WEBVTT - Naked Terror

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<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert lamp and I'm Julie Douglas. Julie,

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<v Speaker 1>we have talked about haunted houses before check yes and

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<v Speaker 1>haunted houses. Of course they manipulate if they toy with

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<v Speaker 1>our responses to sounds and sights and smells, just all

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<v Speaker 1>just bombarking our senses with all this information. And yet

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<v Speaker 1>there are people out there who are always thinking, what

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<v Speaker 1>can we do differently, what can we do that will

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<v Speaker 1>that will will change the haunted attraction offering? And U

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<v Speaker 1>a Pennsylvania haunted house has discovered just the means of

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<v Speaker 1>doing this. That's right. It's called sh october Fest Screen Park.

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<v Speaker 1>And I like to think of it as splicing my

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<v Speaker 1>nightmare about public nudity with a haunted house, because this

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<v Speaker 1>is what they initially offered. The park owner, Patrick kind

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<v Speaker 1>of Polski. He created this naked and scared challenge to

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<v Speaker 1>give his guests just another level of heightened fear. It's

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<v Speaker 1>an add on, it's an add on. In fact, they

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<v Speaker 1>had I believe the options were nude or prude, and

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<v Speaker 1>prude is like underwear prude is underwear? Do you get

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<v Speaker 1>through your underwear? You can go through completely nude. And

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<v Speaker 1>of course this caught many people's eyes. The story went national,

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<v Speaker 1>and city officials really frowned upon it. You know, presumably

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<v Speaker 1>there'd be a lot of liability here with your with

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<v Speaker 1>your junk hanging out, don't you think, Well, potential, I mean,

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<v Speaker 1>that's kind of what we're gonna talk about here, is

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<v Speaker 1>like to what extent? I mean, are you actually more vulnerable,

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<v Speaker 1>more prone to injury if you're running through hund a

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<v Speaker 1>house naked? Maybe? But but is it really that different,

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<v Speaker 1>say from like a summer aware that somebody's wearing, Like,

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<v Speaker 1>are you really if you're just wearing like swim trunks

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<v Speaker 1>and a tube top or something, then are you really

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<v Speaker 1>that that that much more protected? Well, I don't know,

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<v Speaker 1>when you are wearing a tubetop, how do you feel? Well,

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<v Speaker 1>not not a tube I guess something of like a

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<v Speaker 1>what do you call it, like a sleeveless kind of shirt. Yeah, well,

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<v Speaker 1>you know that is the question. So unfortunately, the owners

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<v Speaker 1>of the screen park, we're not able to actually pull

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<v Speaker 1>this off because again city officials were not liking this.

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<v Speaker 1>So they do have the prude option. So so the

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<v Speaker 1>prude option is still around. You can run through your underwear, yeah,

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<v Speaker 1>which I do think there's still a nice level of

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<v Speaker 1>venerability there and we'll definitely talk more about this. Yeah,

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<v Speaker 1>it depends on the underwear though, because like boxers, I

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<v Speaker 1>feel like boxers that's more protection, you know, because they

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<v Speaker 1>boxers look a little more like shorts. And then if

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<v Speaker 1>you throw in like an underwear shirt as well, I

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<v Speaker 1>mean you're basically clothed at that point. If you count

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<v Speaker 1>socks is underwear even more so. Yeah, but tidy Whitey's

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<v Speaker 1>are keeping it closer to the boxy t whities I

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<v Speaker 1>think would would need to be the rule, because tidy

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<v Speaker 1>whities are both a little more skimpy and also ridiculous looking,

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<v Speaker 1>so there would be no It's not like you're wearing

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<v Speaker 1>like wrestling tights in there and you're ready to go.

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<v Speaker 1>If you're wearing tidy Whitey's, you're wearing this ridiculous dingy

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<v Speaker 1>white underwear with a penis flap in the front, which

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<v Speaker 1>I've never understood that I think is for another episode. Yeah,

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<v Speaker 1>m but we should probably also discuss the television show

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<v Speaker 1>which is called Naked and Afraid yes, and you were

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<v Speaker 1>telling me about this and I thought you were making

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<v Speaker 1>this up. I thought this was a Julie pitch for

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<v Speaker 1>a for a reality show. But as it turns out,

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<v Speaker 1>someone beat you to it on this one. Yes, someone did,

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<v Speaker 1>and actually our our mother company, Discovery Really Communications, actually

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<v Speaker 1>produces this show. But it does seem like something that

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<v Speaker 1>would be on thirty Rock. That's like, you know, Milk Island,

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<v Speaker 1>but no naked and Fred takes to survivalists a man

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<v Speaker 1>and a woman and they dropped them in the middle

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<v Speaker 1>of an isolated area naked for twenty one days with

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<v Speaker 1>no food or water, like rural Georgia or uh no,

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<v Speaker 1>I think Costa Rica, Panama. Some were fabulous, some were

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<v Speaker 1>fabulous and isolated and um. But you know, again, here's

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<v Speaker 1>this fascination with this idea that we strip ourselves down

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<v Speaker 1>to the essence, you know, bear as babies, and we

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<v Speaker 1>go out into the world and try to fend off

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<v Speaker 1>all the actual real threats as well as the imagined threats. Yeah.

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<v Speaker 1>I mean it's the thing itself, right, I mean, it's

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<v Speaker 1>the the the the bare human without any of the

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<v Speaker 1>clothing and armor that we've built up over the ages. Well,

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<v Speaker 1>and that kind of takes us to this this other

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<v Speaker 1>place where we have to say, as organisms, why in

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<v Speaker 1>the world are we naked anyway? I mean, we are

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<v Speaker 1>obviously doing pretty well as a species. Homo sapiens are

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<v Speaker 1>killing it out there literally. Um, but you know, we

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<v Speaker 1>don't have hard shells, we don't have claws to attack

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<v Speaker 1>people with, because we do have these big, beautiful brains.

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<v Speaker 1>That's right. We've you know, we we talked about beards,

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<v Speaker 1>and we talked about to some degree, there are arguments

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<v Speaker 1>that the beard gives a certain amount of protection against

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<v Speaker 1>bites or scratches or strangulation or what have you. But yeah,

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<v Speaker 1>for the most part, like the naked human is a

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<v Speaker 1>pretty unremarkable creature. It doesn't have horns, it doesn't have

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<v Speaker 1>any of these crazy additions except those that we've invented

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<v Speaker 1>over the years with that tremendous brain. And I want

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<v Speaker 1>to point out I think the beard, although it could

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<v Speaker 1>blunt a blow to the jaw, I would think that

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<v Speaker 1>someone can actually like drag you around with it be hindrance. Yeah, yeah,

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<v Speaker 1>I think we got into that a little bit too,

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<v Speaker 1>Like the the subject of beards in fighting sports, to

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<v Speaker 1>what degree, you know, you can grab onto a beard,

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<v Speaker 1>and that was one of the reasons that Alexander the

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<v Speaker 1>Great supposedly told all of the soldiers they had to

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<v Speaker 1>shave the beard because someone could grab it and then

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<v Speaker 1>stab you in the eye a few times. Whereas they're

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<v Speaker 1>also those in the M M A world who say, well,

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<v Speaker 1>if you grew out just enough stubble, then you can

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<v Speaker 1>rub that into people's face and you have an offensive weapon. Uh,

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<v Speaker 1>just as a female. And the beards that are in

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<v Speaker 1>that stage, yes, are quite awful, sort of like to

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<v Speaker 1>archer devices. I can't help but that one. Um. All right,

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<v Speaker 1>So we're gonna look at a creature here, the octopus,

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<v Speaker 1>and we're going to try to get down to this

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<v Speaker 1>idea of a nudity and brain power. Yes, the octopus,

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<v Speaker 1>of course is an amazing creature. Recently, we were talking

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<v Speaker 1>about the way that the podcast has changed the way

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<v Speaker 1>that we approach our lives, and I mentioned that I

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<v Speaker 1>don't eat octopy anymore because I in our research, I've

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<v Speaker 1>discovered how brilliant they are in their own way. And

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<v Speaker 1>I say in their own way, because take, for instance,

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<v Speaker 1>the mirror test for self awareness, one of the hallmarks

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<v Speaker 1>of of of of of intelligence and uh, you can.

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<v Speaker 1>There are a number of organisms that can pass this test,

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<v Speaker 1>including including humans, including uh, some some primates, etcetera. Uh.

