Speaker 1: Welcome to Movie Crush, a production of I Heart Radio.
Speaker 1: Hey everybody, and welcome to Mini Crush Monday. Very cold
Speaker 1: here in my basement, Noel, how about you? It's a
Speaker 1: little cold in my studio. The heat doesn't circulate in
Speaker 1: here as well as it does the rest of the house.
Speaker 1: I have a little bit of like a wonky heating
Speaker 1: distribution system. My bathroom gets like sauna level hot, and
Speaker 1: then this room just gets like none of it. So
Speaker 1: I don't understand. But I'm no HVAC experts, So what
Speaker 1: do I know? Well, no, you're not on the show
Speaker 1: because of your HVAC expertise. I know when I'm hot
Speaker 1: and I know when i'm cold, and that should be enough.
Speaker 1: Well does that mean you can come over and fix
Speaker 1: my heat? I'll give him, I'll give it my best.
Speaker 1: Have you seen Brazil? Sure? Remember the amazing role played
Speaker 1: portrayed by uh Robert de Niro. He's the rogue heating
Speaker 1: and air expert. It's good stuff. I don't know if
Speaker 1: you can see this, chuck, But what do you got there? Hey? Wow,
Speaker 1: who's that little thing? This is a stell. This is
Speaker 1: Eden's sister, and Eden is the dentist with her mom
Speaker 1: right now, and I volunteered to watch her so that
Speaker 1: she didn't have to wriggle around the the waiting room.
Speaker 1: She can't hear me though, right, she can't hear you.
Speaker 1: Hold on, she can now say hi, stell? How old
Speaker 1: are you? How many fingers is that? Three? Oh? Boy?
Speaker 1: I have a daughter who was five, and I remember
Speaker 1: three was a lot of fun? Are you do? You
Speaker 1: have a lot of fun? How was your Christmas? Talking
Speaker 1: to him? My, what did you get for Christmas? She
Speaker 1: got a Mr Potato had a giant Mr Potato had
Speaker 1: full of smaller Mr Potato heads. WHOA, that's awesome, right,
Speaker 1: that sounds super cool. Yeah, well we're gonna do our show, babe,
Speaker 1: but you can hang out. Just be a little quiet,
Speaker 1: all right, But you can hang out in here if
Speaker 1: you want very nice to meet you. Yeah, you can
Speaker 1: get the kiddy, but be very sweet because she's a
Speaker 1: little feisty working for home. Everyone. Boy, this show got
Speaker 1: a whole lot cuter than it was the best. That's wonderful.
Speaker 1: Love the guest appearance. So I thought what we would
Speaker 1: do here? First? My friend is and this circulated a
Speaker 1: while ago, but I never saw it. But someone at
Speaker 1: some point found a handwritten note that David Fincher had
Speaker 1: scribbled his favorite twenty six movies and no particular order.
Speaker 1: I'm not aware of this at all. Yeah, it's pretty
Speaker 1: cool and and it you know, has it found its
Speaker 1: way online a while ago, and I think has been
Speaker 1: reborn recently because I just saw it and looking over
Speaker 1: the list, and we'll just kind of list through these things.
Speaker 1: It's really kind of cool because they're mainly movies as
Speaker 1: opposed to this case cinematt Have you seen mank yet?
Speaker 1: By the way, Chuck, now it's on the list. It's uh,
Speaker 1: it's all about getting Emily in the right mood to
Speaker 1: watch it, because she wants to, but she's got to
Speaker 1: be in the right mood for that one. I'll tell you, Chuck,
Speaker 1: it's less of a mood k neater than you might think.
Speaker 1: I thought the same thing, and I realized it's just
Speaker 1: fun and it moves like Gangbusters. I think you guys
Speaker 1: will both really dig it well. And you know, you
Speaker 1: and I both, along with many other people, obviously agree
Speaker 1: that David Fincher is one of the new masters. Not new,
Speaker 1: but you know, one of the current masters of our
Speaker 1: gen of our generation. Of our generation, him and Kanye Right. Uh,
Speaker 1: so let's go through these moved he's here, he's got
Speaker 1: um and it's interesting how many of these have been
Speaker 1: covered on this very show. But he's got Butch Cassidy
Speaker 1: and the Sundance Kid. Great movie one that we covered
Speaker 1: here with early early, up, early, very early up with
Speaker 1: Mr Paula Tompkins. Chinatown, classic film that I covered on
Speaker 1: the show. That's right, yeah, and then it should we
Speaker 1: play Knowles holes while we're going, Uh, you, well, I've
Speaker 1: seen Now what's the classic line? I always get it wrong?
Speaker 1: Business like it's Chinatown, baby, Yeah, that's it. Don't worry
Speaker 1: about it. It's Chinatown. Then he goes sing pop yeah,
Speaker 1: forget about it. It's only Chinatown. I think it's uh,
Speaker 1: forget about it, Jake. Now I can't even remember you.
Speaker 1: I'm so sorry, con Chuck. We'll figure it out, all right. Uh.
Speaker 1: Next up we have Dr Strangelove, another movie we've covered. Amazing.
Speaker 1: I watched Being There the other night for the first
Speaker 1: time in a long time with the Amazing Eater sellers
Speaker 1: um and it's just great. It's it's something about it.
Speaker 1: It's like it's somewhere between satire, and like pure realness,
Speaker 1: and it's like kind of funny but kind of sweet
Speaker 1: and kind of sad. And I highly recommend everyone. It'll
Speaker 1: make you feel good. Put it that way. Yeah, I mean,
Speaker 1: that's a you just described how Ashby's filmmaking career sort
Speaker 1: of as a whole. Uh. Taxi Drivers up, I'm sorry,
Speaker 1: Godfather two is up next, and then Taxi Driver just
Speaker 1: back to back. De Niro classics amazing. I mean, these
Speaker 1: are some of the best films of all time. I
Speaker 1: love this. His list is like kind of straight up
Speaker 1: great movies. The line, by the way, is forget it, Jake,
Speaker 1: It's Chinatown. Forget it, Jake. That's right. Uh. Next up,
Speaker 1: Noel was being there, oh ship right on. He must
Speaker 1: be a big Peter Sellers guy. Hm, how can you
Speaker 1: not be, except that he was kind of a garbage
Speaker 1: human in real life. That's what I hear. And I
Speaker 1: read something very interesting and I forgot about this at
Speaker 1: the you know, the movie. I'm not going to do
Speaker 1: a spoiler, but the movie ends in a way that
Speaker 1: could be divisive to some. Let's just say it could
Speaker 1: be interpreted in many ways. Yet it really really can.
