WEBVTT - Even They Missed It! (“Funk” S1 E21) 0:00:01.760 --> 0:00:05.200 And that's what you really missed with Jenna and Kevin 0:00:05.519 --> 0:00:10.799 an iHeartRadio podcast. Welcome to and that's why you really 0:00:10.920 --> 0:00:22.400 miss podcast Funk. She's steel on the baseline. Hi Kevin, 0:00:22.680 --> 0:00:24.720 Hi Jenna. We're almost at the end of the first season. 0:00:24.960 --> 0:00:28.800 That's crazy. If you've made it this far on our podcast, 0:00:28.880 --> 0:00:31.640 pat yourselves on the back. Thank you for sticking with us. 0:00:32.280 --> 0:00:36.000 We're proud of you, We're thankful for you, and I'm 0:00:36.000 --> 0:00:39.720 happy we didn't do it without you. Somehow tricked Jenna 0:00:39.840 --> 0:00:42.199 and to hanging out with me every week to do this, 0:00:42.880 --> 0:00:47.239 So we tricked each other, really tricked. Yeah exactly, Yeah exactly. 0:00:48.120 --> 0:00:55.440 Um so funk Okay, okay. This episode aired June one, 0:00:55.480 --> 0:01:01.120 twenty ten, And when we when this episode came out, 0:01:01.160 --> 0:01:05.760 we were still on our first tour, right. We were 0:01:05.800 --> 0:01:14.399 in New York performing at Radio City. Very exciting, very exciting, legendary. 0:01:15.400 --> 0:01:17.960 What else you had already performed at Radio City before, 0:01:18.000 --> 0:01:21.920 hadn't you? I just imagine you had no. Thank you 0:01:22.000 --> 0:01:25.000 for thinking that. No, I had not, So this was 0:01:25.040 --> 0:01:29.800 like a really even like even extra big deal for you. Yeah. Yeah, 0:01:29.800 --> 0:01:32.479 Like the Radio City is like the mecca of New York. 0:01:32.560 --> 0:01:35.360 It's the Rockets. You think Christmas, you think you know, 0:01:35.440 --> 0:01:37.600 like I didn't. I didn't see a ton at Radio 0:01:37.680 --> 0:01:42.240 City except for like the Rockets. Yeah, I was really it. Yeah, 0:01:42.280 --> 0:01:45.520 and it's just like an iconic venue. Everybody knows it. 0:01:45.800 --> 0:01:48.480 Oh yeah, this was huge, This was a big deal. 0:01:49.160 --> 0:01:52.480 I remember when we did it. We we got to 0:01:52.520 --> 0:01:56.000 go up on that Marquis and take pictures. And I 0:01:56.040 --> 0:01:58.840 remember my mom and my family came to this and 0:01:58.880 --> 0:02:00.800 my mom and my sister were across street like watching 0:02:00.880 --> 0:02:03.520 us in the whole block filled up with people. I 0:02:03.520 --> 0:02:06.000 don't think I was up there. You did you not 0:02:06.040 --> 0:02:09.239 make it up there? Not not not only heights? Oh oh yeah, 0:02:09.280 --> 0:02:12.200 maybe you didn't. Yeah, some of us did. And I 0:02:12.240 --> 0:02:14.240 just remember my mom and sister telling me that they 0:02:14.240 --> 0:02:16.720 were concerned because kids were running into the street and 0:02:16.760 --> 0:02:19.520 they're you know, New York taxi drivers don't care if 0:02:19.520 --> 0:02:22.080 there's a human in the way, right, they're going to go. 0:02:23.200 --> 0:02:27.600 But that was so so insane for a number of reasons. 0:02:27.760 --> 0:02:30.200 I also, do you remember like Chris had his birthday 0:02:30.280 --> 0:02:32.520 and we all went out, we went out to the 0:02:32.520 --> 0:02:36.120 Greenhouse right without it was. That was so much fun, 0:02:36.360 --> 0:02:39.200 wild times. That was crazy. That was really fun and 0:02:39.240 --> 0:02:42.520 then um, while we were in New York, I remember 0:02:42.600 --> 0:02:45.400 speaking of looking down at the street our dressing rooms, 0:02:45.440 --> 0:02:48.280 you could see out into the entrance to where the 0:02:48.360 --> 0:02:52.520 fans were, Yes, where the stage door is, if you will, 0:02:52.960 --> 0:02:56.040 and um, we would wave at fans and like talk 0:02:56.080 --> 0:02:58.720 to them and joke at them, and we were like 0:02:58.800 --> 0:03:03.920 joking about flashing them. We didn't. And and we also 0:03:03.960 --> 0:03:06.240 did elvis or Amzy Morning Zoo, which is where we 0:03:06.280 --> 0:03:09.200 got that insane chalkboard that you help on too for 0:03:09.840 --> 0:03:14.560 twenty years. Yep. And I just remember too. This also 0:03:14.639 --> 0:03:18.040 felt like we I think we had some crew members there. 