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<v Speaker 1>An octopus will fail the test because the octopus does

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<v Speaker 1>not have this mammalion brain. It has a very advanced brain,

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<v Speaker 1>but it is it is evolved in the state from

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<v Speaker 1>from a far distant starting point than any of these

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<v Speaker 1>other examples that we have, these vertebrate examples. So they

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<v Speaker 1>incredibly brilliant creatures, but in a very different sense, in

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<v Speaker 1>a very alien sense. Yeah. And for for a long time,

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<v Speaker 1>scientists have been saying, we don't understand how it could

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<v Speaker 1>have such extreme intelligence and be so very different from

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<v Speaker 1>our own nervous systems. And here's why. Octopuses have five

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<v Speaker 1>hundred million neurons to our one hundred billion. So you'd

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<v Speaker 1>think that they would come up short in the smarts department. Um,

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<v Speaker 1>but about two thirds of its brains are distributed in

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<v Speaker 1>its arms, and it's dedicated to the fine operation of

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<v Speaker 1>these limbs and and doing really nuanced and complex things camouflage,

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<v Speaker 1>changing its shape, changing its color, um and all of

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<v Speaker 1>these problems solving powers that they notoriously have that anytime

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<v Speaker 1>you read about them, you'll be hear aquarium owners or

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<v Speaker 1>researchers talk about what great escape artists they are. Yeah,

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<v Speaker 1>it's because they've got hundreds of suckers, you know, lining

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<v Speaker 1>these limbs, and all the neurons to go with it. Now,

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<v Speaker 1>the rest of the neurons are split between a central

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<v Speaker 1>brain that is surrounding the esophagus and large optic lobes

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<v Speaker 1>behind the eyes. So you think about this, and then

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<v Speaker 1>you think about different accounts of things that octopuses have done.

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<v Speaker 1>I'm thinking about the researcher who had something like five

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<v Speaker 1>different octopuses and separate tanks, and she had some old

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<v Speaker 1>food and she knew that they wouldn't be crazy about it,

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<v Speaker 1>like like rancid and not rancid, but like old frozen squid,

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<v Speaker 1>yeah yeah, not nothing fresh um. And she she fed

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<v Speaker 1>all of them. And then as she was walking back up,

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<v Speaker 1>she came up to the first tank and she saw

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<v Speaker 1>the octopus was staring at her, and it seemed to

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<v Speaker 1>her that the octopus actually waited until they made eye contact,

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<v Speaker 1>and the octopus stuffed the food down the drain, as

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<v Speaker 1>if to say, not only do I reject this, but

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<v Speaker 1>I'm going to show you to what degree I rejected,

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<v Speaker 1>and I want to make sure that you're paying attention here,

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<v Speaker 1>not mere rejection, that rejection with spite. Yes, exactly. Yeah.

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<v Speaker 1>So there are so many different accounts of these sorts

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<v Speaker 1>of great things, you know, stuffing themselves into empty coconut

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<v Speaker 1>shells that have fallen on the ocean for in order

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<v Speaker 1>to escape predators. Hot wiring cars, yeah, hot credit cards yeah. Um.

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<v Speaker 1>So from the article how the freaky octopus help us

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<v Speaker 1>to helps us to understand the human brain and wired,

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<v Speaker 1>I just wanted to read this quote says the octopus

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<v Speaker 1>got smart because the octopus got soft, or vice versa.

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<v Speaker 1>It has no bones, no shell, no scary spikes. So

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<v Speaker 1>if the octopus wanted to go hunting in an ocean

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<v Speaker 1>full of fish, they're also hunting. Sometimes for octopus, it

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<v Speaker 1>had to become fiendishly clever, not unlike a certain shell less, clawless,

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<v Speaker 1>fur less primate. We could mention. Yeah, because when we've

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<v Speaker 1>discussed before, when it comes to evolution, like the ocean

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<v Speaker 1>is an incredibly dangerous place, like far more so than

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<v Speaker 1>than the surface world, just teeming with dangers. And so

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<v Speaker 1>there's just the the the arms race there is just

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<v Speaker 1>elevated to a degree you don't. You tend not to

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<v Speaker 1>see on the surface world, you know, I guess in

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<v Speaker 1>the jungle can say it's it's close. But but for

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<v Speaker 1>the most part the ocean is just this deadly race.

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<v Speaker 1>And so you look at the octopus and when it's

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<v Speaker 1>when it's alive and moving, you you are seeing all

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<v Speaker 1>the shifting of shapes and colors. It can make its

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<v Speaker 1>texture look hard and rough and rugged. But if you

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<v Speaker 1>have a dead octopus and it just you know, washes

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<v Speaker 1>up on the beach, it just looks like a sack

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<v Speaker 1>of flesh. There's nothing there's nothing hard, there's nothing rugged

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<v Speaker 1>about it. In a sense, it's all bluff, it's all

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<v Speaker 1>it's it's a it's it's neurons powering up and creating

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<v Speaker 1>this display. And you can maybe easily make the argument

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<v Speaker 1>that humans have done the same thing, though, instead of

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<v Speaker 1>making our skin crawl with crazy textures and change colors

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<v Speaker 1>and all, we have invested in clothing. We've invested in

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<v Speaker 1>in garments and and in some cases actual armor that

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<v Speaker 1>makes us physically tougher, but in other cases stuff that

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<v Speaker 1>changes the the the the visual proposition of what we

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<v Speaker 1>are as an individual in the species, well as landlovers

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<v Speaker 1>to um. You know, we we got our neo cortex

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<v Speaker 1>as mammalian have, and that really up the game too,

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<v Speaker 1>because now we have theory of mind. I can try

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<v Speaker 1>to figure out what you're thinking and trying to strategize

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<v Speaker 1>around that. UM. So you're normally just taking in all

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<v Speaker 1>that data, but you are analyzing it to such a degree.

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<v Speaker 1>So it is interesting how you put it that way.

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<v Speaker 1>You've got the ocean, which is an entirely different game,

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<v Speaker 1>and so you would have organisms developing different intelligence systems

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<v Speaker 1>as opposed to you know, what we're doing here on

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<v Speaker 1>the land. But of course the one thread that runs

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<v Speaker 1>through all of this is this vulnerability, this nakedness. Now,

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<v Speaker 1>one area where this this idea of heightened vulnerability want

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<v Speaker 1>while nude, really comes into play, uh is in our

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<v Speaker 1>promotion pictures because for the most part, most of us

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<v Speaker 1>have not had the experience of running through a hounted

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<v Speaker 1>house naked or fighting for our lives naked, but are

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<v Speaker 1>our heroes and heroin's sometimes do encounter the situation. A

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<v Speaker 1>few examples that instantly come to mind, of course, Eastern

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<v Speaker 1>promises yes with Viga Morton sence that scene of him

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<v Speaker 1>in the shower digging it out with a Russian mafia members,

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<v Speaker 1>like a pack of clothed Russian mafia members with knives.

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<v Speaker 1>That he's just naked and like like just very you know,

0:12:10.440 --> 0:12:13.240
<v Speaker 1>covered in tattoos, very loupine looking, you know, I'm gonna say,

0:12:13.320 --> 0:12:16.200
<v Speaker 1>very animal like looking, and he's just fighting for his

0:12:16.320 --> 0:12:19.400
<v Speaker 1>life and he's being stabbed and beaten. I can't think

0:12:19.440 --> 0:12:23.559
<v Speaker 1>of a scene that made me WinCE more honestly than

0:12:23.600 --> 0:12:25.240
<v Speaker 1>that scene. When I saw it, I was covering it

0:12:25.280 --> 0:12:27.840
<v Speaker 1>like it was just a horror, you know, film, and

0:12:27.840 --> 0:12:29.800
<v Speaker 1>that there was like blood. Of course there was no blood,

0:12:29.840 --> 0:12:33.839
<v Speaker 1>but yes, very effective use of nakedness. So that's that's

0:12:33.840 --> 0:12:36.200
<v Speaker 1>easily the one that came to mind mind the most.

0:12:36.240 --> 0:12:39.080
<v Speaker 1>Some other films that have included some some similar scenes.

0:12:39.640 --> 0:12:41.840
<v Speaker 1>I've forgotten about this, but Memento has a scene where

0:12:41.840 --> 0:12:44.720
<v Speaker 1>Guy Pierce is assaulted one naked and he's like fighting

0:12:44.760 --> 0:12:48.440
<v Speaker 1>him off, but it's nowhere near as as as intense

0:12:48.480 --> 0:12:51.920
<v Speaker 1>as Eastern promises. There's a scene in American Psycho where

0:12:52.000 --> 0:12:55.200
<v Speaker 1>Christian Bale's running around naked with a chainsaw, but that's

0:12:55.400 --> 0:12:58.320
<v Speaker 1>different because he's the one with the chainsaw. You know,

0:12:58.480 --> 0:13:00.840
<v Speaker 1>if you're carring a chainsaw. Then you're kind of not

0:13:00.920 --> 0:13:03.679
<v Speaker 1>really naked. Uh. There's a scene in The Hangover where

0:13:04.120 --> 0:13:06.800
<v Speaker 1>an individual is naked and attack somebody. There's a scene

0:13:06.800 --> 0:13:11.760
<v Speaker 1>in Beowulf School Ties there's like a shower fight. Um Fargo,

0:13:12.160 --> 0:13:16.040
<v Speaker 1>I've forgotten about this with the scene where is um

0:13:16.280 --> 0:13:20.079
<v Speaker 1>is making love to a prostitute and uh and an

0:13:20.120 --> 0:13:22.120
<v Speaker 1>individual comes in and starts roughing them up and just

0:13:22.160 --> 0:13:24.480
<v Speaker 1>throwing them all over the place. There's of course a

0:13:24.520 --> 0:13:27.600
<v Speaker 1>scene in Borat where uh where bora At wrestles an

0:13:27.600 --> 0:13:31.080
<v Speaker 1>individual and they're both naked and uh and it's it's awful,

0:13:31.160 --> 0:13:34.360
<v Speaker 1>it's awful. Um. There's a there's of course, the the

0:13:34.400 --> 0:13:36.800
<v Speaker 1>old Kin Russell film Women in Love. It is kind

0:13:36.800 --> 0:13:39.839
<v Speaker 1>of famous for a nude wrestling scene with Oliver read uh,

0:13:40.080 --> 0:13:42.320
<v Speaker 1>you know, very you know, in a very manly sense.

