, what was what was your run? Where did you go?

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Speaker 2: I mean I did? It was very short. It was

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Speaker 2: like Chicago, Pittsburgh, Seattle, Portland, San Francisco, DC, Philly, Boston.

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Speaker 3: You went to the good place. I went to places? Yay, okay,

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Speaker 3: what did you Which place did you do in Pittsburgh?

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Speaker 3: Did you do Bottle Rocket?

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Speaker 2: Yes?

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Speaker 3: I did you meet the owner and the girlfriend of

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Speaker 3: the owner? Aren't they so cute?

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Speaker 2: So sweet? That was a great show. It was a

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Speaker 2: very momentous show because I think, as I've mentioned on

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Speaker 2: the podcast before, it was the night Trump got shot,

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Speaker 2: which happened like forty five minutes away from Pittsburgh, Pennsylvania,

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Speaker 2: And so I broke the news too many people in

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Speaker 2: the audience because I came out made a joke about it,

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Speaker 2: some people were confused because they hadn't read the news yet,

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Speaker 2: so then I had to back up and be like right,

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Speaker 2: So that incredible joke I just made is about how

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Speaker 2: Trump just got shot about forty five minutes away from there.

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Speaker 1: George was forty five minutes away and felt like he

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Speaker 1: got shot. Yeah.

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Speaker 2: I was literally like, these are going to be police

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Speaker 2: presidents at my show at Bottle Rock.

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Speaker 3: That's so funny.

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Speaker 2: Surely mid sized comedy venues are next.

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Speaker 4: I was doing Arizona right after Trump got shot, and

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Speaker 4: Arizona very like Republican vibes, and I was doing like

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Speaker 4: shows in a like Republican area even like it was

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Speaker 4: like very Republican, And I had this joke that was like,

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Speaker 4: you know, getting shot in the ear would have killed

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Speaker 4: Joe Biden, and like, oh my god, they were like

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Speaker 4: carrying me out on their shoulders and stuff, and I

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Speaker 4: was like, I don't think I can do that, because

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Speaker 4: it's like that's fun to do, like in La where

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Speaker 4: there's like a bit of pushback, but then it's like

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Speaker 4: when you do it and everybody just loves it, you're

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Speaker 4: kind of like, uh, No, that's yeah.

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Speaker 2: That's how I feel about doing like kind of hacky

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Speaker 2: you know, tops and bottoms gay jokes in like Boston,

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Speaker 2: where I started a comedy, Like in Brooklyn, there's a

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Speaker 2: sort of like winkiness to it where everyone's like, right,

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Speaker 2: we all know the archetypes of the top and the

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Speaker 2: bottom and we're all playing around with it.

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Speaker 1: Characters in Greek theater.

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Speaker 4: Yeah, it's like, what is your top and bottom joke? Like,

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Speaker 4: what is your take on the top and bottom of Yeah?

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Speaker 2: Yeah, exactly me me laugh. Boston and people just being

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Speaker 2: like he jokes it off the us like it's just

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Speaker 2: like it's.

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Speaker 3: A very different thing, subtle. It's a very subtle.

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Speaker 4: They like the nuance something, the different archetypes pretty much.

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Speaker 1: You know, I've never done a top and bottom joke.

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Speaker 2: I'm trying to think if I have. Probably not. I mean,

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Speaker 2: I'm so original and well, let's to.

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Speaker 1: Say I'm original in every.

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Speaker 3: Way that's true.

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Speaker 4: I do feel embarrassed that I don't have an airplane joke.

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Speaker 4: Do you guys have airplay? Let me think, do I

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Speaker 4: have an air I don't have a single airplane joke.

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Speaker 2: Well, okay, so when Sam and I were on tour together,

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Speaker 2: and we would do the the our show, which is

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Speaker 2: not pre written. We would definitely do a lot of

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Speaker 2: airplane humor because we were traveling and that's like all

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Speaker 2: we do.

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Speaker 1: Airplane and city based humor.

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Speaker 2: Yeah, we were doing actually the things we don't let

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Speaker 2: ourselves do.

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Speaker 3: A local reference Heroin. It's Heroin to me.

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Speaker 2: I mean, do you remember when we were in Seattle

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Speaker 2: and we figured out that three types of people in

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Speaker 2: Seattle and we were in Heaven. We were like, the

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Speaker 2: types are like outdoorsy, amazon and like nineties grunge.

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Speaker 1: Yeah.

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Speaker 3: Yes, Oh my god.

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Speaker 1: I was like we were. I felt like I've never

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Speaker 1: been prouder than Oh. Local references and observation.

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Speaker 4: It makes me feel amazing. It makes me feel so amazing.

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Speaker 4: I'm like, this is what a comedian is.

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Speaker 1: I'm a comedian.

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Speaker 4: Yeah.

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Speaker 2: Someone was asking me like, did you enjoy touring by

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Speaker 2: yourself more or with Sam Moore? And I was like, okay,

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Speaker 2: touring by myself. I just felt like I'm a comedian

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Speaker 2: touring touring with Sam. I was like, this is a

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Speaker 2: traveling educational circuit. Like the things we're doing here will

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Speaker 2: be studied for generations, Like it is not just me

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Speaker 2: workshopping my hour, like there are there are insights that

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Speaker 2: we came to that will never be able to be replicated.

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Speaker 3: Were you each doing an hour?

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Speaker 2: We were doing like basically like a variety show that

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Speaker 2: was like inspired by the podcast Okay. We would have

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Speaker 2: like three guests at each place and we would do

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Speaker 2: segments with them, and it was all local.

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Speaker 4: People because I don't know how often you guys have

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Speaker 4: done your hour in front of your contemporaries, but we

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Speaker 4: are all like out here on the road doing an

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Speaker 4: hour with like half filler material, and sometimes it is

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Speaker 4: so embarrassing and then I'm always like I should put

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Speaker 4: out an hour, and then I'm like half of my

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Speaker 4: jokes are like edibles are strong like softballs that like

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Speaker 4: work well on the road. And then I was like,

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Speaker 4: forget that, Like other people are also doing that, Like

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Speaker 4: if you're doing a full hour on the road, like

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Speaker 4: it's not all if it was all bangers, like you

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Speaker 4: would be famous.

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Speaker 2: Sure, Righttocracy, Yeah, I know, I know a lot of

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Speaker 2: a lot of famous I know a lot of famous

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Speaker 2: comedians who are pretty much all filler.

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Speaker 3: That's true.

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Speaker 1: Yeah, yeah, you like touring. Touring has always I've never

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Speaker 1: enjoyed the concept the premise I.

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Speaker 3: Really had fun with false premise.

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Speaker 2: I enjoyed it with George. That was really fun and

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Speaker 2: it did I mean, never forget. When I first brought

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Speaker 2: it up in.

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Speaker 1: You like, no, I don't want to do I don't.

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Speaker 2: Know if I want to leave Gizmo alone for that long.

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Speaker 2: I was like, well, Sam, I think we're gonna have

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Speaker 2: to get over that.

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Speaker 3: You're an adult.

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Speaker 1: Man comes first, okay, And when I remember the dog owner,

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Speaker 1: I did flippantly.

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Speaker 2: Sam and I have the very earnest realization. A couple

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Speaker 2: of years ago, we were like, you know, one thing

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Speaker 2: we have in common is that we both value family.

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Speaker 3: And that's kept you going I'll be here honestly. No,

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Speaker 3: I got that.

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00:18:15,320 --> 00:18:18,639
Speaker 4: I feel like I mean family in family first, whatever

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Speaker 4: family means to you. Yeah, because like I love my family,

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Speaker 4: but I consider like my friend's family of course.

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Speaker 1: Which is why our first yes segment, Oh my god,

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Speaker 1: is it time already? We don't have to No, we can. Also,

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Speaker 1: it's just a suggestion.

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Speaker 3: Let's do it.

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Speaker 2: Let's do it, okay, Sophie. Our first segment is called

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00:18:45,800 --> 00:18:49,879
Speaker 2: straight Shooters, and in this segment, we gauge your familiarity

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00:18:49,920 --> 00:18:52,040
Speaker 2: with and complicity in straight culture by asking you a

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Speaker 2: series of rapid fire questions where you have to choose

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Speaker 2: this thing or this other thing. And the one rule

414
00:18:56,720 --> 00:18:58,719
Speaker 2: is you can't ask any follow up questions about how

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00:18:58,720 --> 00:19:00,800
Speaker 2: the game works, even if you're confus then if you do,

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00:19:00,960 --> 00:19:04,360
Speaker 2: we will absolutely yell.

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Speaker 1: At you, well, scream great. The joke I want to

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Speaker 1: make have not allowed to violence? Okay, Sophie, Malcolm in

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Speaker 1: the Middle or Maren Morris is the middle.

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Speaker 2: The first one, Sophie, Emily in Paris or jerem O

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Speaker 2: Harris neither oh.

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Speaker 1: Okay Sophie. Taxation without representation or correlation is not causation neither.

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00:19:34,119 --> 00:19:38,919
Speaker 2: Wow. Okay Sophie. Riding the blue wave or residing in

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Speaker 2: a white enclave of.

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Speaker 3: The first one.

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Speaker 1: Okay, Sophie, Hello Fresh or goodbye Earl, Hello.

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00:19:48,680 --> 00:19:54,480
Speaker 2: Fresh, damn that's good. Okay, Sophie. Scuba diving in the

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00:19:54,520 --> 00:19:59,200
Speaker 2: Galapagos or drunk driving to pick up your dominoes drunk driving?

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Speaker 1: Okay, Sophie. I feel the rush or I hear the

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Speaker 1: shush as I was talking too loudly in the library.

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Speaker 3: I feel the rush.

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Speaker 2: Okay, White guys for Harris or big is moving to Paris.

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Speaker 3: Big is moving to Paris.

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Speaker 1: Wow, that was amazing. We rate our guests on a

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Speaker 1: scale of zero to one thousand doves, and honestly, I

436
00:20:24,359 --> 00:20:27,720
Speaker 1: know we've been getting flack because we've been being too kind.

437
00:20:28,080 --> 00:20:30,159
Speaker 2: Yes, we've been too kind to our guests, in a

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Speaker 2: sort of Harvard Legacy admissions taking.

439
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Speaker 1: Me zero, But I really think that was like a

440
00:20:36,320 --> 00:20:40,200
Speaker 1: nine hundred and eighty doves, Canadian doves, Canadian doves.

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00:20:40,160 --> 00:20:46,800
Speaker 4: So about two Americans exactly, exactly you American dus.

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Speaker 1: Wow.

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Speaker 2: Congratulations, Sophie. How do you feel?

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Speaker 3: I feel amazing.

445
00:20:50,400 --> 00:20:53,320
Speaker 2: I want to commend you on something which I found

446
00:20:53,320 --> 00:20:57,639
Speaker 2: to be really inspirational, which is your use of neither

447
00:20:58,119 --> 00:21:00,720
Speaker 2: very freely, like you did it one and then you

448
00:21:00,960 --> 00:21:03,119
Speaker 2: and then you did it again. It wasn't just a

449
00:21:03,119 --> 00:21:05,000
Speaker 2: little flourish.

450
00:21:04,760 --> 00:21:06,800
Speaker 1: You know. This is something I've noticed about you that

451
00:21:06,840 --> 00:21:09,040
Speaker 1: you're really good at. Is like going into a space

452
00:21:09,080 --> 00:21:12,760
Speaker 1: and being like this is my space. Like you don't

453
00:21:12,800 --> 00:21:16,119
Speaker 1: like you're not like trying to make yourself smoler you

454
00:21:16,119 --> 00:21:18,000
Speaker 1: you are like, well where are the cups?

455
00:21:18,520 --> 00:21:22,399
Speaker 3: Like I need a drink.

456
00:21:23,359 --> 00:21:25,080
Speaker 1: I'll literally be like I have to pee, but I

457
00:21:25,119 --> 00:21:27,080
Speaker 1: will hold it for the next two hours because I'm like,

458
00:21:27,119 --> 00:21:27,880
Speaker 1: I don't want to do.

459
00:21:27,880 --> 00:21:31,439
Speaker 3: That all of my pee for years. But I do

460
00:21:31,560 --> 00:21:33,280
Speaker 3: need to know what the spread is. I do need

461
00:21:33,320 --> 00:21:34,040
Speaker 3: to walk around.

462
00:21:34,400 --> 00:21:35,879
Speaker 1: Yeah, yeah, I don't.

463
00:21:35,600 --> 00:21:39,320
Speaker 3: Feel, you know, tied to many rules. Yeah, it's really

464
00:21:39,440 --> 00:21:41,480
Speaker 3: I'm American now. I thought this was an American thing.

465
00:21:41,640 --> 00:21:45,520
Speaker 1: I I, well, it's well it's not.

466
00:21:46,160 --> 00:21:49,360
Speaker 2: I mean, well, I do like I was completely.

467
00:21:48,920 --> 00:21:51,840
Speaker 1: Flower gasted even know what to say from it.

468
00:21:51,920 --> 00:21:53,919
Speaker 4: That was the biggest thing I've noticed about Americans is

469
00:21:53,920 --> 00:21:55,040
Speaker 4: they really hold space.

470
00:21:55,040 --> 00:21:56,119
Speaker 3: They hold their own space.

471
00:21:56,440 --> 00:21:58,840
Speaker 2: Sophie, I have a perfect This is my premise for

472
00:21:58,880 --> 00:22:02,720
Speaker 2: your semi out of biographical sort of HBO's Girls type show. Okay,

473
00:22:02,720 --> 00:22:06,239
Speaker 2: are you ready? But it's also a hard comedy so

474
00:22:06,480 --> 00:22:08,760
Speaker 2: you can sell it in this market. Okay, Okay, here's

475
00:22:08,760 --> 00:22:11,160
Speaker 2: what it is. You're Canadian, you're moving to America. You've

476
00:22:11,200 --> 00:22:13,760
Speaker 2: heard that Americans are really assertive and really like in

477
00:22:13,800 --> 00:22:15,639
Speaker 2: your face, so you go like all the way in

478
00:22:15,680 --> 00:22:17,879
Speaker 2: the other direction. You're being just like a huge bitch

479
00:22:17,880 --> 00:22:21,200
Speaker 2: to everyone, and you're just being this like cartoonishly.

480
00:22:21,480 --> 00:22:25,440
Speaker 4: I'm slapping sandwiches out of people's hands, like you're basically

481
00:22:25,480 --> 00:22:27,840
Speaker 4: trying to act like Miranda Perusci and the Devilwaarre's product.

482
00:22:27,880 --> 00:22:30,480
Speaker 2: But you have, like in the show, an entry level

483
00:22:30,520 --> 00:22:33,920
Speaker 2: intern job at you know, a digital media company.

484
00:22:33,640 --> 00:22:35,800
Speaker 4: And that I immediately rise through the ranks and become

485
00:22:35,960 --> 00:22:37,160
Speaker 4: CEO of the company.

486
00:22:37,760 --> 00:22:38,840
Speaker 1: The American.

487
00:22:40,560 --> 00:22:42,600
Speaker 4: The way that I learned about American culture is from

488
00:22:42,760 --> 00:22:45,920
Speaker 4: Miranda Priestley and what was that puppet like America?

489
00:22:46,320 --> 00:22:46,480
Speaker 2: Yeah?

490
00:22:46,600 --> 00:22:48,400
Speaker 1: What was that movie? A police?

491
00:22:48,520 --> 00:22:51,159
Speaker 3: America Police? Those are the only two movies I watched.

492
00:22:51,600 --> 00:22:54,960
Speaker 2: I'm able to say you idolized George W. Bush and

493
00:22:55,000 --> 00:22:57,440
Speaker 2: Dick Cheney. That was like, those are your divas when

494
00:22:57,440 --> 00:23:01,000
Speaker 2: you were younger. So you're like bosses to America and

495
00:23:01,040 --> 00:23:07,920
Speaker 2: it's the American tagline. She's still figuring it. Oot, that's good.

496
00:23:07,720 --> 00:23:11,200
Speaker 3: And so question for both of you. Uh, George Bush

497
00:23:11,640 --> 00:23:12,320
Speaker 3: would or would not?

498
00:23:13,200 --> 00:23:15,280
Speaker 1: Sophie, this is so messed up.

499
00:23:15,320 --> 00:23:17,280
Speaker 2: This is actually really messed up because.

500
00:23:17,000 --> 00:23:22,560
Speaker 1: Because because literally would and duh, but like without hesitation.

501
00:23:22,800 --> 00:23:23,439
Speaker 1: I used to do this.

502
00:23:23,800 --> 00:23:26,520
Speaker 2: I would hesitate a little bit, but I ultimately would.

503
00:23:27,320 --> 00:23:30,040
Speaker 1: I used to do this joke. That list was years ago.

504
00:23:30,359 --> 00:23:33,240
Speaker 1: I was much more in my ald era where I

505
00:23:33,240 --> 00:23:36,040
Speaker 1: would just like list off a bunch of presidents names,

506
00:23:36,040 --> 00:23:38,439
Speaker 1: to a lot of silence and be like, that's the

507
00:23:38,480 --> 00:23:40,560
Speaker 1: list of presidents that I would let rail me.

508
00:23:41,680 --> 00:23:42,640
Speaker 3: Wait, it was on the list.

509
00:23:42,680 --> 00:23:44,760
Speaker 1: I mean it was literally like everyone like, I.

510
00:23:45,040 --> 00:23:48,280
Speaker 3: Mean, it was very powerful and your.

511
00:23:49,160 --> 00:23:50,480
Speaker 2: Type is president.

512
00:23:50,760 --> 00:23:51,080
Speaker 1: Yeah.

513
00:23:51,200 --> 00:23:53,239
Speaker 3: No, you do want a president and you deserve that

514
00:23:53,600 --> 00:23:54,480
Speaker 3: and you do have that.

515
00:23:54,480 --> 00:23:58,440
Speaker 1: That's true. Yeah, the president of my household.