0:03:18.040 --> 0:03:19.639 It was New York, so people were there. It's an 0:03:19.639 --> 0:03:22.800 easier city to get to people. You know, it's a destination. 0:03:23.120 --> 0:03:27.400 Jane and I came. Yeah, And I remember the stage 0:03:27.440 --> 0:03:30.280 door area when we would leave, because I think we 0:03:30.280 --> 0:03:32.840 did to Matinee at some point and we might have 0:03:33.400 --> 0:03:36.760 been being shuttled to and from the hotel to venue 0:03:36.840 --> 0:03:42.720 and kids were chasing our vans and it was mostly 0:03:42.760 --> 0:03:45.360 just so unsafe for people to be doing that. But 0:03:45.480 --> 0:03:48.800 it felt like I did feel like we were the 0:03:48.960 --> 0:03:52.120 Beatles for a second. Didn't remember that when you like 0:03:52.200 --> 0:03:57.560 the most stereotypical image of I don't know, like celebrity 0:03:57.760 --> 0:04:01.160 or fame or ever what have you to me was 0:04:01.240 --> 0:04:05.560 that of musicians getting chased by people in cars and things. 0:04:05.560 --> 0:04:08.880 And it was very surreal because you know, we felt 0:04:08.920 --> 0:04:11.400 like a glorified cover band. No, for sure, I think 0:04:11.400 --> 0:04:13.760 we named it as that was happening. We were with 0:04:13.800 --> 0:04:17.320 our amazing security, Clinton and Todden, maybe not Toddy at 0:04:17.360 --> 0:04:19.880 that point, but Clinton and we were on the bus 0:04:19.880 --> 0:04:22.480 and somebody said maybe you was like, this feels like 0:04:22.520 --> 0:04:24.480 the Beatles, or like what the Beatles had, like a 0:04:24.880 --> 0:04:27.559 this is like a taste of what they experienced. Girls 0:04:28.560 --> 0:04:30.440 haanging on the bus while we were at like a 0:04:30.520 --> 0:04:32.960 red light, and then the girl was running in flip 0:04:32.960 --> 0:04:35.599 flops and we were like, somebody, please stop her before 0:04:35.600 --> 0:04:38.400 she gets run over, Like it really was a safety issue. 0:04:38.440 --> 0:04:40.680 But it was also very cool to be in New 0:04:40.760 --> 0:04:45.159 York and performing had such an iconic theater and we 0:04:45.240 --> 0:04:48.760 had that incredible impromptu little rap party because it's we 0:04:48.720 --> 0:04:50.719 were ended there and that's where we ended up at 0:04:50.720 --> 0:04:53.800 the little bar. And it went from us being at 0:04:53.800 --> 0:04:57.680 tables like eating like normal people, and before we knew it, 0:04:57.720 --> 0:05:00.360 all the tables were moved out of the way, dance for, 0:05:00.960 --> 0:05:05.280 Dance for and do you remember um before that? That 0:05:05.720 --> 0:05:08.640 was the time that Ian and all of them came 0:05:08.720 --> 0:05:11.640 up on stage duringing like a prayer. It surprised us. 0:05:11.680 --> 0:05:14.200 And then there was also that cake they made that 0:05:14.320 --> 0:05:17.200 was the Radio City cake. It looked like the front 0:05:17.240 --> 0:05:19.760 of the marquis of Radio City and I was like this, 0:05:19.920 --> 0:05:25.080 I'll be I forgot about that. It's also when I 0:05:25.120 --> 0:05:28.000 got Naya to do because the last show and so 0:05:28.040 --> 0:05:32.760 everyone was acting a fool. Yes, but Ryan and all 0:05:32.800 --> 0:05:34.200 the bosses were there, so we didn't want to do 0:05:34.240 --> 0:05:38.280 too much. But I had convinced Naya and Chris Pooley 0:05:38.360 --> 0:05:42.800 are m d two? Um add a little extra hit? 0:05:43.279 --> 0:05:47.039 And what was it? What song was it? Was it 0:05:47.080 --> 0:05:49.159 the Boys Boys Mind? Yes? I think it was the 0:05:49.160 --> 0:05:52.280 Boy's Mine. It was like a Michael Jackson style hit. 0:05:52.320 --> 0:05:55.000 And she like did the Michael Jackson pose? Oh that's right. 0:05:55.279 --> 0:05:58.280 And I'm like, no one's gonna knows that tickock me? 0:05:58.680 --> 0:06:02.840 No one's gonna know and no one did. I remember. 