0:13:42.520 --> 0:13:45.320
<v Speaker 1>Uh and uh and then uh. When it comes to

0:13:45.600 --> 0:13:49.920
<v Speaker 1>uh to literature, I'm instantly reminded of C. S. Lewis's Perlandra,

0:13:50.520 --> 0:13:52.520
<v Speaker 1>which which has a lot of new like the they

0:13:52.559 --> 0:13:54.720
<v Speaker 1>could probably never film it because there's a lot of

0:13:54.800 --> 0:13:58.400
<v Speaker 1>nudity in it. The character Ransom lands on this uh,

0:13:58.520 --> 0:14:01.679
<v Speaker 1>this fictional version of Planet Venus it's also kind of

0:14:01.720 --> 0:14:05.480
<v Speaker 1>like Eten a biblical Eden. So he lands there and

0:14:05.480 --> 0:14:07.959
<v Speaker 1>he's walking around naked. And then a scientist by the

0:14:08.040 --> 0:14:10.880
<v Speaker 1>name of Professor Western lands as well in a little spaceship,

0:14:11.280 --> 0:14:15.000
<v Speaker 1>Western is clothed. That Western is also possessed by uh,

0:14:15.160 --> 0:14:18.240
<v Speaker 1>the devil, And it eventually gets to a situation where

0:14:18.240 --> 0:14:21.400
<v Speaker 1>they have this this fight and it's like the devil

0:14:21.600 --> 0:14:23.680
<v Speaker 1>is biting at him and all, and he's fighting him naked,

0:14:23.680 --> 0:14:26.680
<v Speaker 1>and it's and I remember it as being very very

0:14:26.760 --> 0:14:30.280
<v Speaker 1>nail biding ye yeah, um, which I think is interesting

0:14:30.280 --> 0:14:32.320
<v Speaker 1>because it brings in that element when you talk about

0:14:32.320 --> 0:14:35.440
<v Speaker 1>eating and talk about devil, uh, this element of shame.

0:14:36.080 --> 0:14:39.000
<v Speaker 1>And because what happened to Adam and e if they

0:14:39.760 --> 0:14:42.480
<v Speaker 1>they screwed up and so suddenly they can't walk around

0:14:42.560 --> 0:14:45.080
<v Speaker 1>naked anymore. They have to wear those leaves, and that

0:14:45.120 --> 0:14:49.000
<v Speaker 1>wrought all sorts of psychoanalysis for them. Yeah, especially when

0:14:49.040 --> 0:14:52.360
<v Speaker 1>fall fashions hit, because they just crumble at the slightest

0:14:52.600 --> 0:14:55.040
<v Speaker 1>movement and then they have to grab more leaves. It's

0:14:55.040 --> 0:14:57.000
<v Speaker 1>a problem. Let's take a break and when we get

0:14:57.040 --> 0:15:00.880
<v Speaker 1>back we will talk about this shame associated with nudgedness.

0:15:10.040 --> 0:15:12.440
<v Speaker 1>All right, We're back and we are going to dive

0:15:12.480 --> 0:15:17.680
<v Speaker 1>into nudity and shame. Yeah, And you know, it's it's

0:15:17.680 --> 0:15:21.640
<v Speaker 1>interesting to to think about nudity and shame because I

0:15:21.680 --> 0:15:25.680
<v Speaker 1>often feel like in Eastern promises, it never crossed my mind. Oh,

0:15:25.760 --> 0:15:28.480
<v Speaker 1>poor Vigo, it's so shameful that he's having to fight naked,

0:15:29.040 --> 0:15:31.160
<v Speaker 1>you know, like I don't like chain doesn't really factor

0:15:31.160 --> 0:15:33.880
<v Speaker 1>into my fear for him. But obviously shame is a

0:15:33.960 --> 0:15:37.280
<v Speaker 1>huge part of nudity in our version of nudity, particularly

0:15:37.280 --> 0:15:40.320
<v Speaker 1>in UH in Western culture. Well, what's interesting to you

0:15:40.320 --> 0:15:42.240
<v Speaker 1>about a lot of the clips that we saw that

0:15:42.320 --> 0:15:44.640
<v Speaker 1>we're sort of the top ten list of naked vibes

0:15:44.760 --> 0:15:47.160
<v Speaker 1>is that not one woman showed up in those Oh

0:15:47.240 --> 0:15:50.400
<v Speaker 1>excuse me, one did she was having with the nude

0:15:50.400 --> 0:15:56.360
<v Speaker 1>guy who was shooting Oh yeah, Clive Owen and Monica

0:15:57.200 --> 0:16:02.680
<v Speaker 1>well belus the one who is uh in the matrix, Okay,

0:16:02.800 --> 0:16:05.720
<v Speaker 1>yes her. So what's interesting about that is that those

0:16:05.800 --> 0:16:08.520
<v Speaker 1>nude scenes with women that you know, that's the violence.

0:16:08.600 --> 0:16:11.160
<v Speaker 1>Normally in a nude scene with a woman is voisted

0:16:11.240 --> 0:16:14.280
<v Speaker 1>upon them. It's not usually a fight scene in which

0:16:14.320 --> 0:16:18.320
<v Speaker 1>you know, they're toting guns around our knives. Um, so

0:16:18.640 --> 0:16:22.240
<v Speaker 1>it's kind of interesting to see shame and nudity rendered

0:16:22.280 --> 0:16:26.040
<v Speaker 1>in that way. But we have to we have to

0:16:26.080 --> 0:16:28.760
<v Speaker 1>think about what is shame and also we have to

0:16:28.880 --> 0:16:32.720
<v Speaker 1>differentiate shame from guilt. So how would you how would

0:16:32.720 --> 0:16:36.760
<v Speaker 1>you describe guilt? Like, if you're guilty about something, it's

0:16:36.760 --> 0:16:39.360
<v Speaker 1>a it's a rather different animal than shame. Okay, Well,

0:16:39.840 --> 0:16:43.440
<v Speaker 1>according to a collaboration between scientists at the University of

0:16:43.480 --> 0:16:48.120
<v Speaker 1>Buffalo's Research Institute on Addictions and George Mason University in Fairfax,

0:16:48.240 --> 0:16:51.720
<v Speaker 1>shame is definitely not the same as guilt, and shame

0:16:51.760 --> 0:16:55.920
<v Speaker 1>actually has implications regarding misuse of alcohol and drugs. So

0:16:56.320 --> 0:16:57.960
<v Speaker 1>all that shame that we think about in terms of

0:16:57.960 --> 0:17:01.920
<v Speaker 1>our body, it's more of a thought construct, right, It's

0:17:02.040 --> 0:17:04.919
<v Speaker 1>not associated with an act. Usually, So if I have

0:17:05.000 --> 0:17:08.040
<v Speaker 1>a dream about being naked in public, and this is

0:17:08.040 --> 0:17:10.600
<v Speaker 1>more of a nightmare, it's more of an impending feeling

0:17:10.640 --> 0:17:14.280
<v Speaker 1>that I have, um, you know, I have done something.

0:17:14.280 --> 0:17:18.240
<v Speaker 1>It's little dread anxiety associated with a shame as opposed

0:17:18.280 --> 0:17:22.200
<v Speaker 1>to like, you know, I did something sexual or bad.

0:17:22.520 --> 0:17:25.560
<v Speaker 1>You know this one act. Yeah, guilt tends to imply

0:17:25.680 --> 0:17:28.520
<v Speaker 1>to that you you really did something wrong, that you're

0:17:28.880 --> 0:17:32.119
<v Speaker 1>responsible for you know that you're culpable in whereas shame

0:17:32.600 --> 0:17:34.959
<v Speaker 1>not necessarily like, if you're ashamed of your body, you're

0:17:35.000 --> 0:17:37.320
<v Speaker 1>not gonna be persecuted because your body doesn't match your

0:17:37.359 --> 0:17:42.520
<v Speaker 1>own personal expectations of it and uh and and likewise,

0:17:42.520 --> 0:17:46.480
<v Speaker 1>it's this study looked into uh when when they were

0:17:46.480 --> 0:17:48.960
<v Speaker 1>dealing with shame, like individuals who had like the bodily

0:17:49.440 --> 0:17:52.280
<v Speaker 1>uh signs of shame, like the sunken shoulders, and those

0:17:52.280 --> 0:17:55.359
<v Speaker 1>were the ones that were more likely to relapse into

0:17:55.400 --> 0:17:59.040
<v Speaker 1>their addictive behaviors. Yeah, we should mention that these studies

0:17:59.080 --> 0:18:02.919
<v Speaker 1>were all surrounding addictions and behavior. And the first study

0:18:02.960 --> 0:18:05.880
<v Speaker 1>that they had, it was three groups of participants with

0:18:06.359 --> 0:18:09.680
<v Speaker 1>different levels of alcohol or drug problems. There were two

0:18:09.720 --> 0:18:13.480
<v Speaker 1>groups that were primarily female college students about twenty years old.