Speaker 1: And I and I'm not gonna spoil it because it's
Speaker 1: a movie that a lot of people have not seen,
Speaker 1: and I highly recommend it, um as do we all,
Speaker 1: as does Mr Fincher apparently. And it ends with credits
Speaker 1: rolling over a deleted outtake scene of Peter Sellers cracking
Speaker 1: up trying to say this line and Sellers, yeah, you
Speaker 1: tell that asshole. What's his name, Raphael or whatever? Yeah?
Speaker 1: Exactly um And Sellers hated that they did that. He
Speaker 1: thought it cheap into the ending. He thought it cheap
Speaker 1: into the whole punch and the mystique of the character.
Speaker 1: He thinks. I think so too. I didn't forgotten about that,
Speaker 1: and it just read that and then saw it. I
Speaker 1: was like, what a weird choice. Yeah, I mean, you
Speaker 1: know it's outtakes are always funny. Seeing someone break character
Speaker 1: and crack up is always funny. Bloopers are always fun.
Speaker 1: But I think in this case, yeah, I totally agree, Like,
Speaker 1: you built all this mystique up about this sort of
Speaker 1: other worldly character, uh, and who are they even? And
Speaker 1: then to end on a blooper reel of that character,
Speaker 1: it does kind of knock it down. It happens instantly too,
Speaker 1: after the big punch of this final moment that I'm
Speaker 1: edging around. It happens boom instantly before you have a
Speaker 1: chance to like think it's jarring. It's really jarring. How
Speaker 1: made an odd choice. There's a very strange thing to do. Agreed. Uh.
Speaker 1: Next up is a movie I have not seen, and
Speaker 1: I really want to all that Jazz. I haven't seen it.
Speaker 1: I think the Bob Fosse Classic could really I want
Speaker 1: to see that. Actually, just that's a big hole for me. Uh.
Speaker 1: Next up we have Alien. IM pretty sure that's on
Speaker 1: if you have HBO, Max Chuck, I'm pretty sure all
Speaker 1: that Jazz is on their Little Turner Classic Movies collection. Okay,
Speaker 1: all right, I'll have to check that out. Yeah, and
Speaker 1: you know, he ended up directing an alien entry into
Speaker 1: that franchise, and not a very good one, kind of
Speaker 1: one of fentures only missteps. I think I believe it
Speaker 1: was like just after seven or maybe just before, but
Speaker 1: it was definitely considered like an odd choice and not
Speaker 1: a particularly great movie. Um but and I think it's
Speaker 1: almost like one that you don't even consider part of
Speaker 1: his v Well you can't do that, and all you
Speaker 1: can't say just throw out the bad one. I guess
Speaker 1: you're right, Chuck. I guess you're right. Um, but I
Speaker 1: know what you mean, and not like a finer movie.
Speaker 1: He kind of absorbed into this franchise and kind of
Speaker 1: a director for higher situation as opposed to an autour
Speaker 1: kind of thing, which is literally everything else that he's
Speaker 1: ever done. I'm surprised we have no one's picked up
Speaker 1: movie yet. I'm dying to do Alien on the show
Speaker 1: Aliens so good? How do you feel about Aliens? That's great,
Speaker 1: They're all great. Yeah, well they're not all great, but
Speaker 1: they're all fun. Well, it's funny too. Like. Speaking of
Speaker 1: odd directing choices, one of I think Alien Resurrection was
Speaker 1: directed by the team that did Delicatessen and City of
Speaker 1: Lost Children exactly they directed Alien Resurrection. I believe. I
Speaker 1: think you're right. Next up we have the classic Alfred
Speaker 1: Scock film Rear Window. Uh. Next up we have the
Speaker 1: Woody Allen classic. Uh, one of the first mocumentaries, zelig great.
Speaker 1: I am all holes when it comes to Woody Allen. Uh? Gross?
Speaker 1: Have you not seen any of his movies? Literally, I've
Speaker 1: seen Midnight in Paris. Yeah. I think that's the only
Speaker 1: one I've actually seen all the way through interesting. Uh yeah,
Speaker 1: he's he's problematic to champion these days for many years,
Speaker 1: not just these days. Next up we have Cabaret. I
Speaker 1: think that's another Bob Fossey movie, if I'm not mistaken, right,
Speaker 1: I do believe that's right, Yes, Cabaret movie. Foss it was?
Speaker 1: Was he like he did all the choreography too, right?
Speaker 1: Wouldn't he have been very hands on with that stuff?
Speaker 1: I think that he was like a dancer, musical choreographer
Speaker 1: or dance choreographer guy. Yeah, yeah, I think he was
Speaker 1: the full multi hyphen it yeah on on. On PDA,
Speaker 1: he's described as an American dancer, musical theater choreographer, actor,
Speaker 1: theater director, and filmmaker. Nice resume, nice nice CV, as
Speaker 1: they would say them. And he did the Lenny Bruce
Speaker 1: movie starring Dustin Hoffman, Yeah, which which which I believe
Speaker 1: has zero dance in it, I'm not mistaken, and no dance,
Speaker 1: no dance at all. Next up, we have a movie
Speaker 1: that Josh Clark used to call his favorite movie. Uh,
Speaker 1: paper Moon, m M. But these are all great. Of course,
Speaker 1: Jaws is on their next I love it. Fincher, wouldn't
Speaker 1: know you love not do that? Lawrence of Arabia. Another movie.
Speaker 1: I've covered so many of these on the show Lawrence
Speaker 1: of Arabia, that I have not seen that one. I know,
Speaker 1: after you did it, I was like, you you you
Speaker 1: hadn't seen it either, right or No? I had not
Speaker 1: at the time. Yes, that's right, And so that's what
Speaker 1: made me really want to take the plunge, because it's
Speaker 1: one of those ones you hear about and you just
Speaker 1: hear how epic and gorgeous it is, and I just
Speaker 1: I've always missed it. So I'm gonna put that on
Speaker 1: my list. Now. I have a list, by the way,
Speaker 1: that I'm actually keeping up this lady that I've been
Speaker 1: seeing who hasn't seen a whole lot of movies, admittedly,
Speaker 1: but loves movies. So I've been making this list of
Speaker 1: stuff for us to watch together. Some of them are
Speaker 1: movies that are my old favorites that I want to
Speaker 1: turn her onto, and some are like things that I
Speaker 1: think we'd be fun to watch together. So I'm gonna
Speaker 1: put Lawrence of Arabia on the list. Yeah, I mean,
Speaker 1: that's one of those movies where you're like, do I
Speaker 1: really need to see Lawrence of Arabia, And the answer
Speaker 1: is yes, it is that great. Next up, we have
Speaker 1: a movie we have not covered in here, but I
Speaker 1: love very much All the President's Men. Uh. Next, it's
Speaker 1: a whole for me. Yeah, all right, you've got some
Speaker 1: Fincher holes, do do? Uh? Next up? Eight and a
Speaker 1: half Fellini's eight and a half. I mean that this
Speaker 1: that one dance is closest to sin them all? Is
Speaker 1: anything on the list? I think? Sure? Great movie though
Speaker 1: I've seen all these except for the fosse ones. Uh,
Speaker 1: Citizen Kane, how do you not put that on there?