0:06:02.880 --> 0:06:04.720 I brought it up to Ryan like did you notice? 0:06:04.720 --> 0:06:07.080 He's like, no, I thought the song just skipped. We're 0:06:07.120 --> 0:06:10.359 not playing it off of CD. It's not going to 0:06:15.160 --> 0:06:17.720 hit a bump in the CD skips. That's not how 0:06:17.760 --> 0:06:21.880 this works. Um, all right, should we should we get 0:06:21.880 --> 0:06:26.880 into this episode? So this is an interesting episode because you, 0:06:27.279 --> 0:06:30.479 I think we have similar feelings about this episode, but 0:06:30.839 --> 0:06:35.480 differing feelings about this episode. I didn't hate it as 0:06:35.560 --> 0:06:41.280 much as I thought I would. Interesting, I hated it more. 0:06:44.279 --> 0:06:48.040 Here's the thing. I didn't hate it. Yeah. I think 0:06:48.080 --> 0:06:50.839 it's the first time because coming into the season, because 0:06:50.839 --> 0:06:53.200 we're towards the end, there were episodes that you and 0:06:53.240 --> 0:06:57.880 I clearly remember disliking and every time I've been surprised 0:06:57.880 --> 0:07:01.320 so far where I really enjoyed all those episodes. This 0:07:01.400 --> 0:07:07.360 was the first episode that I felt like it was filler, 0:07:08.240 --> 0:07:10.280 you know, where I was like, Okay, we're at the end, 0:07:10.480 --> 0:07:13.560 what are we going to do? And you go it's 0:07:14.000 --> 0:07:16.400 I think almost every single time there's a song, it 0:07:16.440 --> 0:07:21.080 feels really weird and forced. Also, the whole thing was funk. 0:07:21.960 --> 0:07:27.440 I think Amber's face in the first choir room scene 0:07:27.560 --> 0:07:30.680 really sums up my entire feeling about this episode. Interesting 0:07:30.680 --> 0:07:33.960 because I think she's the viewer, you know, she's acting 0:07:34.040 --> 0:07:37.160 as the viewer in this of being like, is this 0:07:37.280 --> 0:07:40.800 how we need to be taught Funk Amber. There is 0:07:40.840 --> 0:07:46.440 also the like the scale of how cringey this episode is. Yes, 0:07:47.680 --> 0:07:53.480 her face is. She really was doing heavy lifting in 0:07:53.520 --> 0:07:59.800 the Eye region, and I think this would have been crazy, 0:08:00.040 --> 0:08:06.680 but well, I just totally unacceptable. Yeah, okay, So before 0:08:06.680 --> 0:08:09.200 we get into it, the for number one song was 0:08:09.280 --> 0:08:13.240 still MG featuring will I Am by a Shirt, and 0:08:13.480 --> 0:08:16.640 the movie was still Shruck Forever after which I still 0:08:16.680 --> 0:08:22.280 haven't seen. And we've still got our special vocal adrenaline 0:08:22.400 --> 0:08:26.640 frozen friends Adina and John A Finn, and we are 0:08:26.680 --> 0:08:30.560 missing miss Jama Mays in this episode. And this is 0:08:30.640 --> 0:08:36.280 the filler episode, the penultimate episode before our regional's moment. 0:08:36.880 --> 0:08:39.880 And again I do think this was flipped an airing order. 0:08:40.280 --> 0:08:42.640 I think we shot it, we did Funk, then we 0:08:42.679 --> 0:08:45.480 did theatricality and then journey to regionals. But I think 0:08:45.520 --> 0:08:47.720 for some reason you are correct. I think it's because 0:08:47.800 --> 0:08:50.480 Ryan thought this episode was not great they swapped it, 0:08:50.520 --> 0:08:54.200 and I don't know why you are correct, but yeah, 0:08:54.240 --> 0:08:59.360 so Ladie Keane is back directing this. Ian Brennan wrote it, well, 0:08:59.400 --> 0:09:02.599 you know all of them. Elie did so many episodes. 0:09:02.840 --> 0:09:04.680 She did she did a lot of episodes in the 0:09:04.720 --> 0:09:07.920 first first season. I also thought about maybe they swapped 0:09:07.920 --> 0:09:11.440 it because maybe American Idol was like their finale was 0:09:11.600 --> 0:09:14.040 around the time of theatricality or something like that. I 0:09:14.040 --> 0:09:17.240 don't know. I think you may be exactly correct. I 0:09:17.320 --> 0:09:20.480 think that there was some reason why. Yeah, and that 0:09:20.559 --> 0:09:32.200 makes sense. There were a lot of songs in this episode. 