0:18:13.760 --> 0:18:17.919
<v Speaker 1>The third group was comprised of predominantly male inmates from

0:18:17.960 --> 0:18:21.040
<v Speaker 1>a jail who were on average about thirty one years old.

0:18:21.600 --> 0:18:25.400
<v Speaker 1>And what they found is that shame is the tendency

0:18:25.480 --> 0:18:28.879
<v Speaker 1>to feel really bad about yourself following a specific event,

0:18:29.440 --> 0:18:31.639
<v Speaker 1>and people who are prone to shame when dealing with

0:18:31.680 --> 0:18:34.320
<v Speaker 1>a variety of life problems may also have a tendency

0:18:34.400 --> 0:18:36.639
<v Speaker 1>to turn towards alcohol and other drugs to cope with

0:18:36.640 --> 0:18:39.920
<v Speaker 1>this feeling. So that's what the deal is with guilt

0:18:39.960 --> 0:18:42.760
<v Speaker 1>and shame. It turns out that guilt um which is

0:18:43.160 --> 0:18:46.320
<v Speaker 1>again something that you're feeling bad about, which is a

0:18:46.400 --> 0:18:51.040
<v Speaker 1>specific behavior action that is unrelated to substance use problems.

0:18:51.040 --> 0:18:53.880
<v Speaker 1>And as you had mentioned, there was a follow up

0:18:53.920 --> 0:18:57.040
<v Speaker 1>study that looked at the body language of people who

0:18:57.119 --> 0:19:01.800
<v Speaker 1>felt shame about their addiction and could accurately predict whether

0:19:01.880 --> 0:19:04.760
<v Speaker 1>or not that person would have a relapse. Yeah, and

0:19:04.960 --> 0:19:07.080
<v Speaker 1>you know, the more I think about, shame seems to

0:19:07.280 --> 0:19:09.639
<v Speaker 1>really make more sense in terms of something that is

0:19:09.680 --> 0:19:13.520
<v Speaker 1>an ongoing issue, you know, something that could be seen

0:19:13.760 --> 0:19:16.840
<v Speaker 1>as a if not a character flaw, then a then

0:19:16.880 --> 0:19:22.160
<v Speaker 1>a deep flaw in that person, either physically or spiritually mentally,

0:19:22.200 --> 0:19:24.679
<v Speaker 1>what have you. Yeah, and I think that's with the

0:19:24.760 --> 0:19:28.600
<v Speaker 1>interesting part of the body language what it's telling the

0:19:28.640 --> 0:19:30.600
<v Speaker 1>observers here in this study. I said that was a

0:19:30.600 --> 0:19:33.840
<v Speaker 1>follow up and it's actually not. It's University of British

0:19:33.840 --> 0:19:38.560
<v Speaker 1>Columbia study. So there's forty six participants who were videotaped

0:19:39.040 --> 0:19:42.119
<v Speaker 1>several sessions throughout the year that they found those greater

0:19:42.240 --> 0:19:45.800
<v Speaker 1>levels of shame behaviors, and that first session showed that

0:19:45.800 --> 0:19:48.760
<v Speaker 1>they were more likely to relapse by the second session.

0:19:49.240 --> 0:19:51.720
<v Speaker 1>And by the way, any sort of written or verbal

0:19:51.760 --> 0:19:55.880
<v Speaker 1>expressions of shame did not predict the likelihood of relapse.

0:19:55.920 --> 0:19:59.920
<v Speaker 1>It was that again, the physical manifestation of what shame

0:20:00.280 --> 0:20:03.600
<v Speaker 1>looks like, which leads into the research conducted by Burnet Brown,

0:20:04.080 --> 0:20:07.080
<v Speaker 1>who's a professor of University of Houston Graduate College of

0:20:07.119 --> 0:20:10.040
<v Speaker 1>Social Work, and she studies shame for six years and

0:20:10.080 --> 0:20:12.560
<v Speaker 1>she found a lot of a lot of correlation between

0:20:12.640 --> 0:20:15.199
<v Speaker 1>shame and not only addiction, which we've been discussing, but

0:20:15.200 --> 0:20:21.480
<v Speaker 1>also depression, violence, aggression, bullying, suicide, and eating disorders. So

0:20:21.560 --> 0:20:25.440
<v Speaker 1>she makes the argument that that guilt is more useful, uncomfortable,

0:20:25.520 --> 0:20:27.840
<v Speaker 1>but but adaptive, you know. It's it's something that can

0:20:27.880 --> 0:20:30.280
<v Speaker 1>actually be spun off into positive growth, where a shame

0:20:30.880 --> 0:20:33.399
<v Speaker 1>is more And we get into, you know, discussing shame

0:20:33.480 --> 0:20:36.479
<v Speaker 1>spirals and this idea that that that shame is not

0:20:36.520 --> 0:20:40.280
<v Speaker 1>only feeling feeling responsible for what you did and realizing

0:20:40.280 --> 0:20:43.840
<v Speaker 1>that what you did is wrong on some level, but

0:20:43.840 --> 0:20:47.240
<v Speaker 1>but feeling this this low level of self worth about

0:20:47.240 --> 0:20:50.280
<v Speaker 1>it that you almost don't have the the energy to

0:20:50.280 --> 0:20:53.640
<v Speaker 1>to to fight the temptation or the or the need

0:20:53.680 --> 0:20:55.720
<v Speaker 1>to do it again. You know what's interesting about that

0:20:55.840 --> 0:20:57.840
<v Speaker 1>is when you talk about the human body, you talk

0:20:57.840 --> 0:21:01.760
<v Speaker 1>about nudity, some people will have very strong reactions to

0:21:01.880 --> 0:21:05.280
<v Speaker 1>their image and they might have, you know, eating disorders

0:21:05.400 --> 0:21:08.800
<v Speaker 1>or other disorders that sort of warped their sense of

0:21:09.119 --> 0:21:14.160
<v Speaker 1>um self esteem. And what Brown says is that perfectionism,

0:21:14.160 --> 0:21:17.280
<v Speaker 1>which you often see with eating disorders, is a form

0:21:17.359 --> 0:21:21.159
<v Speaker 1>of shame. And she said, where we struggle with perfectionism,

0:21:21.240 --> 0:21:26.439
<v Speaker 1>we struggle with shame. Research shows that perfections perfectionism hampers achievement.

0:21:26.920 --> 0:21:31.879
<v Speaker 1>Perfectionism is correlated with depression, anxiety, addiction, and life paralysis

0:21:32.480 --> 0:21:35.600
<v Speaker 1>or missed opportunities. The fear of failing, making mistakes, not

0:21:35.720 --> 0:21:39.199
<v Speaker 1>meeting people's expectations, of being criticized, keeps us outside of

0:21:39.200 --> 0:21:42.879
<v Speaker 1>the arena were healthy competition and striving unfolds. It reminds

0:21:42.920 --> 0:21:46.080
<v Speaker 1>me of that episode of Community where where they're all

0:21:46.119 --> 0:21:49.359
<v Speaker 1>taking this pottery class and uh and uh and Jeff

0:21:49.359 --> 0:21:52.840
<v Speaker 1>Wingers failing miserably added and it's just really frustrated with

0:21:52.880 --> 0:21:54.680
<v Speaker 1>his miserable pottery because he was hoping it would be

0:21:54.680 --> 0:21:57.879
<v Speaker 1>an easy class and to pick up women. And then

0:21:57.920 --> 0:22:00.800
<v Speaker 1>there's this there's this doctor in the class. Uh, you know,

0:22:00.840 --> 0:22:04.200
<v Speaker 1>so he's already an overachiever in some respects and then

0:22:04.200 --> 0:22:06.639
<v Speaker 1>he's also creating this beautiful pottery even though it's like

0:22:06.680 --> 0:22:09.680
<v Speaker 1>a pottery one on one class and uh, and so

0:22:09.760 --> 0:22:13.119
<v Speaker 1>the characters are arguing over whether this guy is you know,

0:22:13.160 --> 0:22:15.360
<v Speaker 1>an expert who's come in to just pretend that he's

0:22:15.400 --> 0:22:18.120
<v Speaker 1>just starting and he's a natural or you know, or

0:22:18.240 --> 0:22:20.159
<v Speaker 1>or he just is a natural. And at the end

0:22:20.160 --> 0:22:22.440
<v Speaker 1>of the episode, you you get insight into this, uh,

0:22:22.600 --> 0:22:26.720
<v Speaker 1>this doctor's uh like dark inner monologue where he's he's

0:22:26.800 --> 0:22:29.760
<v Speaker 1>really striving after this perfectionism met out of this deep

0:22:30.080 --> 0:22:33.040
<v Speaker 1>sense of shame. Isn't that funny? And that that that

0:22:33.320 --> 0:22:37.119
<v Speaker 1>even the results will never be good enough. Right, so

0:22:37.200 --> 0:22:41.480
<v Speaker 1>even if he produces this piece of pottery that's museum grade, yeah,

0:22:41.560 --> 0:22:43.280
<v Speaker 1>because he's because he's coming in it from the sense

0:22:43.320 --> 0:22:46.280
<v Speaker 1>of shame, the sense that you'll never achieve what is

0:22:46.320 --> 0:22:48.640
<v Speaker 1>expected up. Yeah, and we'll talk a little bit more

0:22:48.640 --> 0:22:52.760
<v Speaker 1>about some of burn A. Brown's insights into shame and vulnerability.