Speaker 1: Totally great movie. They of Heaven. Oh boy, he's really
Speaker 1: after my heart. Another movie I've covered on here. Uh
Speaker 1: Animal House, Oh that's fun. Look at Fincher with his
Speaker 1: Animal House. Pick. People love Animal House. I think he's
Speaker 1: of the right age where that would have been like
Speaker 1: a important movie for him growing up. And it might
Speaker 1: be some nostalgia there. Yeah, because You Contend does not
Speaker 1: age well as a comedy for modern audiences. I did
Speaker 1: not find it so, but I know that people who
Speaker 1: love it grew up with it. Well that's me. Yeah.
Speaker 1: Road Warrior, Oh, Fincher seems like a lot of fun
Speaker 1: to hang out with a Road Warriors. The original right,
Speaker 1: that's that's number one. Road Warriors, number two, Mad Mats original. Okay,
Speaker 1: got Road Warrior is great? Well, they were both great. Um.
Speaker 1: I was about to say Fincher is probably a lot
Speaker 1: of fun to hang out with and watch a movie.
Speaker 1: But I've heard actually, who was it that told the
Speaker 1: story about watching a movie with David Fincher. Oh, it
Speaker 1: was one of his actors, maybe ship I can't remember,
Speaker 1: but one of his actors said that he told the
Speaker 1: story about watching a movie. Ad picture is pretty terrible
Speaker 1: because all he does is sit there and kind of
Speaker 1: nitpick it out loud and not in a grumpy way,
Speaker 1: but just like, why would they put the camera there?
Speaker 1: What is that light coming in from that back room?
Speaker 1: What is that all about? Like the minutia. Next up,
Speaker 1: we have another mel Gibson movie, a movie that I
Speaker 1: think is sort of underrated. That year Year of Living Dangerously.
Speaker 1: I am not even aware. Great movie, tell me more
Speaker 1: about it. Uh, well, it's mel Gibson, um, sort of
Speaker 1: a younger mel Gibson. It's a story. It's sort of
Speaker 1: a love affair period piece. Okay, Australian movie. Peter Weir.
Speaker 1: Of course, that's why it's great. Great, great Peter Weir, Oh,
Speaker 1: gorgeous poster. It's one of those like classic hand painted,
Speaker 1: like old Hollywood type posts. But it would have been
Speaker 1: what in the seventies, Uh you early eighties, I think, yeah,
Speaker 1: eighty two You're Living Dangerously, very good movie. Uh. Then
Speaker 1: we have American graffiti, classic Americana. The Terminator. That's fun
Speaker 1: that he would put that on the list because I
Speaker 1: will say, there's something about The Termina We've talked about
Speaker 1: this where it's almost more like a slasher movie than
Speaker 1: it is like a sci fi movie. And I love
Speaker 1: the like eighties kind of you know, like neon drenched
Speaker 1: nostalgia of that and the soundtrack and just like the
Speaker 1: whole like unstoppable kind of Michael Myer's nests. That is
Speaker 1: The Terminator, No for sure in ages pretty well, you know,
Speaker 1: like the the effects look a little corny at times,
Speaker 1: but it fits the era and it it's great. It's
Speaker 1: still a really fun watch. I think Monty Python and
Speaker 1: the Holy Grail amazing. He's covering all the bases. And
Speaker 1: then the last two are The Exorcist and The Graduate.
Speaker 1: M hm wow, I mean this could this could be
Speaker 1: my list In many ways, it's quite a good list.
Speaker 1: The graduates so fun because it's like the Graduate too,
Speaker 1: me is very like proto wes Anderson, Like it's like
Speaker 1: it's kind of or like it's it's it's very Rushmore
Speaker 1: esque kind of. It's a little more straightforward and dry
Speaker 1: than that, but it has that same kind of wink wink,
Speaker 1: kind of like ryeness to it that I really like.
Speaker 1: Uh that sets the tone for a lot of those
Speaker 1: types of movies to come. Yeah, I don't. I don't
Speaker 1: think Wes Anderson would deny being influenced by the Graduate
Speaker 1: in some ways for sure. Uh yeah, all right, Well
Speaker 1: let's move on. I asked the crushers this yesterday. Noel
Speaker 1: got four hundred replies. Oh goodness. Uh, and I can't
Speaker 1: believe I had not asked this yet. If you could
Speaker 1: have a successful career in movies, what would your job be, Um,
Speaker 1: what would your job be? Nol Uh? Shoot, man, I
Speaker 1: swear we've done this one before, maybe not this exact one. Um,
Speaker 1: I would Yeah, I would love to be like a
Speaker 1: music director or like soundtrack curate tour supervisors supervisor exactly. Yeah.
Speaker 1: I could see you doing a really good job doing that.
Speaker 1: And well it's a tough record to break into, though,
Speaker 1: I'm sure because everybody wants it. Mix tapes, Yeah, I
Speaker 1: know how to make Yeah. Well it's fun too because
Speaker 1: you know it's called spotting when you actually sit down
Speaker 1: and watch the movie and and plant the queue, uh
Speaker 1: you know, along with the director, but they lean on
Speaker 1: the music supervisor to to do their thing and exercise
Speaker 1: or expertise to Alright, we're gonna start with Anika Razak Ahmed,
Speaker 1: great name. Uh working with budgeting. I want to know
Speaker 1: what goes into making a movie. Sounds boring, but I
Speaker 1: would love a cost breakdown. Yeah, that would be uh.