516
00:24:00,119 --> 00:24:03,080
Speaker 2: Yeah, whats I feel like we've gone almost full circle

517
00:24:03,240 --> 00:24:07,000
Speaker 2: with the politics of like jokingly saying you want to

518
00:24:07,040 --> 00:24:09,760
Speaker 2: fuck evil people like I think there was a point

519
00:24:09,800 --> 00:24:12,680
Speaker 2: where that was suddenly I think, especially during the Trump era,

520
00:24:12,760 --> 00:24:15,199
Speaker 2: it was like, don't say that. That's too real. You

521
00:24:15,200 --> 00:24:19,080
Speaker 2: don't want to say like I secretly want to fuck

522
00:24:19,440 --> 00:24:21,320
Speaker 2: like Peter Teel or something.

523
00:24:21,800 --> 00:24:25,119
Speaker 1: No, you can't. Well, people on Twitter will get mad. Yeah,

524
00:24:25,240 --> 00:24:26,399
Speaker 1: they will get mad no matter what.

525
00:24:26,440 --> 00:24:27,840
Speaker 2: But that's because we'll get mad no matter what.

526
00:24:27,880 --> 00:24:30,280
Speaker 3: They're already mad. It's not that you made them mad,

527
00:24:30,320 --> 00:24:31,320
Speaker 3: They're already mad.

528
00:24:31,800 --> 00:24:32,000
Speaker 5: Well.

529
00:24:32,000 --> 00:24:34,879
Speaker 2: I had, Yes, So I had this experience where there

530
00:24:34,960 --> 00:24:37,080
Speaker 2: was some like this was years and years ago when

531
00:24:37,080 --> 00:24:38,840
Speaker 2: Twitter was still relevant. There was some prompt treat that

532
00:24:38,920 --> 00:24:41,080
Speaker 2: was like who is the most evil person you are

533
00:24:41,119 --> 00:24:44,040
Speaker 2: attracted to? And I just like this thought went into

534
00:24:44,040 --> 00:24:49,760
Speaker 2: my head that Eric Prince, who's the director of Blackwater,

535
00:24:49,880 --> 00:24:52,960
Speaker 2: the like mercenary military force that was used in the

536
00:24:52,960 --> 00:24:53,520
Speaker 2: Iraq War.

537
00:24:53,760 --> 00:24:54,119
Speaker 3: Yeah.

538
00:24:54,400 --> 00:24:56,680
Speaker 2: I just have this memory of when I was young

539
00:24:56,720 --> 00:24:59,080
Speaker 2: and watching the news not knowing who he was, and

540
00:24:59,119 --> 00:25:01,000
Speaker 2: like walking into a room TV and being like, oh,

541
00:25:01,040 --> 00:25:01,919
Speaker 2: he's how.

542
00:25:02,800 --> 00:25:03,800
Speaker 3: Wait can we pull him up?

543
00:25:03,800 --> 00:25:06,119
Speaker 1: I yeah, wait, let me, I'll look on my phone.

544
00:25:06,520 --> 00:25:11,159
Speaker 1: Eric Prince, you said, yeah, Eric Prince Blackwater.

545
00:25:11,880 --> 00:25:13,080
Speaker 2: Eric was a k young.

546
00:25:13,200 --> 00:25:18,600
Speaker 1: Oh it's okay, Oh interesting, you see it. I do

547
00:25:18,640 --> 00:25:20,200
Speaker 1: see it. It's a military vibe.

548
00:25:21,200 --> 00:25:25,280
Speaker 2: Vibe. Oh he's, by the way, Betsy Devas's brother.

549
00:25:26,960 --> 00:25:27,520
Speaker 1: Is that true?

550
00:25:27,800 --> 00:25:30,320
Speaker 2: Yes, it's true. He's like, just to be clear, one

551
00:25:30,359 --> 00:25:32,360
Speaker 2: of the most evil people who has ever I mean,

552
00:25:32,720 --> 00:25:34,240
Speaker 2: in American history.

553
00:25:34,480 --> 00:25:38,440
Speaker 1: Yeah. I mean that's so I had this thought.

554
00:25:38,480 --> 00:25:40,639
Speaker 3: I was like, just because he doesn't make him less cute.

555
00:25:41,080 --> 00:25:43,040
Speaker 1: I mean, we separate the art from the artists, like

556
00:25:43,080 --> 00:25:45,000
Speaker 1: separate the hot from the evil.

557
00:25:46,359 --> 00:25:48,879
Speaker 2: I was like, I remember seeing that tweet, and I

558
00:25:48,880 --> 00:25:51,000
Speaker 2: was like, oh my god, if I wanted to really

559
00:25:51,040 --> 00:25:52,960
Speaker 2: get people angry, that's what I would respond. Obviously, I

560
00:25:52,960 --> 00:25:54,720
Speaker 2: would never do that, And so I was like, haha,

561
00:25:54,840 --> 00:25:58,320
Speaker 2: chuckle to myself. Scroll down a gay guy had already responded,

562
00:25:58,480 --> 00:25:59,600
Speaker 2: Eric Prince.

563
00:26:01,200 --> 00:26:04,760
Speaker 4: Wait, and that's how you met your husband?

564
00:26:05,400 --> 00:26:08,959
Speaker 2: Wow. I was like, we are so far gone, like

565
00:26:09,000 --> 00:26:09,959
Speaker 2: we deserve Trump.

566
00:26:10,520 --> 00:26:12,960
Speaker 3: No, I mean it's yees, America does deserve Trump. No,

567
00:26:13,080 --> 00:26:13,920
Speaker 3: it's derogatory.

568
00:26:14,280 --> 00:26:17,439
Speaker 1: Yeah, it's so. I'm so jealous of both of you

569
00:26:17,520 --> 00:26:21,359
Speaker 1: and your you know, roots outside of America because you

570
00:26:21,400 --> 00:26:24,480
Speaker 1: get to be like like you gel to be like America.

571
00:26:24,480 --> 00:26:26,439
Speaker 3: And it's like, no, it feels so good, it feels

572
00:26:26,440 --> 00:26:26,840
Speaker 3: so good.

573
00:26:27,000 --> 00:26:28,040
Speaker 2: It does feel great.

574
00:26:28,080 --> 00:26:29,880
Speaker 3: George, what are your boots outside of America?

575
00:26:30,119 --> 00:26:32,640
Speaker 2: I grew up mostly in Greece, but I did have

576
00:26:33,359 --> 00:26:35,240
Speaker 2: just to be candid with everyone, because I've been the

577
00:26:35,320 --> 00:26:38,440
Speaker 2: keys of Greek face in the past. I did have.

578
00:26:39,720 --> 00:26:41,560
Speaker 2: I did have a six year period where I lived

579
00:26:41,600 --> 00:26:43,399
Speaker 2: in America, but I went to I mostly grew up

580
00:26:43,440 --> 00:26:43,760
Speaker 2: in Greece.

581
00:26:43,800 --> 00:26:45,920
Speaker 3: I would never accuse you of Greek face, thank you.

582
00:26:46,240 --> 00:26:48,639
Speaker 1: I will. I will accuse you of that when I

583
00:26:48,680 --> 00:26:49,080
Speaker 1: need to.

584
00:26:50,720 --> 00:26:53,480
Speaker 2: I definitely want. I am sort of the king of

585
00:26:53,520 --> 00:26:56,360
Speaker 2: having it both ways when it comes to like pretending

586
00:26:56,359 --> 00:26:59,320
Speaker 2: I'm an immigrant like I can when it's convenient for me.

587
00:26:59,359 --> 00:27:02,520
Speaker 2: I'm like America so random, like I'm foreign. I don't

588
00:27:02,560 --> 00:27:04,800
Speaker 2: know how you guys do all this. And then when

589
00:27:04,840 --> 00:27:07,160
Speaker 2: I'm in Greece, I'm like, oh my god, how embarrassing

590
00:27:07,200 --> 00:27:08,360
Speaker 2: to be in a small country.

591
00:27:09,680 --> 00:27:09,840
Speaker 1: No.

592
00:27:09,920 --> 00:27:12,360
Speaker 4: Same no, same, Like as soon as I moved to America,

593
00:27:12,560 --> 00:27:14,720
Speaker 4: I was very much like, you guys don't have healthcare,

594
00:27:15,040 --> 00:27:18,199
Speaker 4: like it's a human right. And then I go back

595
00:27:18,240 --> 00:27:21,000
Speaker 4: to Canada and I'm like one thousand Canadian dollars for

596
00:27:21,040 --> 00:27:22,919
Speaker 4: a weekend at a comedy club, like this is not

597
00:27:22,960 --> 00:27:25,080
Speaker 4: a real country, Like I'm not coming here anymore.

598
00:27:26,359 --> 00:27:27,240
Speaker 2: Yeah, it's tough.

599
00:27:27,400 --> 00:27:31,479
Speaker 1: It's tough. I'm always surprised when I do feel like

600
00:27:31,840 --> 00:27:34,440
Speaker 1: patriotic or something like. I remember when I went to

601
00:27:34,520 --> 00:27:37,560
Speaker 1: Japan once and I was like, Okay, can people get

602
00:27:37,600 --> 00:27:38,720
Speaker 1: buck wild yet?

603
00:27:40,320 --> 00:27:41,679
Speaker 3: What is this Los Angeles?

604
00:27:43,280 --> 00:27:43,399
Speaker 2: No?

605
00:27:43,480 --> 00:27:45,360
Speaker 4: But the thing is like, and this is maybe one

606
00:27:45,359 --> 00:27:47,640
Speaker 4: of my straight things, but there are some things about

607
00:27:47,640 --> 00:27:48,760
Speaker 4: America that are cool.

608
00:27:49,320 --> 00:27:51,840
Speaker 2: Please I would, I think a lot of listeners would

609
00:27:53,080 --> 00:27:55,040
Speaker 2: the Republican Party, which we know.

610
00:27:55,080 --> 00:27:57,560
Speaker 4: I love, right, I mean, George Bush is hot, that's

611
00:27:57,600 --> 00:28:01,439
Speaker 4: not my pall, No, but I feel like that like

612
00:28:01,480 --> 00:28:04,639
Speaker 4: the nobody believes in the American dream more than like

613
00:28:04,720 --> 00:28:07,760
Speaker 4: an immigrant, and even an immigrant like me, like I

614
00:28:07,800 --> 00:28:10,600
Speaker 4: did move here to make more money in my passion,

615
00:28:10,640 --> 00:28:13,040
Speaker 4: in my career, and then I did immediately do that.

616
00:28:13,440 --> 00:28:13,720
Speaker 1: Wow.

617
00:28:13,880 --> 00:28:15,880
Speaker 2: What no one believes in the American dream more than

618
00:28:16,359 --> 00:28:20,919
Speaker 2: write this down a white immigrant. Literally, I know this

619
00:28:21,000 --> 00:28:23,080
Speaker 2: from my parents, I know this from myself. Like, yes,

620
00:28:23,240 --> 00:28:25,480
Speaker 2: the best position to be in America is to be

621
00:28:25,520 --> 00:28:26,640
Speaker 2: a white immigrant.

622
00:28:26,960 --> 00:28:28,000
Speaker 3: That is so true.

623
00:28:28,320 --> 00:28:30,520
Speaker 2: And you could just sort of be like, oh fine,

624
00:28:30,600 --> 00:28:31,120
Speaker 2: oh it's easy.

625
00:28:32,600 --> 00:28:34,720
Speaker 3: Oh oh, I know.

626
00:28:34,760 --> 00:28:37,399
Speaker 4: I say to every single Canadian comedian, I'm like, just

627
00:28:37,480 --> 00:28:38,200
Speaker 4: move to America.

628
00:28:38,320 --> 00:28:41,880
Speaker 3: You get so much more money. So insulting.

629
00:28:42,280 --> 00:28:46,600
Speaker 1: That is so funny. Yeah, well, do you specifically tell

630
00:28:46,600 --> 00:28:48,160
Speaker 1: them move to La or just America.

631
00:28:48,560 --> 00:28:50,480
Speaker 4: No, because I'm not trying to hang out with everybody.

632
00:28:50,480 --> 00:28:52,360
Speaker 4: I just think everyone should move here and have more money.

633
00:28:52,440 --> 00:28:53,960
Speaker 4: I mean expressed the wall.

634
00:28:54,840 --> 00:28:57,920
Speaker 1: Wow, I love that. Yeah.

635
00:28:57,960 --> 00:29:00,040
Speaker 2: What what things make you feel patriotic? This is a

636
00:29:00,040 --> 00:29:02,880
Speaker 2: good question. I was recently listening to Sam and I

637
00:29:02,920 --> 00:29:04,840
Speaker 2: listened to the Slate culture Gap Best. I don't know

638
00:29:04,840 --> 00:29:06,760
Speaker 2: if you're familiar, but it is a podcast for gen

639
00:29:06,960 --> 00:29:10,840
Speaker 2: x women. Yeah, Sam and I listened to it, and

640
00:29:10,880 --> 00:29:12,680
Speaker 2: one of the hosts was saying that he took a

641
00:29:12,760 --> 00:29:15,040
Speaker 2: road trip in California and that made him feel patriotic.

642
00:29:15,080 --> 00:29:17,840
Speaker 2: He was like, wow, like this incredible.

643
00:29:18,400 --> 00:29:21,760
Speaker 4: Topography, and so what makes you feel patriotic because it's

644
00:29:21,800 --> 00:29:25,880
Speaker 4: like for me patriotically about Canada. No, I don't think

645
00:29:25,960 --> 00:29:28,560
Speaker 4: I can feel patriotic. I don't think I can feel

646
00:29:28,560 --> 00:29:30,120
Speaker 4: patriotic about a country I'm not from.

647
00:29:30,160 --> 00:29:31,880
Speaker 1: Well, Immigration's listening and they want to know.

648
00:29:32,160 --> 00:29:35,760
Speaker 4: Well, I love I love the people at Immigration. I

649
00:29:35,800 --> 00:29:40,120
Speaker 4: think that they're super cool with their questions and their stamps.

650
00:29:40,400 --> 00:29:44,240
Speaker 1: Yeah, great stamps. I do. There is something about I'm

651
00:29:44,240 --> 00:29:47,000
Speaker 1: starting to get the part of what I struggled with

652
00:29:47,000 --> 00:29:50,760
Speaker 1: with LA and California in general is I haven't understood

653
00:29:50,760 --> 00:29:52,920
Speaker 1: the myth. Like in New York it was very easy.

654
00:29:52,960 --> 00:29:55,880
Speaker 1: It was like, you know, it's nineteen seventy nine CBGB's

655
00:29:55,960 --> 00:29:58,320
Speaker 1: Lower East Side. Yeah, And I was always like yes,

656
00:29:58,440 --> 00:30:02,560
Speaker 1: like everything I do is like in conversation with and

657
00:30:03,000 --> 00:30:07,200
Speaker 1: here I'm like like fade done away, Like I'm like

658
00:30:07,280 --> 00:30:08,120
Speaker 1: that doesn't really.

659
00:30:08,000 --> 00:30:11,920
Speaker 2: Am we need to I'm literally, uh, I'm prescribing you,

660
00:30:11,960 --> 00:30:14,920
Speaker 2: as your doctor, a dose of Joan Didion.

661
00:30:16,080 --> 00:30:18,800
Speaker 1: So that's I'm starting to get it more. Where like

662
00:30:19,280 --> 00:30:21,320
Speaker 1: it is like the part that's speaking to me is

663
00:30:21,360 --> 00:30:24,280
Speaker 1: like the natural beauty, the sort of being like the

664
00:30:24,320 --> 00:30:27,440
Speaker 1: flowing pant. I'm start starting to be like, oh, it's

665
00:30:27,480 --> 00:30:28,640
Speaker 1: about like reflection.

666
00:30:29,520 --> 00:30:32,880
Speaker 4: I don't know that's I mean, if that's fun for you,

667
00:30:34,080 --> 00:30:37,520
Speaker 4: that's great, But I don't know. The thing is, I

668
00:30:37,720 --> 00:30:40,120
Speaker 4: think it's almost impossible to come from New York and

669
00:30:40,240 --> 00:30:43,760
Speaker 4: just enjoy it here because there's so much in New York.

670
00:30:43,800 --> 00:30:45,880
Speaker 4: There's so much to do, there's so many people to see.

671
00:30:45,920 --> 00:30:49,080
Speaker 4: This is action, there's constant action. And then you come

672
00:30:49,080 --> 00:30:51,520
Speaker 4: here and yeah, it's so slow. You're like a loose pant.

673
00:30:51,600 --> 00:30:54,479
Speaker 4: Like it's like it is it a retirement home, Like

674
00:30:54,520 --> 00:30:56,560
Speaker 4: it's like it is it is so hard to like

675
00:30:56,760 --> 00:31:00,520
Speaker 4: fill your your needs. Yeah, in La, like you do

676
00:31:00,640 --> 00:31:03,840
Speaker 4: have to. You do have to like adjust where you

677
00:31:03,920 --> 00:31:06,400
Speaker 4: get that action. Yeah, And so that's why I'm like

678
00:31:06,520 --> 00:31:08,960
Speaker 4: doing this full time job and then also doing stand

679
00:31:09,040 --> 00:31:11,400
Speaker 4: up every night and doing the road every night, and like,

680
00:31:11,400 --> 00:31:13,040
Speaker 4: like you have to be very.

681
00:31:12,920 --> 00:31:19,080
Speaker 2: Active alternatives Ketmine. Yeah, yeah, no, that's true.

682
00:31:20,000 --> 00:31:22,120
Speaker 1: I was just it's like I'm listening to Jenny Mitchell.

683
00:31:22,160 --> 00:31:24,280
Speaker 3: I always I love Johnny Mitchell, but.

684
00:31:24,440 --> 00:31:27,280
Speaker 1: I'm hearing it differently now that I'm in CALLI.

685
00:31:27,440 --> 00:31:29,600
Speaker 3: Now you get it. Yeah, now you get it.

686
00:31:29,600 --> 00:31:31,200
Speaker 1: It's different. Yeah.