0:22:53.080 --> 0:22:57.719
<v Speaker 1>But I did want to mention um that bowling in nudity,

0:22:58.000 --> 0:23:02.679
<v Speaker 1>in in virtual reality is a thing. Um. The point

0:23:02.840 --> 0:23:06.080
<v Speaker 1>of this two thousand and seventh study of the game

0:23:06.680 --> 0:23:11.280
<v Speaker 1>Second Life was actually just tried to figure out how

0:23:11.320 --> 0:23:14.440
<v Speaker 1>bowling would work with new residents of Second Life. I'm

0:23:14.440 --> 0:23:18.280
<v Speaker 1>sure everybody is familiar with Second Life. Uh, this virtual

0:23:18.320 --> 0:23:21.480
<v Speaker 1>representation of yourself and this virtual world that you can

0:23:21.560 --> 0:23:26.280
<v Speaker 1>insert yourself into, and it's a highly social world. Yeah,

0:23:26.320 --> 0:23:31.080
<v Speaker 1>it's not just creatures running around killing monsters or you know,

0:23:31.400 --> 0:23:34.440
<v Speaker 1>or fighting each other. There's like, for instance, I attended

0:23:34.480 --> 0:23:37.000
<v Speaker 1>a church service in one once. I'm not really a

0:23:37.000 --> 0:23:39.399
<v Speaker 1>Second Life user, but I was attending a church service

0:23:39.920 --> 0:23:43.800
<v Speaker 1>and one of the organizers they're put on uh like

0:23:43.920 --> 0:23:46.960
<v Speaker 1>on the screen a church service that was going on

0:23:47.080 --> 0:23:49.800
<v Speaker 1>in Second life, and so there were all these characters

0:23:49.800 --> 0:23:56.000
<v Speaker 1>they were worshiping and as their avatars in this virtual environment.

0:23:56.080 --> 0:23:59.520
<v Speaker 1>So if you're not familiar with Second Life, just be

0:23:59.600 --> 0:24:02.680
<v Speaker 1>aware of at any and everything seems to go on there, right,

0:24:02.720 --> 0:24:05.480
<v Speaker 1>I mean, you basically can conduct a version of your

0:24:05.520 --> 0:24:08.120
<v Speaker 1>life in Second Life your avatar. You can do things

0:24:08.160 --> 0:24:10.439
<v Speaker 1>obviously that you never could do in your life. Right,

0:24:10.480 --> 0:24:13.520
<v Speaker 1>And for many people creates, it's a tremendous social outlet

0:24:13.560 --> 0:24:15.280
<v Speaker 1>that they might not have, especially if you know, if

0:24:15.280 --> 0:24:18.320
<v Speaker 1>they're uh, you know, they're they're in an area or

0:24:18.320 --> 0:24:19.840
<v Speaker 1>in a place in their life where they don't have

0:24:20.080 --> 0:24:23.200
<v Speaker 1>you know, physical access to to you know, some sort

0:24:23.240 --> 0:24:27.879
<v Speaker 1>of supporting community. Well. Researchers from Nottingham University Business School

0:24:27.920 --> 0:24:31.200
<v Speaker 1>with the permission of Lindon Lamb, who who developed Second Life,

0:24:31.640 --> 0:24:34.640
<v Speaker 1>they set up a cyber based focus group to discuss

0:24:34.680 --> 0:24:37.720
<v Speaker 1>the problem of bullying directly with residents of Second Life.

0:24:38.400 --> 0:24:41.040
<v Speaker 1>Um and the new residents they found were often the

0:24:41.080 --> 0:24:46.080
<v Speaker 1>target of bullying, which included destroying a newbie's house, right, so,

0:24:46.440 --> 0:24:50.120
<v Speaker 1>a newbie avatar's house, shooting him or her swearing at

0:24:50.160 --> 0:24:53.520
<v Speaker 1>them and then displays a public nudity from the bully,

0:24:53.760 --> 0:24:57.720
<v Speaker 1>or like making the other person naked from the bully. Now,

0:24:57.760 --> 0:25:00.840
<v Speaker 1>in some ways, this is this is trying to shame

0:25:00.960 --> 0:25:05.960
<v Speaker 1>the residents by showing them how how highly they have

0:25:06.160 --> 0:25:11.320
<v Speaker 1>mastered their their abilities of their avatar, you know, to

0:25:11.359 --> 0:25:13.119
<v Speaker 1>say like this is how you get naked. Well, I'm

0:25:13.119 --> 0:25:14.720
<v Speaker 1>gonna show you. I'm gonna get naked in front of

0:25:14.720 --> 0:25:18.920
<v Speaker 1>you right now, because that's that's the level of my abilities.

0:25:19.160 --> 0:25:21.199
<v Speaker 1>But um, and you knew you don't even know how

0:25:21.200 --> 0:25:24.120
<v Speaker 1>to put your clothes on. But on on another level too,

0:25:24.160 --> 0:25:28.159
<v Speaker 1>it's sort of an aggressive act in the sense that

0:25:28.280 --> 0:25:33.800
<v Speaker 1>nudity itself is offensive or just sort of breaking social norms.

0:25:34.440 --> 0:25:37.080
<v Speaker 1>I think it's breaking social norms, taking on the power

0:25:37.240 --> 0:25:45.080
<v Speaker 1>of nudity to to expose oneself in this virtual realm.

0:25:45.200 --> 0:25:47.879
<v Speaker 1>It's got a lot of layers to it. Actually, yeah, well,

0:25:47.920 --> 0:25:50.720
<v Speaker 1>I mean yeah. Like, for instance, um, one of the

0:25:50.760 --> 0:25:52.719
<v Speaker 1>stories you've told before is when you were in New

0:25:52.800 --> 0:25:55.359
<v Speaker 1>York World Science Festival and like a new order the

0:25:55.440 --> 0:25:58.280
<v Speaker 1>few topless stopless. I think right, she was topless. She

0:25:58.359 --> 0:26:01.560
<v Speaker 1>just had like cut off geane shore shoes on, but

0:26:01.720 --> 0:26:04.119
<v Speaker 1>no top and she was just walking down the street

0:26:04.880 --> 0:26:07.359
<v Speaker 1>and she had crossed in front of a church. Now

0:26:07.440 --> 0:26:11.639
<v Speaker 1>at the same time, there was a bride emerging from

0:26:11.680 --> 0:26:14.760
<v Speaker 1>a car and about to to go up the steps.

0:26:15.119 --> 0:26:16.800
<v Speaker 1>So at the same time this was happening, and I

0:26:16.960 --> 0:26:19.639
<v Speaker 1>was absolutely amazed because I felt like I was the

0:26:19.720 --> 0:26:23.440
<v Speaker 1>only person who noticed, you know, bare breasted woman coming

0:26:23.800 --> 0:26:26.240
<v Speaker 1>at me, but everybody else was looking at the bride.

0:26:26.960 --> 0:26:30.760
<v Speaker 1>M So to I wonder what extent she was weaponizing nudity,

0:26:31.040 --> 0:26:34.840
<v Speaker 1>or you know, using it as a blunt instrument. I

0:26:34.960 --> 0:26:37.399
<v Speaker 1>did not get the sense that she was just had

0:26:37.440 --> 0:26:39.560
<v Speaker 1>forgotten to put her shirt on that day. I did

0:26:39.640 --> 0:26:42.920
<v Speaker 1>get the sense that she was doing in a very

0:26:43.000 --> 0:26:46.399
<v Speaker 1>intentional way, and I kept looking around for cameras and

0:26:46.440 --> 0:26:48.520
<v Speaker 1>I did not see any. Well, we've spoken about performance

0:26:48.600 --> 0:26:52.080
<v Speaker 1>artists before, and there are many, many examples of performance

0:26:52.160 --> 0:26:56.119
<v Speaker 1>artists using nudity as a way to in some cases

0:26:56.320 --> 0:26:58.760
<v Speaker 1>you knows, as an alluring method, but often it's kind

0:26:58.760 --> 0:27:02.760
<v Speaker 1>of like a shock. Uh. Some for instance, and I

0:27:02.840 --> 0:27:04.720
<v Speaker 1>forget the name of the artist here. It's referenced in

0:27:04.800 --> 0:27:07.720
<v Speaker 1>our how hula hoops article works on how stuff works,

0:27:08.200 --> 0:27:09.600
<v Speaker 1>but there was I want to say it was an

0:27:09.640 --> 0:27:14.240
<v Speaker 1>Israeli or Palestinian artist who did this video series where

0:27:14.600 --> 0:27:16.800
<v Speaker 1>it's like a woman naked hula hooping with a hula

0:27:16.800 --> 0:27:20.200
<v Speaker 1>hoop made out of barbed wire. So it's not alluring

0:27:20.240 --> 0:27:23.320
<v Speaker 1>at all. I mean some maybe, but um, but there's

0:27:23.359 --> 0:27:26.040
<v Speaker 1>this you know, you're hit with the sense of she's naked,

0:27:26.160 --> 0:27:28.520
<v Speaker 1>she's vulnerable, and then for some reason, the whula hoop

0:27:28.560 --> 0:27:29.920
<v Speaker 1>is made out of barbed wire and you see it

0:27:30.000 --> 0:27:34.000
<v Speaker 1>like cutting into her flesh, and uh, it's it's very disturbing.