Speaker 1: I mean a lot of people have their hands in
Speaker 1: that pie. But um, generally that's the line producer anica,
Speaker 1: unless you really wanted to work in like payroll or something,
Speaker 1: and that's that's sort of different. But the line producers
Speaker 1: who kind of helps the budget stay on track and
Speaker 1: make sure everyone has what they need. But that's after
Speaker 1: the budget has been determined, right, so the budget gets
Speaker 1: greenlit basically with the picture or they they say we're
Speaker 1: gonna greenlive this picture, green lave this picture and give it,
Speaker 1: you know, a thirty million dollar budget, and that's it,
Speaker 1: not anymore but the line producer is is who comes
Speaker 1: up with that budget along with the director and the
Speaker 1: studio and everything. But they literally have to do and
Speaker 1: Emily did this when she was a producer because sometimes
Speaker 1: jobs didn't have line producers. But it's called the budget
Speaker 1: breakdown and their software that helps you basically fill out
Speaker 1: this huge spreadsheet like when they budget a movie. They
Speaker 1: just don't think. This feels like a twenty million dollar picture,
Speaker 1: like they have it lined out like we need this
Speaker 1: many people, we need this many actors, we need an
Speaker 1: animal wrangler, we need to stunt people in this day.
Speaker 1: And you know it's very meticulous, is how they come
Speaker 1: up with that number, and then they have to negotiate
Speaker 1: that number obviously and loose stuff like do you really
Speaker 1: need that stunt person? Yep, that kind of really need
Speaker 1: that explosion? Yeah, exactly. Let me see here, I've been
Speaker 1: Louise berkeshare, great name. I'm sorry, butcher that practical special
Speaker 1: effects designer, animatronics and budgeting creatures. I'm sorry. Building creatures
Speaker 1: always been my dream. Wow, that's amazing. I love seeing
Speaker 1: all these different jobs. Uh, Hannah, like no one said
Speaker 1: director yet, Hannah Duffy says fully artist Trish latter House
Speaker 1: Skill Breath winner Our Old Friends has set deck set
Speaker 1: decorator who loved a shop for things and then decorate
Speaker 1: all types of settings. That is a fun job. I've
Speaker 1: done that. Are they Are they the same person though,
Speaker 1: the people that actually do the buying or does that
Speaker 1: a separate job? Well, I mean it depends on the job.
Speaker 1: If it's a small TV commercial, you might be buying
Speaker 1: the stuff and in decorating the room. But on big
Speaker 1: movies you have shoppers who go out and do that.
Speaker 1: I've been a few set deck people here in Atlanta
Speaker 1: who kind of have their own like collection of ship
Speaker 1: you know what I mean. They have like their own
Speaker 1: little shop and they'll just like, oh, this will work
Speaker 1: really well for this, and they'll just bring in their
Speaker 1: little trinkets and you know, stuff like that. And also
Speaker 1: there's a few houses around here that actually almost are
Speaker 1: like these you know movie you know, um prop type houses,
Speaker 1: and they have like yard sales occasionally where you'll go
Speaker 1: buy all this weird miscellaneous furniture and like trinkets and
Speaker 1: cups and cutlery and plates, and it's all stuff that's
Speaker 1: been used for set deck in different productions. Yeah, a
Speaker 1: prop shop going out of business sale was a lot
Speaker 1: of fun. I've actually been to one of those. Uh,
Speaker 1: Scott deal. One of world friends says, I'd love to
Speaker 1: be a behind the scenes still photographer. Yeah, set photographer.
Speaker 1: That is also Scott. I'm not sure if you knew this,
Speaker 1: but the person that usually um one of those stills
Speaker 1: becomes the movie poster. Interesting. Uh, Usually when you see
Speaker 1: the movie poster and it's from the movie, it's not
Speaker 1: like they just said, hey, let's just steal that frame.
Speaker 1: It is actually a photograph that the set photographer took.
Speaker 1: That makes sense. Quick, quick backtrack, Chuck, because I'm now
Speaker 1: very fascinated by this movie The Year of Living Dangerously,
Speaker 1: which we spoke about earlier from everyone will probably remember
Speaker 1: the actor Linda Hunt, who famously was the like visual
Speaker 1: I think she maybe does the voice to visual inspiration
Speaker 1: for that weird little character and the impossible in the
Speaker 1: incredible movie Lynda Hunt. She is in Living Dangerously and
Speaker 1: was nominated for or She One rather an Academy Award
Speaker 1: and she became the first person to win an Oscar
Speaker 1: for portraying a character of the opposite sex plays a
Speaker 1: male character and that that's fascinating. I really putting that
Speaker 1: one on my list now because of that that pushed
Speaker 1: it over the top. No, I love Linda Hunt, but
Speaker 1: that's fascinating, and now that I've been looking it up
Speaker 1: and seeing some stills, it looks like a really fun movie,
Speaker 1: like a very interesting movie. So I'm looking forward to.
Speaker 1: Austin Handler, one of our oldest friends says, uh, he's
Speaker 1: an interior designer now, so feasibly I could transition to
Speaker 1: set designer, but would rather be director, cinematographer or director
Speaker 1: of photography, which is the same thing as a cinematographer. Yeah,
Speaker 1: Austin's at your sides high my friend might as well.
Speaker 1: You know what I would want to do, nol director.
Speaker 1: Oh yeah, you should. You could do it, Chuck, you're
Speaker 1: good at You're good at Boston people around. Uh. Editor,
Speaker 1: that would be a lot of fun too, because I
Speaker 1: love the edit process. But oh yeah, yeah, if you're
Speaker 1: if you're a director, I mean you also sit in
Speaker 1: the edit bay a lot of the time and help
Speaker 1: make those decisions, so it's like a collaborative kind of
Speaker 1: process a lot of the time. Tracy Fox, I want
Speaker 1: to be the person that creates props, prop master, I'm
Speaker 1: sure there's a technical term and I don't know. Yeah,
Speaker 1: I mean the prople or something like that. Well, I mean,
Speaker 1: you know, sometimes there can be a prop shop where
Speaker 1: you are actually building things if it does not exist.
Speaker 1: But the prop master also just works with the props.