0:09:32.400 --> 0:09:35.640 Tell Me we have another one, Bites the Dust Um 0:09:36.320 --> 0:09:39.439 by Queen that Jesse, Saint James and Vocal journalin Do 0:09:39.800 --> 0:09:42.920 tell Me Something Good by Rufus and Chaka Khan, That 0:09:44.120 --> 0:09:51.080 Little Schuster Does Um Loser by Beck, That Puck and 0:09:51.160 --> 0:09:56.240 Finn and Hart Bamboo and Saint Maryson Harry Schuster, It's 0:09:56.280 --> 0:10:00.600 a Little Acafella's Momentum. It's a Man's War World by 0:10:00.679 --> 0:10:04.680 James Brown, performed by Quinn and the Unmed Mothership Connection, 0:10:07.240 --> 0:10:10.720 Good Vibrations by Marky Marking, The Funky Bunch performed by Finn, Hudson, 0:10:11.360 --> 0:10:14.600 Mercedes and Noah Puckerman and give Up the Funk by 0:10:14.600 --> 0:10:19.920 Parliament sunk by the new directions. I would also like 0:10:19.960 --> 0:10:21.640 to point out something else about the music, and I 0:10:21.679 --> 0:10:26.400 don't know if you noticed this. The vocals and the 0:10:26.559 --> 0:10:32.200 episode were mixed so strangely, you know, I did notice 0:10:32.240 --> 0:10:35.760 that it hasn't happened. So there's some episodes where depending 0:10:35.800 --> 0:10:38.679 on the scene, they'll mix the lead vocal a little higher, 0:10:38.720 --> 0:10:42.040 and it's always worked. There's some reason why they're doing it. 0:10:42.400 --> 0:10:46.720 This episode, it makes no sense. Another one bites the dust. 0:10:47.080 --> 0:10:51.440 It sounds like Groff's vocal is seventy percent of what 0:10:51.520 --> 0:10:54.400 you're hearing. Yes, everything else is buried underneath it. And 0:10:54.400 --> 0:10:57.800 then when it gets to give up the funk, you 0:10:57.840 --> 0:11:01.439 can't even hear Amber's ablebs at the end, and she's wailing, 0:11:02.280 --> 0:11:05.240 and they're like, and she's featured on screen singing, but 0:11:05.280 --> 0:11:08.320 it's her vocal is buried underneath everything, and all you 0:11:08.360 --> 0:11:12.880 hear is done mother. How Well, there's a lot going 0:11:12.960 --> 0:11:16.760 on during this time, and I feel like this was 0:11:16.800 --> 0:11:19.640 around the time at the recording studio when we would 0:11:19.640 --> 0:11:22.120 go in, we would hear from Adam or Alex. Was 0:11:22.160 --> 0:11:25.400 Alex around at this point yet his brother, Adam's brother. 0:11:26.080 --> 0:11:29.000 He becomes like our main guy for a while and yeah, 0:11:29.880 --> 0:11:33.720 we hear this has to be sent to Sweden, yeah, 0:11:33.800 --> 0:11:37.600 overnight and then mix and come back. And I don't 0:11:37.640 --> 0:11:40.040 know that there was always the case that it always 0:11:40.080 --> 0:11:43.200 got mixed there it was, it was okay, So it 0:11:43.200 --> 0:11:44.959 has nothing to do with it, no, because it was 0:11:44.960 --> 0:11:47.360 a twenty four hour thing. Their whole system was that 0:11:47.440 --> 0:11:49.920 we record in la while they make the tracks in Sweden, 0:11:50.000 --> 0:11:52.000 and then they mix the tracks in Sweden. So it's 0:11:52.040 --> 0:11:54.160 a full twenty four hour loop where we don't lose 0:11:54.600 --> 0:11:57.720 any time, got it? It was the I think it 0:11:57.760 --> 0:12:02.200 was in post production that they mess with the vocals 0:12:02.960 --> 0:12:05.720 and the actual episode because those are different than the recordings. 0:12:05.760 --> 0:12:10.000 It's the same actual vocal, but the mix is different. 0:12:10.160 --> 0:12:13.880 Interesting for the interesting interesting. I don't know why. There's 0:12:13.920 --> 0:12:18.240 a good interesting point, all right. The episode summary. What 0:12:18.600 --> 0:12:23.920 happens in this episode, you know, not a lot. So 0:12:25.000 --> 0:12:29.079 the Glee Club gets bamboozled slapped across the face by 0:12:29.240 --> 0:12:33.959 Jesse St. James, which sends them into a tailspin. And 0:12:34.000 --> 0:12:40.680 then that's also sort of how um you know, Shoe 0:12:40.760 --> 0:12:44.720 comes up with his plan for the week, last minute plan, 0:12:45.040 --> 0:12:50.600 last minute plan, which then helps Mercedes and Quinn connect 0:12:51.520 --> 0:12:55.679 over some serious issues. It's like this serious thing going 0:12:55.720 --> 0:12:58.400 on while everybody else in Glee Club has lost their minds. 