0:27:34.040 --> 0:27:35.400
<v Speaker 1>It reminds me of some of the work that we've

0:27:35.400 --> 0:27:39.880
<v Speaker 1>talked about with Maria Abramovitch, who, um, she had one

0:27:39.960 --> 0:27:42.520
<v Speaker 1>performance art installation in which she was naked and then

0:27:42.680 --> 0:27:46.200
<v Speaker 1>she laid down next to a variety of objects. I

0:27:46.240 --> 0:27:48.080
<v Speaker 1>think there was a gun, there, there was a rose,

0:27:48.280 --> 0:27:50.720
<v Speaker 1>a couple of other objects, and people could interact with

0:27:50.800 --> 0:27:53.159
<v Speaker 1>her using those objects, and she found that people got

0:27:53.240 --> 0:27:59.000
<v Speaker 1>progressively uh more violent or just even threatening with her.

0:27:59.520 --> 0:28:02.480
<v Speaker 1>So what we're seeing here is that nudity is both

0:28:02.520 --> 0:28:04.760
<v Speaker 1>the seat of vulnerability but can also be the seat

0:28:04.760 --> 0:28:07.240
<v Speaker 1>of courage. Because on one hand, we can think of

0:28:08.240 --> 0:28:11.000
<v Speaker 1>of the Emperor's new Clothing, where here's this uh, here's

0:28:11.040 --> 0:28:14.320
<v Speaker 1>this buffoon who thinks he's wearing clothing and everyone's mocking

0:28:14.440 --> 0:28:17.439
<v Speaker 1>him because he's just walking around naked through the streets.

0:28:17.760 --> 0:28:20.600
<v Speaker 1>Or you think of any example from uh, you know,

0:28:20.760 --> 0:28:24.880
<v Speaker 1>in any kind of historical or biblical account where individuals

0:28:24.920 --> 0:28:27.880
<v Speaker 1>are stripped naked and reduced, you know, any any kind

0:28:27.920 --> 0:28:31.359
<v Speaker 1>of slavery or imprisonment situation. Uh, you know, examples of

0:28:31.359 --> 0:28:34.399
<v Speaker 1>Babu Grabe come to mind as well, where individuals are

0:28:34.480 --> 0:28:36.800
<v Speaker 1>are stripped of their clothing and and and in doing

0:28:36.880 --> 0:28:39.760
<v Speaker 1>so the strip of their dignity, and it's and it's used,

0:28:40.080 --> 0:28:41.880
<v Speaker 1>you know, as a as a weapon against them. But

0:28:41.960 --> 0:28:44.120
<v Speaker 1>then there are other examples where the nudity is very

0:28:44.200 --> 0:28:46.080
<v Speaker 1>much a symbol of cur I mean, think of all

0:28:46.160 --> 0:28:51.040
<v Speaker 1>the Greek statues we have of of these nude individuals,

0:28:51.240 --> 0:28:53.560
<v Speaker 1>you know, wrestling with each other, or a nude man

0:28:53.680 --> 0:28:57.680
<v Speaker 1>wrestling a centaur um in any any example like this

0:28:57.800 --> 0:28:59.880
<v Speaker 1>where the nudy is is their their seat of strength.

0:29:00.160 --> 0:29:02.200
<v Speaker 1>And I think a lot of those examples, not the

0:29:02.240 --> 0:29:05.000
<v Speaker 1>Steve b. Simione, but some of those examples that we

0:29:05.080 --> 0:29:07.200
<v Speaker 1>talked about in movies, that's what they're really going for

0:29:07.360 --> 0:29:10.800
<v Speaker 1>there too. It's like the man himself is, you know,

0:29:10.880 --> 0:29:14.959
<v Speaker 1>without clothing, is bravely fighting like like some Greek statue

0:29:14.960 --> 0:29:18.000
<v Speaker 1>who are some classical painting. Yeah, I mean there is

0:29:18.040 --> 0:29:23.000
<v Speaker 1>this idea that um in the flesh, completely stripped down,

0:29:23.640 --> 0:29:28.400
<v Speaker 1>you are actually taking the shackles of whatever it is

0:29:28.560 --> 0:29:32.080
<v Speaker 1>that we settle ourselves with and casting them away. And

0:29:32.480 --> 0:29:35.320
<v Speaker 1>I think of our friends, the Germans, who did this

0:29:35.520 --> 0:29:39.720
<v Speaker 1>really well. In fact, there's something called frank culture which

0:29:40.080 --> 0:29:43.000
<v Speaker 1>I listened to fourvo about fifty times to try to

0:29:43.040 --> 0:29:45.440
<v Speaker 1>say that. And I still will apologize to her German

0:29:45.480 --> 0:29:49.240
<v Speaker 1>friends out there, but this translates to free body culture

0:29:49.480 --> 0:29:53.240
<v Speaker 1>and naturism is really big for for Germans. This is so,

0:29:53.320 --> 0:29:55.600
<v Speaker 1>this is nudism, this is uh, this is being free

0:29:55.640 --> 0:29:58.560
<v Speaker 1>with your body, walking around nude in in a not

0:29:58.920 --> 0:30:03.360
<v Speaker 1>necessarily sexual just saying I am a nature boy. But

0:30:03.480 --> 0:30:05.160
<v Speaker 1>it's more than what we think of here in the

0:30:05.280 --> 0:30:09.000
<v Speaker 1>United States when we think about nudity and public nudity

0:30:09.080 --> 0:30:12.160
<v Speaker 1>and we think about these different areas where basically like

0:30:12.520 --> 0:30:15.560
<v Speaker 1>recreation parks where you can go and be nude. I mean,

0:30:15.680 --> 0:30:19.640
<v Speaker 1>this has its roots pretty strongly in Germany. In fact,

0:30:19.880 --> 0:30:22.400
<v Speaker 1>that movement that nature is a movement got its foothold

0:30:22.480 --> 0:30:26.120
<v Speaker 1>in the late nineteenth century during the Victorian area era.

0:30:26.320 --> 0:30:29.400
<v Speaker 1>So that's pretty amazing, right, And the first nudist camp

0:30:29.520 --> 0:30:33.040
<v Speaker 1>opened near Hamburg in nineteen o three. Now one in

0:30:33.200 --> 0:30:36.360
<v Speaker 1>ten Germans take a naked vacation at least once a year.

0:30:37.040 --> 0:30:40.520
<v Speaker 1>Oh that's awesome, But I know that's just according to

0:30:40.640 --> 0:30:43.880
<v Speaker 1>Kirk Fisher, a president of German Association for Free Body Culture.

0:30:43.960 --> 0:30:46.760
<v Speaker 1>By the way, so again there's this idea that there's

0:30:46.800 --> 0:30:50.000
<v Speaker 1>more of an exceptence of one's body. Yeah, I mean

0:30:50.040 --> 0:30:51.440
<v Speaker 1>I get it. I definitely get a sense of that

0:30:51.520 --> 0:30:54.920
<v Speaker 1>when I go to the Korean sauna that we have locally,

0:30:55.000 --> 0:30:58.120
<v Speaker 1>and granted it's it's segregated by by gender, but in

0:30:58.240 --> 0:31:00.880
<v Speaker 1>the the in the men's side, decide that I go

0:31:01.000 --> 0:31:04.040
<v Speaker 1>to um you see all different body types. So they

0:31:04.080 --> 0:31:05.960
<v Speaker 1>will be, you know, there'll be some like young dude

0:31:06.000 --> 0:31:10.040
<v Speaker 1>who's like super cut, There'll be some just old wretched

0:31:10.120 --> 0:31:14.320
<v Speaker 1>looking individually everything in between, and and what you know,

0:31:14.440 --> 0:31:16.240
<v Speaker 1>your first exposure to it may be a little you know,

0:31:16.360 --> 0:31:18.760
<v Speaker 1>like whoa, everyone's naked and I'm naked, what's going on here?