Speaker 1: Like I think the rule is anything the actor touches
Speaker 1: is a prop as opposed to a decoration. Got it. So,
Speaker 1: like you know, if you pick up a pop watch
Speaker 1: and look at it, it's a prop. A gun is
Speaker 1: a prop. And oftentimes they'll have to have like many
Speaker 1: many duplicates of it or like different versions of it,
Speaker 1: especially if it becomes a plot point in the movie
Speaker 1: and like you know, kind of travels with the character
Speaker 1: throughout the movie, they might have to distress it a
Speaker 1: little bit or have different versions that look a little
Speaker 1: different over time and stuff. Uh. Nola worked on very
Speaker 1: few movies, but I worked on a low budget movie
Speaker 1: called The Good Humor Man, and it was a superiod
Speaker 1: piece seventies movie about these high school kids, sort of
Speaker 1: a dazed and confused kind of thing um in which
Speaker 1: I worked with a very young Jason Segel. Actually I
Speaker 1: don't think i've ever told that story. He was in
Speaker 1: the movie before he was anybody, and I remember him
Speaker 1: telling me stories about, Yeah, I'm worked with Jack Black
Speaker 1: on this thing and I got a lot of things
Speaker 1: in the fire, and I was like, you know, everyone
Speaker 1: has those stories. I was like, yeah, buddy, sure and uh,
Speaker 1: what do you know, Jason Siegel? But I was the
Speaker 1: joint roller uh on that movie because they needed lots
Speaker 1: of joints. The prop department didn't know how to do
Speaker 1: that right, and I did so as a p A.
Speaker 1: I rolled all the joints and I even requested that
Speaker 1: my on screen credit b P A slash joint roller.
Speaker 1: That's amazing. And I'm looking this up, Chuck, and it
Speaker 1: has uh the dude that played Hugo and Lost was
Speaker 1: in it, which is or Hey and uh Kelsey Grammer.
Speaker 1: What was he like? I've heard he's an odd character.
Speaker 1: He was actually very nice and I buddied up with
Speaker 1: his uh the two women that he worked with in
Speaker 1: his production company where there are a lot and they
Speaker 1: ended up being like good friends of mine for a
Speaker 1: little while. He was very nice. He had bad feet,
Speaker 1: that was his deal. He uh had he had problems
Speaker 1: with his feet. Had that were special shoes and kind
Speaker 1: of spending a lot of time on his feet was
Speaker 1: troublesome for him, but he was a remake. There's a
Speaker 1: nineteen fifties movie that Jack Carson not not a remake
Speaker 1: at all. Um, But yeah, Jorge was in it, and
Speaker 1: he was actually in it because the director was a
Speaker 1: guy who directed all the TV commercials I worked on
Speaker 1: for like two years, and he um Rye from Lost
Speaker 1: was in almost every one of those TV commercials, So
Speaker 1: I worked with him all the time. Very nice guy,
Speaker 1: and when he got on Lost, it was it was
Speaker 1: awesome because he was such a good dude. Like uh,
Speaker 1: Caroline Guest and one of our oldest friends says, I
Speaker 1: very much wanted to work in casting and maybe in
Speaker 1: another university universe where I hadn't met uh that boyfriend
Speaker 1: at that time, and that kept me for moving away.
Speaker 1: That's precisely what I'm doing, all right. Yeah, casting is
Speaker 1: a lot of Funsting is great. Oh that's that's a
Speaker 1: fun game to play, just like on the show. We've
Speaker 1: done that a million times where I say who would
Speaker 1: who would be pick for this biopic or whatever? You know,
Speaker 1: I love this fun. The good charl pal David Gooch
Speaker 1: screenwriter or character actor, I feel like writing is what
Speaker 1: I'm best at. But I'd love to be that guy.
Speaker 1: I love that. I don't I don't think that you
Speaker 1: you don't get to say I am now a character
Speaker 1: the actor. I think. I think history has to decide
Speaker 1: that's what you are, you know what I mean? Yeah,
Speaker 1: but I mean, sure, what kind of I know what
Speaker 1: he's saying, though I know what he's saying to it.
Speaker 1: I'm mainly teasing. But when you think of a person
Speaker 1: who's an amazing character actor, you think that because of
Speaker 1: their resume and because it's really long and varied, you
Speaker 1: know what I mean, and it just sort of happens
Speaker 1: that way. I think, Yeah, but you also that that
Speaker 1: can be something you should shoot for. If you're an actor,
Speaker 1: you have a certain look and you know you're not
Speaker 1: leading man. Material like that is an avenue you could
Speaker 1: try to be a character actor, totally true, and use
Speaker 1: what what the Good Lord gave you know what the shake,
Speaker 1: what the Good Lord gave you on the screen in
Speaker 1: various different ways. Let me see here. Meg bast Garan says,
Speaker 1: I imagine someone on the production side calendar schedules, logistics,
Speaker 1: creating call sheets. Yeah, so you would you would want
Speaker 1: to be a If it was a movie, Meg, you
Speaker 1: would probably be a unit production manager. Would be my
Speaker 1: guests A U P M. Chuck. Have we talked about
Speaker 1: the thread on the Crushers page about how much joy
Speaker 1: it gives people when you butcher the pronunciation of their name. Yes,
Speaker 1: I don't think we talked about it. But it's funny,
Speaker 1: it's wonderful. Yeah, I do my best, but it's it's
Speaker 1: kind of become a bit so that everyone has patience
Speaker 1: with its No one gets mad. It's nice. No, no, no,
Speaker 1: that's my point. Not only they not get mad, they
Speaker 1: crave that. They're like, please, chuck, this pronounced the hell
Speaker 1: out of my name. I'm sorry. D All the Smiths
Speaker 1: and Jones is out there. I'll try and mispronounce those. Uh. Miguel,
Speaker 1: Miguel Macgiana, great name, stuntman, but only as a driver.
Speaker 1: I'm scared of heights. So, Miguel, what you would actually
Speaker 1: want to be probably is called a precision driver. Uh.
Speaker 1: And those people can do stunts, but they can also
Speaker 1: be the person that just you know, drive sort of
Speaker 1: fast to pull into the parking space in a really
Speaker 1: quick way. Like sometimes they can't even have the actor
Speaker 1: do something like that, you know, or like whip it around,
Speaker 1: or like do a doughnut, but maybe not necessarily a
Speaker 1: high speed car chase or stunt. Yeah, go out there
Speaker 1: and do a donut, do a doughnut. Precision driver. Those
Speaker 1: those uh, those people are always fun. Uh, Zach Hawkins,
Speaker 1: I'd love to build a movie sets. I'm a carpenter.
Speaker 1: Would really enjoy the fruits of my labor being immortalized
Speaker 1: in a movie. Yeah, Zach, you would be a will
Speaker 1: you'd be a carpenter or maybe what a carpenter? Hi? What,
Speaker 1: that's the how it goes. But you know what I'm
Speaker 1: getting at. Sure. Uh. One of our old friends, Kristin Bits,
Speaker 1: a guy, says, I mean, if I could be successful,
Speaker 1: I would totally be an actor. I've done tons of
Speaker 1: life TV and have had a radio show for several years,
Speaker 1: but I haven't acted since high school. But I enjoy it.