687
00:31:31,240 --> 00:31:35,440
Speaker 2: Wait, speaking of California and patriotism, did you guys watch

688
00:31:35,560 --> 00:31:38,160
Speaker 2: the like part of the Paris closing ceremony where they

689
00:31:38,160 --> 00:31:41,480
Speaker 2: handed it off to La No, okay, so they did

690
00:31:41,480 --> 00:31:45,080
Speaker 2: this entire thing where the premise of this video is

691
00:31:45,080 --> 00:31:48,960
Speaker 2: that they give the flame to Tom Cruise, who did

692
00:31:49,000 --> 00:31:52,000
Speaker 2: like a live stunt in Paris, and then it sort

693
00:31:52,000 --> 00:31:54,200
Speaker 2: of cuts to him like getting on a helicopter, then

694
00:31:54,240 --> 00:31:56,120
Speaker 2: flying all the way to La, then getting to La

695
00:31:56,200 --> 00:31:58,400
Speaker 2: and then handing it whatever. And it all ends in

696
00:31:58,440 --> 00:32:02,600
Speaker 2: a live concert in like Long Beach where it's Red

697
00:32:02,600 --> 00:32:06,560
Speaker 2: Hot Chili Peppers singing one of their California based hits,

698
00:32:07,240 --> 00:32:09,920
Speaker 2: And I was like, okay, like the Red Hot Chili

699
00:32:09,920 --> 00:32:13,400
Speaker 2: Peppers with her, like it was literally what's that Charlie lyric?

700
00:32:13,480 --> 00:32:15,440
Speaker 2: Like bad tattoos on the tent skin. It was like

701
00:32:17,080 --> 00:32:19,480
Speaker 2: being like, Wow, this does make me feel proud to

702
00:32:19,480 --> 00:32:22,160
Speaker 2: be in America, like this, like the Red Hot Chili

703
00:32:22,200 --> 00:32:25,120
Speaker 2: Peppers are to me, I'm patriotic about.

704
00:32:24,920 --> 00:32:26,560
Speaker 4: The Red I do like, I actually do really like

705
00:32:26,560 --> 00:32:28,280
Speaker 4: the Red Hot Chili Peppers. When I first started dating

706
00:32:28,280 --> 00:32:29,640
Speaker 4: my boyfriend, he was like what's your favorite band? And

707
00:32:29,640 --> 00:32:31,800
Speaker 4: I was like Red Hot Chili Peppers, and I'm that's

708
00:32:31,840 --> 00:32:34,640
Speaker 4: not true. But like if I'm asked something it's like

709
00:32:34,640 --> 00:32:36,520
Speaker 4: what's your favorite I just say the first thing that

710
00:32:36,560 --> 00:32:38,600
Speaker 4: comes to mind. And then my problem is I have

711
00:32:38,680 --> 00:32:40,760
Speaker 4: like an attentive boyfriend, and so I'll say something like

712
00:32:40,800 --> 00:32:42,520
Speaker 4: that and then he'll like get me Red Hot Chili

713
00:32:42,560 --> 00:32:44,720
Speaker 4: Peppers tickets or something, and I'm like, I don't want.

714
00:32:44,560 --> 00:32:46,959
Speaker 1: To go to that. I find this an attentive boyfriend

715
00:32:47,120 --> 00:32:49,760
Speaker 1: is a funny thing. I also an attentive boyfriend.

716
00:32:49,880 --> 00:32:54,080
Speaker 3: Yeah, and like you can't say anything anymore because I'll.

717
00:32:54,000 --> 00:32:56,360
Speaker 1: Run with it, like I have. I remember what I

718
00:32:56,400 --> 00:32:58,600
Speaker 1: just sends to myself. Like he would be like, what

719
00:32:58,640 --> 00:32:59,800
Speaker 1: do you want to do today, I'd be like, oh,

720
00:32:59,800 --> 00:33:00,960
Speaker 1: you know what I want to do and I go

721
00:33:01,040 --> 00:33:03,000
Speaker 1: for a run, I want to like make breakfast. I

722
00:33:03,040 --> 00:33:05,000
Speaker 1: want to and it's like I'm just saying stuff.

723
00:33:05,160 --> 00:33:06,840
Speaker 4: And then later they're like, they're like, when are you

724
00:33:06,880 --> 00:33:08,520
Speaker 4: going to go for your run? And You're like, why

725
00:33:08,520 --> 00:33:09,520
Speaker 4: are you attacking me?

726
00:33:09,880 --> 00:33:12,000
Speaker 1: I'm like, that's just something I said in the moment

727
00:33:12,120 --> 00:33:13,800
Speaker 1: because I was feeling that in the moment.

728
00:33:13,840 --> 00:33:15,800
Speaker 4: He said, it's like really, my boyfriend told me it's

729
00:33:15,800 --> 00:33:17,080
Speaker 4: like really hard to hang out with me and my

730
00:33:17,160 --> 00:33:18,480
Speaker 4: mom because we both do that.

731
00:33:18,520 --> 00:33:19,880
Speaker 3: We'll both be like laying in.

732
00:33:19,840 --> 00:33:21,640
Speaker 4: My bed being like, oh my god, we should go

733
00:33:21,640 --> 00:33:24,320
Speaker 4: for a hike today, and then masons like brushing his teeth,

734
00:33:24,320 --> 00:33:26,280
Speaker 4: putting on his shoes, and neither of us have moved,

735
00:33:26,320 --> 00:33:27,680
Speaker 4: And then my mom's like what is he doing?

736
00:33:27,840 --> 00:33:30,520
Speaker 2: And I'm like, I boyfriend is like the daily Mail,

737
00:33:30,600 --> 00:33:35,040
Speaker 2: being like Sam's past comments every surface like a half

738
00:33:35,040 --> 00:33:36,120
Speaker 2: hour every day.

739
00:33:36,320 --> 00:33:38,320
Speaker 3: I know, it's like leave the past in the past.

740
00:33:39,120 --> 00:33:41,000
Speaker 1: It's just like, yeah, I want you ask me what

741
00:33:41,040 --> 00:33:42,400
Speaker 1: I want to do, not what I'm going to do.

742
00:33:42,520 --> 00:33:45,120
Speaker 2: It's literally woke. It literally woke culture. It's like you

743
00:33:45,160 --> 00:33:46,520
Speaker 2: can't say anything.

744
00:33:46,200 --> 00:33:49,640
Speaker 4: You can't pay anything, no, And we both speak in

745
00:33:49,720 --> 00:33:53,840
Speaker 4: hyperbole all day, yes, you.

746
00:33:53,920 --> 00:33:57,160
Speaker 1: Know the way that I That's actually where I like

747
00:33:57,200 --> 00:34:01,479
Speaker 1: empathize the most with politicians, where it'll be like everyone

748
00:34:01,480 --> 00:34:03,200
Speaker 1: will be like, well ten years ago, you said this,

749
00:34:03,400 --> 00:34:05,280
Speaker 1: It's like so no.

750
00:34:05,520 --> 00:34:07,760
Speaker 2: I always when people are like when people bring up

751
00:34:07,800 --> 00:34:12,520
Speaker 2: something they wrote in their college newspaper, I'm like college newspaper, Like,

752
00:34:12,600 --> 00:34:14,360
Speaker 2: I don't even believe what I said last week.

753
00:34:14,600 --> 00:34:16,200
Speaker 1: Yeah, it's so messed up.

754
00:34:16,280 --> 00:34:18,480
Speaker 4: No, that is I do really feel for politicians also

755
00:34:18,520 --> 00:34:20,279
Speaker 4: in that way. No, because it's like they voted on

756
00:34:20,320 --> 00:34:22,080
Speaker 4: so many things and then they're like, okay, but you

757
00:34:22,160 --> 00:34:24,520
Speaker 4: voted this on this, and they're like, that was a

758
00:34:24,520 --> 00:34:25,040
Speaker 4: long day.

759
00:34:25,120 --> 00:34:26,560
Speaker 3: I did a lot of things that day.

760
00:34:26,520 --> 00:34:29,560
Speaker 2: Yeah, it's like they're like literally so much a big statement, right,

761
00:34:29,719 --> 00:34:32,319
Speaker 2: like someone paid me to do that, Like what do

762
00:34:32,360 --> 00:34:33,440
Speaker 2: you want from me that.

763
00:34:33,840 --> 00:34:36,719
Speaker 1: It's like maybe I don't believe to get like a

764
00:34:36,719 --> 00:34:40,120
Speaker 1: good relationship with this guy, like I was trying.

765
00:34:39,840 --> 00:34:41,640
Speaker 3: To get more money.

766
00:34:42,160 --> 00:34:43,200
Speaker 1: It's not like if I.

767
00:34:43,239 --> 00:34:45,680
Speaker 2: Am done that, I wouldn't even be running for president.

768
00:34:46,000 --> 00:34:49,359
Speaker 3: Like, out your blessing, Sweet, you're being weird, Like so.

769
00:34:49,480 --> 00:34:52,120
Speaker 1: I actually, but when people are like trying to use

770
00:34:52,120 --> 00:34:54,200
Speaker 1: that as proof as to why they're like an evil politician,

771
00:34:54,200 --> 00:34:56,600
Speaker 1: like they voted on this in nineteen eighty two, I'm

772
00:34:56,640 --> 00:34:58,480
Speaker 1: sort of like, yeah, okay.

773
00:34:58,160 --> 00:34:59,240
Speaker 3: It's a different time.

774
00:35:00,960 --> 00:35:03,120
Speaker 2: But I will say the one exception. But then I'm

775
00:35:03,160 --> 00:35:04,799
Speaker 2: such a purist when it comes to voting for the

776
00:35:04,800 --> 00:35:06,759
Speaker 2: Iraq War, where I'm like if someone did for the

777
00:35:06,800 --> 00:35:10,200
Speaker 2: Iraq War, I'm like, oh, so you're a complete phony.

778
00:35:10,200 --> 00:35:13,040
Speaker 1: No, that's true. It is nice to have sometimes as

779
00:35:13,040 --> 00:35:16,760
Speaker 1: a as a you know, Trump card if you will. Yeah,

780
00:35:17,080 --> 00:35:19,479
Speaker 1: it sucks that that's his name because I'm not trying

781
00:35:19,520 --> 00:35:22,200
Speaker 1: to about politics. I'm not trying to OpenD Trump and

782
00:35:22,239 --> 00:35:23,600
Speaker 1: then but that's what the cards called.

783
00:35:23,680 --> 00:35:25,760
Speaker 3: It literally is crazy the card is called.

784
00:35:26,160 --> 00:35:27,279
Speaker 1: It's just what that card is called.

785
00:35:27,280 --> 00:35:29,040
Speaker 3: Now, your hands are hide. That's not your fault.

786
00:35:29,120 --> 00:35:31,080
Speaker 2: The fact that, on top of everything else, his name

787
00:35:31,280 --> 00:35:34,120
Speaker 2: just like is inherently iconic is so unfair.

788
00:35:34,320 --> 00:35:35,240
Speaker 1: No, it's unfair.

789
00:35:35,960 --> 00:35:39,239
Speaker 4: And he's got a like branding stuff like he's like

790
00:35:39,280 --> 00:35:40,640
Speaker 4: when he got shot and then he did like the

791
00:35:40,640 --> 00:35:43,520
Speaker 4: fist up or whatever, like like he knows how to

792
00:35:43,520 --> 00:35:44,279
Speaker 4: get a photo op.

793
00:35:44,520 --> 00:35:47,120
Speaker 3: He's like he's very Do you guys follow literally.

794
00:35:47,080 --> 00:35:49,040
Speaker 2: Our number one creative director.

795
00:35:49,440 --> 00:35:52,719
Speaker 4: Yeah, there's this girl Cocomoco that I follow on TikTok.

796
00:35:52,880 --> 00:35:55,120
Speaker 4: That's just like it just gives like branding advice and

797
00:35:55,160 --> 00:35:56,760
Speaker 4: like that kind of thing. And every piece of advice

798
00:35:56,840 --> 00:35:59,440
Speaker 4: she gives like Trump just like does naturally, and.

799
00:35:59,400 --> 00:35:59,880
Speaker 3: I'm kind of.

800
00:36:02,080 --> 00:36:05,719
Speaker 1: Well, wow, I wish.

801
00:36:05,800 --> 00:36:08,040
Speaker 4: Yeah, it's just like hard to brand, Like it's like

802
00:36:08,080 --> 00:36:10,080
Speaker 4: a hard thing to do, Like we're all comics, Like

803
00:36:10,120 --> 00:36:12,000
Speaker 4: it's hard to like I'm literally.

804
00:36:12,400 --> 00:36:14,600
Speaker 2: Well, it's hard to do. The second it becomes a

805
00:36:14,680 --> 00:36:16,960
Speaker 2: task you have to do, it's over. Like it has

806
00:36:17,000 --> 00:36:19,840
Speaker 2: to be innate. Like with Trump, he lives and breathes

807
00:36:19,960 --> 00:36:23,560
Speaker 2: branding like he was born and was like, I'm trademarking

808
00:36:23,680 --> 00:36:24,680
Speaker 2: this me being born.

809
00:36:24,840 --> 00:36:26,160
Speaker 3: No, he should just be in marketing.

810
00:36:26,280 --> 00:36:28,480
Speaker 1: He should literally be in marketing. Yeah, if he was

811
00:36:28,600 --> 00:36:30,040
Speaker 1: LGBTQ plus he would.

812
00:36:29,800 --> 00:36:32,680
Speaker 3: Be oh so true if only yeah, so unpair.

813
00:36:33,920 --> 00:36:36,200
Speaker 2: Actually politics is basically all marketing.

814
00:36:36,320 --> 00:36:38,719
Speaker 1: Oh my god, smart alert.

815
00:36:40,000 --> 00:36:42,719
Speaker 3: Is there's like a thing we can press?

816
00:36:41,880 --> 00:36:46,239
Speaker 2: Wait, I do want to get into the topic because

817
00:36:46,280 --> 00:36:50,600
Speaker 2: I actually am very interested in this topic. Shall we?

818
00:36:50,600 --> 00:36:53,279
Speaker 1: Well, I think we shall, Sophie, what is the straight

819
00:36:53,320 --> 00:36:56,400
Speaker 1: topic you have brought today? And what is straight about it?

820
00:36:57,000 --> 00:37:00,440
Speaker 3: So today I have brought in Christopher Nolan. Come on in,

821
00:37:00,520 --> 00:37:03,279
Speaker 3: Chris to me.

822
00:37:03,320 --> 00:37:06,400
Speaker 4: What's straight about Christopher Nolan is that he empowers straight

823
00:37:06,480 --> 00:37:07,720
Speaker 4: men to think they're smart.

824
00:37:08,520 --> 00:37:11,080
Speaker 1: Yeah, in a huge, huge way.

825
00:37:11,200 --> 00:37:13,839
Speaker 4: By just enjoying a film, Like a straight man will

826
00:37:13,960 --> 00:37:16,400
Speaker 4: enjoy a Christopher Nolan film and then we'll be like,

827
00:37:16,880 --> 00:37:17,839
Speaker 4: am I a scientist?

828
00:37:22,080 --> 00:37:22,520
Speaker 2: Totally?

829
00:37:23,080 --> 00:37:25,439
Speaker 1: Yeah? And can I ask how do you feel about

830
00:37:25,520 --> 00:37:26,360
Speaker 1: his films?

831
00:37:26,760 --> 00:37:30,960
Speaker 3: I love them. I think they're great. I think he

832
00:37:31,040 --> 00:37:34,600
Speaker 3: picks like unique subject matter. I think that he takes risks.

833
00:37:35,320 --> 00:37:37,719
Speaker 3: I love them. But I don't.

834
00:37:37,600 --> 00:37:41,560
Speaker 4: Watch a blockbuster hit movie and then walk away thinking

835
00:37:41,680 --> 00:37:42,360
Speaker 4: I'm smarter.

836
00:37:43,239 --> 00:37:46,560
Speaker 1: That's he makes big hit movies and that are dressed

837
00:37:46,560 --> 00:37:47,319
Speaker 1: as vegetables.

838
00:37:47,719 --> 00:37:51,160
Speaker 3: Yes, they're dressed as vegetables. Oh my god, genius.

839
00:37:52,120 --> 00:37:56,680
Speaker 1: I feel so torn on him because he's someone that

840
00:37:58,080 --> 00:38:02,480
Speaker 1: I should dislike, like I like for branding purposes. Yes,

841
00:38:02,560 --> 00:38:05,000
Speaker 1: I don't want to like Christopher Nolan. No. And yet

842
00:38:05,440 --> 00:38:07,360
Speaker 1: when I see his whenever I see his movie is

843
00:38:07,400 --> 00:38:09,040
Speaker 1: I'm like, love that, love that.

844
00:38:09,239 --> 00:38:12,040
Speaker 4: I think he's just a great filmmaker. But I have

845
00:38:12,080 --> 00:38:16,040
Speaker 4: the same problem with It's not unique to him. It's

846
00:38:16,080 --> 00:38:18,480
Speaker 4: also any documentary. I do feel like a straight man

847
00:38:18,520 --> 00:38:20,440
Speaker 4: will watch a documentary and then we'll want to talk

848
00:38:20,440 --> 00:38:23,440
Speaker 4: to you afterwards, like he made the documentary. Yeah, Like

849
00:38:23,440 --> 00:38:25,880
Speaker 4: you'd be like, oh, you haven't heard about this, and

850
00:38:25,920 --> 00:38:27,280
Speaker 4: you're like, you watched a movie.

851
00:38:28,360 --> 00:38:30,279
Speaker 2: Yeah. I mean it's like with any of these things

852
00:38:30,280 --> 00:38:33,520
Speaker 2: that become it's like what all rock was like, It's

853
00:38:33,600 --> 00:38:37,239
Speaker 2: like certain you know, It's like how people always make

854
00:38:37,880 --> 00:38:41,160
Speaker 2: use like infinite jest as a punchline. It's like, I

855
00:38:41,160 --> 00:38:42,920
Speaker 2: have not read Infinite Jests, but I'm sure if I did,

856
00:38:42,960 --> 00:38:45,160
Speaker 2: I would probably love it. But it just is the

857
00:38:45,200 --> 00:38:46,279
Speaker 2: culture around it.