0:31:18.920 --> 0:31:22.480
<v Speaker 1>But then I do feel like it quickly settles and

0:31:22.600 --> 0:31:26.920
<v Speaker 1>you suddenly really don't care. My experience there was that,

0:31:27.400 --> 0:31:30.960
<v Speaker 1>and I was on the female side, was that I

0:31:31.160 --> 0:31:36.280
<v Speaker 1>could not believe the variety of body types because as

0:31:36.320 --> 0:31:39.440
<v Speaker 1>a female, taking in all the various bits of media,

0:31:40.200 --> 0:31:42.800
<v Speaker 1>you know, you tend to see the same bodies over

0:31:42.920 --> 0:31:46.200
<v Speaker 1>and over again. And I don't go around seeing a

0:31:46.280 --> 0:31:48.560
<v Speaker 1>lot of naked women around me. So to be in

0:31:48.600 --> 0:31:52.120
<v Speaker 1>a room with women who were not representative of media

0:31:52.240 --> 0:31:56.720
<v Speaker 1>but representative of the greater culture was amazing. And that

0:31:56.880 --> 0:31:59.640
<v Speaker 1>was what my brain was trying to square as all

0:31:59.720 --> 0:32:01.680
<v Speaker 1>this different shapes and then, as you say, it just

0:32:01.760 --> 0:32:04.000
<v Speaker 1>sort of became like these are bodies. Yeah, so I

0:32:04.000 --> 0:32:06.320
<v Speaker 1>can see where that would be really liberating for people,

0:32:06.360 --> 0:32:08.040
<v Speaker 1>and it can I think I can see where. It's

0:32:08.040 --> 0:32:11.880
<v Speaker 1>also difficult to understand if you haven't you know, gone

0:32:11.920 --> 0:32:14.040
<v Speaker 1>to a sauna environment like that, if you haven't skinny

0:32:14.120 --> 0:32:17.360
<v Speaker 1>dip you know, it's some hippie get together or something

0:32:17.640 --> 0:32:19.680
<v Speaker 1>where on the outside it seems like it might be

0:32:19.880 --> 0:32:22.600
<v Speaker 1>something kind of sleazy, like people are going to be

0:32:22.720 --> 0:32:26.160
<v Speaker 1>naked in the same area. There's something wrong going on here.

0:32:26.200 --> 0:32:28.280
<v Speaker 1>But no, it's uh, I mean, has its roots with

0:32:28.440 --> 0:32:33.280
<v Speaker 1>with ancient bath cultures that outside of you know, Scandinavia

0:32:33.920 --> 0:32:38.240
<v Speaker 1>really dried up over the past several centuries. I will

0:32:38.320 --> 0:32:41.680
<v Speaker 1>be honest though and say that I hoped um that

0:32:41.840 --> 0:32:44.920
<v Speaker 1>I wouldn't see anybody that I knew. Uh. Yeah, I've

0:32:44.960 --> 0:32:47.720
<v Speaker 1>never encountered someone that I know. But my wife has

0:32:47.840 --> 0:32:50.160
<v Speaker 1>like encountered people where they she either knew them or

0:32:50.280 --> 0:32:52.880
<v Speaker 1>they knew somebody she knew, And I guess that could

0:32:52.880 --> 0:32:54.480
<v Speaker 1>be a little weird. But on the men's side, there's

0:32:54.560 --> 0:32:56.520
<v Speaker 1>not a lot of like I understand that the lady

0:32:56.560 --> 0:32:58.800
<v Speaker 1>said is more chit chat. But on the min's side,

0:32:58.840 --> 0:33:01.160
<v Speaker 1>it's a lot of dudes sly sort of staring at

0:33:01.200 --> 0:33:04.440
<v Speaker 1>the floor. Yeah, there's a lot going on the on

0:33:04.520 --> 0:33:07.520
<v Speaker 1>the female side. I'm not even going to get into it.

0:33:07.600 --> 0:33:10.400
<v Speaker 1>I'm sure you've heard um all right. So I wanted

0:33:10.440 --> 0:33:13.360
<v Speaker 1>to bring up Burnet Brown again because she has a

0:33:13.480 --> 0:33:18.000
<v Speaker 1>really nice ted talk on vulnerability, emotional nakedness what we're

0:33:18.040 --> 0:33:21.680
<v Speaker 1>talking about here, and um, she has said that as

0:33:21.720 --> 0:33:25.200
<v Speaker 1>a culture, that we are doing harm to ourselves and

0:33:25.360 --> 0:33:30.080
<v Speaker 1>not allowing ourselves to be vulnerable or show that, um,

0:33:30.640 --> 0:33:34.280
<v Speaker 1>show our weaknesses and that trying to covering them up again,

0:33:34.480 --> 0:33:38.160
<v Speaker 1>just like perfectionism closes us down and closes us down

0:33:38.200 --> 0:33:40.760
<v Speaker 1>to opportunity. Yeah, it reminds me a lot of our

0:33:40.800 --> 0:33:43.720
<v Speaker 1>recent episode on clothes Cognition about how clothing that we

0:33:43.800 --> 0:33:47.120
<v Speaker 1>wear changes that the the idea of who we are,

0:33:47.200 --> 0:33:49.080
<v Speaker 1>the feeling, the internal feeling of who we are, but

0:33:49.160 --> 0:33:52.120
<v Speaker 1>also the version of ourselves that we're putting out there.

0:33:52.720 --> 0:33:55.200
<v Speaker 1>And uh, and when you you strip it all down

0:33:55.480 --> 0:33:59.720
<v Speaker 1>and you're just dealing with the creature itself, then I

0:33:59.760 --> 0:34:04.280
<v Speaker 1>mean that the speed with which we actually understand another

0:34:04.360 --> 0:34:07.760
<v Speaker 1>person increases. So have all these levels of clothing that

0:34:07.920 --> 0:34:10.560
<v Speaker 1>change the proposition of who we are both to ourselves

0:34:10.600 --> 0:34:13.279
<v Speaker 1>and to outsiders what happens in the mind, in the

0:34:13.360 --> 0:34:16.520
<v Speaker 1>brain itself when we strip away all that clothing, when

0:34:16.560 --> 0:34:19.440
<v Speaker 1>we consider each other, well, your brain actually gets a

0:34:19.560 --> 0:34:22.799
<v Speaker 1>boost and power. It turns out, because if someone were

0:34:22.840 --> 0:34:25.879
<v Speaker 1>to look at a bunch of images of nude people

0:34:25.920 --> 0:34:30.440
<v Speaker 1>as opposed to clothe people, signists have seen that their brains,

0:34:31.000 --> 0:34:33.879
<v Speaker 1>which of course our scan by m R I, are

0:34:33.960 --> 0:34:38.960
<v Speaker 1>able to process those images much faster. So on one hand,

0:34:39.000 --> 0:34:41.360
<v Speaker 1>you could say, no, that's because they don't have to

0:34:41.440 --> 0:34:45.120
<v Speaker 1>deal with all of the detail that in clothes. Cognition,

0:34:45.239 --> 0:34:48.320
<v Speaker 1>for instance, might put forth all those symbols inherent in

0:34:48.400 --> 0:34:53.880
<v Speaker 1>the clothing, bird symbols and then clothing symbols, color theory,

0:34:54.480 --> 0:35:00.080
<v Speaker 1>um reshaping of the body, and camouflaging of our he

0:35:00.200 --> 0:35:05.520
<v Speaker 1>faults through clothing. Thanks thanks that that takes up a

0:35:05.600 --> 0:35:08.399
<v Speaker 1>lot of time in cognition there does um. You could

0:35:08.480 --> 0:35:12.399
<v Speaker 1>say though, that just seeing the naked human form, get

0:35:12.440 --> 0:35:14.279
<v Speaker 1>that you get a boost in your brain because that's

0:35:14.360 --> 0:35:17.359
<v Speaker 1>something that is so easily recognized to us, and it's

0:35:17.400 --> 0:35:21.319
<v Speaker 1>something that I guess on a reproductive level, we would

0:35:21.360 --> 0:35:25.080
<v Speaker 1>have a response to which someone could argue that that's

0:35:25.080 --> 0:35:27.880
<v Speaker 1>one of the reasons we enjoy looking at nudity and art,

0:35:28.080 --> 0:35:31.040
<v Speaker 1>not merely from a you know, a sort of you know,

0:35:31.080 --> 0:35:34.920
<v Speaker 1>alluring subside, though obviously, uh, you know, figures of the

0:35:35.040 --> 0:35:38.960
<v Speaker 1>naked female or male form are pleasing to the eye.

0:35:39.840 --> 0:35:42.760
<v Speaker 1>But but then they also may just sort of refresh

0:35:42.840 --> 0:35:44.800
<v Speaker 1>us in a way. It's kind of like, imagine a

0:35:44.840 --> 0:35:47.840
<v Speaker 1>workplace where you just have it like an anatomical almost

0:35:48.120 --> 0:35:51.520
<v Speaker 1>you know, voyager plaque esque image of the nude male

0:35:51.640 --> 0:35:54.040
<v Speaker 1>and a nude female on the wall, and just so

0:35:54.200 --> 0:35:56.440
<v Speaker 1>every now and then, like things start getting complicated and

0:35:56.640 --> 0:35:58.799
<v Speaker 1>and and uh and and worrisome, you can look up

0:35:58.840 --> 0:36:00.400
<v Speaker 1>and be like, oh, well, that's what we are right

0:36:00.440 --> 0:36:03.279
<v Speaker 1>there that creates that creature, and that creature well, and

0:36:03.360 --> 0:36:08.160
<v Speaker 1>there's something that's um that that's equalizing about that. Right.