Speaker 1: And while I'm not great, I'll commit under your premise
Speaker 1: of being successful. That's great. Christie Caroline says our CAROLINSS
Speaker 1: pyrotechnics or having to take the photos of the characters
Speaker 1: for dressing the houses or whatever it's called. Okay, dressing
Speaker 1: the houses or whatever. It's called I Love It. Yeah,
Speaker 1: well that's actually that's kind of write on it. Uh.
Speaker 1: Yavon Bodette, one of her old palaces, soundtrack maker do
Speaker 1: her guy that adds music person to montagees scenes, dude,
Speaker 1: I love It official. Jeff Noels, another composer, wants to
Speaker 1: be a composer or a fully artist, and he says, hell,
Speaker 1: I wouldn't mind just selling one of my songs. Yeah,
Speaker 1: Jeff's musician. You know. I tell you, I gotta get
Speaker 1: you the contact for this dude. And I'm totally spacing
Speaker 1: on his name right now. It's a guy who does
Speaker 1: He was one of the original guys that Adults Swim
Speaker 1: hired to do uh music for a lot of their
Speaker 1: weirdo cartoons. And he was sort of in the early
Speaker 1: days of like Cartoon Network being a little more like
Speaker 1: edgy and modern, and then it kind of created adult swell. Um.
Speaker 1: He has this amazing studio in Atlanta where he does
Speaker 1: fully work, and I got to go and hang out
Speaker 1: with him and like see his whole little fully set
Speaker 1: up and it was a lot of fun. I'm gonna
Speaker 1: try to connect you up with him because I think
Speaker 1: he'd be a great guest totally, man, that sounds great.
Speaker 1: One of our old pals, Vanessa Cashman, says costume design.
Speaker 1: I could watch entire movies and series based only on costumes. Yeah.
Speaker 1: Brittany Jeldon says I would love to create title sequences.
Speaker 1: They set the tone for the movie and can create
Speaker 1: some great foreshadowing. Boy, everyone wants to do all these
Speaker 1: fun jobs. Nol. I really love seeing how few people
Speaker 1: are like superstar actor or big shot director. Yeah, exactly,
Speaker 1: let me see. Nathan Ostroot says a location scout, What
Speaker 1: a blast that would be. Well, we have a location
Speaker 1: scout in our audience, Robert Paulson, maybe you should have.
Speaker 1: Mike Sam says movie critic or is that bending the
Speaker 1: rules too much? I love to write, but I think
Speaker 1: it'd get too attached to ideas and be labeled a
Speaker 1: problematic writer. I don't think that's stretching it. That that's
Speaker 1: film adjacent world needs. Oh absolutely, Um yeah, Like I
Speaker 1: think I've mentioned. Uh, there's a film criticism podcast out
Speaker 1: of Chicago that I really did called film Spotting, And
Speaker 1: they do a good job of like not being too
Speaker 1: too too pretentious, Like they're they're accessible and they you know,
Speaker 1: get a little pretentious here and there, but they're very
Speaker 1: listenable and I highly recommend if you're looking for some
Speaker 1: film criticism that doesn't make you want to stab your
Speaker 1: eyes out, this would be a good one for you. Excellent.
Speaker 1: One of our old friends, Jenne van Valen, says, Oh,
Speaker 1: I'd play the chubby, quirky girl in small indie films. Jenna,
Speaker 1: that's great. I'd be there, right. I would be the chubby,
Speaker 1: quirky boy who was your best spell Yeah, and potential.
Speaker 1: He was there the whole time, love interest, and in
Speaker 1: the and then the third act, and then I took
Speaker 1: off my glasses and I let down my hair, you know.
Speaker 1: Erica Hogan says, I'm an accountant and I'd love to
Speaker 1: be an accountant for a movie. Mom was curious about
Speaker 1: the cost of movies and what all goes into the
Speaker 1: creation of a movie. Paying bills and making sure it's
Speaker 1: with him budget is the best way to do that.
Speaker 1: I love that, Erica. You could do that. You have
Speaker 1: the skills. Kevin Tully also wants to put together movie soundtracks.
Speaker 1: Joy Layman wants to be an editor both creative and
Speaker 1: insanely detailed sounds fun. It is fun. Amy Claude Felters
Speaker 1: has set continuity. I'm the one who notices the tiniest
Speaker 1: of misplacements where the glass that gets broken with two
Speaker 1: different patterns from seven different takes. Yes, you would be
Speaker 1: a script supervisor, Amy, is that script e? Yeah? Scripty,
Speaker 1: that'd be a great job for you. I think I
Speaker 1: broke scripty down. And one of our previous segments too.
Speaker 1: Lea Mitchell, one of our Old Palace has set design rush.
Speaker 1: Lle Jones says, I'm a numbers persons, so as sad
Speaker 1: as it sounds that want to work on the account side.
Speaker 1: I love all these people that want to be movie accounts.
Speaker 1: It's pretty someone's got to do it. And if they're
Speaker 1: if if you got passion for numbers, why not Yeah.
Speaker 1: Louis Arrata says, if not a character actor, then a
Speaker 1: folli artist. You got a lot of people. I don't
Speaker 1: want to be fully artistical, because no one wants to
Speaker 1: play in the dirt and make the clipperty clops and
Speaker 1: punch and punch the ham punch the ham. Uh. Sammy
Speaker 1: Cahill wants to be a prop master or shop for
Speaker 1: the props. Alex Stock wants to do animatronics, special effects
Speaker 1: and creature design. My friend p J. Sadski in l A,
Speaker 1: one of my best friends, wants to be a fluffer.
Speaker 1: Very funny t j A Pizang buzzinga uh. Sarah Aggie,
Speaker 1: one of our old friends, went to film school because
Speaker 1: she wanted to make documentaries like Planet Earth, but quickly
Speaker 1: learned how hard it is to be a documentarian. Now
Speaker 1: I'm a science teacher, but would love the chance to
Speaker 1: travel and record animals in amazing places all over the world.
Speaker 1: It's never too late, Sarah, get the camera or just
Speaker 1: buy a couple of more iPhones and us to that. Oh.