0:12:59.320 --> 0:13:05.440 And then Will and Sue have a very interesting Little 0:13:05.960 --> 0:13:11.120 Tango if you yeah, yeah, yeah, a fun revenge storyline. Right, 0:13:11.200 --> 0:13:14.679 do you want to talk about Jesse Saint James's storyline first? Sure? 0:13:15.160 --> 0:13:19.880 All right, So Jesse's named James transferred back to Carmel 0:13:20.320 --> 0:13:23.360 and he goes to Vocal Adrenaline. Goodbye, easy to just 0:13:23.480 --> 0:13:29.200 swap schools like this? No, okay, no, didn't think so. 0:13:30.880 --> 0:13:33.040 But you know what, maybe his transcripts were all there 0:13:33.120 --> 0:13:34.720 and he was just a click of a button. Who 0:13:34.760 --> 0:13:38.120 knows he's pretty? He is pretty. So he goes back 0:13:38.120 --> 0:13:45.240 to Vocal Adrenaline and and they end up performing for us. 0:13:45.360 --> 0:13:48.959 I don't randomly out of nowhere, just come back and 0:13:49.840 --> 0:13:55.240 perform another one Bites the Dust, which is an incredible 0:13:55.280 --> 0:14:00.600 vocal from I mean, they looked great. Yeah, but they're 0:14:00.640 --> 0:14:04.040 doing it as as a strategy that they always do 0:14:04.200 --> 0:14:09.160 to freak out their competition at regionals. So this is 0:14:09.160 --> 0:14:12.120 one of those episodes two where the episode title is 0:14:12.280 --> 0:14:16.400 mentioned about eighty times. So their plan is to psych 0:14:16.520 --> 0:14:19.640 us out, to send us into a funk funk if 0:14:19.680 --> 0:14:26.480 you will, if you will? Oh, and and then we 0:14:26.600 --> 0:14:29.960 go into so Rachel's very upset and we go into 0:14:30.360 --> 0:14:34.120 the choir room and Kurts like, I mean, it's going 0:14:34.200 --> 0:14:36.240 to take a lot more than that to like send 0:14:36.320 --> 0:14:41.440 us into a funk. And we find our entire choir 0:14:41.520 --> 0:14:44.080 room has been toilet paper, which is really fun to 0:14:44.200 --> 0:14:49.040 shoot in. You remember props. Can you imagine how long 0:14:49.080 --> 0:14:52.360 that took a lot of paper? You can't like reshoot 0:14:52.400 --> 0:14:55.520 that like once we start taking it down, but we didn't. No, 0:14:55.640 --> 0:14:58.000 I can see. It's very intentional about you see what 0:14:58.160 --> 0:15:00.760 we're perfectly splayed out one of us and we just 0:15:00.800 --> 0:15:02.480 stop as soon as we enter so we don't touch 0:15:02.520 --> 0:15:05.120 it and mess it up some to reset it like 0:15:05.280 --> 0:15:08.320 gout dot to the doilet paper. Yeah, and of course 0:15:08.360 --> 0:15:10.040 if you tell us not to touch things, we're going 0:15:10.080 --> 0:15:17.400 to touch them. Yeah. So so in retaliation, Puck and 0:15:17.560 --> 0:15:20.880 Finn decide that there because mister Shoe's like, well, let's 0:15:20.880 --> 0:15:23.320 get them back, right, Let's let's kind of like hit him, 0:15:23.320 --> 0:15:25.520 wear it hurts and do this bag and Punk and 0:15:25.560 --> 0:15:27.760 Finner like we got it, don't worry about it. Sho's 0:15:27.800 --> 0:15:30.560 got bad ideas. They're lame. And it was this funny 0:15:30.600 --> 0:15:33.720 voice over with Puck being like, obviously we knew it 0:15:33.720 --> 0:15:37.120 was gonna come down to us. Also, like mister Shoe 0:15:37.160 --> 0:15:40.040 being like get them back. You're like, WHOA hold up 0:15:40.040 --> 0:15:43.920 a second, mister Shoe crosses the line so many times 0:15:43.960 --> 0:15:48.440 this episode. Yes, agreed, Okay, let's just put that out there. Yeah, 0:15:48.920 --> 0:15:52.040 so pucking Finn slash all the Vocal Adrenaline range rovers, 0:15:52.080 --> 0:15:54.280 which it was very funny to watch, and also range 0:15:54.360 --> 0:15:58.720 rovers in high school. That's crazy. Um. Even though I 0:15:59.000 --> 0:16:02.520 was able to get myself a range Rover at this point, 0:16:02.520 --> 0:16:05.160 this was exciting. Yeah, in real life I was able 0:16:05.200 --> 0:16:07.760 to I've lived the dream of the range Rover and 0:16:07.840 --> 0:16:10.920 it's over and it's gone. But I went to a 0:16:11.000 --> 0:16:13.200 high school. I went to private school one year of 0:16:13.280 --> 0:16:14.880 high school. It's the only year I ever went to 0:16:14.880 --> 0:16:18.120 private school. I so did not fit. I could not 0:16:18.200 --> 0:16:23.080 afford private school. And I remember all these kids driving 0:16:23.080 --> 0:16:27.840 around and like really expensive cars. And I was getting 0:16:27.880 --> 0:16:30.640 dropped off by my mom every day in our old car, 0:16:30.720 --> 0:16:32.600 and I was like, oh, drop me out at the car. 0:16:32.680 --> 0:16:34.640 Who are these kids? I had just moved to LA. 0:16:34.680 --> 0:16:37.200 I'm like, I don't know about this, right is right? 0:16:37.600 --> 0:16:44.760 I'm poor? Yeah? Anyway, So, so Vocal Adrenaline's gift with 0:16:44.880 --> 0:16:47.960 a very good booster club kids range rovers for their 0:16:48.000 --> 0:16:52.440 win and fucking Finn slash the tires and they end 0:16:52.560 --> 0:16:55.720 up in Fagin's office where they get in trouble and 0:16:56.040 --> 0:16:58.520 mister She's like, it's a harmless prank, which it's not, 0:16:58.920 --> 0:17:06.399 and Shelby car grin and not pressing charges and umh. 0:17:06.640 --> 0:17:09.120 And Finn comes to the rescue by saying that they'll 0:17:09.160 --> 0:17:11.800 get jobs and pay them back by the end of 0:17:11.800 --> 0:17:13.720 the year, which is also crazy that like Sheets and 0:17:13.800 --> 0:17:16.720 Things is not going to pay back for tires twenty tires, 0:17:16.720 --> 0:17:22.600 but anyways, um but they get a job at Sheets 0:17:22.640 --> 0:17:26.480 and Things and Terry's back. So Terry comes back and 0:17:28.960 --> 0:17:35.720 she has this really inappropriate crush on Finn. She sees 0:17:35.800 --> 0:17:39.600 him as mister Shoe. She gets has this really inappropriate 0:17:39.640 --> 0:17:42.399 crush on him after they sing Loser, which we'll talk 0:17:42.440 --> 0:17:46.879 about in a second, and it's do you also know 0:17:47.000 --> 0:17:51.320 when she was like, we'll just put it into the iTunes, yes, 0:17:51.840 --> 0:17:53.800 which I also feel like was a nod to what 0:17:53.880 --> 0:17:58.440 they did this episode in real life, And that's no shade. 0:17:58.840 --> 0:18:01.520 I think they told us like sometimes when they had, 0:18:03.600 --> 0:18:06.399 you know, the plot or like the buzzword that they 0:18:06.440 --> 0:18:09.440 wanted to use for an episode, they would just throw 0:18:09.480 --> 0:18:14.880 it in, which is why all these songs. I feel 0:18:14.880 --> 0:18:18.680 like Loser was a pitch from Corey. I don't know, 0:18:18.960 --> 0:18:21.520 maybe yeah, I feel like Corey or Mark would have 0:18:21.560 --> 0:18:24.639 pitched Loser. For sure. It was not how I thought. 0:18:25.440 --> 0:18:26.960 I wouldn't think a Beck song would be in a 0:18:27.000 --> 0:18:29.880 funk episode, but here we are. I canna say, honestly, 0:18:29.960 --> 0:18:32.400 for the song itself, on the way that it was 0:18:33.600 --> 0:18:35.720 presented in the episode, I thought I did it a 0:18:35.720 --> 0:18:39.520 great job shooting it like it was. She kept it interesting. Yeah, 0:18:39.600 --> 0:18:43.680 she kept it, you know, funny and weird, and it 0:18:43.720 --> 0:18:45.760 was like what do you do with that? Like as 0:18:45.760 --> 0:18:47.480 a director, I'd be like what do I do with this? 0:18:47.720 --> 0:18:49.240 So I thought she did a great job with it, 0:18:49.359 --> 0:18:52.440 especially because again, if I think we should just mention 0:18:52.520 --> 0:18:55.840 how we get into some of these songs where Tobolowski 0:18:55.960 --> 0:18:59.080 is like, where's my muzach And that's how we get 0:18:59.080 --> 0:19:02.320 into Loser, and to go and put on the music 0:19:02.720 --> 0:19:09.440 a boom, like what's yeah? No, just have their guitars there? 