858
00:38:46,400 --> 00:38:49,640
Speaker 4: Yeah, it's like if Christopher Nolan made Infinite Jest into

859
00:38:49,719 --> 00:38:50,560
Speaker 4: a movie.

860
00:38:50,680 --> 00:38:51,839
Speaker 3: Yes, we would love it.

861
00:38:52,040 --> 00:38:53,279
Speaker 2: Oh, I would love that.

862
00:38:53,600 --> 00:38:56,640
Speaker 1: Yeah. There's also something that I respect about a straight

863
00:38:56,680 --> 00:39:01,520
Speaker 1: man living out Loud, where like in Oppenheimer, when like

864
00:39:01,600 --> 00:39:05,440
Speaker 1: the women characters were like so two dimensional in this

865
00:39:05,520 --> 00:39:08,280
Speaker 1: way that was like they were like flat, flat, flat,

866
00:39:08,520 --> 00:39:10,800
Speaker 1: And I was like, you know what, that's very honest.

867
00:39:12,000 --> 00:39:13,080
Speaker 2: No, he's not pretending.

868
00:39:13,200 --> 00:39:14,280
Speaker 1: Yeah I like that good.

869
00:39:14,680 --> 00:39:17,120
Speaker 4: Yeah, No, I think so too, because it's like you

870
00:39:17,160 --> 00:39:19,719
Speaker 4: can tell a lot about him. He's not trying to

871
00:39:20,120 --> 00:39:23,000
Speaker 4: imply that he thinks women are people. Yeah, it's just

872
00:39:23,120 --> 00:39:25,400
Speaker 4: reauthenticity is good no matter what.

873
00:39:28,440 --> 00:39:30,759
Speaker 2: No, that's sort of why I love George Bush so much.

874
00:39:31,080 --> 00:39:33,120
Speaker 4: Oh my god, living out Loud to talk about living

875
00:39:33,120 --> 00:39:34,120
Speaker 4: out Loud, Yeah, is.

876
00:39:34,120 --> 00:39:36,000
Speaker 1: An honest guy.

877
00:39:39,800 --> 00:39:42,520
Speaker 2: Okay, wait, I love the smarter thing. I also think

878
00:39:42,520 --> 00:39:45,560
Speaker 2: there's something about his movies that they're always they're set

879
00:39:45,680 --> 00:39:47,040
Speaker 2: up that way, they're always a puzzle.

880
00:39:47,320 --> 00:39:49,680
Speaker 4: Yeah, there's like a thing like you know, obviously there's

881
00:39:49,760 --> 00:39:52,880
Speaker 4: like Hero's Journey for like writing a movie. There's also

882
00:39:53,000 --> 00:39:56,560
Speaker 4: like the Nolan time jump, and it's like a line

883
00:39:56,560 --> 00:40:00,560
Speaker 4: and it exactly shows exactly how he does time jumps

884
00:40:00,560 --> 00:40:02,520
Speaker 4: in every single movie. Like it is like it is

885
00:40:02,560 --> 00:40:03,440
Speaker 4: a formula.

886
00:40:03,600 --> 00:40:04,120
Speaker 2: Is that true?

887
00:40:04,320 --> 00:40:04,920
Speaker 3: Yeah?

888
00:40:04,960 --> 00:40:05,719
Speaker 2: Oh I didn't know that.

889
00:40:05,840 --> 00:40:06,439
Speaker 3: Yeah. Yeah.

890
00:40:06,440 --> 00:40:08,600
Speaker 4: And so it's like it's not like he's reinventing the

891
00:40:08,640 --> 00:40:10,239
Speaker 4: wheel every time he makes a movie. He just he

892
00:40:10,280 --> 00:40:12,239
Speaker 4: plays a lot with time jumps, which is fun to

893
00:40:12,280 --> 00:40:14,440
Speaker 4: watch and it's a little bit outside of what we're

894
00:40:14,520 --> 00:40:18,080
Speaker 4: used to seeing with the Hero's Journey, and so it's entertaining,

895
00:40:18,120 --> 00:40:19,840
Speaker 4: and he picks he picks stuff that a lot of

896
00:40:19,840 --> 00:40:22,040
Speaker 4: other people wouldn't have, Like I think like the grace

897
00:40:22,120 --> 00:40:26,000
Speaker 4: to be allowed to like just like within the industry,

898
00:40:26,040 --> 00:40:27,320
Speaker 4: Like I feel like he's allowed to take kind of

899
00:40:27,320 --> 00:40:29,600
Speaker 4: bigger chances than like maybe a newer filmmaker whatever, and

900
00:40:29,640 --> 00:40:32,759
Speaker 4: he's got one budget and but he uses it fun

901
00:40:32,760 --> 00:40:33,080
Speaker 4: with it.

902
00:40:33,239 --> 00:40:35,560
Speaker 2: Yeah, that is a big part of it. Like he's

903
00:40:35,600 --> 00:40:38,319
Speaker 2: this sort of like last Man Left. Like so many

904
00:40:38,360 --> 00:40:41,840
Speaker 2: of these directors that were buzzy in the late nineties

905
00:40:41,840 --> 00:40:44,680
Speaker 2: through the two thousands either crashed and burned or like

906
00:40:44,719 --> 00:40:46,760
Speaker 2: had one flop and then we're put in director jail

907
00:40:46,960 --> 00:40:50,120
Speaker 2: or like ended up only doing Marvel movies, or when

908
00:40:50,200 --> 00:40:51,719
Speaker 2: all the way and the other direction that are doing

909
00:40:51,840 --> 00:40:55,160
Speaker 2: art films, Like somehow he has pulled off. Still to

910
00:40:55,200 --> 00:40:58,200
Speaker 2: this day his movies are hits both critically and commerce,

911
00:40:58,239 --> 00:40:59,960
Speaker 2: I mean except for Tenant and commercially.

912
00:41:00,440 --> 00:41:03,160
Speaker 4: The thing is Tennant was confusing, like even like it's

913
00:41:03,160 --> 00:41:05,080
Speaker 4: like it's not like I'm dumb, it's like that movie

914
00:41:05,120 --> 00:41:05,759
Speaker 4: was confusing.

915
00:41:05,920 --> 00:41:08,600
Speaker 1: Well. Sometimes if I have a complaint about him, it's

916
00:41:08,640 --> 00:41:10,680
Speaker 1: that sometimes his movies just don't make sense, and he

917
00:41:11,080 --> 00:41:12,600
Speaker 1: sells it as if it's intellectual.

918
00:41:12,800 --> 00:41:13,280
Speaker 3: Exactly.

919
00:41:13,719 --> 00:41:16,120
Speaker 4: I have a friend who's like, dress is really cool

920
00:41:16,160 --> 00:41:19,439
Speaker 4: and everybody thinks it's really hot, and sometimes we'll say

921
00:41:19,480 --> 00:41:21,440
Speaker 4: something that will make people be like, oh my god,

922
00:41:21,480 --> 00:41:24,000
Speaker 4: I'm so uncool. I didn't get what he said, blah

923
00:41:24,000 --> 00:41:25,560
Speaker 4: blah blah, And then I have to like always take

924
00:41:25,600 --> 00:41:27,879
Speaker 4: them aside later and be like, no, he's.

925
00:41:27,840 --> 00:41:28,960
Speaker 3: Doesn't know what he's saying.

926
00:41:29,600 --> 00:41:32,520
Speaker 4: He's not saying anything, and because he's cool, you're like, oh,

927
00:41:32,600 --> 00:41:33,920
Speaker 4: I just don't get something.

928
00:41:34,239 --> 00:41:38,640
Speaker 1: Yeah. That's where it gets really complicated, because oh, wait,

929
00:41:38,680 --> 00:41:40,680
Speaker 1: what's the one where they go in the Dreams Inception.

930
00:41:41,480 --> 00:41:45,640
Speaker 1: That movie is like I was. I was so angry

931
00:41:45,680 --> 00:41:48,200
Speaker 1: for a full year after that movie came out because

932
00:41:48,239 --> 00:41:50,359
Speaker 1: everyone was talking about it constantly and I hated it

933
00:41:50,520 --> 00:41:51,160
Speaker 1: so much.

934
00:41:51,480 --> 00:41:52,600
Speaker 3: Why did you hate Inception?

935
00:41:52,880 --> 00:41:57,239
Speaker 4: I thought, I thought this movie sounds so hurt No,

936
00:41:57,280 --> 00:41:58,600
Speaker 4: I don't even care about Inception.

937
00:41:58,640 --> 00:42:00,200
Speaker 3: But why did you hate it just because everyone's talking

938
00:42:00,200 --> 00:42:00,560
Speaker 3: about it?

939
00:42:00,600 --> 00:42:02,120
Speaker 1: Well, I just didn't think it was very good, and

940
00:42:02,160 --> 00:42:04,520
Speaker 1: I felt like the twists and turns. I was like,

941
00:42:04,800 --> 00:42:06,239
Speaker 1: these just are nonsense of cold but cool.

942
00:42:06,360 --> 00:42:07,520
Speaker 3: Was that his first big hit?

943
00:42:08,480 --> 00:42:11,880
Speaker 2: No, that was like pretty late into hold on going?

944
00:42:12,320 --> 00:42:13,520
Speaker 3: Do you do The Dark Knight before that?

945
00:42:14,080 --> 00:42:16,040
Speaker 2: Yeah? Or wait? Is that wrong?

946
00:42:16,440 --> 00:42:17,360
Speaker 1: I have no idea.

947
00:42:18,080 --> 00:42:22,120
Speaker 3: I mean, we're not why would we know the filmography order.

948
00:42:22,280 --> 00:42:24,239
Speaker 1: I don't even see time in a linear way.

949
00:42:25,239 --> 00:42:27,000
Speaker 2: Well, you're much like Christopher Nolan.

950
00:42:27,920 --> 00:42:28,279
Speaker 3: Oh my god.

951
00:42:28,280 --> 00:42:30,160
Speaker 4: We should take something from the end of the podcast

952
00:42:30,239 --> 00:42:31,960
Speaker 4: and put it right at the beginning of the podcast,

953
00:42:31,960 --> 00:42:33,440
Speaker 4: and then when people get to this part, they'll know

954
00:42:33,480 --> 00:42:35,080
Speaker 4: that we're doing the Christopher Nolan time.

955
00:42:35,239 --> 00:42:35,759
Speaker 1: That'll be cool.

956
00:42:35,800 --> 00:42:38,040
Speaker 2: Okay, I'm gonna just this is for everyone's sake. I'm

957
00:42:38,080 --> 00:42:41,400
Speaker 2: literally going to do a reading. Okay, Ready, Yeah, Memento, Insomnia,

958
00:42:41,440 --> 00:42:44,520
Speaker 2: Batman begins, The Prestige, The Dark Knight inception, The Dark

959
00:42:44,560 --> 00:42:48,000
Speaker 2: Knight Rises, Interstellar, Dunkirk Tennant Oppenheimer.

960
00:42:48,320 --> 00:42:49,760
Speaker 1: Wow, what a run.

961
00:42:50,080 --> 00:42:54,960
Speaker 3: Wow, he's amazing. We all walk away like Christopher Nolan

962
00:42:55,120 --> 00:42:56,040
Speaker 3: is actually so deep.

963
00:42:57,600 --> 00:42:59,759
Speaker 1: Well, and George and I actually have personal experience with

964
00:42:59,840 --> 00:43:00,200
Speaker 1: him him.

965
00:43:01,040 --> 00:43:02,760
Speaker 2: Yes, we both have seen him in the wild.

966
00:43:03,640 --> 00:43:06,160
Speaker 1: I was at brunch and you know, there were maybe

967
00:43:06,160 --> 00:43:08,120
Speaker 1: four people at the restaurant, one of which was christerher Nolan.

968
00:43:08,760 --> 00:43:10,800
Speaker 3: And that's pretty cool. That's a good spot.

969
00:43:11,160 --> 00:43:13,080
Speaker 2: I sort of love that he's secure enough in his

970
00:43:13,120 --> 00:43:14,800
Speaker 2: masculinity to have brunch.

971
00:43:15,200 --> 00:43:18,000
Speaker 1: Well, he was wearing his blazer. He was wearing blazer

972
00:43:18,239 --> 00:43:20,719
Speaker 1: out sitting outside and it was hot as fuck by

973
00:43:20,719 --> 00:43:21,000
Speaker 1: the way.

974
00:43:21,560 --> 00:43:23,560
Speaker 2: Yeah, and then I of course saw him at the

975
00:43:23,640 --> 00:43:27,920
Speaker 2: Regal Essex Crossing Theater and my friend Bobby asked him

976
00:43:27,960 --> 00:43:30,120
Speaker 2: what was he seeing and he was seeing skin am ring.

977
00:43:30,800 --> 00:43:32,040
Speaker 3: Oh is he British?

978
00:43:32,320 --> 00:43:34,919
Speaker 1: Yes, great, very much so great question. Yeah.

979
00:43:35,440 --> 00:43:36,120
Speaker 3: I like that.

980
00:43:36,160 --> 00:43:38,080
Speaker 4: I don't know that I would know him on site.

981
00:43:38,160 --> 00:43:39,719
Speaker 4: I don't know that I would recognize him.

982
00:43:40,040 --> 00:43:42,600
Speaker 1: I recognized him quick, and I was really surprised at

983
00:43:42,960 --> 00:43:47,080
Speaker 1: my emotional statement. I was really like so wowed. I

984
00:43:47,120 --> 00:43:49,920
Speaker 1: was like texting everyone like I haven't been like star strugging.

985
00:43:51,040 --> 00:43:53,040
Speaker 1: I was literally texting you like you wouldn't believe he's

986
00:43:53,040 --> 00:43:54,000
Speaker 1: sitting there behind me right now.

987
00:43:54,360 --> 00:43:56,160
Speaker 4: Well, I mean that is one really fun thing about

988
00:43:56,320 --> 00:43:58,000
Speaker 4: La that I'm sure it happens in New York too,

989
00:43:58,040 --> 00:43:59,680
Speaker 4: But I do feel like I do. I get a

990
00:43:59,719 --> 00:44:01,319
Speaker 4: lot of celebrity sightings in LA.

991
00:44:01,719 --> 00:44:05,000
Speaker 1: Yeah, it's definitely more here in a fun way.

992
00:44:05,120 --> 00:44:05,359
Speaker 3: Yeah.

993
00:44:05,360 --> 00:44:09,080
Speaker 2: He also, you know, he's like handsome guy like he

994
00:44:09,560 --> 00:44:12,040
Speaker 2: A lot of directors can almost have like a mousiness

995
00:44:12,080 --> 00:44:14,720
Speaker 2: to them, you know, they like being behind the camera.

996
00:44:15,000 --> 00:44:20,680
Speaker 2: They're maybe a little awkward. He's like he's confident, sexy, confident.

997
00:44:22,400 --> 00:44:23,279
Speaker 2: He's confident.

998
00:44:23,680 --> 00:44:26,480
Speaker 3: He and so intelligentgent.

999
00:44:31,000 --> 00:44:34,480
Speaker 2: Also, his his thing with women characters is interesting because

1000
00:44:34,520 --> 00:44:37,719
Speaker 2: in fact, he famously has been married for a very

1001
00:44:37,719 --> 00:44:39,480
Speaker 2: long time to his wife, and she produces all his

1002
00:44:39,520 --> 00:44:42,239
Speaker 2: movies and she is actually a huge girl boss in

1003
00:44:42,239 --> 00:44:42,800
Speaker 2: that sense.

1004
00:44:43,400 --> 00:44:47,680
Speaker 4: Do you think that it sounds like has no personality.

1005
00:44:47,960 --> 00:44:50,600
Speaker 3: He's like, no, I know, women, they have nothing about them.

1006
00:44:50,680 --> 00:44:52,680
Speaker 1: Yeah, they are just obsessed with me.

1007
00:44:52,840 --> 00:44:55,560
Speaker 4: Yeah, they're they're they're like they like make my movies

1008
00:44:56,080 --> 00:44:56,960
Speaker 4: because they're fans.

1009
00:44:57,400 --> 00:44:59,040
Speaker 1: He's like, they're attentive girlfriends.

1010
00:45:00,239 --> 00:45:01,040
Speaker 2: They like listen to what.

1011
00:45:01,040 --> 00:45:07,399
Speaker 1: I'm saying and they like call like locations. Yeah, I mean,

1012
00:45:08,040 --> 00:45:08,359
Speaker 1: And so.

1013
00:45:08,360 --> 00:45:09,880
Speaker 4: What do you love him from? Like you were excited

1014
00:45:09,920 --> 00:45:11,880
Speaker 4: you saw him? Like, what's the movie that you're Is

1015
00:45:11,920 --> 00:45:13,400
Speaker 4: there a movie that you really connect with?

1016
00:45:13,680 --> 00:45:17,160
Speaker 1: Well? I loved Oppenheimer, but I loved The Dark Knight.

1017
00:45:17,239 --> 00:45:18,839
Speaker 3: What did you love about Oppenheimer?

1018
00:45:19,040 --> 00:45:22,359
Speaker 1: I think what did I love about Oppenheimer? I think

1019
00:45:22,400 --> 00:45:24,480
Speaker 1: it did give me the straight guy feeling of it

1020
00:45:24,520 --> 00:45:25,640
Speaker 1: made me feel smart.

1021
00:45:25,680 --> 00:45:28,959
Speaker 4: It gave me like oneization, you're learning history.

1022
00:45:28,680 --> 00:45:32,080
Speaker 1: I'm learning history, and like I'm it's more than like

1023
00:45:32,200 --> 00:45:35,200
Speaker 1: learning the facts where it's like I'm emotionally learning history. Yeah,

1024
00:45:35,239 --> 00:45:39,040
Speaker 1: I was like, oh, like that's weird, Like no.