Speaker 1: I'm sure we've talked about this, and it's pretty obvious
Speaker 1: to most people that watch these, but I think it's
Speaker 1: fascinating and I just absolutely applaud these people like to
Speaker 1: get like a ten second animal action shot. Sometimes they're
Speaker 1: like posted up in the swamps for like a week,
Speaker 1: you know, and and then the editing on those, by
Speaker 1: the way, like it's just absolutely phenomenal where they edit
Speaker 1: these things together, especially like in the Planet Earth series
Speaker 1: or things like microcosmos like uh, what is it? Winged
Speaker 1: migration where they make these stories that you know, I mean,
Speaker 1: it's not like they're lying. There is truth behind them,
Speaker 1: or they represent truth, but they edit these things together
Speaker 1: to make these like narratives, and it's so meticulous and beautiful,
Speaker 1: and I think it's absolutely just like such a specialized,
Speaker 1: wonderful skill. You know. Terrence Malick was famous for doing
Speaker 1: things like well, he's famous for shooting like millions of
Speaker 1: feet of film for a movie. But one reason why
Speaker 1: is he would send his second unit out and say
Speaker 1: something like, hey, there's a there's a rare bird that
Speaker 1: makes this sound, and go take a camera and go
Speaker 1: spend three days out there until you can find this
Speaker 1: bird making the sound and shoot it and take like
Speaker 1: three cans of film with you. That's incredible and he
Speaker 1: would get it. Yeah. Charles Martin Aaker is one of
Speaker 1: Royal Palaces writer director. If I had the talent for it, yeah,
Speaker 1: I mean, being an all tour is certainly a great job.
Speaker 1: A bunch of people want to be fluffers, all men.
Speaker 1: Imagine that, Uh, Kelly Butler Olson when Royal Palaces, I
Speaker 1: would enjoy acting or on set teacher for child actors. Interesting,
Speaker 1: that's really sweet. This is one of those roles you
Speaker 1: don't really think about but it's so important. Yeah, they
Speaker 1: were always uh onset teachers are always very nice but
Speaker 1: also a little bulldoggie about making sure those kids got
Speaker 1: their education. It was great. Like sometimes they'd be like, no,
Speaker 1: they haven't got their hour, and like, you gotta wait.
Speaker 1: I saw the most lovely little uh uh movie trivia
Speaker 1: fact nugget the other day. I follow a all a
Speaker 1: bunch of weird Facebook groups and one of them is
Speaker 1: devoted to Danny DeVito. It's called Danny DeVito egg posting
Speaker 1: because he's in his character and always saying for Philadelphia,
Speaker 1: he likes eggs. And it was a post that says, uh.
Speaker 1: It reminds people that Danny DeVito directed the movie Matilda
Speaker 1: from uh. And then there's a little you know, text
Speaker 1: exchange or like a common exchange the screenshot and it says,
Speaker 1: hold up, Dany DeVito directed the most influential film in
Speaker 1: my childhood. And then someone responded says, not only directed it,
Speaker 1: but starting it. Took care of Marra Wilson, who played Matilda,
Speaker 1: while her mother was in hospital with cancer, and he
Speaker 1: even managed to get an advanced copy of the movie
Speaker 1: for her to watch before she succumbed to her illness.
Speaker 1: The man is a treasure. Wow, that's great. That was incredible.
Speaker 1: I too, I too just exudes like goodness. You know.
Speaker 1: All right now we're gonna move on to our final
Speaker 1: segment today, one that Ruby came up with. I was
Speaker 1: doing these last night. I was coming up with these
Speaker 1: and Ruby walked up and I said, what are you doing?
Speaker 1: I said, what's a good question, Ruby, I can ask
Speaker 1: for a movie crush And she said, uh, knock knock joke.
Speaker 1: So I said, oh great, I said, describe a movie
Speaker 1: using a knock knock joke. Very creative. So here we go.
Speaker 1: Benjamin Johnston got um many many up likes and loves
Speaker 1: for this. Knock knock? Who's there? Mother? Mother? Who? A
Speaker 1: boy's best friend is his mother? Norman? You should know
Speaker 1: who I am. These are fun knock knock. This is
Speaker 1: from Grant Woody knock knock? Who's there? Cindy Lou? Cindy Lou? Who?
Speaker 1: Oh that's correct? Are you familiar with my work? Very?
Speaker 1: Very very you. I don't know if anyone would be
Speaker 1: able to come up with anything. And there's like a
Speaker 1: hundred of these, uh knock knock. I'm sorry. Jake Nielsen,
Speaker 1: knock knock there. Hi, I'm looking for Alice. Hi, I'm
Speaker 1: looking for Alice. Who. Oh we just moved in. This
Speaker 1: is our old place, and so Alice doesn't etcetera, etcetera,
Speaker 1: just doesn't live here anymore. All right, these are kind
Speaker 1: of fun. Kristen bits Aguy said she joined this from
Speaker 1: another site, but I wanted to joke Ruby would get
Speaker 1: knock knock, who's there? Tinker Bell? Tinker Bell? Who think
Speaker 1: your doorbell was out of order? Oh? This is from
Speaker 1: Luke Richardson. All right, knock knock, who's there? Memento memento?
Speaker 1: Who do I know you exactly? I don't know. I
Speaker 1: don't think so, I don't know. I'm amazed at how
Speaker 1: fun and creative these are. They're very fun and very creative.
Speaker 1: The movie Crush community is just the best I know.
Speaker 1: It's so much fun. Becca Lou, one of our oldest
Speaker 1: of friends, has a great one here. I think it
Speaker 1: actually might have gotten the most uplis knock knock, who's there? Dana? Dana? Who?
Speaker 1: There is no Dana, only Zool. That's my favorite, by far,
Speaker 1: my favorite so far. Old pal Rebecca Robes says, Oh,
Speaker 1: my heart, knock knock, who's there, Orange Orange, you glad
Speaker 1: we're not watching Frozen again. I like Frozen, and I'm
Speaker 1: fine with watching it again. But how many times have
Speaker 1: you seen it? Oh? Plenty? No, I mean not not anymore.
Speaker 1: When it came out, it was actually like a really
Speaker 1: important movie for me and my in Eden because she like, really,
Speaker 1: that was the first movie she really was like, oh
Speaker 1: my god, I'm into movies. I love this movie and
Speaker 1: the songs. Uh. And now she's a surly teenager and
Speaker 1: it's I can't get her to love anything. But it's
Speaker 1: gonna come back around, Chuck, It's gonna come back around.