0:19:10.080 --> 0:19:13.760 Yeah yeah, That's where I set out loud no less 0:19:13.760 --> 0:19:17.199 than three times reminding myself and my friends who are 0:19:17.240 --> 0:19:29.000 watching with me last night, it's a satire. Okay, um okay, 0:19:29.040 --> 0:19:32.639 so then what tell me? No, I was just I 0:19:32.680 --> 0:19:35.000 had so a friend was watching this with me last 0:19:35.080 --> 0:19:37.240 night and he's never seen Glee, and he sat down 0:19:37.240 --> 0:19:40.680 like halfway through this episode. No, that's not through his eyes, 0:19:40.680 --> 0:19:45.000 and I was like, this is not because if you know, 0:19:45.600 --> 0:19:50.080 if you were to watch this episode with no context, 0:19:51.040 --> 0:19:55.359 even with context, it's still odd and without context, he 0:19:55.600 --> 0:19:57.760 had questions and he didn't understand that it was a comedy. 0:19:58.119 --> 0:20:00.119 I was like, no, this is a comedy show. The 0:20:00.119 --> 0:20:03.480 first season at least is and then yeah, it was great. 0:20:03.920 --> 0:20:07.879 It was really enlightening for me. An interesting, Okay, what 0:20:07.960 --> 0:20:11.800 did they How did they respond? They were like, oh 0:20:11.840 --> 0:20:16.720 I was so worried. Okay, got it, Like everyone is 0:20:16.720 --> 0:20:20.399 so mean to each other, Like, yeah, it's a satire exactly, 0:20:21.760 --> 0:20:25.280 speaking of being mean. So Jesse Saint James calls Rachel 0:20:25.320 --> 0:20:28.800 out to the parking lot after they've been toilet paper 0:20:28.840 --> 0:20:34.920 and been yeah, thank you, range rover tires have been slashed, 0:20:35.520 --> 0:20:36.919 and he says to me on the parking lot and 0:20:37.000 --> 0:20:43.960 Rachel runs out again satire Smolmo running slowmore, running toward 0:20:44.119 --> 0:20:49.520 Jessie and she gets egged. That looked like it hurts 0:20:49.560 --> 0:20:52.919 so bad. And I remember Lea saying it got hurt. Um, 0:20:52.920 --> 0:20:54.840 she also had a double if you didn't notice, like 0:20:54.880 --> 0:20:57.199 there was at one point when she gets hit all 0:20:57.200 --> 0:20:59.080 over the place, you see it's a there's a wig 0:20:59.119 --> 0:21:02.040 and it's not her must have been her standard. But um, 0:21:03.600 --> 0:21:07.199 it was crazy and it kept me. It made me 0:21:07.240 --> 0:21:11.160 think of Never Been Kissed, one of my favorite movies. 0:21:11.760 --> 0:21:15.040 When she gets egged, which is so sad, but Jesse 0:21:15.280 --> 0:21:19.080 eggs her and the whole Vocal Adjournine team eggs her, 0:21:19.160 --> 0:21:23.760 and it was really sad. And then Rachel says, now 0:21:23.800 --> 0:21:25.520 I keep having nightmares of all the mothers of the 0:21:25.520 --> 0:21:30.360 little baby chicks coming at me for revenge, which yeah, 0:21:30.400 --> 0:21:32.359 and Vocal a Journaline for all the money they have. 0:21:32.400 --> 0:21:34.159 They're sure in the same outfits they were at the 0:21:34.160 --> 0:21:40.000 beginning of the episode. Sorry, I'm gonna be Debi downer 0:21:40.080 --> 0:21:44.600 this episode, pointing that rubbed me the wrong way. That's okay, 0:21:44.640 --> 0:21:47.800 I'm a hater. I guess I'm a hater today. Um, 0:21:48.160 --> 0:21:50.600 it's all right, we're all. We're all. We can be 0:21:50.640 --> 0:21:53.040 haters of some episodes, not all of them. So we 0:21:53.160 --> 0:21:55.359 talked about maybe the weirdest part of this episode, the 0:21:55.400 --> 0:21:59.360 Sue and Will feud thing that happens. Yeah, let's talk 0:21:59.400 --> 0:22:06.160 about that. But so when vocal Journaline tps and does 0:22:06.200 --> 0:22:10.120 the surprise performance for the new directions, somebody's like, how 0:22:10.119 --> 0:22:12.080 did they get in all their