1025
00:45:38,960 --> 00:45:41,120
Speaker 4: But I feel that with like yeah, like a good

1026
00:45:41,280 --> 00:45:44,240
Speaker 4: historical movie, when I feel like tied to the characters,

1027
00:45:44,239 --> 00:45:46,839
Speaker 4: I feel like very I'm much more interested in that,

1028
00:45:47,320 --> 00:45:50,080
Speaker 4: like a history lesson. Same thing about sports movies, Like

1029
00:45:50,120 --> 00:45:51,960
Speaker 4: sometimes a good sports movie will make me be like,

1030
00:45:52,000 --> 00:45:54,520
Speaker 4: oh my god, I love sports because I'm finding out

1031
00:45:54,520 --> 00:45:56,640
Speaker 4: the ins and outs of this guy's relationship with his

1032
00:45:56,680 --> 00:45:59,080
Speaker 4: father and why, like like I just didn't.

1033
00:45:58,880 --> 00:46:00,799
Speaker 3: Want the drama of it. I don't really care about

1034
00:46:00,800 --> 00:46:02,319
Speaker 3: their actual thing that they're doing.

1035
00:46:02,680 --> 00:46:05,880
Speaker 2: Here's here's I'm about to put forth a really uh

1036
00:46:06,320 --> 00:46:11,439
Speaker 2: tenuous point. You get ready. I almost think sometimes the

1037
00:46:11,480 --> 00:46:17,719
Speaker 2: Nolan male protagonist is actually like woman Codd. It's like

1038
00:46:17,920 --> 00:46:22,160
Speaker 2: Oppenheimer himself is like this, like Killian Murphy isn't like

1039
00:46:22,239 --> 00:46:29,440
Speaker 2: a strong manly man. That's like, that's like even like

1040
00:46:29,520 --> 00:46:31,839
Speaker 2: something like a beautiful mind. Russell Crowe is much more

1041
00:46:31,840 --> 00:46:35,120
Speaker 2: masculine like Killian Murphy because.

1042
00:46:34,920 --> 00:46:37,800
Speaker 3: Killian Murphy doesn't have muscles. He's a woman.

1043
00:46:38,320 --> 00:46:38,600
Speaker 5: Yeah.

1044
00:46:38,840 --> 00:46:39,680
Speaker 1: Basically that's.

1045
00:46:42,160 --> 00:46:48,319
Speaker 2: Love or like a like a memento. It's like the

1046
00:46:48,320 --> 00:46:49,880
Speaker 2: guy can't even remember anything.

1047
00:46:50,120 --> 00:47:01,080
Speaker 3: Oh my god, sterical the Dark Knight, he's on his period.

1048
00:47:00,680 --> 00:47:02,320
Speaker 2: Inception. It's like he's sleepy.

1049
00:47:02,600 --> 00:47:07,160
Speaker 4: Okay, you actually killed it, you actually yeah.

1050
00:47:07,200 --> 00:47:10,080
Speaker 3: And the characters those are the men, because we don't.

1051
00:47:10,120 --> 00:47:12,319
Speaker 2: By the way, dune Kirk a bunch of twinks. That's

1052
00:47:12,360 --> 00:47:13,600
Speaker 2: not what soldiers look like.

1053
00:47:13,800 --> 00:47:14,760
Speaker 1: No, that's not what soldiers.

1054
00:47:14,880 --> 00:47:16,200
Speaker 2: They're all Harry Styles.

1055
00:47:16,360 --> 00:47:18,239
Speaker 1: No, I didn't say Harry Styles is literally all.

1056
00:47:21,600 --> 00:47:23,759
Speaker 2: I saw Dunkirk in theaters with my mom and she

1057
00:47:23,880 --> 00:47:25,880
Speaker 2: was like all these boys are like my gay son George.

1058
00:47:25,880 --> 00:47:32,719
Speaker 2: They're all twinks, so that's sort of my Yeah, you're basically,

1059
00:47:33,600 --> 00:47:39,200
Speaker 2: basically Nolan, men are women. Well, he doesn't need to

1060
00:47:39,200 --> 00:47:41,759
Speaker 2: write good characters women characters because the men are women.

1061
00:47:41,920 --> 00:47:42,640
Speaker 2: Maybe because he's.

1062
00:47:42,840 --> 00:47:45,280
Speaker 3: I think the British people have a different sense of gender.

1063
00:47:45,760 --> 00:47:46,959
Speaker 1: Well, that's definitely true.

1064
00:47:47,040 --> 00:47:49,279
Speaker 2: That's definitely true, no, no doubt about it.

1065
00:47:50,680 --> 00:47:55,560
Speaker 1: Do you like the way the theory that people on

1066
00:47:55,600 --> 00:47:59,040
Speaker 1: the internet have talked about where it's like every male

1067
00:47:59,120 --> 00:48:01,360
Speaker 1: lead is like dress to look like Christopher Nolan.

1068
00:48:01,920 --> 00:48:02,759
Speaker 2: Oh, I don't know.

1069
00:48:02,920 --> 00:48:04,680
Speaker 4: Kind of like Woody Allen, like how he always has

1070
00:48:04,719 --> 00:48:05,759
Speaker 4: like a character that's him.

1071
00:48:06,120 --> 00:48:09,280
Speaker 1: It's like it kind of makes me like him more

1072
00:48:09,360 --> 00:48:11,320
Speaker 1: because it's like, oh, your little diva.

1073
00:48:11,000 --> 00:48:12,680
Speaker 3: Like oh yeah, why did they have to dress just

1074
00:48:12,719 --> 00:48:13,680
Speaker 3: like you and like have.

1075
00:48:13,719 --> 00:48:16,760
Speaker 1: His like weird haircut, like they really wait, that's so true.

1076
00:48:16,840 --> 00:48:17,640
Speaker 1: It's very fun.

1077
00:48:17,719 --> 00:48:20,239
Speaker 3: But maybe he also only picks subjects that remind him

1078
00:48:20,280 --> 00:48:20,600
Speaker 3: of him.

1079
00:48:21,719 --> 00:48:26,240
Speaker 4: That's me, yeah, which is so girl.

1080
00:48:27,560 --> 00:48:27,759
Speaker 1: Yeah.

1081
00:48:31,200 --> 00:48:33,680
Speaker 2: Well, he's literally a Team Edward. He's like, I'm Team Edward.

1082
00:48:36,760 --> 00:48:38,720
Speaker 2: He is kind of a chica.

1083
00:48:39,480 --> 00:48:41,239
Speaker 1: Yeah, they're his little playthings.

1084
00:48:41,360 --> 00:48:42,800
Speaker 2: I mean, he's literally at brunch.

1085
00:48:43,239 --> 00:48:45,440
Speaker 1: He's literally at brunch being like, who will Robert Pattinson

1086
00:48:45,480 --> 00:48:46,080
Speaker 1: kiss next?

1087
00:48:46,239 --> 00:48:48,759
Speaker 4: When Channing Tatum becomes a little bit older, like a

1088
00:48:48,760 --> 00:48:52,239
Speaker 4: little bit more like rugged, I've guaranteed Channing Katum will be.

1089
00:48:52,160 --> 00:48:54,520
Speaker 3: The lead in a Christopher Nolan movie totally.

1090
00:48:54,680 --> 00:48:56,720
Speaker 2: Also, by the way, choosing Emily Blunt as the wife

1091
00:48:56,800 --> 00:48:59,840
Speaker 2: that's gay, Like if were so gay, you would be

1092
00:49:00,080 --> 00:49:04,040
Speaker 2: using Emily Redikowski exactly. Emily, that's a gay guy that

1093
00:49:04,160 --> 00:49:05,360
Speaker 2: cares about actresses.

1094
00:49:05,360 --> 00:49:08,480
Speaker 4: And he's like, girl pretty like I don't know if

1095
00:49:08,520 --> 00:49:12,680
Speaker 4: you know what this, Yeah, no, but you know what

1096
00:49:12,719 --> 00:49:14,160
Speaker 4: I mean, Like, it's like that that's somebody that a

1097
00:49:14,200 --> 00:49:15,840
Speaker 4: woman would be like, she's so beautiful.

1098
00:49:16,080 --> 00:49:19,160
Speaker 2: And then a man who Christopher write this down, Christopher

1099
00:49:19,239 --> 00:49:20,520
Speaker 2: Nolan has a female gaze.

1100
00:49:23,880 --> 00:49:27,399
Speaker 1: This we always talk horseshoe theory. We always get into

1101
00:49:27,400 --> 00:49:29,520
Speaker 1: horseshoe theory, and this is the most horseshoe theory.

1102
00:49:29,680 --> 00:49:31,919
Speaker 2: It's the most horses theory. Is literally Christopher Nolan, who

1103
00:49:32,000 --> 00:49:36,440
Speaker 2: famously straight men Love, is actually a feminist like Chantal

1104
00:49:36,520 --> 00:49:41,280
Speaker 2: Ackerman level feminist filmmaker that is writing about the women experience,

1105
00:49:41,480 --> 00:49:43,480
Speaker 2: the female experience via a series of men.

1106
00:49:44,080 --> 00:49:46,960
Speaker 4: So genius, which is so genius to get men to

1107
00:49:47,000 --> 00:49:48,680
Speaker 4: pay attention and.

1108
00:49:49,120 --> 00:49:53,120
Speaker 1: They're they're listening and they're learning. Wow. And I do

1109
00:49:53,200 --> 00:49:56,600
Speaker 1: want to say, you had a backup topic that I

1110
00:49:56,719 --> 00:49:57,800
Speaker 1: just do want to address.

1111
00:49:58,680 --> 00:49:59,399
Speaker 3: I can come back.

1112
00:50:01,160 --> 00:50:04,160
Speaker 1: No, that's true, So should he not address it?

1113
00:50:04,400 --> 00:50:07,200
Speaker 4: I think bringing up When you guys asked me to

1114
00:50:07,239 --> 00:50:09,080
Speaker 4: do this, I was like, I can't stop thinking of

1115
00:50:09,120 --> 00:50:12,040
Speaker 4: straight stuff I love, so I have so many things.

1116
00:50:12,200 --> 00:50:15,640
Speaker 1: So your other topic was potentially Adam Sandler, Yes, the.

1117
00:50:15,600 --> 00:50:17,040
Speaker 3: Other great filmmaker of our time.

1118
00:50:17,719 --> 00:50:20,200
Speaker 2: I would say Adam Sandler similarly is sort of the

1119
00:50:20,239 --> 00:50:23,040
Speaker 2: comedy version of Chris Nolan. His movies are also about

1120
00:50:23,040 --> 00:50:25,839
Speaker 2: the female experience. It's always about like not fitting in,

1121
00:50:26,000 --> 00:50:28,799
Speaker 2: not measuring up like you know. Of course, in Jack

1122
00:50:28,840 --> 00:50:32,000
Speaker 2: and Jill he literalizes it by playing the female character himself,

1123
00:50:32,120 --> 00:50:32,759
Speaker 2: which I.

1124
00:50:32,960 --> 00:50:34,319
Speaker 3: Did not see Jack and Jill.

1125
00:50:34,440 --> 00:50:35,360
Speaker 1: I didn't see, well.

1126
00:50:35,200 --> 00:50:41,760
Speaker 2: Not many people did. But I think again, like uncut Gems,

1127
00:50:41,800 --> 00:50:42,960
Speaker 2: that's a female character.

1128
00:50:44,640 --> 00:50:48,480
Speaker 4: He loves Jewelry and Julia.

1129
00:50:48,200 --> 00:50:50,480
Speaker 1: Fox and is her responsible with money.

1130
00:50:51,040 --> 00:50:53,880
Speaker 2: Also, by the way, sorry, Dina Manzealez, his wife, what

1131
00:50:53,920 --> 00:50:54,680
Speaker 2: does he love? Wicked?

1132
00:50:56,360 --> 00:50:56,720
Speaker 3: Also?

1133
00:50:57,080 --> 00:50:59,360
Speaker 4: And I would say this probably to my boyfriend, and

1134
00:50:59,360 --> 00:51:00,680
Speaker 4: he would turn it in to such a thing.

1135
00:51:00,680 --> 00:51:02,920
Speaker 3: So let me just this is let me just talk.

1136
00:51:03,160 --> 00:51:06,320
Speaker 3: But Spanglish is my favorite movie, Sophie.

1137
00:51:06,360 --> 00:51:09,000
Speaker 2: You do not understand how close to you I feel

1138
00:51:09,080 --> 00:51:11,800
Speaker 2: right now. I have so I have not watched Bannglish

1139
00:51:11,800 --> 00:51:13,000
Speaker 2: as an adult, but when I was a kid and

1140
00:51:13,000 --> 00:51:18,000
Speaker 2: I watched it, it was one of the first for adults. Yes, yes,

1141
00:51:18,239 --> 00:51:22,520
Speaker 2: this is for adults, and I get it. Yes, And

1142
00:51:22,560 --> 00:51:26,920
Speaker 2: I was like, this is so heartbreaking, and okay, I

1143
00:51:26,960 --> 00:51:29,799
Speaker 2: have to tell you something and I'm sorry to I'm

1144
00:51:29,840 --> 00:51:32,080
Speaker 2: about to do a little name dropping, and I apologize.

1145
00:51:32,719 --> 00:51:34,200
Speaker 2: Is everyone ready for my drop?

1146
00:51:34,239 --> 00:51:34,640
Speaker 3: That name?

1147
00:51:35,719 --> 00:51:39,040
Speaker 2: Sarah Steele, who plays the daughter. He lives in my

1148
00:51:39,040 --> 00:51:41,400
Speaker 2: neighborhood and I see her around and I've met her

1149
00:51:41,440 --> 00:51:44,080
Speaker 2: a few times, and I know that the last thing

1150
00:51:44,120 --> 00:51:45,480
Speaker 2: she wants to hear is that I loved her in

1151
00:51:45,520 --> 00:51:47,919
Speaker 2: Spanglish because she has done so much amazing work since.

1152
00:51:47,920 --> 00:51:50,279
Speaker 2: But every time I see her, I'm like, you were

1153
00:51:50,719 --> 00:51:53,600
Speaker 2: Literally that was one of the best child performances I've

1154
00:51:53,640 --> 00:51:54,880
Speaker 2: ever seen in my life.

1155
00:51:54,960 --> 00:51:58,520
Speaker 4: I think Spanglish is the most powerful film I have

1156
00:51:58,680 --> 00:52:01,640
Speaker 4: ever seen. And I actually that my boyfriend can hold

1157
00:52:01,680 --> 00:52:04,520
Speaker 4: me too. I actually do feel like that's real and

1158
00:52:04,560 --> 00:52:08,160
Speaker 4: like the love between like the mother and daughter and like, yeah,

1159
00:52:08,160 --> 00:52:09,640
Speaker 4: it's literally have you seen Spanglish.

1160
00:52:09,680 --> 00:52:10,719
Speaker 1: No, I've never seen Spanglish.

1161
00:52:10,800 --> 00:52:13,560
Speaker 3: It's I weep. Like I watched it as a kid,

1162
00:52:13,719 --> 00:52:15,279
Speaker 3: loved it, was like moved by it.

1163
00:52:15,360 --> 00:52:16,960
Speaker 4: And then I was like saw it on like Netflix,

1164
00:52:17,000 --> 00:52:18,879
Speaker 4: like maybe a year or two ago, and I was like, oh, whatever,

1165
00:52:18,880 --> 00:52:21,319
Speaker 4: I watched Spanglish like fun. I watched it. I cried

1166
00:52:21,360 --> 00:52:22,920
Speaker 4: the whole time. I was like I had to like

1167
00:52:22,920 --> 00:52:25,279
Speaker 4: cancel something. I was like, I'm a wreck right now.

1168
00:52:25,320 --> 00:52:26,879
Speaker 4: This is the best movie I've ever seen.

1169
00:52:27,000 --> 00:52:29,200
Speaker 2: Well, you know, there's also there's all these things that

1170
00:52:29,200 --> 00:52:31,200
Speaker 2: are sort of archetypes that I actually saw there for

1171
00:52:31,239 --> 00:52:34,879
Speaker 2: the first time. Like Talione plays a classic like jogging mom.

1172
00:52:35,080 --> 00:52:38,040
Speaker 3: Yes, which my mom, almond mom.

1173
00:52:37,880 --> 00:52:42,560
Speaker 2: Yes, allman mom. You know, she's wearing like all spandex

1174
00:52:42,680 --> 00:52:45,160
Speaker 2: and she clearly like wants to keep me keeping it together,

1175
00:52:45,200 --> 00:52:46,719
Speaker 2: which is such an archetype of many movies. But I

1176
00:52:46,760 --> 00:52:48,040
Speaker 2: feel like that was the first time I saw I

1177
00:52:48,160 --> 00:52:49,560
Speaker 2: portrayed like that on screen.

1178
00:52:49,680 --> 00:52:52,520
Speaker 4: Well, it's always so raw, like she buys her daughter,

1179
00:52:52,600 --> 00:52:55,960
Speaker 4: who's like very average weight, like she buys her daughter

1180
00:52:56,680 --> 00:52:59,040
Speaker 4: one size too small of a bunch of clothing and

1181
00:52:59,040 --> 00:53:00,839
Speaker 4: then she's trying it on and she's like this doesn't fit,

1182
00:53:01,120 --> 00:53:01,680
Speaker 4: like puts it all.

1183
00:53:01,800 --> 00:53:02,720
Speaker 3: She's like, none of this fits.