Speaker 1: Are you saying she let it go? Don't she let
Speaker 1: a car? Dude? Now? She's so niche in her her
Speaker 1: fandoms now, and it's things that I just don't really
Speaker 1: fully like understand. I never thought it would happen, Chuck.
Speaker 1: But that's where we are. Where we are. Erica Reneebo
Speaker 1: SARTs says, knock knock, who's there, Harry, Harry? Who nice
Speaker 1: to meet you, Harry. I'm Sally. That's very cute. You know,
Speaker 1: did I tell you what we've talked about this? I
Speaker 1: have not seen that in one sitting. I've only seen
Speaker 1: like bits of it. I need to watch it. It's
Speaker 1: I heard that it was that originally had a not
Speaker 1: happy ending, no interesting. Yeah that that that that that
Speaker 1: were swetten so that they like you know, didn't end
Speaker 1: up together or whatever. Sammy Cahill, knock knock, who's there?
Speaker 1: Rooney's gonna get Rooney's gonna get who? Ferris Bueller boum boum. Okay,
Speaker 1: here we go. Benjamin Johnston knock knock? Who's there? A
Speaker 1: census taker? Census taker? Who? Census taker? You say? I'm
Speaker 1: just about to enjoy fava beans in a nice CHIANTI.
Speaker 1: Would you like to come in? Oh groan, that's amazing.
Speaker 1: Knock knock. This is from Carly uh Peto van Ni
Speaker 1: Oh yeah yeah, she loves it when you uh, when
Speaker 1: you add a little Italian stank to her name. Uh,
Speaker 1: knock knock? Who's there? Do you want to build a snowman?
Speaker 1: Do you want to build a snowman? Who? Old off? Silly?
Speaker 1: Go away? Anna? That sounds like a joke. Ruby would write,
Speaker 1: Actually I think so. Yeah. Uh. This is from Liz
Speaker 1: Ann knock knock, who's there? We're Wolf? Were Wolf? Who there? Wolf?
Speaker 1: Their castle? Young Frankenstein I tried, got it. Hey, you
Speaker 1: know what all we ask is that you try that
Speaker 1: you give it your all. Uh. Here's another memento and
Speaker 1: from Will Burke, knock knock, who's there? Me? Me? Who?
Speaker 1: I don't know, that's the point. It is, all right,
Speaker 1: let's do a few more of these. I can only
Speaker 1: take about a few more chuck. I'm I'm I'm about
Speaker 1: to go into sugar shock. And this is the sweetness here,
Speaker 1: knock knock. This is from John Hewitt, knock knock, who's there?
Speaker 1: I am? I am who? I am a Jedi like
Speaker 1: my father before me. That's cute. If you also go
Speaker 1: I also would have accepted I am legend. I would
Speaker 1: have accepted that, sure, knock knock? Who's there? Day? Day? Who? Day?
Speaker 1: I thought that was maybe where that was gone. Petlejuice,
Speaker 1: do you think this is sweetness? No? Or do you
Speaker 1: think you're about to lose your mind from knock knock jokes?
Speaker 1: It's well, I don't know. It's a combination of the two.
Speaker 1: It is like there is something inherently corny and sweet
Speaker 1: that as a formula that has to go to a
Speaker 1: knockknock joke that makes them be pretty wholesome and kind
Speaker 1: of sweet. I guess there could be filthy knock knock jokes,
Speaker 1: but I don't. I don't have any time or place
Speaker 1: for those in my life. Yeah, agreed. Bill Horton says,
Speaker 1: this knock knock? Who is there? What? What? Who? What? What? Who? Say? What?
Speaker 1: One more motherfucking time? Okay, winner, ding ding ding ding.
Speaker 1: That's that's clever use of the form. That's subverting the
Speaker 1: form that I love that. I love that. All right,
Speaker 1: these are great everyone. We're gonna leave these up there.
Speaker 1: There are over a hundred of these. I'm very, very pleased.
Speaker 1: I'm gonna read some of these a ruby tonight when
Speaker 1: she gets them from school. I'll filter out the bad
Speaker 1: ones and the ones. You want to understand, you gotta
Speaker 1: lead with the motherfucker one. Man, it's time for her
Speaker 1: to learn that motherfucking word. Oh. I think she's probably
Speaker 1: heard it. You're probably right. Did I tell you that
Speaker 1: my daughter has an aversion to swears that she uh,
Speaker 1: she's clearly knows them and is aware of them. But
Speaker 1: if anytime I swear, she goes, that's a bad word. Dad.
Speaker 1: But she's kind of making fun of me and trolling me.
Speaker 1: A little bit. But I also can tell she genuinely
Speaker 1: doesn't like swears. Yeah, you know, we kind of normalized it.
Speaker 1: We we slip up and curse some, but she doesn't
Speaker 1: really notice, and she hasn't really repeated much. I think
Speaker 1: she said ship a couple of times, uh, a couple
Speaker 1: of years ago. But um, yeah, it's good, it's interesting,
Speaker 1: it's interesting. Yeah. We don't get too bit out of
Speaker 1: shape about words. No, no, no, I don't. I don't either,
Speaker 1: That's my point. And I'm literally trying to tell her
Speaker 1: eating why are you so hung up on it's just words?
Speaker 1: She goes, this is a bad word. I'm like, oh,
Speaker 1: come on, that's right. She's the same in school. Alright. No, Well,
Speaker 1: that wraps it up for this week. So we're gonna
Speaker 1: we're gonna gift this episode to our friends out there
Speaker 1: in movie crush land. Thanks to all the crushers for
Speaker 1: all those fun knock knock jokes. And I'm gonna leave
Speaker 1: those up, like I said, so people can check it out.
Speaker 1: And over four d people who responded about what movie
Speaker 1: job they'd like to do. I really do love seeing
Speaker 1: the variety and people wanting to do all kinds of things.
Speaker 1: We could feel a production with our gang here. I
Speaker 1: would love that. And all our bases are covered, all
Speaker 1: our bases are covered, and be at all it would
Speaker 1: be a family affair, A family affair, all right, Thanks buddy,
Speaker 1: and we'll see everyone next week. By E. Movie Crash
Speaker 1: is produced and written by Charles Bryant and Meel Brown,
Speaker 1: edited and engineered by Seth Nicholas Johnson, and scored by
Speaker 1: Noel Brown here in our home studio at Pontsty Market, Atlanta, Georgia.
Speaker 1: For iHeart Radio. For more podcasts for my heart Radio,
Speaker 1: visit the iHeart Radio app, Apple podcast, or wherever you
Speaker 1: listen to your favorite shows,