equipment? Which I loved 0:22:12.080 --> 0:22:15.200 they actually addressed because you know how many times things 0:22:15.240 --> 0:22:17.320 magically appear in the show, we don't dress them. And 0:22:17.359 --> 0:22:20.880 then Sue marches in saying, oh, I let I gave 0:22:20.920 --> 0:22:22.640 them keys. I did a sound check with them earlier, 0:22:22.920 --> 0:22:25.080 like I helped them, And then she goes on this 0:22:25.080 --> 0:22:27.520 whole rant about how she needs to blow out the 0:22:27.560 --> 0:22:30.800 wall because she's going to put in a new trophy 0:22:30.920 --> 0:22:32.920 for when she wins Nationals in the glee club loses 0:22:33.000 --> 0:22:36.720 regionals and she gets to take over the room and 0:22:38.160 --> 0:22:43.080 rightly so this pisses off Will, which starts, which starts 0:22:43.119 --> 0:22:48.040 off this whole almost fever dream of a storyline. Pause. 0:22:48.080 --> 0:22:51.880 Do you remember the breaking of this trophy? The throwing 0:22:51.880 --> 0:22:55.320 of the trophy? I don't remember it. Okay, I don't either, 0:22:55.400 --> 0:22:57.520 and I feel like I would have remembered something like that, 0:22:57.560 --> 0:22:59.520 But I think it was a real trophy, like I 0:22:59.600 --> 0:23:01.840 go plastic one. It wasn't like a dummy one or 0:23:01.840 --> 0:23:04.320 anything like that, and he actually had to like throw it, 0:23:04.359 --> 0:23:08.840 and I think I remember them being like, don't close 0:23:08.880 --> 0:23:10.960 your eyes because like then he want us to get 0:23:10.960 --> 0:23:13.040 particles or pieces and our eyes. We're like, we're fine, 0:23:13.080 --> 0:23:18.480 We're fifty feet away, right. Anyway, they're always very cautious. 0:23:18.520 --> 0:23:20.960 Card I guessed though, when he threw it, I was like, oh, mister, 0:23:21.000 --> 0:23:26.080 she was good, Yeah, yeah, okay, continue one. Yeah. So 0:23:26.400 --> 0:23:31.240 while Rachel is you know, also Will is mad. Rachel's 0:23:31.280 --> 0:23:34.479 upset about this whole breakup, and She's saying, you know, 0:23:34.640 --> 0:23:36.520 destroyed at the heart of the team's heart, then destroy 0:23:36.600 --> 0:23:38.880 the team. And then Will of course with light bulb 0:23:40.720 --> 0:23:47.919 and so he starts courting Sue. Really, so there's a 0:23:47.920 --> 0:23:51.520 lot of late night they're at the school by themselves 0:23:52.359 --> 0:23:59.440 after hours, not sure why. Darkness, yes, darkness. And so 0:23:59.440 --> 0:24:02.320 Sue comes into the choir room late one night and 0:24:02.359 --> 0:24:04.880 Will was like, Hey, I need to ask you some questions. 0:24:04.880 --> 0:24:08.359 I'm I'm wondering about this idea for regionals, but I 0:24:08.400 --> 0:24:10.720 don't know if it's you know, too suggestive. Can I 0:24:10.760 --> 0:24:14.239 do it for you? And after he also had been 0:24:14.280 --> 0:24:18.280 complimenting her skin for what felt like an eternity. Yeah, 0:24:18.320 --> 0:24:23.800 and God Jane is just so good. So she's I'm 0:24:23.840 --> 0:24:27.239 never just not like flabbergasaid about how good she is 0:24:27.320 --> 0:24:30.520 in all of these different weird situations. She sells anything 0:24:30.560 --> 0:24:33.720 and it makes everything work. Yep, makes everything work. So 0:24:33.920 --> 0:24:43.680 he performs tell me something good. Um, it made me uncomfortable. Honestly, 0:24:43.720 --> 0:24:46.760 I have to say, Malik good, Malik? Did he did? 0:24:47.000 --> 0:24:48.720 I think it was? It's like I don't want to 0:24:48.760 --> 0:24:52.920 watch my parents. Yes, blurt it was, yes, yes, yes, 0:24:53.080 --> 0:24:57.040 I didn't like that. Yes, I agree, And then Sue's 0:24:57.080 --> 0:25:01.160 like what's happening, and she's journaling and being like, oh 0:25:01.240 --> 0:25:04.320 my god, I think I have a crush on Will Schuster. 0:25:04.800 --> 0:25:07.520 Like now I'm actually picturing his head on the pillow 0:25:07.520 --> 0:25:08.919 next to me when I wake up, and it's attached 0:25:08.960 --> 0:25:12.399