1184
00:53:02,760 --> 00:53:04,640
Speaker 4: And then the mom is like, yeah, but you're gonna

1185
00:53:04,640 --> 00:53:06,440
Speaker 4: get there and you're gonna hit that way like a

1186
00:53:06,600 --> 00:53:09,600
Speaker 4: growing girl mind her thing that's a little bit too small,

1187
00:53:09,600 --> 00:53:11,960
Speaker 4: Like it's like it's such an amazing thing. And then

1188
00:53:12,080 --> 00:53:16,120
Speaker 4: this the Mexican mom stays up all night, opens the

1189
00:53:16,120 --> 00:53:18,600
Speaker 4: stitches and makes everything a little bit bigger. And then

1190
00:53:18,920 --> 00:53:21,440
Speaker 4: she comes in and she learns. The first English she

1191
00:53:21,560 --> 00:53:24,239
Speaker 4: learns is to say try it on, and so she

1192
00:53:24,280 --> 00:53:26,319
Speaker 4: comes in with the thing and she's like try it on,

1193
00:53:26,360 --> 00:53:27,880
Speaker 4: and the girl's like, no, I tried it on yesterday.

1194
00:53:27,920 --> 00:53:29,839
Speaker 4: It doesn't fit, like still so like raw from them all,

1195
00:53:29,880 --> 00:53:31,560
Speaker 4: and she's like try it on and she puts it

1196
00:53:31,600 --> 00:53:33,719
Speaker 4: all on, and then she's like so confused, and it's

1197
00:53:33,719 --> 00:53:36,440
Speaker 4: like it's just like such an insane like who wrote Spanglish?

1198
00:53:36,520 --> 00:53:40,520
Speaker 4: Like I can't even describe like how good this movie is.

1199
00:53:40,719 --> 00:53:43,840
Speaker 4: Spanglish does to me what Christopher Nolan movies do to

1200
00:53:43,880 --> 00:53:47,000
Speaker 4: straight men. I watched Spanglish and I'm like I understand feeling.

1201
00:53:47,080 --> 00:53:48,360
Speaker 4: I understand human emotion.

1202
00:53:48,719 --> 00:53:51,320
Speaker 1: Uh huh, this is u to take.

1203
00:53:51,200 --> 00:53:54,080
Speaker 4: Like Motherhood, I understand Motherhood. That's the only movie that

1204
00:53:54,120 --> 00:53:55,440
Speaker 4: makes me understand motherhood.

1205
00:53:55,560 --> 00:53:57,879
Speaker 2: Oh my god, wait did you know it was? It's

1206
00:53:57,960 --> 00:53:58,440
Speaker 2: James L.

1207
00:53:58,480 --> 00:54:08,640
Speaker 5: Brooks, Like, please provide context, jams broadcast out jas news

1208
00:54:08,840 --> 00:54:11,560
Speaker 5: in terms of endearment, as good as it guess like

1209
00:54:12,000 --> 00:54:13,359
Speaker 5: these classics.

1210
00:54:13,200 --> 00:54:14,240
Speaker 3: In any of those movies.

1211
00:54:14,280 --> 00:54:16,960
Speaker 2: Is that Sophie that I haven't seen as good as

1212
00:54:16,960 --> 00:54:20,759
Speaker 2: it gets? You have to see as good as it gets?

1213
00:54:20,960 --> 00:54:25,120
Speaker 2: I mean that is like classic better than Spanish. Yeah,

1214
00:54:25,239 --> 00:54:29,640
Speaker 2: I'm gonna have to go ahead and say which that's

1215
00:54:29,680 --> 00:54:32,799
Speaker 2: like Jack Nicholson Helen Hunt. Like that was a huge

1216
00:54:32,840 --> 00:54:35,040
Speaker 2: sexual awakening for me because Greg Keneer plays a gay

1217
00:54:35,080 --> 00:54:36,560
Speaker 2: guy and you see his butt and I was like,

1218
00:54:36,760 --> 00:54:37,400
Speaker 2: that's for me?

1219
00:54:39,880 --> 00:54:42,879
Speaker 3: What is this guy? Rule? Black rock or something hard?

1220
00:54:47,440 --> 00:54:48,160
Speaker 2: Damn well?

1221
00:54:48,640 --> 00:54:51,880
Speaker 1: Shout out to Spanglish, huge shout out to Spanglish. I

1222
00:54:51,920 --> 00:54:52,560
Speaker 1: had no idea.

1223
00:54:52,600 --> 00:54:53,960
Speaker 3: I couldn't do a bigger shout out.

1224
00:54:54,200 --> 00:54:57,560
Speaker 1: I mean to takes minutes to describe a plot point

1225
00:54:57,640 --> 00:54:58,720
Speaker 1: of a movie a.

1226
00:54:58,560 --> 00:55:02,560
Speaker 3: Short team that we have no three minutes and the

1227
00:55:02,600 --> 00:55:03,719
Speaker 3: three minute maybe.

1228
00:55:03,600 --> 00:55:06,560
Speaker 2: Sorry, but literally what you just described that is that

1229
00:55:06,680 --> 00:55:11,000
Speaker 2: is such significant character work for three different characters, for Mom,

1230
00:55:11,480 --> 00:55:13,480
Speaker 2: for the women working for them, and for the daughter,

1231
00:55:13,719 --> 00:55:15,600
Speaker 2: and just that little thing.

1232
00:55:15,800 --> 00:55:17,880
Speaker 3: Sam's yawning right now. Big. I mean that's like a

1233
00:55:17,960 --> 00:55:18,400
Speaker 3: big ya.

1234
00:55:18,760 --> 00:55:23,560
Speaker 2: You can't You could pay n Yu, you could go

1235
00:55:23,640 --> 00:55:26,480
Speaker 2: to get fifteen BFA's at Nyu. You wouldn't learn how

1236
00:55:26,480 --> 00:55:26,960
Speaker 2: to do that.

1237
00:55:27,320 --> 00:55:32,240
Speaker 1: I like screaming, who wrote this? As if it's not easily.

1238
00:55:32,280 --> 00:55:35,000
Speaker 3: Google a bowl, I have no way to find out

1239
00:55:35,280 --> 00:55:36,239
Speaker 3: it's going to google it.

1240
00:55:37,360 --> 00:55:38,279
Speaker 1: I love that?

1241
00:55:39,280 --> 00:55:42,360
Speaker 2: So okay, Chris Nolan. Any other thoughts.

1242
00:55:43,040 --> 00:55:46,120
Speaker 1: Well, the one thing that makes me not trust him

1243
00:55:46,360 --> 00:55:49,040
Speaker 1: is the suit, like always wearing the suit. But I

1244
00:55:49,040 --> 00:55:50,880
Speaker 1: think that's reshy.

1245
00:55:50,880 --> 00:55:52,840
Speaker 2: I like that. That to me, I'm like, you're actually

1246
00:55:52,880 --> 00:55:56,239
Speaker 2: serious about this, unlike some of these other directors who

1247
00:55:56,239 --> 00:55:58,799
Speaker 2: are absolutely yank in our chains left and right. Well,

1248
00:55:59,560 --> 00:56:01,120
Speaker 2: that's why I trust him, and that's why it's such

1249
00:56:01,120 --> 00:56:03,279
Speaker 2: a betrayal when a movie like Tenant makes no sense

1250
00:56:03,320 --> 00:56:07,040
Speaker 2: because I'm like, you are wearing a suit, please be serious.

1251
00:56:08,520 --> 00:56:10,960
Speaker 4: I do think that it's British because my grandpa's British

1252
00:56:11,000 --> 00:56:13,000
Speaker 4: and he always wore like a wool jacket in the

1253
00:56:13,040 --> 00:56:19,520
Speaker 4: summer and you're kind of like, Okay, yeah.

1254
00:56:19,280 --> 00:56:21,479
Speaker 2: I think all directors should wear suits, especially women.

1255
00:56:21,480 --> 00:56:25,560
Speaker 3: By the way, I mean kind of women direct movies

1256
00:56:26,120 --> 00:56:26,720
Speaker 3: in this country.

1257
00:56:26,719 --> 00:56:32,279
Speaker 1: I don't know if they're allowed. I I kind of

1258
00:56:32,280 --> 00:56:34,080
Speaker 1: like when directors like dress badly.

1259
00:56:34,280 --> 00:56:36,319
Speaker 2: Oh, I see, You're sort of like like, I like

1260
00:56:36,320 --> 00:56:36,800
Speaker 2: when it's.

1261
00:56:36,680 --> 00:56:38,319
Speaker 1: Like, did you know that was a director? He was

1262
00:56:38,400 --> 00:56:39,280
Speaker 1: dressed so shitty?

1263
00:56:39,400 --> 00:56:39,600
Speaker 3: Yeah.

1264
00:56:39,640 --> 00:56:42,040
Speaker 4: I do like seeing pictures of like Sofia Coppola on

1265
00:56:42,080 --> 00:56:44,720
Speaker 4: the Marie Antoinette thing, which has just got a sloppy

1266
00:56:44,719 --> 00:56:45,919
Speaker 4: T shirt on mustard stain.

1267
00:56:46,000 --> 00:56:47,319
Speaker 3: I'm sure she doesn't have a mustard year.

1268
00:56:47,400 --> 00:56:51,600
Speaker 2: I mean time. Approximately seventy percent of the photographs on

1269
00:56:51,640 --> 00:56:54,360
Speaker 2: the internet are just Sofia Coppola behind the scenes of

1270
00:56:54,360 --> 00:56:55,040
Speaker 2: Marie Antoinette.

1271
00:56:55,560 --> 00:56:57,879
Speaker 3: Literally, I can't open my phone with us at this point.

1272
00:56:57,920 --> 00:57:00,319
Speaker 2: I think they're unearthing new ones left and right.

1273
00:57:00,360 --> 00:57:04,839
Speaker 4: It's actually insane using because at some point you would

1274
00:57:04,880 --> 00:57:05,239
Speaker 4: run out.

1275
00:57:07,040 --> 00:57:09,160
Speaker 2: I recently like opened my phone and the first thing

1276
00:57:09,200 --> 00:57:13,719
Speaker 2: I saw was someone had posted the like Britney Paris, Uh,

1277
00:57:13,880 --> 00:57:16,600
Speaker 2: who's a third on Lindsay photo, you know, Bimbo Summit,

1278
00:57:16,640 --> 00:57:18,920
Speaker 2: And I was like, you know what, I think that's enough.

1279
00:57:19,560 --> 00:57:22,640
Speaker 2: We have seen this photograph enough times. I have to

1280
00:57:22,680 --> 00:57:23,040
Speaker 2: move on.

1281
00:57:24,080 --> 00:57:28,840
Speaker 1: Having a weird realization like stuff like that is it's passed,

1282
00:57:28,880 --> 00:57:33,400
Speaker 1: like even y two k, like remembering has passed. And

1283
00:57:33,440 --> 00:57:35,800
Speaker 1: it's weird because now I'm like, so we're in uncharted

1284
00:57:35,840 --> 00:57:36,400
Speaker 1: waters again.

1285
00:57:37,600 --> 00:57:39,920
Speaker 2: No, it's about to be and it's already happening. It

1286
00:57:39,920 --> 00:57:42,439
Speaker 2: happened with Indie sleeves and all that stuff. Like people

1287
00:57:42,480 --> 00:57:44,680
Speaker 2: are gonna be like remember Santa Gold.

1288
00:57:46,440 --> 00:57:48,880
Speaker 3: No, like early two thousands.

1289
00:57:48,440 --> 00:57:50,760
Speaker 1: It's gonna be like it's gonna be American apparel.

1290
00:57:50,680 --> 00:57:52,680
Speaker 2: Like yeah, it already is americanarel.

1291
00:57:53,280 --> 00:57:58,720
Speaker 1: Well, that's true, and he did nothing wrong, and I

1292
00:57:58,760 --> 00:58:01,440
Speaker 1: think everyone's being too weird. Everyone's been sensitive. Just let

1293
00:58:01,520 --> 00:58:02,520
Speaker 1: him design his clothes.

1294
00:58:03,040 --> 00:58:08,840
Speaker 4: So early two thousands like it in ten, yeah, exactly,

1295
00:58:09,440 --> 00:58:11,800
Speaker 4: it'll be like coach Hella like you.

1296
00:58:13,880 --> 00:58:14,320
Speaker 3: No.

1297
00:58:15,440 --> 00:58:19,360
Speaker 2: But also this goes back. It's like, you know, it's

1298
00:58:19,480 --> 00:58:22,720
Speaker 2: like people rewatching I mean, I guess Sex and the

1299
00:58:22,760 --> 00:58:25,959
Speaker 2: City his nineties, but like people are you watching gossip Girl?

1300
00:58:26,000 --> 00:58:29,360
Speaker 3: For instance, I never watched gossip Girl, which is crazy.

1301
00:58:29,560 --> 00:58:31,120
Speaker 1: It's so what my al and I never watched.

1302
00:58:31,040 --> 00:58:32,720
Speaker 4: I know, and I actually think that that's like a

1303
00:58:32,760 --> 00:58:37,959
Speaker 4: good test for does free will exist? Because in every scenario,

1304
00:58:38,080 --> 00:58:40,480
Speaker 4: algorithm wise, like that's built into us, we would have

1305
00:58:40,520 --> 00:58:42,960
Speaker 4: seen gossip Girl by now, and because we haven't.

1306
00:58:43,440 --> 00:58:44,240
Speaker 3: Free will's real.

1307
00:58:45,600 --> 00:58:47,160
Speaker 1: That's such a beautiful that's.

1308
00:58:47,000 --> 00:58:48,160
Speaker 3: So Christopher Nolan of me.

1309
00:58:48,320 --> 00:58:50,360
Speaker 2: That is so persona for Nolan. I was gonna say, like,

1310
00:58:51,440 --> 00:58:53,880
Speaker 2: maybe you actually have seen gossip Girl, but it's like

1311
00:58:53,920 --> 00:58:57,600
Speaker 2: in the timeline that you went right past you and

1312
00:58:57,640 --> 00:58:59,720
Speaker 2: you don't know, but a different version of yourself is

1313
00:58:59,760 --> 00:59:06,000
Speaker 2: like a gossip Girl recar Yes, oh totally, what would god?

1314
00:59:06,040 --> 00:59:07,680
Speaker 2: I was about to ask a questions that it's very

1315
00:59:07,720 --> 00:59:09,320
Speaker 2: unfair because it's difficult to figure out on the spot,

1316
00:59:09,320 --> 00:59:09,680
Speaker 2: but I'm like.

1317
00:59:09,680 --> 00:59:13,880
Speaker 4: He loves to do that answer definitively with noation.

1318
00:59:14,280 --> 00:59:16,560
Speaker 2: I want us all collaboratively to come up with a

1319
00:59:16,720 --> 00:59:18,760
Speaker 2: Christopher Nolan premise, you know what I mean, Like a

1320
00:59:18,840 --> 00:59:19,440
Speaker 2: Christopher Nole.

1321
00:59:19,480 --> 00:59:22,439
Speaker 1: Okay. So it's like, okay, so it's like, memories are

1322
00:59:24,240 --> 00:59:25,600
Speaker 1: like rooms in your house.

1323
00:59:26,000 --> 00:59:29,120
Speaker 2: Yes, exactly, exactly, memories are rooms in your house. And

1324
00:59:29,160 --> 00:59:32,800
Speaker 2: this family that is middle class but just barely is

1325
00:59:33,840 --> 00:59:37,280
Speaker 2: is doing like a big remodel. Yes, and when the

1326
00:59:37,640 --> 00:59:40,760
Speaker 2: different rooms are being messed with, that is literally messing

1327
00:59:40,760 --> 00:59:44,480
Speaker 2: with their internal memories and guess what. Okay, sorry, and

1328
00:59:44,560 --> 00:59:46,480
Speaker 2: I'm answering my own question and actually taking a credibit.

1329
00:59:47,360 --> 00:59:51,720
Speaker 2: But I think that one of the characters will realize

1330
00:59:51,760 --> 00:59:55,040
Speaker 2: that that's what's happening and be rushing home to tell

1331
00:59:55,920 --> 00:59:58,960
Speaker 2: the wife character, who so far has not spoken the

1332
00:59:59,440 --> 01:00:03,080
Speaker 2: do not like, don't destroy the kitchen, but the wife

1333
01:00:03,080 --> 01:00:06,160
Speaker 2: does never phone on her. So as he's going, the

1334
01:00:06,280 --> 01:00:09,120
Speaker 2: kitchen is being destroyed by the tractor, and he's like

1335
01:00:09,200 --> 01:00:12,360
Speaker 2: slowly disappearing as he's running to the home, and her

1336
01:00:12,440 --> 01:00:16,240
Speaker 2: memory of him is gone and she has no idea.

1337
01:00:16,320 --> 01:00:17,960
Speaker 2: So she's walking with this beautiful kitchen and she's like,

1338
01:00:17,960 --> 01:00:19,960
Speaker 2: this is such a beautiful kitchen and I have and

1339
01:00:20,000 --> 01:00:21,320
Speaker 2: I no longer remember my.

1340
01:00:21,400 --> 01:00:23,440
Speaker 1: And she's played by Emily Blunt and yeah, and it's

1341
01:00:23,480 --> 01:00:25,360
Speaker 1: all actually like a it's not a love letter, but

1342
01:00:25,400 --> 01:00:29,240
Speaker 1: it's like it's like a metaphor for how his wife

1343
01:00:29,320 --> 01:00:30,800
Speaker 1: remodeled the kitchen and he doesn't like.

1344
01:00:30,760 --> 01:00:36,400
Speaker 4: It without asking him what finishes he would like for it, and.

1345
01:00:36,320 --> 01:00:38,680
Speaker 1: He like actually really liked the design they had before.

1346
01:00:38,840 --> 01:00:40,920
Speaker 4: No, and they had brushed brass like that that was

1347
01:00:40,960 --> 01:00:42,960
Speaker 4: really unique and it really worked with the space.

1348
01:00:43,400 --> 01:00:44,960
Speaker 1: It's like, yes, it's not as trendy anymore, but that

1349
01:00:44,960 --> 01:00:46,320
Speaker 1: doesn't mean you have to throw this classic.

1350
01:00:46,440 --> 01:00:47,200
Speaker 3: It was classic.