0:36:08.320 --> 0:36:10.520
<v Speaker 1>So everybody is naked, right, and they always say that

0:36:10.560 --> 0:36:14.160
<v Speaker 1>when you go and you give a talk, right, yeah,

0:36:14.239 --> 0:36:15.920
<v Speaker 1>And and it it makes more sense when you think

0:36:15.960 --> 0:36:18.080
<v Speaker 1>of it that way. It's like, look at the they're

0:36:18.160 --> 0:36:20.320
<v Speaker 1>just people just like you and me, and if you

0:36:20.360 --> 0:36:23.320
<v Speaker 1>were to take their clothes off, they all look varying

0:36:23.360 --> 0:36:25.759
<v Speaker 1>degrees of ridiculous. Now, that's what burn A Brown says.

0:36:25.840 --> 0:36:28.440
<v Speaker 1>That is the courage of doing that emotionally and to

0:36:28.560 --> 0:36:31.279
<v Speaker 1>show people that at the bottom of everything, we are

0:36:31.320 --> 0:36:35.080
<v Speaker 1>all human. We all have, you know, the same emotions,

0:36:35.239 --> 0:36:39.920
<v Speaker 1>the same sort of um hurts and and and the

0:36:39.960 --> 0:36:42.520
<v Speaker 1>same sort of joys and rewards in life. So she

0:36:42.600 --> 0:36:44.960
<v Speaker 1>says that we should be able to show that, to

0:36:45.080 --> 0:36:49.839
<v Speaker 1>show our our emotional nudity to people. And she says

0:36:49.880 --> 0:36:54.440
<v Speaker 1>that that actually is what makes something accessible, because otherwise

0:36:54.480 --> 0:36:56.480
<v Speaker 1>it's very hard to relate to other people if they

0:36:56.520 --> 0:37:01.640
<v Speaker 1>seem perfect, right, if they don't seem emotionally available vulnerable. Yeah,

0:37:01.719 --> 0:37:04.480
<v Speaker 1>And I've also found that like like real nudity, Like

0:37:04.560 --> 0:37:07.320
<v Speaker 1>there's emotional nudity where it's coming from a place of

0:37:07.400 --> 0:37:09.920
<v Speaker 1>honesty and you're like, oh, well this is this is

0:37:09.960 --> 0:37:13.879
<v Speaker 1>a real person. And then there's kind of aggressive emotional nudity.

0:37:13.960 --> 0:37:17.640
<v Speaker 1>It's like narcissistic nudity. Yeah, like stop waving your emotions

0:37:17.680 --> 0:37:20.120
<v Speaker 1>in my face kind of kind of thing. Well, I

0:37:20.200 --> 0:37:24.040
<v Speaker 1>wanted to to read this bit that Berne Brown actually

0:37:24.080 --> 0:37:26.439
<v Speaker 1>brought up in her book Daring Greatly, because she said

0:37:26.480 --> 0:37:29.920
<v Speaker 1>she got this idea of shame and vulnerability from rereading

0:37:29.960 --> 0:37:34.280
<v Speaker 1>a passage in Theodore Roosevelt speech Citizenship in a republic.

0:37:35.200 --> 0:37:37.840
<v Speaker 1>The passage is it's not the critic who counts, not

0:37:37.960 --> 0:37:40.680
<v Speaker 1>the man who points out how the strong man stumbles

0:37:40.840 --> 0:37:43.520
<v Speaker 1>or where the doer of deeds could have done them better.

0:37:43.840 --> 0:37:45.880
<v Speaker 1>The credit belongs to the man who is actually in

0:37:45.960 --> 0:37:49.120
<v Speaker 1>the arena, whose face is marred by dust and sweat

0:37:49.239 --> 0:37:52.719
<v Speaker 1>and blood, who strives valiantly, who at best knows the

0:37:52.800 --> 0:37:56.160
<v Speaker 1>triumph of high achievement, and who, at worst, if he fails,

0:37:56.480 --> 0:37:59.680
<v Speaker 1>at least fails well daring greatly. And he gave that

0:37:59.680 --> 0:38:03.800
<v Speaker 1>speech naked. Most people don't realize that, and mar with

0:38:03.920 --> 0:38:06.160
<v Speaker 1>dust and sweat and blood. He was referring to a

0:38:06.239 --> 0:38:09.719
<v Speaker 1>naked fight in that passage. Yeah, so there you go

0:38:09.840 --> 0:38:12.480
<v Speaker 1>a little insight into the links between nudity and shame,

0:38:12.600 --> 0:38:16.399
<v Speaker 1>nudity and strength, nudity and pair. Uh. Certainly think about

0:38:16.440 --> 0:38:18.879
<v Speaker 1>that as you watch some of the films we mentioned here,

0:38:19.040 --> 0:38:20.680
<v Speaker 1>or any of the other films out there that have

0:38:21.320 --> 0:38:25.000
<v Speaker 1>scenes that feature male and or female nudity and scenes

0:38:25.280 --> 0:38:28.719
<v Speaker 1>of ror or suspense. What role is the nudity playing,

0:38:29.040 --> 0:38:31.960
<v Speaker 1>How are they how are they tweaking the message of

0:38:32.040 --> 0:38:34.719
<v Speaker 1>the film by using that nudity, or are they just

0:38:34.800 --> 0:38:37.759
<v Speaker 1>using it gratuitously? Yeah, let us know. And I have

0:38:37.920 --> 0:38:42.560
<v Speaker 1>to say, us doing the podcast nude, it's not as

0:38:42.600 --> 0:38:44.000
<v Speaker 1>weird as I thought it was. Me No, what do

0:38:44.120 --> 0:38:47.200
<v Speaker 1>you know? Yeah, our producer he's fine with it too.

0:38:47.360 --> 0:38:51.319
<v Speaker 1>So yeah, well there, Yeah it worked out. Now would

0:38:51.400 --> 0:38:53.440
<v Speaker 1>you do would you go through a haunted house naked? Though?

0:38:53.560 --> 0:38:55.880
<v Speaker 1>I would not? Yeah? You. I mean, first of all,

0:38:55.920 --> 0:38:58.000
<v Speaker 1>it takes a lot to get me into a haunted house,

0:38:58.480 --> 0:39:02.839
<v Speaker 1>So to ask me to to drop trout that would

0:39:02.840 --> 0:39:05.640
<v Speaker 1>be sort of problematic. Yeah, I guess I would. I

0:39:05.680 --> 0:39:07.600
<v Speaker 1>would be up for it if it were if it

0:39:07.640 --> 0:39:09.520
<v Speaker 1>were a good haunted house and not just like some

0:39:09.600 --> 0:39:12.080
<v Speaker 1>sort of a gimmicky thing, because there were there have been.

0:39:12.120 --> 0:39:14.120
<v Speaker 1>There have been some haunted houses that have come through

0:39:14.480 --> 0:39:16.920
<v Speaker 1>or popped up in the Atlanta area that have featured

0:39:17.000 --> 0:39:19.719
<v Speaker 1>nudity on the part of the performers. And it just

0:39:19.760 --> 0:39:22.279
<v Speaker 1>sounds a little yeah, like I don't really want anything again.

0:39:22.400 --> 0:39:25.800
<v Speaker 1>I just I'm so pragmatically towards the liability thing. You know,

0:39:26.080 --> 0:39:28.640
<v Speaker 1>stuff hanging out, you know, you don't have much light

0:39:28.719 --> 0:39:31.520
<v Speaker 1>going through, Something's going to happen to someone's parts. Well,

0:39:31.640 --> 0:39:33.720
<v Speaker 1>I feel the same way when my son is running

0:39:33.719 --> 0:39:36.640
<v Speaker 1>around naked, like my thought is he's going to fall

0:39:36.719 --> 0:39:39.279
<v Speaker 1>and skin his winger on the concrete, and I and

0:39:39.360 --> 0:39:41.440
<v Speaker 1>I just like, let's let's get some pants on him

0:39:41.920 --> 0:39:44.600
<v Speaker 1>just so when he falls that he's not gonna hurt

0:39:44.640 --> 0:39:50.759
<v Speaker 1>his wir You're good dad. Alright, guys, let us know,

0:39:51.040 --> 0:39:54.240
<v Speaker 1>would you go through Haunted House naked? Yes? And scenes

0:39:54.360 --> 0:39:58.840
<v Speaker 1>from films, comics, literature that have featured nude fights that

0:39:58.960 --> 0:40:02.319
<v Speaker 1>were really that it actually worked and actually had had

0:40:02.360 --> 0:40:04.440
<v Speaker 1>some sort of effect on you as a viewer a reader.

0:40:04.760 --> 0:40:06.359
<v Speaker 1>Let us know about those as well. You can find

0:40:06.440 --> 0:40:08.240
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0:40:08.280 --> 0:40:10.359
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0:40:10.440 --> 0:40:13.200
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0:40:13.280 --> 0:40:15.719
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0:40:15.719 --> 0:40:17.800
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0:40:17.960 --> 0:40:20.719
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0:40:20.719 --> 0:40:23.279
<v Speaker 1>a line at below the Mind at discovery dot com

0:40:28.600 --> 0:40:31.000
<v Speaker 1>for more on this and thousands of other topics. Because

0:40:31.040 --> 0:40:32.279
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