1351
01:00:48,280 --> 01:00:50,080
Speaker 2: Yeah, you know what it is. It's actually it's sort

1352
01:00:50,120 --> 01:00:54,560
Speaker 2: of his It's a metaphor for like how this bland

1353
01:00:54,920 --> 01:00:56,600
Speaker 2: new modern aesthetic.

1354
01:00:56,880 --> 01:00:59,920
Speaker 3: Is erasing people's Yes.

1355
01:00:59,760 --> 01:01:02,400
Speaker 2: It's erasing the past in a literal way. It's it's

1356
01:01:02,440 --> 01:01:03,360
Speaker 2: like and we.

1357
01:01:03,480 --> 01:01:05,240
Speaker 4: Zoom out, we zoom out near the end of the

1358
01:01:05,240 --> 01:01:07,320
Speaker 4: movie to find out that all of the houses in

1359
01:01:07,320 --> 01:01:09,480
Speaker 4: that neighborhood are looking exactly the same.

1360
01:01:09,360 --> 01:01:12,880
Speaker 2: Exactly exactly. It's like little boxes on the hillside. Hm.

1361
01:01:13,760 --> 01:01:14,880
Speaker 2: To quote the Weeds theme.

1362
01:01:14,800 --> 01:01:18,120
Speaker 3: Song, would you do every episode?

1363
01:01:18,280 --> 01:01:20,240
Speaker 2: Yeah, of course. This is a segment where I quote

1364
01:01:20,240 --> 01:01:21,240
Speaker 2: the Weeds.

1365
01:01:22,560 --> 01:01:22,880
Speaker 1: Damn.

1366
01:01:23,400 --> 01:01:25,280
Speaker 2: Speaking of Weeds, you know, Mary Louise Parker would be

1367
01:01:25,320 --> 01:01:28,919
Speaker 2: a great woman in a Christopher Nolan movie, classic gig

1368
01:01:28,920 --> 01:01:29,640
Speaker 2: guye actress.

1369
01:01:32,120 --> 01:01:35,240
Speaker 1: Yeah. I've never seen Weeds either, neither. Oh, I love that.

1370
01:01:35,280 --> 01:01:36,160
Speaker 1: I connect.

1371
01:01:36,160 --> 01:01:42,120
Speaker 3: We haven't seen anything, honestly, inception.

1372
01:01:44,840 --> 01:01:46,440
Speaker 1: So much of this podcast. George be like, well, from

1373
01:01:46,440 --> 01:01:49,120
Speaker 1: this movie. I'm like, yeah, and I have to make

1374
01:01:49,120 --> 01:01:50,880
Speaker 1: the decision, and you have to choose.

1375
01:01:50,720 --> 01:01:52,000
Speaker 3: You coming forward with it?

1376
01:01:52,440 --> 01:01:56,280
Speaker 1: Do I do it forward with well, I'll just like

1377
01:01:56,320 --> 01:01:58,400
Speaker 1: to see if the guests will talk eno and then

1378
01:01:58,480 --> 01:01:59,840
Speaker 1: like let it royal pass.

1379
01:02:01,640 --> 01:02:03,680
Speaker 3: The problem is we've seen all the same things.

1380
01:02:03,760 --> 01:02:04,040
Speaker 1: I know.

1381
01:02:04,160 --> 01:02:07,320
Speaker 2: It makes me complicated, tarn you know what, I've never

1382
01:02:07,360 --> 01:02:08,120
Speaker 2: seen Memento.

1383
01:02:08,480 --> 01:02:09,520
Speaker 3: Me neither either.

1384
01:02:09,920 --> 01:02:13,320
Speaker 2: We should do we should do a movie night. When

1385
01:02:13,360 --> 01:02:15,640
Speaker 2: I'm in town, We're doing movie night, We're watching Memento.

1386
01:02:15,760 --> 01:02:17,720
Speaker 2: I'll be there perfect because I've always been like that

1387
01:02:17,760 --> 01:02:19,560
Speaker 2: sounds like exactly what kind of movie I would love.

1388
01:02:19,680 --> 01:02:22,480
Speaker 2: I know, like he doesn't. He doesn't have his memory,

1389
01:02:22,520 --> 01:02:24,800
Speaker 2: and then his tattoos remind him of things like that's

1390
01:02:24,840 --> 01:02:25,760
Speaker 2: so fun, that's.

1391
01:02:25,640 --> 01:02:30,680
Speaker 3: So sober like.

1392
01:02:31,120 --> 01:02:33,480
Speaker 2: Yeah, and then because of that, he always has to

1393
01:02:33,480 --> 01:02:34,160
Speaker 2: be shirtless.

1394
01:02:35,480 --> 01:02:37,160
Speaker 1: Yeah, he's like, fuck, I have the disease where I

1395
01:02:37,200 --> 01:02:41,800
Speaker 1: have to be shirtless. Yeah.

1396
01:02:41,920 --> 01:02:45,680
Speaker 2: And guess what, Harry Anne Moss ga guy actress. Once again,

1397
01:02:45,760 --> 01:02:48,120
Speaker 2: he didn't choose. He didn't choose the like hot model

1398
01:02:48,120 --> 01:02:48,480
Speaker 2: of that era.

1399
01:02:48,640 --> 01:02:50,840
Speaker 1: Okay, I have a legitimate question. I'm not trying to like,

1400
01:02:53,160 --> 01:02:56,560
Speaker 1: what's the word, I'm not trying to fight. Who is

1401
01:02:56,600 --> 01:02:58,640
Speaker 1: not a ga guy actress? I know?

1402
01:02:58,800 --> 01:03:02,400
Speaker 2: And that's your Hansen, Yeah, Scarlettrah Hanson is not a gay.

1403
01:03:02,320 --> 01:03:03,400
Speaker 3: Guy, great actress.

1404
01:03:03,520 --> 01:03:04,320
Speaker 1: No, that's true.

1405
01:03:04,480 --> 01:03:08,440
Speaker 2: Okay, okay, this is a really good prompt. Sam Scarlett Johnson,

1406
01:03:11,240 --> 01:03:12,160
Speaker 2: Jessica Alba.

1407
01:03:12,800 --> 01:03:21,080
Speaker 4: Yeah, just like zero zero like cuntiness, but maximum like hotness.

1408
01:03:21,160 --> 01:03:21,760
Speaker 3: Traditional.

1409
01:03:22,240 --> 01:03:23,120
Speaker 1: Yeah yeah.

1410
01:03:23,160 --> 01:03:26,320
Speaker 3: Blake Lively, yes, yeah, she's.

1411
01:03:26,120 --> 01:03:28,680
Speaker 1: I mean it's I know it's because they're married, but

1412
01:03:28,800 --> 01:03:30,080
Speaker 1: she and Ryan Reynolds are.

1413
01:03:30,040 --> 01:03:31,640
Speaker 3: The exact hetero. Yeah.

1414
01:03:31,840 --> 01:03:33,960
Speaker 1: Yeah, they actually freaked me out.

1415
01:03:34,560 --> 01:03:36,960
Speaker 4: I hate them as a couple. I like, I'm like,

1416
01:03:37,360 --> 01:03:39,520
Speaker 4: and Ryan Reynolds was married to Scarlett Johnson.

1417
01:03:40,320 --> 01:03:42,320
Speaker 1: Really yes? Oh my god?

1418
01:03:42,760 --> 01:03:46,800
Speaker 2: You know what's so crazy? All of that? You're like, Okay,

1419
01:03:46,800 --> 01:03:49,760
Speaker 2: I get him. He's this guy, he's Ryan Reynolds. What

1420
01:03:49,840 --> 01:03:52,640
Speaker 2: if I told you he dated Atlantis Morrissett.

1421
01:03:53,080 --> 01:03:53,360
Speaker 1: What?

1422
01:03:54,560 --> 01:03:58,600
Speaker 2: Oh yeah, what do you don't know this as a Canadian?

1423
01:03:58,960 --> 01:04:00,520
Speaker 3: No, I didn't know that. But Alanna mors I lived

1424
01:04:00,560 --> 01:04:01,520
Speaker 3: in my grandma's neighborhood.

1425
01:04:01,680 --> 01:04:03,720
Speaker 1: Wow, that's amazing.

1426
01:04:05,080 --> 01:04:07,560
Speaker 2: So anyway, you people will surprise you, is what I'm saying.

1427
01:04:07,960 --> 01:04:11,760
Speaker 1: Well, I think they should get back together, make it work.

1428
01:04:11,880 --> 01:04:12,919
Speaker 3: You guys can make it work.

1429
01:04:14,280 --> 01:04:17,560
Speaker 1: And Blake Lively should date someone Killian Murphy.

1430
01:04:18,760 --> 01:04:21,120
Speaker 2: Oh god, I would not wish that on poor Killian

1431
01:04:21,640 --> 01:04:24,080
Speaker 2: after his big win, to have to date, to have

1432
01:04:24,120 --> 01:04:25,040
Speaker 2: to date Blake Lively?

1433
01:04:27,440 --> 01:04:30,320
Speaker 1: Should we do our final segment? Sure?

1434
01:04:30,440 --> 01:04:31,520
Speaker 2: Oh my god, is it that time?

1435
01:04:32,920 --> 01:04:33,160
Speaker 1: Wait?

1436
01:04:33,240 --> 01:04:33,600
Speaker 3: Question?

1437
01:04:33,960 --> 01:04:34,560
Speaker 2: Yeah? Please?

1438
01:04:35,240 --> 01:04:38,920
Speaker 3: Is this woman a straight man's actor?

1439
01:04:39,960 --> 01:04:44,520
Speaker 4: Rachel mccadams, Okay, so this is actually really really complex.

1440
01:04:44,640 --> 01:04:47,080
Speaker 3: Yeah, I'm really sitting with this.

1441
01:04:48,280 --> 01:04:51,240
Speaker 2: I think Rachel McAdams could wait, you think no what,

1442
01:04:51,320 --> 01:04:53,240
Speaker 2: I think she's a gay guy actor. I agree, I

1443
01:04:53,280 --> 01:04:53,920
Speaker 2: can agree.

1444
01:04:54,080 --> 01:04:56,440
Speaker 3: I actually think Mean Girls.

1445
01:04:57,000 --> 01:04:59,320
Speaker 1: I think Mean Girls and that era when she was

1446
01:04:59,360 --> 01:05:00,360
Speaker 1: like Mean Girls and The.

1447
01:05:00,320 --> 01:05:01,600
Speaker 3: Notebook same time.

1448
01:05:01,480 --> 01:05:04,760
Speaker 1: And it was like she displayed a chameleon like quality.

1449
01:05:04,920 --> 01:05:07,640
Speaker 4: I think Regina George is like to play Regina George,

1450
01:05:07,680 --> 01:05:08,920
Speaker 4: you have to be cunty.

1451
01:05:09,320 --> 01:05:11,800
Speaker 1: Yeah hmm yeah, and to then be like the sweet

1452
01:05:11,840 --> 01:05:13,920
Speaker 1: love interest like in the same year. I was like,

1453
01:05:14,080 --> 01:05:18,520
Speaker 1: she's she's being fake, Like, so what you're telling me

1454
01:05:18,560 --> 01:05:19,320
Speaker 1: is you're a life.

1455
01:05:22,600 --> 01:05:24,760
Speaker 2: She also is like hot enough that she could have

1456
01:05:24,840 --> 01:05:25,680
Speaker 2: become straight.

1457
01:05:25,760 --> 01:05:27,840
Speaker 4: I actually that's why I was That's why I was

1458
01:05:27,920 --> 01:05:30,040
Speaker 4: kind of weighing it because I'm kind of like she

1459
01:05:30,320 --> 01:05:33,000
Speaker 4: could be romantic lead that a guy because it was like,

1460
01:05:33,040 --> 01:05:35,440
Speaker 4: I know, my boyfriend is like Rachel mcdams is so sweet,

1461
01:05:35,440 --> 01:05:37,080
Speaker 4: and that's why he says when he thinks somebody's hot,

1462
01:05:37,120 --> 01:05:38,840
Speaker 4: and so I'm kind of like, oh maybe.

1463
01:05:39,360 --> 01:05:41,840
Speaker 2: So I saw Rachel McAdams on stage this year and

1464
01:05:41,880 --> 01:05:46,040
Speaker 2: she played the mother of a like baby with a

1465
01:05:46,160 --> 01:05:48,880
Speaker 2: terminal illness, and at that point that's when I said,

1466
01:05:49,840 --> 01:05:55,120
Speaker 2: you are being cunty. This is not for the straight

1467
01:05:55,160 --> 01:05:57,640
Speaker 2: male gaze right now. No straight man wants to see

1468
01:05:57,640 --> 01:06:00,080
Speaker 2: a woman wants to see a woman like Russian to

1469
01:06:00,160 --> 01:06:02,720
Speaker 2: the hospital because her infant has a terminal disease. You're

1470
01:06:02,720 --> 01:06:04,600
Speaker 2: doing this for the kids.

1471
01:06:06,160 --> 01:06:08,880
Speaker 1: They're gagging for it, and they're gagging. Yeah.

1472
01:06:09,000 --> 01:06:13,840
Speaker 3: No, she's so mother lily rushing to that dying child.

1473
01:06:14,520 --> 01:06:18,440
Speaker 2: She is so mother to that dying child. Wow.

1474
01:06:19,080 --> 01:06:22,280
Speaker 1: She Also it's so funny the way that I'm like, well,

1475
01:06:22,280 --> 01:06:24,840
Speaker 1: and she's an underdog, and it's like she's not at all,

1476
01:06:24,880 --> 01:06:27,200
Speaker 1: Like she's one of the most successfuls we have and

1477
01:06:27,240 --> 01:06:27,880
Speaker 1: I like, but she's not.

1478
01:06:28,120 --> 01:06:29,960
Speaker 4: If you feel like she's an underdog, then she's doing

1479
01:06:30,000 --> 01:06:30,560
Speaker 4: everything right.

1480
01:06:30,720 --> 01:06:32,160
Speaker 1: Yeah, that's really the key.

1481
01:06:32,680 --> 01:06:35,040
Speaker 2: By the way, this is my final point about Chris

1482
01:06:35,120 --> 01:06:38,480
Speaker 2: Nolan picking gigy actresses. He cast Anne Hathaway when she

1483
01:06:38,640 --> 01:06:40,680
Speaker 2: was at her lowest in terms of everyone making fun

1484
01:06:40,720 --> 01:06:41,640
Speaker 2: of her for being a theater.

1485
01:06:42,120 --> 01:06:45,080
Speaker 3: No, you're right, that's so true to be like.

1486
01:06:45,120 --> 01:06:49,480
Speaker 2: We're gonna take literally the the butt of everyone's jokes.

1487
01:06:49,520 --> 01:06:51,040
Speaker 2: We're gonna make you catwoman bitch.

1488
01:06:51,720 --> 01:06:55,520
Speaker 1: Oh and she delivered, and she ate, she ate it was.

1489
01:06:55,640 --> 01:06:58,080
Speaker 1: I remember being like, damn that Anne Hathaway has really

1490
01:06:58,080 --> 01:07:01,040
Speaker 1: got it. Yes, I never I never turned on her.

1491
01:07:01,360 --> 01:07:05,560
Speaker 1: Look at my voting record.

1492
01:07:04,360 --> 01:07:05,920
Speaker 3: We have here in nineteen eighty two.

1493
01:07:06,240 --> 01:07:13,800
Speaker 2: Yeah, you voted for the Iraq war, but also for Andy.

1494
01:07:14,440 --> 01:07:16,360
Speaker 3: Wait that's the sound bite. Put that at the beginning.

1495
01:07:20,640 --> 01:07:24,040
Speaker 1: Okay, let's do our final sag. Okay o, Well, am

1496
01:07:24,040 --> 01:07:24,520
Speaker 1: I rushing?

1497
01:07:25,560 --> 01:07:27,320
Speaker 2: I mean, listen if you want to end the episode

1498
01:07:27,360 --> 01:07:28,800
Speaker 2: again in the episode.

1499
01:07:28,400 --> 01:07:30,560
Speaker 1: Well, I'm just saying it's like really hot in here.

1500
01:07:31,000 --> 01:07:32,680
Speaker 3: I'm acally we're going to make a reference.

1501
01:07:32,680 --> 01:07:35,160
Speaker 4: I'm so Christopher Nolan right now because I'm so wedding

1502
01:07:35,200 --> 01:07:36,120
Speaker 4: in my blazer.

1503
01:07:36,520 --> 01:07:36,880
Speaker 1: I was.

1504
01:07:37,040 --> 01:07:38,960
Speaker 2: I kept sort of I have to say, Sophia. I

1505
01:07:39,040 --> 01:07:41,320
Speaker 2: kept being like, well, shull, bring it up. I don't

1506
01:07:41,320 --> 01:07:43,640
Speaker 2: want to say anything because you kept talking about blaze.

1507
01:07:43,680 --> 01:07:46,800
Speaker 3: It's not wool, but it is hot in this room.

1508
01:07:47,280 --> 01:07:49,960
Speaker 2: But you know, there was so much conversation about blazer

1509
01:07:50,040 --> 01:07:52,080
Speaker 2: and it was never addressed that you are in a blazer.

1510
01:07:52,160 --> 01:07:53,760
Speaker 3: I forgot that I had this on. To be honest,

1511
01:07:54,880 --> 01:07:55,800
Speaker 3: I look outwards.

1512
01:07:55,840 --> 01:07:57,600
Speaker 1: I don't think there's no mirror.

1513
01:07:57,760 --> 01:08:00,160
Speaker 2: Yeah, well, you're sort of like Christopher Nolan in that way.

1514
01:08:00,160 --> 01:08:01,040
Speaker 2: Your eye is the camera.

1515
01:08:01,360 --> 01:08:04,920
Speaker 4: Yes, exactly. It's an unreliable narrator.

1516
01:08:05,840 --> 01:08:08,160
Speaker 1: Even the fact that I should have brought it up.

1517
01:08:08,160 --> 01:08:11,840
Speaker 1: I can't believe. I mean, we're growing, it is summer

1518
01:08:11,840 --> 01:08:13,120
Speaker 1: in LA and you're wearing a blazer.

1519
01:08:13,920 --> 01:08:15,760
Speaker 4: I mean, I went from my air conditioned home to

1520
01:08:15,800 --> 01:08:17,560
Speaker 4: air conditioned car to what I thought was going to

1521
01:08:17,600 --> 01:08:23,200
Speaker 4: be an air conditioning room. Damn No, you got us

1522
01:08:23,680 --> 01:08:24,960
Speaker 4: not going for a hike after this.

1523
01:08:25,439 --> 01:08:26,000
Speaker 1: That's true.

1524
01:08:26,160 --> 01:08:29,759
Speaker 2: No, that's true, all right, Sam, that's okay.

1525
01:08:29,960 --> 01:08:37,000
Speaker 1: Segment. Our final segment is called shout Outs, and in

1526
01:08:37,040 --> 01:08:39,040
Speaker 1: the segment we pay homage to the grand tra tradition

1527
01:08:39,160 --> 01:08:44,280
Speaker 1: of the radio shout out, shouting out anything that you enjoy, people, places, things, ideas.

1528
01:08:44,360 --> 01:08:46,360
Speaker 1: Imagine it doesn't one you're at TRL shouting out to

1529
01:08:46,360 --> 01:08:48,519
Speaker 1: your squad back home, but about anything that you like,

1530
01:08:48,880 --> 01:08:51,920
Speaker 1: we will go first, and we always make them up

1531
01:08:51,920 --> 01:08:53,160
Speaker 1: on the spot and do not prepare.

1532
01:08:53,479 --> 01:08:55,960
Speaker 2: Yeah, we don't prepare perfect. I can do one.

1533
01:08:56,000 --> 01:08:57,760
Speaker 3: Please, we go one at a time, like we just

1534
01:08:57,840 --> 01:08:58,960
Speaker 3: keep it okay, love.

1535
01:09:00,439 --> 01:09:04,280
Speaker 2: Okay, what's up, freaks and geeks out there? Welcome to

1536
01:09:04,280 --> 01:09:06,360
Speaker 2: Season five Australia Lab. I want to get a shout

1537
01:09:06,360 --> 01:09:11,120
Speaker 2: out to Rescue Spot in the Island of Manhattan, New York.

1538
01:09:11,600 --> 01:09:15,000
Speaker 2: I received a gift, I repeat, a gift for a facial.

1539
01:09:15,000 --> 01:09:17,479
Speaker 2: I've never done a facial in my entire life. I

1540
01:09:17,520 --> 01:09:21,439
Speaker 2: always considered it something for potentially a teleone type to

1541
01:09:21,439 --> 01:09:23,800
Speaker 2: do in the film Spanglish. I said, that's not for me.

1542
01:09:23,920 --> 01:09:26,559
Speaker 2: I'm a rustic gay guy. You know. Maybe I'll go

1543
01:09:26,600 --> 01:09:28,720
Speaker 2: on a little walk, maybe I'll have brunch, but I

1544
01:09:28,720 --> 01:09:30,840
Speaker 2: can't afford a facial. I don't even how much does

1545
01:09:30,880 --> 01:09:34,679
Speaker 2: that cost? One thousand dollars? Who knows? Finally, I received

1546
01:09:34,680 --> 01:09:38,280
Speaker 2: a gift certificate for one. I went in. I had

1547
01:09:38,439 --> 01:09:41,280
Speaker 2: my doubts, but when I tell you, I just succumb

1548
01:09:41,400 --> 01:09:44,920
Speaker 2: to it. I surrendered to it. And the products that

1549
01:09:45,000 --> 01:09:47,400
Speaker 2: went on my face probably cost a total of two

1550
01:09:47,479 --> 01:09:50,320
Speaker 2: hundred thousand dollars. I'm not really sure because I couldn't

1551
01:09:50,320 --> 01:09:52,680
Speaker 2: read the woman's handwriting. At the end, but it was

1552
01:09:52,720 --> 01:09:54,920
Speaker 2: one of the most amazing experiences of my life. It

1553
01:09:55,000 --> 01:09:57,120
Speaker 2: happened over twenty four hours ago, and I have not

1554
01:09:57,240 --> 01:10:00,080
Speaker 2: watched my face since because I still am feeling. I

1555
01:10:00,080 --> 01:10:02,200
Speaker 2: still am feeling the product on my face, and it

1556
01:10:02,240 --> 01:10:04,559
Speaker 2: makes me. It makes me feel wealthy, it makes me

1557
01:10:04,560 --> 01:10:07,240
Speaker 2: feel healthy, It makes me feel moisturized. The moisture is

1558
01:10:07,320 --> 01:10:08,320
Speaker 2: packed in their folks.

1559
01:10:08,360 --> 01:10:10,040
Speaker 3: It makes you want to buy your daughter a too

1560
01:10:10,080 --> 01:10:10,960
Speaker 3: small jacket.

1561
01:10:11,240 --> 01:10:15,720
Speaker 2: Exactly. No, I'm ready to body shame some teenagers. So

1562
01:10:16,000 --> 01:10:17,680
Speaker 2: you know, I listen. I have no idea how much

1563
01:10:17,680 --> 01:10:19,120
Speaker 2: a cost, because again I did not pay for it.

1564
01:10:19,160 --> 01:10:22,280
Speaker 2: But if you have the means, please go to Rescue SPA.

1565
01:10:22,400 --> 01:10:23,520
Speaker 3: You are so privileged.

1566
01:10:23,920 --> 01:10:27,040
Speaker 2: If you are so privileged, get a facial And you

1567
01:10:27,040 --> 01:10:29,000
Speaker 2: know I was about to say ask for so and so,

1568
01:10:29,040 --> 01:10:31,040
Speaker 2: but I didn't get the woman's name, so I'm sure

1569
01:10:31,080 --> 01:10:31,599
Speaker 2: they're all good.

1570
01:10:31,800 --> 01:10:37,240
Speaker 1: Wow, that's huge. Let's see. Hold on, I should have

1571
01:10:37,320 --> 01:10:38,840
Speaker 1: been thinking and I wasn't.

1572
01:10:39,080 --> 01:10:39,760
Speaker 3: Okay, I can come.

1573
01:10:40,479 --> 01:10:43,960
Speaker 1: Really, yeah, you're gonna okay, go, I think, go for it.

1574
01:10:44,920 --> 01:10:49,760
Speaker 4: Hey, everybody, so long time listener, first time shout out,

1575
01:10:50,720 --> 01:10:52,920
Speaker 4: and I would just like to give a big shout.

1576
01:10:52,640 --> 01:10:55,760
Speaker 3: Out to all the drama surrounding the Malaysian flight that

1577
01:10:55,840 --> 01:10:59,400
Speaker 3: went missing. Yes, it has been gone for so long,

1578
01:10:59,479 --> 01:10:59,920
Speaker 3: where is it?

1579
01:11:01,320 --> 01:11:04,679
Speaker 4: And you know obviously lots of you know, speculation about

1580
01:11:04,680 --> 01:11:07,600
Speaker 4: where it is. I won't bore everybody with the details

1581
01:11:07,640 --> 01:11:08,840
Speaker 4: like I did at work the other day and then

1582
01:11:08,880 --> 01:11:10,720
Speaker 4: everybody was just blinking at me really slowly, and I

1583
01:11:10,760 --> 01:11:12,920
Speaker 4: talked for so long, maybe ten minutes, about all of

1584
01:11:12,920 --> 01:11:15,479
Speaker 4: the different theories and facts that have come out, and

1585
01:11:15,600 --> 01:11:18,400
Speaker 4: just really it's like not connecting with people, even though

1586
01:11:18,400 --> 01:11:21,120
Speaker 4: it's so interesting and I think that that's great.

1587
01:11:21,960 --> 01:11:26,080
Speaker 2: I love that. Wow. No, that's a classic.

1588
01:11:26,560 --> 01:11:27,799
Speaker 1: No, that's really huge.

1589
01:11:28,080 --> 01:11:30,480
Speaker 3: You guys have shouted out the Malaysian flight that's missing.

1590
01:11:30,160 --> 01:11:32,960
Speaker 1: Before we do it every episode after.

1591
01:11:32,720 --> 01:11:33,960
Speaker 3: We quote the Weed theme song.

1592
01:11:35,640 --> 01:11:45,680
Speaker 1: Check our voting record. Okay, hold on, I've been there. No,

1593
01:11:45,960 --> 01:11:48,400
Speaker 1: this is very tough because I'm literally what I'm doing

1594
01:11:48,479 --> 01:11:51,680
Speaker 1: is talk about Memento. I'm going through my mind and

1595
01:11:51,720 --> 01:11:54,200
Speaker 1: I'm like, Okay, what matters to you right now?

1596
01:11:54,680 --> 01:11:58,680
Speaker 4: And I'm like, not that, not that your editor is

1597
01:11:58,680 --> 01:12:00,960
Speaker 4: too active, The editor in your head is too active

1598
01:12:01,040 --> 01:12:01,479
Speaker 4: right now.

1599
01:12:02,120 --> 01:12:03,320
Speaker 2: Yeah, you're a creator.

1600
01:12:03,760 --> 01:12:08,200
Speaker 1: Yeah, Oh my god, what's up? Freaks? Losers and perverts

1601
01:12:08,200 --> 01:12:10,519
Speaker 1: out there. I want to give a huge shout out

1602
01:12:10,600 --> 01:12:14,600
Speaker 1: to my internal editor are always there to tell me,

1603
01:12:14,840 --> 01:12:19,760
Speaker 1: sh don't do that. And you know, sometimes I think

1604
01:12:19,840 --> 01:12:21,559
Speaker 1: it's good that you exist, and sometimes I think it's

1605
01:12:21,560 --> 01:12:23,880
Speaker 1: bad that you exist, because when I see people without

1606
01:12:23,920 --> 01:12:28,120
Speaker 1: an internal editor, I go, WHOA, I'm scared because no

1607
01:12:28,160 --> 01:12:31,120
Speaker 1: one is saying, hey, cut that, and you tell me

1608
01:12:31,160 --> 01:12:33,800
Speaker 1: to cut some good stuff, though, I will say and

1609
01:12:33,960 --> 01:12:35,920
Speaker 1: so I'm going to be in We're going to set

1610
01:12:36,000 --> 01:12:38,720
Speaker 1: up a meeting. We're going to be in conversation, and

1611
01:12:38,920 --> 01:12:41,639
Speaker 1: we are going to not be editing so hard, and

1612
01:12:41,800 --> 01:12:47,320
Speaker 1: we will be streaming Birds of a Feather by Billie Elt.

1613
01:12:48,920 --> 01:12:50,120
Speaker 3: Oh my god, it's so good.

1614
01:12:50,240 --> 01:12:52,479
Speaker 4: I do love that moment where your brain like gives

1615
01:12:52,479 --> 01:12:54,120
Speaker 4: you that little thigh squeeze.

1616
01:12:54,120 --> 01:12:56,040
Speaker 3: It's like, yeah, I don't know.

1617
01:12:56,920 --> 01:12:57,840
Speaker 2: Some people don't have that.

1618
01:12:57,880 --> 01:12:59,760
Speaker 1: Some people don't have that, and they're much more successful.

1619
01:13:01,360 --> 01:13:03,360
Speaker 3: Is that true, though, Well.

1620
01:13:03,040 --> 01:13:04,000
Speaker 1: It goes back and forth.

1621
01:13:04,120 --> 01:13:06,040
Speaker 4: I think it's both ends of the spectrum. We get

1622
01:13:06,080 --> 01:13:08,680
Speaker 4: a lot of success people that will just say anything Donald.

1623
01:13:08,400 --> 01:13:15,519
Speaker 2: Trump does Kamala Harris have too strong of an internal

1624
01:13:15,640 --> 01:13:16,840
Speaker 2: editor or enough.

1625
01:13:16,720 --> 01:13:19,920
Speaker 4: Of an internal yes, but she's coming out of her shell. Okay,

1626
01:13:20,320 --> 01:13:23,720
Speaker 4: I just listened to a podcast about this where so

1627
01:13:23,920 --> 01:13:29,360
Speaker 4: much of her identity was like deemed politically inconvenient. Before

1628
01:13:29,439 --> 01:13:31,080
Speaker 4: It's like everybody was saying, like Kamo was a cop,

1629
01:13:31,120 --> 01:13:35,400
Speaker 4: blah blah blah. And so now because she's kind of

1630
01:13:35,439 --> 01:13:38,120
Speaker 4: given the time to like lay out her own story

1631
01:13:38,120 --> 01:13:41,040
Speaker 4: the way that she wants to, she's able to be like,

1632
01:13:41,040 --> 01:13:43,600
Speaker 4: like her big thing in her speech was like, my

1633
01:13:43,760 --> 01:13:47,439
Speaker 4: best friend got like molested and then she came and

1634
01:13:47,479 --> 01:13:49,320
Speaker 4: lived with us because she was getting molested by her dad.

1635
01:13:49,320 --> 01:13:52,200
Speaker 4: And that's why I became a prosecutor. And so like

1636
01:13:52,240 --> 01:13:53,960
Speaker 4: that is I know this is not funny, but it's

1637
01:13:54,000 --> 01:13:57,120
Speaker 4: like but it's like it is true. Like you can

1638
01:13:57,240 --> 01:13:59,280
Speaker 4: you you can tell a lot about a person when

1639
01:13:59,320 --> 01:14:01,080
Speaker 4: they're under pressure, and you can tell a lot about

1640
01:14:01,080 --> 01:14:03,320
Speaker 4: a person when they're given the time to tell their

1641
01:14:03,320 --> 01:14:05,960
Speaker 4: own story because you see how they identify themselves.

1642
01:14:06,520 --> 01:14:08,720
Speaker 2: That's how I feel about Benjamin Dadan Yahoo, and I'm

1643
01:14:08,720 --> 01:14:11,439
Speaker 2: really happy that he's coming out of his really telling

1644
01:14:11,439 --> 01:14:12,439
Speaker 2: his story in a big way.

1645
01:14:12,520 --> 01:14:18,320
Speaker 3: Oh my god, Bby well disaster.

1646
01:14:20,479 --> 01:14:27,160
Speaker 1: He is is brother. Well, maybe all come out of

1647
01:14:27,160 --> 01:14:28,240
Speaker 1: our shells.

1648
01:14:28,360 --> 01:14:33,240
Speaker 2: Maybe come out of our shells. Yeah, Sophia, this has

1649
01:14:33,280 --> 01:14:34,240
Speaker 2: been an absolute delight.

1650
01:14:34,520 --> 01:14:35,560
Speaker 3: You're so wonderful.

1651
01:14:36,040 --> 01:14:38,040
Speaker 2: I'm so sad I'm not there in the room with you,

1652
01:14:38,120 --> 01:14:40,400
Speaker 2: so we could all get drinks after. It's literally a holiday.

1653
01:14:40,439 --> 01:14:42,759
Speaker 2: You guys better be like and we're doing labor.

1654
01:14:43,120 --> 01:14:45,719
Speaker 1: We're doing labor, and we're making other people do labor

1655
01:14:45,720 --> 01:14:46,080
Speaker 1: as well.

1656
01:14:46,160 --> 01:14:47,720
Speaker 2: Yeah, we know it's true.

1657
01:14:48,280 --> 01:14:50,360
Speaker 4: Come to Los Angeles or we'll both come to New

1658
01:14:50,439 --> 01:14:52,120
Speaker 4: York and we'll have drinks and we'll watch my mento.

1659
01:14:52,479 --> 01:14:55,120
Speaker 2: Yeah, my god, I literally we will do that. Yeah,

1660
01:14:55,240 --> 01:14:56,320
Speaker 2: soft pants for everyone.

1661
01:14:57,720 --> 01:14:59,320
Speaker 4: Okay, So I do not to be so la, but

1662
01:14:59,360 --> 01:15:01,360
Speaker 4: I do have like a mattress on the floor in

1663
01:15:01,360 --> 01:15:03,240
Speaker 4: my guest room for when people come and stay, and

1664
01:15:03,320 --> 01:15:05,640
Speaker 4: I will drag it into my living room for an

1665
01:15:05,680 --> 01:15:07,679
Speaker 4: extra like layd down seat when we're watching movies.

1666
01:15:07,800 --> 01:15:11,160
Speaker 1: That's really that's fun. There is something about the gravity

1667
01:15:11,200 --> 01:15:14,320
Speaker 1: here that's a little bit heavier. There's something about wanting

1668
01:15:14,360 --> 01:15:16,840
Speaker 1: to like, I have a very comfortable couch and I'm.

1669
01:15:16,680 --> 01:15:18,800
Speaker 3: Like, yeah, but I need to be flat. I need

1670
01:15:18,840 --> 01:15:21,080
Speaker 3: to be flat flat. Yeah, I need to be big

1671
01:15:21,240 --> 01:15:22,320
Speaker 3: and flat like the earth.

1672
01:15:22,720 --> 01:15:25,240
Speaker 2: Yeah, that's why people want to lose weight. So much

1673
01:15:25,240 --> 01:15:26,400
Speaker 2: because the gravity.

1674
01:15:26,040 --> 01:15:29,360
Speaker 1: Is the gravity is much more. I know. Yeah, So well,

1675
01:15:29,520 --> 01:15:34,479
Speaker 1: thanks again and see you at the office I mean not.

1676
01:15:35,320 --> 01:15:40,559
Speaker 2: Bye bye podcast and now want more, Subscribe to our

1677
01:15:40,600 --> 01:15:44,240
Speaker 2: Patreon for two extra episodes a month, discord access and

1678
01:15:44,400 --> 01:15:48,360
Speaker 2: more by heading to patreon dot com. Slash Stradio Lab.

1679
01:15:48,400 --> 01:15:51,000
Speaker 1: And for all our visual learners, free full length video

1680
01:15:51,000 --> 01:15:52,879
Speaker 1: episodes are available on our YouTube.

1681
01:15:53,080 --> 01:15:54,120
Speaker 2: Now get back to work.